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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;CkYBQ349cCp7ImA9WhRVF0s.&quot;"><id>tag:blogger.com,1999:blog-12293717</id><updated>2012-01-17T00:29:12.068Z</updated><category term="drew barrymore" /><category term="LensHeads Film School" /><category term="revenge" /><category term="Who Wants to Be a Millionaire" /><category term="women" /><category term="oscars" /><category term="Kathryn Bigelow" /><category term="the hurt locker" /><category term="bafta" /><category term="North Lanarkshire" /><category term="awards" /><category term="director" /><category term="firstlight" /><category term="backfire" /><category term="Danny Boyle Cashes in on Slumdog Millionaire" /><category term="film" /><category term="Alex Arthur" /><category term="Birds Eye View Film Festival" /><category term="boxing" /><category term="sir Ian McKellen" /><category term="Whip It" /><title>- The Film Academy Blog -</title><subtitle type="html">All the latest e-news and info about the film industry</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://filmacademy.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>101</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/-TheFilmAcademyBlog-" /><feedburner:info uri="-thefilmacademyblog-" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;CkYBQ348eip7ImA9WhRVF0s.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-2441715344158691973</id><published>2012-01-17T00:27:00.001Z</published><updated>2012-01-17T00:29:12.072Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-17T00:29:12.072Z</app:edited><title>Tim Porter's Juggling (2012)</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Uut-i6GttMQpujYMPKBqN5bunqE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Uut-i6GttMQpujYMPKBqN5bunqE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;b&gt;Film Academy Presents Tim Porter's Juggling: A new 20 min short film coming July 2012 to film festivals and VOD Services&lt;p&gt;Andrew Watson, a 27 year old businessman is carrying an overbearing guilt that is eating away at his very existence. Leading two different lives, he is failing to get a grip on either.&lt;p&gt;At the root of his problem is finding himself torn between two women; one being his disabled mother who is solely dependent on her son, the other, Jill (a fellow co-worker), who provides Andrew with an opportunity of a possible future of independence. Andrew is conflicted psychologically. &lt;p&gt;Trying to balance both these lives seemingly puts grave strain on both relationships and his working life. His mother, when left unattended, is accident-prone leading Andrew to be consumed with fear of separation from his mother. This leads him to symptomatically return to the role of a child.&lt;/b&gt; &lt;p&gt;&lt;a href="http://www.facebook.com/pages/Tim-Porters-Juggling-2012/185441288206873?sk=info" TARGET="_BLANK"&gt;click this link to visit the Facebook page to be involved or to follow the film's progress&lt;/a&gt; &lt;p&gt;&lt;p&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy &lt;p&gt;&lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt; &lt;p&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-2441715344158691973?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/EYtDcAxEpuc" height="1" width="1"/&gt;</content><link rel="related" href="http://www.facebook.com/pages/Tim-Porters-Juggling-2012/185441288206873" title="Tim Porter's Juggling (2012)" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/2441715344158691973/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=2441715344158691973&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/2441715344158691973?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/2441715344158691973?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/EYtDcAxEpuc/tim-porters-juggling-2012.html" title="Tim Porter's Juggling (2012)" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-ZRnXa7mG3w4/TxTAfocjQOI/AAAAAAAAAEE/4E2MTFgMkFA/s72-c/location1.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2012/01/tim-porters-juggling-2012.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUMCSX87fip7ImA9WhRVF0g.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-188801887737188118</id><published>2012-01-16T23:44:00.000Z</published><updated>2012-01-16T23:44:28.106Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-16T23:44:28.106Z</app:edited><title>69th Annual Golden Globe Awards Photos | 69th Annual Golden Globe Awards Pictures</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OLzla6Bsj4G--Re6vdtsKVTg0UI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OLzla6Bsj4G--Re6vdtsKVTg0UI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/OLzla6Bsj4G--Re6vdtsKVTg0UI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OLzla6Bsj4G--Re6vdtsKVTg0UI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;b&gt;Click headline to read full story&lt;/b&gt;&lt;p&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy &lt;p&gt;&lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt; &lt;p&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-188801887737188118?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/Nhn7Zoy0Kpw" height="1" width="1"/&gt;</content><link rel="related" href="http://uk.news.yahoo.com/photos/golden-globes-1326732770-slideshow/" title="69th Annual Golden Globe Awards Photos | 69th Annual Golden Globe Awards Pictures" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/188801887737188118/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=188801887737188118&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/188801887737188118?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/188801887737188118?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/Nhn7Zoy0Kpw/69th-annual-golden-globe-awards-photos.html" title="69th Annual Golden Globe Awards Photos | 69th Annual Golden Globe Awards Pictures" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2012/01/69th-annual-golden-globe-awards-photos.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEIDSH4zfCp7ImA9WhRVF0g.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-49470427122842284</id><published>2012-01-16T23:07:00.009Z</published><updated>2012-01-16T23:29:39.084Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-16T23:29:39.084Z</app:edited><title>UK Film Policy Review encourages joint ventures; calls for more lucrative producer recoupment; suggests potential Sky investment legislation</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/CG0qON_S1d0JFrxgGiW2LF3mt5U/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CG0qON_S1d0JFrxgGiW2LF3mt5U/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/CG0qON_S1d0JFrxgGiW2LF3mt5U/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CG0qON_S1d0JFrxgGiW2LF3mt5U/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;b&gt;Click headline to read full story &lt;/b&gt;&lt;p&gt;  &lt;strong&gt;For more info on filmmaking visit Film Academy &lt;p&gt;&lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt; &lt;p&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-49470427122842284?