aeisyahidris

Diamonds

2012-08-05T12:52:00.003+08:00

Diamond History

"Diamond" comes from the Greek "adamao": "I tame" or "I subdue." The adjective "adamas" was used to describe the hardest substance known, and eventually became synonymous with diamond.
Knowledge of diamond starts in India, where it was first mined. The word most generally used for diamond in Sanskrit is transliterated as "vajra," "thunderbolt," and "indrayudha," "Indra's weapon." Because Indra is the warrior god from Vedic scriptures, the foundation of Hinduism, the thunderbolt symbol indicates much about the Indian conception of diamond.
Early descriptions of diamond date to the 4th century BC. By then diamond was a valued material. The earliest known reference to diamond is a Sanskrit manuscript by a minister in a northern Indian dynasty. The work is dated from 320-296 BCE.
Small numbers of diamonds began appearing in European regalia and jewelry in the 13th century, set as accent points among pearls in wrought gold. By the 16th century the diamonds became larger and more prominent, in response to the development of diamond faceting, which enhances their brilliance and fire. Diamonds came to dominate small jewels during the 17th century and large ones by the 18th century.
In the 13th Century, Louis IX of France established a law reserving diamonds for the king. This bespeaks the rarity of diamonds and the value conferred on them at that time. Within 100 years diamonds appeared in royal jewelry of both men and women, then among the greater European aristocracy, with the wealthy merchant class showing the occasional diamond by the 17th century.
As more diamonds reached Europe, demand for them increased. The earliest diamond-cutting industry is believed to have been in Venice, a trade capital, starting sometime after 1330. Diamond cutting may have arrived in Paris by the late 14th century. By the late 14th century, the diamond trade route went to Bruges and Paris, and later to Antwerp.
By 1499, the Portuguese navigator Vasco da Gama discovered the sea route to the Orient around the Cape of Good Hope, providing Europeans an end-run around the Arabic impediment to the trade of diamonds coming from India.
In the 18th century the diamond became even more abundant. They were worn principally by women. Substantial quantities of diamonds arrived from South America, making conspicuous display of the gem possible. Diamonds were reserved for evening since it was considered vulgar to parade them by day. Rather than a miscellany of jewels of different types, a matched set of jewelry was now worn at all important social events.
Two events near the end of the 19th century helped change the role of diamonds for the next century. First, the discovery in the 1870s of diamond deposits of unprecedented richness in South Africa changed diamond from a rare gem to one potentially available to anyone who could afford it. Second, the French crown jewels, sold in 1887, were consumed by newly wealthy capitalists, particularly in the United States, where a taste and capacity for opulent consumption was burgeoning.

Seen under the blaze of gas and electric lighting, diamond's brilliance showed to greater advantage than colored stones, and so designs incorporated them in far greater numbers than at any time in history.

Before the 1870s diamonds were still rare, and associated with the aristocracy. In 1871, however, world annual production, derived primarily from South Africa, exceeded 1 million carats for the first time. From then on, diamonds would be produced at a prodigious rate.
Simultaneously, the fall of Napoleon III in 1871 left the Third Republic of France with a problematic symbol of monarchy: the crown jewels, largely reset by Empress Eugenie in the style of the great Louis kings. It was decided to auction the bulk, retaining a few key objects for the State.
With French buyers such as Boucheron and Bapst in attendance, Tiffany & Co. of New York bought the major share; 22 lots for $480,000, a sum greater than the combined purchases of the 9 next-largest buyers.
Today diamonds are mined in about 25 countries. However, only a few diamond deposits were known until the 20th century, when scientific understanding and technology extended diamond exploration and mining around the globe. For 1,000 years, starting in roughly the 4th century BC, India was the only source of diamonds.
In 1725, important sources were discovered in Brazil, and in the 1870s major finds in South Africa marked a dramatic increase in the diamond supply. Additional major producers now include several African countries, Siberian Russia, and Australia.
It is a modern misconception that the world's diamonds come primarily from South Africa: diamonds are a worldwide resource. The common characteristic of primary diamond deposits is the ancient terrain that hosts the kimberlite and lamproite pipes that bring diamonds to Earth's surface.
Diamond production has increased enormously in the 20th century. India's maximum production, perhaps 50,000 to 100,000 carats annually in the 16th century, is very small compared to the current production of around 100 million carats.
For the most part, except for major wars and economic recessions, diamond production has been steadily increasing since then, with non-African sources growing in relative proportion. Major production is now dominated by Australia, Botswana, Russia, and Congo Republic (Zaire), but South Africa is still a major producer, in both volume and value. (David Kohn, “Diamonds: A History” February 11, 2009, http://www.cbsnews.com)

Diamond 4C’s

Various characteristics of diamonds are graded and categorized by the diamond industry. Learning about diamonds is first learning about the "4C’s" of diamonds which are considered the most important grades and categories:

Cut
Clarity
Color
Carat

Diamond Cut

One of the most defining characteristics of a diamond is its cut. While high grades of color, clarity, and carat also contribute to a diamond's appeal, it's the cut that determines the symmetry of the stone's facets, its overall proportions, and its ability to reflect light. An expertly cut diamond will achieve high levels of brilliance, sparkle, and durability. Even if a diamond is graded well in other areas, a poor cut can result in a dull, muted effect.

Diamond Anatomy

A diamond is comprised of five main components:

Table- The largest facet of the diamond, which comprises the flat surface on the top of the stone, resembling 'table'.

Crown- This is the top portion of the diamond, located above the girdle and extending below the table.

Girdle-Forming the outer edge of the diamond, this is where the crown and the pavilion meet.

Pavilion-Located at the bottom of the diamond, the pavilion bridges the girdle and the culet.

Culet-The smallest facet of a diamond, the culet is located at the very bottom of the stone.

Light's Effect on a Diamond

There are many factors that determine a diamond's brilliance, the most important of which is its ability to reflect light. As a diamond is moved through a light source, tiny flashes will be visible within the stone. Commonly known as sparkle, this is also referred to as scintillation, an effect of the stone's reflection and refraction of light.

Cut Definitions

A diamond's cut is an integral factor in determining its brilliance and fire. Even a flawless diamond will appear dull and muted if the cut is poor. When evaluating the cut of a diamond, there are some core characteristics that should be considered:

Depth & Depth Percentage

A diamond's depth can be determined by measuring the entire stone's height from the table to the culet and is described in millimeters. The depth percentage measures the ratio of the stone's depth (from the table to the culet) to the diamond's total diameter.

Table & Table Percentage

A diamond's table is the largest facet of the stone, comprising the flat surface on the top. The table percentage is the ratio of the width of the diamond's top facet in relation to the width of the entire stone. The right ratio results in a large amount of fire and brilliance.

Measurements

Measured in millimeters, the measurements of a diamond's length, width, and height are used to evaluate the symmetry and quality of its cut.

Proportions

A diamond's proportions, a measure of the number and size of facets and its overall length and width, are integral in determining the quality of its cut. When a diamond is cut with the ideal proportions for its shape, it will reflect more light out of the top, resulting in higher levels of fire and brilliance. A poorly cut diamond with incongruous proportions will allow light to escape out the bottom and sides, resulting in a dull, dark appearance.

Polish, Symmetry, Cut Grade

A diamond's polish and symmetry are critical to the quality of its cut. For maximum brilliance, every facet of a diamond should be professionally polished after the cutting process. A high-quality polish will leave little to no scratches and marks, while a poor polish can result in imperfections on the surface of the diamond, which detract from its value.

A symmetrical diamond will have well-balanced, properly aligned facets, resulting in a high level of fire and brilliance. If the facets are not symmetrical or not optimally shaped, they'll display less sparkle.

A gemologist assigns a cut grade as a means of measuring a diamond's proportions, craftsmanship, quality of polish, and light reflecting properties. A diamond with a high quality cut grade will exude a large amount of brilliance and fire.

A diamond's ratings for symmetry, polish, and cut grade may vary based on which Gemological Laboratory is evaluating it, as each agency uses a different scale.

