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	<title><![CDATA[American Life in Poetry]]></title>
	<description><![CDATA[American Life in Poetry provides newspapers and online publications with a free weekly column  featuring contemporary American poems. The sole mission of this project is to promote poetry: America Life in Poetry seeks to create a vigorous presence for poetry in our culture.]]></description>
	<link>http://www.americanlifeinpoetry.org/</link>
	<copyright>℗ &amp; © 2012 Poetry Foundation</copyright>
	<language>en-us</language>
	<lastBuildDate>Sat, 4 Feb 2012 6:53:55 GMT</lastBuildDate>				
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		<title><![CDATA[The New Dentist by Jaimee Kuperman]]></title>
		<description>&lt;p&gt;
Jaimee Kuperman is a poet living and working in the Washington, D.C., area, and she shares with many of us the experience of preparing one&amp;rsquo;s self for a visit to the dentist. Do you, too, give your teeth an especially thorough brushing before entering that waiting room?
&lt;/p&gt;
&lt;p&gt;
	&lt;b&gt;The New Dentist&lt;/b&gt;
&lt;/p&gt;
Driving to the new dentist&amp;rsquo;s office &lt;br /&gt;the slow drive of a new place &lt;br /&gt;with the McDonalds that I don&amp;rsquo;t go to &lt;br /&gt;on the left, the mall two miles away. &lt;br /&gt;The Courthouse and the Old Courthouse &lt;br /&gt;road signs that break apart, the fork in the road &lt;br /&gt;that looks nothing like a fork or a spoon, in fact &lt;br /&gt;at best, maybe a knife bent in a dishwasher&lt;br /&gt;that leans to one side. And I know the dentist &lt;br /&gt;will ask about my last visit and want to know &lt;br /&gt;in months that I can&amp;rsquo;t say some time ago &lt;br /&gt;and I know he will ask me about flossing &lt;br /&gt;and saying when I&amp;rsquo;m in the mood won&amp;rsquo;t be &lt;br /&gt;the appropriate answer.&lt;br /&gt;He will call out my cavities &lt;br /&gt;as if they were names in a class. &lt;br /&gt;I brush my teeth before going in. &lt;br /&gt;It&amp;rsquo;s like cleaning before the cleaning person &lt;br /&gt;but I don&amp;rsquo;t want him to know I keep an untidy &lt;br /&gt;mouth. That I am the type of person who shoves &lt;br /&gt;things in the closet before guests arrive.
&lt;p&gt;American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of &lt;em&gt;Poetry&lt;/em&gt; magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Poem copyright &amp;copy;2010 by Jaimee Kuperman and reprinted from her most recent book of poetry, &lt;em&gt;You Look Nice Strange Man&lt;/em&gt;, ABZ Poetry Press, 2010. Reprinted by permission of Jaimee Kuperman and the publisher.
Introduction copyright &amp;copy; 2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/AmericanLifeInPoetry/~4/g_uszcYYmyo" height="1" width="1"/&gt;</description>
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		<pubDate>Mon, 30 Jan 2012 00:00:00 GMT</pubDate>
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		<title><![CDATA[I Was Never Able To Pray by Edward Hirsch]]></title>
		<description>&lt;p&gt;
The title of this beautiful poem by Edward Hirsch contradicts the poem, which is indeed a prayer. Hirsch lives in New York and is president of the John Simon Guggenheim Memorial Foundation, one of our country&amp;rsquo;s most distinguished cultural endowments.
&lt;/p&gt;
&lt;p&gt;
	&lt;b&gt;I Was Never Able To Pray&lt;/b&gt;
&lt;/p&gt;
Wheel me down to the shore &lt;br /&gt;where the lighthouse was abandoned &lt;br /&gt;and the moon tolls in the rafters.&lt;br /&gt;&lt;br /&gt;Let me hear the wind paging through the trees&lt;br /&gt;and see the stars flaring out, one by one, &lt;br /&gt;like the forgotten faces of the dead.&lt;br /&gt;&lt;br /&gt;I was never able to pray, &lt;br /&gt;but let me inscribe my name &lt;br /&gt;in the book of waves&lt;br /&gt;&lt;br /&gt;and then stare into the dome &lt;br /&gt;of a sky that never ends &lt;br /&gt;and see my voice sail into the night.
&lt;p&gt;American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of &lt;em&gt;Poetry&lt;/em&gt; magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Poem copyright &amp;copy;2010 by Edward Hirsch, whose most recent book of poetry is &lt;em&gt;The Living Fire: New and Selected Poems&lt;/em&gt;, Alfred A. Knopf, 2010. Reprinted from the &lt;em&gt;Northwest Review&lt;/em&gt;, Vol. 48, No. 2, 2010, by permission of Edward Hirsch and the publisher.
