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Reproduction in whole or in part without permission is prohibited.</p></div><a href="https://www.bonniercorp.com/brands/" class="iblock margin_horizontal"><svg class="logo_bonnier | block pointer"> <title>Bonnier Corporation</title><use xlink:href="/pf/resources/images/Bonnier_Corp.svg?d=240#Bonnier_Corp"></use></svg></a></div><div id="fusion-static-exit:0f7DwJxw7rJ" style="display:none"></div></footer></main></div><script type="application/javascript">window.Fusion=window.Fusion||{};Fusion.deployment='240';Fusion.arcSite='popphoto';Fusion.lastModified=1612023399081;Fusion.globalContent={"type":"results","version":"0.6.0","content_elements":[{"additional_properties":{"display_bottom_recirc":true,"display_off_ramp":true,"flag_gallery":true,"has_published_copy":true,"og:image":"https://www.popphoto.com/sites/popphoto.com/files/styles/opengraph_1_91x1/public/images/2017/03/struth_11431_z-pinch_plasma_lab.jpg?itok=VC8DRjJK","seo_url":"https://www.popphoto.com/node/615781/edit","status":true},"canonical_url":"/american-photo/thomas-struth-on-documenting-invisible-systems","canonical_website":"popphoto","content_elements":[{"_id":"T7RX2W23EHIZQHCKGACSRNHUBI","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/01._thomas_struth_great_armstrong_hangar_703_palmdale_2014.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/T7RX2W23EHIZQHCKGACSRNHUBI.jpg","published":true,"restricted":false,"subtitle_placement":"bottom","version":1,"width_type":"full-width"},"address":{},"alt_text":"© Thomas Struth","caption":"Armstrong Hangar 703, Palmdale, 2014. Chromogenic print, 187.4 x 330.2 cm.","created_date":"2019-01-18T14:32:30Z","credits":{"by":[{"name":"© Thomas Struth","type":"author"}]},"headlines":{"basic":"Great"},"height":1651,"label":{"basic":{"text":"Great"}},"last_updated_date":"2019-07-12T12:32:42Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{},"edit_url":"https://bonnier.arcpublishing.com/photo/T7RX2W23EHIZQHCKGACSRNHUBI","system":"Anglerfish"},"subheadlines":{"basic":"Great"},"subtitle":"Great","taxonomy":{"additional_properties":{}},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/T7RX2W23EHIZQHCKGACSRNHUBI.jpg","version":"0.9.0","width":2953},{"_id":"75TQIHV56BHGJHG5MLY7YP277I","content":"Though many artists seek to draw parallels among humans, the natural environment, and technology, few get quite the insider's view or present it in such a large scale as Berlin-based photographer Thomas Struth. In an attempt to open doors to the \"invisible\" systems upon which modern existence relies, the artist takes us inside robotics labs, Internet servers, and other technological spaces to show us how these complex manufactured landscapes are tied to human and natural existence in <em>Nature &amp; Politics</em>.","type":"text"},{"_id":"B3SRX36UVJAAPIXWYMHSOXOFRU","content":"The series is on display now as part of the inaugural programming at the Moody Center for the Arts at Rice University in Houston, Texas, which opened to the public on February 24 and calls itself an institution designed for “creating collaborative works of all kinds and presenting innovative, transdisciplinary experience.”","type":"text"},{"_id":"CSVP5ZUS5NGUREFLIE2AWSOOO4","content":"When we spoke to Struth he was preparing to address the Moody in a panel discussion along with Douglas Terrier, NASA Chief Technologist, and James Tour, the T.T. and W.F. Chao Professor of Chemistry and Professor of Materials Science and NanoEngineering and of Computer Science at Rice, both of whom work in the environments he photographs. Struth says that he was excited to talk about his work in the context of the Moody Center and the institution’s “open concept,” which he’s rarely encountered in a museum.","type":"text"},{"_id":"LBPS36YQUVA2RNG6VVX4M4NB6Q","content":"We spoke with him about how this work came to be and why it has an important place in contemporary politics.","type":"text"},{"_id":"QLU3VMMTKUHPWKOZMTKEONANCU","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/02._thomas_struth_seestuck_donghae_city_2007.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/QLU3VMMTKUHPWKOZMTKEONANCU.jpg","published":true,"restricted":false,"subtitle_placement":"bottom","version":1,"width_type":"full-width"},"address":{},"alt_text":"© Thomas Struth","caption":"Donghae City, 2007. Chromogenic print, 167.5 cm x 212.2 cm.","created_date":"2019-01-18T14:32:30Z","credits":{"by":[{"name":"© Thomas Struth","type":"author"}]},"headlines":{"basic":"Seestück"},"height":2303,"label":{"basic":{"text":"Seestück"}},"last_updated_date":"2019-07-12T13:05:56Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{},"edit_url":"https://bonnier.arcpublishing.com/photo/QLU3VMMTKUHPWKOZMTKEONANCU","system":"Anglerfish"},"subheadlines":{"basic":"Seestück"},"subtitle":"Seestück","taxonomy":{"additional_properties":{}},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/QLU3VMMTKUHPWKOZMTKEONANCU.jpg","version":"0.9.0","width":2953},{"_id":"PUKWSIW24NCJNP4JCRH3OSUEGA","content":"<strong>How do you think this work fits into the vision for the new Moody Center for the Arts?</strong>","type":"text"},{"_id":"XMI7JXV6FZDVZAUQQ3BCHURCWE","content":"The exhibition,<em>Nature and Politics</em>, comprises a body of 37 pictures. For the Moody, we're not showing the photos that were made at Disneyland in Anaheim, which show a twist of reality between what's real and what's of the imagination. They were four very large pictures and there wasn't enough room. I thought it would be interesting to show the works about technology exclusively.","type":"text"},{"_id":"VSITMWLTVNBNZHHWX4OPFJHFNE","content":"<strong>Gregory Harris, curator of the High Museum, <a href=\"http://www.americanphotomag.com/high-museum-is-first-in-us-to-exhibit-new-work-by-thomas-struth\">said of this series</a> that your photographs of advanced technology evolved out of your photographs of jungles. Can you explain what he might have meant by this?</strong>","type":"text"},{"_id":"4KKLB5DEBBCEJEPK3WASQBQOY4","content":"I think that’s a slight misinterpretation. I think I mentioned that, starting in the mid ’90s or so, when I traveled a lot in China, in some of my street pictures I started to become interested in multilayered subject matter. I was photographing very complex scenes and I was starting to look for bigger challenges. Photographing jungles came mostly from the desire to photograph something very complex that you wouldn’t be able to fully comprehend or fully read—and then I thought, okay, what subject matter might be fitting to use for this creation of such pictures? I thought about construction sites with scaffolding but that wasn’t so attractive because it related to too many different subjects. And then I thought forests would be good, but the forests in Germany would largely be pine trees with a lot of verticality. So I thought the jungle would be better, but it didn’t necessarily have to do with my interest in jungle structures. I had a lot of training in determining compositions of complicated structures (over a period of 12 years) and that helped me make decisions in photographing complex technological structures. But that’s a much different thing [than what he said].","type":"text"},{"_id":"H33WLBND6YPBUVB3XIOTDVC46Q","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/struth_11171_measuring.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/H33WLBND6YPBUVB3XIOTDVC46Q.jpg","published":true,"restricted":false,"subtitle_placement":"bottom","version":1,"width_type":"full-width"},"address":{},"alt_text":"© Thomas Struth","caption":"Helmholtz-Zentrum, Berlin, 2012. Chromogenic print, 241.9 x 336.7 cm.","created_date":"2019-01-18T14:32:30Z","credits":{"by":[{"name":"© Thomas Struth","type":"author"}]},"headlines":{"basic":"Measuring"},"height":2097,"label":{"basic":{"text":"Measuring"}},"last_updated_date":"2019-07-12T12:24:40Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{},"edit_url":"https://bonnier.arcpublishing.com/photo/H33WLBND6YPBUVB3XIOTDVC46Q","system":"Anglerfish"},"subheadlines":{"basic":"Measuring"},"subtitle":"Measuring","taxonomy":{"additional_properties":{}},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/H33WLBND6YPBUVB3XIOTDVC46Q.jpg","version":"0.9.0","width":2953},{"_id":"LDO3QAKOQRFI5JVGQCGFK2RNAI","content":"<strong>So what was the reason for it?</strong>","type":"text"},{"_id":"SS3JEPVSQNF5TFVYNKI5Z7IV3U","content":"The main incentive for me to start to look at technology was really along socio-political or anthropological lines. The contemporary world seeks to entangle itself with the fascination and promises of technology, and progressively invests less interest and commitment to the humanities. And then we begin to shift more of what we’re doing and what influences our lives to the invisible. Like, we’re using the phone over FaceTime, but few people who have used phones over the Internet have ever been to a server farm. The Internet by and large is invisible. I’m interested in trying to open some doors and see into what we’re doing and use my ability as an artist and one who is highly trained in the translation of the real world into condensed pictorial metaphors and emblematic representations of a kernel of a particular phenomenon through photographs.","type":"text"},{"_id":"3BOK4PVGRTL3TLVMQ3TYICNORQ","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/struth_11371_high_harmonic_generation_spectrometer.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3BOK4PVGRTL3TLVMQ3TYICNORQ.jpg","published":true,"restricted":false,"subtitle_placement":"bottom","version":1,"width_type":"full-width"},"address":{},"alt_text":"© Thomas Struth","caption":"Weizmann Institute, Rehovot, 2009. Inkjet print, 67.6 x 84.1 cm.","created_date":"2019-01-18T14:32:30Z","credits":{"by":[{"name":"© Thomas Struth","type":"author"}]},"headlines":{"basic":"High Harmonic Generator Spectrometer"},"height":2352,"label":{"basic":{"text":"High Harmonic Generator Spectrometer"}},"last_updated_date":"2019-07-12T12:32:13Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{},"edit_url":"https://bonnier.arcpublishing.com/photo/3BOK4PVGRTL3TLVMQ3TYICNORQ","system":"Anglerfish"},"subheadlines":{"basic":"High Harmonic Generator Spectrometer"},"subtitle":"High Harmonic Generator Spectrometer","taxonomy":{"additional_properties":{}},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3BOK4PVGRTL3TLVMQ3TYICNORQ.jpg","version":"0.9.0","width":2953},{"_id":"OLKI6MIOYZHAPAKREMCNBI5UBQ","content":"<strong>That’s quite a gift to us as viewers of your work, because like you said, we don’t have access to these systems we’re so entrenched in everyday. I’m wondering how that which we can’t see, including international politics, is entangled in the work you’re making?</strong>","type":"text"},{"_id":"UUR5U4SI5NDDPFG2WUPPXJT32M","content":"I was born in 1954 and I’m German—I was obviously born after the war but there’s still a certain inevitable responsibility and political awareness. But in my lifetime I’ve never been as worried about what’s going on as I’ve been in the last few years. Certainly with Brexit and Trump being elected the situation is even more intense. There’s also a strange contradiction in this country: America believes it’s dominant in everything—including the Internet and social media (or should I say asocial media?)—but this creates unique worries and the loss of the work environment that people were used to. It’s a bizarre dynamic of having a president like that now—someone I see as a pathological narcissist. It’s scary.","type":"text"},{"_id":"FAVKCDTWUFECLCJUT2E7B2LDBQ","content":"<strong>Do you see politics changing the way you might make work going forward?</strong>","type":"text"},{"_id":"SFOR2DPDLFHQPPBGTAVIR624UU","content":"It could very well change it. It certainly will have a kind of influence. I’m developing something new which I’ll show in New York in November. The way I work has much to do with identifying the reasons for why I should work. And from then on, it’s about what kind of pictorial imagination it creates, and in what ways that might be connected to my reasons for working.","type":"text"},{"_id":"ADUOYLDJFOZR4HQJBB7L33B6GY","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/struth_11431_z-pinch_plasma_lab.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ADUOYLDJFOZR4HQJBB7L33B6GY.jpg","published":true,"restricted":false,"subtitle_placement":"bottom","version":2,"width_type":"full-width"},"alt_text":"© Thomas Struth","caption":"Weizmann Institute, Rehovot, 2011. Inkjet print, 132.2 x 158.5 cm.","created_date":"2019-01-18T14:32:32Z","credits":{"by":[{"name":"© Thomas Struth","type":"author"}]},"headlines":{"basic":"Z-Pinch Plasma Lab"},"height":2439,"label":{"basic":{"text":"Z-Pinch Plasma Lab"}},"last_updated_date":"2019-07-12T12:45:27Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/ADUOYLDJFOZR4HQJBB7L33B6GY","source_id":"244050","source_type":"other","system":"Anglerfish"},"subheadlines":{"basic":"Z-Pinch Plasma Lab"},"subtitle":"Z-Pinch Plasma Lab","type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ADUOYLDJFOZR4HQJBB7L33B6GY.jpg","version":"0.9.0","width":2953},{"_id":"KBT57UAFSNFITJXJFMHYTS2CJI","content":"<strong>Throughout the years of photographing complicated manmade structures, natural landscapes, and humans, have you found that there is commonality among these subjects? Or is there a common thread in the way you’ve developed a visual language for portraying these different things?</strong>","type":"text"},{"_id":"TVWCIS65XRDO7MC5LRDJOG5TP4","content":"Yeah, I believe that with the distance that I now have from the bodies of work I’ve been making, I see that it represents different chapters of life. I see the city as an expression of the unconscious side of our existence. Cities are the results of decision-making, and all of the decision-making was made by humans and all of the unconscious impulses of what they like and what they don’t like and how they act and who they are—their personality and character. And so I became interested in the family and the inevitable gift you get when you’re born and the location and time in which you are born. The way I make a family picture in a half-composed setup is an acknowledgment of that idea. I don’t direct people. I just choose a frame and they can choose their place within it.","type":"text"},{"_id":"NSLIUUZCJVC4HBRHYGDSBWQKII","content":"The pictures of technology have to do with the mindset of entanglement and passions and failures—which are human phenomenons. When someone gets obsessed with something [technological], he can’t look at himself with perspective. There are a lot of human questions in the work.","type":"text"},{"_id":"YICPPHC6OJB5BEQITMX6ZZOXJE","content":"Most of these projects I started out of curiosity and I felt attracted to them, but then it became about what I just described. I started when I was 15 or 16, and it was then that I started to ask questions about who I was, who my parents were, and what was going on with the city I lived in. And then I started to travel and get a more international view and began to compare things and reflect on the narrative of the human theater in a way. And there’s a never-ending fascination.","type":"text"},{"_id":"KESBZSUN26V5M4E4YZ54EKTY4E","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/struth_11571_research_vehicle.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KESBZSUN26V5M4E4YZ54EKTY4E.jpg","published":true,"restricted":false,"subtitle_placement":"bottom","version":1,"width_type":"full-width"},"address":{},"alt_text":"© Thomas Struth","caption":"Armstrong Flight Research Center, Edwards, 2014. Inkjet print, 145.8 x 196.7 cm.","created_date":"2019-01-18T14:32:32Z","credits":{"by":[{"name":"© Thomas Struth","type":"author"}]},"headlines":{"basic":"Research Vehicle"},"height":2164,"label":{"basic":{"text":"Research Vehicle"}},"last_updated_date":"2019-07-12T12:46:47Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{},"edit_url":"https://bonnier.arcpublishing.com/photo/KESBZSUN26V5M4E4YZ54EKTY4E","system":"Anglerfish"},"subheadlines":{"basic":"Research Vehicle"},"subtitle":"Research Vehicle","taxonomy":{"additional_properties":{}},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KESBZSUN26V5M4E4YZ54EKTY4E.jpg","version":"0.9.0","width":2953},{"_id":"BSOT4KFQNBD6LN7FES4XRTWKB4","content":"<strong>It sounds optimistic in a way—that curiosity about life.</strong>","type":"text"},{"_id":"LTTFCZRIK5ENDJJDK7PK5AAK7Y","content":"I am not always a happy and jolly person, but by and large I always grant a certain optimism toward things and other people.","type":"text"},{"_id":"ZUFGIQ62XRBZHL4IEQGNGR7F5M","content":"To go back to the earlier conversation, as much as I’m afraid and worried about the election of DT, as I call him—my wife is American and I come to America very often, and I’ve had many conversations with people here—I’m hopeful for the capability of resistance and the defense of the positive things this country stands for. And by that, I don’t mean the tireless misuse of the word “freedom,” because often it’s used in a very superficial manner.","type":"text"},{"_id":"7VHVYDXC5JEUBBSNVNROYY5CGQ","content":"Nature & Politics <em>is on view at the Moody Center for the Arts through May 29.</em>","type":"text"},{"_id":"SPM6GLHHLKUNTBY7V5SGZEIUSM","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/03._thomas_struth_nature_politics.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/SPM6GLHHLKUNTBY7V5SGZEIUSM.jpg","published":true,"restricted":false,"subtitle_placement":"bottom","takenOn":"2015-05-16T10:39:58Z","version":1,"width_type":"full-width"},"address":{},"alt_text":"Nash Baker.","caption":"Thomas Struth, Nature & Politics at the Moody Center for the Arts","copyright":"©Nash Baker 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class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div> <p style=\" margin:8px 0 0 0; padding:0 4px;\"> <a href=\"https://www.instagram.com/p/BREkEodANWk/\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\">Over 100 gravestones were knocked over this weekend in what police consider an act of anti-Semitic vandalism at the Mount Carmel Jewish Cemetery in Philadephia. #igers_philly #hatecrimes #antisemitism #vandalism #cemetery #drone #aerial</a></p> <p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">A post shared by Charles Mostoller (@charlesmostoller) on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-28T22:02:07+00:00\">Feb 28, 2017 at 2:02pm PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"XYN6I6KND5FR5M36MJB7KVLANU","content":"When Philadelphia based photojournalist <a href=\"http://www.charlesmostoller.com/the-concrete-cowboys-of-philadelphia\">Charles Mostoller </a>heard news that a Jewish Cemetery close to home had been vandalized he knew that he had to document it. \n\"It's such an important story,\" he tells American Photo. \"Even if no one was sending me there, I just felt like I had to go.\"","type":"text"},{"_id":"PIXLW3P2P5FWZC6YFIR6B2WSIM","content":"Unfortunately, it took him a few days to make it to the scene. But, thanks to the use of a drone—which he’s primarily been using to capture geometric landscape of Philadelphia from above—he was able to capture the scope of the damage in a way that other photographers couldn’t.","type":"text"},{"_id":"L6D6Y5ANAZETZKCJFJGKCUTN3M","content":"Here, Mostoller speaks with us about why this gear was the right choice for the story.","type":"text"},{"_id":"AMGPNEBDPBHLZDC3T2NRS5K2FM","content":"<strong>At what point did you decide you wanted to photograph the toppled gravestones in Mount Carmel Jewish Cemetery from above?</strong>","type":"text"},{"_id":"32VAEI4PZ5BOFPY5JLA5TD3KVE","content":"I was going to go over the day after I heard about it, but I got pulled away for an assignment. On the 28, after people had already come and broken the news, I had a few hours before an assignment and I kept feeling drawn to get there.  I packed up a whole bunch of cameras: my drone, my SLR, a film panoramic camera. I didn’t really know what to expect. As I was walking around I could see that there were a lot of headstones that had been knocked down, but without a ladder I realized I was never going to be able to get more than a few in any individual picture. You couldn’t see more than a row or two in any direction.","type":"text"},{"_id":"JD56J6FWC5ETDNXBNNYNB3KPCM","content":"There were some people out there cataloging the damage, I photographed them and got some IDs, in case someone wanted to pick up anything later in the day. Then I went and got the drone. From having walked through it I knew where the area of the largest concentration was. It seemed to make perfect sense to me. The moment that I thought to use the drone I knew exactly what I wanted to do. Maybe 100-150 feet in the air, straight down and try to find the center of the highest concentration of knocked down grave stones.","type":"text"},{"_id":"6N3ZEO74RBBFRIWGBWVAUQGUUY","content":"<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div> <p style=\" margin:8px 0 0 0; padding:0 4px;\"> <a href=\"https://www.instagram.com/p/BREj_EbgFy7/\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\">Volunteers catalogue gravestones after over 100 gravestones were knocked over this weekend in what police consider an act of anti-Semitic vandalism at the Mount Carmel Jewish Cemetery in Philadephia. #igers_philly #hatecrimes #antisemitism #vandalism #cemetery</a></p> <p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">A post shared by Charles Mostoller (@charlesmostoller) on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-28T22:01:21+00:00\">Feb 28, 2017 at 2:01pm PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"VGBVL6GO7ZHGFICTUVAVI5GMVU","content":"<strong>Why do you think that the drone-perspective works for conveying a story like this one?</strong>","type":"text"},{"_id":"63Y27XAOMBF2ZK7WY72D42O654","content":"In general I like that perspective looking straight down from above because it is really one that we never get to see. A lot of times people use drones because they have a drone—not because the story necessarily warrants it. I feel like this is one of those cases, where the stars aligned to some degree, to be a shot that really called for a drone.","type":"text"},{"_id":"HCD5HI3ADZANZDK4VYWHRRB2RY","content":"I’m using a DJI Mavic Pro and its got a relatively narrow field of view. Its not as wide angle as our eyes or even a GoPro.  It’s a unique perspective—one that most humans have not experienced except for maybe in drone photos.  In this case, with the cemetery, the scale of it was pretty terrifyingly impressive. By the end of the day that I took that picture they had raised it from 100, to 150+ headstones that were knocked down. The combination of the uniqueness of the perspective—that draws people to the picture because they haven’t seen a picture like that before—and then the advantage of being really able to capture the scope of what had happened. It was one of those moments that the interesting aesthetic perspective of the drone and the necessities of documenting a journalistic assignment lined up.","type":"text"},{"_id":"DU7DGORUJVCKVJSKOQPIFYKSPE","content":"<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div> <p style=\" margin:8px 0 0 0; padding:0 4px;\"> <a href=\"https://www.instagram.com/p/BREjtngg_wi/\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\">Over 100 gravestones were knocked over this weekend in what police consider an act of anti-Semitic vandalism at the Mount Carmel Jewish Cemetery in Philadephia. #igers_philly #hatecrimes #antisemitism #vandalism #cemetery</a></p> <p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">A post shared by Charles Mostoller (@charlesmostoller) on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-28T21:58:58+00:00\">Feb 28, 2017 at 1:58pm PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"QPDCYN5TIRAWFMQ3F5HWBBOAAY","content":"<strong>Have you regularly been using the drone in a journalistic manner?</strong>","type":"text"},{"_id":"ZUBUFQC5BJHZ7B5LXEOHXNDPHA","content":"This is the first time where it was something that was more than just geometrically interesting. With a lot of my drone work I’m trying to look at the interaction between the man made environment and the natural environment and how those things ebb and flow and interact with one another and change over time. This isn’t really that. There have been a lot of anti-Semitic attacks here in Philadelphia. I think what I photographed is not an isolated incident.  I think a lot of people are looking at this picture and seeing the scope of it. We are at an important moment in our society right now where the people who have anti-Semitic or anti-Muslim or racist beliefs, for years have felt like they had to stay in the hidden corners of the internet. Now, it is much more out in the open. If there isn’t a concerted national discussion on this and a rejection of these views it could spread further. I’m glad that this simple act of throwing a drone over this to show the scope of it has really connected with a lot of people. People can see what is happening in this country—a lot of racists and anti-semitic beliefs are bubbling up to the surface again. The question for everyone is how are we going to deal with it.","type":"text"},{"_id":"5QAHQWNNQBFD5FD5QT5TJOIQOQ","content":"<strong>Would you like to try to use it for more journalistic purposes?</strong>","type":"text"},{"_id":"HDC757BYEFGN5KFEMW3WPHVCCI","content":"As long as the tool fits the story. A drone for a drones sake is not really a good idea, but when it fits the story, like this, absolutely.","type":"text"},{"_id":"XPYLPWQJYVCZFIEJD4DENPA7OY","content":"<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div> <p style=\" margin:8px 0 0 0; padding:0 4px;\"> <a href=\"https://www.instagram.com/p/BQgOtHNAhC3/\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\">Amphitheater with melting snow. #philly #philadelphia #aerial #drone #igers_philly</a></p> <p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">A post shared by Charles Mostoller (@charlesmostoller) on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-14T19:22:44+00:00\">Feb 14, 2017 at 11:22am PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"3EFLSO3RZJA5RCEYVPW2EVQPAE","content":"<strong>Changing gears a bit, do you use the drone for video too?</strong>","type":"text"},{"_id":"7QWLQXN3URFQDNKPQ6CH67DPL4","content":"I do shoot some video with it, but I prefer stills. I actually started shooting video with the drone, but found that I wasn’t getting a reel that interested me. it helped me learn how to use the controls of the drone, but I wasn’t proud of the work.","type":"text"},{"_id":"7BBKOR3H7VESXIO5MK3XS7T5HQ","content":"<strong>What was the learning curve like to learn to shoot with this tool?</strong>","type":"text"},{"_id":"LECMQ55JW5B4THAS42AAK4IRAQ","content":"Most of these drones will pretty much fly themselves—expect when they won’t. I think  the hardest learning curve of the drone is to hold yourself back and teach yourself how to fly this thing. There is a learning curve of the actual technological capacity. In the drones case, its the capability of you as a pilot, how well can you maneuver it.  I actually started with a  cheap 50 dollar plastic drone that had no sensors or anything—pretty much the moment you put it in the air it wants to fall out of the sky. I taught myself how to stabilize one of those and fly one of those in a very small, controlled area.  Part of it is having the patience to practice flying before I took it over locations where I would not want it to fall out of the sky. I think the other thing is that often you don’ really know what you are looking at until you are up there.","type":"text"},{"_id":"PZCWUPNV5NCWHIXF5QPP7YGBHA","content":"<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div> <p style=\" margin:8px 0 0 0; padding:0 4px;\"> <a href=\"https://www.instagram.com/p/BQN5f-pAj4s/\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\">Junkyard. #philadelphia #igers_philly  #aerial #drone #junkyard #scrap</a></p> <p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">A post shared by Charles Mostoller (@charlesmostoller) on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-07T16:31:07+00:00\">Feb 7, 2017 at 8:31am PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"HDXDRP2GYBEMVK5BC4SJTLW7OM","content":"<strong>Has using a drone changed the way you think in terms of your photography—does image framing change for you?</strong>","type":"text"},{"_id":"CA4Q62JD2RGCTPQGJY2ZGYYBK4","content":"Definitely. I tend to think of it in a very graphic sense. I do try to impose some amount of rectilinear organization on it, which can be hard because the world is not always straight lines from the sky. It’s almost like a modern painting. You’re trying to move ever so slightly and see the things come together—sometimes they are straight lines and sometimes they are curves or angles. I’m thinking of it from a more geometric perspective then I do when I’m normally shooting and thinking about emotion and interaction between things in the frame.","type":"text"},{"_id":"CRIUYPPKNBDKLM2BXFBNBZTFP4","content":"<strong>When you have the drone in the sky are you spending more time composing or shooting?</strong>","type":"text"},{"_id":"OUV5SSDIXVBQ5FW2YY4QJZRRE4","content":"Composing. On a small flight, over the cemetery, in terms of unique shots, I took probably three. I found the spot I wanted and I took maybe 40 shots—slightly reframing, twisting a little here, including the path on the left or the fence on the right. The slightest maneuver of focusing can change it too. In any location where I fly the drone up I’m probably only going to come back with a whole bunch of versions of one shot where I’m working on different variations within the frame. There is not that much that you can do in terms of cropping and readjusting if things are a little bit wacky.","type":"text"}],"created_date":"2019-01-18T14:34:25.695Z","credits":{"by":[{"_id":"DKRCJSO3PJAHZEHTLG4MJTDXJE","additional_properties":{"original":{"_id":"DKRCJSO3PJAHZEHTLG4MJTDXJE","awards":[],"bio_page":"https://www.popphoto.com/authors/jeanette-d-moses","books":[],"byline":"Jeanette D. Moses","education":[],"firstName":"Jeanette D.","lastName":"Moses","last_updated_date":"2018-11-20T17:40:04.005Z","name":"Jeanette D. 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The child had otitis due to improper bathing. According to Eurostat data, with an infant mortality rate of 8.4 deaths per 1,000 live births in 2014, Romania ranks first among European countries (the EU rate is 3.7). Gangiova, Romania, Aug. 18, 2016. “Good day, doctor! Good evening, doctor”, voices of people of all ages greet her kindly as Floarea Ciupitu walks around the village. At 61 she has been a family doctor serving Gangiova, a village in south-west Romania for the past three decades. Ciupitu oversees roughly 1700 registered patients. On week days she sleeps above her practice in a tiny room, on an old hospital bed. At night, a tiny flashlight guides her way one store up to her modest accommodation, no electricity on the staircase. Romania has a population of almost 20 million. Doctors in rural areas are outnumbered by peers in cities two to one, while half of the population lives in the countryside. The healthcare sector is overrun with crises and never ending problems. In 27 years since the anticommunist revolution of 1989 the country has had at least 25 health ministers take office. Doctors, especially younger ones, are fleeing the country in search of better work conditions and career opportunities. The Romanian Health Ministry states there is a severe doctors shortage. While things may look a little better in the city, Romania's villages are plagued with a lack of access to healthcare. Family doctors are often overworked having to care for a larger number of patients than the recommended average. Ciupitu is living proof that, despite all the difficulties and the problems in a flawed system, there still are doctors who commit to their patients. She stands to help remember that being a doctor is a calling.","copyright":"© Ioana Moldovan, Romania, Shortlist, Professional, Daily Life, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:43Z","credits":{"by":[{"name":"© Ioana Moldovan","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:38:43Z","licensable":false,"owner":{"id":"bonnier"},"slug":"A country doctor and her calling","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/Q63N2EUJUUGNRZXJGW3F5CTKCQ","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/Q63N2EUJUUGNRZXJGW3F5CTKCQ.jpg","version":"0.9.0","width":1500},{"_id":"3PSX7IZVLPMH22UJMBUARW6ORY","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/sf_6_uJ3ZyLLSe75Z-QW_3dwPwA=/arc-anglerfish-arc2-prod-bonnier/public/3PSX7IZVLPMH22UJMBUARW6ORY.