<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6970947294390982018</id><updated>2024-12-18T22:23:01.595-05:00</updated><category term="poetry"/><category term="beats"/><category term="film"/><category term="painting"/><category term="surrealism"/><category term="Creeley"/><category term="Ezra Pound"/><category term="TV"/><category term="fiction"/><category term="WCW"/><category term="anticommunism"/><category term="music"/><category term="Kelly Writers House"/><category term="November"/><category term="Wallace Berman"/><category term="Zukofsky"/><category term="anti-modernism"/><category term="art"/><category term="conservatism"/><category term="design"/><category term="April"/><category term="Brion Gysin"/><category term="Donald Hall"/><category term="Duchamp"/><category term="February"/><category term="H.D."/><category term="Kennedy-Nixon"/><category term="Kenneth Burke"/><category term="March"/><category term="October"/><category term="Poetry magazine"/><category term="Robert Lowell"/><category term="WW2"/><category term="architecture"/><category term="auto industry"/><category term="endofideology"/><category term="holocaust"/><category term="jazz"/><category term="literary prizes"/><category term="modernism"/><category term="photography"/><category term="presidential election"/><category term="psychoanalysis"/><category term="psychology"/><category term="sound poetry"/><category term="theatre"/><category term="triumphoftherapeutic"/><category term="women"/><category term="1920s"/><category term="1930s"/><category term="1950s"/><category term="Adrienne Rich"/><category term="Africa"/><category term="African-American poetry"/><category term="Anne Sexton"/><category term="Brooklyn"/><category term="Cage"/><category term="Charles Olson"/><category term="Daniel Bell"/><category term="Delmore Schwartz"/><category term="Dylan"/><category term="Ed Dorn"/><category term="Emily Dickinson"/><category term="Evergreen Review"/><category term="Freud"/><category term="Harvard"/><category term="Heminway"/><category term="Howard Mumford Jones"/><category term="Hugh Kenner"/><category term="January 1961"/><category term="Jerome Rothenberg"/><category term="John Cheever"/><category term="John F. Kennedy"/><category term="Josephine Herbst"/><category term="July"/><category term="Kenner"/><category term="Kenneth Patchen"/><category term="Levertov"/><category term="Mailer"/><category term="Manfred Climes"/><category term="Marvin Malone"/><category term="McCarthyism"/><category term="Meltzer"/><category term="Nathan Kline"/><category term="New American Poets"/><category term="New Criticism"/><category term="New York life"/><category term="New York school"/><category term="O&#39;Hara"/><category term="Olympics"/><category term="Oppen"/><category term="Patchen"/><category term="Paul Celan"/><category term="PennSound"/><category term="Picasso"/><category term="PoemTalk"/><category term="Rexroth"/><category term="Robert Duncan"/><category term="Robert Frost"/><category term="Robert Grenier"/><category term="Robert Motherwell"/><category term="San Francisco"/><category term="September"/><category term="Snyder"/><category term="Spanish Civil War"/><category term="Susan Sontag"/><category term="The Dial magazine"/><category term="UbuWeb"/><category term="University of Pennsylvania"/><category term="Vietnam"/><category term="Wallace Fowlie"/><category term="Warhol"/><category term="Weldon Kees"/><category term="William Burroughs"/><category term="Wormwood Review"/><category term="YouTube"/><category term="air travel"/><category term="apartheid"/><category term="atomic fear"/><category term="bestsellers"/><category term="blacklist"/><category term="chanting"/><category term="children"/><category term="civil rights"/><category term="cold war"/><category term="collaboration"/><category term="colonialism"/><category term="communism"/><category term="cubism"/><category term="cut-ups"/><category term="cyborgs"/><category term="diary"/><category term="drama"/><category term="feminism"/><category term="great society"/><category term="higher education"/><category term="humanities"/><category term="imagism"/><category term="language"/><category term="linguistics"/><category term="little magazines"/><category term="new left"/><category term="nonfiction"/><category term="objectivism"/><category term="pataphysics"/><category term="peace movement"/><category term="performance poetry"/><category term="politics"/><category term="pop art"/><category term="religion"/><category term="rhetoric"/><category term="sci fi"/><category term="space travel"/><category term="sports"/><category term="video"/><category term="white flight"/><title type='text'>1960</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://nineteen-sixty.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>180</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-4629592787246815631</id><published>2017-03-06T18:09:00.002-05:00</published><updated>2017-03-06T18:09:34.305-05:00</updated><title type='text'>it&#39;s the electrocular!</title><content type='html'>From a newspaper published in 1960.&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT4wWDiCgGy6vLdMSBREVvwuZ6B-KurFKpm1VpkaDghKdnC81rrCb6rg6wini7qyogjA-qOqOTNtTBU_Va29xgmrpssBlq8wZqpZT7o7-sZ25hbBbCwCrXxbpE9pz5c5fzIlLdDkXx4LU/s1600/the+electrocular+1960.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;640&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT4wWDiCgGy6vLdMSBREVvwuZ6B-KurFKpm1VpkaDghKdnC81rrCb6rg6wini7qyogjA-qOqOTNtTBU_Va29xgmrpssBlq8wZqpZT7o7-sZ25hbBbCwCrXxbpE9pz5c5fzIlLdDkXx4LU/s640/the+electrocular+1960.jpg&quot; width=&quot;220&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/4629592787246815631'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/4629592787246815631'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2017/03/its-electrocular.html' title='it&#39;s the electrocular!'