4K Shooters

FilmConvert Adds Insta360 Luna Ultra Support to Nitrate and CineMatch

4KS Editorial — Thu, 13 Aug 2026 04:17:56 +0000

FilmConvert is expanding its camera profile library again, this time around with the addition of the Insta360 Luna Ultra to both FilmConvert Nitrate and CineMatch. The new profiles give filmmakers a dedicated starting point when grading footage from Insta360’s flagship dual-camera gimbal system, making it easier to establish consistent color across a production. The update is particularly relevant to Luna Ultra users shooting in the camera’s 10-bit I-Log mode. Insta360’s flagship model combines a 1-inch 8K main sensor with a 1/1.3-inch telephoto camera and supports 10-bit I-Log recording with up to 14 stops of dynamic range. Dedicated Profiles for Luna

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Insta360 X6 Announced – a New 8K Flagship Camera Built for Filmmaking, Action and AI Editing

4KS Editorial — Wed, 12 Aug 2026 13:25:15 +0000

The 360 camera is becoming more than a tool for capturing panoramic footage. With the new Insta360 X6, the company is combining 8K 360 capture, larger sensors, single-lens action recording, subject tracking and AI-assisted editing in one compact system designed to cover a much broader range of production scenarios. Launched on the company’s 10th anniversary in the 360 camera market, X6 is positioned as Insta360’s new flagship. The company says it is designed to consolidate roles that might otherwise require a 360 camera, tracking gimbal and action camera. Larger Sensors and More Processing Power At the heart of X6 are

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Blackmagic Camera 10.2.2 Adds PDAF and New Production Tools to the Cinema Camera 6K

4KS Editorial — Tue, 11 Aug 2026 04:37:02 +0000

Blackmagic Design has just expanded the capabilities of the Blackmagic Cinema Camera 6K with Camera 10.2.2 Update, bringing a substantial collection of autofocus and production features to the full-frame cinema camera. The update adds phase detect autofocus alongside continuous autofocus, face and object detection, while also introducing new focus controls and several workflow-oriented features. The release follows the recent addition of PDAF to the Blackmagic PYXIS 6K and brings the same autofocus technology to Cinema Camera 6K users. Phase Detect Autofocus Arrives on the Cinema Camera 6K The headline feature is phase detect autofocus, or PDAF. Camera 10.2.2 adds PDAF

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Autodesk Flow Studio Brings Directable 3D Control to Generative AI Filmmaking

4KS Editorial — Mon, 10 Aug 2026 03:59:54 +0000

Generative AI can produce increasingly convincing characters, environments and video, but getting precise control over how those elements behave within a shot remains a significant challenge. Autodesk is addressing that problem with a major expansion of Flow Studio, introducing 3D Editor + Canvas, a workflow that combines directable 3D scene control with AI-powered 2D generation and refinement. Rather than relying entirely on prompts or reference images to define characters, animation, camera movement and composition, creators can now work directly in a 3D environment. Autodesk says this gives users greater control over cameras, animation, blocking and the environment while still allowing

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ZY Optics PITTURA 30mm f/2.4 Gives Fujifilm GFX and Hasselblad XCD a Fast Wide-Angle Prime

4KS Editorial — Fri, 07 Aug 2026 13:01:23 +0000

Wide-angle lenses for medium format systems often prioritize image quality and coverage over speed and portability. Zhong Yi Optics is taking a different approach with the new PITTURA 30mm f/2.4, a native wide-angle prime designed for Fujifilm GFX and Hasselblad XCD systems. The just announced PITTURA combines a 30mm focal length with a maximum aperture of f/2.4, a 0.2m minimum focusing distance, and a precision-machined all-metal barrel. Zhong Yi Optics positions the lens as a portable option for modern medium format systems, with a field of view equivalent to approximately 24mm on full-frame. A Fast Wide-Angle Option for Medium Format

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DaVinci Resolve 21.0.4 Adds Flexible Proxy Relinking, Sony FX5 X-OCN Support and More

4KS Editorial — Thu, 06 Aug 2026 03:39:09 +0000

Blackmagic Design continues to refine DaVinci Resolve 21 with version 21.0.4, bringing a collection of targeted improvements across media management, editing, color, scripting and playback. Following the earlier 21.0.x updates, this release focuses less on headline creative features and more on the details that can make complex post-production workflows easier to manage. Among the most notable additions are more flexible proxy relinking, support for Sony FX5 X-OCN clips and new scripting API capabilities, while several fixes address playback, retiming, media management and image decoding. More Flexible Proxy Relinking DaVinci Resolve 21.0.4 makes the Relink Clips workflow more flexible by allowing

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Angelbird Expands CFexpress Type B v4 Lineup with New 256GB Card

