4K Shooters

Teradek Bolt 7 Brings Dedicated 900MHz Data to Its Zero-Delay Wireless Video Platform

4KS Editorial — Thu, 10 Sep 2026 05:23:40 +0000

Wireless video has become a standard part of modern film sets and live productions, but getting camera control and production data across the same environment can still require additional networking hardware. Teradek is taking a different approach with Bolt 7, combining its zero-delay wireless video technology with a dedicated 900MHz data channel designed for camera control, telemetry, monitor control, color workflows, and Ethernet transport. Announced as the most significant update to the Bolt platform since its introduction in 2013, Bolt 7 retains the core zero-delay wireless video architecture while expanding the system into a broader production connectivity platform. A Dedicated

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Adobe Unveils New AI-Powered Tools for Faster, Smarter Video Editing and Motion Design

4KS Editorial — Wed, 09 Sep 2026 06:01:46 +0000

The hardest part of an edit is not always the creative decision. Sometimes it is finding the missing shot, repairing a difficult recording or navigating a project that has grown into thousands of layers. Adobe is targeting those everyday post-production bottlenecks with a new wave of AI-powered features for Premiere and After Effects. Announced ahead of IBC 2026, the latest additions put generative media, intelligent audio processing and natural-language project control directly inside Adobe’s professional video applications. The objective is less about replacing creative decisions and more about reducing the technical work between an idea and its execution. Generative Media

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Sigma Adds a Fast 85mm F1.2 Art Prime and Compact 20-60mm F2.8-4 Zoom

4KS Editorial — Tue, 08 Sep 2026 13:43:52 +0000

Two very different approaches to full-frame lens design headline Sigma’s latest announcement. The company has introduced the 85mm F1.2 DG Art, a high-speed portrait prime built around maximum aperture and optical character, alongside the 20-60mm F2.8-4 DG Contemporary, a lightweight zoom that stretches from an unusually wide 20mm perspective to a useful 60mm telephoto reach. Both lenses are being introduced for Sony E-mount and L-Mount cameras, with availability scheduled to begin October 6, 2026. Sigma 85mm F1.2 DG Art Brings Speed to a More Compact Package The 85mm F1.2 DG | Art completes Sigma’s F1.2 prime lineup, joining the existing

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Manfrotto ONE Video Expands the ONE Platform for Dedicated Video Production

4KS Editorial — Mon, 07 Sep 2026 05:36:45 +0000

Manfrotto’s ONE platform now has a dedicated video configuration. The new ONE Video Aluminium Tripod combines the company’s XTEND leg mechanism, integrated leveling and non-round leg construction with a choice of two fluid video heads, creating a support system designed around rapid deployment and controlled camera movement. The new 502X Fluid Video Head sits at the top of the range, supporting camera systems up to 8 kg and introducing continuously variable fluid drag on both pan and tilt. Alongside it, the 500X Fluid Head provides a lighter 5 kg configuration aimed primarily at mirrorless cameras and compact video setups. Rather

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Hollyland Pyro 7 Ultra Combines Professional Monitoring and Wireless Transmission in One 7-Inch Display

4KS Editorial — Fri, 04 Sep 2026 04:51:39 +0000

On-set monitoring is becoming increasingly connected, with directors, focus pullers, camera operators and DITs often needing access to the same camera feed from different positions. Hollyland is addressing that challenge with the new Pyro 7 Ultra, a 7.02-inch professional monitor that combines wireless video transmission and reception with advanced monitoring tools in a single device. Rather than pairing a conventional production monitor with separate wireless hardware, the Pyro 7 Ultra integrates these functions into one portable system. Hollyland positions it for camera-top monitoring, director monitoring, wireless focus-pulling workflows and multi-camera productions where dependable access to the live image is essential.

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RED Brings Cinema-Grade Live Broadcast to IBC 2026 With V-RAPTOR

4KS Editorial — Thu, 03 Sep 2026 04:23:13 +0000

Live sports and entertainment production continues to push beyond traditional broadcast aesthetics, and RED Digital Cinema is using IBC 2026 to demonstrate how cinema cameras can meet the demands of real-time production. At its booth in Amsterdam, RED will showcase immersive 8K video, 4K 240p super-slow motion and multi-camera live workflows built around its V-RAPTOR camera platform. RED will be at stand 11.C35 from September 11 to 14, with a fully rigged boxing ring serving as the centerpiece of its live-production demonstration. An Immersive 8K Live Experience The main attraction puts V-RAPTOR cameras directly above the boxing ring, mounted in

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Sigma Expands Aizu Prime Cinema Lens Line with Three New T1.3 Lenses

