Agency Art Animation

Superbowl 2010 Intel Commercial

noreply@blogger.com (Interactive Art Services) — Tue, 09 Feb 2010 16:05:00 +0000

For the years biggest day in advertising and new commercials, Intel debuted its 30 second spot based on Animatic Media's "Lunchroom" layout.

To have your ideas come to life find out more about our services here
Find out more about Intel on their site here

ACTUAL SUPERBOWL AD

noreply@blogger.com (Interactive Art Services) — Tue, 08 Dec 2009 14:45:00 +0000

Vote for Animaticmedia and You Could be Featured in Next Mountain Dew TV Spot

Visit us at DEWnation.com on 12seconds.tv

Animaticmedia, a Fort Lauderdale-based animation studio, is currently competing for a chance to create the next series of Mountain Dew TV ads. The agency submitted a 12-second video, “Dewnation”, which is currently one of the front-runners in the online competition. To spread the word and increase votes, Animaticmedia has announced an in-house contest for its Twitter followers that will give one Twitter user the ability to have his likeness featured in the final TV spot if Animaticmedia is chosen as a finalist.

If Animaticmedia’s “Dewnation” is selected as one of the six finalists, it will feature the likeness of the Twitter follower with the most @mentions and links to the contest page between December 8 and December 14, 2009. From now until December 14, Animaticmedia will be monitoring all tweets and retweets on Twitter that both link to the contest and encourage fellow Twitter users to vote.

Voting for the DEWmocracy contest began on December 1 and will continue through 11:59 PM ET on December 13, when six finalists will be chosen. On December 14, three winners will receive a production budget and will work with DEW fans and the DEW Brand team to produce the DEWmocracy ads, which will air in the spring of 2010.

About Animaticmedia

Based in Ft. Lauderdale, Animaticmedia with the talents of its animators and illustrators in Ft.Lauderdale, Los Angeles and Manila offers cost-effective programming and technology along with custom design and animation.

Flash Animatics

noreply@blogger.com (Interactive Art Services) — Wed, 23 Sep 2009 16:56:00 +0000

Graphic Style Animation for GatorTech Broadcast

noreply@blogger.com (Interactive Art Services) — Mon, 14 Sep 2009 19:28:00 +0000

New Storyboards from Storyboards Online

noreply@blogger.com (Interactive Art Services) — Tue, 25 Aug 2009 19:59:00 +0000

We Test Well!

noreply@blogger.com (Interactive Art Services) — Wed, 10 Jun 2009 18:02:00 +0000

Our Marie Callender's animatic was the second highest scoring spot in ConAgra's history of test production!

Watch the animatic:

Watch the commercial:

Cinematics vs animatics- an insiders report

noreply@blogger.com (Interactive Art Services) — Tue, 31 Mar 2009 19:28:00 +0000

The eternal quest to use the latest medium for animatics rages on. So which medium is better- cinematics, photomatics, animatics or 3D? Ask three different producers at 3 different agencies and you'll get 3 different responces. We all know the real answer to that question depends on the idea but surely there is a medium that skews higher than others? At Animaticmedia we are a full service testing production company so we have had the opportunity to produce animatics spots in a variety of mediums; however we rarely are given research statistics. Before I wrote this article I called several testing facilities for statistics; however none could offer any information on which animatic medium scores better than others. I was told from Millward Brown this isn't the type of data they track. I would strongly suggest they make it part of their data collection.

In December of 2008 we had an opportunity to do a series of high end video animatics or what we call cinematics for a Chicago agency that was pitching for the Intel account. Intel had shopped around a sample cinematic showcasing this high animation style they preferred on their testing. We bid for the job but ended up working for another competing agency.

We had the opportunity to see both campaigns and ended up working with Venables Bell & Partners who had a really solid creative idea. The job was truly a 14 day timeline but we only had 8 days. On such a tight deadline we knew there was no way to finish the animatics in the style Intel wanted so in a crunch we tend to go with what we know best. We swinged for the fences using a traditional hand drawn style pushing the limits of animation and had suggested some angles that really allowed us to make the spots dramatic. Two months later we found that Venables had won the account with a great idea and some blood sweat and tear animatics from us.