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/WvUzyleCjZA" height="1" width="1"/&gt;</content><link rel="related" href="http://www.screendaily.com/news/uk-ireland/uk-film-policy-review-encourages-joint-ventures-calls-for-more-lucrative-producer-recoupment-suggests-potential-sky-investment-legislation/5036530.article" title="UK Film Policy Review encourages joint ventures; calls for more lucrative producer recoupment; suggests potential Sky investment legislation" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/49470427122842284/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=49470427122842284&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/49470427122842284?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/49470427122842284?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/WvUzyleCjZA/uk-film-policy-review-encourages-joint.html" title="UK Film Policy Review encourages joint ventures; calls for more lucrative producer recoupment; suggests potential Sky investment legislation" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2012/01/uk-film-policy-review-encourages-joint.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEEEQn0zeyp7ImA9WhRVF0g.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-9161477778467175296</id><published>2012-01-16T23:05:00.003Z</published><updated>2012-01-16T23:30:03.383Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-16T23:30:03.383Z</app:edited><title>UK industry welcomes Film Policy Review but cautions that words must be followed by action</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/3raxwtzeoSMC0whmW401Np1JWIk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3raxwtzeoSMC0whmW401Np1JWIk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/3raxwtzeoSMC0whmW401Np1JWIk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3raxwtzeoSMC0whmW401Np1JWIk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;b&gt;Click headline to read full story &lt;/b&gt;&lt;p&gt;  &lt;strong&gt;For more info on filmmaking visit Film Academy &lt;p&gt;&lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt; &lt;p&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-9161477778467175296?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/28TTMY50tdo" height="1" width="1"/&gt;</content><link rel="related" href="http://www.screendaily.com/news/uk-ireland/uk-industry-welcomes-film-policy-review-but-cautions-that-words-must-be-followed-by-action/5036542.article" title="UK industry welcomes Film Policy Review but cautions that words must be followed by action" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/9161477778467175296/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=9161477778467175296&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/9161477778467175296?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/9161477778467175296?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/28TTMY50tdo/uk-industry-welcomes-film-policy-review.html" title="UK industry welcomes Film Policy Review but cautions that words must be followed by action" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2012/01/uk-industry-welcomes-film-policy-review.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0EERH89fip7ImA9Wx9WFkk.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-2617597624605992593</id><published>2011-01-21T21:27:00.002Z</published><updated>2011-01-21T21:33:25.166Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-21T21:33:25.166Z</app:edited><title>Clint Eastwood to direct Beyoncé in remake of A Star Is Born</title><content type="html">
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&lt;a href="http://feedads.g.doubleclick.net/~a/w1ipiyO9iKZnwgGuE5oSVs3zMqE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/w1ipiyO9iKZnwgGuE5oSVs3zMqE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_gp8-OziPXUs/TTn7iwiJ5mI/AAAAAAAAACc/0I9Qal1g7so/s1600/beyonce.jpg" imageanchor="1" style="clear:right; float:right; margin-left:1em; margin-bottom:1em"&gt;&lt;img border="0" height="300" width="200" src="http://4.bp.blogspot.com/_gp8-OziPXUs/TTn7iwiJ5mI/AAAAAAAAACc/0I9Qal1g7so/s400/beyonce.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
CLINT Eastwood is to direct Beyoncé Knowles in the latest remake of A Star Is Born, the classic Hollywood melodrama about a fading, drunken superstar who finds himself eclipsed by a younger model.&lt;br /&gt;
&lt;br /&gt;
Eastwood is planning a musical version, mimicking the direction of the 1976 A Star Is Born, which cast Barbra Streisand alongside Kris Kristofferson and moved the story from the film industry to the music business. &lt;p&gt;Warner Bros had hoped to team Knowles with Will Smith, but this has not yet been confirmed. Robert Downey Jr and Mad Men's Jon Hamm are also rumoured to be under consideration, while Russell Crowe was reportedly in line for the role of the fading older star when news of the project broke last year.&lt;br /&gt;
&lt;br /&gt;
A Star Is Born has already been remade twice. The original 1937 version starred Fredric March and Janet Gaynor as an ageing Hollywood actor and the bright young ingenue he takes under his wing. The film was remade in 1954 with James Mason and Judy Garland. Director Frank Pierson had wanted Elvis Presley for the 1976 version, but the singer reportedly turned down the role after being told he would not be given top billing, and it went to Kristofferson.&lt;br /&gt;
&lt;br /&gt;
Eastwood will be taking on a musical for the first time as director, but the veteran actor and film-maker maintains an intense interest in music. His last film where appeared in front of the cameras, Gran Torino, featured Eastwood crooning over the end credits, and he composed scores for his recent films Mystic River, Million Dollar Baby and Changeling.&lt;p&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;p&gt;&lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;&lt;p&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-2617597624605992593?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/I3V2jne5vz0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/2617597624605992593/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=2617597624605992593&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/2617597624605992593?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/2617597624605992593?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/I3V2jne5vz0/clint-eastwood-to-direct-beyonce-in.html" title="Clint Eastwood to direct Beyoncé in remake of A Star Is Born" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_gp8-OziPXUs/TTn7iwiJ5mI/AAAAAAAAACc/0I9Qal1g7so/s72-c/beyonce.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2011/01/clint-eastwood-to-direct-beyonce-in.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUUMRno_cCp7ImA9Wx9WFU4.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-91616750473831528</id><published>2011-01-20T13:29:00.007Z</published><updated>2011-01-20T14:21:27.448Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-20T14:21:27.448Z</app:edited><title>Anne Hathaway's purr-fect 'Dark Knight Rises' role</title><content type="html">
