<![CDATA[Anthropological Airwaves]]> http://www.americananthropologist.org/anthropological-airwaves-podcast/ Anchor Podcasts Thu, 09 Apr 2026 14:34:15 GMT Anthropological Airwaves Anthropological Airwaves is the official podcast of American Anthropologist, the flagship journal of the American Anthropological Association. It is a venue for highlighting the polyphony of voices across the discipline’s four fields and the infinite—and often overlapping—subfields within them. Through conversations, experiments in sonic ethnography, ethnographic journalism, and other (primarily but not exclusively) aural formats, Anthropological Airwaves endeavors to explore the conceptual, methodological, and pedagogical issues that shape anthropology’s past, present, and future; experiment with new ways of conversing, listening, and asking questions; and collaboratively and collectively push the boundaries of what constitutes anthropological knowledge production. Anthropological Airwaves shares the journal’s commitment to advancing research on the archaeological, biological, linguistic, and sociocultural aspects of the human experience by featuring the work of those who study and practice anthropology within and beyond the academy. episodic Anthropological Airwaves amanthpodcast@gmail.com no Anthropological Airwaves is the official podcast of American Anthropologist, the flagship journal of the American Anthropological Association. It is a venue for highlighting the polyphony of voices across the discipline’s four fields and the infinite—and <![CDATA[Season 05 - Episode 04: Dismantling the Ivory Tower (Open Mic Edition) - Part Two]]> This episode is the second of a two-episode series on the production of archaeological knowledge in Lebanon produced by Nelly Abboud, contributing editor to the Archaeology Section at American Anthropologist. The series invokes the concept of an “open mic,” or a live show in which members of the audience–no matter their professional stature–take the stage to share their observations, critiques, and analysis. Nelly’s guests are early and mid-career archaeologists working in archaeology and museum worlds that remain elitist and exclusively reserved for members of a privileged and well-established social class. In each episode, she gives the metaphorical floor to a young voice in Lebanese archaeology and asks them to discuss their career within this system and the place of archaeology in contemporary Lebanese public life. 

Today, we hear from Dr. Sarah Mady, lecturer in anthropology at Fordham University. Before moving to the United States in 2015, Sarah was a full-time field archaeologist and a research assistant at the University of Balamand, where she had been building a career since 2006. In this episode, Sarah connects the current state of the field of Lebanese archaeology to decades of colonialism, politics, sectarianism, and elitism. 


Nelly Abboud is a freelance museum educator, founder, and director of Museolab, a cultural Lab that works on promoting cultural heritage through the use of experiential learning tools and methods. She is also a researcher interested in heritage and museum studies, cultural memory, public archaeology, and social collective impact.

Dr. Sarah Mady holds a Ph.D. from Graduate Center of the City University of New York. She is an adjunct lecturer at Fordham University. Her research studies healing shrines in North Lebanon and the ways in which women and mothers have produced and used these spaces as a part of their daily lives and lived religion. 


NB: Since this episode was recorded, Sarah Mady has successfully completed her doctoral studies and now holds a PhD in Archaeology from the Graduate Center of the City University of New York.


Credits:

Writing, Production, & Editing: Nelly Abboud Production Support: Anar Parikh Thumbnail Image: Sarah Mady Featured Music: ‘Hanging Moon’ by Le Trio Joubran Executive Producer: Anar Parikh

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-05---Episode-04-Dismantling-the-Ivory-Tower-Open-Mic-Edition---Part-Two-e28ecef 2cc85d3e-5584-4ed9-b953-4372a066c550 Tue, 29 Aug 2023 14:00:00 GMT <p>This episode is the second of a two-episode series on the production of archaeological knowledge in Lebanon produced by Nelly Abboud, contributing editor to the Archaeology Section at <em>American Anthropologist. </em>The series invokes the concept of an “open mic,” or a live show in which members of the audience–no matter their professional stature–take the stage to share their observations, critiques, and analysis. Nelly’s guests are early and mid-career archaeologists working in archaeology and museum worlds that remain elitist and exclusively reserved for members of a privileged and well-established social class. In each episode, she gives the metaphorical floor to a young voice in Lebanese archaeology and asks them to discuss their career within this system and the place of archaeology in contemporary Lebanese public life. </p> <p>Today, we hear from Dr. Sarah Mady, lecturer in anthropology at Fordham University. Before moving to the United States in 2015, Sarah was a full-time field archaeologist and a research assistant at the University of Balamand, where she had been building a career since 2006. In this episode, Sarah connects the current state of the field of Lebanese archaeology to decades of colonialism, politics, sectarianism, and elitism. </p> <p><br></p> <p><strong>Nelly Abboud</strong> is a freelance museum educator, founder, and director of Museolab, a cultural Lab that works on promoting cultural heritage through the use of experiential learning tools and methods. She is also a researcher interested in heritage and museum studies, cultural memory, public archaeology, and social collective impact.</p> <p><strong>Dr. Sarah Mady </strong>holds a Ph.D. from Graduate Center of the City University of New York. She is an adjunct lecturer at Fordham University. Her research studies healing shrines in North Lebanon and the ways in which women and mothers have produced and used these spaces as a part of their daily lives and lived religion. </p> <p><br><strong>NB:</strong> Since this episode was recorded, Sarah Mady has successfully completed her doctoral studies and now holds a PhD in Archaeology from the Graduate Center of the City University of New York.</p> <p><br></p> <p><strong>Credits:</strong></p> <p>Writing, Production, &amp; Editing: Nelly Abboud Production Support: Anar Parikh Thumbnail Image: Sarah Mady Featured Music: ‘Hanging Moon’ by Le Trio Joubran Executive Producer: Anar Parikh</p> false 00:40:07 full This episode is the second of a two-episode series on the production of archaeological knowledge in Lebanon produced by Nelly Abboud, contributing editor to the Archaeology Section at American Anthropologist. The series invokes the concept of an “open mic,” or a live show in which members of the audience–no matter their professional stature–take the stage to share their observations, critiques, and analysis. Nelly’s guests are early and mid-career archaeologists working in archaeology and museum worlds that remain elitist and exclusively reserved for members of a privileged and well-established social class. In each episode, she gives the metaphorical floor to a young voice in Lebanese archaeology and asks them to discuss their career within this system and the place of archaeology in contemporary Lebanese public life.  Today, we hear from Dr. Sarah Mady, lecturer in anthropology at Fordham University. Before moving to the United States in 2015, Sarah was a full-time field archaeologist and a research assistant at the University of Balamand, where she had been building a career since 2006. In this episode, Sarah connects the current state of the field of Lebanese archaeology to decades of colonialism, politics, sectarianism, and elitism.  Nelly Abboud is a freelance museum educator, founder, and director of Museolab, a cultural Lab that works on promoting cultural heritage through the use of experiential learning tools and methods. She is also a researcher interested in heritage and museum studies, cultural memory, public archaeology, and social collective impact. Dr. Sarah Mady holds a Ph.D. from Graduate Center of the City University of New York. She is an adjunct lecturer at Fordham University. Her research studies healing shrines in North Lebanon and the ways in which women and mothers have produced and used these spaces as a part of their daily lives and lived religion.  NB: Since this episode was recorded, Sarah Mady has successfully completed her doctoral studies and now holds a PhD in Archaeology from the Graduate Center of the City University of New York. Credits: Writing, Production, &amp; Editing: Nelly Abboud Production Support: Anar Parikh Thumbnail Image: Sarah Mady Featured Music: ‘Hanging Moon’ by Le Trio Joubran Executive Producer: Anar Parikh <![CDATA[Season 05 - Episode 03: Dismantling the Ivory Tower (Open Mic Edition) - Part One]]> This episode is the first of a two-episode series on the production of archaeological knowledge in Lebanon produced by Nelly Abboud, contributing editor to the Archaeology Section at American Anthropologist. The series invokes the concept of an “open mic,” or a live show in which members of the audience–no matter their professional stature–take the stage to share their observations, critiques, and analysis. Nelly’s guests are early and mid-career archaeologists working in archaeology and museum worlds that remain elitist and exclusively reserved for members of a privileged and well-established social class. In each episode, she gives the metaphorical floor to a young voice in Lebanese archaeology and asks them to discuss their career within this system and the place of archaeology in contemporary Lebanese public life. The series begins with reflections from Lebanese archaeologist Lorine Mouawad about the nature of the archaeological field in Lebanon and how Ottoman and French colonial mentalities continue to inform how the field is managed. She shares her thoughts on the current state of the field and these sociopolitical entaglements in the context of her own experience as a field archaeologist.


Episode Transcript

Closed-Captioning


Credits:

Producer: Nelly Abboud
Executive Producer - Anar Parikh Featured Music: "Relative Serenity Houdou’ Nisbi هدوء نسبي,” by Ziad Rahbani.

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-05---Episode-03-Dismantling-the-Ivory-Tower-Open-Mic-Edition---Part-One-e26v1d5 66556708-2cd7-4ff5-a305-7a5dbf188029 Tue, 25 Jul 2023 13:00:00 GMT <p>This episode is the first of a two-episode series on the production of archaeological knowledge in Lebanon produced by Nelly Abboud, contributing editor to the Archaeology Section at <em>American Anthropologist. </em>The series invokes the concept of an “open mic,” or a live show in which members of the audience–no matter their professional stature–take the stage to share their observations, critiques, and analysis. Nelly’s guests are early and mid-career archaeologists working in archaeology and museum worlds that remain elitist and exclusively reserved for members of a privileged and well-established social class. In each episode, she gives the metaphorical floor to a young voice in Lebanese archaeology and asks them to discuss their career within this system and the place of archaeology in contemporary Lebanese public life. The series begins with reflections from Lebanese archaeologist Lorine Mouawad about the nature of the archaeological field in Lebanon and how Ottoman and French colonial mentalities continue to inform how the field is managed. She shares her thoughts on the current state of the field and these sociopolitical entaglements in the context of her own experience as a field archaeologist.</p> <p><br></p> <p><a href="americananthropologist.org/podcast/dismantling-the-lebanese-ivory-tower-part-01" target="_blank" rel="noopener noreferer">Episode Transcript</a></p> <p><a href="https://youtu.be/hChcqJgEWXM" target="_blank" rel="noopener noreferer">Closed-Captioning</a></p> <p><br></p> <p>Credits:</p> <p>Producer: Nelly Abboud<br>Executive Producer - Anar Parikh Featured Music: &quot;Relative Serenity Houdou’ Nisbi هدوء نسبي,” by Ziad Rahbani.</p> false 00:31:09 full This episode is the first of a two-episode series on the production of archaeological knowledge in Lebanon produced by Nelly Abboud, contributing editor to the Archaeology Section at American Anthropologist. The series invokes the concept of an “open mic,” or a live show in which members of the audience–no matter their professional stature–take the stage to share their observations, critiques, and analysis. Nelly’s guests are early and mid-career archaeologists working in archaeology and museum worlds that remain elitist and exclusively reserved for members of a privileged and well-established social class. In each episode, she gives the metaphorical floor to a young voice in Lebanese archaeology and asks them to discuss their career within this system and the place of archaeology in contemporary Lebanese public life. The series begins with reflections from Lebanese archaeologist Lorine Mouawad about the nature of the archaeological field in Lebanon and how Ottoman and French colonial mentalities continue to inform how the field is managed. She shares her thoughts on the current state of the field and these sociopolitical entaglements in the context of her own experience as a field archaeologist. Episode Transcript Closed-Captioning Credits: Producer: Nelly Abboud Executive Producer - Anar Parikh Featured Music: &quot;Relative Serenity Houdou’ Nisbi هدوء نسبي,” by Ziad Rahbani. <![CDATA[Season 05 - Episode 02: What Was Moria and What Comes Next?]]> This episode features a conversation between Dr. Yannis Hamilakis and Dr. Naor Ben-Yehohada about Moria, once the largest refugee camp in Europe until it was completely destroyed by a fire in September 2020. Dr. Hamilakis had been researching, experiencing, and witnessing the materiality of contemporary migration on Lesvos, the Greek island where Moria was located, since 2016. And, in the aftermath of its destruction, he convened a cohort of archaeologists, social anthropologists, activists, teachers, and authors with direct connections to and experiences of Moria to reflect on what the place meant to them and possible directions for the future. These contributions came together in the form of a multimodal portfolio, “What Was Moria and What Comes Next?” comprising research and photo essays, ethnographic fiction, first-person accounts, lyrical prose, illustration, and more. Dr. Hamilakis’s introduction to the collection, was published in the February 2022 issue of American Anthropologist and the entirety of the collection is available open-access on the journal’s website. To round out the multimodal scope of this project, this episode contributes an oral and aural dimension to the reflections to “What Moria and What Comes Next?”


Episode Transcript

Closed-Captioning


What Was Moria and What Comes Next?


Credits:

Producer: Anar Parikh
Executive Producer - Anar Parikh Featured Music: "Vertigo feat. Sponty" by Krav Boca

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-05---Episode-02-What-Was-Moria-and-What-Comes-Next-e24noli 0dcaa5a8-ca36-4248-ac6f-bef699cd48be Tue, 06 Jun 2023 13:42:04 GMT <p>This episode features a conversation between Dr. Yannis Hamilakis and Dr. Naor Ben-Yehohada about Moria, once the largest refugee camp in Europe until it was completely destroyed by a fire in September 2020. Dr. Hamilakis had been researching, experiencing, and witnessing the materiality of contemporary migration on Lesvos, the Greek island where <em>Moria</em> was located, since 2016. And, in the aftermath of its destruction, he convened a cohort of archaeologists, social anthropologists, activists, teachers, and authors with direct connections to and experiences of <em>Moria</em> to reflect on what the place meant to them and possible directions for the future. These contributions came together in the form of a multimodal portfolio, “What Was <em>Moria </em>and What Comes Next?” comprising research and photo essays, ethnographic fiction, first-person accounts, lyrical prose, illustration, and more. Dr. Hamilakis’s introduction to the collection, was published in the February 2022 issue of <em>American Anthropologist</em> and the entirety of the collection is available open-access on the journal’s website. To round out the multimodal scope of this project, this episode contributes an oral and aural dimension to the reflections to “What <em>Moria </em>and What Comes Next?”</p> <p><br></p> <p><a href="https://www.americananthropologist.org/podcasthttps://www.americananthropologist.org/podcast/https://www.americananthropologist.org/podcast/https://www.americananthropologist.org/podcast/season-05-episode-02-what-was-moria-and-what-comes-next" target="_blank" rel="noopener noreferer">Episode Transcript</a></p> <p><a href=" https://youtu.be/R2PkGCg1saY" target="_blank" rel="noopener noreferer">Closed-Captioning</a></p> <p><br></p> <p><a href="https://www.americananthropologist.org/online-content/moria?rq=Moria" target="_blank" rel="noopener noreferer">What Was Moria and What Comes Next?</a></p> <p><br></p> <p>Credits:</p> <p>Producer: Anar Parikh<br>Executive Producer - Anar Parikh Featured Music: &quot;Vertigo feat. Sponty&quot; by Krav Boca</p> false 00:55:12 full This episode features a conversation between Dr. Yannis Hamilakis and Dr. Naor Ben-Yehohada about Moria, once the largest refugee camp in Europe until it was completely destroyed by a fire in September 2020. Dr. Hamilakis had been researching, experiencing, and witnessing the materiality of contemporary migration on Lesvos, the Greek island where Moria was located, since 2016. And, in the aftermath of its destruction, he convened a cohort of archaeologists, social anthropologists, activists, teachers, and authors with direct connections to and experiences of Moria to reflect on what the place meant to them and possible directions for the future. These contributions came together in the form of a multimodal portfolio, “What Was Moria and What Comes Next?” comprising research and photo essays, ethnographic fiction, first-person accounts, lyrical prose, illustration, and more. Dr. Hamilakis’s introduction to the collection, was published in the February 2022 issue of American Anthropologist and the entirety of the collection is available open-access on the journal’s website. To round out the multimodal scope of this project, this episode contributes an oral and aural dimension to the reflections to “What Moria and What Comes Next?” Episode Transcript Closed-Captioning What Was Moria and What Comes Next? Credits: Producer: Anar Parikh Executive Producer - Anar Parikh Featured Music: &quot;Vertigo feat. Sponty&quot; by Krav Boca <![CDATA[Season 05 - Episode 01: Who's Afraid of Universals]]> In this episode,  a professor-student pair, Dr. Atreyee Majumder and Manhar Bansal, provide a glimpse into their ongoing conversation on the enduring role of universal categories and their relationship to anthropological knowledge. In light of the discomfort around universals in contemporary social sciences, we offer the provocation: can there be universals beyond those of capitalist modernity? We talk about the dominant time-space compression account of modernity, the possibility of uncovering other, more liberating and revolutionary temporalities, and the fun of doing theory in anthropology. We argue for the need to revisit the question of universal categories to think through our time and politics, albeit on a broader canvas. Tune in to ask, along with us, who’s afraid of universals? 


Episode Transcript

Closed-Captioning


Further Reading:

Bauman, Zygmunt. 2000. Liquid Modernity. Cambridge: Polity Press. “Time/Space” pp 91-129.

Li, Darryl. 2020. The Universal Enemy: Jihad, Empire, and the Challenge of Solidarity. Palo Alto, CA: Stanford University Press. “Introduction” pp 1-26.

Tsing, Anna L. 2005. Friction: An Ethnography of Global Connection. Princeton: Princeton University Press. “Introduction” pp 1-20.

Walker, Gavin, and Naoki Sakai. 2019. “The End of Area.” Positions: Asia Critique 27(1): 1–31.


