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Attending InfoComm - Remotely

stiner08@gmail.com (Scott Tiner) — Fri, 14 Jun 2013 06:08:58 +0000

Are you like me, sitting at work wishing you were at InfoComm?

I decided this year that I was going to dedicate half of every work day to InfoComm even though i am not present at the show. Lucky for us, rAVe makes this very easy to do. Frankly, except for the missing out on the networking, in many ways I like this better. I get to see all the cool new stuff, without waiting in line to get a rep, or having to wait 30 minutes in a lunch line. Although, I do miss the Eggs Benedict from the B-Line Diner.

If you are a technology manager, here are some things that I have found that are very interesting for us. Explore the rAVe Pubs site on your own, but certainly check out these links:

Crestron AirMedia

Crestron introduces AirMedia. It seems to be a fantastic product that allows four people to display wirelessly at a time (quad screen), and up to 32 people to display individually. All this at a price tag under $2,000. My only initial hesitation is they do gloss over the fact that software is required to be installed. While this is a slight drawback, if it easy to do, it also provides nice control of who is able to display.

http://www.ravepubsarchive.com/rave-video/infocomm-2013-crestron-explains-airmedia/

Maclocks

Maclocks presented two devices that struck my interest. Both are iPad mounting devices. The first is a table top mount that looks suprisingly like an iMac. It hold the iPad securely in place and allows you to secure it with a cable lock. I am confident some of our industrious colleagues could find a way to secure it directly to a table. My first thought at seeing this product is that it would allow us to use a $600 iPad as a touchpanel. A very cost-effective solution.

The second product is the BrandMe tablet stand. Again, with using an iPad as a touch panel, and display device, you can get your presenter out from behind a podium, while able to control the room, control the presentation, and have a confidence monitor! Check these out!

http://www.ravepubsarchive.com/rave-video/infocomm-2013-maclocks-illuminates-ipad-all-in-one-enclosure/

http://www.ravepubsarchive.com/rave-video/infocomm-2013-maclocks-talks-about-brandme-tablet-stand/

ClearOne ViewPro

I did not realize that ClearOne was in the video business. But I guess that is what these shows are all about. ClearOne presented a new multimedia streaming encoder and decoder. There was no mention of cost, so I am not sure how hot I am on this product yet. But, I am pointing it out because I believe streaming is the future for all of us. The fact that so many companies are getting into it shows we need to start paying attention.

http://www.ravepubsarchive.com/rave-video/infocomm-2013-clearone-mentions-viewpro-multimedia-streaming-encoderdecoder/

Da-Lite, Vaddio and Conferencing

I think we are finally seeing the industry start to adapt to the change we have seen in higher ed over the past several years -- away from hardware based conferencing and towards Web-based, software-based, free conferencing. One very cool product, the Da-Lite View Share struck me. It is brilliant in its simplicity! A camera is embedded in the base of a motorized screen. BAM! Instant conferencing! A more utility application, the Quick Connect USB from Vaddio, allows you to take their standard HD cameras and convert it to a USB video output. Again, not show stopping, but a clear indication of where the industry is moving.

http://www.ravepubsarchive.com/rave-video/infocomm-2013-gary-kayye-talks-to-da-lites-melissa-rone-about-viewshare/

http://www.ravepubsarchive.com/vaddio-controller-ptz/

Extron Interview

While at UBTech, Gary had the opportunity to interview Extron Director of Education Programs Tim Schnabel. They covered several education issues, and discussed Extron’s plans for expanding and growing their regional training. My interest though is in the TeamWork product. Extron has again taken a basic need and served it well. That need is for the collaborative “huddle room.” While wireless would be super fancy, it also takes software, and that leads to various issues. Here, Extron goes with good old wired connections, that simply work at the press of a button.

http://www.ravepubsarchive.com/rants-and-raves-episode-135/

Automated Space and Mobile Working

none@none.com (Don Palmer) — Fri, 14 Jun 2013 04:52:19 +0000

Required disclaimer: This represents the opinion and experience of me personally and does not represent any specific policy, law or official guidance.

Why would someone expect to be talking about space automation, mobile working and bring your own device (BYOD) at InfoComm 2013? Most federal agencies are dealing not only serious budgetary challenges; they also have to deal with reducing their physical space and a cultural workforce willing to mobile work.

Spending time in the AMX booth (2216), it seems to be model to address this whole issue. There booth rooms that have large and small variations of AMX touch panels displaying the particular room’s schedule. Theoretically, a person could walk up to an available conference room and, using this touch control panel, reserve a room! Sounds just so simple, doesn’t it?

I was looking at how AMX has developed this around its Resource Management System (RMS) Enterprise scalable client / server application. I can remember the early days of RMS and its focus was inventory and monitoring. The demonstration I received was well beyond a simple, “Hey, my projector lamp needs to be replaced.” RMS has become an application that can manage rooms schedules, as well as manage and monitor equipment. My overall impression is if you are in the situation where your organization is in need of space management and automation, check out AMX and its amazing RMS Enterprise system.

More information from AMX is available here.

Philips Takes Digital Signage Players Out of the Equation with IP-Addressable Displays

sara@ravepubs.com (Sara Abrons) — Fri, 14 Jun 2013 04:20:37 +0000

Philips showed at InfoComm a new IP-addressable LED displays for digital signage, called the QL series. The idea behind these displays is basically to remove the signage player from the equation, taking the model of consumer content distribution technology (such as Apple TV, Google TV, etc.) and applying it to "IP signage."

These displays were shown as a prototype at DSE earlier this year, where Philips got feedback from integrators, but now they are heading to production and expected to be available in Q3.

Integrators can still use any kind of digital signage software they want, which lives on and is controlled by a computer, and is then pushed to individual displays that have their own IP addresses. It works via the Internet, or closed Intranet (Philips demo'd the displays at InfoComm using its own Intranet.

Other specs on the displays include 350 nits brightness, edge-lit LEDs, an internal HTML 5 browser and a LAN port. They are also ENERGY STAR rated for low power consumption, and will be available in 32", 42", 46" and 55" sizes. Philips hasn't set pricing officially, but said at InfoComm that they would be priced on the "lower end" of its display pricing structure.

The slogan Philips is using at the show here is "Future of Display Technology Arrives at InfoComm," and it's clear they think that in the digital signage market, the future means fewer media players. What do you think?

In the meantime, check out Philips Signage Solutions' infographic about its IP addressable displays: http://www.ravepubsarchive.com/wp-content/uploads/2013/06/Final_IP_InfoGraphic_Press.pdf

Hybrid Projector Side by Side Demo Big Hit at Projection Summit

none@none.com (Chris Chinnock) — Fri, 14 Jun 2013 02:53:29 +0000

One of the highlights of the just-concluded Projection Summit was the hybrid side by side demonstration. This featured four hybrid projectors, sometimes called lampfree, lampless, laser, alternative light source, zero-lamp or solid state projectors, running the same content so attendees could do a fair comparison of the image quality. Projectors from Casio, Panasonic, Sony and Mitsubishi were on display and attracted a large crowd.

To facilitate the demonstration, Brawn Consulting put together a 24 minute video of static test patterns and images as well as selected movie trailers to exercise many image quality aspects of the projectors. This was played back from a PC to all four projectors in a room that used two levels of illumination: normal and dim.

Each projector illuminated identical 90” matte white screens. Manufacturers were told to optimize the image as they saw fit to showcase their projector for the provided content.

The Sony projector featured a 3LCD engine while Casio, Mitsubishi and Panasonic were DLP models. The Mitsubishi model was an ultra short throw. Resolution ranged from 1280×800 to 1920×1200 and brightness from 2,500 to 4,000 lumens.

Since this was not organized to declare a winner, I will not reveal comments on specific models, but will instead provide a collection of comments I heard about specific models or the showcase in general. These are shown below.

The contrast was low
The black level was high
One projector was noticeably brighter than the others
The gamma was set correctly, showing no crushing of the blacks as whites as well as the red, green and blue test patterns
The gamma was not set correct so the blacks and whites were crushing at the ends of the range
No single color looked the same on any of the projectors
The flesh tones looks good
The flesh tones looked a bit grey
The color break-up was bad
The color break-up was noticeable but not too bad
There was little noticeable color break up
There was some banding on some images
The image actually looks sharper when the gamma is not set correctly
The white points varied widely
There was not a lot of difference in the perceived resolution of the images

Remember, these comments come from a pretty discerning groups of experts, so it is not unexpected they will find all the flaws. However, I also think most would agree that the overall image quality was quite good.

Prior to the demonstration, the manufacturers presented and participated in a panel discussion. All agreed that hybrids are early in their development cycle but the growth in sales looks very promising. And, they agreed that improvements in performance, lifetime, features and light output will all be coming.

When asked about the top reasons that end users buy a hybrid projector, panelists cited improved total cost of ownership and peace of mind that the lamp will work. Pricing for hybrids will continue to carry a premium with the price set at the cost of an equivalent lamp-based projector plus the cost of two replacement lamps. However, they also acknowledged that this total cost of ownership proposition can be a hard sell in some markets.

Sony revealed new details about the architecture of their new device. It is based on a standard 3LCD architecture with the lamp replaced by a blue laser illuminating a white light phosphor wheel. All other makers use phosphors for individual colors, not white light.

