<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" gd:etag="W/&quot;DkcEQHw5eip7ImA9WxNbEEQ.&quot;"><id>tag:blogger.com,1999:blog-38581974</id><updated>2009-11-13T01:33:21.222-05:00</updated><title>Actualities</title><subtitle type="html">Ted Fisher On Documentary Filmmaking</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/" /><link rel="hub" href="http://pubsubhubbub.appspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>333</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><link rel="self" href="http://feeds.feedburner.com/Actualities" type="application/atom+xml" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com" /><entry gd:etag="W/&quot;DkcEQHw4eip7ImA9WxNbEEQ.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-3251682151983045108</id><published>2009-11-13T01:33:00.000-05:00</published><updated>2009-11-13T01:33:21.232-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-13T01:33:21.232-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="hoop springs eternal" /><category scheme="http://www.blogger.com/atom/ns#" term="documentaries" /><title>Hoop Springs Eternal</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/3251682151983045108/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=3251682151983045108" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/3251682151983045108?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/3251682151983045108?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/11/hoop-springs-eternal.html" title="Hoop Springs Eternal" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Above, a doc produced in five days. Watch it, give it a vote.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/RQCD5P4lSNFL6KpmrbpFN7GsRgc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RQCD5P4lSNFL6KpmrbpFN7GsRgc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/RQCD5P4lSNFL6KpmrbpFN7GsRgc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RQCD5P4lSNFL6KpmrbpFN7GsRgc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/xSPRtE2-oLg" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;DkIGR388fCp7ImA9WxNbEEk.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-8890464549239900802</id><published>2009-11-12T11:48:00.001-05:00</published><updated>2009-11-12T11:48:46.174-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-12T11:48:46.174-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="screenings" /><category scheme="http://www.blogger.com/atom/ns#" term="documentaries" /><title>Olympian Effort</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/8890464549239900802/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=8890464549239900802" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/8890464549239900802?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/8890464549239900802?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/11/olympian-effort.html" title="Olympian Effort" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Our short film Hoop Springs Eternal will screen tonight at Olympia Film Festival. (It's made with Chris Corradino, Linda Goldman, and Maya Mumma, featuring Loren Bidner and Jenny McGowan.)

I think it's scheduled after Shut Yer Dirty Little Mouth and before Sissyboy -- about 9:45 p.m. or so -- but there's no love for us on a schedule listing, however. Maybe they figure it's so good it should 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/R8dgXc-Q3j8G-978S8D-NeD64zY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/R8dgXc-Q3j8G-978S8D-NeD64zY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/R8dgXc-Q3j8G-978S8D-NeD64zY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/R8dgXc-Q3j8G-978S8D-NeD64zY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/StQlmTZCgaE" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;CEcDR3w-fCp7ImA9WxNUGU0.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-2645991458109246643</id><published>2009-11-10T20:14:00.000-05:00</published><updated>2009-11-10T20:14:36.254-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-10T20:14:36.254-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="blogging" /><category scheme="http://www.blogger.com/atom/ns#" term="documentary production" /><title>Me, Me, Me, And Then Stuff About Me</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/2645991458109246643/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=2645991458109246643" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/2645991458109246643?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/2645991458109246643?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/11/me-me-me-and-then-stuff-about-me.html" title="Me, Me, Me, And Then Stuff About Me" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">There's a lot going on, but in overly self-important news, read Part One and Part Two of an interview on doc production. Featuring me. Based on Actual Events.

More significant news soon.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ntAaAyXsC16osxdxR8SxgG1O4cM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ntAaAyXsC16osxdxR8SxgG1O4cM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ntAaAyXsC16osxdxR8SxgG1O4cM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ntAaAyXsC16osxdxR8SxgG1O4cM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/-r3w70qifjE" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;CUUERHszfSp7ImA9WxNUGEw.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-1137189166208182767</id><published>2009-11-09T19:33:00.000-05:00</published><updated>2009-11-09T19:33:25.585-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-09T19:33:25.585-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="interviews" /><category scheme="http://www.blogger.com/atom/ns#" term="documentary production" /><title>That's Not Lake Minnetonka</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/1137189166208182767/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=1137189166208182767" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/1137189166208182767?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/1137189166208182767?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/11/thats-not-lake-minnetonka.html" title="That's Not Lake Minnetonka" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">A little interview on What goes into making a documentary? in which I detail some of the process involved in our short documentaries. Part two tomorrow.