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1343_5_2735_asgerladefoged_denmark_professional_dailylife_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3PSX7IZVLPMH22UJMBUARW6ORY.jpg","proxyUrl":"/photo/resize/sf_6_uJ3ZyLLSe75Z-QW_3dwPwA=/arc-anglerfish-arc2-prod-bonnier/public/3PSX7IZVLPMH22UJMBUARW6ORY.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/sf_6_uJ3ZyLLSe75Z-QW_3dwPwA=/arc-anglerfish-arc2-prod-bonnier/public/3PSX7IZVLPMH22UJMBUARW6ORY.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-10-07T12:07:42Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Asger Ladefoged","caption":"What happens, when 28 schoolchildren meet the controversial Danish therapist Carl-Mar Møller and are encouraged to play freely without rules? A sixth grade class from Øster Farimagsgade, a School in Copenhagen has done it twice. They went from the posh part of central Copenhagen to muddy wildness in Kokkedal, Denmark. There is only one rule at Carl-Mar Møllers place: No shoes inside. So nobody interfered with the pillowfight in the dormitory. Everything was in play and all involved left the fight exhausted and smiling.","copyright":"© Asger Ladefoged, Denmark, Shortlist, Professional, Daily Life, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Asger Ladefoged","type":"author"}]},"height":1001,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Alternative teaching ","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/3PSX7IZVLPMH22UJMBUARW6ORY","system":"Anglerfish"},"subtitle":"6. x på Lejrtur \r","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3PSX7IZVLPMH22UJMBUARW6ORY.jpg","version":"0.9.0","width":1500},{"_id":"FJJMGBCW5TP2QUGYRCH7DA4QPM","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/l39k3JXjv8cW2sfPUgRneaR-aps=/arc-anglerfish-arc2-prod-bonnier/public/FJJMGBCW5TP2QUGYRCH7DA4QPM.jpg","galleries":[],"iptc_source":"Frederik Buyckx","iptc_title":"Photographer","keywords":["albania","diber region","doda's castle","mount korabi","mountains","traditional life"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1351_4_2793_frederikbuyckx_belgium_professional_landscape_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/FJJMGBCW5TP2QUGYRCH7DA4QPM.jpg","proxyUrl":"/photo/resize/l39k3JXjv8cW2sfPUgRneaR-aps=/arc-anglerfish-arc2-prod-bonnier/public/FJJMGBCW5TP2QUGYRCH7DA4QPM.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/l39k3JXjv8cW2sfPUgRneaR-aps=/arc-anglerfish-arc2-prod-bonnier/public/FJJMGBCW5TP2QUGYRCH7DA4QPM.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2015-12-21T15:11:59Z","version":0,"width_type":"full-width"},"address":{"region":"Diber Region","street_address":"Kalaja e dodes"},"alt_text":"© Frederik Buyckx","caption":"There is a peculiar transformation of nature when winter comes, when snow and ice start to dominate the landscape and when humans and animals have to deal with the extreme weather. The series investigates this struggle against disappearance. The struggle against a whiteout. These photos were made in the Balkans, Scandinavia and Central Asia; remote areas where people often live in isolation and in close contact with nature. A harsh existence, fighting against superhuman forces.","copyright":"© Frederik Buyckx, Belgium, Shortlist, Professional, Landscape, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"affiliation":[{"name":"Frederik Buyckx","type":"author"}],"by":[{"name":"© Frederik Buyckx","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Whiteout","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/FJJMGBCW5TP2QUGYRCH7DA4QPM","system":"Anglerfish"},"subtitle":"Doda's Castle","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/FJJMGBCW5TP2QUGYRCH7DA4QPM.jpg","version":"0.9.0","width":1500},{"_id":"ZLRJRFUJ3EFVXTT7KMSTGG5GVA","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/8DnZafvnfJQErS6kuoD0XdK6Jwg=/arc-anglerfish-arc2-prod-bonnier/public/ZLRJRFUJ3EFVXTT7KMSTGG5GVA.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1357_1_2839_dinokuznik_slovenia_professional_landscape_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ZLRJRFUJ3EFVXTT7KMSTGG5GVA.jpg","proxyUrl":"/photo/resize/8DnZafvnfJQErS6kuoD0XdK6Jwg=/arc-anglerfish-arc2-prod-bonnier/public/ZLRJRFUJ3EFVXTT7KMSTGG5GVA.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/8DnZafvnfJQErS6kuoD0XdK6Jwg=/arc-anglerfish-arc2-prod-bonnier/public/ZLRJRFUJ3EFVXTT7KMSTGG5GVA.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Dino Kuznik","caption":"I found the parking lot at Monument Valley Navajo Tribal Park Visitor Center way more interesting than the actual Monument Valley.","copyright":"© Dino Kuznik, Slovenia, Shortlist, Professional, Landscape, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Dino Kuznik","type":"author"}]},"height":1125,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Arizona Pastels","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/ZLRJRFUJ3EFVXTT7KMSTGG5GVA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ZLRJRFUJ3EFVXTT7KMSTGG5GVA.jpg","version":"0.9.0","width":1500},{"_id":"JQSQM5O6C7BEJJKXZDJOZUUFFM","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/3lMRQ3GkC2dz6c7V2qOeKa7pDjY=/arc-anglerfish-arc2-prod-bonnier/public/JQSQM5O6C7BEJJKXZDJOZUUFFM.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1365_1_2911_yuanpeng_china_professional_sport_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/JQSQM5O6C7BEJJKXZDJOZUUFFM.jpg","proxyUrl":"/photo/resize/3lMRQ3GkC2dz6c7V2qOeKa7pDjY=/arc-anglerfish-arc2-prod-bonnier/public/JQSQM5O6C7BEJJKXZDJOZUUFFM.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/3lMRQ3GkC2dz6c7V2qOeKa7pDjY=/arc-anglerfish-arc2-prod-bonnier/public/JQSQM5O6C7BEJJKXZDJOZUUFFM.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2013-07-06T09:21:57Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Yuan Peng","caption":"This series was taken in a sports school in Jining, in Shandong province, China. Liu Bingqing and Liu Yujie are twin sisters, who have liked gymnastics since their childhood. They have studied, trained and grown up here.","copyright":"© Yuan Peng, China, Shortlist , Professional, Sport, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Yuan Peng","type":"author"}]},"height":1035,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"The twins' gymnastics dream","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/JQSQM5O6C7BEJJKXZDJOZUUFFM","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/JQSQM5O6C7BEJJKXZDJOZUUFFM.jpg","version":"0.9.0","width":1500},{"_id":"RTFLN3MTJ2WWJWRGQ6XTZUEMEM","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/T9ref-ZyJ5MtAsEWbNa-2j7TsrQ=/arc-anglerfish-arc2-prod-bonnier/public/RTFLN3MTJ2WWJWRGQ6XTZUEMEM.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1369_3359_eduardkorniyenko_russianfederation_professional_sport_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/RTFLN3MTJ2WWJWRGQ6XTZUEMEM.jpg","proxyUrl":"/photo/resize/T9ref-ZyJ5MtAsEWbNa-2j7TsrQ=/arc-anglerfish-arc2-prod-bonnier/public/RTFLN3MTJ2WWJWRGQ6XTZUEMEM.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/T9ref-ZyJ5MtAsEWbNa-2j7TsrQ=/arc-anglerfish-arc2-prod-bonnier/public/RTFLN3MTJ2WWJWRGQ6XTZUEMEM.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Eduard Korniyenko","caption":"In the Soviet era, the sport of bodybuilding was not welcomed by official institutions, as opposed to weight lifting, which was judged acceptable and included in the Olympic program. But people everywhere, from small towns in the far North-East to Siberia, Moscow and even the foot of the Caucasus Mountains, persisted in going to the \"sweat box\" gyms in cellars, to \"build a body.\" Western magazines crammed with images of unrealistically muscled male and female bodies passed from hand to hand and an additional impetus to this semi-legal sport came with the growth of Arnold Schwarzenegger's popularity. Today, with the ban lifted, bodybuilding’s popularity has not diminished. The only difference is that some of the clubs have moved from their old basements into modern fitness centres, although the basement scene remains. A couple of times a year the participants climb the podium during various amateur and even professional tournaments. Here you can meet anyone; tax inspectors and businessmen, housewives and popular TV presenters. Regardless of social status, or whether you live in a small town in the centre of Siberia, or in a big city, the only important thing for these people is making their bodies look perfect, and being admired by others.","copyright":"© Eduard Korniyenko, Russian Federation, Shortlist, Professional, Sport, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Eduard Korniyenko","type":"author"}]},"height":1003,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Pumping iron in Russia","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/RTFLN3MTJ2WWJWRGQ6XTZUEMEM","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/RTFLN3MTJ2WWJWRGQ6XTZUEMEM.jpg","version":"0.9.0","width":1500},{"_id":"7CFIQJSHOWSCTWXGUBXYG5ZMHA","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/9l6HvRwCWxLDJv4qobDSIbJYY-s=/arc-anglerfish-arc2-prod-bonnier/public/7CFIQJSHOWSCTWXGUBXYG5ZMHA.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1373_5_2991_maheshshantaram_india_professional_portraitureprofessional_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/7CFIQJSHOWSCTWXGUBXYG5ZMHA.jpg","proxyUrl":"/photo/resize/9l6HvRwCWxLDJv4qobDSIbJYY-s=/arc-anglerfish-arc2-prod-bonnier/public/7CFIQJSHOWSCTWXGUBXYG5ZMHA.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/9l6HvRwCWxLDJv4qobDSIbJYY-s=/arc-anglerfish-arc2-prod-bonnier/public/7CFIQJSHOWSCTWXGUBXYG5ZMHA.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-03-10T23:08:16Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Mahesh Shantaram","caption":"Anywhere in the world, it takes a black person to tell us what racism really feels like. On January 31st, 2016, India woke up to yet another news of a shocking mob attack against a Tanzanian student. This particular one was appalling enough to earn international press and force the nation into a period of soul-searching. Since the incident, I've been traveling across the country to meet Africans and learn about their experiences. I make portraits as a personal response to give them recognition. Hamza came all the way from Nigeria to study human rights in India. This I found surprising. I didn't know one could study that subject here except perhaps to study its spectacular absence. Hamza is by far the most sensitive guy I've ever met on this tour of Africans in India. When I asked to photograph him in his wallpapered dwelling, he requested that he be joined by his love, Shukura, a student of nursing. He says of this relationship, \"Thank you for being patient with me. Together we can prove those bitches wrong.\"","copyright":"© Mahesh Shantaram, India, Shortlist, Professional, Portraiture, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:45Z","credits":{"by":[{"name":"© Mahesh Shantaram","type":"author"}]},"height":1125,"last_updated_date":"2019-05-04T02:38:45Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Racism in India: The African Portraits","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/7CFIQJSHOWSCTWXGUBXYG5ZMHA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/7CFIQJSHOWSCTWXGUBXYG5ZMHA.jpg","version":"0.9.0","width":1500},{"_id":"KEWIAU3KTU46VPKRCROCEHH5YU","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/nPSanRLcTZOCtgi4tmOAmHmw1dE=/arc-anglerfish-arc2-prod-bonnier/public/KEWIAU3KTU46VPKRCROCEHH5YU.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1381_3_3055_dariomitidieri_italy_professional_portraitureprofessional_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KEWIAU3KTU46VPKRCROCEHH5YU.jpg","proxyUrl":"/photo/resize/nPSanRLcTZOCtgi4tmOAmHmw1dE=/arc-anglerfish-arc2-prod-bonnier/public/KEWIAU3KTU46VPKRCROCEHH5YU.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/nPSanRLcTZOCtgi4tmOAmHmw1dE=/arc-anglerfish-arc2-prod-bonnier/public/KEWIAU3KTU46VPKRCROCEHH5YU.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2015-12-14T13:31:54Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Dario Mitidieri","caption":"March 2017 will mark the sixth anniversary of the beginning of the war in Syria. More than 470,000 people have died since. In all, 11.5% of the country’s population have either been killed or injured. 45% of the population have been displaced, 6.36 million internally and 4.8 million abroad. This is the biggest humanitarian emergency of our era.  Lost Family Portraits aims to tell the story of those who have lost family members in the Syrian war, and who have made their way to the refugee camps in the Bekaa Valley, Lebanon. The empty chairs or spaces in the photographs symbolize the missing family members. Lost Families Portraits is a reminder of the of the destructive power that war has over families. It is also a testimony to the 1.5 million refugees who are left behind in Lebanon, who cannot afford to buy their way into Europe and who have nothing to go back to. OWAYED'S FAMILY - \"I was forced to leave my 4 sons behind. I was getting WhatsApp messages from them, but one day they stopped.”","copyright":"© Dario Mitidieri, Italy, Shortlist, Professional, Portraiture, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:45Z","credits":{"by":[{"name":"© Dario Mitidieri","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:38:45Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Lost Family Portraits","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/KEWIAU3KTU46VPKRCROCEHH5YU","system":"Anglerfish"},"subtitle":"LOST FAMILY PORTRAITS","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KEWIAU3KTU46VPKRCROCEHH5YU.jpg","version":"0.9.0","width":1500},{"_id":"36JFEC4MK2WW2FMEJY4ROTJUSI","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/azgvD_tb8cZwQ01_OzAxzp1y9NI=/arc-anglerfish-arc2-prod-bonnier/public/36JFEC4MK2WW2FMEJY4ROTJUSI.jpg","galleries":[],"keywords":["amazing","animals","baja california","cabo pulmo","diving","fish","marine park","méxico","nature","ocean","photography","protected area","school","scuba","sea","sea of cortez","snorkel","swimming","travel","turism","underwater","wild"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1385_1_3083_christianvizl_mexico_professional_naturalworld_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/36JFEC4MK2WW2FMEJY4ROTJUSI.jpg","proxyUrl":"/photo/resize/azgvD_tb8cZwQ01_OzAxzp1y9NI=/arc-anglerfish-arc2-prod-bonnier/public/36JFEC4MK2WW2FMEJY4ROTJUSI.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/azgvD_tb8cZwQ01_OzAxzp1y9NI=/arc-anglerfish-arc2-prod-bonnier/public/36JFEC4MK2WW2FMEJY4ROTJUSI.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-10-19T13:12:55Z","version":0,"width_type":"full-width"},"address":{"locality":"Sea of Cortez","region":"Baja California","street_address":"Cabo Pulmo"},"alt_text":"© Christian Vizl","caption":"Mexico, Baja California, Sea of Cortez. A big school of Jacks forming a ceiling found at the protected marine area of Cabo Pulmo.","copyright":"© Christian Vizl, Mexico, Shortlist, Professional, Natural World, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Christian Vizl","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Silent Kingdom","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/36JFEC4MK2WW2FMEJY4ROTJUSI","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/36JFEC4MK2WW2FMEJY4ROTJUSI.jpg","version":"0.9.0","width":1500},{"_id":"ZCCG5WY4WP65AJ3RWSUVHSFTYQ","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/UFbD7qJ-SfzyetD9mQT0Zzu1Mz8=/arc-anglerfish-arc2-prod-bonnier/public/ZCCG5WY4WP65AJ3RWSUVHSFTYQ.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1387_4_3101_tommasorada_italy_professional_naturalworld_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ZCCG5WY4WP65AJ3RWSUVHSFTYQ.jpg","proxyUrl":"/photo/resize/UFbD7qJ-SfzyetD9mQT0Zzu1Mz8=/arc-anglerfish-arc2-prod-bonnier/public/ZCCG5WY4WP65AJ3RWSUVHSFTYQ.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/UFbD7qJ-SfzyetD9mQT0Zzu1Mz8=/arc-anglerfish-arc2-prod-bonnier/public/ZCCG5WY4WP65AJ3RWSUVHSFTYQ.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-06-25T00:00:00Z","version":0,"width_type":"full-width"},"address":{"locality":"Porto","region":"Porto"},"alt_text":"© Tommaso Rada","caption":"Natural History Museum, Porto, Portugal. Stuffed deers have been covered with plastic during the construction works inside the Natural History Museum of Porto. During the renovation of the museum the equilibrium and the magic of the Museum changed: the animals and the objects gained a new and bizarre life. Displaced from their defined position and out from the staged environment created for the display, they became strange objects, weird creatures inhabiting the space abandoned by the guards of the buildings. The image has been scanned from negative.","copyright":"© Tommaso Rada, Italy, Shortlist, Professional, Natural World, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Tommaso Rada","type":"author"}]},"height":1220,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Anatomy of a Museum","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/ZCCG5WY4WP65AJ3RWSUVHSFTYQ","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ZCCG5WY4WP65AJ3RWSUVHSFTYQ.jpg","version":"0.9.0","width":1500},{"_id":"LIQLOEGQ2FHDGKJ22TXIGSDJTE","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/9GhmtsOWTZodNY2AYA3qmYltuCs=/arc-anglerfish-arc2-prod-bonnier/public/LIQLOEGQ2FHDGKJ22TXIGSDJTE.jpg","galleries":[],"iptc_title":"Photographer","keywords":["@spq","es","mm8391","p1.c1.framework.collections.list`1[system.string]","proj:3rd shipment","sh3_mediagrid","suite:rewilding panda_mm8391"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1389_4_3115_amivitale_unitedstatesofamerica_professional_naturalworld_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/LIQLOEGQ2FHDGKJ22TXIGSDJTE.jpg","proxyUrl":"/photo/resize/9GhmtsOWTZodNY2AYA3qmYltuCs=/arc-anglerfish-arc2-prod-bonnier/public/LIQLOEGQ2FHDGKJ22TXIGSDJTE.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/9GhmtsOWTZodNY2AYA3qmYltuCs=/arc-anglerfish-arc2-prod-bonnier/public/LIQLOEGQ2FHDGKJ22TXIGSDJTE.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2015-10-24T13:59:11Z","version":0,"width_type":"full-width"},"address":{"locality":"Ya'an City","region":"Sichuan Province","street_address":"Bifengxia"},"alt_text":"© Ami Vitale","caption":"Seen by few, but beloved by billions, the giant panda is one of the most recognized animals on the planet. It’s hard to imagine, but these animals, who roamed the earth for eight million years, were only discovered in the last century. Unknown, and hidden from the western world for millions of years, even today they are seen by few but known by most everyone. Found only in central China, the entire species came dangerously close to extinction. Scientists considered the giant panda a relic species; shy, and difficult to breed in captivity. But now there is a glimmer of hope, as years of research are finally paying off. In a region where bad environmental news is common, China cracked the code and is on its way to successfully saving its most famous ambassador. The giant panda was recently taken off the endangered species list! A cub gets weighed at Bifengxia. In the wild, once they’ve grown to adulthood, female pandas may weigh up to 220 pounds and males up to 250 pounds, and they’ll range from four to six feet long.","copyright":"© Ami Vitale, United States of America, Shortlist, Professional, Natural World, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:45Z","credits":{"affiliation":[{"name":"Ami Vitale","type":"author"}],"by":[{"name":"© Ami Vitale","type":"author"}]},"height":998,"last_updated_date":"2019-05-04T02:38:45Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Pandas Gone Wild","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/LIQLOEGQ2FHDGKJ22TXIGSDJTE","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/LIQLOEGQ2FHDGKJ22TXIGSDJTE.jpg","version":"0.9.0","width":1500},{"_id":"U3AOQUKCYAXWJA326YXMC7XMNQ","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/_F0gl7eBegSoaEsElc513b3V3X4=/arc-anglerfish-arc2-prod-bonnier/public/U3AOQUKCYAXWJA326YXMC7XMNQ.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1405_5_3257_granthegedus_unitedkingdom_professional_stilllifeprofessional_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/U3AOQUKCYAXWJA326YXMC7XMNQ.jpg","proxyUrl":"/photo/resize/_F0gl7eBegSoaEsElc513b3V3X4=/arc-anglerfish-arc2-prod-bonnier/public/U3AOQUKCYAXWJA326YXMC7XMNQ.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/_F0gl7eBegSoaEsElc513b3V3X4=/arc-anglerfish-arc2-prod-bonnier/public/U3AOQUKCYAXWJA326YXMC7XMNQ.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-04-26T21:57:30Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Grant Hegedus","caption":"This series shows what happens when you take the names of meals in a literal sense. It shows you what happens when you begin to look at the language surrounding food in a comedic way, therefore transforming what the names of the meals and foods are in to what they literally describe and making them come alive as a physical form. Above is Bangers and Mash.","copyright":"© Grant Hegedus, United Kingdom, Shortlist, Professional, Still Life (professional), 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Grant Hegedus","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Food Puns","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/U3AOQUKCYAXWJA326YXMC7XMNQ","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/U3AOQUKCYAXWJA326YXMC7XMNQ.jpg","version":"0.9.0","width":1500},{"_id":"NVH2C7UUUFGIVG54LHLNOQFXBA","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/pndK00IrLiO3E6WwiHU_Jf9xY9Q=/arc-anglerfish-arc2-prod-bonnier/public/NVH2C7UUUFGIVG54LHLNOQFXBA.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1225_1893_dongni-_china_professional_architectureprofessional_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/NVH2C7UUUFGIVG54LHLNOQFXBA.jpg","proxyUrl":"/photo/resize/pndK00IrLiO3E6WwiHU_Jf9xY9Q=/arc-anglerfish-arc2-prod-bonnier/public/NVH2C7UUUFGIVG54LHLNOQFXBA.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/pndK00IrLiO3E6WwiHU_Jf9xY9Q=/arc-anglerfish-arc2-prod-bonnier/public/NVH2C7UUUFGIVG54LHLNOQFXBA.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Dongni","caption":"A variety of urban form and minimalist architecture breaks the old structure, splitting it into triangles, squares and diamond shapes, refracting a new living style on extant spatial structures. Demonstrating a free use of the language of visual forms, it appears like a game, similar to Goldbach's conjecture; the destruction of the ossified template of the city, a visual exploration of breaking the rules. In a spatial context, when we ignore the aesthetics of the city, ignore the rules and celebrate the deconstruction and reconstruction of the urban space, the space itself gives us more control and adds more joy to the city.","copyright":"© Dongni -, China, Shortlist, Professional, Architecture (professional), 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Dongni","type":"author"}]},"height":803,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"space&city","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/NVH2C7UUUFGIVG54LHLNOQFXBA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/NVH2C7UUUFGIVG54LHLNOQFXBA.jpg","version":"0.9.0","width":1500},{"_id":"PKZNIS4B73GAURMVFBQDZTBFQ4","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/0ALwWHY5lMZ0maZPau0VbRbop8E=/arc-anglerfish-arc2-prod-bonnier/public/PKZNIS4B73GAURMVFBQDZTBFQ4.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1243_2_2041_diegomayon_italy_professional_architectureprofessional_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/PKZNIS4B73GAURMVFBQDZTBFQ4.jpg","proxyUrl":"/photo/resize/0ALwWHY5lMZ0maZPau0VbRbop8E=/arc-anglerfish-arc2-prod-bonnier/public/PKZNIS4B73GAURMVFBQDZTBFQ4.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/0ALwWHY5lMZ0maZPau0VbRbop8E=/arc-anglerfish-arc2-prod-bonnier/public/PKZNIS4B73GAURMVFBQDZTBFQ4.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-12-21T20:03:33Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Diego Mayon","caption":"Prostitution is legal in Greece and the authorities decided to stipulate that all brothels must have permits. There are different kind of brothels, the upper class ones are called Studio. The difference from the normal brothels are the buildings, more discreet, the attitude of the prostitutes, more polite, and the price, obviously higher.\nA person welcomes the clients and once inside there is a waiting room where the girls available come out to show themselves. At this point the clients decide whether to stay or to leave. These brothels are recognizable by a pink light sign with the word Studio.","copyright":"© Diego Mayon, Italy, Shortlist, Professional, Architecture (professional), 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Diego Mayon","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"ATHENS STUDIO","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/PKZNIS4B73GAURMVFBQDZTBFQ4","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/PKZNIS4B73GAURMVFBQDZTBFQ4.jpg","version":"0.9.0","width":1500},{"_id":"D7ANG52FCBAYSI4FR4TO7SHFBA","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/tUNeuxc2mU8Y5EFCmQJ49DZYn4M=/arc-anglerfish-arc2-prod-bonnier/public/D7ANG52FCBAYSI4FR4TO7SHFBA.jpg","galleries":[],"keywords":["chat studio","digital","digital technology","digitale","europa","europe","ict","live chat studio","lorenzo maccotta","romania","seso","sessualità","sex","sexuality","technology","tecnologia","tecnologia digitale","web cam girl","web cam girl industry"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1261_4_2221_lorenzomaccotta_italy_professional_contemporaryissues_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/D7ANG52FCBAYSI4FR4TO7SHFBA.jpg","proxyUrl":"/photo/resize/tUNeuxc2mU8Y5EFCmQJ49DZYn4M=/arc-anglerfish-arc2-prod-bonnier/public/D7ANG52FCBAYSI4FR4TO7SHFBA.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/tUNeuxc2mU8Y5EFCmQJ49DZYn4M=/arc-anglerfish-arc2-prod-bonnier/public/D7ANG52FCBAYSI4FR4TO7SHFBA.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-04-05T23:09:50Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Lorenzo Maccotta","caption":"Bucharest, Romania, April 2016: A 33-year-old cam model after his day shift in a room at Studio N2. The adult webcam industry is worth $1 billion annually, and is growing fast as the technology becomes better and cheaper.  Collectively, the sites are estimated to be visited daily by some 5 percent of the web's global users and the number of models performing live online shows from private apartments or from specialized studios is increasing worldwide. Romania, a country with one of the highest rates of youth unemployment in the EU, is now the undisputed world capital of studio-based cam operations, thanks to widespread wireless broadband access. The industry has grown substantially since 2001, and most major Romanian cities now count hundreds of facilities offering English-speaking male and female models—most in their twenties—fast internet connections, high definition webcams and decorated rooms where they can turn into the virtual best friends and cybersex partners of paying clients, mostly from North America, but also from European and Asian countries. In exchange for the workspace, the studios take a percentage of the models’ pay—which can reach $48,000 per month. The models are paid by platforms like Luxembourg-based LiveJasmine, one of the leading providers, ranking as the 103rd most popular site in the world and, with 25 million unique visitors monthly, the 80th most visited site in the USA.","copyright":"© Lorenzo Maccotta, Italy, Shortlist, Professional, Contemporary Issues, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Lorenzo Maccotta","type":"author"}]},"height":2000,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Live chat studio industry","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/D7ANG52FCBAYSI4FR4TO7SHFBA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/D7ANG52FCBAYSI4FR4TO7SHFBA.jpg","version":"0.9.0","width":1599},{"_id":"52FGN6NIN2BVLQPWEREUFWAZDM","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/ByDxU1GAXWC6nRNj4D4jzVWD95A=/arc-anglerfish-arc2-prod-bonnier/public/52FGN6NIN2BVLQPWEREUFWAZDM.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1263_9_2245_tasneemalsultan_saudiarabia_professional_contemporaryissues_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/52FGN6NIN2BVLQPWEREUFWAZDM.jpg","proxyUrl":"/photo/resize/ByDxU1GAXWC6nRNj4D4jzVWD95A=/arc-anglerfish-arc2-prod-bonnier/public/52FGN6NIN2BVLQPWEREUFWAZDM.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/ByDxU1GAXWC6nRNj4D4jzVWD95A=/arc-anglerfish-arc2-prod-bonnier/public/52FGN6NIN2BVLQPWEREUFWAZDM.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2015-10-29T05:39:58Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Tasneem Alsultan","caption":"\"I married my dental college classmate. Sharing two children and a happy marriage, we finally decided to buy our dream house. Two days before signing the lease, he died in a motorcycle accident. Then, my father died. I was legally required to have a male guardian. I now wait for my son to turn 16 to take that role. Until then, my step brother decides on my behalf.\" Whilst Saudi Arabia is an international symbol of Islam, many Saudis would agree that there's a strong disconnect between the Qur'an and local traditions. I wanted to answer question that many shared: Do we need marriage to signify that we have love? Do you need a husband to have a significant life? I started the project thinking I only had my personal story to share. I was married at the age of 17, and living separately as a single parent for the last six years of an unhappy 10 year marriage. Many family members commented on how foolish I was to ask for a divorce. Only later, I realized that there were many Saudi women who had similar experiences, beyond my expectations of a typical Saudi housewife. With each story, I found more women sharing complex marriage theories and experiences. I followed the stories of widows, happily married, and divorced women. I explored the concept of love, photographing my young daughter and grandmother. Utilizing imagery (with permission from those weddings I photographed) I interlaced the construction and expectation of marriage through often elaborate wedding ceremony imagery and rituals. A common realization with every woman I photographed, was that they all managed to overcome the many hurdles that was put by society or/ and state.","copyright":"Tasneem Alsultan","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Tasneem Alsultan","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Saudi Tales of Love","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/52FGN6NIN2BVLQPWEREUFWAZDM","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/52FGN6NIN2BVLQPWEREUFWAZDM.jpg","version":"0.9.0","width":1500},{"_id":"HIX4CSCYOMT4C4SRNXETUZPKSQ","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/hlkPh1qFm17Gg0rXBhen7_oLUOU=/arc-anglerfish-arc2-prod-bonnier/public/HIX4CSCYOMT4C4SRNXETUZPKSQ.