tag:blogger.com,1999:blog-4280821364512190860Sat, 18 Feb 2012 17:06:27 +0000MezzoforteBodurov TrioLarry CoryellAvishai CohenPlayersOregonNiacinSteve SmithMercan DedeTony WilliamsAlex AcunaJean Luc PontyJonas HellborgKamelotJaz-RockClassical/Symphonic/Instrumental/RockTeodosi SpasovClassicalPedro SolerLatin rockClassical/ PopRodrigo y GabrielaStuart HammMarcus MillerEasy ListeningSean MaloneDominic MillerAkira JimboDavid CrossLo-FiGordian KnotJornEthnoCheiro De VidaChristmasChris BottiSteve BaileySymphonic MetalMetalSaxophoneCasiopeaHiroshimaJOE STUMPOliver ShantiBrian MayFarmers MarketchilloutPaul SchafferTrilok GurtuAcoustic guitarWardrunaAORjazz - funkAfrocubismJimmy Page/Robert PlantBilly CobhamSACDAdam NittiSelvaganeshRay CharlesZuccheroThe Royal Philharmonic OrchestraMitsuru SutohSadao WatanabeGuns N' RosesCLASSICEgberto GismontiSymphonic/Gothic MetalCount BasieRichie KotzenAhmed al MaghrebySamir JoubranMarco ZurzoloVital Tech TonesSufiRed WhalePanzerballettDusko GoykovichFlamenco-rockGothic MetalCosmosquadShred MetalBalkan Horses BandBlue NoteCharlie HadenA Helmet of Gnats70'sDoom MetalFragileZakir HussainBunny BrunelStrings TraditionJazz-RockSteve vaiJacques LoussierAfrican TraditionsJ-Fusionbrass rockJeff Scott SotoLatin-JazzSMVCuban TraditionsAreaSymphonic RockSoul-JazzMino CineluMiroslav TadicHardDCCHeavyVitalij KuprijAzam AliEpicaLenny WhitePost BopAfrobeatHugues de CoursonUncle Moe's Space RanchOudJazz PistolsConceptionHard RockRobert Plant60'sNeo-classical MetalElektric BandMamboMelodic MetalAghoraVANew AgeBob JamesArif MardinPatrick RondatTerry BozzioDavid SanbornExhivisionAyoNova MencoFunkWeather ReportBehzadFolk rockBarry WhiteSixunMiles DavisAllan HoldsworthBalladsTower Of PowerMahavishnu OrchestraFandangoOmarMatthias FreyNew JazzLondon Symphony OrchestraStingNu Jazz60Victor WootenJohn McLaughlinAcid RockSwingin BluesAlcatrazzAcousticStuart SmithGreg HoweClassical/JazzReturn To ForeverPhil ThorntonVince MendozaRobert FrippAl di MeolaCity Of SoundStrunz-FarahDiscoGlenn HughesFourplayBachJuan CarmonaCompilationBrazen AbbotScott HendersonIndian RagaCalderaPrasannaFusionPop-RockNeil ZazaJoe SatrianiAfricanGoviBassekou KouyateDemon FuzzMasahiro AndohShadowfaxTherionArabicJohn MacalusoDavid TornBad CompanyTony IommiJaco PastoriusArt RockBakerlooStanley CowellWorld MusicVlatko StefanovskiStanley ClarkeGary MooreTony LevinBela FleckArt PepperTony MacAlpineCozy PowellCarlos SantanaBoud DeunBassJazz/ClassicalChristophe RimeAnouar BrahemBabatunde OlatunjiKitaroHeavy RockMusic Of The WorldPlanet XBurhan OcalNeo SoulArt BlakeyVictor BaileyOmar Faruk TekbilekChieli MinucciGregorianAirto MoreiraJB ProjectRain Fell WithinPeter RostalJesse CookAlain CaronCalifornia Guitar TrioGamalonVaya Con DiosKevin EubanksEmergencyDhafer YoussefAbdullah IbrahimGraham BonnetTalismanT LavitzT-SquareContemporary JazzJean-Michel DefayeSymphonicPopVinnie MooreAlphonse MouzonAdagioInstrumentalSarah BrightmanECMCABSadeArkDelainVital InformationJeff BeckBrian BrombergSpyro GyraBilly SheehanJan Somers BandBlues-RockHiram BullockShadow GalleryYellowjacketsHadouk TrioMetal - JazzRnBShaktiUli Jon Rothjazz - rockHerbie HancockFlamencoTim AlexanderTaiko- Drummers of JapanLuther VandrossIndian PercussionOrchestra BaobabShawn LaneAfro-CubanDavid DysonNew World MusicModern JazzTrio of DoomLosslessCurt CressFela KutiWorld/Folk Music/FusionAttention DeficitDave WecklBass virtuosoElectronicDave KozAndrea BocelliErik MongrainJan GarbarekPower MetalJazz Side of the MoonJam CampPsychedelicClassical/ World/ PopJon LordOrganChick CoreaMelodic RockVegaGuitar virtuosoJoe ZawinulEddie HardinAfrican - DrummersSatisfactionKadolaKim PlainfieldBernie MarsdenShem Tov-LevyGuitar RockJavier LealKonstantin TzekovOndekozafree jazzDeep PurpleInstrumental musicRoyal HuntAmbientSmooth JazzGeorge BrooksThe BeatlesDowntempoLincoln GoinesKora Jazz TrioJohannes LinsteadWorld Music/FusionMVPProgressive MetalAfricandoDollar BrandSalsaDrumsHiroshi FukumuraQueensrycheAziza Mustafa ZadehInstrumental RockFrank Zappa80'sJoe Lynn TurnerPink FloydEthnicThe Brecker BrothersAlfonzo BlackwellBrian KeaneJazz-MetalSmooth-jazzViolin SolosAll That MusicCraig ChaqicoRenaud Garcia-FonsMick KarnGabor SzaboSteve MorseAlex BershadskyPower JobThe Magic of Rhodopa MountainIndian ClassicalTablaHerve N'KaouaColosseumGinger BakerProg-RockEthnic/JazzAcid JazzBluesYngwie MalmsteenMFSLHughes Turner ProjectJazzMarco FerrrignoBass ExtremesEthnic Heritage EnsembleRabih Abou-KhalilTroubleRockRavel-DebussyUstad Fateh Ali KhanBobby McFerrinAfro-PopSoulEdgar MeyerLeb i solTetsuo SakuraiJeff BerlinAlex SkolnickRadio String Quartet ViennaJimmy SmithJoe FarrellProg-folkForcefieldNorthern KingsMatrixRafa El TachuelaFrank GambaleHossam RamzyIbrahim MaaloufMichael ManringTurkish FolkDavid PalmerDave HollandJohn PatitucciWDR Big BandJazz-FusionJimsakuL SubramaniamJimmy PageMarty Friedmanhttp://allthatmusic-andiay.blogspot.com/noreply@blogger.com (andiay)Blogger388125tag:blogger.com,1999:blog-4280821364512190860.post-6173549536602343484Sat, 18 Feb 2012 16:57:00 +00002012-02-18T19:06:27.715+02:00LosslessJazz-RockEmergencybrass rockProg-Rock<a href="http://4.bp.blogspot.com/-ui-giuopcmY/Tz-pD9NnmYI/AAAAAAAACGk/ryjmFhTRl9o/s1600/1.jpg" style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 399px;" src="http://4.bp.blogspot.com/-ui-giuopcmY/Tz-pD9NnmYI/AAAAAAAACGk/ryjmFhTRl9o/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5710468737965463938" /></a><br /><br /><div style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; text-align: center; "><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; text-align: center; "><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Jazz-Rock, brass rock, Prog-Rock </b></div><div style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; text-align: center; "><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1972</b></div><div style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; text-align: center; "><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> CBS </b></div><br /><br />Hanus Berka aus Prag kam das erste Mal in den mittleren Sechziger Jahren nach Deutschland. Nach einem Kurzaufenthalt in Las vegas, siedelte er sich in Munchen an und grundete Ende 1970 die Band EMERGENCY. In seine band holte er Udo Lindenberg (Schlagzeug), Marrie Newby (Gitarre), Jiro Matousek (Tasteninstrumente), Otto Bezloja (Bass), Dusko Goykovic (Trompete) und Reddy (Stimme) – Vier Tschechen ,1 Deutscher und 1 Englander!