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  <channel>
    <title>ArchDaily Global</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Tue, 12 May 2026 00:00:00 +0000</lastBuildDate>
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    <item>
      <title>
        <![CDATA[Saint-George-Haute-Ville Town Center / Link architectes + FAB Architects]]>
      </title>
      <link>https://www.archdaily.com/1041364/saint-george-haute-ville-town-centre-link-architectes-plus-fab-architects</link>
      <pubDate>Tue, 12 May 2026 12:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Cultural Architecture]]>
      </category>
      <category>
        <![CDATA[Cultural Center]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041364/saint-george-haute-ville-town-centre-link-architectes-plus-fab-architects</guid>
      <description>
        <![CDATA[<p>A rural commune situated halfway between the slopes of France's Central Massif and the city of Saint-Étienne (42), <a href="https://www.archdaily.com/tag/saint-georges-haute-ville">Saint-Georges-Haute-Ville</a> is getting a brand-new town center.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041364/saint-george-haute-ville-town-centre-link-architectes-plus-fab-architects/69fe076e5cbf97017f1237ab-saint-george-haute-ville-town-centre-link-architectes-plus-fab-architects-photo" rel="attachment" title="featured_image">
    <img title="© Salem Mostefaoui" src="https://images.adsttc.com/media/images/69fe/076e/5cbf/9701/7f12/37ab/medium_jpg/saint-george-haute-ville-town-centre-link-architectes-plus-fab-architects_4.jpg?1778255736" alt="© Salem Mostefaoui"/>
  </a>
  <small>© Salem Mostefaoui</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.fabarchitects.co.uk'>FAB Architects</a></li><li><strong>architects:</strong> <a href='https://www.linkarchitectes.com/'>Link architectes</a></li><li><strong>Location:</strong> Saint-Georges-Haute-Ville, France</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Salem Mostefaoui</li><li><strong>Photographs:</strong> </li><li><strong>Area:</strong> 2000.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041364/saint-george-haute-ville-town-centre-link-architectes-plus-fab-architects">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[Masurian House / Archigrest]]>
      </title>
      <link>https://www.archdaily.com/1041333/masurian-house-archigrest</link>
      <pubDate>Tue, 12 May 2026 10:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <category>
        <![CDATA[Sustainability]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041333/masurian-house-archigrest</guid>
      <description>
        <![CDATA[<p>This single-family home in Masuria was designed to fully integrate with its natural surroundings, maximizing views and connecting the interior with the garden. A southwest-facing balcony opens onto the open landscape, while terraces extend directly from the kitchen and living room, creating a central, vibrant heart of the home. Exposed beams on the mezzanine, terrace windows, and skylights let in light from multiple directions, creating a warm, welcoming atmosphere year-round.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041333/masurian-house-archigrest/69fd502ffda2da0189bdc27a-masurian-house-archigrest-photo" rel="attachment" title="featured_image">
    <img title="© Kuba Rodziewicz" src="https://images.adsttc.com/media/images/69fd/502f/fda2/da01/89bd/c27a/medium_jpg/masurian-house-archigrest_1.jpg?1778208853" alt="© Kuba Rodziewicz"/>
  </a>
  <small>© Kuba Rodziewicz</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://archigrest.com/'>Archigrest</a></li><li><strong>Location:</strong> Grom, Warmian-Masurian, Poland</li><li><strong>Project Year:</strong> 2023</li><li><strong>Photographs:</strong> Kuba Rodziewicz</li><li><strong>Area:</strong> 163.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041333/masurian-house-archigrest">Read more »</a></p>]]>
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    <item>
      <title>
        <![CDATA[ParkTEA: An ArchDaily Student Project Awards Winner Reimagining the City for Cognitive Diversity]]>
      </title>
      <link>https://www.archdaily.com/1041256/parktea-an-archdaily-student-project-awards-winner-reimagining-the-city-for-cognitive-diversity</link>
      <pubDate>Tue, 12 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041256/parktea-an-archdaily-student-project-awards-winner-reimagining-the-city-for-cognitive-diversity</guid>
      <description>
        <![CDATA[<p>Public space is often designed around a narrow idea of how people move, interact, and respond to their surroundings. <a href="https://www.archdaily.com/campus/awards/spa-2025/10639226" target="_blank" rel="noopener">ParkTEA</a> starts from a different position. The city can also make room for those who experience space through different sensory and <a href="https://www.archdaily.com/1038300/the-kitchen-as-a-social-space-everyday-rituals-and-the-making-of-place" target="_blank" rel="noopener">social conditions</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041256/parktea-an-archdaily-student-project-awards-winner-reimagining-the-city-for-cognitive-diversity/6a01e64afda2da0189bdcda2-parktea-an-archdaily-student-project-awards-winner-reimagining-the-city-for-cognitive-diversity-photo" rel="attachment" title="featured_image">