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT4wWDiCgGy6vLdMSBREVvwuZ6B-KurFKpm1VpkaDghKdnC81rrCb6rg6wini7qyogjA-qOqOTNtTBU_Va29xgmrpssBlq8wZqpZT7o7-sZ25hbBbCwCrXxbpE9pz5c5fzIlLdDkXx4LU/s72-c/the+electrocular+1960.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-5578251374261524148</id><published>2016-05-01T10:27:00.001-04:00</published><updated>2016-05-01T10:31:35.454-04:00</updated><title type='text'>Iannis Xenakis, soundtrack for &quot;Orient-Occident&quot; (1960)</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6LnloQ3YQZ-OZE4uvIaMLQfgesAObYOyQ31rvqWR6fom5Qy8l92KDgm9qyWdIGoMNfpMKxzdm2J7I_E-Dxay6lBXit1F_k0FRX0VzGM0J2eoUDFzSBYOHGJ4yAhOpfWUP47AioeKvA5k/s1600/Screen+Shot+2016-05-01+at+10.20.04+AM.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: right; float: right; margin-bottom: 1em; margin-left: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6LnloQ3YQZ-OZE4uvIaMLQfgesAObYOyQ31rvqWR6fom5Qy8l92KDgm9qyWdIGoMNfpMKxzdm2J7I_E-Dxay6lBXit1F_k0FRX0VzGM0J2eoUDFzSBYOHGJ4yAhOpfWUP47AioeKvA5k/s320/Screen+Shot+2016-05-01+at+10.20.04+AM.png&quot; width=&quot;283&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
In 1960 Iannis Xenakis composed and recorded the soundtrack for a film commissioned by UNESCO (of the United Nations) by Enrico Fulchignoni. The film links disparate eras and cultures—a &quot;contemplative homage to vanished cultures.&quot; Xenakis aimed to &quot;translat[e] the perspective of men today when faced with the inheritance of their distant ancestors.&quot; The Fulchignoni film was presented in Paris at the Musee Cernuschi for the occasion of an exhibition about the recipocal influences of various civilizations, from Greece to Italy, all the way to Japan, passing through India and China along the way. Among the sound sources is a violin bow drawn over various objects. It has been described as &quot;an electroacoustic piece for magnetic tape with four tracks.&quot; &lt;br /&gt;
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A recording of the Xenakis score/soundtrack is available at YouTube &lt;a href=&quot;https://www.youtube.com/watch?v=g7N2-nuZbxY&quot;&gt;here&lt;/a&gt;.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/5578251374261524148'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/5578251374261524148'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2016/05/iannis-xenakis-soundtrack-for-orient.html' title='Iannis Xenakis, soundtrack for &quot;Orient-Occident&quot; (1960)'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6LnloQ3YQZ-OZE4uvIaMLQfgesAObYOyQ31rvqWR6fom5Qy8l92KDgm9qyWdIGoMNfpMKxzdm2J7I_E-Dxay6lBXit1F_k0FRX0VzGM0J2eoUDFzSBYOHGJ4yAhOpfWUP47AioeKvA5k/s72-c/Screen+Shot+2016-05-01+at+10.20.04+AM.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-3096016557257773016</id><published>2015-05-25T08:24:00.003-04:00</published><updated>2015-05-25T08:24:49.903-04:00</updated><title type='text'>Jasper Johns, &quot;Painting with Two Balls&quot;</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHYRD_fBfNXUo5XgXWS6FkPsteFAIeeHdiJeROmWVuNdCQx4OWHGZ6zUf5tPgah7HLD2BkXf64nSaKi2n4C96m8LgjAkmRV9m06PPDim_GR86xrvex9UfN5BbEbScjfFk0MGhKGnXxHhg/s1600/Jasper-Johns_Painting-with-two-balls_1960.JPG&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;240&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHYRD_fBfNXUo5XgXWS6FkPsteFAIeeHdiJeROmWVuNdCQx4OWHGZ6zUf5tPgah7HLD2BkXf64nSaKi2n4C96m8LgjAkmRV9m06PPDim_GR86xrvex9UfN5BbEbScjfFk0MGhKGnXxHhg/s320/Jasper-Johns_Painting-with-two-balls_1960.JPG&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
Jasper Johns, &lt;i&gt;Painting with Two Balls&lt;/i&gt; (1960). Encaustic and collage on canvas with object. I saw this at the Philadelphia Museum of Art when the painting was on loan from the artist&#39;s collection.&lt;br /&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/3096016557257773016'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/3096016557257773016'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2015/05/jasper-johns-painting-with-two-balls.html' title='Jasper Johns, &quot;Painting with Two Balls&quot;'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHYRD_fBfNXUo5XgXWS6FkPsteFAIeeHdiJeROmWVuNdCQx4OWHGZ6zUf5tPgah7HLD2BkXf64nSaKi2n4C96m8LgjAkmRV9m06PPDim_GR86xrvex9UfN5BbEbScjfFk0MGhKGnXxHhg/s72-c/Jasper-Johns_Painting-with-two-balls_1960.JPG" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-1239364888453863347</id><published>2015-05-05T16:48:00.004-04:00</published><updated>2015-05-05T16:48:41.618-04:00</updated><title type='text'>Ammons on Rezi, April 1960</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJeIyYXzCHxShUNvWKeOH1yDRdLN_JpSNFJVexu9i_Q9_3aTkakxR4ZhTFErh1Twh1FyVpkMaryk6BLqvTF3Hz1d2wS9ipsLkWTvQGy_B2lLLp0_y69QqhwavH2VWmRSHELMRTxfJ_Gb8/s1600/Screen+Shot+2015-05-05+at+4.46.58+PM.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJeIyYXzCHxShUNvWKeOH1yDRdLN_JpSNFJVexu9i_Q9_3aTkakxR4ZhTFErh1Twh1FyVpkMaryk6BLqvTF3Hz1d2wS9ipsLkWTvQGy_B2lLLp0_y69QqhwavH2VWmRSHELMRTxfJ_Gb8/s1600/Screen+Shot+2015-05-05+at+4.46.58+PM.png&quot; height=&quot;317&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