4KS Editorial — Wed, 05 Aug 2026 03:57:15 +0000

Not every production calls for a multi-terabyte memory card. For shorter shoots, hybrid assignments, and productions where media is rotated regularly, a smaller capacity can be a practical way to balance recording time, data management, and media costs. Angelbird is expanding its professional memory card portfolio with a new 256GB option for its AV PRO SE CFexpress B v4 lineup. The new card is designed for video recording and high-resolution burst photography, with Angelbird specifying sustained write speeds of up to 500 MB/s and sustained read speeds of up to 2,500 MB/s. The emphasis is on maintaining dependable performance during

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Sony FE 100-400mm F5.6-8 OSS Makes Full-Frame Telephoto Reach More Portable

4KS Editorial — Tue, 04 Aug 2026 19:07:53 +0000

Long lenses tend to impose a familiar compromise: more reach usually means more weight. Sony’s new FE 100-400mm F5.6-8 OSS takes a different approach, putting a 100-400mm full-frame zoom into a package weighing just 23.1 ounces, or approximately 654g. The new Sony E-mount lens is aimed at photographers who need substantial telephoto reach without carrying the bulk associated with larger professional optics. Its combination of a broad focal range, optical stabilization, fast autofocus, and compact construction makes it particularly relevant to wildlife, sports, travel, and outdoor shooting. A Lightweight Route to 400mm The lens covers 100mm through 400mm, giving shooters

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Lowepro Fastpack IV Collection Adds Smarter Organisation for Creators

4KS Editorial — Mon, 03 Aug 2026 05:25:22 +0000

Camera backpacks are increasingly expected to function as more than dedicated equipment carriers. For creators moving between shooting, travel, commuting, and everyday work, the ability to carry camera equipment alongside personal essentials can be just as important as protection. Lowepro is addressing that demand with the new Fastpack IV Collection. The latest generation of the Fastpack range combines quick camera access, revised storage, durable materials, and a more adaptable interior. The collection is designed for photographers, videographers, and content creators who need a single backpack that can change roles throughout the day. Fast Camera Access and a Redesigned Opening A

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Laowa Aksen Takes Full-Frame Macro from 1x to 10x

4KS Editorial — Fri, 31 Jul 2026 14:01:10 +0000

Extreme macro cinematography leaves very little room for error. At 5x or 10x magnification, even a small change in camera position or working distance can alter the composition, while moving a light or diffusion system can completely change the way a subject is rendered. Laowa is taking a different approach with its new Aksen Ultra Macro series, a pair of full-frame parfocal zoom lenses covering the 1-10x magnification range. The series comprises the Laowa Aksen 45mm f/2.8 1-5x Ultra Macro APO and Laowa Aksen 17.5mm f/1.7 5-10x Ultra Macro APO. Both are offered in photo and cine versions, with the

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Cooke Adds Nikon Z Mount Support to SP3 and AP3 Cinema Lenses

4KS Editorial — Thu, 30 Jul 2026 05:15:16 +0000

The growing convergence between mirrorless cameras and dedicated cinema production is giving filmmakers more options when building compact camera systems. Cooke Optics is expanding its interchangeable-mount lens platform with the addition of Nikon Z mount support for its SP3 spherical primes and AP3 1.5x anamorphic lenses. The new option comes through a licensing agreement with Nikon and allows Cooke customers to use the company’s compact cinema optics with Nikon Z mount cameras without relying on third-party mount adapters. Cooke’s Interchangeable Mount Strategy Expands Cooke introduced the SP3 series as a full-frame spherical cinema lens family designed specifically for modern mirrorless

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P+S Technik HEXAMO Mount Brings Leitz HEKTOR Cine Primes to ARRI ALEXA Cameras

4KS Editorial — Wed, 29 Jul 2026 03:59:11 +0000

Lens compatibility has expanded dramatically over the past decade, but flange focal distance remains one of the few engineering barriers that cannot be solved with a simple adapter. P+S Technik’s new HEXAMO Mount System addresses that challenge with a purpose-built mechanical solution, enabling Leitz HEKTOR Cine Prime lenses to be paired with the ARRI ALEXA platform for the first time through a dedicated mount conversion. The Leitz HEKTOR Cine Prime series was designed around mirrorless camera mounts with very short flange focal distances. Because the ARRI ALEXA 35 mm camera platform uses a considerably longer flange distance, a conventional mechanical

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Blackmagic Desktop Video 16.2 Adds Support for New UltraStudio Mini 12G Devices

4KS Editorial — Tue, 28 Jul 2026 04:47:44 +0000

Blackmagic Design has released Desktop Video 16.2, a small but important compatibility update that enables support for the company’s newly announced UltraStudio Mini 12G hardware. While the release doesn’t introduce new software features, it provides the drivers and system support required for users adopting Blackmagic’s latest Thunderbolt 4 capture, playback, and replay devices. The update adds compatibility for three new products: UltraStudio Mini Monitor 12G UltraStudio Mini Recorder 12G UltraStudio Mini Replay 12G Desktop Video is the software package that powers Blackmagic Design’s capture and playback ecosystem, providing the drivers, firmware management, and application integration needed for professional video I/O