GIA uses five cut grades:

Excellent (Ex)
Very Good (VG)
Good (GD)
Fair (F)
Poor (P)

Cut & Depth

It's the cut of a diamond that determines how much light is reflected back to the wearer, directly impacting its brilliance and fire. Diamonds are generally categorized into three main types of cuts:

Shallow cut

Although a shallow cut diamond will create the illusion of a larger stone, it allows light to escape out the sides instead of reflecting off the top, creating a lack of brilliance and sparkle.

Ideal cut

If you're seeking a high quality diamond that beautifully reflects light, this is the cut for you. This premier cut style is well-proportioned and carefully angled to achieve a luminous appearance.

Deep cut

This type of cut poorly reflects light, resulting in a dull, muted appearance.

(Diamond Cut, http://www.brilliance.com)

Diamond Color

A diamond's color has a significant impact on its appearance. With its many prismatic facets, a colorless diamond reflects light into a spectrum of hues, a characteristic often referred to as "fire". The presence of noticeable color in a diamond may reduce its ability to reflect light. Consequently, diamonds with lower color grades will not show the same luminosity and fire as those with higher grades. The most valuable diamonds have little to no detectable color.

Color Scale

The diamond color scale begins at D (colorless) and ends at Z (light yellow). Diamond color is often difficult to discern when a diamond is viewed face up. Therefore, gemologists typically evaluate diamonds facedown against a pure white surface, illuminated by carefully controlled lighting. The diamond is then compared to master stones of predetermined color.

D (Colorless) - Highest-quality color grade a diamond can receive. D-color diamond is extremely rare and emits unrivaled brilliance.

E (Colorless) - Contains minute traces of color. Also a rarity, an E-rated diamond emits a high level of brilliance.

F (Colorless) - Minute traces of color can only be detected by a trained gemologist. This is a high-quality color grade.

G, H (Near Colorless) - Contains noticeable color only when compared to higher color grades. Appearing colorless to the untrained eye, a G or H color diamond provides an excellent value.

I, J (Near Colorless) - Contains slightly detectable color. An I-color or J-color diamond is an excellent value, as it typically appears colorless to the untrained eye.

K, L, M (Faint Yellow) - Faint color is noticeable. Even with the presence of color, these grades of diamonds can emit fire and beauty.

Selecting a Color Grade

Color is an important factor to consider when choosing a diamond, as it is noticeable to the unaided eye. Below are some points to keep in mind when selecting a color grade:

Those who prefer a colorless diamond should select a stone in the D-F range with a fluorescence rating of "None" or "Faint".

Near colorless diamonds with a rating between G and J are excellent values, as their color is typically undetectable to the unaided eye. They can appear whiter when set in platinum or white gold metals. Yellow gold settings complement diamonds with lower color ratings.

The presence of fluorescence can enhance the visual appeal of a diamond with a lower-color rating in the J through M range. The fluorescence helps to cancel out any faint yellow in the stone, resulting in a colorless appearance. A common misconception is that only colorless diamonds exude brilliance. In reality, a well-cut diamond can emit fire and beauty even with traces of faint yellow, although the presence of color will decrease the stone's value.

Fluorescence

Fluorescence, the effect ultraviolet (UV) light has on a diamond, is an important consideration when selecting a diamond. When UV light strikes a diamond with fluorescent properties, the stone emits a glow (usually blue) ranging from very faint to quite strong.

Fancy Colored Diamonds

Diamonds that exhibit a color other than light yellow or brown, as well as diamonds that possess a more intense yellow or brown than the 'Z' color rating, are considered "fancy colored". With only one out of ten thousand diamonds possessing a natural color, these types of stones are extremely rare. Depending on the coloration, intensity, and hue of a diamond, color can either detract or enhance its value. Naturally occurring diamond colors include gray, white, blue, yellow, orange, red, green, olive, pink, purple, brown, and black. Red stones are the most rare of the fancy colored diamonds.

Similar to the process for grading colorless diamonds, a diamond's fancy color is graded by comparing it to master stones of predetermined color. Unlike colorless diamonds, fancy colored diamonds are graded face up. The most important factors in determining the value of a naturally colored diamond is the strength of its color. The value of a fancy colored diamond increases with the intensity of the most prominent hue within the stone. (Diamond Color, http://www.brilliance.com)

Diamond Clarity

Clarity refers to the number of internal flaws and blemishes, often called inclusions, in a diamond. The highest quality diamonds have no inclusions. The GIA clarity scale ranges from FL-IF (no flaws and the most expensive) to I3 (many visible inclusions).

FL: Flawless. No internal or external flaws.

IF: Internally flawless.

VVS1 & VVS2: Very, very slightly included. Inclusions are difficult to see even under 10x magnification.

VS1 & VS2: Very slightly included. Inclusions typically aren’t visible to the naked eye.

SI1 & SI2: Slightly included. Inclusions typically visible under 10x magnification. Some may have visible inclusions.

I1: Included. These will have a flaw visible to the naked eye.

I2 & I3: Included. These will have visible inclusions.

Diamond Carat

A carat (ct.) is the unit of measurement specifically used to describe the weight of a diamond (or other gemstones). Its name comes from the carob seed – a small seed with a typically uniform weight that early gem traders used as counterweights for balancing their scales, according to the GIA. A single carat is equivalent to 0.2 grams, or 200 milligrams, and is divided into 100 points.

A certified diamond that comes with a grading report will indicate the exact carat weight to the nearest hundredth of a carat, in decimal format. A 1-carat diamond has 100 points (1.00) while a ¾ carat stone has 75 points (0.75).

The carat is probably the most familiar of the 4C terms because it is the easiest one to understand just by looking at the stone. However, people often mistakenly assume that a diamond’s size is synonymous with its weight, though that’s not necessarily true. The way a diamond is cut can actually obscure its size and true weight. The following diagram shows the relative size of carat weights for a diamond that is cut to the same proportions:

Note: Diamond illustrations show relative size, not actual size.

Carat Weight Scale

It’s important to note that it’s not just the carat weight, but also the quality of the stone at that weight that helps determine the diamond’s value. Factors that determine quality include the cut, color, clarity, and finish. Diamond values also increase disproportionately to the size of the stone, since larger diamonds are more rare .In other words, a three-carat stone with equal color, clarity, and cut can end up costing significantly more than three times the cost of a one-carat stone. (Diamond Carat Weight, http://www.diamond.com)

Diamond Shapes

The classic diamond is, to most people, a round gem of sparkling white brilliance with a kaleidoscope of dazzling facets to entice the eye.

Diamonds are natural crystals of varying size and shape formed in the earth over millions of years. The traditional round brilliant diamond, though the most popular diamond shape of all, is hardly the whole story.

By the diamond cutter's art these crystals are carved into gems of spectacular and whimsical beauty. A cutter's skill will produce a diamond of the greatest size with the fewest flaws and the most brilliance.

Diamonds can be cut in different shapes:

Round Brilliant cut

This shape has set the standard for all other diamond shapes, and accounts for more than 75% of diamonds sold today. Its 58-facet cut, divided among its crown (top), girdle (widest part) and pavilion (base), is calibrated through a precise formula to achieve the maximum in fire and brilliance.

Oval cut

An even, perfectly symmetrical design popular among women with small hands or short fingers. Its elongated shape gives a flattering illusion of length to the hand.

Marquise cut

An elongated shape with pointed ends inspired by the fetching smile of the Marquise de Pompadour and commissioned by the Sun King, France's Louis XIV, who wanted a diamond to match it. It is gorgeous when used as a solitaire or when enhanced by smaller diamonds.

Pear Shaped cut

A hybrid cut, combining the best of the oval and the marquise, it is shaped most like a sparkling teardrop. It also belongs to that category of diamond whose design most complements a hand with small or average-length fingers. It is particularly beautiful for pendants or earrings.