Just what you need, more words from me.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/T-IHVM2dSG_wZGabtNnB6Qirn1s/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/T-IHVM2dSG_wZGabtNnB6Qirn1s/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/T-IHVM2dSG_wZGabtNnB6Qirn1s/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/T-IHVM2dSG_wZGabtNnB6Qirn1s/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/9h56g0ZbIpo" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;C0MHRXg-eCp7ImA9WxNUE0Q.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-3573333862279896436</id><published>2009-11-04T22:23:00.000-05:00</published><updated>2009-11-04T22:23:54.650-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-04T22:23:54.650-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="frederick wiseman" /><category scheme="http://www.blogger.com/atom/ns#" term="documentarians" /><title>Wiseman's "La Danse"</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/3573333862279896436/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=3573333862279896436" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/3573333862279896436?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/3573333862279896436?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/11/wisemans-la-danse.html" title="Wiseman's &quot;La Danse&quot;" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">I've mentioned Frederick Wiseman as an influence a few times previously. I was fortunate enough to see him speak in 2006, and I think his body of work is monumental.

Great short article on his latest in today's NYT:

Creating Dialogue From Body LanguageIn “La Danse: The Paris Opera Ballet,” his 36th documentary in more than 40 years, Frederick Wiseman takes his camera into the stately and 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/iSi6FPCAeysECnshXHwu8jBOJsU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iSi6FPCAeysECnshXHwu8jBOJsU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/iSi6FPCAeysECnshXHwu8jBOJsU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iSi6FPCAeysECnshXHwu8jBOJsU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/zLG7apLy_5k" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;DkYFRXs8fCp7ImA9WxNUEUo.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-8307040152572739085</id><published>2009-11-02T10:01:00.000-05:00</published><updated>2009-11-02T10:01:54.574-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-02T10:01:54.574-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="editing theory" /><category scheme="http://www.blogger.com/atom/ns#" term="teaching" /><title>In A World Something Something, One Man Stands Alone</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/8307040152572739085/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=8307040152572739085" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/8307040152572739085?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/8307040152572739085?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/11/in-world-something-something-one-man.html" title="In A World Something Something, One Man Stands Alone" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Today I'm giving a lecture on editing structure in film trailers. There's more to it than the text below, with lots of examples and ideas and such, but here are the basic background notes. For what they're worth.

Editing Film Trailers

A film trailer combines storytelling with persuasion.

Editing a film is about story structure.

There's a beginning, that brings us into a new world. It usually 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/fjeuGpaACUISXCPERZxJz1wU-RE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fjeuGpaACUISXCPERZxJz1wU-RE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/fjeuGpaACUISXCPERZxJz1wU-RE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fjeuGpaACUISXCPERZxJz1wU-RE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/sp_4Ek_rhf8" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;CUcFRn08cSp7ImA9WxNUEE8.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-370475590088677160</id><published>2009-10-31T17:03:00.000-04:00</published><updated>2009-10-31T17:03:37.379-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-31T17:03:37.379-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="documentary production" /><title>Mile Seventeenish</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/370475590088677160/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=370475590088677160" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/370475590088677160?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/370475590088677160?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/mile-seventeenish.html" title="Mile Seventeenish" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Tomorrow I'll be shooting some footage as the New York Marathon goes along First Avenue, near my apartment. I have a few ideas on what might make an interesting microdocumentary, but it's tough to say what will happen or if a story will emerge.

I'm likely to shoot a combination of stills and HDV (at 720p30), and to also drag a small audio recorder around. This is similar to how Notebook on 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/N5N5OWVIy8Gpr1TGl-qpRDLytcM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/N5N5OWVIy8Gpr1TGl-qpRDLytcM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/N5N5OWVIy8Gpr1TGl-qpRDLytcM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/N5N5OWVIy8Gpr1TGl-qpRDLytcM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/-KUmRNroepU" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;Ak8DSX05eyp7ImA9WxNVFkU.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-4909005863442597168</id><published>2009-10-27T20:14:00.000-04:00</published><updated>2009-10-27T20:14:38.323-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-27T20:14:38.323-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="editing theory" /><category scheme="http://www.blogger.com/atom/ns#" term="sergei eisenstein" /><title>Little Eisenstein</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/4909005863442597168/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=4909005863442597168" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/4909005863442597168?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/4909005863442597168?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/little-eisenstein.html" title="Little Eisenstein" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">As in past years, I'm having my editing class take the famous "Odessa Steps" sequence from Sergei Eisenstein's Battleship Potemkin -- 7 minutes and 19 seconds long -- and work to cut 30 seconds out of it without ruining it. (Try it yourself: grab the Eisenstein film over at archive.org.)