Introduction copyright &amp;copy; 2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/AmericanLifeInPoetry/~4/LNNRsx2SuiI" height="1" width="1"/&gt;</description>
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		<pubDate>Mon, 23 Jan 2012 00:00:00 GMT</pubDate>
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		<title><![CDATA[Mr. D Shops At Fausto&rsquo;s Food Palace by Candace Black]]></title>
		<description>&lt;p&gt;
Nothing brings a poem to life more quickly than the sense of smell, and Candace Black, who lives in Minnesota, gets hold of us immediately, in this poem about change, by putting us next to a dumpster.
&lt;/p&gt;
&lt;p&gt;
	&lt;b&gt;Mr. D Shops At Fausto&amp;rsquo;s Food Palace&lt;/b&gt;
&lt;/p&gt;
&lt;p class="p1"&gt;For years he lived close enough to smell &lt;br /&gt;chicken and bananas rotting &lt;br /&gt;in the trash bins, to surprise a cashier on break &lt;br /&gt;smoking something suspicious when he walked&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;out the back gate. Did they have an account? &lt;br /&gt;He can&amp;rsquo;t remember. Probably so, for all the milk &lt;br /&gt;a large family went through, the last-minute &lt;br /&gt;ingredients delivered by a smirking bag boy.&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;He liked to go himself, the parking lot&amp;rsquo;s &lt;br /&gt;radiant heat erased once he got past the sweating &lt;br /&gt;glass door, to troll the icy aisles in his slippers. &lt;br /&gt;This was before high-end labels took over&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;shelf space, before baloney changed &lt;br /&gt;its name to &lt;em&gt;mortadella&lt;/em&gt;, before water &lt;br /&gt;came in flavors, before fish &lt;br /&gt;got flown in from somewhere else.&lt;/p&gt;
&lt;p&gt;American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of &lt;em&gt;Poetry&lt;/em&gt; magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Poem copyright &amp;copy;2010 by Candace Black, from her most recent book of poetry, &lt;em&gt;Casa Marina&lt;/em&gt;, RopeWalk Press, 2010. Reprinted by permission of Candace Black and the publisher.
Introduction copyright &amp;copy; 2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/AmericanLifeInPoetry/~4/3mLUJn-ec6w" height="1" width="1"/&gt;</description>
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		<pubDate>Mon, 16 Jan 2012 00:00:00 GMT</pubDate>
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		<title><![CDATA[Rental Tux by Bill Trowbridge]]></title>
		<description>&lt;p&gt;
Here&amp;rsquo;s an experience that I&amp;rsquo;d guess most of the men who read this column have had, getting into a rental tuxedo. Bill Trowbridge, a poet from Missouri, does a fine job of picturing that particular initiation rite.
&lt;/p&gt;
&lt;p&gt;
	&lt;b&gt;Rental Tux&lt;/b&gt;
&lt;/p&gt;
It chafed like some new skin we&amp;rsquo;d grown, &lt;br /&gt;or feathers, the cummerbund and starched collar &lt;br /&gt;pinching us to show how real this transformation &lt;br /&gt;into princes was, how powerful we&amp;rsquo;d grown &lt;br /&gt;by getting drivers&amp;rsquo; licenses, how tall and total &lt;br /&gt;our new perspective, above that rusty keyhole &lt;br /&gt;parents squinted through. We&amp;rsquo;d found the key: &lt;br /&gt;that nothing really counts except a romance &lt;br /&gt;bright as Technicolor, wide as Cinerama, &lt;br /&gt;and this could be the night. No lie.
&lt;p&gt;American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of &lt;em&gt;Poetry&lt;/em&gt; magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Poem copyright &amp;copy;2006 by William Trowbridge, from his most recent book of poems, &lt;em&gt;Ship of Fool,&lt;/em&gt; Red Hen Press, 2011.
Introduction copyright &amp;copy; 2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/AmericanLifeInPoetry/~4/KRf1uWszHFg" height="1" width="1"/&gt;</description>
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		<pubDate>Mon, 09 Jan 2012 00:00:00 GMT</pubDate>
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		<title><![CDATA[Sometimes, When the Light by Lisel Mueller]]></title>
		<description>&lt;p&gt;
A wise friend told me that since the Age of Reason we&amp;rsquo;ve felt we had to explain everything, and that as a result we&amp;rsquo;ve forgotten the value of mystery. Here&amp;rsquo;s a poem by Lisel Mueller that celebrates mystery. Mueller is a Pulitzer Prize winning poet from Illinois.