<br /> <br /> <br />Ihre erste Veroffentlichung tendiert mehr in die europaische Jazz-Richtung. Fur die LP „Entrance“ (1972) wurde der Gro?teil der Bandbesetzung gewechselt. Udo Lindenberg wurde durch John Redpath und zeitweise durch Curt Cress ersetzt. Ende 1972 wurde EMERGENCY wieder umgekrempelt und neu organisiert. Ein Plattenvertrag mit dem renomierten BRAIN-Label wurde unterzeichnet. Ihre lezte Lp „Get out of the country” wurde 1973 von Berka, Peter Bischof, Richard Palmer James , Jerzy Ziembrowski, Veit Marvos, Martin Harrison und Bernd Knaak aufgezeichnet. Nach diesem Album loste sich die Band auf....<br /><br /><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/LOaiWT-2cXg" frameborder="0" allowfullscreen="" style="font-size: 100%; "></iframe><br /><br /><br /><a href="http://allthatmusicrock.blogspot.com/2012/02/emergency-entrance-1972-2005.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-6173549536602343484?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/02/emergency-entrance-1972-2005.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-7985369336829741162Wed, 15 Feb 2012 05:16:00 +00002012-02-15T07:18:14.230+02:00Bela FleckCLASSICLossless<a href="http://4.bp.blogspot.com/-IpHK_HB4lFo/Tzs-ieJ50qI/AAAAAAAACF8/G3HEx-PmSBI/s1600/1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 389px;" src="http://4.bp.blogspot.com/-IpHK_HB4lFo/Tzs-ieJ50qI/AAAAAAAACF8/G3HEx-PmSBI/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5709225714553311906" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Classical </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 2001</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Sony Classical </b></div><br /><br /><br />Perpetual Motion is an album of classical music released in 2001. The album is unique in that none of the pieces featured on it are played on the instruments for which they were written. Arrangers Béla Fleck and Edgar Meyer won a Grammy in 2002 for their arrangement of Claude Debussy's "Doctor Gradus Ad Parnassum". The album also won a Grammy as Best Classical Crossover Album.<br />Fleck assembled a group of musicians well-known on their own instruments: violinist Joshua Bell, cellist Gary Hoffman, percussionist Evelyn Glennie, double-bassist Edgar Meyer, mandolin player Chris Thile, and guitarists John Williams and Bryan Sutton.<br /><br /><br /><br /><br /><div style="text-align: center;"><br /><iframe width="480" height="360" src="http://www.youtube.com/embed/sZvCgfC7QTY" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicclassical.blogspot.com/2012/02/bela-fleck-perpetual-motion-2001.html">more.........</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-7985369336829741162?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/02/bela-fleck-perpetual-motion-2001.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-4705099903873175144Sun, 12 Feb 2012 10:54:00 +00002012-02-12T12:58:23.451+02:00JazzLosslessAllan HoldsworthFusion<a href="http://3.bp.blogspot.com/-LvKsF_Qu8OI/TzeWxfP8JJI/AAAAAAAACFk/aWSz-PdawCc/s1600/1.jpg" style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="http://3.bp.blogspot.com/-LvKsF_Qu8OI/TzeWxfP8JJI/AAAAAAAACFk/aWSz-PdawCc/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5708196829661504658" /></a><br /><br /><div style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; text-align: center; "><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; text-align: center; "><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Fusion, Jazz </b></div><div style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; text-align: center; "><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1983</b></div><div style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; text-align: center; "><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Globe Music </b></div><br /><br />Also in the late '70s, Holdsworth launched a solo career, which over the years has seen the release of nearly 20 albums (a few standouts include 1983's Road Games, 1985's Metal Fatigue, 1994's Hard Hat Area, and 2000's The Sixteen Men of Tain), as the guitarist has been joined by such acclaimed musicians as Paul Williams (a former bandmate of Holdsworth's in Tempest), Gary Husband, Chad Wackerman, Gary Husband, Jimmy Johnson, Steve Hunt, and Alan Pasqua, among others. In the mid-'80s, Holdsworth was one of the first musicians to use a Synthaxe, a guitar that contained a breath controller that proved to be a cross between a synthesizer, guitar, and saxophone (Holdsworth was awarded Best Guitar Synthesist from 1989 through 1994 in the readers' poll of Guitar Player magazine). In the '90s, Holdsworth also created his own signature guitar model with the Carvin company. In the mid-'90s, Holdsworth briefly shifted away from his fusion originals and recorded an album with longtime musical partner Gordon Beck that dipped into jazz standards. The Sixteen Men of Tain (2000) marked another shift, in that it was the first Holdsworth release to feature an all-acoustic rhythm section. This was followed in 2002 by All Night Wrong, his first official live release. Then! Live in Tokyo was next, featuring Holdsworth's 1990 live band, which was followed by Against the Clock, a career retrospective, in 2005.<br /><br /><br /><br /><br /><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/25OCxf3ewXk" frameborder="0" allowfullscreen="" style="font-size: 100%; "></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2012/02/allan-holdsworth-road-games-1983.html">more.......</a><br /><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-4705099903873175144?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/02/allan-holdsworth-road-games-1983.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-6580287059145115026Sun, 05 Feb 2012 12:43:00 +00002012-02-05T14:45:21.894+02:00Stuart SmithLosslessRockBlues-RockHard Rock<a href="http://4.bp.blogspot.com/-3SP29ze9Ltk/Ty54MSTKH4I/AAAAAAAACFA/pnhhgCBe0ic/s1600/1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="http://4.bp.blogspot.com/-3SP29ze9Ltk/Ty54MSTKH4I/AAAAAAAACFA/pnhhgCBe0ic/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5705629930390953858" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> wv + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Blues-Rock, Hard Rock </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1999</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Frontiers Records </b></div><br /><br /><br /><br />By Zane Ewton<br /><br /><span style="color: rgb(255, 153, 0); ">Previously released in 1999 Heaven &amp; Earth is getting a second chance with an expanded re-release. Stuart Smith is the driving force and has staked a claim as a premier rock guitarist.<br /><br />At the recent All Access L.A. Music Awards show Smith won “Best Guitarist” and Heaven &amp; Earth won “Best Overall Album”.<br /><br />Smith is a classically trained guitarist, also receiving instruction from the legendary Deep Purple guitarist Ritchie Blackmore. Smith’s guitar style is all over this album, flowing between blues, classical and hard rock.