and the story continues...

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A Slumdog Millionaire Goes Dancing

2012-11-29T21:13:00.000+05:30

Cast: Shahid Kapoor, Ruslaan Mumtaz

Director: Shiamak Davar

Release Date: 2011

Genre: Musical

Plot: A group of slum kids getting trained for a dance competition forms the base of this movie.

Writer/s:

Soundtrack: The soundtrack for this musical is composed by the musical maestro, A. R. Rahman.

All about the movie: This is Shahid’s second movie based on the theme of dance. He has earlier acted in Chance Pe Dance, which was also based on dancing. A Slumdog Millionaire Goes Dancing is Shiamak Davar’s debut movie as a director. Shiamak…

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Raaz 3 Movie Review

2012-11-15T10:11:00.000+05:30

Star Cast: Emraan Hashmi (Aditya), Esha Gupta (Sanjana), Bipasha Basu (Shanaya), Mohan Kapoor, Yusuf Hussain and Manish Choudhary

Producer: Mahesh Bhatt and Mukesh Bhatt

Music Director: Jeet Ganguly and Rashid Khan

Director: Vikram Bhatt

The much-awaited Horror-thriller of the year "Raaz 3" is out to cinema halls with its release this Friday. Third in the 'Raaz' series, the Bhatt camp has already raised the expectations from the movie with its high-end promotional camps prior to the release of the movie.

The story of 'Raaz 3' revolves around Shanaya Shekhar (Bipasha Basu), a bollywood actress enjoying the peak of her success in the industry. She has all the offers from top directors, bags all the awards and is the leading lady of the industry. But the twists start for her after the entry of a new actress Sanjana (Esha Gupta), who slowly overshadows the dominance of Shanaya in Bollywood. This thing is proved to Shanaya when Sanjana receives the best actress award beating her.

Now, its very difficult to Shanaya to digest her loss and eventually she looses her temperament that develops a thinking in her mind that god has never done her anything right. So to take her revenge she turns to the darker sides and takes the help of the evil spirit (Manish Choudhary) who gives her some water encoded with some black magic that will diminish the success of Sanjana by making her mentally ill.

Shanaya involves her director come boyfriend Aditya (Emraan Hashmi) with her and plans to make the life of Sanjana living her without killing her. Aditya takes on Sanjana on his next film and mixes the evil water into her drink. The black magic works and Sanjana's life becomes a haunted story of horror, scary clowns and unusual noises.

But slowly, Aditya falls in love with Sanjana and is caught between Shanaya's obsession and the love towards Sanjana.

Talking about the story and performances. The movie has a good script in the first half, which will bind you to your seats, but as the story progress in the second half, the story line becomes relatively weak leaving you at disappointment. Again Bipasha steals the show with her power packed performance as an evil. Emraan Hasmhi is ordinary with his role due to lack of proper script for him. Esha Gupta as Sanjana has justified her character pretty well and really impressive at some scenes. Manish Choudhary has done an excellent job as the evil spirit.

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2012-11-11T22:19:00.001+05:30

Delhi Safari' Review: The 3D animation never talks down to its young audience

2012-11-09T10:10:00.002+05:30

Cast
Akhaye Khanna, Govinda, Suniel Shetty, Boman Irani, Urmila Matondkar
Movie Report

About Movie:- Delhi Safari is the story of a journey undertaken by a cub leopard, his mother, a monkey, a bear and a parrot when the forest they live in is on the verge of destruction. A man is on the run to destroy the forest in order to erect a balcony. These five animals plan to go to Delhi and ask the parliament some very simple yet pertinent questions - why has man become the most dangerous animal? Doesn't man understand that if the forests and the animals don't exist, man will cease to exist?

Movie Review:- A bunch of animals are off on a mission. To tell the powers-that-be in New Delhi that their forests are in mortal danger, and so are they. Cub leopard Yuvi, his feisty mom, a chatty parrot, a large bear, and a wicked monkey set off on a journey full of adventure. Nikhil Advani’s ‘Delhi Safari’ does a great service to the animation-for-kids genre by stepping out of the tired mythological stories, and creating animals with distinctive personalities.

Direction, Performance and Music:- The 3D is nothing to write home about either. But the CGI detailing on the animals is fantastic. That the story holds weight also works in favour of the film. If only Advani had not strayed from the social subject and made a tighter and breezier film.

Overall:- To sum it up, Delhi Safary is a funny and enjoyable ride that leaves you with a strong message not only for the kids but for one and all. A definite watch.

Producer	Anupama Patil, Kishor Patil
Director	Nikhil Advani N
Music	Shankar Ehsaan Loy
Writer	Girish Dhamija, Suresh Nair
Release Date	19-Oct-2012

There are more than a few lessons nicely woven into the plot of Delhi Safari, but thankfully this 3D animation film from director Nikhil Advani never talks down to its young audience, or beats them on the head with its overarching message of wildlife and environmental preservation. At a crisp 95 minutes, the film is an enjoyable and entertaining adventure, despite never achieving Pixar-level greatness.

A young leopard cub, Yuvi (voiced by Swini Khara), motivates a group of animals to head to the Capital to protest against the takedown of their wildlife reserve, after their leader, and his father, Sultan (Sunil Shetty), is killed by redevelopers constructing a residential complex in its place. Bajrangi the chimpanzee (Govinda), Bagga the bear (Boman Irani), and Yuvi’s protective mum Begum (Urmila Matondkar) enlist the help of a domesticated talking parrot, Alex (Akshaye Khanna), as they head Delhi-wards to get their plea heard. But it’s a bumpy journey ahead as Bajrangi and Alex repeatedly get into scuffles, and the group encounters all manner of obstacles along the way.