&lt;/p&gt;
&lt;p&gt;
	&lt;b&gt;Sometimes, When the Light&lt;/b&gt;
&lt;/p&gt;
&lt;p class="p1"&gt;Sometimes, when the light strikes at odd angles &lt;br /&gt;and pulls you back into childhood&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;and you are passing a crumbling mansion &lt;br /&gt;completely hidden behind old willows&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;or an empty convent guarded by hemlocks &lt;br /&gt;and giant firs standing hip to hip,&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;you know again that behind that wall, &lt;br /&gt;under the uncut hair of the willows&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;something secret is going on, &lt;br /&gt;so marvelous and dangerous&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;that if you crawled through and saw, &lt;br /&gt;you would die, or be happy forever.&lt;/p&gt;
&lt;p&gt;American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of &lt;em&gt;Poetry&lt;/em&gt; magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Poem copyright &amp;copy;1980 by Lisel Mueller, from her most recent book of poems, &lt;em&gt;Alive Together: New and Selected Poems,&lt;/em&gt; Louisiana State University Press, 1996. Poem reprinted by permission of Lisel Mueller and the publisher.
Introduction copyright &amp;copy; 2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/AmericanLifeInPoetry/~4/dSWnEFsagAQ" height="1" width="1"/&gt;</description>
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		<pubDate>Mon, 02 Jan 2012 00:00:00 GMT</pubDate>
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		<title><![CDATA[The Art of Being by Anne Coray]]></title>
		<description>&lt;p&gt;
Anne Coray is an Alaskan, and in this beautiful meditation on the stillness of nature she shows us how closely she&amp;rsquo;s studied something that others might simply step over.
&lt;/p&gt;
&lt;p&gt;
	&lt;b&gt;The Art of Being&lt;/b&gt;
&lt;/p&gt;
&lt;p class="p1"&gt;The fern in the rain breathes the silver message. &lt;br /&gt;Stay, lie low. Play your dark reeds &lt;br /&gt;and relearn the beauty of absorption. &lt;br /&gt;There is nothing beyond the rotten log&lt;/p&gt;
&lt;p class="p1"&gt;covered with leaves and needles. &lt;br /&gt;Forget the light emerging with its golden wick. &lt;br /&gt;Raise your face to the water-laden frond. &lt;br /&gt;A thousand blossoms will fall into your arms.&lt;/p&gt;
&lt;p&gt;American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of &lt;em&gt;Poetry&lt;/em&gt; magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Poem copyright &amp;copy;2011 by Anne Coray from her most recent book of poetry, &lt;em&gt;A Measure&amp;rsquo;s Hush&lt;/em&gt;, Boreal Books, 2011. Poem reprinted by permission of Anne Coray and the publisher.
Introduction copyright &amp;copy; 2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/AmericanLifeInPoetry/~4/fuKAIvMZub4" height="1" width="1"/&gt;</description>
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		<pubDate>Mon, 26 Dec 2011 00:00:00 GMT</pubDate>
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		<title><![CDATA[After Disappointment by Mark Jarman]]></title>
		<description>&lt;p&gt;
Here&amp;rsquo;s a moving poem about parenthood, about finding one&amp;rsquo;s self to be an adult but still trying to care for the child within. Mark Jarman teaches at Vanderbilt University.
&lt;/p&gt;
&lt;p&gt;
	&lt;b&gt;After Disappointment&lt;/b&gt;
&lt;/p&gt;
To lie in your child&amp;rsquo;s bed when she is gone &lt;br /&gt;Is calming as anything I know. To fall &lt;br /&gt;Asleep, her books arranged above your head, &lt;br /&gt;Is to admit that you have never been&lt;br /&gt;So tired, so enchanted by the spell &lt;br /&gt;Of your grown body. To feel small instead &lt;br /&gt;Of blocking out the light, to feel alone, &lt;br /&gt;Not knowing what you should or shouldn&amp;rsquo;t feel, &lt;br /&gt;Is to find out, no matter what you&amp;rsquo;ve said &lt;br /&gt;About the cramped escapes and obstacles &lt;br /&gt;You plan and face and have to call the world, &lt;br /&gt;That there remain these places, occupied &lt;br /&gt;By children, yours if lucky, like the girl &lt;br /&gt;Who finds you here and lies down by your side.
&lt;p&gt;American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of &lt;em&gt;Poetry&lt;/em&gt; magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Poem copyright &amp;copy;1997 by Mark Jarman and reprinted from &lt;em&gt;Bone Fires: New and Selected Poems&lt;/em&gt;, Sarabande Books, 2011, by permission of Mark Jarman and the publisher.