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Megadap M2RF Brings Autofocus to Leica M Lenses on Canon RF Cameras

4KS Editorial — Mon, 27 Jul 2026 15:59:35 +0000

The appeal of Leica M lenses has endured for decades thanks to their compact design and distinctive optical rendering. While many Canon RF users have adapted these classic manual-focus lenses to modern mirrorless cameras, autofocus has remained out of reach. Megadap aims to bridge that gap with the introduction of the M2RF, a new adapter that enables manual-focus Leica M lenses to autofocus on Canon RF mount cameras through the adapter’s motorised electronic helicoid. According to the company, it is the world’s first Leica M to Canon RF autofocus adapter. Designed for both full-frame and APS-C Canon RF cameras, the

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OWC Express 4M2 Ultra Now Shipping: Thunderbolt 5 RAID Performance Arrives for Professional Workflows

4KS Editorial — Fri, 24 Jul 2026 10:12:33 +0000

Nearly three months after its debut at NAB Show 2026, OWC has begun shipping the Express 4M2 Ultra, a compact Thunderbolt 5 four-bay NVMe enclosure designed to meet the growing storage demands of modern video production. Delivering transfer speeds of up to 6,622 MB/s and offering flexible RAID configurations, the enclosure is aimed squarely at filmmakers, editors, photographers, and VFX professionals working with increasingly demanding 8K and 12K workflows. Originally unveiled in April, the Express 4M2 Ultra combines Thunderbolt 5 bandwidth with the flexibility of user-installed NVMe SSDs, giving creative professionals the freedom to build a storage solution that matches

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DaVinci Resolve Studio 21.0.3 Improves Retime Controls, Interlaced Media Handling, and Workflow Reliability

4KS Editorial — Thu, 23 Jul 2026 05:37:16 +0000

Blackmagic Design has just released DaVinci Resolve Studio 21.0.3, a maintenance update that focuses on workflow refinements, compatibility improvements, and bug fixes rather than introducing major new creative tools. While modest in scope, the release delivers several meaningful enhancements for editors, colorists, and post-production professionals working on demanding productions. Among the highlights are new retime curve options, improved handling of interlaced media, more flexible keyframe editing, restored Intel QuickSync encoding options for supported older hardware, and expanded scripting capabilities for automated workflows. The update also includes numerous fixes across the Edit, Fusion, Color, and Deliver pages. More Control Over Retime

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Sony Expands Cinema Line with FX5 Featuring 5K Open Gate, Internal 16-Bit X-OCN LT, and Electronic Variable ND

4KS Editorial — Wed, 22 Jul 2026 14:22:36 +0000

Sony has expanded its Cinema Line with the FX5, a compact full-frame cinema camera that brings several high-end production features to a more portable form factor. Building on the success of the FX3 while borrowing technology from Sony’s higher-end cinema systems, the FX5 introduces a newly developed 16.6MP full-frame sensor, 5K (3:2) Open Gate recording, internal 16-bit X-OCN LT capture, triple base ISO, and the company’s renowned Electronic Variable ND filter. At the heart of the camera is a newly developed 16.6MP full-frame Exmor R CMOS sensor paired with Sony’s BIONZ XR image processor. The FX5 can record 5K Open

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MOFAGE POCO II Expands Modular Lens Mount Flexibility with Built-In Drop-In Filters

4KS Editorial — Tue, 21 Jul 2026 05:08:36 +0000

Lens adapters have evolved well beyond simple mount converters. Increasingly, they have become integral parts of modern camera rigs by combining lens adaptation, filtration, and workflow improvements into a single accessory. MOFAGE’s new POCO II Drop-In Filter Adapter follows that direction with a redesigned system that expands compatibility, reduces weight, and introduces a modular mounting architecture for filmmakers using professional PL and EF lenses on mirrorless cameras. Building on the original POCO design, the second-generation model retains its integrated drop-in filter concept while adding interchangeable mounts, broader lens compatibility, and a more compact form factor. The result is a more

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SmallRig Introduces Lightweight Travel Tripods and Hydraulic TRIBEX PRO Monopod

4KS Editorial — Mon, 20 Jul 2026 07:26:39 +0000

Camera support systems continue to evolve as filmmakers demand equipment that is lighter, faster to deploy, and easier to transport. SmallRig’s latest announcement builds on the success of its TRIBEX platform with the introduction of the TRIBEX PRO X-Clutch Hydraulic Monopod, alongside two new travel tripods that emphasize portability without compromising stability. Together, the new products aim to streamline production for filmmakers, photographers, and hybrid shooters working in fast-paced environments. The centerpiece of the announcement is the SmallRig x Potato Jet TRIBEX PRO X-Clutch Hydraulic Monopod, available in four configurations: Basic, Standard, Ball Head, and Fluid Head versions. At the

