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		<title>Taxing community engagement and other thoughts from the BBC’s connecting communities conf.</title>
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		<pubDate>Fri, 25 May 2012 09:44:57 +0000</pubDate>
		<dc:creator>Andy</dc:creator>
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		<description><![CDATA[I spent the day at sunny media city in Salford for the BBC College of Journalism&#8217;s connecting communities conference ( #BBCscc12). I had a few observations/thoughts that I wanted to get out of my head. Social media verification is the new community management -  It was &#8230; <a href="http://www.andydickinson.net/2012/05/25/taxing-community-engagement-and-other-thoughts-from-the-bbcs-connecting-communities-conf/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p>I spent the day at sunny media city in Salford for the <a href="http://www.bbc.co.uk/journalism/blog/2012/05/connecting-communities-conference-24-may.shtml">BBC College of Journalism&#8217;s connecting communities conference</a> ( <a href="https://twitter.com/search/%23BBCScc12">#BBCscc12</a>). I had a few observations/thoughts that I wanted to get out of my head.</p>
<ul>
<li><strong>Social media verification is the new community management </strong>-  It was clear that the amount of time, effort and commitment, needed to validate social media leads and content is out of the capacity of most MSM outlets. <a href="http://www.citizenside.com/">Citizenside</a> co-sponsored the conference and there was a good showing from<a href="http://storyful.com/"> Stroyful</a> as well and, as services, they get a lot of traction in MSM. That&#8217;s a lot like the outsourcing of community management (comment handling etc) we used to see. <em>Another opportunity outside the MSM mothership for social savvy journalists</em>.</li>
<li><strong>Hyperlocal is a mixed message</strong> - I&#8217;m not sure if it constitutes two types of hyperlocal or just competing motivations but there seemed to be some conflicting demands from hyperlocals. All claimed a connection to community (which is fair) and many spoke at length about altruism and affinity. But there was also a strong sentiment in the room that large MSM (the BBC ) should a)recognise (even validate) the &#8216;journalism&#8217; and b)promote (advertise) them to keep them going. Neither seemed to me a particularly attractive proposition for any MSM.
<p>In reality I know, it&#8217;s a complex mix, profile is important as is revenue. But I just got the sense that, given that more &#8216;pro&#8217; journos are starting hyperlocals, that more thought needs to be given to the purpose of a hyperlocal proposition Vs where journalists seek validation for the impact. The question I asked was &#8216;why do you want recognition from the MSM?&#8217;. That wasn&#8217;t meant to be critical. Think it&#8217;s something that needs more thought if you&#8217;re going to have a coherent proposition to &#8216;sell&#8217;.</li>
<li><strong>Organisations who use communities should be none profit or pay a fee</strong> - I was listening to a panel debate on money and resources. At one point I closed my eyes and it seemed like two of the panel members could have been interchangeable. They were all talking about how their engagement with communities &#8216;changed lives&#8217;. It was a bit of an x-factor moment. But when I opened them again only one of them (<a href="http://www.commedia.org.uk/who-we-are/">community media association</a>) was, by law, a not for profit. The other was <a href="http://www.archant.co.uk/">Archant</a>.
<p>I wondered if, given the positive value of community involvement, organisations would be happy to operate in part as a none-profit just like community broadcasters. After all they claim the same impacts (Perhaps community broadcasting would like to be released from those rules. Who knows.) Maybe we could release MSM from a need to credit etc as long as they are clear at the point of collection UGC that they don&#8217;t and in return take a community media subscription fee from them each year.  Lets say 15% of profit. Maybe a percentage worked out on the amount of UGC in their publications; .5% for every 2% of UGC content.  That could go in to a foundation style pot to encourage innovation.</li>
<li><strong><a href="http://www.bbc.co.uk/journalism/blog/2012/05/how-journalism-gave-a-voice-to.shtml">Sometimes the community say it better than any journalist can</a> </strong></li>
</ul>
<div><strong>Other perspectives</strong></div>
<div>
<ul>
<li><strong>A good <a href="http://robwatson.our.dmu.ac.uk/2012/05/25/hyperlocalism-the-phrase-on-everyones-lips/">round up post from Rob Watson</a></strong></li>
<li>A <a href="http://storify.com/danhowarth/connecting-communities-24-05-12?awesm=sfy.co_zqu&amp;utm_campaign=&amp;utm_medium=sfy.co-twitter&amp;utm_source=t.co&amp;utm_content=storify-pingback">Storify tweet roundup</a></li>
<li>The BBC College of Journalism&#8217;s Charles Miller has <a href="http://www.bbc.co.uk/journalism/blog/charles-miller/">a good couple of posts rounding up some of the session</a></li>
<li>Will Perrin from talkaboutlocal has shared his slides from his session on <a href="http://talkaboutlocal.org.uk/collaboration-between-traditional-media-and-the-hyperlocal-web/" target="_blank">Collaboration between traditional media and the hyperlocal web</a></li>
</ul>
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		<title>Journalism is not shorthand for defunct thinking.</title>
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		<pubDate>Wed, 16 May 2012 16:57:00 +0000</pubDate>
		<dc:creator>Andy</dc:creator>
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		<description><![CDATA[I spent the last two days in a room with lots of arts and humanities academics at the Creative Exchange, talking about the digital public space(DSP). There was a great talk from BBC archive boss and DSP guru @tonyageh which set up &#8230; <a href="http://www.andydickinson.net/2012/05/16/journalism-is-not-shorthand-for-defunct-thinking/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p>I spent the last two days <a href="http://thecreativeexchange.org/">in a room with lots of arts and humanities academic</a>s at the Creative Exchange, talking about the digital public space(DSP). There was a great talk from BBC archive boss and DSP guru <a href="https://twitter.com/#!/tonyageh">@tonyageh</a> which set up a pretty passionate (if a little utopian) position for &#8216;releasing&#8217; archive and how that can build a space where everyone can benefit from access to &#8216;stuff&#8217;</p>
<p>What I found interesting and frustrating in equal measure was the way some of the debate around the idea took on a negative frame because it came from a broadcaster.</p>
<p>It wasn&#8217;t that there was a problem with it being the BBC. Quit the opposite. The fact that it wasn&#8217;t a commercial thing was seen as good.  It seemed that,<strong> a large number in the room didn&#8217;t like broadcast as a term</strong>. It was mass media, mass consumption, untargeted and uncritical. Not what we do at all. Almost the antithesis of the creative and arts ethos in the room.</p>