<br /><br />There is so much guitar on this album that you will form calluses on your fingertips while you listen. But the guitar is never overbearing or overplayed. Besides an obvious technical proficiency, Smith is a good songwriter and chooses to work with other good songwriters. The songs are what make this a strong album and much more than just guitar gymnastics..... </span><br /><br /><br /><div style="text-align: center;"><br /><iframe width="480" height="360" src="http://www.youtube.com/embed/4e4FWiudw-o" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicrock.blogspot.com/2012/02/stuart-smith-heaven-earth-1999.html">more.......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-6580287059145115026?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/02/stuart-smith-heaven-earth-1999.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-8667937797721904288Sun, 05 Feb 2012 07:59:00 +00002012-02-05T10:01:27.860+02:00Chick CoreaJazzLossless<a href="http://3.bp.blogspot.com/-Jckc09iQGTY/Ty41MLA2KaI/AAAAAAAACEY/P1RowzXQlVU/s1600/front.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 397px;" src="http://3.bp.blogspot.com/-Jckc09iQGTY/Ty41MLA2KaI/AAAAAAAACEY/P1RowzXQlVU/s400/front.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5705556261156039074" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Modern Jazz </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 2006</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Stretch Records </b></div><br /><br />"...This project was also an opportunity to make music with some of my old friends who were so important to my music-making in the 60’s and 70’s—namely, Steve Gadd, Airto Moreira and Hubert Laws. And together with my more recent musical partnerships with Vinnie Colaiuta, Hossam Ramzy, Frank Gambale and Tim Garland, and finally the members of my current band, Tom Brechtlein, Jorge Pardo, Rubem Dantas and Carles Benavent—I was definitely inspired by these great artists in the creation of this music" — Chick<br /><br /><br /><div style="text-align: center;"><br /><iframe width="480" height="360" src="http://www.youtube.com/embed/SYWkElN3zaQ" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2012/02/chick-corea-ultimate-adventure-2006.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-8667937797721904288?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/02/chick-corea-ultimate-adventure-2006.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-7218232458148160910Tue, 31 Jan 2012 20:35:00 +00002012-01-31T22:38:37.424+02:00Billy Cobhamjazz - rockLosslessFusion<a href="http://2.bp.blogspot.com/-V2G6UHPLe-w/TyhPWuzNCEI/AAAAAAAACEA/He9vwLwRKJA/s1600/1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 392px;" src="http://2.bp.blogspot.com/-V2G6UHPLe-w/TyhPWuzNCEI/AAAAAAAACEA/He9vwLwRKJA/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703896180003244098" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Fusion, Jazz-Rock </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1974</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Atlantic </b></div><br /><br /><br />Recorded live in Europe. Taurian Matador was recorded at the Montreux Music Festival, Switzerland, on July 4, 1974. All other compositions recorded at the Rainbow Theatre, London, England on July 13, 1974.<br /><br /><br /><div style="text-align: center;"><br /><iframe width="480" height="360" src="http://www.youtube.com/embed/dEsNw-sr9Ws" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2012/01/billy-cobham-shabazz-1974.html">more.......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-7218232458148160910?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/01/billy-cobham-shabazz-1974.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-8670982732587471051Sun, 22 Jan 2012 07:05:00 +00002012-01-22T09:09:19.653+02:00Mercan DedeSufiLosslessEthno<a href="http://3.bp.blogspot.com/-Axaz-oi4Ezs/Txu0LhRreoI/AAAAAAAACDc/JlDypIvU0A8/s1600/1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 399px;" src="http://3.bp.blogspot.com/-Axaz-oi4Ezs/Txu0LhRreoI/AAAAAAAACDc/JlDypIvU0A8/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5700347863371577986" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Sufi, Ethno </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 2001</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Doublemoon </b></div><br /><br /><br /><br /><span style="color: rgb(255, 153, 0); ">"I can't explain in words,"<br />says a voice a couple of times, in one of the songs. I think the same thing is valid for the satisfaction one gets from the whole albume. Mercan Dede uses the rhythms and the moods present in sufi music, and creates an above-all-feelings music that just becomes an eternal delight to listen. It's important to note that Mercan Dede believes in sufi philosophy and shows his appreciation throughout his original electronic style. For those, who are trying to choose which of his albumes to purchase, I'd recommend 'Seyahatname'. Mercan Dede made two more albumes after 'Seyahatname', 'Nar' and 'Su', released lately. 'Nar' is also recommended highly.</span><br />By Burak Kilic<br /><br /><br /><div style="text-align: center;"><br /><iframe width="480" height="360" src="http://www.youtube.com/embed/qtqp_S_sf5I" frameborder="0" allowfullscreen=""></iframe><br /><br /><a href="http://allthatmusicethno.blogspot.com/2012/01/mercan-dede-seyahatname-2001.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-8670982732587471051?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/01/mercan-dede-seyahatname-2001.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-3574199324286394699Sun, 15 Jan 2012 09:27:00 +00002012-01-15T11:29:22.694+02:00JazzLosslessReturn To ForeverFusion<a href="http://1.bp.blogspot.com/-7I0byRB3X30/TxKbDAGIHwI/AAAAAAAACCs/rJtWCOIP_f8/s1600/Front.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 378px;" src="http://1.bp.blogspot.com/-7I0byRB3X30/TxKbDAGIHwI/AAAAAAAACCs/rJtWCOIP_f8/s400/Front.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5697786954444709634" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Jazz, Fusion </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1972</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Verve </b></div><br /><br /><br /><br /><br />Review by Richard S. Ginell (allmusic.com)<br /><span style="color: rgb(255, 153, 0); ">The 1998 re-release of Return to Forever's Light As a Feather -- the second, final, and most popular album of the band's first edition -- as a two-CD set had the effect of nearly doubling the band's released output. The first disc contains the original album as sequenced, while the second contains over an hour of outtakes, including some new titles and tracks that were reconstructed from a number of takes. The actual album as originally released was a splendidly light, fluid, fleeting exercise in electric jazz with a strong whiff of Brazil, featuring Corea's lyrical, probing work on Rhodes electric piano and containing a number of Corea tunes -- especially the Rodrigo-based "Spain" -- that became standards....