Mitsubishi’s James Chan said the industry needs to do a better job of educating the channel and end users about hybrid projectors and evaluating them in a different way. When the panel was asked if all the various names manufacturers use for this class of product was creating confusion, they said yes. But they all like their names and seemed reluctant to build consensus around a common name for this class of projector.

The bottom line is that this is a segment of the projection industry that is growing very nicely and is one that manufacturers will be focused on and channel partners and end users will be hearing a lot more about.

The Barco Acquisition of projectiondesign is Right on Time

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 23:21:03 +0000

I caught up with Wim Buyens, Barco's senior VP of projection, today at the projectiondesign booth at InfoComm in Orlando and I got the scoop on how the Barco acquisition of projectiondesign is progressing. You may recall, about six months ago, Barco announced they intended to acquire projectiondesign and integrate them into the Barco brand. At the time, I was at ISE and was granted an interview with Barco President and CEO Eric Van Zele who filled me in on the details. I wrote a blog suggesting Barco keep the projectiondesign name as, although not historically a strong one in the USA, it's very strong in the rest of the world.

Well, it seems that Barco's decided to do just that. Although it will likely be a brand of Barco, we'll continue to see the unique and specialized projectiondesign products as part of that line.

Wim is a great ambassador for Barco as he's clearly a good communicator, but also has a strong understanding of the mission of Barco and how to convey it. I hope you'll watch my interview with Wim from yesterday:

Ricoh Enters Projection Market

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 23:02:03 +0000

Ricoh Americas Corporation has become the third major copier company to enter the projection market in the past five years. Debuting a number of LCD projectors at InfoComm, the RICOH PJ X3340, PJ WX3340, PJ X3340N and PJ WX3340N Desk Edge projectors join about 12 other models in the Ricoh line of XGA and WXGA projectors.

To be perfectly honest, there aren't any ground-breaking features any of these have, but they do include integrated eBeam technology and an interesting multi-screen mode that enables guests in up to four different rooms with four different projectors, to view the same presentation.

The four models here at InfoComm are:

PJ X3340 - XGA - $1,040
PJ WX3340 - WXGA - $1,200
PJ X3340N - Wired/wireless network capable - XGA - $1,375
PJ WX3340N - Wired/wireless network capable - WXGA - $1,500

These units can project images from as close to the wall or screen as 27 inches and as far away as 24 feet. High-definition images range from 30 inches diagonal to 240 inches, depending on the proximity and model.

The RICOH Desk Edge Series can be operated via one-touch keys or remote control. Ricoh says the projectors automatically self-balance to maximize focus and minimize distortion even when projecting in tight spaces or at sharp angles. Two of the systems, the RICOH PJ X3340N and PJ WX3340N, automatically focus for a sharper image when the projector is first turned on or moved. When projecting onto color surfaces, Wall Color Mode offers subtle color enhancements automatically to improve image clarity.

Here are the details.

Williams Sound Debuts Personal PA with Network Control

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 22:50:00 +0000

The Williams Sound PPA T45Net transmitter offers control or monitoring capability from any remote location, multiple digital audio input options and an OLED high-resolution screen. It features three microprocessors; offers the ability to select between three modes for DSP: voice, music, or hearing assistance in the application preset menu; and quickly configures itself. With a range of up to 1,000 feet, the PPA T45Net is ideal for large venues.

The PPA T45 Package Includes:

PPA T45NET transmitter
ANT 025 antenna
TFP 048 power supply

Here are the details.

IED Adds New Power Amplifiers

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 21:27:06 +0000

Innovative Electronic Designs' (IED) new IED1581NA-C/IED1581NA-D and IED1542NA-C/IED1542NA-D are single and dual channel power amplifiers designed for use in smaller applications that require full-bandwidth audio and where low power and low cost are considerations.

The IED1581 amplifiers have a single channel output that offers 8 watts of power at either 4Ω or 8Ω. Model IED1581C incorporates CobraNet digital audio inputs while the IED1581D features Dante digital audio inputs. The IED1542 amplifiers feature two-channel output at either 4Ω or 8Ω with total output power of 4 watts per channel. Model IED1542C incorporates CobraNet digital audio inputs while the IED1542D features Dante digital audio inputs. All models are powered by either an external 48VDC power supply or IEEE 802.3af PoE switch and have remote monitoring output available. Each model has a small footprint enclosure that can be either DIN rail or wall mounted for convenience.

Here are all the details.

Christie Intros 72" WUXGA LED Cube

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 21:20:37 +0000

Christie's newest Entero is a 72-inch video wall cube specified at 1,100 lumens and uses a native WUXGA (1920x1200) resolution rear projection light engine. It's built upon the Christie Entero HB platform – the only LED control room display integrated with Wi-Fi capability for remote adjustments and diagnosis. Included with ArraySync - Christie's automatic color and brightness management system, it's aimed at 24/7 environments such as power and utilities, government, security and surveillance, and public and emergency services.

Here are the details.

Atlas Sound Intros New Live Surface Mount Sound Speakers

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 20:50:53 +0000

Atlas Sound's new series of powered and passive surface mount speakers are aimed at cafeterias, classrooms, restaurants/bars, DJs and other applications where sound reinforcement of live or recorded music or vocals are required.

The SMA-12 and SMA-15 are two-way powered speakers that include a single woofer, 12" or 15", and a high frequency, horn style compression driver. Each unit features an integrated class-D amplifier that includes RCA and XLR mic inputs. The SMA-12 and SMA-15 also feature a Speak-On output for connecting to a passive SMP model. The SMP-12 and SMP-15 are passive models that feature the same 2-way design as the powered versions but are designed to be used in conjunction with a powered SMA version. Each cabinet includes a Speak-On connector for connecting to the powered version making them easy to install and share a source with.

You can find the specs here.

Gary Kayye Interviews NEC President Pierre Richer About NEC's New Gear

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 20:40:32 +0000

NEC is famous for doing things big at InfoComm. Most recently, it's had a flash mob, started a Best of InfoComm Award and even had a giant booth with nearly no products at all in it. This year's show featured famous NFL quarterback Joe Theismann doing an ESPN-style sports broadcast with NEC's President Pierre Richer and ending with a free autograph session. rAVe founder Gary Kayye caught up with Pierre and asked him to highlight the company's 2013 show presence and products.

PrimeView Intros 84" 4K Display with HDBaseT

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 20:10:11 +0000

Primeview this week is unveiling its new 84” 4K HDBaseT-enabled display, a solution to the 4K distance problem that plagues commercial projects. HDBaseT can deliver 4K video up to 100 meters over a single Ethernet cable, making the installation process much simpler and more cost effective compared to all other cabling options for professional installers and systems integrators.

HDBaseT technology, powered by Valens chipset, enables all-in-one connectivity between HD video sources and remote displays through a single 100m/328ft CAT5e/6 cable, delivering uncompressed high definition video, audio, Internet, control signals and up to 100 watts of power.

For more information on HDBaseT, click here, and for more information on the new Primeview's HDBaseT displays, click here.

Sennheiser Intros Bendable K-Array Speaker, the Anakonda

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 19:43:18 +0000

Sennheiser has announced the availability of the latest K-array product: Anakonda is a bendable speaker meant for indoor our outdoor applications such as theme parks, museums and broadcast studios. Since each speaker element is bendable, the Anakonda can be wrapped around poles, columns or mounted to curved or otherwise uneven surfaces. Speakers are available in 6-foot lengths, and can link to up to 16 combined elements using the Anakonda's integrated NL4 connectors. The speaker's dedicated presets support a variety of configurations, including both standalone and combination use with K-array KMT Series subwoofers.

Specs include:

Speaker power handling: 150 W (AES)
Frequency range: 150 Hz – 18 kHz +/- 6 dB (With dedicated preset)
Impedance: 64 ?
Maximum SPL: 96 dB (continuous) – 102 dB (peak) (measured with musical signal)
Coverage: Horizontal: 160°, Vertical: 10°
Crossover Type: External crossover required
Frequency: High pass @150 Hz, 24 dB/oct suggested minimum
Full-range: 8 1” neodymium cone driver with 0.75” voice coil
Dimensions: 79.5x2.2x1.4 inches
Weight: 3.09 lbs.

Each Anakonda includes a wall bracket, as well as fabric covers in both white and black to enhance visual appeal and protect against dust. The Anakonda is compatible with other K-array products such as the KA40 amplifier and the KMT12 and KMT18 subwoofers. Each KA40 amplifier can drive up to 16 Anakonda (KAN200) elements per channel, and the KMT12 and KMT18 subwoofers can support up to eight Anakonda's per channel.

The Anakonda lists for $899.95. For more information, click here.

Barco Announces New CMS, Third Generation of TransForm N

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 18:34:24 +0000

Barco announced a new version of its networked visualization system – including both Barco’s CMS (control room management software) and the TransForm N family of networked controllers at InfoComm 2013.

The new 2.5 release of Barco's CMS offers maximum IP camera compatibility and use case flexibility, as well as expansion of its application management. With the new software, users can set up application-based viewing scenarios including start/stop, layout management and default application positioning on the video wall.

Barco is also releasing the third generation of TransForm N, its hardware acceleration platform for data distribution over IP, rendering and composition at the display endpoints. New in this 2.5 release are the TransForm N 1-Channel DVI-Input Node, the TransForm N 2-Channel Output Node, and the new TransForm N Application Node. Barco says the new input node provides ultra-high resolution, high frame rate, low latency and secure data transport to ensure that no critical information is lost and to allow fast and accurate interaction with critical back-end systems. The TransForm N 2-Channel Output Node is quiet and compact, so that it can be integrated with the display to create a true ‘networked display.’

