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<?xml-stylesheet type="text/xsl" media="screen" href="http://feeds.feedburner.com/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0"><id>tag:blogger.com,1999:blog-12649300</id><updated>2007-12-12T13:29:26.683-05:00</updated><title type="text">amp power</title><link rel="alternate" type="text/html" href="http://amppower.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default?start-index=26&amp;max-results=25" /><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/posts/default" /><author><name>Alicatte</name></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>655</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><link rel="self" href="http://feeds.feedburner.com/AmpPower" type="application/atom+xml" /><feedburner:browserFriendly>This is an XML content feed. It is intended to be viewed in a newsreader or syndicated to another site, subject to copyright and fair use.</feedburner:browserFriendly><entry><id>tag:blogger.com,1999:blog-12649300.post-6923891665418338675</id><published>2007-11-01T13:03:00.000-04:00</published><updated>2007-11-01T13:08:23.431-04:00</updated><title type="text">Stick with Me</title><summary type="text">It's been a little crazy this week. Be kind, and give me a little slack for a bit. :) By Monday, Amp Power should be up and running again. Thanks</summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/178331434/stick-with-me.html" title="Stick with Me" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/6923891665418338675/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/6923891665418338675" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/6923891665418338675" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/11/stick-with-me.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-8676954577643950891</id><published>2007-10-24T11:30:00.000-04:00</published><updated>2007-10-24T11:26:52.088-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art exhibits" /><title type="text">Best Press Agents</title><summary type="text">If you're an artist and want to attract people to your next show, try to get Homeland Security involved. I would probably never think of checking out Duke Riley's "After the Battle of Brooklyn" exhibit at Magnan Gallery, if Riley hadn't received so much press and digital ink last August.  When this water performance artist attempted to navigate his homemade submarine around the waters of </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/174374647/best-press-agents.html" title="Best Press Agents" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/8676954577643950891/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/8676954577643950891" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/8676954577643950891" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/best-press-agents.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-6073408544888884835</id><published>2007-10-23T18:00:00.000-04:00</published><updated>2007-10-23T17:59:34.869-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><title type="text">In the Closet</title><summary type="text">The label "alt-folk" makes me throw up, but recently that's all I've been listening to. I put the blame squarely on Suzanne Vega's "Beauty &amp; Crime" disc. I had ignored Suzanne Vega after her 1987 "Solitude Standing," but I picked up her new disc because it is a paean to New York City post 9/11. I got hooked big time. I'm the type of person who likes to burn things out fast; that is, I listen to </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/174008418/in-closet.html" title="In the Closet" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/6073408544888884835/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/6073408544888884835" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/6073408544888884835" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/in-closet.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-7709308595892103515</id><published>2007-10-22T08:38:00.000-04:00</published><updated>2007-10-21T22:57:11.620-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art exhibits" /><title type="text">Realistic Allegories</title><summary type="text">James Valerio's paintings at George Adams gallery make me smile. These hyper-realistic paintings seem to be allegorical. However, the stories on these canvases are not standard symbolic tales but ones for the viewer to make up on his own. "Comic Times" shows a couple in their pattern-busy living room. The wife reads the funnies as intently as someone reads the business page, while the husband </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/173133445/realistic-allegories.html" title="Realistic Allegories" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/7709308595892103515/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/7709308595892103515" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/7709308595892103515" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/realistic-allegories.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-2741887016125952057</id><published>2007-10-19T12:45:00.000-04:00</published><updated>2007-10-19T12:45:30.689-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Publications" /><category scheme="http://www.blogger.com/atom/ns#" term="Artists" /><category scheme="http://www.blogger.com/atom/ns#" term="Art exhibits" /><title type="text">Gonzo Art</title><summary type="text">It may be thought of as a gimmick, but I like it: creating art under extreme situations--and elements. As part of his ongoing "Drawing Restraint" project, Matthew Barney sailed from Gibraltar to New York last December. As the boat rocked to and fro, Barney drew and painted with what he had available. The final art images are now on view at the Serpentine Gallery in London, and some were printed </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/172148529/gonzo-art.html" title="Gonzo Art" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/2741887016125952057/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/2741887016125952057" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/2741887016125952057" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/gonzo-art.