tag:blogger.com,1999:blog-30463337426133253062016-10-05T21:52:37.235+02:00A collection of the best free VSTHenrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.comBlogger415125tag:blogger.com,1999:blog-3046333742613325306.post-20100213898036127702016-10-01T11:44:00.000+02:002016-10-01T11:44:39.905+02:00

this site has a new home, please join us at this All Free VST This archive will remain online until the end of the transfer. have fun! AFV.

Enriconoreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-19459285454967390252010-12-02T12:06:00.004+01:002010-12-06T09:54:50.463+01:00

The “epicVerb” reverberation device aims at both: Tight small room and ambience effect simulation well suited to modern drum and vocal productions up to large “epic” halls as known from high quality outboard gear.Tips & tricksinstead of using full reverbaration try the AMBIENCE mode when smaller room impressions are needed – this offers just the early reflections and this is sometimes enough and

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-54431256618878410342010-12-02T11:59:00.002+01:002010-12-06T09:55:45.367+01:00

What it doesNastyHF offers a really nice and musical vintage style HF shelf with switchable narrow or rather wide curve behaviour.Tips & tricksalways check the four different HF curves at 10kHz for best resultsRessourcesmore background info is available in the manualDeveloper : Variety Of SoundType : Effect EQDOWNLOAD!

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-79655547407623690122010-12-02T11:55:00.001+01:002010-12-06T09:55:45.368+01:00

NastyLF a offers push/pull style low-end EQ with an added saturation stage. EQ levels and frequency can be dialed in variably as well as saturation amounts and a rather modern or vintage curve behaviour.Tips & tricksalways use boost and cut together to take advantage of the push/pull style curvesRessourcesmore background info is available in the manualDeveloper : Variety Of SoundType : Effect

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-20334855005471855252010-12-02T11:52:00.003+01:002010-12-06T09:55:45.370+01:00

The Rescue plug-in is a gadget which offers envelope dependend signal amplification and saturation in a mid/side configuration. In ANALOG mode it offers some addtional signal alterations similar to hardware. It comes in two versions: Rescue and RescueAE (anniversary edition) – the latter one performs interanl oversampling and adds an output limiter function.Tips & tricksuse the WIDTH knob to

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-57852613643642868102010-12-02T11:49:00.001+01:002010-12-06T09:55:45.372+01:00

TesslaPro is a signal saturator with added transient control. It works entirely oversampled and provides smoothest saturation effects.Tips & tricksengaging the BOOST switch increases the input level +12 dB – this is useful if more obvious distortion is wanted or the incoming audio has a low signal leveldial the TRANSIENTS switch to let the audios transient information intact – use this to obtain

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-74249039436947280032010-12-02T11:47:00.003+01:002010-12-06T09:55:45.373+01:00

TesslaSE adds some gentle and pleasant saturation effects to the incoming audio.Tips & tricksdon’t use this in a single instance on just a bus or master but use it here and there in the mix channel inserts – the subtle effects sum up to obtain a more consistent mixuse the SBE switch to obtain a deeper low-end impressionRessourcesmore background info is available in the manualDeveloper : Variety

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-83901395755448009742010-12-02T11:41:00.003+01:002010-12-06T09:55:45.375+01:00

This device simulates some dynamic effects as can be obtained with some high quality tape gear.Tips & tricksworks great on VA synths to add some slight crunch and presenceuse it in the chain for electric guitar: Subtle compression (Density II) > Fender style ampsim > FerricTDS {Dynamics high, Saturation low, SC high, rest to taste} > optional FXwith slightly different settings it works for crunch

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-44322023395421933062010-12-02T11:38:00.002+01:002010-12-06T09:55:45.377+01:00

Density mkII was primarily designed to work in a typical stereo audio group mixing situation or for summing and to glue all things together in an unobtrusive way.Tips & tricksuse the limiter mode to manage difficult audio dynamics – it does not operate in a brickwall design but offers a more strict handling of dynamicsutilize the RANGE functions for each channel while working in M/S mode – this

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-7742295960017132822010-12-02T11:30:00.002+01:002010-12-06T09:55:45.379+01:00

The BootEQ mkII is an equalizer and pre-amp simulator combination which provides some nice and musical signal coloration effects.Tips & tricksutilize the pre-amp’s LF boost in combination with the EQ’s low-cut to obtain consistent low-endtune MF and LF on (nearly) same frequency to boost and cut the same time (push/pull style effects)here are some more user tips and review on BootEQ

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-50987025880746955312010-10-30T16:22:00.004+02:002010-12-06T09:55:45.386+01:00

A midi only plug for adjusting the dynamic response of plugin instruments by scaling midi velocity values.Developer : platinumearsType : MIDI ControllerDOWNLOAD!

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-78265538253801663582010-10-30T16:20:00.003+02:002010-12-06T09:55:45.388+01:00

A powerful dynamic EQ.Developer : platinumearsType : Effect EQDOWNLOAD!

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-6223685678218877012010-10-30T16:13:00.003+02:002010-12-06T09:55:45.389+01:00

This is the perfect digital noise gate that all the analogue ones were attempting to model.Developer : platinumearsType : Effect Noise GateDOWNLOAD!