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2011 is certainly gearing up to be a big year for Anne Hathaway as the actress has landed the coveted role of Selina Kyle, aka Catwoman, in the next instalment of the Batman franchise, 'The Dark Knight Rises'.&lt;br /&gt;
&lt;br /&gt;
The actress will be following in the footsteps of Michelle Pfeiffer and, less successfully, Halle Berry.&lt;br /&gt;
&lt;br /&gt;
Christian Bale is returning as the film's hero, and BAFTA-nominated Tom Hardy will be playing the villain Bane.&lt;br /&gt;
&lt;br /&gt;
Director Christopher Nolan said in a statement: "I am thrilled to have the opportunity to work with Anne Hathaway, who will be a fantastic addition to our ensemble as we complete our story."&lt;br /&gt;
&lt;br /&gt;
Hathaway, who recently landed a guest role in 'Glee' and will also be presenting this year's Oscars, reportedly saw off competition from Keira Knightley, Rachel Weisz, Blake Lively, Jessica Biel and the pregnant Natalie Portman for the part in Christopher Nolan's third Batman movie.&lt;br /&gt;
&lt;br /&gt;
Christian Bale previously said that the movie, scheduled for a 2012 release, could be the last in the franchise, commenting, "We've got to up it." That would certainly be the case if the film is to stand any chance of topping the success of 'The Dark Knight'.&lt;br /&gt;
&lt;br /&gt;
The film won't be shot in 3D but the IMax format instead and it seems unlikely that Killer Croc will appear among the villains as previously speculated.&lt;br /&gt;
&lt;br /&gt;
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&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/K6PEVO0U_aALwfCx-h2AGgiJO94/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/K6PEVO0U_aALwfCx-h2AGgiJO94/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a alt="filmacademy.tv" href="http://filmacademy.tv/" style="color: #cccccc; font-family: verdana; font-size: 8pt; text-decoration: none;" target="_blank"&gt;Film Trailers by filmacademy.tv&lt;/a&gt; &lt;br /&gt;
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&lt;strong&gt;For more info on filmmaking visit Film Academy :  &lt;a href="http://www.filmacademy.co.uk/" target="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;&lt;p&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-5253669430963323601?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/LpGN0dFjWrk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/5253669430963323601/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=5253669430963323601&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/5253669430963323601?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/5253669430963323601?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/LpGN0dFjWrk/brighton-rock-trailer.html" title="Brighton Rock Trailer" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2011/01/brighton-rock-trailer.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUQDQX08fyp7ImA9Wx9XFEw.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-8752774179152869789</id><published>2011-01-07T16:22:00.000Z</published><updated>2011-01-07T16:22:50.377Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-07T16:22:50.377Z</app:edited><title>Sony PROduction Awards | Sony PROduction Awards | Home</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Gj9N-e1Q5EsTzA3HkcXTW2gxH8w/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Gj9N-e1Q5EsTzA3HkcXTW2gxH8w/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Gj9N-e1Q5EsTzA3HkcXTW2gxH8w/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Gj9N-e1Q5EsTzA3HkcXTW2gxH8w/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;a href="http://productionawards.pro.sony.eu/"&gt;Sony PROduction Awards | Sony PROduction Awards | Home&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;a href="http://www.filmacademy.co.uk/" target="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-8752774179152869789?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/1aSnrxAydIg" height="1" width="1"/&gt;</content><link rel="related" href="http://productionawards.pro.sony.eu/" title="Sony PROduction Awards | Sony PROduction Awards | Home" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/8752774179152869789/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=8752774179152869789&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/8752774179152869789?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/8752774179152869789?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/1aSnrxAydIg/sony-production-awards-sony-production.html" title="Sony PROduction Awards | Sony PROduction Awards | Home" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2011/01/sony-production-awards-sony-production.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUIHQXc_eyp7ImA9Wx9XE0o.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-4559874610415395603</id><published>2011-01-07T05:17:00.001Z</published><updated>2011-01-07T05:18:50.943Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-07T05:18:50.943Z</app:edited><title>"Pariah" heads for Sundance, needs your help to get there</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/_SDlMZNH-fpVqCeYjYL_wP5mWVs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_SDlMZNH-fpVqCeYjYL_wP5mWVs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;br /&gt;
&lt;strong&gt;For more info on filmmaking &lt;/strong&gt;&lt;strong&gt;visit Film Academy :&lt;a href="http://www.filmacademy.co.uk/" target="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-4559874610415395603?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/tBxQzSzrl4k" height="1" width="1"/&gt;</content><link rel="related" href="http://www.afterellen.com/movies/2011/01/pariah-heads-for-sundance-needs-your-help-to-get-there" title="&quot;Pariah&quot; heads for Sundance, needs your help to get there" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/4559874610415395603/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=4559874610415395603&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/4559874610415395603?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/4559874610415395603?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/tBxQzSzrl4k/pariah-heads-for-sundance-needs-your.html" title="&quot;Pariah&quot; heads for Sundance, needs your help to get there" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2011/01/pariah-heads-for-sundance-needs-your.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0IESXc_fip7ImA9Wx9XE0o.