Thanks to Fuel for this….pic by Choci Roc

Robbo’s 25 year old masterpiece, on the back of BTP HQ, by Regents canal in Camden, despite being tagged was still visible until it was ruined by Banksy two years ago.

It was restored  on Christmas Eve; finally, after the ‘battle’ that commenced two years ago and hopefully this heartfelt tribute and authentic restoration will draw a line under this epoch defining saga and will be left alone as the graffiti writing community and Robbo’s family try to come to terms with Robbo’s currently unchanging condition.

You are never far from our thoughts big man, we hope and dream of the day you recover and are with us once again, you gave so much.

A Happy New Year to all the Real

More on that to come, I’ve been painting some new canvas that I’m delighted with in ‘break times’ so some glimpses of that here soon too…… but in the meantime here’s the brand new issue of LSD magazine, there’s comparatively small contributions from myself, compared to previous issues, due to time constraints on my part, but there’s plenty of great art to feast on, some extremely interesting words to read, a poem from Prem Nick of The Disrupters and a few giggles too…

Enjoy ‘Walls of Perception’ with love from Team LSD…..

Robbo R on section of ‘concrete’ with dishevelled black rat sliding down the protective perspex by Fuel CCD.

After a two week battle with Banksy’s lawyers the Channel 4 Graffiti Wars documentary is finally back online here. Banksy has responded with a formal letter of complaint to Channel 4 I kid you not.

There will be many further ongoing opportunities to help Robbo, I will publish news.

I will be releasing limited edition prints of my hall of fame old school train yard canvas in the very near future to help raise a little more cash.

Many thanks to Fuel for the pic and the link.

Newly finished canvas, ‘Let There Be More Light’, oil 90cm x 90cm

Inspired by the old Pink Floyd song of the same name from when they were still a psychedelic rock band, from the Saucerful of Secrets LP 1968, and visions it first brought to my head when listening to it many years ago (and still does); hip hop hippy, pre acid house walkman trip man.

]]> http://www.jonhammer.com/blog/2011/08/26/let-there-be-more-light/feed/ 0 http://www.jonhammer.com/blog/2011/08/26/let-there-be-more-light/ http://feedproxy.google.com/~r/AcrossTheTracksAndThroughTheLookingGlass/~3/OIhH_PKiYe8/ http://www.jonhammer.com/blog/2011/08/23/mad-spring-issue/#comments Tue, 23 Aug 2011 22:02:57 +0000 admin http://www.jonhammer.com/blog/2011/08/23/mad-spring-issue/  

Have you tried to….

Watch Channel 4 Robbo vs Banksy Graffiti Wars documentary online, or

Watch Channel 4 Robbo vs Banksy Graffiti Wars documentary on YouTube, or

Watch Channel 4 Robbo vs Banksy Graffiti Wars documentary on Channel 4 OD On Demand.

Well you can’t, here’s why.

Channel 4 Robbo vs Banksy Graffiti Wars documentary has been censored.

That’s right ‘someone’ has decided that  YOU ARE NOT ALLOWED TO WATCH IT.

No prizes for guessing who.

As the machine grinds onward in it’s desecration, homogenisation, censorship and pillage of underground culture, it must try to censor any unapproved expression from the REAL underground, or dissent, or lingering traces of it’s hypocrisy, with an iron fist, exalting only the idealistic false image of the hero myth.

Careful censorship, exile,  blacklisting, marginalisation or mismanagement of serious, old-school  talent keeps the  mainstream spotlight on one artist (and occasionally his mate), rendering the establishment approved ‘art scene’ and any ‘causes’ highlighted, as mere stage props and backdrops, window dressing to add realism to the charade.

The documentary ‘Graffiti Wars’ made the big move of revealing the tip of a whopping great iceberg to the masses and demonstrated elements of the awful truth that runs diametrically counter to the cute kitsch and contrived legend, and highlighted the negative stereotyping in the form of sweeping and grossly inaccurate generalisations about graffiti writers -“It’s all about male ego, damage and stealing your paint etc…”

From all comments I have read and personal feedback I have recieved, almost everyone who watched Graffiti Wars left it with the beginnings of a completely new reality map.