For more information, click here: http://www.barco.com

Aviom Partners with Yamaha, Intros D800-Dante A-Net Distributor

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 03:22:10 +0000

Aviom has introduced the D800-Dante A-Net Distributor, a product designed in collaboration with Yamaha Commercial Audio Systems at InfoComm 2013. The new D800-Dante A-Net Distributor offers Dante connectivity for integration of Aviom Personal Mixing Systems with Yamaha CL Series consoles and Rio Series I/O racks.

With a D800-Dante A-Net Distributor connected to the Dante network, up to eight Aviom personal mixers can be connected in parallel in an Aviom personal mixing system, eliminating the need for any A-Net cards in the Yamaha console. The D800-Dante distributes power and up to 64 channels of audio to each A360 Personal Mixer in the system and is also compatible with Aviom’s A-16II Personal Mixers.

The new distributor also introduces two new features to personal mixing systems using A360 Personal Mixers. The new Network Mix Back allows the digital stereo mix from each A360 Personal Mixer connected to the D800 to be sent to an AN-16/o v.4 Output Module for use with wireless transmitters. With Network Mix Back, wireless in-ears can easily be set up off stage and cabling for the personal mixers on stage is simplified. In addition, the D800-Dante serves as a communications hub for iOS devices connected via an Ethernet Wi-Fi router. iOS support for the A360 is scheduled for release in 2014.

For more information, click here.

DPA Microphones Launches New Podium Microphones

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 02:10:39 +0000

DPA Microphones is launching two new Podium Microphones at InfoComm 2013 this week in Orlando. These are based on the company’s d:dicate Recording Microphones (formerly known as Reference Standard) and its 4060 Miniature/d:vote 4099 Instrument Microphones, both solutions give AV installers and conference organizers the clear, transparent and precise sound they demand.

DPA is offering podium microphones that incorporate the modular capsules from its d:dicate Recording Microphones. These new podium microphones combine the d:dicate capsules with any of the company’s newly introduced modular active booms and modular active cables. With several capsules to choose from, DPA customers can access the exact microphone and boom or cable combination to meet their needs.

In addition to the d:dicate solution, DPA has also developed a cost-effective, directional podium microphone based on two of its miniature microphones, the 4060 and the d:vote 4099 Instrument Microphone. DPA Microphones adapted its existing miniature capsule to give an off-axis frequency response that negated room reverberation while preserving the on-axis sensitivity for voice level. The company positioned the capsule on a delicate gooseneck stand, but it can also be used in a wireless configuration by employing an adapter from DPA.

Both Podium Microphones will be available to the installation market beginning August 2013. Click here for more info.

Atlas Adds Line of BlueBridge DSP Controllers

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 02:07:35 +0000

Atlas Sound's new line of DSP controllers are being released under the Atlas Sound BlueBridge brand. The BlueBridge family of products feature drag and drop, open architecture software and can operate on any network. Each model utilizes high quality microphone preamps and 24 bit converters to obtain ultra-low noise floor while still maintaining a smooth sound, with the flexibility and control a system designer requires. BlueBridge models use a 40 Bit Floating Point DSP engine to prevent digital clipping and to obtain maximum speed and power to process advanced algorithms in complex system designs. Models are available in configurations ranging from 2 I/O to 16 I/O with all models using the same DSP engine. Additionally, Atlas offers four models that feature Dante inputs/outputs allowing for true digital audio transmission over the network.

BlueBridge Models Include:

TSD-BB22 2 In/2 Out Configuration
TSD-BB44 4 In/4 Out Configuration
BB-88(DT) 8 In/8 Out Configuration (w/Dante)
BB-816(DT) 8 In/16 Out Configuration (w/Dante)
BB-168(DT) 16 In/8 Out Configuration (w/Dante)
BB-1616(DT) 16 In/16 Out Configuration (w/Dante)
BB-816AECDT 8 In/16 Out Configuration with Acoustic Echo Cancellation and Dante

All of them are here.

Christie Debuts New 55" LCD with Gorilla Glass

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 02:06:05 +0000

Here at InfoComm, Christie is launching the next generation of its Jumpstart and a new 55" video wall using multiple FHD551-X -- a 55" LCD made with Corning Gorilla Glass, and the company’s first multi-touch video wall solution. An industry first with what Christie says is the smallest image-to-image gap of any bonded LCD monitor, the Christie Multi-touch Video Wall Solution comprises a 4-unit wide by 1-unit high row of portrait-mounted 55-inch LCD panels with bonded Corning Gorilla Glass, Christie Interactivity Kit, Christie Jumpstart, and the mounting hardware for a wall-mounted or freestanding display.

Christie Jumpstart now provides additional flexibility with six outputs (compared with four previously) and a 50 percent increase in resolution capability -- now 15 megapixels. The content management system allows you to display multiple, high-bandwidth video files, graphics, Microsoft Windows applications, Blu-ray and DVD movies and text on a large-format video wall. Christie says it's compatible with any digital display.

Christie JumpStart features a 3.6 GHz processor, 16 GB memory and 64-bit server for even faster performance and a more powerful workstation. Users can also send serial over IP commands to external devices by scheduling them at any point along the scenario timeline.

Christie FHD551-X with Corning Gorilla Glass is the first 55-inch super-narrow bezel LCD display for tiled video walls with bonded Corning Gorilla Glass.

Both the FHD551-X and the Jumpstart will ship in July and are here.

Atlas Sound Debuts Line of Half-Rack Products

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 01:30:43 +0000

Atlas Sound has a new line of half width rack equipment cabinets to be sold under the Atlas Racks brand. These new products are designed to save space and make rack equipment easier to ship to installers in the field. You may recall that Extron and Middle Atlantic first announced the half-rack standard back in late 2011,so now there are two rack mount companies making half-rack racks.

These WMA half racks, models WMA12-19-HR and WMA16-19-HR, are wall mounted racks designed for mounting of half rack width components or vertical mounting of 19" standard rack width components. And, both of them feature a unique, patent pending swing down design that enables an integrator or contactor to access the back of the rack for easy connection and wire management of installed components. A selection of blank panels, fans, doors, and vertical mounting adaptors will also be available for use in the WMA half rack products. Atlas is also releasing 2 half-rack models in the popular AWR Series, models AWR2-HR and AWR3-HR. This convenient access, lock-in security, and welded models can be surface or recessed mounted. Both AWR models are designed to install within standard 16" stud wall construction, reducing installation time and the need to cut and repair dry wall.

You can see them all here.

SurgeX SEQ-1U: Smart, Slim Surge Eliminator and Power Conditioner

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 01:24:29 +0000

Here at InfoComm, SurgeX's is showing the 1U Sequencer (SEQ-1U), a single rack unit power management surge protection, conditioning and sequencing solution for AV, broadcast and computer equipment. The SEQ-1U offers advanced protection for any size AV or IT installation.

Proprietary SurgeX technology in the SEQ-1U includes Advanced Series Mode surge elimination, a zero let-through technology that SurgeX says stops all surges up to 6,000 volts / 3,000 amps (unlimited surge current) without producing harmful side effects such as ground contamination or common-mode disturbances. The unit also features both common mode and normal mode Impedance Tolerant EMI/RFI filtering and COUVS (Catastrophic Over/Under Voltage Shutdown), as well as SurgeX ICE (Inrush Current Elimination) to keep connected AV and IT products protected and fed with a continuous flow of power.

Programming of the SEQ-1U is made easy through a front panel LCD display with simple commands. The display also shows unit status and AC line voltage. In addition to protecting AV and IT equipment, the nine available outlets on the SEQ-1U can be used to control other SurgeX power management products or several SEQ-1Us can be connected to operate together for management of large datacenters or audio video installations. All set-up configurations are stored in non-volatile memory.

Build materials and industrial design of the SEQ-1U were carefully considered. A magnetic shielding steel enclosure makes the unit impervious to magnetic interference while a thermal circuit breaker provides overload protection. For added convenience, the SEQ-1U accommodates any type of control unit and provides DC voltage or contact closure feedback to Crestron, AMX and other similar control interfaces.

The SEQ-1U has a load rating of 20 amps at 120 volts and meets Federal Grade A, Class 1, Mode 1 (A-1-1) guidelines for powerline surge suppressors.

The SurgeX SEQ-1U is shipping now and you can get more info here.

Vaddio Introduces Complete UC Meeting Room Solutions for Laptops and Tablets: the GroupSTATION and HuddleSTATION

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 01:02:25 +0000

Vaddio has introduced two new unified communications room solutions designed for mobile laptop or tablet users to enable its computer applications for group collaboration and presentation meetings. By just connecting a laptop or tablet directly into the GroupSTATION or HuddleSTATION dock users can add HD video, wideband audio microphones and a loudspeaker system to their collaboration and presentation software.

GroupSTATION consists of two main components: a table-based MicPOD dock and a wall-mounted sound bar that incorporates an HD camera in its center.

The MicPOD Dock functions as a microphone, speakerphone, user interface and Laptop/Tablet dock for easy connection. Four microphones, each with its own independent acoustic echo canceller, provide a 360-degree pickup pattern. Vaddio’s SmartMIC technology ensures that crystal clear audio is maintained for far-end participants with hands-free operation. PC or tablet connections include HDMI or VGA to locally extend the PC’s display output to the room display.

