Album Confessions

25 from '25: The Best Songs of the Year

2025-12-31T07:38:00.000-08:00

Songs released, whether commissioned as an official single or featured on a parent album, between January 1 and December 28, 2025 were considered for this prestigious honor. Priority given to music purchased, not only streamed.

Many singles serviced in 2025 from a parent album released in 2024 were not considered, as they were likely included on last year's list. Neither were 2024 singles featured on an album officially released in 2025 (ex. "Disease" by Lady Gaga).

Honorable Mentions:

"Easy Lover" by Miley Cyrus: For her ninth studio album Something Beautiful, Cyrus took a twice-rejected effort, reimagined it with pop-rock/blues production, and tapped on Brittany Howard for her electric guitar talents, to tell a complicated lover that she is more than capable of handling the challenge that they are.

"Ghost" by Demi Lovato: There are few things more powerful than the closing ballad of a Demi Lovato album. For her ninth effort, the artist mourns the loss of a significant other, navigating the emotional aftermath by pleading for them to forever leave signs that they have not fully departed. A flickering light, a cold chill down her spine, anything.

"Lost Your Faith" by Ava Max: The year was not kind to the "Sweet but Psycho" hitmaker as personal troubles, unauthorized leaks, and a cancelled tour did nothing to help promote the release of her third studio album. However, the effort's lead single is an electric though somber 80s rock anthem where Max highlights the waning devotion of her partner.

"Crème Brulée" by David Archuleta: Following personal revelations surrounding his coming out, sexual liberation, and condemnation from his chosen church, the American Idol alum dropped this fun, sticky-sweet ode to a casual fling. The sultry, funk-influenced number finds the artist luring another into the bedroom with confidence and a dash of Spanish.

"Maybe This Time" by Orville Peck: Life imitates art. Art sometimes imitates life. For the masked cowboy crooner, on his second extended play release, it was a bit of both. Following his performance run as The Emcee in this year's revival of musical Cabaret, Peck ventured into the recording studio for a country-blues rendition of a Broadway classic that even Liza would be proud of.

#25. "Dollars and Dimes" by Faithless feat. Bebe Rexha

As we impatiently await Rexha's fourth studio album, the dancefloor chameleon teamed up with UK dance act Faithless this year for an upbeat, sociopolitical anthem that reminds us all that money doesn't buy happiness. Money won't buy love, money can't hold you at night, it brings temporary satisfaction and nothing more. The finished product was a welcomed, refreshing escape from current reality.

#24. "Flip The Record" by Greyson Chance

He suffered a collapsed lung early in the year, yet Chance was still able to quickly recover and bounce back with a powerhouse, blues-inspired number, one of his strongest efforts to date. The artist opens up about the feeling of rejection, being knocked down, exploited by those he trusted, and ultimately forgotten. "I was young and I was filled with fear, I didn't know that it was hollow," Chance belts.

#23. “I <3 YOU” by MARINA

Following a record label departure, MARINA independently released her sixth studio album. Tucked towards the end is this sparkly, disco-pop celebration of love and all things 70s. Forget the Y2K aesthetic, the artist instead grabs her pinks and purples, her glitter catsuits and vintage coats, for a memorable foray through the urban nightlife. Notice the "I Will Survive" influences?

#22. "DREAMBOY" by Lil Nas X

Personal issues have created unfortunate setbacks for the release of Montero's sophomore album, but let's not forget the quality of what we've heard so far, such as the project's title track. Impressively running through his global accomplishments and music records, while also acknowledging the unwarranted hate he receives for just being himself, the finished product is boastful, confident, and accurate.

#21. "Don't Call Tonight" by Lady Gaga

Following country and jazz-influenced projects, and earning more film credits to her name, Gaga ventured back into the studio for her seventh album, a return to her gothic, electro-pop roots. Navigating emotions that come with a mostly-sexual relationship quickly heading towards a dead end, the artist fears the uncomfortable phone calls and loneliness on this underrated europop gem.

#20. "Say It" by Demi Lovato

Lovato seeks authentic connection, emotional honesty, and consistent reassurance on this endearing number from her ninth album. It finds the artist in a happy, content place in her life. "Yeah, I already know, I know that you love me, that you love me, I know, but I like it when you say it," she playfully and joyfully sings on the pulsating dance-pop effort. It's all so vulnerable and deservingly celebratory.

#19. "Every Girl You've Ever Loved" by Miley Cyrus feat. Naomi Campbell

Cyrus' anthem of fierce independence and sexual freedom is introduced with blaring brass horns, eurodance production, and accompanied by a runway-ready spoken word from Campbell. The artist continues to enjoy her lavish lifestyle, even without a man by her side. In fact, she sees no problem using the opposite sex simply to meet her own carnal needs, knowing she'll always remain on their minds.

#18. "Vanish Into You" by Lady Gaga

Gaga has portrayed a strong and formidable female persona since bursting onto the music scene. However, for this rousing mid-tempo ballad, she's happily lost in a fulfilling romance and willing to surrender herself to her partner. Even with apparent danger closing in on them, they venture into the night hand-in-hand, ready and willing to conquer whatever tries to come in between their love and future.

#17. "FUFN" by Jade

When British pop group Little Mix announced their hiatus, it was a sprint as to which member would get to their debut solo release first. By two weeks, Jade won. For her album's third single, Jade finds herself in the middle of an argument with her significant other. While the argument is pointless, the sentiment is critical. Just because you love someone, doesn't mean you have to like them right now.

#16. "She Ate That" by Hotline X (The Cast of RuPaul's Drag Race UK; Season 7)

When Drag Race UK season 7 contestants Bones, Elle Vosque, Silllexa Diction, Sally™, and Chai T Grande were paired together in the highly anticipated girl group challenge, the other group immediately viewed them as the weaker, underdog group. Big mistake. With a standout verse from Sillexa and catchy production from Leland, there's absolutely no denying these queens ate, and left no crumbs.

#15. "Princess of Power" by MARINA

Opening album tracks from the Welsh artist are always standouts. For her seventh studio effort, that streak was left unbroken. For the title track, though reeling from the hurt caused by the one person she trusted the most, MARINA stands strong and will surely persevere. "I livеd the sweet and I lived the sour, been living lifе locked up in a tower, but now I'm blooming like a flower," she boldly sings.

#14. "Boy Crazy" by Kesha

After years of legal battles and assault allegations, Kesha exited her previous record deal to release her sixth studio album independently in 2025. The loud, wild, and thumping fourth single finds the artist salivating over all types of boys, the bikers and the dumb bros, the daddies and the gym hoes. Filled to the brim with high energy and intoxicating pheromones, the song is an ode to lust and life.

#13. "Sweat" by Melanie C

The year 2000 marked the official hiatus for the Spice Girls, each pursuing solo careers with varying levels of success. Sporty Spice, aka Melanie C, has been the most consistent and innovative with her discography. Her upcoming ninth studio album was preceded by this throbbing, energetic, and inspirational disco-pop number, sampling the legendary Diana Ross to get its playful intentions across.

#12. "Don't Click Play" by Ava Max

Personal relationship issues and a relatively low social profile unfortunately cast a heavy, dark cloud over the release of Ava Max's third studio album. However, the effort's title track, were the artist acknowledges her love for sampling and flattering comparisons to Lady Gaga, is a pop force to be reckoned with. It's fast, sharp, built around a dancefloor-inspired chorus and infectious production.

#11. "Perfect Celebrity" by Lady Gaga

Gaga took her love for grunge rock and used the accompanying angst to critique the obsession with celebrity, fame, and media attention. The late 90s production aesthetic and tongue-in-cheek lyrics -- "I look so hungry, but I look so good" -- shed further light on subjects the artist has never shied away from, and is clearly still struggling to navigate. Success does not come without a few obstacles.

#10. "Frequency" by Demi Lovato

When Lovato highlighted this frantic, club-ready album standout as the song that embodied and set the overall sound for her ninth studio album, it made sense. The structure and progression is dipped in a pop formula that catapulted the artist's early hits to the top of the charts. However, its flirty, playful lyrical content and glitchy, hyperpop production elevates the effort to new, glorious heights.

#9. "Plastic Box" by Jade

Latter album singles often get overlooked -- "Marry the Night", "All Good Things (Come to an End)". That does not mean this straightforward pop effort should be ignored. Touching on one's insecurities as they pertain to a lover's previous relationships, the artist acknowledges and works to navigate the irrationality of wanting to be "the only one" for another. Happiness can be clouded by toxic behavior.

#8. "HOTBOX" by Lil Nas X

Recent encounters with law enforcement while experiencing a mental health crisis has forced the brakes on the rollout for Lil Nas X's official sophomore album. Unfortunate, as initial promotion was promising. Built around a Pharrell sample, the track finds the self-proclaimed dreamboy searching for lust in the club, partaking in gay party culture, and sharing his adoration for a man's beefy cakes.

#7. "In My Arms" by ILLENIUM & HAYLA

While the recorded version is a phenomenal release in itself, nothing compares to experiencing its brilliance live. The instantly captivating energy of the production paired with the raw, emotive vocal performance from a rising pop star created an out-of-body listening experience. "If you're in the dark, even when the light is gone, I'll show you where you belong, when I'm with you," HAYLA belts.

#6. "Reborn" by Miley Cyrus

Desperately searching for authentic and ever-lasting connection, Cyrus is coming to terms with her own insecurities, letting down her protective shields. However, even with the self-improvement and a willingness to change, will it all be enough? There are signs of both vulnerability and strength present in a hypnotic vocal performance, all in search of enlightenment, whether spiritual or physical.

#5. "Mature" by Hilary Duff

Blowing the dust off a short-lived past relationship, Duff warns other women about the tried-and-tired tactics of older men pursuing those half their age. Whether it be a forced intellectual persona, or working tirelessly to impress with a "vintage" aesthetic, the tricks are now less effective. Over upbeat pop-punk production, the artist remains confident that she dodged a bullet, growing wiser with age.

#4. "Shadow of a Man" by Lady Gaga

It's a man's world, the rest of us just live in it. Well, Gaga will also persevere and prosper in it. Over a contagious disco-pop beat, the artist alludes to the numerous male influences that have helped shape her career. However, instead of just hiding in their shadows, feeling insecure about the comparisons, Gaga embraces them. As the very first taste of MAYHEM, it was a broody and intriguing introduction.

#3. "Here All Night" by Demi Lovato

Nothing should have gotten you to the dancefloor faster this year than the second single off Lovato's most recent effort. Pulsating beats, soaring vocals, and a sense of defiance elevates what could have been yet another boring break up track. Initially hung up on a suitor's decision to end the fling without an explanation, the artist now focuses on her emotional recovery through dance therapy.

#2. "Cuntissimo" by MARINA

Another gem of the year that was only amplified during live performances. Released as the third single from her recent album, the bold and liberating pop anthem highlights MARINA's adoration and respect for the powerful women who have come before her, name dropping Selma Hayek and the fictional Thelma & Louise. It's all centered around pleasure, through female experience, not the male gaze.

#1. "Abracadabra" by Lady Gaga

Sure, the choice might not be innovative or surprising, but damn is it deserved. While the lead MAYHEM single was criminally overlooked, Lady Gaga took no prisoners when she interrupted the 67th Annual Grammy Awards ceremony to debut the album's second offering. The explosive, dark, electropop track -- baring similarities to "Bad Romance" -- felt like a return-to-the-throne moment for the pop chameleon. The artist sings of experiencing and overcoming numerous life challenges. Rather than succumbing to the hardship, Gaga fiercely tackles and embraces them, finding magic and purpose in everything thrown in our way.

Hilary Duff Returns with a More "Mature" Sound for First Original Release in Over a Decade

2025-11-10T14:18:00.000-08:00

Breathe in. Now, breathe out.

For those impatiently awaiting the music return of original Disney starlet Hilary Duff, this past Friday (Nov 7) was a welcomed sigh of relief and nostalgia. The "With Love" songstress shared her first original release in over a decade, the apparent lead single from an upcoming sixth studio album.

Blowing the dust off a short-lived past relationship, "Mature" finds Duff warning other women about the tried-and-tired tactics of older men pursuing those half their age. Whether it be a forced intellectual persona that's neither authentic nor genuine, or working tirelessly to impress with a "vintage" aesthetic and love for Basquiat -- art overshadowed by the artist's alleged abusive behavior towards his partners -- the tricks are now less effective.

Over upbeat pop-punk production, Duff remains confident that she dodged a bullet, growing wiser with age and becoming more aware of sleazy courting tactics. "She looks, like shе could be your daughter, like me before I got smarter, when I was flattered to hear you say, 'you're so mature for your age, babe'", she sings on the incriminating chorus.

"Mature", co-produced by Duff's husband Matthew Koma, is a departure from the electro-pop and country leanings of her previous album effort. Instead, the prominent bass melodies and song's progression are more similar to "Never Let You Go" by Third Eye Blind, coincidentally covered by RAC, Duff and Koma in 2020.

If the song's release wasn't enough to appease die-hard fans, Duff also shared its accompanying music video. The simplistic yet glittering visual finds the artist on stage in an empty theater, performing to an audience of one: her 38-year-old self.

The music video further sells the idea of reflection, forgiveness, and maturity. We can be blind and naive at a young age, especially when it comes to the idea of love and commitment. We are swept up by someone's words, instead of their actions towards us.

"Mature" is the letter we write to our vulnerable younger selves, lamenting on how we wish we could've protected the innocence, while ensuring all that you've come out of the ordeal stronger. In the end, the finished product is truly a triumphant metamorphosis to behold!

24 from '24: The Best Songs of the Year

2024-12-23T08:01:00.000-08:00

Songs released, whether commissioned as an official single or featured on a parent album, between January 1 and December 22, 2024 were considered for this prestigious honor.

Despite the unfortunate results of a close presidential election, questionable efforts dominating the top of the charts, and personal obstacles and setbacks, music moments in 2024 served as a welcomed and well-deserved distraction. Priority was given to music purchased, not only streamed.

Many singles serviced in 2024 from a parent album released in 2023 were not considered, as they were likely included on last year's list. Neither were 2023 singles featured on an album officially released in 2024 (ex. "Houdini" by Dua Lipa).

Honorable Mentions:

"Defying Gravity" by Cynthia Erivo feat. Ariana Grande: The battle cry for the film adaptation of Wicked is a rousing, confident pop music moment now forever cemented in pop culture history. Erivo's powerhouse vocals carry the new rendition to wickedly soaring heights. It just felt a little... odd... to officially include a number originally recorded back in 2003 on this list.

"Cherry on Top" by Ben Platt: Pulled from the actor/artist's third studio album Honeymind, the project's second single is evidently inspired by Platt's real-life relationship with husband Noah Galvin. The country-tinged production is a sharp juxtaposition to the lyrics describing a queer love blossoming, growing stronger when a couple chooses to let go and let love in.

