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<channel>
	<title>4K Shooters</title>
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	<link>https://www.4kshooters.net</link>
	<description>4K Filmmaking &#38; Beyond</description>
	<lastBuildDate>Fri, 29 May 2026 05:38:52 +0000</lastBuildDate>
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	<item>
		<title>ZEISS Introduces Panoptes 65 Large Format Primes for Next-Generation Cinema Production</title>
		<link>https://www.4kshooters.net/2026/05/29/zeiss-introduces-panoptes-65-large-format-primes-for-next-generation-cinema-production/</link>
					<comments>https://www.4kshooters.net/2026/05/29/zeiss-introduces-panoptes-65-large-format-primes-for-next-generation-cinema-production/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Fri, 29 May 2026 05:35:56 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[65mm cinema primes]]></category>
		<category><![CDATA[Alexa 65 lenses]]></category>
		<category><![CDATA[cinema lens release 2026]]></category>
		<category><![CDATA[large format cinema lenses]]></category>
		<category><![CDATA[URSA Cine 17K 65 lenses]]></category>
		<category><![CDATA[ZEISS Cine Gear 2026]]></category>
		<category><![CDATA[zeiss cinema lenses]]></category>
		<category><![CDATA[ZEISS Panoptes 65]]></category>
		<category><![CDATA[ZEISS T2.2 primes]]></category>
		<category><![CDATA[ZEISS XD lens data]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159826</guid>

					<description><![CDATA[<p>Large format cinematography continues to push deeper into mainstream production, and ZEISS is responding with one of its most ambitious cinema lens launches in years. The company has officially introduced the new Panoptes 65 series, a purpose-built family of large format cinema primes engineered specifically for 65mm digital capture. Announced ahead of Cine Gear Expo LA 2026, the Panoptes 65 lineup is designed for premium digital cinema systems including the ARRI ALEXA 65, ARRI ALEXA 265, and Blackmagic URSA Cine 17K 65. Rather than repurposing existing full-frame optics, ZEISS developed the platform from the ground up around the requirements of</p>
The post <a href="https://www.4kshooters.net/2026/05/29/zeiss-introduces-panoptes-65-large-format-primes-for-next-generation-cinema-production/">ZEISS Introduces Panoptes 65 Large Format Primes for Next-Generation Cinema Production</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
					<wfw:commentRss>https://www.4kshooters.net/2026/05/29/zeiss-introduces-panoptes-65-large-format-primes-for-next-generation-cinema-production/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
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		<item>
		<title>Adobe Expands Support for Sony a7R VI RAW Formats Across Camera Raw and Lightroom</title>
		<link>https://www.4kshooters.net/2026/05/28/adobe-expands-support-for-sony-a7r-vi-raw-formats-across-camera-raw-and-lightroom/</link>
					<comments>https://www.4kshooters.net/2026/05/28/adobe-expands-support-for-sony-a7r-vi-raw-formats-across-camera-raw-and-lightroom/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 28 May 2026 03:18:17 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Adobe Camera Raw Sony a7R VI]]></category>
		<category><![CDATA[Adobe DNG Converter Sony]]></category>
		<category><![CDATA[Adobe Sony a7R VI support]]></category>
		<category><![CDATA[Lightroom Classic Sony a7R VI]]></category>
		<category><![CDATA[Lightroom Desktop Sony support]]></category>
		<category><![CDATA[Sony a7R VI Lightroom support]]></category>
		<category><![CDATA[Sony a7R VI RAW files]]></category>
		<category><![CDATA[Sony a7R VI RAW workflow]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159824</guid>

					<description><![CDATA[<p>Adobe has officially rolled out expanded compatibility for the newly introduced Sony a7R VI RAW formats, marking an important update for photographers, hybrid shooters, and post-production professionals working with Sony&#x2019;s latest high-resolution mirrorless platform. As of May 19, Adobe introduced preliminary support for Sony a7R VI file formats through Adobe Camera Raw and the Adobe DNG Converter. Now, beginning May 27, Lightroom Desktop and Lightroom Classic also support the new Sony a7R VI RAW files, giving creators a much smoother ingest and editing pipeline across Adobe&#x2019;s imaging ecosystem. Faster Workflow Integration for Sony Shooters New camera launches often create temporary</p>
The post <a href="https://www.4kshooters.net/2026/05/28/adobe-expands-support-for-sony-a7r-vi-raw-formats-across-camera-raw-and-lightroom/">Adobe Expands Support for Sony a7R VI RAW Formats Across Camera Raw and Lightroom</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
					<wfw:commentRss>https://www.4kshooters.net/2026/05/28/adobe-expands-support-for-sony-a7r-vi-raw-formats-across-camera-raw-and-lightroom/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
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		<item>
		<title>Helix65 Delivers Dedicated 1:1 Macro Performance for Large-Format Filmmaking</title>
		<link>https://www.4kshooters.net/2026/05/27/helix65-delivers-dedicated-11-macro-performance-for-large-format-filmmaking/</link>
					<comments>https://www.4kshooters.net/2026/05/27/helix65-delivers-dedicated-11-macro-performance-for-large-format-filmmaking/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Wed, 27 May 2026 05:28:35 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[1:1 macro cine lens]]></category>
		<category><![CDATA[75mm T3.8 macro]]></category>
		<category><![CDATA[cinema optics]]></category>
		<category><![CDATA[large format cinema lens]]></category>
		<category><![CDATA[LPL macro lens]]></category>
		<category><![CDATA[macro cinematography]]></category>
		<category><![CDATA[TLS Helix65]]></category>
		<category><![CDATA[TLS macro lens]]></category>
		<category><![CDATA[True Lens Services]]></category>
		<category><![CDATA[Vega65 primes]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159817</guid>

					<description><![CDATA[<p>Macro cinematography has always occupied a unique space in professional production. While modern cinema lenses continue pushing resolution, image coverage, and character refinement forward, truly cinema-oriented macro optics remain surprisingly limited, especially for large-format acquisition. True Lens Services is aiming to change that with the introduction of the new Helix65 75mm T3.8 Macro. Designed as a dedicated companion to the company&#x2019;s Vega65 lens family, the Helix65 combines true 1:1 macro reproduction with large-format coverage and purpose-built cinema mechanics. Rather than adapting a stills lens for filmmaking applications, TLS has engineered the Helix65 specifically for professional motion-picture production workflows. The result</p>
The post <a href="https://www.4kshooters.net/2026/05/27/helix65-delivers-dedicated-11-macro-performance-for-large-format-filmmaking/">Helix65 Delivers Dedicated 1:1 Macro Performance for Large-Format Filmmaking</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
					<wfw:commentRss>https://www.4kshooters.net/2026/05/27/helix65-delivers-dedicated-11-macro-performance-for-large-format-filmmaking/feed/</wfw:commentRss>
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		<title>Acer’s New ProDesigner Displays Target Serious Creator Workflows with 6K Precision, HDR Support, and Portable OLED Flexibility</title>
		<link>https://www.4kshooters.net/2026/05/26/acers-new-prodesigner-displays-target-serious-creator-workflows-with-6k-precision-hdr-support-and-portable-oled-flexibility/</link>
					<comments>https://www.4kshooters.net/2026/05/26/acers-new-prodesigner-displays-target-serious-creator-workflows-with-6k-precision-hdr-support-and-portable-oled-flexibility/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Tue, 26 May 2026 03:56:48 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[6K creator monitor]]></category>
		<category><![CDATA[Acer PE160W]]></category>
		<category><![CDATA[Acer PE270K]]></category>
		<category><![CDATA[Acer PE320QXT]]></category>
		<category><![CDATA[Acer ProDesigner]]></category>
		<category><![CDATA[Adobe RGB monitor]]></category>
		<category><![CDATA[Calman verified monitor]]></category>
		<category><![CDATA[creator display]]></category>
		<category><![CDATA[DCI-P3 monitor]]></category>
		<category><![CDATA[filmmaking monitor]]></category>
		<category><![CDATA[HDR editing monitor]]></category>
		<category><![CDATA[OLED portable monitor]]></category>
		<category><![CDATA[post production monitor]]></category>
		<category><![CDATA[professional editing display]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159802</guid>

					<description><![CDATA[<p>The creator monitor market is evolving far beyond basic 4K panels. Editors now expect high-density displays capable of handling complex timelines without scaling compromises. Colorists demand accurate DCI-P3 reproduction and HDR support. At the same time, hybrid creators increasingly want displays that can move between editing, motion graphics, gaming, and remote production without sacrificing performance. That shifting landscape is exactly where Acer is positioning its newly expanded ProDesigner display lineup. The new family includes the flagship PE320QXT 6K creator monitor, the PE270K 4K high-refresh display, and the portable PE160W OLED monitor. Together, the three displays reflect Acer&#x2019;s most aggressive push</p>
The post <a href="https://www.4kshooters.net/2026/05/26/acers-new-prodesigner-displays-target-serious-creator-workflows-with-6k-precision-hdr-support-and-portable-oled-flexibility/">Acer’s New ProDesigner Displays Target Serious Creator Workflows with 6K Precision, HDR Support, and Portable OLED Flexibility</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
					<wfw:commentRss>https://www.4kshooters.net/2026/05/26/acers-new-prodesigner-displays-target-serious-creator-workflows-with-6k-precision-hdr-support-and-portable-oled-flexibility/feed/</wfw:commentRss>
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		<item>
		<title>Thypoch Unveils Ksana 35mm f/2 ASPH for M-Mount with Vintage 1980s Rendering</title>
		<link>https://www.4kshooters.net/2026/05/25/thypoch-unveils-ksana-35mm-f-2-asph-for-m-mount-with-vintage-1980s-rendering/</link>
					<comments>https://www.4kshooters.net/2026/05/25/thypoch-unveils-ksana-35mm-f-2-asph-for-m-mount-with-vintage-1980s-rendering/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Mon, 25 May 2026 04:55:51 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[35mm f2 lens]]></category>
		<category><![CDATA[ASPH lens]]></category>
		<category><![CDATA[brass camera lens]]></category>
		<category><![CDATA[cinematic photography lens]]></category>
		<category><![CDATA[compact M mount lens]]></category>
		<category><![CDATA[documentary photography lens]]></category>
		<category><![CDATA[Leica M lens]]></category>
		<category><![CDATA[manual focus lens]]></category>
		<category><![CDATA[rangefinder lens]]></category>
		<category><![CDATA[street photography lens]]></category>
		<category><![CDATA[Thypoch Ksana 35mm f2 ASPH]]></category>
		<category><![CDATA[Thypoch lens release]]></category>
		<category><![CDATA[Thypoch M mount lens]]></category>
		<category><![CDATA[vintage style lens]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159790</guid>

					<description><![CDATA[<p>The renewed interest in tactile, mechanically engaging photography continues to reshape the premium lens market, and Thypoch is leaning directly into that movement with the new Thypoch Ksana 35mm f/2 ASPH. Designed for Leica M users and rangefinder enthusiasts who appreciate both cinematic rendering and modern optical consistency, the new Ksana aims to bridge the emotional appeal of 1980s-era glass with the demands of contemporary digital capture. At first glance, the lens immediately communicates its retro ambitions. The compact brass construction, black lacquer-inspired finish, and minimalist proportions feel intentionally rooted in the golden era of reportage photography. Yet beneath the</p>
The post <a href="https://www.4kshooters.net/2026/05/25/thypoch-unveils-ksana-35mm-f-2-asph-for-m-mount-with-vintage-1980s-rendering/">Thypoch Unveils Ksana 35mm f/2 ASPH for M-Mount with Vintage 1980s Rendering</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
					<wfw:commentRss>https://www.4kshooters.net/2026/05/25/thypoch-unveils-ksana-35mm-f-2-asph-for-m-mount-with-vintage-1980s-rendering/feed/</wfw:commentRss>
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		<item>
		<title>Wooden Camera Expands Blackmagic URSA Cine Immersive Ecosystem With New Production Accessories</title>
		<link>https://www.4kshooters.net/2026/05/22/wooden-camera-expands-blackmagic-ursa-cine-immersive-ecosystem-with-new-production-accessories/</link>
					<comments>https://www.4kshooters.net/2026/05/22/wooden-camera-expands-blackmagic-ursa-cine-immersive-ecosystem-with-new-production-accessories/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Fri, 22 May 2026 05:05:06 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Blackmagic immersive camera]]></category>
		<category><![CDATA[Blackmagic URSA Cine Immersive]]></category>
		<category><![CDATA[cinema camera accessories]]></category>
		<category><![CDATA[immersive filmmaking]]></category>
		<category><![CDATA[spatial filmmaking]]></category>
		<category><![CDATA[URSA Cine accessories]]></category>
		<category><![CDATA[URSA Cine Side Rails]]></category>
		<category><![CDATA[VR cinema production]]></category>
		<category><![CDATA[Wooden Camera]]></category>
		<category><![CDATA[Wooden Camera Top Plate]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159781</guid>