4KS Editorial — Wed, 02 Sep 2026 04:58:30 +0000

Sigma is expanding its Aizu Prime cinema lens system with three new large-format optics, adding the 21mm T1.3 LF, 100mm T1.3 LF, and 125mm T1.3 LF to the lineup. The new lenses extend the series into wider and longer focal lengths while retaining the constant T1.3 aperture and optical characteristics that define the Aizu Prime family. The additions follow the eight Aizu Prime lenses introduced in 2025, bringing the currently announced lineup to 11 lenses. Sigma is developing the system as a 12-lens range covering focal lengths from 18mm through 125mm, leaving the 18mm as the remaining focal length in

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Samsung P7 and P9 Push Portable SSD Performance to 4,000 MB

4KS Editorial — Tue, 01 Sep 2026 05:04:31 +0000

Portable storage is becoming an increasingly important part of modern production workflows as cameras generate larger files and higher-resolution footage. Samsung is addressing that demand with its new P7 and P9 portable SSDs, which introduce USB4 connectivity, capacities up to 8TB, and sequential read speeds of up to 4,000 MB/s. Samsung unveiled the new P Series at Gamescom 2026 in Cologne, Germany. The lineup consists of the flagship P9, aimed at demanding professional workflows, and the more versatile P7, designed for fast storage across a broader range of applications. P9 Targets High-Bandwidth Production The P9 is the more production-focused model

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FilmConvert Adds RED V-RAPTOR Support to Nitrate and CineMatch

4KS Editorial — Mon, 31 Aug 2026 05:26:24 +0000

Color consistency can become increasingly demanding when a production combines multiple cinema cameras, particularly when each system brings its own color response and recording profiles into the post-production pipeline. Getting the camera-specific foundation right can make the subsequent creative grade considerably more predictable. FilmConvert has now expanded its camera support with a new RED V-RAPTOR camera pack for both FilmConvert Nitrate and CineMatch. The just released update adds dedicated RED V-RAPTOR profiles to both plugins, giving filmmakers a camera-specific starting point for grading and color matching. Dedicated RED V-RAPTOR Profiles FilmConvert’s camera profiles are designed around the specific camera, model

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GoPro MISSION 1 PRO ILS Now Available for Pre-Order Ahead of September Launch

4KS Editorial — Fri, 28 Aug 2026 04:03:06 +0000

GoPro is now opening pre-orders for the MISSION 1 PRO ILS, the third camera in its MISSION 1 Series and the interchangeable-lens variant of the MISSION 1 PRO. Originally announced alongside the MISSION 1 and MISSION 1 PRO in April, the ILS is now moving toward retail availability, bringing its Micro Four Thirds lens mount, 8K60 recording and 50MP 1-inch sensor to market. Designed for filmmakers and content creators who need a compact camera that can adapt to different production requirements, the MISSION 1 PRO ILS combines GoPro’s rugged, miniature form factor with the flexibility of interchangeable optics. Its Micro

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Blackmagic PYXIS 12K Gets Phase-Detect Autofocus in New Beta Firmware

4KS Editorial — Thu, 27 Aug 2026 04:33:29 +0000

Blackmagic Design is continuing its rollout of phase-detect autofocus across its cinema camera lineup, with a new beta build bringing the technology to the Blackmagic PYXIS 12K. The update is currently available for testing on Mac, with Windows support expected to follow. The move expands the autofocus system already introduced on the Blackmagic PYXIS 6K and Blackmagic Cinema Camera 6K. For filmmakers who have been waiting for more capable autofocus from Blackmagic’s high-resolution cinema cameras, the PYXIS 12K beta represents another important step toward making phase-detect focusing a broader part of the company’s camera platform. Phase-Detect Autofocus Arrives on PYXIS

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Apple’s New M6 Mac mini and M5 Ultra Mac Studio Raise the Bar for Creative Workstations

4KS Editorial — Wed, 26 Aug 2026 05:33:00 +0000

Apple is pushing its desktop lineup further into professional production territory with the latest Mac mini and Mac Studio. The new Mac mini introduces the 2nm M6 alongside the more powerful M5 Pro, while Mac Studio gains the M5 Max and flagship M5 Ultra. Together, the new systems bring higher performance, faster memory, more capable media engines, and significantly greater on-device AI processing to compact desktop workstations. For filmmakers and content creators, the biggest story is not simply faster processors. Apple is increasingly building its silicon around workloads that combine CPU, GPU, media processing, and AI acceleration, giving demanding production

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RØDE Launches DS3 Desktop Studio Arm for Microphones, Cameras and Lights

4KS Editorial — Tue, 25 Aug 2026 04:09:05 +0000

Desktop production environments are packing more equipment into increasingly limited spaces. RØDE’s new DS3 addresses that challenge with a redesigned professional desktop studio arm that combines a higher load capacity with precise positioning, vibration damping and a compact weighted base. Building on the company’s popular DS2, the DS3 supports up to 1.5kg, allowing it to accommodate a broader range of equipment. That includes broadcast-grade XLR microphones such as the RØDE PodMic, large-diaphragm microphones, cameras, lights and other accessories. Precision Positioning for Recording and Broadcast One of the DS3’s key upgrades is its integrated, precision-engineered ball head. It provides smooth, controlled