The sound bar incorporates two audiophile-quality dual two-way loudspeaker systems with independent acoustically tuned enclosures. Two separate 30-watt Class-D amplifiers independently power each loudspeaker system and provide plenty of power for even the largest room applications. The integrated broadcast-quality HD camera features a 19x optical zoom lens and a Quick-Set manual Pan/Tilt adjustment for easy camera set up. System power, Ethernet network, HDMI and MicPOD dock connectors are all located on the back of the sound bar. A unique wall mounting system with an integrated cable tray provides for an easy, clean installation.

Vaddio’s HuddleSTATION is identical to the GroupSTATION, but is tailored for smaller meeting rooms typically designed to accommodate 4 to 6 people. As a result, HuddleSTATION has a very wide-angle (82-degree) camera lens specifically designed for the challenges of getting everyone in the camera shot. Also, the MicPOD dock microphone audio system has been tuned to eliminate the echo and increased room noise that occurs in smaller spaces. Here are all the details.

Panamax/Furman Introduces Vertex VT-EXT Eight-Outlet Vertical Power Strip for A/V Racks

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 01:00:27 +0000

Panamax/Furman today introduced a new vertical power strip for A/V equipment racks. The Vertex VT-EXT provides integrators with eight outlets (three with transformer spacing), addresses ground loop issues with specialized mounting brackets and simplifies cord management to reduce installation time. The vertical power strip is designed to be used in conjunction with a Panamax/Furman power management unit for providing clean, safe power, further extending Panamax and Furman's advanced protection and filtration technologies to connected equipment. The Vertex VT-EXT features mounting clips with plastic spacers that allow the strip to be mounted vertically to an equipment rack while helping to prevent ground loop issues. The unit's vertical orientation allows integrators to use various length component power cords to save space, eliminate cord clutter and drastically reduce installation time. In addition, the unit features a detachable 10-foot power cord that can easily be swapped out for a shorter cord if desired. The Vertex VET-EXT can be used as a stand-alone power strip, or as an extension of an existing Panamax/Furman power management component. By plugging the power strip into the Panamax/Furman unit, the company's protection and filtration technologies will be extended to connected equipment to improve component performance and ensure equipment longevity. The Vertex VT-EXT is now shipping with a list price of $65 and can be found here.

Pexip: A New Software-Centric UC Company

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 00:58:27 +0000

Pexip says it's determined to revolutionize the unified communications industry. That's a strong statement, but its founders are industry veterans from Tandberg and Cisco who are all experts in their fields -- so they might just pull it off. The company's got a small 10x20 presence here at InfoComm and rAVe founder Gary Kayye caught up with Pexip's CTO Hakon Dahle who explains the strategy. Watch this video to hear their plans and what they do:

Mersive Debuts Solstice 1.1

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 00:50:54 +0000

Yesterday Mersive announced a new version of Solstice software (version 1.1). Solstice enables multiple users to connect simultaneously to a shared display using a range of devices and applications over an existing Wi-Fi or Ethernet network, which fundamentally changes how people are able to use displays in meeting rooms.

Three key new features of Solstice 1.1 include: the addition of Android devices to Solstice's supported clients; the highly-anticipated Podium Mode, which gives meeting presenters, moderators and teachers new controls for Solstice sessions; and the ability to integrate with external video sources, such as video conferencing equipment, Blu-ray players, live camera feeds and additional mobile devices supported by the Solstice software.

Go here for all the details.

The 2013 rAVe Readers Choice Award Winners

none@none.com (rAVe Staff) — Thu, 13 Jun 2013 00:39:31 +0000

Then, we took the top three or four companies nominated in each category and, again, asked our readers to vote for their ONE, FAVORITE for each of the 15 categories. Last week, we counted the votes. And, vote, you did. I doubt any other publication in AV history ever got this many votes for any award - and, yes, we blocked ANYONE from voting more than once. How many? We had over 62,000 votes! Yes, 62,000.

So, this is a TRUE representation of who people in AV really think are the best of the best companies.

Here are the 2013 Winners:

Best Manufacturer-Based Training Program
Crestron Electronics, Inc
Best Sales Support Team
Extron Electronics
Best Technical Support Team
AMX
AV's Best Website
Da-Lite Screen Company
Favorite Control System Manufacturer
Crestron Electronics, Inc
Favorite Projector Manufacturer
Panasonic Corporation
Favorite Flat-Screen Manufacturer
Samsung
Favorite Projection Screen Manufacturer
Draper Inc.
Greenest AV Manufacturer
Lutron Electronics, Inc.
Favorite Mount Manufacturer
Chief
Favorite Conferencing Product or System
Polycom, Inc.
Favorite Systems Product
AMX Enova DVX
Favorite Rental Product or Company
NEC's LED-lit LCD Displays
Favorite Audio Company
Shure
Favorite Distributor
Ingram Micro/AVAD

Atlas Sound Intros BlueBridge DSP Accessories

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 18:59:22 +0000

Atlas Sound's new Atlas Sound BlueBridge DSP controllers are a set of rack and wall mount accessories for the BlueBridge platform. The BB-SM1 is a 1RU rack-mountable system manager that allows for third-party control interpretation as well as Web browser control of the BlueBridge system using a PC or mobile device (iOS or Android). The BB-SM1 also includes scheduling and system backup functionality. The BB-EB1616DT is a 1RU rack-mountable expansion box that features 16 inputs and 16 outputs including Dante. The BB-EB1616DT can be as a standalone digital snake in a Dante network. Five wall plates are also being released to support the BlueBridge platform allowing integrators the ability to offer their customers remote and preconfigured control over system settings.

BB-SM1 System Manager

The BBWP-K1B allows control of any single value change preset by the integrator including gain, threshold and frequency adjustment. The BBWP-S4K1B is a four-button controller with level control that can be used to change any four preset selections and control any single value change. The BBWP-K4B is a four-button controller with level control that can be used to change any four preset selections and control any four-value changes. The BBWP-S8B is an eight-button controller that can be used to change preset selections. Finally, the BBWP-S4B is a four-button controller that can be used to change any four preset selections. The Atlas Sound BBWP-TOUCH7 is a custom PoE 7" Touch Screen that can be customized to control any function using the BlueBridge software. An integrator can easily turn this touch panel into a multi source or zone volume control, allow for muting capabilities of installed hardware, or create a mixer that can adjust the system on the fly. All wall plates and touch panels are additionally available in a white finish.

Here are the details: http://www.atlassound.com/

Vaddio Intros Controller That Can Transform Any Vaddio High Definition PTZ Camera into a USB or IP Camera

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 18:41:40 +0000

Vaddio's new Quick-Connect technology that allows any Vaddio camera that supports a Quick-Connect Short-Range (SR) to output USB or Ethernet. Based on Vaddio’s Quick-Connect technology, that allows cameras to be extended up to 150 feet over Cat. 5 cabling, now USB cameras can be deployed in system designs where distance was an issue.

Vaddio’s Quick-Connect USB is based on UVC (Universal Video Class Device) USB 2.0 standards that require no third-party drivers. An Ethernet network port is included for IP streaming supporting RTSP or HLS. Cameras are controlled through an Embedded Web Server that provides browser-based robotic camera control, and CCU image and color control. Additional outputs include HDMI and HD Analog component. An R-J45 provides an RS-232 interface for third-party control systems. An integrated LCD blue backlit display shows both the IP and the MAC addresses.

Here are all the specs.

Christie Launches iPhone App: Christie InControl

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 18:26:38 +0000

Christie announced the Christie InControl projector iOS App at InfoComm. Christie InControl is aimed at rental and staging customers using Christie 3-chip DLP M Series and J Series projectors in various applications including trade shows, live events and projection mapping. Fixed installation applications such as classrooms and boardrooms, houses of worship, government facilities and museums will benefit.

The Christie InControl App provides a responsive user interface to commonly used projector functionality such as; power on/off, shutter control, test pattern selection, and lens zoom and focus, in addition to more advanced projector functionality like 2D keystone and color management.

Features of the Christie InControl Projector App include:

All key projector information is grouped into a single area.
Scan for available projectors on the local Wi-Fi network to add them to a group, or manually type in the IP address of the desired projector.
Main Control interface groups all key commands on one page, allowing for fast changes when needed.
Ability to adjust zoom, focus or lens position from anywhere within Wi-Fi range, providing easier setup in large staging environments.
Dedicated user interface for complete control over zoom, focus and lens offset. Position can be adjusted via joystick type interface or by entering specific x/y values.
Easy group access and ability to create and save projector groups for multi projector control.
Adjust color temperature and color drive level with immediate results on screen.
Enable single or dual lamp mode where applicable and adjust lamp power level as needed.
Four Corner 2D keystone control.
Adjust image size, vertical stretch, horizontal/vertical position, pixel tack/phase and blanking.
Provides simple slider based interface to adjust key image settings at the touch of a finger.
Adjust power settings easily to meet requirements of a specific venue or permanent installation.
Christie InControl is supported on iOS version 5.1 (and higher) enabled devices including iPad, iPhone or iPod.

Get it here.