					<description><![CDATA[<p>Immersive cinema production continues to push camera hardware into unfamiliar territory, and accessory manufacturers are now adapting their designs to support those evolving workflows. Wooden Camera&#x2019;s latest release for the Blackmagic URSA Cine Immersive reflects that shift with a refined lineup of support accessories tailored specifically for stereoscopic and immersive capture environments. The new accessories build on Wooden Camera&#x2019;s existing URSA Cine platform ecosystem while introducing several design changes aimed at improving rigidity, mounting flexibility, and overall usability for immersive productions. A Redesigned Approach for Immersive Filmmaking Unlike traditional cinema cameras, the Blackmagic URSA Cine Immersive introduces unique physical and</p>
The post <a href="https://www.4kshooters.net/2026/05/22/wooden-camera-expands-blackmagic-ursa-cine-immersive-ecosystem-with-new-production-accessories/">Wooden Camera Expands Blackmagic URSA Cine Immersive Ecosystem With New Production Accessories</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Cooke Launches AP3 Anamorphic Primes for the Modern Mirrorless Cinema Era</title>
		<link>https://www.4kshooters.net/2026/05/21/cooke-launches-ap3-anamorphic-primes-for-the-modern-mirrorless-cinema-era/</link>
					<comments>https://www.4kshooters.net/2026/05/21/cooke-launches-ap3-anamorphic-primes-for-the-modern-mirrorless-cinema-era/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 21 May 2026 04:52:06 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[1.5x anamorphic lenses]]></category>
		<category><![CDATA[anamorphic cinematography]]></category>
		<category><![CDATA[AP3 T2.4 lenses]]></category>
		<category><![CDATA[Canon RF anamorphic lenses]]></category>
		<category><![CDATA[cinema lens news]]></category>
		<category><![CDATA[Cooke anamorphic lenses]]></category>
		<category><![CDATA[Cooke AP3]]></category>
		<category><![CDATA[Cooke AP3 anamorphic primes]]></category>
		<category><![CDATA[Cooke AP3 specs]]></category>
		<category><![CDATA[Cooke Optics]]></category>
		<category><![CDATA[filmmaking lenses]]></category>
		<category><![CDATA[full-frame anamorphic lenses]]></category>
		<category><![CDATA[Leica L anamorphic lenses]]></category>
		<category><![CDATA[mirrorless cinema lenses]]></category>
		<category><![CDATA[Sony E anamorphic lenses]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159773</guid>

					<description><![CDATA[<p>Compact anamorphic capture has evolved from a niche filmmaking technique into a mainstream production tool for commercials, branded content, documentaries, music videos, and independent cinema. As full-frame mirrorless cameras continue reshaping professional workflows, lens manufacturers are being pushed to deliver cinematic character in smaller, more production-friendly packages. That shifting landscape is exactly where Cooke&#x2019;s new AP3 anamorphic prime series enters the market. The newly announced lineup introduces three full-frame anamorphic lenses &#8211; 35mm, 50mm, and 85mm &#8211; all featuring a consistent T2.4 aperture and a 1.5x squeeze factor. Unlike Cooke&#x2019;s larger anamorphic/i Full Frame systems aimed at major studio productions,</p>
The post <a href="https://www.4kshooters.net/2026/05/21/cooke-launches-ap3-anamorphic-primes-for-the-modern-mirrorless-cinema-era/">Cooke Launches AP3 Anamorphic Primes for the Modern Mirrorless Cinema Era</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Insta360 Mic Pro Introduces E-Ink Displays, 32-Bit Float Recording, and Advanced Multi-Channel Audio Workflows</title>
		<link>https://www.4kshooters.net/2026/05/20/insta360-mic-pro-introduces-e-ink-displays-32-bit-float-recording-and-advanced-multi-channel-audio-workflows/</link>
					<comments>https://www.4kshooters.net/2026/05/20/insta360-mic-pro-introduces-e-ink-displays-32-bit-float-recording-and-advanced-multi-channel-audio-workflows/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Wed, 20 May 2026 04:49:26 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[32-bit float audio]]></category>
		<category><![CDATA[AI noise cancellation microphone]]></category>
		<category><![CDATA[Bluetooth wireless mic]]></category>
		<category><![CDATA[content creator audio tools]]></category>
		<category><![CDATA[creator audio gear]]></category>
		<category><![CDATA[filmmaker microphone system]]></category>
		<category><![CDATA[four-channel wireless microphone]]></category>
		<category><![CDATA[Insta360 audio ecosystem]]></category>
		<category><![CDATA[Insta360 Mic Pro]]></category>
		<category><![CDATA[Insta360 wireless microphone]]></category>
		<category><![CDATA[podcast microphone system]]></category>
		<category><![CDATA[production audio workflow]]></category>
		<category><![CDATA[professional wireless microphone]]></category>
		<category><![CDATA[stereo internal recording]]></category>
		<category><![CDATA[wireless creator audio]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159766</guid>

					<description><![CDATA[<p>Compact wireless microphones have evolved rapidly over the last few years, but most systems still force creators into compromises. Some prioritize portability over advanced control, while others deliver professional features at the expense of simplicity. Insta360 is now stepping aggressively into the professional audio market with the launch of the Insta360 Mic Pro, a new wireless microphone platform designed to bridge that gap. Built for filmmakers, content creators, livestreamers, podcasters, and event productions, Mic Pro combines several unusually ambitious features into a compact ecosystem. Among the highlights are an industry-first customizable E-Ink display, a three-microphone array with selectable pickup modes,</p>
The post <a href="https://www.4kshooters.net/2026/05/20/insta360-mic-pro-introduces-e-ink-displays-32-bit-float-recording-and-advanced-multi-channel-audio-workflows/">Insta360 Mic Pro Introduces E-Ink Displays, 32-Bit Float Recording, and Advanced Multi-Channel Audio Workflows</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Godox ML40Bi and ML40R Bring High-Output Lighting to a Palm-Sized Form</title>
		<link>https://www.4kshooters.net/2026/05/19/godox-ml40bi-and-ml40r-bring-high-output-lighting-to-a-palm-sized-form/</link>
					<comments>https://www.4kshooters.net/2026/05/19/godox-ml40bi-and-ml40r-bring-high-output-lighting-to-a-palm-sized-form/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Tue, 19 May 2026 04:26:43 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[compact film light]]></category>
		<category><![CDATA[Godox ML40Bi]]></category>
		<category><![CDATA[ML-L10 reflector]]></category>
		<category><![CDATA[ML40R]]></category>
		<category><![CDATA[mobile filmmaking lighting]]></category>
		<category><![CDATA[portable LED light]]></category>
		<category><![CDATA[video lighting]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159756</guid>

					<description><![CDATA[<p>The demand for compact lighting solutions continues to grow as production workflows shift toward lighter, faster, and more mobile setups. With the introduction of the ML40Bi and ML40R, Godox is clearly addressing this evolution by delivering a lighting tool that prioritizes both portability and usable output without forcing compromises in control or performance. At first glance, the defining characteristic is the size. These fixtures are genuinely palm-sized, small enough to disappear into a minimal kit while still being ready for immediate deployment. This physical footprint makes them particularly effective for situations where speed matters, whether capturing street footage, building a</p>
The post <a href="https://www.4kshooters.net/2026/05/19/godox-ml40bi-and-ml40r-bring-high-output-lighting-to-a-palm-sized-form/">Godox ML40Bi and ML40R Bring High-Output Lighting to a Palm-Sized Form</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>DaVinci Resolve 21 Beta 3 Advances Collaboration, Format Support, and Workflow Precision</title>
		<link>https://www.4kshooters.net/2026/05/18/davinci-resolve-21-beta-3-advances-collaboration-format-support-and-workflow-precision/</link>
					<comments>https://www.4kshooters.net/2026/05/18/davinci-resolve-21-beta-3-advances-collaboration-format-support-and-workflow-precision/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Mon, 18 May 2026 03:52:58 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Blackmagic Cloud performance]]></category>
		<category><![CDATA[Blackmagic Design Resolve]]></category>
		<category><![CDATA[CR3 RAF RW2 editing]]></category>
		<category><![CDATA[DaVinci Resolve 21 Beta 3]]></category>
		<category><![CDATA[DaVinci Resolve features]]></category>
		<category><![CDATA[Fusion updates Resolve 21]]></category>
		<category><![CDATA[HDR image workflow Resolve]]></category>
		<category><![CDATA[media management DaVinci Resolve]]></category>
		<category><![CDATA[multicam editing Resolve]]></category>
		<category><![CDATA[professional video editing tools]]></category>
		<category><![CDATA[ProRAW DaVinci Resolve]]></category>
		<category><![CDATA[RAW support Resolve 21]]></category>
		<category><![CDATA[Resolve 21 update]]></category>
		<category><![CDATA[subframe keyframes Resolve]]></category>
		<category><![CDATA[video editing software 2026]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159749</guid>

					<description><![CDATA[<p>The latest update to DaVinci Resolve continues refining version 21 with a clear emphasis on collaboration, format compatibility, and workflow efficiency. This Beta 3 release builds on the broader feature set introduced earlier, delivering targeted improvements that make the platform more reliable and adaptable in professional environments. Rather than introducing entirely new pillars, the focus here is on enhancing real-world usability while expanding key technical capabilities. Stronger Collaboration and Multi-User Workflows One of the more important additions in this release is the improvement to MultiMaster collaboration workflows. This enhancement allows multiple users to interact more efficiently within shared environments, particularly</p>
The post <a href="https://www.4kshooters.net/2026/05/18/davinci-resolve-21-beta-3-advances-collaboration-format-support-and-workflow-precision/">DaVinci Resolve 21 Beta 3 Advances Collaboration, Format Support, and Workflow Precision</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Sony A7R VI Elevates Hybrid Filmmaking with 8K Capture, Pro Color, and G Master Precision</title>
		<link>https://www.4kshooters.net/2026/05/15/sony-a7r-vi-elevates-hybrid-filmmaking-with-8k-capture-pro-color-and-g-master-precision/</link>
					<comments>https://www.4kshooters.net/2026/05/15/sony-a7r-vi-elevates-hybrid-filmmaking-with-8k-capture-pro-color-and-g-master-precision/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Fri, 15 May 2026 04:35:44 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[10-bit 4:2:2 recording]]></category>
		<category><![CDATA[16-bit RAW HDMI Sony]]></category>
		<category><![CDATA[8K mirrorless camera]]></category>
		<category><![CDATA[8K video workflow]]></category>
		<category><![CDATA[hybrid filmmaking camera]]></category>
		<category><![CDATA[S-Log3 S-Cinetone]]></category>
		<category><![CDATA[Sony 100-400mm GM lens]]></category>
		<category><![CDATA[Sony A7R VI]]></category>
		<category><![CDATA[Sony A7R VI video specs]]></category>
		<category><![CDATA[Sony color profiles]]></category>
		<category><![CDATA[Sony mirrorless 2026]]></category>
		<category><![CDATA[Sony XAVC codecs]]></category>
		<category><![CDATA[telephoto filmmaking Sony]]></category>
		<category><![CDATA[XAVC HS vs XAVC S-I]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159737</guid>