Click here for more:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://jacket2.org/commentary/ammons-rezi-slight-artistic-interest-0&quot;&gt;http://jacket2.org/commentary/ammons-rezi-slight-artistic-interest-0&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1239364888453863347'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1239364888453863347'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2015/05/ammons-on-rezi-april-1960.html' title='Ammons on Rezi, April 1960'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJeIyYXzCHxShUNvWKeOH1yDRdLN_JpSNFJVexu9i_Q9_3aTkakxR4ZhTFErh1Twh1FyVpkMaryk6BLqvTF3Hz1d2wS9ipsLkWTvQGy_B2lLLp0_y69QqhwavH2VWmRSHELMRTxfJ_Gb8/s72-c/Screen+Shot+2015-05-05+at+4.46.58+PM.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-8448554000359941414</id><published>2015-04-07T16:22:00.000-04:00</published><updated>2015-04-07T16:22:44.729-04:00</updated><title type='text'>fascism not confined to the Twilight Zone</title><content type='html'>Rod Serling&#39;s antifascist closing narration to the March 4, 1960, episode of &quot;The Twilight Zone&quot;—&quot;The Monsters Are Due on Maple Street.&quot; &lt;a href=&quot;http://bit.ly/1a2tS7z&quot;&gt;http://bit.ly/1a2tS7z&lt;/a&gt; (audio)&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVwTAMl08EFogILhXI8NQhhH6FiOcUvTaVNa7h__Zk55MkI6_-_qVuvsvVK8fEsiRiu8zDoqViL89Koz3EsSIkqp_x12wbdQxkILQ32LOi-YLnbtU1K3p7ckRg3qeItgDpw-48skmJ5Jg/s1600/Screen+Shot+2015-04-07+at+4.14.47+PM.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVwTAMl08EFogILhXI8NQhhH6FiOcUvTaVNa7h__Zk55MkI6_-_qVuvsvVK8fEsiRiu8zDoqViL89Koz3EsSIkqp_x12wbdQxkILQ32LOi-YLnbtU1K3p7ckRg3qeItgDpw-48skmJ5Jg/s1600/Screen+Shot+2015-04-07+at+4.14.47+PM.png&quot; height=&quot;177&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/8448554000359941414'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/8448554000359941414'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2015/04/fascism-not-confined-to-twilight-zone.html' title='fascism not confined to the Twilight Zone'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVwTAMl08EFogILhXI8NQhhH6FiOcUvTaVNa7h__Zk55MkI6_-_qVuvsvVK8fEsiRiu8zDoqViL89Koz3EsSIkqp_x12wbdQxkILQ32LOi-YLnbtU1K3p7ckRg3qeItgDpw-48skmJ5Jg/s72-c/Screen+Shot+2015-04-07+at+4.14.47+PM.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-8928820443384280238</id><published>2015-03-09T21:24:00.002-04:00</published><updated>2015-03-09T21:24:40.080-04:00</updated><title type='text'>Whitman, Williams, Oppen</title><content type='html'>George Oppen in a letter to William Carlos Williams, Summer 1960: &quot;People who are afraid to talk won&#39;t produce much poetry. Tho Whitman has been no use to me. Perhaps arriving after you I don&#39;t need him. I always feel that that deluge and soup of words is a screen for the uncertainty of his own identity.&quot; (&lt;i&gt;Selected Letters of George Oppen&lt;/i&gt;, ed. Rachel Blau DuPlessis, p. 39)</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/8928820443384280238'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/8928820443384280238'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2015/03/whitman-williams-oppen.html' title='Whitman, Williams, Oppen'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-1511733037617820507</id><published>2015-03-01T07:41:00.000-05:00</published><updated>2015-03-01T07:41:24.377-05:00</updated><title type='text'>the conservative&#39;s selection of Ez</title><content type='html'>Conservative publisher Henry Regnery put out a book of miscellaneous (and in some cases uncollected) essays on American civilization by Ezra Pound.&lt;br /&gt;
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&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1511733037617820507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1511733037617820507'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2015/03/the-conservatives-selection-of-ez.html' title='the conservative&#39;s selection of Ez'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi5hRX2Dwf8avIquJTH1s4HNyJcDwhaJyvsDHJ4-rRelbrpML942Eb3M06_mYLeUMsyWFmlsSkNI5dhkBd5L1-mkdvaRVjoDuu1gOpvFKeOgf4fChq7QgI7a7Idi7Ypa0gy9rL3E4vm7c/s72-c/Pound+Impact+book.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-196260045407964184</id><published>2015-02-18T07:05:00.001-05:00</published><updated>2015-02-18T07:05:15.913-05:00</updated><title type='text'>Jasper Johns, &quot;Flashlight&quot;</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijnFUgigOKnsegPB7DTj9B4HBitJrgMztzWWJguD8IuF3w4-_YlWz3b3VnBCJ1XNIx19WQvyLXwJVaTUaB-U2GSLeOWd1PJrLA828GolAACGjdebw547A2Yx8banvfyz0Y3xg3-mzSYRU/s1600/IMG_8605.JPG&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijnFUgigOKnsegPB7DTj9B4HBitJrgMztzWWJguD8IuF3w4-_YlWz3b3VnBCJ1XNIx19WQvyLXwJVaTUaB-U2GSLeOWd1PJrLA828GolAACGjdebw547A2Yx8banvfyz0Y3xg3-mzSYRU/s1600/IMG_8605.JPG&quot; height=&quot;240&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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Jasper Johns, &lt;i&gt;Flashlight&lt;/i&gt; (1960); cast 1980-81. Made of bronze and glass. (Philadelphia Museum of Art, February 2015, on loan from a collection of the artist.)</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/196260045407964184'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/196260045407964184'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2015/02/jasper-johns-flashlight.html' title='Jasper Johns, &quot;Flashlight&quot;'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijnFUgigOKnsegPB7DTj9B4HBitJrgMztzWWJguD8IuF3w4-_YlWz3b3VnBCJ1XNIx19WQvyLXwJVaTUaB-U2GSLeOWd1PJrLA828GolAACGjdebw547A2Yx8banvfyz0Y3xg3-mzSYRU/s72-c/IMG_8605.JPG" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-7094659725635877971</id><published>2015-02-12T21:52:00.002-05:00</published><updated>2015-02-12T21:52:54.680-05:00</updated><title type='text'>Yoko Ono&#39;s &quot;Let&#39;s Piece 1&quot;</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxEyNmDaRsJFKF6wNf1zxnAFRUqp5aogpA4pz5sso2Qus28IGajPLeqdYVUMxICG_t6bqG5AzCMLRSgMJLQ5dLWz21SUe0Ebe_waZkuXigA9E-itsv34bQ6z185F3ugz1ayopfSHWR28M/s1600/Yoko+Ono+1960+Let&#39;s+Piece.