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Samsung Launches the 990 SSD, Bringing Fast PCIe Gen4 Storage to Production Workflows

4KS Editorial — Fri, 17 Jul 2026 05:52:07 +0000

Storage performance has become an increasingly important part of modern video production. As camera resolutions continue to climb and codecs become more demanding, editors need drives that can keep pace with large media libraries without significantly increasing the cost of a workstation. Samsung’s new 990 SSD targets that sweet spot, offering PCIe Gen4 performance for editors, photographers, and everyday users looking to upgrade their internal storage. Available in 1TB and 2TB capacities, the M.2 NVMe drive delivers flagship-class sequential speeds while focusing on improved power efficiency and value. Fast Sequential Performance for Large Media Files The Samsung 990 uses a

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Viltrox Expands Its EVO Series with the Compact AF 26mm f/2.8 Pancake Prime for Sony E and Nikon Z

4KS Editorial — Thu, 16 Jul 2026 06:13:37 +0000

Pancake lenses have long offered an appealing combination of portability and full-frame image quality, making them a practical choice for photographers and filmmakers who prefer a lightweight kit. Viltrox’s latest addition to its EVO lineup follows that philosophy with the new AF 26mm f/2.8 EVO, an autofocus pancake prime for Sony E and Nikon Z mirrorless cameras. The lens combines a slim metal design with features such as a dedicated aperture ring, quiet STM autofocus, USB-C firmware updates, and a close focusing distance, all while maintaining a compact footprint. A Versatile Wide-Angle Prime The AF 26mm f/2.8 EVO is designed

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Tamron Rolls Out Its Widest Full-Frame Mirrorless Zoom Yet with the 12-20mm F2.8 Di III

4KS Editorial — Wed, 15 Jul 2026 05:25:55 +0000

The ultra-wide zoom category has traditionally involved compromises. Wider focal lengths often require larger optics, heavier construction, and more specialized accessories. Tamron is taking a different approach with the new 12-20mm F2.8 Di III, a full-frame mirrorless zoom designed to deliver an expansive perspective while maintaining a compact, production-friendly design. Available for Sony E-mount and Nikon Z-mount cameras, the lens combines an exceptionally wide 12mm starting point with a constant F2.8 aperture, giving photographers and filmmakers a versatile tool for capturing landscapes, architecture, interiors, travel, documentary projects, and cinematic establishing shots. The new lens represents Tamron’s widest full-frame mirrorless zoom

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BenQ Unveils PD2732U 4K Creative Monitor with Thunderbolt 4 and 99% Adobe RGB Coverage

4KS Editorial — Tue, 14 Jul 2026 04:52:10 +0000

Whether you’re color grading a commercial, editing a documentary, retouching high-resolution photographs, or preparing graphics for print, accurate color reproduction is fundamental to the creative process. BenQ’s latest Creative Pro display, the PD2732U, is designed to deliver that precision while combining professional-grade color performance with modern connectivity and workflow-enhancing features at a competitive price. Designed for photographers, filmmakers, designers, and digital artists, the new 27-inch 4K IPS monitor emphasizes color fidelity over gaming-centric specifications. It offers factory-calibrated accuracy, broad color gamut coverage, Thunderbolt 4 connectivity, and hardware calibration support, making it a versatile addition to today’s production environments. Professional Color

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Fujifilm Builds Out Its Large-Format Cinema System with the GF19-35mmT3.5 PZ OIS WR

4KS Editorial — Mon, 13 Jul 2026 05:51:23 +0000

Fujifilm continues to strengthen its large-format cinema ecosystem with the introduction of the FUJINON GF19-35mmT3.5 PZ OIS WR, a wide-angle power zoom lens developed specifically for the G Mount system. Joining the previously announced GF32-90mmT3.5 PZ OIS WR, the new lens delivers ultra-wide coverage while matching its companion in size, weight, gear placement, and handling, allowing cinematographers to swap between the two with minimal rig adjustments. Designed to complement the GFX ETERNA cinema camera, the new lens combines a constant T3.5 aperture, integrated servo zoom, optical image stabilization, and cinema-oriented mechanics into a versatile package for narrative, documentary, commercial, and

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Hollyland MELO P1 Packs a Complete Wireless Recording Studio Into a Portable All-in-One System

4KS Editorial — Fri, 10 Jul 2026 04:38:17 +0000

Recording high-quality audio outside a traditional studio often means carrying multiple devices, cables, and accessories. Hollyland aims to simplify that workflow with the new MELO P1, an integrated wireless recording system that combines a condenser microphone, smart audio mixer, wireless monitoring earphones, and remote control into a single portable package. Designed for musicians, livestream hosts, and mobile productions, the MELO P1 brings recording, mixing, monitoring, and wireless control together in one coordinated ecosystem. Whether used for home recording, street performances, live music broadcasts, or social media productions, the system is intended to reduce setup time while keeping the recording chain

