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    <title>ArchDaily Global</title>
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      <title>
        <![CDATA[Reclaiming the Street: Alejandra Ferrera on Architecture and Urban Life in Honduras]]>
      </title>
      <link>https://www.archdaily.com/1039699/reclaiming-the-street-alejandra-ferrera-on-architecture-and-urban-life-in-honduras</link>
      <pubDate>Wed, 22 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039699/reclaiming-the-street-alejandra-ferrera-on-architecture-and-urban-life-in-honduras</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/country/honduras/page/1" target="_blank" rel="noopener">Honduras</a> is the second-largest country in <a href="https://www.archdaily.com/tag/central-america" target="_blank" rel="noopener">Central America</a>, both in territory and population. Today, its urban fabric remains heavily influenced by <a href="https://www.archdaily.com/1026205/tegucigalpas-modernist-revolution-metroplan-and-the-shift-in-the-urban-identity-of-1970s-honduras?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">modernist principles</a> from the 1970s that prioritised high-speed arterial corridors and automobile-dependent "point-to-point" mobility. In addition, the country faced many challenges regarding <a href="https://www.archdaily.com/1022307/architecture-for-peace-fostering-growth-and-learning-through-educational-spaces-in-honduras?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">public safety</a> during the 2010s, which contributed to creating an urban space characterised by blind facades, high perimeter walls, and gated enclosures designed to isolate the interior from the public realm. </p>]]>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1039699/reclaiming-the-street-alejandra-ferrera-on-architecture-and-urban-life-in-honduras/69e14dfd63f5ef01884fdbb7-reclaiming-the-street-alejandra-ferrera-on-architecture-and-urban-life-in-honduras-photo" rel="attachment" title="featured_image">
    <img title="Aerial view of Ciudad Casa Blanca in Danli, Honduras. Image © Gabriela Zuniga Fu and Ezequiel Sánchez Marsico" src="https://images.adsttc.com/media/images/69e1/4dfd/63f5/ef01/884f/dbb7/medium_jpg/high-quality-urban-design-in-honduras-bridging-local-and-international-architecture-through-the-lens-of-alejandra-ferrera-architecture_15.jpg?1776373287" alt="Aerial view of Ciudad Casa Blanca in Danli, Honduras. Image © Gabriela Zuniga Fu and Ezequiel Sánchez Marsico"/>
  </a>
  <small>Aerial view of Ciudad Casa Blanca in Danli, Honduras. Image © Gabriela Zuniga Fu and Ezequiel Sánchez Marsico</small>
</figure>
<p><p><a href="https://www.archdaily.com/country/honduras/page/1" target="_blank" rel="noopener">Honduras</a> is the second-largest country in <a href="https://www.archdaily.com/tag/central-america" target="_blank" rel="noopener">Central America</a>, both in territory and population. Today, its urban fabric remains heavily influenced by <a href="https://www.archdaily.com/1026205/tegucigalpas-modernist-revolution-metroplan-and-the-shift-in-the-urban-identity-of-1970s-honduras?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">modernist principles</a> from the 1970s that prioritised high-speed arterial corridors and automobile-dependent "point-to-point" mobility. In addition, the country faced many challenges regarding <a href="https://www.archdaily.com/1022307/architecture-for-peace-fostering-growth-and-learning-through-educational-spaces-in-honduras?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">public safety</a> during the 2010s, which contributed to creating an urban space characterised by blind facades, high perimeter walls, and gated enclosures designed to isolate the interior from the public realm. </p></p><p><p>We had the opportunity to talk to <a href="https://www.alejandraferrera.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Alejandra Ferrera</a>, a Honduran architect raised in<a href="https://fr.wikipedia.org/wiki/Danl%C3%AD?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> Danlí</a>, a city in eastern <a href="https://www.archdaily.com/tag/honduras">Honduras</a>. With over 15 years of practice across Brazil, the Netherlands, and Australia, she argues that while the security-driven design was a functional necessity of its time, it has resulted in a fragmented urban experience where the street serves only as a <a href="https://www.archdaily.com/1040358/the-embarcadero-freeway-elevated-infrastructure-and-urban-regeneration-in-san-francisco?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">transit void</a> rather than a place for <a href="https://www.archdaily.com/1037901/from-the-courtyard-to-the-neighborhood-latin-american-lessons-on-collective-placemaking?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">social encounter.</a> She suggests that even though this isolation was a justified safety measure, it created detachment between the inhabitants and the city. She also argues that overall, the public safety situation contributed to the creation of a wounded national identity that often looks outward for quality, dismissing the potential of its own context.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1039699/reclaiming-the-street-alejandra-ferrera-on-architecture-and-urban-life-in-honduras">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[Houses of Stealth (Tonglu Senbo Resort) / SpActrum]]>
      </title>
      <link>https://www.archdaily.com/1040505/houses-of-stealth-tonglu-senbo-resort-spactrum</link>