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-2698074360277148026</id><published>2007-10-18T17:45:00.000-04:00</published><updated>2007-10-18T17:45:08.956-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art exhibits" /><title type="text">Conjectures of a Guilty Gallery-goer</title><summary type="text">I could almost start going to church again. Jackie Nickerson's photograph exhibit, "Faith," at Jack Shainman gallery documents Catholic religious orders in Ireland. Although these images were taken over the past two and half years, the church's recent scandals seem far, far away. Priest pedophilia, ordination of women, ban on abortion? Never hoird of 'em. This hermatically sealed world harkens </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/171782369/conjectures-of-guilty-gallery-goer.html" title="Conjectures of a Guilty Gallery-goer" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/2698074360277148026/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/2698074360277148026" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/2698074360277148026" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/conjectures-of-guilty-gallery-goer.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-1043760671463004985</id><published>2007-10-17T10:23:00.000-04:00</published><updated>2007-10-17T10:42:57.396-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Music" /><category scheme="http://www.blogger.com/atom/ns#" term="Ads" /><category scheme="http://www.blogger.com/atom/ns#" term="Artists" /><category scheme="http://www.blogger.com/atom/ns#" term="Art exhibits" /><title type="text">Chicks with Matchsticks</title><summary type="text">The Saatchi Gallery's featured photograph for its current survey of post 9/11 American artists reminded me of another similar striking image. In Josephine Meckseper's 2003 "Pyromaniac 2," a model holds a lighted match in her mouth as though it were a cigarette and delivers us a "dare me" look. Meckseper's work combines anti-capitalism with humor, and the gallery describes this photo as "an emblem</summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/171144844/chicks-with-matchsticks.html" title="Chicks with Matchsticks" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/1043760671463004985/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/1043760671463004985" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/1043760671463004985" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/chicks-with-matchsticks.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-5733900437810672470</id><published>2007-10-16T08:22:00.000-04:00</published><updated>2007-10-15T23:26:23.671-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Books" /><category scheme="http://www.blogger.com/atom/ns#" term="authors" /><title type="text">Torch Writer</title><summary type="text">Even as a woman, I'm a little intimidated by A.M. Homes. I just finished her 1999 book "Music for Torching." Think William Burroughs meets Richard Yates. It's that good. The novel, which I picked up in the bargain bin for $1.98 (!), is a satire, a sometimes brutal tale, about a husband and wife who feel "stuck" in their lives in the suburbs. Homes manages to make this story completely absurd but </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/170460654/torch-writer.html" title="Torch Writer" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/5733900437810672470/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/5733900437810672470" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/5733900437810672470" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/torch-writer.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-8050561030816630680</id><published>2007-10-15T08:30:00.000-04:00</published><updated>2007-10-14T22:55:30.635-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art biz" /><category scheme="http://www.blogger.com/atom/ns#" term="Artists" /><category scheme="http://www.blogger.com/atom/ns#" term="Art exhibits" /><title type="text">Trampling on Camelot</title><summary type="text"> Do we spot a trend here? It's time to publicize art works that deface Jack and Jackie. The Foundation for Italian artist Mimmo Rotella is hawking the artist's 1963 "L'ultimo Kennedy," in which  JFK is given the treatment. More recently, Douglas Gordon does a little slash and burn on the missus. Ripping the Kennedys feels somewhat passe to me, more circa early 1980s. And I think that Jello Biafra</summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/169948193/trampling-on-camelot.html" title="Trampling on Camelot" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/8050561030816630680/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/8050561030816630680" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/8050561030816630680" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/trampling-on-camelot.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-9217874591194455765</id><published>2007-10-12T10:45:00.000-04:00</published><updated>2007-10-19T12:47:21.691-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Publications" /><category scheme="http://www.blogger.com/atom/ns#" term="Actors" /><category scheme="http://www.blogger.com/atom/ns#" term="Artists" /><category scheme="http://www.blogger.com/atom/ns#" term="Art exhibits" /><title type="text">Homage or Rip-off</title><summary type="text">Remember that pictorial spread in W magazine a few years back featuring Brad Pitt and Angelina Jolie portraying a bored 1960s couple? The 60-paged catalogue, which was photographed by Steve Klein, oozed with smart mise-en-scene and tons of back story. Well, at least one image wasn't as original as I thought.  Julius Shulman took a very similar photograph almost 50 years ago. (The image is </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/168964496/homage-or-rip-off.html" title="Homage or Rip-off" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/9217874591194455765/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/9217874591194455765" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/9217874591194455765" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/homage-or-rip-off.