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Hollyland to Debut New Wireless Audio, 4K60 Streaming and Intercom Systems at IFA 2026

4KS Editorial — Mon, 24 Aug 2026 04:48:23 +0000

Hollyland is heading to IFA 2026 with a broad new lineup covering wireless audio, live streaming and professional crew communication. The company will publicly debut several new products at Booth H20-131, including the LARK A2 and LARK M3 wireless microphones, VenusLiv Air 2 streaming camera, and two new Solidcom intercom systems. The announcements highlight Hollyland’s continued expansion beyond basic wireless connectivity, with new tools aimed at filmmakers, journalists, live production teams and content creators. LARK A2 Brings Lightweight Wireless Audio The LARK A2 combines 48 kHz / 24-bit audio recording with a lightweight transmitter weighing just 8.5g. Hollyland says its

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Canon Expands Cinema EOS Capabilities With New Firmware for the C80, C400 and More

4KS Editorial — Fri, 21 Aug 2026 04:49:44 +0000

Canon has released a substantial round of firmware updates for its Cinema EOS lineup, bringing new imaging and production capabilities to the EOS C80 and EOS C400 while expanding lens compatibility across several other cameras. The just released updates cover the EOS C80, EOS C400, EOS C50, EOS C70, and EOS R5 C. The headline addition is Cinema Exposure, which arrives on both the EOS C80 and EOS C400. The feature gives filmmakers another way to manage the camera’s dynamic range by adjusting the balance between highlight and shadow ranges according to the selected ISO sensitivity. Cinema Exposure Comes to

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SANDMARC Telephoto 96mm Lens Gives iPhone Filmmakers Serious Long-Range Reach

4KS Editorial — Thu, 20 Aug 2026 04:38:56 +0000

Long lenses can completely change the visual language of a production. They compress perspective, isolate subjects and allow filmmakers to capture details from a distance without physically moving the camera closer. SANDMARC is bringing some of those possibilities to Apple’s latest Pro iPhones with its Telephoto 96mm Lens, an external optic designed specifically for the iPhone’s tetraprism telephoto camera. Priced at $345, the lens adds 4x true optical magnification when mounted to the compatible iPhone telephoto camera. SANDMARC says that combination can deliver up to 32x total zoom on the iPhone 17 Pro and iPhone 17 Pro Max, compared with

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Save Up to $450 on High-End MacBook Pro M5 Deals at B&H

4KS Editorial — Wed, 19 Aug 2026 05:24:33 +0000

If you have been considering upgrading to an Apple MacBook Pro, B&H is currently offering discounts across a wide selection of M5-powered models, with savings reaching $450 on select configurations. The current sale includes both 14- and 16-inch MacBook Pro models equipped with M5 Pro and M5 Max chips, giving shoppers several ways to get Apple’s latest professional laptops for less. B&H currently lists 14 MacBook Pro configurations, with 13 carrying a discount. Prices range from $2,349 for an M5 Pro model to nearly $8,000 for a fully loaded M5 Max system, so there are options for users with very

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Blackmagic Design Lists Recommended CFexpress Cards and USB-C Drives for PYXIS 12K

4KS Editorial — Tue, 18 Aug 2026 05:26:08 +0000

Blackmagic Design has recently published a list of recommended storage media for the Blackmagic PYXIS 12K, covering both CFexpress Type B cards and USB-C drives. The recommendations provide filmmakers with specific media options for recording some of the camera’s most demanding Blackmagic RAW formats. The PYXIS 12K features a 12,288 x 8,040 full-frame RGBW sensor with 16 stops of dynamic range, along with two CFexpress Type B card slots. The camera also includes a 10 Gb/s USB-C port for external media, supporting recording of Blackmagic RAW and H.264 proxy files. Recommended CFexpress cards Blackmagic Design recommends a broad selection of

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Antigravity A1 Drops to $1,199 in Labor Day Sale

4KS Editorial — Mon, 17 Aug 2026 10:06:07 +0000

The Antigravity A1 is heading into the Labor Day shopping season with a significant price reduction. Starting August 17, Antigravity is launching its Labor Day Sale, bringing the A1 Standard Bundle down to $1,199 for early-bird shoppers, a $400 reduction from its regular $1,599 price. For filmmakers and content creators exploring immersive aerial capture, the promotion makes Antigravity’s 8K 360 drone easier to consider as an alternative to a conventional camera drone and separate 360 camera setup. The A1 is built around a dual-lens 360-degree imaging system, allowing creators to capture the surrounding environment and determine the final viewing angle

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amaran Enters the Audio Market With the New €99 amaran Mic