    <img title="ParkTEA: Architecture of Coexistence. Image © Ignacio Martinez Pardo" src="https://images.adsttc.com/media/images/6a01/e64a/fda2/da01/89bd/cda2/medium_jpg/parktea-an-archdaily-student-project-awards-winner-reimagining-the-city-for-cognitive-diversity_15.jpg?1778509395" alt="ParkTEA: Architecture of Coexistence. Image © Ignacio Martinez Pardo"/>
  </a>
  <small>ParkTEA: Architecture of Coexistence. Image © Ignacio Martinez Pardo</small>
</figure>
<p><p>Public space is often designed around a narrow idea of how people move, interact, and respond to their surroundings. <a href="https://www.archdaily.com/campus/awards/spa-2025/10639226" target="_blank" rel="noopener">ParkTEA</a> starts from a different position. The city can also make room for those who experience space through different sensory and <a href="https://www.archdaily.com/1038300/the-kitchen-as-a-social-space-everyday-rituals-and-the-making-of-place" target="_blank" rel="noopener">social conditions</a>.</p></p><p><p>Developed by Ignacio Martínez Pardo at the <a href="https://etsamadrid.aq.upm.es/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Escuela Técnica Superior de Arquitectura de Madrid (ETSAM)</a>, the project was conceived within the Master's thesis (Graduate-MHab) program during the 2024 to 2025 academic year, under the guidance of Héctor Fernández Elorza, Jesús Aparicio, Carlos García Fernández, and Jaime Daroca Guerrero. Recognized as one of the winners of the first edition of the <a href="https://www.archdaily.com/1040196/meet-the-winners-of-the-archdaily-student-project-awards" target="_blank" rel="noopener">ArchDaily Student Project Awards</a>, ParkTEA engages the theme of coexistence through a proposal that brings together <a href="https://www.archdaily.com/1037748/designing-streets-through-the-lens-of-care" target="_blank" rel="noopener">care</a>, infrastructure, and <a href="https://www.archdaily.com/1040595/reimagining-the-complete-neighborhood-through-urban-renaturing" target="_blank" rel="noopener">urban life</a>.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041256/parktea-an-archdaily-student-project-awards-winner-reimagining-the-city-for-cognitive-diversity">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[Vis-à-Vis Venitian Villa / RigonSimonetti]]>
      </title>
      <link>https://www.archdaily.com/1041382/vis-a-vis-venitian-villa-rigonsimonetti</link>
      <pubDate>Tue, 12 May 2026 07:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Offices]]>
      </category>
      <category>
        <![CDATA[Refurbishment]]>
      </category>
      <category>
        <![CDATA[Restoration]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041382/vis-a-vis-venitian-villa-rigonsimonetti</guid>
      <description>
        <![CDATA[<p>Leaving Vicenza and following the Pasubio state road, one reaches the village of Motta di <a href="https://www.archdaily.com/tag/costabissara">Costabissara</a>, where the historic Villa Donà stands. Recently restored through the architectural project of RigonSimonetti, the villa reveals a careful reconstruction of its stratified history. The intervention prepares the complex to accommodate new spaces for work and gathering, renewing its relationship with the surrounding landscape.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041382/vis-a-vis-venitian-villa-rigonsimonetti/69fe54d9bbf1cd01885bb6cb-vis-a-vis-venitian-villa-rigonsimonetti-photo" rel="attachment" title="featured_image">
    <img title="© Rory Gardiner" src="https://images.adsttc.com/media/images/69fe/54d9/bbf1/cd01/885b/b6cb/medium_jpg/vis-a-vis-venitian-villa-rigonsimonetti_10.jpg?1778275588" alt="© Rory Gardiner"/>
  </a>
  <small>© Rory Gardiner</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://rigonsimonetti.it/'>RigonSimonetti</a></li><li><strong>Location:</strong> Costabissara, Italy</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> <a href='https://www.rory-gardiner.com'>Rory Gardiner</a></li><li><strong>Photographs:</strong> Alberto Sinigaglia</li><li><strong>Area:</strong> 714.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041382/vis-a-vis-venitian-villa-rigonsimonetti">Read more »</a></p>]]>
      </content:encoded>
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    <item>
      <title>
        <![CDATA[How Waterways and Memory Shape Bathroom Design]]>
      </title>
      <link>https://www.archdaily.com/1041109/how-waterways-and-memory-shape-bathroom-design</link>
      <pubDate>Tue, 12 May 2026 06:45:00 +0000</pubDate>
      <dc:creator>Kiana Buchberger</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041109/how-waterways-and-memory-shape-bathroom-design</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/water">Water</a> has always occupied a unique position in architecture: elemental yet elusive, functional yet symbolic. It is both a material and a medium that shapes cities, structures rituals, and influences how space is perceived. Across cultures, water is understood not only as a source of life <a href="https://www.archdaily.com/1002413/the-poetry-of-water-symbolic-meanings-in-built-space">but as a carrier of meaning</a>, associated with purification, renewal, and continuity. Its presence in the built environment often extends beyond utility, becoming a device through which architecture engages the senses and constructs atmosphere. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041109/how-waterways-and-memory-shape-bathroom-design/69fcb091ad4f9c01898d3e26-how-waterways-and-memory-shape-bathroom-design-image" rel="attachment" title="featured_image">