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-1566531991136703030</id><published>2011-01-07T03:38:00.000Z</published><updated>2011-01-07T03:38:28.946Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-07T03:38:28.946Z</app:edited><title>Film review: 127 Hours - Film and Cinema - Entertainment - getbracknell - Bracknell Forest Standard</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kPZYzx2UFAvsIEjLb5xZ-5nLz6k/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kPZYzx2UFAvsIEjLb5xZ-5nLz6k/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/HSLftNmkzldDeN1W0oIlsplC9tE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HSLftNmkzldDeN1W0oIlsplC9tE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/HSLftNmkzldDeN1W0oIlsplC9tE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HSLftNmkzldDeN1W0oIlsplC9tE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;a href="http://filmacademy.blogspot.com/2011/01/make-environmental-film-in-48-hours.html"&gt;- The Film Academy Blog -: Make an Environmental Film in 48 Hours&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;a href="http://www.filmacademy.co.uk/" target="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-3049349831950771824?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/9oqEjIc15j0" height="1" width="1"/&gt;</content><link rel="related" href="http://filmacademy.blogspot.com/2011/01/make-environmental-film-in-48-hours.html" title="- The Film Academy Blog -: Make an Environmental Film in 48 Hours" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/3049349831950771824/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=3049349831950771824&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/3049349831950771824?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/3049349831950771824?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/9oqEjIc15j0/film-academy-blog-make-environmental.html" title="- The Film Academy Blog -: Make an Environmental Film in 48 Hours" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2011/01/film-academy-blog-make-environmental.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DU4FR387cSp7ImA9Wx9XEUg.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-5095028726391894123</id><published>2011-01-04T16:18:00.000Z</published><updated>2011-01-04T16:18:36.109Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-04T16:18:36.109Z</app:edited><title>Make an Environmental Film in 48 Hours</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/4MOqBRJca67Hq-tmk-FrBWQ_dVg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4MOqBRJca67Hq-tmk-FrBWQ_dVg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/4MOqBRJca67Hq-tmk-FrBWQ_dVg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4MOqBRJca67Hq-tmk-FrBWQ_dVg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;a href="http://www.energyrefuge.com/blog/make-an-environmental-film-in-48-hours/#more-3582"&gt;Make an Environmental Film in 48 Hours&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;a href="http://www.filmacademy.co.uk/" target="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-5095028726391894123?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/9AYYUAPFWn8" height="1" width="1"/&gt;</content><link rel="related" href="http://www.energyrefuge.com/blog/make-an-environmental-film-in-48-hours/#more-3582" title="Make an Environmental Film in 48 Hours" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/5095028726391894123/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=5095028726391894123&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/5095028726391894123?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/5095028726391894123?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/9AYYUAPFWn8/make-environmental-film-in-48-hours.html" title="Make an Environmental Film in 48 Hours" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2011/01/make-environmental-film-in-48-hours.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DE8MQXg8fyp7ImA9Wx9XEU0.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-2262075026709518046</id><published>2011-01-04T02:08:00.000Z</published><updated>2011-01-04T02:08:00.677Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-04T02:08:00.677Z</app:edited><title>MY YEAR OF DIY — THE GOOD, THE BAD AND THE UGLY | The Filmmaker Magazine Blog</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/oOiQWYIhr7szhKEC6gLP2JoAsP0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oOiQWYIhr7szhKEC6gLP2JoAsP0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/oOiQWYIhr7szhKEC6gLP2JoAsP0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oOiQWYIhr7szhKEC6gLP2JoAsP0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;a href="http://filmmakermagazine.com/news/2011/01/my-year-of-diy-by-gregory-bayne/"&gt;MY YEAR OF DIY — THE GOOD, THE BAD AND THE UGLY | The Filmmaker Magazine Blog&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;a href="http://www.filmacademy.co.uk/" target="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-2262075026709518046?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/NURDT8HeOXo" height="1" width="1"/&gt;</content><link rel="related" href="http://filmmakermagazine.com/news/2011/01/my-year-of-diy-by-gregory-bayne/" title="MY YEAR OF DIY — THE GOOD, THE BAD AND THE UGLY | The Filmmaker Magazine Blog" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/2262075026709518046/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=2262075026709518046&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/2262075026709518046?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/2262075026709518046?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/NURDT8HeOXo/my-year-of-diy-good-bad-and-ugly.html" title="MY YEAR OF DIY — THE GOOD, THE BAD AND THE UGLY | The Filmmaker Magazine Blog" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2011/01/my-year-of-diy-good-bad-and-ugly.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEAGQXs4cCp7ImA9Wx9XEU0.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-6154151335462122345</id><published>2011-01-04T02:05:00.001Z</published><updated>2011-01-04T02:05:20.538Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-04T02:05:20.538Z</app:edited><title>The Economist - Film Project</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/_vllC7J25OC6sMievMtc7iAdB4c/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_vllC7J25OC6sMievMtc7iAdB4c/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/_vllC7J25OC6sMievMtc7iAdB4c/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_vllC7J25OC6sMievMtc7iAdB4c/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;a href="http://film.economist.com/"&gt;The Economist - Film Project&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;a href="http://www.filmacademy.co.uk/" target="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-6154151335462122345?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/3w2Nq8O-SrU" height="1" width="1"/&gt;</content><link rel="related" href="http://film.economist.com/" title="The Economist - Film Project" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/6154151335462122345/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=6154151335462122345&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/6154151335462122345?