So what we learned from this were a couple of things:
1. We still dont know what medium tests well over others, but we do know that "Idea" is king if you have to rely on a medium to get your spot through testing you proably need another idea.
2. While we love 3D, and working with models and shooting video for high-end cinematics there is something magic about hand drawn animatics and a great editor.

By Scott Ownbey
Founder Animaticmedia

To view more animatics
from Animatic Media click here

Ad Industry Stimulus Plan: A Bailout for Stressed Testing Budgets

noreply@blogger.com (Interactive Art Services) — Mon, 16 Mar 2009 19:22:00 +0000

It’s no secret that budgets are tight.

And unfortunately for advertisers and marketers, their budgets are often the first to be classified as “expenses” or “non-revenue generating” during hard economic times.

That’s why Animatic Media, a full-service animation studio based in Miami, with satellite offices in Burbank, CA and the UK, has stepped forward with a bailout for stressed ad agencies and their clients.

“We don’t want to let clients suffer through this period, so we are offering more value for their dollar by giving them 2-for-1 pricing on their animatics and deep discounts on the most popular styles of storyboard frames,” said Scott Ownbey, CEO of Animatic Media.

This offering will help clients with shrunken advertising budgets avoid a recession disappearance.

As history has shown, companies that continue to advertise during recessions come out much stronger than those that slash advertising budgets all together. In 2001, aggressive recession advertisers were rewarded with an increased market share 2.5 times that of average businesses post-recession.

Animatic Media’s stimulus plan for the ad industry will allow agencies and clients to remain competitive in the recession advertising space while still accommodating recession-sized advertising and marketing budgets.

“Before the recession set in, average test spot budgets were $15,000 per animatic. For a limited-time, we’re accommodating the pinch that many are feeling by offering full-up, 30-second animatics, including some 3-D, for $6,900 - $7,500,” said Ownbey.

In addition to test spots, Animatic Media’s services can also be used by infomercial producers looking for a quick way to create quality animations and videos for demonstrations. Storyboards Online is offering stimulus pricing for as low as $49.95 on loose color storyboard frames and as low as $34.95 per frame for loose black and white frames.

This offer will expire May 31st, 2009. Click here or call 954-462-4000 today to take advantage of Animatic Media’s Ad Industry Stimulus Plan.

October Artist of the Month - Nora Koerber

noreply@blogger.com (Interactive Art Services) — Thu, 09 Oct 2008 22:34:00 +0000

Basics first, where are you from?

I am a bona fide "Valley Girl." This would specifically and only mean the San Fernando Valley, in L.A. County, California, U.S.A., as so coined by Frank Zappa right about the time I was attending Art Center College of Design in Pasadena. Lots of info there, eh?

What was the exact day and time you first picked up a crayon?

I just can't believe this story, but my mother claims I actually drew a face on some toilet paper when I was a year old. Now, if this were true, I'd have become a brain/heart surgeon with that type of dexterity. Actually, unlike most artists, I've been drawing since I can remember; since I was but a child. O.K, I know most all artists say this. I am no different. It's all true. Boring, arrogant, usual, and yet something all we artists LOVE to brag about, even as we know most any other artist says exactly the same thing.

If such statements as, "I always drew as a child. I grew up drawing and painting; my parents had to pull the pencil out of my hand and force a fork in it and order me to eat; that's how OBSESSED about drawing I was, as a child. I drew on my walls. I drew on my shoes. I drew my friends at school. I impressed teachers...such that my Kindergarten teacher swiftly ran out to meet my mother (swiftly, mind you) to show off the amazing elephant with the highly decorated carpet on its back... and that I'd get drinks bought for me when I'd draw on cocktail napkins when I was of drinking age....ah, yes, we can all brag these similar stories, can't we? We're all so very talented, being artists. And why? BECAUSE WE'VE ALL BEEN DOING IT OUR ENTIRE LIVES! O.K, I guess it takes "talent," which I have heard is "the ability to learn rapidly."