      <pubDate>Wed, 22 Apr 2026 07:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Lodging]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040505/houses-of-stealth-tonglu-senbo-resort-spactrum</guid>
      <description>
        <![CDATA[<p><strong>The Way of Stealth: A Renewal Strategy Respecting Coexistence<br></strong>Since 2022, this landscape in <a href="https://www.archdaily.com/tag/hangzhou">Hangzhou</a> Tonglu has undergone its largest transformation. After careful investigation, SpActrum concluded that while the original site strategy had failed in form and material, the trees that grew alongside the buildings over twenty years stood out as an effective natural strategy. The first task was to persuade the client to abandon a "radically refreshed" look, instead rebuilding cabins and walkways with contemporary techniques – a return to a "non-referential" state.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040505/houses-of-stealth-tonglu-senbo-resort-spactrum/69d7e4db92c07a1d077bb34d-houses-of-stealth-tonglu-senbo-resort-spactrum-photo" rel="attachment" title="featured_image">
    <img title="© Shengliang Su" src="https://images.adsttc.com/media/images/69d7/e4db/92c0/7a1d/077b/b34d/medium_jpg/houses-of-stealth-tonglu-senbo-resort-spactrum_4.jpg?1775756530" alt="© Shengliang Su"/>
  </a>
  <small>© Shengliang Su</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.spactrum.com/'>SpActrum</a></li><li><strong>Location:</strong> Tonglu, Hangzhou, China</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Shengliang Su</li><li><strong>Photographs:</strong> Courtesy of SpActrum</li><li><strong>Area:</strong> 705.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040505/houses-of-stealth-tonglu-senbo-resort-spactrum">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[Salone del Mobile.Milano and Milan Design Week 2026 Open Across the City and Fairgrounds]]>
      </title>
      <link>https://www.archdaily.com/1040861/salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds</link>
      <pubDate>Wed, 22 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040861/salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/milan">Milan</a> reactivates its role as a global design capital this week as <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a> has began on April 20, followed by the opening of <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">the 64th edition of Salone del Mobile.Milano</a> on April 21 at Fiera Milano, Rho. Rather than a single event, the week unfolds as a layered system in which the fair and the city operate through different temporalities and spatial conditions. From early openings across urban districts to the formal start of the fairgrounds program, the staggered calendar reinforces a continuous flow of activity that extends across institutions, infrastructures, and public space.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040861/salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds/69e8976463f5ef01884fe84b-salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds-image" rel="attachment" title="featured_image">
    <img title="Metamorphosis in Motion by Lina Ghotmeh. Image Courtesy of ArchDaily&#39;s editors on-site in Milano" src="https://images.adsttc.com/media/images/69e8/9764/63f5/ef01/884f/e84b/medium_jpg/salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds_3.jpg?1776850810" alt="Metamorphosis in Motion by Lina Ghotmeh. Image Courtesy of ArchDaily&#39;s editors on-site in Milano"/>
  </a>
  <small>Metamorphosis in Motion by Lina Ghotmeh. Image Courtesy of ArchDaily&#39;s editors on-site in Milano</small>
</figure>
<p><p><a href="https://www.archdaily.com/tag/milan">Milan</a> reactivates its role as a global design capital this week as <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a> has began on April 20, followed by the opening of <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">the 64th edition of Salone del Mobile.Milano</a> on April 21 at Fiera Milano, Rho. Rather than a single event, the week unfolds as a layered system in which the fair and the city operate through different temporalities and spatial conditions. From early openings across urban districts to the formal start of the fairgrounds program, the staggered calendar reinforces a continuous flow of activity that extends across institutions, infrastructures, and public space.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040861/salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds">Read more »</a></p>]]>
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    <item>
      <title>
        <![CDATA[House SNB / Constanze Ladner]]>
      </title>
      <link>https://www.archdaily.com/1040556/house-snb</link>
      <pubDate>Wed, 22 Apr 2026 06:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Interior Design]]>
      </category>
      <category>
        <![CDATA[Residential Interiors]]>
      </category>
      <category>
        <![CDATA[Apartment Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040556/house-snb</guid>
      <description>