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxEyNmDaRsJFKF6wNf1zxnAFRUqp5aogpA4pz5sso2Qus28IGajPLeqdYVUMxICG_t6bqG5AzCMLRSgMJLQ5dLWz21SUe0Ebe_waZkuXigA9E-itsv34bQ6z185F3ugz1ayopfSHWR28M/s1600/Yoko+Ono+1960+Let&#39;s%2BPiece.jpg&quot; height=&quot;400&quot; width=&quot;300&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/7094659725635877971'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/7094659725635877971'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2015/02/yoko-onos-lets-piece-1.html' title='Yoko Ono&#39;s &quot;Let&#39;s Piece 1&quot;'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxEyNmDaRsJFKF6wNf1zxnAFRUqp5aogpA4pz5sso2Qus28IGajPLeqdYVUMxICG_t6bqG5AzCMLRSgMJLQ5dLWz21SUe0Ebe_waZkuXigA9E-itsv34bQ6z185F3ugz1ayopfSHWR28M/s72-c/Yoko+Ono+1960+Let&#39;s%2BPiece.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-243168534201186753</id><published>2015-02-07T10:12:00.001-05:00</published><updated>2015-02-07T10:12:46.965-05:00</updated><title type='text'>Hannah Weinstein&#39;s &quot;The Four Just Men&quot;</title><content type='html'>Hannah Weinstein, living and working in England since 1952 to avoid anticommunist blacklisting and possible congressional prosecution in the U.S., created a British television series aired in 39 episodes in late 1959 and 1960 called &lt;i&gt;The Four Just Men&lt;/i&gt;. Someone has done us the favor of making 37 of the episodes available on YouTube &lt;a href=&quot;https://www.youtube.com/playlist?list=PLZjO_fnL7gHhMksXWN5g3VVFIucHcrq8E&quot;&gt;here&lt;/a&gt;. One episode features the resurgence of fascism by way of a weekly magazine that has caused fights between the &quot;Americans&quot; and Puerto Ricans in a boys&#39; club. Below is a screenshot of what Mr. Rivera, father of a boy who is stabbed in a scuffle with &quot;Americans,&quot; reads in &lt;i&gt;Garnes&lt;/i&gt; &lt;i&gt;Weekly&lt;/i&gt;.&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88cuB7NGpCoc4bovO0NdLQqdDwwa6Yebs88NDtH351-4tuL9b9Etr_G-1i5NCV_J8eaPHV5_dk1D-Yp9Okqt9wEAYuIF4TC7Zg4baWqIIc6UxeECqN0b15qSqdti9vfdRSXT_6ldZXUc/s1600/Screen+Shot+2015-02-07+at+9.49.16+AM.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88cuB7NGpCoc4bovO0NdLQqdDwwa6Yebs88NDtH351-4tuL9b9Etr_G-1i5NCV_J8eaPHV5_dk1D-Yp9Okqt9wEAYuIF4TC7Zg4baWqIIc6UxeECqN0b15qSqdti9vfdRSXT_6ldZXUc/s1600/Screen+Shot+2015-02-07+at+9.49.16+AM.png&quot; height=&quot;238&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/243168534201186753'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/243168534201186753'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2015/02/hannah-weinsteins-four-just-men.html' title='Hannah Weinstein&#39;s &quot;The Four Just Men&quot;'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88cuB7NGpCoc4bovO0NdLQqdDwwa6Yebs88NDtH351-4tuL9b9Etr_G-1i5NCV_J8eaPHV5_dk1D-Yp9Okqt9wEAYuIF4TC7Zg4baWqIIc6UxeECqN0b15qSqdti9vfdRSXT_6ldZXUc/s72-c/Screen+Shot+2015-02-07+at+9.49.16+AM.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-8282418215653879467</id><published>2015-02-05T09:57:00.003-05:00</published><updated>2015-02-05T09:57:30.517-05:00</updated><title type='text'>Louis Zukofsky&#39;s &quot;Julia&#39;s Wild&quot; </title><content type='html'>Thanks to UbuWeb for this one.&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbUDjdxgOkZcRXVgQ9hmIY_gbctbyKDfXKUrH7gHtfcNoBIf1BsdSmbguoNjw3Wdq-haGH5hUtdGBpEbshUfaWePUTE-99EvshBO9l26A6AzR0wKeZ818TUa_HiL9c8brmstcWmjtcrjM/s1600/Screen+Shot+2015-02-05+at+9.56.04+AM.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbUDjdxgOkZcRXVgQ9hmIY_gbctbyKDfXKUrH7gHtfcNoBIf1BsdSmbguoNjw3Wdq-haGH5hUtdGBpEbshUfaWePUTE-99EvshBO9l26A6AzR0wKeZ818TUa_HiL9c8brmstcWmjtcrjM/s1600/Screen+Shot+2015-02-05+at+9.56.04+AM.png&quot; height=&quot;400&quot; width=&quot;357&quot; /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.ubu.com/historical/zukofsky/zukofsky1.html&quot;&gt;&amp;nbsp;http://www.ubu.com/historical/zukofsky/zukofsky1.html &lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/8282418215653879467'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/8282418215653879467'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2015/02/louis-zukofskys-julias-wild.html' title='Louis Zukofsky&#39;s &quot;Julia&#39;s Wild&quot; '/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbUDjdxgOkZcRXVgQ9hmIY_gbctbyKDfXKUrH7gHtfcNoBIf1BsdSmbguoNjw3Wdq-haGH5hUtdGBpEbshUfaWePUTE-99EvshBO9l26A6AzR0wKeZ818TUa_HiL9c8brmstcWmjtcrjM/s72-c/Screen+Shot+2015-02-05+at+9.56.04+AM.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-2255566280327194843</id><published>2015-01-28T17:26:00.002-05:00</published><updated>2015-01-28T17:26:28.628-05:00</updated><title type='text'>Nam June Paik cuts off John Cage&#39;s tie</title><content type='html'>On October 6, 1960, at Mary Bauermeister&#39;s atelier in Cologne, while performing &lt;i&gt;Etude for Pianoforte&lt;/i&gt;, shy young Nam June Paik suddenly and violently took a scissors and cut off John Cage&#39;s tie as Cage was sitting near the front of the audience.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/2255566280327194843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/2255566280327194843'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2015/01/nam-june-paik-cuts-off-john-cages-tie.html' title='Nam June Paik cuts off John Cage&#39;s tie'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-1674301809291245527</id><published>2014-02-13T20:55:00.003-05:00</published><updated>2014-02-13T20:55:41.840-05:00</updated><title type='text'>Pierre Joris on Paul Celan, with reference to &quot;The Meridian&quot;</title><content type='html'>New PennSound podcast: 20-minute excerpt of my discussion with Pierre Joris on Paul Celan&#39;s experience of the Shoah: &lt;a href=&quot;https://jacket2.org/podcasts/pierre-joris-celan-and-shoah-20-minutes&quot;&gt;https://jacket2.org/podcasts/pierre-joris-celan-and-shoah-20-minutes&lt;/a&gt;. Joris makes reference to his translation and edition of Celan&#39;s 1960 speech, &quot;The Meridian.