4KS Editorial — Fri, 14 Aug 2026 04:12:03 +0000

The modern desktop has become a production environment in its own right. Livestreams, podcasts, tutorials, gaming sessions, remote presentations, and social video all demand audio that can keep pace with the quality of the image. amaran is now expanding into that part of the workflow with its first dedicated microphone. The amaran Mic is a €99 wireless desktop microphone designed for livestreaming, podcasting, and everyday video creation. With wired and wireless operation, built-in noise reduction, extensive physical controls, and up to 60 hours of battery life, it expands the amaran ecosystem beyond lighting and into audio. A Dynamic Microphone Built

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FilmConvert Adds Insta360 Luna Ultra Support to Nitrate and CineMatch

4KS Editorial — Thu, 13 Aug 2026 04:17:56 +0000

FilmConvert is expanding its camera profile library again, this time around with the addition of the Insta360 Luna Ultra to both FilmConvert Nitrate and CineMatch. The new profiles give filmmakers a dedicated starting point when grading footage from Insta360’s flagship dual-camera gimbal system, making it easier to establish consistent color across a production. The update is particularly relevant to Luna Ultra users shooting in the camera’s 10-bit I-Log mode. Insta360’s flagship model combines a 1-inch 8K main sensor with a 1/1.3-inch telephoto camera and supports 10-bit I-Log recording with up to 14 stops of dynamic range. Dedicated Profiles for Luna

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Insta360 X6 Announced – a New 8K Flagship Camera Built for Filmmaking, Action and AI Editing

4KS Editorial — Wed, 12 Aug 2026 13:25:15 +0000

The 360 camera is becoming more than a tool for capturing panoramic footage. With the new Insta360 X6, the company is combining 8K 360 capture, larger sensors, single-lens action recording, subject tracking and AI-assisted editing in one compact system designed to cover a much broader range of production scenarios. Launched on the company’s 10th anniversary in the 360 camera market, X6 is positioned as Insta360’s new flagship. The company says it is designed to consolidate roles that might otherwise require a 360 camera, tracking gimbal and action camera. Larger Sensors and More Processing Power At the heart of X6 are

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Blackmagic Camera 10.2.2 Adds PDAF and New Production Tools to the Cinema Camera 6K

4KS Editorial — Tue, 11 Aug 2026 04:37:02 +0000

Blackmagic Design has just expanded the capabilities of the Blackmagic Cinema Camera 6K with Camera 10.2.2 Update, bringing a substantial collection of autofocus and production features to the full-frame cinema camera. The update adds phase detect autofocus alongside continuous autofocus, face and object detection, while also introducing new focus controls and several workflow-oriented features. The release follows the recent addition of PDAF to the Blackmagic PYXIS 6K and brings the same autofocus technology to Cinema Camera 6K users. Phase Detect Autofocus Arrives on the Cinema Camera 6K The headline feature is phase detect autofocus, or PDAF. Camera 10.2.2 adds PDAF

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Autodesk Flow Studio Brings Directable 3D Control to Generative AI Filmmaking

4KS Editorial — Mon, 10 Aug 2026 03:59:54 +0000

Generative AI can produce increasingly convincing characters, environments and video, but getting precise control over how those elements behave within a shot remains a significant challenge. Autodesk is addressing that problem with a major expansion of Flow Studio, introducing 3D Editor + Canvas, a workflow that combines directable 3D scene control with AI-powered 2D generation and refinement. Rather than relying entirely on prompts or reference images to define characters, animation, camera movement and composition, creators can now work directly in a 3D environment. Autodesk says this gives users greater control over cameras, animation, blocking and the environment while still allowing

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ZY Optics PITTURA 30mm f/2.4 Gives Fujifilm GFX and Hasselblad XCD a Fast Wide-Angle Prime

4KS Editorial — Fri, 07 Aug 2026 13:01:23 +0000

Wide-angle lenses for medium format systems often prioritize image quality and coverage over speed and portability. Zhong Yi Optics is taking a different approach with the new PITTURA 30mm f/2.4, a native wide-angle prime designed for Fujifilm GFX and Hasselblad XCD systems. The just announced PITTURA combines a 30mm focal length with a maximum aperture of f/2.4, a 0.2m minimum focusing distance, and a precision-machined all-metal barrel. Zhong Yi Optics positions the lens as a portable option for modern medium format systems, with a field of view equivalent to approximately 24mm on full-frame. A Fast Wide-Angle Option for Medium Format

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DaVinci Resolve 21.0.4 Adds Flexible Proxy Relinking, Sony FX5 X-OCN Support and More