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-2404358790873499637</id><published>2007-10-12T10:00:00.000-04:00</published><updated>2007-10-12T09:53:58.599-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Publications" /><category scheme="http://www.blogger.com/atom/ns#" term="Fashion" /><category scheme="http://www.blogger.com/atom/ns#" term="Art biz" /><title type="text">Smells Like Calculated Media Blitz</title><summary type="text">Am I the only person in the world who is tired of Tom Ford's ongoing media blitz to prove he's not shy about sex? He likes to woo the press, and they all eat up his calculated, "shocking" sound bites. In his latest business venture at the perfume counter, the (former?) designer likes to talk about the alluring smells of body odor and men's crotches.  T.F. and his don't-you-forget-about-me </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/168942523/smells-like-calculated-media-blitz.html" title="Smells Like Calculated Media Blitz" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/2404358790873499637/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/2404358790873499637" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/2404358790873499637" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/smells-like-calculated-media-blitz.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-6234411249987109108</id><published>2007-10-11T09:45:00.000-04:00</published><updated>2007-10-11T09:45:29.254-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Books" /><category scheme="http://www.blogger.com/atom/ns#" term="authors" /><title type="text">Still Crazy After All Those Years of Therapy</title><summary type="text">Sometimes people are just screwed up, and no amount of therapy, yoga, or hocus-pocus rituals is going to save them. That's what I came away with after reading Kathryn Harrison's (very short) memoir "The Mother Knot." The book chronicles Harrison's coming to terms with her rocky relationship with her dead mother. (This includes exhuming her mother's body, having it cremated, and then throwing </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/168442196/still-crazy-after-all-those-years-of.html" title="Still Crazy After All Those Years of Therapy" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/6234411249987109108/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/6234411249987109108" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/6234411249987109108" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/still-crazy-after-all-those-years-of.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-5765199879213272985</id><published>2007-10-10T11:30:00.000-04:00</published><updated>2007-10-10T11:23:50.721-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Art biz" /><category scheme="http://www.blogger.com/atom/ns#" term="Artists" /><category scheme="http://www.blogger.com/atom/ns#" term="Art exhibits" /><title type="text">Jackie Takes a Beating--Again</title><summary type="text">Poor Jackie. What did she ever do to deserve the pummeling that artists like to give her? Was it Warhol who started this never-ending spanking machine?  It seems that Ms. O's image as the bouffant, helmet-headed Jackie Kennedy usually takes the worst beating on the canvas. Douglas Gordon is the latest artist to deface Jackie in an upcoming show at Gagosian gallery uptown. And, last year, Jack </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/167988225/jackie-takes-beating-again.html" title="Jackie Takes a Beating--Again" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/5765199879213272985/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/5765199879213272985" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/5765199879213272985" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/jackie-takes-beating-again.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-3512590489256019542</id><published>2007-10-10T10:30:00.000-04:00</published><updated>2007-10-16T13:07:28.915-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Publications" /><category scheme="http://www.blogger.com/atom/ns#" term="Amp Power Promo" /><title type="text">Lone Dissenting Voice</title><summary type="text">Who could ever imagine that Amp Power would be mentioned in the same breath as "Meet the Press" and "The New Republic"? Well, it happened this week in New York Magazine's comments section in which the weekly cited rave reviews for its Bill Clinton-in-Drag cover, along with one lone dissenting voice--yours truly. The weekly writes that "The New Republic's blog called it 'hilarious.' The Amp Power </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/167964340/lone-dissenting-voice.html" title="Lone Dissenting Voice" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/3512590489256019542/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/3512590489256019542" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/3512590489256019542" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/lone-dissenting-voice.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-8646474899938823223</id><published>2007-10-04T17:46:00.000-04:00</published><updated>2007-10-04T17:30:49.895-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Movies" /><title type="text">Second Time Around</title><summary type="text">Is it possible to go back home again? To recapture that feeling when you watched a particular movie that zapped you right between the eyes because it encapsulated both your inner thoughts and worldview?  Almost 20 years ago, one movie really sang to me: "Lord Love a Duck." Before "Heathers," there was "Lord Love a Duck," a dark comedy centered on high school life that playfully skewers just about</summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/165406398/second-time-around.html" title="Second Time Around" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/8646474899938823223/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/8646474899938823223" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/8646474899938823223" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/second-time-around.