    <img title="Waterway bathroom concept by Haihua Zhang and the bathroom collection AXOR Archivio by Barber Osgerby. Image Courtesy of AXOR" src="https://images.adsttc.com/media/images/69fc/b091/ad4f/9c01/898d/3e26/medium_jpg/how-waterways-and-memory-shape-bathroom-design_9.jpg?1778167987" alt="Waterway bathroom concept by Haihua Zhang and the bathroom collection AXOR Archivio by Barber Osgerby. Image Courtesy of AXOR"/>
  </a>
  <small>Waterway bathroom concept by Haihua Zhang and the bathroom collection AXOR Archivio by Barber Osgerby. Image Courtesy of AXOR</small>
</figure>
<p><p><a href="https://www.archdaily.com/tag/water">Water</a> has always occupied a unique position in architecture: elemental yet elusive, functional yet symbolic. It is both a material and a medium that shapes cities, structures rituals, and influences how space is perceived. Across cultures, water is understood not only as a source of life <a href="https://www.archdaily.com/1002413/the-poetry-of-water-symbolic-meanings-in-built-space">but as a carrier of meaning</a>, associated with purification, renewal, and continuity. Its presence in the built environment often extends beyond utility, becoming a device through which architecture engages the senses and constructs atmosphere. </p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041109/how-waterways-and-memory-shape-bathroom-design">Read more »</a></p>]]>
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      <title>
        <![CDATA[Tallinn Architecture Biennale 2026 Announces Winners of Installation and Vision Competitions]]>
      </title>
      <link>https://www.archdaily.com/1041464/tallinn-architecture-biennale-2026-announces-winners-of-installation-and-vision-competitions</link>
      <pubDate>Tue, 12 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041464/tallinn-architecture-biennale-2026-announces-winners-of-installation-and-vision-competitions</guid>
      <description>
        <![CDATA[<p>The 8th edition of the <a href="https://www.archdaily.com/tag/tallinn-architecture-biennale">Tallinn Architecture Biennale 2026 (TAB 2026)</a> has announced the winners of its Installation Programme Competition and Vision Competition, both developed within the curatorial framework <a href="https://www.archdaily.com/1035352/stuudio-tana-and-mark-aleksander-fischer-to-curate-the-2026-tallinn-architecture-biennale-on-affordability-in-architecture?ad_campaign=normal-tag">titled "How Much?"</a>. Organized by the Estonian Centre for Architecture, the biennale will take place from September 9 to November 30, 2026, with its Opening Week scheduled from September 9 to 13. Curated by <a href="https://www.archdaily.com/tag/stuudio-tana">Stuudio TÄNA</a>, <a href="https://www.archdaily.com/tag/mark-aleksander-fischer">Mark Aleksander Fischer</a>, and Mira Samonig, TAB 2026 explores the role of money, affordability, and resource allocation in shaping <a href="https://www.archdaily.com/tag/architecture">architecture</a> and the <a href="https://www.archdaily.com/tag/built-environment">built environment</a>, while examining how contemporary practice negotiates economic constraints and cultural value.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041464/tallinn-architecture-biennale-2026-announces-winners-of-installation-and-vision-competitions/6a02f655bbf1cd01885bbfbf-tallinn-architecture-biennale-2026-announces-winners-of-installation-and-vision-competitions-photo" rel="attachment" title="featured_image">
    <img title="Resonance / Aru Ma-Architects. Image © AruMa-Architects" src="https://images.adsttc.com/media/images/6a02/f655/bbf1/cd01/885b/bfbf/medium_jpg/tallinn-architecture-biennale-2026-announces-winners-of-installation-and-vision-competitions_5.jpg?1778579036" alt="Resonance / Aru Ma-Architects. Image © AruMa-Architects"/>
  </a>
  <small>Resonance / Aru Ma-Architects. Image © AruMa-Architects</small>
</figure>
<p><p>The 8th edition of the <a href="https://www.archdaily.com/tag/tallinn-architecture-biennale">Tallinn Architecture Biennale 2026 (TAB 2026)</a> has announced the winners of its Installation Programme Competition and Vision Competition, both developed within the curatorial framework <a href="https://www.archdaily.com/1035352/stuudio-tana-and-mark-aleksander-fischer-to-curate-the-2026-tallinn-architecture-biennale-on-affordability-in-architecture?ad_campaign=normal-tag">titled "How Much?"</a>. Organized by the Estonian Centre for Architecture, the biennale will take place from September 9 to November 30, 2026, with its Opening Week scheduled from September 9 to 13. Curated by <a href="https://www.archdaily.com/tag/stuudio-tana">Stuudio TÄNA</a>, <a href="https://www.archdaily.com/tag/mark-aleksander-fischer">Mark Aleksander Fischer</a>, and Mira Samonig, TAB 2026 explores the role of money, affordability, and resource allocation in shaping <a href="https://www.archdaily.com/tag/architecture">architecture</a> and the <a href="https://www.archdaily.com/tag/built-environment">built environment</a>, while examining how contemporary practice negotiates economic constraints and cultural value.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041464/tallinn-architecture-biennale-2026-announces-winners-of-installation-and-vision-competitions">Read more »</a></p>]]>