Credits:
Writing, Production & Editing: Atreyee Majumder
Executive Producer - Anar Parikh
Thumbnail Image: "Railroad Sunset" by Edward Hopper (1929)
Featured Music: "Air on a G String" by J.S. Bach

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-05---Episode-01-Whos-Afraid-of-Universals-e1u7llg 6d3f4c2c-d102-4ee4-a60e-b88486f1a458 Thu, 02 Feb 2023 14:32:10 GMT <p>In this episode, &nbsp;a professor-student pair, Dr. Atreyee Majumder and Manhar Bansal, provide a glimpse into their ongoing conversation<strong> </strong>on the enduring role of universal categories and their relationship to anthropological knowledge. In light of the discomfort around universals in contemporary social sciences, we offer the provocation: can there be universals beyond those of capitalist modernity? We talk about the dominant time-space compression account of modernity, the possibility of uncovering other, more liberating and revolutionary temporalities, and the fun of doing theory in anthropology. We argue for the need to revisit the question of universal categories to think through our time and politics, albeit on a broader canvas. Tune in to ask, along with us, who’s afraid of universals?&nbsp;</p> <p><br></p> <p><a href="https://www.americananthropologist.org/podcast/season-05-episode-01-whos-afraid-of-universals" target="_blank">Episode Transcript</a></p> <p><a href="https://www.youtube.com/watch?v=1HSMwujakmo&amp;feature=youtu.be" target="_blank">Closed-Captioning</a></p> <p><br></p> <p>Further Reading:</p> <p>Bauman, Zygmunt. 2000. <em>Liquid Modernity.</em> Cambridge: Polity Press. “Time/Space” pp 91-129.</p> <p>Li, Darryl. 2020. <em>The Universal Enemy: Jihad, Empire, and the Challenge of Solidarity</em>. Palo Alto, CA: Stanford University Press. “Introduction” pp 1-26.</p> <p>Tsing, Anna L. 2005. <em>Friction: An Ethnography of Global Connection</em>. Princeton: Princeton University Press. “Introduction” pp 1-20.</p> <p>Walker, Gavin, and Naoki Sakai. 2019. “The End of Area.” Positions: Asia Critique 27(1): 1–31.</p> <p><br></p> <p>Credits:<br> Writing, Production &amp; Editing: Atreyee Majumder<br> Executive Producer - Anar Parikh<br> Thumbnail Image: "Railroad Sunset" by Edward Hopper (1929)<br> Featured Music: "Air on a G String" by J.S. Bach</p> false 00:30:48 full In this episode, &nbsp;a professor-student pair, Dr. Atreyee Majumder and Manhar Bansal, provide a glimpse into their ongoing conversation on the enduring role of universal categories and their relationship to anthropological knowledge. In light of the discomfort around universals in contemporary social sciences, we offer the provocation: can there be universals beyond those of capitalist modernity? We talk about the dominant time-space compression account of modernity, the possibility of uncovering other, more liberating and revolutionary temporalities, and the fun of doing theory in anthropology. We argue for the need to revisit the question of universal categories to think through our time and politics, albeit on a broader canvas. Tune in to ask, along with us, who’s afraid of universals?&nbsp; Episode Transcript Closed-Captioning Further Reading: Bauman, Zygmunt. 2000. Liquid Modernity. Cambridge: Polity Press. “Time/Space” pp 91-129. Li, Darryl. 2020. The Universal Enemy: Jihad, Empire, and the Challenge of Solidarity. Palo Alto, CA: Stanford University Press. “Introduction” pp 1-26. Tsing, Anna L. 2005. Friction: An Ethnography of Global Connection. Princeton: Princeton University Press. “Introduction” pp 1-20. Walker, Gavin, and Naoki Sakai. 2019. “The End of Area.” Positions: Asia Critique 27(1): 1–31. Credits: Writing, Production &amp; Editing: Atreyee Majumder Executive Producer - Anar Parikh Thumbnail Image: "Railroad Sunset" by Edward Hopper (1929) Featured Music: "Air on a G String" by J.S. Bach <![CDATA[Season 04 - Episode 05: Archaeological Identities, Part 3]]> This episode is the third (final) installment of a three-part series produced by Eleanor Neil, contributing editor at American Anthropologist and Anthropological Airwaves. From the African American Burial Ground in New York City to the memorialization of violence in Northern Ireland to professional archaeology in the eastern Mediterranean, Eleanor asks archaeologists with different regional and methodological specialties to choose a single object or site, and, in their own words describe how this this site or artefact speaks to the interaction between archaeology and political or social identity across time and place. Here, Eleanor, an archaeologist herself, takes up the very prompt she posed to Dr. Cheryl Janifer LaRoche and Dr. Laura McAtackney in first two episodes of the series: to consider the role archaeology plays in the creation of contemporary political social discourses in the context of her own research on community archaeology on the eastern Mediterranean island of Cyprus. 

Episode Transcript

Closed-Captioning


Further Reading: 

Counts, Derek B., and Elisabetta Cova, P. Nick Kardulias, Michael K. Toumazou. “Fitting In: Archaeology and Community in Athienou, Cyprus.” Near Eastern Archaeology 76, no. 3 (2013): 166-177. 

Counts, D.B. “A History of Archaeological Activity in the Athienou Region.” In Crossroads and Boundaries: The Archaeology of Past and Present in the Malloura Valley, Cyprus, Annual of ASOR 65, edited by M. K. Toumazou, P. N. Kardulias, and D. B. Counts, 45–54. Boston: American Schools of Oriental Research, 2012.  

The Kallinikeo Museum 


Credits: 

Writing, Production & Editing: Eleanor Neil Editorial 

Production Support: Anar Parikh 

Thumbnail Image: Eleanor Neil 

Featured  Music: “Westlin’ Winds” by Eoin O’Donnell 

Intro/Outro Music: "Waiting" by Crowander

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-04---Episode-05-Archaeological-Identities--Part-3-e1soa2t tag:soundcloud,2010:tracks/1351403311 Wed, 28 Sep 2022 19:17:25 GMT <p>This episode is the third (final) installment of a three-part series produced by Eleanor Neil, contributing editor at American Anthropologist and Anthropological Airwaves. From the African American Burial Ground in New York City to the memorialization of violence in Northern Ireland to professional archaeology in the eastern Mediterranean, Eleanor asks archaeologists with different regional and methodological specialties to choose a single object or site, and, in their own words describe how this this site or artefact speaks to the interaction between archaeology and political or social identity across time and place. Here, Eleanor, an archaeologist herself, takes up the very prompt she posed to Dr. Cheryl Janifer LaRoche and Dr. Laura McAtackney in first two episodes of the series: to consider the role archaeology plays in the creation of contemporary political social discourses in the context of her own research on community archaeology on the eastern Mediterranean island of Cyprus.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/archaeological-identities-part-03" target="_blank">Episode Transcript</a></p> <p><a href="https://youtu.be/5wkOD6hfhtM" target="_blank">Closed-Captioning</a></p> <p><br></p> <p>Further Reading:&nbsp;</p> <p>Counts, Derek B., and Elisabetta Cova, P. Nick Kardulias, Michael K. Toumazou. “Fitting In: Archaeology and Community in Athienou, Cyprus.” Near Eastern Archaeology 76, no. 3 (2013): 166-177.&nbsp;</p> <p>Counts, D.B. “A History of Archaeological Activity in the Athienou Region.” In Crossroads and Boundaries: The Archaeology of Past and Present in the Malloura Valley, Cyprus, Annual of ASOR 65, edited by M. K. Toumazou, P. N. Kardulias, and D. B. Counts, 45–54. Boston: American Schools of Oriental Research, 2012.&nbsp;&nbsp;</p> <p><a href="https://www.athienou.org.cy/en/episkeftheite/kallinikeio-dimotiko-mouseio/ ">The Kallinikeo Museum&nbsp;</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Writing, Production &amp; Editing: Eleanor Neil Editorial&nbsp;</p> <p>Production Support: Anar Parikh&nbsp;</p> <p>Thumbnail Image: Eleanor Neil&nbsp;</p> <p>Featured &nbsp;Music: “Westlin’ Winds” by Eoin O’Donnell&nbsp;</p> <p>Intro/Outro Music: "Waiting" by Crowander</p> false 00:32:01 full This episode is the third (final) installment of a three-part series produced by Eleanor Neil, contributing editor at American Anthropologist and Anthropological Airwaves. From the African American Burial Ground in New York City to the memorialization of violence in Northern Ireland to professional archaeology in the eastern Mediterranean, Eleanor asks archaeologists with different regional and methodological specialties to choose a single object or site, and, in their own words describe how this this site or artefact speaks to the interaction between archaeology and political or social identity across time and place. Here, Eleanor, an archaeologist herself, takes up the very prompt she posed to Dr. Cheryl Janifer LaRoche and Dr. Laura McAtackney in first two episodes of the series: to consider the role archaeology plays in the creation of contemporary political social discourses in the context of her own research on community archaeology on the eastern Mediterranean island of Cyprus.&nbsp; Episode Transcript Closed-Captioning Further Reading:&nbsp; Counts, Derek B., and Elisabetta Cova, P. Nick Kardulias, Michael K. Toumazou. “Fitting In: Archaeology and Community in Athienou, Cyprus.” Near Eastern Archaeology 76, no. 3 (2013): 166-177.&nbsp; Counts, D.B. “A History of Archaeological Activity in the Athienou Region.” In Crossroads and Boundaries: The Archaeology of Past and Present in the Malloura Valley, Cyprus, Annual of ASOR 65, edited by M. K. Toumazou, P. N. Kardulias, and D. B. Counts, 45–54. Boston: American Schools of Oriental Research, 2012.&nbsp;&nbsp; The Kallinikeo Museum&nbsp; Credits:&nbsp; Writing, Production &amp; Editing: Eleanor Neil Editorial&nbsp; Production Support: Anar Parikh&nbsp; Thumbnail Image: Eleanor Neil&nbsp; Featured &nbsp;Music: “Westlin’ Winds” by Eoin O’Donnell&nbsp; Intro/Outro Music: "Waiting" by Crowander <![CDATA[Season 04 - Episode 04: Archaeological Identities, Part 2]]> This episode is the second of a three-part series produced by Eleanor Neil, contributing editor at American Anthropologist and Anthropological Airwaves. From the African American Burial Ground in New York City to the memorialization of violence in Northern Ireland to professional archaeology in the eastern Mediterranean, Eleanor asks archaeologists with different regional and methodological specialties to choose a single object or site, and, in their own words describe how this this site or artefact speaks to the interaction between archaeology and political or social identity across time and place. In this episode, Dr. Laura McAtackney, discusses the materiality of violence and partition, the nature of commemoration and how archaeology of the recent past has an integral role in our understandings of politics, society and conflict. Dr. McAtackney is an associate professor at Aarhus University and her research centres on the historical and contemporary archaeologies of institutions and colonialism in Ireland. 

Episode Transcript

Closed-Captioning


Further Reading: 

Flanagan, Eimear. “McGurk’s Bar Bombing: I just want justice for my grandparents.” BBC News: Northern Ireland, 12 December 2021. 

McAtackney, Laura. “Materials and Memory: Archaeology and Heritage as Tools of Transitional Justice at a Former Magdalen Laundry.” Éire-Ireland 55, nos. 1 & 2, (Spring/Summer 2020): 223-246. 

MacAirt, Ciarán. "Corporate memory and the McGurk's Bar Massacre: CQ&A automatically added to new episodes on Spotifiarán MacAirt writes about the murder of his grandmother and 14 other civilians in a Belfast bar 43 years ago, and the families’ on-going campaign for truth." Criminal Justice Matters 98, no. 1 (2014): 6-7. 

Justice for Magdalenes Research - an online resource associated with the NGO, Justice for Magdalenes. 


Credits: 

Writing, Production & Editing: Eleanor Neil 

Production Support: Anar Parikh 

Executive Producer - Anar Parikh

Thumbnail Image: Photo by Freya McClements for the Irish Times 

Featured Music: “Westlin’ Winds” by Eoin O’Donnell 

Intro/Outro: "Waiting" by Crowander

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-04---Episode-04-Archaeological-Identities--Part-2-e1soa33 tag:soundcloud,2010:tracks/1307983108 Tue, 19 Jul 2022 15:30:12 GMT <p>This episode is the second of a three-part series produced by Eleanor Neil, contributing editor at American Anthropologist and Anthropological Airwaves. From the African American Burial Ground in New York City to the memorialization of violence in Northern Ireland to professional archaeology in the eastern Mediterranean, Eleanor asks archaeologists with different regional and methodological specialties to choose a single object or site, and, in their own words describe how this this site or artefact speaks to the interaction between archaeology and political or social identity across time and place. In this episode, Dr. Laura McAtackney, discusses the materiality of violence and partition, the nature of commemoration and how archaeology of the recent past has an integral role in our understandings of politics, society and conflict. Dr. McAtackney is an associate professor at Aarhus University and her research centres on the historical and contemporary archaeologies of institutions and colonialism in Ireland.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/archaeological-identities-part-02" target="_blank">Episode Transcript</a></p> <p><a href="https://youtu.be/Ca8TmrXZ2jw ">Closed-Captioning</a></p> <p><br></p> <p>Further Reading:&nbsp;</p> <p><a href="https://www.bbc.com/news/uk-northern-ireland-59569348/" target="_blank">Flanagan, Eimear. “McGurk’s Bar Bombing: I just want justice for my grandparents.” BBC News: Northern Ireland, 12 December 2021.&nbsp;</a></p> <p>McAtackney, Laura. “Materials and Memory: Archaeology and Heritage as Tools of Transitional Justice at a Former Magdalen Laundry.” Éire-Ireland 55, nos. 1 &amp; 2, (Spring/Summer 2020): 223-246.&nbsp;</p> <p>MacAirt, Ciarán. "Corporate memory and the McGurk's Bar Massacre: CQ&amp;A automatically added to new episodes on Spotifiarán MacAirt writes about the murder of his grandmother and 14 other civilians in a Belfast bar 43 years ago, and the families’ on-going campaign for truth." Criminal Justice Matters 98, no. 1 (2014): 6-7.&nbsp;</p> <p><a href="http://jfmresearch.com/aboutjfmr/" target="_blank">Justice for Magdalenes Research</a> - an online resource associated with the NGO, Justice for Magdalenes.&nbsp;</p> <p><br></p> <p>Credits:&nbsp;</p> <p>Writing, Production &amp; Editing: Eleanor Neil&nbsp;</p> <p>Production Support: Anar Parikh&nbsp;</p> <p>Executive Producer - Anar Parikh</p> <p>Thumbnail Image: Photo by Freya McClements for the Irish Times&nbsp;</p> <p>Featured Music: “Westlin’ Winds” by Eoin O’Donnell&nbsp;</p> <p>Intro/Outro: "Waiting" by Crowander</p> false 00:34:16 full This episode is the second of a three-part series produced by Eleanor Neil, contributing editor at American Anthropologist and Anthropological Airwaves. From the African American Burial Ground in New York City to the memorialization of violence in Northern Ireland to professional archaeology in the eastern Mediterranean, Eleanor asks archaeologists with different regional and methodological specialties to choose a single object or site, and, in their own words describe how this this site or artefact speaks to the interaction between archaeology and political or social identity across time and place. In this episode, Dr. Laura McAtackney, discusses the materiality of violence and partition, the nature of commemoration and how archaeology of the recent past has an integral role in our understandings of politics, society and conflict. Dr. McAtackney is an associate professor at Aarhus University and her research centres on the historical and contemporary archaeologies of institutions and colonialism in Ireland.&nbsp; Episode Transcript Closed-Captioning Further Reading:&nbsp; Flanagan, Eimear. “McGurk’s Bar Bombing: I just want justice for my grandparents.” BBC News: Northern Ireland, 12 December 2021.&nbsp; McAtackney, Laura. “Materials and Memory: Archaeology and Heritage as Tools of Transitional Justice at a Former Magdalen Laundry.” Éire-Ireland 55, nos. 1 &amp; 2, (Spring/Summer 2020): 223-246.&nbsp; MacAirt, Ciarán. "Corporate memory and the McGurk's Bar Massacre: CQ&amp;A automatically added to new episodes on Spotifiarán MacAirt writes about the murder of his grandmother and 14 other civilians in a Belfast bar 43 years ago, and the families’ on-going campaign for truth." Criminal Justice Matters 98, no. 1 (2014): 6-7.&nbsp; Justice for Magdalenes Research - an online resource associated with the NGO, Justice for Magdalenes.&nbsp; Credits:&nbsp; Writing, Production &amp; Editing: Eleanor Neil&nbsp; Production Support: Anar Parikh&nbsp; Executive Producer - Anar Parikh Thumbnail Image: Photo by Freya McClements for the Irish Times&nbsp; Featured Music: “Westlin’ Winds” by Eoin O’Donnell&nbsp; Intro/Outro: "Waiting" by Crowander <![CDATA[Season 04 - Episode 03: Archaeological Identities - Part 1]]> This episode is the first of a three-part series produced by Eleanor Neil, contributing editor at American Anthropologist and Anthropological Airwaves. From the African American Burial Ground in New York City to the memorialization of violence in Northern Ireland to professional archaeology in the eastern Mediterranean, Eleanor asks archaeologists with different regional and methodological specialties to choose a single object or site, and, in their own words describe how this this site or artefact speaks to the interaction between archaeology and political or social identity across time and place. Here, Dr. Cheryl Janifer LaRoche discusses the African American Burial Ground in lower Manhattan and the influence it has had on public engagement, perceptions of slavery in the northern United States, and the empowerment inherent in recognizing one’s own past in the archaeological record. Dr. LaRoche’s is Associate Research Professor at the University of Maryland School of Architecture, Planning, and Preservation. Her research on 18th and 19th-century free Black communities, institutions, and spaces combines law, history, oral history, archaeology, geography and material culture to define Black cultural landscapes, often navigating the convergences of public, private, political and social interests. 

Episode Transcript

Closed-Captioning


Further Reading:

LaRoche, Cheryl J. and Michael L. Blakey, ‘Seizing Intellectual Power: The Dialogue at the New York African Burial Ground’, Historical Archaeology, Vol. 31, No. 3 (1997), pp. 84-106. 