					<description><![CDATA[<p>A high-resolution body only reaches its full potential when paired with optics that can resolve its detail and keep up with its speed. With the launch of the Sony A7R VI, Sony not only redefines what a resolution-focused camera can do in video production, but also reinforces that vision with the simultaneous introduction of the Sony FE 100-400mm f/4.5 OSS GM lens &#8211; a premium telephoto zoom clearly aimed at creators working in demanding, detail-critical environments. The synergy between these two releases is deliberate. The A7R VI&#x2019;s stacked 66.8MP sensor delivers the resolving power and readout speed needed for both</p>
The post <a href="https://www.4kshooters.net/2026/05/15/sony-a7r-vi-elevates-hybrid-filmmaking-with-8k-capture-pro-color-and-g-master-precision/">Sony A7R VI Elevates Hybrid Filmmaking with 8K Capture, Pro Color, and G Master Precision</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Canon EOS R6 V and RF20-50mm F4 L PZ Push Deeper Into Video-First Full-Frame Territory</title>
		<link>https://www.4kshooters.net/2026/05/14/canon-eos-r6-v-and-rf20-50mm-f4-l-pz-push-deeper-into-video-first-full-frame-territory/</link>
					<comments>https://www.4kshooters.net/2026/05/14/canon-eos-r6-v-and-rf20-50mm-f4-l-pz-push-deeper-into-video-first-full-frame-territory/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 14 May 2026 04:26:59 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Canon 7K RAW mirrorless]]></category>
		<category><![CDATA[Canon EOS R6 V specs]]></category>
		<category><![CDATA[Canon Log 2 camera]]></category>
		<category><![CDATA[Canon R6 V dynamic range]]></category>
		<category><![CDATA[Canon RF cinema workflow]]></category>
		<category><![CDATA[dual card slots CFexpress SD Canon]]></category>
		<category><![CDATA[EOS V series video camera]]></category>
		<category><![CDATA[full frame video camera 2026]]></category>
		<category><![CDATA[ProRes RAW HDMI Canon]]></category>
		<category><![CDATA[RF20-50mm F4 power zoom lens]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159726</guid>

					<description><![CDATA[<p>The shift toward dedicated video-centric mirrorless systems continues to accelerate, and Canon is clearly refining its strategy around that demand. With the EOS R6 V and RF20-50mm F4 L IS USM PZ, the company is not just iterating on hybrid cameras, it is restructuring the shooting experience around motion capture as the priority. At the core of this release is a 32.5MP full-frame CMOS sensor paired with the DIGIC X processor, delivering 7K acquisition with internal RAW recording. The camera supports 12-bit internal RAW, alongside 10-bit XF-HEVC and XF-AVC codecs, giving shooters flexible options depending on storage, turnaround time, and</p>
The post <a href="https://www.4kshooters.net/2026/05/14/canon-eos-r6-v-and-rf20-50mm-f4-l-pz-push-deeper-into-video-first-full-frame-territory/">Canon EOS R6 V and RF20-50mm F4 L PZ Push Deeper Into Video-First Full-Frame Territory</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Panasonic LUMIX L10 Introduced &#8211;  a Premium Compact Camera Focused on Intuitive Control and Creative Flexibility</title>
		<link>https://www.4kshooters.net/2026/05/13/panasonic-lumix-l10-introduced-a-premium-compact-camera-focused-on-intuitive-control-and-creative-flexibility/</link>
					<comments>https://www.4kshooters.net/2026/05/13/panasonic-lumix-l10-introduced-a-premium-compact-camera-focused-on-intuitive-control-and-creative-flexibility/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Wed, 13 May 2026 04:42:09 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[fixed lens camera professional]]></category>
		<category><![CDATA[hybrid photo video camera]]></category>
		<category><![CDATA[LEICA VARIO SUMMILUX 24-75mm]]></category>
		<category><![CDATA[LUMIX L10 specs]]></category>
		<category><![CDATA[LUMIX Lab app workflow]]></category>
		<category><![CDATA[Micro Four Thirds compact camera]]></category>
		<category><![CDATA[multi aspect sensor camera]]></category>
		<category><![CDATA[Panasonic LUMIX L10]]></category>
		<category><![CDATA[premium compact camera 2026]]></category>
		<category><![CDATA[real time LUT camera]]></category>
		<category><![CDATA[street photography camera]]></category>
		<category><![CDATA[travel camera professional]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159713</guid>

					<description><![CDATA[<p>Announced as part of the 25-year milestone of the LUMIX brand, the Panasonic LUMIX L10 arrives as a purpose-built premium compact that emphasizes tactile shooting, refined optics, and a tightly integrated imaging workflow. Rather than pushing into high-end cinema territory, this release focuses on delivering a balanced, photography-first experience with thoughtful hybrid capabilities. A Compact Form Factor with Premium Build Quality The LUMIX L10 is designed for everyday carry without sacrificing durability or ergonomics. Weighing approximately 508 grams with battery and card, it maintains a solid in-hand feel while remaining highly portable. Its construction combines a magnesium alloy front plate</p>
The post <a href="https://www.4kshooters.net/2026/05/13/panasonic-lumix-l10-introduced-a-premium-compact-camera-focused-on-intuitive-control-and-creative-flexibility/">Panasonic LUMIX L10 Introduced –  a Premium Compact Camera Focused on Intuitive Control and Creative Flexibility</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>DoPchoice Expands the ARRI Omnibar Ecosystem with Dedicated Light-Shaping Tools</title>
		<link>https://www.4kshooters.net/2026/05/12/dopchoice-expands-the-arri-omnibar-ecosystem-with-dedicated-light-shaping-tools/</link>
					<comments>https://www.4kshooters.net/2026/05/12/dopchoice-expands-the-arri-omnibar-ecosystem-with-dedicated-light-shaping-tools/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Tue, 12 May 2026 04:47:00 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Airglow lantern]]></category>
		<category><![CDATA[ARRI lighting ecosystem]]></category>
		<category><![CDATA[ARRI Omnibar accessories]]></category>
		<category><![CDATA[cinematography lighting accessories]]></category>
		<category><![CDATA[DoPchoice Snapgrid]]></category>
		<category><![CDATA[film lighting control]]></category>
		<category><![CDATA[LED bar lighting modifiers]]></category>
		<category><![CDATA[light shaping tools]]></category>
		<category><![CDATA[modular LED lighting]]></category>
		<category><![CDATA[on-set lighting solutions]]></category>
		<category><![CDATA[professional lighting tools]]></category>
		<category><![CDATA[Snapbag softbox]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159703</guid>

					<description><![CDATA[<p>A modular lighting system is only as powerful as the control tools built around it. With that in mind, DoPchoice has introduced a purpose-built range of modifiers for the ARRI Omnibar, unlocking new levels of precision and creative flexibility for modern lighting setups. Designed specifically for both Omnibar 2 and Omnibar 4 fixtures, the new lineup includes a tailored Snapgrid, a dedicated Snapbag softbox, and the inflatable Airglow Lantern. Each tool integrates seamlessly with the Omnibar&#x2019;s form factor, enhancing its adaptability across studio and on-location workflows. Precision Beam Control with the Snapgrid At the core of the release is a</p>
The post <a href="https://www.4kshooters.net/2026/05/12/dopchoice-expands-the-arri-omnibar-ecosystem-with-dedicated-light-shaping-tools/">DoPchoice Expands the ARRI Omnibar Ecosystem with Dedicated Light-Shaping Tools</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>DJI Osmo Pocket 4 Gets Full FilmConvert Nitrate and CineMatch Integration</title>
		<link>https://www.4kshooters.net/2026/05/11/dji-osmo-pocket-4-gets-full-filmconvert-nitrate-and-cinematch-integration/</link>
					<comments>https://www.4kshooters.net/2026/05/11/dji-osmo-pocket-4-gets-full-filmconvert-nitrate-and-cinematch-integration/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Mon, 11 May 2026 04:04:41 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[CineMatch DJI support]]></category>
		<category><![CDATA[color matching plugins]]></category>
		<category><![CDATA[DJI Osmo Pocket 4 grading]]></category>
		<category><![CDATA[film emulation tools]]></category>
		<category><![CDATA[FilmConvert Nitrate DJI Osmo Pocket 4]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159698</guid>

					<description><![CDATA[<p>Color grading consistency remains one of the biggest challenges when mixing footage from multiple cameras. With the growing use of compact devices in professional workflows, accurate color profiles are no longer optional. FilmConvert&#x2019;s latest update directly addresses this by adding full support for the DJI Osmo Pocket 4 across both Nitrate and CineMatch. This update positions the pocket-sized camera as a far more viable tool in professional pipelines, especially for content creators who rely on fast, lightweight capture without sacrificing post-production control. The DJI Osmo Pocket 4 has quickly become a go-to for travel shooters, documentary filmmakers, and behind-the-scenes capture.</p>
The post <a href="https://www.4kshooters.net/2026/05/11/dji-osmo-pocket-4-gets-full-filmconvert-nitrate-and-cinematch-integration/">DJI Osmo Pocket 4 Gets Full FilmConvert Nitrate and CineMatch Integration</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Leitz Cine Adds Fujifilm G Mount to HEKTOR Primes, Expanding Large-Format Cinematography Options</title>
		<link>https://www.4kshooters.net/2026/05/08/leitz-cine-adds-fujifilm-g-mount-to-hektor-primes-expanding-large-format-cinematography-options/</link>
					<comments>https://www.4kshooters.net/2026/05/08/leitz-cine-adds-fujifilm-g-mount-to-hektor-primes-expanding-large-format-cinematography-options/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Fri, 08 May 2026 04:31:09 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Fujifilm G mount cine lenses]]></category>
		<category><![CDATA[Hektor T2.1]]></category>
		<category><![CDATA[interchangeable mount cine lenses]]></category>
		<category><![CDATA[large format cinematography lenses]]></category>
		<category><![CDATA[Leitz Cine Hektor primes]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159687</guid>

					<description><![CDATA[<p>Lens ecosystems are evolving alongside the rapid adoption of large-format sensors, and compatibility is quickly becoming a deciding factor for long-term gear investments. Leitz Cine&#x2019;s latest update to its HEKTOR prime lineup addresses that shift directly, introducing a new Fujifilm G mount option that brings these character-driven lenses into the GFX ecosystem. The addition of the Fujifilm G mount allows HEKTOR primes to be used with cameras such as the GFX100 series and the upcoming GFX ETERNA cinema camera. This move effectively broadens the usability of the lenses beyond traditional full-frame mirrorless systems, positioning them as a more flexible option</p>
The post <a href="https://www.4kshooters.net/2026/05/08/leitz-cine-adds-fujifilm-g-mount-to-hektor-primes-expanding-large-format-cinematography-options/">Leitz Cine Adds Fujifilm G Mount to HEKTOR Primes, Expanding Large-Format Cinematography Options</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Massive One-Day Savings at B&#038;H &#8211; Up to 74% Off Essential Cinema Tools, Power, Storage, and Monitoring Gear</title>
		<link>https://www.4kshooters.net/2026/05/07/massive-one-day-savings-at-bh-up-to-74-off-essential-cinema-tools-power-storage-and-monitoring-gear/</link>
					<comments>https://www.4kshooters.net/2026/05/07/massive-one-day-savings-at-bh-up-to-74-off-essential-cinema-tools-power-storage-and-monitoring-gear/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 07 May 2026 04:01:55 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[B&H one-day deal]]></category>
		<category><![CDATA[Core SWX battery]]></category>
		<category><![CDATA[CyberPower UPS]]></category>
		<category><![CDATA[filmmaking gear]]></category>
		<category><![CDATA[Lexar UHS-II card]]></category>
		<category><![CDATA[Manfrotto Cineloader]]></category>
		<category><![CDATA[production workflow tools]]></category>
		<category><![CDATA[Sharp monitor]]></category>
		<category><![CDATA[SmallRig tripod]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159657</guid>