&quot;&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQcr86og5pGCjHZ0p1zhyKNbgtbzYBhko8t3VPpOchfOZa66X4P8hopw5UALseqDGLDFqrM0emHGV4C7edsI3TVHC6y_ABpDsBMHFY2RAtNvrf9hq30LMXk-JNuEEOZ_qb1RZqqJK3maU/s1600/Screen+Shot+2014-02-13+at+8.39.39+PM.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQcr86og5pGCjHZ0p1zhyKNbgtbzYBhko8t3VPpOchfOZa66X4P8hopw5UALseqDGLDFqrM0emHGV4C7edsI3TVHC6y_ABpDsBMHFY2RAtNvrf9hq30LMXk-JNuEEOZ_qb1RZqqJK3maU/s1600/Screen+Shot+2014-02-13+at+8.39.39+PM.png&quot; height=&quot;126&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1674301809291245527'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1674301809291245527'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2014/02/pierre-joris-on-paul-celan-with.html' title='Pierre Joris on Paul Celan, with reference to &quot;The Meridian&quot;'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQcr86og5pGCjHZ0p1zhyKNbgtbzYBhko8t3VPpOchfOZa66X4P8hopw5UALseqDGLDFqrM0emHGV4C7edsI3TVHC6y_ABpDsBMHFY2RAtNvrf9hq30LMXk-JNuEEOZ_qb1RZqqJK3maU/s72-c/Screen+Shot+2014-02-13+at+8.39.39+PM.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-6614565370274229477</id><published>2014-02-01T08:52:00.002-05:00</published><updated>2014-02-01T08:52:40.516-05:00</updated><title type='text'>educational utopia</title><content type='html'>The 1930s version of educational innovation (and its problems) circa 1960.&lt;br /&gt;
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&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/6614565370274229477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/6614565370274229477'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2014/02/educational-utopia.html' title='educational utopia'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisg0c9IK49glBjgJOiF1JSD0ZRU2ePoajWzAOZL_FQeBMcrLEvPokJNVfz5g3tSGWFjC8RKlBm4Wc16rDrWL2HGvjgHtJ7xEO4YgOwVGTaxIVsA7J5qOwF5aDyD3V6gkGPCQWo382j_rc/s72-c/Screen+Shot+2014-02-01+at+8.47.59+AM.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-4014013990230754313</id><published>2013-11-27T08:28:00.004-05:00</published><updated>2013-11-27T08:29:06.911-05:00</updated><title type='text'>Ferlinghetti in 1960</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN-u_EvoZTpdg_BzHh700D-erGMjM-tP6OSQUoy8b3NqDetTiOM_m_dnDu04ZTOUMHvpvHM_-Gdgjld3kqX2qCUtkGwt7rSTS0c21btaK6XU2V_LaiQqbPw0ppkd3L0vE818tj2pCBWgw/s1600/Screen+Shot+2013-11-27+at+8.27.20+AM.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN-u_EvoZTpdg_BzHh700D-erGMjM-tP6OSQUoy8b3NqDetTiOM_m_dnDu04ZTOUMHvpvHM_-Gdgjld3kqX2qCUtkGwt7rSTS0c21btaK6XU2V_LaiQqbPw0ppkd3L0vE818tj2pCBWgw/s400/Screen+Shot+2013-11-27+at+8.27.20+AM.png&quot; width=&quot;278&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href=&quot;http://www.cs.mcgill.ca/~abatko/interests/poetry/poem.cgi?n=misc/ferlinghetti-eight_people_on_a_golf_course_and_one_bird_of_freedom_flying_over&quot;&gt;LINK&lt;/a&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/4014013990230754313'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/4014013990230754313'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2013/11/ferlinghetti-in-1960.html' title='Ferlinghetti in 1960'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiN-u_EvoZTpdg_BzHh700D-erGMjM-tP6OSQUoy8b3NqDetTiOM_m_dnDu04ZTOUMHvpvHM_-Gdgjld3kqX2qCUtkGwt7rSTS0c21btaK6XU2V_LaiQqbPw0ppkd3L0vE818tj2pCBWgw/s72-c/Screen+Shot+2013-11-27+at+8.27.20+AM.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-3530498481548323021</id><published>2013-01-06T14:24:00.001-05:00</published><updated>2013-01-06T14:28:33.776-05:00</updated><title type='text'>Rauschenberg&#39;s piece for Duchamp, 1960</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuQdKXo5Rsxhqs2POiF1kdZgLOYGSWwebnztBEn_0FQjgS9wBbafKbte-ljeb1dn0vSRQVZH_OX7X8Zx4vbFzT4LF74OeMl3WQvC7QqidsPxnx2eJun-2UYPwZyq1K2ezxIaIQPxmn9Js/s1600/Screen+Shot+2013-01-06+at+2.24.42+PM.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;325&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuQdKXo5Rsxhqs2POiF1kdZgLOYGSWwebnztBEn_0FQjgS9wBbafKbte-ljeb1dn0vSRQVZH_OX7X8Zx4vbFzT4LF74OeMl3WQvC7QqidsPxnx2eJun-2UYPwZyq1K2ezxIaIQPxmn9Js/s400/Screen+Shot+2013-01-06+at+2.24.42+PM.png&quot; width=&quot;400&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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Robert Rauschenberg, &quot;Trophy II (for Teeny and Marcel Duchamp)&quot; - 1960. &lt;br /&gt;
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From 1959 to 1962, Robert Rauschenberg created a series of &quot;Trophies,&quot; highly personal combines dedicated to those artists who had most influenced him. In &quot;Trophy II (for Teeny and Marcel Duchamp),&quot; he repurposed a seven-panel white painting, inbuing it with vibrant color, aseemblage, and references to Duchamp and his wife, Teeny. The left-hand panel refers to Teeny with its inovcation of letters T and Y, while the right-hand panel is a stand-in for Duchamp and includes an aluminum sheet in an oblique reference to the reflective surface of &lt;i&gt;The Large Glass&lt;/i&gt;. &lt;br /&gt;