At what point did you decide that you wanted to pursue a career in this field?

Being that I was such an artistic rock star in school growing up, (unlike all other professional artists I know- ahem), I suppose the notion of my being an artist as a profession was inseparable from the fact that I was already an artist. Gimme italics on the word, 'already', won't 'cha? Thanks. Ah, I like this being interviewed. It's all about me. Ah, well.

I grew up knowing I was an artist. When I was graduating from high school, my school advisor brought out a catalogue from Art Center. I was hooked on that school from the moment I saw that thing. It was the castle on the hill. That was my ticket to artistic paradise and the stairway to heaven as far as becoming a professional artist. So I'd say that essentially, when I saw that catalogue, I knew "what I was going to be when I grew up." (Not that I have, yet, mind you...)

Did you consider any other career paths?

Even though I always drew as a child, I also sang. Yes, and on key. I was simply fabulous, if I do say so, myself. Ahem.

Actually, I WANTED to be a singer when I grew up. But I was so shy around my parents that I thought they would have to first die before I could become a professional singer. No, they are still alive. Yes, I do sing, and have done a few stage thingies, but low key, not so I'd give Stevie Nicks, Cheryl Crow, or Bonnie Rait any competition...

...just while we're on the subject of me and how incredibly great I am, let me just expound on my past endeavors, interests, and childhood pursuits that could have turned me toward any of the following: I played classical guitar, made leather purses and belts and sold them at school, took jiu-jitsu, designed clothes, sewed almost all my own clothes, experimented with recipes, and more! And it was all when I was thirteen. That silly run on sentence is true, but it's not true I could do any of those things, I suppose. I've always been an artist. Just wanted to brag a little more. It makes me feel like such a groovy chick!

Where'd you go to school?

Art Center College of Design, Illus, '84, Honors. C.S.U.L.A., M.F.A., Design, w/ Distinction, '04. (There's more, but that would allow people to more effectively calculate my age). Oh, and more bragging: I was the President of the Society of Illustrators, Los Angeles, '01 and ''02, and have served on the Art Center Alumni Council, as well as having taught for a bit at Otis Art Institute. Currently, alongside my fulltime gig here at IAS, I teach Portraiture through an Adult Education division. The class is well attended; there is a lot of competition, in fact, and models regularly tell me how amazing the level of work is in that unassuming class. It's all because of me, of course.

How long have you been at IAS? Where did you work before?

IAS: three years. I was a freelance illustrator since graduating from Art Center in '84 to right before this job. For the past seven years or so, I have done assorted teaching jobs that took me to a few schools, such as Otis, Cal State Northridge, and Los Angeles County High School for the Arts, (otherwise known as 'LACHSA'), which is located on the campus of C.S.U.L.A. It was very convenient, while I was obtaining my M.F.A. on the same campus. 'Twas fun. I love teaching, but enjoy the college age audience most, as I like challenging students who are ready to immerse themselves in hard, intensive work. (Can you hear the crack of the whip?) What can I say? My last name is German.

What is your favorite style to use and why?

At IAS, I suppose my favorite style is "loose," as it probably most befits my personality. I am a little wild inside, and it's like someone saying, "Hey, step into this masaratti right here and take it for a wild ride, but you've gotta make it real quick!" I'm the woman for that job. Yo.

Anything else you'd like to add?

I imagine that most of those who may randomly choose to read this blog or this interview might possibly be considering getting into this business. If your heart is in your drawing and painting, I would encourage you, as it is so wonderful to work at something you truly love to do. Every day, I am amused, I am challenged, I grow, learn, and get to lay down chops that make me feel groovy, baby. Steady employment also affords a social atmosphere, which was lacking in my freelance years, even though the occasional plum job would mean my earning a ton of money in a very short time. But those 'Golden Days of Illustration' have never resumed to how they were, from around '00 and prior. The computer is here to stay, and 'boutique' art schools are cropping up everywhere. There is a glut of artists out there. But there are only so many who are maniacally driven to support themselves as artists and who are actually good enough to sustain their habit. If you're one of this breed, I'd say, go for it. Don't give up until you get there. But if you find it's taken you ten, fifteen years, ah, well...time to do something else...because work like this doesn't grow on trees anymore, and it takes an immense amount of hard work and talent. Not that I have any, mind you; I think they hired me because I was so good looking and they needed me for blockings. Joking aside, I really enjoy this work and know I am fortunate to be employed with IAS so I can support my habit of choice.