Leone, Mark P. and Cheryl J. LaRoche, Jennifer J. Babiarz, ‘Archaeology of Black Americans in Recent Times’, Annual Review of Anthropology, Vol. 35 (2005), pp. 575-598. Transcript: 


Credits: 

Writing, Production & Editing: Eleanor Neil 

Production Support: Anar Parikh 

Executive Producer - Anar Parikh

Thumbnail Image: Wally Gobetz, “NYC - Civic Center: African American Burial Ground National Monument” (2008) African American Burial Ground Memorial 

Featured Music: “Spirit Blossom” by Roman Belov  

Intro/Outro: "Waiting" by Crowander

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-04---Episode-03-Archaeological-Identities---Part-1-e1soa2i tag:soundcloud,2010:tracks/1282140331 Wed, 22 Jun 2022 13:00:03 GMT <p>This episode is the first of a three-part series produced by Eleanor Neil, contributing editor at American Anthropologist and Anthropological Airwaves. From the African American Burial Ground in New York City to the memorialization of violence in Northern Ireland to professional archaeology in the eastern Mediterranean, Eleanor asks archaeologists with different regional and methodological specialties to choose a single object or site, and, in their own words describe how this this site or artefact speaks to the interaction between archaeology and political or social identity across time and place. Here, Dr. Cheryl Janifer LaRoche discusses the African American Burial Ground in lower Manhattan and the influence it has had on public engagement, perceptions of slavery in the northern United States, and the empowerment inherent in recognizing one’s own past in the archaeological record. Dr. LaRoche’s is Associate Research Professor at the University of Maryland School of Architecture, Planning, and Preservation. Her research on 18th and 19th-century free Black communities, institutions, and spaces combines law, history, oral history, archaeology, geography and material culture to define Black cultural landscapes, often navigating the convergences of public, private, political and social interests.&nbsp;</p> <p><a href="// Season 04 Episode 03: Archaeological Identities - Part One" target="_blank">Episode Transcript</a></p> <p><a href="https://youtu.be/XVlc4t1ZH8A " target="_blank">Closed-Captioning</a></p> <p><br></p> <p>Further Reading:</p> <p>LaRoche, Cheryl J. and Michael L. Blakey, ‘Seizing Intellectual Power: The Dialogue at the New York African Burial Ground’, Historical Archaeology, Vol. 31, No. 3 (1997), pp. 84-106.&nbsp;</p> <p>Leone, Mark P. and Cheryl J. LaRoche, Jennifer J. Babiarz, ‘Archaeology of Black Americans in Recent Times’, Annual Review of Anthropology, Vol. 35 (2005), pp. 575-598. Transcript:&nbsp;</p> <p><br></p> <p>Credits:&nbsp;</p> <p>Writing, Production &amp; Editing: Eleanor Neil&nbsp;</p> <p>Production Support: Anar Parikh&nbsp;</p> <p>Executive Producer - Anar Parikh</p> <p>Thumbnail Image: Wally Gobetz, “NYC - Civic Center: African American Burial Ground National Monument” (2008) African American Burial Ground Memorial&nbsp;</p> <p>Featured Music: “Spirit Blossom” by Roman Belov &nbsp;</p> <p>Intro/Outro: "Waiting" by Crowander</p> false 00:28:45 full This episode is the first of a three-part series produced by Eleanor Neil, contributing editor at American Anthropologist and Anthropological Airwaves. From the African American Burial Ground in New York City to the memorialization of violence in Northern Ireland to professional archaeology in the eastern Mediterranean, Eleanor asks archaeologists with different regional and methodological specialties to choose a single object or site, and, in their own words describe how this this site or artefact speaks to the interaction between archaeology and political or social identity across time and place. Here, Dr. Cheryl Janifer LaRoche discusses the African American Burial Ground in lower Manhattan and the influence it has had on public engagement, perceptions of slavery in the northern United States, and the empowerment inherent in recognizing one’s own past in the archaeological record. Dr. LaRoche’s is Associate Research Professor at the University of Maryland School of Architecture, Planning, and Preservation. Her research on 18th and 19th-century free Black communities, institutions, and spaces combines law, history, oral history, archaeology, geography and material culture to define Black cultural landscapes, often navigating the convergences of public, private, political and social interests.&nbsp; Episode Transcript Closed-Captioning Further Reading: LaRoche, Cheryl J. and Michael L. Blakey, ‘Seizing Intellectual Power: The Dialogue at the New York African Burial Ground’, Historical Archaeology, Vol. 31, No. 3 (1997), pp. 84-106.&nbsp; Leone, Mark P. and Cheryl J. LaRoche, Jennifer J. Babiarz, ‘Archaeology of Black Americans in Recent Times’, Annual Review of Anthropology, Vol. 35 (2005), pp. 575-598. Transcript:&nbsp; Credits:&nbsp; Writing, Production &amp; Editing: Eleanor Neil&nbsp; Production Support: Anar Parikh&nbsp; Executive Producer - Anar Parikh Thumbnail Image: Wally Gobetz, “NYC - Civic Center: African American Burial Ground National Monument” (2008) African American Burial Ground Memorial&nbsp; Featured Music: “Spirit Blossom” by Roman Belov &nbsp; Intro/Outro: "Waiting" by Crowander <![CDATA[Season 04 - Episode 02: The Myth of Closure]]> In this episode, guest producer Laura Cirilo examines how the idea of closure configures into international applications of forensic anthropological practice in conversation with Dr. Sarah Wagner, Professor of Anthropology at the George Washington University, and Dr. Mercedes Salado, a member of the Argentine Forensic Anthropology Team. The episode was produced as a part of the Vital Topics Forum, "How Academic Diversity is Transforming Scientific Knowledge in Biological Anthropology" in Volume 121, Issue 2 of American Anthropologist. 


Episode Transcript

Closed-Captioning


Credits:

Production & Editing: Laura Cirilo 

Writing: Jaymelee Kim, Cate Bird, and Davette Gadison 

Thumbnail Image: Jaymelee Kim 

Additional Editorial Support - Elaine Chu and Matt Go 

Executive Producer - Anar Parikh 

Intro/Outro Music: "Waiting" by Crowander"

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-04---Episode-02-The-Myth-of-Closure-e1soa2u tag:soundcloud,2010:tracks/1262263237 Wed, 25 May 2022 12:00:10 GMT <p>In this episode, guest producer Laura Cirilo examines how the idea of closure configures into international applications of forensic anthropological practice in conversation with Dr. Sarah Wagner, Professor of Anthropology at the George Washington University, and Dr. Mercedes Salado, a member of the Argentine Forensic Anthropology Team. The episode was produced as a part of the Vital Topics Forum,<a href="https://www.americananthropologist.org/online-content/vital-topics-forum-how-academic-diversity-is-transforming-scientific-knowledge-in-biological-anthropology"> "How Academic Diversity is Transforming Scientific Knowledge in Biological Anthropology"</a> in Volume 121, Issue 2 of <em>American Anthropologist.&nbsp;</em></p> <p><br></p> <p><a href="https://www.americananthropologist.org/podcast/the-myth-of-closure" target="_blank">Episode Transcript</a></p> <p><a href="https://youtu.be/BEasaVg5BcQ">Closed-Captioning</a></p> <p><br> Credits:</p> <p>Production &amp; Editing: Laura Cirilo&nbsp;</p> <p>Writing: Jaymelee Kim, Cate Bird, and Davette Gadison&nbsp;</p> <p>Thumbnail Image: Jaymelee Kim&nbsp;</p> <p>Additional Editorial Support - Elaine Chu and Matt Go&nbsp;</p> <p>Executive Producer - Anar Parikh&nbsp;</p> <p>Intro/Outro Music: "Waiting" by Crowander"</p> false 00:45:50 full In this episode, guest producer Laura Cirilo examines how the idea of closure configures into international applications of forensic anthropological practice in conversation with Dr. Sarah Wagner, Professor of Anthropology at the George Washington University, and Dr. Mercedes Salado, a member of the Argentine Forensic Anthropology Team. The episode was produced as a part of the Vital Topics Forum, "How Academic Diversity is Transforming Scientific Knowledge in Biological Anthropology" in Volume 121, Issue 2 of American Anthropologist.&nbsp; Episode Transcript Closed-Captioning Credits: Production &amp; Editing: Laura Cirilo&nbsp; Writing: Jaymelee Kim, Cate Bird, and Davette Gadison&nbsp; Thumbnail Image: Jaymelee Kim&nbsp; Additional Editorial Support - Elaine Chu and Matt Go&nbsp; Executive Producer - Anar Parikh&nbsp; Intro/Outro Music: "Waiting" by Crowander" <![CDATA[Season 04 - Epiosde 01: "I'm Indigenous, Not Mestizo:" The Art & Activism of Rapper Jaguar Arreola - Part 3]]> In this three-part series, Brown University PhD Students Benjamin Salinas and Adelaida Tamayo examine questions of art, activism, and identity in conversation with Jaguar Arreoloa, an Indigenous-Chicano rapper based in Los Angeles, California. In Part Three (The Debrief), Ben and Adelaida reflect on the interview with Jaguar, what they found inspiring, and each of their key takeaways from the process of creating the episode. 

Episode Transcript

Close-Captioning


Credits: 

Production & Editing: Adelaida Tamayo and Benjamin Salinas

Executive Producer: Anar Parikh 

Background Music: Benjamin Salinas 

Intro/Outro: "Waiting" by Crowander"

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-04---Epiosde-01-Im-Indigenous--Not-Mestizo-The-Art--Activism-of-Rapper-Jaguar-Arreola---Part-3-e1soa41 tag:soundcloud,2010:tracks/1213557796 Fri, 25 Feb 2022 17:00:07 GMT <p>In this three-part series, Brown University PhD Students Benjamin Salinas and Adelaida Tamayo examine questions of art, activism, and identity in conversation with Jaguar Arreoloa, an Indigenous-Chicano rapper based in Los Angeles, California. In Part Three (The Debrief), Ben and Adelaida reflect on the interview with Jaguar, what they found inspiring, and each of their key takeaways from the process of creating the episode.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/indigenous-not-mestizo-part-03" target="_blank">Episode Transcript</a></p> <p><a href="https://www.youtube.com/watch?v=Dsnx5AeBnio&amp;feature=youtu.be">Close-Captioning</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Production &amp; Editing: Adelaida Tamayo and Benjamin Salinas</p> <p>Executive Producer: Anar Parikh&nbsp;</p> <p>Background Music: Benjamin Salinas&nbsp;</p> <p>Intro/Outro: "Waiting" by Crowander"</p> false 00:20:56 full In this three-part series, Brown University PhD Students Benjamin Salinas and Adelaida Tamayo examine questions of art, activism, and identity in conversation with Jaguar Arreoloa, an Indigenous-Chicano rapper based in Los Angeles, California. In Part Three (The Debrief), Ben and Adelaida reflect on the interview with Jaguar, what they found inspiring, and each of their key takeaways from the process of creating the episode.&nbsp; Episode Transcript Close-Captioning Credits:&nbsp; Production &amp; Editing: Adelaida Tamayo and Benjamin Salinas Executive Producer: Anar Parikh&nbsp; Background Music: Benjamin Salinas&nbsp; Intro/Outro: "Waiting" by Crowander" <![CDATA[Season 04 - Epiosde 01: "I'm Indigenous, Not Mestizo:" The Art & Activism of Rapper Jaguar Arreola - Part 2]]> In this three-part series, Brown University PhD Students Benjamin Salinas and Adelaida Tamayo examine questions of art, activism, and identity in conversation with Jaguar Arreoloa, an Indigenous-Chicano rapper based in Los Angeles, California. In Part Two (The Interview), Adelaida and Ben interview Jaguar Arreola about his music and his activism. 

Episode Transcript

Close-Captioning


Credits: 

Production & Editing: Adelaida Tamayo and Benjamin Salinas 

Executive Producer - Anar Parikh 


Featured Music: 

"Easy Does" It - Ez E

"Fuerza Guerrera II" - Jaguar Arreola, produced by Accosta the Man

Another Day by Kozmik Force feat. Azomali, produced by Acosta the Man.

Background Music: Benjamin Salinas

Intro/Outro Music: "Waiting" by Crowander"

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-04---Epiosde-01-Im-Indigenous--Not-Mestizo-The-Art--Activism-of-Rapper-Jaguar-Arreola---Part-2-e1soa39 tag:soundcloud,2010:tracks/1213556617 Wed, 23 Feb 2022 20:46:36 GMT <p>In this three-part series, Brown University PhD Students Benjamin Salinas and Adelaida Tamayo examine questions of art, activism, and identity in conversation with Jaguar Arreoloa, an Indigenous-Chicano rapper based in Los Angeles, California. In Part Two (The Interview), Adelaida and Ben interview Jaguar Arreola about his music and his activism.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/indigenous-not-mestizo-part-02" target="_blank">Episode Transcript</a></p> <p><a href="https://youtu.be/nh9j9VgVX7w ">Close-Captioning</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Production &amp; Editing: Adelaida Tamayo and Benjamin Salinas&nbsp;</p> <p>Executive Producer - Anar Parikh&nbsp;</p> <p><br></p> <p>Featured Music:&nbsp;</p> <p>"Easy Does" It - Ez E</p> <p>"Fuerza Guerrera II" - Jaguar Arreola, produced by Accosta the Man</p> <p>Another Day by Kozmik Force feat. Azomali, produced by Acosta the Man.</p> <p>Background Music: Benjamin Salinas</p> <p>Intro/Outro Music: "Waiting" by Crowander"</p> false 00:47:00 full In this three-part series, Brown University PhD Students Benjamin Salinas and Adelaida Tamayo examine questions of art, activism, and identity in conversation with Jaguar Arreoloa, an Indigenous-Chicano rapper based in Los Angeles, California. In Part Two (The Interview), Adelaida and Ben interview Jaguar Arreola about his music and his activism.&nbsp; Episode Transcript Close-Captioning Credits:&nbsp; Production &amp; Editing: Adelaida Tamayo and Benjamin Salinas&nbsp; Executive Producer - Anar Parikh&nbsp; Featured Music:&nbsp; "Easy Does" It - Ez E "Fuerza Guerrera II" - Jaguar Arreola, produced by Accosta the Man Another Day by Kozmik Force feat. Azomali, produced by Acosta the Man. Background Music: Benjamin Salinas Intro/Outro Music: "Waiting" by Crowander" <![CDATA[Season 04 - Epiosde 01: "I'm Indigenous, Not Mestizo:" The Art & Activism of Rapper Jaguar Arreola - Part 1]]> In this three-part series, Brown University PhD Students Benjamin Salinas and Adelaida Tamayo examine questions of art, activism, and identity in conversation with Jaguar Arreoloa, an Indigenous-Chicano rapper based in Los Angeles, California. In Part One (The Planning), the series begins with a conversation between Adelaida and Ben as they prepare for their interview with Jaguar. 

Episode Transcript

Close-Captioning


Credits:

Production & Editing: Adelaida Tamayo and Benjamin Salinas 

Executive Producer: Anar Parikh 

Background Music: Benjamin Salinas 

Intro/Outro Music "Waiting" by Crowander"

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-04---Epiosde-01-Im-Indigenous--Not-Mestizo-The-Art--Activism-of-Rapper-Jaguar-Arreola---Part-1-e1soa2o tag:soundcloud,2010:tracks/1213551922 Mon, 21 Feb 2022 17:00:03 GMT <p>In this three-part series, Brown University PhD Students Benjamin Salinas and Adelaida Tamayo examine questions of art, activism, and identity in conversation with Jaguar Arreoloa, an Indigenous-Chicano rapper based in Los Angeles, California. In Part One (The Planning), the series begins with a conversation between Adelaida and Ben as they prepare for their interview with Jaguar.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/indigenous-not-mestizo-part-01">Episode Transcript</a></p> <p><a href="https://youtu.be/tfQR7rpvjHU ">Close-Captioning</a></p> <p><br></p> <p>Credits:</p> <p>Production &amp; Editing: Adelaida Tamayo and Benjamin Salinas&nbsp;</p> <p>Executive Producer: Anar Parikh&nbsp;</p> <p>Background Music: Benjamin Salinas&nbsp;</p> <p>Intro/Outro Music "Waiting" by Crowander"</p> false 00:30:04 full In this three-part series, Brown University PhD Students Benjamin Salinas and Adelaida Tamayo examine questions of art, activism, and identity in conversation with Jaguar Arreoloa, an Indigenous-Chicano rapper based in Los Angeles, California. In Part One (The Planning), the series begins with a conversation between Adelaida and Ben as they prepare for their interview with Jaguar.&nbsp; Episode Transcript Close-Captioning Credits: Production &amp; Editing: Adelaida Tamayo and Benjamin Salinas&nbsp; Executive Producer: Anar Parikh&nbsp; Background Music: Benjamin Salinas&nbsp; Intro/Outro Music "Waiting" by Crowander" <![CDATA[S04 E00 - New Year, New Season]]> Anthropological Airwaves will be back soon for Season 4!

Transcript

Closed-Captioning


Credits:

Associate Editor / Executive Producer: Anar Parikh

Intro/Outro Music: "Waiting" by Crowander

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/S04-E00---New-Year--New-Season-e1soa2n tag:soundcloud,2010:tracks/1204266346 Mon, 31 Jan 2022 17:00:05 GMT <p>Anthropological Airwaves will be back soon for Season 4!</p> <p><a href="https://www.americananthropologist.org/podcast/season-04-teaser">Transcript</a></p> <p><a href=" https://youtu.be/VOn6GuzL2-g" target="_blank">Closed-Captioning</a></p> <p><br></p> <p>Credits:</p> <p>Associate Editor / Executive Producer: Anar Parikh</p> <p>Intro/Outro Music: "Waiting" by Crowander</p> false 00:05:07 full Anthropological Airwaves will be back soon for Season 4! Transcript Closed-Captioning Credits: Associate Editor / Executive Producer: Anar Parikh Intro/Outro Music: "Waiting" by Crowander <![CDATA[Season 03-ish - Epiosde 07: South Africa Special Feature - Part 2]]> This is the second of two episodes based on interviews recorded at the 2019 African Critical Inquiry Workshop: African Ethnographies conference that was held at the University of the Western Cape in Cape Town, South Africa by Sara Rendell and Dina Asfaha from the Department of Anthropology at the University of Pennsylvania. In the the first part of this episode, you will hear a conversation between Dina Asfaha and Kharnita Mohamed – a lecturer at the University of Cape Town. Her research focuses on issues of race, gender, disability, and identity in post-Apartheid South Africa. She is also a novelist, publishing her debut “Called to Song” in 2018 with Kwela Books. In the second half, Sara Rendell returns for an interview with Dominique Santos – a Lecturer at Rhodes University, whose work explores the nexus of music, play, dreaming and heritage practices as they intersect with intimate experiences of the self, space and social change, as well as on dreams and the role of dreaming in refusing the conditions of oppression. 