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/6154151335462122345?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/3w2Nq8O-SrU/economist-film-project_04.html" title="The Economist - Film Project" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2011/01/economist-film-project_04.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEAGQX4-cCp7ImA9Wx9XEU0.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-4519440738854629101</id><published>2011-01-04T02:05:00.000Z</published><updated>2011-01-04T02:05:20.058Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-01-04T02:05:20.058Z</app:edited><title>The Economist - Film Project</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/wjJoyk8Eof2nS_ZGCdCPvk-KU7c/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wjJoyk8Eof2nS_ZGCdCPvk-KU7c/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/wjJoyk8Eof2nS_ZGCdCPvk-KU7c/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wjJoyk8Eof2nS_ZGCdCPvk-KU7c/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;a href="http://film.economist.com/"&gt;The Economist - Film Project&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;a href="http://www.filmacademy.co.uk/" target="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-4519440738854629101?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/NkltCJw871o" height="1" width="1"/&gt;</content><link rel="related" href="http://film.economist.com/" title="The Economist - Film Project" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/4519440738854629101/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=4519440738854629101&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/4519440738854629101?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/4519440738854629101?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/NkltCJw871o/economist-film-project.html" title="The Economist - Film Project" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2011/01/economist-film-project.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEYCQ3g6fCp7ImA9WxBaGE0.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-4518166284151252473</id><published>2010-03-28T18:29:00.002Z</published><updated>2010-03-28T18:49:22.614Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-28T18:49:22.614Z</app:edited><title>Film Fans Honour Avatar At Empire Awards</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/jMOU-TeGy4aIl1ETvJdwJ9If5zg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jMOU-TeGy4aIl1ETvJdwJ9If5zg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/jMOU-TeGy4aIl1ETvJdwJ9If5zg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jMOU-TeGy4aIl1ETvJdwJ9If5zg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;Avatar may have missed out on this year's top Oscars, but James Cameron's record-breaking film has dominated the &lt;a href="http://www.empireonline.com/news/story.asp?NID=27423" TARGET="_BLANK"&gt;2010 Empire Awards&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Now in its 15th year, the Empire gongs are the only film awards to be voted for entirely by British fans.&lt;br /&gt;&lt;br /&gt;Cameron was honoured for his 3D epic, winning Best Film and Best Director, while the film's Zoe Saldana also picked up Best Actress.&lt;br /&gt;&lt;br /&gt;Sam Worthington, who starred opposite Saldana, picked up the trophies on behalf of the winners.&lt;br /&gt;&lt;br /&gt;The awards also acknowledged Sir Ian McKellen for his long and varied film career, accepting the the Empire Icon for 2010.&lt;br /&gt;&lt;br /&gt;"I couldn't be more surprised or delighted," the 70-year-old said. "Middle-earth rejoices!"&lt;br /&gt;&lt;br /&gt;Fellow British actor Ray Winstone received the Outstanding Contribution To British Film award, while teenager Aaron Johnson - who played John Lennon in Nowhere Boy - was &lt;br /&gt;&lt;br /&gt;Armando Iannucci's In The Loop won Best Comedy, while the title of Best British Film was given to Harry Brown, which stars Sir Michael Caine.&lt;br /&gt;&lt;br /&gt;Inglourious Basterds' Christoph Waltz continued his award season dominance, picking up Best Actor.&lt;br /&gt;&lt;br /&gt;"The Empire Awards were more reflective of the films people enjoyed at the cinema. Something for everyone - that is what these awards are all about. They come after the Baftas and Oscars. These are the films which the public go and see as opposed to the critics' favourites," said a reporter.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-4518166284151252473?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/SRY2CNdi3Yc" height="1" width="1"/&gt;</content><link rel="related" href="http://www.filmacademy.co.uk" title="Film Fans Honour Avatar At Empire Awards" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/4518166284151252473/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=4518166284151252473&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/4518166284151252473?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/4518166284151252473?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/SRY2CNdi3Yc/film-fans-honour-avatar-at-empire.html" title="Film Fans Honour Avatar At Empire Awards" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2010/03/film-fans-honour-avatar-at-empire.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUYEQ3w6fSp7ImA9WxBUGEk.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-2512027814000055490</id><published>2010-03-05T02:10:00.005Z</published><updated>2010-03-06T02:38:22.215Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-06T02:38:22.215Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="women" /><category scheme="http://www.blogger.com/atom/ns#" term="drew barrymore" /><category scheme="http://www.blogger.com/atom/ns#" term="Kathryn Bigelow" /><category scheme="http://www.blogger.com/atom/ns#" term="Whip It" /><category scheme="http://www.blogger.com/atom/ns#" term="oscars" /><category scheme="http://www.blogger.com/atom/ns#" term="Birds Eye View Film Festival" /><category scheme="http://www.blogger.com/atom/ns#" term="director" /><category scheme="http://www.blogger.com/atom/ns#" term="bafta" /><category scheme="http://www.blogger.com/atom/ns#" term="the hurt locker" /><title>Birds Eye View Film Festival shines spotlight on future Kathryn Bigelows</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/NrJ0xnOWMZ2NYqPUgP7PlpqoR7g/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NrJ0xnOWMZ2NYqPUgP7PlpqoR7g/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/NrJ0xnOWMZ2NYqPUgP7PlpqoR7g/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NrJ0xnOWMZ2NYqPUgP7PlpqoR7g/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;IF Kathryn Bigelow picks up the gong for best director at the Oscars on Sunday, not only will she be heading for the record books again, following her Baftas triumph, but inspired by her success, many more talented female film-makers will emerge, flourish and be showered with the praise they deserve.