Heart Shaped cut

This ultimate symbol of romance is essentially a pear-shaped diamond with a cleft at the top. The skill of the cutter determines the beauty of the cut. Look for a stone with an even shape and a well-defined outline.

Emerald cut

This is a rectangular shape with cut corners. It is known as a step cut because its concentric broad, flat planes resemble stair steps. Since inclusions and inferior color are more pronounced in this particular cut, take pains to select a stone of superior clarity and color.

Princess cut

This is a square or rectangular cut with numerous sparkling facets. It is a relatively new cut and often finds its way into solitaire engagement rings. Flattering to a hand with long fingers, it is often embellished with triangular stones at its sides. Because of its design, this cut requires more weight to be directed toward the diamond's depth in order to maximize brilliance. Depth percentages of 70% to 78% are not uncommon.

Trilliant cut

This is a spectacular wedge of brittle fire. First developed in Amsterdam, the exact design can vary depending on a particular diamond's natural characteristics and the cutter's personal preferences. It may be a traditional triangular shape with pointed corners or a more rounded triangular shape with 25 facets on the crown, 19 facets on the pavilion, and a polished girdle. It is definitely for the adventurous.

Radiant cut

This square or rectangular cut combines the elegance of the emerald shape diamond with the brilliance of the round, and its 70 facets maximize the effect of its color refraction. Because of its design, this cut requires more weight to be directed toward the diamond's depth in order to maximize brilliance. Depth percentages of 70% to 78% are not uncommon.

Cushion cut

An antique style of cut that looks like a cross between an Old Mine Cut (a deep cut with large facets that was common in the late 19th and the early 20th centuries) and a modern oval cut.

The shape of things to come in diamonds has already produced other fanciful and innovative styles such as the flower, cloverleaf, triangle and kite. Nor does it stop there. Some cuts are variations on standard shapes, others spin off the natural crystal formation of the stone, and still others take the idea of shape to revolutionary new heights. Individuality and taste determine the fashion, and the magic of the gem cutter transforms each stone into a unique work of art.(“Diamond Shapes”, http://www.thediamondbuyingguide.com)

Credit: gyjewelry
Source:http://www.gyjewelry.com/en/education/diamonds-257

Gold, Education

2012-08-05T10:38:00.001+08:00

Gold

Properties of Gold

Gold is called a "noble" metal (an alchemistic term) because it does not oxidize under ordinary conditions. Its chemical symbol Au is derived from the Latin word "aurum." In pure form gold has a metallic luster and is sun yellow, but mixtures of other metals, such as silver, copper, nickel, platinum, palladium, tellurium, and iron, with gold create various color hues ranging from silver-white to green and orange-red.

Pure gold is relatively soft: it has about the hardness of a penny. It is the most malleable and ductile of metals. The specific gravity or density of pure gold is 19.3 compared to 14.0 for mercury and 11.4 for lead.

Impure gold, as it commonly occurs in deposits, has a density of 16 to 18, whereas the associated waste rock (gangue) has a density of about 2.5. The difference in density enables gold to be concentrated by gravity and permits the separation of gold from clay, silt, sand, and gravel by various agitating and collecting devices such as the gold pan, rocker, and sluice box. It’s resistant to corrosion, tarnish and rust.

Gold Color

The color of gold is determined by two factors:

* The type of metal alloys included

* The percentage of each metal alloy

Yellow Gold

Natural gold and color-saturated alloys are what give yellow gold jewelry its rich shine. The alloys most commonly used, are copper with a red hue, and silver featuring a green hue. An expert mixture of copper, silver and pure gold gives this precious metal its signature warmth.

White Gold

A silvery white character is what makes white gold jewelry so appealing. In order to make the gold white, it is combined with metal alloys that are white in nature and plated with an extremely hard element called rhodium. Although strong, rhodium may wear away over time. Re-plating is a simple process that can be done to restore whiteness to your jewelry.

Rose Gold

The beautiful pink hue of rose gold jewelry is created by using a copper alloy. Again, the overall percentages of metal alloys is the same for rose gold as it is for yellow or white, there is just a different mixture in what alloys are used.(“Gold Purity, Color, Pricing, and Care“,http://www.bluenile.com)

Uses of Gold in the Ancient World

Gold was among the first metals to be mined because it commonly occurs in its native form,that is, not combined with other elements, because it is beautiful and imperishable, and because exquisite objects can be made from it. Artisans of ancient civilizations used gold lavishly in decorating tombs and temples, and gold objects made more than 5,000 years ago have been found in Egypt. Particularly noteworthy are the gold items discovered by Howard Carter and Lord Carnarvon in 1922 in the tomb of Tutankhamun. This young pharaoh ruled Egypt in the 14th century B.C.

The graves of nobles at the ancient Citadel of Mycenae near Nauplion, Greece, discovered by Heinrich Schliemann in 1876, yielded a great variety of gold figurines, masks, cups, diadems, and jewelry, plus hundreds of decorated beads and buttons. These elegant works of art were created by skilled craftsmen more than 3,500 years ago.

Ancient Gold Sources

The ancient civilizations appear to have obtained their supplies of gold from various deposits in the Middle East. Mines in the region of the Upper Nile near the Red Sea and in the Nubian Desert area supplied much of the gold used by the Egyptian pharaohs. When these mines could no longer meet their demands, deposits elsewhere, possibly in Yemen and southern Africa, were exploited.

Artisans in Mesopotamia and Palestine probably obtained their supplies from Egypt and Arabia.

Recent studies of the Mahd adh Dhahab (meaning "Cradle of Gold") mine in the present Kingdom of Saudi Arabia reveal that gold, silver, and copper were recovered from this region during the reign of King Solomon (961-922 B.C.).

The gold in the Aztec and Inca treasuries of Mexico and Peru believed to have come from Colombia, although some undoubtedly was obtained from other sources. The Conquistadores plundered the treasuries of these civilizations during their explorations of the New World, and many gold and silver objects were melted and cast into coins and bars, destroying the priceless artifacts of the Indian culture.

Early Gold Finds and Production

Gold was produced in the southern Appalachian region as early as 1792 and perhaps as early as 1775 in southern California. The discovery of gold at Sutter's Mill in California sparked the gold rush of 1849-50, and hundreds of mining camps sprang to life as new deposits were discovered. Gold production increased rapidly. Deposits in the Mother Lode and Grass Valley districts in California and the Comstock Lode in Nevada were discovered during the 1860's, and the Cripple Creek deposits in Colorado began to produce gold in 1892. By 1905 the Tonopah and Goldfield deposits in Nevada and the Alaskan placer deposits had been discovered, and United States gold production for the first time exceeded 4 million troy ounces a year: a level maintained until 1917.

During World War I and for some years thereafter, the annual production declined to about 2 million ounces. When the price of gold was raised from $20.67 to $35 an ounce in 1934, production increased rapidly and again exceeded the 4-million-ounce level in 1937. Shortly after the start of World War II, gold mines were closed by the War Production Board and not permitted to reopen until 1945.

From the end of World War II through 1983, domestic mine production of gold did not exceed 2 million ounces annually. Since 1985, annual production has risen by 1 million to 1.5 million ounces every year. By the end of 1989, the cumulative output from deposits in the United States since 1792 reached 363 million ounces.

Gold Amalgam

Mercury (quicksilver) has a chemical affinity for gold. When mercury is added to gold-bearing material, the two metals form an amalgam. Mercury is later separated from amalgam by retorting. Extraction of gold and other precious metals from their ores by treatment with mercury is called amalgamation. Gold dissolves in aqua regia, a mixture of hydrochloric and nitric acids, and in sodium or potassium cyanide. The latter solvent is the basis for the cyanide process that is used to recover gold from low-grade ore. (Harold Kirkemo, William L. Newman, Roger P. Ashley, “A brief history of gold uses, prospecting, mining and production”,http://www.geology.com)

Fineness and Karats

Since ancient times the purity of gold has been defined by the term karat, which is 1/24 part of pure gold by weight. Pure gold is equivalent to 24K. Gold purity may also be described by its fineness, which is the amount of pure gold in parts per 1000. For example, a gold ring containing 583 fine gold has 583 parts (58.3%) gold and 417 parts (41.7%) of other base metals.