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Sony Revives the RX10 Series with the New RX10 V, Bringing AI Autofocus, 4K60 10-bit Video, and a Refined All-in-One Design

4KS Editorial — Thu, 09 Jul 2026 14:10:16 +0000

Nearly nine years after the RX10 IV debuted, Sony has officially introduced the RX10 V, bringing its flagship bridge camera into a new generation of imaging technology. Rather than reimagining the concept, Sony has modernized a platform that has long been favored by wildlife, sports, aviation, travel, and documentary photographers for its ability to cover an extraordinary focal range without the need for interchangeable lenses. The RX10 V combines a 20.1MP 1-inch Exmor RS stacked back-illuminated CMOS sensor with Sony’s latest BIONZ XR image processor and a dedicated AI processing unit. Alongside faster autofocus, improved subject recognition, and significantly enhanced

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ARRI Expands Live Broadcast Capabilities with ALEXA 35 Live Xtreme and High Frame Rate SDI Support

4KS Editorial — Wed, 08 Jul 2026 04:42:25 +0000

Modern live productions are increasingly expected to deliver the visual quality associated with premium cinema while maintaining the reliability and efficiency of established broadcast workflows. Addressing that demand, ARRI has just introduced the ALEXA 35 Live Xtreme, a new live production configuration that combines the acclaimed image quality of the ALEXA 35 platform with significantly expanded high frame rate capabilities over standard SDI infrastructure. Designed for sports, concerts, entertainment, and large-scale live events, the new system allows broadcasters to capture dramatic slow-motion footage without relying on separate specialty high-speed cameras. By extending the capabilities of the existing ALEXA 35 Live

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From Trail to Timeline: Filming Fast-Paced Mountain Bike Action with the Blackmagic PYXIS 12K

4KS Editorial — Tue, 07 Jul 2026 13:35:55 +0000

Capturing high-speed outdoor action demands far more than simply pointing a camera at the subject. Unpredictable weather, difficult terrain, changing light, and limited opportunities for repeat takes require careful planning and equipment that can adapt quickly in the field. For a recent campaign introducing the Santa Cruz Nomad V7 mountain bike, filmmakers Paolo Concari and Jacopo Cosmelli relied on the Blackmagic PYXIS 12K to document aggressive downhill riding while maintaining a cinematic visual style. Working alongside athlete Jonny Livorti, the production combined lightweight camera builds, thoughtful lens selection, and flexible recording formats to capture dynamic footage across technical trails. Here

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FilmConvert Nitrate and CineMatch Add Sony a7R VI Camera Profiles

4KS Editorial — Mon, 06 Jul 2026 05:18:51 +0000

FilmConvert has continued expanding support for the latest camera releases, with FilmConvert Nitrate and CineMatch now offering dedicated camera profiles for the Sony a7R VI. The update gives editors and colorists a calibrated starting point for grading footage captured with Sony’s newest high-resolution mirrorless camera while making it easier to maintain consistent color across multi-camera productions. As with previous profile additions, the latest update ensures Sony a7R VI users can integrate the camera into existing FilmConvert workflows without relying on generic camera transforms or extensive manual adjustments. Dedicated Profiles for Accurate Color Grading The new Sony a7R VI profiles are

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Zhongyi Unveils Zone T1 Full-Frame Cine Lens Series with Ultra-Fast T1.0 Optics

4KS Editorial — Fri, 03 Jul 2026 05:36:28 +0000

Demand for full-frame cinema lenses has grown steadily in recent years, particularly among productions looking for distinctive optical rendering without stepping into ultra-premium lens systems. Zhongyi Optics, known globally for its Mitakon lenses, is entering that space with the new Zone T1 Full-Frame Cine Lens Series. The initial lineup includes three native focal lengths – 35mm, 50mm, and 75mm – each featuring an exceptionally bright T1.0 maximum aperture, Full Frame and VistaVision coverage, interchangeable PL and EF mounts, and a standardized cinema housing designed to simplify on-set operation. The series is making its debut through an Indiegogo campaign before becoming

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DaVinci Resolve 21.0.2 Brings Faster Searches and More Reliable Editing Tools

4KS Editorial — Thu, 02 Jul 2026 04:40:58 +0000

Blackmagic Design has just released DaVinci Resolve 21.0.2, a maintenance update focused on improving workflow reliability, interface consistency, and overall performance across the editing pipeline. Rather than introducing major new tools, this release refines several areas of Resolve that editors, colorists, and post-production teams interact with every day. Among the most notable improvements are faster IntelliSearch performance, more accurate retime curve visualization, better thumbnail previews when bypassing Color or Fusion processing, and a series of fixes affecting keyframes, still exports, and media management. Faster Project Navigation with Improved IntelliSearch One of the standout improvements in Resolve 21.0.2 is enhanced IntelliSearch

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SmallRig Expands Production Lineup with Portable SSD and T99 99Wh V-Mount Power Bank

