One celebratory digital media space where this is taking place is Black Vegans Rock. Created by the creative Aph Ko who is an activist engaging in several independent digital media projects. Aph also launched a new blog site called Aphro-ism with her sister Syl where they provide critical analysis from a black feminist vegan perspective. After she wrote the first list that spotlighted 100 Black Vegans who were doing incredible work to dismantle the stereotype that veganism was a “white person’s” thing, Black Vegans Rock was created as a digital space that seeks to spotlight everyday Black vegans who are looking to get their work, art, music, restaurant, book or other projects in front of other vegans.

We talk to Aph about why she decided to create such a celebratory project and why centering black vegans is an important process in dismantling white supremacist discourses pervading the animal rights
movement. By sharing one story at a time, we see the complex lives of people around the world who are creating new frameworks for thinking about veganism.

With capitalism co-opting ideas so quickly (the idea of intersectionality for example) and depoliticizing our movements, finding different frameworks for looking at anti-oppression work is crucial. Can we find ways to genuinely dismantle the racism, sexism, transphobia, homophobia, ableism and speciesism? Understanding the erasure of black and and brown bodies in veganism is one way to do that work.

Aph also is constantly creating and building for tomorrow. She is known for making fictional comedy web-series that tackle social justice issues.Tales from the Kraka Tower satirizes diversity in academia [and features a vegan black character], and Black Feminist Blogger highlights the massive amount of invisible labor in blogging.

Check out Black Vegans Rock

or download an mp3 of the show.

U of W has been a long time animal research facility, using thousands of animals as research tools. Activists, students and federal authorities have all been concerned with these practices, especially when in 2014, the USDA, which enforces the law governing the proper treatment of animals in laboratories, cited Washington, the Oregon Health & Science University, and the University of California-Davis for failing to care properly for the animals. In April of 2014, the USDA found that the majority of monkeys at Oregon were suffering abnormal hair loss, potentially caused by psychological factors. In a November 2014 report, the USDA reprimanded Washington officials for the deaths of three infant monkeys, who were attacked by older male primates. Stop Animal Exploitation NOW! says an additional four monkeys have died since 2012, according to documents they obtained through a public record request.

The facilities at U of W currently have room for 650 primates, but the new building will allow for 280 more and hundreds of other species.

We talk with No New Animal Lab and NYC Animal Defense League about the ongoing campaign pressuring the university and Skanska, as well as other subsidiaries that will profit off this new lab being built. What has the last year looked like for activists fighting this?

Over the last year there has been work to push back against injunctions (SLAPP – Strategic Lawsuits Against Public Participation – which are often used by corporations against protest movements in an attempt to chill dissent and disrupt campaign organizing) filed on behalf of two executives of Skanska USA.

There has also been many home demonstrations, making the statement that decision makers profiting off animal exploitation will be held accountable to the public.While we discuss the specifics of this campaign, we also acknowledge that this campaign is a sign that grassroots animal liberation is becoming less fragmented and growing stronger, even in the face of growing

activist repression and lack of funding.

Please consider supporting No No Animal Lab and NYC Animal Defense League. By doing so you are helping with legal costs and supporting grassroots animal advocacy.

 

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In current public discourse these cumulative effects are not taken into account and the plight of immigrants, migrant workers and refugees are misunderstood and scapegoated as a burden to receiving countries.

As much as the concepts of immigrants are socially constructed and there is a false dichotomy between citizen/non-citizen, it is important to look at how human mobility has shaped identity and our environments.

Cristóbal Pizarro does this work finding the connections between human mobility, place and biodiversity, and how birds can help immigrants adapt to change.

screen print called “Birds Over the Cityscape” by Erik Ruin & Jesse Purcell justseeds.org

In our interview with Cristóbal we discuss how he began seeing the connections in his own life. Through understanding the different historical processes of colonization as a Latin American – the formation of nation states and national identity, and the erasure of Indigenous culture – he felt disconnected from his bicultural memory. By actively remembering meant finding meaningful connections. The key to healing for Cristóbal was learning more about himself and birds.

His work is therefore grounded in emancipatory tools that subvert the colonial and scientific objective paradigms of academia. Often this means that biodiversity and immigration isn’t really researched together and there are huge conceptual gaps that need to be bridged.

Etching called “Pájaro en Mano” by Fernando Martí justseeds.org

Considering this, we talk about the damaging rhetoric that paints animals/plants/humans as “invasive”, such as immigrants and urban dwellers and how building radical narratives means highlighting the beauty in movement and sociality between species. For example, how humans have coevolved alongside Crows and that pigeons have become ties to home for Italian and Turkish immigrants in New York and Berlin, at the same time that they are a means of socialization with new immigrants in their neighbourhoods.