</span><br /><br /><br /><br /><div style="text-align: center;"><iframe width="640" height="360" src="http://www.youtube.com/embed/-l2dCUWxETw" frameborder="0" allowfullscreen></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2012/01/return-to-forever-light-as-feather-1972.html">more.........</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-3574199324286394699?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/01/return-to-forever-light-as-feather-1972.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-7075285138219508820Sun, 08 Jan 2012 08:03:00 +00002012-01-08T10:05:03.763+02:00LosslessRockCozy Powell<a href="http://2.bp.blogspot.com/-ELTdZ-xd7G4/TwlMHI2mWvI/AAAAAAAACCQ/0e5hNET1EKE/s1600/1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="http://2.bp.blogspot.com/-ELTdZ-xd7G4/TwlMHI2mWvI/AAAAAAAACCQ/0e5hNET1EKE/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5695166889305987826" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Rock </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1979</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Polydor </b></div><br /><br /><br /><span style="color: rgb(255, 153, 0); ">In 1979, Cozy recorded the first of his five solo albums, Over The Top. On this record he was able to work with some of the musicians he had long admired, such as Jack Bruce, virtuoso bassist from super-group Cream, Irish guitarist Gary Moore, and also old mate Clem Clempson, with whom he had eventually made peace after the Strange Brew episode.</span><br /><br /><br /><br /><div style="text-align: center;"><iframe width="480" height="390" src="http://www.youtube.com/embed/9kFPojO8fSQ" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><br /><a href="http://allthatmusicrock.blogspot.com/2012/01/cozy-powell-over-top-1979.html">more.......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-7075285138219508820?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/01/cozy-powell-over-top-1979.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-4558739396316941263Sat, 07 Jan 2012 16:57:00 +00002012-01-07T18:59:37.532+02:00JazzLosslessAl di Meola<a href="http://1.bp.blogspot.com/-mQaAAcJBhPc/Twh4O66r3QI/AAAAAAAACBw/KxZ-b_LDjsY/s1600/Front.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 398px;" src="http://1.bp.blogspot.com/-mQaAAcJBhPc/Twh4O66r3QI/AAAAAAAACBw/KxZ-b_LDjsY/s400/Front.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5694933926538894594" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Jazz </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1990</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Inak </b></div><br /><br /><br /><br /><br />Review by Alex Henderson<br /><span style="color: rgb(255, 153, 0); ">Comparing early Al di Meola dates like Land of the Midnight Sun and Casino to his albums of the 1990s, it's clear how much his playing has softened. The exceptional World Sinfonia, an entirely acoustic CD, makes it clear that what hasn't changed is his unpredictable, spontaneous nature. Di Meola's right-hand man throughout this highly introspective date is the soulful bandonean player Dino Saluzzi, with whom he enjoys an undeniably strong rapport....</span><br /><br /><br /><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/sa-GfWknNPk" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2012/01/al-di-meola-world-sinfonia-1990.html">more.......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-4558739396316941263?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/01/al-di-meola-world-sinfonia-1990.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-6247895296100042841Mon, 02 Jan 2012 05:48:00 +00002012-01-02T07:50:55.734+02:00Bass virtuosoLosslessJazz-FusionBrian BrombergSmooth Jazz<a href="http://2.bp.blogspot.com/-AuXul7uc8c0/TwFA5vWAAbI/AAAAAAAACBU/3pnaPsuZj3A/s1600/Bassic.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="http://2.bp.blogspot.com/-AuXul7uc8c0/TwFA5vWAAbI/AAAAAAAACBU/3pnaPsuZj3A/s400/Bassic.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5692902764678480306" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> APE + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Bass virtuoso, Jazz-Fusion, Smooth Jazz </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1990</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Nova Records </b></div><br /><br />Brian Bromberg "Bassically Speaking" This cd is Brian's first record "A New Day" in CD form. Some new tracks were added and some original tracks have some new additions. This disc features the likes of: Alex Acuna, Joe Farrell, Freddie Hubbard, Ernie Watts and Brian's first top 5 single "You and I" This cd has the original recording of the quasi cult classic bass solo "Bassically Speaking"....<br /><br /><br /><br /><br /><div style="text-align: center;"><br /><iframe width="480" height="360" src="http://www.youtube.com/embed/i9DMzXV3c8g" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2012/01/brian-bromberg-bassically-speaking-1990.html">more......</a><br /><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-6247895296100042841?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2012/01/brian-bromberg-bassically-speaking-1990.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-902603998643284760Mon, 26 Dec 2011 11:39:00 +00002011-12-26T13:41:51.377+02:00Jaz-RockLosslessSatisfactionProg-Rock<a href="http://2.bp.blogspot.com/-4URM4t5oDgo/TvhaH9EA-gI/AAAAAAAACBE/bc4FQ_Vg1hU/s1600/1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 395px;" src="http://2.bp.blogspot.com/-4URM4t5oDgo/TvhaH9EA-gI/AAAAAAAACBE/bc4FQ_Vg1hU/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5690397221879609858" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Jazz-Rock, Prog-Rock </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1971</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Esoteric </b></div><br /><br />2008 digitally remastered reissue of the eponymous debut album from the Jazz/Rock outfit, originally released in 1971. Satisfaction was a short-lived Jazz/Progressive outfit formed by trumpet and horn player Mike Cotton, a veteran of the early '60's British R&amp;B boom. The group also included John Beecham (trombone), Derek Griffiths (guitar, vocals), Bernie Higginson (drums, vocals), Lem Lubin (saxophone) and Nick Newell (saxophone). John Beecham had previously been in the Mike Cotton Sound, whilst Griffiths had been a member of the highly regarded Artwoods with Keef Hartley and Jon Lord. By the late 1960's, Jazz was crashing headlong into the world of Rock and Mike Cotton assembled a group of like-minded musicians to explore the musical possibilities in this area. Esoteric.