Community Sound Announces WET X Series of Outdoor Speakers

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 17:07:19 +0000

Community has announced “WET X” – thirteen new models of its acclaimed WET Series featuring innovative next generation techniques that redefine outdoor loudspeaker construction and improve sonic performance. WET X’s exclusive hand-laid fiberglass enclosures are internally lined with marine-grade plywood and use innovative drivers to provide premium sound quality for both outdoor and indoor venues. The versatile 12-inch and 15-inch, two-way, full-range WET X loudspeakers offer six rotatable horn patterns, high output and unmatched LF extension. WET X loudspeakers contain a large diaphragm 1.4-inch exit high frequency compression driver and can produce the same output levels as the largest WET II loudspeakers but in enclosures only half the size. The low frequency cone and internal circuitry have Community’s proprietary Envirotech coating for improved weather-resistance. The WX218SDF, a downfire dual 18-inch model, adds an ultra-high-performance subwoofer to the line.

WET X enclosures feature a modified trapezoidal silhouette that improves upon the uniquely curved shape of Community’s WET II enclosures, bringing a more traditional look and feel to the loudspeakers while still providing the same outdoor direct exposure resistance and streamlined shape to reduce wind load.

Internally, the flat surfaces are fully lined with 18mm (7-layer) marine grade plywood to provide the sonic benefits of wood inside of Community’s fiberglass enclosures. All of the wood is resin-sealed to reinforce the enclosure’s weather resistance. The outer shell is handcrafted of multi-layer fiberglass with a smooth glossy finish and is available in black or white, with custom paint colors optional. All models include a dual-layer powder-coated stainless steel mounting bracket.

WET X’s combination of multiple horn options, high output and extreme weather-resistance brings exceptional sound and speech quality to any outdoor or multi-purpose application. With the introduction of WET X, Community continues to provide stylish loudspeakers with theatrical quality sound in weather-resistant enclosures that will deliver high performance in all conditions for many years.

Here they are: http://www.communitypro.com/

rAVe Scoop: Christie Adds 1080p to 70" Entero Cube and 72" WUXGA to Line

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 10:16:49 +0000

In addition to adding a 70" native 1920x1080p LED rear-screen cube, Christie will also launch a 72" WUXGA (1920x1200) LED-based video display wall cube to the Entero line. The addition of the WUXGA 72" display wall cube and engine rounds out the Entero HB platform by offering SXGA+, HD and WUXGA resolutions for the greatest flexibility and options to meet control room display requirements. rAVe founder Gary Kayye met with Christie's John Stark who filled in the details for rAVe.

Here's the video he shot with John:

rAVe Scoop: Da-Lite's New ViewShare is a Screen with an Embedded Videoconferencing Camera

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 10:10:18 +0000

The show hasn't even opened and we already have yet another scoop for you. Da-Lite's going to launch a new product here at InfoComm called ViewShare. ViewShare is an electric tensioned screen that actually has a 1080p USB compatible screen integrated right into the screen frame. It's designed for UC applications for rooms where videoconferencing is needed on-the-fly and you don't need a heavy-duty VTC system and prefer to use a desktop videoconferencing system.

ViewShare pricing depends on the size of the screen and will be available this summer. And, here's a video rAVe founder, Gary Kayye, shot of it in Da-Lite's booth:

RGB Spectrum and JVC Professional to Demonstrate an 8 MP MultiViewer with Stunning UltraHD Content

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 09:22:26 +0000

RGB Spectrum and JVC Professional will provide attendees of InfoComm 2013 with an opportunity to experience the new SuperViewTM 4K, a real-time multiviewer designed specifically for 4K or “Ultra HD” displays. To illustrate the impressive capabilities of a 4K multiviewer, RGB Spectrum’s exhibit will demonstrate a working system using a JVC Pro 84-inch 4K UltraHD monitor.

The powerful SuperView 4K multiviewer on an Ultra HD monitor can display images with a native resolution of up to eight megapixels (3840x2160) -- four times higher than HD video. The multiviewer’s high-performance, real-time architecture allows users to display and manipulate native 4K images, a combination of 4K and HD (1920x1080) windows, or up to eight HD graphic or video windows on an Ultra HD display like JVC’s new 84” panel.

The SuperView 4K multiviewer's enhanced features provide users with an array of creative options, including dynamic window sizing and positioning, smooth panning and zooming, custom borders and titles, HDCP support and programmable presets. Multiple images can be arranged anywhere on an Ultra HD display -- in any size, with or without overlaps, and with any desired priority.

For control applications, the SuperView 4K multiviewer offers RGB Spectrum's SinglePoint KvM control of all computer sources displayed.

The SuperView 4K processor can be connected to Ultra HD devices via single-link or dual-link DVI. Control is provided via RS-232 or through the system’s Web Control Panel (WCP), an intuitive graphical user interface accessible through a web browser.

RGB Spectrum is here: http://www.rgb.com/

Polycom Releases Videoconferencing Analysis

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 09:18:28 +0000

In Video Conferencing - A TCO Analysis, A Look at What Companies Really Spend, Polycom and Nemertes Research outline the costs you should consider before making a video conferencing purchase, including:

Network Capital Costs - Initial bandwidth upgrades and application delivery optimization
Network Operational Costs - Ongoing performance management and bandwidth
Video Capital Costs - Screens, cameras/codecs, multipoint control units, gateways, software and peripherals
Video Operational Costs - Ongoing licensing, support and management

Download Video Conferencing—A TCO Analysis here: http://images.info.polycom.com/Web/PolycomInc/Video%20Conferencing-A%20TCO%20Analysis.pdf

The 2013 rAVe Readers Choice Award Winners

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 09:02:39 +0000

For the second year in a row, we've asked our readers -- the integrators, the designers and the installers of AV gear, who their favorites were. Back in April, we asked our readers to nominate ANY company they wanted for any one or more of 15 categories. And, we had well over 200 companies win various nominations from all our readers - and a few companies were even nominated in five categories.

Then, we took the top three or four companies nominated in each category and, again, asked our readers to vote for their ONE, FAVORITE for each of the 15 categories. Last week, we counted the votes. And, vote, you did. I doubt any other publication in AV history ever got this many votes for any award - and, yes, we blocked ANYONE from voting more than once. How many? We had over 62,000 votes! Yes, 62,000.

So, this is a TRUE representation of who people in AV really think are the best of the best companies.

Here are the 2013 Winners:

Best Manufacturer-Based Training Program
Crestron Electronics, Inc

Best Sales Support Team
Extron Electronics

Best Technical Support Team
AMX

AV's Best Website
Da-Lite Screen Company

Favorite Control System Manufacturer
Crestron Electronics, Inc

Favorite Projector Manufacturer
Panasonic Corporation

Favorite Flat-Screen Manufacturer
Samsung

Favorite Projection Screen Manufacturer
Draper Inc.

Greenest AV Manufacturer
Lutron Electronics, Inc.

Favorite Mount Manufacturer
Chief

Favorite Conferencing Product or System
Polycom, Inc.

Favorite Systems Product
AMX Enova DVX

Favorite Rental Product or Company
NEC & their LED-lit LCD Displays

Favorite Audio Company
Shure

Favorite Distributor
Ingram Micro/AVAD

Aviom AN-16/i v.2 Analog Input Module Ships

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 08:58:02 +0000

Aviom told rAVe today that its new AN-16/i v.2 Input Module, which supports the new A360 Personal Mixer, is now shipping. The AN-16/i v.2 converts 16 line-level analog audio channels to a Pro16e A-Net digital stream.

Based on an enhanced version of Aviom’s Pro16 A-Net protocol, Pro16e, the technology driving the new A360 Personal Mixer allows multiple 16-channel banks of monitoring content to be delivered over a single Cat5 cable. The AN-16/i v.2 includes an A-Net Input jack for connecting up to three additional input modules. The analog inputs of the AN-16/i v.2 are merged with this incoming A-Net stream to create the expanded Pro16e digital audio stream utilized by Aviom’s new A360 Personal Mixers. The new A360, which brings new levels of control and customization to the personal monitoring experience with a number of new features, offers the ability to choose which channels are mixed on each unit in the system. Each A360 may use the default channels, or audio channels can be selected and organized individually for each personal mixer, drawing from a network pool of up to 64 channels.

The AN-16/i v.2 features eight four-position input level/gain sensitivity switches, stereo channel link switches for every channel pair, and per-channel signal present and clip LEDs on the front panel. On the rear panel, the unit has 16 analog audio inputs with balanced ¼” TRS jacks. The audio Thru jack for each input allows the AN-16/i v.2 to be inserted seamlessly into an existing audio signal path. Also on the rear panel are one A-Net In jack and one A-Net Out jack, along with a slide switch for assigning the channel bank. The AN-16/i v.2 can be used with any line-level analog audio signal such as console direct outs, inserts or aux sends.

The new AN-16/i v.2 Input Module works with Aviom’s new A360 Personal Mixers as well as the company’s current A-16II Personal Mixers, and the two personal mixers can be combined seamlessly into the same system. In addition, the AN-16/i v.2 can be used as part of a Pro16 digital snake or audio distribution system. These systems support a range of flexible configurations, including 16x0, 32x0,48x0, 64x0, 16x16, 32x16, 32x32 and 48x16, with an unlimited number of digital splits and no loss in audio quality.

Here are the specs.

New Philips Medical Displays, Digital Signage Displays and ProAV Displays Here at InfoComm

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 08:22:12 +0000

Philips MMD will unveil two new Philips DICOM compliant clinical review displays at InfoComm 2013 -- 24" and 27" LCD includes anti-microbial housing to inhibit bacterial growth, a medical grade power supply to ensure safety and low emission and D-image preset for consistent DICOM grayscale medical images. Along with these displays, MMD told rAVe it will debut new UltraWide, Quad HD, USB-powered and 10-point touch displays, including the world's first and only 4K (UHD) Glasses-Free 3D signage display -- we saw this at DSE and it was LITERALLY mind-blowing. Glasses-free 3D looks amazing in 4K.