4KS Editorial — Thu, 06 Aug 2026 03:39:09 +0000

Blackmagic Design continues to refine DaVinci Resolve 21 with version 21.0.4, bringing a collection of targeted improvements across media management, editing, color, scripting and playback. Following the earlier 21.0.x updates, this release focuses less on headline creative features and more on the details that can make complex post-production workflows easier to manage. Among the most notable additions are more flexible proxy relinking, support for Sony FX5 X-OCN clips and new scripting API capabilities, while several fixes address playback, retiming, media management and image decoding. More Flexible Proxy Relinking DaVinci Resolve 21.0.4 makes the Relink Clips workflow more flexible by allowing

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Angelbird Expands CFexpress Type B v4 Lineup with New 256GB Card

4KS Editorial — Wed, 05 Aug 2026 03:57:15 +0000

Not every production calls for a multi-terabyte memory card. For shorter shoots, hybrid assignments, and productions where media is rotated regularly, a smaller capacity can be a practical way to balance recording time, data management, and media costs. Angelbird is expanding its professional memory card portfolio with a new 256GB option for its AV PRO SE CFexpress B v4 lineup. The new card is designed for video recording and high-resolution burst photography, with Angelbird specifying sustained write speeds of up to 500 MB/s and sustained read speeds of up to 2,500 MB/s. The emphasis is on maintaining dependable performance during

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Sony FE 100-400mm F5.6-8 OSS Makes Full-Frame Telephoto Reach More Portable

4KS Editorial — Tue, 04 Aug 2026 19:07:53 +0000

Long lenses tend to impose a familiar compromise: more reach usually means more weight. Sony’s new FE 100-400mm F5.6-8 OSS takes a different approach, putting a 100-400mm full-frame zoom into a package weighing just 23.1 ounces, or approximately 654g. The new Sony E-mount lens is aimed at photographers who need substantial telephoto reach without carrying the bulk associated with larger professional optics. Its combination of a broad focal range, optical stabilization, fast autofocus, and compact construction makes it particularly relevant to wildlife, sports, travel, and outdoor shooting. A Lightweight Route to 400mm The lens covers 100mm through 400mm, giving shooters

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Lowepro Fastpack IV Collection Adds Smarter Organisation for Creators

4KS Editorial — Mon, 03 Aug 2026 05:25:22 +0000

Camera backpacks are increasingly expected to function as more than dedicated equipment carriers. For creators moving between shooting, travel, commuting, and everyday work, the ability to carry camera equipment alongside personal essentials can be just as important as protection. Lowepro is addressing that demand with the new Fastpack IV Collection. The latest generation of the Fastpack range combines quick camera access, revised storage, durable materials, and a more adaptable interior. The collection is designed for photographers, videographers, and content creators who need a single backpack that can change roles throughout the day. Fast Camera Access and a Redesigned Opening A

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Laowa Aksen Takes Full-Frame Macro from 1x to 10x

4KS Editorial — Fri, 31 Jul 2026 14:01:10 +0000

Extreme macro cinematography leaves very little room for error. At 5x or 10x magnification, even a small change in camera position or working distance can alter the composition, while moving a light or diffusion system can completely change the way a subject is rendered. Laowa is taking a different approach with its new Aksen Ultra Macro series, a pair of full-frame parfocal zoom lenses covering the 1-10x magnification range. The series comprises the Laowa Aksen 45mm f/2.8 1-5x Ultra Macro APO and Laowa Aksen 17.5mm f/1.7 5-10x Ultra Macro APO. Both are offered in photo and cine versions, with the

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Cooke Adds Nikon Z Mount Support to SP3 and AP3 Cinema Lenses

4KS Editorial — Thu, 30 Jul 2026 05:15:16 +0000

The growing convergence between mirrorless cameras and dedicated cinema production is giving filmmakers more options when building compact camera systems. Cooke Optics is expanding its interchangeable-mount lens platform with the addition of Nikon Z mount support for its SP3 spherical primes and AP3 1.5x anamorphic lenses. The new option comes through a licensing agreement with Nikon and allows Cooke customers to use the company’s compact cinema optics with Nikon Z mount cameras without relying on third-party mount adapters. Cooke’s Interchangeable Mount Strategy Expands Cooke introduced the SP3 series as a full-frame spherical cinema lens family designed specifically for modern mirrorless

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P+S Technik HEXAMO Mount Brings Leitz HEKTOR Cine Primes to ARRI ALEXA Cameras

4KS Editorial — Wed, 29 Jul 2026 03:59:11 +0000

Lens compatibility has expanded dramatically over the past decade, but flange focal distance remains one of the few engineering barriers that cannot be solved with a simple adapter. P+S Technik’s new HEXAMO Mount System addresses that challenge with a purpose-built mechanical solution, enabling Leitz HEKTOR Cine Prime lenses to be paired with the ARRI ALEXA platform for the first time through a dedicated mount conversion. The Leitz HEKTOR Cine Prime series was designed around mirrorless camera mounts with very short flange focal distances. Because the ARRI ALEXA 35 mm camera platform uses a considerably longer flange distance, a conventional mechanical