NB: Due to circumstances out of our control, there are parts of this recording with less than ideal sound quality. The episode transcript and close-captioned versions of the episode (linked below) may be a useful resource for following along with the conversation should you have a hard time making out any part of the recording. 


Episode Transcript

Close-Captioning


Credits: 

Producer & Editor: Kyle Olson

Executive Producer - Anar Parikh  

Thumbnail Image: Madison Paulk

Transition Music: Huku by Sho Madjozi

Intro/Outro Music: "Waiting" by Crowander" 

Sound Effects: Mike Koenig Episode 

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-03-ish---Epiosde-07-South-Africa-Special-Feature---Part-2-e1soa2r tag:soundcloud,2010:tracks/1129170034 Thu, 28 Oct 2021 16:00:14 GMT <p>This is the second of two episodes based on interviews recorded at the 2019 African Critical Inquiry Workshop: African Ethnographies conference that was held at the University of the Western Cape in Cape Town, South Africa by Sara Rendell and Dina Asfaha from the Department of Anthropology at the University of Pennsylvania. In the the first part of this episode, you will hear a conversation between Dina Asfaha and Kharnita Mohamed – a lecturer at the University of Cape Town. Her research focuses on issues of race, gender, disability, and identity in post-Apartheid South Africa. She is also a novelist, publishing her debut “Called to Song” in 2018 with Kwela Books. In the second half, Sara Rendell returns for an interview with Dominique Santos – a Lecturer at Rhodes University, whose work explores the nexus of music, play, dreaming and heritage practices as they intersect with intimate experiences of the self, space and social change, as well as on dreams and the role of dreaming in refusing the conditions of oppression.&nbsp;</p> <p><br></p> <p>NB: Due to circumstances out of our control, there are parts of this recording with less than ideal sound quality. The episode transcript and close-captioned versions of the episode (linked below) may be a useful resource for following along with the conversation should you have a hard time making out any part of the recording.&nbsp;</p> <p><br></p> <p><a href="https://www.americananthropologist.org/podcast/south-africa-special-feature-part-02" target="_blank">Episode Transcript</a></p> <p><a href="https://youtu.be/hZaoUxCs1U4 ">Close-Captioning</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Producer &amp; Editor: Kyle Olson</p> <p>Executive Producer - Anar Parikh &nbsp;</p> <p>Thumbnail Image: Madison Paulk</p> <p>Transition Music: Huku by Sho Madjozi</p> <p>Intro/Outro Music: "Waiting" by Crowander"&nbsp;</p> <p>Sound Effects: Mike Koenig Episode&nbsp;</p> false 01:17:10 full This is the second of two episodes based on interviews recorded at the 2019 African Critical Inquiry Workshop: African Ethnographies conference that was held at the University of the Western Cape in Cape Town, South Africa by Sara Rendell and Dina Asfaha from the Department of Anthropology at the University of Pennsylvania. In the the first part of this episode, you will hear a conversation between Dina Asfaha and Kharnita Mohamed – a lecturer at the University of Cape Town. Her research focuses on issues of race, gender, disability, and identity in post-Apartheid South Africa. She is also a novelist, publishing her debut “Called to Song” in 2018 with Kwela Books. In the second half, Sara Rendell returns for an interview with Dominique Santos – a Lecturer at Rhodes University, whose work explores the nexus of music, play, dreaming and heritage practices as they intersect with intimate experiences of the self, space and social change, as well as on dreams and the role of dreaming in refusing the conditions of oppression.&nbsp; NB: Due to circumstances out of our control, there are parts of this recording with less than ideal sound quality. The episode transcript and close-captioned versions of the episode (linked below) may be a useful resource for following along with the conversation should you have a hard time making out any part of the recording.&nbsp; Episode Transcript Close-Captioning Credits:&nbsp; Producer &amp; Editor: Kyle Olson Executive Producer - Anar Parikh &nbsp; Thumbnail Image: Madison Paulk Transition Music: Huku by Sho Madjozi Intro/Outro Music: "Waiting" by Crowander"&nbsp; Sound Effects: Mike Koenig Episode&nbsp; <![CDATA[Season 03-ish - Epiosde 07: South Africa Special Feature - Part 1]]> This is the first of two episodes based on interviews recorded at the 2019 African Critical Inquiry Workshop: African Ethnographies conference that was held at the University of the Western Cape in Cape Town, South Africa by Sara Rendell and Dina Asfaha from the Department of Anthropology at the University of Pennsylvania. In this installment, Sara Rendell interviews Nosipho Mngomezulu, a lecturer at University of the Witwatersrand in Johannesburg whose research focuses on national and transnational youth cultures, nation-building projects in post-colonial societies, and community engaged learning and teaching. 

Episode Transcript

Closed-Captioning


Credits: 

Producer & Editor: Kyle Olson

Executive Producer: Anar Parikh 

Episode Thumbnail: Madison Paulk

Transition Music: Huku by Sho Madjozi 

Intro/Outro Music: "Waiting" by Crowander"

Sound Effects: Mike Koenig 

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-03-ish---Epiosde-07-South-Africa-Special-Feature---Part-1-e1soa31 tag:soundcloud,2010:tracks/1128116248 Thu, 30 Sep 2021 16:00:06 GMT <p>This is the first of two episodes based on interviews recorded at the 2019 African Critical Inquiry Workshop: African Ethnographies conference that was held at the University of the Western Cape in Cape Town, South Africa by Sara Rendell and Dina Asfaha from the Department of Anthropology at the University of Pennsylvania. In this installment, Sara Rendell interviews Nosipho Mngomezulu, a lecturer at University of the Witwatersrand in Johannesburg whose research focuses on national and transnational youth cultures, nation-building projects in post-colonial societies, and community engaged learning and teaching.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/south-africa-special-feature-part-01" target="_blank">Episode Transcript</a></p> <p><a href="https://youtu.be/hZaoUxCs1U4 ">Closed-Captioning</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Producer &amp; Editor: Kyle Olson</p> <p>Executive Producer: Anar Parikh&nbsp;</p> <p>Episode Thumbnail: Madison Paulk</p> <p>Transition Music: Huku by Sho Madjozi&nbsp;</p> <p>Intro/Outro Music: "Waiting" by Crowander"</p> <p>Sound Effects: Mike Koenig&nbsp;</p> false 00:45:44 full This is the first of two episodes based on interviews recorded at the 2019 African Critical Inquiry Workshop: African Ethnographies conference that was held at the University of the Western Cape in Cape Town, South Africa by Sara Rendell and Dina Asfaha from the Department of Anthropology at the University of Pennsylvania. In this installment, Sara Rendell interviews Nosipho Mngomezulu, a lecturer at University of the Witwatersrand in Johannesburg whose research focuses on national and transnational youth cultures, nation-building projects in post-colonial societies, and community engaged learning and teaching.&nbsp; Episode Transcript Closed-Captioning Credits:&nbsp; Producer &amp; Editor: Kyle Olson Executive Producer: Anar Parikh&nbsp; Episode Thumbnail: Madison Paulk Transition Music: Huku by Sho Madjozi&nbsp; Intro/Outro Music: "Waiting" by Crowander" Sound Effects: Mike Koenig&nbsp; <![CDATA[Season 03-ish - Episode 05: Voices To Remember // Voci da Ricordare (English)]]> Anthropological Airwaves is pleased to present “Voices to Remember: Conversation on the Digital Archive of Indigenous America” a conversation between Massimo Squillacciotti - Emeritus Professor of Anthropology and the founder of the first Italian course of Cognitive Anthropology at the University of Siena; Luciano Giannelli - Professor of Glottology and South American Indigenous Languages at the University of Siena, and Paola Tine - PhD Candidate in Social Anthropology and Development Studies at the University of Adelaide, South Australia. This episode was originally recorded in Italian, and we are excited to be able to make both the Italian version and in English. For the original conversation in Italian, please look for the title "S03-ish E05: Voci da Ricordare" in your Anthro Airwaves podcast feed. 

Transcript: 

Closed Caption

Supplemental Dossier


Credits: 

Producer/Editor/Engineer: Paola Tine 

Executive Producer: Anar Parikh 

Intro/Outro: "Waiting" by Crowander" 

Sound Effects: Mike Koenig

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-03-ish---Episode-05-Voices-To-Remember--Voci-da-Ricordare-English-e1soa3g tag:soundcloud,2010:tracks/1114098598 Tue, 31 Aug 2021 13:00:05 GMT <p>Anthropological Airwaves is pleased to present “Voices to Remember: Conversation on the Digital Archive of Indigenous America” a conversation between Massimo Squillacciotti - Emeritus Professor of Anthropology and the founder of the first Italian course of Cognitive Anthropology at the University of Siena; Luciano Giannelli - Professor of Glottology and South American Indigenous Languages at the University of Siena, and Paola Tine - PhD Candidate in Social Anthropology and Development Studies at the University of Adelaide, South Australia. This episode was originally recorded in Italian, and we are excited to be able to make both <a href="https://spotifyanchor-web.app.link/e/q9Saf19uvwb" target="_blank">the Italian</a> version and in English. For the original conversation in Italian, please look for the title "S03-ish E05: Voci da Ricordare" in your Anthro Airwaves podcast feed.&nbsp;</p> <p><a href="https://www.americananthropologist.org/voices-to-remember/dossier/transcript-english" target="_blank">Transcript</a>:&nbsp;</p> <p><a href="https://youtu.be/MuhrGH4JoGk ">Closed Caption</a></p> <p><a href="https://www.americananthropologist.org/voices-to-remember/dossier/dossier-english" target="_blank">Supplemental Dossier</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Producer/Editor/Engineer: Paola Tine&nbsp;</p> <p>Executive Producer: Anar Parikh&nbsp;</p> <p>Intro/Outro: "Waiting" by Crowander"&nbsp;</p> <p>Sound Effects: Mike Koenig</p> false 00:46:14 full Anthropological Airwaves is pleased to present “Voices to Remember: Conversation on the Digital Archive of Indigenous America” a conversation between Massimo Squillacciotti - Emeritus Professor of Anthropology and the founder of the first Italian course of Cognitive Anthropology at the University of Siena; Luciano Giannelli - Professor of Glottology and South American Indigenous Languages at the University of Siena, and Paola Tine - PhD Candidate in Social Anthropology and Development Studies at the University of Adelaide, South Australia. This episode was originally recorded in Italian, and we are excited to be able to make both the Italian version and in English. For the original conversation in Italian, please look for the title "S03-ish E05: Voci da Ricordare" in your Anthro Airwaves podcast feed.&nbsp; Transcript:&nbsp; Closed Caption Supplemental Dossier Credits:&nbsp; Producer/Editor/Engineer: Paola Tine&nbsp; Executive Producer: Anar Parikh&nbsp; Intro/Outro: "Waiting" by Crowander"&nbsp; Sound Effects: Mike Koenig <![CDATA[Season 03-ish - Episode 05: Voci da Ricordare // Voices to Remember (Italian)]]> Anthropological Airwaves is pleased to present “Voices to Remember: Conversation on the Digital Archive of Indigenous America” a conversation between Massimo Squillacciotti - Emeritus Professor of Anthropology and the founder of the first Italian course of Cognitive Anthropology at the University of Siena; Luciano Giannelli - Professor of Glottology and South American Indigenous Languages at the University of Siena, and Paola Tine - PhD Candidate in Social Anthropology and Development Studies at the University of Adelaide, South Australia. This episode was originally recorded in Italian, and we are excited to be able to make both the Italian version and in English. For the dubbed version in English, please look for the title "S03-ish E05: Voices to Remember" in your Anthro Airwaves podcast feed. 


Trascrizione

Sottotitoli

Dossier Supplementare


Credits: 

Producer/Editor/Engineer: Paola Tine 

Executive Producer: Anar Parikh 

Intro/Outro: "Waiting" by Crowander" 

Sound Effects: Mike Koenig

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-03-ish---Episode-05-Voci-da-Ricordare--Voices-to-Remember-Italian-e1soa2l tag:soundcloud,2010:tracks/1113298198 Tue, 31 Aug 2021 13:00:05 GMT <p>Anthropological Airwaves is pleased to present “Voices to Remember: Conversation on the Digital Archive of Indigenous America” a conversation between Massimo Squillacciotti - Emeritus Professor of Anthropology and the founder of the first Italian course of Cognitive Anthropology at the University of Siena; Luciano Giannelli - Professor of Glottology and South American Indigenous Languages at the University of Siena, and Paola Tine - PhD Candidate in Social Anthropology and Development Studies at the University of Adelaide, South Australia. This episode was originally recorded in Italian, and we are excited to be able to make both the Italian version and <a href="https://soundcloud.com/anthro-airwaves/s03-ish-e05-voci-da-ricordare-voices-to-remember/s-BhcUqeyqTx5" target="_blank">in English</a>. For the dubbed version in English, please look for the title "S03-ish E05: Voices to Remember" in your Anthro Airwaves podcast feed.&nbsp;</p> <p><br></p> <p><a href="https://www.americananthropologist.org/voices-to-remember/dossier/transcript-italian" target="_blank">Trascrizione</a></p> <p><a href="https://www.youtube.com/watch?v=1DFH38kIF3o&amp;t=17s ">Sottotitoli</a></p> <p><a href="https://www.americananthropologist.org/voices-to-remember/dossier/italian" target="_blank">Dossier Supplementare</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Producer/Editor/Engineer: Paola Tine&nbsp;</p> <p>Executive Producer: Anar Parikh&nbsp;</p> <p>Intro/Outro: "Waiting" by Crowander"&nbsp;</p> <p>Sound Effects: Mike Koenig</p> false 00:48:14 full Anthropological Airwaves is pleased to present “Voices to Remember: Conversation on the Digital Archive of Indigenous America” a conversation between Massimo Squillacciotti - Emeritus Professor of Anthropology and the founder of the first Italian course of Cognitive Anthropology at the University of Siena; Luciano Giannelli - Professor of Glottology and South American Indigenous Languages at the University of Siena, and Paola Tine - PhD Candidate in Social Anthropology and Development Studies at the University of Adelaide, South Australia. This episode was originally recorded in Italian, and we are excited to be able to make both the Italian version and in English. For the dubbed version in English, please look for the title "S03-ish E05: Voices to Remember" in your Anthro Airwaves podcast feed.&nbsp; Trascrizione Sottotitoli Dossier Supplementare Credits:&nbsp; Producer/Editor/Engineer: Paola Tine&nbsp; Executive Producer: Anar Parikh&nbsp; Intro/Outro: "Waiting" by Crowander"&nbsp; Sound Effects: Mike Koenig <![CDATA[Season 03ish - Episode 04 (Crossover): Talking Culture]]> In the fourth episode of this mini-season, "Crossover," Anar Parikh chats with Daniel Chiu Castillo, Meghan McGill, and Alejandra Melian-Morse, the trio behind Talking Culture--an anthropology podcast that looks at issues in the world through the lens of anthropology as well as issues within the discipline of anthropology itself. 

Transcript

Closed-Captioning


What We Talked About: 

Barbash, Ilisa & Lucien Castaing-Taylor. 2009. Sweetgrass.

Castaing-Taylor, Lucien. Véréna Paravel. 2012. Levianthan.


Credits: 

Associate Editor / Executive Producer: Anar Parikh 

Intro/Outro: "Waiting" by Crowander" 

Sound Effects: Mike Koenig

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-03ish---Episode-04-Crossover-Talking-Culture-e1soa3j tag:soundcloud,2010:tracks/1095917143 Fri, 30 Jul 2021 12:00:21 GMT <p>In the fourth episode of this mini-season, "Crossover," Anar Parikh chats with Daniel Chiu Castillo, Meghan McGill, and Alejandra Melian-Morse, the trio behind <a href="https://www.talkingculture.ca/">Talking Culture</a>--an anthropology podcast that looks at issues in the world through the lens of anthropology as well as issues within the discipline of anthropology itself.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/crossover-talking-culture">Transcript</a></p> <p><a href="https://youtu.be/Iuz8YLI3aOQ">Closed-Captioning</a></p> <p><br></p> <p>What We Talked About:&nbsp;</p> <p><a href="https://grasshopperfilm.com/film/sweetgrass/ " target="_blank">Barbash, Ilisa &amp; Lucien Castaing-Taylor. 2009. Sweetgrass.</a></p> <p><a href="https://www.moma.org/learn/moma_learning/lucien-castaing-taylor-verena-paravel-leviathan-2012/ ">Castaing-Taylor, Lucien. Véréna Paravel. 2012. Levianthan.</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Associate Editor / Executive Producer: Anar Parikh&nbsp;</p> <p>Intro/Outro: "Waiting" by Crowander"&nbsp;</p> <p>Sound Effects: Mike Koenig</p> false 01:16:46 full In the fourth episode of this mini-season, "Crossover," Anar Parikh chats with Daniel Chiu Castillo, Meghan McGill, and Alejandra Melian-Morse, the trio behind Talking Culture--an anthropology podcast that looks at issues in the world through the lens of anthropology as well as issues within the discipline of anthropology itself.&nbsp; Transcript Closed-Captioning What We Talked About:&nbsp; Barbash, Ilisa &amp; Lucien Castaing-Taylor. 2009. Sweetgrass. Castaing-Taylor, Lucien. Véréna Paravel. 2012. Levianthan. Credits:&nbsp; Associate Editor / Executive Producer: Anar Parikh&nbsp; Intro/Outro: "Waiting" by Crowander"&nbsp; Sound Effects: Mike Koenig <![CDATA[Season 03ish - Episode 03 (Crossover): AnthroDish]]> In the third episode of this mini-season, "Crossover," Anar Parikh chats with Sarah Duignan, of Anthro Dish--a weekly show about the intersections between our foods, cultures, and identities.