&lt;br /&gt;&lt;br /&gt;Well, that's the dream. But the bitter reality is that a serious gender imbalance runs throughout the global film industry – just 16% of screenwriters and 12% of directors are female. Thousands of promising female film students and graduates are looking to break into the profession, or are working within it already, but only a small minority rise to the very top.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.birds-eye-view.co.uk" TARGET="_BLANK"&gt;Birds Eye View&lt;/a&gt; film festival, which opened in London last night, is tackling the issue head-on. Birds Eye managing director Amy Mole says: "The perception is that, apart from Bigelow, women can only make relationship dramas or chick flicks. Thus stereotyped, great female directors are not getting the jobs that their male counterparts snap up."&lt;br /&gt;&lt;br /&gt;Now in its sixth year, Birds Eye View puts on an annual supportive celebration of women in the industry, presenting a diverse array of features, shorts and documentaries. This sense of joy is shared by the film-makers themselves, explains Kim Longinotto, whose hard-hitting documentary Rough Aunties won the Grand Jury prize at Sundance and will be screened at this year's festival. "The best part of my job is watching a story unfold in front of my eyes," she says. "It's like watching a flower blossoming."&lt;br /&gt;&lt;br /&gt;Longinotto's documentaries tackle deeply sensitive issues such as child abuse, but despite the emotive and often harrowing content, she refuses to portray her featured subjects as victims: "It's quite the opposite, actually. No matter what they may have endured, they remain strong, they act with courage and bravery – and they fight back. I can identify with that."&lt;br /&gt;&lt;br /&gt;Festivals such as Birds Eye View provide an excellent platform for leftfield talent as well as more mainstream projects, but how do they benefit women struggling to get a foothold in the industry? Mole says: "Girls need role models who are like them in order to develop the self-belief that they could go down the same route. So hopefully the Bigelow, Andrea Arnold, Sam Taylor-Wood and Jane Campion profiles of this year will raise a few more female aspirations."&lt;br /&gt;&lt;br /&gt;Despite the odds being stacked against them, most young, female film-makers still find their chosen career as exciting and fulfilling as ever. These sentiments are summed up by Dagmar Scheibenreif, 30, who works as a director of photography in London: "I've always loved storytelling and reaching out to people through the medium of film is, for me, one of the most powerful feelings imaginable."&lt;br /&gt;&lt;br /&gt;While there are plenty of barriers which still need to be broken – I can't be the only one shocked that a female director has never gone home with Oscar – there are also plenty of pioneering female film-makers out there, pushing cinematic boundaries to the extreme. Whatever the outcome of Hollywood's most important/overrated (delete as appropriate) award ceremony on Sunday, surely that's cause enough to celebrate, isn't it?&lt;br /&gt;&lt;br /&gt;The Birds Eye View film festival runs until 12 March, closing with a screening of Whip It, Drew Barrymore's directorial debut.&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/z5SMVYMYAls&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en_US&amp;feature=player_embedded&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/z5SMVYMYAls&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en_US&amp;feature=player_embedded&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-2512027814000055490?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/RVNoURhn57s" height="1" width="1"/&gt;</content><link rel="related" href="http://www.filmacademy.co.uk" title="Birds Eye View Film Festival shines spotlight on future Kathryn Bigelows" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/2512027814000055490/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=2512027814000055490&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/2512027814000055490?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/2512027814000055490?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/RVNoURhn57s/birds-eye-view-festival-shines.html" title="Birds Eye View Film Festival shines spotlight on future Kathryn Bigelows" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2010/03/birds-eye-view-festival-shines.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ak8BRHY8cCp7ImA9WxBUGE4.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-3090658201039461339</id><published>2010-03-04T01:13:00.002Z</published><updated>2010-03-06T01:27:35.878Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-06T01:27:35.878Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Alex Arthur" /><category scheme="http://www.blogger.com/atom/ns#" term="boxing" /><category scheme="http://www.blogger.com/atom/ns#" term="film" /><category scheme="http://www.blogger.com/atom/ns#" term="revenge" /><title>Boxer Alex Arthur aiming to punch his weight on big screen</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/8zUwDIgl-szTHzsTMzkEo9cgGhQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8zUwDIgl-szTHzsTMzkEo9cgGhQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/8zUwDIgl-szTHzsTMzkEo9cgGhQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8zUwDIgl-szTHzsTMzkEo9cgGhQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;a href="http://editorial.jpress.co.uk/web/Upload/EN//TH1_43201010en04arthurs.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 290px;" src="http://editorial.jpress.co.uk/web/Upload/EN//TH1_43201010en04arthurs.jpg" border="0" alt="" /&gt;&lt;/a&gt;HE'S used to swapping blows with some of the planet's hardest men so you'd hardly expect him to be beaten up by a woman. But city boxer Alex Arthur has revealed he is set to be floored by a female opponent – not in the ring but on a movie set.&lt;br /&gt;&lt;br /&gt;The 31-year-old super featherweight has been recruited by producer Bill Little to play a gangster in the film Revenge , due to be shot in coming months. He tracked down Alex, from the Southside, through boxing friends and approached him because he thought he "had the ideal face to play a movie heavy".&lt;br /&gt;&lt;br /&gt;Alex, who split from promoter Frank Warren earlier this week, told the press: "I've already stated several times that I fancied being an actor so I'm thrilled Bill Little gave me the part." &lt;br /&gt;&lt;br /&gt;Alex will play murderer Shug the Thug, and while he's delighted to be playing the hardman role there is one element causing him discomfort – "I do get beaten up by the female lead at one point in the script." &lt;br /&gt;&lt;br /&gt;Alex insisted that his immediate future remained in the ring rather than the red carpet. "Ricky Hatton and I are old mates who've boxed on many bills together so I'm contacting his promotions first to see if we can work something out.