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1271_3353_lisong_china_professional_contemporaryissues_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/HIX4CSCYOMT4C4SRNXETUZPKSQ.jpg","proxyUrl":"/photo/resize/hlkPh1qFm17Gg0rXBhen7_oLUOU=/arc-anglerfish-arc2-prod-bonnier/public/HIX4CSCYOMT4C4SRNXETUZPKSQ.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/hlkPh1qFm17Gg0rXBhen7_oLUOU=/arc-anglerfish-arc2-prod-bonnier/public/HIX4CSCYOMT4C4SRNXETUZPKSQ.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-11-25T10:10:14Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Li Song","caption":"In November 2016, Li Hang, an eleven-year-old boy from Harbin, arrived at Changchun weight loss centre determined to lose weight. He had been diagnosed with Prader-Willi Syndrome when he was 3 years old, and on admission, his weight had reached 155 kilograms. Prader-Willi Syndrome is a disease related to an abnormality in chromosome 15, and in around 70% of patients is inherited from their father. It occurs in 1 in 15000 people.  Li Hang was being treated with traditional Chinese medicine every day, including massage, acupuncture, fire treatment and cupping therapy. Fire treatment is a weight loss treatment. Ingredients are applied to the body’s meridian system, with the fire process unblocking meridian points that hinder the speed of the body’s metabolic processes, all with the aim of transforming fat into energy that can be eliminated from the body. From his initial fear to this point, Li Hang has been greatly tormented, but he is supported by his faith in doing what is necessary to live a normal person’s life and to look after his mother.","copyright":"© Li Song, China, Shortlist, Professional, Contemporary Issues, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Li Song","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"I want to have a ordinary life","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/HIX4CSCYOMT4C4SRNXETUZPKSQ","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/HIX4CSCYOMT4C4SRNXETUZPKSQ.jpg","version":"0.9.0","width":1500},{"_id":"F6HDAUD6X2W62XO6QVQOCGLECA","additional_properties":{"aspect_ratio":"1x_","countryId":39,"fullSizeResizeUrl":"/photo/resize/kmmEnExmBHKCMeWAKnCl_X3Xpw8=/arc-anglerfish-arc2-prod-bonnier/public/F6HDAUD6X2W62XO6QVQOCGLECA.jpg","galleries":[],"iptc_source":"Amber Bracken","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1273_7_2347_amberbracken_canada_professional_contemporaryissues_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/F6HDAUD6X2W62XO6QVQOCGLECA.jpg","proxyUrl":"/photo/resize/kmmEnExmBHKCMeWAKnCl_X3Xpw8=/arc-anglerfish-arc2-prod-bonnier/public/F6HDAUD6X2W62XO6QVQOCGLECA.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/kmmEnExmBHKCMeWAKnCl_X3Xpw8=/arc-anglerfish-arc2-prod-bonnier/public/F6HDAUD6X2W62XO6QVQOCGLECA.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-09-10T22:21:46Z","version":0,"width_type":"full-width"},"address":{"country_name":"CAN","locality":"Cannonball","region":"North Dakota"},"alt_text":"© Amber Bracken","caption":"Oceti Sakowin, or the Seven Council Fires, is the true name of the great Sioux nation and refers to the coming together of the different factions of the tribe.  Oglala, Cheyenne, Ut, Cree, Hopi and non-indigenous all are among the 200+ tribes represented in the camps and on the front lines. The last time there was a similar gathering was before the Battle of the Little Bighorn, 1876. For nearly ten months, members of the Standing Rock Sioux tribe and their allies have been camped in opposition to the Dakota Access Pipeline crossing their land and water. The estimated $3.78 bill project is nearly complete, crossing almost 1,172 miles. But the resistance has stalled development at the Missouri River. Although on it's face, the issue is the pipeline, the conflict runs much deeper and is steeped in generations of violent history. These are the people of the Battle of Little Big Horn and of Wounded Knee, who were driven to starvation by the loss of the buffalo and away from their sacred Black Hills. Police treatment of water protectors hasn't been out of step with this history. In military vehicles and body armor, police have indiscriminately used tear gas, pepper spray, rubber bullets, percussion grenades and water canons in sub-zero temperature. Despite all of this, the pipeline is still unresolved and water protectors are still on the land. But wether the pipeline is completed or not, the groundswell created for this resistance will certainly have reverberations for industry and indigenous people alike. I spent a month and a half, over three trips with the people in the camps.","copyright":"© Amber Bracken, Canada, Shortlist, Professional, Contemporary Issues, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"affiliation":[{"name":"Amber Bracken","type":"author"}],"by":[{"name":"© Amber Bracken","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Standing Rock","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/F6HDAUD6X2W62XO6QVQOCGLECA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/F6HDAUD6X2W62XO6QVQOCGLECA.jpg","version":"0.9.0","width":1500},{"_id":"ZDVR3A4Z7GY6DB4U7SUF2DOULU","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/ZINvcWHp3hxjm2tJfnfqeX2ubk4=/arc-anglerfish-arc2-prod-bonnier/public/ZDVR3A4Z7GY6DB4U7SUF2DOULU.jpg","galleries":[],"iptc_job_identifier":"ROA","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1275_3337_alessioromenzi_italy_professional_currentaffairsnews_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ZDVR3A4Z7GY6DB4U7SUF2DOULU.jpg","proxyUrl":"/photo/resize/ZINvcWHp3hxjm2tJfnfqeX2ubk4=/arc-anglerfish-arc2-prod-bonnier/public/ZDVR3A4Z7GY6DB4U7SUF2DOULU.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/ZINvcWHp3hxjm2tJfnfqeX2ubk4=/arc-anglerfish-arc2-prod-bonnier/public/ZDVR3A4Z7GY6DB4U7SUF2DOULU.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-11-26T12:11:20Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Alessio Romenzi","caption":"Sirte, Libya, November 26, 2016: A fighter of the Libyan forces affiliated with the Tripoli government gets some rest whilst outside, clashes with ISIS continue in the Al Jiza neighborhood.","copyright":"© Alessio Romenzi, Italy, Shortlist, Professional, Current Affairs & News, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"by":[{"name":"© Alessio Romenzi","type":"author"}]},"height":1001,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"\"We are taking no prisoners\"","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/ZDVR3A4Z7GY6DB4U7SUF2DOULU","system":"Anglerfish"},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ZDVR3A4Z7GY6DB4U7SUF2DOULU.jpg","version":"0.9.0","width":1500},{"_id":"UPRMCKOAWULJA4MFMISFUMLXWA","additional_properties":{"aspect_ratio":"1x_","countryId":227,"fullSizeResizeUrl":"/photo/resize/QKg-bT_MezI4kOeOxHIsDAdLrH0=/arc-anglerfish-arc2-prod-bonnier/public/UPRMCKOAWULJA4MFMISFUMLXWA.jpg","galleries":[],"iptc_job_identifier":"661531729","iptc_source":"Getty Images North America","iptc_title":"Staff","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1277_2_2377_joeraedle_unitedstatesofamerica_professional_currentaffairsnews_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/UPRMCKOAWULJA4MFMISFUMLXWA.jpg","proxyUrl":"/photo/resize/QKg-bT_MezI4kOeOxHIsDAdLrH0=/arc-anglerfish-arc2-prod-bonnier/public/UPRMCKOAWULJA4MFMISFUMLXWA.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/QKg-bT_MezI4kOeOxHIsDAdLrH0=/arc-anglerfish-arc2-prod-bonnier/public/UPRMCKOAWULJA4MFMISFUMLXWA.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-08-16T17:32:00Z","usage_instructions":"Not Released (NR) ","version":0,"width_type":"full-width"},"address":{"country_name":"USA","locality":"Port VIncent","region":"LA"},"alt_text":"© Joe Raedle","caption":"A historic flood, caused by a massive rainstorm, hit parts of Louisiana and overwhelmed local communities, causing thirteen deaths and damaging thousands of homes with flood waters. A person is seen on the front porch of a home as it is surrounded by flood waters in Port Vincent, Louisiana.","copyright":"© Joe Raedle, United States of America, Shortlist, Professional, Current Affairs & News, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:45Z","credits":{"affiliation":[{"name":"Getty Images","type":"author"}],"by":[{"name":"© Joe Raedle","type":"author"}]},"height":999,"last_updated_date":"2019-05-04T02:38:45Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Louisiana Flooding","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/UPRMCKOAWULJA4MFMISFUMLXWA","system":"Anglerfish"},"subtitle":"Torrential Rains Bring Historic Floods To Southern Louisiana","taxonomy":{"associated_tasks":[]},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/UPRMCKOAWULJA4MFMISFUMLXWA.jpg","version":"0.9.0","width":1500},{"_id":"W7MP4TYMCRWLSQ3IBJZAV544NY","additional_properties":{"aspect_ratio":"1x_","countryId":103,"fullSizeResizeUrl":"/photo/resize/HHO3_Ijdou655bJchUqHuh3iXwg=/arc-anglerfish-arc2-prod-bonnier/public/W7MP4TYMCRWLSQ3IBJZAV544NY.jpg","galleries":[],"iptc_job_identifier":"Susan Hopper","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1283_3339_ivorprickett_ireland_professional_currentaffairsnews_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/W7MP4TYMCRWLSQ3IBJZAV544NY.jpg","proxyUrl":"/photo/resize/HHO3_Ijdou655bJchUqHuh3iXwg=/arc-anglerfish-arc2-prod-bonnier/public/W7MP4TYMCRWLSQ3IBJZAV544NY.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/HHO3_Ijdou655bJchUqHuh3iXwg=/arc-anglerfish-arc2-prod-bonnier/public/W7MP4TYMCRWLSQ3IBJZAV544NY.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-10-31T14:24:12Z","version":0,"width_type":"full-width"},"address":{"country_name":"IRQ","locality":"Qayyarah","region":"Nineveh "},"alt_text":"© Ivor Prickett","caption":"Iraqi civilians displaced by fighting in the village of Shora, 25km South of Mosul, reach an Iraqi army checkpoint on the Northern outskirts of Qayyarah. Over 800,000 people are still trapped in Mosul, according to estimates from the United Nations. Tens of thousands are sheltering in neighborhoods declared liberated by Iraqi forces and many more remain in parts of the city under ISIS control. Humanitarian organizations continue to fear mass displacement and civilian casualties. Many have already made the harrowing decision to flee their homes, in some cases leaving behind the bodies of loved ones who died as the fighting came to their area and had to be buried in front gardens.","copyright":"© Ivor Prickett, Ireland, Shortlist, Professional, Current Affairs & News, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:44Z","credits":{"affiliation":[{"name":"Ivor Prickett/UNHCR","type":"author"}],"by":[{"name":"© Ivor Prickett","type":"author"}]},"height":1286,"last_updated_date":"2019-05-04T02:38:44Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Caught in the Crossfire","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/W7MP4TYMCRWLSQ3IBJZAV544NY","system":"Anglerfish"},"subtitle":"Iraq. Recently displaced Iraqis reach safety ","taxonomy":{"associated_tasks":[]},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/W7MP4TYMCRWLSQ3IBJZAV544NY.jpg","version":"0.9.0","width":1500},{"_id":"D5UZBAEM57OTVAV4PSWMLVJQFY","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/_hBuk78_4hIgMig5oO6j3_CMA5E=/arc-anglerfish-arc2-prod-bonnier/public/D5UZBAEM57OTVAV4PSWMLVJQFY.jpg","galleries":[],"iptc_title":"Freelance Photographer","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1285_3357_yuliagrigoryants_armenia_professional_dailylife_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/D5UZBAEM57OTVAV4PSWMLVJQFY.jpg","proxyUrl":"/photo/resize/_hBuk78_4hIgMig5oO6j3_CMA5E=/arc-anglerfish-arc2-prod-bonnier/public/D5UZBAEM57OTVAV4PSWMLVJQFY.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/_hBuk78_4hIgMig5oO6j3_CMA5E=/arc-anglerfish-arc2-prod-bonnier/public/D5UZBAEM57OTVAV4PSWMLVJQFY.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-03-10T13:26:41Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Yulia Grigoryants","caption":"Lusine with her children in their tiny apartment in Gyumri, sleeping all 6 in the only room, that serves also as kitchen and playroom for the family. In 1988, a 7.0 Richter-scale earthquake struck northern Armenia. The quake killed at least 25,000 people in the region. Thousands more were maimed and hundreds of thousands left homeless. Gyumri, Armenia’s second largest city bore much of the damage. Large-scale war by the early 1990s, the collapse of the Soviet Union, an energy shortage, and a blockade that left landlocked Armenia with just two open borders contributed to exacerbating the region's already prevalent social and economic problems. A quarter of a century later, Gyumri has the country’s highest poverty rate at 47.7%. The city has lost nearly half of its population since 1988, due in part to the migration of the labor force. A few thousand families are still living in makeshift shelters, waiting for help. Many of them are not eligible for new housing, since they are not considered to be direct victims of the earthquake. 25 years later, they are still waiting for urgently needed improvements to their dwellings. During the Soviet era, these huge twin dormitory buildings on the outskirts of Gyumri accommodated around 60 families each. Today there are just four families living here, among decaying walls and corridors.","copyright":"© Yulia Grigoryants, Armenia, Shortlist, Professional, Daily Life, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:45Z","credits":{"by":[{"name":"© Yulia Grigoryants","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:38:45Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Inhabitants of the Empty","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/D5UZBAEM57OTVAV4PSWMLVJQFY","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/D5UZBAEM57OTVAV4PSWMLVJQFY.jpg","version":"0.9.0","width":1500},{"_id":"KXIB6MYI5BWMVYKCFSQXQ2VXME","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/J4NsYLJGQL7ByZpOB97NcCYIfN0=/arc-anglerfish-arc2-prod-bonnier/public/KXIB6MYI5BWMVYKCFSQXQ2VXME.jpg","galleries":[],"iptc_title":"freelance photographer","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1287_8_2483_sandrahoyn_germany_professional_dailylife_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KXIB6MYI5BWMVYKCFSQXQ2VXME.jpg","proxyUrl":"/photo/resize/J4NsYLJGQL7ByZpOB97NcCYIfN0=/arc-anglerfish-arc2-prod-bonnier/public/KXIB6MYI5BWMVYKCFSQXQ2VXME.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/J4NsYLJGQL7ByZpOB97NcCYIfN0=/arc-anglerfish-arc2-prod-bonnier/public/KXIB6MYI5BWMVYKCFSQXQ2VXME.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-02-06T00:00:00Z","version":0,"width_type":"full-width"},"address":{"locality":"Tangail"},"alt_text":"© Sandra Hoyn","caption":"Kajol with her 6-month-old baby Mehedi and a customer on her bed. Two weeks after birth of Mehedi she was forced to have sex again with customers. Because of the baby her business is not good. The Kandapara brothel in the district of Tangail is the oldest and one of the largest in Bangladesh - it has existed for some 200 years. It was demolished in 2014 but has been re-established with the help of local NGOs. The brothel district is surrounded by a two-meter wall, and in the narrow streets within, there are food stalls, tea shops and street vendors. More than 700 sex workers live and work here with their children and their madams. Many of the women were either trafficked or born inside the brothel's walls and in this way their livelihood is secure. Their customers are policemen, politicians, farmers, fishermen, factory workers and groups of teenage boys.","copyright":"© Sandra Hoyn, Germany, Shortlist, Professional, Daily Life, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:45Z","credits":{"by":[{"name":"© Sandra Hoyn","type":"author"}]},"height":998,"last_updated_date":"2019-05-04T02:38:45Z","licensable":false,"owner":{"id":"bonnier"},"slug":"The Longings of the Others","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/KXIB6MYI5BWMVYKCFSQXQ2VXME","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KXIB6MYI5BWMVYKCFSQXQ2VXME.jpg","version":"0.9.0","width":1500},{"_id":"GCS4PU64QNTP4BFYTOUHCCA5IA","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/ccpBzjBBzvdbXIy2ULGBl0c6QiY=/arc-anglerfish-arc2-prod-bonnier/public/GCS4PU64QNTP4BFYTOUHCCA5IA.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1293_9_2545_michaeltummings_unitedkingdom_professional_dailylife_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/GCS4PU64QNTP4BFYTOUHCCA5IA.jpg","proxyUrl":"/photo/resize/ccpBzjBBzvdbXIy2ULGBl0c6QiY=/arc-anglerfish-arc2-prod-bonnier/public/GCS4PU64QNTP4BFYTOUHCCA5IA.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/ccpBzjBBzvdbXIy2ULGBl0c6QiY=/arc-anglerfish-arc2-prod-bonnier/public/GCS4PU64QNTP4BFYTOUHCCA5IA.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2011-03-15T00:00:00Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Michael Tummings","caption":"Hidden captures man’s engagement with nature through a close examination of the practice of hunting. Hunting lies at the foundation of human survival. These unflinching photographs capture the human element in the ritualized killing of animals. Their focus is on authentic, observed moments that have been shaped by tradition, and which are still practiced in the modern world. Increasingly, our access to nature is designated as a cultural activity. Nature functions as construct of the imagination, where it is romanticized as pure and harmonious. But nature itself is marked by decay and violence. While hunting posits man as an external source of violence, the culling of animals maintains the balance and diversity of the landscape – even as it domesticates the landscape into an elaborate garden. These photographs reference the classic European tradition of paintings depicting the hunt, in addition to 20th century photographic portraiture. The rituals and divisions of class are inherent to the images in Hidden, as are both the modernization and preservation of tradition. Employing 5 x 4 analogue photography, the series uses a detached camera eye to observe the social dynamics of the group, its rituals, and the ways in which they are infused with meaning.","copyright":"© Michael  Tummings, United Kingdom, Shortlist, Professional, Daily Life, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:45Z","credits":{"by":[{"name":"© Michael Tummings","type":"author"}]},"height":1600,"last_updated_date":"2019-05-04T02:38:45Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Hidden","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/GCS4PU64QNTP4BFYTOUHCCA5IA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/GCS4PU64QNTP4BFYTOUHCCA5IA.jpg","version":"0.9.0","width":1280},{"_id":"KLVSZMSJT3YV2WML3X44VEE5KE","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/b-2Lf7lqgXqGRfyI3ILNcVLxAa4=/arc-anglerfish-arc2-prod-bonnier/public/KLVSZMSJT3YV2WML3X44VEE5KE.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/03/1297_9_2585_nadersaadallah_egypt_professional_dailylife_2017.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KLVSZMSJT3YV2WML3X44VEE5KE.jpg","proxyUrl":"/photo/resize/b-2Lf7lqgXqGRfyI3ILNcVLxAa4=/arc-anglerfish-arc2-prod-bonnier/public/KLVSZMSJT3YV2WML3X44VEE5KE.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/b-2Lf7lqgXqGRfyI3ILNcVLxAa4=/arc-anglerfish-arc2-prod-bonnier/public/KLVSZMSJT3YV2WML3X44VEE5KE.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2016-10-10T06:41:06Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Nader Saadallah","caption":"Quarries’ Men is a portfolio about white limestone quarries craft in Minya, Egypt and how are the workers can make and shape these Stone from the white mountain. There are four phases. The first is the equalization of mountain with a big winches and spikes. The second phase is the shaping, there's a machine which called \"El fasalah\" which cut and partition the mountain to stone blocks \" 13*26 cm\" . The third phase is the extracting, there's a machine which called \"El hashasha \" which extract the final result of the stones as a free blocks that ready to use, The fourth and final one is the filling, after that the workers are filling it into the vehicles to be ready for trading in the market.","copyright":"© Nader Saadallah, Egypt, Shortlist, Professional, Daily Life, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:45Z","credits":{"by":[{"name":"© Nader Saadallah","type":"author"}]},"height":1018,"last_updated_date":"2019-05-04T02:38:45Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Quarrie's men","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/KLVSZMSJT3YV2WML3X44VEE5KE","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KLVSZMSJT3YV2WML3X44VEE5KE.jpg","version":"0.9.0","width":1500}],"created_date":"2019-04-12T17:00:01.339Z","credits":{"by":[{"_id":"DKRCJSO3PJAHZEHTLG4MJTDXJE","additional_properties":{"original":{"_id":"DKRCJSO3PJAHZEHTLG4MJTDXJE","awards":[],"bio_page":"https://www.popphoto.com/authors/jeanette-d-moses","books":[],"byline":"Jeanette D. 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It’s hard to imagine, but these animals, who roamed the earth for eight million years, were only discovered in the last century.&nbsp;&nbsp; Unknown, and hidden from the western world for millions of years, even today they are seen by few but known by most everyone.\r\r\r\rSo secretive and mysterious was its solitary life, lived in the thickest of bamboo, in the highest of mountains, in mist and rain, governed and guided by smell rather than sight, that the giant panda has eluded easy answers, even while making its way into everyone’s heart.\r\r\r\rGiant pandas have a secret life governed by their nose, and their daily diet and breeding behaviours have made them vulnerable in today’s world. With a diet almost entirely composed of the leaves, stems and shoots of various bamboo species, their reliance on bamboo left them vulnerable to any loss of habitat. Found only in central China, the entire species came dangerously close to extinction. Scientists considered the giant panda a relic species; shy, and difficult to breed in captivity.\r\r\r\rBut now there is a glimmer of hope, as years of research are finally paying off. In a region where bad environmental news is common, China cracked the code and is on its way to successfully saving its most famous ambassador. The giant panda was recently taken off the endangered species list!\r\r","copyright":"© Ami Vitale, United States of America, Shortlist, Professional, Natural World, 2017 Sony World Photography Awards","created_date":"2019-05-04T02:38:45Z","credits":{"affiliation":[{"name":"Ami Vitale","type":"author"}],"by":[{"name":"Ami Vitale","type":"author"}]},"height":998,"last_updated_date":"2019-05-04T02:38:45Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Pandas Gone Wild","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/LIQLOEGQ2FHDGKJ22TXIGSDJTE","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/LIQLOEGQ2FHDGKJ22TXIGSDJTE.jpg","version":"0.9.0","width":1500}},"publish_date":"2017-03-02T02:15:30Z","publishing":{"scheduled_operations":{"publish_edition":[],"unpublish_edition":[]}},"revision":{"branch":"default","editions":["default"],"parent_id":"RM2LBGI72VFBTCAK3QGSN4HS4A","published":true,"revision_id":"XH54CVO7J5GVNJCSWG743XA264"},"slug":"american-photo/sony-world-photography-awards-announce-2017-shortlist","source":{"additional_properties":{"content_type":"story"},"name":"Popular Photography","source_id":"popphoto/615777","source_type":"staff","system":"Sandcastle"},"subheadlines":{"basic":"See 25 of our favorite frames from the shortlist"},"subtype":"right-sidebar","taxonomy":{"primary_section":{"_id":"/culture","_website":"popphoto","additional_properties":{"original":{"_admin":{"alias_ids":[]},"_id":"/culture","_website":"popphoto","inactive":false,"name":"Culture","node_type":"section","parent":{"default":"/"},"section":{"section_url_override":"/tags/culture/"}}},"name":"Culture","parent":{"default":"/"},"parent_id":"/","path":"/culture","type":"section","version":"0.6.0"},"sections":[{"_id":"/culture","_website":"popphoto","_website_section_id":"popphoto./culture","additional_properties":{"original":{"_admin":{"alias_ids":[]},"_id":"/culture","_website":"popphoto","inactive":false,"name":"Culture","node_type":"section","parent":{"default":"/"},"section":{"section_url_override":"/tags/culture/"}}},"name":"Culture","parent":{"default":"/"},"parent_id":"/","path":"/culture","type":"section","version":"0.6.0"}],"tags":[{"slug":"documentary","text":"Documentary"},{"slug":"fine-art","text":"Fine Art"},{"slug":"commercial","text":"Commercial"},{"slug":"sony-world-photography-awards","text":"Sony World Photography Awards"},{"slug":"awards","text":"Awards"},{"slug":"news","text":"News"},{"slug":"american-photo","text":"American Photo"}]},"type":"story","version":"0.10.2","websites":{"popphoto":{"website_section":{"_id":"/culture","_website":"popphoto","_website_section_id":"popphoto./culture","additional_properties":{"original":{"_admin":{"alias_ids":[]},"_id":"/culture","_website":"popphoto","inactive":false,"name":"Culture","node_type":"section","parent":{"default":"/"},"section":{"section_url_override":"/tags/culture/"}}},"name":"Culture","parent":{"default":"/"},"parent_id":"/","path":"/culture","type":"section","version":"0.6.0"},"website_url":"/american-photo/sony-world-photography-awards-announce-2017-shortlist"}},"_id":"CJ4W5UGBG3MNRATB5AXCI7O5XQ","website":"popphoto","website_url":"/american-photo/sony-world-photography-awards-announce-2017-shortlist"},{"additional_properties":{"display_bottom_recirc":true,"display_off_ramp":true,"flag_gallery":false,"has_published_copy":true,"og:image":"https://www.popphoto.com/sites/popphoto.com/files/styles/opengraph_1_91x1/public/images/2017/02/screen_shot_2017-02-28_at_1.51.46_pm.png?itok=Lj91t_Pl","seo_url":"https://www.popphoto.com/american-photo/mark-seligers-portraits-oscars-biggest-stars","status":true},"canonical_url":"/american-photo/mark-seligers-portraits-oscars-biggest-stars","canonical_website":"popphoto","content_elements":[{"_id":"M6UCWRQY5VAA7P5HA33TNIZG4E","content":"<blockquote class=\"instagram-media\" data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https://www.instagram.com/p/BRCWq5zgsgj/\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Vanity Fair (@vanityfair)</a> on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-28T01:26:31+00:00\">Feb 27, 2017 at 5:26pm PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"HE6SM5UR4VDQVLSVLISAB2QKAA","content":"Although there was plenty to gripe about after this year's Best Picture mix-up during the Oscars, we can all agree that <a href=\"http://www.americanphotomag.com/tags/mark-seliger\">Mark Seliger</a>'s intimate portraits of the night's big winners are as good as ever.","type":"text"},{"_id":"A47UCCEWCNHLFH7POAL6ULAZQU","content":"In what has now become an <a href=\"http://www.americanphotomag.com/see-mark-seligers-oscar-portraits\">annual tradition</a>, portrait photographer Mark Seliger teamed up with Instagram and Vanity Fair to capture some excellent portraits during the Vanity Fair Oscar party.","type":"text"},{"_id":"UQCIXWN3ONAP3LXLLTIMGNCBRA","content":"Check out the buildout of his set in the hyper lapse video below.","type":"text"},{"_id":"UZCEQG7H4JE4TKZ4JG2D35EYMY","content":"<blockquote class=\"instagram-media\" data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https://www.instagram.com/p/BQ_XLH3l6VE/\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Mark Seliger (@markseliger)</a> on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-26T21:33:12+00:00\">Feb 26, 2017 at 1:33pm PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"UOAUVDL22VGBNJ6ADRPBIIK6I4","content":"These were some of our favorite looks from the night. What were yours?","type":"text"},{"_id":"JNNAUSLS6RGGHMEPD72JJMTG6M","content":"<blockquote class=\"instagram-media\" data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:49.76851851851852% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https://www.instagram.com/p/BRB2I34gXmO/\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Vanity Fair (@vanityfair)</a> on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-27T20:42:15+00:00\">Feb 27, 2017 at 12:42pm PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"Z6QUSSUBQRDAVB5VWXT5OFQHYE","content":"<blockquote class=\"instagram-media\" data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https://www.instagram.com/p/BQ_7kQng5AO/\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Vanity Fair (@vanityfair)</a> on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-27T02:51:12+00:00\">Feb 26, 2017 at 6:51pm PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"RVVTJPYXMJD77HXRJJTJGJFAR4","content":"<blockquote class=\"instagram-media\" data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https://www.instagram.com/p/BRAHXibgm7b/\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Vanity Fair (@vanityfair)</a> on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-27T04:34:20+00:00\">Feb 26, 2017 at 8:34pm PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"RJYGEAGX5RDA3DJ3JG4EVPHSPY","content":"<blockquote class=\"instagram-media\" data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https://www.instagram.com/p/BRB4V-dg0Jp/\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Vanity Fair (@vanityfair)</a> on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-27T21:01:31+00:00\">Feb 27, 2017 at 1:01pm PST</time></p></div></blockquote> <script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"},{"_id":"LNUL5TWRLBDQHFEKW5HXR4UECA","content":"<blockquote class=\"instagram-media\" data-instgrm-version=\"7\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:8px;\"> <div style=\" background:#F8F8F8; line-height:0; margin-top:40px; padding:50.0% 0; text-align:center; width:100%;\"> <div style=\" background:url(data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAABGdBTUEAALGPC/xhBQAAAAFzUkdCAK7OHOkAAAAMUExURczMzPf399fX1+bm5mzY9AMAAADiSURBVDjLvZXbEsMgCES5/P8/t9FuRVCRmU73JWlzosgSIIZURCjo/ad+EQJJB4Hv8BFt+IDpQoCx1wjOSBFhh2XssxEIYn3ulI/6MNReE07UIWJEv8UEOWDS88LY97kqyTliJKKtuYBbruAyVh5wOHiXmpi5we58Ek028czwyuQdLKPG1Bkb4NnM+VeAnfHqn1k4+GPT6uGQcvu2h2OVuIf/gWUFyy8OWEpdyZSa3aVCqpVoVvzZZ2VTnn2wU8qzVjDDetO90GSy9mVLqtgYSy231MxrY6I2gGqjrTY0L8fxCxfCBbhWrsYYAAAAAElFTkSuQmCC); display:block; height:44px; margin:0 auto -44px; position:relative; top:-22px; width:44px;\"></div></div><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https://www.instagram.com/p/BQ_473YAL7C/\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Vanity Fair (@vanityfair)</a> on <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2017-02-27T02:28:13+00:00\">Feb 26, 2017 at 6:28pm PST</time></p></div></blockquote>\r\n<script async defer src=\"//platform.instagram.com/en_US/embeds.js\"><\/script>","type":"raw_html"}],"created_date":"2019-04-12T17:00:02.87Z","credits":{"by":[{"_id":"DKRCJSO3PJAHZEHTLG4MJTDXJE","additional_properties":{"original":{"_id":"DKRCJSO3PJAHZEHTLG4MJTDXJE","awards":[],"bio_page":"https://www.popphoto.com/authors/jeanette-d-moses","books":[],"byline":"Jeanette D. 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For nearly the entire campaign season and especially since the new administration took office, anti-Muslim rhetoric has reached an all-time high. <em><a href=\"http://www.mcny.org/exhibition/muslim-new-york\">Muslim in New York: Highlights from the Photography Collection</a></em> is a new exhibition at the Museum of the City of New York, and it is a direct response to the Islamophobia that has run rampant since the president took office. This is a show that it seeks to humanize a community that has been in the United States since the beginning. 