"Girl, so confusing" by Charli XCX feat. Lorde: Airing personal dirty laundry on the radio airwaves should only come with consequences. For the on-and-off again friends, it instead resulted in a thrilling collaboration, a peek behind the curtains as the two artists share how they truly feel about one another when the cameras are off and pens are put to the paper in personal journals.

"Midnight Ride" by Orville Peck, Kylie Minogue and Diplo: The worlds of disco and country blended effortlessly together for the second taste of Peck's recent Stampede project. The unlikely collaborators exuded nothing but chemistry, passion and joy, while an infectious whistling stayed lodged in the brain and loins long after the number was officially over.

"I'm Free" by Paris Hilton feat. Rina Sawayama: Eighteen long years later, we finally received a sophomore album from the heiress Paris Hilton. For the project's lead single, the artist teamed up with Sawayama and leaned heavily on samples from Ultra Naté and Stardust to craft an empowering disco-pop bop that encourages all to embrace their uniqueness and freedom.

"Light Again" by Lil Nas X: While audiences did not appreciate the savior-referencing "J Christ" earlier this year, the young hip-hop hitmaker kept his head up to focus on upcoming second studio album Dreamboy and its first release. Lil Nas X boasts about his accomplishments and those who try to come for him and fail, all while supported by production that previously aided Beyonce.

#24. "Hello" by Kylie Minogue

Not only was the release of another full album of material, just one year after Tension, a welcomed surprise. But the quality of Tension II was the real story, deservingly praised by critics and fans alike. "Hello" is a cheeky electropop effort where the artist puts her best effort forward to seduce a one-night stand, despite it being 4am, the crazed woman optics, or a future restraining order.

#23. "Illusion" by Dua Lipa

While third studio album Radical Optimism did not receive as much love as its predecessor, the collection featured many standout efforts, including the effort's third single. Carried by the strongest hook on the album, pounding drums, and a seductive vocal performance, the artist informs potential suitors that she can see right through their lies and fake odes of adoration.

#22. "ICON (Dance IV Life)" by Todrick Hall

Bitches always bounce back. Controversy has consistently swirled around Todrick Hall since that questionable stint in the Celebrity Big Brother house, but there's no denying the power of his bops. For the lead offering from this year's extended play release, the artist exudes confidence and cockiness as he demands listeners to brush off the haters to bask in their own light.

#21. "It's Not That Deep" by Lemon

SPOILER ALERT: After snatching the Queen of the North crown on the second season of Canada vs the World, fan favorite Lemon took the rap verse-crafting skills she highlighted on the reality competition show into the studio for another extended play release. Tucked away is "It's Not That Deep", a fast-paced, fun effort where the queen proclaims financial independence with no time for the trolls.

#20. "Beautiful Things" by Benson Boone

While previous efforts from the Washington native confined him to sugary-sweet, bare-boned ballads, "Beautiful Things" in 2024 allowed Boone to tap into the actual emotion necessary to navigate the hand dealt by reality. Complex and anthemic, carried by a layered vocal performance, the folk-rock effort immediately became the strongest and most impactful release for the still-rising star.

#19. "Somebody Else's" by Gwen Stefani

While her fifth studio album Bouquet mostly maneuvers through feelings of young love and optimism, the effort's lead single touches on the artist's previous marriage and divorce, the perfect transition from the somber material on This Is What The Truth Feels Like. The country-rock number finds an emboldened Stefani letting go of the past to prioritize her future, something her ex never did.

#18. "We Can't Be Friends (Wait for Your Love)" by Ariana Grande

There's no rush quite like crying on the dance floor. A la Robyn, the second single off Grande's seventh studio album Eternal Sunshine finds the artist miserably stuck in the grey area between lovers and friends, seemingly post-breakup. With infectious synths and delicate strings for production support, listeners get to ponder whether reconciliation or accepting the end is best for all involved.

#17. "Lube" by Adam Lambert

Fresh off the release of a covers album, Adam Lambert let promiscuous house parties and casual flings influence his club-ready Afters extended play. The raw, bold, and pulsating lead single found the former American Idol crooner unapologetically and proudly highlighting queer culture to his general audience, while advocating for the importance of a slick substance in the bedroom.

#16. "need dat boy" by Lil Nas X

After enjoying the party rush on its predecessor, the second taste of Dreamboy finds Lil Nas X in a more calm and retrospective mindset. Trademark energetic production is stripped back to properly convey feelings of loneliness and abandonment, but also, resilience and perseverance. The track ultimately becomes the rollercoaster soundtrack for one's journey from struggle to enlightenment.

#15. "My Oh My" by Kylie Minogue, Bebe Rexha & Tove Lo

Every Kylie Minogue collaboration stands strong on its own. However, her surprise team up with Bebe Rexha and Tove Lo was a catchy, dancefloor-worthy throwback to her classic hits. As each woman flirts with a potential suitor by noting their astrological sign and playful nature, seductive vocals from each and a thumping beat carry the effort. And hey, we know now how to properly pronounce Tove Lo.

14. "I'm the Drama" by Bebe Rexha

Bebe Rexha dominated last year's countdown. Thankfully, as she preps for the release of an upcoming fourth studio album, she drew inspiration from her EDM roots for the project's second taste. The chameleon of an artist acknowledges being the life of every party, does not deny the quality and uniqueness she brings to the industry, and proudly stands on her own on the erratic and cocky club bop.

#13. "Don't Let My Boyfriend Get In The Way" by Alice Chater

Following a three-year absence and an inked recording deal with Sony, UK artist Alice Chater made an impressionable return with a catchy ode to potential infidelity. Reading the signs on the wall, the artist encourages a new potential suitor to not wait until her current breakup is finalized to make their move... she can multi-task. Chater's vocal delivery and nonchalant attitude hit the mark.

#12. "Another Lover" by VINCINT feat. Adam Lambert

The charged and confident ode to romance and the importance of first impressions find the artists tossing out antiquated views of love and relationships, for something more raw and exciting. Attraction can happen in an instant, a strong bond can develop at first sight. The collaboration encourages listeners to leave behind societal norms in order to focus on being present, allowing a spark to flourish.

#11. "He Knows" by Camilla Cabello feat. Lil Nas X

2024 was the year of unexpected collaborations. Cabello took a creative sharp turn, baffling some critics, for her fourth studio outing. The hyper-pop and hip-hop influenced project features a standout verse from Lil Nas X, with references to Ashanti and broken headboards, for its house-leaning second single. The besties battle for the attention of the same potential suitor while out on the dance floor.

#10. "Pressure" by Paloma Faith feat. Kojey Radical

For a standout featured on her sixth studio album The Glorification of Sadness, Faith calls upon the lyrical and flow genius of Kojey Radical, putting poignant words to the feeling of the complete chaos often occupying one's mind. Both artists struggle to address the issues or heal in the midst of stress brought on by archaic societal norms. Who says a boy can't cry? Who says money solves everything?

#9. "Falling Forever" by Dua Lipa

From the opening belting notes of "how looooooong", this tucked away Radical Optimism gem was worthy of an official single release and deserved to be the artist's biggest radio hit to date. The idea of forever love is a bit delusional, but that won't stop the longing desire and fight to protect something so perfect. Eternity might be impossible to measure. That doesn't mean flames need to grow colder.

#8. "Don't Get Mad, Get Famous" by Bonnie McKee feat. Sophie Powers

Originally released at the end of November 2023 as a 90-second tease, pop hitmaker McKee included an extended, polished version on the long, long-awaited unveiling of her sophomore album Hot City. This time, Sophie Powers jumped on the disco-tinged, braggadocio number for two stellar verses that amped up the attitude and cash value. McKee is deserving of her spotlight, here she commands it.

#7. "BBA" by Paris Hilton feat. Megan Thee Stallion

The heiress allowed us to experience Infinite Icon this year. For the final single push, Hilton takes us to the classroom for a masterclass in getting what you want and demanding your worth. It's an homage to the artist's love for the club scene, with infectious synths and big room energy. The cherry on top is a fierce, fiery, and somehow still playful guest verse from Ms. Thee Stallion. One of her best even?

#6. "Die with a Smile" by Lady Gaga & Bruno Mars

Lady Gaga can do it all. She proved that again in 2024, with a collaboration alongside funk crooner Bruno Mars. However, instead of an energetic and brass-driven dancefloor anthem, we received a soft-rock, country-tinged power ballad. Chemistry, emotion, and camp ooze from beginning to end, as the artists envision the end of the world, and how it still wouldn't be as awful as losing each other.

#5. "b2b" by Charli XCX

Repeat the same word over 200 times and you have one of the year's best efforts. Shared prior to the release of her universally acclaimed, juggernaut brat album, "b2b" is a tour de force, with production that mimics the first hazy footsteps in the club. Though lyrically, the artist is adamant about not falling back into her comfort zone and into the arms of a former lover. Instead, she stands strong on her own.

#4. "Cvnty" by Adam Lambert

Lambert remains a fearless artist that always marches to the beat of his own drum. On the Afters standout, the first in which he serves as vocal producer, Lambert gets his sweet vengeance on a former ungrateful lover by continuing to live his best possible life. Instead of crying over a man, the artist basks in a newfound sense of confidence and independence. It's a sassy and fierce kiss off anthem.

#3. "How Far Will We Take It?" by Orville Peck and Noah Cyrus

Peck and Cyrus lament in the tragic end of a relationship. Vocal chemistry and a flare for drama and rhinestones are at the forefront of the touching ballad, as both artists sing of being distracted by the ecstacy of young love to not see everything else crumble around them. Coming to the realization that a significant other is not the best for us is tough, but Peck and Cyrus made us feel a little less alone.

#2. "Disease" by Lady Gaga

Mother Monster returned in full force this year. Sure, we've been treated to Joanne and Chromatica over the years, but the first taste of LG7 brought back the dark-pop vibes of Gaga's early work. The eerie production and layered vocals pull back the curtains on the artist's love life, believing -- even if a delusional belief -- that she could solely heal a lover's pain, shortcomings, and sickness.

#1. "Cry on the Dancefloor" by Paloma Faith

A trail of tears also followed Faith to the dance floor this year, as the artist maneuvers through the stages of grief and heartache on her latest album's crowning jewel. The song highlights a rollercoaster path towards recovery. Sometimes, we need our sweatpants and a pint of ice cream. Other times, we need booze and technicolor lights. The upbeat, house-influenced number is honest and vulnerable, it's dramatic, it's frantic, it's out of place on the album... all things true when we are drowning in emotions and unsure how best to proceed.

Song Review: VINCINT & Adam Lambert Don't Need "Another Lover", They Have Each Other on New Collaboration

2024-05-17T09:21:00.000-07:00

Singer-songwriter VINCINT made the most of their run on the short-lived competition show The Four in 2018, wowing coaches with a performance of "Creep" by Radiohead.

Since then, the artist has showcased a lush falsetto on debut extended play The Feeling and its notable single "Please Don't Fall in Love" and collaborated with the likes of Tegan & Sara, Alex Newell, and Qveen Herby on debut album There Will Be Tears in 2021.

As VINCINT gears up for the release of an official sophomore album, seemingly-associated efforts "Good II Me" and "Lean" have already made an impression with anthemic production and messages of resilience. However, it's the release of a new collaboration with fellow singing competition veteran Adam Lambert that sounds to have the most chart potential.

"Another Lover" is a charged and confident ode to romance and the importance of first impressions. Tossing out antiquated views of love and relationships, for something more raw and exciting, VINCINT and Lambert trade sickly-sweet verses of how the two enhance shared experiences and bring out the best in one another.

"Reckless and stupid, don't care if it's wrong, you're breathing me in, while I'm turning you on, some call it crazy, well, I call it love, don't wanna waste my time," VINCINT proclaims on the hook, letting go of doubt and inhibitions, refusing to let the noise and opinions of outsiders hinder the untold potential of a blossoming love.

Attraction can happen in an instant. A strong bond can develop at first sight. "Another Lover" encourages listeners to leave behind societal norms -- statistically, they lead to heartbreak and divorce anyway -- in order to focus on being present and allow a passionate spark to flourish and grow without boundaries.

While Lambert respectfully takes the passenger seat to VINCINT on the new release, both artists get the opportunity to vocally compete towards song close, belting captivating high notes and expressing an authentic sense of gratitude and appreciation for their new one-and-only. While no one belongs "to" anyone else, it certainly sounds like the two artists belong "with" each other in this particular music moment.

"Another Lover", produced by Skywalk & DJ RZY, is out now. Fingers crossed for a music video!

Song Review: Benson Boone Cherishes the "Beautiful Things" on First Single Release of 2024

2024-01-23T09:15:00.000-08:00

TikTok fame. American Idol contestant. Recognition from Imagine Dragons. Billboard-charting singles.

21-year-old Benson Boone has racked up an impressive list of accolades in his short time on the music scene. Following the release of two extended plays, the Washington native teases his proper debut album era with "Beautiful Things", coming to the realization that all good things can come to an end.

While previous efforts from the artist have confined him to sugary-sweet, bare-boned ballads, "Beautiful Things" allows Boone to tap into actual emotion necessary to navigate the hand dealt by reality. Complex and anthemic, carried by a layered vocal performance, the effort immediately becomes the strongest release for the rising star.

The folk-rock number initially finds Boone on top of the world, satisfied with the romance in his life, surrounded by family and loved ones, and consistently wearing a smile. Then why when he drifts to sleep, can he not shake the thought of losing it all, focused on the despair that may not ever materialize?

"I found my mind, I'm feelin' sane, it's been a while, but I'm finding my faith, if everything's good and it's great, why do I sit and wait 'til it's gone?," he wonders on the song's second verse.

"Beautiful Things" accomplishes quite a bit in its short run time. Boone has been criticized for work that has too broad of appeal. That broadness surprisingly works here though. The song will have appeal if you're currently surrounded by nothing but love. The song will have appeal if you're grateful for the people in your life. The song will have appeal if you're terrified about losing it all in a flash.

Produced and co-written by Jack LaFrantz and Evan Blair, the new song highlights immense growth for Boone. A soulful opening verse builds the energy and anticipation until the rousing chorus sweeps through to force listeners to their feet, with arms stretched out to the sky, pleading for protection or demanding an answer they might never receive.

Top 25 Songs of 2023

2023-12-29T10:21:00.000-08:00

Songs released, whether commissioned as an official single or featured on a parent album, between January 1 and December 28, 2023 were considered for this prestigious honor.

Despite further political division spearheaded by The-Orange-Man-Who-Shall-Not-Be-Named and necessary strikes from the entertainment industry, music moments in 2023 served as an earned and welcomed distraction. Priority was given to music purchased, not only streamed.