Transcript

Closed-Captioning


 What we talked about: 

AnthroDish Episode 10

AnthroDish Episode 86: Seedkeeping and Land Back with Tiffany Traverse of 4th Sister Farm


Credits: 

Associate Editor / Executive Producer: Anar Parikh 

Intro/Outro: "Waiting" by Crowander" 

Sound Effects: Mike Koenig

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-03ish---Episode-03-Crossover-AnthroDish-e1soa37 tag:soundcloud,2010:tracks/1077508351 Tue, 29 Jun 2021 19:00:00 GMT <p>In the third episode of this mini-season, "Crossover," Anar Parikh chats with Sarah Duignan, of <a href="https://www.anthrodish.com/" target="_blank">Anthro Dish</a>--a weekly show about the intersections between our foods, cultures, and identities.</p> <p><a href="https://www.americananthropologist.org/podcast/crossover-anthrodish" target="_blank">Transcript</a></p> <p><a href="https://youtu.be/ZnVkUfQ8zm">Closed-Captioning</a></p> <p><br></p> <p>&nbsp;What we talked about:&nbsp;</p> <p><a href="https://www.anthrodish.com/episodes/trinamoyles?rq=trina%20moyles " target="_blank">AnthroDish Episode 10</a></p> <p><a href="https://www.anthrodish.com/episodes/tiffanytraverse" target="_blank">AnthroDish Episode 86: Seedkeeping and Land Back with Tiffany Traverse of 4th Sister Farm</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Associate Editor / Executive Producer: Anar Parikh&nbsp;</p> <p>Intro/Outro: "Waiting" by Crowander"&nbsp;</p> <p>Sound Effects: Mike Koenig</p> false 00:23:03 full In the third episode of this mini-season, "Crossover," Anar Parikh chats with Sarah Duignan, of Anthro Dish--a weekly show about the intersections between our foods, cultures, and identities. Transcript Closed-Captioning &nbsp;What we talked about:&nbsp; AnthroDish Episode 10 AnthroDish Episode 86: Seedkeeping and Land Back with Tiffany Traverse of 4th Sister Farm Credits:&nbsp; Associate Editor / Executive Producer: Anar Parikh&nbsp; Intro/Outro: "Waiting" by Crowander"&nbsp; Sound Effects: Mike Koenig <![CDATA[Season 03ish - Episode 02 (Crossover): Zora's Daughters]]> In the second episode of this mini-season, "Crossover," Anar Parikh chats with Alyssa James and Brendane Tynes, the creators of Zora's Daughters--a society and culture podcast that uses Black feminist anthropology to think about race, politics, and popular culture. 

Episode Transcript

Closed-Caption 


What We Talked About:

Tynes, Brendane. 2020. "How Do We Listen to the Living." Anthropology News, August 31. 

Zora's Daughters' Reaction to How Not To Travel Like a Basic B*tch -

Zora's Daughters Semester 2 Episode 16 - "The Empire Claps Back"


Credits: 

Associate Editor / Executive Producer - Anar Parikh

Intro/Outro: "Waiting" by Crowander"

Sound Effects: Mike Koenig

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-03ish---Episode-02-Crossover-Zoras-Daughters-e1soa3u tag:soundcloud,2010:tracks/1053195841 Thu, 03 Jun 2021 14:00:11 GMT <p>In the second episode of this mini-season, "Crossover," Anar Parikh chats with Alyssa James and Brendane Tynes, the creators of <a href="https://zorasdaughters.com" target="_blank">Zora's Daughters</a>--a society and culture podcast that uses Black feminist anthropology to think about race, politics, and popular culture.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/crossover-zoras-daughters">Episode Transcript</a></p> <p><a href="https://youtu.be/_pryRC0oBDM" target="_blank">Closed-Caption</a>&nbsp;</p> <p><br></p> <p>What We Talked About:</p> <p><a href="https://anthropology-news.org/index.php/2020/08/31/how-do-we-listen-to-the-living/" target="_blank">Tynes, Brendane. 2020. "How Do We Listen to the Living." Anthropology News, August 31.</a>&nbsp;</p> <p><a href="https://www.youtube.com/watch?v=_LwlaoKFLKI" target="_blank">Zora's Daughters' Reaction to How Not To Travel Like a Basic B*tch</a> -</p> <p><a href=" https://zorasdaughters.com/episodes/the-empire-claps-back/ ">Zora's Daughters Semester 2 Episode 16 - "The Empire Claps Back"</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Associate Editor / Executive Producer - Anar Parikh</p> <p>Intro/Outro: "Waiting" by Crowander"</p> <p>Sound Effects: Mike Koenig</p> false 01:35:52 full In the second episode of this mini-season, "Crossover," Anar Parikh chats with Alyssa James and Brendane Tynes, the creators of Zora's Daughters--a society and culture podcast that uses Black feminist anthropology to think about race, politics, and popular culture.&nbsp; Episode Transcript Closed-Caption&nbsp; What We Talked About: Tynes, Brendane. 2020. "How Do We Listen to the Living." Anthropology News, August 31.&nbsp; Zora's Daughters' Reaction to How Not To Travel Like a Basic B*tch - Zora's Daughters Semester 2 Episode 16 - "The Empire Claps Back" Credits:&nbsp; Associate Editor / Executive Producer - Anar Parikh Intro/Outro: "Waiting" by Crowander" Sound Effects: Mike Koenig <![CDATA[Season 03ish - Episode 01 (Crossover): BLK IRL]]> In the latest episode of Anthropological Airwaves, Anar Parikh talks to Anuli Akanegbu, a PhD student at NYU and a transdisciplinary scholar, about her project BLK IRL -- a podcast that explores the business of "influencing" and the power dynamics at play in the act of cultural exchange.


Episode Transcript

Closed-Captioning


What We Talked About: 

Akanegbu, Anuli. 2021. "Podcasts As A Form of Scholarship."  American Anthropologist website. 

Briggs, Charles. 1986. Learning How to Ask. Cambridge: Cambrige University Press. 


Credits: 

Associate Editor / Executive Producer: Anar Parikh 

Intro/Outro: "Waiting" by Crowander" 

Sound Effects: Mike Koenig

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-03ish---Episode-01-Crossover-BLK-IRL-e1soa34 tag:soundcloud,2010:tracks/1033496104 Mon, 26 Apr 2021 08:00:01 GMT <p>In the latest episode of Anthropological Airwaves, Anar Parikh talks to Anuli Akanegbu, a PhD student at NYU and a transdisciplinary scholar, about her project <a href="//www.blkirl.com ">BLK IRL </a>-- a podcast that explores the business of "influencing" and the power dynamics at play in the act of cultural exchange.</p> <p><br></p> <p><a href="https://www.americananthropologist.org/podcast/crossover-blk-irl">Episode Transcript</a></p> <p><a href="https://youtu.be/IQwOFzPjy2I ">Closed-Captioning</a></p> <p><br></p> <p>What We Talked About:&nbsp;</p> <p><a href=" http://www.americananthropologist.org/2021/04/29/podcasts-as-a-form-of-scholarship/ ">Akanegbu, Anuli. 2021. "Podcasts As A Form of Scholarship." &nbsp;<em>American Anthropologist </em>website.&nbsp;</a></p> <p>Briggs, Charles. 1986. Learning How to Ask. Cambridge: Cambrige University Press.&nbsp;</p> <p><br></p> <p>Credits:&nbsp;</p> <p>Associate Editor / Executive Producer: Anar Parikh&nbsp;</p> <p>Intro/Outro: "Waiting" by Crowander"&nbsp;</p> <p>Sound Effects: Mike Koenig</p> false 01:18:19 full In the latest episode of Anthropological Airwaves, Anar Parikh talks to Anuli Akanegbu, a PhD student at NYU and a transdisciplinary scholar, about her project BLK IRL -- a podcast that explores the business of "influencing" and the power dynamics at play in the act of cultural exchange. Episode Transcript Closed-Captioning What We Talked About:&nbsp; Akanegbu, Anuli. 2021. "Podcasts As A Form of Scholarship." &nbsp;American Anthropologist website.&nbsp; Briggs, Charles. 1986. Learning How to Ask. Cambridge: Cambrige University Press.&nbsp; Credits:&nbsp; Associate Editor / Executive Producer: Anar Parikh&nbsp; Intro/Outro: "Waiting" by Crowander"&nbsp; Sound Effects: Mike Koenig <![CDATA[Coming Soon: Season 3ish - "Crossover"]]> Anthropological Airwaves will be back soon for Season 3-ish with the theme "Crossover." 

Transcript:

Closed-Captioning


Credits: 

Associate Editor / Executive Producer: Anar Parikh 

Intro/Outro: "Waiting" by Crowander" 

Sound Effects: "Dialing Phone Number" by Mike Koenig

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Coming-Soon-Season-3ish---Crossover-e1soa3r tag:soundcloud,2010:tracks/1027747627 Thu, 15 Apr 2021 06:00:06 GMT <p>Anthropological Airwaves will be back soon for Season 3-ish with the theme "Crossover."&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/season-03-teaser">Transcript</a>:</p> <p><a href="https://youtu.be/hlT2OkdJNGI ">Closed-Captioning</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Associate Editor / Executive Producer: Anar Parikh&nbsp;</p> <p>Intro/Outro: "Waiting" by Crowander"&nbsp;</p> <p>Sound Effects: "Dialing Phone Number" by Mike Koenig</p> false 00:05:52 full Anthropological Airwaves will be back soon for Season 3-ish with the theme "Crossover."&nbsp; Transcript: Closed-Captioning Credits:&nbsp; Associate Editor / Executive Producer: Anar Parikh&nbsp; Intro/Outro: "Waiting" by Crowander"&nbsp; Sound Effects: "Dialing Phone Number" by Mike Koenig <![CDATA[Season 02 - Episode 05: "Care In/Out the Clinic" (Feat. Carolyn Sufrin and Xochitl Marsili-Vargas)]]> In Episode 13 of Anthropological Airwaves, producer Diego Arispe-Bazan introduces two interviews, one between Penn grad student Josh Franklin and Professor Carolyn Sufrin. They discuss her recent book Jailcare: Finding the Safety Net for Women Behind Bars (2017), interspersed with news clips and testimonials on the topic. After a rare recorded quote by Sigmund Freud, Diego returns in the second half of the episode to talk with Xochitl Marsili-Vargas to discuss the ways that psychoanalytic discourse circulates outside of the clinic through questions such as "what you really mean is," the kinds of conversations one might have with strangers, and reflect on the differences between mental health care in Argentina and the United States. 

Episode Transcript


Featured Audio:

Bajofondo Tango Club - "Perfume"

Shaka Senghor - "How Prison Sets Inmates Up for Failure: Racism, Mental Illness, Poverty"

Healthcare in America's Prison System

ABC15 Arizona - "Arizona's prisons boss found in contempt over inmate care"


Credits: 

Producer, Editor, and Interviewer: Diego Arispe-Bazán 

Interviewer: Josh Franklin 

Co-Editor: Kyle Olson

Thumbnail Image



]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-02---Episode-05-Care-InOut-the-Clinic-Feat--Carolyn-Sufrin-and-Xochitl-Marsili-Vargas-e1soa3q tag:soundcloud,2010:tracks/689036851 Mon, 30 Sep 2019 17:57:01 GMT <p>In Episode 13 of Anthropological Airwaves, producer Diego Arispe-Bazan introduces two interviews, one between Penn grad student Josh Franklin and Professor Carolyn Sufrin. They discuss her recent book <a href="https://www.ucpress.edu/book/9780520288683/jailcare" target="_blank"><em>Jailcare: Finding the Safety Net for Women Behind Bars</em></a> (2017), interspersed with news clips and testimonials on the topic. After a rare recorded quote by Sigmund Freud, Diego returns in the second half of the episode to talk with <a href=" http://spanport.emory.edu/home/people/faculty/marsilivargas-xochitl.html" target="_blank">Xochitl Marsili-Vargas</a> to discuss the ways that psychoanalytic discourse circulates outside of the clinic through questions such as "what you really mean is," the kinds of conversations one might have with strangers, and reflect on the differences between mental health care in Argentina and the United States.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/care-in-out-the-clinic" target="_blank">Episode Transcript</a></p> <p><br></p> <p>Featured Audio:</p> <p><a href="https://www.youtube.com/watch?v=gehwbYcrYyc" target="_blank">Bajofondo Tango Club - "Perfume"</a></p> <p><a href="https://www.youtube.com/watch?v=uOTVw2U5gv0" target="_blank">Shaka Senghor - "How Prison Sets Inmates Up for Failure: Racism, Mental Illness, Poverty"</a></p> <p><a href="https://www.youtube.com/watch?v=yYcz1Osx8ao">Healthcare in America's Prison System</a></p> <p><a href="https://www.youtube.com/watch?v=oZ239GJDl0o">ABC15 Arizona - "Arizona's prisons boss found in contempt over inmate care"</a></p> <p><br></p> <p>Credits:&nbsp;</p> <p>Producer, Editor, and Interviewer: Diego Arispe-Bazán&nbsp;</p> <p>Interviewer: Josh Franklin&nbsp;</p> <p>Co-Editor: Kyle Olson</p> <p><a href="https://commons.wikimedia.org/wiki/File:CARE_ICON_COLOR.jpg">Thumbnail Image</a></p> <p><br></p> <p><br></p> false 00:32:34 full In Episode 13 of Anthropological Airwaves, producer Diego Arispe-Bazan introduces two interviews, one between Penn grad student Josh Franklin and Professor Carolyn Sufrin. They discuss her recent book Jailcare: Finding the Safety Net for Women Behind Bars (2017), interspersed with news clips and testimonials on the topic. After a rare recorded quote by Sigmund Freud, Diego returns in the second half of the episode to talk with Xochitl Marsili-Vargas to discuss the ways that psychoanalytic discourse circulates outside of the clinic through questions such as "what you really mean is," the kinds of conversations one might have with strangers, and reflect on the differences between mental health care in Argentina and the United States.&nbsp; Episode Transcript Featured Audio: Bajofondo Tango Club - "Perfume" Shaka Senghor - "How Prison Sets Inmates Up for Failure: Racism, Mental Illness, Poverty" Healthcare in America's Prison System ABC15 Arizona - "Arizona's prisons boss found in contempt over inmate care" Credits:&nbsp; Producer, Editor, and Interviewer: Diego Arispe-Bazán&nbsp; Interviewer: Josh Franklin&nbsp; Co-Editor: Kyle Olson Thumbnail Image <![CDATA[Season 02 - Episode 04: "Voice, Sound and Democracy"]]> In Episode 12 of Anthropological Airwaves, producer Nooshin Sadeq-Samimi interviews Laura Kunreuther. They cover a range of issues related to how voice and sound figure into the political process, focusing on Kunreuther's monograph Voicing Subjects: Public Intimacy and Mediation in Kathmandu and her recent article in Cultural Anthropology, "Sounds of Democracy: Performance, Protest, and Political Subjectivity."

Episode Transcript


Credits:

Producer and Interviewer: Nooshin Sadeq-Samimi 

Co-Editor and Host: Kyle Olson 

Co-Editor: Diego Arispe-Bazán

Thumnail Image: Cover of Voicing Subjects, Laura Kunreuther, UC Press (2014).


Featured Audio:

Byzantine Time Machine - "Glimpses of Kathmandu"

AP Archive - "Strike, police presence, violence, pro-democracy protest"

Nepathya - "Yo Jindagani"

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-02---Episode-04-Voice--Sound-and-Democracy-e1soa3d tag:soundcloud,2010:tracks/662424575 Wed, 07 Aug 2019 15:34:33 GMT <p>In Episode 12 of Anthropological Airwaves, producer Nooshin Sadeq-Samimi interviews Laura Kunreuther. They cover a range of issues related to how voice and sound figure into the political process, focusing on Kunreuther's monograph <a href="https://www.ucpress.edu/book/9780520270701/voicing-subjects" target="_blank"><em>Voicing Subjects: Public Intimacy and Mediation in Kathmandu</em></a> and her recent article in <em>Cultural Anthropology,</em> <a href=" https://journal.culanth.org/index.php/ca/article/view/ca33.1.01">"Sounds of Democracy: Performance, Protest, and Political Subjectivity."</a></p> <p><a href="https://www.americananthropologist.org/podcast/voice-sound-and-democracy" target="_blank">Episode Transcript</a></p> <p><br></p> <p>Credits:</p> <p>Producer and Interviewer: Nooshin Sadeq-Samimi&nbsp;</p> <p>Co-Editor and Host: Kyle Olson&nbsp;</p> <p>Co-Editor: Diego Arispe-Bazán</p> <p>Thumnail Image: Cover of <em>Voicing Subjects</em>, Laura Kunreuther, UC Press (2014).</p> <p><br></p> <p>Featured Audio:</p> <p><a href="https://www.youtube.com/watch?v=HnWVKkfPbwc" target="_blank">Byzantine Time Machine - "Glimpses of Kathmandu"</a></p> <p><a href="https://www.youtube.com/watch?v=I61X4ubbvrA">AP Archive - "Strike, police presence, violence, pro-democracy protest"</a></p> <p><a href="https://www.youtube.com/watch?v=Xw3HbIHKfds">Nepathya - "Yo Jindagani"</a></p> false 00:22:53 full In Episode 12 of Anthropological Airwaves, producer Nooshin Sadeq-Samimi interviews Laura Kunreuther. They cover a range of issues related to how voice and sound figure into the political process, focusing on Kunreuther's monograph Voicing Subjects: Public Intimacy and Mediation in Kathmandu and her recent article in Cultural Anthropology, "Sounds of Democracy: Performance, Protest, and Political Subjectivity." Episode Transcript Credits: Producer and Interviewer: Nooshin Sadeq-Samimi&nbsp; Co-Editor and Host: Kyle Olson&nbsp; Co-Editor: Diego Arispe-Bazán Thumnail Image: Cover of Voicing Subjects, Laura Kunreuther, UC Press (2014). Featured Audio: Byzantine Time Machine - "Glimpses of Kathmandu" AP Archive - "Strike, police presence, violence, pro-democracy protest" Nepathya - "Yo Jindagani" <![CDATA[Special Feature: "Decolonizing Museums in Practice" - Part 3 (Feat. Wayne Modest)]]> In this follow-up to our two-part special feature on the 2018 Museum Ethnographer's Group conference "Decolonizing the Museum in Practice", held in April of last year we interview Dr. Wayne Modest, director of the Research Center for Material Culture. Hosted by Deborah Thomas and interviewed by Chris Green, Dr. Modest shares with us his thoughts on decolonizing as an ongoing commitment. He emphasizes the great responsibility that curators have to the people, past and present, who are represented in museum collections. In his view, museum research and curation must always be public-facing and must commit to working together with those whose lives are most precarious in the afterlives of colonialism and empire. 