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The Walker Art Center in Minneapolis &lt;a href=&quot;http://collections.walkerart.org/item/object/328&quot;&gt;owns this 1960 piece&lt;/a&gt;. I saw it at the Rauschenberg/Cage/Duchamp/Cunningham show at the Philadelphia Museum of Art in late December 2012.&lt;br /&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuqg8CTSzLgoJmdE5EvYmtAwPnrYpGGnQqVNtoIWCVzY2IXoNzhoXnj-I4kYErhD4WM-qYuYGFtSXokV2kazzCUrXment1VTKAFCipSG_zU3XNDNYK3zTCq5zcNMMKfTqu_e4VsuoCXCE/s1600/Screen+Shot+2013-01-06+at+2.18.44+PM.png&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;400&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuqg8CTSzLgoJmdE5EvYmtAwPnrYpGGnQqVNtoIWCVzY2IXoNzhoXnj-I4kYErhD4WM-qYuYGFtSXokV2kazzCUrXment1VTKAFCipSG_zU3XNDNYK3zTCq5zcNMMKfTqu_e4VsuoCXCE/s400/Screen+Shot+2013-01-06+at+2.18.44+PM.png&quot; width=&quot;338&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/3530498481548323021'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/3530498481548323021'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2013/01/rauschenbergs-piece-for-duchamp-1960.html' title='Rauschenberg&#39;s piece for Duchamp, 1960'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuQdKXo5Rsxhqs2POiF1kdZgLOYGSWwebnztBEn_0FQjgS9wBbafKbte-ljeb1dn0vSRQVZH_OX7X8Zx4vbFzT4LF74OeMl3WQvC7QqidsPxnx2eJun-2UYPwZyq1K2ezxIaIQPxmn9Js/s72-c/Screen+Shot+2013-01-06+at+2.24.42+PM.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-5052254289738513016</id><published>2012-12-30T15:29:00.001-05:00</published><updated>2015-04-25T21:12:04.062-04:00</updated><title type='text'>Ashbery&#39;s poem &quot;Europe&quot;</title><content type='html'>From a letter Frank O&#39;Hara wrote to Ashbery on July 14, 1960: &quot;Europe is
 carrying all before it, it is on everyone&#39;s lips and in their heads.&quot;&lt;br /&gt;
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In an undated letter (from around 1960) Kenneth Koch wrote to Ashbery to
 say that of all the poems Ashbery was sending over from Paris, poems 
which were to form &lt;i&gt;The Tennis Court Oath&lt;/i&gt;, &quot;Europe&quot; was the most 
influential. Koch desperately says of this piece, &quot;I can&#39;t seem to do 
what you do. Huh! All I want to do is imitate you&quot; (letter dated January
 25, 1960).&lt;br /&gt;
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On January 7, 1960, O&#39;Hara says of the &quot;long poem&quot; (&quot;Europe&quot;): it is &quot;the most striking thing since The Waste Land.&quot;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/5052254289738513016'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/5052254289738513016'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2012/12/ashberys-poem-europe.html' title='Ashbery&#39;s poem &quot;Europe&quot;'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-7262676747819694209</id><published>2012-04-10T08:22:00.001-04:00</published><updated>2012-04-10T08:22:42.347-04:00</updated><title type='text'>Rod Serling interviewed by Mike Wallace, 1959</title><content type='html'>&lt;iframe width=&quot;420&quot; height=&quot;315&quot; src=&quot;http://www.youtube.com/embed/ZpKkHCVbSyw&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/7262676747819694209'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/7262676747819694209'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2012/04/rod-serling-interviewed-by-mike-wallace.html' title='Rod Serling interviewed by Mike Wallace, 1959'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/ZpKkHCVbSyw/default.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-1679184296256433412</id><published>2012-03-07T20:52:00.000-05:00</published><updated>2012-03-07T20:53:36.634-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Brion Gysin"/><category scheme="http://www.blogger.com/atom/ns#" term="UbuWeb"/><title type='text'>Brion Gysin</title><content type='html'>&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBcrG1uA6EQQaH_JN5cB_ycZDWAwhoohBy63bmZzj66MaktfNeRKAeXLwPsCsPpFGIFe_jdccDbusfNBDauGlMIaz2hB5-VTsay4RUtZXRCElI3hyphenhyphenpvjYY5JaYe1TCx9OXpMphfm6unYQ/s1600/Screen+Shot+2012-03-07+at+8.52.33+PM.png&quot;&gt;&lt;img style=&quot;display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 306px; height: 400px;&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBcrG1uA6EQQaH_JN5cB_ycZDWAwhoohBy63bmZzj66MaktfNeRKAeXLwPsCsPpFGIFe_jdccDbusfNBDauGlMIaz2hB5-VTsay4RUtZXRCElI3hyphenhyphenpvjYY5JaYe1TCx9OXpMphfm6unYQ/s400/Screen+Shot+2012-03-07+at+8.52.33+PM.png&quot; border=&quot;0&quot; alt=&quot;&quot;id=&quot;BLOGGER_PHOTO_ID_5717338418502001426&quot; /&gt;&lt;/a&gt;Brion Gysin records in 1960.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1679184296256433412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1679184296256433412'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2012/03/brion-gysin.html' title='Brion Gysin'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBcrG1uA6EQQaH_JN5cB_ycZDWAwhoohBy63bmZzj66MaktfNeRKAeXLwPsCsPpFGIFe_jdccDbusfNBDauGlMIaz2hB5-VTsay4RUtZXRCElI3hyphenhyphenpvjYY5JaYe1TCx9OXpMphfm6unYQ/s72-c/Screen+Shot+2012-03-07+at+8.52.33+PM.