Many singles serviced in 2023 from a parent album released in 2022 were not considered, as they were likely included on last year's list. Neither were 2022 singles featured on an album officially released in 2023 (ex. "Unholy" by Sam Smith & Kim Petras).

Honorable Mentions:

"Favorite Kind of High" by Kelly Clarkson: While most of the original American Idol's tenth studio album Chemistry is fairly laidback, the second single is pure exhilarating pop with a surprising co-writing credit from Carly Rae Jepsen.

"Sex on Fire" by Adam Lambert: For his recent cover album, the current Queen frontman unexpectedly gives the frenzied Kings of Leon hit an upbeat makeover while ensuring his trademark grand vocals are still front-and-center.

"Timezone" by Måneskin: The Italian rock band and Eurovision champions bottle their usual rowdy angst in exchange for longing and sentiment, supported by a commanding lead vocal performance and Justin Tranter's songwriting skills.

"Minute" by Kim Petras: When she is not singing about Halloween or her coconuts, the German songstress can easily pull on heartstrings with her vulnerability and sense of longing, especially with this shoulda-been single.

"Satellite" by Bebe Rexha & Snoop Dogg: Who knew that we needed an uplifting and inspirational pop track about smoking weed and getting higher than a kite? Bebe and Snoop did. Travel to the outer limits of space with this endearing collaboration.

25. "Sweet Sounds of Heaven" by The Rolling Stones & Lady Gaga

Lady Gaga tackling gospel music? The Rolling Stones recruited the pop chameleon for the rock and soul hybrid, released as the second single from the band's Hackney Diamonds. The two lead vocalists exchange verses and perfectly harmonize on the uplifting, ethereal number. And oh wait, the legendary Stevie Wonder makes an appearance too!

24. "Rush" by Troye Sivan

The ode to poppers and making out on the sweaty dancefloor from the queer Australian pop artist took the globe by storm upon its release. The house-pop number features Sivan's sultry vocals as he details how a one-night stand can easily transform into a lifelong obsession. The message is cute and relatable, however, the chorus is addictive and delicious.

23. "On My Mind" by Måneskin

Love and longing can shift into an unhealthy obsession, as the Italian rock band discovered on the opening track of their third studio album Rush!. With rowdy rock instrumentals at the forefront, the lead vocalist completely surrenders to a potential suitor, only wanting to satisfy both of their carnal needs. The song starts the party, balancing sweet sentiment and intensity.

22. "Speed Drive" by Charli XCX

The English singer-songwriter was the first artist tapped to contribute to the Barbie film soundtrack. And for good reason. Her brand of energetic hyperpop is both the perfect companion and bizarre addition to the iconic doll's motif. Its spotlight in the parent film makes sense, its short run time is clever, and the "Mickey" sample is expertly disguised to become its own thing.

21. "DJ Play a Christmas Song" by Cher

The upbeat holiday jam rightfully became Cher's first entry on the Billboard Hot 100 in 21 years. The artist's trademark and slightly altered vocal performance are cozy and comforting, as she sings of only wanting warm tidings and boundless love from Santa this year. Co-written by Leland of RuPaul's Drag Race fame, the number is a solid blend of camp and radio-ready pop.

#20. "Houdini" by Dua Lipa

The lead single for Lipa's upcoming third studio album hit all the marks. The funky beat will have every listener moving and grooving along. The artist's trademark vocals come off as confident and relaxed. The slight disco sheen sounds like a natural progression from Future Nostalgia. The lyrics also paint a clear picture, either give the artist your all, or she will be gone come morning.

#19. "The Tornado" by Owl City

The music of Minnesota-native Owl City is consistently orchestral and cinematic. The artist foresees a gray and bleak outcome on the standout track from his seventh studio album Coco Moon. However, he holds strong in the face of hardship. While known for bright and cheery production, the sweeping violins and surprising vocal performance help create a potential new direction for the "Fireflies" crooner.

#18. "I'm Not Here to Make Friends" by Sam Smith

On their fourth studio album Gloria, Smith sounded most confident and sure of the finished product. For the project's fourth single, the artist is commanding on their lustful search for a one-night stand. The vocals of RuPaul and Jessie Reyes are heard throughout. The production from Calvin Harris is sleek and in line with the disco-leaning trend of the year. It's the full glittery package.

#17. "Call On Me" by Bebe Rexha

For her self-titled third studio album, Rexha explores themes of self-love and independence over production inspired by the 1970s and 1980s. The second single is an empowering dance number ala Fleetwood Mac that finds the artist comforted and satisfied by her own capable hands. "If I need a lover, someone to save me, someone to set me free, I call on me," she proclaims on the hook.

#16. "Unfeel It" by Rita Ora

For her third studio album You & I, her first solo release in five years, the English artist has seemingly transitioned into her mature and reflective era. She's now with a new record label that gives her creative control. She's now married. She's now ready to give herself completely to another. The EDM-leaning standout track is endearing and unnerving. It's also incredibly infectious and relatable.

#15. "Alive" by The Scarlet Opera

The delicate piano keys and soaring vocals of The Scarlet Opera track pull listeners into the band's dreamscape, blinded by city lights and a desire to see their name on the marquee. For the second verse, the energy and tempo pick up, determined to learn from their career ups and downs. "The whole world is watching, but nobody cares, do what you want, baby, get what you can", they sing.

#14. "You Make Me Feel (Mighty Real)" by Adam Lambert & Sigala

Tagged onto Lambert's cover album High Drama after its official release, the artist's rendition of Sylvester's legendary club hit stays true to the energy and cultural impact of the original. Lambert's soaring vocals do the heavy lifting here, however, Sigala updates the disco aesthetic for a modern audience. The collaboration rightfully served as the official Pride in London 2023 song.

#13. "Feed the Beast" by Kim Petras

For her debut studio album Feed the Beast, anticipation and expectations were high for the German pop starlet. Any uncertainty about quality was silenced though by the aggressive and cleansing opening title track. While it can be interpreted as just another bedroom jam on the surface, the song seemingly details record label requests for Petras to churn out more "slut pop" to please. herhungry audience.

12. "Every Queen" by The Cast of Drag Race Sverige

The popularity of RuPaul's Drag Race continues to envelop the globe. Sweden was the latest victim in 2023. As the competing cast is narrowed down to the final three, the queens must showcase their creativity, uniqueness, nerve, and talent to the tune of this empowering dancefloor romper. Singing alongside the host, each contestant holds their own, making any worthy of the sparkling crown.

11. "Stuck" by Thirty Seconds to Mars

The American rock band unleashed their first single in five years, the lead effort for their sixth studio album It's the End of the World but It's a Beautiful Day. More pop-leaning and high energy than previous outings, Jared Leto said to be inspired and influenced by the art, fashion, and remarkable people in his life. The finished product is edgy, rambunctious, and an exciting new creative direction for the band.

#10. "One Of Us" by Ava Max

Sad that the general audience slept on Max's second studio album Diamonds & Dancefloors. Released as the project's fifth single to kick off 2023, the synth-pop song details a one-sided relationship, an occurrence far too common in the pursuit of love. Over 80s-influenced production, the artist sadly reminisces about a lover who just didn't put in the work. Turns out, she might be the issue.

#9. "Tattoo" (original version and/or Topic remix) by Loreen

Over a decade following her first Eurovision win, Swedish singer-songwriter Loreen reigned victorious again in 2023 with this soaring pop ballad, rightfully making her the first female artist to take home the trophy twice. Structured as a dancefloor banger you could cry to, the song reminds listeners that making a relationship work means navigating the good and bad times. Love comes with struggle.

#8. "Borderline" by Tove Lo

Thankfully, Swedish singer-songwriter Tove Lo released an extended version of her fifth studio album Dirt Femme in 2023, giving us this frantic ode to love and obsession. Co-written by and originally intended for Dua Lipa, the song effectively and infectiously details the excitement and dangers of living in the moment, especially when it comes to romance and the power a significant other can have over you.

#7. "Trustfall" by P!nk

The rebellious artist dove into 2023 with the title track from her ninth studio album. This second single is a bold, and potentially uncomfortable, challenge to embrace the unknown and breakaway from the routine, to leave all fear and uncertainty behind in 2022 where it belonged. P!nk's commanding vocals are paired with jubilant, dancefloor-ready beats that carry the inspirational message to soaring heights.

#6. "River" by Miley Cyrus

Sure, we're still busy feeling liberated and flexing to "Flowers". However, hearing Cyrus embrace a flow of adoration and erotic physicality on this bold, sexually-charged second single made a stronger impact. The dancefloor banger finds the artist getting dolled up for a night out with a worthy suitor. It sounds like her new man has made a captivating first impression in this blossoming relationship in her life.

#5. "Padam Padam" by Kylie Minogue

Once inspired by eternal love and magic, Minogue got racy and straightforward about her intentions with a potential one-night suitor for the lead single from her sixteenth studio album Tension. After an intense flirting session on the technicolor dancefloor, the artist is overcome with butterflies when the prospect of a bedroom romp becomes a reality. No need to be coy about desire.

#4. "Right Here, Right Now" by Jessica Mauboy

Australian singer-songwriter Jessica Mauboy radiated nothing but joy and positivity as she released her first single of 2023. Said to be about "being present and embracing all your qualities and accepting who you are", the song is an empowering anthem supported by disco and funk production. The artist is at her most confident. She is in control. And most importantly, her message to the world sounds authentic.

#3. "You Only Love Me" by Rita Ora

For the lead single off her third studio album You & I, the artist said she wanted to capture the sense of vulnerability that comes with opening up herself to love and new phases of life. Mission accomplished. Over a dance-worthy beat, the artist navigates the feelings when a supposed one-night stand grows into something more meaningful and ever-lasting. That realization is both exciting and scary.

#2. "Heart Wants What It Wants" by Bebe Rexha

By busting out the gate with such a strong lead single from her third studio album, Rexha perfectly previewed yet another creative transformation in early 2023. The 70s production and laidback groove effectively conveyed the artist's intentions and approach to a potential new suitor: her heart will protect itself from heartbreak at all costs. Disco sheen, sultry songwriting, and confident vocals... check!

#1. "Rodeo" by Bimini

For her first single release of 2023, the Drag Race UK breakout sensation highlighted resiliency and taking back her power. Inspired by a love that turned sour, about a man who did not see the artist for all they are worth, the charged vocal performance and energetic production emphasize a sense of freedom and strength. Many Drag Race contestants release original music, but Bimini is showing all the other queens how it's done correctly.

Get Familiar with the Freddie Mercury-Stylings of Los Angeles-Based The Scarlet Opera

2023-06-16T10:31:00.001-07:00

It's a scorching hot summer Thursday in Houston, Texas. Rising pop princess Ava Max is set to perform hits from her two stellar studio albums, Heaven & Hell and Diamonds & Dancefloors, at the House of Blues. Doors opened at 7pm. And yes, she played "My Head & My Heart" and "One Of Us".

Normally, knowing a headlining act will likely take the stage more than an hour after doors are scheduled to open, arrival time to the venue is set accordingly. Apologies to every opening act who has performed their hearts out and sweated to entertain a crowd that's hardly paying them any attention.

However, this concert day was different. Already near the venue after spending five hours on the road, the arrival time was 7:30pm. Nashville sibling trio Band of Silver was on the stage. Their blend of pop and rock from the 80s and 90s was a fun initial jolt to the evening. "Artificial Intelligence" and "Machine" were the standouts.

Band of Silver wraps up. The clock strikes 8:10pm. Four handsome men in suits take their positions at the piano, drums, bass, and guitar. And then, wearing red leather pants, a red harness, and a matching feather boa, the lead vocalist captivates the House of Blues audience with his very first notes and a flick of the wrist. The Scarlet Opera has officially introduced themselves.

With a name derived from Nathaniel Hawthorne's The Scarlet Letter, the band's self-described brand of "regal rock" screams of Queen influence and makes perfect sense when learning of the members' CalArts background. Lead vocalist Luka Bazulka sings directly to "the outcasts, to the sexually liberated, to those who don’t come from wealth, to those who are divine". He certainly made a lasting impression on many.

The Scarlet Opera kicked off their criminally short set with "Riot", a fierce and fitting battle cry to celebrate Pride in a state that continues to attack the LGBTQ+ community with unconstitutional legislation. "Oh-ooh, I kinda like it, gets me excited, the sound of giants, wе can't keep this quiet," Bazulka belts over sharp and synchronized horns.

The band's debut single on Republic Records came next. "The Place To Be" is said to be inspired by a night out at a favorite Los Angeles bar, when "Ain't Nobody" by Chaka Khan began to pour from the speakers. The comforting mid-tempo number is indeed a vocal blend of Chaka and Nate Ruess, as Bazulka sings of finding community in safe, queer spaces after being rejected by one's own family.

After paying tribute to the late Tina Turner with an energetic "What's Love Got To Do With It" cover, the band showcased their tender side with "I've Been Waiting For You", an anthem for the lovesick and frustrated. "Nobody's cried and, baby, that's fine, there ain't nothing missing, I wanna talk, I don't wanna fight, 'cause that's so damn boring," Bazulka sings on the hook.

As the band slowly but surely paves their unique path toward much-deserved success, "Big City Thing" sounds to be their personal aspirational banger. After severing ties with a family and town who don't understand them, it's only a short bus ride to start making their dreams come true. Or so they thought. But despite the drama and working two dead-end jobs, The Scarlet Opera will headline their own tour one day soon.

Their set's closing song, "Alive", proves why. Delicate piano keys and soaring vocals brought the audience into the band's dreamscape, blinded by city lights and a desire to see their name on the marquee. For the second verse, the energy and tempo pick up, demanding all listeners learn from both their ups and downs. "The whole world is watching, but nobody cares, do what you want, baby, get what you can, life keeps rolling, so, keep the party alive," they belt for their closing note, greeted by a roar of applause from a Houston audience in awe.

Song Review: Pop Darling Kylie Minogue Makes Hearts Go "Padam Padam" with Latest Lead Album Single

2023-05-21T06:44:00.001-07:00

Aussie pop princess Kylie Minogue is in an electro-pop frenzy ahead of her sixteenth studio album Tension (out September 22). Following the disco-tinged direction of her previous release, the "Say Something" songstress takes a turn toward synths for new lead single "Padam Padam".

Once inspired by eternal love and magic, Minogue now gets racy and straightforward about her intentions with a potential one-night suitor. After an intense flirting session on the technicolor dancefloor, the artist is overcome with butterflies when the prospect of a bedroom romp becomes a reality. No need to be coy about desire.

In fact, "Padam Padam" balances the initial nerves of making the first move with a growing sense of confidence that finds Minogue guiding her part-time lover out of the club, and eventually out of their t-shirt. Temperatures rise, sweat drips, and imaginations get to run wild.