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Blackmagic Desktop Video 16.2 Adds Support for New UltraStudio Mini 12G Devices

4KS Editorial — Tue, 28 Jul 2026 04:47:44 +0000

Blackmagic Design has released Desktop Video 16.2, a small but important compatibility update that enables support for the company’s newly announced UltraStudio Mini 12G hardware. While the release doesn’t introduce new software features, it provides the drivers and system support required for users adopting Blackmagic’s latest Thunderbolt 4 capture, playback, and replay devices. The update adds compatibility for three new products: UltraStudio Mini Monitor 12G UltraStudio Mini Recorder 12G UltraStudio Mini Replay 12G Desktop Video is the software package that powers Blackmagic Design’s capture and playback ecosystem, providing the drivers, firmware management, and application integration needed for professional video I/O

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Megadap M2RF Brings Autofocus to Leica M Lenses on Canon RF Cameras

4KS Editorial — Mon, 27 Jul 2026 15:59:35 +0000

The appeal of Leica M lenses has endured for decades thanks to their compact design and distinctive optical rendering. While many Canon RF users have adapted these classic manual-focus lenses to modern mirrorless cameras, autofocus has remained out of reach. Megadap aims to bridge that gap with the introduction of the M2RF, a new adapter that enables manual-focus Leica M lenses to autofocus on Canon RF mount cameras through the adapter’s motorised electronic helicoid. According to the company, it is the world’s first Leica M to Canon RF autofocus adapter. Designed for both full-frame and APS-C Canon RF cameras, the

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OWC Express 4M2 Ultra Now Shipping: Thunderbolt 5 RAID Performance Arrives for Professional Workflows

4KS Editorial — Fri, 24 Jul 2026 10:12:33 +0000

Nearly three months after its debut at NAB Show 2026, OWC has begun shipping the Express 4M2 Ultra, a compact Thunderbolt 5 four-bay NVMe enclosure designed to meet the growing storage demands of modern video production. Delivering transfer speeds of up to 6,622 MB/s and offering flexible RAID configurations, the enclosure is aimed squarely at filmmakers, editors, photographers, and VFX professionals working with increasingly demanding 8K and 12K workflows. Originally unveiled in April, the Express 4M2 Ultra combines Thunderbolt 5 bandwidth with the flexibility of user-installed NVMe SSDs, giving creative professionals the freedom to build a storage solution that matches

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DaVinci Resolve Studio 21.0.3 Improves Retime Controls, Interlaced Media Handling, and Workflow Reliability

4KS Editorial — Thu, 23 Jul 2026 05:37:16 +0000

Blackmagic Design has just released DaVinci Resolve Studio 21.0.3, a maintenance update that focuses on workflow refinements, compatibility improvements, and bug fixes rather than introducing major new creative tools. While modest in scope, the release delivers several meaningful enhancements for editors, colorists, and post-production professionals working on demanding productions. Among the highlights are new retime curve options, improved handling of interlaced media, more flexible keyframe editing, restored Intel QuickSync encoding options for supported older hardware, and expanded scripting capabilities for automated workflows. The update also includes numerous fixes across the Edit, Fusion, Color, and Deliver pages. More Control Over Retime

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Sony Expands Cinema Line with FX5 Featuring 5K Open Gate, Internal 16-Bit X-OCN LT, and Electronic Variable ND

4KS Editorial — Wed, 22 Jul 2026 14:22:36 +0000

Sony has expanded its Cinema Line with the FX5, a compact full-frame cinema camera that brings several high-end production features to a more portable form factor. Building on the success of the FX3 while borrowing technology from Sony’s higher-end cinema systems, the FX5 introduces a newly developed 16.6MP full-frame sensor, 5K (3:2) Open Gate recording, internal 16-bit X-OCN LT capture, triple base ISO, and the company’s renowned Electronic Variable ND filter. At the heart of the camera is a newly developed 16.6MP full-frame Exmor R CMOS sensor paired with Sony’s BIONZ XR image processor. The FX5 can record 5K Open

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MOFAGE POCO II Expands Modular Lens Mount Flexibility with Built-In Drop-In Filters

4KS Editorial — Tue, 21 Jul 2026 05:08:36 +0000

Lens adapters have evolved well beyond simple mount converters. Increasingly, they have become integral parts of modern camera rigs by combining lens adaptation, filtration, and workflow improvements into a single accessory. MOFAGE’s new POCO II Drop-In Filter Adapter follows that direction with a redesigned system that expands compatibility, reduces weight, and introduces a modular mounting architecture for filmmakers using professional PL and EF lenses on mirrorless cameras. Building on the original POCO design, the second-generation model retains its integrated drop-in filter concept while adding interchangeable mounts, broader lens compatibility, and a more compact form factor. The result is a more

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SmallRig Introduces Lightweight Travel Tripods and Hydraulic TRIBEX PRO Monopod