Presidential campaign gets animated: Candidates square off over pencils?

noreply@blogger.com (Interactive Art Services) — Wed, 08 Oct 2008 19:43:00 +0000

A new viral campaign by Storyboards Online and Animatic Media presents an animated version of the presidential candidates’ positions on an obscure topic that is unlikely to make it to the final presidential debate: pencils.

In the age of digital media, Senator Obama views the No. 2 pencil as an archaic utensil and a setback to environmental progress in the U.S. Senator Obama’s green solution, a reusable digital drawing pen, is an extension of his platform for change.

Senator McCain, however, views the No.2 pencil as a reliable option that Americans of all generations can relate to.

Who do you think is right?

Senator McCain's view on pencils:

Senator Obama's view on pencils:

Experimental Animatics: Breaking paradigms and tilting perspective

noreply@blogger.com (Interactive Art Services) — Thu, 02 Oct 2008 19:15:00 +0000

Animatic Media is combining innovative ideas from its talent pool of editors to create animatics with new styles and looks that agencies can use for test spots.

Here are two new "experimental animatics" from James Nelms, one of Animatic Media's original employees. James is currently a Producer in the L.A. office, but he wears many hats for the company.

"Heist"

"Heist" was an experimental piece I did a couple years ago as part of a pitch for a continuing series of Film Noir style short animations." - James

"Rumble Seat"

"Rumble Seat" was part of a series of Title Card animations I was creating for the Los Angeles Times online video segments." - James

Check back soon to see more experimental animatics.

Raftis produces music video, album in spare time

noreply@blogger.com (Interactive Art Services) — Tue, 30 Sep 2008 22:08:00 +0000

Aviary Ghost - "The Brain is a House" from Aviary Ghost on Vimeo.

Nicholas Raftis has the ability to do what most desire, but few actually achieve - the ability to blend hobby and profession.

The Storyboards Online After Effects Animator/Music/Sound Designer recently filmed and helped edit the first music video for indie rock band, Aviary Ghost (www.aviaryghost.com).

Raftis flew to Bloominton, Indiana to shoot the video for long time friend and Aviary Ghost band member, Steve Kemsley.

“We filmed all of it in one day. Steve (one of the band members) edited it over the following two weeks and then sent the files to me. I spent another three weeks doing color correction and perfecting the details,” said Raftis.

This was a role-reversal for him, as he is used to setting his own music to pre-existing videos.

In addition to this project, Raftis also creates his own music in his spare time with another long time friend, Omar Jon Ajiluni.

“We have a collaborative music project as well under the name Sun Room Generator. Our first album for the project is coming to an end, and it’s coming out truly great. We will be pitching it to labels within the coming months,” said Raftis.

Art exhibit brings colors to life better than your best clothing detergent

noreply@blogger.com (Interactive Art Services) — Tue, 23 Sep 2008 23:07:00 +0000

IAS artist Alex Aguilar’s second art show in three months, “Palette,” will begin on September 29 at Top of The Citi, Le Souffle Citibank Tower, in Makati City. He is co-hosting the show with fellow IAS artist Samuel Donato.

“Palette,” as you may imagine, showcases an array of colorful pieces.

Melody De Jesus, a project manager in IAS’ Manila studio, had this to say of the exhibit:

“With all the economic downfall, global warming, chaos around the world, negative vibes and depressing news, the artists turn the black and white world of the present into a colorful world of hope, love and prosperity.

Each of these artists has brought us into their minds and what they see – creating beautiful artworks that will bring light to your home. Their palettes are pleasing to the eye with warm colors that are rich and meaningful.”