"You look like fun to me, you look a little like somebody I know, and I can tell you how this ends, I'll be in your head all weekend," Minogue teases on the opening verse.

Produced by LOSTBOY (Little Mix, Ava Max), the song signals another artistic reinvention for Minogue, known for pulling ahead of recent creative trends and executing flawlessly (see Golden and Disco). The new single is no different. As the artist burns for attention, vibrant production answers the call. The finished product is fresh yet trendy, globally inspired, and infectious.

"Padam Padam" is an enticing album intro, an instant earworm, and an endearing onomatopoeia. When most artists stick to tried-and-true formulas for follow-up projects, Minogue continues to remain relevant and exciting ahead of an impressive sixteenth effort.

Album Review: Bebe Rexha Successfully Trades Hip-Hop for Disco and Rock on Self-Titled Third Studio Album

2023-05-03T14:55:00.005-07:00

From her Black Cards days with Pete Wentz to early chart-burning collaborations with David Guetta and Martin Garrix. From a GRAMMY win for "The Monster" by Eminem to the release of her debut album Expectations, singer-songwriter Bebe Rexha has consistently proved her industry worth. Still, somehow an actual spotlight moment evades her.

For her third studio album – achieved in only five years – the chameleon of an artist trades in the hip-hop edge of her previous outing Better Mistakes for the 70s disco and 80s rock aesthetics of her recent self-titled effort.

Preceded by the Fleetwood Mac-influenced "Heart Wants What It Wants", romantically-independent "Call On Me", and ode to cannabis "Satellite" alongside Snoop Dogg, the confidently-titled Bebe highlights another artistic transformation yet deservingly focuses attention on Rexha's vocal prowess and storytelling abilities.

While the inclusion of "I'm Good (Blue)", another top-ten collaboration with David Guetta, is understandable, the dancefloor banger sounds out of place and mostly provides an abrupt break between the upbeat nature of the album's first half and the retrospective, sincere second half.

Busting out the gate with "Heart Wants What It Wants" as the effort's strong lead single, Rexha perfectly previewed yet another creative transformation. The 70s production and laidback groove effectively conveys the artist's intentions and approach to a potential new suitor: her heart will protect itself from heartbreak at all costs. The themes of self-love and independence continue on "Call On Me", an empowering dance number that finds Rexha comforted and satisfied by her own capable hands. "If I need a lover, someone to save me, someone to set me free, I call on me," she proclaims on the hook.

On the flip side, despite the recent setbacks, "Miracle Man" does have the artist slowly opening up to the idea of relying on and desiring a man. The funky bass and lyrical transparency allow the number to stand out from the crowd for all the right reasons. While "When It Rains" is an unabashedly uptempo lustful affair fueled by excess drinking and questionable decisions. However, Rexha is still steadfast in the decisions being hers, even if only for a necessary short distraction.

Appropriately shared on April 20 and introduced by Snoop Dogg, the weed-fueled "Satellites" blasts listeners off to Mars with a fearless appreciation for the organic substance and accompanying blackouts. "Last night, I got higher than a satellite, I took a one-way ticket, it's a one-man mission to paradise, last night, I got higher than a satellite, I made a bad decision, baby, now I'm startin' to feel alright," Rexha sings over more glistening disco beats.

Following the Eiffel 65-sampling intermission and a safe landing back on Earth, "I'm Not High, I'm In Love" maintains the energy with frantic vocal pacing and cinematic strings. While short and sweet, the effort is easily one of the album's boldest, while reinforcing a theme of autonomy around romance and pleasure.

When Rexha stumbles and loses her sense of confidence and security, she does so with two more homages to the work of Fleetwood Mac and Stevie Nicks. On "Visions (Don't Go)", the artist cannot imagine a world without her lover by her side. The verses are handled with composure, before letting loose with a desperate plea on the chorus. "Blue Moon" follows up on the moment of unintentional clarity, finally acknowledging how beautiful and rare an authentic relationship can be over celebratory production and smitten vocal delivery.

Unfortunately, the sense of joy dissipates on "I Am", the country-leaning mid-tempo of the album. Following the end of an unhealthy relationship, one where signs of affirmation were never returned, Rexha unreasonably questions her own worth. "I sang a lullaby to help you go back to sleep, and I said a prayer so you'd have everything you need, you've never done the same for me," she sings. And on the closing track "Seasons", the artist commiserates yet harmonizes beautifully with Dolly Parton as both admit to refusing to change, a quality likely the reason for relationship troubles and the occasional self-doubt.

Bebe is a cohesive, throwback dance album, heavily influenced by the notable musical trends of the 70s and 80s and the work of Rexha's favorite artists. Compared to the aggressive and assured nature of the artist's previous two albums, her third is reflective, honest, and surprisingly vulnerable. Weaving those endearing qualities through each of its twelve tracks is where its strength lies, shining lights on Rexha's powerhouse vocals and ability to create a hit in any genre. With only minor critiques for a short run time – likely caused by an obsession with streaming numbers – the artist's willingness to share, and make listeners comfortable with the subject matter, makes this effort perfectly suited for the self-titled designation.

Tracks to Hear: "Heart Wants What It Wants", "Call On Me", "Blue Moon" and "I Am"

Song Review: Love Flows Like a "River" for Miley Cyrus on Second Endless Summer Vacation Single

2023-03-10T10:26:00.002-08:00

Sure, we're still busy feeling liberated and flexing to "Flowers" by Miley Cyrus, the lead single from the artist's eighth studio album Endless Summer Vacation, out today.

However, after reminiscing on love lost and getting slapped with a defamation lawsuit in the process, Cyrus now embraces a flow of adoration and erotic physicality on "River". The dance floor banger finds the artist getting dolled up for a night out with a worthy suitor. It sounds like her new man has made a captivating first impression.

Initially inspired by a romantic negative, the artist eventually allowed the sexually-charged track to evolve into a positive representation of a blossoming relationship in her life. She utilizes water imagery to describe an instant attraction and intense carnal passion. The river never stops flowing.

On the surface, the new "River" could be cast aside as your typical bedroom jam. The innuendos are not very subtle. But by the second verse, the heartfelt sentiment begins to shine through. Mentions of gentle bubble baths and creating a family together transform the suggestive upbeat number into something much more serious.

"You could be the one, have the honor of my babies, hope they have your eyes and that crooked smile, was a desеrt 'fore I met you, I was in a drought," she sings over production courtesy of Kid Harpoon and Tyler Johnson.

Following the glam rock stylings of Plastic Hearts and the funk direction of "Flowers", venturing back into traditional dance-pop territory is a welcomed next step for Cyrus. The production transports us back to 2010, while the artist's strong vocal delivery and confident attitude makes us sad for She Is Miley Cyrus that never was.

Safe to say, "River" deserves the same critical praise and commercial success its predecessor received. If not more.

Song Review: P!nk Welcomes the New Year with a "Trustfall" and Second Taste of Upcoming Album

2023-01-31T15:49:00.001-08:00

To promote an impressive ninth studio album in the form of Trustfall, singer-songwriter P!nk shares an encouraging and euphoric second taste of the project.

Following the lukewarm reception to subpar lead single "Never Gonna Not Dance Again", the artist dives into 2023 with the upcoming album's title track. "Trustfall" is a bold, and potentially uncomfortable, challenge to embrace the unknown and breakaway from the routine, to leave all fear and uncertainty behind in 2022 where it belongs.

Produced by and written with Johnny McDaid (of Snow Patrol) and Fred Again (Rita Ora, Ed Sheeran), the new single elevates P!nk's trademark commanding vocals with jubilant, dancefloor-ready beats that carry the inspirational message to soaring heights. Whether at the local club or on your living room floor, the collaboration will have listeners ecstatically jumping for joy and change.

Coming out of a few pandemic years, encountering personal and societal challenges on the road to normalcy, the artist sings to envision a world where living is much more manageable and enjoyable. Sure, we've been told to believe by a pop artist many times. At least P!nk acknowledges how tired and skeptical we are of being told easier days are on the horizon.

"Picture a place where it all doesn't hurt, where everything's safe and it doesn't get worse, oh my, we see through bloodshot eyes, picture a place, somewhere else far away, where you know what they mean and they mean what they say to us, and would that be enough?," she sings on the opening verse.

"Trustfall" welcomingly bottles our frustration and depleting levels of motivation, shakes it up in bouncy production and P!nk's natural leadership abilities, and works to positively change mindsets with a tried-and-true pop formula. What's different here is the artist's audacious battle cry being grounded in reality and inspired by actual personal events.

This should have been the album's lead single. This is peak, motherly, rebellious P!nk. This is already a contender for best song of 2023.

Top 25 Songs of 2022

2022-12-31T11:49:00.004-08:00

Songs released, whether commissioned as an official single or featured on a parent album, between January 1 and December 30, 2022 were considered for this prestigious honor.

Despite a resurgence of the COVID pandemic, further political division amidst the midterm elections, and devastating acts of violence across the country, music moments in 2022 served as an earned and welcomed distraction. Priority given to music purchased, not just streamed.

Many singles serviced in 2022 from a parent album released in 2021 were not considered, as they were likely included on last year's list. Neither were 2021 singles featured on an album officially released in 2022 (ex. "Good Ones" by Charli XCX).

25. "Holding Out for a Hero" by Adam Lambert

Barely squeaking in... Adam Lambert preps fifth studio album High Drama (out February 24) by sharing an homage to Bonnie Tyler with a glam rock version of "Holding Out for a Hero". Replacing prominent piano with darker guitar yet keeping his powerhouse vocals at the forefront, it's the perfect pairing.

24. "I Want You to Want Me" by Trixie Mattel

Let's keep the covers coming. Trixie Mattel puts her sunny, west coast spin on "I Want You to Want Me" by Cheap Trick. As the base inspiration for fourth/double album The Blonde & Pink Albums, the original arrangement is kept in place, just now glossed with the drag entertainer's sugary pop aesthetic.

23. "I'm Not Sorry" by Simon Curtis

The early 2010s electronic/dance era was carried on the shoulders of Simon Curtis. Before announcing third album Angel Aura (out March 3), the artist dropped liberty anthem "I'm Not Sorry" while throwing his middle fingers up to all naysayers. Never apologize for your uniqueness, for your queerness.

22. "Maybe You're the Problem" by Ava Max

For the lead single from second studio album Diamonds & Dancefloors, Ava Max effortlessly weaved together 80s rock and Eurodance influences to create "Maybe You're the Problem", a premeditated breakup track. Catchy, snarky, and importantly aligned to the artist's embrace of female empowerment.

21. "Black Mascara" by Grayson Chance

Depending on who you ask, Greyson Chance released his second or third album Palladium in 2022. Ask Greyson, it was the former. Rousing autobiographical ballad "Black Mascara" is a highlight, showcasing the artist's expert ability to evoke emotion with honest songwriting and a flawless vocal performance.

20. "Higher" by Todrick Hall

Like most of 2022s releases, Todrick Hall took inspiration from the 80s era for fifth studio album Algorhythm. The artist's brand of feel-good pop is evident on the fast-paced, disco-leaning "Higher", a strong contender for the ultimate workout jam. The effort proudly basks in its confidence and perfection.

19. "Substance" by Demi Lovato

Eighth studio album Holy Fvck was a successful return to the pop-punk roots of Demi Lovato, finished with a hard rock edge and instrumentals. The project's second single "Substance" was a ferocious indictment of modern society, its preference for blandness, over explicits and pitch-perfect harmonies.

18. "Hot In It" by Tiësto and Charli XCX

Tiësto and Charli XCX had been dance-pop ships passing in the night since 2012 through remixes. In 2022, they unleashed their first direct collaboration. "Hot In It", taken from the DJ's upcoming seventh album, is short, infectious, and the necessary dancefloor remedy to overcome a difficult, fresh breakup.

17. "All That She Wants" by Alaska Thunderfuck

Alaska Thunderfuck takes Ace of Base reggae-pop hit "All That She Wants" and somehow makes it gayer than it already is. The tale of a promiscuous woman, one who prioritizes and prefers one-night stands, is retooled for the dancefloor with hard electronic beats, rock instrumentals, and drag flare.

16. "Flamin' Hot" by Sharon Needles

For fourth album Absolute Zero, drag entertainer Sharon Needles channels Sylvester and the Bee Gees for technicolor highlight "Flamin' Hot". The disco number incorporates Needles-isms and nods to the underworld. Envision Satan in Los Angeles as they search for Instagram-obsessed twinks to party with.

15. "This Hell" by Rina Sawayama

Speaking of Satan and the underworld, for her highly anticipated sophomore album Hold The Girl, British-Japanese artist Rina Sawayama kickstarted the era with "This Hell". The unexpected country-pop offering highlighted the artist's advocacy for the LGBTQ+ community and despise for religious hypocrisy.

14. "No One Dies From Love" by Tove Lo

Swedish artist Tove Lo independently bottled "heartbreak you can dance to" in the form of "No One Dies From Love", the second single off fifth studio album Dirt Femme. The artist may have been emotionally drained from the pandemic, but she assures the downtrodden, there's definitely life after love.

13. "Daytona Sand" by Orville Peck

Masked glam cowboy Orville Peck rode into 2022 on sophomore album Bronco. On opening track "Daytona Sand", the rhinestoned crooner ponders next steps following the end of a relationship, potentially due to a partner's infidelity. Fractured queer love surely makes for emotive country tunes.

12. "Wonderland" by AleXa

The states finally received their own Eurvision counterpart with the American Song Contest 2022. Spoiler alert: Oklahoma took home first place with "Wonderland" by Korean-American artist AleXa. The frantic dance-pop effort utilizes Lewis Carrol imagery to remind us that perfect love does not exist.

11. "Catwalk" by RuPaul feat. Angeria, Bosco, Daya Betty, Lady Camden & Willow Pill

Blessed be the Ru-mix challenge. The final five queens of RuPaul's Drag Race season 14 stomped the runway for a boasting rendition of "Catwalk", the original featured on RuPaul's fourteenth studio album mamaru. Each queen impressed their fans with killer verses, confident vocals, and contagious energy.

10. "Unholy" by Sam Smith and Kim Petras

In early 2022, British artist Sam Smith introduced fourth studio album Gloria with the reflective and self-empowering mid-tempo "Love Me More". Fast forward to September, they drastically switched gears, linked up with Kim Petras and earned a global number one hit with "Unholy", a gritty hyper-pop number shedding light on kink, promiscuity and betrayal. The sensual vibe and pulsating beats are new for Smith, seemingly leaning on Petras at times for the confidence and reassurance. Petras comes through. "Dirty, dirty boy, you know everyone is talkin' on the scene, I hear them whisperin' 'bout the places that you've been, and how you don't know how to keep your business clean," the story unfolds on the first verse, before the bass literally drops for the dark and naughty chorus.