Designed to perfectly complement clinical environments, the Philips 24-inch (C240P4QPYEW) and 27-inch (C271P4QPJEW) clinical review displays ensure that medical images are shown consistently with high quality to achieve reliable interpretations. The rendering of medical grayscale images on standard monitors is mostly inconsistent at best, making them unsuitable for usage in a clinical environment. Philips clinical review displays with clinical D-image preset are factory calibrated to give DICOM part 14 compatible Grayscale standard display performance. By using high quality LCD panels with LED technology, Philips offers consistent and reliable performance at an affordable price point.

For now, we only have specs on both of the Philips clinical review displays -- both use JIS Z2801 compliant antimicrobial additive in their housing material to combat the growing problem of germs in hospitals and clinical environments, which can cause life-threatening infections. The displays’ antimicrobial housing functions as a protective shield that impedes the growth of most common microorganisms such as "Staphylococcus aureus (Gastroenteritis)", "Escherichia coli (E Coli)" and "Klebsiella (Pneumonia)," among others. Additionally, the monitors employ special medical grade power supplies that ensure basic safety, essential performance and reliability in professional clinical environments. The displays comply with EN/IEC standards required by many hospitals and clinics. Along with meeting these standards, the displays have a built-in Philips PowerSensor technology that determines if a user is present and automatically reduces monitor brightness when the user steps away from the desk. This function can reduce energy costs by up to 80 percent, while also prolonging monitor life.

Both the 24- and 27-inch Philips clinical review displays can be lowered down almost to desk level for a comfortable viewing angle. Low bezel-to-table height is ideal for those who use bifocals, trifocals or progressive lens glasses for computing work. Additionally, the adjustable base allows for users of greatly different heights to use the monitor in their preferred angle and height settings, helping them reduce fatigue and strain.

The 27-inch model of the clinical review display offers AMVA LED for wide-view super-high contrast and vivid images, as well as HDMI to ensure universal connectivity. The 24-inch model features IPS LED wide view technology for image and color accuracy, and DVI-D, VGA inputs with the added benefit of DisplayPort 1.2 technology, which delivers high performance and zero latency for the fastest imaging and refresh rates. Fully capable to support up to 15 meter cables and 10.8 Gbps/sec data transfer, DisplayPort 1.2 is also included with the 27-inch Philips display.

Priced at $899 (C240P4QPYEW) and $1,099 (C271P4QPJEW). Here are all the specs: http://www.lcdmonitors.philips.com/

Top-10 Tour Feature #10: Avaya Collaboration Solution for IP Office (Booth 1859)

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 08:11:24 +0000

Over this week, we’ll be previewing all the rAVe Top-10 Tour Winners. Each product highlighted, will be on rAVe’s 2nd Annual Top-10 Tour at InfoComm. The rAVe Top-10 Tour is NOT a “pay for play” tour or product preview (like MOST AV publications do). These 10 products were selected from over 70 submissions from InfoComm 2013 exhibitors. Of those 70, these are the 10 we thought you NEED to see at the show – and if you’re not able to go to InfoComm, the products featured here will give you a good overview of what you missed:

The Avaya Video Collaboration Solution for IP Office provides small and midsize enterprises (SMEs) with simple, affordable yet comprehensive desktop, mobile and HD room-system video collaboration capabilities. The Avaya Collaboration Solution is unique in its ability to deliver BYOD (Bring Your Own Device) as well as HD room-system capabilities in a single solution that SMEs will find highly affordable. Simply add the easy-to-install collaboration server to the IP Office network.

The Avaya Video Collaboration Solution integrates exclusively with Avaya IP Office – the company’s flagship unified communications solution for small and midsize enterprises. It creates a “virtual conference room” for up to eight participants. Desktop and mobile video applications for PCs, Macs and the most popular iOS and Android devices are downloaded for free; joining a video session is as simple as clicking a link in an email.

The Solution offers HD video conferencing and rich data collaboration via native SIP/H.323. High performance bandwidth efficiency is delivered with H.264 High Profile compression. Automatic firewall traversal allows SMEs to engage with participants outside their network, enabling face-to-face meetings with customers and partners to help strengthen business relationships.

Key Avaya Video Collaboration Solution for IP Office features include:

   • It can create a “virtual conference room” for up to eight participants.
   • Joining a video session is as simple as clicking a link in an email.
   • It’s H.264 capable.
   • For integrators, this is an easy way to enter the video market.
   • Automatic firewall traversal allows SMEs to engage with participants outside their networks.

Top-10 Tour Feature #9: Polycom RealPresence Capture Station Portable Pro (Booth 1759)

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 08:06:50 +0000

Over this week, we’ll be previewing all the rAVe Top-10 Tour Winners. Each product highlighted, will be on rAVe’s 2nd Annual Top-10 Tour at InfoComm. The rAVe Top-10 Tour is NOT a “pay for play” tour or product preview (like MOST AV publications do). These 10 products were selected from over 70 submissions from InfoComm 2013 exhibitors. Of those 70, these are the 10 we thought you NEED to see at the show – and if you’re not able to go to InfoComm, the products featured here will give you a good overview of what you missed:

Polycom promotes the Capture Station as something that can turn any environment into a webcasting studio. The Polycom RealPresence Capture Station Portable Pro is an easy-to-use appliance that helps organizations stream live presentations from anywhere with an Internet connection, or create recordings for on-demand viewing. From executive webcasts to educational lectures, this appliance eliminates the complexities of content creation by automatically synchronizing audio, video, and presentation slides -- instantly creating a feature-rich, highly polished online multimedia presentation.

The RealPresence Capture Station Portable Pro has a compact, all-in-one design and is housed in the toughest casing available: an airtight and waterproof Pelican case with specialized foam protects hardware from impact. An integrated LCD screen provides visual display of video, content and audio levels, ensuring that content is being captured correctly, especially in unconventional environments.

Unlike other solutions, the RealPresence Capture Station Pro and Portable Pro support both HD and SD capture for people and content, giving content creators a choice between high-definition video when they need premium quality and standard-definition video for mitigating bandwidth constraints. And, it supports a wide variety of content sources, including laptops, projectors, electronic white boards and document cameras. This solution provides a wider choice of input sources, from standard definition -- S-Video, component and VGA -- to high definition -- DVI and HDMI.

Key RealPresence Capture Station Portable Pro features include:

A in-the-field rugged video capture station offers convenience and portability.
An integrated LCD screen provides visual display of video, content, and audio levels.
It supports a broad range of video sources, including installed A/V solutions, laptops, projectors, electronic whiteboards and document cameras.
Software compresses video, synchronizes media with graphics and publishes presentations automatically.
Airtight and waterproof Pelican case includes specialized foam to protect hardware from impact.

Top-10 Tour Feature #8: Williams Sound PPA T45Net - Personal PA FM Base Station Transmitter (Booth 953)

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 07:56:37 +0000

Over this week, we’ll be previewing all the rAVe Top-10 Tour Winners. Each product highlighted, will be on rAVe’s 2nd Annual Top-10 Tour at InfoComm. The rAVe Top-10 Tour is NOT a “pay for play” tour or product preview (like MOST AV publications do). These 10 products were selected from over 70 submissions from InfoComm 2013 exhibitors. Of those 70, these are the 10 we thought you NEED to see at the show – and if you’re not able to go to InfoComm, the products featured here will give you a good overview of what you missed:

The Williams Sound PPA T45Net is a personal PA system that’s network controllable, has multiple digital audio input options and integrates an OLED high-res screen for menu navigation. Offering an adjustable RF output and a sleep mode for energy conservation, the PPA T45Net allows the user to simply select between voice, music or hearing assistance in the applications preset menu, and then the transmitter quickly configures itself. With an operating range of up to 1,000 feet, the PPA T45Net is designed for auditoriums, stadiums, theaters or other large venues where superior coverage is required.

Key PPA T45Net features include:

   • A personal (and portable) PA system that offers network control capability via Ethernet for remote operation.
   • Multiple digital audio inputs (AES, SPDIF) provide direct connection to any digital signal sources.
   • OLED high-resolution screen, with simplified menu navigation, offers comprehensive and convenient access to full   system functions.
   • DSP audio processing for flexible, powerful control of sound quality.

Top-10 Tour Feature #7: Samsung MagicIWB (Booth 3343)

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 07:43:12 +0000

Post-its – The software provides a feature that allows users to generate digital post-it notes on the screen, either for personal reference or for sending to a colleague or student’s screen.
MS Office Documents support – The software enables users to opening Microsoft Word, Excel and/or PowerPoint documents and collaborate, make edits or discuss with a groups of colleagues or among students.
Wired and wireless network support – Yhe software enables content sharing between physically separated e-boards in a wired or wireless network environment.
Email support – Users have the ability to open, view and digitally write on or highlight certain email messages while collaborating in a group setting.
Gesture control – The software supports directional gestures (one hand, two fingers), sequential gestures (two hands, one finger) and concurrent gestures (two hands, one finger).
Floating menu – An editing menu that can be moved to any location on the screen via touch support.
Allows for any configuration, including vertical, horizontal and even diagonal placement on a video wall.