Episode Transcript

Image Credit. For educational purposes only. 

Image Caption: The central atrium of the Tropenmuseum, Amsterdam. Straight-view of the barrel-vaulted space from the middle of the room, oriented length-wise with the central staircase in the background. Gallery spaces are visible along top level above the stairs and light streams in from a glass-and-steel half-cylindrical dome at the top. 


Credits: 

Introduction: Deborah Thomas 

Interviewer: Chris Green 

Recorder: Kyle Olson 

Producer: Kyle Olson


Featured Audio:

KOKOROKO -  "Abusey Junction // We Out Here"

Bob Marley and the Wailers - "War"


]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Special-Feature-Decolonizing-Museums-in-Practice---Part-3-Feat--Wayne-Modest-e1soa3p tag:soundcloud,2010:tracks/586344582 Tue, 19 Mar 2019 14:07:26 GMT <p>In this follow-up to our two-part special feature on the 2018 Museum Ethnographer's Group conference "Decolonizing the Museum in Practice", held in April of last year we interview Dr. Wayne Modest, director of the Research Center for Material Culture. Hosted by Deborah Thomas and interviewed by Chris Green, Dr. Modest shares with us his thoughts on decolonizing as an ongoing commitment. He emphasizes the great responsibility that curators have to the people, past and present, who are represented in museum collections. In his view, museum research and curation must always be public-facing and must commit to working together with those whose lives are most precarious in the afterlives of colonialism and empire.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/decolonizing-museums-in-practice-part-03" target="_blank">Episode Transcript</a></p> <p><a href="http://renthouse.nl/the-tropenmuseum/ " target="_blank">Image Credit</a>. For educational purposes only.&nbsp;</p> <p>Image Caption: The central atrium of the Tropenmuseum, Amsterdam. Straight-view of the barrel-vaulted space from the middle of the room, oriented length-wise with the central staircase in the background. Gallery spaces are visible along top level above the stairs and light streams in from a glass-and-steel half-cylindrical dome at the top.&nbsp;</p> <p><br></p> <p>Credits:&nbsp;</p> <p>Introduction: Deborah Thomas&nbsp;</p> <p>Interviewer: Chris Green&nbsp;</p> <p>Recorder: Kyle Olson&nbsp;</p> <p>Producer: Kyle Olson</p> <p><br></p> <p>Featured Audio:</p> <p><a href="https://youtu.be/tSv04ylc6To">KOKOROKO - &nbsp;"Abusey Junction // We Out Here"</a></p> <p><a href="https://www.youtube.com/watch?v=4XHEPoMNP0I" target="_blank">Bob Marley and the Wailers - "War"</a></p> <p><br></p> false 00:26:14 full In this follow-up to our two-part special feature on the 2018 Museum Ethnographer's Group conference "Decolonizing the Museum in Practice", held in April of last year we interview Dr. Wayne Modest, director of the Research Center for Material Culture. Hosted by Deborah Thomas and interviewed by Chris Green, Dr. Modest shares with us his thoughts on decolonizing as an ongoing commitment. He emphasizes the great responsibility that curators have to the people, past and present, who are represented in museum collections. In his view, museum research and curation must always be public-facing and must commit to working together with those whose lives are most precarious in the afterlives of colonialism and empire.&nbsp; Episode Transcript Image Credit. For educational purposes only.&nbsp; Image Caption: The central atrium of the Tropenmuseum, Amsterdam. Straight-view of the barrel-vaulted space from the middle of the room, oriented length-wise with the central staircase in the background. Gallery spaces are visible along top level above the stairs and light streams in from a glass-and-steel half-cylindrical dome at the top.&nbsp; Credits:&nbsp; Introduction: Deborah Thomas&nbsp; Interviewer: Chris Green&nbsp; Recorder: Kyle Olson&nbsp; Producer: Kyle Olson Featured Audio: KOKOROKO - &nbsp;"Abusey Junction // We Out Here" Bob Marley and the Wailers - "War" <![CDATA[Season 02 - Episode 03: "Anthropology and Humanitarianism"]]> In Episode 11 of Anthropological Airwaves, we speak with Professors Adia Benton of Northwestern University and Miriam Ticktin of The New School about multimodal and public anthropology through the lens of humanitarianism. Benton shows us how visual analysis can be used to plumb the depths of contradictions in humanitarianism, both in its ethos and specific interventions, exposing the white supremacist framework baked into the humanitarian project. Ticktin picks up where Benton leaves off, sharing insights from her work with immigrant and refugee populations in Europe, showing how the same logics are at work in the constitution of and efforts to ameliorate the "Refugee Crisis" in Europe. These conversations both challenge us to think more deeply about our commitments to our interlocutors and our various audiences, disciplinary, public, or otherwise. 

Episode Transcript

Thumbnail Image: ABC News Still Depicting Salma Hayek and a Sierra Leonean baby (part of the sequence discussed in Adia's interview)


Credits:

Producer: Nooshin Sadeq-Samimi 

Editor and Host: Kyle Olson 

Interviewers: Sarah Rendell and Sharon Jacobs 


Music: 

Takuya Kuroda - "Rising Son"

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-02---Episode-03-Anthropology-and-Humanitarianism-e1soa2v tag:soundcloud,2010:tracks/554111898 Mon, 07 Jan 2019 14:00:25 GMT <p>In Episode 11 of Anthropological Airwaves, we speak with Professors <a href="https://twitter.com/Ethnography911 " target="_blank">Adia Benton</a> of Northwestern University and <a href="https://americanethnologist.org/features/interviews/ae-interviews-miriam-ticktin-innocence-ethnography-and-politics-beyond-the-human" target="_blank">Miriam Ticktin</a> of The New School about multimodal and public anthropology through the lens of humanitarianism. Benton shows us how visual analysis can be used to plumb the depths of contradictions in humanitarianism, both in its ethos and specific interventions, exposing the white supremacist framework baked into the humanitarian project. Ticktin picks up where Benton leaves off, sharing insights from her work with immigrant and refugee populations in Europe, showing how the same logics are at work in the constitution of and efforts to ameliorate the "Refugee Crisis" in Europe. These conversations both challenge us to think more deeply about our commitments to our interlocutors and our various audiences, disciplinary, public, or otherwise.&nbsp;</p> <p><a href="https://www.americananthropologist.org/podcast/anthropology-and-humanitarianism">Episode Transcript</a></p> <p>Thumbnail Image: ABC News Still Depicting Salma Hayek and a Sierra Leonean baby (part of the sequence discussed in Adia's interview)</p> <p><br></p> <p>Credits:</p> <p>Producer: Nooshin Sadeq-Samimi&nbsp;</p> <p>Editor and Host: Kyle Olson&nbsp;</p> <p>Interviewers: Sarah Rendell and Sharon Jacobs&nbsp;</p> <p><br></p> <p>Music:&nbsp;</p> <p><a href="https://www.youtube.com/watch?v=_mUymaxWmMw" target="_blank">Takuya Kuroda - "Rising Son"</a></p> false 00:40:57 full In Episode 11 of Anthropological Airwaves, we speak with Professors Adia Benton of Northwestern University and Miriam Ticktin of The New School about multimodal and public anthropology through the lens of humanitarianism. Benton shows us how visual analysis can be used to plumb the depths of contradictions in humanitarianism, both in its ethos and specific interventions, exposing the white supremacist framework baked into the humanitarian project. Ticktin picks up where Benton leaves off, sharing insights from her work with immigrant and refugee populations in Europe, showing how the same logics are at work in the constitution of and efforts to ameliorate the "Refugee Crisis" in Europe. These conversations both challenge us to think more deeply about our commitments to our interlocutors and our various audiences, disciplinary, public, or otherwise.&nbsp; Episode Transcript Thumbnail Image: ABC News Still Depicting Salma Hayek and a Sierra Leonean baby (part of the sequence discussed in Adia's interview) Credits: Producer: Nooshin Sadeq-Samimi&nbsp; Editor and Host: Kyle Olson&nbsp; Interviewers: Sarah Rendell and Sharon Jacobs&nbsp; Music:&nbsp; Takuya Kuroda - "Rising Son" <![CDATA[Season 02 - Episode 02: "Collaborative Digital Archaeology"]]> In Episode 10 of Anthropological Airwaves, we talk with Tiffany Earley-Spadoni (University of Central Florida) and Stefani Crabtree (Penn State) about digital archaeology, covering both its more humanistic and computational modes. Earley-Spadoni shows us how collaboration with local community stakeholders and colleagues abroad can produce rich digital narratives, allowing people to tell and hear stories about places of memory in multiple languages alongside rich multimedia content. Crabtree argues for the importance of archaeology for solving contemporary problems, drawing on her research with food-web modeling in the US Southwest, which has considerable implications for modern-day resource management and climate change mitigation. She also demonstrates that archaeologists need to think more expansively about collaboration, particularly with whom we collaborate, if we want the results of our work to matter for a broader audience. 


Episode Transcript

Thumbnail Image


Credits"

Interviewer, Producer, and Editor: Kyle Olson 

Khruangbin - "Maria Tambien"


]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-02---Episode-02-Collaborative-Digital-Archaeology-e1soa3b tag:soundcloud,2010:tracks/507947241 Mon, 05 Nov 2018 05:24:15 GMT <p>In Episode 10 of Anthropological Airwaves, we talk with <a href=" http://history.cah.ucf.edu/faculty-staff/?id=1391 ">Tiffany Earley-Spadoni (University of Central Florida)</a> and <a href=" https://stefanicrabtree.com/" target="_blank">Stefani Crabtree (Penn State)</a> about digital archaeology, covering both its more humanistic and computational modes. Earley-Spadoni shows us how <a href="https://projects.cah.ucf.edu/infinitearmenias/" target="_blank">collaboration with local community stakeholders</a> and colleagues abroad can produce rich digital narratives, allowing people to tell and hear stories about places of memory in multiple languages alongside rich multimedia content. Crabtree argues for the importance of archaeology for solving contemporary problems, drawing on her research with food-web modeling in the US Southwest, which has considerable implications for modern-day resource management and climate change mitigation. She also demonstrates that archaeologists need to think more expansively about collaboration, particularly with whom we collaborate, if we want the results of our work to matter for a broader audience.&nbsp;</p> <p><br> <a href="https://www.americananthropologist.org/podcast/collaborative-digital-archaeology">Episode Transcript</a></p> <p><a href="Image http://thespeaker.co/blogs/3d-printing-daesh-will-recreate-isis-destroyed/" target="_blank">Thumbnail Image</a></p> <p><br></p> <p>Credits"</p> <p>Interviewer, Producer, and Editor: Kyle Olson&nbsp;</p> <p><a href="https://www.youtube.com/watch?v=7hlGqj3ImQI">Khruangbin - "Maria Tambien"</a></p> <p><br></p> false 00:29:21 full In Episode 10 of Anthropological Airwaves, we talk with Tiffany Earley-Spadoni (University of Central Florida) and Stefani Crabtree (Penn State) about digital archaeology, covering both its more humanistic and computational modes. Earley-Spadoni shows us how collaboration with local community stakeholders and colleagues abroad can produce rich digital narratives, allowing people to tell and hear stories about places of memory in multiple languages alongside rich multimedia content. Crabtree argues for the importance of archaeology for solving contemporary problems, drawing on her research with food-web modeling in the US Southwest, which has considerable implications for modern-day resource management and climate change mitigation. She also demonstrates that archaeologists need to think more expansively about collaboration, particularly with whom we collaborate, if we want the results of our work to matter for a broader audience.&nbsp; Episode Transcript Thumbnail Image Credits" Interviewer, Producer, and Editor: Kyle Olson&nbsp; Khruangbin - "Maria Tambien" <![CDATA[Special Feature: "Decolonizing Museums in Practice" - Part 2 (Stories and Objects)]]> In this two-part special feature we think with the Museum Ethnographer's Group conference "Decolonizing the Museum in Practice", held in April of this year . The second part focuses on the stories and objects around which much decolonizing work revolves and features a read paper by JC Niala and an interview with Laura Peers. Niala relates to us a story that illustrates, among many other insights, what is lost when indigenous perspectives are not included or even considered in museum exhibits; Peers shows us what the process of building relationships between museums and indigenous communities might look like and the challenges that must be overcome to successfully share access to and ultimately governance of museum collections. Hosted by Deborah Thomas and with interviews conducted by Chris and Cassandra Green, this two-part series on “decolonizing museums” examines the past, present, and future(s) of museum practice. Given often sordid collection histories and the strained at best or non-existent at worst relations that museums have had with communities of origin, these interviews address how we might face head-on the legacies of colonialism and empire. Full episode transcript. 

Image Caption: The central gallery of the Pitt Rivers Museum at Oxford University, UK. View from the upper mezzanine showing the gallery length-wise. The many glass cases containing artifacts from all over the world on and around the ground floor are clearly visible, while two people look on in the lower foreground.

Credits: 

Introduction/Conclusion: Deborah Thomas 

Interviewer: Chris Green 

Recorder: Cassandra Green Producers: Kyle Olson and Nooshin Sadegh-Samimi 

Assistant Producer: Chris Green


Featured Audio:

Gingee - "Decolonize your Mind" 

The University of Oxford - "Inside the Pitt Rivers Museum"

Decolonize This Place - "Anti-Columbus Day: Decolonize This Museum"

"Singing Haida Song" with Raven and Alex

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Special-Feature-Decolonizing-Museums-in-Practice---Part-2-Stories-and-Objects-e1soa3h tag:soundcloud,2010:tracks/490953870 Wed, 03 Oct 2018 13:33:05 GMT <p>In this two-part special feature we think with the <a href="http://www.museumethnographersgroup.org.uk/en/conference/422-2018-conference-decolonising-the-museum-in-practice.html">Museum Ethnographer's Group conference "Decolonizing the Museum in Practice"</a>, held in April of this year . The second part focuses on the stories and objects around which much decolonizing work revolves and features a read paper by JC Niala and an interview with Laura Peers. Niala relates to us a story that illustrates, among many other insights, what is lost when indigenous perspectives are not included or even considered in museum exhibits; Peers shows us what the process of building relationships between museums and indigenous communities might look like and the challenges that must be overcome to successfully share access to and ultimately governance of museum collections. Hosted by Deborah Thomas and with interviews conducted by Chris and Cassandra Green, this two-part series on “decolonizing museums” examines the past, present, and future(s) of museum practice. Given often sordid collection histories and the strained at best or non-existent at worst relations that museums have had with communities of origin, these interviews address how we might face head-on the legacies of colonialism and empire. <a href="https://www.americananthropologist.org/podcast/decolonizing-museums-in-practice-part-02" target="_blank">Full episode transcript</a>.&nbsp;</p> <p>Image Caption: The central gallery of the Pitt Rivers Museum at Oxford University, UK. View from the upper mezzanine showing the gallery length-wise. The many glass cases containing artifacts from all over the world on and around the ground floor are clearly visible, while two people look on in the lower foreground.</p> <p>Credits:&nbsp;</p> <p>Introduction/Conclusion: Deborah Thomas&nbsp;</p> <p>Interviewer: Chris Green&nbsp;</p> <p>Recorder: Cassandra Green Producers: Kyle Olson and Nooshin Sadegh-Samimi&nbsp;</p> <p>Assistant Producer: Chris Green</p> <p><br></p> <p>Featured Audio:</p> <p><a href="https://anchor.fm/dashboard/episode/e1soa3s/metadata/(https://www.youtube.com/watch?v=iYQJkgZNzdk">Gingee - "Decolonize your Mind"&nbsp;</a></p> <p><a href="https://www.youtube.com/watch?v=ukwnYt0E5Co">The University of Oxford - "Inside the Pitt Rivers Museum"</a></p> <p><a href="https://www.youtube.com/watch?v=mY0mQUWO9_Q">Decolonize This Place - "Anti-Columbus Day: Decolonize This Museum"</a></p> <p><a href="https://www.youtube.com/watch?v=XnbT14i8zUg" target="_blank">"Singing Haida Song" with Raven and Alex</a></p> false 00:43:11 full In this two-part special feature we think with the Museum Ethnographer's Group conference "Decolonizing the Museum in Practice", held in April of this year . The second part focuses on the stories and objects around which much decolonizing work revolves and features a read paper by JC Niala and an interview with Laura Peers. Niala relates to us a story that illustrates, among many other insights, what is lost when indigenous perspectives are not included or even considered in museum exhibits; Peers shows us what the process of building relationships between museums and indigenous communities might look like and the challenges that must be overcome to successfully share access to and ultimately governance of museum collections. Hosted by Deborah Thomas and with interviews conducted by Chris and Cassandra Green, this two-part series on “decolonizing museums” examines the past, present, and future(s) of museum practice. Given often sordid collection histories and the strained at best or non-existent at worst relations that museums have had with communities of origin, these interviews address how we might face head-on the legacies of colonialism and empire. Full episode transcript.&nbsp; Image Caption: The central gallery of the Pitt Rivers Museum at Oxford University, UK. View from the upper mezzanine showing the gallery length-wise. The many glass cases containing artifacts from all over the world on and around the ground floor are clearly visible, while two people look on in the lower foreground. Credits:&nbsp; Introduction/Conclusion: Deborah Thomas&nbsp; Interviewer: Chris Green&nbsp; Recorder: Cassandra Green Producers: Kyle Olson and Nooshin Sadegh-Samimi&nbsp; Assistant Producer: Chris Green Featured Audio: Gingee - "Decolonize your Mind"&nbsp; The University of Oxford - "Inside the Pitt Rivers Museum" Decolonize This Place - "Anti-Columbus Day: Decolonize This Museum" "Singing Haida Song" with Raven and Alex <![CDATA[Special Feature: "Decolonizing Museums in Practice - Part 1 (Legacies & Futures)]]> In this two-part special feature we think with the Museum Ethnographer's Group conference "Decolonizing the Museum in Practice", held in April of this year. The first part focuses on the legacies and futures of ethnographic museums and features interviews with Faye Belsey, Laura Van Broekhoven, and Rachael Minott. Together, these conversations ask us: what does decolonization look like in practice, how can injustices past and present be addressed by museum professionals, and by what means might we better balance power and access between museum staff and diverse stakeholders? Hosted by Deborah Thomas and with interviews conducted by Chris and Cassandra Green, this two-part series on “decolonizing museums” examines the past, present, and future(s) of museum practice. Given often sordid collection histories and the strained at best or non-existent at worst relations that museums have had with communities of origin, these interviews address how we might face head-on the legacies of colonialism and empire. Full episode transcript. 

