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Thirty-four years ago, Steven Spielberg created the just-about perfect family movie in E.T. The Extra-Terrestrial. So his reunion with that film’s screenwriter, Melissa Mathison, should have been something to cherish.
But for the first hour of The BFG, I watched in bafflement, amazed that this writer-director partnership could have created something so lifeless. And I couldn’t help wonder whether the film’s narrative weakness was fatally bound up with one of its undeniable strengths – the motion control techniques used to render its titular character.
My uneasy feeling is that CGI has the potential to make even the most accomplished genre film-makers lose their instinct for looking critically at their own work.
Derived from Roald Dahl’s hugely popular novel, The BFG is the tale of orphan Sophie (Ruby Barnhill) who is taken away by a giant (Mark Rylance), with no apparent hope of return to the human world.…