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      <title>
        <![CDATA[Casa Sota la Mola / TwoBo arquitectura]]>
      </title>
      <link>https://www.archdaily.com/1041248/casa-sota-la-mola-twobo-arquitectura</link>
      <pubDate>Tue, 12 May 2026 06:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041248/casa-sota-la-mola-twobo-arquitectura</guid>
      <description>
        <![CDATA[

<p data-start="0" data-end="498">Barcelona-based architecture studio Twobo, formed by Mar&iacute;a Pancorbo, Alberto Twose and Pablo Twose, presents Casa Sota la Mola. Situated in Matadepera, at the foot of the Sant Lloren&ccedil; del Munt i l&rsquo;Obac Natural Park in Barcelona, the project is rooted in a careful reading of its surroundings and designed to blend unobtrusively with the characteristic red hues of the landscape. The result is a monochromatic home that merges with the terrain, combining family life with the tranquillity of nature.</p>
]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041248/casa-sota-la-mola-twobo-arquitectura/69fb2508754aba018bca86bc-casa-sota-la-mola-twobo-arquitectura-photo" rel="attachment" title="featured_image">
    <img title="© Jose Hevia" src="https://images.adsttc.com/media/images/69fb/2508/754a/ba01/8bca/86bc/medium_jpg/casa-sota-la-mola-twobo-arquitectura_24.jpg?1778066718" alt="© Jose Hevia"/>
  </a>
  <small>© Jose Hevia</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://two-bo.com/'>TwoBo arquitectura</a></li><li><strong>Ubicación:</strong> Matadepera, España</li><li><strong>Año Proyecto:</strong> 2025</li><li><strong>Fotografías:</strong> Jose Hevia</li><li><strong>Área:</strong> 250.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041248/casa-sota-la-mola-twobo-arquitectura">Read more »</a></p>]]>
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      <title>
        <![CDATA[Designing a Brand: How Apple Built an Architectural Language of Glass and Order]]>
      </title>
      <link>https://www.archdaily.com/1040779/designing-a-brand-how-apple-built-an-architectural-language-of-glass-and-order</link>
      <pubDate>Tue, 12 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040779/designing-a-brand-how-apple-built-an-architectural-language-of-glass-and-order</guid>
      <description>
        <![CDATA[<p>In 2026, <a href="https://www.archdaily.com/tag/apple">Apple</a> marked fifty years since its founding. Over the past two decades, Apple has developed a <a href="https://www.archdaily.com/1019182/a-decade-of-redefining-experience-retail-15-apple-stores-designed-by-foster-plus-partners-in-city-centers" target="_blank" rel="noopener">consistent architectural language that extends its brand into the built environment</a>, transforming stores, workplaces, and public-facing spaces into active components of its identity. These environments guide movement, frame interaction, and condition the ways in which users encounter both products and the company itself.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040779/designing-a-brand-how-apple-built-an-architectural-language-of-glass-and-order/69e3d4c51afd70018891420e-designing-a-brand-how-apple-built-an-architectural-language-of-glass-and-order-photo" rel="attachment" title="featured_image">
    <img title="Apple Park. Image © Nils Huenerfuerst, via Wikipedia under CC0" src="https://images.adsttc.com/media/images/69e3/d4c5/1afd/7001/8891/420e/medium_jpg/designing-the-brand-how-apple-built-an-architectural-language_16.jpg?1776538918" alt="Apple Park. Image © Nils Huenerfuerst, via Wikipedia under CC0"/>
  </a>
  <small>Apple Park. Image © Nils Huenerfuerst, via Wikipedia under CC0</small>
</figure>
<p><p>In 2026, <a href="https://www.archdaily.com/tag/apple">Apple</a> marked fifty years since its founding. Over the past two decades, Apple has developed a <a href="https://www.archdaily.com/1019182/a-decade-of-redefining-experience-retail-15-apple-stores-designed-by-foster-plus-partners-in-city-centers" target="_blank" rel="noopener">consistent architectural language that extends its brand into the built environment</a>, transforming stores, workplaces, and public-facing spaces into active components of its identity. These environments guide movement, frame interaction, and condition the ways in which users encounter both products and the company itself.</p></p><p><p>From the handheld device to the urban interior, <a href="https://www.archdaily.com/tag/apple">Apple</a> has sought to maintain a high degree of control over form, material, and experience. <a href="https://www.archdaily.com/884071/apple-park-visitor-center-foster-plus-partners" target="_blank" rel="noopener">Architecture becomes part of this system </a>when the company begins to define how it is perceived and engaged with in physical space. Research on retail environments has shown how spatial layout, visibility, and circulation patterns can shape behavior and interaction, turning architecture into an interface between brand and user.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040779/designing-a-brand-how-apple-built-an-architectural-language-of-glass-and-order">Read more »</a></p>]]>
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      <title>
        <![CDATA[Renaissance of the Real Multisensory Installation - Milan Design Week 2026 / Snøhetta + USM Modular Furniture]]>
      </title>