<br /><br /><br /><br /><br /><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/GlKbdtxY0hQ" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><br /><a href="http://allthatmusicrock.blogspot.com/2011/12/satisfaction-satisfaction-1971.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-902603998643284760?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/satisfaction-satisfaction-1971.htmlnoreply@blogger.com (did)1tag:blogger.com,1999:blog-4280821364512190860.post-5743975583886315277Mon, 26 Dec 2011 08:15:00 +00002011-12-26T10:17:17.316+02:00John McLaughlinChick CoreaJazzJazz-FusionJoe Farrell<a href="http://3.bp.blogspot.com/-AGZp9f9XujA/TvgrCr0SrpI/AAAAAAAACAQ/2lpntWA8SfY/s1600/1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 392px;" src="http://3.bp.blogspot.com/-AGZp9f9XujA/TvgrCr0SrpI/AAAAAAAACAQ/2lpntWA8SfY/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5690345454304407186" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Jazz </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1970</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> CBS </b></div><br /><br />by Scott Yanow<br />Joe Farrell, known in the '60s as a solid hard bop tenor saxophonist, branched out in the '70s. On this near-classic album, Farrell switches between tenor, soprano, flute, and even oboe while being joined by a rather notable backup crew: keyboardist Chick Corea, guitarist John McLaughlin, bassist Dave Holland, and drummer Jack DeJohnette. In addition to a famous version of McLaughlin's "Follow Your Heart," the material includes originals by Farrell and Corea, and the leader makes a strong impression on each of his horns.<br /><br /><br /><br /><br /><br /><br /><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/5U5mzbQjDH8" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2011/12/joe-farrell-quartet-joe-farrell-1970.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-5743975583886315277?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/joe-farrell-quartet-joe-farrell-1970.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-4160186828605887053Thu, 22 Dec 2011 05:32:00 +00002011-12-22T07:35:19.241+02:00Progressive MetalInstrumental musicLosslessVitalij KuprijNeo-classical Metal<a href="http://2.bp.blogspot.com/-gRvGmZyPMps/TvK7075GFVI/AAAAAAAAB_o/PdxtTg0S9HU/s1600/1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 394px;" src="http://2.bp.blogspot.com/-gRvGmZyPMps/TvK7075GFVI/AAAAAAAAB_o/PdxtTg0S9HU/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5688815797427115346" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Neo-Classical Metal / Instrumental Metal / Progressive Metal </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1997</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Shrapnel Records </b></div><br /><br />Classic Rock Forum<br />The following compositions contain all the elements that make this music so grand; melody, harmony, structure, rhythm, precision, aggression, speed, synchronization, perfect execution, and sophistication. Every track on this album is exceptional! The energy these two musicians have together, along with the outstanding drumming from Jon Dornan, will undoubtedly set your ears on fire.<br /><br />High Definition is a very intense album. A monstrous masterpiece that goes beyond the genre of neo-classical, which I hope you’ll find as inspiring and rewarding as I have.<br /><br /><br /><br /><br /><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/VUpvZSz0eME" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicrock.blogspot.com/2011/12/vitalij-kuprij-high-definition-1997.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-4160186828605887053?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/vitalij-kuprij-high-definition-1997.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-4527560489321863403Sun, 18 Dec 2011 07:25:00 +00002011-12-18T09:27:28.689+02:00jazz - funkJazzLosslessSixun<a href="http://3.bp.blogspot.com/-VXi34lyTx90/Tu2SphZ90TI/AAAAAAAAB_Q/-SHVsiYJgWI/s1600/1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 392px;" src="http://3.bp.blogspot.com/-VXi34lyTx90/Tu2SphZ90TI/AAAAAAAAB_Q/-SHVsiYJgWI/s400/1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5687363146478375218" /></a><br /><br /><div style="text-align: center;"><font style="color: rgb(255, 0, 0);"><b>Format:</b></font><b> flac + cue + log</b></div><div style="text-align: center;"><font style="color: rgb(255, 0, 0);"><b>Genre:</b></font><b> Jazz, Jazz-Funk </b></div><div style="text-align: center;"><font style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></font><b> 1987</b></div><div style="text-align: center;"><font style="color: rgb(255, 0, 0);"><b>Label:</b></font><b> Open </b></div><br /><br />MJBrady Published on: 24 Feb 2002 <br />On Pygmees, We are hearing the definitive sound of this French fusion bands personality. They are a highly talented band that plays fusion in the Weather Report style, with a much more funky edge to the backbeat. Imagine if Jaco Pastorius, Miroslav Vituous or Alphonso Johnson(all Weather Report bassists at one time or another), were to have been replaced by the likes of Alain Caron, Louis Johnson, or some other super funky bassist. That is what the vibe is like, very uptempo music with sax, key, and guitar doing tight chart section melodies, and a killer rhythm section that just won't quit. The musicianship is as good as it gets, and though the music has the funk factor, the Zawinul influence is present in the way the band is utilizing chord developement, and of course the dissharmonic sax really captures the style of Wayne Shorter to a tee at at times. Sixun also explores the more ambiant side of fusion with some world music songs, though this is not representing the majority of music, these are only side dishes for the energetic stuff. Sixun is music that is best played loud, with the bass on high, it can even motivate you to get things done while listening. If you have a liking for funky, jazz heavy, fusion, with a big influence from Weather Report, this is highly recommended....<br /><br /><br /><br /><div style="text-align: center;"><br /><iframe width="480" height="360" src="http://www.youtube.com/embed/UrH7w6ASaqA" frameborder="0" allowfullscreen></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2011/12/sixun-pygmees-1987.html">more......