9. "Homerun Hitter" by Greyson Chance

Greyson Chance publicly struggled on whether to conform to music industry demands or stay true to his essence. Comeback record portraits and extended play trophies, on the surface, sounded to be separate avenues to please both ends. Latest album Palladium, however, was a harmonious blend of credible songwriting and appreciation for radio-ready hooks. "Homerun Hitter", disguised as a breakup mid-tempo, paints the clearest picture of the artist's journey up to now. It was the splash of water in his face when not sure which route to take next. "The door I always locked, you left it open, too afraid that you would blink and it would close-in, and we would lose our vulnerability, oh, we were so naive," Chance croons on the second verse. Realization is therapeutic.

8. "2 Die 4" by Tove Lo

On the flip side of "No One Dies From Love" lurks the seductive and consuming "2 Die 4", the first Tove Lo release to sample another. In this case, the 1969 electronic instrumental "Popcorn" by Gershon Kingsley. The artist is immediately smitten by the pleasure and excitement radiating off a blossoming love, utilizing the exhausted tropes of dancing in the rain and making the world a better place to her storytelling advantage. "Man, I hope you call me, call me, 'cause I know I won't let you down, man, I hope you believe this, I'll be here for you, here for you," she begs on the second verse, seemingly pledging her devotion to a person she may have just met. Lo's vocals are captivating as usual, but here, it's their absence on the tinkering chorus that leaves an impression.

7. "Million Dollar Baby" by Ava Max

The second Diamonds & Dancefloors single took Ava Max back to her Eurodance comforts, borrowing heavily from "Can't Fight the Moonlight" by Leann Rimes. Following a tough personal heartache, the artist uses "Million Dollar Baby" to constantly remind herself that she has the strength to overcome any obstacle. Though we are deserving of all our feelings, even the somber, we owe it to ourselves to eventually shake off the negative. Max has reached that stage in the recovery process. "Hеart broke, you can't keep her down though, ice-cold, shе's comin’ back to life though," she belts on the second verse, breaking out of her emotional chains and setting fire to the rain. Messages of empowerment and dancefloor-ready beats should have sent this bop to the top of the charts.

6. "Where Did You Go?" by Jax Jones feat. MNEK

After closing 2021 out with Charli XCX and Saweetie on a high note, Jax Jones outdid himself with MNEK on "Where Did You Go?", leaning on the Eurodance inspiration craze of 2022. The premise might be ordinary: a once-in-a-lifetime dancefloor experience with a stranger who vanishes into the smoke and strobe-lights. However, the passion and conviction heard in the MNEK's vocals and delivery cannot be ignored. "But then you left me dancing on the floor alone, and now the DJ's gone and all the lights are on, you see, I tried to find you, but words can't describe you, baby, only onе dance ain't enough," he hysterically sings, incapable of living in and appreciating the special moment. He's now hooked, consumed, and left alone.

5. "Taste So Good (The Cann Song)" by MNEK, Hayley Kiyoko, Vincint and Kesha

The sultry vocals of MNEK return for... a promotional campaign for cannabis-infused beverages? Consider me impressed. Joined by other trailblazing queer talents like Hayley Kiyoko, Vincint, and Kesha, the quartet sign off on Cann with "Taste So Good", a celebratory rally cry reminding us all that different can be so liberating. "It's so delicious, sweeter than kisses, hate when the rush is gone, love when it's coming on," MNEK sings on the opening verse, allowing himself to get lost in the new and exciting. Pulling together four strong queer voices a la Lady Marmalade? Check. Catchy music and lyrics by Leland? Check. A flashy and on-point promotional effort during Pride Month by an actual queer-owned company? Check. Crack open a can of Cann and blast this gay anthem on repeat.

4. "Beg For You" by Charli XCX feat. Rina Sawayama

Only a few weeks into 2022, Charli XCX kicked promotion for fifth studio album Crash into high gear. Calling on Rina Sawayama and digging through the late 00s Europop bin for "Cry For You" by September, the British artist presented "Beg For You", which finds both artists struggling to cope with the temporary separation from a loved one. Though the relationship is still intact, a few days apart kickstart a flood of anxiety and uncertainty. The subdued dance-pop track highlights an obsession for companionship, but more depressingly, the inability to craft a persona or lead a life without a need for someone else. Your identity is chained to a relationship. "Oh, put your lips on my lips, I'll remember your kiss on the nights when I miss you" both Charli XCX and Sawayama delicately sing toward the close of their respective verses.

3. "Hold My Hand" by Lady Gaga

To help promote Top Gun: Maverick, a film originally set for a 2019 debut, Lady Gaga released soaring arena rock ballad "Hold My Hand" in 2022, consoling those in need with trademark powerhouse vocals and a shoulder to cry on. References to cloudy skies and self-harm weigh on the wordy track, but a sincere promise of unwavering support from the singer shines light through the grey and gloom. She advocates for the expression and mindful acceptance of one's feelings, as long as it is in a safe space. Her caressing arms always are. "To tell me you need me, I see that you're bleedin', you don't need to show me again, but if you decide to, I'll ride in this life with you, I won't let go 'til the end," she assures the listener on a rousing hook. It all felt like Born This Way met Joanne met A Star Is Born in an 80s dive bar.

2. "Hold The Girl" by Rina Sawayama

Both "This Hell" and "Catch Me in the Air" were satisfying tastes of Rina Sawayama's sophomore album Hold The Girl, however, the release of its title track made for a true "Song of the Year" contender. "Hold The Girl" erratically jerks back-and-forth between somber ballad and club banger, detailing Sawayama's self-improvement journey and a desire to gain more confidence. The track's reflective nature is appropriately supported with calming strings and delicate piano before sonically exploding as the artist intentionally shuns the unhelpful advice of so-called experts and carves a new path forward. "They'll tell you to sit up, and shut up, and grow up, what the hell do they know?, she belts on the bridge, just before one final heavenly run of the chorus and a captivating key change. It's all so effortless and mesmerizing.

1. "Let Me Drown" by Orville Peck

Shining bright on Bronco, the sophomore album from Orville Peck, is the melancholy and bombastic "Let Me Drown". The country power ballad is said to have been the product of a culmination of depression during the pandemic. Bursting at the emotional seams, the masked cowboy sheds the insecurity, unleashes the pent up frustration, and sings big. On the surface, the words are directed at a former lover, as the two begin to drift apart, likely for the betterment of them both. It comes off mutual and mature. "Never knew where was home, I slept a lifetime alone, yeah, we had it one time but it's gone now, it's gone, let me drown," he sings, accepting the loss, reminiscing on the good times, and ready to greet the hurt and loneliness on the horizon. Ultimately, Peck is stuck between his desires for companionship and freedom.

Album Review: Drag Race All-Stars Winner Alaska Thunderfuck is 'Red 4 Filth' on Clever Fourth Studio Album

2022-09-29T09:29:00.005-07:00

Nearly a decade removed from her original run on RuPaul's Drag Race season five -- she would settle for runner-up to eventual Queen of All Queens Jinkx Monsoon -- drag alien Alaska Thunderfuck 5000 has continuously basked in the reality competition limelight, eventually returning and snatching the bejeweled crown and scepter on All-Stars 2 in 2016.

With the release of three studio albums, two collaborative albums, an extended play with The AAA Girls, dozens of singles, an autobiography, and film and television roles, the "Your Makeup Is Terrible" hitmaker has lucratively extended her 15 minutes to remain one of the Drag Race franchise's most beloved entertainers. And for very good reason.

Trademark wit and humor, as well as a passion for 90s/2000s pop aesthetic, are on full display with the release of fourth studio album Red 4 Filth. From the throwback title reference to a memorable Drag Race fake perfume ad challenge to guests appearances from Stephanie's Child ("Girlz Night") and Ts Madison ("I Am Her (She Is Me)"), the polished project is a well-balanced formula of camp, self-awareness, and vocal maturity.

While radio-ready lead single "Red" was released over a year ago, thanks to the global COVID-19 pandemic, the parent album would not hit streaming platforms until last week (Sept 23). During the lengthy delay, nine follow-up singles were shared, with only three tracks left to be revealed. Even then, Alaska kept some captivating guilty pleasures under wraps in her patent-leather fanny pack.

For current promotional single, Alaska takes Ace of Base 90s reggae-pop hit "All That She Wants" and somehow makes it gayer than it already is. The tale of a promiscuous woman, one who prioritizes and prefers one-night stands, is retooled for the dancefloor with hard electronic beats and rock instrumentals. The artist's dash of vocal comedy is expected, but also highlights a deeper connection to Alaska's childhood, growth, and love for the era.

"More Than Enough (2 Me)" is an overly sweet ode to friendship, with Alaska assuring the special people in her life that she loves them exactly as they are. "It's alright, your happiness is my mission, so sit your ass down, listen, I promise you I'll always be there," she sings on the opening verse, comforting the downtrodden. While we might be our own toughest critics, we can always turn to our chosen family for necessary encouragement and affirmation.

Alaska has her Hanson moment on closing track "mmm mmm mmm", a nonsensical, nonverbal expression of the butterflies in one's stomach when a certain someone walks into the room. Even the most confident of suitors can get tongue-tied when confronted by their soulmate. Infectious bass and an overall summer vibe fall over the feel-good lyrics, complementing the artist's sentimental vocal delivery and a meta second verse.

The new songs fit nicely with the previously released, most still as fresh as when first unveiled months ago. Opener "beautiful (night 4 a) breakdown" is a JLo-esque temper tantrum anthem. Mental meltdowns are made glamorous as Alaska normalizes sad-girl energy on the dancefloor. Think "Dancing On My Own", sung by a self-centered drag queen.

Alaska pays homage, or blatantly rips off, polarizing 90s act Aqua on "XOXOY2K". Bubblegum pop and Eurodance influences are front-and-center as the artist runs through era fads as comparison to a quickly deteriorating relationship. Chunky hair highlights, Ed Hardy, flip phones, and Kevin Federline all make one final appearance. "without your love" remains planted in the 90s pop world, resembling a mash up of Enrique Inglesias and Backstreet Boys. The artist is damaged goods without her significant other attached to her hip. Taking codependency to the extreme. "Oh, you bring me to life, night after night, and I won't survive without your touch," she belts on the bridge.

And just when you think you're only getting more and more of the same ole Alaska stylings, she tucks adventurous offerings in the middle of the new album. "wow" is a kiss-off track that Weezer would have surely cut in the early 2000s. Punk-rock instrumentals help bring out an angsty, jilted lover persona we do not normally see from Alaska. "uh" is a frantic plea for our technology-obsessed society to detach themselves from the screens and begin to make authentic in-person connections again. We are more than our Facebook -- or Grindr -- profiles. "Break in from that motherboard, them Technotronic overlords, push me out and cut the cord, we join together Megazord," the artist chants. And "22" is the sole touching ballad that finds Alaska at her most vulnerable, speaking directly to her two-year-old self. Our childhoods were tough, but as cliched as it may sound, it will always get better.

Finally, though Alaska transformed an Ace of Base staple into an underground sex banger, she fully embodies the Swedish pop group on "ask me", an ode to ravenous sexual appetite and few-limits behavior in the bedroom. It's a creative and clever inspiration flip-flop. Reggae-pop beats paired with a sensual, over-the-top vocal performance make for a fun and passionate tribute to the music that helped young Justin Honard imagine and create Alaska Thunderfuck 5000.

Red 4 Filth is a self-referential throwback to the sugar-coated pop addiction of the late 90s and early 2000s. Though a majority of Alaska's previous releases have been confidentially rooted in the comedy genre, she links up with accomplished pop producers such as Jesse Saint John ("Truth Hurts" by Lizzo) to take her music career a bit more serious and steer it slightly toward radio. Each track is a love letter to a particular artist, genre, or specific music moment. She might not get extra credit for the production carbon copies, however, Alaska deserves praise for their use, intent, and the nostalgia evoked. As if written into the DNA of the drag character, the album sounds like the album Alaska always wanted to craft, previously deterred by the narrow-minded concept of "drag music" and her own need to grow and explore the reaches of her talents.

Tracks to Hear: "beautiful (night 4 a) breakdown", "All That She Wants", "Red", and "uh"

Song Review: Genre-Blurring Rina Sawayama Previews Upcoming 'Hold The Girl' Album with Three Pop Knockouts

2022-08-22T16:41:00.006-07:00

British-Japanese pop artist Rina Sawayama garnered mass attention with a debut studio album that transcended the predictable boundaries of music genres. SAWAYAMA weaved effortlessly through R&B, bubblegum pop, opera, and hard rock influences all while highlighting an impressive ability to stick every required vocal acrobatic landing.

Since the 2020 album release, Sawayama has collaborated with the likes of Elton John, Lady Gaga, and Charli XCX, each appearing to have left a mark on the artist's sound, style, and urge to break the norm. The stamp of approval from influential contemporaries has further emboldened Sawayama to take bigger creative risks.

Ahead of sophomore effort Hold The Girl, out in September, the artist has shared three eclectic tracks: a satanic country-rock anthem, a mid-tempo inspired by Gwen Stefani, and the reflective title track. Each risk pays off.

Lead single "This Hell" is a response to attacks on the LGBTQ+ community from the hypocrisy of religion and its brainwashed followers. The grower-not-shower delicately strides the country-rock border, taking recognizable elements from each to thread together for a rowdy, fearless anthem. Follow up release "Catch Me In The Air" is an ode to the artist's single mother, the ups and downs of their supportive relationship, packaged together with soft vocals and production compared to Irish-pop band The Corrs.

Both were satisfying tastes of the new album, however, the release of its title track highlighted a true "Song of the Year" contender. "Hold The Girl" erratically jerks back-and-forth between somber ballad and club banger, detailing Sawayama's self-improvement journey and a desire to gain more confidence.

The track's reflective nature is appropriately supported with calming strings and delicate piano before sonically exploding as the artist intentionally shuns the unhelpful advice of so-called experts and carves a new path forward.

"They'll tell you to sit up, and shut up, and grow up, what the hell do they know?, 'cause the girl in your soul's singing on, and you owe her the world, so hold the girl" she belts on the bridge, just before one final heavenly run of the chorus and a captivating key change.

On paper, "Hold The Girl" should not work. Chaotic instrumentals should clash with the gospel choir-supported backing vocals. Instead, the juxtaposition finds its footing and becomes a production revelation thanks to producer Barney Lister. It sounds so effortless.

Written as the first song for the album, after an intense therapy session, the latest single is about recognizing and honoring one's self-worth and unique contribution to the world. Sawayama quite literally gives a giant hug to her inner child, acknowledging the difficulty of moving on from a troubled past, while making a promise to do better for them both moving forward.

"Hold The Girl" is a creative masterpiece and may very well be the strongest release of Sawayama's young, quickly blossoming career to date.