        <![CDATA[<p>On the outskirts of <a href="https://www.archdaily.com/tag/wiesbaden">Wiesbaden</a>, directly adjacent to the city forest, this historic apartment unfolds as a sequence of clearly articulated rooms shaped by a remarkably intact original fabric. The spatial character is defined by finely detailed stucco ceilings, ranging from restrained to floral, paired with herringbone parquet in the connecting rooms and wooden floorboards in more private areas. Dark door and window frames, original built-in elements, and subtle traces of former uses lend the interiors a layered depth and establish a strong narrative foundation for the project.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040556/house-snb/69d93fe287e3da0001efb66e-house-snb-photo" rel="attachment" title="featured_image">
    <img title="© Robert Rieger" src="https://images.adsttc.com/media/images/69d9/3fe2/87e3/da00/01ef/b66e/medium_jpg/Constanze_Ladner_Haus_SNB_21.jpg?1775845500" alt="© Robert Rieger"/>
  </a>
  <small>© Robert Rieger</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.constanzeladner.de/'>Constanze Ladner</a></li><li><strong>Location:</strong> Wiesbaden, Germany</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Robert Rieger</li><li><strong>Area:</strong> 185.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040556/house-snb">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[On International Mother Earth Day: Urban Rewilding, Aquatic Ecosystems, and Ancestral Practices for Biodiversity]]>
      </title>
      <link>https://www.archdaily.com/1040850/on-international-mother-earth-day-urban-rewilding-aquatic-ecosystems-and-ancestral-practices-for-biodiversity</link>
      <pubDate>Wed, 22 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040850/on-international-mother-earth-day-urban-rewilding-aquatic-ecosystems-and-ancestral-practices-for-biodiversity</guid>
      <description>
        <![CDATA[<p>The United Nations' International Mother Earth Day, observed annually on April 22, <a href="https://unhabitat.org/events/international-mother-earth-day-2?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">aims to "promote harmony with nature and the Earth.</a>" In light of the urgency posed by climate change, it seeks to raise awareness of the challenges of preserving all forms of life supported by the planet. It is a call to the global community to safeguard biodiversity while striving to balance economic, social, and ecological systems. Crimes against biodiversity include large-scale practices such as deforestation, land-use change, intensified agriculture, livestock production, and illegal wildlife trade, <a href="https://www.un.org/en/observances/earth-day?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">all considered by the UN to be accelerating factors in the destruction of the planet</a>.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040850/on-international-mother-earth-day-urban-rewilding-aquatic-ecosystems-and-ancestral-practices-for-biodiversity/69e7e49563f5ef01884fe689-on-international-mother-earth-day-urban-rewilding-aquatic-ecosystems-and-ancestral-practices-for-biodiversity-image" rel="attachment" title="featured_image">
    <img title="Waru Waru agricultural field. Image via World Monuments Fund" src="https://images.adsttc.com/media/images/69e7/e495/63f5/ef01/884f/e689/medium_jpg/mother-earth-day_2.jpg?1776805019" alt="Waru Waru agricultural field. Image via World Monuments Fund"/>
  </a>
  <small>Waru Waru agricultural field. Image via World Monuments Fund</small>
</figure>
<p><p>The United Nations' International Mother Earth Day, observed annually on April 22, <a href="https://unhabitat.org/events/international-mother-earth-day-2?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">aims to "promote harmony with nature and the Earth.</a>" In light of the urgency posed by climate change, it seeks to raise awareness of the challenges of preserving all forms of life supported by the planet. It is a call to the global community to safeguard biodiversity while striving to balance economic, social, and ecological systems. Crimes against biodiversity include large-scale practices such as deforestation, land-use change, intensified agriculture, livestock production, and illegal wildlife trade, <a href="https://www.un.org/en/observances/earth-day?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">all considered by the UN to be accelerating factors in the destruction of the planet</a>.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040850/on-international-mother-earth-day-urban-rewilding-aquatic-ecosystems-and-ancestral-practices-for-biodiversity">Read more »</a></p>]]>
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      <title>
        <![CDATA[Open Call for Projects Team Lead at ArchDaily]]>
      </title>
      <link>https://www.archdaily.com/1040737/open-call-for-projects-team-lead-at-archdaily</link>
      <pubDate>Wed, 22 Apr 2026 04:30:00 +0000</pubDate>
      <dc:creator>ArchDaily</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040737/open-call-for-projects-team-lead-at-archdaily</guid>
      <description>
        <![CDATA[<p>ArchDaily is looking for a Projects Team Lead to guide the curation and strategic development of one of the platform's core content pillars: built projects. This role sits at the intersection of editorial and architectural judgment, data-driven strategy, and team leadership, shaping how architecture is selected, presented, and amplified to a global audience.</p>]]>
      </description>
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  <a href="https://www.archdaily.com/1040737/open-call-for-projects-team-lead-at-archdaily/69e1096063f5ef01884fdac8-open-call-for-projects-team-lead-at-archdaily-image" rel="attachment" title="featured_image">