That meant well over 600,000 on Sunday and over 22,000 on YouTube exposed to truth and freedom of expression, that great old enemy of despots worldwide.

This is bad news for the totalitarian capitalist heart that beats *ker-ching ker-ching* at the core of the libertarian anti-authoritarian anti-capitalist hero myth….

Which is doubtless why there is currently not one single mention of ‘Robbo vs Banksy Graffiti Wars’ on any of the Banksy forums.

Any circulated thread URLs discussing Channel 4 ‘Graffiti Wars’ documentary, I am told, have landed on a “this post does not exist” message, hell those moderators must have been busy, PRAVDA would be proud of you guys! Medals all round! Our community are not even given the opportunity to debate the issues at hand, hurrah!!!

“Censorship reflects society’s lack of confidence in itself, it is the hallmark of an authoritarian regime” Potter Stewart

The lie is beginning to unravel before their eyes, and the eyes of the world. The gravity of truth and passion for art and free choice of the people assures this. However in the meantime…

…on the 19th August Channel 4 Robbo vs Banksy Graffiti Wars documentary disappeared from the web.

Channel 4’s YouTube channel deleted the film, so did 4 On Demand, despite there being 23 days left to view the film on OD and it supposedly being on YouTube forever.

I can’t say much more on here other than there have been “Legal Challenges” raised; I’m sure you can work out the rest.

Lets hope it’s back online soon, our commiserations go out to Robbo’s young family who’ve been denied the chance to get closer to their big man by re-watching his film on the web as he lies in hospital in a coma; to his crew We Rock Hard who are busy organising his fundraiser event and are missing out on publicity and potential new donors for Robbo’s ongoing care and that of his family while the film is offline; to the fantastic production team who worked so hard to make the film a success, to Channel 4 who are missing out on the  advertising revenue they need to recoup the cost of making the film all the time it is offline; and of course to everyone who actually wanted to see the thing for the first time or watch it again  but can’t.

One can’t help but feel that such a panicked reaction amounts to turning the deckchairs around on the Titanic so the passengers are looking the other way.

To learn more about book burning click here.

"You can cage the singer but not the song." Harry Belafonte, 1988

"…There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventh-day Adventist, Women’s Lib/ Republican, Mattachine/FourSquareGospel feels it has the will, the right, the duty to douse the kerosene, light the fuse.

Every dimwit editor who sees himself as the source of all dreary blanc-mange plain porridge unleavened literature, licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme…." -Ray Bradbury

I’ll finish this post with what used to be one of my favourite quotations.

People are taking the piss out of you every day. They butt into your life, take a cheap shot at you then disappear. They leer at you from tall buildings and make you feel small…..

They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are the advertisers and they are laughing at you.

You, however are forbidden to touch them.  Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity.

Banksy

We Rock Hard in association with The Doctor’s Orders present…

The King Robbo Fundraiser & Art Auction 

which is to be held from
1pm – midnight Sunday 4th September 2011
@ Cargo Courtyard, 83 Rivington Street, London EC2A 3AY (Old Street Tube)
Minimum donation £5 in advance or on the door

ALL PROCEEDS GO TO THE ROBBO FUND
GET TICKETS NOW

With a legendary line-up of DJ’s LIKE LONDON’S NEVER SEEN

…….

Choci (Tonka, Choci’s Chewns)

Artists contributing work to Auction include

Andy Seize  Goldie  Fuel  Reas  Prime  SheOne  EGS WD  Care  Pranksky
Panik ATG  Zomby  Tizer  Don  Bonzai  Zaki  Part 2  Hush Oscar Wilson  Will Barras  Emarama

and many many others…

IF YOU WOULD LIKE TO DONATE SOME MONEY DIRECTLY INTO THE ROBBO FUND

TO HELP OUR FALLEN BROTHER

OR IF YOU ARE AN ARTIST AND WOULD LIKE TO DONATE SOME ART

PLEASE GET IN TOUCH

here

AND I WILL FORWARD YOUR DIGITS OR EMAIL ADDRESS TO A MEMBER OF

WRH FAMILY

WHO WILL GET BACK TO YOU DIRECTLY.