Aguilar is known for his neo-realistic rendering of juxtaposed figurations. Aguilar has hosted numerous exhibits in the last few years and he hosted his first solo exhibit, “Incongruities,” in August. Alex has worked as a penciler IAS since February 2007. He was hired on at IAS after winning the Lead Slinger Challenge in the 2006 Philippine Comic Convention.

This will be Donato’s first time hosting an exhibit and he is excited to promote his own masterpieces aside from the drawings and storyboards he does at IAS. Donato came to IAS after attaining a degree in Fine Arts from FarEastern University and working as a digital artist, designer, and painter on a freelance basis.

The exhibit will run from Sept. 29 to Oct. 30. For more information about IAS and our artists, shoot me an email at jenny@storyboardsonline.com.

Check out beta version of MechTechs world

noreply@blogger.com (Interactive Art Services) — Tue, 23 Sep 2008 14:41:00 +0000

Whether you're a die hard comics fan or you just need a quick break from your work day, you should stop by www.mechtechs.com and check out the beta version of the MechTechs virtual world. The new comic series and virtual world is currently in the development phase, with plans to be launched by November.

Here is a preliminary introduction of the MechTechs cast:

Test your virtual world knowledge!

noreply@blogger.com (Interactive Art Services) — Fri, 19 Sep 2008 13:57:00 +0000

Have you been keeping up with the growth in the virtual world industry? Take our quiz and see how well you do.

LEVEL 1: Eg-no-ra-moose

Virtual world? Am I in “The Matrix”?
Nope, a virtual world is an interactive simulated environment accessed by multiple users through an online interface.

Ava-what?
An avatar is a computer user's representation of himself or herself, whether in the3-D form used in computer games or the 2-D form used on Internet forums and other communities

MMORPG? Am I still reading English?
No, you can stay but you should memorize this acronym for sure since it’s the most common form of virtual world. Say it out loud, slowly: Massively Multiplayer Online Role Playing Game

LEVEL 2: You’re purty smart.

So, why does my company need a virtual presence?
Virtual Worlds have a variety of uses such as: commercial gaming, socializing, online community building, education, political expression and military training

How long have virtual worlds been around?
Virtual world development dates back to the 70s game Maze War that was developed at NASA

How do customers buy my virtual stuff?
Purchases in virtual worlds are made using the virtual currency used in that world. Sometimes this money is exchangeable for real-world currency.

LEVEL 3: Getting warmer

Do the business laws of the real world hold true in virtual worlds?
Accepted human behaviors hold true despite lack of real world consequences, i.e. the Law of Demand is alive and well in virtual worlds – video conferences and training.

The virtual workforce.. are workers being ‘shown the money’?
Workers accept lower wages for similar tasks in the virtual world – but anecdotal evidence hints that wages will soon rise.

Maybe we can hire my teenager as a consultant?
The teen audience is expected to more than double, reaching 20 million in the next 3 years.

Are investors buying into virtual worlds?
Based on first and second quarter figures, an estimated 600 million will be invested in virtual worlds in 2008.

How many consumers are spending money in virtual worlds?
In August, 404,084 of the 857,490 Second Life users active within the month were spending Linden dollars.

How much is the virtual population expected to grow?
Strategy Analytics study predicts that by 2017 there will be 1 billion virtual world registrants with 22% of global broadband users signed up for one or more virtual world, 27% will be active users (270 million)

LEVEL 4: You’re a genius

What are some options for ‘virtual’ business models?
1) Premium purchase, 2) Free-to-play, 3) Free-to-play with microtransactions, 4) Free-to-play with real-world fixed transactions, 5) Free-to-play with real world variable transactions

Does my company have to sell virtual products to benefit from virtual worlds?
No, virtual worlds can be beneficial to your company in a variety of manners outside of e-commerce. You can converse with your customers and gain valuable focus group research just by entering the virtual scene.

MechTechs avatars get first view of humans

noreply@blogger.com (Interactive Art Services) — Thu, 04 Sep 2008 14:41:00 +0000

After months of only seeing giant robots (mechas), the MechTechs avatars are getting to see humans this week. So far, the transition has been smooth for both the avatars and the humans.