Song Review: Following a Crowning and Controversies, Sharon Needles is an "Absolute Zero" on "Flamin' Hot" New Singles

2022-07-08T16:21:00.001-07:00

Since besting Chad Michaels and Phi Phi O'Hara on the fourth season of RuPaul's Drag Race -- the season that transformed the show into the reality juggernaut it is today -- drag entertainer Sharon Needles quickly found further success in the worlds of music and television. She was the first drag performer since RuPaul to launch an album onto the Billboard 200.

She's also faced scrutiny for racist language and accusations of abuse. The juxtaposition of reception since her televised crowning has seemingly influenced her next body of work.

The upcoming Absolute Zero follows Battle Axe in 2017 and is preceded by the disco-inspired title track and most recent "Flamin' Hot". Emerging from romantic turmoil and a global pandemic, the songs highlight a flip of the coin for Needles. While she nurses a lovers-scorned ice cold heart, she teases the need to reignite her freaky, devilish, sensual ego.

"Absolute Zero" touches on the artist's broken engagement. Reflecting on the relationship highs and lows, Needles sings of giving up her identity and path forward for the sake of another. Her dream became a nightmare. The light of her life eventually became a blackhole.

Though typically portrayed a fearless character, after wearing her heart on her sleeve, Needles is now left insecure and vulnerable. The experience has grounded the artist and heightened the emotional impact of a commanding vocal performance.

"My beating heart's growing colder, the 31st of October, now I look over my shoulder, am I lost in space," she sings on the second verse.

Needles has often found beauty in morbidness. Ouija boards, taxidermy, electric chairs. That darkness is explored to its depths on "Absolute Zero". Literally. She lost the love of her life, has likely been affected by negative press and comments, dealt with a friend's passing and a sick mother yet the electronic, mid-tempo production and songwriting signal positive future opportunities for the real person underneath all the spook.

That light at the end of the tunnel paves way for "Flamin' Hot", the Sylvester/Bee Gees-hybrid that properly introduces Needles to the technicolor dancefloor. Inspired by the messy, red Cheetos snack and a sweat-soaked evening out on the town, it's a bright number that confirms the artist hasn't lost her sense of fun and debauchery.

Mostly a radio-tailored disco number, the artist is somehow able to incorporate Needles-isms and nods to the underworld. Envision Satan in Los Angeles as they search for Instagram-obsessed twinks to party with. The end result? Dancing on their glittering bodies for all eternity in the pits of hell.

"Ain't goin' up, we're headed down, yeah, it's gettin' hot in here, fall for me, baby, pretty please, oh, fire walk with me," she sings with a mix of pompous attitude and desperation.

The song was revealed to have been crafted while nursing a hangover. While "Flamin' Hot" sounds similar to the material on Needles' "toddler" debut album PG-13, the circumstances of the past two years paints the broad subject matter with an enlightening brush. No more broken hearts and crying, the queen of horror is back on the prowl while inspired by the black and queer undertones of the disco era.

Both tracks are to be featured on the artist's fourth studio album, out on July 22.

Song Review: Queer Pop Artist Mike Taveira Shines Light on Open Relationships for "Fuck Everyone" Standout

2022-06-10T20:31:00.003-07:00

Singer-songwriter Mike Taveira identifies as pansexual. While common practice for artists to inject their sexual identity into their work, Taveira actually kickstarted his own career due to the absence of openly pansexual figures with similar experiences in his life.

Since his first single release "Heart" in 2019, the Portuguese heartthrob has stayed true to new wave and synth influence, and most importantly, himself. Taveira shares his journey with polyamory on "Curious" and his easily-triggered arousal on "Switch". That rare authenticity and lived experience paired with sensual bass and alternative edge demand one's attention.

Taveira's brand of throwback pop and his confidence on the mic and in front of the camera paved the road to debut extended play Cut Velvet, released in April 2022. With a nonchalant attitude, the artist glides through themes of friends with benefits, sexual exploration, and the mixed emotions that linger around.

Indie darling Allie X makes an appearance on opener "Sex for Breakfast", disco-tinged production supports the romantic addiction of "Faces", and the lighters come out for "Comedown", the grounded closing track. While each effort highlights a different ability of Taveiera's vocals and creative flexibility, "Fuck Everyone" steals the spotlight, even if it was initially released back in November 2021.

The mid-tempo ballad chronicles an open relationship, a foreign concept for the LGBTQ+ community, even more so for radio airwaves. "Fuck Everyone" throws out the traditional approach to partnerships and speaks to the many spectrums of love and intimacy. The frankness of the act, of accepting your partner in the bed of another, is juxtaposed with the hesitation and reservations starting to creep in.

"So give your body but just save your heart for me, swear to god I’m not the type for jealousy, fuck everyone, go have your fun, fuck everyone, just savе your heart for me," Taveira sings on the chorus, seemingly going against his own instincts in order to just maintain the relationship.

The artist's devotion to his partner and willingness to put their pleasure in front of his own happiness adds complex emotional weight to the often-taboo subject matter. While Taveira's actions are commendable, they do leave him vulnerable and prone to heartbreak. He is aware. He also believes sharing in the fear and uncertainty of navigating an unfamiliar situation will positively resonate with listeners.

"Fuck Everyone" puts subconscious desire on full display, acknowledges the shame and difficulty often associated with, and responds to it with a welcomed sense of maturity, infectious electronic beats, and a passionate vocal performance. There's no other song quite like Taveira's strongest cut to date. That's its best quality.

Song Review: For Tom Cruise Film, Oscar-Winner Lady Gaga Consoles the World with "Hold My Hand" Theme

2022-05-04T15:54:00.002-07:00

When does Lady Gaga take a break?!

Following promotion for House of Gucci and a second collaborative jazz album with Tony Bennett, and ahead of The Chromatica Ball to promote a pandemic-impacted sixth studio album, the Oscar-winning pop artist still finds the time to support Top Gun: Maverick with its official theme song.

"Hold My Hand", heavily teased before its May 3 release and likely completed years ago when its parent film was originally scheduled for a 2019 debut, is a soaring arena rock ballad where Gaga consoles those in need with trademark powerhouse vocals and a shoulder to cry on.

References to cloudy skies and self-harm weigh emotionally on the wordy new track, but a sincere promise of unwavering support from the singer shines light through the grey and gloom. She advocates for the expression and mindful acceptance of one's feelings, as long as it is in a safe space. Her caressing arms always are.

"To tell me you need me, I see that you're bleedin', you don't need to show me again, but if you decide to, I'll ride in this life with you, I won't let go 'til the end," she assures the listener on a rousing hook.

Co-produced with BloodPop and Benjamin Rice, the love letter to the whole world sonically garners comparisons to the work of Born This Way ("The Edge of Glory", "You and I") if that album was crafted with the stripped-back intention of Joanne.

Of course, with the bombastic, theatrical nature of its production, "Hold My Hand" also conjures memories of A Star is Born. That film's main theme "Shallow" took home the Academy Award for Best Original Song in 2018. Gaga now appears to have another strong shot for the trophy in 2023.

Electric guitar and heavy drums are prominent throughout "Hold My Hand", lifting Gaga's vocals even higher on the chorus and in its closing moments. While the 80s-inspired production and vocal delivery are critical to the song's success, its hopeful message deserves a majority of the praise. After a few grueling years, Gaga beautifully reminds us that it's okay to shed a few tears.

Song Review: Pop Crooner Sam Smith Teaches Us How to "Love Me More" with Their Music Return

2022-04-29T16:27:00.004-07:00

Before we proceed, revisit Love Goes, the third studio album by Sam Smith. With multiple standouts ("Diamonds", "So Serious", and "For the Lover That I Lost") preceding Top 40 collaborations with Normani and Demi Lovato, the artist released their most eclectic and innovative body of work during a global pandemic.

...

Back? Have "Dance ('Til You Love Someone Else)" on repeat now? You're welcome.

...

The English singer-songwriter emerges from the aforementioned global crisis with a message of healing and self-empowerment.

"Love Me More", co-written and produced by Stargate and Jimmy Napes, is an upbeat ballad that finds the artist making the extra effort to be kind to themself. They now choose to smile when they see their reflection in the mirror.

Though Smith previously allowed every insult to leave a scar, they've learned to overcome the hate, how to value their self-worth, and are forging a new path forward with their head high. The new realization is emphasized by soulful backing vocals and jaunty production. The critical components support the transformative journey from constant self-doubt to immense self-love.

"I used to cry, myself to sleep at night, I'd blame the sky when the mess was in my mind, I couldn't see, I couldn't breathe," Smith sings on the second verse, exposing the crippling control we can sometimes allow others to have over us.

"Love Me More" opens as a dramatic number drenched in sorrow and melancholy... that's how recovery begins... but quickly morphs into an anthem of confidence and pride. While there's nothing wrong with acknowledging our low moments, we can never surrender to the idea that we're solely responsible for them. For three minutes, Smith is the therapist we all desperately need.

The new release does share a similar structure and tone as some of their previous chart hits, but "Love Me More" does feel like the first page of a new chapter for the artist. They sound to be influenced by their past and future, an inspiration reflected in the assured nature of the vocal performance and persuasive positive outlook of the lyrics.

Thank you Sam!

Song Review: Eurovision Champion Conchita Wurst Returns with "All I Wanna Do" Single

2022-03-27T08:29:00.001-07:00

Since securing the Eurovision Song Contest 2014 title with "Rise Like a Phoenix", Austrian performer Conchita Wurst has released three albums under two artistic personas, performed at the Sydney Opera House, and was the highlight of Netflix film Eurovision Song Contest: The Story of Fire Saga.

After introducing fans to WURST in 2019, a character that would allow for more masculine expression, and dropping accompanying Truth Over Magnitude ("Hit Me", "To the Beat"), the artist collaborated with Ricky Merino and Lou Asril and shared two solo one-off releases.

For their first release of 2022, Conchita returns with underground electro track "All I Wanna Do". Faced with the familiar romantic dilemma -- head or heart -- the artist sings of a relationship that was perfect on paper but never translated well to reality. Instead of facing the tough decision to end it, they choose to remain complacent, unhappy, and dance away the truth. It's easier.

While certainly about love and its imperfections on the surface, the lyrical subtext of "All I Wanna Do" describes a fractured world that is just as oblivious to the warning signs of hurt and despair. Conchita constantly dreams that global society is simply having a collective nightmare. They wish for peace and freedom for all, not just for those lucky enough to be born into a certain country or body.

"I used to call you home you were my friend, now we are all alone this is the end, it doesn’t matter," the artist sings on the second verse of the new release.

Produced in partnership with fellow Austrian musician Lukas Klement, the scaled back effort emphasizes the emotional and vocal range of Conchita rather than infectious beats. However, production plays a critical supporting role when paired with minimal lyrical content. It creates the perfect fantastical environment to ignore problems, shun the unknown, and continue towards a hopeless future.

"All I Wanna Do" is said to be the first of a "song release series" for Conchita. Safe to say, the series is off to a promising start.

Song Review: Norwegian Producer Kygo Pulls DNCE Out of Hiatus with "Dancing Feet" Collaboration

2022-02-25T09:13:00.001-08:00

The year is 2013. American sibling trio The Jonas Brothers announce their break up. Heartbroken fans shed tears around the world.

Nick ventures on a successful solo career. Kevin starts his family. Joe Jonas connects with bassist/keyboardist Cole Whittle, drummer Jack Lawless, and guitarist JinJoo Lee to form DNCE.

The four-piece shares debut single "Cake By the Ocean" in 2015, earning their first top-ten hit. They follow the success with singles "Toothbrush" and "Body Moves" before releasing their self-titled debut album in 2016. A few more singles and an extended play later, the band announces a hiatus themselves in 2018 to make way for a Jonas Brothers comeback.

Today, with the support of Norwegian producer Kygo, DNCE ends said hiatus with new "Dancing Feet" collaboration. Sans Whittle, occupied with his own solo artist ambitions, the three-piece stays true to their funk-pop aesthetic as they jam over dance-forward production.

With Joe tackling lead vocals, he finds himself head over heels with a significant other, unable to concentrate or function without them around. He dances himself tired as he goes above and beyond to ensure every desire is met. The love letter is an endearing plea for those efforts to be reciprocated.

"Tell me who do I call when I lose my mind, four in the morning and I'm on fire, it's you that I'm runnin' to, you got a diamond heart, you're a work of art, and nothing compares when I'm in your arms, don't go 'cause we'll never know," the Jonas brother sings on the second verse.

"Dancing Feet" embodies summer vibes, a welcomed distraction from the current winter weather. It's exuberant, charming, and authentic to the artists involved. While the lead up to the chorus could have used further tinkering, the sharp verses and overall joyous energy make up for any subtle missteps.

Kygo found recent success with modern updates to classics from Whitney Houston, Tina Turner, and Donna Summer. However, the DNCE collaboration is his strongest original effort since. As for the Joe Jonas-fronted band, "Dancing Feet" is as instantly contagious as their debut seven years ago.

Song Review: Charli XCX & Rina Sawayama "Beg for You" to Obsess Over Their September-Inspired Duet

2022-01-29T12:00:00.002-08:00

As English singer-songwriter Charli XCX preps her fifth studio album Crash, the last under current Atlantic Records contract, she teams up with rising pop star Rina Sawayama for the project's third official single.

"Beg for You" finds both artists struggling to cope with the temporary separation from a loved one. Though the relationship is still intact, a few days apart kickstart a flood of anxiety and uncertainty.

I mean, you're just dropping them off at the airport. They'll be back. You got this queen!

The ode to unhealthy dependency is a subdued dance-pop track that highlights an obsession for companionship, but more depressingly, the inability to craft a persona or lead a life without a need for someone else. Your identity is chained to a relationship.

"Oh, put your lips on my lips, I'll remember your kiss on the nights when I miss you, something I can't forget when I'm restless in bed, yeah, you got me obsessing now," both Charli XCX and Sawayama delicately sing toward the close of their respective verses.

Produced by Digital Farm Animals (Dua Lipa, Rita Ora), the collaboration is cleverly built around a prominent sample of "Cry for You" by September. More impressive, the new song flips the script and turns the former independence anthem into a pity-party that forces the artists to admit their flaws.

Charli XCX and Sawayama have both crafted an image of strength and rebellion with previous individual releases. However, "Beg for You" sees them running to each other for comfort and counsel. Vocal performances are made more vulnerable surrounded by violin strings and piano keys, though harmoniously blend as if the two of them will strike up a fiery romantic bond themselves.

Following previous singles "Good Ones" and "New Shapes", the move away from hyperpop is still evident on "Beg for You". Though Charli XCX says the upcoming album is a "satirical reflection" of her time under record label contract, we're incredibly grateful for the Sawayama pairing and unexpected September influence.