Some students just make shots shorter, and some completely remove elements you or I might say are essential 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/5PqIXZRP3KLCkfrIW2bUmcGrNdc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5PqIXZRP3KLCkfrIW2bUmcGrNdc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/5PqIXZRP3KLCkfrIW2bUmcGrNdc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5PqIXZRP3KLCkfrIW2bUmcGrNdc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/0m72n3_yQpI" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;A0MCQX4ycCp7ImA9WxNWGU0.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-1143154274841334117</id><published>2009-10-18T19:33:00.002-04:00</published><updated>2009-10-18T19:44:20.098-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-18T19:44:20.098-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="editing" /><category scheme="http://www.blogger.com/atom/ns#" term="final cut pro" /><title>Final Cut Pro Without A Mouse, Part One</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/1143154274841334117/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=1143154274841334117" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/1143154274841334117?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/1143154274841334117?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/final-cut-pro-without-mouse-part-one.html" title="Final Cut Pro Without A Mouse, Part One" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Want to work fast in Final Cut Pro? Learn to work without the mouse.

Oh, you'll need the mouse sooner or later. Some tasks are best done with the mouse. If you want to edit fast, however, you may want to learn a few useful key commands that will speed up your editing process. Besides: it's cold and flu season, and who knows what's on that thing. So let's try a little mouse-free editing.

Get 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Ucd4GCNkgNkqXP6ztWuUdeQi8Qg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ucd4GCNkgNkqXP6ztWuUdeQi8Qg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Ucd4GCNkgNkqXP6ztWuUdeQi8Qg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ucd4GCNkgNkqXP6ztWuUdeQi8Qg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/54QqRBvxOx0" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;A0UFRHk6cCp7ImA9WxNWFkw.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-9028630397623325818</id><published>2009-10-15T11:06:00.000-04:00</published><updated>2009-10-15T11:06:55.718-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-15T11:06:55.718-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="editing theory" /><title>But First, Arm Wrestling And A Slap Fight</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/9028630397623325818/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=9028630397623325818" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/9028630397623325818?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/9028630397623325818?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/but-first-arm-wrestling-and-slap-fight.html" title="But First, Arm Wrestling And A Slap Fight" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">I really enjoyed this post by Maria Lokken. One of the reasons I have my students read books by both Walter Murch and Ralph Rosenblum is to give them a sense that often the relationship between director and editor is more important than just knowing how to edit. No matter which role you are playing -- or if you are both -- the process of moving from production phase to editing phase can make or 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/mw6-8lvePvmPXIa-cBw6GNSMQHM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mw6-8lvePvmPXIa-cBw6GNSMQHM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/mw6-8lvePvmPXIa-cBw6GNSMQHM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mw6-8lvePvmPXIa-cBw6GNSMQHM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/GLEvjOCTqL8" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;CE4CQHs5eyp7ImA9WxNWFEo.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-4051470390053841301</id><published>2009-10-13T18:29:00.000-04:00</published><updated>2009-10-13T18:29:21.523-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-13T18:29:21.523-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="documentaries in the news" /><title>Rock Followup: Hair Still Good</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/4051470390053841301/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=4051470390053841301" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/4051470390053841301?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/4051470390053841301?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/rock-followup-hair-still-good.html" title="Rock Followup: Hair Still Good" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">News from the world of documentary lawsuits.