      <link>https://www.archdaily.com/1041331/renaissance-of-the-real-multisensory-installation-milan-design-week-2026-snohetta-plus-usm-modular-furniture</link>
      <pubDate>Tue, 12 May 2026 03:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Installations & Structures]]>
      </category>
      <category>
        <![CDATA[Landscape Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041331/renaissance-of-the-real-multisensory-installation-milan-design-week-2026-snohetta-plus-usm-modular-furniture</guid>
      <description>
        <![CDATA[<p>USM Modular Furniture, in partnership with the transdisciplinary architecture studio Snøhetta, is proud to announce Renaissance of the Real, a multisensory installation by Swiss artist and experience designer Annabelle Schneider. Debuting at the prestigious Fondazione Luigi Rovati during Milan Design Week (April 20–26, 2026), the project invites visitors to step away from digital acceleration and rediscover the sensory intelligence of the physical body.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041331/renaissance-of-the-real-multisensory-installation-milan-design-week-2026-snohetta-plus-usm-modular-furniture/69fe017ffda2da0189bdc788-renaissance-of-the-real-multisensory-installation-milan-design-week-2026-snohetta-plus-usm-modular-furniture-image" rel="attachment" title="featured_image">
    <img title="Courtesy of USM and Snøhetta" src="https://images.adsttc.com/media/images/69fe/017f/fda2/da01/89bd/c788/medium_jpg/renaissance-of-the-real-snohetta-plus-usm-modular-furniture_12.jpg?1778254219" alt="Courtesy of USM and Snøhetta"/>
  </a>
  <small>Courtesy of USM and Snøhetta</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://snohetta.com/'>Snøhetta</a></li><li><strong>architects:</strong> USM Modular Furniture</li><li><strong>Location:</strong> Milano, Italy</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Courtesy of USM and Snøhetta</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041331/renaissance-of-the-real-multisensory-installation-milan-design-week-2026-snohetta-plus-usm-modular-furniture">Read more »</a></p>]]>
      </content:encoded>
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    </item>
    <item>
      <title>
        <![CDATA[Studio ALT / Rushnaiwala Architects]]>
      </title>
      <link>https://www.archdaily.com/1041426/studio-alt-rushnaiwala-architects</link>
      <pubDate>Tue, 12 May 2026 02:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Mixed Use Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041426/studio-alt-rushnaiwala-architects</guid>
      <description>
        <![CDATA[<p>Set within a 125-acre organic farm in Bilasya, Kathwada, two creative practices, hand-painted ceramics and bespoke speaker design, converge. The result is a design gallery that is a layered, adaptable space and resists singular definition. Its architecture reflects this plurality through exposed brick, concrete, and steel to negotiate the intersection of material and spatial dualities. The robust external mass sits in contrast to an internal tectonic lightness, recalling Henri Labrouste's Bibliothèque nationale de France. This duality informed the foundational approach of the project, balancing nostalgia and innovation while sensitively reconciling a brief for an exposed material palette. It draws from Brutalism and contemporary industrial design, allowing the gallery to hold space for both public display and private creative practice, and thus generate a layered and tactile dialogue between the built form, wood-crafted speakers, and vibrant ceramics.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041426/studio-alt-rushnaiwala-architects/6a01daf1a59b830001a7f554-studio-alt-rushnaiwala-architects-photo" rel="attachment" title="featured_image">
    <img title="© Niveditaa Gupta" src="https://images.adsttc.com/media/images/6a01/daf1/a59b/8300/01a7/f554/medium_jpg/TOTC_003.jpg?1778506581" alt="© Niveditaa Gupta"/>
  </a>
  <small>© Niveditaa Gupta</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> Rushnaiwala Architects</li><li><strong>Location:</strong> Kathwada, Gujarat, India</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Niveditaa Gupta</li><li><strong>Area:</strong> 8000.0 ft2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041426/studio-alt-rushnaiwala-architects">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Shenzhen Hongling Education Group Huafu Experimental School / UASZ]]>
      </title>
      <link>https://www.archdaily.com/1041361/shenzhen-hongling-education-group-huafu-experimental-school-uasz</link>
      <pubDate>Tue, 12 May 2026 00:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Educational Architecture]]>
      </category>
      <category>
        <![CDATA[Schools]]>
      </category>
      <category>
        <![CDATA[Elementary & Middle school]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041361/shenzhen-hongling-education-group-huafu-experimental-school-uasz</guid>
      <description>
        <![CDATA[<p><em>Finding Nature Within the Concrete Forest</em><strong> - </strong>In terms of its relationship with nature, the site presents a striking contradiction. Although located next to <a href="https://www.archdaily.com/tag/shenzhen">Shenzhen</a> Central Park, the campus is separated from it by surrounding high-rise residential towers, which form a barrier between the park and the school. The project therefore began with a fundamental question: how can nature be brought back into the everyday life of the campus?</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041361/shenzhen-hongling-education-group-huafu-experimental-school-uasz/69fdd1dfa85ba80187e4c9c1-shenzhen-hongling-education-group-huafu-experimental-school-uasz-photo" rel="attachment" title="featured_image">