4KS Editorial — Mon, 20 Jul 2026 07:26:39 +0000

Camera support systems continue to evolve as filmmakers demand equipment that is lighter, faster to deploy, and easier to transport. SmallRig’s latest announcement builds on the success of its TRIBEX platform with the introduction of the TRIBEX PRO X-Clutch Hydraulic Monopod, alongside two new travel tripods that emphasize portability without compromising stability. Together, the new products aim to streamline production for filmmakers, photographers, and hybrid shooters working in fast-paced environments. The centerpiece of the announcement is the SmallRig x Potato Jet TRIBEX PRO X-Clutch Hydraulic Monopod, available in four configurations: Basic, Standard, Ball Head, and Fluid Head versions. At the

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Samsung Launches the 990 SSD, Bringing Fast PCIe Gen4 Storage to Production Workflows

4KS Editorial — Fri, 17 Jul 2026 05:52:07 +0000

Storage performance has become an increasingly important part of modern video production. As camera resolutions continue to climb and codecs become more demanding, editors need drives that can keep pace with large media libraries without significantly increasing the cost of a workstation. Samsung’s new 990 SSD targets that sweet spot, offering PCIe Gen4 performance for editors, photographers, and everyday users looking to upgrade their internal storage. Available in 1TB and 2TB capacities, the M.2 NVMe drive delivers flagship-class sequential speeds while focusing on improved power efficiency and value. Fast Sequential Performance for Large Media Files The Samsung 990 uses a

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Viltrox Expands Its EVO Series with the Compact AF 26mm f/2.8 Pancake Prime for Sony E and Nikon Z

4KS Editorial — Thu, 16 Jul 2026 06:13:37 +0000

Pancake lenses have long offered an appealing combination of portability and full-frame image quality, making them a practical choice for photographers and filmmakers who prefer a lightweight kit. Viltrox’s latest addition to its EVO lineup follows that philosophy with the new AF 26mm f/2.8 EVO, an autofocus pancake prime for Sony E and Nikon Z mirrorless cameras. The lens combines a slim metal design with features such as a dedicated aperture ring, quiet STM autofocus, USB-C firmware updates, and a close focusing distance, all while maintaining a compact footprint. A Versatile Wide-Angle Prime The AF 26mm f/2.8 EVO is designed

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Tamron Rolls Out Its Widest Full-Frame Mirrorless Zoom Yet with the 12-20mm F2.8 Di III

4KS Editorial — Wed, 15 Jul 2026 05:25:55 +0000

The ultra-wide zoom category has traditionally involved compromises. Wider focal lengths often require larger optics, heavier construction, and more specialized accessories. Tamron is taking a different approach with the new 12-20mm F2.8 Di III, a full-frame mirrorless zoom designed to deliver an expansive perspective while maintaining a compact, production-friendly design. Available for Sony E-mount and Nikon Z-mount cameras, the lens combines an exceptionally wide 12mm starting point with a constant F2.8 aperture, giving photographers and filmmakers a versatile tool for capturing landscapes, architecture, interiors, travel, documentary projects, and cinematic establishing shots. The new lens represents Tamron’s widest full-frame mirrorless zoom

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BenQ Unveils PD2732U 4K Creative Monitor with Thunderbolt 4 and 99% Adobe RGB Coverage

4KS Editorial — Tue, 14 Jul 2026 04:52:10 +0000

Whether you’re color grading a commercial, editing a documentary, retouching high-resolution photographs, or preparing graphics for print, accurate color reproduction is fundamental to the creative process. BenQ’s latest Creative Pro display, the PD2732U, is designed to deliver that precision while combining professional-grade color performance with modern connectivity and workflow-enhancing features at a competitive price. Designed for photographers, filmmakers, designers, and digital artists, the new 27-inch 4K IPS monitor emphasizes color fidelity over gaming-centric specifications. It offers factory-calibrated accuracy, broad color gamut coverage, Thunderbolt 4 connectivity, and hardware calibration support, making it a versatile addition to today’s production environments. Professional Color

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Fujifilm Builds Out Its Large-Format Cinema System with the GF19-35mmT3.5 PZ OIS WR

4KS Editorial — Mon, 13 Jul 2026 05:51:23 +0000

Fujifilm continues to strengthen its large-format cinema ecosystem with the introduction of the FUJINON GF19-35mmT3.5 PZ OIS WR, a wide-angle power zoom lens developed specifically for the G Mount system. Joining the previously announced GF32-90mmT3.5 PZ OIS WR, the new lens delivers ultra-wide coverage while matching its companion in size, weight, gear placement, and handling, allowing cinematographers to swap between the two with minimal rig adjustments. Designed to complement the GFX ETERNA cinema camera, the new lens combines a constant T3.5 aperture, integrated servo zoom, optical image stabilization, and cinema-oriented mechanics into a versatile package for narrative, documentary, commercial, and