The lives of birds are often overlooked, and even our relationships with animals can be complicated. Take the high-tech domesticated fowl we consume who originated from Asia and claim that eating their bodies are “natural” to us. There is also undesired guests or invasive species (e.g., European starling and Monk Parakeet), or ignored cosmopolitan urban dwellers that occur in everyday life in cities around the world like Pigeons and Gulls.

Cristóbal says that since we are living in the Anthropocene, this means that we need to achieve a forceful understanding of our connectedness and interdependency with nature. “Such an understanding does not grant humans political laissez-faire towards the nonhuman world; instead, it emphasizes our shared responsibility to care for others and for ourselves”. Ultimately this leads to a framework of action.

photo of Cristóbal Pizarro co-producing nature

[Cristóbal Pizarro is a Chilean PhD Candidate in Social and Environmental sustainability at the University of Waterloo. He has a broad interdisciplinary training in veterinarian sciences, ecology, conservation and environmental philosophy. He is also passionate about birds, in their full biological extent and social expressions, including bird interactions with humans in culture and everyday life. In his research in Canada, Cristóbal study immigrants-bird relationships as proxies of social dimensions of the Anthropocene, including the link between human mobility, biodiversity and place]

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Partnering with Vancouver Raise the Rates, she recently participated in The Welfare Food Challenge, which aims to demonstrate the reality of living on $610 of social assistance a month.

She wanted to get involved to raise awareness about the plight of our poor, to promote understanding, and to educate the public to dispel the myths about welfare and welfare recipients. The idea is to encourage change and to try to get the attention of those with power to make those changes: your provincial government.

Having been on welfare earlier in her life, the reality is that in today’s society, folks on welfare right now in B.C cannot afford shelter. Doing the math, it is impossible to live a healthy life after shelter, transportation, personal hygiene, clothing, household supplies, and bills are paid for. The math doesn’t add up when there is $21 per week left for food. Talk about food insecurity.

Bif learned that being outspoken in the public about poverty meant seeing what our society believes about poor people.

“I was shocked. In fact, the more questions I asked, the more I discovered that people generally are classist and racist. People can’t relate to it because they haven’t experienced it. Our country has a lot of prejudice and hate towards the poor.”

A recent article laid out the facts that income inequality is killing thousands of Canadians each year. This is class war. There is no denying that anti-poor sentiments are misinforming how neoliberal politicians allocate money to provincial housing and food initiatives.

The report that the Toronto Star article cites came to the conclusion that if all Canadians were as healthy as the top 20 per cent of income earners, there would be approximately 40,000 fewer deaths each year. The report also calculates the relative rate of mortality, comparing the likelihood of death between someone in the poorest 20 per cent of Canadians and one of the wealthiest 20 per cent of Canadians. Overall, this figure is 1.67 for men and 1.52 for women, indicating that a poor male has a 67 per cent greater chance of dying each year and a poor woman has a 52 per cent greater chance than their wealthy counterparts.

On the show we talk with Bif about food insecurity and veganism, and how being a raw vegan for over 20 years was great for her at the time, but has since become more flexible and pragmatic. Especially since kicking cancer’s ass and being a touring musician most of her life, she talks about how eating all raw and organic isn’t financially sustainable. We talk more about how veganism can be affordable and not just for white middle class folks.

We also chat about how practicing martial arts, supporting survivors of domestic abuse, straight edge, and veganism are all connected for her.

Anti-poverty groups in Canada to check out:

Ontario Coalition Against Poverty
Raise the Rates Ontario
Rates the Rates British Columbia
Canada Without Poverty

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For myself, as a travelling musician, it takes a little bit of social capital, some $, white skin, cis passing privilege. I want so badly for art and music to be accessible to the poor, working class, poc, queers, trans and disabled folks, not just to be participants, but to be directly involved in. I also a huge privilege to have freedom of movement and I constantly think of the stories of refugees, migrants, immigrants (whatever you want to call folks moving for different reasons), prisoners who have limited choices in dictating their own lives.

Jared Paul has been reflecting on this for some time with sharing his stories on stage as a spoken word poet and hiphop artist. We talk about becoming radicalized through art, growing up working class and advice for folks navigating DIY creative communities. We also mention how DIY  (do it yourself) ethics doesn’t mean going it alone, like neoliberal individualism teaches us, but it’s more about doing it together with the help from people who care.