					<description><![CDATA[<p>A modern production setup is no longer defined by a single standout tool, but by how well every component integrates across monitoring, power, support, storage, and mobility. This one-day deal from B&#38;H brings together a tightly curated set of professional tools that directly support on-set reliability and post-production efficiency, especially for filmmakers building compact but capable workflows. Below is a breakdown of each item included in the offer, along with how it fits into a real-world production pipeline. NEC Sharp MultiSync E274FL 27&#8243; Monitor&#xA0; &#8211; Get it for $129.99 (74% OFF) The NEC Sharp MultiSync E274FL is a 27-inch Full</p>
The post <a href="https://www.4kshooters.net/2026/05/07/massive-one-day-savings-at-bh-up-to-74-off-essential-cinema-tools-power-storage-and-monitoring-gear/">Massive One-Day Savings at B&H – Up to 74% Off Essential Cinema Tools, Power, Storage, and Monitoring Gear</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>ARRI Omnibar Announced – a Modular LED Platform Built for Precision, Mobility, and Scalable Lighting Design</title>
		<link>https://www.4kshooters.net/2026/05/06/arri-omnibar-announced-a-modular-led-platform-built-for-precision-mobility-and-scalable-lighting-design/</link>
					<comments>https://www.4kshooters.net/2026/05/06/arri-omnibar-announced-a-modular-led-platform-built-for-precision-mobility-and-scalable-lighting-design/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Wed, 06 May 2026 06:56:56 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[ARRI LED bar]]></category>
		<category><![CDATA[ARRI Omnibar 2]]></category>
		<category><![CDATA[ARRI Omnibar specs]]></category>
		<category><![CDATA[battery LED light]]></category>
		<category><![CDATA[CRMX lighting]]></category>
		<category><![CDATA[film lighting equipment]]></category>
		<category><![CDATA[pixel mapping LED]]></category>
		<category><![CDATA[RGBACL lighting]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159627</guid>

					<description><![CDATA[<p>ARRI&#x2019;s latest lighting release reflects a broader shift in how linear fixtures are being used across modern productions. Rather than treating LED bars as simple practicals or accent tools, the Omnibar system introduces a modular, pixel-addressable platform designed to scale from compact setups to complex lighting environments without sacrificing control or color accuracy. At its core, the Omnibar is built around mobility and adaptability. Available in 2 ft and 4 ft variants, the system is housed in a rugged, IP65-rated enclosure, allowing it to perform reliably in both controlled studio conditions and unpredictable exterior shoots. This level of environmental protection</p>
The post <a href="https://www.4kshooters.net/2026/05/06/arri-omnibar-announced-a-modular-led-platform-built-for-precision-mobility-and-scalable-lighting-design/">ARRI Omnibar Announced – a Modular LED Platform Built for Precision, Mobility, and Scalable Lighting Design</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Angénieux Optimo Ultra 12x 65 Brings Long-Range Zoom Versatility to 65mm Cinematography</title>
		<link>https://www.4kshooters.net/2026/05/05/angenieux-optimo-ultra-12x-65-brings-long-range-zoom-versatility-to-65mm-cinematography/</link>
					<comments>https://www.4kshooters.net/2026/05/05/angenieux-optimo-ultra-12x-65-brings-long-range-zoom-versatility-to-65mm-cinematography/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Tue, 05 May 2026 04:42:36 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[65mm cinema zoom lens]]></category>
		<category><![CDATA[Angenieux IRO system]]></category>
		<category><![CDATA[Angenieux Optimo Ultra 12x 65]]></category>
		<category><![CDATA[large format cine lens]]></category>
		<category><![CDATA[professional cinema optics]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159619</guid>

					<description><![CDATA[<p>Large-format acquisition is no longer reserved for niche productions. With cameras like the ALEXA 265 pushing 65mm capture into mainstream high-end filmmaking, lens design has had to evolve quickly to keep up. Ang&#xE9;nieux&#x2019;s Optimo Ultra 12x 65 enters this space as a direct response, extending one of the most trusted long-range zoom platforms into a significantly larger image circle. Rather than building an entirely new system from scratch, Ang&#xE9;nieux has scaled its proven Optimo Ultra 12x architecture, preserving the optical behavior and handling characteristics that cinematographers already rely on, while adapting it for the demands of 65mm sensors. A Proven</p>
The post <a href="https://www.4kshooters.net/2026/05/05/angenieux-optimo-ultra-12x-65-brings-long-range-zoom-versatility-to-65mm-cinematography/">Angénieux Optimo Ultra 12x 65 Brings Long-Range Zoom Versatility to 65mm Cinematography</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Lenovo Pro 9i Aura Edition Delivers Desktop-Class Creative Performance Into a Mobile Form Factor</title>
		<link>https://www.4kshooters.net/2026/05/04/lenovo-pro-9i-aura-edition-brings-desktop-class-creative-performance-into-a-mobile-form-factor/</link>
					<comments>https://www.4kshooters.net/2026/05/04/lenovo-pro-9i-aura-edition-brings-desktop-class-creative-performance-into-a-mobile-form-factor/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Mon, 04 May 2026 05:08:54 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[HDR laptop for filmmakers]]></category>
		<category><![CDATA[Intel Core Ultra 9 laptop]]></category>
		<category><![CDATA[Lenovo Pro 9i Aura Edition]]></category>
		<category><![CDATA[OLED creator laptop]]></category>
		<category><![CDATA[RTX 4060 laptop]]></category>
		<category><![CDATA[video editing laptop]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159609</guid>

					<description><![CDATA[<p>The ongoing shift toward higher-resolution capture and AI-assisted editing has exposed the limitations of many thin-and-light laptops. Lenovo&#x2019;s Pro 9i Aura Edition takes a more deliberate approach, prioritizing sustained performance, accurate display output, and practical usability over ultra-portable compromises. Positioned as a premium creator machine, it&#x2019;s built to handle demanding production environments where reliability matters just as much as raw specs. The Pro 9i Aura Edition is built around Intel&#x2019;s Core Ultra 9 processor platform, paired with NVIDIA GeForce RTX 40-series laptop graphics &#8211; specifically configurations like the RTX 4060 or higher depending on SKU. This combination provides strong GPU</p>
The post <a href="https://www.4kshooters.net/2026/05/04/lenovo-pro-9i-aura-edition-brings-desktop-class-creative-performance-into-a-mobile-form-factor/">Lenovo Pro 9i Aura Edition Delivers Desktop-Class Creative Performance Into a Mobile Form Factor</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
					<wfw:commentRss>https://www.4kshooters.net/2026/05/04/lenovo-pro-9i-aura-edition-brings-desktop-class-creative-performance-into-a-mobile-form-factor/feed/</wfw:commentRss>
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		<title>B&#038;H Nikon Trade-In Program Adds Aggressive Incentives for Z5 II Upgrades</title>
		<link>https://www.4kshooters.net/2026/05/01/bh-nikon-trade-in-program-adds-aggressive-incentives-for-z5-ii-upgrades/</link>
					<comments>https://www.4kshooters.net/2026/05/01/bh-nikon-trade-in-program-adds-aggressive-incentives-for-z5-ii-upgrades/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Fri, 01 May 2026 04:54:39 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[$100 trade in bonus]]></category>
		<category><![CDATA[$250 Z5 II savings]]></category>
		<category><![CDATA[B&H Nikon trade in]]></category>
		<category><![CDATA[camera upgrade Nikon]]></category>
		<category><![CDATA[DSLR trade in program]]></category>
		<category><![CDATA[Nikon Z5 II deal]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159604</guid>

					<description><![CDATA[<p>Upgrade cycles are tightening across the industry as mirrorless systems evolve at a rapid pace. Rather than letting older gear depreciate on the shelf, B&#38;H Photo Video&#x2019;s Nikon-focused trade-in program introduces a structured path to reinvest that value directly into current-generation equipment. With stacked incentives tied specifically to the Nikon Z5 II, the program goes beyond standard trade-in models by combining base valuation with additional promotional credits. Breaking Down the Nikon Z5 II Incentives At the center of the offer are two key financial components designed to lower the barrier to entry: $100 Trade-In Bonus applied on top of your</p>
The post <a href="https://www.4kshooters.net/2026/05/01/bh-nikon-trade-in-program-adds-aggressive-incentives-for-z5-ii-upgrades/">B&H Nikon Trade-In Program Adds Aggressive Incentives for Z5 II Upgrades</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>ARRI Unveils cforce MAX Lens Motor – High-Speed Precision Redefines FIZ Control</title>
		<link>https://www.4kshooters.net/2026/04/30/arri-unveils-cforce-max-lens-motor-high-speed-precision-redefines-fiz-control/</link>
					<comments>https://www.4kshooters.net/2026/04/30/arri-unveils-cforce-max-lens-motor-high-speed-precision-redefines-fiz-control/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 30 Apr 2026 05:11:45 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[ARRI cforce MAX]]></category>
		<category><![CDATA[ARRI ECS]]></category>
		<category><![CDATA[ARRI Hi-5]]></category>
		<category><![CDATA[ARRI lens motor]]></category>
		<category><![CDATA[Camera Accessories]]></category>
		<category><![CDATA[cine lens motor]]></category>
		<category><![CDATA[cinematography tools]]></category>
		<category><![CDATA[film production gear]]></category>
		<category><![CDATA[FIZ control system]]></category>
		<category><![CDATA[focus motor]]></category>
		<category><![CDATA[lens control motor]]></category>
		<category><![CDATA[Wireless Follow Focus]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159597</guid>

					<description><![CDATA[<p>As lens control becomes increasingly critical in high-resolution, shallow depth-of-field cinematography, the expectations placed on FIZ systems continue to rise. ARRI&#x2019;s cforce MAX lens motor arrives as a decisive response to those demands, introducing a faster, more responsive, and more self-contained solution for professional camera departments. Replacing the widely used cforce Plus, the cforce MAX is built around a newly engineered brushless motor that significantly increases both speed and torque. With a maximum speed of up to 400 teeth per second, the motor delivers near-instantaneous response during rapid focus pulls, making it particularly effective in dynamic shooting scenarios where timing</p>
The post <a href="https://www.4kshooters.net/2026/04/30/arri-unveils-cforce-max-lens-motor-high-speed-precision-redefines-fiz-control/">ARRI Unveils cforce MAX Lens Motor – High-Speed Precision Redefines FIZ Control</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>DaVinci Resolve 21 Expands Beyond Release with Beta 2 Workflow and Keyframing Enhancements</title>
		<link>https://www.4kshooters.net/2026/04/29/davinci-resolve-21-expands-beyond-release-with-beta-2-workflow-and-keyframing-enhancements/</link>
					<comments>https://www.4kshooters.net/2026/04/29/davinci-resolve-21-expands-beyond-release-with-beta-2-workflow-and-keyframing-enhancements/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Wed, 29 Apr 2026 05:48:57 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[advanced keyframing Resolve]]></category>
		<category><![CDATA[Blackmagic Design Resolve update]]></category>
		<category><![CDATA[DaVinci Resolve 21 Beta 2]]></category>
		<category><![CDATA[DaVinci Resolve 21 features]]></category>
		<category><![CDATA[Fusion motion graphics tools]]></category>
		<category><![CDATA[multicam editing Resolve]]></category>
		<category><![CDATA[post production workflow software]]></category>
		<category><![CDATA[RAW photo editing Resolve]]></category>
		<category><![CDATA[Resolve Photo Page]]></category>
		<category><![CDATA[video editing software 2026]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159585</guid>

					<description><![CDATA[<p>Following its official release ahead of NAB 2026, DaVinci Resolve 21 marked a major step forward by introducing AI-driven tools and a fully integrated Photo Page. Just weeks later, the Beta 2 iteration builds on that foundation with targeted refinements that improve precision, flexibility, and day-to-day usability across the entire post-production pipeline. The core of Resolve 21 remains its expanded creative scope. The Photo Page introduced in the official release brings node-based color grading to still photography, allowing users to apply primary corrections, power windows, qualifiers, and LUTs across entire image collections. Albums function as dynamic containers for organizing and</p>
The post <a href="https://www.4kshooters.net/2026/04/29/davinci-resolve-21-expands-beyond-release-with-beta-2-workflow-and-keyframing-enhancements/">DaVinci Resolve 21 Expands Beyond Release with Beta 2 Workflow and Keyframing Enhancements</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Seagate’s Latest High-Capacity Drives Redefine Practical Storage for Modern Video Workflows</title>
		<link>https://www.4kshooters.net/2026/04/28/seagates-latest-high-capacity-drives-redefine-practical-storage-for-modern-video-workflows/</link>
					<comments>https://www.4kshooters.net/2026/04/28/seagates-latest-high-capacity-drives-redefine-practical-storage-for-modern-video-workflows/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Tue, 28 Apr 2026 04:50:10 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[external HDD for filmmakers]]></category>
		<category><![CDATA[FireCuda X Vault]]></category>
		<category><![CDATA[high capacity backup drive]]></category>
		<category><![CDATA[Seagate One Touch 24TB]]></category>
		<category><![CDATA[USB-C desktop drives]]></category>
		<category><![CDATA[video storage solutions]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159575</guid>