Woman Declares Chris Rock's Documentary 'rip-off', Case DroppedA judge in Los Angeles District Court dismissed a plagiarism lawsuit against Chris Rock that claimed the comedian lifted a woman's ideas when he filmed a documentary about African-American hairstyles.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/7Thq2oo_isbHW7I17ovDz_6TknY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7Thq2oo_isbHW7I17ovDz_6TknY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/7Thq2oo_isbHW7I17ovDz_6TknY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7Thq2oo_isbHW7I17ovDz_6TknY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/0VhGCL6aEx4" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;Ak8BQng8cSp7ImA9WxNWFEg.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-784353888489214704</id><published>2009-10-13T14:34:00.000-04:00</published><updated>2009-10-13T14:34:13.679-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-13T14:34:13.679-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="editing theory" /><category scheme="http://www.blogger.com/atom/ns#" term="teaching" /><title>Ted's Ideas On Editing Chase Scenes</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/784353888489214704/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=784353888489214704" title="3 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/784353888489214704?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/784353888489214704?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/teds-ideas-on-editing-chase-scenes.html" title="Ted's Ideas On Editing Chase Scenes" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><content type="html">On Wednesday I'm giving a lecture in one of my classes on editing chase scenes. I've given it a few times before, and it's usually a pretty big hit -- it seems to really help students get a handle on some basic editing concepts. 

They may never edit a chase scene, but the bigger point is that they learn to develop a rational plan to make an otherwise complicated and confusing set of shots seem 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/cllbutTHRCWWXLqjpbjxYtdWQRk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cllbutTHRCWWXLqjpbjxYtdWQRk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/cllbutTHRCWWXLqjpbjxYtdWQRk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cllbutTHRCWWXLqjpbjxYtdWQRk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/hR3o9JF8R4w" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;D0IFQ3s9eSp7ImA9WxNWE0Q.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-661937946017596634</id><published>2009-10-12T20:58:00.000-04:00</published><updated>2009-10-12T20:58:32.561-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-12T20:58:32.561-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="distribution" /><title>Party Like It's 1993</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/661937946017596634/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=661937946017596634" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/661937946017596634?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/661937946017596634?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/party-like-its-1993.html" title="Party Like It's 1993" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><content type="html">Is it just me, or is a lot of the current conversation about the future of film distribution very similar to the discussions folks had in the early 90s about the future of the Web?

I have a book about the "future of art" on my shelf, printed just as the World Wide Web came along. Its predictions are completely wrong. I remember all the excitement about media moving to CD-R. That's faded away, 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/4zMeIMygtcHLCgV4T7zHg3RXQ64/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4zMeIMygtcHLCgV4T7zHg3RXQ64/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/4zMeIMygtcHLCgV4T7zHg3RXQ64/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4zMeIMygtcHLCgV4T7zHg3RXQ64/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/czJCZKn92-k" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;CkcEQnk6cCp7ImA9WxNWE0w.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-5512773613288840415</id><published>2009-10-11T21:13:00.000-04:00</published><updated>2009-10-11T21:13:23.718-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-11T21:13:23.718-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Wes Anderson" /><category scheme="http://www.blogger.com/atom/ns#" term="stop motion" /><title>He Told Them To Rush, More</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/5512773613288840415/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=5512773613288840415" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/5512773613288840415?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/5512773613288840415?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/he-told-them-to-rush-more.html" title="He Told Them To Rush, More" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Does Wes Anderson's Director of Photography really think he's a butthead, or is this a planned P.R. stunt? Either way, today's Los Angeles Times article on the retro stop-motion process behind The Fantastic Mr. Fox is a very interesting read.

Fur flies on 'Mr. Fox'Not everyone could muster a magnanimous word for Anderson's M.O. -- especially his on-set absence. "I think he's a little sociopathic
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/fKXLGzd6ISdeL112GNAxxK6BVY4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fKXLGzd6ISdeL112GNAxxK6BVY4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/fKXLGzd6ISdeL112GNAxxK6BVY4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fKXLGzd6ISdeL112GNAxxK6BVY4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/OX3v-6VJFOY" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;CUAGQXo9eCp7ImA9WxNWEk4.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-6480169127926362756</id><published>2009-10-11T00:02:00.001-04:00</published><updated>2009-10-11T00:02:00.460-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-11T00:02:00.460-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="imdb" /><title>IMDB Web Series Credits Update</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/6480169127926362756/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=6480169127926362756" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/6480169127926362756?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/6480169127926362756?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/imdb-web-series-credits-update.html" title="IMDB Web Series Credits Update" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">A while back -- on April Fool's Day, unfortunately -- I posted about IMDB Web Series Credits. Casey McKinnon had just announced the result of her conversation with Col Needham, IMDb founder and managing director: IMDB would be creating a Web series category.

She's still waiting, and has an update....