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Hollyland MELO P1 Packs a Complete Wireless Recording Studio Into a Portable All-in-One System

4KS Editorial — Fri, 10 Jul 2026 04:38:17 +0000

Recording high-quality audio outside a traditional studio often means carrying multiple devices, cables, and accessories. Hollyland aims to simplify that workflow with the new MELO P1, an integrated wireless recording system that combines a condenser microphone, smart audio mixer, wireless monitoring earphones, and remote control into a single portable package. Designed for musicians, livestream hosts, and mobile productions, the MELO P1 brings recording, mixing, monitoring, and wireless control together in one coordinated ecosystem. Whether used for home recording, street performances, live music broadcasts, or social media productions, the system is intended to reduce setup time while keeping the recording chain

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Sony Revives the RX10 Series with the New RX10 V, Bringing AI Autofocus, 4K60 10-bit Video, and a Refined All-in-One Design

4KS Editorial — Thu, 09 Jul 2026 14:10:16 +0000

Nearly nine years after the RX10 IV debuted, Sony has officially introduced the RX10 V, bringing its flagship bridge camera into a new generation of imaging technology. Rather than reimagining the concept, Sony has modernized a platform that has long been favored by wildlife, sports, aviation, travel, and documentary photographers for its ability to cover an extraordinary focal range without the need for interchangeable lenses. The RX10 V combines a 20.1MP 1-inch Exmor RS stacked back-illuminated CMOS sensor with Sony’s latest BIONZ XR image processor and a dedicated AI processing unit. Alongside faster autofocus, improved subject recognition, and significantly enhanced

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ARRI Expands Live Broadcast Capabilities with ALEXA 35 Live Xtreme and High Frame Rate SDI Support

4KS Editorial — Wed, 08 Jul 2026 04:42:25 +0000

Modern live productions are increasingly expected to deliver the visual quality associated with premium cinema while maintaining the reliability and efficiency of established broadcast workflows. Addressing that demand, ARRI has just introduced the ALEXA 35 Live Xtreme, a new live production configuration that combines the acclaimed image quality of the ALEXA 35 platform with significantly expanded high frame rate capabilities over standard SDI infrastructure. Designed for sports, concerts, entertainment, and large-scale live events, the new system allows broadcasters to capture dramatic slow-motion footage without relying on separate specialty high-speed cameras. By extending the capabilities of the existing ALEXA 35 Live

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From Trail to Timeline: Filming Fast-Paced Mountain Bike Action with the Blackmagic PYXIS 12K

4KS Editorial — Tue, 07 Jul 2026 13:35:55 +0000

Capturing high-speed outdoor action demands far more than simply pointing a camera at the subject. Unpredictable weather, difficult terrain, changing light, and limited opportunities for repeat takes require careful planning and equipment that can adapt quickly in the field. For a recent campaign introducing the Santa Cruz Nomad V7 mountain bike, filmmakers Paolo Concari and Jacopo Cosmelli relied on the Blackmagic PYXIS 12K to document aggressive downhill riding while maintaining a cinematic visual style. Working alongside athlete Jonny Livorti, the production combined lightweight camera builds, thoughtful lens selection, and flexible recording formats to capture dynamic footage across technical trails. Here

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FilmConvert Nitrate and CineMatch Add Sony a7R VI Camera Profiles

4KS Editorial — Mon, 06 Jul 2026 05:18:51 +0000

FilmConvert has continued expanding support for the latest camera releases, with FilmConvert Nitrate and CineMatch now offering dedicated camera profiles for the Sony a7R VI. The update gives editors and colorists a calibrated starting point for grading footage captured with Sony’s newest high-resolution mirrorless camera while making it easier to maintain consistent color across multi-camera productions. As with previous profile additions, the latest update ensures Sony a7R VI users can integrate the camera into existing FilmConvert workflows without relying on generic camera transforms or extensive manual adjustments. Dedicated Profiles for Accurate Color Grading The new Sony a7R VI profiles are

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Zhongyi Unveils Zone T1 Full-Frame Cine Lens Series with Ultra-Fast T1.0 Optics

4KS Editorial — Fri, 03 Jul 2026 05:36:28 +0000

Demand for full-frame cinema lenses has grown steadily in recent years, particularly among productions looking for distinctive optical rendering without stepping into ultra-premium lens systems. Zhongyi Optics, known globally for its Mitakon lenses, is entering that space with the new Zone T1 Full-Frame Cine Lens Series. The initial lineup includes three native focal lengths – 35mm, 50mm, and 75mm – each featuring an exceptionally bright T1.0 maximum aperture, Full Frame and VistaVision coverage, interchangeable PL and EF mounts, and a standardized cinema housing designed to simplify on-set operation. The series is making its debut through an Indiegogo campaign before becoming

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