Featuring a gallery of well-etched characters, Delhi Safari benefits from snappy writing and some solid voice work, particularly by Govinda, Akshaye Khanna and Boman Irani, who infuse real personality into their respective beasts. Govinda’s manic senapati monkey is the scene-stealer here with his Bhojpuri-laced dialogues, his devious plotting against Alex, and his interactions with his two cowardly sidekicks. Akshaye Khanna too, appears to be having fun with the part of Alex, who can’t understand why these animals would seek freedom and independence instead of enjoying the luxurious lifestyle of a kept pet. Boman Irani delivers plenty laughs as the posh bear who speaks in an Anglicized accent, and lands some of the film’s best one-liners.

Like so many Hollywood animation films, Delhi Safari is packed with clever pop cultural references and particularly film jokes. But there’s no escape from cultural stereotyping, you discover, as our group of desperate animals encounters a community of Garba-obsessed flamingoes as they’re passing through Kutch. It’s all done affectionately, though, stopping just short of caricature.

The film’s best scene is an Indiana Jones-style set piece in which our protagonists are chased through a quarry by a swarm of angry bees who assume different shapes, like that shoal of fish in Finding Nemo. On the flip side, too many songs stretch the film’s narrative pointlessly, and Shankar-Ehsaan-Loy’s score is serviceable at best. The animation itself is good, superior to many Indian animation features, but much bigger budgets may be required to achieve the texture and the detail one sees in films like Ratatouille and Madagascar.

You might overlook the one glaring hole in the film’s premise, a result of film logic clashing with ‘real logic’ – Why did the animals need to recruit a ‘talking’ parrot to convey their problem to the humans, when they speak the same language, and just as eloquently as the parrot?

Despite these quibbles, the film works on account of its charming characters and some hilarious dialogue. I’m going with three out of five for director Nikhil Advani’s Delhi Safari. Take your kids for this one, chances are both of you will come out smiling.

Mumbia’s ACK Media Launches Animated Musical Feature, “Son Of Ram”

2012-11-05T21:18:00.001+05:30

Mumbai: ACK Media launched its newest feature length film, Sons of Ram at the Comic Con Mumbai 2011.

The unconventional early presentation included lots of behind-the-scenes art, animation and demo version of one of the film’s songs. Giving a rare sneak-peak into the process and evolution of a quality Indian animated production.

The movie Sons of Ram is inspired by the original ACK comic of the same name by the Late Uncle Pai. The film adaptation written and directed by Kushal Ruia, combines familiar elements of the comic with fresh ideas that help tell the story of Luv & Kush (a perennial favorite from the world of the Ramayana) like never before. This adaptation aims to do what any good adaptation or re-telling should, that is stay true to the heart and spirit of the original while at the same time making it relevant to a contemporary audience.

Sons of Ram is ACK Animation’s first musical. Being a big fan of musical story telling in its purest tradition, the writer/director, Kushal Ruia persevered to find collaborators who understood how to move the plot forward with songs and be storytellers with him. This led to composers Gaurav Issar and Shailu Rao who created beautiful melodies that echo the emotions of the character and the needs of the plot at the given point in time. Ace lyricist Asif Ali Beg, also worked with Kushal to weave the threads of the story into the lyrics of the songs organically. So be it Sunidhi Chauhan ‘s (Sita) soulful lament “Free To Be” or the fun road-trip song with the kids “Going to Ayodhya”, all songs in Sons of Ram move the story forward, if you miss them, you will definitely miss an essential part of the storytelling.

The production of“Sons of Ram is an international effort. Most of the pre-production, like design, story, voices, and art direction was done in-house at ACK Animation, Mumbai. While a studio in Malaysia did majority of the production and post-production work, it was constantly under the supervision of the Director Kushal Ruia and his core team at ACK Animation, Mumbai.

“The casting and recording of these characters was an adventure by itself as we had to cast a huge cast of 15 major characters in this movie ranging from wise old sages to young naughty children. We were lucky to get some fantastic actors from theatre and film to do voices for us and bring these amazing characters to life.Â We have young TV / Theatre actors like Aditya Kapadia (Just Mohabbat) playing Luv and an industry veteran like Sunidhi Chauhan playing Sita and of course, she sings too!” said Kushal Ruia, Director. “The film uses 2D hand drawn animation. The traditional look has an appeal that no other technique offers. Also the story with its larger than life events and mythical creatures lends itself well to the strengths of 2D animation like graphic shapes and stylized animation” he further added

Viewers of Sons of Ram will not only find all of their favorite characters like Luv ,Kush, Sita, Ram and Valmiki amongst others but also new characters that were created specifically for the film by Kushal and his story team. These new characters will bring depth and entertainment and help add a fresh spin on a familiar tale

Kushal Ruia, Creative Head, ACK Media added “ACK Media has already put out successful and critically animated products in the last 2 years. We started with ‘AMAR CHITRA KATHA- the animated series’ a 26 x 22 min series that aired on Cartoon Network (CN) and now is rolling out on DVD. We also premiered our first full-length feature film on CN called ‘Tripura’ (FICCI winner) which was made in conjunction with our friends at Animagic Studios. ‘Sons of Ram’ hopes to build on this tradition and take it to the next level. Over a period of time we would like to redefine the global perception of Indian animation” He also added by saying, “A format/ medium is just a device to reach the audience. As a forward thinking and evolving Media Company, we want to reach our audience in the most relevant formats of today. Film and animation gives us just that. We have never and do not plan to compromise on the kind of stories we tell, the sensibilities with which we tell them and the art we use, be it in print or film. Therein we stay faithful to our roots, as always.”

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