					<description><![CDATA[<p>The acceleration of high-resolution capture, RAW codecs, and multi-camera production has quietly transformed storage from a supporting component into a core pillar of the filmmaking pipeline. What once worked as simple backup media is now expected to handle terabytes of footage per shoot day, maintain organized archives, and integrate seamlessly into post-production environments. Seagate Technology&#x2019;s latest announcement addresses this shift directly, introducing a new wave of external drives that prioritize capacity, simplicity, and accessibility over complexity. Rather than pushing toward RAID systems or specialized enclosures, the company is refining standalone solutions that scale with modern production demands. High-Capacity Without the</p>
The post <a href="https://www.4kshooters.net/2026/04/28/seagates-latest-high-capacity-drives-redefine-practical-storage-for-modern-video-workflows/">Seagate’s Latest High-Capacity Drives Redefine Practical Storage for Modern Video Workflows</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>LaCie Pushes Desktop Storage Boundaries with 8big Pro5 Thunderbolt 5 RAID</title>
		<link>https://www.4kshooters.net/2026/04/27/lacie-pushes-desktop-storage-boundaries-with-8big-pro5-thunderbolt-5-raid/</link>
					<comments>https://www.4kshooters.net/2026/04/27/lacie-pushes-desktop-storage-boundaries-with-8big-pro5-thunderbolt-5-raid/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Mon, 27 Apr 2026 05:02:17 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[8K video editing storage]]></category>
		<category><![CDATA[creative storage solution]]></category>
		<category><![CDATA[external DAS]]></category>
		<category><![CDATA[high capacity storage]]></category>
		<category><![CDATA[LaCie 8big Pro5]]></category>
		<category><![CDATA[RAID 5 workflow]]></category>
		<category><![CDATA[Thunderbolt 5 RAID]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159564</guid>

					<description><![CDATA[<p>As file sizes continue to expand across 6K, 8K, and even 12K productions, the limitations of traditional desktop storage are becoming increasingly visible. LaCie&#x2019;s 8big Pro5 arrives at a moment when creators need not just more capacity, but a more cohesive way to manage performance, redundancy, and connectivity within a single system. This latest generation RAID array is built around that idea &#8211; consolidating massive storage, high-bandwidth connectivity, and flexible configuration into a solution that fits directly into modern post-production environments. Thunderbolt 5 Brings a New Level of Bandwidth At the center of the 8big Pro5 is Thunderbolt 5, delivering</p>
The post <a href="https://www.4kshooters.net/2026/04/27/lacie-pushes-desktop-storage-boundaries-with-8big-pro5-thunderbolt-5-raid/">LaCie Pushes Desktop Storage Boundaries with 8big Pro5 Thunderbolt 5 RAID</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>FilmConvert Broadens Camera Support with Blackmagic PYXIS 12K Integration</title>
		<link>https://www.4kshooters.net/2026/04/24/filmconvert-broadens-camera-support-with-blackmagic-pyxis-12k-integration/</link>
					<comments>https://www.4kshooters.net/2026/04/24/filmconvert-broadens-camera-support-with-blackmagic-pyxis-12k-integration/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Fri, 24 Apr 2026 04:39:28 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Blackmagic Pyxis 12K]]></category>
		<category><![CDATA[camera matching software]]></category>
		<category><![CDATA[color consistency filmmaking]]></category>
		<category><![CDATA[color grading tools]]></category>
		<category><![CDATA[filmconvert cinematch]]></category>
		<category><![CDATA[multi camera workflow]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159557</guid>

					<description><![CDATA[<p>A subtle but meaningful update from FilmConvert is set to improve how colorists and editors approach high-resolution Blackmagic footage. With the addition of the Blackmagic PYXIS 12K to both Nitrate and CineMatch, the company continues refining its camera-matching ecosystem for modern cinema pipelines. This update is less about flashy features and more about accuracy, consistency, and efficiency across increasingly complex multi-camera productions. The newly added support brings dedicated camera profile tailored specifically to the PYXIS 12K sensor. This profile is designed to interpret the camera&#x2019;s color science and tonal response correctly, allowing for more predictable grading outcomes. For filmmakers working</p>
The post <a href="https://www.4kshooters.net/2026/04/24/filmconvert-broadens-camera-support-with-blackmagic-pyxis-12k-integration/">FilmConvert Broadens Camera Support with Blackmagic PYXIS 12K Integration</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Angelbird Pushes SD Performance Further with Next-Gen AV PRO SD V30 Cards</title>
		<link>https://www.4kshooters.net/2026/04/23/angelbird-pushes-sd-performance-further-with-next-gen-av-pro-sd-v30-cards/</link>
					<comments>https://www.4kshooters.net/2026/04/23/angelbird-pushes-sd-performance-further-with-next-gen-av-pro-sd-v30-cards/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 23 Apr 2026 05:16:35 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[8K video SD card]]></category>
		<category><![CDATA[Angelbird AV PRO SD V30]]></category>
		<category><![CDATA[camera media cards]]></category>
		<category><![CDATA[filmmaking storage]]></category>
		<category><![CDATA[SDXC UHS-I card]]></category>
		<category><![CDATA[sustained write speed SD]]></category>
		<category><![CDATA[V30 SD card]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159543</guid>

					<description><![CDATA[<p>The evolution of capture formats is accelerating, and storage needs to keep pace. With higher resolutions and more data-intensive codecs becoming the norm, reliable media is no longer just a support tool &#8211; it is a critical part of the production pipeline. Angelbird&#x2019;s latest AV PRO SD V30 cards step directly into this space, offering a notable performance boost within the familiar SDXC form factor. Designed for creators transitioning into more demanding acquisition formats, the new AV PRO SD V30 series brings a balance of speed, stability, and accessibility that fits seamlessly into modern hybrid workflows. Built for Emerging High-Resolution</p>
The post <a href="https://www.4kshooters.net/2026/04/23/angelbird-pushes-sd-performance-further-with-next-gen-av-pro-sd-v30-cards/">Angelbird Pushes SD Performance Further with Next-Gen AV PRO SD V30 Cards</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Panasonic Enhances L-Mount Lineup with Compact LUMIX S 40mm F2 Prime</title>
		<link>https://www.4kshooters.net/2026/04/22/panasonic-expands-l-mount-lineup-with-compact-lumix-s-40mm-f2-prime/</link>
					<comments>https://www.4kshooters.net/2026/04/22/panasonic-expands-l-mount-lineup-with-compact-lumix-s-40mm-f2-prime/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Wed, 22 Apr 2026 04:49:51 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[40mm focal length video lens]]></category>
		<category><![CDATA[budget cine lens alternative]]></category>
		<category><![CDATA[full frame compact prime lens]]></category>
		<category><![CDATA[hybrid filmmaking lens]]></category>
		<category><![CDATA[L-mount lenses]]></category>
		<category><![CDATA[LUMIX S lens 2026]]></category>
		<category><![CDATA[Panasonic LUMIX S 40mm F2]]></category>
		<category><![CDATA[Panasonic S9 lens pairing]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159533</guid>

					<description><![CDATA[<p>Panasonic&#x2019;s latest addition to the L-Mount lineup focuses on a practical challenge many creators face daily &#8211; balancing image quality with portability. The LUMIX S 40mm F2 is built to address exactly that, offering a versatile focal length and a highly compact design that fits seamlessly into modern hybrid workflows. The choice of a 40mm focal length is particularly intentional. It sits between the traditional 35mm and 50mm perspectives, delivering a field of view that feels natural without introducing distortion or excessive compression. For filmmakers, this translates into more intuitive framing across a wide range of scenarios, from handheld documentary</p>
The post <a href="https://www.4kshooters.net/2026/04/22/panasonic-expands-l-mount-lineup-with-compact-lumix-s-40mm-f2-prime/">Panasonic Enhances L-Mount Lineup with Compact LUMIX S 40mm F2 Prime</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Viltrox Expands EVO Line with 35mm and 55mm F1.8 Lenses at NAB 2026</title>
		<link>https://www.4kshooters.net/2026/04/21/viltrox-expands-evo-line-with-35mm-and-55mm-f1-8-lenses-at-nab-2026/</link>
					<comments>https://www.4kshooters.net/2026/04/21/viltrox-expands-evo-line-with-35mm-and-55mm-f1-8-lenses-at-nab-2026/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Tue, 21 Apr 2026 04:50:22 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[APO lens design]]></category>
		<category><![CDATA[filmmaking lenses]]></category>
		<category><![CDATA[hybrid lenses]]></category>
		<category><![CDATA[NAB 2026 Viltrox]]></category>
		<category><![CDATA[Nikon Z lenses]]></category>
		<category><![CDATA[Sony FE Lenses]]></category>
		<category><![CDATA[STM autofocus lenses]]></category>
		<category><![CDATA[Viltrox 35mm F1.8]]></category>
		<category><![CDATA[Viltrox 55mm F1.8]]></category>
		<category><![CDATA[Viltrox EVO lenses]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159521</guid>

					<description><![CDATA[<p>Lens development is increasingly shaped by the demand for tools that perform equally well in stills and motion, and Viltrox&#x2019;s latest announcement at NAB Show 2026 fits directly into that shift. The company has unveiled the AF 35mm F1.8 EVO and AF 55mm F1.8 EVO, both available for Sony FE and Nikon Z mounts, as part of its expanding EVO lineup. Positioned within Viltrox&#x2019;s broader &#x201C;Photo to Cinema&#x201D; vision, these lenses are designed to function as adaptable, everyday optics that support creators working across multiple formats. The focus here is not on niche specialization, but on dependable performance, portability, and</p>
The post <a href="https://www.4kshooters.net/2026/04/21/viltrox-expands-evo-line-with-35mm-and-55mm-f1-8-lenses-at-nab-2026/">Viltrox Expands EVO Line with 35mm and 55mm F1.8 Lenses at NAB 2026</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>NiSi 65 PRIME 16mm T2.9 Brings Ultra-Wide Large-Format Cinematography Into a More Practical Space</title>
		<link>https://www.4kshooters.net/2026/04/20/nisi-65-prime-16mm-t2-9-brings-ultra-wide-large-format-cinematography-into-a-more-practical-space/</link>
					<comments>https://www.4kshooters.net/2026/04/20/nisi-65-prime-16mm-t2-9-brings-ultra-wide-large-format-cinematography-into-a-more-practical-space/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Mon, 20 Apr 2026 04:41:59 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[65mm image circle lens]]></category>
		<category><![CDATA[ARRI ALEXA 65 lens]]></category>
		<category><![CDATA[cinema optics]]></category>
		<category><![CDATA[large format cinema lens]]></category>
		<category><![CDATA[large-format filmmaking]]></category>
		<category><![CDATA[NiSi 65 PRIME 16mm T2.9]]></category>
		<category><![CDATA[PL mount lens]]></category>
		<category><![CDATA[ultra wide cine lens]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159512</guid>

					<description><![CDATA[<p>As large-format capture continues to move from niche productions into mainstream high-end workflows, lens ecosystems are being forced to evolve. One of the most persistent limitations has been ultra-wide coverage for oversized sensors &#8211; an area NiSi is now directly addressing with the introduction of the 65 PRIME 16mm T2.9. This release is more than just a new focal length. It signals the beginning of a dedicated large-format lens family built around a 65mm image circle, designed to fully cover cameras such as the ARRI ALEXA 65 and emerging large-sensor platforms shooting in Open Gate. That level of coverage enables</p>
The post <a href="https://www.4kshooters.net/2026/04/20/nisi-65-prime-16mm-t2-9-brings-ultra-wide-large-format-cinematography-into-a-more-practical-space/">NiSi 65 PRIME 16mm T2.9 Brings Ultra-Wide Large-Format Cinematography Into a More Practical Space</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Atomos Expands Into a Full-Scale Production Ecosystem at NAB 2026</title>
		<link>https://www.4kshooters.net/2026/04/18/atomos-expands-into-a-full-scale-production-ecosystem-at-nab-2026/</link>
					<comments>https://www.4kshooters.net/2026/04/18/atomos-expands-into-a-full-scale-production-ecosystem-at-nab-2026/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Sat, 18 Apr 2026 10:06:40 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Flanders Scientific Atomos]]></category>
		<category><![CDATA[HDR grading monitors]]></category>
		<category><![CDATA[post-production workflow]]></category>
		<category><![CDATA[reference monitoring]]></category>
		<category><![CDATA[video mastering]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159497</guid>