The following chart shows the relationship between different international gold markings:

KARAT

PARTS IN GOLD

GOLD PERCENTAGE

FINENESS

8 in 24

33.33%

333

9 in 24

37.50%

375

10K

10 in 24

41.67%

417

14K

14 in 24

58.33%

585

18K

18 in 24

75.00%

750

22K

22 in 24

91.67%

917

24K

24 in 24

99.99%

999

WEIGHING PRECIOUS METALS

The weight of a piece of gold jewelry is a factor that helps to determine its value. It is important because it is an indication of the amount of fine gold in an item of jewelry. Grams (g) and pennyweights (dwt) are the units of weight most commonly used in weighing gold. Gold and silver are almost always weighted in the troy system of weights where one pound troy equals twelve troy ounces and twenty pennyweights equals one troy ounce. The following table summarizes useful weight conversions:(”Gold and precious metals information”, http://www.gottrocks.com)

1 gram (g) = 0.643 dwt = 0.0032 oz t = 0.035 ozav

1 pennyweight (dwt) = 1.555 g = 0.05 oz t = 0.055 ozav

1 troy ounce (oz t) = 31.103 g = 20 dwt = 1.097 ozav

1 ounce avoirdupois (ozav) = 28.3495 g = 18.229 dwt = 0.911 oz t

Credit: gyjewelry
Source:http://www.gyjewelry.com/en/education/gold-253

2012-06-14T01:51:00.002+08:00

Jewellery Care

2012-03-24T12:42:00.002+08:00

Maintenance:

It is recommended that jewellery is removed before going to bed or when taking part in any physical activity.

Jewellery should not be exposed to chlorine or salt water as this makes the surface matt and dull. Avoid contact with make up, creames, perfumes, this tarnishes jewellery.

Cleaning Metals:

Add a small quantity of mild cleaning agent, such as fairy liquid, to lukewarm water and using a small, soft toothbrush, gently clean the jewellery. Toothbrushes are ideal for cleaning jewellery with patterns which otherwise can be difficult to clean.

If the dirt is hard to remove and the jewellery DOES NOT have pearls or gemstones, soak in clean water.

Cleaning pearl and gemstone jewellery:

Pearls and gemstones must only be with a soft brush or cloth. Avoid exposing gemstones to water or cleaning agents.

Protecting Leather:

Leather products benefit from leather cream which prevent the product from cracking. It is advised to apply a leather moisture/cream when the product is first removed from the packaging or when it feels dry.

Credit: Sandra Holmes
Source:http://www.sandraholmesjewellery.com

Exquisite of gemstones

2012-03-23T12:09:00.001+08:00

Hasimah Musa Platinum Ring Design Version 4

2012-03-21T12:11:00.000+08:00

Isometric View

Top View

Front View

Side View

Hasimah Musa Gold Ring Design Version 3

2012-03-21T08:48:00.000+08:00

Isometric View

Top View

Front View

Side View

Hasimah Musa White Gold Ring Design Version 2

2012-03-20T12:32:00.001+08:00

Isometric View

Top View

Front View

Side View

Hasimah Musa White Gold Ring Design Version 1

2012-03-19T12:33:00.003+08:00

Isometric View

Front View

Top View

Side View

Crystal Mosque, Kuala Terengganu, Malaysia Plaque

2011-12-17T11:24:00.000+08:00

12 Features Diamond Ring

2011-12-13T12:27:00.000+08:00

'Solitaire'

Brand: Tomei

'Heart'

Brand: K.M. Oli Mohamed

'Princess'

Brand: Asprey

'Emerald'

Brand: Asprey

'Floral'

Brand: Selberan

'Oval'

Brand: Asprey

'Patented Cuts'

Brand: K.M. Oli Mohamed

'Round'

Brand: Habib Jewels

'Cushion'

Brand: K.M. Oli Mohamed

'Radiant'

Brand: Habib Jewels

'Pear'

Brand: Cartier

'Coloured Stone'

Brand: OTY

Beer Mug

2011-12-09T17:02:00.000+08:00

DP21002 - International Chess Set

2011-12-09T16:59:00.001+08:00

Twelve Years Animal Wall Clock

2011-12-09T16:42:00.000+08:00

Dewan Bandaraya Kuala Lumpur Project

2011-12-06T09:50:00.000+08:00

Diamond terms

2011-10-04T18:44:00.000+08:00

Brilliance

The way light interacts with the stone; the higher the quality of the stone, the more it will shine.

Canadian Diamonds

In the early 1990s, miners found a lode of diamonds on the Arctic tundra in Canada's northwest. Since then it has grown into a $2 billion annual business.

Carat

A unit of measure used to weigh stones.

Clarity

The clearness and cleanness of the stone when viewed with a loupe.

Color Classifications

A color scale that runs from D (colorless) to Z (very light yellow).

Conflict-free

Diamonds whose mining did not fund terrorist activities or civil atrocities.

Crown

The top portion of a diamond extending from the girdle to the table.

Culet

The facet at the tip of a gemstone. The best culet is invisible to the naked eye.

Cultured Diamonds

Synthetic diamonds "grown" in labs, resulting in stones whose properties are very similar to mined diamonds but for much less money.

Cut

The angle and number of facets on the stone. The cut is the greatest factor in a diamond's brilliance.

Depth

The height of a gemstone measured from the culet to the table.

Diameter

The width of the diamond as measured through the girdle.

Flaw

Small black or dull places seen in most diamonds; can be microscopic fractures or feathers. Also known as an inclusion.

Four C's

Cut, color, clarity and carat, all of which are used to evaluate a diamond's value.

Girdle

The intersection of the crown and pavilion that defines the perimeter of the diamond.

Inclusion

A naturally occurring "flaw" inside a rough precut diamond. Like a handprint, each diamond has its own inclusions, which can affect a diamond’s clarity and strength.

Pavilion

The bottom portion of a diamond, extending from the girdle to the culet.

Placeholder Ring

A temporary ring a groom gives his betrothed when proposing. It can be a family heirloom, costume jewelry or a ring provided by a jeweler, for which the groom preselects the center stone.

Setting

The mounting that attaches the diamond to the ring’s band. Settings are usually made out of platinum because of its strength and durability.

Shape

The geometry or silhouette of the stone.

Solitaire

A simple band with a single center stone mounted in a three-to-six-claw prong and set precisely to capture the light. It's the most classic and popular style.

Table

The flat part of the diamond. The largest facet of a cut diamond.

Three-stone

A design that consists of either three identically sized stones or one larger center stone flanked with two smaller ones. It’s among the most popular styles.

Credit: Brides

Source: http://www.brides.com

Hairstyle Vs Earring

2011-10-04T08:33:00.002+08:00

There’s nothing that gives your face a quicker lift than a great pair of earrings. If you have long, medium, or short hair, do pay attention to your earrings. As always, do your homework, and know your own facial shape, and what hair styles look good on you.

Lady with SHORT HAIR:

If you have a short hair, earrings are every bit as important as the clothing you put on your body. Your earlobes are exposed for all the world to see and you want them to be appropriately dressed. When you choose an outfit to put on in the morning, take as much care selecting your earrings as you do your top or shoes. Short haired people can appear a bit “naked” without a little ear adornment.

Let Go of Old Fashion Dictates!

Dismiss the idea that you need to wear small earrings if you have shorter hair. You can wear all types of earrings with short hair from subtle gemstone post earrings to long, sparkly dangles. It really all depends on your mood, the occasion, and your outfit. You’re lucky! A long dangle style can look quite dramatic when worn with an elegant dress to a party. By keeping the rest of your jewelry and outfit simple, even dramatic earrings won’t look overdone.Wearing a fashionable pair of earrings takes on even greater importance if you happen to have short hair. Have the widest range of earring selection. From the simplest diamond stud, to the most outrageous hoops, women with short hair can get away with just about any style. Just remember to take the rest of your outfit into consideration before selecting a style. If your outfit is complicated or especially flashy, choose a simpler earring style. You’ll look your best when you don’t have multiple elements competing for attention.