Image Caption: The central gallery of the Pitt Rivers Museum at Oxford University, UK. View from the upper mezzanine showing the gallery length-wise. The many glass cases containing artifacts from all over the world on and around the ground floor are clearly visible, while two people look on in the lower foreground.

Credits: 

Introduction/Conclusion: Deborah Thomas 

Interviewers: Chris Green Recorder: Cassandra Green 

Producers: Kyle Olson and Nooshin Sadegh-Samimi 

Assistant Producer: Chris Green 


Featured Audio:

Gingee - "Decolonize your Mind" 

"Brooklyn Museum Hires White Curator of African Art, Horace Cooper Responds to Backlash"

Now This Video - "Why We Need to Decolonize the Brooklyn Museum"

Decolonize This Place - "Anti-Columbus Day: Decolonize This Museum"

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Special-Feature-Decolonizing-Museums-in-Practice---Part-1-Legacies--Futures-e1soa3s tag:soundcloud,2010:tracks/490945815 Wed, 03 Oct 2018 13:32:31 GMT <p>In this two-part special feature we think with the <a href="(http://www.museumethnographersgroup.org.uk/en/conference/422-2018-conference-decolonising-the-museum-in-practice.html" target="_blank">Museum Ethnographer's Group conference "Decolonizing the Museum in Practice"</a>, held in April of this year. The first part focuses on the legacies and futures of ethnographic museums and features interviews with Faye Belsey, Laura Van Broekhoven, and Rachael Minott. Together, these conversations ask us: what does decolonization look like in practice, how can injustices past and present be addressed by museum professionals, and by what means might we better balance power and access between museum staff and diverse stakeholders? Hosted by Deborah Thomas and with interviews conducted by Chris and Cassandra Green, this two-part series on “decolonizing museums” examines the past, present, and future(s) of museum practice. Given often sordid collection histories and the strained at best or non-existent at worst relations that museums have had with communities of origin, these interviews address how we might face head-on the legacies of colonialism and empire. <a href="https://www.americananthropologist.org/podcast/decolonizing-museums-in-practice-part-01" target="_blank">Full episode transcript</a>.&nbsp;</p> <p>Image Caption: The central gallery of the Pitt Rivers Museum at Oxford University, UK. View from the upper mezzanine showing the gallery length-wise. The many glass cases containing artifacts from all over the world on and around the ground floor are clearly visible, while two people look on in the lower foreground.</p> <p>Credits:&nbsp;</p> <p>Introduction/Conclusion: Deborah Thomas&nbsp;</p> <p>Interviewers: Chris Green Recorder: Cassandra Green&nbsp;</p> <p>Producers: Kyle Olson and Nooshin Sadegh-Samimi&nbsp;</p> <p>Assistant Producer: Chris Green&nbsp;</p> <p><br></p> <p>Featured Audio:</p> <p><a href="(https://www.youtube.com/watch?v=iYQJkgZNzdk" target="_blank">Gingee - "Decolonize your Mind"&nbsp;</a></p> <p><a href="https://www.youtube.com/watch?v=-yq0q5jspNY" target="_blank">"Brooklyn Museum Hires White Curator of African Art, Horace Cooper Responds to Backlash</a>"</p> <p><a href="https://www.youtube.com/watch?v=8giaN7fg7h8" target="_blank">Now This Video - "Why We Need to Decolonize the Brooklyn Museum"</a></p> <p><a href="https://www.youtube.com/watch?v=mY0mQUWO9_Q">Decolonize This Place - "Anti-Columbus Day: Decolonize This Museum"</a></p> false 00:38:03 full In this two-part special feature we think with the Museum Ethnographer's Group conference "Decolonizing the Museum in Practice", held in April of this year. The first part focuses on the legacies and futures of ethnographic museums and features interviews with Faye Belsey, Laura Van Broekhoven, and Rachael Minott. Together, these conversations ask us: what does decolonization look like in practice, how can injustices past and present be addressed by museum professionals, and by what means might we better balance power and access between museum staff and diverse stakeholders? Hosted by Deborah Thomas and with interviews conducted by Chris and Cassandra Green, this two-part series on “decolonizing museums” examines the past, present, and future(s) of museum practice. Given often sordid collection histories and the strained at best or non-existent at worst relations that museums have had with communities of origin, these interviews address how we might face head-on the legacies of colonialism and empire. Full episode transcript.&nbsp; Image Caption: The central gallery of the Pitt Rivers Museum at Oxford University, UK. View from the upper mezzanine showing the gallery length-wise. The many glass cases containing artifacts from all over the world on and around the ground floor are clearly visible, while two people look on in the lower foreground. Credits:&nbsp; Introduction/Conclusion: Deborah Thomas&nbsp; Interviewers: Chris Green Recorder: Cassandra Green&nbsp; Producers: Kyle Olson and Nooshin Sadegh-Samimi&nbsp; Assistant Producer: Chris Green&nbsp; Featured Audio: Gingee - "Decolonize your Mind"&nbsp; "Brooklyn Museum Hires White Curator of African Art, Horace Cooper Responds to Backlash" Now This Video - "Why We Need to Decolonize the Brooklyn Museum" Decolonize This Place - "Anti-Columbus Day: Decolonize This Museum" <![CDATA[Special Feature "The Military Present" - Episode 4 (Feat. Omar Dewachi)]]> In the fourth and final episode of the series, "The Military Present," anthropologist and physician Omar Dewachi (American University of Beirut) discusses war as a form of governance, drawing on years of ethnographic research on the breakdown of health care in Iraq as well as the travelling wounds of injured Iraqi patients forced to seek medical treatment in other Middle Eastern countries. Dewachi traces the historical formation and effects of global discourses casting Iraq as ungovernable and connects the construction of Iraq as ungovernable to the emergence of the multi-drug resistant Acinetobacter baumannii. Dewachi offers fascinating insights into how war is fueling antimicrobial resistance and generative suggestions about the kinds of ethnographic objects that can help anthropologists talk about war without reproducing the distinction between the direct and indirect effects of war. Hosted by Vasiliki Touhouliotis and Emily Sogn, this four-part series on the “military present” features interviews with scholars of war and militarism that explore how our present is shaped by the technologies, logics, histories, and economy of war. Full episode transcript. 


Image Caption: Berm remains at Fao, Iraq, the site of one of the bloodiest battles of the Iran Iraq-war (1980-1988). Photograph taken by Omar Dewachi (2015).


Featured Audio:

P.J. Harvey - "The Glorious Land" 


]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Special-Feature-The-Military-Present---Episode-4-Feat--Omar-Dewachi-e1soa3m tag:soundcloud,2010:tracks/475658202 Mon, 23 Jul 2018 17:18:38 GMT <p>In the fourth and final episode of the series, "The Military Present," anthropologist and physician Omar Dewachi (American University of Beirut) discusses war as a form of governance, drawing on years of ethnographic research on the breakdown of health care in Iraq as well as the travelling wounds of injured Iraqi patients forced to seek medical treatment in other Middle Eastern countries. Dewachi traces the historical formation and effects of global discourses casting Iraq as ungovernable and connects the construction of Iraq as ungovernable to the emergence of the multi-drug resistant Acinetobacter baumannii. Dewachi offers fascinating insights into how war is fueling antimicrobial resistance and generative suggestions about the kinds of ethnographic objects that can help anthropologists talk about war without reproducing the distinction between the direct and indirect effects of war. Hosted by Vasiliki Touhouliotis and Emily Sogn, this four-part series on the “military present” features interviews with scholars of war and militarism that explore how our present is shaped by the technologies, logics, histories, and economy of war. <a href="https://www.americananthropologist.org/podcast/military-present-episode-04" target="_blank">Full episode transcript</a>.&nbsp;</p> <p><br></p> <p>Image Caption:&nbsp;Berm remains at Fao, Iraq, the site of one of the bloodiest battles of the Iran Iraq-war (1980-1988). Photograph taken by Omar Dewachi (2015).</p> <p><br></p> <p>Featured Audio:</p> <p><a href="//www.youtube.com/watch?v=h1lFM1K8R1s" target="_blank">P.J. Harvey - "The Glorious Land"</a>&nbsp;</p> <p><br></p> false 00:22:00 full In the fourth and final episode of the series, "The Military Present," anthropologist and physician Omar Dewachi (American University of Beirut) discusses war as a form of governance, drawing on years of ethnographic research on the breakdown of health care in Iraq as well as the travelling wounds of injured Iraqi patients forced to seek medical treatment in other Middle Eastern countries. Dewachi traces the historical formation and effects of global discourses casting Iraq as ungovernable and connects the construction of Iraq as ungovernable to the emergence of the multi-drug resistant Acinetobacter baumannii. Dewachi offers fascinating insights into how war is fueling antimicrobial resistance and generative suggestions about the kinds of ethnographic objects that can help anthropologists talk about war without reproducing the distinction between the direct and indirect effects of war. Hosted by Vasiliki Touhouliotis and Emily Sogn, this four-part series on the “military present” features interviews with scholars of war and militarism that explore how our present is shaped by the technologies, logics, histories, and economy of war. Full episode transcript.&nbsp; Image Caption:&nbsp;Berm remains at Fao, Iraq, the site of one of the bloodiest battles of the Iran Iraq-war (1980-1988). Photograph taken by Omar Dewachi (2015). Featured Audio: P.J. Harvey - "The Glorious Land"&nbsp; <![CDATA[Special Feature: "The Military Present" - Episode 3 (Feat. Wazhmah Osman)]]> This four-part series on “The Military Present” features interviews with scholars of war and militarism that explore how our present is shaped by the technologies, logics, histories, and economy of war. Episode 3 features an interview with Wazhmah Osman, filmmaker and professor of Media Studies and Production. Building on discussions with scholars Joe Masco (Episode 1) and Madiha Tahir (Episode 2) about the uneven distributions of war’s material effects and visibility, the interview with Wazhmah Osman in Episode 3 focuses on the United States’ dropping of the Massive Ordnance Air Blast (MOAB) in Afghanistan in April of 2017. The MOAB is the largest and most powerful non-nuclear weapon ever used. The final episode of this special series will feature an interview with physician and anthropologist Omar Dewachi in which he discusses war, wounding, and the production of ungovernable life in Iraq. Each of the episodes in this special series ask anthropologists (or scholars in related disciplines/trained as anthropologists) to engage with pressing issues of our present. Our hope is that the episodes will be of interest to anyone concerned with US militarized violence, domestically and internationally, and that they will contribute to public scholarship. Full episode transcript.

Image Caption: A picture of Wazhmah as part of a US diplomatic mission in Afghanistan.

Wazhmah Osman spoke on Democracy Now about the MOAB immediately after it was dropped by the United States, which . For a full transcript of this episode, please follow this link: http://www.americananthropologist.org/the-military-present-episode-3-transcript/ 


Featured Audio: 

P.J. Harvey - "The Glorious Land"

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Special-Feature-The-Military-Present---Episode-3-Feat--Wazhmah-Osman-e1soa40 tag:soundcloud,2010:tracks/427640145 Tue, 10 Apr 2018 12:51:05 GMT <p>This four-part series on “The Military Present” features interviews with scholars of war and militarism that explore how our present is shaped by the technologies, logics, histories, and economy of war. Episode 3 features an interview with Wazhmah Osman, filmmaker and professor of Media Studies and Production. Building on discussions with scholars Joe Masco (Episode 1) and Madiha Tahir (Episode 2) about the uneven distributions of war’s material effects and visibility, the interview with Wazhmah Osman in Episode 3 focuses on the United States’ dropping of the Massive Ordnance Air Blast (MOAB) in Afghanistan in April of 2017. The MOAB is the largest and most powerful non-nuclear weapon ever used. The final episode of this special series will feature an interview with physician and anthropologist Omar Dewachi in which he discusses war, wounding, and the production of ungovernable life in Iraq. Each of the episodes in this special series ask anthropologists (or scholars in related disciplines/trained as anthropologists) to engage with pressing issues of our present. Our hope is that the episodes will be of interest to anyone concerned with US militarized violence, domestically and internationally, and that they will contribute to public scholarship. <a href="https://www.americananthropologist.org/podcast/military-present-episode-03" target="_blank">Full episode transcript.</a></p> <p>Image Caption: A picture of Wazhmah as part of a US diplomatic mission in Afghanistan.</p> <p>Wazhmah Osman spoke on <a href="https://www.democracynow.org/2017/4/14/us_drops_its_biggest_non_nuclear" target="_blank">Democracy Now about the MOAB</a> immediately after it was dropped by the United States, which . For a full transcript of this episode, please follow this link: http://www.americananthropologist.org/the-military-present-episode-3-transcript/&nbsp;</p> <p><br></p> <p>Featured Audio:&nbsp;</p> <p>P.J. Harvey - <a href="https://www.youtube.com/watch?v=h1lFM1K8R1s" target="_blank">"The Glorious Land"</a></p> false 00:24:21 full This four-part series on “The Military Present” features interviews with scholars of war and militarism that explore how our present is shaped by the technologies, logics, histories, and economy of war. Episode 3 features an interview with Wazhmah Osman, filmmaker and professor of Media Studies and Production. Building on discussions with scholars Joe Masco (Episode 1) and Madiha Tahir (Episode 2) about the uneven distributions of war’s material effects and visibility, the interview with Wazhmah Osman in Episode 3 focuses on the United States’ dropping of the Massive Ordnance Air Blast (MOAB) in Afghanistan in April of 2017. The MOAB is the largest and most powerful non-nuclear weapon ever used. The final episode of this special series will feature an interview with physician and anthropologist Omar Dewachi in which he discusses war, wounding, and the production of ungovernable life in Iraq. Each of the episodes in this special series ask anthropologists (or scholars in related disciplines/trained as anthropologists) to engage with pressing issues of our present. Our hope is that the episodes will be of interest to anyone concerned with US militarized violence, domestically and internationally, and that they will contribute to public scholarship. Full episode transcript. Image Caption: A picture of Wazhmah as part of a US diplomatic mission in Afghanistan. Wazhmah Osman spoke on Democracy Now about the MOAB immediately after it was dropped by the United States, which . For a full transcript of this episode, please follow this link: http://www.americananthropologist.org/the-military-present-episode-3-transcript/&nbsp; Featured Audio:&nbsp; P.J. Harvey - "The Glorious Land" <![CDATA[Special Feature: "The Military Present" - Episode 2 (Feat. Madiha Tahir)]]> This four-part series titled, "The Military Present," explores various aspects of how the present is shaped by war. To do so, we've invited anthropologists to help us make sense of the current political moment. Each of these episodes asks anthropologists (or scholars in related disciplines/trained as anthropologists) to engage with pressing issues of our present. Our hope is that the episodes would be of interest to anyone concerned with US militarized violence, domestically and internationally, and that they will contribute to public scholarship. Episode 2 features an interview with Madiha Tahir, focusing on drones and remote warfare in Afghanistan, Pakistan and around the world. In the episode image, Madiha Tahir is pictured with Usman Khan whose father was killed in a drone attack on March 17, 2011. Khan asked that the photo be taken to show the world that they are not a "terrorists." Full episode transcript.

Featured Audio: 

Credits: 

P.J. Harvey - "The Glorious Land"

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Special-Feature-The-Military-Present---Episode-2-Feat--Madiha-Tahir-e1soa38 tag:soundcloud,2010:tracks/413020740 Tue, 13 Mar 2018 13:08:07 GMT <p>This four-part series titled, "The Military Present," explores various aspects of how the present is shaped by war. To do so, we've invited anthropologists to help us make sense of the current political moment. Each of these episodes asks anthropologists (or scholars in related disciplines/trained as anthropologists) to engage with pressing issues of our present. Our hope is that the episodes would be of interest to anyone concerned with US militarized violence, domestically and internationally, and that they will contribute to public scholarship. Episode 2 features an interview with Madiha Tahir, focusing on drones and remote warfare in Afghanistan, Pakistan and around the world. In the episode image, Madiha Tahir is pictured with Usman Khan whose father was killed in a drone attack on March 17, 2011. Khan asked that the photo be taken to show the world that they are not a "terrorists." <a href="https://www.americananthropologist.org/podcast/military-present-episode-02" target="_blank">Full episode transcript</a>.</p> <p>Featured Audio:&nbsp;</p> <p>Credits:&nbsp;</p> <p>P.J. Harvey - <a href="//www.youtube.com/watch?v=h1lFM1K8R1s" target="_blank">"The Glorious Land"</a></p> false 00:25:38 full This four-part series titled, "The Military Present," explores various aspects of how the present is shaped by war. To do so, we've invited anthropologists to help us make sense of the current political moment. Each of these episodes asks anthropologists (or scholars in related disciplines/trained as anthropologists) to engage with pressing issues of our present. Our hope is that the episodes would be of interest to anyone concerned with US militarized violence, domestically and internationally, and that they will contribute to public scholarship. Episode 2 features an interview with Madiha Tahir, focusing on drones and remote warfare in Afghanistan, Pakistan and around the world. In the episode image, Madiha Tahir is pictured with Usman Khan whose father was killed in a drone attack on March 17, 2011. Khan asked that the photo be taken to show the world that they are not a "terrorists." Full episode transcript. Featured Audio:&nbsp; Credits:&nbsp; P.J. Harvey - "The Glorious Land" <![CDATA[Season 01 - Episode 07: "Methods of Studying Human Evolution"]]> In Episode 7 of Anthropological Airwaves, we sat down with Ralph Holloway (Columbia) and Shara Bailey (NYU) to talk about the different methods biological anthropologists use to study human evolution through comparative anatomy and more! Full episode transcript. 