					<description><![CDATA[<p>NAB 2026 is shaping up to be a turning point for production technology, and Atomos is stepping into that spotlight with a significantly expanded vision. The company arrives at this year&#x2019;s show not just with new products, but with a coordinated push across hardware, software, and workflow infrastructure. This latest wave of announcements brings together monitor-recorders, live production systems, PTZ solutions, cloud-based tools, and a major acquisition, all working toward a more unified production environment. The emphasis is clearly on connectivity between stages that have traditionally been fragmented. Rather than focusing on individual devices, Atomos is building a broader production</p>
The post <a href="https://www.4kshooters.net/2026/04/18/atomos-expands-into-a-full-scale-production-ecosystem-at-nab-2026/">Atomos Expands Into a Full-Scale Production Ecosystem at NAB 2026</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>RØDE Introduces Sonaura MEMS Breakthrough and RØDELink II at NAB 2026</title>
		<link>https://www.4kshooters.net/2026/04/17/rode-introduces-sonaura-mems-breakthrough-and-rodelink-ii-at-nab-2026/</link>
					<comments>https://www.4kshooters.net/2026/04/17/rode-introduces-sonaura-mems-breakthrough-and-rodelink-ii-at-nab-2026/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Fri, 17 Apr 2026 04:58:54 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[32-bit float recording]]></category>
		<category><![CDATA[Infineon MEMS]]></category>
		<category><![CDATA[Lectrosonics lavalier]]></category>
		<category><![CDATA[MEMS microphone technology]]></category>
		<category><![CDATA[NAB 2026 audio announcements]]></category>
		<category><![CDATA[professional filmmaking audio]]></category>
		<category><![CDATA[RØDE Sonaura]]></category>
		<category><![CDATA[RØDELink II]]></category>
		<category><![CDATA[timecode audio sync]]></category>
		<category><![CDATA[UHF wireless microphone system]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159472</guid>

					<description><![CDATA[<p>A major shift is underway in professional audio capture, and R&#xD8;DE is positioning itself at the center of it. In the lead-up to NAB Show 2026, the company introduced a wave of new technologies and products that signal a deeper integration between hardware innovation, wireless systems, and software-driven production tools. At the core of this announcement is a breakthrough in microphone design that could reshape how filmmakers and content creators approach audio at every level of production. Sonaura MEMS Technology: a New Benchmark in Audio Capture Sonaura represents a fundamental rethinking of microphone architecture. Developed in collaboration with Infineon, this</p>
The post <a href="https://www.4kshooters.net/2026/04/17/rode-introduces-sonaura-mems-breakthrough-and-rodelink-ii-at-nab-2026/">RØDE Introduces Sonaura MEMS Breakthrough and RØDELink II at NAB 2026</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Canon Announces 40-1200mm CINE-SERVO Lens and Major Cinema EOS Firmware Expansion at NAB 2026</title>
		<link>https://www.4kshooters.net/2026/04/16/canon-unveils-40-1200mm-cine-servo-lens-and-major-cinema-eos-firmware-expansion-at-nab-2026/</link>
					<comments>https://www.4kshooters.net/2026/04/16/canon-unveils-40-1200mm-cine-servo-lens-and-major-cinema-eos-firmware-expansion-at-nab-2026/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 16 Apr 2026 05:31:17 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[broadcast cine lens]]></category>
		<category><![CDATA[Canon C400 features]]></category>
		<category><![CDATA[Canon CINE-SERVO 40-1200mm]]></category>
		<category><![CDATA[Canon live production tools]]></category>
		<category><![CDATA[Cinema EOS firmware update]]></category>
		<category><![CDATA[Dual Pixel CMOS AF II]]></category>
		<category><![CDATA[long range cinema lens]]></category>
		<category><![CDATA[NAB 2026 Canon]]></category>
		<category><![CDATA[servo zoom lens]]></category>
		<category><![CDATA[SRT streaming Canon]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159464</guid>

					<description><![CDATA[<p>At NAB 2026, Canon is doubling down on high-performance production tools with a headline-grabbing release that targets both cinematic and live broadcast environments. The introduction of the CINE-SERVO 40-1200mm T5.0-10.8 lens, alongside a substantial Cinema EOS firmware rollout, signals a clear push toward hybrid workflows that demand reach, precision, and reliability under pressure. This announcement builds on Canon&#x2019;s established servo zoom ecosystem while extending its capabilities into territories previously reserved for specialized broadcast optics. CINE-SERVO 40-1200mm: Extending Reach Without Compromise The defining feature of this new lens is its unprecedented focal range. Covering 40mm to 1200mm natively and extending to</p>
The post <a href="https://www.4kshooters.net/2026/04/16/canon-unveils-40-1200mm-cine-servo-lens-and-major-cinema-eos-firmware-expansion-at-nab-2026/">Canon Announces 40-1200mm CINE-SERVO Lens and Major Cinema EOS Firmware Expansion at NAB 2026</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Adobe Unveils Major AI and Workflow Innovations at NAB 2026</title>
		<link>https://www.4kshooters.net/2026/04/16/adobe-unveils-major-ai-and-workflow-innovations-at-nab-2026/</link>
					<comments>https://www.4kshooters.net/2026/04/16/adobe-unveils-major-ai-and-workflow-innovations-at-nab-2026/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 16 Apr 2026 05:08:35 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Adobe Creative Cloud video]]></category>
		<category><![CDATA[Adobe Firefly video editor]]></category>
		<category><![CDATA[Adobe NAB 2026]]></category>
		<category><![CDATA[After Effects Object Matte]]></category>
		<category><![CDATA[AI filmmaking tools]]></category>
		<category><![CDATA[AI video generation tools]]></category>
		<category><![CDATA[cloud collaboration video]]></category>
		<category><![CDATA[Frame.io Drive]]></category>
		<category><![CDATA[generative AI video workflow]]></category>
		<category><![CDATA[Kling 3.0 Omni]]></category>
		<category><![CDATA[Premiere Pro Color Mode]]></category>
		<category><![CDATA[video editing innovation]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159452</guid>

					<description><![CDATA[<p>Adobe has used NAB 2026 as a launchpad for a sweeping set of updates across its video ecosystem, introducing new AI-driven capabilities, a reimagined approach to color grading, and a more connected production infrastructure. The announcements signal a clear push toward consolidating fragmented workflows into a unified, intelligent creative environment. At the center of this update is a deeper integration of generative AI across Adobe Firefly, alongside meaningful upgrades to Premiere Pro and Frame.io that directly address long-standing bottlenecks in professional production pipelines. Firefly Expands Into a Full Video Creation Environment Adobe&#x2019;s Firefly platform continues evolving beyond image generation, positioning</p>
The post <a href="https://www.4kshooters.net/2026/04/16/adobe-unveils-major-ai-and-workflow-innovations-at-nab-2026/">Adobe Unveils Major AI and Workflow Innovations at NAB 2026</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>GoPro MISSION 1 Series Redefines Compact Cinema with 8K, 1-Inch Sensor, and Interchangeable Lens Innovation</title>
		<link>https://www.4kshooters.net/2026/04/15/gopro-mission-1-series-redefines-compact-cinema-with-8k-1-inch-sensor-and-interchangeable-lens-innovation/</link>
					<comments>https://www.4kshooters.net/2026/04/15/gopro-mission-1-series-redefines-compact-cinema-with-8k-1-inch-sensor-and-interchangeable-lens-innovation/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 04:19:06 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[1-inch sensor action camera]]></category>
		<category><![CDATA[10-bit log recording]]></category>
		<category><![CDATA[compact cinema camera]]></category>
		<category><![CDATA[filmmaking camera 2026]]></category>
		<category><![CDATA[GoPro 8K camera]]></category>
		<category><![CDATA[GoPro MISSION 1]]></category>
		<category><![CDATA[GoPro MISSION 1 PRO]]></category>
		<category><![CDATA[GoPro new release]]></category>
		<category><![CDATA[GP-Log2]]></category>
		<category><![CDATA[GP3 processor]]></category>
		<category><![CDATA[high frame rate video]]></category>
		<category><![CDATA[interchangeable lens action camera]]></category>
		<category><![CDATA[Micro Four Thirds GoPro]]></category>
		<category><![CDATA[MISSION 1 PRO ILS]]></category>
		<category><![CDATA[Open Gate video]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159437</guid>

					<description><![CDATA[<p>After years of incremental upgrades in the action camera space, GoPro is making a decisive move into the compact cinema category with the newly announced MISSION 1 Series. This three-camera lineup signals a clear evolution &#8211; not just in specs, but in intent &#8211; positioning GoPro as a serious contender in professional imaging workflows. At the core of this shift is a new imaging platform built around a 50MP 1-inch sensor and the company&#x2019;s next-generation GP3 processor, designed to push image quality, thermal performance, and recording reliability far beyond what traditional action cameras have delivered. Three Cameras, Three Distinct Use</p>
The post <a href="https://www.4kshooters.net/2026/04/15/gopro-mission-1-series-redefines-compact-cinema-with-8k-1-inch-sensor-and-interchangeable-lens-innovation/">GoPro MISSION 1 Series Redefines Compact Cinema with 8K, 1-Inch Sensor, and Interchangeable Lens Innovation</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>DZOFILM Arcana Brings 2X Anamorphic Aesthetics Into a Lightweight 1.5X Format</title>
		<link>https://www.4kshooters.net/2026/04/14/dzofilm-arcana-brings-2x-anamorphic-aesthetics-into-a-lightweight-1-5x-format/</link>
					<comments>https://www.4kshooters.net/2026/04/14/dzofilm-arcana-brings-2x-anamorphic-aesthetics-into-a-lightweight-1-5x-format/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Tue, 14 Apr 2026 04:58:20 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[1.5X anamorphic]]></category>
		<category><![CDATA[32mm 45mm 75mm lenses]]></category>
		<category><![CDATA[affordable anamorphic lenses]]></category>
		<category><![CDATA[anamorphic flare]]></category>
		<category><![CDATA[Anamorphic lenses]]></category>
		<category><![CDATA[cinematic bokeh]]></category>
		<category><![CDATA[cinematic lens design]]></category>
		<category><![CDATA[drop-in VND filters]]></category>
		<category><![CDATA[DZOFILM Arcana]]></category>
		<category><![CDATA[elliptical aperture]]></category>
		<category><![CDATA[filmmaking equipment]]></category>
		<category><![CDATA[full-frame cinema lens]]></category>
		<category><![CDATA[gimbal-friendly lenses]]></category>
		<category><![CDATA[hybrid anamorphic lens]]></category>
		<category><![CDATA[independent filmmaking gear]]></category>
		<category><![CDATA[lightweight cinema lenses]]></category>
		<category><![CDATA[mirrorless lens adapters]]></category>
		<category><![CDATA[PL mount lenses]]></category>
		<category><![CDATA[Ronin 4D LiDAR autofocus]]></category>
		<category><![CDATA[T2.1 lenses]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159427</guid>