4KS Editorial — Wed, 01 Jul 2026 05:18:07 +0000

Managing media and power efficiently has become increasingly important as production kits continue to shrink while shooting demands grow. SmallRig’s latest releases address both needs with two new accessories: the Multifunctional Portable SSD and the T99 99Wh V-Mount Power Bank. Together, they offer practical solutions for media offloading, external storage, and powering a wide range of production equipment in the field. In addition to these products, SmallRig also introduced the Air Spotlight 36° Lens Kit, expanding its lighting accessory lineup. Multifunctional Portable SSD Combines Storage and Card Readers Available in 1TB and 2TB capacities, SmallRig’s new portable SSD combines high-speed

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ProGrade Unveils First Dual VPG-Certified CFexpress 4.0 Type A Memory Cards

4KS Editorial — Tue, 30 Jun 2026 05:41:23 +0000

ProGrade Digital has expanded its CFexpress Type A lineup with two new Iridium-series memory cards, becoming the first to receive both VPG400 and VPG800 Video Performance Guarantee (VPG) certifications. Available in 512GB and 1TB capacities, the new cards are built on the CFexpress 4.0 standard and are designed to support both current and upcoming recording requirements. The new cards utilize a PCIe Gen 4 interface with an NVMe 1.4c controller, delivering maximum read speeds of up to 1,800 MB/s and write speeds of up to 1,700 MB/s. ProGrade also rates the cards for sustained write speeds of up to 1,500

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Tilta Simplifies On-Set Power with New NP-FZ100 Recharge Companion and Foldable 6-Bay NP-F Charger

4KS Editorial — Mon, 29 Jun 2026 07:05:55 +0000

Batteries rarely steal the spotlight, yet efficient power management can make the difference between a smooth shooting day and unnecessary downtime. Tilta’s latest accessories tackle that challenge with two practical additions to its ecosystem: the All-in-One Recharge Companion for NP-FZ100 batteries and the Foldable 6-Bay Charging Station for Sony NP-F batteries. Rather than releasing another set of standard chargers, Tilta has developed multifunction devices that reduce the amount of gear users need to carry while making charging, storage, and media management more efficient. Tilta All-in-One Recharge Companion for NP-FZ100 Batteries Designed around Sony’s popular NP-FZ100 battery platform, the new Recharge

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Leica SL3-P Brings Open Gate 8K and ProRes Recording to Professional Filmmakers

4KS Editorial — Fri, 26 Jun 2026 05:52:09 +0000

Leica has just unveiled the SL3-P, the latest addition to its full-frame mirrorless lineup, offering a refined balance between high-resolution photography and professional video production. While Leica’s heritage is firmly rooted in still imaging, the SL3-P continues the company’s evolution into the hybrid camera market with features that cater just as much to filmmakers as photographers. Accompanying the camera are two new L-Mount lenses – the Summilux-SL 50mm f/1.4 ASPH. and the APO-Macro-Elmarit-SL 100mm f/2.8 – expanding Leica’s premium lens lineup with versatile options for narrative filmmaking, documentaries, commercial productions, and close-up cinematography. A Hybrid Flagship for Modern Productions Rather

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Tamron’s Popular 17-70mm f/2.8 Zoom Finally Arrives for Canon RF and Nikon Z APS-C Cameras

4KS Editorial — Thu, 25 Jun 2026 07:50:28 +0000

A versatile standard zoom is often the backbone of a creator’s kit, and Tamron is now bringing one of the most respected APS-C options to two major mirrorless ecosystems. The company has officially announced Canon RF and Nikon Z mount versions of its popular 17-70mm F/2.8 Di III-A VC RXD, expanding access to a lens that has already earned a strong following among Sony E and Fujifilm X users. Combining a useful focal range, a constant f/2.8 aperture, and built-in image stabilization, the lens is positioned as an all-purpose solution for photographers, filmmakers, and hybrid creators who want professional performance

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DaVinci Resolve 21.0.1 Update Improves ProRAW and DNG Workflows, Fusion Stability, and HDR Rendering

4KS Editorial — Wed, 24 Jun 2026 06:11:53 +0000

While DaVinci Resolve 21 introduced a substantial list of new features, version 21.0.1 which was just released, focuses on refinement, stability, and compatibility improvements across the application. The latest update addresses a wide range of issues spanning color management, Fusion, media management, transcription, HDR delivery, and the Photo page. Although this is primarily a maintenance release, it includes several updates that will be welcomed by filmmakers, editors, colorists, and post-production professionals looking for a more reliable day-to-day editing experience. Improved DNG and Apple ProRAW Processing One of the most notable updates in DaVinci Resolve 21.0.1 is the resolution of multiple

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Next Generation Pelican Protector Cases Introduce Stronger Materials and Better Gear Organization