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-6108168344888044234</id><published>2007-10-03T10:29:00.000-04:00</published><updated>2007-10-03T10:51:41.869-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Publications" /><title type="text">From the Best to the Worst</title><summary type="text">Not long ago, New York Magazine issued out one of my favorite all-time magazine covers, featuring a curmudgeon Woody Allen and a steamy Scarlett Johansson sitting on a beach. How far a magazine can fall. This week's magazine's image of a photoshopped Bill Clinton in drag tops my worst all-time mag covers. Accompanying an article speculating on Bill Clinton as "First Lady" (get it?), the morph-job</summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/164732256/from-best-to-worst.html" title="From the Best to the Worst" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/6108168344888044234/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/6108168344888044234" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/6108168344888044234" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/10/from-best-to-worst.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-936442594671762228</id><published>2007-09-26T11:35:00.000-04:00</published><updated>2007-09-26T11:38:07.214-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Publications" /><category scheme="http://www.blogger.com/atom/ns#" term="Directors" /><category scheme="http://www.blogger.com/atom/ns#" term="Movies" /><title type="text">First Cousins</title><summary type="text">Leni Riefenstahl's "Triumph of the Will" and "Air Force One" with Harrison Ford have a lot more in common than you may think. According to director Michael Haneke in a NYT profile, both have "a distinct political agenda [and] a common goal — the total manipulation of the viewer. What’s terrible about the Harrison Ford film, though, especially terrible, is that it represents itself as simple </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/161574834/first-cousins.html" title="First Cousins" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/936442594671762228/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/936442594671762228" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/936442594671762228" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/09/first-cousins.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-2909067921446850172</id><published>2007-09-19T12:09:00.001-04:00</published><updated>2007-09-19T12:17:03.261-04:00</updated><title type="text">Wide Awake</title><summary type="text">Dear Gentle Readers (all three of you), I'm not lazy. I'm not slacking. I've been wide awake and busy with my non-blogging life. I will start posting on regular basis oh-so soon. I'll do my best to get back on track with more riveting reviews and catty comments. --Amp</summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/158606428/wide-awake.html" title="Wide Awake" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/2909067921446850172/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/2909067921446850172" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/2909067921446850172" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/09/wide-awake.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-839156205898146073</id><published>2007-09-12T12:00:00.000-04:00</published><updated>2007-09-12T11:55:09.060-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Fashion" /><category scheme="http://www.blogger.com/atom/ns#" term="Artists" /><title type="text">The Designer and the Artist</title><summary type="text">Is Marc Jacobs spring 2008 collection really front page news? The New York Times thinks so. Cathy Horyn proclaims that Jacobs offers "an antidote to the cartoonish Jessica Rabbit sexuality that has dominated women’s fashion for more than 20 years." However, what caught my interest in the article was a quote from artist John Currin, who is known for his hardcore graphic sex paintings. “So often </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/155546070/designer-and-artist.html" title="The Designer and the Artist" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/839156205898146073/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/839156205898146073" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/839156205898146073" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/09/designer-and-artist.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-4895120198942705159</id><published>2007-09-11T08:16:00.000-04:00</published><updated>2007-09-10T23:24:16.320-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Artists" /><category scheme="http://www.blogger.com/atom/ns#" term="Art exhibits" /><title type="text">Artist's Perspective</title><summary type="text">One of my favorite contemporary artists, Mel Leipzig, has been elected into the National Academy of Design. Along with Sol LeWitt, Kiki Smith, Cy Twombly and Richard Serra, Leipzig is one of 19 artists to be awarded membership to the academy this past year.  Leipzig has a few exhibits coming up this month. On Sept. 25, Tomasulo Gallery will showcase Leipzig's paintings that focus on artists in </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/154862507/artists-perspective.html" title="Artist's Perspective" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/4895120198942705159/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/4895120198942705159" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/4895120198942705159" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/09/artists-perspective.