Top-10 Tour Feature #1: Sony’s Laser Projector (Booth 2200)

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 07:34:57 +0000

Over this week, we’ll be previewing all the rAVe Top-10 Tour Winners. Each product highlighted, will be on rAVe’s 2nd Annual Top-10 Tour at InfoComm. The rAVe Top-10 Tour is NOT a “pay for play” tour or product preview (like MOST AV publications do). These 10 products were selected from over 70 submissions from InfoComm 2013 exhibitors. Of those 70, these are the 10 we thought you NEED to see at the show – and if you’re not able to go to InfoComm, the products featured here will give you a good overview of what you missed:

Sony’s next-generation projection technology is based on a laser light source and its first model to use it is the 3LCD VPL-FHZ55 -- a lamp-less projector specified at 4,000 lumens at WUXGA resolution (1920x1200).

The projector’s light engine uses blue laser as its light source, which excites a phosphorous material that in turn creates white light. The white light is delivered to the 3LCD optical system, which generates RGB color through a color splitting process. The projector offers virtually maintenance-free operation for an expected 20,000 hours of light source, display device and filter life. The HG (mercury) free projector is packed with energy-saving features, including: Auto Light Dimming, which dims the light output down to 5 percent when left powered on without use; and Auto Brightness adjustment, which eliminates unnecessary illumination when a dark picture is projected. The use of a laser light source also gives the projector instant “on/off” capability and “tilt- free” capability for seamless installation in nearly any setting or position.

Key VPL-FHZ55 projector features include:

   • A blue laser light source excites a phosphorous material that in turn creates white light.
   • It offers 20,000 hours of light source life.
   • This first generation is specified at 4,000 ANSI lumens.

Top-10 Tour Feature #4: Digital Audio Labs (DAL) Livemix Personal Monitoring System (Booth 1380)

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 07:26:14 +0000

Over this week, we'll be previewing all the rAve Top-10 Tour Winners. Each product highlighted will be on rAVe's 2nd Annual Top-10 Tour at InfoComm. The rAVe Top-10 Tour is NOT a "pay for play" tour or product preview (like MOST AV publications do). These 10 products were selected from over 70 submissions from InfoComm 2013 exhibitors. Of those 70, these are the 10 we thought you NEED to see at the show - and if you're not able to go to InfoComm, the products featured here will give you a good overview of what you missed:

DAL’s Livemix personal monitoring system is made up of three components. The Livemix AD-24 provides 24 channels of analog to digital conversion. DB25 and TRS connections make integration with existing sound systems easy. Digitized audio is sent over a single Cat5 cable using DA-LINK technology to the Livemix MIX-16. These units process audio and distribute the streams along with power to Livemix CS control surfaces via Cat5 cables.

Hands-on mixing is performed on the Livemix CS DUO. Each control surface provides two individual mixes and frequently used functions are assigned to dedicated knobs for “always available” access. Shared illuminated buttons and a full color touchscreen provide access to channel selection and additional mix tools.

Fully configurable or preset selected equalization and dynamics are available on each of the 24 channels, plus reverb and limiting on the master channel outputs. Additional features include built-in stereo ambient microphones, intercom, auxiliary input, optional volume control via foot pedal and USB recording. The Mirror Mix function allows any control surface in the system (including a tablet) to access any personal mix.

Key Livemix personal monitoring system features include:

Two mixes per control surfaces with audio and power over Cat5 cables reduces stage clutter and cable runs.
Dynamics and EQ on each of 24 channels ensure that each instrument is heard clearly and has a place in the mix.
Built-in stereo ambient microphones add back ambient noise and audience feedback that get lost when using in-ear monitors.
Mirror Mix allows any musician or engineer to help adjust a mix for another user.
The touchscreen user interface is designed to be easy for volunteers to learn and use with access to professional level tools for the audio professional.

Top-10 Tour Feature #3: FSR HDMI Ribbon Cables (Booth 2259)

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 02:13:44 +0000

FSR says its HDMI Ribbon Cables use a proprietary technology to allow high speed, high definition HDMI signal transmission over distances of up to 325 feet. Active circuitry embedded in the connector shells provide all the active signal buffering needed, and eliminate additional bulky electronics.

The cables hybrid fiber/copper structure delivers a speed of 10.2 Gb/sec video bandwidth and can easily handle 1080p Full HD, 4Kx2K, 3D, Deep color, HDMI-CEC, HDCP and most newer hi-res formats. The small ribbon shaped jacket is 5 millimeters by 2.5 millimeters and are available currently in six lengths, ranging from 50 to 325 feet. The cables are UL listed, plenum rated and provide optical performance at the price and simplicity of copper.

With optical-to-electronic conversion hidden inside the connectors, this cable uses the same standard HDMI ports as copper cables. The cables require no bulky external power connectors or extenders, instead drawing power entirely from the HDMI port without exceeding HDMI maximum power output standards.

Key HDMI Ribbon Cable features include:

HDMI signals can be sent up to 325’ via a thin, ribbon-like wire.
It’s cost competitive to FSR’s traditional HDMI wire.
The signal integrity is maintained via amplification built into the HDMI connector.
It offers multi-format compatibility with all HDMI signal versions.
No external power or special tooling is required.

Top-10 Tour Feature #2: WOW Vision Collab8 (Booth 2870)

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 01:36:01 +0000

The Bring Your Own Device (BYOD) culture is demanding instant sharing and exchange of information among user’s devices. Computer, tablet and smart phone workers or students want immediacy and simplicity to quickly switch between who is contributing to a gathering, whether in the customary meeting space or touch-down huddle spots of spontaneous ad hoc viewing. Work and study materials are carried or loaded from the cloud, wherever the user goes within an enterprise and they are prepared to interact.

Collab8 from WOW Vision is a networked collaboration station that’s attached to a display (projector or monitor) that allows for Windows, MAC, iOS and Android users to wirelessly send their device’s screen to the display. Collab8 will take any device resolution and scale to the native resolution of the display. The presenting device can push its screen to the screens of other devices and up to six participants can be sharing on the local display simultaneously. For greater pixel space to view, a second display can create a dual screen view. If the local display is a touch panel, it will allow control of the presenting computer, as well as annotation of the displayed content. Beyond enabling extensive interaction for the local participants, distant signals can join the session via Skype, WebEx or GoToMeeting and be connected to the display as well. Collab8 can also capture an external video device like a PTZ camera, document camera, TV tuner, video feed or video player.

Key Collab8 features include:

Collab8 allows for any MAC, PC, iOS or Android user to send their display’s screen wirelessly to a any display - without any loss in resolution.
Up to six participants’ screens can be shared on the display simultaneously.
Cloud to local data can be accessed and users can edit a common document together
Near field touch displays allow control and annotation.
Multiple projectors with large screen format can provide virtualization-like experience for immersion in content.

Top-10 Tour Feature #5: VUE al-8 Line Array System (Booth 221)

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 01:25:51 +0000

The VUE al-8 Line Array System is the latest addition to VUE Audiotechnik’s al-Class line array family and is sold with a companion, rack-mount amplifier/DSP processor. The V6 Systems Engine is a two-in and six-out configuration that provides ample power to tri-amp up to four al-8 acoustic elements, while also providing 64-bit digital processing including EQ, time alignment, crossover management, and speaker protection. The V6 also provides full networking capabilities and connectivity with the SytemVUE control and monitoring software.

The al-8 acoustic element features a full complement transducers designed and engineered specifically for use in the al-8. Two 8-inch LF drivers flank four, 4-inch, Kevlar-coned Neodymium drivers for the mid-range. The mid-range units are outfitted with VUE’s unique lateral acoustic shades that optimize directivity at the MF/HF X-over point.

For the high frequency, the al-8 utilizes a pair of 1-inch exit, neodymium compression drivers with Truextent beryllium diaphragms. Beryllium technology allows the compression driver to deliver dramatic improvements in HF extension and response linearity that cannot be matched by traditional aluminum or titanium designs. The beryllium compression drivers are mounted to a tightly coupled, precision waveguide that reduces acoustic lobeing and provides ideal line array consistency.

Key al-8 features include:

It’s a line array system that is sold with a companion, rack-mount amplifier/DSP processor.
4-bit digital processing includes EQ, time alignment, crossover management and speaker protection.
Two 8-inch LF drivers flank four, 4-inch, Kevlar-coned Neodymium drivers for the mid-range.
Each flybar can support up to 16 al-8 acoustic elements, allowing easy configuration of small to large-scale systems to meet a wide variety of applications.

Extron Introduces New Media Presentation Switcher with DTP Extension

none@none.com (rAVe Staff) — Wed, 12 Jun 2013 00:45:54 +0000

Extron's new MPS 602 is a six-input media presentation switcher for digital and analog sources. It offers digital video switching with three HDCP-compliant HDMI inputs and one DTP 230 twisted pair input, and analog video switching with two RGB inputs that are digitized for distribution to the digital outputs. In addition, the MPS 602 includes a selectable DTP 230 twisted pair or HDMI output. The DTP 230 input and output extend video, audio, and bidirectional control signals to DTP 230 transmitters and receivers, each over a single CATx cable up to 230 feet (70 meters). The MPS 602 also includes several audio switching and processing features, available power amplification, plus flexible control options for complete switching and distribution with local and remote display support. The MPS 602 is available in three models: a non-amplified version with a variable preamp output, the MPS 602 SA that adds a stereo 4/8 ohm power amplifier and the MPS 602 MA with a mono 70 volt amplifier.