    <img title="Courtesy of ArchDaily" src="https://images.adsttc.com/media/images/69e1/0960/63f5/ef01/884f/dac8/medium_jpg/open-call-for-projects-team-lead-at-archdaily_1.jpg?1776355689" alt="Courtesy of ArchDaily"/>
  </a>
  <small>Courtesy of ArchDaily</small>
</figure>
<p><p>ArchDaily is looking for a Projects Team Lead to guide the curation and strategic development of one of the platform's core content pillars: built projects. This role sits at the intersection of editorial and architectural judgment, data-driven strategy, and team leadership, shaping how architecture is selected, presented, and amplified to a global audience.</p></p><p><p>The Projects Team Lead will oversee the direction, performance, and evolution of project content on <a href="https://www.archdaily.com/tag/archdaily">ArchDaily</a>. This includes defining curation standards, supporting a distributed team of curators, and aligning editorial output with broader platform goals.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040737/open-call-for-projects-team-lead-at-archdaily">Read more »</a></p>]]>
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      <title>
        <![CDATA[Van Wassenhove Residence: Living the Radical Continuity of Juliaan Lampens]]>
      </title>
      <link>https://www.archdaily.com/1040209/van-wassenhove-residence-living-the-radical-continuity-of-juliaan-lampens</link>
      <pubDate>Wed, 22 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040209/van-wassenhove-residence-living-the-radical-continuity-of-juliaan-lampens</guid>
      <description>
        <![CDATA[<p>Architectural history often advances through iconic gestures or technological breakthroughs, yet some works remain influential precisely because they resist spectacle. Built between 1972 and 1974 in <a href="https://www.archdaily.com/city/sint-martens-latem">Sint-Martens-Latem</a>, <a href="https://www.archdaily.com/search/projects/country/belgium">Belgium</a>, the <a href="https://museumdd.be/en/locations/woning-van-wassenhove?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Van Wassenhove Residence </a>stands as one of those quiet but decisive projects. Conceived as a single, continuous concrete volume set within a wooded landscape, the house challenges conventional ideas of domestic comfort, privacy, and spatial hierarchy. Its presence is direct and uncompromising, yet it avoids monumentality, positioning itself instead as a lived structure shaped by everyday rituals and long-term inhabitation.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040209/van-wassenhove-residence-living-the-radical-continuity-of-juliaan-lampens/69cc3fe9bacdcd0189fec094-van-wassenhove-residence-living-the-radical-continuity-of-juliaan-lampens-photo" rel="attachment" title="featured_image">
    <img title="© Sandra Fauconnier, via Wikimedia under CC BY 4.0" src="https://images.adsttc.com/media/images/69cc/3fe9/bacd/cd01/89fe/c094/medium_jpg/van-wassenhove-residence-living-the-radical-continuity-of-juliaan-lampens-architecture_7.jpg?1774993412" alt="© Sandra Fauconnier, via Wikimedia under CC BY 4.0"/>
  </a>
  <small>© Sandra Fauconnier, via Wikimedia under CC BY 4.0</small>
</figure>
<p><p>Architectural history often advances through iconic gestures or technological breakthroughs, yet some works remain influential precisely because they resist spectacle. Built between 1972 and 1974 in <a href="https://www.archdaily.com/city/sint-martens-latem">Sint-Martens-Latem</a>, <a href="https://www.archdaily.com/search/projects/country/belgium">Belgium</a>, the <a href="https://museumdd.be/en/locations/woning-van-wassenhove?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Van Wassenhove Residence </a>stands as one of those quiet but decisive projects. Conceived as a single, continuous concrete volume set within a wooded landscape, the house challenges conventional ideas of domestic comfort, privacy, and spatial hierarchy. Its presence is direct and uncompromising, yet it avoids monumentality, positioning itself instead as a lived structure shaped by everyday rituals and long-term inhabitation.</p></p><p><p>The house was designed by <a href="https://www.archdaily.com/tag/juliaan-lampens">Juliaan Lampens</a>, a figure who operated largely outside the dominant architectural narratives of his time. Working mostly in <a href="https://www.archdaily.com/tag/flanders">Flanders</a> and often on private commissions, Lampens developed a <a href="https://www.archdaily.com/928133/belgian-architect-juliaan-lampens-passes-away-at-93">body of work</a> centered on radical spatial reduction, material honesty, and an almost ethical approach to construction. The Van Wassenhove Residence is frequently described as his most complete work, not because it introduces new ideas, but because it consolidates many of the principles that run consistently through his career.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040209/van-wassenhove-residence-living-the-radical-continuity-of-juliaan-lampens">Read more »</a></p>]]>
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      <title>
        <![CDATA[Lumen Coffee 1936 / snkh studio]]>
      </title>
      <link>https://www.archdaily.com/1040650/lumen-coffee-1936-snkh-studio</link>
      <pubDate>Wed, 22 Apr 2026 03:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Restaurants & Bars]]>
      </category>
      <category>
        <![CDATA[Coffee Shop]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040650/lumen-coffee-1936-snkh-studio</guid>
      <description>