Hoop Earring

Button Earring

Long Dangle Earring

Lady with MEDIUM LENGTH HAIR:

If your hair is medium-length, you will want to exercise caution in selecting hoop-style earrings. This style of earring tends to add weight and curves to your face, so those with round faces will want to be especially selective. If you choose to wear hoop earrings, select styles that have an oval shape and are crafted from a light material.

Lady with LONG HAIR:

Girls with long hair, you can really show off your ears with style and panache. There’s no hiding those earlobes behind a mop of stringing hair or getting your earrings caught in the hairbrush as you style your long hair. You have the advantage of being able to show the world what a great earring collection you have. Choosing hoops that come in square or rectangular styles is another way to add dimension to round faces paired with long hair.

Long Dangle Earring

Also important to consider is the balance between your earrings and other jewelry. Too much jewelry can look gaudy, but too little can appear casual and uninspired. If you plan on wearing one piece of big, highly distinctive jewelry, forgo wearing any other jewelry. For instance, if you’re wearing large, flashy earrings then skip wearing a necklace and bracelet. If your necklace is a particularly bold piece, leave your ears bare. Check yourself in a mirror when you are done accessorizing and make sure that jewelry pieces do not appear too cluttered or chaotic.

Earrings can play a large role in appearance. They can draw attention to your face or your hair, or they can draw attention away from less desirable aspects that you want to disguise. When accessorizing, think about how the different elements of your appearance impact other aspects of your look. Consider how you want to look and the message you want to convey with your appearance. Check your look in a full-length mirror to ensure you’ve achieved your desired style goal.

Credit: iDo Jewellery
Source:http://www.idojewellery.com

Jewellery For Body Shape Guide

2011-10-04T07:33:00.000+08:00

I always design any jewellery according to your personal statement of style. Another wonderful fact is that there is jewelry to fit every taste and every budget. There are no firm rules of right or wrong jewellery choices. However, just as you consider your personal features and build when choosing clothing fashions, you might also do so when you’re selecting jewelry. I am writing this blog is not to set down rules, but to offer general guidelines for selecting jewelry that flatters you! Whenever you wear it, you will be proud to flaunt it to everybody!

Height and bone structure Remember that the most important rule for buying jewelry is to buy what you like because its beauty will last a lifetime. The first and most important factor for you to consider is your overall body size and shape. To help you apply the fashion guidelines to your specific type, i have divided height into 3 separate categories, with discussions of pertinent bone structure. For your purposes, simply refer to the category in which your height is included.

Petite (Under 5’4″)
Necklaces - Petite women best wear collar-length or longer necklaces. Styles with “V” shapes and ones that fall below the breast but above the waist elongate the figure.

Bracelets-Bangles flatter petite women . Several narrow ones are more flattering than one wide one because they are more in proportion to the petite’s overall size.

Earrings-Concentrate on styles that sweep upward, pulling the viewer’s eye up. Full-figured petites look especially well in sharp geometric shapes.

Average (5’4″- 5’7″)
Necklaces-The average-height woman can wear necklaces of any length unless she is full-figured. In that case, she should avoid necklaces which rest on the breast line.

Bracelets-Wide bracelets are more in proportion to the average-height woman than very narrow ones.

Earrings - Earring choices are unlimited and should be considered in connection with face shape and, of course, hair styles. Feel free to select exciting geometric shapes such as triangles, squares and ovals.

Tall (Over 5’7″)
Necklaces- Almost any length goes well. The thin tall woman may select chokers which cut the line of the neck and de-emphasize height. Necklaces made of stones or pearls of the same size are especially flattering to the tall woman.

Bracelets-The tall woman has a wide range of bracelet choices as long as she stays away from too-delicate pieces. The full-figured tall woman should wear several thin bracelets together to give a more balanced feeling, or a couple of wide bracelets.

Earrings-Long dangling earrings are especially flattering to tall women. Because there is plenty of space between the ear lobe and shoulder, she can wear any shape earrings except tiny buttons which look lost.

Face Shapes
Now, let’s combine the information pertaining to height and bone structure with the shape of your face. There are 4 basic shapes: oval, round, heart-shaped and rectangular. Analyze your face shape, and determine the fashions that will best complement it. Remember to select jewelry that is in proportion to the size of your face.

Oval - The oval face is considered to be the perfect shape. The proportions at the forehead are not too wide, and the line from the forehead flows into high cheekbones, then narrows slightly to a rounded chin.

Necklaces-Any shape necklace will work with the oval. A choker looks just as good as opera-length pearls or any necklace that comes to a “V.”

Earrings-Round shapes, button or hoop earrings look well on the oval face, but triangular shapes are especially flattering. Dangling earrings look well, if they are not too long. Earrings that move up the ear or have wings that sweep up minimize a too-thin face or long nose.

Round- The round face is a circle-the width is equal to the length, with no discernible angles at the cheek or chin. The aim of jewelry is to add length.

Necklaces-To give a dimension of length, look for long necklaces, 28″ to 32″.

Earrings-Squares, oblongs, rectangles work well as do dangling and angular designs. Elongated styles also go well because they draw attention down instead of around.

Rectangular- The rectangular face has more length than width and it has distinguishable angles. The width of the face at the forehead is the same as the chin. This face needs jewelry that adds width and camouflages the length of the face.

Necklaces-A high choker reduces the length of the face, particularly if the neck is too long. Also, a 16″ or 18″ necklace that ends in a “U” flatters this face.

Heart-Shape - This face is wide at the forehead and cheeks, then narrows sharply to a point at the chin. Think of this face as a triangle. It likes jewelry that adds width to the chin to draw the eye away from the point.

Necklaces-A choker necklace is a favorite style because it softens and diminishes the sharp angle of the chin.

Earrings-Look for earrings that are wider at the bottom than the top. Dangling earrings that form a triangle are especially flattering.

Triangle- A dominant jawline that tapers or narrows toward the cheekbones & temples.
A triangle face is similar to a heart shape, but with corners & angles. You can match the angles of your face for impact or counterbalance them for softness.

Necklaces- Avoid necklaces that end with a point.

Hands
One final area to take into account when buying jewelry is the hand. This is a body area that attracts a great deal of attention because people “talk” with their hands or otherwise bring attention to them. It is important to select your ring with the same attention as other jewelry, striving to have a ring that flatters your hand. The length of the fingers is the determining factor when purchasing rings.

Long Finger:

Women with long fingers, like tall women, can handle almost any style. In all cases, rings, like all jewelry, must be selected in proportion to the size of the hand. For example, if the long-fingered hand is also overly thin, oval or round settings are best because they soften the look. Also, wider bands are more flattering than thin ones.

Short Finger:
The hands with short fingers look best with settings that remain within the knuckle. The setting or stone that extends past the knuckle only accentuates the hand’s shortness and makes it look less elegant. Oval or marquise shape stones elongate the hand and make good choices for short fingers. Round solitaire settings are also good because of their simplicity. If you want a large ring, opt for a dome shape of a high setting that won’t overpower the short hand.

Finally, when buying a ring, it is most important to keep comfort in mind. The hand is a working, functioning body area, as opposed to the earlobe which doesn’t put forth any effort. Don’t forsake comfort for looks. Measure the length of your knuckle and buy what allows you to move your finger freely.

Summing up Whatever your body proportions or height, there are real jewelry styles to fit your “look.” Your local jeweler has a wide variety of fashions for you to compare, try on and select what flatters you . Rely on your jeweler for advice, information and service before and after your purchase.