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-6583382658116616099</id><published>2007-09-10T08:54:00.000-04:00</published><updated>2007-09-09T23:00:54.708-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Publications" /><category scheme="http://www.blogger.com/atom/ns#" term="Fashion" /><category scheme="http://www.blogger.com/atom/ns#" term="Ads" /><category scheme="http://www.blogger.com/atom/ns#" term="Artists" /><title type="text">Art=Commerce</title><summary type="text">Did you know that going to art galleries is very hip, very sexy, and so very Banana Republic (according to the clothing retailer's latest ad campaign)? The ads published in Vogue and the New York Times spotlight models hanging out in front of abstract paintings with gallery invitations either tucked in oversized bags or used as shields for whispers or kisses. Apparently, these ads is B.R.'s way </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/154405058/artcommerce.html" title="Art=Commerce" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/6583382658116616099/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/6583382658116616099" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/6583382658116616099" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/09/artcommerce.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-427939400368725395</id><published>2007-09-07T08:21:00.000-04:00</published><updated>2007-09-06T23:19:28.800-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Publications" /><category scheme="http://www.blogger.com/atom/ns#" term="Art exhibits" /><title type="text">And the Walls Came Tumbling Down</title><summary type="text">New York Times tipped me off to this fun show at Danziger Projects. Andy Freeberg turns his lens on those I-dare-you-to-approach front desks in almost every single Chelsea gallery. In person, these formidable barriers are intimidating, but these images capture how silly they are. However, I have been in even more uncomfortable situations in which a gallery staff member sits out in the open in a </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/153266381/and-walls-came-tumbling-down.html" title="And the Walls Came Tumbling Down" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/427939400368725395/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/427939400368725395" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/427939400368725395" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/09/and-walls-came-tumbling-down.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-7514466792826811874</id><published>2007-09-06T17:00:00.000-04:00</published><updated>2007-09-06T17:00:40.239-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Directors" /><category scheme="http://www.blogger.com/atom/ns#" term="Movies" /><title type="text">Cassandra's Nightmare</title><summary type="text">"A humorless misfire that wastes the talents of some fine actors." Ouchy. That's one of the notices for Woody Allen's new film, Cassandra's Dream, which debuted at the Venice Film Festival, which GreenCineDaily has posted. If I received these types of reviews, I would go into hiding for years. From the Hollywood Reporter: "Lazy plotting, poor characterization, dull scenes and flat dialogue." The </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/153152408/cassandras-nightmare.html" title="Cassandra's Nightmare" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/7514466792826811874/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/7514466792826811874" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/7514466792826811874" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/09/cassandras-nightmare.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-4119649096478641480</id><published>2007-09-04T18:27:00.000-04:00</published><updated>2007-09-04T18:20:22.030-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Publications" /><category scheme="http://www.blogger.com/atom/ns#" term="Fashion" /><category scheme="http://www.blogger.com/atom/ns#" term="Artists" /><title type="text">High Fashion, High Art</title><summary type="text">The relationship has always been tight, but when I see it in black and white, I always think "sell out." At some point, gallery-quality photographers usually take up a fashion shoot for that bread and butter money. As New York gears up for Fashion Week, I've recognized a few names attached to photo spreads in local publications. Tierney Gearon, whose Mother Project I really liked, got tapped for </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/152241214/high-fashion-high-art.html" title="High Fashion, High Art" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/4119649096478641480/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/4119649096478641480" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/4119649096478641480" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/09/high-fashion-high-art.html</feedburner:origLink></entry><entry><id>tag:blogger.com,1999:blog-12649300.post-7840353255642885879</id><published>2007-08-28T08:00:00.000-04:00</published><updated>2007-08-28T00:02:02.901-04:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Publications" /><category scheme="http://www.blogger.com/atom/ns#" term="Fashion" /><category scheme="http://www.blogger.com/atom/ns#" term="Actors" /><category scheme="http://www.blogger.com/atom/ns#" term="Juergen Teller" /><title type="text">Beyond the Cover</title><summary type="text">Everyone has been talking about Gwyneth Paltrow's unrecognizable cover shot on W magazine. But the real reason to pick up this month's issue is the 17-page spread of Laura Dern photographed by Juergen Teller. Any actress in her late 30s who stands before Teller's unmerciful lens should be applauded. She has real guts. This is the same woman who let David Lynch shoot her in "Inland Empire" with a </summary><link rel="alternate" type="text/html" href="http://feeds.feedburner.com/~r/AmpPower/~3/149822863/everyone-has-been-talking-about-gwyneth.html" title="Beyond the Cover" /><link rel="replies" type="application/atom+xml" href="http://amppower.blogspot.com/feeds/7840353255642885879/comments/default" title="Post Comments" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/7840353255642885879" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/12649300/posts/default/7840353255642885879" /><author><name>Alicatte</name></author><feedburner:origLink>http://amppower.blogspot.com/2007/08/everyone-has-been-talking-about-gwyneth.html</feedburner:origLink></entry></feed>