The DTP 230 twisted pair input on the MPS 602 can receive signals from a remote DTP 230 transmitter in areas such as a conference table, lectern, or wall for connecting a guest laptop. The DTP 230 twisted pair output can be used to transmit digital AV signals from an MPS 602 in a rack to a DTP 230 receiver behind a flat-panel display on a wall, above a ceiling-mounted projector or any other remote location. To simplify installation, bidirectional RS232 and IR signals can be inserted from a control system and transmitted over the single CATx cable together with the video and audio, enabling control of a source or display. The MPS 602 can also remotely power the DTP 230 transmitter and receiver over the same CATx cable.

The MPS 602 includes six-input analog audio switching, a mic/line input with 48-volt phantom power, HDMI audio embedding and de-embedding and several audio processing features for mixing and ducking. The Mic Talk Over feature automatically reduces program audio when it detects a microphone signal, replacing the need for a separate, standalone ducking processor. To streamline audio setup, the MPS 602 features front panel mic and program audio output volume controls that allow for independent adjustment of mic volume, program audio volume, and muting. Two MPS 602 models feature integrated power amplifiers. The MPS 602 SA delivers stereo power amplification with 50 watts rms per channel into 4 ohms and 25 watts rms per channel into 8 ohms, while the MPS 602 MA provides mono 70-volt amplification with 100 watts rms output.

To simplify integration of sources and displays, and to help ensure optimal system performance and dependability, the MPS 602 features two Extron technologies: EDID Minder and Key Minder. EDID Minder manages EDID communication between the display device and input sources to ensure that the correct video formats are displayed reliably. For HDMI signals with protected content, Key Minder authenticates and maintains continuous HDCP encryption between input and output devices to ensure quick and reliable switching.

Here are all the details: http://www.extron.com/product/product.aspx?id=mps602&s=5

Barco Builds Video Converter Line

none@none.com (rAVe Staff) — Tue, 11 Jun 2013 02:55:59 +0000

Barco has added an audio model to the ImagePRO-II -- its flagship video converter -- to provide users with a wide variety of options for embedded audio. Next to this ImagePRO-II audio model, Barco is also adding three new multi-format switchers with 3G/BarcoLink SDI outputs to its PDS series. A third new product Barco is introducing is a 16x16 DVI router with HDCP support. The new MatrixPRO-II 16x16 DVI supports resolution up to 2048x1080 and can be managed by the Encore controllers. Following the FSN3G-1004, Barco is also releasing two new pre-configured multi-format presentation switchers: the FSN3G-1802 and the FSN3G-1804.

ImagePRO-II with audio

With the brand-new audio mezzanine for the ImagePRO-II, users have a wide range of options for embedding and de-embedding audio between the HDMI, DisplayPort and SDI signals and the analog and digital AES signals available on the DB-25 connector located on the audio board. This DB-25 connector provides I/O interface to four analog and eight AES digital channels. Users can link the input video source with its own embedded audio signal or with the analog or digital AES signal from the DB-25 connector. The de-embedded HDMI, DisplayPort and SDI input audio signals can also be selected to appear on the discrete analog or digital AES outputs. A custom audio breakout cable provides access to the analog and digital AES signals through four XLR and eight BNC connectors. This audio option will be available both as an upgrade kit and as a separate model.

ImagePRO-II dual output updated for stereoscopic 3D

Next to adding an audio model to its ImagePRO-II series, the ImagePRO-II dual output model’s software has been updated to support the conversion of stereoscopic 3D (S3D) sources to alternate S3D signal formats. This model supports single or dual stream stereoscopic S3D inputs and outputs.

PDS series: now with 3G/BarcoLink output and PIP

The second image processing innovation to be launched at InfoComm is the PDS-3G series. The popular PDS presentation switchers are now available with SDI 3G/BarcoLink output, picture-in-picture (PIP) and Matrix mode. The picture-in-picture and Matrix mode will be available to all PDS switchers via a simple software upgrade.

16x16 DVI router with HDCP support

The third new product is the MatrixPRO-II 16x16 DVI router. This affordable HDCP-compliant video signal matrix router can switch any of the 16 DVI inputs to any or all of the 16 outputs. Any input source -- whether it’s an HD-DVD player, a Blue-ray player or a computer with high-resolution graphics -- can be routed to a DVI or HDMI output digital display. The MatrixPRO-II 16x16 DVI router accepts inputs with resolutions up to 2048x1080 (including 1920x1200). In addition to the 16 outputs, the router includes an additional monitoring output to which any input can be routed.

Here are all the specs: http://www.barco.com/en/products-solutions/image-processing/presentation-switchers/all-in-one-video-scaler-scan-converter-and-switcher.aspx

Christie's Brio Takes On Barco's ClickShare

none@none.com (rAVe Staff) — Tue, 11 Jun 2013 02:33:35 +0000

Christie's press release says: The days of passing cables and adapters across meeting room tables, installing additional software, rebooting laptops and apologizing for delayed or bungled presentations have ended with the launch of Christie Brio, a new meeting presentation and collaboration system that takes the hassles out of single and multi-site workplace meetings.

And, they'e right. There are a handful of manufacturers here at InfoComm with wireless room systems that leverage the Network. Barco was first to market with a totally wireless presentation system called ClickShare.

Developed by Christie, Brio enables multiple attendees at meetings to run audio and video presentations from their own devices (that includes devices like tablets running Windows 8, Apple iOS and Android). Both the node control and presentation connection work the same for tablets and smartphones as they do for PCs and Macs.

Straightforward to install and use, Brio uses wired or wireless connections to automatically share multiple presentations showing simultaneously on either one or two meeting room screens. Whether participants use Macs or PCs, iPads/Android tablets or smartphones, presentations can be added to a meeting in seconds.

Brio is being unveiled this week at InfoComm 2013 and starts shipping this summer.

Using a single, low-cost hardware Brio node, any meeting room can automatically show up to five computer screens on that room's display. Once the content is processed by the node it can also be made available to other Brio nodes via Ethernet. In this way, a variety of information, including PowerPoint and Keynote presentations, audio, digital whiteboards, and videoconferencing sessions – can be shown on any display attached to the Brio node, and shared with all the displays in the same meeting.

Brio nodes can be connected via network to multiple worksites on a corporate campus or across the country. All Brio nodes added to a meeting will see the same presentations and any Brio node user can share a presentation in the meeting. Brio makes interactive collaboration across multiple rooms and offices straightforward, seamless and immediate, plus the cost of Brio nodes is low enough to equip even remote users in home offices.

Brio also takes full advantage of interactive whiteboard technology. Users in multiple locations can work together on notes and sketches. Any Brio node connected to a meeting allows users, anywhere, to contribute to that whiteboard session.

Christie Brio nodes fit in standard 19-inch IT racks or can sit on their own, packaged to look good on meeting rooms credenzas. The system supports dual-link and single-link DVI, DisplayPort and HDMI. Brio can handle a maximum of five sources.

Christie says Brio’s playback quality is exceptional, with the option of running uncompressed 1080p video sources.

Here is the Brio Brochure.

BenQ Launches Colorific

none@none.com (rAVe Staff) — Tue, 11 Jun 2013 01:43:22 +0000

BenQ is at InfoComm promoting something it's calling Colorific -- a program geared toward educating end users on the benefits of the company's next-generation projectors, which it says are a more accurate color representation than previous DLP projectors. Claiming to produce more than one billion colors (compared to only 16.7 million from LCD projectors, says BenQ), BenQ's DLP projectors combine up to seven different colors to create vibrant, true-to-life images as opposed to the traditional three-color spectrum from LCD devices. BenQ projectors deliver up to three times more contrast than similar top-selling LCD models for brighter, higher contrast viewing. As a result, they are claiming viewers experience a more stable picture with richer blacks, more luminescent whites and a crisper overall projection experience.

What's interesting about this announcement is that it's more of a marketing statement than one based on facts. It's sort of hype. There's definitely a battle between the DLP camps and the LCD camps and both make all sorts of claims about color performance -- for example, Epson and Sony (among others) claim that "color lumens" is a more accurate spec than ANS lumens.

The fact of the matter is, there are DLP lovers (highly saturated colors) and LCD lovers (sharper imaging). Some like DLP; some like LCD.

So, decide yourself: http://info.benq.us/colorific

RGB Spectrum Adds HDBaseT to Its Linx Prime Matrix Switcher Systems

none@none.com (rAVe Staff) — Tue, 11 Jun 2013 01:21:34 +0000

RGB Spectrum told rAVe it's added HDBaseT capability to its Linx Prime matrix switchers with a line-up of UTP/STP extender products, including input/output cards and endpoints that incorporate HDBaseT transmission technology at InfoComm 2013.

RGB Spectrum's Linx Prime switchers provide connectivity solutions for a variety of applications that require signal distribution within rooms, and across buildings and campuses, by accommodating any mix of copper, fiber or STP/UTP cable connections. The new HDBaseT-certified CAT-LinxTM cards complement existing DVI/HDMI and fiber cards to expand the capabilities of the system.

To take advantage of HDBaseT technology, users can simply install a CAT-Linx card into any available slot of a LinxPrime switcher chassis. CAT-Linx cards allow HDMI (with embedded audio) and serial data to be reliably transmitted between the switcher and CAT-Linx endpoints that can be located up to 150 meters away.

More details will be here: http://www.rgb.com/