CEO Scott Ownbey and CIO Antolin Partidas took a trip to the west coast this week to give attendees at the Virtual World Expo in L.A. a sneak preview of the latest developments in the MechTechs virtual world. Khue Jacobs and Jason Van Winkle from the L.A. office joined Scott and Antolin to present the MechTechs world.

The final version of the site, to be released in October, will allow manga fans to use the latest virtual 2.5 and 2.0 technologies to create customized comics. Fans will be able to insert their mangatars into expansive, predesigned comic page templates with themes similar to those of other popular comics.

“The MechTechs.com backgrounds are rendered to look more realistic and more like an anime movie. It’s not like a typical 2.5 world where the views are mostly overhead, it shows more of the whole environment and gives a more immersive experience,” said Scott Ownbey, Creative Director of MechTechs.com and CEO of ShanghaiPop Interactive.

Style of the Month: Loose Graphic

noreply@blogger.com (Interactive Art Services) — Thu, 21 Aug 2008 19:41:00 +0000

Looking for something a little.. different?

The August Style of the Month may be just the hybrid style you’re looking for.

The Loose Graphic style was created at the request of an IAS client that provided a style reference that didn’t quite fit into either the Graphic or Loose style.

“When we do graphic, it’s usually tight and clean, but this style has some looseness. It’s quicker to do, but it still has some edge to it, which differs from our regular loose style. Also, the colors are monochromatic and simpler than the regular loose color,” said Kaz Tabuchi, one of the L.A. artists that worked on the project.

Creative Industries: One of world's most dynamic economic sectors

noreply@blogger.com (Interactive Art Services) — Wed, 20 Aug 2008 01:28:00 +0000

A recent article by ADOI gave interesting statistics regarding the growth of international trade in the creative industry between 2000 and 2005. During this five year span international trade grew at an average rate of 8.7% per year, reaching US$445.2 billion in 2005.

A few of the reasons for the industry's growth:
1. globalization and connectivity
2. economic and cultural breadth
3. ability to link business, culture and technology

For more information, check out the full story:
http://adoimagazine.com/newhome/index.php?option=com_content&view=article&id=2907&catid=1&Itemid=5

Inside look at the days prior to an art show

noreply@blogger.com (Interactive Art Services) — Thu, 14 Aug 2008 20:37:00 +0000

A lot goes into organizing and running a successful art show. IAS artist Nathan Lumm gives insight into the days leading up to opening night of an art show, or as he refers to it, the calm before the storm.

What is going through your head at this point, with only a few days until opening night?

A couple days before a show, I start to get nervous and wonder if we forgot anything or if people are going to show up. Pretty much everything is done. The only thing left to do is set up the show and wait for the opening.

What has been the biggest challenge/reward of curating a show?

The biggest challenge has been communicating with all the artists. It really helps that there are two of us working with them.

The biggest reward is getting to know and meet artists from all over and having our first show that we have curated. My wife, Janice, and I have talked about opening our own gallery eventually, and this kind of experience is priceless.

What kind of preparation goes into putting together a show like this?

A whole lot of planning goes into a show. It's not only about contacting artists and getting them onboard for the show. There's all the behind the scenes stuff like planning (how big is the show, title of show, artist list), contracts (letting the artist know what the percentage breakdown is if their pieces sell), flier artwork, press releases, bugging the artists to get their artwork in on time, putting up the show.

It really is a lot of work and I apologize if I've ever made it hard on a gallery before.

Any plans to take on this task again?

Funny you should mention that. My wife and I are in talks with an upscale bar/lounge about curating a show for them. It won't be nearly as big as "Eight by Eight" and that's just fine with us. Other than that, we'll stick to the artist side of things with a couple shows coming up.

IAS promotes MechTechs at Comic Con 2008

noreply@blogger.com (Interactive Art Services) — Fri, 08 Aug 2008 22:51:00 +0000

This week I talked with the IAS crew that recently went to Comic Con 2008 in San Diego to promote MechTechs. Here’s what they had to say:

On promoting a comic book series at Comic Con..