<p>That mutually agreed dismissal of the term and the generally accepted anti-cultural interpretation seemed unnecessarily self-serving to me; relegated to the position of &#8216;mainstream&#8217; simply to be something to kick against and give an idea momentum.</p>
<p>I think the level of frustration was not really because of the debate. Put a room full of academics in a room with the promise of funding and everyone is going to start pushing their own view. No, I think it built on a residual frustration that I have been feeling about the arbitrary way terms are taken up as shorthand for everything that is wrong or creatively moribund.</p>
<p><strong>Journalism is one of those words. </strong></p>
<p>Journalism is not broken and it isn&#8217;t a word that sums up everything that is wrong with the way we make stuff relevant and meaningful to people. But people are using it as if to say, <em>&#8220;well, that didn&#8217;t work did it. Let&#8217;s find another way to do this&#8221;</em></p>
<p>So when I hear people talking about needing to find new ways to engage people (as I have over the last few days in really positive and seductive ways) particularly those who see <em>digital</em> not only as part of the solution but as a diagnostic device, I grit my teeth and wait to see who gets it in the chops to show how fresh and new the thinking is.</p>
<p>Thankfully many (in fact most)people I heard today didn&#8217;t. But it happens.</p>
<p>As someone who is involved in journalism I&#8217;m happy to admit that there is a lot wrong but let&#8217;s not write it off as some outmoded practice to be replaced by robots or simply a failed experiment to be cited by new thinkers.</p>
<p>Much as I like to be iconoclastic, it&#8217;s actually quite tiring and, in a world made more pragmatic by a broader cultural and media landscape, a bit like tipping at windmills.</p>
<p>Maybe we should be investing in changing peoples understanding of the phrase. Perhaps linguists will disagree but it strikes me there is more to be had from changing peoples understanding of something than there is in trying to educate them in to <del>new ways of thinking</del> using new, made up terms.</p>
<p>So I think I&#8217;ll be hanging on to journalism. I&#8217;ll be trying to think of <a href="http://www.andydickinson.net/2012/05/11/journalism-is-not-a-profession-its-a-diagnosis/">new ways to explain it and make it relevant</a> and you don&#8217;t get to co-opt it or dismiss it without joining the debate.</p>
<p>Journalism doesn&#8217;t get off the hook that easily. I don&#8217;t think we&#8217;re quite done with it yet.</p>
<p>&nbsp;</p>
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		<title>Journalism is not a profession, it’s a diagnosis.</title>
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		<pubDate>Fri, 11 May 2012 20:35:12 +0000</pubDate>
		<dc:creator>Andy</dc:creator>
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		<description><![CDATA[&#160; Thinking about Journalism as a profession just doesn&#8217;t work any more for me. That&#8217;s why I&#8217;ve been thinking that Journalism is not a profession, it&#8217;s a diagnosis.  Stick with me&#8230; Large media organisations are traditionally where those &#8216;with&#8217; journalism have been &#8230; <a href="http://www.andydickinson.net/2012/05/11/journalism-is-not-a-profession-its-a-diagnosis/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p>&nbsp;</p>
<div id="attachment_2686" class="wp-caption aligncenter" style="width: 456px"><a href="http://www.andydickinson.net/wp-content/uploads/2012/05/ward.jpg"><img class="size-full wp-image-2686" title="ward" src="http://www.andydickinson.net/wp-content/uploads/2012/05/ward.jpg" alt="" width="446" height="446" /></a><p class="wp-caption-text">Conditions for the subs had improved considerably</p></div>
<p>Thinking about Journalism as a profession just doesn&#8217;t work any more for me. That&#8217;s why I&#8217;ve been thinking that <strong>Journalism </strong><strong>is not a profession, it&#8217;s a diagnosis. </strong></p>
<p>Stick with me&#8230;</p>
<p>Large media organisations are traditionally where those &#8216;with&#8217; journalism have been kept &#8211; a bit like the TB wards of old &#8211; in a strict regimen that helped <em>control</em> it. The problem is that over time, <strong>journalism has become an <a class="zem_slink" title="Occupational disease" href="http://en.wikipedia.org/wiki/Occupational_disease" rel="wikipedia" target="_blank">industrial disease</a>;</strong> spreading through the large media organisations replacing the more benign, older strain.</p>
<p>Now, new technologies and the changing media landscape that have broken down the walls to let the community in, have let journalism out. Now we can see the symptoms everywhere and the diversity might mean that the damaged, industrial strain could be wiped out.</p>
<p>The symptoms will vary &#8211; <strong>a commitment to telling a story about and for a community not just for yourself might be a common symptom</strong>. Some might get the more objective strain. Some the subjective, activist stream. But there will always be a desire to show sources &#8211; to be transparent.</p>
<p>Those who are still responsible for running the large media <del>hospitals</del> companies are worried. If lots of people get it, they might say, how are they going to look after these long-term sufferers; the ones who have it really bad? After all, we all know how expensive healthcare is. Lots of people running around with it would overwhelm the system.</p>
<p>But letting journalism loose has had some surprising results.</p>
<p>Although journalism is quite difficult to manage, handled with care, journalism can exist in a community. In fact, injecting it in to a community actually seems to improve its health.</p>
<p>So it isn&#8217;t important that a person is working for a large media organisation or not. We should think of <strong>the future of journalism as a support group</strong>. People who have recently caught journalism (no matter how mild) can come to longer term carriers for support. Everyone is welcome to share their experiences and ways of managing the symptoms.</p>
<p>Those who know me know how much I love to mangle a metaphor, so I&#8217;ll stop. The metaphor may not work for you (in fact it may not work at all) but I&#8217;m convinced that, until we can release some of the baggage around the term, we need to find new ways of explaining what we do to make it more inclusive. Something that allows for what it is and who does it to both be important rather than at odds.</p>
<p><strong>Afterthought -</strong> Don&#8217;t get me wrong. I&#8217;m not saying that by letting journalism free that the mainstream media is going to die etc. There will always be a place for those who support and protect the really serious cases of journalism &#8211; getting a serious case can be dangerous. But it shouldn&#8217;t be an asylum :)</p>
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		<title>What kind of person is journalism?</title>
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		<pubDate>Wed, 02 May 2012 08:27:29 +0000</pubDate>
		<dc:creator>Andy</dc:creator>