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-6401965476902493133</id><published>2012-03-06T11:17:00.003-05:00</published><updated>2012-03-06T11:22:13.600-05:00</updated><title type='text'>1960 materials at UbuWeb</title><content type='html'>&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-pkRl9Udi09b0ipG9QxpO-BKGRDY4_sMImgHyFPfyZ5AV9-Jukn5O5UDbIDc9ext_kc9e0xZSK1tEiXRbqyPHdtvRqyr7pS7VhwjBomsZ2FZbDKXQsVlxKLJPObyTd5a0ON4K901zPc8/s1600/Star-Spangled-to-Death.jpg&quot;&gt;&lt;img style=&quot;display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 303px;&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-pkRl9Udi09b0ipG9QxpO-BKGRDY4_sMImgHyFPfyZ5AV9-Jukn5O5UDbIDc9ext_kc9e0xZSK1tEiXRbqyPHdtvRqyr7pS7VhwjBomsZ2FZbDKXQsVlxKLJPObyTd5a0ON4K901zPc8/s400/Star-Spangled-to-Death.jpg&quot; border=&quot;0&quot; alt=&quot;&quot;id=&quot;BLOGGER_PHOTO_ID_5716820134877644082&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;FILMS&lt;/b&gt;&lt;br /&gt;Iannis Xenakis, NEG-ALE (1960) &lt;br /&gt;Cioni Carpi, Punto e contrapunto (1960) &lt;br /&gt;Joseph Cornell, Gnir Rednow (1960) &lt;br /&gt;Ed van der Eisken, Handen (1960) &lt;br /&gt;Stan VanDerBeek, Achooo Mr. Kerrooschev (1960) &lt;br /&gt;Stan VanDerBeek, The Smiling Workman (1960) &lt;br /&gt;Stan VanDerBeek, Blacks and Whites, Days and Nights (1960) &lt;br /&gt;Stan VanDerBeek, Skullduggery Part II (1960-1961) &lt;br /&gt;Harry Smith, Heaven and Earth Magic (1950-1960) &lt;br /&gt;Alexander Kluge, Brutality in Stone (1960)&lt;br /&gt;Norman McLaren and Evelyn Lambart, Lines: Vertical (1960) &lt;br /&gt;Richard Myers, The Path (1960) &lt;br /&gt;Nobuhiko Obayashi, Dandanko (1960) &lt;br /&gt;Nobuhiko Obayashi, E no Naka no Shouja  (1960) &lt;br /&gt;Ken Jacobs, Little Stabs at Happiness (1969) &lt;br /&gt;&lt;br /&gt;&lt;b&gt;TEXT&lt;/b&gt;&lt;br /&gt;Gustav Metzger,  Auto-Destructive Art Manifesto (1960) &lt;br /&gt;Jose Lino Grunewald, aromamora; falo; sempre ceder (all 1960)&lt;br /&gt;Friedrich Achleitner, o-i-study; ouch; alas! (all 1960)&lt;br /&gt;John Cage, Tacet (1960) &lt;br /&gt;Louis Zukofsky, Julia&#39;s Wild (1960) &lt;br /&gt;Eugen Gomringer, The Poem as Functional Object (1960) &lt;br /&gt;Luis Bunuel, A Statement (1960) &lt;br /&gt;&lt;br /&gt;&lt;b&gt;SOUND&lt;/b&gt;&lt;br /&gt;Files in History of Electronic/Electroacoustic Music (1937-2001)&lt;br /&gt;Berio, Luciano - &quot;Momenti&quot; (1960)&lt;br /&gt;Clementi, Aldo - &quot;Collage II&quot; (1960)&lt;br /&gt;Kagel, Maurizio - &quot;Transicion I&quot; (1958-1960)&lt;br /&gt;Maderna, Bruno - &quot;Dimensioni II (Invenzione su una Voce)&quot; (1960)&lt;br /&gt;Mathews, Max - &quot;Numerology&quot; (1960)&lt;br /&gt;Nono, Luigi - &quot;Omaggio a Emilio Vedova&quot; (1960)&lt;br /&gt;Pousseur, Henri - &quot;Electre&quot; (1960)&lt;br /&gt;Xenakis, Iannis - &quot;Orient-Occident&quot; (1960)&lt;br /&gt;Stockhausen, Karlheinz - &quot;Kontakte&quot; (1958-1960)&lt;br /&gt;Brion Gysin, Mektoub: Recordings 1960-1981 Link&lt;br /&gt;Salvador Dali, Salvador Dali Speaks &lt;br /&gt;Richard Maxfield, Pastoral Symphony and Amazing Grace&lt;br /&gt;William Carlos Williams, Interviews with Walter Sutton, Recorded October 11 &amp; 20; November 3 &amp; 15, 1960&lt;br /&gt;&lt;br /&gt;Above: early photograph of Ken Jacobs.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/6401965476902493133'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/6401965476902493133'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2012/03/1960-materials-at-ubuweb.html' title='1960 materials at UbuWeb'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-pkRl9Udi09b0ipG9QxpO-BKGRDY4_sMImgHyFPfyZ5AV9-Jukn5O5UDbIDc9ext_kc9e0xZSK1tEiXRbqyPHdtvRqyr7pS7VhwjBomsZ2FZbDKXQsVlxKLJPObyTd5a0ON4K901zPc8/s72-c/Star-Spangled-to-Death.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-1579572286575675531</id><published>2012-01-27T12:52:00.002-05:00</published><updated>2012-01-27T12:54:31.484-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Anne Sexton"/><title type='text'>Anne Sexton, 1960</title><content type='html'>&lt;iframe width=&quot;420&quot; height=&quot;315&quot; src=&quot;http://www.youtube.com/embed/UfvS_fgbuDI&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;br /&gt;Anne Sexton in 1960. This biographical profile on YouTube includes several poems she read in (or is it that they were published in) 1960. The first poem is &quot;Her Kind.&quot;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1579572286575675531'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1579572286575675531'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2012/01/anne-sexton-1960.html' title='Anne Sexton, 1960'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/UfvS_fgbuDI/default.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-1959047978289133475</id><published>2011-12-11T19:24:00.001-05:00</published><updated>2011-12-11T19:25:39.417-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Jerome Rothenberg"/><title type='text'>Jerome Rothenberg: The real revolution is tragic</title><content type='html'>&lt;a onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot; href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjksHOWq_1nQrIxQQxm9Bpwm2Kj0Jvy_lMzEYLNrysmWTeT7g_pbh0jrcOPvRFwcnETiH9LRjp8wr6sqrQuxLg-0GWgfB2ydd-J8uLPaW9uiUfIDJzL1bHde8MXnHaT_rn06e5WzGDaPjQ/s1600/Picture+1.png&quot;&gt;&lt;img style=&quot;display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 311px; height: 400px;&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjksHOWq_1nQrIxQQxm9Bpwm2Kj0Jvy_lMzEYLNrysmWTeT7g_pbh0jrcOPvRFwcnETiH9LRjp8wr6sqrQuxLg-0GWgfB2ydd-J8uLPaW9uiUfIDJzL1bHde8MXnHaT_rn06e5WzGDaPjQ/s400/Picture+1.png&quot; border=&quot;0&quot; alt=&quot;&quot;id=&quot;BLOGGER_PHOTO_ID_5685031229282982914&quot; /&gt;&lt;/a&gt;To read this short essay on Jerome Rothenberg in 1960, click &lt;a href=http://jacket2.org/article/jerome-rothenberg-real-revolution-tragic&gt;here&lt;/a&gt;.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1959047978289133475'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/1959047978289133475'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2011/12/jerome-rothenberg-real-revolution-is.html' title='Jerome Rothenberg: The real revolution is tragic'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjksHOWq_1nQrIxQQxm9Bpwm2Kj0Jvy_lMzEYLNrysmWTeT7g_pbh0jrcOPvRFwcnETiH9LRjp8wr6sqrQuxLg-0GWgfB2ydd-J8uLPaW9uiUfIDJzL1bHde8MXnHaT_rn06e5WzGDaPjQ/s72-c/Picture+1.