        <![CDATA[<p>A reversible stainless-steel intervention within Yerevan's oldest preserved interior from the 1930s. Lumen Coffee 1936 revives a former bookstore, revealing the "Oriental Art Nouveau" wooden setting and creating a refined dialogue between heritage and contemporary design.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040650/lumen-coffee-1936-snkh-studio/69de5cf063f5ef01884fcfad-lumen-coffee-1936-snkh-studio-photo" rel="attachment" title="featured_image">
    <img title="© Daniil Primak" src="https://images.adsttc.com/media/images/69de/5cf0/63f5/ef01/884f/cfad/medium_jpg/lumen-coffee-1936-snkh-studio_4.jpg?1776180490" alt="© Daniil Primak"/>
  </a>
  <small>© Daniil Primak</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.snkh-studio.com'>snkh studio</a></li><li><strong>Location:</strong> 45 Mesrop Mashtots Ave, Yerevan, Armenia</li><li><strong>Project Year:</strong> 2023</li><li><strong>Photographs:</strong> Daniil Primak</li><li><strong>Area:</strong> 73.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040650/lumen-coffee-1936-snkh-studio">Read more »</a></p>]]>
      </content:encoded>
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    <item>
      <title>
        <![CDATA[Champawat Market Plaza / Compartment S4]]>
      </title>
      <link>https://www.archdaily.com/1040839/champawat-market-plaza-compartment-s4</link>
      <pubDate>Wed, 22 Apr 2026 02:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Public Architecture]]>
      </category>
      <category>
        <![CDATA[Community]]>
      </category>
      <category>
        <![CDATA[Commercial Architecture]]>
      </category>
      <category>
        <![CDATA[Market]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040839/champawat-market-plaza-compartment-s4</guid>
      <description>
        <![CDATA[<p>Can local crafts move beyond being exhibited within architecture to instead shape architecture itself so that the building becomes a living craft, setting a visible and replicable model for cultural and economic revival within the rural ecosystem?</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040839/champawat-market-plaza-compartment-s4/69e77cf489101e0180272d83-champawat-market-plaza-compartment-s4-image" rel="attachment" title="featured_image">
    <img title="© The Space Tracing Company" src="https://images.adsttc.com/media/images/69e7/7cf4/8910/1e01/8027/2d83/medium_jpg/champawat-market-plaza-compartment-s4_36.jpg?1776778504" alt="© The Space Tracing Company"/>
  </a>
  <small>© The Space Tracing Company</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://compartments4.com/'>Compartment S4</a></li><li><strong>Location:</strong> Champawat, Uttarakhand, India</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> <a href='https://www.thespacetracingcompany.com/'>The Space Tracing Company</a></li><li><strong>Area:</strong> 250.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040839/champawat-market-plaza-compartment-s4">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Mine Resort · Hill / siarchitecture]]>
      </title>
      <link>https://www.archdaily.com/1040819/mine-resort-star-hill-siarchitecture</link>
      <pubDate>Wed, 22 Apr 2026 00:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Hotels]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040819/mine-resort-star-hill-siarchitecture</guid>
      <description>
        <![CDATA[<p>In architectural discourse, the notion of the "local" is often associated with regionally rooted building knowledge—materials, structures, and craftsmanship shaped by long-term interaction between human practices and the environment. In contemporary China, however, the idea of local construction is frequently reduced to two recognizable paradigms: rural architecture employing traditional materials and techniques, and hybrid practices that juxtapose local materials with industrial systems. Such interpretations overlook a broader and more pervasive reality.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040819/mine-resort-star-hill-siarchitecture/69e6c03889101e0180272ba7-mine-resort-star-hill-siarchitecture-photo" rel="attachment" title="featured_image">
    <img title="© Yumeng Zhu" src="https://images.adsttc.com/media/images/69e6/c038/8910/1e01/8027/2ba7/medium_jpg/mine-resort-star-hill-siarchitecture_3.jpg?1776730209" alt="© Yumeng Zhu"/>
  </a>
  <small>© Yumeng Zhu</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> siarchitecture</li><li><strong>Location:</strong> Wuxi Village, Fuliang County, Jingdezhen, Jiangxi Province, China</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> <a href='http://www.coppakstudio.com/'>Yumeng Zhu</a></li><li><strong>Photographs:</strong> Zhechen Yu</li><li><strong>Photographs:</strong> siarchitecture</li><li><strong>Area:</strong> 720.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040819/mine-resort-star-hill-siarchitecture">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Loli House / t + m design office]]>
      </title>
      <link>https://www.archdaily.com/1040800/loli-house-t-plus-m-design-office</link>
      <pubDate>Tue, 21 Apr 2026 19:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040800/loli-house-t-plus-m-design-office</guid>
      <description>
        <![CDATA[<p>The site has an area of 35m² with a frontage of 3.6m for a young family located on Tran Cung Street, which was established in 2005. This street is spread over villages ("Làng") Hoang 1, Hoang 2, and Hoang 4 of "Xã Cổ Nhuế", which is now Co Nhue 1 ward, Bac Tu Liem district, <a href="https://www.archdaily.com/tag/hanoi">Hanoi</a> City.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040800/loli-house-t-plus-m-design-office/69e661e263f5ef01884fe24f-loli-house-t-plus-m-design-office-photo">