I want my… I want my… I want my Web TV!"How much longer do we need to wait? How much longer 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/q7Bs4yQERzuvNXAlIY8DfGDIMQM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/q7Bs4yQERzuvNXAlIY8DfGDIMQM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/q7Bs4yQERzuvNXAlIY8DfGDIMQM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/q7Bs4yQERzuvNXAlIY8DfGDIMQM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/diP_3bfZQu0" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;DkIAQHo-eCp7ImA9WxNWEkw.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-8567992638751949597</id><published>2009-10-10T18:42:00.000-04:00</published><updated>2009-10-10T18:42:21.450-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-10T18:42:21.450-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="filmmaking" /><category scheme="http://www.blogger.com/atom/ns#" term="academy awards" /><title>Long Enough To Reach The Ground</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/8567992638751949597/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=8567992638751949597" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/8567992638751949597?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/8567992638751949597?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/long-enough-to-reach-ground.html" title="Long Enough To Reach The Ground" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_GoH3Zju-jL8/StEJHBJaiWI/AAAAAAAABS4/Mk2VncT3sh4/s72-c/screenblog.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">

What's the right length for a film? Esquire Magazine makes one argument: 

The 90-Minute Movie: Because 80 Minutes Is Too Short, and 100 Is Too Long
They could have cut out the entire China subplot from The Dark Knight — easily 20 of that movie's 152 convoluted minutes — with no effect on your enjoyment or comprehension of the film. And was it me, or did the fifth hour of The Curious Case of 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/mDzX6ohg4j49x5AYC4xLmTl3X8U/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mDzX6ohg4j49x5AYC4xLmTl3X8U/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/mDzX6ohg4j49x5AYC4xLmTl3X8U/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mDzX6ohg4j49x5AYC4xLmTl3X8U/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/-x9yI6HTrms" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;CUYDSHc9eip7ImA9WxNWEUg.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-410663630286484363</id><published>2009-10-10T01:39:00.000-04:00</published><updated>2009-10-10T01:39:39.962-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-10T01:39:39.962-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="snagfilms" /><category scheme="http://www.blogger.com/atom/ns#" term="documentaries" /><title>Marathon Women</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/410663630286484363/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=410663630286484363" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/410663630286484363?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/410663630286484363?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/marathon-women.html" title="Marathon Women" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Many of the films from the International Documentary Challenge can now be viewed on Snagfilms. Above: Marathon Women, a 5-minute doc made by two friends of this blog for the 2007 competition. Enjoy, and remember you can "snag" the film and embed it anywhere.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/MvEsj0e5xgU7ET5PjRX6T_VH--Y/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/MvEsj0e5xgU7ET5PjRX6T_VH--Y/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/MvEsj0e5xgU7ET5PjRX6T_VH--Y/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/MvEsj0e5xgU7ET5PjRX6T_VH--Y/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/4OlVXk281co" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;A0ENRn48eSp7ImA9WxNXGUo.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-4405055692744146909</id><published>2009-10-08T01:28:00.000-04:00</published><updated>2009-10-08T01:28:17.071-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-08T01:28:17.071-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="documentaries in the news" /><title>Documentaries In The News</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/4405055692744146909/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=4405055692744146909" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/4405055692744146909?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/4405055692744146909?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/documentaries-in-news.html" title="Documentaries In The News" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">With all the talk of documentary distribution, I guess one tried-and-true plan hasn't been discussed enough. That's right: suing the heck out of somebody. 

Chris Rock sued over Good Hair filmKimbell said she screened the film for Rock back in 2007 on the set of Everyone Hates Chris. Like Good Hair, My Nappy Roots traces the business and cultural history of black hair care and interviews 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/CE4S6FHPVweUYTTRhRtbONC5Bfw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CE4S6FHPVweUYTTRhRtbONC5Bfw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/CE4S6FHPVweUYTTRhRtbONC5Bfw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CE4S6FHPVweUYTTRhRtbONC5Bfw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/WnrOfJ70XgA" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;C04GRng8fyp7ImA9WxNXGUs.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-3640151396028984741</id><published>2009-10-07T20:32:00.000-04:00</published><updated>2009-10-07T20:32:07.677-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-07T20:32:07.677-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="teaching" /><category scheme="http://www.blogger.com/atom/ns#" term="editing" /><title>Parallel Eye-Jabbing Action</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/3640151396028984741/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=3640151396028984741" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/3640151396028984741?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/3640151396028984741?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/parallel-eye-jabbing-action.html" title="Parallel Eye-Jabbing Action" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_GoH3Zju-jL8/Ss0w60BCjfI/AAAAAAAABSg/WEq-wRDV7pI/s72-c/editing.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Today I taught my editing class, emphasizing smart and fast technique. When the students came in, each computer was ready to edit -- but the mouse was hanging off the desk, useless. 