    <img title="© Yu Bai" src="https://images.adsttc.com/media/images/69fd/d1df/a85b/a801/87e4/c9c1/medium_jpg/shenzhen-hongling-education-group-huafu-experimental-school-uasz_1.jpg?1778242029" alt="© Yu Bai"/>
  </a>
  <small>© Yu Bai</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> UASZ</li><li><strong>Location:</strong> No. 2011, Huafu Road, Huafu Street, Futian District, Shenzhen, Guangdong Province, China</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> Yu Bai</li><li><strong>Area:</strong> 73200.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041361/shenzhen-hongling-education-group-huafu-experimental-school-uasz">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[15 Khartoum Road MPark / Choi Studio]]>
      </title>
      <link>https://www.archdaily.com/1041421/15-khartoum-road-mpark-choi-studio</link>
      <pubDate>Mon, 11 May 2026 19:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Mixed Use Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041421/15-khartoum-road-mpark-choi-studio</guid>
      <description>
        <![CDATA[<p>15 Khartoum Road by Choi Studio is a new workplace destination for Stockland's MPark precinct that sets a benchmark for the evolving urban character of Macquarie Park. MPark is one of Australia's largest innovation precincts for life sciences and technology, leading the way for the future of work. Master planned by 3XN, the precinct includes three commercial buildings arranged around a new park. Positioned at the heart of the precinct, 15 Khartoum Rd, forms the focal point, sitting lightly in the landscape. Located on Wallumattagal Country, Macquarie Park is one of Sydney's leading employment and innovation precincts, home to major corporations, Macquarie University, and strong transport links. Despite its economic strength, it has often been characterised by business parks that prioritise car parking, with limited open space and minimal street-level activation.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041421/15-khartoum-road-mpark-choi-studio/6a019c2afda2da0189bdccb3-15-khartoum-road-mpark-choi-studio-photo" rel="attachment" title="featured_image">
    <img title="© Thomas Li" src="https://images.adsttc.com/media/images/6a01/9c2a/fda2/da01/89bd/ccb3/medium_jpg/15-khartoum-road-mpark-choi-studio_1.jpg?1778490464" alt="© Thomas Li"/>
  </a>
  <small>© Thomas Li</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.choistudio.com/'>Choi Studio</a></li><li><strong>Location:</strong> Macquarie Park, Sydney, Australia</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Thomas Li</li><li><strong>Photographs:</strong> <a href='https://www.clinton-weaver.com'>Clinton Weaver</a></li><li><strong>Photographs:</strong> Courtesy of Choi Studio</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041421/15-khartoum-road-mpark-choi-studio">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Iporanga House / Nati Minas & Studio]]>
      </title>
      <link>https://www.archdaily.com/1041368/iporanga-house-nati-minas-and-studio</link>
      <pubDate>Mon, 11 May 2026 15:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041368/iporanga-house-nati-minas-and-studio</guid>
      <description>
        <![CDATA[<p>Located in an environmentally protected area within the Atlantic Forest, Casa Iporanga was designed as a refuge in dialogue with the landscape. The project adopts a careful approach, respecting the original architecture of the house, marked by a modernist language that was decisive in the clients' choice of property, as well as its placement on the land.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041368/iporanga-house-nati-minas-and-studio/69f96a1a20d6d80001664149-iporanga-house-nati-minas-and-studio-photo" rel="attachment" title="featured_image">
    <img title="© Miti Sameshima" src="https://images.adsttc.com/media/images/69f9/6a1a/20d6/d800/0166/4149/medium_jpg/25-NatiMinas-ResIporanga-MitiSameshima-37.jpg?1777953365" alt="© Miti Sameshima"/>
  </a>
  <small>© Miti Sameshima</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.natiminasestudio.com.br/'>Nati Minas & Studio</a></li><li><strong>Location:</strong> , Brasil</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Miti Sameshima</li><li><strong>Area:</strong> 750.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041368/iporanga-house-nati-minas-and-studio">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Neighborhood Cinema ‘Le Rio’ / FAB Architects + Unes Architectes]]>
      </title>
      <link>https://www.archdaily.com/1041328/neighborhood-cinema-le-rio-fab-architects-plus-unes-architectes</link>
      <pubDate>Mon, 11 May 2026 12:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Cultural Architecture]]>
      </category>
      <category>
        <![CDATA[Theaters & Performance]]>
      </category>
      <category>
        <![CDATA[cinema]]>
      </category>
      <category>
        <![CDATA[Refurbishment]]>
      </category>
      <category>