“It was pretty overwhelming at first with so many different things going on. We managed to find an area where people were checking out mecha-type story lines though. There’s no other place where you can meet with retailers, distributors and fans alike to get feedback.” – Scott Ownbey, IAS CEO and MechTechs Creative Director

On the response from the crowd…

“When we talked to the publishers, everyone was really eager to see it.” – Khue Jacobs, Managing Director, L.A. studio

On the changes at the convention during the past few years…

“During the past couple of years the focus has shifted from comics to movie studios promoting Sci-fi or whatever movie is coming out.” – Jason Van Winkle, Creative Director, L.A. studio

On the New York Comic Con in February 2009…

“I’m excited to have a copy of MechTechs to actually show people. Once they see the artwork and the first issue, I think they’ll really get excited.” – Jason

MechTechs trailer and artist cam are up!

noreply@blogger.com (Interactive Art Services) — Fri, 25 Jul 2008 22:40:00 +0000

Check out the trailer for MechTechs, the comic series and virtual world currently being developed by Storyboards Online artists. For more information on MechTechs and to watch the artists in real-time as they draw the characters - check out the MechTechs reality blog at http://mechtechs.blogspot.com.

Ads of the Future

noreply@blogger.com (Interactive Art Services) — Tue, 22 Jul 2008 17:30:00 +0000

A spoof (we hope) of future ads for gas stations.

IAS artist hosts “Incongruities” exhibition

noreply@blogger.com (Interactive Art Services) — Fri, 18 Jul 2008 21:55:00 +0000

At first glance, “Incongruities” hardly seems like a healthy title for an art exhibition being hosted by a married couple.

However, for IAS artist Alex Aguilar and his wife Daphne, the title of the painting exhibit they’re currently hosting at the Mag:net Gallery in Makiti City has a deeper meaning.

“‘Incongruities’ deals more with our current state of being, both as individuals and as a married couple. It is my way of acknowledging that with the things that we both encounter on a day-to-day basis, we’re bound to disagree on a thing or two,” said Alex.

The title of the exhibition was derived from the couple’s inability to decide on a theme. Rather than a consistent theme, the exhibition is a combination of the personal selections of Alex and Daphne.

Alex has worked as a penciler IAS since February 2007. He was hired on at IAS after winning the Lead Slinger Challenge in the 2006 Philippine Comic Convention.

The exhibit will run through August 12. For more information on the exhibit, email magnetgalleries@gmail.com or check out the gallery’s website at: www.magnetgalleries.com.

"The Office" spoof shows advantage of 3-D artwork

noreply@blogger.com (Interactive Art Services) — Wed, 16 Jul 2008 21:04:00 +0000

What would "The Office" be like if Dunder Mifflin produced animations and storyboards instead of paper? Check out this video from www.animaticmedia.com and see!

Raftis' video featured in exhibition, music video in the works

noreply@blogger.com (Interactive Art Services) — Fri, 11 Jul 2008 22:30:00 +0000

Nicholas Raftis' recent dream-inspired collaboration was featured in an art exhibition in LA from May 10-June 14.

The DREAM(land) exhibition was held at The Jail Gallery in Chinatown LA. Rafitis collaborated with his long-time girlfriend, Jiae Hwang, to produce a video titled "Aperture."

The video allowed him to combine his audio editing talents with Hwang's drawing, design and layout abilities.

"If I am left to my own devices, I typically explore entirely abstract and experimental music-driven animation. But when Jiae and I work together, we usually find more magical inspiration," said Raftis.

Raftis has worked at IAS for just over a year now as an After Effects Animator/Music/Sound Designer. He is currently in Indiana filming a music video for the indy rock band, Aviary Ghost.

"We have some great works in planning right now, and you can be sure that you will hear a lot more from us soon," said Raftis.

To watch "Aperture," visit www.axiom-crux.net and go to the videos page. Check back for more updates on the Raftis' music video.

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