"Don't touch it," I told them. "The mouse is for weak-minded people. Today we edit like adults."

Which was true, and by the end of the class even the most hesitant students were able to make subclips and perform 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/IGOw5qRruwnu5GEq-8jc6gFhKQY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IGOw5qRruwnu5GEq-8jc6gFhKQY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/IGOw5qRruwnu5GEq-8jc6gFhKQY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IGOw5qRruwnu5GEq-8jc6gFhKQY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/UVLvIQmzAk8" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;CkANSXg6cCp7ImA9WxNXFk0.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-5559300828866322723</id><published>2009-10-03T16:13:00.000-04:00</published><updated>2009-10-03T16:13:18.618-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-03T16:13:18.618-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="persistence of vision discredited" /><title>Pointing And Laughing At "Persistence Of Vision"</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/5559300828866322723/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=5559300828866322723" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/5559300828866322723?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/5559300828866322723?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/pointing-and-laughing-at-persistence-of.html" title="Pointing And Laughing At &quot;Persistence Of Vision&quot;" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">Look, here's the deal: the concept of "persistence of vision" was discredited decades ago. People who write about it and tell me it's a very important concept are dumb. It's not even a coherent idea, which tells me these "writers" are just taking the ideas handed down to them from other people and pretending to understand them -- and then they are "teaching" those ideas as if they were true. 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/M5UpiNGmxGaG2jAT4nMaI3aKQcs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/M5UpiNGmxGaG2jAT4nMaI3aKQcs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/M5UpiNGmxGaG2jAT4nMaI3aKQcs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/M5UpiNGmxGaG2jAT4nMaI3aKQcs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/qfQTAf4o0Ns" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;Ak8MQXk5cCp7ImA9WxNXFEQ.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-4304824147425995310</id><published>2009-10-02T11:52:00.001-04:00</published><updated>2009-10-02T11:54:40.728-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-02T11:54:40.728-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="distribution" /><category scheme="http://www.blogger.com/atom/ns#" term="documentaries" /><title>Doc On A Stick</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/4304824147425995310/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=4304824147425995310" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/4304824147425995310?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/4304824147425995310?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/doc-on-stick.html" title="Doc On A Stick" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">One swallow does not make a summer, but two documentaries on USB flash drives? I think that marks a trend.

Mann releases mushroom doc on USB stickCanadian director Ron Mann is testing a new method of movie distribution, releasing his documentary Know Your Mushrooms on a customized USB stick. The Toronto-based filmmaker was in the U.S. promoting his new doc — which follows mushroom-hunting gurus 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/D9UXJP4ZfSA3kKusoFpXwYjiqD0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/D9UXJP4ZfSA3kKusoFpXwYjiqD0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/D9UXJP4ZfSA3kKusoFpXwYjiqD0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/D9UXJP4ZfSA3kKusoFpXwYjiqD0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/XRHaykX8H70" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;Ak8BSHgyfSp7ImA9WxNXFE8.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-3388526124492611280</id><published>2009-10-01T16:27:00.000-04:00</published><updated>2009-10-01T16:27:39.695-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-10-01T16:27:39.695-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="documentary ethics" /><title>Less Hypothetically</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/3388526124492611280/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=3388526124492611280" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/3388526124492611280?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/3388526124492611280?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/10/less-hypothetically.html" title="Less Hypothetically" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">indieWIRE has more on an incident that will surely appear in future textbooks on documentary ethics: what happens when the subject of your film says they lied?