</a><br /><br /><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-4527560489321863403?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/sixun-pygmees-1987.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-9165100885680740389Sat, 17 Dec 2011 16:18:00 +00002011-12-17T18:50:47.207+02:00WardrunaLosslessEthno<a href="http://2.bp.blogspot.com/-MicNSPj1_lE/Tuy9e9ScQzI/AAAAAAAAB-s/xcm6yadFR9o/s1600/Runaljod%2B-%2Bgap%2Bvar%2BGinnunga.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="http://2.bp.blogspot.com/-MicNSPj1_lE/Tuy9e9ScQzI/AAAAAAAAB-s/xcm6yadFR9o/s400/Runaljod%2B-%2Bgap%2Bvar%2BGinnunga.jpg" alt="" id="BLOGGER_PHOTO_ID_5687128769007731506" border="0" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Folk </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 2009</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Indie Recordings </b></div><br /><br />Sowing New Seeds, Strengthening Old Roots<br />Wardruna is a Norwegian musical constellation set out to explore and evoke the depths of Norse wisdom and spirituality. Musically Wardruna has its main focus on the cultic musical language found in the near-forgotten arts of galder, seidr and the daily acts of the cultic life, mixed with impulses from Norwegian / Nordic folk music and music from other indigenous cultures.<br /><br />The upcoming album entitled ‘gap var Ginnunga’ will be the first in the planned Runaljod trilogy that will interpret the runes of the elder futhark. The subsequent albums will be entitled ‘Yggdrasil’ and ‘Ragnarok’. Each album will feature eight runes, but not in accordance with the order of the three aettirs (families), which is most commonly used. ‘gap var Ginnunga’ will feature the following runes:<br /><br />Hagal Bjarkan Thurs Jara Laukr Kauna Algir Dagr<br />Recordings partly take place outdoors at locations relevant to the different runes. The instruments we use are mainly old and historical instruments, such as deer-hide frame drums and ceremonial drums, mouth harp, clove / hoof rattles from deer and goat, bone flute, goat and cow horns, Hardanger fiddle and bowed lyres. More unconventional inputs like trees, stones, water, fire etc. are also employed to enhance the nature of the rune being ‘portrayed’.<br />-Kvitrafn, 2007<br /><br /><br /><br /><div style="text-align: center;"><br /><iframe src="http://www.youtube.com/embed/54PpjO0bKWI" allowfullscreen="" frameborder="0" height="360" width="640"></iframe><br /><br /><br /><a href="http://allthatmusicethno.blogspot.com/2011/12/wardruna-runaljod-gap-var-ginnunga-2009.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-9165100885680740389?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/wardruna-runaljod-gap-var-ginnunga-2009.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-2142235759701649347Wed, 14 Dec 2011 05:12:00 +00002011-12-14T07:15:39.792+02:00Jazzjazz - rockLosslessStanley ClarkeFusion<a href="http://3.bp.blogspot.com/-61lT9nMU5Jc/TufCMvKPqXI/AAAAAAAAB-I/4H_-ddyc0P4/s1600/1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 398px;" src="http://3.bp.blogspot.com/-61lT9nMU5Jc/TufCMvKPqXI/AAAAAAAAB-I/4H_-ddyc0P4/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5685726578652195186"></a><br /><br /><div style="text-align: center;"><font style="color: rgb(255, 0, 0);"><b>Format:</b></font><b> flac + cue + log</b></div><div style="text-align: center;"><font style="color: rgb(255, 0, 0);"><b>Genre:</b></font><b> Jazz, Fusion, jazz - rock </b></div><div style="text-align: center;"><font style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></font><b> 1975</b></div><div style="text-align: center;"><font style="color: rgb(255, 0, 0);"><b>Label:</b></font><b> Sony (This copy = Epic/Columbia) </b></div><br /><br /><br /><br /><br />Description By P. McKenna "theowlwatches" (Atlanta GA.) [amazon.com]<br /><br />01 - Silly Putty <br /><br />Stanley and George Duke kick out the funk with TONS of melody and good vibes. Great horn charts that would do Tower of Power proud, plus, I used to LOVE playing this tune on bass myself to warm up with. Great fun.<br /><br />02 - Journey To Love <br /><br />The one real weak track that could've been a gem if the dippy L Ron Hubbard lyrics and vocals were eliminated altogether, would've been a cool instrumental though not groundbreaking by any means....<br /><br /><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/1TuprJosw2s" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2011/12/stanley-clarke-journey-to-love-1975.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-2142235759701649347?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/stanley-clarke-journey-to-love-1975.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-6066233546023182664Mon, 12 Dec 2011 06:08:00 +00002011-12-12T08:11:49.859+02:00Progressive MetalLosslessJazz-MetalAghora<a href="http://4.bp.blogspot.com/--Sh9Yowse8A/TuTwvfSoBlI/AAAAAAAAB9k/itQjMS4qP04/s1600/front.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="http://4.bp.blogspot.com/--Sh9Yowse8A/TuTwvfSoBlI/AAAAAAAAB9k/itQjMS4qP04/s400/front.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684933328292546130" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Jazz-Metal, Progressive Metal </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Release Date:</b></span><b> 1999</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Dobles Productions </b></div><br /><br /><br /><br /><span style="color: rgb(255, 153, 0); ">Several acts have risen from the broken remains of technical jazz-metal<br />legends Cynic, and not the least among them is this shining gem of a band.<br />Aghora takes the deft rhythmic foundation of their progenitors and combines<br />it seamlessly with a presentation that's not so much metal as it is a melting<br />pot of Middle Eastern-influenced exoticism drenched in a metal aesthetic. I<br />suppose it would be accurate enough to say that there's about as much metal<br />on this disc as there was on Cynic's Focus.<br /><br />Without a doubt, guitarist and primary songwriter Santiago Dobles employs<br />an arsenal of absolutely crushing riffs, as well as searing solos that evoke<br />images of John McLaughlin at his finest... but these things rarely dominate<br />the music. Indeed, inbetween occasional assaults of metallic fury Santiago<br />displays very subtle guitar work that includes classic Indian melodies which<br />stand as a consistent theme throughout the course of the album, exotic solo<br />pieces and soothing chord progressions as heard throughout "Frames",<br />atmospheric flailing as he dances with bassist Sean Malone on the<br />instrumental "Jivatma", and even extensive use of the sitar as heard primarily<br />on the closer "Anugraha". Santiago displays a wide range of influences that<br />stretch well past McLaughlin, and he effectively manages to not sound quite<br />like any of them - the result is extremely inspired, energetic, creative, and full<br />of fervor no matter what he happens to be playing....