Introduction copyright &amp;copy; 2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/AmericanLifeInPoetry/~4/KvA3JWEgHik" height="1" width="1"/&gt;</description>
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		<pubDate>Mon, 19 Dec 2011 00:00:00 GMT</pubDate>
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		<title><![CDATA[Off A Side Road Near Staunton by Stanley Plumly]]></title>
		<description>&lt;p&gt;
In many of those Japanese paintings with Mt. Fuji in the background, we find tiny figures moving along under the immensity of the landscape. Here&amp;rsquo;s an American version of a scene like that, by Stanley Plumly of Maryland, one of our country&amp;rsquo;s most accomplished poets.
&lt;/p&gt;
&lt;p&gt;
	&lt;b&gt;Off A Side Road Near Staunton&lt;/b&gt;
&lt;/p&gt;
Some nothing afternoon, no one anywhere, &lt;br /&gt;an early autumn stillness in the air, &lt;br /&gt;the kind of empty day you fill by taking in &lt;br /&gt;the full size of the valley and its layers leading &lt;br /&gt;slowly to the Blue Ridge, the quality of country, &lt;br /&gt;if you stand here long enough, you could stay &lt;br /&gt;for, step into, the way a landscape, even on a wall, &lt;br /&gt;pulls you in, one field at a time, pasture and fall &lt;br /&gt;meadow, high above the harvest, perfect&lt;br /&gt;to the tree line, then spirit clouds and intermittent &lt;br /&gt;sunlit smoky rain riding the tops of the mountains, &lt;br /&gt;though you could walk until it&amp;rsquo;s dark and not reach those rains&amp;mdash; &lt;br /&gt;you could walk the rest of the day into the picture &lt;br /&gt;and not know why, at any given moment, you&amp;rsquo;re there.
&lt;p&gt;American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of &lt;em&gt;Poetry&lt;/em&gt; magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Reprinted from &lt;em&gt;Old Heart&lt;/em&gt;, by Stanley Plumly. Copyright &amp;copy;2007 by Stanley Plumly. Used by permission of the publisher, W.W. Norton &amp;amp; Company, Inc.
Introduction copyright &amp;copy; 2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/AmericanLifeInPoetry/~4/6_m64-fPqOs" height="1" width="1"/&gt;</description>
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		<pubDate>Mon, 12 Dec 2011 00:00:00 GMT</pubDate>
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		<title><![CDATA[Two Gates by Denise Low]]></title>
		<description>&lt;p&gt;
The persons we are when we are young are probably buried somewhere within us when we&amp;rsquo;ve grown old. Denise Low, who was the Kansas poet laureate, takes a look at a younger version of herself in this telling poem.
&lt;/p&gt;
&lt;p&gt;
	&lt;b&gt;Two Gates&lt;/b&gt;
&lt;/p&gt;
&lt;p class="p1"&gt;I look through glass and see a young woman &lt;br /&gt;of twenty, washing dishes, and the window &lt;br /&gt;turns into a painting. She is myself thirty years ago. &lt;br /&gt;She holds the same blue bowls and brass teapot &lt;br /&gt;I still own. I see her outline against lamplight; &lt;br /&gt;she knows only her side of the pane. The porch &lt;br /&gt;where I stand is empty. Sunlight fades. I hear &lt;br /&gt;water run in the sink as she lowers her head, &lt;br /&gt;blind to the future. She does not imagine I exist.&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;I step forward for a better look and she dissolves &lt;br /&gt;into lumber and paint. A gate I passed through &lt;br /&gt;to the next life loses shape. Once more I stand &lt;br /&gt;squared into the present, among maple trees&lt;br /&gt;and scissor-tailed birds, in a garden, almost &lt;br /&gt;a mother to that faint, distant woman.&lt;/p&gt;
&lt;p&gt;American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of &lt;em&gt;Poetry&lt;/em&gt; magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Poem copyright &amp;copy;2010 by Denise Low, from her most recent book of poetry, &lt;em&gt;Ghost Stories of the New West&lt;/em&gt;, Woodley Memorial Press, 2010. Poem reprinted by permission of Denise Low and the publisher.
Introduction copyright &amp;copy; 2009 by The Poetry Foundation.  The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/AmericanLifeInPoetry/~4/PQj9fyoW5NQ" height="1" width="1"/&gt;</description>
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		<pubDate>Mon, 05 Dec 2011 00:00:00 GMT</pubDate>
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