Credit: iDo Jewellery
Source: http://www.idojewellery.com

Fashion and Jewellery For Your Body Shape

2011-10-04T03:06:00.001+08:00

If Your Body Shape is… Apple:

You have: Beautiful curves like Jade Jagger, Drew Barrymore and Kate Winslet.Apple shaped girls are defined by curve and width. Characteristics are full busts, waists and upper backs and often width around the middle leading down to slim legs. For you it’s all about accentuating the positives (like your killer legs) and bringing balance to your shape as a whole.

Apple Girls’ Guide to the Top Bits

Jewellery: Statement jewellery, such as pendants and earrings, draws the attention away from your waist and up towards your shoulders and face.

Your Goals: Accentuate slim arms and décolletage (you lucky things), whilst bringing some shape to your waist and balancing the torso.

Create a Waist: Doing so will slim down and balance your entire figure. Think cinched waist tops, waist belts, tailored nipped waist jackets and wrap around tops.

Flesh Focus: Show off your slim arms with great sleeve detailing. Cap sleeves, sleeveless tops and detailing around the shoulders are all great ideas. Remember that your full bust is also a great feature, go for tops that show this off!

Minimise: Darker colours and more matte or basic fabrics on top can help minimise and slim a torso whilst detailing around the neckline or below brings attention to great assets.

Empire: Empire line dresses will create balance and will disguise any areas you want to hide. You can even go with a large print that will keep all eyes on you whilst breaking up your frame and slimming the figure.

Apple Girls’ Guide to the Bottom Line Your Goals: Accentuate your slim pins and bring balance to your frame by creating flow from your top half to your bottom half.Cut the Length: Shorter length skirts and dresses show off your great legs so are a good choice. You can always pair these back with more flowing tunic style tops to create some great proportion.

Get the Skinny: Skinny leg jeans and pencil skirts show off your thin legs!

Balance it: Flared and boot cut pants are great to balance out your upper half but thinner leg options should definitely not be frowned at. When it comes to skirts go for something with a little bit of a flare or ruffle for balance and make sure to show off your slim ankles and calves. Remember… It’s great to be an apple shape because of your fantastic legs and arms. Show them off with pretty skirts and 3/4 sleeve tops.

___________________________________________________________________________________

If Your Body Shape is…Pear:

You have: The best of both worlds; you’re lean and bootylicious like Beyonce, Christina Aguilera and Tyra Banks.Characterised by a slim torso, bust and waist with larger hips, thighs and bottom, pear shaped bodies benefit from well tailored and proportioned items. This shape is all about balance, drawing the eye up and elongating the leg.

Pear Girls’ Guide to the Top Bits Your Goals: Balance is the key word here, and for you it’s all about drawing the eye up and balancing what’s going on below.

Jewellery: Brooches worn high and towards your shoulder will make your top half look wider.
Chokers and pendants keep the focus near your face and away from your hips

Necklines: V neck tops help balance out your shoulders and add shape to the bust area. Detailed necklines are also a great choice. Things like beading, ruching or pleating across the bust will add shape and give a fuller effect.

Strappy: Few people can really get away with the strapless or strappy thing like you can. Embrace it and go with it – everyone else is jealous, I assure you.

Minimise: Minimise the bottom half by going crazy with the top. Think silk, bright colours, detailing and all the rest. These will draw the eye up and when paired with dark basics or solid tones on the bottom will balance your entire figure.

Maximise: Many pear shaped girls would prefer a little more weight along the torso. You can fake this by going for ruching or buy padded bras and enhancers.

Crop It: If you have hips then a great place to emphasise is your proportionally very slim waist. Cropped jackets and waist friendly belts will draw the eye up and accentuate a great feature. Cinched in waist dresses (like dresses with waist ties) and empire line dresses can accentuate the positives in your shape whilst gliding over problem areas.

Pear Girls’ Guide to the Bottom LineYour Goals: Minimise your hips and thighs while making the most of your very slim lower legs and making sure your top half flows through to your bottom half. Minimise: Darker colours on your bottom half will minimise width and lengthen the legs so when shopping for pants, these shades are the best option. This is a great idea to keep in mind when shopping for denim.

Stretch It: The fact that you have wider hips and thighs with thinner bottom legs means that something with a little bit of stretch is going to give you the best fit. Whilst spandex leggings may not be the go, something with a little elastane will give the best fit.

Band Aid: To minimise a tummy (if you have one) a waist band that sits a littler higher than the average (i.e. two or so fingers under the belly button) will smooth the tummy area magnificently.

Slim It: Pants with prominent vertical seams or more of a boyfriend cut flatter and lengthen the legs whilst slimming the silhouette as a whole.

Skirt Around: Wear skirts that cut off below the knee, particularly handkerchief hems and asymmetric cuts, which bring attention to slim calves and ankles. A line is a key word also. Remember… It’s great to be pear shaped because you can wear all the tops that others can’t. Stock up on silks and strapless numbers and watch other girls turn green with envy.

___________________________________________________________________________________

If Your Body Shape is…Hourglass:

You have: Classic curves like Jessica Simpson, Scarlett Johansson and Anne Hathaway.The hourglass figure will have a wider bust and thighs paired with a thin waist. This curvy shape benefits from showing off your best assets and creating balance.

Hourglass Girls’ Guide to the Top Bits Your Goals: Showing off your assets stylishly will slim an hourglass frame, bringing the eye to areas you love while helping you skim over areas you’re not so confident with.

Shape It: Wrap around tops and dresses are great for an hourglass as they emphasise your naturally thin waist. The same goes for cinched waist anything or items that belt or cinch at the true waist. Tailoring is your key here.

De Bulk: Thin weight fabrics like matt suiting gives a slimming line to your figure but doesn’t add bulk. Keep this in mind when shopping for knitwear as well – the finer the knit the more flattering the finish.

Support: This includes supportive semi-firm fabrics in a dress to supportive bras that lift the bust or thicker straps on a top that keep a nice line across the shoulders. Because you have curvy figure support is key – keep this in mind when looking for any items.

Neckline: You will find items that come to a V are the most flattering along the neck. This is because they draw the eye down to the décolletage but also slim and narrow your quite wide chest. Because hourglass figures usually boast larger busts it’s also important to keep this in mind, and not make a large bust look completely out of proportion by pairing it with a neckline that is too high.

Matte and Monotone: Keeping colours monochromatic gives a stylish finish and keeps you looking really well proportioned. While you can definitely wear colours and patterns well, care must be taken to not look too over the top. The more muted the better.

Sleevey: Sleeves not only add a little more shape across the shoulders, they are also a great way to flatter bigger arms. Fluted, three quarter and puff sleeves can instantly slim the entire arm as well as adding another layer of dimension.

Hourglass Girls’ Guide to the Bottom LineYour Goals: To flatter the form without adding any unwanted bulk.

Skirt Around: Skirts are a great way for you to flatter your form if you want to wear tops and bottoms as opposed to dresses. Pencil skirts, knee length straight skirts and high waisted skirts are all good options. Make sure to choose styles with a little stretch for comfort and the best fit.

Pants: Softly flared pants and jeans help balance out the figure below. Hourglass figures may also benefit from skinny leg cuts and wide leg cuts, which are tailored.

Rise and Fall: Mid-rise items are always great and flattering to an hourglass shape as they can cut across and diminish curves in the belly area. High waists too are a great option and a good way to show off your naturally thin waist. Remember… It’s great to be an hourglass because you have killer curves. Show them off with dresses and skirts which embrace femininity and seduction.

___________________________________________________________________________________

If Your Body Shape is…Petite:

You have: A cute compact and lean body like Eva Longoria, Kylie Minogue and Natalie Portman.Petite body types are smaller and often naturally toned. They will have broad shoulders and short legs. You’re compact and small and for you it is all about creating length and curves and, of course, keeping it all in proportion.

Petite Girls’ Guide to the Top Bits Your Goals: To keep the eye moving from top to bottom, to create flow from your top half to your bottom half and of course to not swamp your delicate figure.

One Tone: One colour top to toe will create proportion, lengthen the figure and all the while give you a great silhouette.