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		<description><![CDATA[  For reasons I won&#8217;t bore you with, I&#8217;ve been giving a lot of thought to the identity of journalism. Not what a journalist is (although that has figured a lot in my thoughts lately) but what journalism is. And I&#8217;d &#8230; <a href="http://www.andydickinson.net/2012/05/02/what-kind-of-person-is-journalism/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p><a title="Guess Who? by unloveablesteve, on Flickr" href="http://www.flickr.com/photos/unloveable/2398625902/"><img src="http://farm4.staticflickr.com/3197/2398625902_7c1104c668.jpg" alt="Guess Who?" width="375" height="500" /> </a></p>
<p>For reasons I won&#8217;t bore you with, I&#8217;ve been giving a lot of thought to the identity of journalism. Not what a journalist is (although that has figured a lot in my thoughts lately) but what journalism is. And I&#8217;d love your view on something.</p>
<p>The academics will tell you that it&#8217;s impossible, even naive to think of journalism as a single thing. There is some sense in that. The diverse nature of journalism makes it difficult to find any common ground on which you could build a singular definition. There is also part of me that thinks that it serves academics well to demand a broader, more fluid definition &#8211; what would we write about otherwise!</p>
<p>But in this more personal, web2.0 media world where people follow people it struck me that even if it&#8217;s mediated by individual journalists (or community manager/editor) the &#8216;person&#8217; that most of the public do business with is journalism.</p>
<p><strong>So if journalism was a person, what kind of person would it be?</strong></p>
<p>Picture Credit<a title="Guess Who? by unloveablesteve, on Flickr" href="http://www.flickr.com/photos/unloveable/2398625902/">: unloveablesteve on Flickr</a></p>
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		<title>Intelligent design or natural selection – Three little pigs and the church of open journalism</title>
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		<pubDate>Thu, 01 Mar 2012 12:24:24 +0000</pubDate>
		<dc:creator>Andy</dc:creator>
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		<description><![CDATA[Is the new Guardian view of journalism really what people want ? The Guardian&#8217;s Three little pigs ad campaign is getting a lot of press at the moment.It makes me feel a little uncomforatble if I&#8217;m honest. It seems to &#8230; <a href="http://www.andydickinson.net/2012/03/01/intelligent-design-or-natural-selection-three-little-pigs-and-the-church-of-open-journalism/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p><em><strong>Is the new Guardian view of journalism really what people want</strong></em><br />
<em><strong>?</strong></em></p>
<p><object width="460" height="370" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="flashvars" value="endpoint=http://www.guardian.co.uk/media/video/2012/feb/29/open-journalism-three-little-pigs-advert/json" /><param name="src" value="http://www.guardian.co.uk/video/embed" /><param name="allowfullscreen" value="true" /><embed width="460" height="370" type="application/x-shockwave-flash" src="http://www.guardian.co.uk/video/embed" allowFullScreen="true" allowscriptaccess="always" flashvars="endpoint=http://www.guardian.co.uk/media/video/2012/feb/29/open-journalism-three-little-pigs-advert/json" allowfullscreen="true" /></object></p>
<p><a href="http://www.guardian.co.uk/media/video/2012/feb/29/open-journalism-three-little-pigs-advert?newsfeed=true">The Guardian&#8217;s Three little pigs ad campaign </a>is getting a lot of press at the moment.It makes me feel a little uncomforatble if I&#8217;m honest. It seems to present a news organisation doing campaigning journalism on the fly rather than on principle. But maybe trying to glean the depth of the idea from this ad is a bit like studying history by only using Michael Bay films&#8230;</p>
<p>Whatever their motivation, Paul Bradshaw thinks it&#8217;s a touchstone for  <a title="Permalink to How journalism has changed – Guardian ’3 pigs’ video says it better than anything" href="http://onlinejournalismblog.com/2012/03/01/how-journalism-has-changed-guardian-3-pigs-video-says-it-better-than-anything/">How journalism has changed</a> :</p>
<blockquote><p>It’s an image of journalism utterly different from how it presented itself in the 20th century, different – if we’re honest – from the image in most journalists’, and most journalism students’, minds.</p></blockquote>
<p>I agree and it&#8217;s the inherent challenge that it presents that is both interesting and scary. It doesn&#8217;t neceserrily challenge how we do things but why. This is an idealogical standpoint.</p>
<p>In that sense I can&#8217;t help but think of the whole <em>intelligent design Vs natutral selection </em>debate. As Paul suggests maybe this is a big challenge to the way we &#8216;believe&#8217; things work as much as they really work.</p>
<p>I&#8217;m not sure which side the the Guardian fall on here. There is a certain evangelical zeal to the way some people are trumpeting this and though Rusbridiger may be more Church of England vicar than glossy evangelical preacher, he&#8217;s <a href="http://www.guardian.co.uk/help/insideguardian/2012/feb/29/open-journalism-at-the-guardian">preaching the new stuff </a>hard.</p>
<p>But If this represents a different belief in the way journalism should be done, its only to a certain group. Some will still be unconvinced, perhaps even more bullish and entrenched in the face of the idea.</p>
<p>I desperately want to believe that this is natural selection &#8211; the new order creating new ways of doing things. But if it&#8217;s not&#8230;well, maybe, I could be persuaded to visit the church of &#8216;open journalism&#8217;, after all they have great looking commercials. But parables and fairly tales will only take me so far.  I&#8217;ll be waiting for the proof.</p>
<p>&nbsp;</p>
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		<title>The responsibilities of the journalist in the internet age.</title>
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		<pubDate>Thu, 16 Feb 2012 14:50:01 +0000</pubDate>
		<dc:creator>Andy</dc:creator>
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		<description><![CDATA[This the text from my lecture to the undergrad and post grad journalism students for their Ethics module this week. It&#8217;s slightly amended to: make sense   stop me from getting punched in the face if I ever meet Joey Barton. &#8230; <a href="http://www.andydickinson.net/2012/02/16/the-responsibilities-of-the-journalist-in-the-internet-age/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p><strong>This the text from my lecture to the undergrad and post grad journalism students for their Ethics module this week. It&#8217;s slightly amended to:</strong></p>
<ol>
<li><strong>make sense  </strong></li>
<li><strong>stop me from getting punched in the face if I ever meet Joey Barton.</strong></li>
<li><strong>to add some links, refs etc.</strong></li>
</ol>
<p><strong>In writing this I wanted to be a little provocative to try and generate some discussion and add some stuff to the mix in the students seminars (hence the ref to their seminar reading). </strong></p>
<p><strong>Oh and <a href="http://www.andydickinson.net/2011/02/28/ethics-online-and-journalism/">I posted a version of last years lecture</a>, where I kicked around a few of the same ideas, which you can read and see if I manage to contradict myself. </strong></p>