Don’t forget you can now watch the incredible Graffiti Wars documentary on Youtube

Sorry I’m late blogging this, Robbo’s documentary is on Channel 4 tonight (14th August) but can be viewed again online here I’m on there giving my two bobs worth as are many oldskool.

I first started watching then bombing the tube trains properly when working as a messenger boy in the city in 1986 as the first proper wave of graffiti writers got serious.

Sitting on the grimy platform clutching my documents heading for PSAC or wherever my round took me; my dull dead end job was set ablaze with a riot of colour almost every time a train clattered in.

I would sit spellbound for ages, the juddering bare steel of the train, electronic hum of the motors, the smell of the brakes, mysterious allure of the forbidden tunnel illuminated in spasmodic flashes of blue lightning as the train careered in carrying its promise of renegade artworks framed by the nearly derelict tube system and crumbling Victorian brickwork of the ancient city.

This transformed the experience of witnessing train graffiti beyond the leafy lines and lanes of the Hertfordshire suburbs, where my own train painting career started.

If a train came in with a full colour piece on it I rode that car jumping out at every platform for a glimpse, then back inside until the next stop would allow me a few seconds more to grab another look….

The first names I remember seeing in abundance were Pim 17, Prime, Fly, Elf, Buf, Fuel, Ice 3, Jano, Envy, Sir Beau, Kick 4, Set 3,  Chico147, Kis42, Tilt, Doze Bos, Chane, PiC, Choci and others and the one that towered above all in his sheer prolific domination of the city was Robbo 484.

Let me try and get this over to those who weren’t there at the beginning…..

Okay lets just say I was going down into the tube at Liverpool Street, amongst all the tags you’ see ROBBO 484 in paint in the prime position right next to the ticket box, about seven foot up, you walk to the platform and wait for the westbound circle line train, when it comes in you see the front and outside covered with Robbo R letters.

You get in a carriage the doors close and on each panel above the window is a Robbo tag.

As you travel along you notice Robbo tags on almost every passing platform, you get off and change onto another line, on the walk to the platform more Robbo tags, the train rolls in and… wow amazing… a Robbo full colour piece on the side, you decide to wait and watch on the platform, out of the next five trains that pull in three are covered in Robbo throw ups, you decide to go to the surface for a cup of tea, up the escalators on the curved ceiling about twelve foot from where you stand on the metal step more Robbo 484 tags.

You come out on the street, walk a couple of miles and get on at a different tube line, en route in the high street you see massive Robbo silver pieces along the high streets and on the sides of the flats.

You get to the next stop get on the train on the completely different line, more Robbo throw ups on every car of each train, you look out of the window into the tunnels, more Robbo tags out of the tunnels then overground, on warehouses you whiz past ROBBO in huge silver letters, EVERYWHERE, ALL CITY KING…and this all by 1987 which he kept up for many years.

I didn’t know who he was back then, just that he was this omnipresent enigma with apparent super powers and balls of steel, but his early pieces and infiltration of every train depot on every single line on the Underground system, his painting of trains in multiple European cities including Amsterdam, his painting of a New York subway train well after Mayor Koch’s Graffiti clampdown and his continuation of high level bombing of the London Underground system meant he was not only world renowned but known by every person who had even the remotest interest in graffiti in the late eighties, nineties and new millenium.

He painted countless panel pieces, numerous wholecars and even painted the legendary Christmas wholetrain with Drax WD. Long before the internet photos of his trains were circulated by post the length and breadth of the country, his name spoken in the hushed tones of awed reverence in the decades after he became King though he never made a penny from his efforts or even wanted to.

Cue Banksy’s entrance to the London scene in the early 2000s, at his introduction to Robbo, Banksy’s reply was…

“Never heard of you…”

Says it all really, to say you’ve never heard of Robbo in the graffiti world after all the countless risks to life limb and liberty he took to become so well known and to birth graffiti as a serious democratic movement that was open to everyone, a King, is an insult,  like saying “I’ve never heard of you” to the Queen or the President of the USA…. calculated and arrogant pure and simple.

Despite being mainly a ‘bomber’ of tags, silver-dubs and throw-ups, which may well have been perceived as an eyesore to many fine art buffs, he did countless amazing pieces, his contribution to style and to the movement that we have today cannot be underestimated, there would be no “New Contemporary Art” if there was no Robbo and others like him.