“Desired” Director Zenovich Responds To Polanski Prosecutor’s “Lies”Zenovich said that the day she filmed Mr. Wells at the Malibu Courthouse, he gave her a one-hour interview.  “He signed a release like all my other interviewees, giving 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/vKMxlQDYxYlLD_2ewR5PCZxhX1U/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vKMxlQDYxYlLD_2ewR5PCZxhX1U/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/vKMxlQDYxYlLD_2ewR5PCZxhX1U/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vKMxlQDYxYlLD_2ewR5PCZxhX1U/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/ZWODIjsFSXI" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;C0cBQ3Y7eSp7ImA9WxNXE0g.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-3471672012279440770</id><published>2009-09-30T18:50:00.000-04:00</published><updated>2009-09-30T18:50:52.801-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-09-30T18:50:52.801-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="documentary ethics" /><title>Ah, Documentary Ethics Is Always In The News</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/3471672012279440770/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=3471672012279440770" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/3471672012279440770?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/3471672012279440770?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/09/ah-documentary-ethics-is-always-in-news.html" title="Ah, Documentary Ethics Is Always In The News" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">A little documentary ethics question: if you make a documentary, and many people cite it as evidence in an international legal battle, and then your interview subject admits that he lied about a key piece of information that became central to the film -- just made up the story -- what's the next step? 

I ask this hypothetically, of course.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/4UIgkl6YpN30nS5JXeTDCNU_g_k/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4UIgkl6YpN30nS5JXeTDCNU_g_k/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/4UIgkl6YpN30nS5JXeTDCNU_g_k/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4UIgkl6YpN30nS5JXeTDCNU_g_k/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/0WWehafdp9s" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;CEICQHg7fip7ImA9WxNXEko.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-1201115296973155641</id><published>2009-09-29T21:02:00.000-04:00</published><updated>2009-09-29T21:02:41.606-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-09-29T21:02:41.606-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="snapshots" /><category scheme="http://www.blogger.com/atom/ns#" term="upper east side" /><category scheme="http://www.blogger.com/atom/ns#" term="iphone" /><title>Mornington Crescent?</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/1201115296973155641/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=1201115296973155641" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/1201115296973155641?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/1201115296973155641?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/09/mornington-crescent.html" title="Mornington Crescent?" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_GoH3Zju-jL8/SsKs_3mcGEI/AAAAAAAABSI/0Jk4FK1cI-0/s72-c/IMG_1418blog.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><content type="html">On my other blog, some ranting about the news.

Above: a much less unpleasant snapshot from a subway station. You guess which one.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/QlpSvGwAaidver0n72IywKPqUTw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QlpSvGwAaidver0n72IywKPqUTw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/QlpSvGwAaidver0n72IywKPqUTw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/QlpSvGwAaidver0n72IywKPqUTw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/5Q38Y7KSvow" height="1" width="1"/&gt;</content></entry><entry gd:etag="W/&quot;CEQGSXk7eip7ImA9WxNQGEQ.&quot;"><id>tag:blogger.com,1999:blog-38581974.post-7103617816094742376</id><published>2009-09-25T11:25:00.000-04:00</published><updated>2009-09-25T11:25:28.702-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-09-25T11:25:28.702-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="dslr video" /><category scheme="http://www.blogger.com/atom/ns#" term="sony" /><title>Sony's Secret Lab, Somewhere Off The Jersey Shore</title><link rel="replies" type="application/atom+xml" href="http://actualities.blogspot.com/feeds/7103617816094742376/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=38581974&amp;postID=7103617816094742376" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/7103617816094742376?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/38581974/posts/default/7103617816094742376?v=2" /><link rel="alternate" type="text/html" href="http://actualities.blogspot.com/2009/09/sonys-secret-lab-somewhere-off-jersey.html" title="Sony's Secret Lab, Somewhere Off The Jersey Shore" /><author><name>Ted Fisher</name><uri>http://www.blogger.com/profile/07958815370739561507</uri><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="05829688783177749440" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_GoH3Zju-jL8/Srze4iAbNEI/AAAAAAAABR4/-PkBW1pjsvE/s72-c/sony.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><content type="html">So Canon, Nikon, Panasonic, and Pentax all have useable HD modes in their DSLRs now. 

All have problems, the Panasonic GH1 being the smartest of the bunch so far -- and the closest to useable for documentary video. (The Canon 7D is also creating a lot of excitement among doc makers -- but the Panasonic still has the best implementation to date. It's just that people love their Canons, and 
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/f7-lqFor8VDvN3Vi6rPd6GPTtH8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/f7-lqFor8VDvN3Vi6rPd6GPTtH8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/f7-lqFor8VDvN3Vi6rPd6GPTtH8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/f7-lqFor8VDvN3Vi6rPd6GPTtH8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/Actualities/~4/vMDoiC5FWCg" height="1" width="1"/&gt;</content></entry></feed>