<p>I want to start with a few examples. Let’s start by me borrowing from your seminar reading…</p>
<p>The Vanity Fair article -<a href="http://www.vanityfair.com/politics/features/2011/02/the-guardian-201102"> The Man who spilled the secrets</a>  &#8211;  by Sarah Ellison looks at the story surrounding the<strong> iraq war/wikileaks/Guardian</strong> saga.  Nick Davies, having heard that wikileaks may have something really interesting pursued Assange to Brussels to get him onside:</p>
<blockquote><p>Davies made the case to Assange that the documents would effectively evaporate if they were put up as raw data on the Web—no one could make sense of so much material.</p></blockquote>
<p>The suggestion was that <em>journalism</em> would give a reliable mechanism both to get the content out to a broader audience and to keep it there. It underlines the importance of journalists in bringing context to huge amounts of data. <em>In fact you could say that the wikileaks data (and MP&#8217;s expenses) where two of things that pushed data journalism in to the current journalistic conciseness. </em></p>
<p>The use and role of social media was highlighted by the<strong> <a href="http://www.guardian.co.uk/uk/london-riots">riots in the UK</a></strong> last year. It bought home (by proximity if nothing else) the sheer rate of flow of information that social media can generate. It also underlined the importance of trusted voices in an network; people who could become points of reference. These where often (but not exclusively) journalists.</p>
<p>On an international scale, the use of <a href="http://www.tandfonline.com/doi/abs/10.1080/14747731.2011.621287">social media during the <strong>Arab spring</strong></a> gave us an almost constant stream of examples of the value of social networks . Tweets, youtube videos, facebook updates all provided journalists and audience alike with a steady flow of information when the sheer dynamic nature (and inherent danger) of the event as well as no small amount of (traditional) state censorship cut off traditional reporting.</p>
<p>Both of these events also highlighted the opportunity, inherent in social media, for individual journalist to harness new technology to report events.</p>
<p>It also showed how that combination of <em>means and motive</em> pushed a number of journalists in to the limelight. Working round practical (and political) limitations to report on events and taking to the streets as self-publishing ‘war/riot correspondents’. Capturing the action with mobile phones and ‘broadcasting’ across and to the social network.</p>
<p>The direct nature of the connections between journalist and audience, built up through events like the UK riots and the Arab spring, did a lot to enable as well as highlight the positive aspects of the changing relationship between journalist and audience. It was sometimes an uneasy relationship but an increasingly symbiotic (rather than the traditionally framed parasitic)one.</p>
<p>But this isn’t a lecture about what social networks can do. The question this lecture poses is <strong>what responsibility do journalists have in the internet age</strong>?</p>
<p>The simple answer could be none that they don’t have already.</p>
<p>Let’ me give you a simple example…</p>
<p>Late last year the Lord Chief Justice (Lord Judge!) <a href="http://www.bbc.co.uk/news/uk-12038088">made good on interim judgement allowing tweeting (and other electronic communication) from court</a>. Not long after, but by no means the first trial to be covered, <a href="http://www.dailymail.co.uk/sport/football/article-2093280/Harry-Redknapp-trial-journalist-faces-jail-naming-juror.html">Guardian journalist Jamie Jackson allegedly commits two acts of contempt causing problems at Harry Redknapp’s trial</a></p>
<p>Was that because he was using twitter?</p>
<p>Contempt is one of those fundamentals in journalism law. One that you are constantly reminded to be wary of.  So maybe we can just say that regardless of the medium <em> &#8217; it’s the responsibility of a journalist not to do things like that&#8217;.</em> They know the rules and should stick to them. Many would agree. Especially those that bang on to me about the importance of core journalism skills.</p>
<p>But this is in danger of becoming a very short lecture!  and in many ways that’s a cheap shot; too simplistic. A mistake is a mistake regardless of medium.</p>
<p>Maybe I need to switch the question round a little a bit and ask <strong><em>who are journalists responsible to in the internet age? </em></strong>Let me try and explain.</p>
<p>In the first example one of the (many and complex) reasons that was cited for the breakdown in the relationship (or at least a consistent cause for concern) between The Guardian and Assange was his apparent unwillingness to commit to redacting information from the Iraq memos; names and other details of individuals who might be undeservingly harmed in someway by the release of the information.</p>
<blockquote><p>The biggest gulf between WikiLeaks and the traditional news outlets lay in their approaches to editing. Put simply, WikiLeaks didn’t have one, or believe in one. “Neither us nor <em>Der Spiegel</em> nor<em>The New York Times</em> was ever going to print names of people who were going to get reprisals, anymore than we would do on any other occasion,” says David Leigh. “We were starting from: ‘Here’s a document. How much of it shall we print?’ Whereas Julian’s ideology was: ‘I shall dump everything out and then you have to try and persuade me to cross a few things out.’ We were coming at it from opposite poles.” The redaction of the Afghanistan files was a point of contention within WikiLeaks as well. Associates say that Assange dismissed the need for editorial care, even as they urged him to take the task more seriously. Smári McCarthy, a former WikiLeaks volunteer, told <em>The Independent</em> in October that there were “serious disagreements over the decision not to redact the names of Afghan civilians.”</p></blockquote>
<p>We could take a step back look at that in the context of a broader debate about the driving principles of each party. Frame it as web Vs traditional.</p>
<p>On one side, Assange. Trusting the idea of transparency and the power of the network to filter and discriminate (but not trusting much else). Building layers of protection and redundancy like a computer network.</p>
<p>On the other Davies and the Guardian offering the special protections journalists have to protect sources and their responsibilities to those involved. Lending a level of credibility and context to the data.</p>
<p><a href="http://www.andydickinson.net/2011/02/28/ethics-online-and-journalism/">I covered that clash of approaches in a bit more detail in last years lecture.</a></p>
<p>But regardless of your view of Assange’s or The Guardians alleged position or the relative merits of transparency vs the more traditional model of institutional balance, in this case it’s clear that the Guardian (and the author of the piece) measured it’s responsibility to the professional standards of journalism and not to the demands of Assange.</p>
<p><strong>The Guardian and Davies were responsible to no body other than good journalism.</strong></p>