Although very much ‘classic’ New York graffiti inspired he was already by 1985 making waves in the London forefront of style as is demonstrated by the following piece, when most people were still mastering the art of writing a tag.

That piece survived intact, on the back of British Transport Police HQ, no less, his sworn enemies, who had the respect for him to leave it intact for 25 years.

Apart from a few scrawls but was largely still legible and a clear demonstration of how what is now the biggest art movement in the world was pioneered in its infancy.

That is until Banksy in his infinite wisdom, destroyed the piece in the Christmas of 2009, by turning it into wallpaper, the ultimate disrespect. Robbo, by now a family man and long retired from graffiti, came out of retirement to settle the score by doing to Banksy’s ‘adverts’ what he had done to Robbo’s sacred relic, an example of the earliest proliferation of what is now the biggest art movement in world history, it should have been left for the enjoyment and education of future generations no matter how much it had been worn away over time

Somehow, despite Channel 4 making a documentary about it and millions of genuine graffiti artists around the world being outraged by it, and it being the first thing that springs to mind for millions when Banksy’s name comes up in conversation…..there is no mention of it whatsoever on Banksy’s Wikipedia page!!!!

WHO WRITES THIS STUFF???

Shome mishtake shurely…..

PS

Why is there a Banksy ‘flower chucker’ at 00.00.09 in the trailer video????

Why did Pure Evil persuade Robbo to do his show in his gallery when he is Banksy’s loyal mate and was appalled at Robbo’s destruction to Banksy’s works???

He was so furious at Robbo’s retaliation against Banksy pieces in fact, that he was actually getting people to phone me up in early 2010 trying to find out Robbo’s real identity.

Now he’s trying soooo hard to be bestest buddys with the ‘big boys’ in the underground graffiti writing world after years of putting graffiti writers down then going on about how superior ‘street art’ is……

Curious as to why? A genuine change of heart?

Anyway, now for something completely different……

Elements of Graf-Futurism live painting session….

Psych/Prog-Rock  LP cover influenced Elate piece with obligatory Eastern mystical twist, molten core and a heavy metal dose of that good ol’ London funk…..

Despite alternating torrential rain, grey skies and occasional pounding sun it was a blast…. thanks to people who came by for a chat, some tried their hand at painting for the first time, showed us their artwork, (especially the kind gentleman visiting from India who kept coming back all day to watch the progress) those who gained inspiration and everyone who helped organise it …Jenny for taking photos, I was painting alongside Brave, Andrew McAttee, Zia, Don and Cry, many apologies to Cry who didn’t get the space she was promised due to time overrun of other artists due to conditions outside their control…

Massive shout to Fuel for hooking me up.

Cry One painting a character by Brave as she couldn’t pull off her outline thru lack of space….Check out her Flickr for her own work….

Brave One and Andrew McAttee/Stet check out Andrew’s site

Brave One finished, check out his Flickr

The event was complimented with some highly topical and ingenious stencilling, Phone Tap Man by oldskool London train legend Don One nicked from Surrey Blonde’s flickr

Here’s a film of the first ever Festival of Britain in 1951, you can see the spot I painted at 2.50, how things have changed.

A groundbreaking new art exhibition curated by Mark Feathers and Georgia Dussaud in collaboration with Paul Gladstone Reid MBE.

Leading on from its premiere show The Architects, Atom Rooms presents an exhibition showcasing the work of some of the pioneers of the graff movement. The exhibition is accompanied by live spray presentations throughout the weekend, offering a unique opportunity to witness the greatest artists of the emerging movement create their masterpieces in public. Leaders of Graff-Futurism, including Pride (Errol Donald), Prime (Mark Sinckler), Inkie, Fuel (Matthew Bradford), SheOne (James Choules), Duncan Jago, James Starr, Junior Tomlin, James Cochran, Augustine Kofie, Andrew McAttee, Phil Ashcroft, Jon Hammer, Steve Moore, Robbo and DonOne are featured throughout the exhibition.

Friday 15 – Sunday 17 July, 10am – 11pm