        <![CDATA[Renovation]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041328/neighborhood-cinema-le-rio-fab-architects-plus-unes-architectes</guid>
      <description>
        <![CDATA[<p>Formerly a community cinema serving an entire neighborhood made up of large 1960s housing estates, the Rio is reclaiming its '1930s' identity, which had been lost following a previous refurbishment.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041328/neighborhood-cinema-le-rio-fab-architects-plus-unes-architectes/69fd3438fda2da36a30f4f8f-neighborhood-cinema-le-rio-fab-architects-plus-unes-architectes-photo" rel="attachment" title="featured_image">
    <img title="© Salem Mostefaoui" src="https://images.adsttc.com/media/images/69fd/3438/fda2/da36/a30f/4f8f/medium_jpg/neighborhood-cinema-le-rio-fab-architects-plus-unes-architectes_2.jpg?1778201726" alt="© Salem Mostefaoui"/>
  </a>
  <small>© Salem Mostefaoui</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.fabarchitects.co.uk'>FAB Architects</a></li><li><strong>architects:</strong> Unes Architectes</li><li><strong>Location:</strong> Clermont-Ferrand, France</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Salem Mostefaoui</li><li><strong>Photographs:</strong> </li><li><strong>Area:</strong> 400.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041328/neighborhood-cinema-le-rio-fab-architects-plus-unes-architectes">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[L33 Narrow House / BAST]]>
      </title>
      <link>https://www.archdaily.com/1041327/l33-narrow-house-bast</link>
      <pubDate>Mon, 11 May 2026 10:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <category>
        <![CDATA[Offices]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041327/l33-narrow-house-bast</guid>
      <description>
        <![CDATA[<p>The site, composed of two through parcels, forms a pause within the built density of the Bonnefoy district. On one side, the plot is an urban infill gap between two townhouses typical of this suburban neighborhood. On the other side, the land is occupied by dense vegetation, characteristic of an undergrowth atmosphere, including a majestic hackberry tree that extends widely over Massé Street, signaling the presence of a green plot along this urban street.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041327/l33-narrow-house-bast/69fd305dfda2da0189bdc1e6-l33-narrow-house-bast-image" rel="attachment" title="featured_image">
    <img title="Courtesy of BAST" src="https://images.adsttc.com/media/images/69fd/305d/fda2/da01/89bd/c1e6/medium_jpg/l33-narrow-house-bast_2.jpg?1778200701" alt="Courtesy of BAST"/>
  </a>
  <small>Courtesy of BAST</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://bast0.com/'>BAST</a></li><li><strong>Location:</strong> Toulouse, France</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Courtesy of BAST</li><li><strong>Area:</strong> 370.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041327/l33-narrow-house-bast">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Understanding Light Sources: Types, Metrics, and Their Role in Architectural Design]]>
      </title>
      <link>https://www.archdaily.com/928655/how-to-choose-light-bulbs-for-an-architectural-project</link>
      <pubDate>Mon, 11 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/928655/how-to-choose-light-bulbs-for-an-architectural-project</guid>
      <description>
        <![CDATA[<p data-start="336" data-end="928">Walking into an electrical store can be intimidating. At first glance, all the lights are on, and the thousands of chandeliers and lamps are blinding. When you walk toward the shelves, you see dozens of options, shapes, colors, prices, and uses. On each package, informational tables display numbers that can seem confusing at first. Lumens, color temperature, wattage—there are many unfamiliar terms. Before defaulting to the cheapest option, only to find that it creates an uncomfortable or poorly balanced atmosphere, understanding a few key concepts can make a significant difference.</p> <p data-start="930" data-end="1431">Lighting design plays a fundamental role in shaping <a href="https://www.archdaily.com/925587/how-to-improve-lighting-in-the-workplace" target="_blank" rel="noopener">how spaces are perceived and used</a>, influencing comfort, atmosphere, and even productivity. <a href="https://www.archdaily.com/922506/how-lighting-affects-mood" target="_blank" rel="noopener">Poorly designed lighting</a>, on the other hand, can compromise these qualities. Rather than approaching lighting as a purely technical decision, it can be understood as an integral part of architectural design. To help clarify these choices, the following overview introduces the most common types of light sources and key concepts associated with them.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/928655/how-to-choose-light-bulbs-for-an-architectural-project/5dcdaf2e3312fdf337000229-how-to-choose-light-bulbs-for-an-architectural-project-image" rel="attachment" title="featured_image">
    <img title="via Shutterstock. Image © ArchDaily" src="https://images.adsttc.com/media/images/5dcd/af2e/3312/fdf3/3700/0229/medium_jpg/AD_lamp-01.jpg?1573760751" alt="via Shutterstock. Image © ArchDaily"/>
  </a>
  <small>via Shutterstock. Image © ArchDaily</small>
</figure>