All in Proportion: Tops that are shorter in length, cropped jackets that don’t fall below the hips and items that are detailed just under the bust all give you a sense of proportion to your body. This means a perfectly balanced frame.

Chiffon and Sheer: Over wraps and tops in a sheer fabric (like chiffon, lace and tulle) allow you to add layers to an outfit and a little curve to your body, while still keeping the line of your body clear. It’s something that Kylie uses all the time – think a sheer chiffon caftan with a plaited waist tie over skinny leg denim.

Petite Girls’ Guide to the Bottom LineYour Goals: Give your silhouette a little length.

Hemline: When you have little legs it’s important to keep the hemlines just right. If you are going to go with a floor length dress or skirt then make sure it has a dynamic front slit that will draw the eye up and give your legs a little length. However, the best length dress or skirt will be a cocktail or mini; here the proportion will be just right.

Line Work: When it comes to pants, the slimmer the leg the more lean and long your frame will look. Embrace skinny leg denim as the base of your outfit and your figure will benefit. Cuff It: Make sure that the cuff of your pants doesn’t skim the floor as this will just draw the eye down instead of up. Instead pants that cut off at or taper into the ankle are the best choice. If not make sure your pants are at least a centimetre off the floor – this will make your legs seem longer.

Footwork: Neutral coloured heels, peep-toe heels and shoes in the colour of your outfit are great for making you appear taller. Ankle boots are also great for this, as are knee high boots worn over skinny denim because it makes it look like those legs go on forever!Remember… It’s great to be petite because you can pull off all those strappy, skimpy cuts in tops, dresses and skirts that we are all dying to try.

__________________________________________________________________________________

If Your Body Shape is…Slim / Athletic:

You have: A sporty body like Cameron Diaz, Mischa Barton and Keira Knightley.Slim and athletic types will be straight up and down, perhaps with not much of a bottom or bust. You’re straight and narrow and for you it is all about creating curves, curves, curves!

Jewellery: Accessorize with necklaces, colourful belts and scarves to add shape and interest

Slim Athletic Girls’ Guide to the Top Bits Your Goals: Curve, curve, curve is the call of the day!Strap and Strapless: Strapless bodices, form fitting shapes and strappy complex necklines are all something that smaller frames can get away with. So do it!

Print It: Little prints, contrasting colours and mixed and matched prints all add texture, which means curves in all the right places.

Shape Maker: Anything that creates shape is your best friend, such as pleating, detailing, beading, prints, pleats, ruching, silk and knitwear. All of these items create curves on the bust and hips which make them great options for slim girls.

Bold and Beautiful: Large jewellery (particularly necklaces) and bold colours around the neckline and top half keep all eyes on you and add a bit more depth to your frame. Choose colours that are punchy yet complement your skin tone.

Waisted: The illusion of a waist can be created in a number of ways, from belts around the waist to well-cut tailored jackets which flare out just below the waist.

Don’t Swamp: Tailored items will always look best on you, while boxy items will just swamp your body. You need tailoring to create form. This goes for the bottom half too.

Slim Athletic Girls’ Guide to the Bottom LineYour Goals: Embrace your slim lines or make a little more curve – the choice is yours.

Curve Creator: On the bottom your curves can be enhanced with belts, pocket detailing as well as A-line and full skirts. Pants can be patterned and textured and high waists are definitely not a problem for you.

Bias Cut: Bias cut dresses and skirts hug the body in all the right ways and hang in all the right places. What you are left with is the feeling of curve even where none exists.

Silhouette: Skinny leg denim or pants will show off all the curve you have and give a long lean look. They’re also a great choice for layering with other pieces to create more depth. However, if curve is what you are after, high waisted and boyfriend cut pants are the way to go. And the ever obvious puff and tulip silhouettes in dresses and skirts. Remember… It’s great to have a thin/ athletic frame because the trends off the runway actually work on you! Take advantage of it and be brave with fashion.

Credit: iDo Jewellery
Source:http://www.idojewellery.com

Condiment Set

2011-09-16T20:24:00.001+08:00

Necklace

2011-09-16T20:19:00.000+08:00

HOW TO CARE FOR DIAMONDS AND FINE JEWELRY

2011-07-18T02:30:00.001+08:00

THE IMPORTANCE OF PROPER JEWELRY CARE

CUSTOM DESIGNED RING BY JEWELRY STUDIO

At Jewelry Studio, a full service, luxury designer jewelry store in downtown Bozeman, Montana, we want our clients to enjoy wearing their jewelry for many decades… and hopefully pass their jewelry on to future generations. The staff at Jewelry Studio in Bozeman is dedicated to educating clients on the proper care and cleaning of their rings, bracelets, earrings, pendants, chains, diamonds, gemstones and pearls. Jewelry Studio strongly encourages its clients to come in regularly, at least a few times a year, to have their rings and other important jewelry pieces properly inspected for any damage, worn prongs and loose stones. Jewelry Studio wants to tighten any loose stones or fix any potential problems as soon as possible. Jewelry Studio provides its clients with complimentary and professional ring polishing and jewelry cleanings so that their jewelry is always looking its very best, with lots of great eye-catching sparkle!

Diamond jewelry is extremely popular. Engagement and wedding rings are created to be worn every day. Diamonds are very durable but they still require proper maintenance to protect them and keep them looking their very best. Clean diamonds “glow” because the maximum amount of light can enter the stone and return in a fiery brilliance. Diamonds can get smudged and dirty. Body oils, lotions, powders, and soaps can put a film on diamonds that will cut down their brilliance.

Fine jewelry is a very precious possession that is crafted to last a lifetime. However, proper care is required to assure the lasting qualities of fine jewelry. Jewelry Studio is pleased to share some important and helpful tips from Jewelers of America, Inc. for properly caring for fine jewelry, diamonds and gemstones.

General Jewelry Care Suggestions:

Store your jewelry in a safe, clean, and dry place.

Do not tangle your jewelry pieces in a drawer or case because jewelry pieces can scratch and damage each other.

Do not wear diamond jewelry, especially rings, when doing rough work! Even though a diamond is one of the hardest materials in nature, diamonds can still be chipped by a sharp, sudden blow. Treat diamonds and all precious jewelry with gentle care.

Chlorine can damage and discolor the mounting on you diamond jewelry. Keep your jewelry away from chlorine bleach or other household chemicals.

Remove your jewelry before entering a chlorinated pool or hot tub.

There are many different types of colored gemstones, some of which require very specific care and cleaning procedures. Be sure to consult with your jeweler about the care and treatment of your specific gemstones.

Do not expose precious gemstone or jewelry pieces to salt water or other harsh chemicals such as chlorine or detergents. These chemicals may slowly erode the finish and polish of gemstones and jewelry metals like silver and gold.

Hair spray and perfume may cause jewelry to become dull looking. Always apply cosmetics, lotions, and perfumes before putting on jewelry.

Do not subject gemstone jewelry to sudden temperature changes.

If you have an active lifestyle, be sure to take extra precautions with gemstone and diamond jewelry! Emeralds, for example, are brittle and should not be worn when doing household chores or any activity where the stone could be hit or damaged.

Do not wear fine jewelry when doing strenuous sports, household activities, weight-lifting or gardening.

Remove fine jewelry before showering or cleaning. Soap can cause a film to form on jewelry making diamonds, gemstones and jewelry appear dull, old and lifeless.

To make sure that all your fine jewelry is properly cared for, take you jewelry to a trusted professional jeweler like Jewelry Studio in Bozeman, Montana. Choose a retail jewelry store that has been serving your community for a number of years and that has an established reputation for quality service. Ask if the jeweler is a member of Jewelers of America, the national association for retail jewelers. Jewelers of America jewelers will not only help you properly maintain your jewelry but will also answer your care an cleaning questions and help you with your important jewelry purchases, repairs and custom design work. For 17 years, Jewelry Studio in has been helping their clients care for their precious jewelry treasures. Jewelry Studio would be happy to give you a complimentary jewelry inspection and cleaning... and tell you how to preserve the unique beauty of your jewelry.