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Two and a half weeks from concept to presentation,” says Sarah Henry, the chief curator for the museum, when asked about the urgency of this show. “It grew out of conversations that we had among museum staff about how we could usefully and valuably contribute to the conversations that are going on in the context of political events right now.”","type":"text"},{"_id":"7J464H2QNFEDRNEHMVSL5NVY4M","content":"Taken between 1940 and today, the images form a composite portrait of Muslim life in New York City. The monochrome images show Muslim New Yorkers both in their cultural enclaves and in the fabric of city life. New York City is large; it contains multitudes. Go on a long walk, and you might find yourself traveling through several different countries. This exhibition is a testament to that. 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His head is bowed and his hands are on his thighs. The officer is there purely to meet his spiritual obligation. People are standing to the left and right of him. 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It’s a picture that easily could have been taken in Istanbul or Ankara, but it’s in New York City where it’s likely that many other schoolchildren of a similar age would have been practicing their respective family languages.","type":"text"},{"_id":"RZXGXIZFICPE6OCB2GMOUQHGB4","additional_properties":{"aspect_ratio":"1x_","galleries":[],"iptc_job_identifier":"2006.37.21","keywords":["arab americans","food vendors","gelatin silver print","mel rosenthal (1940-)","photograph","portraits"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/14.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/RZXGXIZFICPE6OCB2GMOUQHGB4.jpg","proxyUrl":"/photo/resize/jPEFSovRNeLKAHRFWjpTzqU-l70=/arc-anglerfish-arc2-prod-bonnier/public/RZXGXIZFICPE6OCB2GMOUQHGB4.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/jPEFSovRNeLKAHRFWjpTzqU-l70=/arc-anglerfish-arc2-prod-bonnier/public/RZXGXIZFICPE6OCB2GMOUQHGB4.jpg","restricted":false,"takenOn":"2013-12-20T00:00:00Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"Mel Rosenthal","caption":"Halal Food Stand, ca. 2001.","created_date":"2019-05-04T02:40:10Z","credits":{"by":[{"name":"© Mel Rosenthal, courtesy of the Museum of the City of New York and the photographer.","type":"author"}]},"height":996,"last_updated_date":"2019-05-04T02:40:10Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Halal Food Stand","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/RZXGXIZFICPE6OCB2GMOUQHGB4","system":"Anglerfish"},"taxonomy":{"associated_tasks":[]},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/RZXGXIZFICPE6OCB2GMOUQHGB4.jpg","version":"0.9.0","width":1500},{"_id":"V6H5IRI3VVGLFHXGTZBTV7XLTY","content":"In the above image taken by Mel Rosenthal in 2001, we see a classic New York scene: the Halal food cart, its owner and a customer. The Halal food card is as ubiquitous as pizza, bagels, and those “Dan Smith Will Teach You Guitar” posters. It’s a simple image but remarkable in how it captures just how seamlessly different cultures intersect in New York.","type":"text"},{"_id":"E23G5XUGYJB6XNAG7LTRALRTVY","content":"The exhibit is perhaps best understood in the context of the museum as a whole, which is dedicated to showing the development of New York City from its origin to the present day. To live in New York is to regard diversity as the norm. Any given subway ride is like an informal meeting of the United Nations. It is impossible to think of New York City without immigrants—it wouldn’t exist at all. There’s something refreshing about the exhibit in how it depicts a maligned and deeply misunderstood community as purely ordinary. Muslim New Yorkers across these pictures are living their lives as best they can. They go to work and school. They pray. They play basketball. 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His role (and until the second half of the 20th century it was, yes, always a white man) was to roam the streets—first of London and Paris, later to cultural centers like Berlin and New York—and record his impressions. Over time the <em>flâneur</em> became both observer and observed, and <em>flânerie</em> evolved into spontaneous acts of public art making. 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Courtesy Marina Abramović and Sean Kelly Gallery New York","caption":"<em>Role Exchange</em>, Performance, 4 hours, De Appel Gallery, Red Light District, Amsterdam, 1975","created_date":"2019-05-04T02:38:57Z","credits":{"by":[{"name":"© Marina Abramović. Courtesy Marina Abramović and Sean Kelly Gallery New York","type":"author"}]},"height":1925,"last_updated_date":"2019-05-04T02:38:57Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/FQSU3GUG6FFKDMYIZIR5KAPVZU","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/FQSU3GUG6FFKDMYIZIR5KAPVZU.jpg","version":"0.9.0","width":3114},{"_id":"6IRE75GTFZE7TDYYSMC2OOC4H4","content":"While few <em>flâneurs</em> have called themselves primarily photographers, most of these artists rely on photography to some degree. Some are performance artists who document their projects with photographs along with text, video, and other media; notable photo-centric artists in this show include Sophie Calle, Marina Abramovic, Ed Ruscha, and Martha Rosler. But it's not a stretch to say that as the camera became more portable and technology placed expressive authority literally in almost everyone's hands, the <em>flâneur</em> has morphed into the street photographer.","type":"text"},{"_id":"K5ZQ7FMITWQT6EVLSXVW6ZNDKU","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/rrLMNfeINbtRZCcg_zHFv_ZaR0w=/arc-anglerfish-arc2-prod-bonnier/public/K5ZQ7FMITWQT6EVLSXVW6ZNDKU.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/abramovic_ma-roleex-02-29x20.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/K5ZQ7FMITWQT6EVLSXVW6ZNDKU.jpg","proxyUrl":"/photo/resize/rrLMNfeINbtRZCcg_zHFv_ZaR0w=/arc-anglerfish-arc2-prod-bonnier/public/K5ZQ7FMITWQT6EVLSXVW6ZNDKU.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/rrLMNfeINbtRZCcg_zHFv_ZaR0w=/arc-anglerfish-arc2-prod-bonnier/public/K5ZQ7FMITWQT6EVLSXVW6ZNDKU.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"© Marina Abramović. Courtesy Marina Abramović and Sean Kelly Gallery New York","caption":"<em>Role Exchange</em>, Performance, 4 hours, De Appel Gallery, Red Light District, Amsterdam, 1975","created_date":"2019-05-04T02:38:59Z","credits":{"by":[{"name":"© Marina Abramović. Courtesy Marina Abramović and Sean Kelly Gallery New York","type":"author"}]},"height":2362,"last_updated_date":"2019-05-04T02:38:59Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/K5ZQ7FMITWQT6EVLSXVW6ZNDKU","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/K5ZQ7FMITWQT6EVLSXVW6ZNDKU.jpg","version":"0.9.0","width":3516},{"_id":"PFIV6FQ4YNAPVHC7EGMQREKEKU","content":"\"The energy [of the <em>flâneur</em>] doesn't disappear—it gets funneled into street photography,\" says Thom Collins, the Barnes's executive director and president and the exhibition's curator. \"We talk about [street photography] in terms of form, but it's social engagement.\" Though typically receded into the shadows, the street photographer is still very much a participant in her surroundings and in her art making.","type":"text"},{"_id":"HMEN33OWCTEJQQ3KFN446AJWKQ","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/CufjdRAQdA7dS1f9gv9CNS5Ds7U=/arc-anglerfish-arc2-prod-bonnier/public/HMEN33OWCTEJQQ3KFN446AJWKQ.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/lee_mingwei_dl_1995_41-60.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/HMEN33OWCTEJQQ3KFN446AJWKQ.jpg","proxyUrl":"/photo/resize/CufjdRAQdA7dS1f9gv9CNS5Ds7U=/arc-anglerfish-arc2-prod-bonnier/public/HMEN33OWCTEJQQ3KFN446AJWKQ.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/CufjdRAQdA7dS1f9gv9CNS5Ds7U=/arc-anglerfish-arc2-prod-bonnier/public/HMEN33OWCTEJQQ3KFN446AJWKQ.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"© Lee Mingwei","caption":"100 Days with Lily, 1995","created_date":"2019-05-04T02:38:57Z","credits":{"by":[{"name":"© Lee Mingwei","type":"author"}]},"height":2067,"last_updated_date":"2019-05-04T02:38:57Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/HMEN33OWCTEJQQ3KFN446AJWKQ","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/HMEN33OWCTEJQQ3KFN446AJWKQ.jpg","version":"0.9.0","width":1401},{"_id":"V34CTMXYZJFOLFQCUWSFQH76TI","content":"Apropos of the genre, much of the show takes place outside the gallery’s walls, in the streets of Philadelphia. Commissioned performances, billboards, and other projects by the likes of Sanford Biggers, Zachary Fabri, and Christy Rupp will appear throughout the city during the run of the show through May 22.","type":"text"},{"_id":"TAZKLVKCHRBHZPS7NAQTPVGFLM","content":"The exhibition's conceit also spills over into the social realm, pointing toward a postmodern <em>flânerie</em> by inviting the public to share their experiences of the work on social media using text, audio, video, or photos along with the hashtag #personofthecrowd.","type":"text"},{"_id":"TH2YP3L3KVSCVO3ZPGA4D33CO4","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/C-Wn_y5Do-xYUkCGeC_j5Si4TKc=/arc-anglerfish-arc2-prod-bonnier/public/TH2YP3L3KVSCVO3ZPGA4D33CO4.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/lee_mingwei_dl_1995_ccc_2007_photo_by_anita_kan_1.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/TH2YP3L3KVSCVO3ZPGA4D33CO4.jpg","proxyUrl":"/photo/resize/C-Wn_y5Do-xYUkCGeC_j5Si4TKc=/arc-anglerfish-arc2-prod-bonnier/public/TH2YP3L3KVSCVO3ZPGA4D33CO4.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/C-Wn_y5Do-xYUkCGeC_j5Si4TKc=/arc-anglerfish-arc2-prod-bonnier/public/TH2YP3L3KVSCVO3ZPGA4D33CO4.jpg","restricted":false,"takenOn":"2007-06-22T12:15:05Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"Lee Mingwei; photo by Anita Kan","caption":"Installation view at <em>Lee Mingwei: Impermanence</em>, Chicago Cultural Center, 2007","created_date":"2019-05-04T02:38:57Z","credits":{"by":[{"name":"Photo: © Anita Kan","type":"author"}]},"height":1265,"last_updated_date":"2019-05-04T02:38:57Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/TH2YP3L3KVSCVO3ZPGA4D33CO4","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/TH2YP3L3KVSCVO3ZPGA4D33CO4.jpg","version":"0.9.0","width":1890},{"_id":"CKYWIJVDOFFK5NLAWOLLOY5ACQ","content":"\"People argue that the <em>flâneur</em> went into cyberspace. The actual act of having surprise novel engagements with the world is something we do online now,\" Collins says.","type":"text"},{"_id":"XTWITK2YVRAXBOFYET2XXUASPU","content":"And yet the participatory, immersive aspect of <em>Person of the Crowd</em> signals a new way of presenting art that contemporary audiences expect—and it's one that deeply validates the attitude and practice of the <em>flâneur</em> as central to our modern, connected, urban existence.","type":"text"},{"_id":"UT3AP65QPAD67PCWGO2HT4ONVA","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/DnAzrNQEnxNwSy495RNZpNbxKhA=/arc-anglerfish-arc2-prod-bonnier/public/UT3AP65QPAD67PCWGO2HT4ONVA.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/tania_bruguera_displacement.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/UT3AP65QPAD67PCWGO2HT4ONVA.jpg","proxyUrl":"/photo/resize/DnAzrNQEnxNwSy495RNZpNbxKhA=/arc-anglerfish-arc2-prod-bonnier/public/UT3AP65QPAD67PCWGO2HT4ONVA.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/DnAzrNQEnxNwSy495RNZpNbxKhA=/arc-anglerfish-arc2-prod-bonnier/public/UT3AP65QPAD67PCWGO2HT4ONVA.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"Courtesy Studio Bruguera","caption":"Tania Bruguera, <em>Displacement, 1998 – 1999</em>. Medium: Embodying a Nkisi Nkonde icon, Behavior Art. Materials: Cuban earth, glue, wood, nails / textile.","created_date":"2019-05-04T02:38:59Z","credits":{"by":[{"name":"Courtesy Studio Bruguera","type":"author"}]},"height":1383,"last_updated_date":"2019-05-04T02:38:59Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/UT3AP65QPAD67PCWGO2HT4ONVA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/UT3AP65QPAD67PCWGO2HT4ONVA.jpg","version":"0.9.0","width":1659},{"_id":"U4DWJ5UKKBEUJALMN7O4FKAA4E","content":"\"What's interesting is this idea that an experience isn't complete until you've shared your own perspective on it or engaged other people in a conversation about it in media,\" Collins adds. Still, the spontaneity, immediacy, and agency that are essential to <em>flânerie</em> are just as present in this exhibition: \"Having people activated, experiencing parts of the city in new ways, will, I hope activate a different part of consciousness that I hope persists.\"","type":"text"},{"_id":"SV5HQ3H3ZBFVBLG6R6A66ZEQGU","content":"Person of the Crowd: The Contemporary Art of Flânerie <em>opens Saturday, February 25, and runs through May 22. Find the full exhibition schedule and info <a 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Huan, My New York","caption":"Zhang Huan, <em>My New York:</em> performance, 2002 Biennial Exhibition, Whitney Museum of American Art, New York, 2002","created_date":"2019-05-04T02:38:57Z","credits":{"by":[{"name":"Still courtesy the artist","type":"author"}]},"height":2693,"last_updated_date":"2019-05-04T02:38:57Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/XXC7NTJ7UM7EIQQM3AT47AWE4A","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/XXC7NTJ7UM7EIQQM3AT47AWE4A.jpg","version":"0.9.0","width":1800}],"created_date":"2019-04-12T17:00:00.686Z","credits":{"by":[{"_id":"F3KT6U7JG4B4LM4DQHD45REE54","additional_properties":{"original":{"_id":"F3KT6U7JG4B4LM4DQHD45REE54","awards":[],"bio_page":"https://www.popphoto.com/authors/meg-ryan","books":[],"byline":"Meg 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1974-75\rFrom The King of Solana Beach\rUnique set of 6 black and white photographs mounted on board\r6 1/2 x 9 1/2 each\rCourtesy of Ronald Feldman Fine Arts, New 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stars the performance and photo-based art work of artists such as Marina Abramovic, Sophie Calle, and Ed 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Peter van Agtmael / Magnum Photos","caption":"New Orleans, Louisiana. 2012. A Second Line Parade. A local African American tradition where brass bands—known as the first line - march in the streets and are joined by members of the public - called the “second liners.” The Second Line parades came about after the Civil War because insurance companies wouldn’t cover ex-slaves. So African Americans formed benevolent societies and clubs that helped members defray health costs. The dues included a band for funerals and a public parade every year. Over time, their popularity evolved, and now there are parades almost every Sunday in New Orleans.","created_date":"2019-01-28T16:30:04Z","credits":{"by":[{"name":"© Peter van Agtmael / Magnum Photos","type":"author"}]},"headlines":{"basic":"bats_final_011.jpg"},"height":1125,"label":{"basic":{"text":"bats_final_011.jpg"}},"last_updated_date":"2019-05-04T02:34:53Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/PPWD4DYSASJ22LJBJG4Q72HWNM","source_id":"243964","source_type":"other","system":"Anglerfish"},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/PPWD4DYSASJ22LJBJG4Q72HWNM.jpg","version":"0.9.0","width":1500},{"_id":"OR7MWE6YKJAWDMSYAPNB2CFIBY","content":"Violence has a way of permeating childhood even if you’re lucky enough to grow up in a place that is largely untouched by it.","type":"text"},{"_id":"YIYVO6GKHFDQDPDAUICI7PIHBU","content":"\"One of my earliest memories is of walking along a beach boardwalk as a five-year-old and excitedly spotting a little store selling cheap, neon-colored toy guns,\" photographer <a href=\"http://www.petervanagtmael.net\">Peter van Agtmael </a>writes in one of the essays in his new book, <em><a href=\"http://www.photoeye.com/bookstore/citation.cfm?catalog=KH155&amp;i=9783868287363&amp;i2=\">Buzzing at the Sill</a></em>. Although van Agtmael grew up in Bethesda, Maryland—a community of \"people who benefited from the American dream,\" the fascination was always there.","type":"text"},{"_id":"3ALAO3BXQFDLXELD72ZKNZHFMA","content":"A follow up to his 2014 book <em><a href=\"http://www.americanphotomag.com/best-photobooks-year-2014\">Disco Night Sept 11</a></em>, <em>Buzzing at the Sill</em> (Kehrer Verlag) is a visual exploration of violence in America organized in a beautifully designed spineless book. Here, van Agtmael speaks with us about how he sees this project as an extension of his work in Afghanistan and Iraq, his editing process, and why it's important to be aware of cultural blindspots.","type":"text"},{"_id":"MFV37FZ3MZTD75JZSJZJJ4WHSI","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/bats_final_042.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/MFV37FZ3MZTD75JZSJZJJ4WHSI.jpg","proxyUrl":"/photo/resize/XmrjrEqSgHoJfFTifRDWMBA7BMs=/arc-anglerfish-arc2-prod-bonnier/public/MFV37FZ3MZTD75JZSJZJJ4WHSI.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/XmrjrEqSgHoJfFTifRDWMBA7BMs=/arc-anglerfish-arc2-prod-bonnier/public/MFV37FZ3MZTD75JZSJZJJ4WHSI.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2012-06-21T02:24:50Z","version":1,"width_type":"full-width"},"alt_text":"© Peter van Agtmael / Magnum Photos","caption":"Detroit, Michigan. 2012. Outside Lyniece Nelson’s house. The family was still in shock over Treasure’s death. One of her sisters said “I don’t know if Treasure is asleep, or up. Because her pictures… every time I move around… they look like they are following me. She woke mama up to tell her she was leaving, she left… and that’s it.”","created_date":"2019-01-28T16:30:04Z","credits":{"by":[{"name":"© Peter van Agtmael / Magnum Photos","type":"author"}]},"headlines":{},"height":998,"label":{"basic":{}},"last_updated_date":"2019-01-28T16:30:08Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/MFV37FZ3MZTD75JZSJZJJ4WHSI","source_id":"popphoto/243969","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/MFV37FZ3MZTD75JZSJZJJ4WHSI.jpg","version":"0.9.0","width":1500},{"_id":"O43SEHNLOFDMBBLWWJF7S3YZAQ","content":"<strong><em>Buzzing at the Sill</em> certainly seems to deal with many of the issues that are reverberating through the United States today with the current administration: immigration, transgender rights, the divide between rural and urban communities, issues that address race and class and violence. Were you thinking of a single guiding narrative as you edited this book?</strong>","type":"text"},{"_id":"22NQHIPHHNCFNLCBID2MCG5N5Q","content":"There is not a defined narrative. The book is about many things, many of the things you mentioned. It’s a little bit about history and how we got to this place. It’s about me reflecting on America after having been engaged in it emotionally, through working a lot in Iraq and Afghanistan. It’s about class and it’s about race and it’s about geography. It’s also about the surreality of the place and the beauty of the place. It’s about torture on some level. It touches on all of these different things. The hope is that all those various aspects of it would resonate with someone.","type":"text"},{"_id":"SZAL6RCDOEI7WRKKUN74EP3Z6Y","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/bats_final_038.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/SZAL6RCDOEI7WRKKUN74EP3Z6Y.jpg","proxyUrl":"/photo/resize/db9vyMIYtXaPGTL5_PK_68mp8Ok=/arc-anglerfish-arc2-prod-bonnier/public/SZAL6RCDOEI7WRKKUN74EP3Z6Y.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/db9vyMIYtXaPGTL5_PK_68mp8Ok=/arc-anglerfish-arc2-prod-bonnier/public/SZAL6RCDOEI7WRKKUN74EP3Z6Y.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2010-07-05T04:59:28Z","version":1,"width_type":"full-width"},"alt_text":"© Peter van Agtmael / Magnum Photos","caption":"Brooklyn, New York. 2010. The Fourth of July.","created_date":"2019-01-28T16:30:04Z","credits":{"by":[{"name":"© Peter van Agtmael / Magnum Photos","type":"author"}]},"headlines":{},"height":998,"label":{"basic":{}},"last_updated_date":"2019-01-28T16:30:06Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/SZAL6RCDOEI7WRKKUN74EP3Z6Y","source_id":"popphoto/243968","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/SZAL6RCDOEI7WRKKUN74EP3Z6Y.jpg","version":"0.9.0","width":1500},{"_id":"52WHAFAOO5FALLIAXEF67OPPKY","content":"<strong>I love the way that the book almost tells two stories: There are the short poetic ones that complement the pictures and then the longer journalistic pieces that run in the back. Why was it important to include both?</strong>","type":"text"},{"_id":"XIJBIOKT5JEGZHATWPSDE45XLU","content":"I think the way I look at photography is the classic line, “Photographs are windows and mirrors.” I’ve always seen the process of being a photographer on the one hand, trying to explore and understand the world for myself. We’re bombarded, increasingly, with an isolated narrow cross section of ideas and ideology, if our beliefs tilt in one direction or another. That can verge on the propagandistic at times. Photography, in the process of exploring the world, has always been a really important check on that. I can experience things for myself, see things and hear things first-hand, then loop back in and try and understand it through a deeper context. They’re both meant to be documents for history, but it’s also an exploration of myself and my own memories. I hope, in an ideal world, that the stories I’m writing that deal with myself will resonate beyond myself—that there are points of identification that people would have with the themes in them. The beauty of photography for me is the merging of all of those worlds— that’s what I’ve tried to do with this book.","type":"text"},{"_id":"ECNGDYFHOFAPUANNTHBVPPJ6VU","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/bats_final_004.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ECNGDYFHOFAPUANNTHBVPPJ6VU.jpg","proxyUrl":"/photo/resize/EIdTg8LryZkDFeF9DIhuoiznJsg=/arc-anglerfish-arc2-prod-bonnier/public/ECNGDYFHOFAPUANNTHBVPPJ6VU.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/EIdTg8LryZkDFeF9DIhuoiznJsg=/arc-anglerfish-arc2-prod-bonnier/public/ECNGDYFHOFAPUANNTHBVPPJ6VU.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2010-09-18T00:45:07Z","version":1,"width_type":"full-width"},"alt_text":"© Peter van Agtmael / Magnum Photos","caption":"Des Moines, Iowa. 2010. At the annual Iowa GOP Ronald Reagan dinner Sarah Palin gave the keynote speech, which was seen as testing the waters for a possible presidential run. She savaged Obama; both for his pacifism (withdrawing American troops from Iraq) and his militarism (ordering the surge in Afghanistan). She praised the armed forces, while attacking the press (“people who are out there for the right of journalists to lie” ).","created_date":"2019-01-28T16:30:04Z","credits":{"by":[{"name":"© Peter van Agtmael / Magnum Photos","type":"author"}]},"headlines":{},"height":998,"label":{"basic":{}},"last_updated_date":"2019-01-28T16:30:08Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/ECNGDYFHOFAPUANNTHBVPPJ6VU","source_id":"popphoto/243962","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ECNGDYFHOFAPUANNTHBVPPJ6VU.jpg","version":"0.9.0","width":1500},{"_id":"5RLAOLN65VH6TBXN3WOXQ3ZUJU","content":"<strong>Do you see <em>Buzzing at the Sill</em> as being related to your last book, <em>Disco Night Sept 11</em>?</strong>","type":"text"},{"_id":"TFGMTYAAGNGNLLPYS4VC6CXD3E","content":"A lot of it was shot concurrently. I was shooting the pictures in <em>Disco Night</em> from 2006 to 2013, and this I started in 2009. I was spending a lot of time with the American military in Iraq and Afghanistan. Then I started following stories of veterans and families who had lost people and then signs of militarism and nationalism and the culture—I started following that home, but that started to be a limited framework. The questions that I was starting to have about America, that started to be provoked by these experiences, were only partially being answered by working within more of a military context. I started exploring more generally and that over time provokes many other ideas. I see <em>Buzzing at the Sill</em> as a sequel to <em>Disco Night</em> but, on a greater level, I see them both as chapters in this much bigger work that I'm doing that I think will take decades, about the nature of American power in history and how it manifests and all these different forms. So it's both a sequel and a second chapter.","type":"text"},{"_id":"HLJH62MIYLJUP5OWJSAM2LQZK4","additional_properties":{"alt-text":"© Peter van Agtmael / Magnum Photos","aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/bats_final_006.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/HLJH62MIYLJUP5OWJSAM2LQZK4.jpg","proxyUrl":"/photo/resize/VEAkjqkqCNxd94NzrRpCcBqaDVo=/arc-anglerfish-arc2-prod-bonnier/public/HLJH62MIYLJUP5OWJSAM2LQZK4.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/VEAkjqkqCNxd94NzrRpCcBqaDVo=/arc-anglerfish-arc2-prod-bonnier/public/HLJH62MIYLJUP5OWJSAM2LQZK4.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2014-02-20T13:49:22Z","version":1,"width_type":"full-width"},"alt_text":"© Peter van Agtmael / Magnum Photos","caption":"Hugo, Oklahoma. 2014. The remnants of a Choctaw allotment after their forced expulsion to Oklahoma. The Choctaw Tribe initially had vast territories in the Southeast United States. By the early 1800s, the American government had begun a systematic, legislated removal of the Natives from their land. In 1830, the Indian Removal Act was passed by Congress and led to the exodus of tens of thousands of Native Americans. The majority of the Choctaw were forced to march 800km to modern Oklahoma, watched over by white militias. In the last major removal, in 1838, the remaining people of the tribes were rounded into camps and then pushed west in groups of 700 during the hottest and coldest months of the year. Up to a third of them died. It became known as the “Trail of Tears.”","created_date":"2019-01-28T16:30:06Z","credits":{"by":[{"additional_properties":{},"name":"© Peter van Agtmael / Magnum Photos","type":"author"}]},"headlines":{"basic":"bats_final_006.jpg"},"height":1000,"label":{"basic":{"text":"bats_final_006.jpg"}},"last_updated_date":"2019-01-28T16:30:10Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/HLJH62MIYLJUP5OWJSAM2LQZK4","source_id":"243963","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/HLJH62MIYLJUP5OWJSAM2LQZK4.jpg","version":"0.9.0","width":1500},{"_id":"KXTVYONP2FCT7JAJVXHCZRYGFM","content":"<strong>What was the editing process like for this? How did you get started?</strong>","type":"text"},{"_id":"2DSMXRRF4JEEFNDU4I3C42CZPM","content":"I started printing my pictures, little 4x6 prints. Every few months I printed out a pile of cheap pictures and sifted through them a little bit, put them on magnetic board to see what stuck. There’s this tactic that Josef Koudelka has done for years in Magnum meetings: Everyone is gathered around for three or four days once a year, and it is mostly talking about the state of the business. A lot of people’s eyes glaze over, and so it is the perfect time to show work in progress and get people’s thoughts. What he does is he hands people a pile of pictures, and if you like it you put your initials on the back of the pictures. I did that with a big pile and got a sense of what people were responding to aesthetically. Then slowly, a few days a month, I started a tentative sequence and parsing down the edit. I gave myself a good year to let the sequence slowly form itself. There is a lot of decision-making, but there is also a lot of letting the pictures stew and live on the wall. Overtime it just emerged. You look for intersections of form and light and patterns, and that is good sequencing, but once you know the basic rules, a lot of it just becomes instinct.","type":"text"},{"_id":"SDOVEJCHTDV3NHHCKWY3KLN6XI","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/bats_final_012.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/SDOVEJCHTDV3NHHCKWY3KLN6XI.jpg","proxyUrl":"/photo/resize/5IS_B6b_fefYHyPfsHeUPoYhZAk=/arc-anglerfish-arc2-prod-bonnier/public/SDOVEJCHTDV3NHHCKWY3KLN6XI.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/5IS_B6b_fefYHyPfsHeUPoYhZAk=/arc-anglerfish-arc2-prod-bonnier/public/SDOVEJCHTDV3NHHCKWY3KLN6XI.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2015-05-03T00:09:40Z","version":1,"width_type":"full-width"},"alt_text":"© Peter van Agtmael / Magnum Photos","caption":"Louisville, KY. 2015. Kentucky Derby aftermath.","created_date":"2019-01-28T16:30:08Z","credits":{"by":[{"name":"© Peter van Agtmael / Magnum Photos","type":"author"}]},"headlines":{},"height":1002,"label":{"basic":{}},"last_updated_date":"2019-01-28T16:30:10Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/SDOVEJCHTDV3NHHCKWY3KLN6XI","source_id":"popphoto/243965","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/SDOVEJCHTDV3NHHCKWY3KLN6XI.jpg","version":"0.9.0","width":1500},{"_id":"2ELJR6JZLVHJVLBHA6QBG3BHHQ","content":"<strong>How involved were you with the process of designing the book?</strong>","type":"text"},{"_id":"TBCPA5HKM5F5JG7UE24TF7IIXU","content":"Very heavily involved, with all the books. They're all tied together, but I want them to exist on their own as well. There is this feeling that they each organically take on their own character and I didn't think anyone could decide those terms other than myself. I love photo books. I have a very big collection. Its my preferred way of working—more than magazines, more than exhibitions, I love the photo book. So there was always that ambition to design it as well. I started with a design a little more similar to <em>Disco Night</em>, then I realized this work is actually different. <em>Disco Night</em> was very consciously designed in a very sober way, slightly muted pictures, the text having equal placement as the images on the page. That worked for that book. It was a very sober subject and so I thought the sober design fit the subject. This is also a sober subject, but it's a little more raw and personal, so I wanted an intimate object. I wanted the pictures to have space to breath, because a lot of them have a certain amount of intricacy in the detail. I wanted people to be able to see the pictures better than they needed to see them in <em>Disco Night</em>. That's how I arrived at the lay-flat, no-real-spine design. It allowed for big pictures in a small package basically. To some degree, that's how I ended up with the paper choice as well. It's not an exotic, perfectly constructed object. 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The KKK had boasted that dozens from their Klan chapter would attend the rally and cross burning, but there were only a few people when we showed up, including a British TV crew and a freelance photographer. After a few vague excuses, the six or seven Klan members changed into their robes and began a show amongst themselves. One of the leaders started his speech. He shouted that there were ISIS training camps being created by the United Nations with FEMA (Federal Emergency Management Agency) whose fighters would then take American’s guns away. This plan was allegedly hatched by Barack Obama (or Barry Soetoro as he was called by the Klan. 