<p>The concept of <em>“good journalism”</em> as a constant &#8211; something apart &#8211; is one we could argue about all day, especially in the light of recent events in the industry and Leveson. So maybe I can suggest (with no value judgment or implied criticism of the wikipedia approach) that, in this instance, good journalism was a collective effort of individuals sticking to core principles -being consistent with the standard of a professional journalist.</p>
<p>One of the challenges in trying to define what a journalist is (and in this context how they should behave) is breaking the link between the individual and the organisation they work for. But the coverage of the riots through social media did a lot to make the idea of an individual, professional journalist that can exist outside of traditional media structures a reality</p>
<p>The personal nature social networks means that individuals can rise in prominence quickly and there is good evidence that journalists, with their professional practice, are better suited to benefit from that than most. In fact it wasn&#8217;t uncommon for people to suggest that twitter uses should actively seek out journalists (or those with a track record of acting journalistically) during events like the riots (although, to be fair, it was often journalists saying that!).</p>
<p>I’ve talked in other lectures about how understanding and cultivating these personal relationships is valuable.But in this context it’s not without it’s problems and those stem from that unpicking of individual identity from corporate identity.</p>
<p>Just last week,  a <a href="http://www.guardian.co.uk/media/2012/feb/07/sky-news-twitter-clampdown">Sky News email about use of social media by journalists was leaked to the Guardian</a>. The memo, as it has been reported, places strict limitations on what a journalist may or may not share on social networks.</p>
<blockquote><p>&#8220;So, to reiterate, don&#8217;t tweet when it is not a story to which you have been assigned or a beat which you work.</p>
<p>&#8220;Where a story has been Tweeted by a Sky News journalist who is assigned to the story it is fine, desirable in fact, that it is retweeted by other Sky News staff.</p>
<p>&#8220;Do not retweet information posted by other journalists or people on Twitter. Such information could be wrong and has not been through the Sky News editorial process.&#8221;</p>
<p>The email said: &#8220;1. Don&#8217;t tweet when it&#8217;s someone else [sic] story. Stick to your own beat. 2. Always pass breaking news lines to the news desk before posting them on social media networks.&#8221;</p></blockquote>
<p>One reading of the reported elements of the memo, was that it was <em>typical of a large media organisation that doesn’t get it.</em> Sadly another, depressingly common and depressingly puerile reason, was this was somehow all evil Rupert Murdoch’s doing.</p>
<p>Sky justified the move citing accuracy:</p>
<blockquote><p>&#8220;Sky News has the same editorial procedures across all their platforms including social media to ensure the news we report is accurate.&#8221;</p></blockquote>
<p>Who would want to get caught out tweeting something that later turns out to be wrong?</p>
<p><span style="font-style: normal; line-height: 24px;">As I said earlier, I don&#8217;t believe that social media makes mistakes more common but it certainly makes them more visible. If they understand nothing else about social media , media orgs have an understanding (borne from bitter experience) that social media will take a mistake and (with no small amount of glee by some) amplify it. (live by the sword and die, again and again by the sword). Even the response to the memo (a mistake in the view of some) shows that.</span></p>
<p>The Arab Spring really showed the value and bravery of individual journalists risking life and limb to get content out because it was the right (as well as journalistic) thing to do. But, taking the value judgment out of it, the events in the middle east (and others like the Mumbai bombing) show how trust (and the connected idea of editorial selectivity) become more important &#8211; when the flow of content turns in to a torrent, people trust mainstream media to collate and filter the ‘truth’ for them. It’s even more important to have the checks and balances in place to maintain that trust<a href="http://www.journalism.co.uk/news/bbc-trust-launches-impartiality-review-of-arab-spring-coverage/s2/a546503/"> as well as have it tested</a>.</p>
<p>I&#8217;ll make a distinction between<em> trust</em> and <em>select</em>. Just because they don&#8217;t select them it doesn&#8217;t mean they don&#8217;t trust them or have an expectation (even a demand) that they get it right.  So any media organisation, would worry that their reputation could be undermined by a simple mistake.</p>
<p>There is some evidence to support this concern about trust. We know that whilst people will trust individuals, it&#8217;s often a <em>shallow transactional trust</em>. A trust with little at risk. We know that the trust in media organisations is a <em>deeper, more invested trust. </em>Why? because allegedly there is more at risk&#8230;.</p>
<p><em>I can trust someone on twitter to show me interesting things but if they don&#8217;t, well, I haven&#8217;t lost anything. But I have to trust the media because if I don&#8217;t, well, we lose a vital protection and connection to the democratic process.  </em><em>Failure of trust in one means I might say &#8216;meh&#8217; and log off.  The other means the death of democracy.</em></p>
<p>We have structures in newsrooms to maintain trust by maintaining accuracy. Those structures tend to work through hierarchy. Though all journalists are responsible for their work, the level of oversight depends on you place in the foodchain. So we see more senior members of a newsroom getting more autonomy &#8211; on screeners, columnists etc. &#8211; under the assumption that they have the experience not to make mistakes.Those down the food chain have to work their way up and learn the ropes like everyone else.</p>
<p>But this also puts boundaries between journalists and the audience. They deal with recognisable faces. I think that&#8217;s why broadcasters often rate higher in the trust ratings than print journalists &#8211; they are less anonymous.</p>
<p>Social media is does two things to upset that. It gives  the anonymous a name, a face and a way to interact and it flattens hierarchies.</p>
<p>When the details of the mail where posted on Twitter (in a splendid piece of social media trailing by <a href="http://twitter.com/#!/joshhalliday">Josh Halliday</a> ) the twitter community interpreted the ‘rules’ as an attack on one of their own &#8211; singling out Neil Mann (<a href="https://twitter.com/#!/fieldproducer">@fieldproducer</a>) as a possible casualty of the new rules.</p>
<p><em>Actually, just as aside, I wonder if the powers that be at sky had a look through Josh’s twitter feed to see which of his followers or followees worked at sky. But I digress.</em></p>
<p>In his <em>official capacity</em> Mann works for Sky News but, like many other journalists, tweets in a personal capacity.  He does it very well and has rightly been singled out for particular praise (by Sky as well as the broader journalism community) as an exemplar of social media use &#8211; He was actually named the<a href="http://blogs.journalism.co.uk/2011/11/07/sky-news-fieldproducer-ranked-the-most-influential-uk-journalist-on-twitter/"> most influential UK journalist on twitter</a>).</p>