    <img src="https://images.adsttc.com/media/images/69e6/61e2/63f5/ef01/884f/e24f/medium_jpg/loli-house-t-plus-m-design-office_18.jpg?1776706050" alt="© Hoang Le" title="© Hoang Le" />
  </a>
  <small>© Hoang Le</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://tmdesignoffice.vn/'>t + m design office</a></li><li><strong>Location:</strong> Hanoi, Vietnam</li><li><strong>Project Year:</strong> 2023</li><li><strong>Photographs:</strong> <a href='http://chimnonstudio.com/'>Hoang Le</a></li><li><strong>Area:</strong> 157.5 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040800/loli-house-t-plus-m-design-office">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[GS House / Studio FP02]]>
      </title>
      <link>https://www.archdaily.com/1040443/gs-house-studio-fp02</link>
      <pubDate>Tue, 21 Apr 2026 15:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040443/gs-house-studio-fp02</guid>
      <description>
        <![CDATA[<p>Set on an area of approximately 2,400 m&sup2;, in a gated community, this residence emerges from a direct relationship with the landscape. Located at the end of a cul-de-sac, the front of the lot opens up to a preservation area with a spring, allowing the house to be practically surrounded by the existing vegetation.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040443/gs-house-studio-fp02/69bc2b586d207e00012362fc-gs-house-studio-fp02-photo" rel="attachment" title="featured_image">
    <img title="© Denilson Machado – MCA Estúdio" src="https://images.adsttc.com/media/images/69bc/2b58/6d20/7e00/0123/62fc/medium_jpg/0Z7A9560-1.jpg?1773939618" alt="© Denilson Machado – MCA Estúdio"/>
  </a>
  <small>© Denilson Machado – MCA Estúdio</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> Studio FP02</li><li><strong>Location:</strong> Goiânia, Brasil</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> Denilson Machado – MCA Estúdio</li><li><strong>Area:</strong> 545.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040443/gs-house-studio-fp02">Read more »</a></p>]]>
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      <title>
        <![CDATA[Newhouse Building Replacement / Miller Hull Partnership]]>
      </title>
      <link>https://www.archdaily.com/1040816/newhouse-building-replacement-miller-hull-partnership</link>
      <pubDate>Tue, 21 Apr 2026 12:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Public Architecture]]>
      </category>
      <category>
        <![CDATA[Government]]>
      </category>
      <category>
        <![CDATA[Other Public Administration buildings]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040816/newhouse-building-replacement-miller-hull-partnership</guid>
      <description>
        <![CDATA[<p>The Newhouse Replacement Building (Newhouse) redefines the intersection of history and progress on Washington State's historic Capitol Campus, creating a civic workplace where past meets present, state meets citizenry, and place meets policy. Designed by The Miller Hull Partnership as part of the Legislative Campus Modernization (LCM) initiative, the new structure honors the campus's architectural legacy and historic significance while integrating contemporary sustainability, ecological stewardship, and functional efficiency to serve the state for generations.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040816/newhouse-building-replacement-miller-hull-partnership/69e694678471200001f8ec5c-newhouse-building-replacement-miller-hull-partnership-photo" rel="attachment" title="featured_image">
    <img title="© Lara Swimmer Photography" src="https://images.adsttc.com/media/images/69e6/9467/8471/2000/01f8/ec5c/medium_jpg/Miller-Hull_Newhouse_01.jpg?1776719018" alt="© Lara Swimmer Photography"/>
  </a>
  <small>© Lara Swimmer Photography</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.millerhull.com/html/home.htm'>Miller Hull Partnership</a></li><li><strong>Location:</strong> Olympia, United States</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Lara Swimmer Photography</li><li><strong>Area:</strong> 59000.0 ft2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040816/newhouse-building-replacement-miller-hull-partnership">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Casa Lèvanzo / Margine]]>
      </title>
      <link>https://www.archdaily.com/1040565/casa-levanzo-margine</link>
      <pubDate>Tue, 21 Apr 2026 10:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040565/casa-levanzo-margine</guid>
      <description>
        <![CDATA[<p>Lèvanzo is the renovation project of a single-family villa located in Caprarica, in the province of Lecce. Set within the context of a small Salento village, the house was redesigned for a young professional couple with the goal of updating both the functions and the aesthetics of a villa with typically 1970s lines.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040565/casa-levanzo-margine/69d960e092c07a59b6364e57-casa-levanzo-margine-photo" rel="attachment" title="featured_image">
    <img title="© ©Marcello Mariana" src="https://images.adsttc.com/media/images/69d9/60e0/92c0/7a59/b636/4e57/medium_jpg/casa-levanzo-margine_2.jpg?1775853879" alt="© ©Marcello Mariana"/>
  </a>