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They invited us to check out a spot where they had a rope swing, and on the way we picked up some beer. Dusk was falling and it became a little party, we lit a fire while some of their younger cousins swung over a deep chasm, with just a thin rope around their waist to secure them to the tree. As the beer ran out and the night began to get colder, they invited us back to their home. \n Upon arrival, their sister (the matriarch of the family) smelled their breath and became furious. She asked us what possessed us to give them beer. She told us there was rampant alcoholism on the reservation, and declared we were just another in a long line of white men exploiting the Lakota. We were filled with tremendous shame and apologized profusely. As she explained the history of the tribe she mellowed and invited us to spend the night. We awoke in the morning to a beautiful dawn, and the youngest children tending to the horses.","created_date":"2019-01-28T16:30:05Z","credits":{"by":[{"name":"© Peter van Agtmael / Magnum Photos","type":"author"}]},"headlines":{},"height":996,"label":{"basic":{}},"last_updated_date":"2019-01-28T16:30:06Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/UYXTU4BPDZ764J23OCNK5KNJRQ","source_id":"popphoto/243970","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/UYXTU4BPDZ764J23OCNK5KNJRQ.jpg","version":"0.9.0","width":1500},{"_id":"YH7NDMSTSUOBYSJHOU4AD3EEQ4","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/bats_final_049.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/YH7NDMSTSUOBYSJHOU4AD3EEQ4.jpg","proxyUrl":"/photo/resize/NzW_oDWBAtzVPPGJd9W46LZ0-8Q=/arc-anglerfish-arc2-prod-bonnier/public/YH7NDMSTSUOBYSJHOU4AD3EEQ4.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/NzW_oDWBAtzVPPGJd9W46LZ0-8Q=/arc-anglerfish-arc2-prod-bonnier/public/YH7NDMSTSUOBYSJHOU4AD3EEQ4.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2008-02-26T22:20:05Z","version":1,"width_type":"full-width"},"alt_text":"© Peter van Agtmael / Magnum Photos","caption":"On the outskirts of New Orleans, Louisiana. 2009. 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After dinner at Lyniece’s house.","created_date":"2019-01-28T16:30:05Z","credits":{"by":[{"name":"© Peter van Agtmael / Magnum Photos","type":"author"}]},"headlines":{},"height":996,"label":{"basic":{}},"last_updated_date":"2019-01-28T16:30:10Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/JJAJOZR7PXZGG77NOQBCNFJXT4","source_id":"popphoto/243972","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/JJAJOZR7PXZGG77NOQBCNFJXT4.jpg","version":"0.9.0","width":1500},{"_id":"XICTGEPGDZLRBJW3AKQZH6V7KA","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/bats_final_061.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/XICTGEPGDZLRBJW3AKQZH6V7KA.jpg","proxyUrl":"/photo/resize/46764q6-94jDGjXxI0Q5bW6xOt8=/arc-anglerfish-arc2-prod-bonnier/public/XICTGEPGDZLRBJW3AKQZH6V7KA.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/46764q6-94jDGjXxI0Q5bW6xOt8=/arc-anglerfish-arc2-prod-bonnier/public/XICTGEPGDZLRBJW3AKQZH6V7KA.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2015-05-29T05:07:33Z","version":1,"width_type":"full-width"},"alt_text":"© Peter van Agtmael / Magnum Photos","caption":"Portland, Oregon. 2015. Iraqi refugees in a low income housing community in Portland. 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Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/7XYGGNYA2OGM3IFKLHEK4I5IVY","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/7XYGGNYA2OGM3IFKLHEK4I5IVY.jpg","version":"0.9.0","width":1500},{"_id":"3VHCOQXQTNFDLKIC6FNTLBLSDU","content":"A strong series of photographs is an ongoing visual dialogue. Each photo speaks to the one before it and the one after it. Different sequences of the same set of photographs can have different effects on the viewer. In Turkish photographer <a href=\"http://www.korhankaraoysal.com/\">Korhan Karaoysal</a>'s book <em><a href=\"https://www.rob389.com/default.asp?PG=UDE11EN&amp;MMG00_CODE=11&amp;MMM00_ITEM_CODE=9786059194211\">Reason Purpose</a></em> (Neden Amaç in Turkish), horizontal photographs are split in two. The left side of the page has half of one photograph and the right side has half of another, turning the book into a kind of visual puzzle. The book is also a mix of black-and-white and color images, and when the halves are paired with each other, they create new images.","type":"text"},{"_id":"XQHSV6LY5FDPZNUN4M26TGZTNI","content":"Shot between 2007 and 2015 , during a time of great change in Turkey, the images capture group gatherings that highlight various aspects of Turkish society, culture and history; and the friction between the old and new.  It’s an account of Turkey’s recent history designed in such a way that it keeps you engaged.","type":"text"},{"_id":"ZTX4GPFD4NCCTJPLX5ITUVAYUQ","content":"Karaoysal spoke with <em>American Photo</em> about the importance of a good editor, switching between black-and-white and color and how street and documentary photography can work together.","type":"text"},{"_id":"VZINLASDLWSF473URXWICYHTQA","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5911.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/VZINLASDLWSF473URXWICYHTQA.jpg","proxyUrl":"/photo/resize/3px8EYdQBuh8Wq_X-FY8YMshL8Q=/arc-anglerfish-arc2-prod-bonnier/public/VZINLASDLWSF473URXWICYHTQA.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/3px8EYdQBuh8Wq_X-FY8YMshL8Q=/arc-anglerfish-arc2-prod-bonnier/public/VZINLASDLWSF473URXWICYHTQA.jpg","restricted":false,"takenOn":"2017-02-18T12:35:17Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/VZINLASDLWSF473URXWICYHTQA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/VZINLASDLWSF473URXWICYHTQA.jpg","version":"0.9.0","width":1500},{"_id":"UBZNRKLKBRHXXFZJW5FDPGRM4M","content":"<strong>How did this get started?</strong>","type":"text"},{"_id":"SD65HJYCINCB5DU3JVPPXAZBSA","content":"Well, I was always thinking about ideas as a documentary photographer. What should I work on next? What should I shoot next? This was always my concern. Before that project, I was photographing my family, a visual diary like many other documentary photographers did several times. But I am always into sociology as a kind of hobby. My family work was also into sociology in that sense. It wasn’t just like a visual diary. I was seeing it as a representation of a middle class family living in a suburb.","type":"text"},{"_id":"M4EM77XDEFAQBMCEW7NFZGB6VY","content":"My family’s story was somehow related to our city’s history because I was born and raised in the center of Istanbul, in the Fatih district, and when I was four years old, we had to move to one of the first suburbs of Istanbul, which is around Bakırköy. When I was in high school, we had to move out again farther away. My family represents the situation of a middle-class family in a socio-economical context, but the photographs, I’m not sure if they were so much representations of the idea because people were seeing them as a personal visual diary.  I started thinking, how can I connect this to another story to put into such a perspective, to give it a borderline in the social context of Turkey?","type":"text"},{"_id":"MVS5TXPEU5EERKF3QBAAVS5TXU","content":"I was also interested in how people are coming together. I was also thinking and reading on crowd psychology. People are coming together. Why do they need to come together? For the last 10 years, I wasn’t a very social guy, but I was really curious what makes people to come together with other people. I made a schedule of all the events that’s going to take place in the next year. Some of those events are repeating every year like national days, religious days. I started going out and photographing those, but they were not only political events. Some of them are national days, some of them are little municipality events. For me they were all representative events. They were representing people’s ideas and feelings, and in such events, people were full of emotions. So it came to my mind as such an idea to go such places and take photographs. It was kind of similar to Robert Frank’s The Americans in terms of sense and feelings. It was one of my starting points to see my society and Turkish culture.","type":"text"},{"_id":"KJOM2ZMXRH4LJE6OS5NSNS7GNA","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5913.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KJOM2ZMXRH4LJE6OS5NSNS7GNA.jpg","proxyUrl":"/photo/resize/AmrifsPAoD7fBzmLGvyAs5tFSIg=/arc-anglerfish-arc2-prod-bonnier/public/KJOM2ZMXRH4LJE6OS5NSNS7GNA.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/AmrifsPAoD7fBzmLGvyAs5tFSIg=/arc-anglerfish-arc2-prod-bonnier/public/KJOM2ZMXRH4LJE6OS5NSNS7GNA.jpg","restricted":false,"takenOn":"2017-02-18T12:35:38Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/KJOM2ZMXRH4LJE6OS5NSNS7GNA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KJOM2ZMXRH4LJE6OS5NSNS7GNA.jpg","version":"0.9.0","width":1500},{"_id":"ZU4BPSVBAFCXJAWN6AH6ZC5YDM","content":"<strong>I can definitely see the influence of The Americans, but I think what sets this work apart is that you’re very much a part of the culture you’re photographing, right? With Reason Purpose, there’s a closeness that just comes by virtue of being Turkish.</strong>","type":"text"},{"_id":"Q5CNODZCTNG6JK7IFWORATTN74","content":"That makes things easier. I can see their feelings. I know what they’re going to do next. I know why they’re there, what they are feeling, but I don’t really feel connected to any of those groups.","type":"text"},{"_id":"MWXPHZRC5VD6FUGJ4FKOX4YCEM","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5916.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/MWXPHZRC5VD6FUGJ4FKOX4YCEM.jpg","proxyUrl":"/photo/resize/9sla1ZXD2Uo-t9i6W-YgJyLpQcg=/arc-anglerfish-arc2-prod-bonnier/public/MWXPHZRC5VD6FUGJ4FKOX4YCEM.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/9sla1ZXD2Uo-t9i6W-YgJyLpQcg=/arc-anglerfish-arc2-prod-bonnier/public/MWXPHZRC5VD6FUGJ4FKOX4YCEM.jpg","restricted":false,"takenOn":"2017-02-18T12:36:08Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/MWXPHZRC5VD6FUGJ4FKOX4YCEM","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/MWXPHZRC5VD6FUGJ4FKOX4YCEM.jpg","version":"0.9.0","width":1500},{"_id":"JI2HH5QPMRCPBMH534HKH2XS2A","content":"<strong>It’s rare that black-and-white and color work well together in the same thing. Usually, something is all black-and-white or it’s all color, but the book has a fascinating design that works really well and juxtaposes the two. As you were shooting, how did you decide between black-and-white and color for any given event?</strong>","type":"text"},{"_id":"BEWVFK4PWNEJPLAKVYMOLN3GVI","content":"Honestly, I didn’t. I just grab whatever I have at the moment, but I always knew that I have black-and-white in my camera or I have color in my camera. I really have a different approach and way of thinking of them. They are different in terms of feelings, so I always knew the difference. It’s a long-term work. It was like 10 years. I was always using black-and-white and color at the same time. That’s why I couldn’t put together all this work for a long while in an exhibition or on my website or in a book form.","type":"text"},{"_id":"PLJ345CDA5CYXFNWD6G2GWVEEI","content":"For me, street photography in Istanbul should be in black-and-white because it’s a darker city with too much dust. I always saw Istanbul in black-and-white. If I am going outside and shooting in daily routine, I prefer black-and-white, but some events were very colorful—the flags, all the other things there. So I thought there should be color as well, but it wasn’t a very clear decision beforehand that I should go that way or this way. It was really difficult to put them together. I just took a rangefinder camera, and just took the film that I wanted with me. If it is a political rally, I knew that there would be colorful flags, Turkish flags or party flags in orange and red. So I took color film with me. When I’m going to other places, like small municipalities out of city center, I know there won’t be something colorful. There will be old veterans in old clothes. I want to do this in black-and-white. It depends on the gathering.","type":"text"},{"_id":"JGV6FGQZ5XSIZLDEUVGFAGUFBU","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5917.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/JGV6FGQZ5XSIZLDEUVGFAGUFBU.jpg","proxyUrl":"/photo/resize/kqNQRQ24a0lbDWAYxypXlxDRhSI=/arc-anglerfish-arc2-prod-bonnier/public/JGV6FGQZ5XSIZLDEUVGFAGUFBU.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/kqNQRQ24a0lbDWAYxypXlxDRhSI=/arc-anglerfish-arc2-prod-bonnier/public/JGV6FGQZ5XSIZLDEUVGFAGUFBU.jpg","restricted":false,"takenOn":"2017-02-18T12:36:20Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/JGV6FGQZ5XSIZLDEUVGFAGUFBU","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/JGV6FGQZ5XSIZLDEUVGFAGUFBU.jpg","version":"0.9.0","width":1500},{"_id":"UXQLMN7F45GHHADPD7R32MHL3Q","content":"<strong>What about the design? How was that conceived?</strong>","type":"text"},{"_id":"PJQ6QDBKNVGVXO2T73ERP5OQJE","content":"In terms of the design, this book came out in a workshop called <a href=\"http://thebooklab.org/\">Book Lab</a>. Okay Karadayilar and Frederic Lezmi invited me there to make a book dummy with other artists and photographers. They have been doing this for three years. Okay proposed to do it this way using horizontal photographs and dividing them into two verticals, and I was a very conservative photographer in terms of my work and using them like this. But then I suddenly remembered David Alan Harvey's book about <em>Rio</em>. You know, he has a very good design, using horizontal photographs and dividing them into two pages. I thought it was going to work great with this book.  It also reminded me of Boris Mikhailov's <em>Tea Coffee Cappuccino</em>. He's also using two horizontals and combining them together in a very nice way, but in both of those books, they are using the diagonals and the shapes. My photographs are mostly working in terms of content.","type":"text"},{"_id":"PADUPOKMH55EBYP7RK7EM3FV5A","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5926.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/PADUPOKMH55EBYP7RK7EM3FV5A.jpg","proxyUrl":"/photo/resize/es64yEf2Xmg-AfFXp1lO5c6UVbw=/arc-anglerfish-arc2-prod-bonnier/public/PADUPOKMH55EBYP7RK7EM3FV5A.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/es64yEf2Xmg-AfFXp1lO5c6UVbw=/arc-anglerfish-arc2-prod-bonnier/public/PADUPOKMH55EBYP7RK7EM3FV5A.jpg","restricted":false,"takenOn":"2017-02-18T12:38:13Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/PADUPOKMH55EBYP7RK7EM3FV5A","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/PADUPOKMH55EBYP7RK7EM3FV5A.jpg","version":"0.9.0","width":1500},{"_id":"35FOWO4MEJFA7DJZ2G4BIY4HCM","content":"<strong>It seems to me that Turkey is living several layers of history at once. In the book, it’s like two different eras of Turkey’s history communicating with each other, but it’s just from the last ten years.</strong>","type":"text"},{"_id":"QVCMQOWW2VFK5IHKK32X54OZTQ","content":"That’s true. You are totally correct. I totally agree with you. There are these historical layers, but it’s something else. We are between East and West. We are between positivist ideas from West and religious ideas from East, but it’s always a clash in between those two. I think this is where it’s all coming from. It’s causing a struggle for individuals as well. It never ends. You always have this struggle in between yourself, thinking about the ideas you’re raised with, with the education you get. There’s always a clash between those two.","type":"text"},{"_id":"ARKG5BMBS4MPPLPX5WCHXDMTWY","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5929.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ARKG5BMBS4MPPLPX5WCHXDMTWY.jpg","proxyUrl":"/photo/resize/qIbADTXGLxkOOwB_OuKe-xpijhk=/arc-anglerfish-arc2-prod-bonnier/public/ARKG5BMBS4MPPLPX5WCHXDMTWY.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/qIbADTXGLxkOOwB_OuKe-xpijhk=/arc-anglerfish-arc2-prod-bonnier/public/ARKG5BMBS4MPPLPX5WCHXDMTWY.jpg","restricted":false,"takenOn":"2017-02-18T12:38:45Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/ARKG5BMBS4MPPLPX5WCHXDMTWY","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ARKG5BMBS4MPPLPX5WCHXDMTWY.jpg","version":"0.9.0","width":1500},{"_id":"2G7BVBJNBREAFALCK4L265KPH4","content":"<strong>What are some of the things you learned in the process of working on this, both in photographing and then making the book?</strong>","type":"text"},{"_id":"76SYBQYS35GM3KBE4WVI46NNZU","content":"I think it taught me the importance of working together with a good editor. We started looking at photographs and we edited it in an order. Then Frederic Lezmi came and looked at them and made another order. It was his brilliant idea to match most of them. I can’t thank him enough for this.","type":"text"},{"_id":"4DJU7E4P45H2NCCFJMNMIBCNNU","content":"Also the importance of working with a good designer. Okay Karadayilar came here at that point, and he choose to make the design like this. It was his idea to use a red, translucent cover like this. It also resembles the color of the Turkish flag. For me, it works as the red filter we use in darkroom for black and white photographs. When you put a red filter on a color photograph, it suddenly becomes a contrasted black-and-white image. When you look at the first photograph from the color cover, you can think it’s a black-and-white image. It also fits well with the idea of using black-and-white and color. I learned the importance of a good editor and designer, but also the importance of a group of people. There were all the other artists as well. We also had each other’s work. We gave our ideas. We criticized each other’s work and books.","type":"text"},{"_id":"SUJZ5NWMXNETFFUFSFFQEXOJZ4","content":"And for the first part of your question, I was already working on the streets as a documentary and street photographer with a rangefinder camera. I was practicing on this approach for a long while, but I learned doing this in a context, building a framework for myself, not just wandering around the streets as a street photographer, but thinking in the borderline of an idea, choosing my subjects, my topics like a documentary photographer, but behaving like a street photographer. I also came closer to opposing ideas, which I wouldn’t normally. I started understanding them somehow. After Gezi, after the coup attempt, everything suddenly changed in Turkey. The meanings behind these photographs, all these representations have been suddenly changed. They became huge. It’s out of control now.","type":"text"},{"_id":"ITJOKLADGQUL5WMDVA6GUIHA7I","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5930.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ITJOKLADGQUL5WMDVA6GUIHA7I.jpg","proxyUrl":"/photo/resize/Q1Vi4RjCxhQ7MRS3Qp5WLfy8QwY=/arc-anglerfish-arc2-prod-bonnier/public/ITJOKLADGQUL5WMDVA6GUIHA7I.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/Q1Vi4RjCxhQ7MRS3Qp5WLfy8QwY=/arc-anglerfish-arc2-prod-bonnier/public/ITJOKLADGQUL5WMDVA6GUIHA7I.jpg","restricted":false,"takenOn":"2017-02-18T12:38:56Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/ITJOKLADGQUL5WMDVA6GUIHA7I","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ITJOKLADGQUL5WMDVA6GUIHA7I.jpg","version":"0.9.0","width":1500},{"_id":"FOR5EGTIRVHQNGDEM3T24JJIUY","content":"<strong>When did you know you were at the end of the project?</strong>","type":"text"},{"_id":"4KFDLJK4VJDV3G33FATABSVJPE","content":"I felt at the end when I was outside in Gezi protests. There are no photographs from Gezi protests in this book. I took some photographs in Gezi protests for two days, but never used any of them.","type":"text"},{"_id":"XUJZE4232FAYZBTIDYWKENVEMM","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5933.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/XUJZE4232FAYZBTIDYWKENVEMM.jpg","proxyUrl":"/photo/resize/5AQ2WBVNpzKutd1DIBxJaaZcx1E=/arc-anglerfish-arc2-prod-bonnier/public/XUJZE4232FAYZBTIDYWKENVEMM.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/5AQ2WBVNpzKutd1DIBxJaaZcx1E=/arc-anglerfish-arc2-prod-bonnier/public/XUJZE4232FAYZBTIDYWKENVEMM.jpg","restricted":false,"takenOn":"2017-02-18T12:39:28Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/XUJZE4232FAYZBTIDYWKENVEMM","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/XUJZE4232FAYZBTIDYWKENVEMM.jpg","version":"0.9.0","width":1500},{"_id":"B467NURNQVAYFH6FUMYO5EUIPU","content":"<strong>Why?</strong>","type":"text"},{"_id":"SNVU5STQJVEFFMXETFMK65MCPE","content":"At all the other events I had distance. I wasn’t one of the people there. But in the Gezi protests, all of us found ourselves inside the crowds, even though we all have different or opposing ideas, everybody was protesting the same thing. Our generation, people a bit younger than me, are always being blamed for not being political or not activist enough, but I have seen many young students from high schools out there and it was different in that sense. After that, I still photographed some political events in 2015, which was after Gezi because I thought there were some missing parts in the whole structure of the photographs. Some strong photographs were missing from some events. I already had photographs from such events, but they were not strong enough so I went there again and kept photographing.","type":"text"},{"_id":"XLPLMV7UJ6EAQK667M7PO7D6Y4","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5934.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/XLPLMV7UJ6EAQK667M7PO7D6Y4.jpg","proxyUrl":"/photo/resize/7k4IlOyqJJ84XuE6hdorGjFusmg=/arc-anglerfish-arc2-prod-bonnier/public/XLPLMV7UJ6EAQK667M7PO7D6Y4.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/7k4IlOyqJJ84XuE6hdorGjFusmg=/arc-anglerfish-arc2-prod-bonnier/public/XLPLMV7UJ6EAQK667M7PO7D6Y4.jpg","restricted":false,"takenOn":"2017-02-18T12:39:37Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/XLPLMV7UJ6EAQK667M7PO7D6Y4","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/XLPLMV7UJ6EAQK667M7PO7D6Y4.jpg","version":"0.9.0","width":1500},{"_id":"JJC45JDV7VCN7H2LDWPJX5N72A","content":"<strong>How big was your edit?</strong>","type":"text"},{"_id":"A3Y25UMSAJC5PJNYXDCNT4QYNA","content":"Well, I had maybe 150 that I took to Book Lab. As we decided the design, we suddenly took out photographs that wouldn’t go together, in terms of dividing them into two. Photographs that have the subject in the middle, you couldn’t use them. There’s an exception, which is the photograph in the middle of the book. Vertical photographs had to go.  We made a smaller selection for the book.","type":"text"},{"_id":"TCJ4QCMI6TDA55M6DIS3XYOBBE","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5935.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/TCJ4QCMI6TDA55M6DIS3XYOBBE.jpg","proxyUrl":"/photo/resize/Cp-PFCvaeSMtoJHQNSpSkSBuSRU=/arc-anglerfish-arc2-prod-bonnier/public/TCJ4QCMI6TDA55M6DIS3XYOBBE.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/Cp-PFCvaeSMtoJHQNSpSkSBuSRU=/arc-anglerfish-arc2-prod-bonnier/public/TCJ4QCMI6TDA55M6DIS3XYOBBE.jpg","restricted":false,"takenOn":"2017-02-18T12:39:47Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/TCJ4QCMI6TDA55M6DIS3XYOBBE","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/TCJ4QCMI6TDA55M6DIS3XYOBBE.jpg","version":"0.9.0","width":1500},{"_id":"CCIFR3VCQ5CJNC3APUIGIFLTRA","content":"<strong>Do you only shoot film, or do you shoot film and digital?</strong>","type":"text"},{"_id":"ZEGRPU3V55BZRJLDZMO2ADXBKI","content":"I used to shoot only film for my personal work, but for a while, I have been using both. It’s always one of my main concerns. I couldn’t make an exact switch from film to digital. I’m still thinking on it, but different projects need different technologies. For instance, I made a project of modified cars and their owners. This was totally in digital because it was very easy to do it in digital, but for such projects like documentary work, I still prefer analog.","type":"text"},{"_id":"MV5CETO5GND2LJSPTQANFT54BM","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5936.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/MV5CETO5GND2LJSPTQANFT54BM.jpg","proxyUrl":"/photo/resize/R0aarUcd0_vMqc5xyT-fZQfX6dQ=/arc-anglerfish-arc2-prod-bonnier/public/MV5CETO5GND2LJSPTQANFT54BM.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/R0aarUcd0_vMqc5xyT-fZQfX6dQ=/arc-anglerfish-arc2-prod-bonnier/public/MV5CETO5GND2LJSPTQANFT54BM.jpg","restricted":false,"takenOn":"2017-02-18T12:40:00Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:10Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:10Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/MV5CETO5GND2LJSPTQANFT54BM","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/MV5CETO5GND2LJSPTQANFT54BM.jpg","version":"0.9.0","width":1500},{"_id":"ZSUTE2O35VATVDZXULMUB2TMVM","content":"<strong>Is the book all analog?</strong>","type":"text"},{"_id":"RTB3Y3VXORCILDMWKCLLO6CJ5U","content":"There are some digital files there. I really like seeing the difference as you turn the pages. Some digitals are sharper. Some black and whites are with high ISOs, so you see bigger grain. You change the texture, and that reminds you as a viewer there’s a plane there, there’s a technology there, you don’t just get into the subject. As you see the grains, as you see the digital files, it reminds you that it’s a photograph.","type":"text"},{"_id":"DUX7XP5QCBOUGMWA7OO34P2CJU","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/img_5938.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/DUX7XP5QCBOUGMWA7OO34P2CJU.jpg","proxyUrl":"/photo/resize/tnTitPlHHXDcQYduGZQ6VNhSto8=/arc-anglerfish-arc2-prod-bonnier/public/DUX7XP5QCBOUGMWA7OO34P2CJU.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/tnTitPlHHXDcQYduGZQ6VNhSto8=/arc-anglerfish-arc2-prod-bonnier/public/DUX7XP5QCBOUGMWA7OO34P2CJU.jpg","restricted":false,"takenOn":"2017-02-18T12:40:16Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"© Korhan Karaoysal","caption":"Spread from <em>Reason Purpose</em>","created_date":"2019-05-04T02:39:09Z","credits":{"by":[{"name":"© Korhan Karaoysal","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:39:09Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/DUX7XP5QCBOUGMWA7OO34P2CJU","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/DUX7XP5QCBOUGMWA7OO34P2CJU.jpg","version":"0.9.0","width":1500},{"_id":"PDILB6OQ5JHSBJBBSWUQ2X4RTY","content":"<strong>I find that with some of the most powerful digital cameras the image is so crisp, it’s like you’re not even looking at a photograph anymore. It’s like you’re opening the window and looking outside, which is fine, don’t get me wrong, but I like when I’m looking at a photograph that with the way it’s taken I’m reminded that I’m looking at a photograph.</strong>","type":"text"},{"_id":"F6QYVMQK6BC5PHO3WQMAWFOTBE","content":"If you keep looking at black-and-white film all the time, you get into this and you don’t see the film anymore, you see the subject. If you change it from crisp to something grainy, then you will start thinking about the layer in between.","type":"text"}],"created_date":"2019-04-12T17:00:02.405Z","credits":{"by":[{"_id":"DXA53Z6KED5I7TJ2RXRCFFE7JI","additional_properties":{"original":{"_id":"DXA53Z6KED5I7TJ2RXRCFFE7JI","awards":[],"bio_page":"https://www.popphoto.com/authors/julius-motal","books":[],"byline":"Julius Motal","education":[],"firstName":"Julius","lastName":"Motal","last_updated_date":"2019-02-01T18:30:08.427Z","name":"Julius Motal","org":"Popular Photography","podcasts":[],"slug":"julius-motal","source_id":"111595","type":"author"}},"name":"Julius Motal","slug":"julius-motal","type":"author","url":"https://www.popphoto.com/authors/julius-motal","version":"0.5.8"}]},"description":{"basic":"Turkish photographer Korhan Karaoysal speaks with American Photo about the visual dialogue in Reason Purpose."},"display_date":"2017-02-22T21:00:38Z","distributor":{"category":"staff","name":"Popular 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Pond","caption":"Mack Wolford mops his brow during a serpent hunt that was filmed, Panther, West Virginia, September 2011.","created_date":"2019-01-23T05:42:09Z","credits":{"by":[{"name":"© Lauren Pond","type":"author"}]},"headlines":{"basic":"pond_testoffaith_04.jpg"},"height":1600,"label":{"basic":{"text":"pond_testoffaith_04.jpg"}},"last_updated_date":"2019-05-04T02:39:12Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/LL5QAAR2I3QTG5L36YNQHVSKRM","source_id":"243932","source_type":"other","system":"Anglerfish"},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/LL5QAAR2I3QTG5L36YNQHVSKRM.jpg","version":"0.9.0","width":2400},{"_id":"FLGA4SOFIJFDVKHJYKFP6JITOA","content":"<a href=\"http://www.laurenpondphoto.com/\">Lauren Pond</a>'s project, <em>Test of Faith</em> documenting Pentecostal Holiness Signs Followers, known as \"serpent handlers,\" has spanned more than six years, but almost came to an abrupt end just one year in.","type":"text"},{"_id":"EHTX4R7QPJEOVCK33WIFW6KKPE","content":"In 2011, Pond traveled to West Virginia to begin documenting the community and practices of Signs Followers, members of the Pentecostal Holiness church who take a literal reading of a passage from the Gospel of Mark:","type":"text"},{"_id":"F3TRDHDFUZBIPJA4VICTT6U5ZQ","content":"<em>16:17-18 “And these signs will follow those who believe: in My name they will cast out demons; they will speak with new tongues; they will take up serpents; and if they drink anything deadly, it will by no means hurt them; they will lay hands on the sick, and they will recover.”</em>","type":"text"},{"_id":"6YWNP42EPBEFLIQYSCWAQQDZ2U","content":"She began focusing on Pastor Mack Wolford and his family, but Mack was fatally bitten by a rattlesnake during a service in May 2012.","type":"text"},{"_id":"732I3H5J44ZA3OCPHQJUHWEMXI","additional_properties":{"alt-text":"Lauren Pond","aspect_ratio":"1x_","galleries":[],"keywords":["appalachia","death. bluefield west virginia","holiness","mack wolford","photojournalism","photojournalism documentary","religion","serpent handler","serpent-handling story","signs following","snake"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/pond.foot_on_snake.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/732I3H5J44ZA3OCPHQJUHWEMXI.jpg","proxyUrl":"/photo/resize/YKv87L3gSxKizIwWXCDOvb5vGJQ=/arc-anglerfish-arc2-prod-bonnier/public/732I3H5J44ZA3OCPHQJUHWEMXI.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/YKv87L3gSxKizIwWXCDOvb5vGJQ=/arc-anglerfish-arc2-prod-bonnier/public/732I3H5J44ZA3OCPHQJUHWEMXI.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2012-05-27T00:00:00Z","version":5,"width_type":"full-width"},"alt_text":"Lauren Pond","caption":"Mack Wolford walks on the yellow timber rattlesnake moments after it bites him, Panther, West Virginia, May 2012.","created_date":"2019-01-23T05:42:05Z","credits":{"by":[{"name":"© Lauren Pond","type":"author"}]},"headlines":{},"height":1600,"label":{"basic":{}},"last_updated_date":"2019-01-23T16:40:42Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/732I3H5J44ZA3OCPHQJUHWEMXI","source_id":"popphoto/243933","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/732I3H5J44ZA3OCPHQJUHWEMXI.jpg","version":"0.9.0","width":2400},{"_id":"KNQASTCN75GLNBPBV7ML65VIXQ","content":"“Honestly, when he died I thought that was the end of it,” says Pond, who had become close with Mack and his family. “I was traumatized and they were traumatized, and I had just thought, No I just can't work on this anymore.”","type":"text"},{"_id":"PNI3KBSGXRFNXCSYQDBAZDWEBQ","content":"But a year after Mack’s death, Pond was invited back for a memorial service for Mack and reconnected with the family. It was during this process of overcoming her own feelings of guilt and trauma that Pond began thinking of her project not strictly as a photojournalistic document of the Signs Followers, but as a narrative of how her journey entwined with that of the Wolfords.","type":"text"},{"_id":"AOGZUU4HTFHVHGWJOKOQLAMDUI","content":"Pond was awarded the <a href=\"http://firstbookprizephoto.com/lauren-pond-wins-2016/\">CDS/Honickman First Book Prize in Photography</a> in January for her work, which will be published as a book through Duke University Press and the Center for Documentary Studies at Duke University in November of this year.","type":"text"},{"_id":"44PL4HFF4JDW5BW65K2LRSRJDU","content":"<em>American Photo</em> spoke with Pond about her experience working on Test of Faith, reporting on communities of faith and dealing with trauma.","type":"text"},{"_id":"EX7FTCVNRIB5CVPZLBL4PB4NI4","additional_properties":{"alt-text":"Lauren Pond","aspect_ratio":"1x_","galleries":[],"keywords":["appalachia","christian","holiness","mack wolford","occupy faith story","pentecostal holiness","photojournalism","photojournalism documentary","religion","serpent handler","serpent-handling story","signs following","snake"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/pond.snake_.back_.