					<description><![CDATA[<p>Anamorphic lenses have always carried a distinct visual appeal, but they often come with operational compromises. Size, weight, and handling complexity can limit where and how they are used. DZOFILM&#x2019;s new Arcana series takes a different route, focusing on portability without abandoning the expressive qualities that define anamorphic cinematography. By introducing a full-frame 1.5X hybrid design, Arcana aims to replicate the visual richness of 2X lenses while staying light enough for handheld and gimbal-based production. This approach reflects a growing demand for cinema tools that align with smaller crews and faster-paced shooting environments. Optical Character That Moves Beyond Convention At</p>
The post <a href="https://www.4kshooters.net/2026/04/14/dzofilm-arcana-brings-2x-anamorphic-aesthetics-into-a-lightweight-1-5x-format/">DZOFILM Arcana Brings 2X Anamorphic Aesthetics Into a Lightweight 1.5X Format</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>FilmConvert Brings Fujifilm X-S20 into its Camera Profile Ecosystem</title>
		<link>https://www.4kshooters.net/2026/04/13/filmconvert-expands-support-with-fujifilm-x-s20-camera-pack/</link>
					<comments>https://www.4kshooters.net/2026/04/13/filmconvert-expands-support-with-fujifilm-x-s20-camera-pack/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Mon, 13 Apr 2026 05:38:58 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[fujifilm video specs]]></category>
		<category><![CDATA[fujifilm x-s20 video performance]]></category>
		<category><![CDATA[hybrid camera filmmaking]]></category>
		<category><![CDATA[x-s20 dynamic range]]></category>
		<category><![CDATA[x-s20 filmmaking review]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159419</guid>

					<description><![CDATA[<p>Matching color between different cameras often becomes a quiet drain on post-production time, especially when each system brings its own color science into the mix. FilmConvert&#x2019;s latest update introduces dedicated profiles for the Fujifilm X-S20, giving editors a calibrated starting point that removes much of that early-stage guesswork and speeds up the path to a cohesive final image. Rather than approaching grading as a corrective process, this update shifts the balance toward creative intent from the outset. The Fujifilm X-S20 has gained traction among filmmakers who need a compact, capable hybrid camera, but like most systems, its footage benefits from</p>
The post <a href="https://www.4kshooters.net/2026/04/13/filmconvert-expands-support-with-fujifilm-x-s20-camera-pack/">FilmConvert Brings Fujifilm X-S20 into its Camera Profile Ecosystem</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Atomos Expands Camera Control Ecosystem with Shinobi Firmware 11.07.00</title>
		<link>https://www.4kshooters.net/2026/04/10/atomos-expands-camera-control-ecosystem-with-shinobi-firmware-11-07-00/</link>
					<comments>https://www.4kshooters.net/2026/04/10/atomos-expands-camera-control-ecosystem-with-shinobi-firmware-11-07-00/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Fri, 10 Apr 2026 05:03:03 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Atomos Shinobi firmware]]></category>
		<category><![CDATA[Atomos update 11.07.00]]></category>
		<category><![CDATA[camera control monitor]]></category>
		<category><![CDATA[filmmaking monitors]]></category>
		<category><![CDATA[Shinobi 7 RX]]></category>
		<category><![CDATA[Shinobi II update]]></category>
		<category><![CDATA[touch to focus monitor]]></category>
		<category><![CDATA[USB-C camera control]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159412</guid>

					<description><![CDATA[<p>A growing demand for tighter camera-to-monitor integration continues to reshape on-set workflows, and Atomos&#x2019; latest firmware update directly addresses that shift. The new 11.07.00 release for the Shinobi II and Shinobi 7 RX introduces expanded camera control capabilities, including touch-to-focus, across a broader range of mirrorless and cinema cameras. This update reinforces Atomos&#x2019; push toward creating a more unified and responsive monitoring environment, where critical camera adjustments can be made without ever leaving the monitor interface. Deeper Integration Through USB-C Control At the core of this update is the USB-C interface built into Atomos&#x2019; next-generation monitors and monitor-recorders. This single</p>
The post <a href="https://www.4kshooters.net/2026/04/10/atomos-expands-camera-control-ecosystem-with-shinobi-firmware-11-07-00/">Atomos Expands Camera Control Ecosystem with Shinobi Firmware 11.07.00</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>ARRI and SmallHD Unlock a New Layer of On-Set Control with Hi-5 Monitor Overlay License</title>
		<link>https://www.4kshooters.net/2026/04/09/arri-and-smallhd-unlock-a-new-layer-of-on-set-control-with-hi-5-monitor-overlay-license/</link>
					<comments>https://www.4kshooters.net/2026/04/09/arri-and-smallhd-unlock-a-new-layer-of-on-set-control-with-hi-5-monitor-overlay-license/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 09 Apr 2026 03:16:44 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[ARRI ecosystem]]></category>
		<category><![CDATA[ARRI Hi-5 SX]]></category>
		<category><![CDATA[cine RT integration]]></category>
		<category><![CDATA[focus pulling tools]]></category>
		<category><![CDATA[wireless lens control]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159403</guid>

					<description><![CDATA[<p>Precision on set often comes down to how quickly and clearly critical lens data can be interpreted. In fast-paced production environments, even a split-second glance away from the monitor can disrupt focus pulling accuracy. ARRI&#x2019;s latest collaboration with SmallHD directly addresses this challenge by bringing fully customizable lens data overlays to on-board monitors. The newly introduced SmallHD Monitor Overlay License for Hi-5 and Hi-5 SX hand units represents a meaningful evolution in how focus pullers interact with lens metadata in real time. A Direct Integration Built for Modern Focus Pulling Developed through a close partnership between ARRI and SmallHD, this</p>
The post <a href="https://www.4kshooters.net/2026/04/09/arri-and-smallhd-unlock-a-new-layer-of-on-set-control-with-hi-5-monitor-overlay-license/">ARRI and SmallHD Unlock a New Layer of On-Set Control with Hi-5 Monitor Overlay License</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
					<wfw:commentRss>https://www.4kshooters.net/2026/04/09/arri-and-smallhd-unlock-a-new-layer-of-on-set-control-with-hi-5-monitor-overlay-license/feed/</wfw:commentRss>
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		<title>Tascam DR-40XP Introduces 32-Bit Float Recording in a Refined Field Recorder Platform</title>
		<link>https://www.4kshooters.net/2026/04/08/tascam-dr-40xp-introduces-32-bit-float-recording-in-a-refined-field-recorder-platform/</link>
					<comments>https://www.4kshooters.net/2026/04/08/tascam-dr-40xp-introduces-32-bit-float-recording-in-a-refined-field-recorder-platform/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Wed, 08 Apr 2026 05:19:54 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[32-bit float recorder]]></category>
		<category><![CDATA[field recorder for filmmakers]]></category>
		<category><![CDATA[portable audio recorder]]></category>
		<category><![CDATA[Tascam DR-40XP]]></category>
		<category><![CDATA[USB-C audio interface]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159387</guid>

					<description><![CDATA[<p>A noticeable shift is underway in portable audio, with manufacturers prioritizing capture formats that remove technical friction during production. The Tascam DR-40XP reflects that evolution, building on a familiar handheld recorder design while introducing upgrades that directly impact how audio is captured in real-world shooting environments. At the center of this update is 32-bit float recording at up to 96 kHz, a feature that fundamentally changes gain staging on set. Instead of constantly riding levels to avoid clipping, users can capture a wide dynamic range and fine-tune exposure in post. The DR-40XP pairs this recording format with improved HDDA microphone</p>
The post <a href="https://www.4kshooters.net/2026/04/08/tascam-dr-40xp-introduces-32-bit-float-recording-in-a-refined-field-recorder-platform/">Tascam DR-40XP Introduces 32-Bit Float Recording in a Refined Field Recorder Platform</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Fujifilm XC 13-33mm F3.5-6.3 OIS Firmware Update Fixes Blur Issue</title>
		<link>https://www.4kshooters.net/2026/04/07/fujifilm-xc-13-33mm-f3-5-6-3-ois-firmware-update-fixes-blur-issue/</link>
					<comments>https://www.4kshooters.net/2026/04/07/fujifilm-xc-13-33mm-f3-5-6-3-ois-firmware-update-fixes-blur-issue/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Tue, 07 Apr 2026 04:52:12 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[camera lens bugs]]></category>
		<category><![CDATA[Fujifilm XC 13-33mm]]></category>
		<category><![CDATA[image sharpness fix]]></category>
		<category><![CDATA[lens firmware update]]></category>
		<category><![CDATA[OIS performance]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159377</guid>

					<description><![CDATA[<p>Unexpected image softness can be one of the most frustrating variables in a production workflow, especially when it appears inconsistently. Fujifilm&#x2019;s latest firmware update for the XC 13-33mm F3.5-6.3 OIS addresses exactly that kind of issue, resolving a blur anomaly that has affected certain shooting scenarios and restoring confidence in the lens&#x2019;s performance. The problem appears to have been tied to how the lens handled stabilization and internal coordination with the camera body. In specific conditions, this could result in images lacking the expected sharpness, even when shooting parameters were otherwise solid. While not every user encountered the issue, those</p>
The post <a href="https://www.4kshooters.net/2026/04/07/fujifilm-xc-13-33mm-f3-5-6-3-ois-firmware-update-fixes-blur-issue/">Fujifilm XC 13-33mm F3.5-6.3 OIS Firmware Update Fixes Blur Issue</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>GoPro Teases a Major Leap with GP3-Powered Camera Generation Ahead of NAB 2026</title>
		<link>https://www.4kshooters.net/2026/04/06/gopro-teases-a-major-leap-with-gp3-powered-camera-generation-ahead-of-nab-2026/</link>
					<comments>https://www.4kshooters.net/2026/04/06/gopro-teases-a-major-leap-with-gp3-powered-camera-generation-ahead-of-nab-2026/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Mon, 06 Apr 2026 05:16:05 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[action camera performance]]></category>
		<category><![CDATA[AI imaging]]></category>
		<category><![CDATA[GoPro GP3]]></category>
		<category><![CDATA[GP3 processor]]></category>
		<category><![CDATA[NAB 2026]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159373</guid>

					<description><![CDATA[<p>Momentum is clearly building around GoPro as the company drops a striking teaser ahead of its official reveal at NAB Show 2026 which will take place April 18&#x2013;22 (exhibits 19&#x2013;22) at the Las Vegas Convention Center. The short clip doesn&#x2019;t give away full specifications, but it delivers a strong message: this is not a routine update. Instead, GoPro appears to be preparing a comprehensive overhaul of its camera platform &#8211; one that leans heavily into processing power, sensor performance, and expanded creative applications. The footage showcased in the teaser leans heavily into extreme scenarios &#8211; underwater shots, fast-paced action, and</p>
The post <a href="https://www.4kshooters.net/2026/04/06/gopro-teases-a-major-leap-with-gp3-powered-camera-generation-ahead-of-nab-2026/">GoPro Teases a Major Leap with GP3-Powered Camera Generation Ahead of NAB 2026</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Sound Devices Astral Mini Plus &#8211; a Smarter, Tougher Evolution of Compact Wireless Audio</title>
		<link>https://www.4kshooters.net/2026/04/03/sound-devices-astral-mini-plus-a-smarter-tougher-evolution-of-compact-wireless-audio/</link>
					<comments>https://www.4kshooters.net/2026/04/03/sound-devices-astral-mini-plus-a-smarter-tougher-evolution-of-compact-wireless-audio/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 05:49:47 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[bodypack transmitter]]></category>
		<category><![CDATA[digital wireless audio]]></category>
		<category><![CDATA[film production sound]]></category>
		<category><![CDATA[RF technology]]></category>
		<category><![CDATA[Sound Devices Astral]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159356</guid>

					<description><![CDATA[<p>Wireless audio systems are being pushed harder than ever, with crowded RF environments and increasingly complex productions demanding more flexibility, reliability, and control. The Sound Devices Astral Mini Plus arrives as a direct response to those pressures, refining the company&#x2019;s compact transmitter design with meaningful upgrades that address real-world production challenges. Rather than introducing an entirely new concept, this release focuses on expanding capability where it matters most &#8211; RF range, battery life, durability, and workflow efficiency. Expanded SpectraBand Unlocks Global RF Flexibility One of the most important advancements in the Astral Mini Plus is its extended SpectraBand tuning range</p>
The post <a href="https://www.4kshooters.net/2026/04/03/sound-devices-astral-mini-plus-a-smarter-tougher-evolution-of-compact-wireless-audio/">Sound Devices Astral Mini Plus – a Smarter, Tougher Evolution of Compact Wireless Audio</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>DJI Avata 360 Redefines Aerial Storytelling with 8K Immersive FPV Capture</title>
		<link>https://www.4kshooters.net/2026/04/02/dji-avata-360-redefines-aerial-storytelling-with-8k-immersive-fpv-capture/</link>
					<comments>https://www.4kshooters.net/2026/04/02/dji-avata-360-redefines-aerial-storytelling-with-8k-immersive-fpv-capture/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 02 Apr 2026 05:10:03 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[360 drone comparison]]></category>
		<category><![CDATA[DJI Avata 360 vs Antigravity A1]]></category>
		<category><![CDATA[FPV 8K drone]]></category>
		<category><![CDATA[immersive drone filmmaking]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159336</guid>