&lt;br /&gt;&lt;br /&gt;"One thing is certain – I still have plenty to offer in the ring yet, so retirement isn't an option. But if I prove a success as a movie actor that will be the direction my post-boxing career will take."&lt;br /&gt;&lt;br /&gt;Alex won't be the first boxing actor. Golden Globe winner Mickey Rourke, who last year won praise for his role in Hollywood blockbuster The Wrestler, was a professional boxer during a break from acting in the early 1990s.&lt;br /&gt;&lt;br /&gt;And boxer Mike Tyson recently cameoed as himself in the comedy hit The Hangover.&lt;br /&gt;&lt;br /&gt;Bill Little, himself a former world kick-boxing champion, said Alex's casting was more than a gimmick.&lt;br /&gt;&lt;br /&gt;He said: "This is no bit-part – Alex, who will join me and the cast on location at Clydebank in three weeks' time, will play the leading role of Shug the Thug, a gang leader.&lt;br /&gt;&lt;br /&gt;"Alex will actually fight in the film and gets banjoed with a motorcycle crash helmet. He came through his screen test brilliantly and proved that he has acting talent."&lt;br /&gt;&lt;br /&gt;The film, which will be pitched to cinemas through a major distributor, also stars actor Bruce Lawrence who has appeared in The Bill and Doctor Who&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-3090658201039461339?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/XS1zZl8Pu4g" height="1" width="1"/&gt;</content><link rel="related" href="http://www.filmacademy.co.uk" title="Boxer Alex Arthur aiming to punch his weight on big screen" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/3090658201039461339/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=3090658201039461339&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/3090658201039461339?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/3090658201039461339?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/XS1zZl8Pu4g/boxer-alex-arthur-aiming-to-punch-his.html" title="Boxer Alex Arthur aiming to punch his weight on big screen" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2010/03/boxer-alex-arthur-aiming-to-punch-his.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkEHRHY9fyp7ImA9WxBUGEk.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-2289129310617479236</id><published>2010-03-02T17:00:00.004Z</published><updated>2010-03-06T01:57:15.867Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-06T01:57:15.867Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="sir Ian McKellen" /><category scheme="http://www.blogger.com/atom/ns#" term="LensHeads Film School" /><category scheme="http://www.blogger.com/atom/ns#" term="firstlight" /><category scheme="http://www.blogger.com/atom/ns#" term="awards" /><category scheme="http://www.blogger.com/atom/ns#" term="North Lanarkshire" /><category scheme="http://www.blogger.com/atom/ns#" term="backfire" /><title>McKellen hails budding young film talent</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/NhGkzHiAyeGd6ZgSddqHkkk6Auk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NhGkzHiAyeGd6ZgSddqHkkk6Auk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/NhGkzHiAyeGd6ZgSddqHkkk6Auk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NhGkzHiAyeGd6ZgSddqHkkk6Auk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;a href="http://newsimg.bbc.co.uk/media/images/47411000/jpg/_47411570_lensheads.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 226px; height: 170px;" src="http://newsimg.bbc.co.uk/media/images/47411000/jpg/_47411570_lensheads.jpg" border="0" alt="" /&gt;&lt;/a&gt;SIR Ian McKellen has hailed the First Light Awards for demonstrating budding film talent in Britain's youth - and for showing that young people can work together.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The veteran actor and Lord Of The Rings star presented the Best Screenplay award to  North Lanarkshire's LensHeads Film School, who won for their short film Backfire, at the Odeon cinema in London's Leicester Square earlier today.&lt;br /&gt;&lt;br /&gt;McKellen said: "You don't want to be patronising to young people because they're doing something now that I couldn't do myself, I've no idea about how to function behind a camera - I think it's wonderful for children to have the opportunity to make films and get involved if they want to."&lt;br /&gt;&lt;br /&gt;He added: "But I hope part of what they enjoy is doing it together. The great thing about making films is it's a communal activity and that the young people want to work together is perhaps contrary to the image of young people as being loners who are out to destroy the rest of us."&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.firstlightonline.co.uk" TARGET="_BLANK"&gt;First Light&lt;/a&gt; which is supported by the National Lottery through the UK Film Council and by DCSF, provides funding and expertise to enable five to 19-year-olds to make their own short digital films and media projects.&lt;br /&gt;&lt;br /&gt;Sir Ian said: "I don't think First Light should be looked at as training people to go into the business, but if that happens, terrific.&lt;br /&gt;&lt;br /&gt;"It's the unspoken truth about the theatre, and now increasingly the film industry, that underpinning the professionals are the amateurs, which is what these guys are at the moment - enthusiasts."&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy :&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-2289129310617479236?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/iV7Rhv2VllA" height="1" width="1"/&gt;</content><link rel="related" href="http://www.filmacademy.co.uk" title="McKellen hails budding young film talent" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/2289129310617479236/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=2289129310617479236&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/2289129310617479236?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/2289129310617479236?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/iV7Rhv2VllA/mckellen-hails-budding-young-film.html" title="McKellen hails budding young film talent" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2010/03/mckellen-hails-budding-young-film.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0EHRHk5fip7ImA9WxRTEkQ.