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/EX7FTCVNRIB5CVPZLBL4PB4NI4.jpg","proxyUrl":"/photo/resize/eqaAgDvDCivW12A0AsBqoHGP5dg=/arc-anglerfish-arc2-prod-bonnier/public/EX7FTCVNRIB5CVPZLBL4PB4NI4.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/eqaAgDvDCivW12A0AsBqoHGP5dg=/arc-anglerfish-arc2-prod-bonnier/public/EX7FTCVNRIB5CVPZLBL4PB4NI4.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2011-05-28T00:00:00Z","version":5,"width_type":"full-width"},"alt_text":"Lauren Pond","caption":"Pastor Randy “Mack” Wolford's yellow timber rattlesnake Sheba slithers around his neck during an outdoor worship service, Panther, West Virginia, May 2011.","created_date":"2019-01-23T05:42:01Z","credits":{"by":[{"name":"© Lauren Pond","type":"author"}]},"headlines":{},"height":1610,"label":{"basic":{}},"last_updated_date":"2019-01-23T16:40:42Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/EX7FTCVNRIB5CVPZLBL4PB4NI4","source_id":"popphoto/243938","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/EX7FTCVNRIB5CVPZLBL4PB4NI4.jpg","version":"0.9.0","width":2400},{"_id":"V52LZUUORBHMNL2ZGM6IO2MDOQ","content":"<strong>What was it about this topic that you were interested in?</strong>","type":"text"},{"_id":"ZZLRBGSN55ASTB2FWPX4EQ2FDU","content":"I was mainly interested in what is serpent handling, why do people do it, what keeps them going  through the generations, and who are they. I’d read about it in an anthropology class and that’s the first I knew of it. I had no idea it existed in the U.S. So I think that’s what initially prompted my work. I lived in Washington, D.C. at the time I started this work, and I had some time off, so I went down there to Jolo, West Virginia, in February of 2011. I didn’t meet Mack until that spring, and by that time I guess I’d gotten a little bit more of the lay of the land and gotten to know the community a little bit more.","type":"text"},{"_id":"PCXPDBMPRBBIBLPWYMT2CM3SMA","content":"At first I was just curious about the practice, but then I got more interested in the community itself, the Wolford family, and who Mack was and how this factored into his life. I think that’s what my early work explored. Up until the day that he was fatally bitten by the rattlesnake. And then it just became a much more personal project after that, I think, with me learning to forgive myself for what happened and for having not done anything to help save him, because that was against his medical beliefs. And learning to forgive myself and then building a stronger relationship with his family. That’s what the second half of the project is about, up until the present day.","type":"text"},{"_id":"7G2GBEZGZFG77I56SQ3YEQXOE4","content":"Originally I approached it from a normal photojournalistic perspective. You’re just an observer, although I got relatively close to Mack. But after he died, and in the course of my work with his family, I became much more involved. I don’t really see it as a photojournalism project, per se, anymore—because I feel like I’m documenting our friendship and how we helped each other heal. It’s a personal documentary project at this point, not really so much about serpent handling. Although I think the documentation of our relationship shows a lot about who they are as people, as much as what the tenets of their faith are.","type":"text"},{"_id":"SWWJO7LGDJ5MW3RSYA4X2PYYYM","additional_properties":{"alt-text":"Lauren Pond","aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/pond_testoffaith_03.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/SWWJO7LGDJ5MW3RSYA4X2PYYYM.jpg","proxyUrl":"/photo/resize/sZ-yyq7w9ogCcOsCR00nRsmR6bk=/arc-anglerfish-arc2-prod-bonnier/public/SWWJO7LGDJ5MW3RSYA4X2PYYYM.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/sZ-yyq7w9ogCcOsCR00nRsmR6bk=/arc-anglerfish-arc2-prod-bonnier/public/SWWJO7LGDJ5MW3RSYA4X2PYYYM.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2011-11-17T00:00:00Z","version":5,"width_type":"full-width"},"alt_text":"Lauren Pond","caption":"A talented musician, Mack Wolford strums his guitar while his mother, Snook, sings along beside him during an evening bible study, held while filmmaker friends were in town, Bluefield, West Virginia, November 2011.","created_date":"2019-01-23T05:42:02Z","credits":{"by":[{"name":"© Lauren Pond","type":"author"}]},"headlines":{},"height":1600,"label":{"basic":{}},"last_updated_date":"2019-01-23T16:40:50Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/SWWJO7LGDJ5MW3RSYA4X2PYYYM","source_id":"popphoto/243931","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/SWWJO7LGDJ5MW3RSYA4X2PYYYM.jpg","version":"0.9.0","width":2400},{"_id":"U3P76SOWRZDWVKOO4R2H3WLL4Y","content":"<strong>Tell me more about that. How did this change in the story teach you more about the religion?</strong>","type":"text"},{"_id":"GC63HY43IFEYFKRKFD6OAVBRH4","content":"The images of his death that I published initially, some of them were sensitive, and I ended up causing the family more pain by publishing the photos. There was an additional level of grief and guilt on my part for having unintentionally inflicted pain on other people. In combination with the the aspect of his dying, and having not intervened, it felt horrible. I think his family just embraced me after everything we’ve been through together. Forgiveness and redemption, that’s kind of what I learned through them, and learning to forgive myself, too. I don’t really come from a very strong religious background, so it’s not something I was terribly familiar with.","type":"text"},{"_id":"V4E26HERRJ32KQ26UUVVWX6RFA","additional_properties":{"alt-text":"Lauren Pond","aspect_ratio":"1x_","galleries":[],"keywords":["appalachia","church","documentary","holiness","mack wolford","occupy faith story","pastor","pentecostal","photojournalism","religion","serpent handler","serpent-handling story","traveling evangelist","west virginia"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/pond.mack_.church.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/V4E26HERRJ32KQ26UUVVWX6RFA.jpg","proxyUrl":"/photo/resize/ndEfRkR14F3pj6P7PYr7pnnwKLA=/arc-anglerfish-arc2-prod-bonnier/public/V4E26HERRJ32KQ26UUVVWX6RFA.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/ndEfRkR14F3pj6P7PYr7pnnwKLA=/arc-anglerfish-arc2-prod-bonnier/public/V4E26HERRJ32KQ26UUVVWX6RFA.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2011-11-16T00:00:00Z","version":5,"width_type":"full-width"},"alt_text":"Lauren Pond","caption":"Pastor Randy “Mack” Wolford poses for a portrait inside his church, the Full Gospel Apostolic House of the Lord Jesus, which opened in 2010, Matoaka, West Virginia, November 2011.","created_date":"2019-01-23T05:42:04Z","credits":{"by":[{"name":"© Lauren Pond","type":"author"}]},"headlines":{},"height":1600,"label":{"basic":{}},"last_updated_date":"2019-01-23T16:40:48Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/V4E26HERRJ32KQ26UUVVWX6RFA","source_id":"popphoto/243935","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/V4E26HERRJ32KQ26UUVVWX6RFA.jpg","version":"0.9.0","width":2400},{"_id":"W2I37RMTANFFNDTC5QGITKQNT4","content":"<strong>Do you have experience covering life and death? Not necessarily conflict, but situations where lives are at risk?</strong>","type":"text"},{"_id":"4UMWAIBHRZCXHCZIS5WMQTMXCU","content":"I definitely haven’t been in a situation that intense before. I’ve been in other situations that are difficult, various humanitarian issues. I studied abroad in Senegal several years ago. I was working on a project about kids who were begging as a part of their religious education, to beg on the street, and that was difficult to see—and the conditions some of them live in. That feeling that I can’t really contribute anything other than photographs to help that condition.","type":"text"},{"_id":"SH2EKVXQRRAGTKIE7LTDO7CQZY","content":"Seeing [Mack’s death] up close, in person, it was a shock to me. I don’t think I actually processed what happened until a couple of years after the fact. That's another weird thing about photography, I think it tends to mentally sort of remove you from the situation. So to some extent I think it put this temporary distance between me and what was unfolding. And maybe I was using it at that point as a way to avoid what was happening. I’m not sure. It took me a long time to process what happened.","type":"text"},{"_id":"NRQQD225ZZBMJEHNUUCZFCE4BE","content":"This is sort of a tangent, but I've worked in mental health recovery and the arts for a while, too, showing the artwork of people who have been affected by mental illness. I worked for this one program for a while, called the <a href=\"http://www.athensphotoproject.org/\">Athens Photographic Project</a>. It was interesting to see how people used photography to overcome or deal with a lot of their mental illnesses, and part of it was that it takes you out of your head. And that's what a lot of them have said: that it sort of takes you out of what you're worrying about, and you just focus on what's in front of you. I think in my case, maybe to some extent it was helping me not think about the trauma that I was experiencing, but just focus instead on documenting it.","type":"text"},{"_id":"4PB6SR7RCHBJUVWFUXUNDTXTG4","additional_properties":{"alt-text":"Lauren Pond","aspect_ratio":"1x_","galleries":[],"keywords":["appalachia","death. bluefield west virginia","holiness","mack wolford","photojournalism","photojournalism documentary","religion","serpent handler","serpent-handling story","signs following","snake"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/pond.mack_.snake_.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/4PB6SR7RCHBJUVWFUXUNDTXTG4.jpg","proxyUrl":"/photo/resize/FOHsr_L_51dO_5V6YInc1rHj_58=/arc-anglerfish-arc2-prod-bonnier/public/4PB6SR7RCHBJUVWFUXUNDTXTG4.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/FOHsr_L_51dO_5V6YInc1rHj_58=/arc-anglerfish-arc2-prod-bonnier/public/4PB6SR7RCHBJUVWFUXUNDTXTG4.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2012-05-27T00:00:00Z","version":5,"width_type":"full-width"},"alt_text":"Lauren Pond","caption":"From left: James Lloyd, Vicie “Snook” Haywood and another Signs Follower surround Mack after a rattlesnake bites him during an outdoor worship service, Panther, West Virginia, May 2012. Like most serpent handlers, Mack did not believe in seeking medical attention for a bite.","created_date":"2019-01-23T05:42:01Z","credits":{"by":[{"additional_properties":{},"name":"© Lauren Pond","type":"author"}]},"headlines":{"basic":"pond.mack_.snake_.jpg"},"height":1639,"label":{"basic":{"text":"pond.mack_.snake_.jpg"}},"last_updated_date":"2019-01-23T16:40:46Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/4PB6SR7RCHBJUVWFUXUNDTXTG4","source_id":"243936","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/4PB6SR7RCHBJUVWFUXUNDTXTG4.jpg","version":"0.9.0","width":2400},{"_id":"24JI5EJ4GJARFH6VMRRVQ5Z3JQ","content":"<strong>How did you make these deeply religious subjects comprehensible to viewers who don’t share their faith?</strong>","type":"text"},{"_id":"PODONK7RKVCVPMBPJ2AWFVBJSE","content":"Before I started the serpent handler work I looked at what had been done already and the vast majority of it was photographs of people handling snakes, not surprisingly. Because that’s what you think of when you hear about the practice. I’ve been trying to show that there’s a lot more to it than that.","type":"text"},{"_id":"TRP4MYCK6ZAULCYVBNBF4MVEJE","content":"I think with religion, in general, it’s very easy to put people into boxes or categories, but I think once you get to know the people behind that, and their culture and who they are, it really can help shape your understanding of the religious practice a lot more. That’s what I’m trying to convey through my images and I hope that’s what people will pick up on.","type":"text"},{"_id":"3DC7EQKVZQNX3L3JDD3UWBLTHU","additional_properties":{"alt-text":"Lauren Pond","aspect_ratio":"1x_","galleries":[],"keywords":["appalachia","death. bluefield west virginia","holiness","mack wolford","photojournalism","photojournalism documentary","religion","serpent handler","serpent-handling story","signs following","snake"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/pond.mom_.feet_.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3DC7EQKVZQNX3L3JDD3UWBLTHU.jpg","proxyUrl":"/photo/resize/BTASiEuYDzhM_ZCO4OZf73aZdns=/arc-anglerfish-arc2-prod-bonnier/public/3DC7EQKVZQNX3L3JDD3UWBLTHU.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/BTASiEuYDzhM_ZCO4OZf73aZdns=/arc-anglerfish-arc2-prod-bonnier/public/3DC7EQKVZQNX3L3JDD3UWBLTHU.jpg","restricted":false,"subtitle_placement":"bottom","takenOn":"2012-05-27T00:00:00Z","version":5,"width_type":"full-width"},"alt_text":"Lauren Pond","caption":"Mack’s mother, Snook, strokes his feet as she waits for him to recover from the rattlesnake bite. When Mack was only a teenager, she watched her husband, also a serpent handler, die from the same kind of bite. Brushfork, West Virginia, May 2012.","created_date":"2019-01-23T05:42:05Z","credits":{"by":[{"name":"© Lauren Pond","type":"author"}]},"headlines":{},"height":1600,"label":{"basic":{}},"last_updated_date":"2019-01-23T16:40:50Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{"content_type":"image"},"edit_url":"https://bonnier.arcpublishing.com/photo/3DC7EQKVZQNX3L3JDD3UWBLTHU","source_id":"popphoto/243937","source_type":"other","system":"Anglerfish"},"subheadlines":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3DC7EQKVZQNX3L3JDD3UWBLTHU.jpg","version":"0.9.0","width":2400},{"_id":"YOXYYNMD5FAWLMAA4I3C4ZN5PU","content":"<strong>After Mack passed, was there a specific point at which you realized you wanted to continue working on this story?</strong>","type":"text"},{"_id":"GYNQKQGAQ5ESHEKVKVG5W4TEAY","content":"I didn’t know if I would be welcomed back, honestly, or if it would be appropriate for me to go back, but [the family] invited me down for a memorial service the year after [Mack] passed, so that kind of reopened the story. At that point I wasn’t consciously working on a story, either, I just wanted to go back and see them again. 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To the horror of not a few preservationists, after occupying the city ISIL militants set about destroying a number of the remaining ruins, including the iconic Monumental Arch which they toppled with dynamite.","type":"text"},{"_id":"LPEE7AD4YVCTVJXWELPWBKDTDQ","content":"Luckily, Palmyra has been extensively documented since Cassa and Vignes set out to record its classical relics. In fact, so many photographs of the Palmyra now exist that the ruined Monumental Arch <a href=\"https://www.nytimes.com/2016/03/29/world/middleeast/3d-models-robots-rebuild-syrian-sites.html?_r=0\">has since been reconstructed</a> with the aid of a computer-generated 3D model made using contemporary photos. While many images of the ancient city can found with a cursory online search, the pictures found in Getty's online exhibition provide a unique record.","type":"text"},{"_id":"UL2BOROIA5YP2ZDTHFZNZTSAAQ","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/37.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/UL2BOROIA5YP2ZDTHFZNZTSAAQ.jpg","proxyUrl":"/photo/resize/bW5pgnBsVRfX_U2IsR8lDYUBlF8=/arc-anglerfish-arc2-prod-bonnier/public/UL2BOROIA5YP2ZDTHFZNZTSAAQ.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/bW5pgnBsVRfX_U2IsR8lDYUBlF8=/arc-anglerfish-arc2-prod-bonnier/public/UL2BOROIA5YP2ZDTHFZNZTSAAQ.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"Eastern section of Colonnade Street, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15","caption":"The main colonnaded avenue of Palmyra, much of which is still standing, was built during the second and third centuries CE.","created_date":"2019-04-12T16:52:23Z","credits":{"by":[{"name":"Getty Research Institute","type":"author"}]},"headlines":{"basic":"Eastern section of Colonnade Street, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15"},"height":1151,"label":{"basic":{"text":"Eastern section of Colonnade Street, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15"}},"last_updated_date":"2019-04-12T16:52:23Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{},"edit_url":"https://bonnier.arcpublishing.com/photo/UL2BOROIA5YP2ZDTHFZNZTSAAQ","system":"Anglerfish"},"subheadlines":{"basic":"Eastern section of Colonnade Street, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15"},"subtitle":"Eastern section of Colonnade Street, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15","taxonomy":{"additional_properties":{}},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/UL2BOROIA5YP2ZDTHFZNZTSAAQ.jpg","version":"0.9.0","width":1500},{"_id":"IOZRIJ2LXJGVBB5RCA4AEU3PMA","content":"Luis Vignes, who was a sea-captain by trade, was the first person to set a lens to the ancient city. He was trained by the pioneering photographer <a href=\"https://en.wikipedia.org/wiki/Charles_N%C3%A8gre\">Charles Nègre</a> at the behest of a French nobleman who self-funded an expedition to the Levant to photograph its classical wonders. Vignes' glass and paper negatives capture Palmyra as it will never again exist  and with a romantic sfumato at the edges, a result of the often imprecise nature of early photographic processes. His mentor Nègre was commissioned to print these photos and prepare them for mass production, using a novel photoengraving process. These prints, some of which are entirely unique, have been re-photographed digitally in remarkable detail by the Getty Research Institute and are available on the exhibition site to download as 90+ MB files for closer inspection offline.","type":"text"},{"_id":"U3JF75UEWDO4W3EO2YVHAPRIU4","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/52.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/U3JF75UEWDO4W3EO2YVHAPRIU4.jpg","proxyUrl":"/photo/resize/Dxt6oL6bMJ9lAJKYLouNq6piQ-I=/arc-anglerfish-arc2-prod-bonnier/public/U3JF75UEWDO4W3EO2YVHAPRIU4.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/Dxt6oL6bMJ9lAJKYLouNq6piQ-I=/arc-anglerfish-arc2-prod-bonnier/public/U3JF75UEWDO4W3EO2YVHAPRIU4.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"Tower tomb of Kitot, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15","caption":"An ancient funerary tower at Palmyra, one of several which once housed the tombs of the ancient nobles of the city.","created_date":"2019-04-12T16:52:24Z","credits":{"by":[{"name":"Getty Research Institute","type":"author"}]},"headlines":{"basic":"Tower tomb of Kitot, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15"},"height":1500,"label":{"basic":{"text":"Tower tomb of Kitot, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15"}},"last_updated_date":"2019-04-12T16:52:24Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{},"edit_url":"https://bonnier.arcpublishing.com/photo/U3JF75UEWDO4W3EO2YVHAPRIU4","system":"Anglerfish"},"subheadlines":{"basic":"Tower tomb of Kitot, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15"},"subtitle":"Tower tomb of Kitot, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15","taxonomy":{"additional_properties":{}},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/U3JF75UEWDO4W3EO2YVHAPRIU4.jpg","version":"0.9.0","width":1169},{"_id":"A5SVEKWPZNHHHL2PKKD3FUFRDI","content":"Louis-François Cassas’ work, while not photographic, should not be overlooked. An artist and architect himself, Cassas visited Palmyra in the late 18th century as part of a French diplomatic mission to the court of the Ottoman Empire, which controlled the territory that is now Syria. While Cassas’ work is tarnished by his Orientalist depictions of the city’s Bedouin inhabitants, his drawings depict its ruins in dramatic Neo-Classical splendor. More interestingly, his engravings provided some of the best-known early modern conceptions of Palmyra’s original grandeur, portraying the city as it might have looked in its second-century heyday—the Enlightenment equivalent of contemporary computer-rendered 3D models.","type":"text"},{"_id":"BHIT2MHB5VGKFCDDNNHX6IFGZE","content":"The online exhibition weaves Cassas’ and Vignes’ work together interchangeably to great effect, creating illustrated sections which detail the ancient history of Palmyra, its rediscovery, modern archaeology and contemporary peril and a brief background of the artists themselves. For the time being, the city remains endangered and is still occupied by ISIL, but the Getty’s online exhibit offers a great opportunity to see this ancient site through the distanced lens of history.","type":"text"},{"_id":"ICG2NRZ7A6X2WOZ25U2UA6XZCM","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/12.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ICG2NRZ7A6X2WOZ25U2UA6XZCM.jpg","proxyUrl":"/photo/resize/W41PxnzEs8uvRXugmfbwivufklw=/arc-anglerfish-arc2-prod-bonnier/public/ICG2NRZ7A6X2WOZ25U2UA6XZCM.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/W41PxnzEs8uvRXugmfbwivufklw=/arc-anglerfish-arc2-prod-bonnier/public/ICG2NRZ7A6X2WOZ25U2UA6XZCM.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"Temple of Bel, view of the cella, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15","caption":"The temple, built to honor the Mesopotamian deity Bel or \"Baal\" was confirmed by satellite imagery to have been demolished by ISIL.","created_date":"2019-04-12T16:52:24Z","credits":{"by":[{"name":"Getty Research Institute","type":"author"}]},"headlines":{"basic":"Temple of Bel, view of the cella, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15"},"height":1147,"label":{"basic":{"text":"Temple of Bel, view of the cella, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15"}},"last_updated_date":"2019-04-12T16:52:24Z","licensable":false,"owner":{"id":"bonnier"},"source":{"additional_properties":{},"edit_url":"https://bonnier.arcpublishing.com/photo/ICG2NRZ7A6X2WOZ25U2UA6XZCM","system":"Anglerfish"},"subheadlines":{"basic":"Temple of Bel, view of the cella, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15"},"subtitle":"Temple of Bel, view of the cella, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm). The Getty Research Institute, 2015.R.15","taxonomy":{"additional_properties":{}},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ICG2NRZ7A6X2WOZ25U2UA6XZCM.jpg","version":"0.9.0","width":1500}],"created_date":"2019-04-12T16:52:24.086Z","credits":{"by":[{"_id":"KTJ4T7DLVCJD35BG3CWIVPMTOU","additional_properties":{"original":{"_id":"KTJ4T7DLVCJD35BG3CWIVPMTOU","awards":[],"bio_page":"https://www.popphoto.com/authors/adam-ryder","books":[],"byline":"Adam Ryder","education":[],"firstName":"Adam","lastName":"Ryder","last_updated_date":"2019-01-17T20:19:18.118Z","name":"Adam Ryder","org":"Popular Photography","podcasts":[],"slug":"adam-ryder","source_id":"108819","type":"author"}},"name":"Adam Ryder","slug":"adam-ryder","type":"author","url":"https://www.popphoto.com/authors/adam-ryder","version":"0.5.8"}]},"description":{"basic":"The Getty Research Institute has released an illustrated historical resource that combines the first photographs of Palmyra, 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McGinley","caption":"Dan, 4:15pm, October 14, 2002","created_date":"2019-05-04T02:36:58Z","credits":{"by":[{"name":"© Ryan McGinley","type":"author"}]},"height":1794,"last_updated_date":"2019-05-04T02:36:58Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/BDKEDJA6RLQZ46W5RZU2KG7ZDY","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/BDKEDJA6RLQZ46W5RZU2KG7ZDY.jpg","version":"0.9.0","width":1500},{"_id":"Q3DYPW46EFBAFBR7ITKHHZOBMQ","content":"This isn't the first time<a href=\"http://www.americanphotomag.com/influencers-ryan-mcginley\"> Ryan McGinley</a>'s photographs from his raucous and exuberant youth are on display: the first major showing of, <em>The Kids Are Alright</em>, was at the Whitney Museum of American Art in 2003, an exhibit that dramatically catapulted his career. At 25, he was the youngest artist to receive a solo show at the museum, and he's been in demand ever since. Now, more than a decade after his groundbreaking exhibit, the Museum of Contemporary Art Denver has unearthed a series of Polaroids for the <em>The Kids Were Alright</em>.","type":"text"},{"_id":"3DTEOQAEABGZBP34SCY7U4IQBQ","content":"What stands out about this exhibition is not only the breadth of work—some 1700-plus Polaroids are wrapped around the entire second floor of the museum—but the fact that the Polaroid series has never been exhibited publicly. Between 1998 and 2003, McGinley made more than 10,000 Polaroid portraits of anyone who came over to his East Village apartment in New York City.","type":"text"},{"_id":"VFHN5OA4VJCANPZQM7LNBL6U5U","content":"The Polaroids are accompanied by three galleries of the artist’s early photographs, which paint a time when McGinley’s art was intricately woven with human relationship, love, sex, intoxication, street shenanigans and his coming out. Unsullied by fame or production value, the lo-fi photos depict a rawness of youth that is rife with experimentation and vulnerability.","type":"text"},{"_id":"S2JCNMRAFRGSZBBH5S47RAMISI","content":"American Photo caught up with the exhibition’s curator, Nora Burnett Abrams, to talk about how McGinley’s early work informed his later art, the changing role of image-making and how it all relates to Jean-Michel Basquiat.","type":"text"},{"_id":"CW554WZ542UFR3L5R37L6522PE","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/agathe_5_49pm_september_23_2000.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/CW554WZ542UFR3L5R37L6522PE.jpg","proxyUrl":"/photo/resize/AgH_oy7OLdAi6FpPQs1WXnzHeXc=/arc-anglerfish-arc2-prod-bonnier/public/CW554WZ542UFR3L5R37L6522PE.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/AgH_oy7OLdAi6FpPQs1WXnzHeXc=/arc-anglerfish-arc2-prod-bonnier/public/CW554WZ542UFR3L5R37L6522PE.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"Ryan McGinley","caption":"Agathe, 5:49pm, September 23, 2000","created_date":"2019-05-04T02:36:55Z","credits":{"by":[{"name":"© Ryan McGinley","type":"author"}]},"height":1829,"last_updated_date":"2019-05-04T02:36:55Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/CW554WZ542UFR3L5R37L6522PE","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/CW554WZ542UFR3L5R37L6522PE.jpg","version":"0.9.0","width":1500},{"_id":"OE4EFXEKHBAVZEUGIENDY344AI","content":"<strong>Why do you think this work is so important for people to see?</strong>","type":"text"},{"_id":"Q6V73KOSOBGQZLKOAZTN73H4KQ","content":"At the heart of it all, there was really little distinction between the life he was living and the art he was making at this time. When he discovered photography, what he did immediately was turn [the camera] on himself and his immediate contacts. It shows us all of these young people coming into themselves and falling in love—and not just falling in love with one another, but falling in love with being alive and testing that over and over and over again (sometimes in detrimental ways). He captures that curiosity, not with a sense of doom, but with a sense of optimism. They photos are arresting because even though you might see someone smoking a cigarette on a ledge two stories above ground, it looks perilous, but it’s also romantic. And I think that’s the hinge for this entire body of work—it’s so alluring and inviting, yet illicit and scary and disturbing at the same time.","type":"text"},{"_id":"DMNXXF5EM5O6WR6TG5INYJ2PTM","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/red_mirror.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/DMNXXF5EM5O6WR6TG5INYJ2PTM.jpg","proxyUrl":"/photo/resize/LaBdfrjBcFKIFRymGwy3hdgIKOU=/arc-anglerfish-arc2-prod-bonnier/public/DMNXXF5EM5O6WR6TG5INYJ2PTM.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/LaBdfrjBcFKIFRymGwy3hdgIKOU=/arc-anglerfish-arc2-prod-bonnier/public/DMNXXF5EM5O6WR6TG5INYJ2PTM.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"Ryan McGinley","caption":"Red Mirror, 1999. C-print, 45 x 30 inches","created_date":"2019-05-04T02:36:57Z","credits":{"by":[{"name":"© Ryan McGinley, courtesy the artist and Team Gallery, New York and Los Angeles","type":"author"}]},"height":2249,"last_updated_date":"2019-05-04T02:36:57Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/DMNXXF5EM5O6WR6TG5INYJ2PTM","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/DMNXXF5EM5O6WR6TG5INYJ2PTM.jpg","version":"0.9.0","width":1500},{"_id":"PCWCHIRFY5F5HKTZPYKDFLQQMQ","content":"<strong>There’s been such a romance with the downtown NYC art scene for generations. What was so special about what McGinley was doing there in the 1990s?</strong>","type":"text"},{"_id":"D7GLN6XNQJE2XDZ72SWFV7YMB4","content":"Ryan captured the drama that was already baked into their lives. He didn’t stage anything; he was a documentarian, which is something that isn’t often said of his work—certainly not in the last 10 years. That’s what’s so remarkable—he’s capturing what was happening as it was unfolding in a way that makes you want to be there. Ryan and these artists collectively represent something and I don’t know if we can ever recreate in this way again.","type":"text"},{"_id":"3LDSINDOPVAXJW5JKZES6LIVK4","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/dash_5_44pm_august_23_2001.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3LDSINDOPVAXJW5JKZES6LIVK4.jpg","proxyUrl":"/photo/resize/iQ00jl6LHmec7KMo3_MVvPTya8U=/arc-anglerfish-arc2-prod-bonnier/public/3LDSINDOPVAXJW5JKZES6LIVK4.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/iQ00jl6LHmec7KMo3_MVvPTya8U=/arc-anglerfish-arc2-prod-bonnier/public/3LDSINDOPVAXJW5JKZES6LIVK4.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"Ryan McGinley","caption":"Dash, 5:44pm, August 23, 2001","created_date":"2019-05-04T02:36:55Z","credits":{"by":[{"name":"© Ryan McGinley","type":"author"}]},"height":1898,"last_updated_date":"2019-05-04T02:36:55Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/3LDSINDOPVAXJW5JKZES6LIVK4","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3LDSINDOPVAXJW5JKZES6LIVK4.jpg","version":"0.9.0","width":1500},{"_id":"T37SU5HL3VABFDDNNGOZ6CCIXY","content":"<strong>And we’re going even further away from the tangible nature of the document. They were using Polaroids and had a physical representation of that moment but now images are becoming so ephemeral to the point of disappearing (like on Snapchat and Instagram).</strong>","type":"text"},{"_id":"KVWEKBD4LZDY5JJ5YYDN7ZL4TA","content":"Now everyone has a camera in their pocket and is capturing everything as it’s unfolding. We’re always documenting and sharing what’s happening all the time, I don’t know if we can ever capture the excitement, the rawness and the authenticity of life in the same way again.","type":"text"},{"_id":"VDGYCSOS4EIGKCF5FZXM4G7IYA","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/jack_july_2_1999.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/VDGYCSOS4EIGKCF5FZXM4G7IYA.jpg","proxyUrl":"/photo/resize/Kc1_f7EuX2407231CC9Q6UqrUEQ=/arc-anglerfish-arc2-prod-bonnier/public/VDGYCSOS4EIGKCF5FZXM4G7IYA.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/Kc1_f7EuX2407231CC9Q6UqrUEQ=/arc-anglerfish-arc2-prod-bonnier/public/VDGYCSOS4EIGKCF5FZXM4G7IYA.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"Ryan McGinley","caption":"Jack, July 2, 1999","created_date":"2019-05-04T02:36:58Z","credits":{"by":[{"name":"© Ryan McGinley","type":"author"}]},"height":1773,"last_updated_date":"2019-05-04T02:36:58Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/VDGYCSOS4EIGKCF5FZXM4G7IYA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/VDGYCSOS4EIGKCF5FZXM4G7IYA.jpg","version":"0.9.0","width":1500},{"_id":"I6SY4KXKUZAUFC6AVWHS3XKRXA","content":"<strong>In your essay in the exhibition catalogue,The Kids Were Alright (Rizzoli, 2017), you place McGinley’s work in context with the work of Jean-Michel Basquiat. Why is it important for you to draw this comparison instead of more obvious ones like Nan Goldin and Larry Clark? The MCA Denver is also showing a Basquiat exhibit concurrently. What is it about this dialogue that’s so important?