					<description><![CDATA[<p>Aerial imaging is entering a new phase where capture is no longer limited by framing decisions made in the air. With the introduction of the DJI Avata 360, DJI pushes beyond traditional FPV workflows and into fully immersive acquisition, giving filmmakers the ability to rethink how scenes are captured and constructed in post. At the center of the Avata 360 is a dual-sensor camera system using two 1/1.1-inch CMOS sensors built to record full spherical video in 8K resolution at up to 60fps alongside high-resolution stills reaching 120MP. Instead of committing to a single angle during flight, the drone captures</p>
The post <a href="https://www.4kshooters.net/2026/04/02/dji-avata-360-redefines-aerial-storytelling-with-8k-immersive-fpv-capture/">DJI Avata 360 Redefines Aerial Storytelling with 8K Immersive FPV Capture</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Blackmagic Streaming 4.2.2 Update Refines Reliability and Control for Live Production</title>
		<link>https://www.4kshooters.net/2026/04/01/blackmagic-streaming-4-2-2-update-refines-reliability-and-control-for-live-production/</link>
					<comments>https://www.4kshooters.net/2026/04/01/blackmagic-streaming-4-2-2-update-refines-reliability-and-control-for-live-production/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 06:25:19 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Blackmagic workflow]]></category>
		<category><![CDATA[encoder decoder setup]]></category>
		<category><![CDATA[live streaming optimization]]></category>
		<category><![CDATA[streaming reliability]]></category>
		<category><![CDATA[video production pipeline]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159325</guid>

					<description><![CDATA[<p>Incremental updates rarely grab attention, but in live production, they often deliver the most meaningful gains. The Blackmagic Streaming 4.2.2 release focuses on strengthening core functionality across the Streaming Encoder, Decoder, and Web Presenter lineup, introducing smarter recovery behavior and more precise network control where it matters most. At the center of this update is improved flexibility in how streaming systems integrate into managed environments. The addition of local port selection on the Streaming Decoder gives operators direct control over network configuration. In practical terms, this makes it significantly easier to deploy within studio infrastructures, corporate networks, or remote production</p>
The post <a href="https://www.4kshooters.net/2026/04/01/blackmagic-streaming-4-2-2-update-refines-reliability-and-control-for-live-production/">Blackmagic Streaming 4.2.2 Update Refines Reliability and Control for Live Production</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Best Storage Deals for World Backup Day 2026, Save Up to $2,150 Today</title>
		<link>https://www.4kshooters.net/2026/03/31/best-storage-deals-for-world-backup-day-2026-save-up-to-2500-today/</link>
					<comments>https://www.4kshooters.net/2026/03/31/best-storage-deals-for-world-backup-day-2026-save-up-to-2500-today/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Tue, 31 Mar 2026 05:55:42 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[backup solutions]]></category>
		<category><![CDATA[CFExpress Cards]]></category>
		<category><![CDATA[filmmaker storage]]></category>
		<category><![CDATA[SSD discounts]]></category>
		<category><![CDATA[World Backup Day deals]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159296</guid>

					<description><![CDATA[<p>Data loss rarely comes with a warning. Whether you&#8217;re handling RAW footage, high-bitrate codecs, or mission-critical project files, having a reliable backup strategy is no longer optional &#8211; it&#x2019;s essential. Celebrated every year on World Backup Day, March 31 serves as a reminder to secure your digital assets. This year, a range of high-capacity and high-speed storage solutions are available at significant discounts up to whopping $2,150&#xA0;&#8211; but only for today. Here&#x2019;s a breakdown of the standout deals worth considering for your production pipeline. WD 8TB WD_BLACK SN850X Gaming Internal NVMe PCIe 4.0 SSD&#xA0; &#8211; Save $2,150 Built for performance-intensive</p>
The post <a href="https://www.4kshooters.net/2026/03/31/best-storage-deals-for-world-backup-day-2026-save-up-to-2500-today/">Best Storage Deals for World Backup Day 2026, Save Up to $2,150 Today</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>FireCuda X1070 NVMe SSD Announced &#8211; a Smart Storage for Modern Filmmaking Workflows</title>
		<link>https://www.4kshooters.net/2026/03/30/firecuda-x1070-nvme-ssd-announced-a-smart-storage-for-modern-filmmaking-workflows/</link>
					<comments>https://www.4kshooters.net/2026/03/30/firecuda-x1070-nvme-ssd-announced-a-smart-storage-for-modern-filmmaking-workflows/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Mon, 30 Mar 2026 05:51:12 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[content creator storage]]></category>
		<category><![CDATA[filmmaking workflow storage]]></category>
		<category><![CDATA[high speed NVMe]]></category>
		<category><![CDATA[M.2 SSD review]]></category>
		<category><![CDATA[NVMe SSD]]></category>
		<category><![CDATA[PCIe Gen4 storage]]></category>
		<category><![CDATA[QLC SSD performance]]></category>
		<category><![CDATA[Seagate FireCuda X1070]]></category>
		<category><![CDATA[Seagate SSD]]></category>
		<category><![CDATA[video editing SSD]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159285</guid>

					<description><![CDATA[<p>As camera resolutions climb and codecs like RAW and high-bitrate ProRes dominate post pipelines, storage is no longer just about capacity &#8211; it is about sustained throughput, reliability, and cost efficiency. The Seagate FireCuda X1070 NVMe SSD enters the market as a PCIe Gen4 solution positioned between high-end performance drives and budget-friendly options, targeting users who need speed without overspending. Built in the standard M.2 2280 form factor, the FireCuda X1070 integrates easily into a wide range of systems, from desktop editing rigs to compact laptops and portable NVMe enclosures. Its PCIe 4.0 x4 interface enables read speeds up to</p>
The post <a href="https://www.4kshooters.net/2026/03/30/firecuda-x1070-nvme-ssd-announced-a-smart-storage-for-modern-filmmaking-workflows/">FireCuda X1070 NVMe SSD Announced – a Smart Storage for Modern Filmmaking Workflows</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>DJI Mini 5 Pro Gets FilmConvert and CineMatch Support – Aerial Footage Just Got Easier to Grade</title>
		<link>https://www.4kshooters.net/2026/03/27/dji-mini-5-pro-gets-filmconvert-and-cinematch-support-aerial-footage-just-got-easier-to-grade/</link>
					<comments>https://www.4kshooters.net/2026/03/27/dji-mini-5-pro-gets-filmconvert-and-cinematch-support-aerial-footage-just-got-easier-to-grade/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Fri, 27 Mar 2026 06:29:57 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[aerial footage editing]]></category>
		<category><![CDATA[camera profiles]]></category>
		<category><![CDATA[CineMatch]]></category>
		<category><![CDATA[color matching]]></category>
		<category><![CDATA[DJI Mini 5 Pro]]></category>
		<category><![CDATA[drone color grading]]></category>
		<category><![CDATA[drone filmmaking]]></category>
		<category><![CDATA[FilmConvert Nitrate]]></category>
		<category><![CDATA[filmmaking workflow]]></category>
		<category><![CDATA[video post production]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159270</guid>

					<description><![CDATA[<p>Color consistency has always been one of the more frustrating aspects of working with drone footage. Matching aerial shots to ground-based cameras often requires extra correction layers, LUT tweaks, and time-consuming adjustments. With the latest update to FilmConvert&#x2019;s ecosystem, that process becomes significantly more controlled. FilmConvert has introduced dedicated camera profiles for the DJI Mini 5 Pro, now available inside both FilmConvert Nitrate and CineMatch. This update gives editors and colorists a more predictable baseline when integrating drone footage into multi-camera timelines. Drone cameras, even at the prosumer level, tend to produce footage that behaves differently in post compared to</p>
The post <a href="https://www.4kshooters.net/2026/03/27/dji-mini-5-pro-gets-filmconvert-and-cinematch-support-aerial-footage-just-got-easier-to-grade/">DJI Mini 5 Pro Gets FilmConvert and CineMatch Support – Aerial Footage Just Got Easier to Grade</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>Saramonic Air SE Redefines Entry-Level Wireless Audio with Ultra-Light Design</title>
		<link>https://www.4kshooters.net/2026/03/26/saramonic-air-se-redefines-entry-level-wireless-audio-with-ultra-light-design/</link>
					<comments>https://www.4kshooters.net/2026/03/26/saramonic-air-se-redefines-entry-level-wireless-audio-with-ultra-light-design/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Thu, 26 Mar 2026 05:18:57 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[budget wireless mic]]></category>
		<category><![CDATA[content creator audio]]></category>
		<category><![CDATA[filmmaking audio gear]]></category>
		<category><![CDATA[Saramonic Air SE]]></category>
		<category><![CDATA[ultra lightweight transmitter]]></category>
		<category><![CDATA[Wireless Microphone System]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159263</guid>

					<description><![CDATA[<p>As wireless audio systems continue to shrink in size and complexity, a new category is emerging that prioritizes speed, portability, and cost-efficiency over traditional pro-level depth. The Saramonic Air SE sits squarely in this space, offering a dual-channel wireless microphone system that introduces practical production features at an aggressively low price point. With a starting price below $50 depending on configuration, the Air SE is clearly designed to lower the barrier to entry while still delivering a usable feature set for everyday production scenarios. One of the most distinctive aspects of the system is its transmitter design. Each unit weighs</p>
The post <a href="https://www.4kshooters.net/2026/03/26/saramonic-air-se-redefines-entry-level-wireless-audio-with-ultra-light-design/">Saramonic Air SE Redefines Entry-Level Wireless Audio with Ultra-Light Design</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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		<title>LUMIX ZS300/TZ300 Delivers Versatile Zoom and 4K Video in a Portable Body</title>
		<link>https://www.4kshooters.net/2026/03/25/lumix-zs300-tz300-delivers-versatile-zoom-and-4k-video-in-a-portable-body/</link>
					<comments>https://www.4kshooters.net/2026/03/25/lumix-zs300-tz300-delivers-versatile-zoom-and-4k-video-in-a-portable-body/#disqus_thread</comments>
		
		<dc:creator><![CDATA[4KS Editorial]]></dc:creator>
		<pubDate>Wed, 25 Mar 2026 05:41:47 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[1 inch sensor camera]]></category>
		<category><![CDATA[4K compact camera]]></category>
		<category><![CDATA[compact travel camera]]></category>
		<category><![CDATA[content creator camera]]></category>
		<category><![CDATA[hybrid shooting camera]]></category>
		<category><![CDATA[Leica zoom lens]]></category>
		<category><![CDATA[Lumix TZ300 specs]]></category>
		<category><![CDATA[Panasonic LUMIX TZ300]]></category>
		<category><![CDATA[portable filmmaking camera]]></category>
		<category><![CDATA[travel video camera]]></category>
		<guid isPermaLink="false">https://www.4kshooters.net/?p=159252</guid>

					<description><![CDATA[<p>Compact cameras continue to evolve in response to a very specific demand: high-quality imaging without the footprint of interchangeable lens systems. Panasonic&#x2019;s latest release, the LUMIX ZS300/TZ300, leans directly into that space, combining a large 1.0-type sensor with an all-in-one zoom lens in a body designed to go anywhere. At first glance, the ZS300/TZ300 positions itself as a travel camera. But when you look closer at the sensor, lens range, and video capabilities, it becomes clear this is also a capable tool for lightweight content capture, location scouting, and even secondary angle work in professional productions. The standout feature here</p>
The post <a href="https://www.4kshooters.net/2026/03/25/lumix-zs300-tz300-delivers-versatile-zoom-and-4k-video-in-a-portable-body/">LUMIX ZS300/TZ300 Delivers Versatile Zoom and 4K Video in a Portable Body</a> first appeared on <a href="https://www.4kshooters.net">4K Shooters</a>.]]></description>
		
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