Credits:

Interviewer -  Volney Friedrich 

Producers - Diego Arispe-Bazán and Kyle Olson 

Featured Audio: 

Pearl Jam - "Do the Evolution" 

Michio Kaku on Bigthink.com 

Lauren Sallan @ TED2017 


Featured Quotes: 

"Anthropology is basically the study of cultural and biological variability, and how that variability interfaces with actual environments and changes in environment. I'm not just talking about the weather, I'm talking about things like colonialism and what kinds of effects they might have had." (Ralph Holloway) 

"...the question really should be what don't teeth tell us about human evolution, because there is so much that we can figure out about the behavior, diet, and biological relationships of early humans. All of the questions paleoanthropologists might ask, you can ask and answer, or at least get data for, from dentition" (Shara Bailey)

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-01---Episode-07-Methods-of-Studying-Human-Evolution-e1soa35 tag:soundcloud,2010:tracks/352367520 Tue, 07 Nov 2017 13:51:56 GMT <p>In Episode 7 of Anthropological Airwaves, we sat down with Ralph Holloway (Columbia) and Shara Bailey (NYU) to talk about the different methods biological anthropologists use to study human evolution through comparative anatomy and more! <a href="https://www.americananthropologist.org/podcast/methods-of-studying-human-evolution" target="_blank">Full episode transcript</a>.&nbsp;</p> <p>Credits:</p> <p>Interviewer - &nbsp;Volney Friedrich&nbsp;</p> <p>Producers - Diego Arispe-Bazán and Kyle Olson&nbsp;</p> <p>Featured Audio:&nbsp;</p> <p>Pearl Jam - <a href="https://www.youtube.com/watch?v=aDaOgu2CQtI" target="_blank">"Do the Evolution"</a>&nbsp;</p> <p><a href="https://www.youtube.com/watch?v=UkuCtIko798" target="_blank">Michio Kaku on Bigthink.com</a>&nbsp;</p> <p><a href="https://www.ted.com/talks/lauren_sallan_how_to_win_at_evolution_and_survive_a_mass_extinction/up-next" target="_blank">Lauren Sallan @ TED2017</a>&nbsp;</p> <p><br></p> <p>Featured Quotes:&nbsp;</p> <p>"Anthropology is basically the study of cultural and biological variability, and how that variability interfaces with actual environments and changes in environment. I'm not just talking about the weather, I'm talking about things like colonialism and what kinds of effects they might have had." (Ralph Holloway)&nbsp;</p> <p>"...the question really should be what don't teeth tell us about human evolution, because there is so much that we can figure out about the behavior, diet, and biological relationships of early humans. All of the questions paleoanthropologists might ask, you can ask and answer, or at least get data for, from dentition" (Shara Bailey)</p> false 00:24:14 full In Episode 7 of Anthropological Airwaves, we sat down with Ralph Holloway (Columbia) and Shara Bailey (NYU) to talk about the different methods biological anthropologists use to study human evolution through comparative anatomy and more! Full episode transcript.&nbsp; Credits: Interviewer - &nbsp;Volney Friedrich&nbsp; Producers - Diego Arispe-Bazán and Kyle Olson&nbsp; Featured Audio:&nbsp; Pearl Jam - "Do the Evolution"&nbsp; Michio Kaku on Bigthink.com&nbsp; Lauren Sallan @ TED2017&nbsp; Featured Quotes:&nbsp; "Anthropology is basically the study of cultural and biological variability, and how that variability interfaces with actual environments and changes in environment. I'm not just talking about the weather, I'm talking about things like colonialism and what kinds of effects they might have had." (Ralph Holloway)&nbsp; "...the question really should be what don't teeth tell us about human evolution, because there is so much that we can figure out about the behavior, diet, and biological relationships of early humans. All of the questions paleoanthropologists might ask, you can ask and answer, or at least get data for, from dentition" (Shara Bailey) <![CDATA[Season 01 - Episode 05: "Immigration, Discourse, and Trump's Border Wall"]]> This episode features timely interviews with Jason De León and Hilary Parsons Dick about immigration policy and immigration discourse in relation to Trump's border wall, as well as the roles and responsibilities that anthropologists have in the public sphere. Full episode transcript. 

Credits: 

Interviewer - Diego Arispe-Bazán 

Executive Producer - Arjun Shankar 

Producer - Diego Arispe-Bazán 

Editors - Nooshin Sadeghsamimi and Kyle Olson 

Featured Audio: 

Calle 13 - "Pa'l Norte" feat. Orishas 

Gustavo Canabarro - "Malaguena" 

Calexico - "Fake Fur"

Buzzfeed Video - "Heartbreaking Confessions of Undocumented Immigrants"


Featured Quotes:

"I went to a Trump rally in Warren, Michigan [in] February of last year and its just a room full of Michiganders chanting "build the wall" for almost an hour before he comes out... and of course it's me and a Mexican friend and I just remember thinking you know 'build-the-wall, build-the-wall', like that's the more politically correct way to say I have so many misconceptions and if I chant build the wall its really about security and protecting america, not about how much i hate people who look differently from me" (Jason DeLeon).

 "There is actually already a wall, that never gets mentioned. Trump's vision of a "wall" is that it will cover the entire border, but there's already been several -- we've been fortifying and militarizing our southern border with Mexico since the 1980s, including several waves of newer and bigger and longer walls. We've been militarizing and profiting off of the degradation of human life along that border for many many decades now. And I get a little frustrated that that can fall out of the conversation -- "build the wall" is the apotheosis of the worst part of our immigration policy, but it's not new" (Hilary Parsons Dick).

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-01---Episode-05-Immigration--Discourse--and-Trumps-Border-Wall-e1soa3k tag:soundcloud,2010:tracks/340999383 Tue, 05 Sep 2017 13:44:09 GMT <p>This episode features timely interviews with Jason De León and Hilary Parsons Dick about immigration policy and immigration discourse in relation to Trump's border wall, as well as the roles and responsibilities that anthropologists have in the public sphere. <a href="https://www.americananthropologist.org/podcast/immigration-discourse-and-trumps-border-wall" target="_blank">Full episode transcript</a>.&nbsp;</p> <p>Credits:&nbsp;</p> <p>Interviewer - Diego Arispe-Bazán&nbsp;</p> <p>Executive Producer - Arjun Shankar&nbsp;</p> <p>Producer - Diego Arispe-Bazán&nbsp;</p> <p>Editors - Nooshin Sadeghsamimi and Kyle Olson&nbsp;</p> <p>Featured Audio:&nbsp;</p> <p>Calle 13 - <a href="https://vimeo.com/32283520" target="_blank">"Pa'l Norte"</a> feat. Orishas&nbsp;</p> <p>Gustavo Canabarro - <a href="https://www.youtube.com/watch?v=YUHDOd4PQWE" target="_blank">"Malaguena"&nbsp;</a></p> <p>Calexico - <a href="https://www.youtube.com/watch?v=Xg6xx5-N1YQ" target="_blank">"Fake Fur"</a></p> <p>Buzzfeed Video - <a href="https://www.youtube.com/watch?v=Xrrerw6b2Uc" target="_blank">"Heartbreaking Confessions of Undocumented Immigrants"</a></p> <p><br> Featured Quotes:<br> </p> <p>"I went to a Trump rally in Warren, Michigan [in] February of last year and its just a room full of Michiganders chanting "build the wall" for almost an hour before he comes out... and of course it's me and a Mexican friend and I just remember thinking you know 'build-the-wall, build-the-wall', like that's the more politically correct way to say I have so many misconceptions and if I chant build the wall its really about security and protecting america, not about how much i hate people who look differently from me" (Jason DeLeon).</p> <p>&nbsp;"There is actually already a wall, that never gets mentioned. Trump's vision of a "wall" is that it will cover the entire border, but there's already been several -- we've been fortifying and militarizing our southern border with Mexico since the 1980s, including several waves of newer and bigger and longer walls. We've been militarizing and profiting off of the degradation of human life along that border for many many decades now. And I get a little frustrated that that can fall out of the conversation -- "build the wall" is the apotheosis of the worst part of our immigration policy, but it's not new" (Hilary Parsons Dick).</p> false 00:25:31 full This episode features timely interviews with Jason De León and Hilary Parsons Dick about immigration policy and immigration discourse in relation to Trump's border wall, as well as the roles and responsibilities that anthropologists have in the public sphere. Full episode transcript.&nbsp; Credits:&nbsp; Interviewer - Diego Arispe-Bazán&nbsp; Executive Producer - Arjun Shankar&nbsp; Producer - Diego Arispe-Bazán&nbsp; Editors - Nooshin Sadeghsamimi and Kyle Olson&nbsp; Featured Audio:&nbsp; Calle 13 - "Pa'l Norte" feat. Orishas&nbsp; Gustavo Canabarro - "Malaguena"&nbsp; Calexico - "Fake Fur" Buzzfeed Video - "Heartbreaking Confessions of Undocumented Immigrants" Featured Quotes: "I went to a Trump rally in Warren, Michigan [in] February of last year and its just a room full of Michiganders chanting "build the wall" for almost an hour before he comes out... and of course it's me and a Mexican friend and I just remember thinking you know 'build-the-wall, build-the-wall', like that's the more politically correct way to say I have so many misconceptions and if I chant build the wall its really about security and protecting america, not about how much i hate people who look differently from me" (Jason DeLeon). &nbsp;"There is actually already a wall, that never gets mentioned. Trump's vision of a "wall" is that it will cover the entire border, but there's already been several -- we've been fortifying and militarizing our southern border with Mexico since the 1980s, including several waves of newer and bigger and longer walls. We've been militarizing and profiting off of the degradation of human life along that border for many many decades now. And I get a little frustrated that that can fall out of the conversation -- "build the wall" is the apotheosis of the worst part of our immigration policy, but it's not new" (Hilary Parsons Dick). <![CDATA[Season 01 - Episode 04: "Museum Anthropology: Research, Design, and the Public"]]> On this episode of Anthropological Airwaves, we sat down with Stephanie Mach of the Penn Museum for two conversations, the first with Monique Scott of Bryn Mawr College and the second with Salam Al Kuntar of the Penn Cultural Heritage Center. Both of our interviewees discuss their museum work, whether ethnographic research or exhibition design & curation and the role of the museum in today's society, both as it currently exists and as it should be going forward. Full episode transcript.

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-01---Episode-04-Museum-Anthropology-Research--Design--and-the-Public-e1soa3f tag:soundcloud,2010:tracks/335790061 Tue, 01 Aug 2017 13:31:08 GMT <p>On this episode of Anthropological Airwaves, we sat down with Stephanie Mach of the Penn Museum for two conversations, the first with Monique Scott of Bryn Mawr College and the second with Salam Al Kuntar of the Penn Cultural Heritage Center. Both of our interviewees discuss their museum work, whether ethnographic research or exhibition design &amp; curation and the role of the museum in today's society, both as it currently exists and as it should be going forward. <a href="https://www.americananthropologist.org/podcast/museum-anthropology-research-design-and-the-public" target="_blank">Full episode transcript</a>.</p> false 00:22:58 full On this episode of Anthropological Airwaves, we sat down with Stephanie Mach of the Penn Museum for two conversations, the first with Monique Scott of Bryn Mawr College and the second with Salam Al Kuntar of the Penn Cultural Heritage Center. Both of our interviewees discuss their museum work, whether ethnographic research or exhibition design &amp; curation and the role of the museum in today's society, both as it currently exists and as it should be going forward. Full episode transcript. <![CDATA[Season 01 - Episode 03: "Social Imaginaries"]]> In this episode, Penn Ph.D. Candidate Diego Arispe-Bazan interviews Dr. Damien Stankiewicz of Temple University about his recent article in American Anthropologist entitled "Against Imagination: On the Ambiguities of a Composite Concept" and his thoughts on public engagement and politics. A full transcript of this episode is available on the episode page on the American Anthropologist website.

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-01---Episode-03-Social-Imaginaries-e1soa2j tag:soundcloud,2010:tracks/325740673 Mon, 08 May 2017 04:00:00 GMT <p>In this episode, Penn Ph.D. Candidate Diego Arispe-Bazan interviews Dr. Damien Stankiewicz of Temple University about his recent article in American Anthropologist entitled "Against Imagination: On the Ambiguities of a Composite Concept" and his thoughts on public engagement and politics. A <a href="https://www.americananthropologist.org/podcast/social-imaginaries">full transcript</a> of this episode is available on the episode page on the American Anthropologist website.<br> </p> false 00:22:21 full In this episode, Penn Ph.D. Candidate Diego Arispe-Bazan interviews Dr. Damien Stankiewicz of Temple University about his recent article in American Anthropologist entitled "Against Imagination: On the Ambiguities of a Composite Concept" and his thoughts on public engagement and politics. A full transcript of this episode is available on the episode page on the American Anthropologist website. <![CDATA[Season 01 - Episode 02: "Islamophobia in American Politics"]]> This episode features two interviews, with Dr. Nazia Kazi of Stockton University and Dr. Mariam Durrani of Hamilton College. In their remarks, they interrogate anti-Muslim racism in today's America and trace its continuities with other forms of oppression in society.  Full episode transcript. 

Interviewers: Fatima Tassadiq & Michelle Munyikwa 

Producer: Nooshin Sadeghsamimi 

Featured Music: "T-5" by the Swet Shop Boys. 

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-01---Episode-02-Islamophobia-in-American-Politics-e1soa3o tag:soundcloud,2010:tracks/320434178 Tue, 02 May 2017 01:58:05 GMT <p>This episode features two interviews, with Dr. Nazia Kazi of Stockton University and Dr. Mariam Durrani of Hamilton College. In their remarks, they interrogate anti-Muslim racism in today's America and trace its continuities with other forms of oppression in society. &nbsp;<a href="https://www.americananthropologist.org/podcast/islamophobia-in-american-politics">Full episode transcript.</a>&nbsp;</p> <p>Interviewers: Fatima Tassadiq &amp; Michelle Munyikwa&nbsp;</p> <p>Producer: Nooshin Sadeghsamimi&nbsp;</p> <p>Featured Music:&nbsp;"T-5" by the Swet Shop Boys.&nbsp;</p> false 00:21:52 full This episode features two interviews, with Dr. Nazia Kazi of Stockton University and Dr. Mariam Durrani of Hamilton College. In their remarks, they interrogate anti-Muslim racism in today's America and trace its continuities with other forms of oppression in society. &nbsp;Full episode transcript.&nbsp; Interviewers: Fatima Tassadiq &amp; Michelle Munyikwa&nbsp; Producer: Nooshin Sadeghsamimi&nbsp; Featured Music:&nbsp;"T-5" by the Swet Shop Boys.&nbsp; <![CDATA[Season 01 - Episode 01: "Science and Race"]]> Episode 1 includes an interview with Deborah Thomas about her vision for the journal and website as well as a discussion about the nexus of race and science featuring Dorothy Roberts, Michael Yudell, and Sarah Tishkoff. Full episode transcript. 


Credits:

Interviewers - Arjun Shankar, Kyle Olson, Amber Henry 


Featured Audio:

Richie Dagger’s Crime Methods - "Methods"

Roulet – "Amor"

Broke for Free – "Warm Up Suit"

Ars Sonor – "Nityānitya Vastu Viveka"

Bill Clinton Human Genome Announcement 

W. E. B. Du Bois Speaks! The Revolt in Africa

]]> https://podcasters.spotify.com/pod/show/anthropological-airwaves/episodes/Season-01---Episode-01-Science-and-Race-e1soa3c tag:soundcloud,2010:tracks/319479832 Tue, 25 Apr 2017 22:40:05 GMT <p>Episode 1 includes an interview with Deborah Thomas about her vision for the journal and website as well as a discussion about the nexus of race and science featuring Dorothy Roberts, Michael Yudell, and Sarah Tishkoff. <a href="https://www.americananthropologist.org/podcast/science-and-race">Full episode transcript</a>.&nbsp;</p> <p><br></p> <p>Credits:</p> <p>Interviewers - Arjun Shankar, Kyle Olson, Amber Henry&nbsp;</p> <p><br></p> <p>Featured Audio:</p> <p>Richie Dagger’s Crime Methods&nbsp;- "Methods"</p> <p>Roulet – "Amor"</p> <p>Broke for Free – "Warm Up Suit"</p> <p>Ars Sonor – "Nityānitya Vastu Viveka"</p> <p>Bill Clinton Human Genome Announcement&nbsp;</p> <p>W. E. B. Du Bois Speaks! The Revolt in Africa</p> false 00:30:06 full Episode 1 includes an interview with Deborah Thomas about her vision for the journal and website as well as a discussion about the nexus of race and science featuring Dorothy Roberts, Michael Yudell, and Sarah Tishkoff. Full episode transcript.&nbsp; Credits: Interviewers - Arjun Shankar, Kyle Olson, Amber Henry&nbsp; Featured Audio: Richie Dagger’s Crime Methods&nbsp;- "Methods" Roulet – "Amor" Broke for Free – "Warm Up Suit" Ars Sonor – "Nityānitya Vastu Viveka" Bill Clinton Human Genome Announcement&nbsp; W. E. B. Du Bois Speaks! The Revolt in Africa