</strong>","type":"text"},{"_id":"M4KVVE2S2BHSFBZEQSWRFZ2ZII","content":"The exhibition of Basquiat’s early work informed my interest in working with Ryan and in conceiving the exhibition. It all came from that place: for whom was this indistinguishability between art and life as palpable, as present, as evidenced as this early material by Basquiat?","type":"text"},{"_id":"3RZ6TBTP3UNJQHU6AMWOFVCY6M","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/sace_canal_ledge_2001_40x60_final.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3RZ6TBTP3UNJQHU6AMWOFVCY6M.jpg","proxyUrl":"/photo/resize/ldAEWfr1Q1IHg5KI6Obu9msZopA=/arc-anglerfish-arc2-prod-bonnier/public/3RZ6TBTP3UNJQHU6AMWOFVCY6M.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/ldAEWfr1Q1IHg5KI6Obu9msZopA=/arc-anglerfish-arc2-prod-bonnier/public/3RZ6TBTP3UNJQHU6AMWOFVCY6M.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"Ryan McGinley","caption":"SACE (Canal Ledge), 2001. C-print, 40 x 60 inches","created_date":"2019-05-04T02:36:57Z","credits":{"by":[{"name":"© Ryan McGinley, courtesy the artist and Team Gallery, New York and Los Angeles","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:36:57Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/3RZ6TBTP3UNJQHU6AMWOFVCY6M","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3RZ6TBTP3UNJQHU6AMWOFVCY6M.jpg","version":"0.9.0","width":1500},{"_id":"MHMGZYUGHRF4HPBZU7HBULY3JM","content":"In thinking about what to pair with that body of work in the museum, I was thinking, who is the next generation for whom the path that Basquiat paved was very meaningful and enabled the next generation to develop and emerge out of that? Obviously Warhol is a predecessor to Basquiat, and they’re both predecessors to Ryan. For Ryan it was about finding his voice, coming out, coming into photography and combining these things and running with it. Reflecting on what was already happening was what, in his work, feels similar to Basquiat. There were so few boundaries around going to a studio and making work and hanging out with friends. He found his friends to be beautiful, haunting, enigmatic subjects. There’s this natural extension of how he’s going about his life and the art fits into that. He was authentically part of what his subjects were doing, and that’s the only way the work could feel as vulnerable and genuine as it is.","type":"text"},{"_id":"PTQFMMATP563DGONET53DSTXPA","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/lizzy_august_27_2002.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/PTQFMMATP563DGONET53DSTXPA.jpg","proxyUrl":"/photo/resize/_SIt5Y6po_vwAm5PgnYyBzSfx4s=/arc-anglerfish-arc2-prod-bonnier/public/PTQFMMATP563DGONET53DSTXPA.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/_SIt5Y6po_vwAm5PgnYyBzSfx4s=/arc-anglerfish-arc2-prod-bonnier/public/PTQFMMATP563DGONET53DSTXPA.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"Ryan McGinley","caption":"Lizzy, August 27, 2002","created_date":"2019-05-04T02:36:57Z","credits":{"by":[{"name":"© Ryan McGinley","type":"author"}]},"height":1783,"last_updated_date":"2019-05-04T02:36:57Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/PTQFMMATP563DGONET53DSTXPA","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/PTQFMMATP563DGONET53DSTXPA.jpg","version":"0.9.0","width":1500},{"_id":"VC3UKX2TBNDWHAWQUNWUC5XFC4","content":"<strong>What aspects of this work predicts his later work?</strong>","type":"text"},{"_id":"V4ML3ECKDJHZ3KSIHEHW4TDMBQ","content":"That was one of the reasons I wanted to show this series—because I think it's really a lexicon, or key, to his later work. There are a number of shots where a dog is wrapped around his subject's shoulders which connects immediately with his <a href=\"http://www.americanphotomag.com/ryan-mcginley-animal-and-you\">Animal series</a>. He got to where he got in part because of his rigorous study of individuals over the course of four years. In a lot of his portraits—like the later Yearbook project, which are all studio portraits—you see people over time and how he's photographed them in different ways; all of that relates to the multiple shots he took of certain people with the Polaroids. I see repeated poses and there's an amazing use of light with the Polaroid, which is so hard to do. One of his greatest assets, his signature traits, is how he records and manipulates light in his work.","type":"text"},{"_id":"4IOQEVWH7RPMMRVDGH4FH3VNIE","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/ryan_july_02_1999_2.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/4IOQEVWH7RPMMRVDGH4FH3VNIE.jpg","proxyUrl":"/photo/resize/27BspNzZIGyDG-HjeHII2wWIvk8=/arc-anglerfish-arc2-prod-bonnier/public/4IOQEVWH7RPMMRVDGH4FH3VNIE.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/27BspNzZIGyDG-HjeHII2wWIvk8=/arc-anglerfish-arc2-prod-bonnier/public/4IOQEVWH7RPMMRVDGH4FH3VNIE.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"Ryan McGinley","caption":"Ryan, July 02, 1999","created_date":"2019-05-04T02:36:56Z","credits":{"by":[{"name":"© Ryan McGinley","type":"author"}]},"height":1790,"last_updated_date":"2019-05-04T02:36:56Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/4IOQEVWH7RPMMRVDGH4FH3VNIE","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/4IOQEVWH7RPMMRVDGH4FH3VNIE.jpg","version":"0.9.0","width":1500},{"_id":"INA537XRVZDQXML62X2MDGJ4HY","content":"There’s a pivot-point in 2003, after his Whitney show, when he decides to go Upstate with friends and photograph them on road trips. He knew he was with people who trusted him and were up for anything—who were willing to experiment and be up for an adventure—and all of that was because of the longstanding friendships he had with all of them. As much as people want to see a clean break, there was a lot of murky and ambiguous territory between the New York City-based photos through 2003 and the next year-and-a-half when he’s out of the city.","type":"text"},{"_id":"5QHE4JYQSRHJEHT4XWP32F3CMI","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/dash_manhattan_bridge_2000_press.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/5QHE4JYQSRHJEHT4XWP32F3CMI.jpg","proxyUrl":"/photo/resize/eTv8y4876IDmP1B6A4aIKhBbUSQ=/arc-anglerfish-arc2-prod-bonnier/public/5QHE4JYQSRHJEHT4XWP32F3CMI.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/eTv8y4876IDmP1B6A4aIKhBbUSQ=/arc-anglerfish-arc2-prod-bonnier/public/5QHE4JYQSRHJEHT4XWP32F3CMI.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"Ryan McGinley","caption":"Dash (Manhattan Bridge), 2000. C-print, 40 x 60 inches","created_date":"2019-05-04T02:36:58Z","credits":{"by":[{"name":"© Ryan McGinley, courtesy the artist and Team Gallery, New York and Los Angeles","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:36:58Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/5QHE4JYQSRHJEHT4XWP32F3CMI","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/5QHE4JYQSRHJEHT4XWP32F3CMI.jpg","version":"0.9.0","width":1500},{"_id":"JK4T2TKGTVFSRFKEZP6I5JV5OU","content":"<strong>So why now?</strong>","type":"text"},{"_id":"J2U63WKVPZGC7NMHYFIHMGMLAY","content":"This felt like such a perfect moment to show the work. It was a really great time for him to reflect on the work. There’s a sense of distance that allows one to be able to go back and share older work. This tells a richer, fuller story. We see Ryan crying, Ryan puking, Ryan with snot coming out of his nose, Ryan having sex. It’s a little more raw. It’s a little more honest. I think it was brave of him, and I’m really grateful for that, because it tells a truer story. And that’s what I wanted to get at.","type":"text"},{"_id":"F6FWAX6VKM7XJBP5UUHH32ZIPU","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/fireworks_2002_40x30_final.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/F6FWAX6VKM7XJBP5UUHH32ZIPU.jpg","proxyUrl":"/photo/resize/9ZUBBVrwQwNNQ_aIu0FN_ZfsTQ4=/arc-anglerfish-arc2-prod-bonnier/public/F6FWAX6VKM7XJBP5UUHH32ZIPU.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/9ZUBBVrwQwNNQ_aIu0FN_ZfsTQ4=/arc-anglerfish-arc2-prod-bonnier/public/F6FWAX6VKM7XJBP5UUHH32ZIPU.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"Ryan McGinley","caption":"Fireworks, 2002. C-print, 40 x 30 inches","created_date":"2019-05-04T02:36:58Z","credits":{"by":[{"name":"© Ryan McGinley, courtesy the artist and Team Gallery, New York and Los Angeles","type":"author"}]},"height":2258,"last_updated_date":"2019-05-04T02:36:58Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/F6FWAX6VKM7XJBP5UUHH32ZIPU","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/F6FWAX6VKM7XJBP5UUHH32ZIPU.jpg","version":"0.9.0","width":1500},{"_id":"JD6ZQER33ZFWHAIK6VFQFASARI","content":"<strong>How do you hope this exhibit will be received?</strong>","type":"text"},{"_id":"OWRQGZ54FFBB3G424OVJP6IIWA","content":"It’s about the challenges and triumphs and difficulties and exhilarating moments entering your 20s and figuring out the rest of your life—it’s a moment of great turmoil and excitement. The discipline of this Polaroid project and the commitment—to see this long band of images—it’s awesome and humbling and motivating.","type":"text"},{"_id":"II6CMNSW4XO4EGGN4JAZCXEF2Q","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/self_portrait_crying_2001_16x24.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/II6CMNSW4XO4EGGN4JAZCXEF2Q.jpg","proxyUrl":"/photo/resize/D9WCSrgy5b-Wj9SnCTazZYkSEoo=/arc-anglerfish-arc2-prod-bonnier/public/II6CMNSW4XO4EGGN4JAZCXEF2Q.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/D9WCSrgy5b-Wj9SnCTazZYkSEoo=/arc-anglerfish-arc2-prod-bonnier/public/II6CMNSW4XO4EGGN4JAZCXEF2Q.jpg","restricted":false,"subtitle_placement":"bottom","version":0,"width_type":"full-width"},"address":{},"alt_text":"Ryan McGinley","caption":"Self Portrait (Crying), 2001. C-print, 16 x 24 inches","created_date":"2019-05-04T02:36:56Z","credits":{"by":[{"name":"© Ryan McGinley","type":"author"}]},"height":1000,"last_updated_date":"2019-05-04T02:36:56Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/II6CMNSW4XO4EGGN4JAZCXEF2Q","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/II6CMNSW4XO4EGGN4JAZCXEF2Q.jpg","version":"0.9.0","width":1500},{"_id":"HTFLUVQ2AFHKZDPH3PKLEYTE3Q","content":"<em>Ryan McGinley: The Kids Were Alright</em> is on view at the Museum of Contemporary Art, Denver, through August 20. The accompanying book, <em>Ryan McGinley: The Kids Were Alright</em>(Rizzoli) comes out March 7.","type":"text"}],"created_date":"2019-04-12T16:55:24.046Z","credits":{"by":[{"_id":"3CHXO4UCRJQ3UN6EUTISMU5IRI","additional_properties":{"original":{"_id":"3CHXO4UCRJQ3UN6EUTISMU5IRI","awards":[],"bio_page":"https://www.popphoto.com/authors/lindsay-comstock","books":[],"byline":"Lindsay Comstock","education":[],"firstName":"Lindsay","lastName":"Comstock","last_updated_date":"2019-01-18T14:32:28.213Z","name":"Lindsay Comstock","org":"Popular Photography","podcasts":[],"slug":"lindsay-comstock","source_id":"111600","type":"author"}},"name":"Lindsay Comstock","slug":"lindsay-comstock","type":"author","url":"https://www.popphoto.com/authors/lindsay-comstock","version":"0.5.8"}]},"description":{"basic":"American Photo caught up with the curator of The Kids Were Alright to hear why McGinley's work remains 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OUT TURKISH AUTHORITIES HAVE IMPOSED A BLACKOUT ON THE DISTRIBUTION INSIDE TURKEY OF ANY MATERIAL CONCERNING THE SHOOTING IN ANKARA. 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All rights reserved.","created_date":"2019-05-04T02:37:04Z","credits":{"affiliation":[{"name":"AP","type":"author"}],"by":[{"name":"© Burhan Ozbilici, The Associated Press","type":"author"}]},"headlines":{"basic":"An Assassination in Turkey"},"height":1525,"label":{"basic":{"text":"An Assassination in Turkey"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"slug":"An Assassination","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/XJ6KXZJBMCLTHET62BXR6E6SBQ","system":"Anglerfish"},"subheadlines":{"basic":"An Assassination in Turkey"},"subtitle":"An Assassination in Turkey","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/XJ6KXZJBMCLTHET62BXR6E6SBQ.jpg","version":"0.9.0","width":1200},{"_id":"CLLIBRFZ75GLPLOEL3VUJRBSYQ","content":"The World Press Photo Foundation announced the winners to its 60th annual photo contest, recognizing the work of photographers and photojournalists whose work captures or represents an event of great journalistic importance in the past year.","type":"text"},{"_id":"T2V3BD24TFDIJBDAULD444X6V4","content":"While <a href=\"http://www.americanphotomag.com/processing-news-retouching-photojournalism\">ethical dilemmas</a> often weave their way through photojournalism, this year's jurors found themselves in difficult discussions when awarding 2017's Photo of the Year.","type":"text"},{"_id":"QC44NKQGFJGSLK3AKQ6TYOLJWE","content":"Taken by Turkish photographer Burhan Ozbilici, the winning image depicts the very seconds after the assassination of Russian ambassador Andrey G. Karlov during a press conference at an Ankara art gallery last December. The photo depicts 22-year-old off-duty police officer Mevlut Mert Altintas as he stands over Karlov’s dead body, aggressively pointing his hand in the air and clutching his gun, shouting.","type":"text"},{"_id":"SUTBD6SR2FDZJJR7MCNXO7N4IU","content":"The explosive photo shocked viewers when it went viral last year and its focus caused jurors to weigh the ramifications of awarding it such a top honor, balancing the line between recognizing good work while not amplifying the message of a murderer and granting him the martyrdom he desired.","type":"text"},{"_id":"5RXGGY5IJVBDLDIOY5BMT5P4CM","content":"Contest chairman Stuart Franklin noted in an <a href=\"https://www.theguardian.com/commentisfree/2017/feb/13/world-press-photo-year-turkey-russian-assassination?CMP=Share_iOSApp_Other\">op-ed with The Guardian</a>, \"Placing the photograph on this high pedestal is an invitation to those contemplating such staged spectaculars: it reaffirms the compact between martyrdom and publicity.\" Franklin argues that awarding this particular photograph of being the best of the year is as \"morally problematic as publishing a terrorist beheading.\"","type":"text"},{"_id":"5FE5TDZLLVGQLO3QRSLMWQ4F4I","content":"However, fellow juror Mary Calvin, in a news release on the <a href=\"https://www.worldpressphoto.org/news/2017-02-13/world-press-photo-announces-winners-2017-contests\">World Press Photo site</a>, felt the image \"really spoke to the hatred of our times. Every time it came on the screen you almost had to move back because it such an explosive image and we really felt that it epitomizes the definition of what the World Press Photo of the Year is and means.\"","type":"text"},{"_id":"YLH5WQDIXVCR3BYEULXCNJCXK4","content":"Of the 80,000 images by 5,034 photographers who entered the contest, only 45 were awarded with prizes. Last year's <a href=\"http://www.americanphotomag.com/see-winners-world-press-photo-2016\">top photo</a> was a haunting photo by Warren Richardson, documenting as refugees passed an infant through razor-wire on the Hungarian-Serbian border. Check out the rest of this year's winners below.","type":"text"},{"_id":"V6SRTJ72UU6B5HF456VBY7ZP2Q","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/002_jonathan_bachman_thomson_reuters_1.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/V6SRTJ72UU6B5HF456VBY7ZP2Q.jpg","proxyUrl":"/photo/resize/GvVjIYmWYiULpqtUryLbubqWFJA=/arc-anglerfish-arc2-prod-bonnier/public/V6SRTJ72UU6B5HF456VBY7ZP2Q.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/GvVjIYmWYiULpqtUryLbubqWFJA=/arc-anglerfish-arc2-prod-bonnier/public/V6SRTJ72UU6B5HF456VBY7ZP2Q.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"World Press Photo","caption":"<strong>Contemporary Issues - First Prize, Singles</strong>\nLone activist Ieshia Evans stands her ground while offering her hands for arrest as she is charged by riot police during a protest against police brutality outside the Baton Rouge Police Department in Louisiana. Evans, a 28-year-old Pennsylvania nurse and mother of one, traveled to Baton Rouge to protest against the shooting of Alton Sterling.","created_date":"2019-05-04T02:37:04Z","credits":{"by":[{"name":"© Jonathan Bachman, Thomson Reuters","type":"author"}]},"headlines":{"basic":"Taking A Stand In Baton Rouge"},"height":800,"label":{"basic":{"text":"Taking A Stand In Baton Rouge"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/V6SRTJ72UU6B5HF456VBY7ZP2Q","system":"Anglerfish"},"subheadlines":{"basic":"Taking A Stand In Baton Rouge"},"subtitle":"Taking A Stand In Baton Rouge","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/V6SRTJ72UU6B5HF456VBY7ZP2Q.jpg","version":"0.9.0","width":1200},{"_id":"KYLHA5NKJLUDKLTXIDFUV5KMIA","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/003_vadim_ghirda_the_associated_press_1.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KYLHA5NKJLUDKLTXIDFUV5KMIA.jpg","proxyUrl":"/photo/resize/j3xm2L7mvYesgKXIMyU2pzkHVI0=/arc-anglerfish-arc2-prod-bonnier/public/KYLHA5NKJLUDKLTXIDFUV5KMIA.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/j3xm2L7mvYesgKXIMyU2pzkHVI0=/arc-anglerfish-arc2-prod-bonnier/public/KYLHA5NKJLUDKLTXIDFUV5KMIA.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"World Press Photo","caption":"<strong>Contemporary Issues - Second Prize, Singles</strong>\nA woman is supported by two men while crossing a river, as refugees attempt to reach Macedonia on a route that would bypass the border fence.","created_date":"2019-05-04T02:37:04Z","credits":{"by":[{"name":"© Vadim Ghirda, The Associated Press","type":"author"}]},"headlines":{"basic":"Migrant Crossing"},"height":742,"label":{"basic":{"text":"Migrant Crossing"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/KYLHA5NKJLUDKLTXIDFUV5KMIA","system":"Anglerfish"},"subheadlines":{"basic":"Migrant Crossing"},"subtitle":"Migrant Crossing","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/KYLHA5NKJLUDKLTXIDFUV5KMIA.jpg","version":"0.9.0","width":1200},{"_id":"V2FHIO3BQJFSLY7B2PE5GC574Q","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/004_daniel_etter_1.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/V2FHIO3BQJFSLY7B2PE5GC574Q.jpg","proxyUrl":"/photo/resize/Wi_lb0AntSMOXzX1UpajNt0z9f0=/arc-anglerfish-arc2-prod-bonnier/public/V2FHIO3BQJFSLY7B2PE5GC574Q.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/Wi_lb0AntSMOXzX1UpajNt0z9f0=/arc-anglerfish-arc2-prod-bonnier/public/V2FHIO3BQJFSLY7B2PE5GC574Q.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"World Press Photo","caption":"<strong>Contemporary Issues - Third Prize, Singles</strong>\nTwo Nigerian refugees cry and embrace in a detention center for refugees in Surman, Libya. The detention center houses hundreds of women escaping precarious conditions. Many claim they are regularly beaten or sexually assaulted, and receive insufficient amounts of food and water at the center. Most of these women were attempting to reach Europe by being smuggled across the Mediterranean in boats setting sail from neighboring Sabratah.","created_date":"2019-05-04T02:37:04Z","credits":{"by":[{"name":"© Daniel Etter","type":"author"}]},"headlines":{"basic":"The Libyan Migrant Trap"},"height":800,"label":{"basic":{"text":"The Libyan Migrant Trap"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/V2FHIO3BQJFSLY7B2PE5GC574Q","system":"Anglerfish"},"subheadlines":{"basic":"The Libyan Migrant Trap"},"subtitle":"The Libyan Migrant Trap","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/V2FHIO3BQJFSLY7B2PE5GC574Q.jpg","version":"0.9.0","width":1200},{"_id":"7AZCZ73M5TJZK3GVIXL73BPYKI","additional_properties":{"aspect_ratio":"1x_","countryId":227,"galleries":[],"iptc_source":"Amber Bracken","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/005_amber_bracken_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/7AZCZ73M5TJZK3GVIXL73BPYKI.jpg","proxyUrl":"/photo/resize/l344FcGVNfZuAZ9P_FfWFwM5XeQ=/arc-anglerfish-arc2-prod-bonnier/public/7AZCZ73M5TJZK3GVIXL73BPYKI.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/l344FcGVNfZuAZ9P_FfWFwM5XeQ=/arc-anglerfish-arc2-prod-bonnier/public/7AZCZ73M5TJZK3GVIXL73BPYKI.jpg","restricted":false,"takenOn":"2016-11-15T18:13:28Z","version":0,"width_type":"full-width"},"address":{"country_name":"USA","locality":"Canon Ball","region":"North Dakota","street_address":"Oceti Sakowin Camp/Sacred Stone"},"alt_text":"World Press Photo","caption":"<strong>Contemporary Issues - First Prize, Stories</strong>\nRiot police clear marchers from a secondary road outside a Dakota Access Pipeline worker camp using rubber bullets, pepper spray, tasers and arrests. In other incidents they've employed militarized vehicles, water canons, tear gas and have been accused of using percussion grenades.","copyright":"© 2016 Amber Bracken","created_date":"2019-05-04T02:37:04Z","credits":{"affiliation":[{"name":"Amber Bracken","type":"author"}],"by":[{"name":"© Amber Bracken","type":"author"}]},"headlines":{"basic":"Standing Rock"},"height":800,"label":{"basic":{"text":"Standing Rock"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/7AZCZ73M5TJZK3GVIXL73BPYKI","system":"Anglerfish"},"subheadlines":{"basic":"Standing Rock"},"subtitle":"Standing Rock","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/7AZCZ73M5TJZK3GVIXL73BPYKI.jpg","version":"0.9.0","width":1200},{"_id":"QR3IXF6MNG4OP7LNXDKEPALGEE","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/009_lalo_de_almeida_folha_de_sao_paulo_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/QR3IXF6MNG4OP7LNXDKEPALGEE.jpg","proxyUrl":"/photo/resize/i8C9DCXKreA6xTrtSbV60KkFMBY=/arc-anglerfish-arc2-prod-bonnier/public/QR3IXF6MNG4OP7LNXDKEPALGEE.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/i8C9DCXKreA6xTrtSbV60KkFMBY=/arc-anglerfish-arc2-prod-bonnier/public/QR3IXF6MNG4OP7LNXDKEPALGEE.jpg","restricted":false,"takenOn":"2016-10-19T18:56:07Z","version":0,"width_type":"full-width"},"address":{"locality":"Sao Paulo","region":"SP"},"alt_text":"World Press Photo","caption":"<strong>Contemporary Issues - Second Prize, Stories</strong>\nIn September 2015, babies in Brazil began to be born with microcephaly and other malformations, and in April 2016 the link between the Zika virus and these malformations was confirmed. Marcela (2) observes her sisters in her mother's lap at the family's home in the rural area of Areia. Twin sisters Heloisa (left) and Heloá (right) were born seven months prior with microcephaly caused by the Zika virus","created_date":"2019-05-04T02:37:04Z","credits":{"affiliation":[{"name":"Lalo de Almeida","type":"author"}],"by":[{"name":"© Lalo de Almeida, for Folha de São Paulo","type":"author"}]},"headlines":{"basic":"Victims Of The Zika Virus"},"height":800,"label":{"basic":{"text":"Victims Of The Zika Virus"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/QR3IXF6MNG4OP7LNXDKEPALGEE","system":"Anglerfish"},"subheadlines":{"basic":"Victims Of The Zika Virus"},"subtitle":"Victims Of The Zika Virus","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/QR3IXF6MNG4OP7LNXDKEPALGEE.jpg","version":"0.9.0","width":1200},{"_id":"JHIUOAVA3PXQMOS64ZMDROR5DA","additional_properties":{"aspect_ratio":"1x_","countryId":31,"galleries":[],"iptc_job_identifier":" ","iptc_source":"Peter Bauza","keywords":["brazil","copacabana","copacabanapalace","copacanapalace","elections","government","homeless","housingprogram","jambalaya","jambalya","landless","minhacasa","minhavida","ministries","needs","occupation","politics","poverty","rio","riodejaneiro","semterra","semterras","semteto","semtetos","socialprogram","society","southamerica","sqatters","sqatting","squatters","squatting","votes"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/013_peter_bauza_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/JHIUOAVA3PXQMOS64ZMDROR5DA.jpg","proxyUrl":"/photo/resize/v46scsybA0HdGP6SIKSPPVRCBkg=/arc-anglerfish-arc2-prod-bonnier/public/JHIUOAVA3PXQMOS64ZMDROR5DA.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/v46scsybA0HdGP6SIKSPPVRCBkg=/arc-anglerfish-arc2-prod-bonnier/public/JHIUOAVA3PXQMOS64ZMDROR5DA.jpg","restricted":false,"takenOn":"2015-07-19T00:00:00Z","version":0,"width_type":"full-width"},"address":{"country_name":"BRA","locality":"Campo Grande - Rio de Janeiro","region":"Rio de Janeiro","street_address":"Campo Grande"},"alt_text":"World Press Photo","caption":"<strong>Contemporary Issues - Third Prize, Stories</strong>\n\"Copacabana Palace,\" an ironically named series of condominiums in Brazil, houses more than 300 homeless families. Built more than 30 years ago, construction on this complex was never finished and has since become squatted. A pastor, who also lives in the occupied buildings, explains all the construction problems. A couple of weeks ago, the hall floors from a building crashed down at night.","copyright":"Peter Bauza","created_date":"2019-05-04T02:37:04Z","credits":{"affiliation":[{"name":"Peter Bauza","type":"author"}],"by":[{"name":"© Peter Bauza","type":"author"}]},"headlines":{"basic":"Copacabana Palace"},"height":802,"label":{"basic":{"text":"Copacabana Palace"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"slug":"Copacabana Palace","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/JHIUOAVA3PXQMOS64ZMDROR5DA","system":"Anglerfish"},"subheadlines":{"basic":"Copacabana Palace"},"subtitle":"Copacabana Palace","taxonomy":{"associated_tasks":[]},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/JHIUOAVA3PXQMOS64ZMDROR5DA.jpg","version":"0.9.0","width":1200},{"_id":"VEILSDTAWBJFY52KULVYCTWZBQ","additional_properties":{"aspect_ratio":"1x_","galleries":[],"iptc_title":"Contributor","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/017_paula_bronstein_time_lightbox_pulitzer_center_for_crisis_reporting_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/VEILSDTAWBJFY52KULVYCTWZBQ.jpg","proxyUrl":"/photo/resize/fIOPAihDCIUchBJsTJ-T4X9X9Wk=/arc-anglerfish-arc2-prod-bonnier/public/VEILSDTAWBJFY52KULVYCTWZBQ.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/fIOPAihDCIUchBJsTJ-T4X9X9Wk=/arc-anglerfish-arc2-prod-bonnier/public/VEILSDTAWBJFY52KULVYCTWZBQ.jpg","restricted":false,"takenOn":"2016-03-29T19:29:40Z","version":0,"width_type":"full-width"},"address":{"locality":"Kabul"},"alt_text":"World Press Photo","caption":"<strong>Daily Life - First Prize, Singles</strong>\nAfghanistan has endured armed conflict since 1979, when the Soviet Union invaded. Afghan civilians are at greater risk today than at any time since Taliban rule, which ended in 2001. According to UN statistics, in the first half of 2016 at least 1,600 people died, and more than 3,500 people were injured. At the hospital, Najiba holds her two-year-old nephew Shabir who was injured from a bomb blast in Kabul on 29 March 2016.","copyright":"2016 Paula Bronstein","created_date":"2019-05-04T02:37:05Z","credits":{"affiliation":[{"name":"Paula Bronstein /Pulitzer Center","type":"author"}],"by":[{"name":"© Paula Bronstein, for Time Lightbox / Pulitzer Center For Crisis Reporting","type":"author"}]},"headlines":{"basic":"The Silent Victims Of A Forgotten War"},"height":800,"label":{"basic":{"text":"The Silent Victims Of A Forgotten War"}},"last_updated_date":"2019-05-04T02:37:05Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/VEILSDTAWBJFY52KULVYCTWZBQ","system":"Anglerfish"},"subheadlines":{"basic":"The Silent Victims Of A Forgotten War"},"subtitle":"The Silent Victims Of A Forgotten War","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/VEILSDTAWBJFY52KULVYCTWZBQ.jpg","version":"0.9.0","width":1200},{"_id":"O3YYJJKMTCDMXQIONVXPTRZ53Y","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/018_tiejun_wang_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/O3YYJJKMTCDMXQIONVXPTRZ53Y.jpg","proxyUrl":"/photo/resize/4VOaBF5rawk6A6sVEnq0Myu6EY0=/arc-anglerfish-arc2-prod-bonnier/public/O3YYJJKMTCDMXQIONVXPTRZ53Y.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/4VOaBF5rawk6A6sVEnq0Myu6EY0=/arc-anglerfish-arc2-prod-bonnier/public/O3YYJJKMTCDMXQIONVXPTRZ53Y.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"World Press Photo","caption":"<strong>Daily Life - Second Prize, Singles</strong>\nFour students of a gymnastics school in Xuzhou, China, do toe-pressure training for 30 minutes in the afternoon.","created_date":"2019-05-04T02:37:05Z","credits":{"by":[{"name":"© Tiejun Wang","type":"author"}]},"headlines":{"basic":"Sweat Makes Champions"},"height":845,"label":{"basic":{"text":"Sweat Makes Champions"}},"last_updated_date":"2019-05-04T02:37:05Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/O3YYJJKMTCDMXQIONVXPTRZ53Y","system":"Anglerfish"},"subheadlines":{"basic":"Sweat Makes Champions"},"subtitle":"Sweat Makes Champions","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/O3YYJJKMTCDMXQIONVXPTRZ53Y.jpg","version":"0.9.0","width":1200},{"_id":"OOLW4FOCKV5D5P7P4ANAT5XC2A","additional_properties":{"aspect_ratio":"1x_","galleries":[],"iptc_source":"National Geographic","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/019_matthieu_paley_national_geographic_magazine_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/OOLW4FOCKV5D5P7P4ANAT5XC2A.jpg","proxyUrl":"/photo/resize/quUFz2_Tq5Wc-5pb9-JuSTLcKqA=/arc-anglerfish-arc2-prod-bonnier/public/OOLW4FOCKV5D5P7P4ANAT5XC2A.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/quUFz2_Tq5Wc-5pb9-JuSTLcKqA=/arc-anglerfish-arc2-prod-bonnier/public/OOLW4FOCKV5D5P7P4ANAT5XC2A.jpg","restricted":false,"takenOn":"2016-06-03T13:16:37Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"World Press Photo","caption":"<strong>Daily Life - Third Prize, Singles</strong>\nAn Uyghur woman carries money in her stockings, a common practice. Uygur women, while Muslim, typically do not adhere to the conservative dress code that women in neighboring countries follow.","copyright":"© Matthieu Paley","created_date":"2019-05-04T02:37:05Z","credits":{"by":[{"name":"© Matthieu Paley, for National Geographic Magazine","type":"author"}]},"headlines":{"basic":"China’s Wild West"},"height":900,"label":{"basic":{"text":"China’s Wild West"}},"last_updated_date":"2019-05-04T02:37:05Z","licensable":false,"owner":{"id":"bonnier"},"slug":"09_natgeo_china_train","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/OOLW4FOCKV5D5P7P4ANAT5XC2A","system":"Anglerfish"},"subheadlines":{"basic":"China’s Wild West"},"subtitle":"China’s Wild West","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/OOLW4FOCKV5D5P7P4ANAT5XC2A.jpg","version":"0.9.0","width":1200},{"_id":"YAFDPFMGLSKTQKRXF5JUCRB2IE","additional_properties":{"aspect_ratio":"1x_","countryId":56,"galleries":[],"iptc_title":"Freelance Photographer","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/020_tomas_munita_the_new_york_times_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/YAFDPFMGLSKTQKRXF5JUCRB2IE.jpg","proxyUrl":"/photo/resize/5uyb5e9Ha5Z59VNcM_ZoAjRE2cI=/arc-anglerfish-arc2-prod-bonnier/public/YAFDPFMGLSKTQKRXF5JUCRB2IE.