<p>I think we can also safely say that Twitter has made Mann, anonymous to most people outside the industry, more visible. I think a good part of his credibility online comes from the <em>journalistic</em> way he uses twitter. People follow him for what he does and how he does it, rather than who he works for.</p>
<p>But it&#8217;s clear that for Sky News (and they are not alone in this) the distinction between personal and professional is too subtle and the &#8216;this is my personal feed&#8217; distinction is not enough.  If you are paid to be a Sky journalist then you can&#8217;t be a journalist for anyone else. Not twitter. Not even yourself. Personal or professional accounts are all the same to them</p>
<p>But is that really fair?</p>
<p>If a journalist is using twitter &#8216;unofficially&#8217;, as a punter, their feed is likely to be as full of the same collection of <em>“the mundane, the ﬂeeting, the inconsequential, or the just plain ridiculous.”</em> as anyone else&#8217;s feed. What about when they aren&#8217;t being a journalist? Is it right to consider it all journalistic output and fair game to control?</p>
<p>That line about the <em>mundane and the fleeting</em> isn’t mine. It comes from <a href="http://www.tandfonline.com/doi/abs/10.1080/08900523.2012.644147?journalCode=hmme20">a paper by Wendy Wyatt </a>who identifies the two ways in which a journalist uses a social platform like Twitter &#8211; to distribute facts or to ruminate and ‘muse’.</p>
<p>She suggests that if a journalist uses Twitter as a tool for reporting news, that journalist’s followers will view the posts simply as an extension of the journalist’s news outlet; reading tweets is just another way to get news. On the other hand,she says,  expectations differ for journalists who use forums for <em>ruminating</em>, for sharing personal stories, and for simply relaying things that seem interesting or otherwise worthy of passing along.</p>
<p>Wyatt suggests that, because it is the journalist who creates these two contrasting purposes, they “are obligated to be clear about their purpose with their followers”.</p>
<p>She even goes a step further and suggests the development of a kind of tag that indicates that something a journalist is posting falls in to the ‘musing’ not reporting; something such as “UVBI.”- “unveriﬁed but interesting”</p>
<p>In developing the idea Wyatt is actually playing <em>devils advocate</em>. In reality, her gut reaction from a media ethics standpoint, is that:</p>
<blockquote><p>“standards for social networking sites, for blogs, and for any other platform where journalists connect to audiences should be no different than standards for traditional reporting”</p></blockquote>
<p>Maybe we are back to our &#8216;good journalism transcends the medium&#8217; idea.</p>
<p>Of course that doesn&#8217;t really answer the question of who ultimately checks that the journalist is sticking to those standards. And as much as the journalist may try and separate their &#8216;normal&#8217; activity from their journalism, in social media terms, perhaps that&#8217;s a wasted effort. It&#8217;s the audience who decides on which side you fall.</p>
<p>In that respect you could see any attempt by a large media organisation to control the way their journalist use social networks as a way of controlling access to the audience.</p>
<p>That&#8217;s what media wants &#8211;  an audience &#8211; and it&#8217;s OK that they have to fight competitors for that but they don&#8217;t expect one of those competitors to be you.</p>
<p>You could read that as a very old media, commercial way of looking at things (control the flow, control the audience). Social media savvy critics may say it&#8217;s a false economy. The company lose the <em>‘value’</em> and audience that individual journalists using social media interaction brings.</p>
<p>Right or wrong we live and work in an age of big brand journalism and when they spend their money they don’t do it to fund brand “you”.</p>
<p>It’s not as if individual journalists don’t benefit from being associated with large news organisations. In fact is not as if that association with a large media company is the way that professional journalists separate themselves from that mess of cit-journalism people online.</p>
<p>And isn&#8217;t it maybe also be a little dishonest to claim a distinction. If you happened to see a story of value in your &#8216;personal feed&#8217; would you ignore it as as if you were &#8216;off duty&#8217;?</p>
<p>Being part of &#8216;the media&#8217; gives you special rights, responsibilities and protections.  The powers may make for a really boring super-hero (and a pretty underwhelming costume) but they are powers none the less.</p>
<p>So what does  that tell us about what our responsibilities are, or who we are responsible too in the internet age.</p>
<p>Truth is that it’s complex.</p>
<p>We could take a purist approach, step back from the market forces and commercial issues, just like our predecessors who set up journalism codes and standards, and say have a responsibility to a higher ideal. An ideal that motivates (maybe compels) us, enabled by new platforms for conversation, to strengthen our responsibility to the audience (whatever platform they may be on) resisting all other pressures. Even if that is from our employers.</p>
<p>But we also have to be realistic about where the power inherent in that responsibility comes from. Large media organisations with their complex mix of commercial, editorial considerations, like it or not have their part to play and we can&#8217;t easily unhitch the journalist or the publics perception of what that means from that train. That&#8217;s where public trust lies.</p>
<p>You can see the frustration (and inherent contradictions) of trying to unpick that in the <a href="http://www.levesoninquiry.org.uk/">Leveson inquiry </a>at the moment. Day after day we have journalists and editors trying to defend that mix in the face of dwindling trust &#8211; yes, we&#8217;ve bollocksed things up but don&#8217;t destroy the whole thing otherwise the whole fourth estate thing goes out the window and we&#8217;re all in trouble. That big risk I talked about.</p>
<p>It paints a grim (<a href="http://www.levesoninquiry.org.uk/wp-content/uploads/2012/02/Transcript-of-Afternoon-Hearing-9-February-2012.txt">and opportune</a>) picture for those who always believed the web was a threat.  Whilst government and vested interests are trying to kick the front door of journalism down, people are still leaving the back door wide open to the internet and all its challenges.</p>
<p>But we know that the insular approach can&#8217;t continue.  New media/the web/the internet, whatever you want to call it, is opening up what we do in journalism like it or not.</p>
<p>At the moment that&#8217;s a battle fought on the boundaries of an industry built on closed ethical principles. Maybe it&#8217;s trapped by them. Maybe it&#8217;s entrenched in them as they feel they are under threat. But I firmly believe that doing what we do as journalists online, under the scrutiny of (and working with) our audience will slowly build new levels of trust.</p>