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-8700920508445841186</id><published>2008-09-01T09:04:00.003Z</published><updated>2008-09-01T17:53:55.726Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-09-01T17:53:55.726Z</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Who Wants to Be a Millionaire" /><category scheme="http://www.blogger.com/atom/ns#" term="Danny Boyle Cashes in on Slumdog Millionaire" /><title>Danny Boyle Cashes in on Slumdog Millionaire</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/RQ0ahMeA-2y62KTmitxisP5KT_U/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RQ0ahMeA-2y62KTmitxisP5KT_U/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/RQ0ahMeA-2y62KTmitxisP5KT_U/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RQ0ahMeA-2y62KTmitxisP5KT_U/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;center&gt;&lt;a href="http://www.filmacademy.co.uk/" target="_BLANK"&gt;&lt;img style="CURSOR: hand" alt="Danny Boyle Cashes in on Slumdog Millionaire" src="http://2.bp.blogspot.com/_gp8-OziPXUs/SLwTl4Q05KI/AAAAAAAAAAY/j1cRkilD4gw/s400/slumdog.jpg" border="0" /&gt;&lt;/a&gt;&lt;/center&gt;&lt;p&gt;&lt;br /&gt;Zombies, heroin, blowing up the sun. Our colleague, director Danny Boyle has covered it all. Now Fox Searchlight and Warner Bros. are trusting him to handle the most sinister of all topics, “Who Wants to Be a Millionaire?”&lt;br /&gt;&lt;br /&gt;Fox Searchlight and Warner Bros. have announced plans to handle the marketing and distribution of Slumdog Millionaire, an adaptation of the best-selling novel. Slumdog will premiere November 28, 2008 at the Toronto International Film Festival.&lt;br /&gt;&lt;br /&gt;Boyle, director of Trainspotting, 28 Days Later, and Sunshine said “I am very grateful to Warner for their careful handling of the film. I had a great time making this movie and I look forward to working with my old friends at Searchlight to ensure that audiences at Toronto and beyond have a great time watching it.”&lt;br /&gt;&lt;br /&gt;According to the great folks over at Fox Searchlight, “Slumdog Millionaire is the story of Jamal Malik, an 18 year-old orphan from the slums of Mumbai, who is about to experience the biggest day of his life. With the whole nation watching, he is just one question away from winning a staggering 20 million rupees on India’s “Who Wants to Be a Millionaire?”&lt;br /&gt;&lt;br /&gt;But when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much? Desperate to prove his innocence, Jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road, of vicious encounters with local gangs, and of Latika, the girl he loved and lost. Each chapter of his story reveals the key to the answer to one of the game show’s questions.&lt;br /&gt;&lt;br /&gt;Intrigued by Jamal’s story, the jaded Police Inspector begins to wonder what a young man with no apparent desire for riches is really doing on this game show?&lt;br /&gt;&lt;br /&gt;When the new day dawns and Jamal returns to answer the final question, the inspector and sixty million viewers are about to find out…”&lt;br /&gt;&lt;br /&gt;Boyle has always been able to break boundaries on genres that have gone stale, so I have no doubt that he will deliver in Slumdog Millionaire. It probably won’t be a commercial success, but the good thing is that Boyle never really seemed to be in it for the riches to begin with.&lt;br /&gt;&lt;br /&gt;====================================================&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For more info on filmmaking visit Film Academy&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-8700920508445841186?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/sWDcRrs54KI" height="1" width="1"/&gt;</content><link rel="related" href="http://www.filmacademy.co.uk" title="Danny Boyle Cashes in on Slumdog Millionaire" /><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/8700920508445841186/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=8700920508445841186&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/8700920508445841186?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/8700920508445841186?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/sWDcRrs54KI/danny-boyle-cashes-in-on-slumdog.html" title="Danny Boyle Cashes in on Slumdog Millionaire" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_gp8-OziPXUs/SLwTl4Q05KI/AAAAAAAAAAY/j1cRkilD4gw/s72-c/slumdog.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2008/09/danny-boyle-cashes-in-on-slumdog.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0cHRno4eip7ImA9WB5WEUg.&quot;"><id>tag:blogger.com,1999:blog-12293717.post-6284068092843264687</id><published>2007-07-23T02:34:00.000Z</published><updated>2007-07-23T02:50:37.432Z</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2007-07-23T02:50:37.432Z</app:edited><title>The Long Way Home: A Bigfoot Story - New York Premier</title><content type="html">
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/6rvxNQ04pLwQkUD5l1Nyxklw0H8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6rvxNQ04pLwQkUD5l1Nyxklw0H8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/6rvxNQ04pLwQkUD5l1Nyxklw0H8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/6rvxNQ04pLwQkUD5l1Nyxklw0H8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;strong&gt;The Long Way Home: A Bigfoot Story&lt;/strong&gt; will premier at the New York International Independent Film and Video Festival. The film will debut on Tuesday, July 24, 2007 in the East Village Cinemas Screen #6 at 12:10pm EST. &lt;br /&gt;&lt;br /&gt;For further information on the film festival please visit the website at &lt;br /&gt;&lt;a href="http://www.nyfilmvideo.com" TARGET="_BLANK"&gt;New York Film &amp; Video Festival&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;If you have any enquiries about the film you can leave a message by clicking &lt;a href="http://www.myspace.com/bigfootsmovie" TARGET="_BLANK"&gt;www.myspace.com/bigfootsmovie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;====================================================&lt;br /&gt;&lt;strong&gt;For more info on filmmaking &lt;br /&gt;&lt;br /&gt;visit the official Film Academy website: &lt;a href="http://www.filmacademy.co.uk" TARGET="_BLANK"&gt;www.filmacademy.co.uk&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution - Exhibition - Production - Training&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/12293717-6284068092843264687?l=filmacademy.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/-TheFilmAcademyBlog-/~4/bVxnrWYzcTI" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://filmacademy.blogspot.com/feeds/6284068092843264687/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=12293717&amp;postID=6284068092843264687&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/6284068092843264687?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12293717/posts/default/6284068092843264687?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/-TheFilmAcademyBlog-/~3/bVxnrWYzcTI/long-way-home-bigfoot-story-new-york.html" title="The Long Way Home: A Bigfoot Story - New York Premier" /><author><name>Film Academy</name><uri>http://www.blogger.com/profile/10820746396912178586</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="16" height="16" src="http://img2.blogblog.com/img/b16-rounded.gif" /></author><thr:total>0</thr:total><feedburner:origLink>http://filmacademy.blogspot.com/2007/07/long-way-home-bigfoot-story-new-york.html</feedburner:origLink></entry></feed>