4KS Editorial — Tue, 23 Jun 2026 05:39:34 +0000

Protective cases rarely grab headlines, but they remain one of the most important investments for filmmakers transporting expensive equipment between shoots, locations, and productions. From cinema cameras and lenses to wireless video systems and monitors, the safety of that gear often depends on the case surrounding it. Pelican has announced its Next Generation Protector Series, introducing the company’s most significant update to its flagship hard-case lineup in years. The refresh brings a new proprietary shell material, redesigned latches, and an upcoming modular organization system aimed at improving both durability and usability. A Stronger Protector Series At the core of the

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Core SWX Rolls Out PowerVault All-in-One Charging and Power Management System

4KS Editorial — Mon, 22 Jun 2026 07:28:57 +0000

Core SWX has introduced the PowerVault, a modular all-in-one battery charging, power distribution, and monitoring system designed for professional film and broadcast production. Housed in a rugged IP65-rated carrying case, the PowerVault combines multi-format battery charging, device power delivery, battery monitoring, and equipment organization into a single portable solution. At the heart of the system is a configurable charging platform featuring five charging bays that can be adapted to support a wide range of battery formats. Through interchangeable charging adapters, users can charge V-Mount, Gold Mount, Core SWX SNAP, Sony BP-U, Sony NP-F, Canon BP-A, Canon LP-E6, Panasonic BLK22, AA,

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First Rush 2.1 Adds Live Color Controls, Professional Scopes, Real-Time Compositing, and iOS Companion Viewer

4KS Editorial — Fri, 19 Jun 2026 05:39:34 +0000

Following its recent launch, First Rush has received a substantial update that expands its on-set monitoring and recording capabilities. Version 2.1 introduces live color adjustment tools, professional image analysis scopes, real-time compositing features, SDI clip playback, and a new Companion Viewer application for iPhone and iPad. Designed as a native Apple Silicon multicamera SDI recording solution, First Rush supports synchronized recording from compatible Blackmagic Design and AJA capture hardware. The application can automatically follow camera record triggers, capture multiple feeds simultaneously, record Apple ProRes files, and generate metadata for post-production workflows in applications such as Final Cut Pro and DaVinci

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DZOFILM Introduces Octopus II Adapter and Marlin 1.4x Extender for Greater Lens Flexibility

4KS Editorial — Thu, 18 Jun 2026 05:31:16 +0000

As productions increasingly mix camera platforms and lens ecosystems, maintaining compatibility without sacrificing reliability has become a growing priority for cinematographers. To address that need, DZOFILM has announced two new additions to its accessory lineup: the Octopus II Multi-Mount Lens Adapter and the Marlin 1.4x Extender. Designed to support everyone from content creators and livestreamers to commercial cinematographers and feature film crews, the new accessories focus on expanding lens compatibility, improving workflow efficiency, and helping filmmakers maximize existing lens investments across multiple camera systems. Octopus II: A Lighter and More Capable Multi-Mount Adapter The Octopus II represents the second generation

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Viltrox Expands L-Mount Lineup with the Ultra-Compact AF 28mm F4.5 Chip L

4KS Editorial — Wed, 17 Jun 2026 04:33:05 +0000

Viltrox has just announced the new AF 28mm F4.5 Chip L, a full-frame autofocus pancake lens designed for L-Mount mirrorless cameras. Combining an ultra-slim profile with a lightweight design, the lens is aimed at photographers seeking a highly portable full-frame option for travel, street photography, and everyday shooting. The AF 28mm F4.5 Chip L continues Viltrox’s expansion within the L-Mount ecosystem, bringing one of the company’s most compact designs to users of Panasonic, Leica, and Sigma L-Mount cameras. The lens supports in-camera correction functions and is optimized to integrate smoothly with modern L-Mount systems, delivering a simple and unobtrusive shooting

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Adobe Refines the Production Pipeline with Major Updates Across Creative Cloud

4KS Editorial — Tue, 16 Jun 2026 04:28:16 +0000

Modern post-production extends well beyond the edit timeline. Today’s creatives are expected to cut footage, build composites, design motion graphics, source assets, and deliver polished content across multiple formats. Adobe’s latest Creative Cloud updates acknowledge that reality, introducing workflow enhancements designed to reduce friction at nearly every stage of the production process. While the June rollout touches several Creative Cloud applications, the most significant additions for filmmakers and content creators arrive in Premiere Pro and After Effects. Premiere Pro Adds Practical Enhancements Editors Will Actually Use Rather than focusing on headline-grabbing features, Adobe’s latest Premiere Pro updates target the everyday

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FilmConvert Nitrate and CineMatch Gain GoPro MISSION 1 PRO Support

4KS Editorial — Mon, 15 Jun 2026 04:34:05 +0000

FilmConvert has added support for the GoPro MISSION 1 PRO in both its Nitrate and CineMatch plugins, giving editors and colorists new tools for working with footage from the latest action camera. The newly released camera pack introduces dedicated profiles designed specifically for the MISSION 1 PRO, enabling users to bring the camera into existing post-production pipelines with greater ease. Whether the goal is to create a stylized look using FilmConvert Nitrate’s film emulations or to balance footage from multiple camera systems in CineMatch, the update streamlines the process. For Nitrate users, the new profile provides an accurate starting point