<p><em>Ironic isn’t it that the idea of transparency, so doggedly pursued by someone like Assange and so at odds with traditional editorial values,  should be seen by so many as key to the survival of journalism.</em></p>
<p>There&#8217;s a risk though. Taking away the traditional structures and making it <em>personal</em> online means that professional identity is all we have to take with us and we should never lose sight of the broader responsibility to society and our audience that entails.</p>
<p>In the face of the fractured communities the web creates, it may seem old fashioned to talk about our responsibility within the public sphere &#8211; a homogenous thing. In fact academics now talk about public sphericles (Gitlin et al) &#8211; small communities and collectives of people &#8211; each with their own norms and ethical limits.  (<a href="https://docs.indymedia.org/pub/Main/ChrisAnderson/PubPartJourn.pdf">try this for more</a>)</p>
<p>It&#8217;s easy to see how that idea can work for things like social media (I&#8217;m being simplistic here, some understanding where the idea fits in to the concept of a <a href="http://en.wikipedia.org/wiki/Fifth_Estate">fifth estate</a> adds better context). Maybe twitter is a little public spherical, where rules and discourse are different. Where we can do things we can&#8217;t do &#8216;officially&#8217; as journalists. Think about what the<a href="http://www.guardian.co.uk/media/2009/oct/13/trafigura-drops-gag-guardian-oil"> Guardian did busting the Trafigura super injunction</a>.</p>
<p>The danger is that we fall in to the trap of being different within each of those spheres. We become inconsistent &#8211; we end up being a journalist on the page following all the rules and regulations and the something else on Twitter where<a href="http://www.dailymail.co.uk/news/article-2096615/Joey-Barton-twitter-rant-Footballer-willing-to-jail-John-Terry-racism-row-tweets.html"> the norm seems to be different</a>, still claiming to be a journalist on both.</p>
<p>Or maybe you think that’s a load of public sphericles.</p>
<p>I think that if we believe that good journalism, practiced with an eye to a strong ethical framework is of value to society, even of we think that it&#8217;s only of self-serving value; If we want to be a journalist and work on the web, taking some of that power and status that being a journalist gives us across spheres. Maybe we don&#8217;t get to choose when we are journalist and when we are not.</p>
<p>Perhaps we need to accept that we can’t be like normal people on Facebook or Twitter because, well, we aren’t normal people.</p>
<p>We are journalists. The web is 24/7 365.</p>
<p>If we want people to put their trust in us as individuals, underwritten by the long standing tradition and ethics of professional journalism, then perhaps we have to a responsibility to be journalists 24/7 365.</p>
<p><strong>Aftermatter:</strong> W<em>hen I asked the class about what they saw as a professional journalist I got a surprising response. I say surprising because it was a very broad and fluid definition &#8211; they certainly saw the distinction between the act and the person and the organisation. That&#8217;s in contrast to last year who were pretty set on the idea that a professional journalist was one that got paid to do it (more often than not by a large org)</em></p>
<p><em>I appreciate that one of the holes in my argument is that I have assumed that definition but as I said, its meant to be argumentative in that respect and as I (hope) began to argue, whilst it may be shifting, for most people that is still the definition. </em></p>
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		<title>In praise of Digital Editors</title>
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		<pubDate>Tue, 24 Jan 2012 16:23:50 +0000</pubDate>
		<dc:creator>Andy</dc:creator>
				<category><![CDATA[digital journalism]]></category>
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		<description><![CDATA[I’m in sunny London tomorrow to sit on a panel talking digital with digital editors from Trinity mirror newspapers. So I’ve been giving some thought to the lot of a digital editor. You could see the digital editor as the &#8230; <a href="http://www.andydickinson.net/2012/01/24/in-praise-of-digital-editors/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<div id="attachment_2622" class="wp-caption aligncenter" style="width: 460px"><img class="size-full wp-image-2622" title="2903662286_e906fc5c2e" src="http://www.andydickinson.net/wp-content/uploads/2012/01/2903662286_e906fc5c2e.jpg" alt="" width="450" height="310" /><p class="wp-caption-text">Sitting on a goldmine? (picture from Flickr)</p></div>
<p>I’m in sunny London tomorrow to sit on a panel talking digital with digital editors from Trinity mirror newspapers. So I’ve been giving some thought to the lot of a digital editor.</p>
<p>You could see the digital editor as the interface between the newsroom and your digital audience. You’d be right. But do that wrong and there is a danger that they are your only interface &#8211; the rest of the newsroom ‘hide’ behind them.</p>
<p>There is also a danger that a digital editor becomes a digital production sub. They are the ones that make the content that’s produced in the newsroom ‘web friendly’. They are the ones that find the links, pictures and (more often than not) add the tags to journalists content that not only make stuff SEO friendly (along with those headlines they re-write) but also ensure that all the related stuff hidden in the archives is magically made visible.</p>
<p>There is also an expectation that your digital editor would be the one trying out all the new stuff &#8211; video, data and all of that kind of thing. Making it happen.</p>
<p>On top of that they’ll be ‘managing community’; keeping the readers comments under control and posting to Facebook.</p>
<p>Whatever their lot, there’s a lot of it!</p>
<p>The nice thing is that (most) newsroooms are more enlightened places. They don’t sideline the digital editor to simply be the web monkey who sits in the corner (right?). The input of journalists, who can see the value to their own journalistic identity, is the norm rather than the exception (right?). Which got me thinking a little.</p>
<p>The outward facing nature of a digital in newsrooms is vital. No doubt about that. Reaching out to community and offering ways in to the newsroom and news process is really important. All those things like crowdsourcing etc (the stuff that relies on that shifting relationship) is empowered and powered by them. Digital editors are frontline staff. But what about the other direction?</p>
<p>In this ‘digital first’ world, especially in organisations where end-to-end production systems are making all content digital, the digital editor may be sitting on the most complete map of expertise and interests in your newsroom outside your editors head. Archived, tagged ready to go.</p>
<p>When we crowdsource, we make an effort to find the interested and informed parties in our audience and get them to work with the newsroom. But what about the interested and informed in the newsroom? Aren’t they a crowd worth pulling together as well?</p>