<br /><br /></span><br /><br /><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/y6nJmf7kHy8" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicrock.blogspot.com/2011/12/aghora-aghora-1999.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-6066233546023182664?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/aghora-aghora-1999.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-7176476310269573807Sun, 11 Dec 2011 06:31:00 +00002011-12-11T08:33:55.734+02:00JazzLosslessDusko Goykovich<a href="http://2.bp.blogspot.com/-kmvIu9aos4U/TuRLIrxVv1I/AAAAAAAAB9A/T8bfsmPnJ2A/s1600/front.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="http://2.bp.blogspot.com/-kmvIu9aos4U/TuRLIrxVv1I/AAAAAAAAB9A/T8bfsmPnJ2A/s400/front.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684751242209115986" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> ape + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Jazz </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Original Release Date:</b></span><b> 1966</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Enja </b></div><br /><br />Japanese reissue of the classic jazz album originally released on Enja, digitally remastered with a limited edition miniature LP sleeve reproduction of the original artwork. Recorded in 1966. --This text refers to an out of print or unavailable edition of this title.<br /><br /><br /><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/1fEJGCfRzIk" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2011/12/dusko-goykovich-swinging-macedonia-1966.html">more......</a><br /><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-7176476310269573807?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/dusko-goykovich-swinging-macedonia-1966.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-1907121216267397820Fri, 09 Dec 2011 06:17:00 +00002011-12-09T08:19:53.812+02:00Steve vaiLosslessRockGuitar virtuosoYngwie MalmsteenJoe Satriani<a href="http://4.bp.blogspot.com/-mrq8tGvoR6c/TuGmf5U94FI/AAAAAAAAB8o/dbhTRVnqKg8/s1600/Front.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 374px;" src="http://4.bp.blogspot.com/-mrq8tGvoR6c/TuGmf5U94FI/AAAAAAAAB8o/dbhTRVnqKg8/s400/Front.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5684007271613194322" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Guitar virtuoso, Rock </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Release Date:</b></span><b> 2004</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Epic</b></div><br /><br /><br /><br /><span style="color: rgb(255, 153, 0); ">Recorded live at The Uptown Theatre, Kansas City, Missouri on October 21, 2003.<br /><br />Eight years after its maiden jaunt, the G3 concert series continues to celebrate six-string excess for guitar geeks across the globe. The brainchild of legend Joe Satriani, G3 showcases Satch, his accomplished former student Steve Vai, and a wildcard support act. While the series has featured axe-slingers of a bluesier sort, the 2003 tour found the neo-classical king Yngwie Malmsteen joining the fretboard fray....<br /><br /></span><br /><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe width="640" height="360" src="http://www.youtube.com/embed/vs70RPZw8-4" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicrock.blogspot.com/2011/12/g3-g3-live-rockin-in-free-world-2004.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-1907121216267397820?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/g3-g3-live-rockin-in-free-world-2004.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-7299737871177483175Wed, 07 Dec 2011 05:32:00 +00002011-12-07T07:34:58.074+02:00LosslessAcoustic guitarDominic MillerFusion<a href="http://2.bp.blogspot.com/-OSVLuObx2GQ/Tt74HLWdlyI/AAAAAAAAB8M/GAZY3nx8Ors/s1600/1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 396px;" src="http://2.bp.blogspot.com/-OSVLuObx2GQ/Tt74HLWdlyI/AAAAAAAAB8M/GAZY3nx8Ors/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5683252581977921314" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> ape + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Fusion, Acoustic Guitar </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Release Date:</b></span><b> 1999</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Rutis UK </b></div><br /><br />REVIEW: The Times<br /><br />As part of Sting's band, guitarist Dominic Miller sometimes gets overlooked. Even though the 40-year-old has the looks of a lean, shaggy-haired, Strat-toting youngster, he seems to get a little taken for granted in his role as guitar factotum. Nowhere was this more apparent than in the recent string of Sting gigs at the Albert Hall in which he was also accompanied by such jazz luminaries as keyboardist Jason Rebello and trumpeter Chris Botti. Now Miller's second solo album has arrived and it's time for him to take the spotlight. 'Second Nature' shows a very different side of this versatile Buenos Aires-born musician. Although Miller may have spent years playing rock'n'roll as a session player, his own music owes a huge debt to his Brazilian heroes Antonio Carlos Jobim and Baden Powell, and as a result the 12 songs here sing of South America - ringing, lyrical numbers plucked and strummed by a guitarist who remains true to his roots....<br /><br /><br /><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/9WW5H2xYyG8" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2011/12/dominic-miller-second-nature-1999.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-7299737871177483175?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/dominic-miller-second-nature-1999.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-129866024517574101Sun, 04 Dec 2011 16:22:00 +00002011-12-04T18:26:59.120+02:00FunkAcid RockPsychedelicLosslessJazz-RockDemon Fuzz<a href="http://1.bp.blogspot.com/-P3vNtWQPpvc/TtucJpORbQI/AAAAAAAAB74/4tk2i3gmEvI/s1600/1%2Bfront.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="http://1.bp.blogspot.com/-P3vNtWQPpvc/TtucJpORbQI/AAAAAAAAB74/4tk2i3gmEvI/s400/1%2Bfront.