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SmallRig Debuts Magnetic Portable SSD Built for Smartphone Filmmaking and Fast Media Management

4KS Editorial — Fri, 12 Jun 2026 04:52:15 +0000

As content creation workflows continue to shift toward lighter and more mobile production setups, the need for reliable, all-in-one storage solutions has never been greater. SmallRig’s latest release addresses that demand by combining high-speed storage, integrated card readers, and intelligent backup capabilities into a compact device designed for creators on the move. Introduced at Cine Gear 2026, the new Multifunctional Portable SSD marks SmallRig’s entry into the portable storage market. The company is positioning it as a versatile media management tool for filmmakers, photographers, and content creators who want to simplify their on-location workflow. Built for Modern Production Workflows At

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Insta360 Launches Luna Ultra, a Leica Co-Engineered 8K Gimbal Camera for Next-Generation Mobile Filmmaking

4KS Editorial — Thu, 11 Jun 2026 04:19:46 +0000

Insta360 has officially entered the premium gimbal camera market with the launch of the new Luna Ultra, a Leica co-engineered flagship designed for creators who demand professional image quality, advanced stabilization, and versatile shooting tools in a highly portable form factor. Combining a dual-lens design with 8K video capture, AI-powered tracking, and a detachable touchscreen, Luna Ultra aims to bridge the gap between smartphones and dedicated filmmaking cameras. The new device will be available beginning June 10 through the Insta360 Store, Amazon, Best Buy, and select retailers worldwide. Leica Optics and 8K Imaging At the heart of Luna Ultra is

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Godox’s New Inflatable LED Lights Promise Professional Lighting in a Travel-Friendly Package

4KS Editorial — Wed, 10 Jun 2026 05:06:45 +0000

Godox has just announced the launch of the new LC500R Air and LR150 Air, a pair of innovative inflatable LED lights designed for creators who need portable, versatile, and easy-to-use lighting solutions. Featuring lightweight inflatable light heads, integrated battery handles, and flexible mounting options, the new products target content creators, photographers, videographers, and livestreamers working both in the studio and on location. The LC500R Air and LR150 Air share a common modular design philosophy, utilizing the same battery handle and controller architecture while offering two distinct lighting formats: a wand-style RGB light and a ring-shaped light designed for beauty, portrait,

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Viltrox Rolls Out 75mm F1.8 EVO and 90mm F2.2 EVO for Sony E, Nikon Z, and Fujifilm X Mounts

4KS Editorial — Tue, 09 Jun 2026 05:13:44 +0000

Viltrox has expanded its APS-C mirrorless lens lineup with the introduction of two new short telephoto portrait primes: the AF 75mm F1.8 EVO and AF 90mm F2.2 EVO. Designed for Sony E, Nikon Z, and Fujifilm X-mount cameras, the new lenses aim to deliver professional-level portrait performance while maintaining a compact and lightweight form factor. The latest additions to the EVO series are tailored for portrait, wedding, street, and lifestyle photography, offering focal lengths equivalent to approximately 112.5mm and 135mm in full-frame terms. Both lenses emphasize subject isolation, flattering compression, and smooth background rendering, making them attractive options for photographers

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First Rush Brings Affordable SDI Auto-Recording and Multi-Camera Monitoring to On-Set Editors

4KS Editorial — Mon, 08 Jun 2026 04:33:40 +0000

A new macOS application called First Rush aims to streamline on-set editorial workflows by combining SDI recording, multi-camera monitoring, and metadata capture in an affordable package designed specifically for working editors. Developed by Korean on-set editor and software developer Jinkyu Han, First Rush was created to address a gap between high-end production tools and the practical needs of freelance editors working on film and television sets. The software runs on Apple Silicon-powered Macs and focuses on simplifying camera recording and clip management during production. One of First Rush’s standout features is automatic recording triggered by a camera’s SDI REC flag.

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Atomos Sumo PRO-19 4K HDR Monitor-Recorder-Switcher Now Shipping

4KS Editorial — Fri, 05 Jun 2026 05:07:16 +0000

Atomos has announced the immediate availability of the new Sumo PRO-19, a 19-inch 4K HDR monitor-recorder-switcher designed for on-set monitoring, video village, and DIT workflows. Unveiled at Cine Gear 2026, the Sumo PRO-19 succeeds the Sumo 19SE and introduces one of the most requested upgrades from users: a native 4K HDR display. The new 19-inch DCI-P3 monitor delivers significantly higher image detail and precision for critical focus, exposure, and HDR evaluation. The launch also marks the introduction of Fujifilm FLog-2C support across Atomos’ latest monitor-recorder lineup, including the Ninja RAW, Ninja TX GO, Ninja TX, Shogun AV-19, and Sumo PRO-19.

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