Credit: Jewelry Studio Bozeman

Source: http://jsjewelrystudio.com

Making jewelry cleaner from household ingredients

2011-06-26T20:02:00.006+08:00

It's not really all that complex. A little ammonia, a little detergent. Don't make it too strong, cause then it smells bad. Actually, the ammonia is optional. Any decent detergent, ranging from plain dish soap to Mr. Clean or Top Job, or laundry detergent, mixed up with warm to hot water in about the same ratio that you'd use for any other reasonably thorough cleaning task around the house, will work. The addition of a little ammonia will make it a better grease cutter. If it's strong enough to do the other ordinary household cleaning chores, it will clean your jewelry as well.

Some folks I know use just plain Windex, right from the bottle, which seems to work. My own recommendation is the above mild detergent mix, noting that the water being quite warm is more important than the exact concentration. Allow the jewelry to soak for a bit, and then rinse and dry with a soft cloth. Before cleaning your jewelry, use your common sense. be sure that you're not attempting to clean something that will come apart, simply should not be cleaned, or needs professional care.

Your good condition diamond engagement ring is probably OK to clean without worry, so long as you now and then have a jeweler check it for loose stones, worn prongs, and general condition and or needed repairs. Your antique Victorian locket with the woven hair ornament on one side and a photo on the other, shouldn't get wet. And if you scrub a piece of costume jewelry with glued-in rhinestones, you might clean all the rhinestones off the piece as well as the dirt.

Even with fine jewelry, it's not uncommon for prongs and setting to become so worn over time that half of what's holding the stones in is the accumulated dirt. Cleaning such stones can loosen them or cause them to be lost. It's generally a good idea to check the stones gently, both before and after you clean your jewelry, by GENTLY probing them with a fine tweezers or pin. If they move at all, or if it seems there's not much metal holding them in, or you're just not sure what you're seeing, then let a professional check it. A couple of notes: Ammonia will damage some of the softer opaque stones, especially amber. It's fine for diamonds in gold or platinum, but stronger solutions get risky with some of the other metals, which sometimes can be tarnished, depending on exactly what cleaner you're using and how strong. It's not usually a problem, but sometimes can be bad.

Strong cleaners of any kind can sometimes damage pearls, malachite, turquoise, peridot, and glued-in stones, (including rhinestones in costume jewelry, ivory, wood, marcasites, and a number of other, similar materials.) Most of these will be OK with mild dish soap or Woolite, in lukewarm water, except for the turquoise and anything glued in, like rhinestones and marcasites. (these may not be harmed, but often can become unglued and lost). Also, pearls on a strand should not be cleaned in anything other than distilled water (And even here, a simple damp soft cloth is better) , as detergents soak into the cord inside the pearls, and don't get rinsed out, deteriorating the cord. After cleaning, they need to be carefully set out to dry.

A few stones, while probably able to withstand cleaning, should nevertheless be left to professionals. These include emeralds, which are often oiled. You don't really want to clean out the oil, which might make it look broken, or at least worse than it started. Opals can withstand cleaning, but they are fragile, and cannot stand heat shock. Use only lukewarm water, not boiling ho, and don't drop them in the sink. Soft stones like tanzanite and apatite, and other less common ones are also probably best left to the pros.

While you can usually use a soft brush, like an old toothbrush, to GENTLY loosen dirt from around a stone or in the back of one, be careful with this, so as not to loosen the stones, and-for heaven's sake-don't use toothpaste or any other abrasive cleaner on that brush. It will dull the metal's polish. If this sounds like a lot of cautions, you're right. You can easily clean most pieces of jewelry, but if you're talking about cleaning all kinds of jewelry there are plenty of places to be cautious. Be sure that the specific pieces you wish to clean are suited to the process you are going to use. Once you've gotten the go-ahead from your jeweler about specific pieces, then have at it. And if you're not sure about all this, then just stop in and have your jeweler clean it for you. Might take a little longer, but we've got equipment you don't have that will do a better job, we are better able to evaluate the jewelry for any potential problems, and we usually don't charge much if anything for simple cleaning services.

Credit: Toronto Jewellery

Source: http://www.toronto-jewellery.com

Degree Final Year Project

2011-05-30T15:14:00.003+08:00

Product

Computer Rendering

Product Name: Napkin Ring (Gold Plating)

Price: RM250

Dimension: 2" x 2"

Product

Computer Rendering

Product Name: Chair Buckle (Silver Plating)

Price: RM250

Dimension: 2" x 2"

Jewelry For The Fighter: Fancy and Feminine Necklace For Ladies

2011-04-21T14:16:00.009+08:00

Amber Liu (fx korean singer) as a weapon jewellery model

Tough girls like to be pretty too, and one stylish yet freaky fashion accessory is actually multi-purposeful, with it weapon meet jewelry design.

Yes, it's a silver, brass and copper material for necklace, but it incorporates an element of feminine flare with it's highly-polished finish and girly rose color. Okay, putting it in perspective, the girly brass are far too small to actually work in your personal defense, unless your intent is to defend yourself from a rabid squirrel, and that will only seem like a good idea on your walk home from a night out at the clubs after a few too many drinks!

All my work and designs are in the realm of recycled art the jewellery and elements i create use readymade materials and waste. My jewellery is based on used original bottled caps which reach me from various independent sources. None of the original bottle caps logos or graphics had been reproduced. All trademarks displayed in this website are owned by their respective owners.

Computer Rendering

Product

Exhibition

aeisyahidris

Diamonds

Diamond History

Diamond 4C’s

Diamond Cut

Diamond Anatomy

Light's Effect on a Diamond

Cut Definitions

Depth & Depth Percentage

Table & Table Percentage

Measurements

Proportions

Polish, Symmetry, Cut Grade

Cut & Depth

Shallow cut

Ideal cut

Deep cut

Diamond Color

Color Scale

Selecting a Color Grade

Fluorescence

Fancy Colored Diamonds

Diamond Clarity

Diamond Carat

Diamond Shapes

Credit: gyjewelry Source:http://www.gyjewelry.com/en/education/diamonds-257

Gold, Education

Properties of Gold

Credit: gyjewelry Source:http://www.gyjewelry.com/en/education/gold-253

Jewellery Care

Credit: Sandra Holmes Source:http://www.sandraholmesjewellery.com

Exquisite of gemstones

Hasimah Musa Platinum Ring Design Version 4

Hasimah Musa Gold Ring Design Version 3

Hasimah Musa White Gold Ring Design Version 2

Hasimah Musa White Gold Ring Design Version 1

Crystal Mosque, Kuala Terengganu, Malaysia Plaque

12 Features Diamond Ring

Beer Mug

DP21002 - International Chess Set

Twelve Years Animal Wall Clock

Dewan Bandaraya Kuala Lumpur Project

Diamond terms

Brilliance

Canadian Diamonds

Carat

Clarity

Color Classifications

Conflict-free

Crown

Culet

Cultured Diamonds

Cut

Depth

Diameter

Flaw

Four C's

Girdle

Inclusion

Pavilion

Placeholder Ring

Setting

Shape

Solitaire

Table

Three-stone

Hairstyle Vs Earring

Jewellery For Body Shape Guide

Fashion and Jewellery For Your Body Shape

Condiment Set

Necklace

HOW TO CARE FOR DIAMONDS AND FINE JEWELRY

THE IMPORTANCE OF PROPER JEWELRY CARE

Making jewelry cleaner from household ingredients

Degree Final Year Project

Jewelry For The Fighter: Fancy and Feminine Necklace For Ladies

Source: http://artgallery.uitm.edu.my/the-collections/permanent-collection/image/104-aeisyah-binti-idris.html

Credit: gyjewelry
Source:http://www.gyjewelry.com/en/education/diamonds-257

Credit: gyjewelry
Source:http://www.gyjewelry.com/en/education/gold-253

Credit: Sandra Holmes
Source:http://www.sandraholmesjewellery.com