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5682307044356484354" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Jazz-Rock, Funk, Psychedelic , Acid Rock </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Release Date:</b></span><b> 1970</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Esoteric Recordings </b></div><br /><br />Product Info;<br /><br />This is the classic long lost British psychedelic funk album by Demon Fuzz<br /><br />In a just world, Demon Fuzz would have been very successful. Sadly, however, the only real success they enjoyed is the fact that many club DJs now use their samples frequently. Although the band played most of the British underground festivals in the early seventies, Demon Fuzz were simply too way-out to make a significant impact on the college crowd and as a result they broke up after 18 months on the scene. Released in 1970 the band’s only album, the extraordinary Afreaka!, demonstrates their excellence in playing psychedelic soul, dub-heavy funk, progressive rock, Afro-jazz and black acid rock. Demon Fuzz these days are amongst the most bootlegged and sampled bands from the early 70s British underground. This re-release, which includes the stunning and rare EP that at the time was released along with the album, tells the band’s full story for the first time ever.<br /><br /><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/i-MbwYYqhV4" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicrock.blogspot.com/2011/12/demon-fuzz-afreaka-1970.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-129866024517574101?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/demon-fuzz-afreaka-1970.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-3877480633521569194Sun, 04 Dec 2011 15:19:00 +00002011-12-04T17:21:30.674+02:00JazzLosslessFusionJeff Berlin<a href="http://4.bp.blogspot.com/-w8lW9CKzGkY/TtuNbGfWN3I/AAAAAAAAB7Y/nhZ6Ptn0EbU/s1600/1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 396px;" src="http://4.bp.blogspot.com/-w8lW9CKzGkY/TtuNbGfWN3I/AAAAAAAAB7Y/nhZ6Ptn0EbU/s400/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5682290851596089202" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Jazz, Fusion </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Release Date:</b></span><b> 1997</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Denon Records - AGAT </b></div><br /><br /><br /><br />by Scott Yanow<br /><span style="color: rgb(255, 153, 0); ">Jeff Berlin is a superb electric bassist, and the music on this CD, although it has its rock and funk moments, is quite jazz-oriented. On some selections, Berlin is joined by four or five horns playing big-band-style riffs. While the bassist is in the spotlight much of the time (including a duet with keyboardist Clare Fischer on "Imagine" and an unaccompanied "Clinton Country," which is a medley of familiar patriotic songs), he was generous in allocating solo space; there are occasional spots for Rob Lockart (on tenor and alto) and trumpeter Howie Shear. Attention was paid to varying moods and styles, with the result being a satisfying release. And any musician witty enough to name an original "Hello Dali" deserves attention.....</span><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/4Jw6oOXuq10" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicjazz.blogspot.com/2011/12/jeff-berlin-taking-notes-1997.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-3877480633521569194?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/jeff-berlin-taking-notes-1997.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-7702525896023220787Sun, 04 Dec 2011 12:54:00 +00002011-12-04T14:57:48.056+02:00Cuban TraditionsOrchestra BaobabAfro-CubanAfrican TraditionsLosslessAfro-Pop<a href="http://3.bp.blogspot.com/-BQQA_OC8lrE/TttsmFfR51I/AAAAAAAAB68/Mrqy-xAa-Mk/s1600/Front.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 396px;" src="http://3.bp.blogspot.com/-BQQA_OC8lrE/TttsmFfR51I/AAAAAAAAB68/Mrqy-xAa-Mk/s400/Front.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5682254756422215506" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Afro-Pop, Afro-Cuban, Cuban Traditions, African Traditions </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Release Date:</b></span><b> 1992</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Melodie </b></div><br /><br /><br /><br />Review by Don Snowden<br /><span style="color: rgb(255, 153, 0); ">Recorded in Paris in 1978, On Verra Зa is the first recording by the fully matured Orchestra Baobab. The rumba influence is pronounced on the opening "El Son De Llama," but mostly the Latin tinge has now been absorbed into a distinctive group sound, with upbeat, sprightly songs like "Africa" built around choppy, syncopated riffs flavored by horns and a galloping rhythm guitar. "Sibam" follows that blueprint, but the tempo is faster and there's a stronger percussion presence than the light norm here....</span><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe width="640" height="360" src="http://www.youtube.com/embed/XQHFzsW-pxY" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicethno.blogspot.com/2011/12/orchestra-baobab-on-verra-ca-1992.html">more......</a><br /><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-7702525896023220787?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/orchestra-baobab-on-verra-ca-1992.htmlnoreply@blogger.com (did)0tag:blogger.com,1999:blog-4280821364512190860.post-1349568105273584536Sun, 04 Dec 2011 07:09:00 +00002011-12-04T09:12:56.061+02:00FunkTower Of PowerSoulLossless<a href="http://4.bp.blogspot.com/-EZVqRxJ9kQ0/Ttsb0943gEI/AAAAAAAAB6Y/dYSK6FkvexU/s1600/front.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 386px;" src="http://4.bp.blogspot.com/-EZVqRxJ9kQ0/Ttsb0943gEI/AAAAAAAAB6Y/dYSK6FkvexU/s400/front.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5682165951638241346" /></a><br /><br /><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Format:</b></span><b> flac + cue + log</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Genre:</b></span><b> Funk, Soul </b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Release Date:</b></span><b> 1991</b></div><div style="text-align: center;"><span style="color: rgb(255, 0, 0);"><b>Label:</b></span><b> Epic </b></div><br /><br /><br /><br />Review by Alex Henderson<br /><span style="color: rgb(255, 153, 0); ">In contrast to the many soul veterans who who have turned to urban contemporary sounds in the hope of staying on the staying on the charts, Tower of Power has stuck with the type of horn-driven, live-sounding funk and soul that put the Bay Area band on the map.... </span><br /><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe width="480" height="360" src="http://www.youtube.com/embed/vysKTPn0Rak" frameborder="0" allowfullscreen=""></iframe><br /><br /><br /><a href="http://allthatmusicpop.blogspot.com/2011/12/tower-of-power-monster-on-leash-1991.html">more......</a><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4280821364512190860-1349568105273584536?l=allthatmusic-andiay.blogspot.com' alt='' /></div>http://allthatmusic-andiay.blogspot.com/2011/12/tower-of-power-monster-on-leash-1991.htmlnoreply@blogger.com (did)0