<p><p data-start="336" data-end="928">Walking into an electrical store can be intimidating. At first glance, all the lights are on, and the thousands of chandeliers and lamps are blinding. When you walk toward the shelves, you see dozens of options, shapes, colors, prices, and uses. On each package, informational tables display numbers that can seem confusing at first. Lumens, color temperature, wattage—there are many unfamiliar terms. Before defaulting to the cheapest option, only to find that it creates an uncomfortable or poorly balanced atmosphere, understanding a few key concepts can make a significant difference.</p> <p data-start="930" data-end="1431">Lighting design plays a fundamental role in shaping <a href="https://www.archdaily.com/925587/how-to-improve-lighting-in-the-workplace" target="_blank" rel="noopener">how spaces are perceived and used</a>, influencing comfort, atmosphere, and even productivity. <a href="https://www.archdaily.com/922506/how-lighting-affects-mood" target="_blank" rel="noopener">Poorly designed lighting</a>, on the other hand, can compromise these qualities. Rather than approaching lighting as a purely technical decision, it can be understood as an integral part of architectural design. To help clarify these choices, the following overview introduces the most common types of light sources and key concepts associated with them.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/928655/how-to-choose-light-bulbs-for-an-architectural-project">Read more »</a></p>]]>
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      <title>
        <![CDATA[C1 Workplace / Bruzkus Greenberg]]>
      </title>
      <link>https://www.archdaily.com/1041337/c1-workplace-bruzkus-greenberg</link>
      <pubDate>Mon, 11 May 2026 07:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Interior Design]]>
      </category>
      <category>
        <![CDATA[Offices Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041337/c1-workplace-bruzkus-greenberg</guid>
      <description>
        <![CDATA[<p>The shared amenity spaces at Berlin's C1 office building draw on the warmth and ease of the home office — comfort, domesticity, and informality — while embracing the energy of a shared workplace. Here, social interaction and collective identity unfold within generously scaled furniture and welcoming environments designed to bring people together.</p>]]>
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  <a href="https://www.archdaily.com/1041337/c1-workplace-bruzkus-greenberg/69fd5af3bbf1cd5a4ce343b9-c1-workplace-bruzkus-greenberg-photo" rel="attachment" title="featured_image">
    <img title="© Robert Rieger" src="https://images.adsttc.com/media/images/69fd/5af3/bbf1/cd5a/4ce3/43b9/medium_jpg/c1-workplace-bruzkus-greenberg_1.jpg?1778211594" alt="© Robert Rieger"/>
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  <small>© Robert Rieger</small>
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<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.bruzkusgreenberg.com/en'>Bruzkus Greenberg</a></li><li><strong>Location:</strong> Mollstrasse, Berlin, Germany</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Robert Rieger</li><li><strong>Area:</strong> 1600.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041337/c1-workplace-bruzkus-greenberg">Read more »</a></p>]]>
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      <title>
        <![CDATA[Rethinking the Architecture Firm for the AI Era]]>
      </title>
      <link>https://www.archdaily.com/1039777/rethinking-the-architecture-firm-for-the-ai-era</link>
      <pubDate>Mon, 11 May 2026 06:45:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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      <description>
        <![CDATA[<p>Artificial intelligence has made its way into almost every corner of professional workflows, prompting the architectural industry to rethink how it works. To adapt to this shift, firms are now facing the limits of a model that has changed very little over the past few decades.</p>]]>
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  <a href="https://www.archdaily.com/1039777/rethinking-the-architecture-firm-for-the-ai-era/69f9dcd5c748943e0771a75c-rethinking-the-architecture-firm-for-the-ai-era-image" rel="attachment" title="featured_image">
    <img title="Courtesy of Ichi Plan" src="https://images.adsttc.com/media/images/69f9/dcd5/c748/943e/0771/a75c/medium_jpg/rethinking-the-architecture-firm-for-the-ai-era_10.jpg?1777982688" alt="Courtesy of Ichi Plan"/>
  </a>
  <small>Courtesy of Ichi Plan</small>
</figure>
<p><p>Artificial intelligence has made its way into almost every corner of professional workflows, prompting the architectural industry to rethink how it works. To adapt to this shift, firms are now facing the limits of a model that has changed very little over the past few decades.</p></p><p><p>What has shifted, and noticeably so, is the pressure on productivity. Today's studios are expected to deliver more work faster and with greater accuracy, while managing tighter budgets, complex regulations, and rising client expectations. In practice, this translates into compressed timelines and a constant demand for precision that leaves little room for error. Often, much of this pressure falls on a small group of individuals who hold critical project knowledge.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1039777/rethinking-the-architecture-firm-for-the-ai-era">Read more »</a></p>]]>
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