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-29152065328970831272010-10-30T16:08:00.002+02:002010-12-06T09:55:45.391+01:00

This is a multiband version of the L3V3LL3R, with three band-limited L3V3LL3Rs driving a pair of dynamic shelving filters plus a gain stage.This means that, unlike a conventional multi-band compressor which will introduce constant phase anomalies around the cross-over frequencies, this one only messes with the phase while actually processing the signal. If all three bands have the same gain the

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com1tag:blogger.com,1999:blog-3046333742613325306.post-81260360693047563422010-10-12T15:55:00.004+02:002010-12-06T09:55:45.393+01:00

This is a faithful model of the (literally) legendary "Leveller" hardware compressor from the 60s. These units are extremely rare and collectable due to the fact that less than one of them was ever made and sold. On the plus side, this did make it possible for me to collect together ALL surviving examples, and thereby create a modelled vst version that is actually more like the original units

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com1tag:blogger.com,1999:blog-3046333742613325306.post-29561170021545506062010-10-12T15:43:00.002+02:002010-12-06T09:55:45.394+01:00

This is a gentle squashy compressor intended for use on busses, though it also works well on channels. It has a very soft knee, with a ratio that gradually increases to hard limiting, and an RMS based level detector with a window size that depends on the attack time.Developer : platinumears Type : Effect CompressorDOWNLOAD!

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com2tag:blogger.com,1999:blog-3046333742613325306.post-33797105319978953312010-08-21T00:48:00.005+02:002010-12-06T09:55:45.396+01:00

Channel one provides charismatic cleans as well as a tight punchy gain when pushed. Channel two is nothing but dirty and has a loose gain when driven. Plenty of knobs for tone tweakers to dial in a myriad of sounds... and don't forget the built-in booster up front which makes it easy to reach those high-gain sounds, yet also provides an interesting spank to clean tones.Developer : simple VSTsType

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-9734624498334236932010-08-21T00:43:00.003+02:002010-12-06T09:55:45.397+01:00

Some people like to scream, while others choose to howwl. Place this boost pedal in front of your favorite amp-->turn down the amps gain-->and crank the pedal's output... Strength and clarity will always top the fizz.Developer : simple VSTsType : Effect DistortionDOWNLOAD!

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-22021506428031999642010-08-21T00:33:00.003+02:002010-12-06T09:55:45.399+01:00

WTComp is an analogue tube compressor.It distinguish itself from a common compressor due to its simple use. The only thing you have to do is just to set the warm-level (compression) instead of going crazy with dozen of parameters! The internal structure is very advanced, including an intelligent audio-clip system. Ideal for mastering and single tracks.Developer : Plektron Type : Effect

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-90565093900036784352010-08-21T00:23:00.002+02:002010-12-06T09:55:45.400+01:00

IRcab is a impulses-response cabinet supporting wav impulses that can be easily found on the web. With IRcab it is possibile to recreate the frequency response stored in the impulse, allowing to expand your own sound palette. The plug-in is avalaible in two different versions, mono and stereo processing.Developer : Plektron Type : Effect CompressorDOWNLOAD!

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-27902061136947096912010-08-21T00:17:00.004+02:002010-12-06T09:55:45.402+01:00

Substance is a virtual analog software synthesizer (VSTi) emphasizing simplicity, flexibility, and sound quality. The key factors in the design of Substance were that it should sound great, without effects, and that it should all fit on one page.Substance has two of everything: two oscillator sections, two LFOs, two envelopes, two filters. The oscillator sections were inspired by the architecture

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-42250892557649969762010-07-15T23:25:00.003+02:002010-12-06T09:55:45.403+01:00

it is a small samplebased drum modulwith following mainfeatures:10 drumslotsmost slots have:character select (white)tuning/pitch (yellow)attack & decay (orange)distortion (red)velovity on/off switchpanning (grey)level (white)random generator (for randomized patches)also there are control LEDs and a triggerbutton for each drumslot,for use without a midi keyboard. Developer : acid.milch&honigType :

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.comtag:blogger.com,1999:blog-3046333742613325306.post-61676206726509787572010-07-15T23:20:00.003+02:002010-12-06T09:55:45.405+01:00

it is a small virtual analog synthesizer with following mainfeatures:6 voices (poly, legato, mono)2 VCOs (plus unison mode)1 multimode filter (LP, HP, BP)3 envelopes (2x ADSR, 1x AD)1 or 2 LFOs1 arpeggiatorrandom generator(for randomized patches)Developer : acid.milch&honigType : SynthDOWNLOAD!

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-63278284483124862732010-06-20T10:21:00.003+02:002010-12-06T09:55:45.407+01:00

The blooo is a VST™2.4 polyphonic software synthesizer plug-in based on the classic subtractive synthesis architecture. It is written in native C++ code for high performance even on "lighter" systems. Main features are:Up to 32 voices polyphony including portamentoTwo band-limited oscillators including Ring modulation and hard syncFour oscillator waveforms (sawtooth, pulse, sawpulse, sine) with

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0tag:blogger.com,1999:blog-3046333742613325306.post-79543454981244704192010-06-20T10:08:00.002+02:002010-12-06T09:55:45.408+01:00

Combo Model V is a freeware virtual combo organ, modelled after a well-known combo organ from the 1960s.Features4-octave C-to-C keyboardHarmonic range 7 polyphonic octaves4 footage drawbars2 voice drawbarsVibrato unit with adjustable speed and depthSwell (volume) pedalAdjustable tuning per noteFully modelled (no samples inside)Model includes oscillators, dividers, crosstalk, filters, key contacts

Henrix Raimondhttp://www.blogger.com/profile/02989602835032847866noreply@blogger.com0