  <small>© ©Marcello Mariana</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.margine.net/'>Margine</a></li><li><strong>Location:</strong> Caprarica di Lecce, Italy</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> ©Marcello Mariana</li><li><strong>Area:</strong> 140.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040565/casa-levanzo-margine">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Light Structures, Heavy Footprints? The Environmental Paradox of Lightweight Materials]]>
      </title>
      <link>https://www.archdaily.com/1040781/light-structures-heavy-footprints-the-environmental-paradox-of-lightweight-materials</link>
      <pubDate>Tue, 21 Apr 2026 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040781/light-structures-heavy-footprints-the-environmental-paradox-of-lightweight-materials</guid>
      <description>
        <![CDATA[<p>Using massive s plates, often several centimeters thick and weighing tons, <a href="https://www.archdaily.com/tag/richard-serra">Richard Serra</a>'s sculptures convey an almost improbable sense of lightness. This effect does not result from a reduction of mass, but from how that mass is organized: large curved surfaces tilt, narrow passages compress the body, and seemingly unstable elements create a constant sense of imbalance. Serra transforms weight into a dynamic spatial experience.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040781/light-structures-heavy-footprints-the-environmental-paradox-of-lightweight-materials/69e56da01afd70018891424b-light-structures-heavy-footprints-the-environmental-paradox-of-lightweight-materials-photo" rel="attachment" title="featured_image">
    <img title="Grace Farms / SANAA. Image © Iwan Baan" src="https://images.adsttc.com/media/images/69e5/6da0/1afd/7001/8891/424b/medium_jpg/light-structures-heavy-footprints-the-environmental-paradox-of-lightweight-materials_1.jpg?1776643496" alt="Grace Farms / SANAA. Image © Iwan Baan"/>
  </a>
  <small>Grace Farms / SANAA. Image © Iwan Baan</small>
</figure>
<p><p>Using massive s plates, often several centimeters thick and weighing tons, <a href="https://www.archdaily.com/tag/richard-serra">Richard Serra</a>'s sculptures convey an almost improbable sense of lightness. This effect does not result from a reduction of mass, but from how that mass is organized: large curved surfaces tilt, narrow passages compress the body, and seemingly unstable elements create a constant sense of imbalance. Serra transforms weight into a dynamic spatial experience.</p></p><p><p>In architecture, lightness has occupied a central role at least since the modern period. While earlier traditions, such as Greek and <a href="https://www.archdaily.com/1038166/archaeological-excavations-in-fano-italy-reveal-basilica-described-by-vitruvius?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">Roman architecture</a>, were closely associated with stability, and large churches with monumentality, the twentieth century introduced a decisive shift in how matter is handled, particularly through the separation of structure and enclosure.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040781/light-structures-heavy-footprints-the-environmental-paradox-of-lightweight-materials">Read more »</a></p>]]>
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      <title>
        <![CDATA[El Grove Family Home / Olson Kundig]]>
      </title>
      <link>https://www.archdaily.com/1040492/el-grove-family-home-olson-kundig</link>
      <pubDate>Tue, 21 Apr 2026 07:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040492/el-grove-family-home-olson-kundig</guid>
      <description>
        <![CDATA[<p>Nestled between the mountains and vineyards of Valle de <a href="https://www.archdaily.com/tag/guadalupe">Guadalupe</a>, in a region celebrated for its vibrant food and wine culture, El Grove is a family home organized as a collection of small buildings. Organized rows of one hundred olive oil trees create a formal entry into the triangular site, filtering views of the property while paying homage to the area's history of olive oil production. </p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040492/el-grove-family-home-olson-kundig/69d7a2f05a31310001daee33-el-grove-family-home-olson-kundig-photo" rel="attachment" title="featured_image">
    <img title="© César Bejar" src="https://images.adsttc.com/media/images/69d7/a2f0/5a31/3100/01da/ee33/medium_jpg/18011_00_N129_high300.jpg?1775739655" alt="© César Bejar"/>
  </a>
  <small>© César Bejar</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://olsonkundig.com/'>Olson Kundig</a></li><li><strong>Location:</strong> Guadalupe, Mexico</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> <a href='https://www.cesarbejarstudio.com/es/'>César Bejar</a></li><li><strong>Area:</strong> 270.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040492/el-grove-family-home-olson-kundig">Read more »</a></p>]]>
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      <title>
        <![CDATA[Sharjah Architecture Triennial Presents "A Journey into Architecture Archives" Focused on Baghdad, Damascus, and Tunis]]>
      </title>
      <link>https://www.archdaily.com/1040836/sharjah-architecture-triennial-presents-a-journey-into-architecture-archives-focused-on-baghdad-damascus-and-tunis</link>