<p>A newsrooms, especially newspaper newsrooms, have a (long) collected history and knowledge built on the individuals who work there. Maybe in the rush to push things out and engage on multiple platforms, we miss what’s right in front of us.</p>
<p>Maybe this thinking harks back to the days of librarians &#8211; the human databases that could connect your story to an article 20 years ago. I’m not suggesting that digital editors are librarians but maybe, in a world where digital is the thing that ties newsrooms together, they are sitting on all the data that gives places the material you put out there in context.</p>
<p>So perhaps it isn’t just about finding out about what your audience is clicking. Maybe your digital ed could also be telling you what your journalists are writing about? When and how often?</p>
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		<title>Ivory tower dispatch: A tale of two websites</title>
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		<pubDate>Fri, 28 Oct 2011 21:03:19 +0000</pubDate>
		<dc:creator>Andy</dc:creator>
				<category><![CDATA[ivorytowerdispacth]]></category>
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		<description><![CDATA[Across a number of classes this week, two websites have stood out. To start the week I had this from China Daily.com Shoddy! Which thesaurus did they drag that one up from! This was paydirt for me as I talked &#8230; <a href="http://www.andydickinson.net/2011/10/28/ivory-tower-dispatch-a-tale-of-two-websites/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p>Across a number of classes this week, two websites have stood out.</p>
<p>To start the week I had this from <a href="http://www.chinadaily.com.cn/photo/2011-10/23/content_13957889.htm">China Daily.com</a></p>
<p><img class="aligncenter" title="SHoddy" src="https://img.skitch.com/20111028-j8urr64px8fwaqe6cwweg69t69.jpg" alt="Worst headline of the week!" width="519" height="623" /></p>
<p>Shoddy! Which thesaurus did they drag that one up from!</p>
<p>This was paydirt for me as I talked to the class (a group of chinese students) about writing headlines, seo. Something that<em> &#8220;Shoddy railway project closed down&#8221;</em> fails at in every measure.</p>
<p>Worse still the story is really good:</p>
<blockquote><p>The 74.1-kilometer railway project [Jingyu-Songjianghe Railway project in Changchun], with a total investment of 2.3 billion yuan ($360 million), was recently found to have illegally contracted a fake company and a couple of laymen who barely know anything of building bridges.</p></blockquote>
<p>Two blokes stroll up and blag $360 million! Come on!</p>
<p>The week ended with a lot of talk about video and a chance for me to roll out <a href="http://news.bbc.co.uk/1/hi/7900077.stm">my favourite example of the use of online video</a></p>
<p><img alt="Visceral video at its best" src="https://img.skitch.com/20111028-em9wckfqbf8m89cdxhtxe1f922.jpg" title="BBC" class="aligncenter" width="463" height="469" /></p>
<p>It&#8217;s an old story but for me it perfectly illustrates the way that video can enhance a story. &nbsp;This is clip video at its finest &#8211; the text tells the story and the video shows you the visceral experience. It enhances the story and works with the text in a combination of media that&#8217;s unique to the web.</p>
<p>When I play this in a class I know that one minute in I will get a reaction, a big ooooh that underlines what video is great at. Watch and see what I mean.</p>
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		<title>Suns warning to regulators…</title>
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		<comments>http://www.andydickinson.net/2011/10/21/suns-warning-to-regulators/#comments</comments>
		<pubDate>Fri, 21 Oct 2011 13:16:46 +0000</pubDate>
		<dc:creator>Andy</dc:creator>
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		<description><![CDATA[Sitting through a talk on the regulation of the press and then coming home to see the Sun&#8217;s front cover for today, I couldn&#8217;t help but put the two together.]]></description>
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<p>Sitting through a talk on the regulation of the press and then coming home to see the Sun&#8217;s front cover for today, I couldn&#8217;t help but put the two together.</p>
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		<title>Don’t charge for the magazine charge for the ink!</title>
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		<pubDate>Tue, 18 Oct 2011 14:59:40 +0000</pubDate>
		<dc:creator>Andy</dc:creator>
				<category><![CDATA[digital journalism]]></category>

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		<description><![CDATA[“Our work with Condé Nast creates a new channel for customers to access the content they want from some of their favorite publications,” said Stephen Nigro, senior vice president, Inkjet and Web Solutions, Imaging and Printing Group, HP. “And, when &#8230; <a href="http://www.andydickinson.net/2011/10/18/dont-charge-for-the-magazine-charge-for-the-ink/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<blockquote><p>“Our work with Condé Nast creates a new channel for customers to access the content they want from some of their favorite publications,” said Stephen Nigro, senior vice president, Inkjet and Web Solutions, Imaging and Printing Group, HP. “And, when coupled with our scheduled delivery service, allows customers to get the content they want, whenever they want it.”</p></blockquote>
<p>Cool. What&#8217;s the story then HP? Digital paper? A new flexible tablet? A competitor to Newstand? No, that would be silly woudnt it? No. They have something a litle dafter to offer.</p>
<p>The big idea is not to charge people for the magazine content but charge them for the ink!</p>
<p><a href="http://www.mediabistro.com/10000words/the-future-of-magazines-is-print-from-home_b7782">Meranda Watling over at 10,000 words highlighted HP&#8217;s plans </a>for  <a href="http://www.hp.com/hpinfo/newsroom/press/2011/111012a.html">a new subscription service that will deliver in cartridges to you every month,</a> bundled in with that will be a reason to use the ink  &#8211; a subscription to magazines you can print out.</p>
<blockquote><p>“This project is one of the many ways Condé Nast is using emerging technology to engage consumers,” said Julie Michalowski, senior vice president, Consumer Business Development, Condé Nast. “With this new HP pilot program, consumers will be able to have their favorite Condé Nast content at their fingertips.”</p></blockquote>
<p>Yes, their ink-stained fingertips.</p>
<p>You could interprit this as a media organisation trying new things (and kudos to that) but, to me,  this is more like a technology company buying in to the worst of media models. This is HP turning in to one of those companies that sells you stuff on the back pages of magazines or those multi-part &#8216;build a model of the titanic&#8217; things;  <em>&#8216;Just 200 easy payments and you could have this beutiful copy of last Decembers vougue !&#8217;</em></p>
<p>In some ways this is no skin of Conde Nasts nose. If they already have digital editions, bundling them with, well, anything, is just an easy option. But for HP this sounds depsperate.</p>
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