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-4449567223439968849</id><published>2011-11-17T17:52:00.002-05:00</published><updated>2011-11-17T17:54:30.671-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="holocaust"/><title type='text'>Nazis in the bookstore, 1960</title><content type='html'>&lt;a onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot; href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy7J9bycy6LtUEdc4snY84MbzzMvHWhCNRJwUSqmipp5djRE6Gsed8rSCTUPqo76BB6tNrXGzWZWgtC-NxL9sJDbWdn5EFUhbOUMfr28kYdEBjdyxSeNuqsVssxUVxz2GwSitILdw9mYM/s1600/1960+spate+of+Nazi+books.jpg&quot;&gt;&lt;img style=&quot;display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 248px; height: 400px;&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy7J9bycy6LtUEdc4snY84MbzzMvHWhCNRJwUSqmipp5djRE6Gsed8rSCTUPqo76BB6tNrXGzWZWgtC-NxL9sJDbWdn5EFUhbOUMfr28kYdEBjdyxSeNuqsVssxUVxz2GwSitILdw9mYM/s400/1960+spate+of+Nazi+books.jpg&quot; border=&quot;0&quot; alt=&quot;&quot;id=&quot;BLOGGER_PHOTO_ID_5676101621495122034&quot; /&gt;&lt;/a&gt;This drawing illustrates an article published in a 1960 issue of the &lt;i&gt;New York Times&lt;/i&gt; about the republication that year of &lt;i&gt;Mein Kamp&lt;/i&gt; and the spate just then of books about the Nazis. What&#39;s a bookstore shopper to do?</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/4449567223439968849'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/4449567223439968849'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2011/11/nazis-in-bookstore-1960.html' title='Nazis in the bookstore, 1960'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy7J9bycy6LtUEdc4snY84MbzzMvHWhCNRJwUSqmipp5djRE6Gsed8rSCTUPqo76BB6tNrXGzWZWgtC-NxL9sJDbWdn5EFUhbOUMfr28kYdEBjdyxSeNuqsVssxUVxz2GwSitILdw9mYM/s72-c/1960+spate+of+Nazi+books.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-8089599802912548817</id><published>2011-09-02T11:28:00.001-04:00</published><updated>2011-09-02T11:29:37.088-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="architecture"/><title type='text'>visionary architecture at MoMA</title><content type='html'>&lt;a onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot; href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBIQOuoU7faQdXn3IiJ7or97yTCJddzq6aVBFbUEnLU7l4zs5bbAc5ImSqBBKwUquFQs7LwkDDlMaqYMShAMvwHWhurqIlaicnp_WgmOO6iRyIsv9ici9J_nBxV7QIFTdr00yuUOV7bes/s1600/Picture+2.png&quot;&gt;&lt;img style=&quot;display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 381px;&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBIQOuoU7faQdXn3IiJ7or97yTCJddzq6aVBFbUEnLU7l4zs5bbAc5ImSqBBKwUquFQs7LwkDDlMaqYMShAMvwHWhurqIlaicnp_WgmOO6iRyIsv9ici9J_nBxV7QIFTdr00yuUOV7bes/s400/Picture+2.png&quot; border=&quot;0&quot; alt=&quot;&quot;id=&quot;BLOGGER_PHOTO_ID_5647784635572963570&quot; /&gt;&lt;/a&gt;Click &lt;a href=https://jacket2.org/commentary/visionary-architecture-1960&gt;here&lt;/a&gt; for more on the fall 1960 MoMA show called &quot;Visionary Architecture.&quot;&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/8089599802912548817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/8089599802912548817'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2011/09/visionary-architecture-at-moma.html' title='visionary architecture at MoMA'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBIQOuoU7faQdXn3IiJ7or97yTCJddzq6aVBFbUEnLU7l4zs5bbAc5ImSqBBKwUquFQs7LwkDDlMaqYMShAMvwHWhurqIlaicnp_WgmOO6iRyIsv9ici9J_nBxV7QIFTdr00yuUOV7bes/s72-c/Picture+2.png" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6970947294390982018.post-2746848608833467198</id><published>2011-02-11T08:55:00.002-05:00</published><updated>2011-02-11T08:56:40.814-05:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Evergreen Review"/><category scheme="http://www.blogger.com/atom/ns#" term="pataphysics"/><title type='text'>pataphysics</title><content type='html'>&lt;a onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot; href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGj32tKSVZ7Y7KohY0pv8CnpEc5PufKIMmtJYoVpiD8XyNSuKzpn1HWbdfXUsRkruvHaEJP6FBxMxfxil8R25kd5EVPBbJiaQ8TyKm4DlmVqVDLTCKNKaI6JturFUzqDTJU2sSZs-9ZGo/s1600/Picture+1.png&quot;&gt;&lt;img style=&quot;display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 274px; height: 400px;&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGj32tKSVZ7Y7KohY0pv8CnpEc5PufKIMmtJYoVpiD8XyNSuKzpn1HWbdfXUsRkruvHaEJP6FBxMxfxil8R25kd5EVPBbJiaQ8TyKm4DlmVqVDLTCKNKaI6JturFUzqDTJU2sSZs-9ZGo/s400/Picture+1.png&quot; border=&quot;0&quot; alt=&quot;&quot;id=&quot;BLOGGER_PHOTO_ID_5572430517402552962&quot; /&gt;&lt;/a&gt;&lt;br /&gt;The May-June 1960 issue of &lt;i&gt;The Evergreen Review&lt;/i&gt; was devoted to pataphysics. It was edited by Roger Shattuck and Simon Watson Taylor.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/2746848608833467198'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6970947294390982018/posts/default/2746848608833467198'/><link rel='alternate' type='text/html' href='http://nineteen-sixty.blogspot.com/2011/02/pataphysics.html' title='pataphysics'/><author><name>Al Filreis</name><uri>http://www.blogger.com/profile/17361573484797020525</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='31' height='19' src='http://www.writing.upenn.edu/~afilreis/Images/portrait-for-home-page.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGj32tKSVZ7Y7KohY0pv8CnpEc5PufKIMmtJYoVpiD8XyNSuKzpn1HWbdfXUsRkruvHaEJP6FBxMxfxil8R25kd5EVPBbJiaQ8TyKm4DlmVqVDLTCKNKaI6JturFUzqDTJU2sSZs-9ZGo/s72-c/Picture+1.png" height="72" width="72"/></entry></feed>