      <pubDate>Tue, 21 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040836/sharjah-architecture-triennial-presents-a-journey-into-architecture-archives-focused-on-baghdad-damascus-and-tunis</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/sharjah-architecture-triennial">The Sharjah Architecture Triennial (SAT)</a> presents <em>A Journey into Architecture <a href="https://www.archdaily.com/tag/archives">Archives</a>: <a href="https://www.archdaily.com/tag/baghdad">Baghdad</a>, <a href="https://www.archdaily.com/tag/damascus">Damascus</a>, Tunis</em>, curated by <a href="https://www.archdaily.com/tag/george-arbid/page/1">George Arbid,</a> on view from May 2 to July 12, 2026, at Al Qasimiyah School. Developed as part of <a href="https://www.archdaily.com/tag/sharjah-architecture-triennial">SAT</a>'s long-term research program, the project continues the institution's commitment to documenting and safeguarding <a href="https://www.archdaily.com/tag/archives">architectural archives</a> across the Arab world. Bringing together archival materials, physical models, and newly commissioned films, the <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> examines how architectural histories are constructed, preserved, and revisited over time.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040836/sharjah-architecture-triennial-presents-a-journey-into-architecture-archives-focused-on-baghdad-damascus-and-tunis/69e744531afd7001889146bc-sharjah-architecture-triennial-presents-a-journey-into-architecture-archives-focused-on-baghdad-damascus-and-tunis-photo" rel="attachment" title="featured_image">
    <img title="Hotel du Lac, Tunis, 1973. Raffaele Contigiani. Image © Sylvain Bonniol" src="https://images.adsttc.com/media/images/69e7/4453/1afd/7001/8891/46bc/medium_jpg/sharjah-architecture-triennial-presents-second-chapter-of-a-journey-into-architecture-archives-focused-on-baghdad-damascus-and-tunis_9.jpg?1776763991" alt="Hotel du Lac, Tunis, 1973. Raffaele Contigiani. Image © Sylvain Bonniol"/>
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  <small>Hotel du Lac, Tunis, 1973. Raffaele Contigiani. Image © Sylvain Bonniol</small>
</figure>
<p><p><a href="https://www.archdaily.com/tag/sharjah-architecture-triennial">The Sharjah Architecture Triennial (SAT)</a> presents <em>A Journey into Architecture <a href="https://www.archdaily.com/tag/archives">Archives</a>: <a href="https://www.archdaily.com/tag/baghdad">Baghdad</a>, <a href="https://www.archdaily.com/tag/damascus">Damascus</a>, Tunis</em>, curated by <a href="https://www.archdaily.com/tag/george-arbid/page/1">George Arbid,</a> on view from May 2 to July 12, 2026, at Al Qasimiyah School. Developed as part of <a href="https://www.archdaily.com/tag/sharjah-architecture-triennial">SAT</a>'s long-term research program, the project continues the institution's commitment to documenting and safeguarding <a href="https://www.archdaily.com/tag/archives">architectural archives</a> across the Arab world. Bringing together archival materials, physical models, and newly commissioned films, the <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> examines how architectural histories are constructed, preserved, and revisited over time.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040836/sharjah-architecture-triennial-presents-a-journey-into-architecture-archives-focused-on-baghdad-damascus-and-tunis">Read more »</a></p>]]>
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      <title>
        <![CDATA[Artistic Office of a Notary / Dolgopiatova Interior Design]]>
      </title>
      <link>https://www.archdaily.com/1040440/artistic-office-of-a-notary-dolgopiatova-interior-design</link>
      <pubDate>Tue, 21 Apr 2026 06:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Offices]]>
      </category>
      <category>
        <![CDATA[Interior Design]]>
      </category>
      <category>
        <![CDATA[Offices Interiors]]>
      </category>
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      <description>
        <![CDATA[<p>Anna Bakay's office occupies the first floor of a historic building in the heart of <a href="https://www.archdaily.com/tag/kyiv">Kyiv</a>, reading more like a private gallery or an intimate workshop than a conventional notary practice. From the outset, the project was guided by a clear set of values – silence, tactility, soft light, a grounded connection to nature, and the complete absence of visual noise. Located on Tereshchenkivska Street, the space opens onto Shevchenko Park on one side and a quiet inner courtyard on the other. Designed for a team of five, the office unfolds as a calm, cohesive environment rather than a sequence of strictly functional rooms.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040440/artistic-office-of-a-notary-dolgopiatova-interior-design/69d65c265a31310001daed11-artistic-office-of-a-notary-dolgopiatova-interior-design-photo" rel="attachment" title="featured_image">
    <img title="© Andriy Bezuglov" src="https://images.adsttc.com/media/images/69d6/5c26/5a31/3100/01da/ed11/medium_jpg/14Notary_office_by_Oksana_Dolgopiatova_phBezuglov__21_.jpg?1775655995" alt="© Andriy Bezuglov"/>
  </a>
  <small>© Andriy Bezuglov</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.instagram.com/dolgopiatova_interiordesign/'>Dolgopiatova Interior Design</a></li><li><strong>Location:</strong> Kyiv, Ukraine</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> <a href='https://bezuglov.ua/'>Andriy Bezuglov</a></li><li><strong>Area:</strong> 88.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040440/artistic-office-of-a-notary-dolgopiatova-interior-design">Read more »</a></p>]]>
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