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/5uyb5e9Ha5Z59VNcM_ZoAjRE2cI=/arc-anglerfish-arc2-prod-bonnier/public/YAFDPFMGLSKTQKRXF5JUCRB2IE.jpg","restricted":false,"takenOn":"2016-01-25T13:16:49Z","version":0,"width_type":"full-width"},"address":{"country_name":"CUB","locality":"Old Havana"},"alt_text":"World Press Photo","caption":"<strong>Daily Life - First Prize, Stories</strong>\nIn December, days after Fidel Castro's death, his ashes were taken into the countryside, on a route that retraced, in reverse, the steps of the revolution he led in 1959. Towns and villages along the route were emptied of residents as thousands tried to catch a glimpse of Castro's remains. For many, the death of Fidel Castro felt like that of a father.","copyright":"Tomas Munita for The New York Times","created_date":"2019-05-04T02:37:03Z","credits":{"affiliation":[{"name":"Tomas Munita for The New York Ti","type":"author"}],"by":[{"name":"© Tomas Munita, for The New York Times","type":"author"}]},"headlines":{"basic":"Cuba On The Edge Of Change"},"height":801,"label":{"basic":{"text":"Cuba On The Edge Of Change"}},"last_updated_date":"2019-05-04T02:37:03Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/YAFDPFMGLSKTQKRXF5JUCRB2IE","system":"Anglerfish"},"subheadlines":{"basic":"Cuba On The Edge Of Change"},"subtitle":"Cuba On The Edge Of Change","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/YAFDPFMGLSKTQKRXF5JUCRB2IE.jpg","version":"0.9.0","width":1200},{"_id":"3ZQQXTNFG2OPUAOL4A4JVLMNZY","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/024_elena_anosova_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/3ZQQXTNFG2OPUAOL4A4JVLMNZY.jpg","proxyUrl":"/photo/resize/CvIP11wxdz1mjV5dONcf6iALOL0=/arc-anglerfish-arc2-prod-bonnier/public/3ZQQXTNFG2OPUAOL4A4JVLMNZY.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/CvIP11wxdz1mjV5dONcf6iALOL0=/arc-anglerfish-arc2-prod-bonnier/public/3ZQQXTNFG2OPUAOL4A4JVLMNZY.jpg","restricted":false,"takenOn":"2016-01-04T19:49:01Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"World Press Photo","caption":"<strong>Daily Life - Second Prize, Stories</strong>\nIn Russia's extreme north, century-long ways of life dominate the daily life of some of the most isolated parts of the desolate landscape. Modern civilization penetrates slowly and fragmentarily. There are no roads, and only one helicopter shuttle twice monthly. 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The children had sailed for hours in an overcrowded rubber boat with other refugees during a rescue operation on the Mediterranean Sea, about 23 kilometers north of Sabratha, Libya.","created_date":"2019-05-04T02:37:04Z","credits":{"by":[{"name":"© Santi Palacios","type":"author"}]},"headlines":{"basic":"Left Alone"},"height":800,"label":{"basic":{"text":"Left Alone"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/MYQKO2NDBMCQYW47TUVLO6OJBA","system":"Anglerfish"},"subheadlines":{"basic":"Left Alone"},"subtitle":"Left Alone","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/MYQKO2NDBMCQYW47TUVLO6OJBA.jpg","version":"0.9.0","width":1200},{"_id":"XUBJPNK5EBP4PHXZOYOKKYFPUI","additional_properties":{"aspect_ratio":"1x_","countryId":171,"galleries":[],"iptc_job_identifier":"NC031","iptc_source":"AFP","iptc_title":"STF","keywords":["crime","fight against drugs","horizontal","interior view","man","overpopulation","prison","prisoner","topshots"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/034_noel_celis_agence_france_presse_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/XUBJPNK5EBP4PHXZOYOKKYFPUI.jpg","proxyUrl":"/photo/resize/9CoP3UtB8G3C1OTJdXe8-5hp5Lk=/arc-anglerfish-arc2-prod-bonnier/public/XUBJPNK5EBP4PHXZOYOKKYFPUI.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/9CoP3UtB8G3C1OTJdXe8-5hp5Lk=/arc-anglerfish-arc2-prod-bonnier/public/XUBJPNK5EBP4PHXZOYOKKYFPUI.jpg","restricted":false,"takenOn":"2016-07-30T01:45:31Z","usage_instructions":"TO GO WITH AFP STORY: Philippines-politics-crime-jails, FOCUS by Ayee Macaraig","version":0,"width_type":"full-width"},"address":{"country_name":"PHL","locality":"Manila"},"alt_text":"World Press Photo","caption":"<strong>General News - Third Prize, Singles</strong>\nAn image from Quezon City Jail, one of the Philippines' most overcrowded prisons. 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Since then, more than 2,000 people have been slain at the hands of the police alone. Six-year-old Jimji cries in anguish as she screams \"papa\" before funeral parlor workers move the body of her father, Jimboy Bolasa, from the wake at the start of the funeral to Navotas Cemetery in Manila, Philippines. Unidentified men abducted Mr. Bolasa and a neighborhood friend one night. Less than an hour later, their beaten bodies, with signs of torture and gunshot wounds, were dumped under a nearby bridge.","copyright":"Daniel Berehulak for The New York Times","created_date":"2019-05-04T02:37:03Z","credits":{"affiliation":[{"name":"Daniel Berehulak for The New Yor","type":"author"}],"by":[{"name":"© Daniel Berehulak, for The New York Times","type":"author"}]},"headlines":{"basic":"They Are Slaughtering Us Like Animals"},"height":800,"label":{"basic":{"text":"They Are Slaughtering Us Like Animals"}},"last_updated_date":"2019-05-04T02:37:03Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/6S2EBAVFDNOQ2GTDPMM3TC7HAY","system":"Anglerfish"},"subheadlines":{"basic":"They Are Slaughtering Us Like Animals"},"subtitle":"They Are Slaughtering Us Like Animals","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/6S2EBAVFDNOQ2GTDPMM3TC7HAY.jpg","version":"0.9.0","width":1200},{"_id":"HZ7PRSWLHDXWGMURXKFS7QIQ2I","additional_properties":{"aspect_ratio":"1x_","countryId":103,"galleries":[],"iptc_title":"Freelance Photographer","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/039_sergey_ponomarev_the_new_york_times_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/HZ7PRSWLHDXWGMURXKFS7QIQ2I.jpg","proxyUrl":"/photo/resize/kzybD14BcsiFOVMo83axkYHxecQ=/arc-anglerfish-arc2-prod-bonnier/public/HZ7PRSWLHDXWGMURXKFS7QIQ2I.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/kzybD14BcsiFOVMo83axkYHxecQ=/arc-anglerfish-arc2-prod-bonnier/public/HZ7PRSWLHDXWGMURXKFS7QIQ2I.jpg","restricted":false,"takenOn":"2016-11-13T01:07:39Z","version":0,"width_type":"full-width"},"address":{"country_name":"IRQ","locality":"Qayyara"},"alt_text":"World Press Photo","caption":"<strong>General News - Second Prize, Stories</strong>\nMore than two years after the Islamic State first blitzed across Iraq in 2014, Iraqi security forces are scrambling to evict the militant group from Mosul, its last major stronghold in the country. The campaign has displaced nearly 70,000 Iraqis, and may uproot hundreds of thousands more. A family flees the fighting in Mosul, as oil fields burned in Qayyara, Iraq.","copyright":"Sergey Ponomarev for The New York Times","created_date":"2019-05-04T02:37:04Z","credits":{"affiliation":[{"name":"Sergey Ponomarev for The New Yor","type":"author"}],"by":[{"name":"© Sergey Ponomarev, for The New York Times","type":"author"}]},"headlines":{"basic":"Iraq's Battle To Reclaim Its Cities"},"height":801,"label":{"basic":{"text":"Iraq's Battle To Reclaim Its Cities"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/HZ7PRSWLHDXWGMURXKFS7QIQ2I","system":"Anglerfish"},"subheadlines":{"basic":"Iraq's Battle To Reclaim Its Cities"},"subtitle":"Iraq's Battle To Reclaim Its Cities","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/HZ7PRSWLHDXWGMURXKFS7QIQ2I.jpg","version":"0.9.0","width":1200},{"_id":"LB7VEDM3YWB4LG73MWL2YJJTEQ","additional_properties":{"aspect_ratio":"1x_","galleries":[],"iptc_job_identifier":"ROA","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/043_alessio_romenzi__0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/LB7VEDM3YWB4LG73MWL2YJJTEQ.jpg","proxyUrl":"/photo/resize/enLoRbRidweBVtfSR5XuxAJW1Ks=/arc-anglerfish-arc2-prod-bonnier/public/LB7VEDM3YWB4LG73MWL2YJJTEQ.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/enLoRbRidweBVtfSR5XuxAJW1Ks=/arc-anglerfish-arc2-prod-bonnier/public/LB7VEDM3YWB4LG73MWL2YJJTEQ.jpg","restricted":false,"takenOn":"2016-12-22T20:12:29Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"World Press Photo","caption":"<strong>General News - Third Prize, Stories</strong>\nSirte, Libya, is one of the three self-proclaimed capitals of the so-called Islamic State, along with Raqqa in Syria and Mosul in Iraq. It was the first of the three to fall, with an offensive launched by the Libyan government in May 2016. Soon after he surrendered, an ISIS fighter is violently dragged by Libyan fighters affiliated with the government in Tripoli while they shout and threaten to lynch him. A few minutes later he was found in the same place shot dead multiple times.","copyright":"ALESSIO ROMENZI","created_date":"2019-05-04T02:37:04Z","credits":{"by":[{"name":"© Alessio Romenzi","type":"author"}]},"headlines":{"basic":"We Are Not Taking Any Prisoners"},"height":801,"label":{"basic":{"text":"We Are Not Taking Any Prisoners"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/LB7VEDM3YWB4LG73MWL2YJJTEQ","system":"Anglerfish"},"subheadlines":{"basic":"We Are Not Taking Any Prisoners"},"subtitle":"We Are Not Taking Any Prisoners","taxonomy":{"associated_tasks":[]},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/LB7VEDM3YWB4LG73MWL2YJJTEQ.jpg","version":"0.9.0","width":1200},{"_id":"F4YIRFGUY5JTT7YZJTSQE3JEEM","additional_properties":{"aspect_ratio":"1x_","galleries":[],"iptc_source":"Rossia Segodnya","iptc_title":"Rossia Segodnya","keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/047_valery_melnikov_rossia_segodnya_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/F4YIRFGUY5JTT7YZJTSQE3JEEM.jpg","proxyUrl":"/photo/resize/n3zJAD0txPqlLbp4M6ho24aeYtw=/arc-anglerfish-arc2-prod-bonnier/public/F4YIRFGUY5JTT7YZJTSQE3JEEM.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/n3zJAD0txPqlLbp4M6ho24aeYtw=/arc-anglerfish-arc2-prod-bonnier/public/F4YIRFGUY5JTT7YZJTSQE3JEEM.jpg","restricted":false,"takenOn":"2014-07-02T11:53:40Z","version":0,"width_type":"full-width"},"address":{"locality":"Luhansk ","region":"Donbass","street_address":"Luhanskaya village"},"alt_text":"World Press Photo","caption":"<strong>Long-Term Projects - First Prize</strong>\nOrdinary people became victims of the conflict between self-proclaimed republics and the official Ukrainian authorities from 2014 onwards in the region of Donbass. 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More than 60 percent of Iran's people are under the age of 30 and have little knowledge of their country before its transformation into a theocratic state.","copyright":"HoSSEiNfateMi","created_date":"2019-05-04T02:37:04Z","credits":{"by":[{"name":"© Hossein Fatemi, Panos Pictures","type":"author"}]},"headlines":{"basic":"An Iranian Journey"},"height":800,"label":{"basic":{"text":"An Iranian Journey"}},"last_updated_date":"2019-05-04T02:37:04Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/VOXD4HKG6V2HLJPAIXGMDXYJ34","system":"Anglerfish"},"subheadlines":{"basic":"An Iranian Journey"},"subtitle":"An Iranian Journey","taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/VOXD4HKG6V2HLJPAIXGMDXYJ34.jpg","version":"0.9.0","width":1200},{"_id":"N6LZ3HQR5OLQIDPEFGPJRD6UFA","additional_properties":{"aspect_ratio":"1x_","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/063_markus_jokela_helsingin_sanomat_0.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/N6LZ3HQR5OLQIDPEFGPJRD6UFA.jpg","proxyUrl":"/photo/resize/JKikf5JupH-b-ntelRckEuuwmdI=/arc-anglerfish-arc2-prod-bonnier/public/N6LZ3HQR5OLQIDPEFGPJRD6UFA.jpg","published":true,"resizeUrl":"http://resizer.shared.arcpublishing.com/JKikf5JupH-b-ntelRckEuuwmdI=/arc-anglerfish-arc2-prod-bonnier/public/N6LZ3HQR5OLQIDPEFGPJRD6UFA.jpg","restricted":false,"takenOn":"2015-11-25T00:00:00Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"World Press Photo","caption":"<strong>Long-Term Projects - Third Prize</strong>\nTable Rock is a small rural community in Nebraska, USA, which is shown from 1992 until March 2016. 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Discomfort in the locker room pushed a few of Toronto's gay rugby players to form the city's first gay-friendly rugby team. Established in 2003, Muddy York RFC primarily competes against \"straight\" teams in the Toronto Rugby Union. 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This series focuses especially on the youth tournaments held across several cities in the Czech Republic in 2016. 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Other highlights came in the exhibition <em>Insights: New Approaches to Photography Since 2000,</em> curated by PHOTOFAIRS Artistic Director Alexander Montague-Sparey and Allie Haeusslein, the associate director of Pier 24 Photography. The exhibition focused on artists that, according to an introductory text, \"hark back to the very essence of the medium, by creating new rules within which to operate,\" frequently combining photographic techniques with those of painting, sculpture, video and installation art.","type":"text"},{"_id":"4YNJO53YPVFA5NZCMTQDIV7PL4","content":"“I love the idea that contemporary photography doesn’t necessarily mean digital photography,” said PHOTOFAIRS Artistic Director Alexander Montague-Sparey.","type":"text"},{"_id":"S5PQRMSUQZBHHISAG66J352LXI","content":"Meghann Riepenhoff, one of the artists featured below, said that innovation isn’t just crucial to photography’s evolution, it’s been a hallmark of the medium from the very beginning.","type":"text"},{"_id":"CPH27WIZGBHQ3DFMVP55AT4VFU","content":"“In reinventing older technologies, and using them in ways we haven’t seen before, we also can speak to the alchemical, magical nature of photography,” Riepenhoff said. “Experimenting and changing the protocol of an established method reminds us of the unknown, which can be both uncomfortable and exhilarating. Taking on a set of materials and upending the expected result elicits wonder and awe, which is an association with photography since its earliest days.”","type":"text"},{"_id":"E6DZ4KFDXFGN5OGUNLHPTCLCHA","content":"These are six of the best things we saw on view at PHOTOFAIRS.","type":"text"},{"_id":"64HXE55BFZCTRJUVKUED6S6XXQ","content":"Fred Lyon","level":2,"type":"header"},{"_id":"2PNZG2VPTMT5WIPUHG4DK7BT3I","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/102mzl4Q8BPPRohG8J_dHHwug6Q=/arc-anglerfish-arc2-prod-bonnier/public/2PNZG2VPTMT5WIPUHG4DK7BT3I.jpg","galleries":[],"iptc_title":"Hotshot","keywords":["1956","black and white","fog","foggy night","for time","land's end","lvt","night","san francisco","vintage photography"],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/1.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/2PNZG2VPTMT5WIPUHG4DK7BT3I.jpg","proxyUrl":"/photo/resize/102mzl4Q8BPPRohG8J_dHHwug6Q=/arc-anglerfish-arc2-prod-bonnier/public/2PNZG2VPTMT5WIPUHG4DK7BT3I.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/102mzl4Q8BPPRohG8J_dHHwug6Q=/arc-anglerfish-arc2-prod-bonnier/public/2PNZG2VPTMT5WIPUHG4DK7BT3I.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"Fred Lyon","caption":"Foggy Night, Land’s End, San Francisco, CA, 1953","copyright":"©Fred Lyon  2011","created_date":"2019-05-04T02:39:39Z","credits":{"by":[{"name":"© Fred Lyon, Courtesy Peter Fetterman Gallery","type":"author"}]},"height":1600,"last_updated_date":"2019-05-04T02:39:39Z","licensable":false,"owner":{"id":"bonnier"},"slug":"1002361b.tif","source":{"edit_url":"https://bonnier.arcpublishing.com/photo/2PNZG2VPTMT5WIPUHG4DK7BT3I","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/2PNZG2VPTMT5WIPUHG4DK7BT3I.jpg","version":"0.9.0","width":1600},{"_id":"KWJ5FTV3QFFVXHYDQNTEDTXBGI","content":"Fred Lyon, a nonagenarian and fourth-generation San Franciscan, is the quintessential photographer of the Golden City. Simply put, no one’s been doing it as long or as well.","type":"text"},{"_id":"USO4SNUWFBFCRGDMVMA73WIKSI","content":"His black-and-white photos at Peter Fetterman Gallery, taken in the 1940s and '50s, are gorgeous, <em>film noir</em>-style love letters to his hometown. In \"Foggy Night,\" a couple, guided by a flashlight, walk down a hazy, sloping street. \"Post & Powell,\" an aerial shot of an intersection, presents a fascinating geometry of people, vehicles, and pavement markings. In \"Huntington Hotel,\" the building emerges from the fog as a luminescent monolith, romantic and mysterious all at once.","type":"text"},{"_id":"3XOYJCPFYNBB5KATHPYMDJW2TQ","content":"If you haven’t fallen in love with San Francisco on your own, Lyon’s photos will seal the deal.","type":"text"},{"_id":"TGRVLHVQ7OHWU3LXGJAT5PVIYE","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/PH-0JeuTWuxOyuXHQum_0jhtPPw=/arc-anglerfish-arc2-prod-bonnier/public/TGRVLHVQ7OHWU3LXGJAT5PVIYE.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/2.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/TGRVLHVQ7OHWU3LXGJAT5PVIYE.jpg","proxyUrl":"/photo/resize/PH-0JeuTWuxOyuXHQum_0jhtPPw=/arc-anglerfish-arc2-prod-bonnier/public/TGRVLHVQ7OHWU3LXGJAT5PVIYE.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/PH-0JeuTWuxOyuXHQum_0jhtPPw=/arc-anglerfish-arc2-prod-bonnier/public/TGRVLHVQ7OHWU3LXGJAT5PVIYE.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"Fred Lyon","caption":"Post & Powell, Union Square, San Francisco, 1947","copyright":"© Fred Lyon","created_date":"2019-05-04T02:39:40Z","credits":{"by":[{"name":"© Fred Lyon, Courtesy Peter Fetterman Gallery","type":"author"}]},"height":1800,"last_updated_date":"2019-05-04T02:39:40Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/TGRVLHVQ7OHWU3LXGJAT5PVIYE","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/TGRVLHVQ7OHWU3LXGJAT5PVIYE.jpg","version":"0.9.0","width":1198},{"_id":"CAOXPDETVVG4FEDCG5G3I5KKSQ","content":"Alejandro Guijjaro","level":2,"type":"header"},{"_id":"B34OGP4XEH3D7IANIPTKN4PIVQ","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/WCW4ImdyN6EOkF6iU0ID4aOrdHo=/arc-anglerfish-arc2-prod-bonnier/public/B34OGP4XEH3D7IANIPTKN4PIVQ.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/uc_berkeley_viii-2.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/B34OGP4XEH3D7IANIPTKN4PIVQ.jpg","proxyUrl":"/photo/resize/WCW4ImdyN6EOkF6iU0ID4aOrdHo=/arc-anglerfish-arc2-prod-bonnier/public/B34OGP4XEH3D7IANIPTKN4PIVQ.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/WCW4ImdyN6EOkF6iU0ID4aOrdHo=/arc-anglerfish-arc2-prod-bonnier/public/B34OGP4XEH3D7IANIPTKN4PIVQ.jpg","restricted":false,"takenOn":"2015-05-08T10:26:16Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"Alejandro Guijarro","caption":"Berkeley VIII, 2012","created_date":"2019-05-04T02:39:40Z","credits":{"by":[{"name":"© Alejandro Guijarro, Courtesy of Tristan Hoare (London)","type":"author"}]},"height":1155,"last_updated_date":"2019-05-04T02:39:40Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/B34OGP4XEH3D7IANIPTKN4PIVQ","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/B34OGP4XEH3D7IANIPTKN4PIVQ.jpg","version":"0.9.0","width":1621},{"_id":"72Z3PG3KANDINFV2UZFQUXPUJE","content":"Alejandro Guijarro’s work has long concerned the relationship between photography and reality. So when a physicist told him that math, not photography, was the only way to faithfully illustrate the world, he was intrigued.","type":"text"},{"_id":"4K5OOZMDWFAV7NJMGWJGJPWZEM","content":"Following the physicist's advice, the Spanish photographer visited the department of theoretical physics at Oxford University, and became transfixed by the mathematical equations he found scribbled on the chalkboards there. The trip inspired him to create his series, <em>Momentum,</em> which was on view with Tristan Hoare gallery and is a series that seeks to bridge the gap between science and art.","type":"text"},{"_id":"DJNM6GF25NCBTAWFNJZLDOHELE","content":"“I was indeed intrigued about how two different minds—that of the artist and that of the scientist—working on opposed modes of thinking could get to similar aesthetic results,” Guijarro said via email. “I was fascinated to find connections between images that in theory are poles apart.”","type":"text"},{"_id":"QHR7W7OANNC75JJRLOH6R3RZUY","content":"Guijarro visited the world’s leading institutions of math and physics, taking photos of the blackboards that are printed precisely to scale. The jumbles of numbers, letters and lines are expressions of quantum mechanics, and while they surely look like gobbledygook to the lay viewer, they have a peculiar power nonetheless.","type":"text"},{"_id":"5LXON7K6QJDI5E6XPKYZJRDC3Y","content":"“These blackboards have a very specific meaning in the labs where I photographed them,” he said. “When you change their scientific context into the gallery space framework, their meaning evolves and the viewer is invited to wonder about an infinite number of possibilities.”","type":"text"},{"_id":"CA4NTT5OARBQVBPMBS52XL5OJI","content":"Joakim Cortis and Adrian Sonderegger","level":2,"type":"header"},{"_id":"ARP3BIADQQQ3TZBUOPDDHFDQSY","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/gi7OVxnNKAsROxeKaqgyD-Zpprk=/arc-anglerfish-arc2-prod-bonnier/public/ARP3BIADQQQ3TZBUOPDDHFDQSY.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/1_1.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ARP3BIADQQQ3TZBUOPDDHFDQSY.jpg","proxyUrl":"/photo/resize/gi7OVxnNKAsROxeKaqgyD-Zpprk=/arc-anglerfish-arc2-prod-bonnier/public/ARP3BIADQQQ3TZBUOPDDHFDQSY.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/gi7OVxnNKAsROxeKaqgyD-Zpprk=/arc-anglerfish-arc2-prod-bonnier/public/ARP3BIADQQQ3TZBUOPDDHFDQSY.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"Cortis & Sonderegger","caption":"Making of ‘The Hindenburg Disaster by Sam Shere_1937,’ 2014","created_date":"2019-05-04T02:39:39Z","credits":{"by":[{"name":"© Cortis & Sonderegger courtesy of East Wing / Dubai","type":"author"}]},"height":997,"last_updated_date":"2019-05-04T02:39:39Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/ARP3BIADQQQ3TZBUOPDDHFDQSY","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/ARP3BIADQQQ3TZBUOPDDHFDQSY.jpg","version":"0.9.0","width":1500},{"_id":"EY6L7CZORRGGPGQNDDO4IM533M","content":"Joakim Cortis and Adrian Sonderegger's series, <em>ICONS</em>, on display at Dubai-based East Wing gallery, creates some of the most iconic photographs of all time, but with a slight twist. They're made in miniature, and Cortis and Sonderegger's images intentionally reveal their studio and the craft that went into their production of the photographs. It's a clever concept that slyly calls into question the veracity of documentary photography itself.","type":"text"},{"_id":"SGQOQI2ZMP4JDQ7ACFTMERGEAI","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/fwXI-GE8LwzPLd9GhBG_IVc-EK8=/arc-anglerfish-arc2-prod-bonnier/public/SGQOQI2ZMP4JDQ7ACFTMERGEAI.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/3.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/SGQOQI2ZMP4JDQ7ACFTMERGEAI.jpg","proxyUrl":"/photo/resize/fwXI-GE8LwzPLd9GhBG_IVc-EK8=/arc-anglerfish-arc2-prod-bonnier/public/SGQOQI2ZMP4JDQ7ACFTMERGEAI.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/fwXI-GE8LwzPLd9GhBG_IVc-EK8=/arc-anglerfish-arc2-prod-bonnier/public/SGQOQI2ZMP4JDQ7ACFTMERGEAI.jpg","restricted":false,"takenOn":"2014-05-15T12:58:35Z","version":0,"width_type":"full-width"},"address":{},"alt_text":"Cortis & Sonderegger","caption":"Making of ‘AS11-40-5878’ (by Edwin Aldrin, 1969), 2014","copyright":"Cortis & Sonderegger","created_date":"2019-05-04T02:39:39Z","credits":{"by":[{"name":"© Cortis & Sonderegger courtesy of East Wing / Dubai","type":"author"}]},"height":1133,"last_updated_date":"2019-05-04T02:39:39Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/SGQOQI2ZMP4JDQ7ACFTMERGEAI","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/SGQOQI2ZMP4JDQ7ACFTMERGEAI.jpg","version":"0.9.0","width":1700},{"_id":"NYM4CK7XUREVHBTSKTWYCWYV4Y","content":"Paul Fusco","level":2,"type":"header"},{"_id":"YTIEXPMPLZZOQMGR3PFGKUJEWM","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/kTn_d2QEvzviDHfG7PAya-TmWCE=/arc-anglerfish-arc2-prod-bonnier/public/YTIEXPMPLZZOQMGR3PFGKUJEWM.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/fusco200.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/YTIEXPMPLZZOQMGR3PFGKUJEWM.jpg","proxyUrl":"/photo/resize/kTn_d2QEvzviDHfG7PAya-TmWCE=/arc-anglerfish-arc2-prod-bonnier/public/YTIEXPMPLZZOQMGR3PFGKUJEWM.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/kTn_d2QEvzviDHfG7PAya-TmWCE=/arc-anglerfish-arc2-prod-bonnier/public/YTIEXPMPLZZOQMGR3PFGKUJEWM.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"© Paul Fusco","caption":"Robert Kennedy Funeral Train, USA, 1968","created_date":"2019-05-04T02:39:39Z","credits":{"by":[{"name":"© Paul Fusco, Courtesy of Danziger Gallery, New York","type":"author"}]},"height":534,"last_updated_date":"2019-05-04T02:39:39Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/YTIEXPMPLZZOQMGR3PFGKUJEWM","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/YTIEXPMPLZZOQMGR3PFGKUJEWM.jpg","version":"0.9.0","width":800},{"_id":"367DJQDTFRHTXC6VJM7D3WI7QM","content":"In 1968, after Robert Kennedy was killed, a train carried his body from New York to Washington, D.C. for burial. Paul Fusco was on board that train, and throughout the voyage he took photos of people who'd gathered along the tracks to pay their respects. <em>RFK Funeral Train</em>, on display at Danziger Gallery, is a remarkable documentary achievement, and an evergreen portrait of a wide swath of American culture united in mourning. Still, at a moment when America is so highly divided, it has special resonance today.","type":"text"},{"_id":"DSB3BO5AOR7KXSCXELLMUKO6PU","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/3P8LbSgLCg-4nv8ayhnCgfHElXo=/arc-anglerfish-arc2-prod-bonnier/public/DSB3BO5AOR7KXSCXELLMUKO6PU.jpg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/fusco010.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/DSB3BO5AOR7KXSCXELLMUKO6PU.jpg","proxyUrl":"/photo/resize/3P8LbSgLCg-4nv8ayhnCgfHElXo=/arc-anglerfish-arc2-prod-bonnier/public/DSB3BO5AOR7KXSCXELLMUKO6PU.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/3P8LbSgLCg-4nv8ayhnCgfHElXo=/arc-anglerfish-arc2-prod-bonnier/public/DSB3BO5AOR7KXSCXELLMUKO6PU.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"Paul Fusco","caption":"Robert Kennedy Funeral Train, USA, 1968","created_date":"2019-05-04T02:39:39Z","credits":{"by":[{"name":"© Paul Fusco, Courtesy of Danziger Gallery, New York","type":"author"}]},"height":526,"last_updated_date":"2019-05-04T02:39:39Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/DSB3BO5AOR7KXSCXELLMUKO6PU","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/DSB3BO5AOR7KXSCXELLMUKO6PU.jpg","version":"0.9.0","width":800},{"_id":"RKOUZLW63VFONNKLNSORX6FYCM","content":"Jordan Sullivan","level":2,"type":"header"},{"_id":"JWQMCAAZ6MFUVKBQ2VQLYV6DX4","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/8wstTPHl-yXkPcP5nRWQOEn9fp8=/arc-anglerfish-arc2-prod-bonnier/public/JWQMCAAZ6MFUVKBQ2VQLYV6DX4.jpeg","galleries":[],"keywords":[""],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/_jordan_sullivan_desert_imsomnia_2016._courtesy_of_rubber_factory_new_york.jpeg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/JWQMCAAZ6MFUVKBQ2VQLYV6DX4.jpeg","proxyUrl":"/photo/resize/8wstTPHl-yXkPcP5nRWQOEn9fp8=/arc-anglerfish-arc2-prod-bonnier/public/JWQMCAAZ6MFUVKBQ2VQLYV6DX4.jpeg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/8wstTPHl-yXkPcP5nRWQOEn9fp8=/arc-anglerfish-arc2-prod-bonnier/public/JWQMCAAZ6MFUVKBQ2VQLYV6DX4.jpeg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"Jordan Sullivan","caption":"Desert Imsomnia, 2016","created_date":"2019-05-04T02:39:39Z","credits":{"by":[{"name":"© Jordan Sullivan, Courtesy of Rubber Factory (New York)","type":"author"}]},"height":1280,"last_updated_date":"2019-05-04T02:39:39Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/JWQMCAAZ6MFUVKBQ2VQLYV6DX4","system":"Anglerfish"},"taxonomy":{},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/JWQMCAAZ6MFUVKBQ2VQLYV6DX4.jpeg","version":"0.9.0","width":855},{"_id":"4HTLXM3RENECXJSVW62XKFGKDY","content":"At Rubber Factory, L.A.-based writer and artist Jordan Sullivan debuted a new work, <em>Night Finds You</em>, comprising a series of overlapping, ethereal landscapes printed on translucent silk fabrics hung from the ceiling.","type":"text"},{"_id":"LJUMCUGONVCEPBNVMPDTP4LRZE","content":"“I wanted to create a photograph that was sculptural, an image you can see through, and an installation that would allow the viewer to see multiple images and spatial elements at once from different angles, rather than images side by side on a wall,” Sullivan said via email.","type":"text"},{"_id":"DP4PKYCQYBGUVMVY76IU6RCQCA","content":"He made these photos of plants, vanishing light, and “blue hours,” at night in Death Valley. They were shot through painted transparencies, he said, in order to distort the light and color.","type":"text"},{"_id":"ONMLGAJKJNALXGAH3VV2AHCQ54","content":"“The silk is extremely lightweight, so it moves if a gust of wind comes through the space or if someone passes by the piece,” he said. “The images are alive in a sense. They are rarely completely still. The overall effect is meant to replicate the feeling of moving through a landscape, in this case a desert at night.”","type":"text"},{"_id":"SMT5USMHLZH4HE7RVNF3ZS2YEU","content":"Meghann Riepenhoff","level":2,"type":"header"},{"_id":"DF2GMMKUNNENPTZDJGZ4SLRWTA","additional_properties":{"aspect_ratio":"1x_","fullSizeResizeUrl":"/photo/resize/9NiIdq26bWc43yfKxh-EoY6ytWk=/arc-anglerfish-arc2-prod-bonnier/public/DF2GMMKUNNENPTZDJGZ4SLRWTA.jpg","galleries":[],"mime_type":"image/jpeg","originalName":"https://www.popphoto.com/sites/popphoto.com/files/images/2017/02/_meghann_riepenhoff_littoral_drift_nearshore_447_springridge_road_bainbridge_island_wa_03.11.16_2016._courtesy_of_euqinomprojects_san_francisco.jpg","originalUrl":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/DF2GMMKUNNENPTZDJGZ4SLRWTA.jpg","proxyUrl":"/photo/resize/9NiIdq26bWc43yfKxh-EoY6ytWk=/arc-anglerfish-arc2-prod-bonnier/public/DF2GMMKUNNENPTZDJGZ4SLRWTA.jpg","published":true,"resizeUrl":"http://thumbor-prod-us-east-1.photo.aws.arc.pub/9NiIdq26bWc43yfKxh-EoY6ytWk=/arc-anglerfish-arc2-prod-bonnier/public/DF2GMMKUNNENPTZDJGZ4SLRWTA.jpg","restricted":false,"version":0,"width_type":"full-width"},"address":{},"alt_text":"Meghann Riepenhoff","caption":"Littoral Drift Nearshore #447 (Springridge Road, Bainbridge Island, WA 03.11.16), 2016","created_date":"2019-05-04T02:39:40Z","credits":{"by":[{"name":"© Meghann Riepenhoff,  Courtesy of EUQINOMprojects (San Francisco)","type":"author"}]},"height":1584,"last_updated_date":"2019-05-04T02:39:40Z","licensable":false,"owner":{"id":"bonnier"},"source":{"edit_url":"https://bonnier.arcpublishing.com/photo/DF2GMMKUNNENPTZDJGZ4SLRWTA","system":"Anglerfish"},"type":"image","url":"https://arc-anglerfish-arc2-prod-bonnier.s3.amazonaws.com/public/DF2GMMKUNNENPTZDJGZ4SLRWTA.jpg","version":"0.9.0","width":1136},{"_id":"ICVRQYGEEVCIZNBTTYHQMEES2Q","content":"The camera-less cyanotypes in Meghann Riepenhoff's series, <em>Littoral Drift</em>, are, she said, \"intentionally made to be like living things that record time.\"","type":"text"},{"_id":"CGTJPYC465DG5JX6RLNR2QTTLE","content":"To create them, she coats paper with cyanotype, dries it, boxes it, then brings it to landscapes all around the world, where the elements make their mark. They are only partially photochemically processed, so the chemistry continues to respond to the environment over time. The darker areas tend to lighten during the day, she said, and then return to darkness at night. Some works grow salt formations or rust.","type":"text"},{"_id":"NPBTD5T5RVDIDGQAFSEAIJHEHM","content":"Riepenhoff  occasionally re-photographs the works as they change, and displays the progressive images as polyptychs.","type":"text"},{"_id":"OUL7VXJJ5JFOBOZWT5AFFQHQZQ","content":"“Perhaps where the fugitive cyanotypes are analogies for a terrifyingly fleeting and beautiful existence,” she said. The process of re-photographing them is a metaphor for the incorporation and mediation of photography in the contemporary human experience.”","type":"text"}],"created_date":"2019-04-12T17:00:03.4Z","credits":{"by":[{"_id":"U34XOR5SERW5IM2EVY6QHFYOLY","additional_properties":{"original":{"_id":"U34XOR5SERW5IM2EVY6QHFYOLY","awards":[],"bio_page":"https://www.popphoto.com/authors/jordan-g-teicher","books":[],"byline":"Jordan G. Teicher","education":[],"firstName":"Jordan G.","lastName":"Teicher","last_updated_date":"2019-04-12T16:58:58.701Z","name":"Jordan G. Teicher","org":"Popular Photography","podcasts":[],"slug":"jordan-g-teicher","source_id":"111591","type":"author"}},"name":"Jordan G. 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