We also talk to Jared about his personal projects like Class War Chef and how veganism and classism are connected. People often dismiss veganism, sometimes rightfully so, as bourgeois. We feel the need to have a sharp analysis of vegan consumerism, because the nature of capitalism always co-opts popular attitudes/behaviours, but sanitizes the political possibilities. That requires folks supporting each other in educating and challenging our communities in food politics, white supremacy, and classism.

check out Jared’s hiphop album that was just released on Black Box Tapes called Get My Ghost.

Listen right now [audio https://animalvoices.ca/wp-content/uploads/2015/11/jaredpaularchiveready.mp3]

or download an mp3 of the show.

Hope has been fighting against industrial and local “humane” industries, where she has researched and written in The Ultimate Betrayal: Is There Happy Meat?.

We talk about being an educator in the animal protection movement, the history of domesticated animals, including fowl, and the “humane” myths pervading popular discourse.

It is important to understand construction of certain animals as food and longstanding cultural beliefs. Chickens have been a part of human culture for thousands of years, through language, literature, and entertainment. The species has been predominately constructed as a “normal” food source in the West, even though chickens were not native to North America. It’s amazing how overlooked such a species is because in our modern times we see the chicken as a commodity with one purpose – food.

We stand with those working to dismantle these long standing embedded ways of viewing farm animals. 

Painting by Mary Britton Clouse “Ginna’s Quest” oil on canvas board 17″ x 12″

Learn more about Hope’s writing in The Ultimate Betrayal: Is There Happy Meat?

Check out the chicken advocacy work United Poultry Concerns are doing.

Learn more about chickens from the The National Museum of Animals & Society’s exhibit called “Uncooped – Deconstructing the Domesticated Chicken”

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We talk about producing DIY media projects, what it was like growing up in Utah with mormonism and straight edge being strong influences, having privilege in media and giving space for marginalized voices to share their stories, and the importance of prison support for political prisoners.

We aired right after Prison Justice Day, and included an older interview with Toronto Anarchist Black Cross.  We wanted to share why it is so important to support people who are in prison. If our movements are challenging the state, people who are active face repression. All prisoners are political prisoners. There are many ways to support to let prisoners know they aren’t alone and forgotten. You can financially support, listen and support prison radio and publications, write letters, send books, and more.

https://torontoabc.wordpress.com/
http://www.prisonradio.org/
http://www.abcf.net/
http://www.blackandpink.org/
https://1in100.wordpress.com/prisoner-publications/
http://prisonbookprogram.org/

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or download an mp3 of the show.

This week we host a discussion with Cornell University sociology PhD student, Loredana Loy, on how representations of nonhuman animals and advocacy issues in cinema provide opportunities for social change and create an auspicious momentum for advocacy on behalf of nonhuman animals. Loredana;s blog series “Cinema for Social Change” provides a glimpse into her research on the subject. While many movies fail to produce thoughtful and moving animal characters and stories, the ones that get it right can have an enormous impact and outreach. Modern forces of industrialization and urbanization have hidden nonhuman animals and consequently their exploitation from our everyday experiences, but cinema has the power to reintegrate them into our lives. So what makes a good film? How did activists build momentum around movies that include positive animal advocacy themes? How can we become more effective? Listen in this week for answers to these questions and analysis of films that really got it right.

At the end of the segment, you will get to hear a poem by Jared Paul. Jared is a totally rad, vegan, social and environmental justice activist and artist, and slam poetry champion from Providence, Rhode Island.

Loredana’s other movie-themed blogs: Review of The Plague Dogs: http://reelchange.net/…/the-plague-dogs-revival-of-a-maste…/

Review of Rise of the Planet of the Apes: http://www.ourhenhouse.org/…/film-analysis-rise-of-the-pla…/

Review of The Turin Horse and Au Hasard Blathazar: http://www.ourhenhouse.org/…/film-analysis-the-turin-horse…/

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This episode we chat with Marc Pierschel and Jeff Wirth who are filmmakers working on the documentary, The End of Meat. This film project is seeking to explore what our world would look like in a post-meat world, where animals are no longer exploited for human use. What will our world look like when relationships with non-human animals are based on compassion and understanding instead of domination.

We talk about what people can expect from this film, how technology fits into animal industries becoming obsolete, as well imagine what our relationships with non-human animals would look like once they are seen as persons and protected under the law. Instead of being consumers who are cognitively dissonant from our choices, we can begin rebuilding how we see and treat animals.

Check out their website, where you can contribute to this project financially and with skills you may be able to lend the filmmakers, or send them your idea of what a vegan world would look like..how will we live together with animals? What are we going to eat? What kinds of problems might we be able to solve?

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