Top Songs of 2021 (#10-#1)

2021-12-18T14:32:00.001-08:00

Here we are, the end of 2021.

Treat yourself to a robotic retelling of female objectification, a song that effortlessly tows the line between 70s pop and 80s rock, and yes, an appearance by Ed Sheeran.

#10. "Plastic Doll (Ashnikko remix)" by Lady Gaga

For the final Lady Gaga remix featured on this list, let's shine more deserved light on a vastly underappreciated cut. "Plastic Doll" is a frantic, explosive, robotic pop track that purposefully disguises Gaga's trademark vocals to symbolize past abuse and female objectification. The Barbie and toy metaphors detail someone prevented from charting their own course forward, someone not in control of their own actions. American singer/rapper Ashnikko doubles down on the plastic and possession references for Dawn of Chromatica with a homerun opening verse. She also matches Gaga's manic energy over the chorus. "Squeeze me 'til I pop, I've been broken, I've been dropped, bustin’ out my box, flamin' hot and callin' shots," the young artist proclaims over new trap-styled production, another appreciated improvement.

#9. "Have a Good Life (See You Never)" by Benedict Cork

While most might crumble and sob for days following a romantic break up, English singer-songwriter Benedict Cork exudes initial feelings of happiness and relief on the bittersweet "Have a Good Life (See You Never)". With a gorgeous choir in his corner for support, the artist relishes in the new freedom and readies himself for better days ahead. The end product is harsh, snarky, and yet, still heartfelt and emotional. We've all been in unhealthy relationships, unsure why we feel we deserve all the fights and lies. Well, why not let the relationship parasite do all the hard work for you and leave first?

Cork's vocals do much of the heavy lifting on the song with the aforementioned choir adding impactful, soulful layers to the finished product. However, the personal and authentic writing is a cherry atop the artist's strongest release to date.

#8. "Here Comes the Night" by Agnes

The transformation. The sound. The excruciating long wait. Swedish singer-songwriter Agnes spent nearly a decade crafting a fifth studio album. Magic Still Exists burns like a supernova strangely thanks to sultry, brooding singles like "Here Comes the Night". Released as the album's third single, the artist vocally glides over a mash of 70s pop and 80s rock production as she proclaims true love will only be found in pitch darkness. "Walking into the heat of night, we're closer to freedom, see the bliss growing in your eyes, it's all that I need," she sings on the opening verse, preparing for the pounce as the sun begins to set. While there's power in the comfortability to search for love in unthinkable places, there's an underlying pain in the delivery as a romance outcast.

#7. "If It Ain't Me" by Dua Lipa

After a year of quarantine and social distance measures, Dua Lipa teased an expansion of her most recent album. Hence, Future Nostalgia (The Moonlight Edition) featuring four new tracks was born. Let this be a lesson to all artists: material worth hearing is best left in the cooking pot until well done. The new edition's crowning moment belonged to "If It Ain't Me", an elevated extension of the disco vibes and tone set by the original parent album. With a new lover on her mind, Lipa struts onto the dancefloor in tears, wondering if they'll ultimately choose another over her. She is a nervous wreck. "And baby, if you ever, find another lover, you'll see, I'll be dancing with my heart broke, such a sad disco, if it ain't me," she admits on the pristine chorus, a mix of excitement and fear in her voice.

#6. "Nobody" by Greyson Chance

Singer-songwriter Greyson Chance shared his third extended play Trophies in 2021. For the project's third single "Nobody", the artist describes the questionable tactics used in the hopes of getting over a former lover. Though he's making an effort to see other people, it's all simply for revenge. Even though he's finding intimacy with another, he can't help but fantasize about the hands and lips of his ex. Though he will regret his decision to fall back into their arms, he will at enjoy the immediate, temporary pleasure. At the end of the day, nobody wants to be alone. Somber feelings associated with a break-up juxtaposed with the upbeat nature of the song's production and Chance's seductive vocal performance heightens the overall passion, allure and confusion.

#5. "Shivers" by Ed Sheeran

There's a song by Ed Sheeran featured on this list! Rightfully so. Dance-pop second single "Shivers" off the artist's fourth studio album is an authentic, feel-good, captivating effort that took the artist out of his creative comfort zone. Tailored for constant radio airplay, the track is an honest retelling of an uncontrollable love. Completely smitten by his new significant other, the artist details his intentions, desires and the immediate feelings that come with a blossoming relationship. From the first kiss, to the backseat of the car, to a sweaty night on the dancefloor, the first days are unlike any other. "You know you could tear me apart, put me back together and take my heart, I never thought that I could love this hard, ooh, I can't get enough," the artist passionately sings on the second verse.

#4. "I Wanna Love You But I Don't" by Ben Platt

Nothing stings more than the realization of not loving someone with the same intensity as they love you. Ben Platt navigates those conflicting, and slightly selfish, feelings on soaring "I Wanna Love You But I Don't", an 80s-inspired power ballad featured on second studio album Reverie. Over intense strings and pounding drums, the artists grapples with reality and truth. Though able to acknowledge a good thing, appreciate the love radiating from a good person, Platt knows he'd be settling and dishonest if his heart was completely in it. "When you finally find that someone who fits you right, you'rе gonna see I couldn't be him, no matter how hard I try," he sings on the second verse, managing the difficult task of rejecting someone so perfect, just not perfect him.

#3. "Ancient Dreams in a Modern Land" by MARINA

Following a tranquil fourth album, MARINA approached her brand of reflective pop with a sense of angst, frustration, and 70s influence for her fifth outing. "Ancient Dreams in a Modern Land", the project's psychedelic title track, is an explosion of rock and disco influence, intriguingly clashing, as the artist counsels listeners to not disappoint their ancestors or let the world's struggles result in little improvement. MARINA highlights humanity's failures and misdeeds without hesitation or apology, blaming only us for our current mess. Instead of falling in line and accepting the lies of war and capitalism, she encourages an embrace of individuality, truth and decency. It's time to break out of the box and rewrite the definition of socially acceptable. We will not conform. We will not apologize.

#2. "Montero (Call Me By Your Name)" by Lil Nas X

Lil Nas X proudly puts his queerness on colorful display for "Montero (Call Me By Your Name)" as he detailed an intimate relationship with a closeted partner that blossomed last summer. Though said partner pretends to live a life of luxury, the need to suppress one's true self and feelings is carving a path toward destruction and unhappiness. Instead of connections, excess time and money is spent on weed and cocaine. The song also doubles as clapback to critics who think they can dictate his choices or stifle his freedom. It shines bright by simply existing. Bold in subject matter, provocative and clever with its sexual innuendos, and fearless in ignoring the supposed shame cast by harmful Christian beliefs and transforming the "sin" into a power that gay men should instead embrace.

#1. "Jealous" by The Veronicas

A second stellar track pulled from a second album release by The Veronicas in 2021. That feat alone warrants praise and placement. "Jealous", the glorious, unabashedly pop moment on Human, finds the sister duo reverting back to their destructive romance tendencies, fawning over another who might not be as committed. It's lust, not love, and destined to end badly. "Call your phone, you alone, I don't mean to ask again, I'm in bed, thinking 'bout you with your friends, all the girls you're talking to," the sisters sing without an understanding of boundaries over hypnotizing electro-pop production. There's no shame in their true feelings rather they are straightforward about how enamored they are about someone who was likely nothing but a one night stand. Delusion apparently serves as the base for a good time.

Top Songs of 2021 (#20-#11)

2021-12-17T17:16:00.001-08:00

The next entries on the "Top Songs of 2021" countdown belong to a legendary jazz entertainer, two entries from a new girl group trio, and the winner of RuPaul's Drag Race All Stars 2.

#20. "I Get A Kick Out Of You" by Tony Bennett, Lady Gaga

The first jazz collaborative album from genre legend Tony Bennett and creative chameleon Lady Gaga in 2014 was unexpected. Their second and final, Love For Sale, in 2021 almost never happened. Bennett at 95 years old manages an Alzheimer's diagnosis, Gaga continues with movie projects and solo albums. However, when project lead single "I Get A Kick Out Of You" was shared, audiences saw a return to top form from both artists. Their vocal chemistry also remained intact as they tackled the Cole Porter original with a new playful camp flare. Gaga kicks off the effort with a slow delivery accompanied by a soft piano. Right after, Bennett commends her "fabulous face". Their brass band then joins for the rest of the ride. Despite health issues, the track is prime evidence that Bennett can still deliver emotion and romance.

#19. "Chain My Heart" by Topic, Bebe Rexha

German producer Topic recruited Bebe Rexha for his house-inspired "Chain My Heart" over the summer, the perfect season to release an energetic anthem about finding a love so special and intoxicating that you refuse to let it go. While Rexha references being played in the past, she acknowledges there is something different about her new suitor. She feels butterflies when they call her name, a feeling she never wants to end. "Never goin' back to the way I was, I wanna be trapped in the space of us, never goin' back to the way I was, now you got me," she sings on the hook. Normally, whips and chains might signal dark motives. Here though, Rexha does not mind being captured and held against her will by a deserving significant other. The bouncy production sets intentions straight.

#18. "Between Us" by Little Mix

Jesy Nelson who? To celebrate the ten-year anniversary of Little Mix, the new trio shared "Between Us" off their greatest hits album this year. The track serves as a friendship battle cry, promising each other that nothing will break their bond. The trio recalls their personal and career ups and downs on a mid-tempo ballad co-written by MNEK. With references to many of their previous singles, Little Mix remain defiant and determined. Their "Wings" are bruised yet functional, their friendship gives them "Power" to break career records, and easily "Bounce Back" from setbacks as long as they remain unified. While the song doesn't depend on infectious beats, the group's trademark energy is present. It's true strength lies in passionate vocal performances from all three female artists and a heartfelt universal message.

#17. "Cambio el Paso" by Jennifer Lopez, Rauw Alejandro

Recorded after her split from ex-fiancé Alex Rodriguez, quadruple threat Jennifer Lopez tapped Puerto Rican singer Rauw Alejandro for the Spanish-language "Cambio el Paso" in 2021, a track detailing a woman leaving her undeserving man behind. Over pop and reggaetón production, Lopez confidently encourages listeners, and herself, to take the first next step following a relationship's demise. We all need to give ourselves the opportunity for healing, growth, and change, even if that's just a casual night out on the dancefloor. Alejandro then jumps in to justify Lopez's decision for independence, claiming the ex lover did not appreciate her enough. She is too delicious, too expensive, too dangerous, to be treated like an afterthought.

#16. "Babylon (Bree Runway and Jimmy Edgar remix)" by Lady Gaga

English rapper Bree Runway and American producer Jimmy Edgar breathe incredible new life into a personal Chromatica low point: closing track "Babylon". While the featured Haus Labs Version is impressive as well, Runway's confident and sassy new verse allows her contributions to come out atop. She even references Gaga's first two number one singles. The nocturnal production vibes of the original are now replaced by contagious techno beats that keep the party going. "I’ma strut when they see that walk of mine, face card on and it never declines, talk is cheap, but my money long, that's gossip, but that's what they on," Runway flows on her verse in the latter half. Taking a Gaga throwaway and transforming it into a must-hear is no easy feat. Only a rising star like Runway could effectively execute.

#15. "God Save This Queen" by Bimini

Never scared to embrace the femme, gender-bending drag entertainer Bimini Bon Boulash shared a non-binary anthem in the form of debut single "God Save This Queen". Mix Brit-pop vibes and punk attitude, with a sprinkle of Lily Allen, and the result is a defiant ode to self-empowerment and comfortability in one's skin. A cheeky play on the UK's national anthem, the song touches on issues of toxic masculinity, outdated gender roles, and judgmental eyes. Bimini throws a middle finger up to it all. Instead, they embrace new found freedom, destroy boundaries, and share a preference for "D" over processed meat. The spoken-word vocal delivery paired with punk-pop inspiration throughout carry the "therapeutic" effort to energetic and fearless heights.

#14. "Heartbreak Anthem" by Galantis, David Guetta, Little Mix

European musical forces combined when Swedish DJ duo Galantis, French DJ David Guetta and British girl group Little Mix came together for "Heartbreak Anthem" in 2021. The dance track finds the trio conceding that things won't always work out in their favor, especially when it comes to love and relationships. Supported by delicate strings and infectious synth, the realistic approach to life carries the effort to emotional heights. Sometimes it's okay to acknowledge that perfection is near impossible to obtain. Though the romantic bond is broken, the women come out of the ordeal stronger and content with the outcome. Instead of becoming depressed and secluded, Little Mix and the DJs have crafted another gem that we wouldn't mind dancing to as we let out a few earned tears.

#13. "I Want Love" by Jessie J

As Jessie J preps an upcoming sixth studio album, she shared its impassioned, direct "I Want Love" lead single in 2021. Carried by trademark, spine-tingling vocals, the song finds the vocal powerhouse ready to abandon all New Year's resolutions and open the door to her heart. Produced by hitmaker Ryan Tedder, the song is a joyous, radio-ready slice of pop that highlights Jessie J's strengths and invigorating energy. Supported by disco-inspired beats laid over edgy "Barracuda"-like guitar, she surprises herself with a willingness to let down her guard to reassure potential partners to not fear commitment. After enduring a life-altering event on your own, the thrill and excitement of finally making a lasting connection adds weight to such a straightforward romantic demand.

#12. "That's What I Want" by Lil Nas X

Though he exudes nothing but confidence and strength via his on-stage persona, Lil Nas X details the difficulties in finding love on debut album fourth single "That's What I Want". The artist details how easy it is for him to give himself completely to a new partner, but how those feelings are not normally returned. As he frustratingly lays his heart, his insecurities, and his dreams out on the line for listeners, the endearing vocal performance resonates with the many who are suffering with similar romance dry spells. "Look, you know it's harder to find in these times, but I got nothin' but love on my mind, I need a baby while I'm in my prime, need an adversary to my down and weary," Lil Nas X sings on the second verse, over pop/rock production that immediately entraps the listener.

#11. "Beautiful (night 4 a) Breakdown" by Alaska Thunderfuck

RuPaul's Drag Race All-Star Alaska Thunderfuck promised her forthcoming album would be influenced by the music of the late 90s and early 00s. Kudos for keeping the promise. The second taste of said album, "Beautiful (night 4 a) Breakdown", is a Euro-dance number that finds the artist on the verge of losing her mind. Following a tough break up, the drag performer believes the only path of recovery is an evening of debauchery and poor decisions. "The rivers of tears ain't stoppin', I'll cry 'cuz it's my party for one, don't care if my ex just walked in, 'cuz I know I'm the luckier one," she reassures herself just after threatening to burn down an entire neighborhood. Clearly, the artist is not in control of her emotions. Comedy and high jinx are replaced with purpose and lived experienced.

Top Songs of 2021 (#30-#21)

2021-12-16T11:41:00.000-08:00

The next ten entries on the year-end countdown are comprised of work from three drag entertainers, a Tony/Emmy/Grammy Award-winning artist, and Mr. Priyanka Chopra

Enjoy!

#30. "Hello Hello" by Trixie Mattel

For her first taste of original material since February 2020, skinny legend Trixie Mattel shared her go-go-inspired single "Hello Hello", the lead effort from an upcoming fourth studio album. An intriguing blend of 70s rock and grunge, the song continues the artist's trend of excelling with her own sound and joyful sonic environment. Never shy about making herself the center of attention at any function, Mattel motivates potential suitors to gather enough confidence to strike up a conversation. If not, they will regret not seizing the opportunity. She's no ordinary girl. The track may be sparse in lyrical content and meaning, but Mattel's alluring tenor, comedic energy, and supporting electric instrumentals keep the die-hard Trixie stans and casual listener intrigued and entertained.

#29. "Sky Love" by Foxes

Following an euphoric Glorious debut album and even stronger All I Need sophomore effort, English singer-songwriter Foxes began promotion for third studio album The Kick in 2021. "Sky Love" is the third taste of the upcoming project: a disco-tinged track that tries to detail an unimaginable love, one that drives you completely crazy. With her trademark gentle vocals, the artist looks past mediocre relationships as she sets her sights on something a bit more remarkable and otherworldly. "Wanna feel electric with just one touch, fall for somebody way too much, and no matter how high, it's never enough," Foxes sings on the opening, her priorities straight, even if they might be unobtainable. It's that endearing sense of optimism that forces listeners to believe and hope just as much.

#28. "Leave My Mind" by Ben Platt

Singer-songwriter, Tony, Emmy, and Grammy Award winner Ben Platt shared his personal, lovesick sophomore album Reverie in 2021. The artist's brand of intimate pop is now supported by electronic, radio-ready production which lifts somber efforts such as "Leave My Mind" to exciting heights. On the track, Platt does everything imaginable to leave a former lover in the past. He walks new streets, refuses to say the other's name, anything to focus on a new future without them. However, the ex doesn't seem as interested in leaving Platt alone, a cruel act that hinders romantic recovery for them both. Though there might be some love left in the relationship tank, the artist's vocal performance carries an intriguing sense of frustration and desperation.

#27. "Silent" by The Veronicas, Travis Barker

Australian sister pop duo The Veronicas returned in 2021 with two full albums. Fourth studio album Godzilla featured the artists in alter-ego form, surrounded by dark, edgy, rock-leaning production. "Silent", featuring the percussion skills of Travis Barker, calls out a lover for their dishonesty. Emotional angst and despair elevate the angst-filled vocal performances. With the sense of encroaching darkness and delicate violins, it's a number Evanescence wishes they would have cut. "There was a time, I trusted you, you took my heart, broke it in two, all of these pills and all of these words, couldn't take the pain away," the sisters sing while noting the struggle of moving forward. While they've picked up most of the broken pieces, the cracks in their armor are felt.

#26. "Good Ones" by Charli XCX

English singer-songwriter Charli XCX released "Good Ones" in 2021 as the lead single from her upcoming fifth studio album Crash. The artist steps away from her recent experimental sound for a more traditional synth-pop effort that transport listeners to the dancefloor to lament about their problematic tendencies. Charli XCX sings of constantly inviting toxic relationships into her life while shoving away and purposefully sabotaging the healthy ones. The throbbing underground production provides a frantic environment for such destructive decisions to thrive. As a Pitchfork critics pointed out, the only negative is the song's ridiculously short runtime: just over two minutes. Perhaps there's a reason. Even great pop songs can come and go in the blink of eye, just like the good men in Charli XCX's life.

#25. "The Lucky Ones" by Pentatonix

For ninth studio album The Lucky Ones, the second comprised of original material, five-piece Pentatonix remained upbeat and encouraging on the title track. "The Lucky Ones" finds the group reminiscing on a rocky and secluded childhood, unable to acclimate to the small town upbringing. Being told to not stand out, to be just like everyone else, is not the advice a creative mind needs to hear. So instead of masking the pain or remaining insecure, they venture to a more welcoming place. There, they thrive. As the group begins to see their names on the marquee, when most become cocky and purposefully erase their past, Pentatonix continues to learn from previous struggles. They remain humble, connected to those who ventured on the same path as them, and empowered as they count the numerous obstacles they overcame.

#24. "This Is Heaven" by Nick Jonas

Nick Jonas took a quick break from the Jonas Brothers reunion to share fourth solo studio album Spaceman in 2021. On the project's second single "This Is Heaven", the artist is singing directly to wife Priyanka Chopra. The R&B ballad compares the artist's religious faith to the love he feels for Chopra. Her kisses are his prayers. Her body is his motivation to push forward. There's authentic passion dripping from every word, from her vocal acrobatic that carries the effort to soaring heights. "You're the center of my attention, yeah, I know, nothing is perfect, but this is close, so don't go, keep it comin' in my direction," Jonas sings on the second verse before infectious brass instrumentals and backing choir vocals support one final run of a solid pop chorus that will brighten anyone's day.

#23. "New Friends Silver, Old Friends Gold" by RuPaul

For the season finale of RuPaul's Drag Race season 13, the queen of all queens RuPaul delivered a shortened, though flawless, performance of "New Friends Silver, Old Friends Gold" on the main stage. The track, produced by Matt Pop, highlights the artist's journey from small town thinking to the creation of a global enterprise. Despite all the success, RuPaul never forgets the bonds she forged and the love left behind. It's not "goodbye", it's "see you later". Over infectious dance beats and a disco vibe, the artist sings that every friendship, every experience, holds importance in her life. "Kinda lost touch, but we never fell out, from happy to heartbreak, turning upside-down, and even when the chips were down, oh, oh, I always knew I had a friend," she assures herself.

#22. "Red" by Alaska Thunderfuck

In a stark departure from the comedic nature of past offerings, "Red" by RuPaul's Drag Race All-Star Alaska Thunderfuck takes inspiration from the colorful pop sounds and textures of the 90s and early 2000s. Red is the color of blood, of the heart. To Alaska, the color is representative of love and friendship. The drag entertainer is head over heels in love with a new suitor, causing her to feel unexpected emotions she can't seem to control or contain. However, she may also be in over her head. Alaska proceeds with the blossoming relationship with a mix of caution and excitement. She just wants to taste the romance rainbow. The song retains a trademark vocal delivery on a standout second verse, transitions into full pop star form on the chorus, and references Prince, the Beatles, and Britney Spears for good measure.

#21. "Sugar (Strange Talk Remix)" by Dance Yourself Clean, Michael Medrano

While the original version is strong on its own, when Strange Talk remixed "Sugar" by Dance Yourself Clean and Michael Medrano, it elevated the ode to promiscuity and raunchy evenings to another technicolor level. Medrano utilizes a seductive vocal performance to assure listeners that one night stands with a no-named partner are perfectly normal on Sunset Boulevard. He also doesn't mind playing the role of a porn star, fulfilling fantasies and kissing but not telling. No need for a relationship, the no strings attached fun is more than enough. "That's how we do it, down in Hollywood, no catching feelings, you and I got something good," he coos on the second verse, as the dance production sweeps the artist in a frenzied, sweaty, voyeuristic environment we envision in our wildest dreams.

Top Songs of 2021 (#40-#31)

2021-12-15T14:27:00.006-08:00

The first ten entries on My Top Songs of 2021 marked the English-language return of Shakira, the early retirement of Iggy Azalea, and saw Todrick Hall inspired by the Weather Girls and muscular men.

For the next ten, we are graced by a Eurovision Song Contest 2021 contestant, a Lady Gaga remix, and the first entry from the artist with the most songs on this list.

#40. "High Heels" by John Duff, Lillias White

Singer-songwriter/social media influencer John Duff made a viral splash with "Girly" in 2018. While the artist's early creations were dripping in comedy and gay tropes, his debut extended play Homo•Sapien highlighted Duff as a "real musician" (his words). The project's lead single "High Heels" featuring Lillias White is a sexy, confident ode to femininity and female empowerment. Inspired by a pair of red stilettoes while in London, the artist sings of his infatuation with a new potential lover. Duff will play mom, the hunky suitor will play dad, as both carve out a future path together. Well, at least Duff is fantasizing about that potential future. "If I looked the way that I feel, I'd be wearing high heels, cause you've got me feeling like a lady" he sings on the chorus, supported by energetic piano keys and soaring backing vocals.

#39. "Rumours" by Lizzo, Cardi B

For her first release in over two years, hip-hop rebel and brass extraordinaire Lizzo teamed up with Cardi B in 2021 for "Rumours", a blunt response to her naysayers. The artist takes all of the accusations and negative publicity accumulated since going mainstream and turns it all around by confirming it true. Did she have sex with Drake? Is she a bad role model for big girls? Sure, if that's what you want to believe. After opening with delicate piano, the song quickly morphs into a loud, brash, horn-heavy proclamation. Lizzo is not changing for anyone. Cardi B then bursts through with her strongest verse of the year, laughing over international trolls and knowing that all her records live in the top ten despite the efforts of haters. The female collaboration wasn't a surprise, but the end results bested expectations.

#38. "Free Woman (Rina Sawayama and Clarence Clarity remix)" by Lady Gaga

Though the Chromatica album release and subsequent promotional plans were disrupted by the COVID-19 pandemic, Little Monsters rejoiced a year later when it was announced that numerous pop artists were joining Lady Gaga for the Dawn of Chromatica remix release. Japanese/British singer-songwriter Rina Sawayama and English producer Clarence Clarity tackled "Free Woman" and incorporated heavy metal elements into the liberation anthem. Ultimately, their final product is stronger than the original. "Oh, stand tall even when belittled, your voice is louder, it echoes, so baby, I'm ready to be me, to be free," Sawayama belts through pure excitement and adoration for her collaborator. The remix is sharper, a better home for the somber story of Gaga's experience with sexual assault.

#37. "Quiet Town" by The Killers

American rock band The Killers released seventh studio album Pressure Machine less than a year after their sixth. For the reflective, folk rock-inspired project, lead singer Brandon Flowers touches on the actual death of two local teenagers and the opioid issues plaguing his hometown for heartbreaking standout "Quiet Town". Over harmonicas, delicate piano keys, and electric guitars, the band juxtaposes unspeakable tragedies experienced as a youth with the values and work ethic of a quaint town. Though its residents know very well of the danger and need for change, they have no choice but to continue on as if nothing bad ever happens. While the production and instrumentals help pull the listener in, the storytelling nature of the songwriting is what leaves the lasting impact.

#36. "24 Hours" by Agnes

Swedish singer-songwriter Agnes prepared for her first album release in over eight years as she shared "24 Hours" in 2021, the second single off fifth studio album Magic Still Exists. The therapeutic, disco-influenced track finds the artist during the final hours of a crumbling relationship, reconciling with her bad decisions and contemplating a new path forward. Though she regrets not listening to her intuition at the beginning, Agnes understands the need to hit rock bottom before seeing things a bit more clearly. The realization of love's end is a tough pill to swallow, but the song, its electrifying production, and vocals of confidence from Agnes all signal the power in new found freedom and focus on self-love. This dark, somber dancefloor gem was well worth the long wait.

#35. "Sabotage" by Bebe Rexha

Singer-songwriter Bebe Rexha encountered a career stumble when sophomore album Better Mistakes failed to make a significant chart impact this year. That does not take away from the quality of the songs included. Third single "Sabotage" is a vulnerable pop power ballad that details just why the artist won't allow herself to be happy. With a heartstring-tugging vocal performance at the forefront, the artist comes to the realization that she is her own worst enemy, the queen of broken bridges, getting in her own way. "Why do I sabotage everything I love?, the walls are closin' in because I built them up," she admits on the chorus. The track has since been incorporated into "It’s You, Not Me (Sabotage)" by Masked Wolf, providing a different perspective to the lyrics.

#34. "Lost in the Citadel" by Lil Nas X

Lil Nas X continued his deserved winning streak throughout 2021. He released his debut album MONTERO, secured his second consecutive Album of the Year nomination at the 64th Grammy Awards, and sent three of the album's singles to the top ten. While album track "Lost in the Citadel" hasn't received the single treatment, it's deserving of the attention. Against pop/rock instrumentals and production, the artist details his naivety in a one-sided relationship. While Lil Nas X believes a new suitor is his forever love, he quickly realizes those same feelings are not being returned. What was once thought of as a gift sent from above has ended before the artist can get a clear understanding of where things went wrong. Lies, deception, ignorance, all playing a role in the young love's demise.

#33. "Stronger" by Sam Feldt, Kesha

For his first release of 2021, Dutch DJ Sam Feldt called on Kesha for emotive vocal support on "Stronger", a song about personal growth. Overcoming immense challenges in her own life and career, Kesha was the perfect artist to inject truth and meaning into lyrics of becoming more resilient after overcoming an obstacle. The dance-pop offering starts off slow before building to a rousing chorus, encouraging listeners to get back up after experiencing some turbulence. "I've been on the brink of broken, stripped to my shadow on the floor, but like the broken bones inside my body, oh, I'll be stronger than before," Kesha courageously sings on the second verse. The mixture of optimism and reality create a relatable message that sticks around long after the uptempo beats disappear.

#32. "Set Me Free" by Eden Alene

Israeli singer Eden Alene represented her country at the Eurovision Song Contest 2021 with a revamped version of "Set Me Free", a bouncy pop track about independence and cutting ties with someone only dragging you down. Not only does the song include a B6 whistle note, the highest note in the history of the Eurovision Song Contest, but the upbeat production and controlled vocal performance from Alene combine to shine a light on a 21-year-old woman finding and embracing her own voice. After relieving herself of a romantic anchor, the artist proudly boasts of how awesome and strong she truly is. Too bad her significant other couldn't come to the same realization. Fun, vibrant, polished, lyrics in her native tongue, all pieces to a bigger picture that paint Alene as a future force in the pop genre.

#31. "White Lies" by VIZE, Tokio Hotel

German EDM duo VIZE and rock band Tokio Hotel joined forces for "White Lies", the first single release of 2021 for both acts. The track details the actions of a lover doing whatever necessary to maintain the happiness in a relationship, even if that means being deceitful. To create the unrealistic, dreamy environment where one can live with their own lies, gone are the trademark prominent hard rock instrumentals of Tokio Hotel, instead making room for VIZE's dancefloor-worthy production. "'Cause I don't wanna make you cry, stay here by my side, only big white lies to get by," they proclaim, telling themselves what they want to hear in order to get past the actual problems. While the band's intentions might be coming from the heart, their actions are destroying the relationship.