<?xml version="1.0" encoding="UTF-8" standalone="no"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:webfeeds="http://webfeeds.org/rss/1.0" xmlns:wfw="http://wellformedweb.org/CommentAPI/" version="2.0">
  <channel>
    <title>ArchDaily Global</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
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    <lastBuildDate>Tue, 16 Jun 2026 00:00:00 +0000</lastBuildDate>
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    <item>
      <title>
        <![CDATA[The Architecture of Mold: What Buildings Cannot Control]]>
      </title>
      <link>https://www.archdaily.com/1042388/the-architecture-of-mold-what-buildings-cannot-control</link>
      <pubDate>Tue, 16 Jun 2026 04:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042388/the-architecture-of-mold-what-buildings-cannot-control</guid>
      <description>
        <![CDATA[<p>Contemporary <a href="https://www.archdaily.com/983969/returning-the-building-to-the-soil-an-interview-with-the-architect-and-scientist-mae-ling-lokko" target="_blank" rel="noopener">architecture has learned to celebrate living matter</a>. Mycelium panels, algae systems, living walls, life is now welcomed into buildings, framed as innovation. Yet the same discipline that celebrates these organisms treats mold as contamination. Both are biological. Both respond to moisture, temperature, and material conditions. The difference is not scientific. It is about which forms of life architecture is willing to accept, and which it prefers to remove.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042388/the-architecture-of-mold-what-buildings-cannot-control/6a2b78ee634142018a2c371f-the-architecture-of-mold-what-buildings-cannot-control-photo" rel="attachment" title="featured_image">
    <img title="Old Study in Solitude / Atelier Wen&#39;Arch. Image © Yumeng Zhu" src="https://images.adsttc.com/media/images/6a2b/78ee/6341/4201/8a2c/371f/medium_jpg/the-architecture-of-mold-what-buildings-cannot-control_17.jpg?1781233908" alt="Old Study in Solitude / Atelier Wen&#39;Arch. Image © Yumeng Zhu"/>
  </a>
  <small>Old Study in Solitude / Atelier Wen&#39;Arch. Image © Yumeng Zhu</small>
</figure>
<p><p>Contemporary <a href="https://www.archdaily.com/983969/returning-the-building-to-the-soil-an-interview-with-the-architect-and-scientist-mae-ling-lokko" target="_blank" rel="noopener">architecture has learned to celebrate living matter</a>. Mycelium panels, algae systems, living walls, life is now welcomed into buildings, framed as innovation. Yet the same discipline that celebrates these organisms treats mold as contamination. Both are biological. Both respond to moisture, temperature, and material conditions. The difference is not scientific. It is about which forms of life architecture is willing to accept, and which it prefers to remove.</p></p><p><p>Mold is not limited to abandoned buildings or poorly maintained <a href="https://www.archdaily.com/1040371/we-live-in-toxic-interior-environments-interview-with-healthy-materials-lab">interiors</a>. It appears in homes, schools, offices, historic structures, and new construction, across different climates and contexts. This makes it harder to ignore as a minor or isolated problem. If mold keeps returning, what is it telling us about the environments buildings create?</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042388/the-architecture-of-mold-what-buildings-cannot-control">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[Palace Coffee / Kerry Kounnapis Architecture Practice]]>
      </title>
      <link>https://www.archdaily.com/1042441/palace-coffee-kerry-kounnapis-architecture-practice</link>
      <pubDate>Tue, 16 Jun 2026 03:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Restaurants & Bars]]>
      </category>
      <category>
        <![CDATA[Coffee Shop]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042441/palace-coffee-kerry-kounnapis-architecture-practice</guid>
      <description>
        <![CDATA[<p>Blink, and you'll miss it. It's 8:25 am on a Thursday, and there's a line of people pouring out of Palace Coffee. Located down a <a href="/tag/melbourne">Melbourne</a> laneway at the base of Monaco House, it faces the Melbourne Club's fortress-like brick wall. It's an espresso bar, no seats, standing room only. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042441/palace-coffee-kerry-kounnapis-architecture-practice/6a2fe66faa48ad0189b7cf27-palace-coffee-kerry-kounnapis-architecture-practice-photo" rel="attachment" title="featured_image">
    <img title="© Tom Ross" src="https://images.adsttc.com/media/images/6a2f/e66f/aa48/ad01/89b7/cf27/medium_jpg/palace-coffee-kerry-kounnapis-architecture-practice_9.jpg?1781524109" alt="© Tom Ross"/>
  </a>
  <small>© Tom Ross</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> Kerry Kounnapis Architecture Practice</li><li><strong>Location:</strong> 22 Ridgeway Place, Melbourne VIC 3000 Australia</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> <a href='https://www.tomross.xyz/'>Tom Ross</a></li><li><strong>Area:</strong> 43.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042441/palace-coffee-kerry-kounnapis-architecture-practice">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[B-Neshat Villa / Chenin Studio]]>
      </title>
      <link>https://www.archdaily.com/1042419/b-neshat-villa-chenin-studio</link>
      <pubDate>Tue, 16 Jun 2026 02:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042419/b-neshat-villa-chenin-studio</guid>
      <description>
        <![CDATA[<p>B-Neshat Villa is a 120-square-meter villa located 20 kilometers southeast of <a href="/tag/shiraz">Shiraz</a>, within the Neshat Gardens complex. This project endeavors to present an alternative perspective on the intersection of urban middle-class living, villa typology, and the associated economic and executive challenges.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042419/b-neshat-villa-chenin-studio/6a2dd91c634142018a2c3cfa-b-neshat-villa-chenin-studio-photo" rel="attachment" title="featured_image">
    <img title="© Arash Akhtaran" src="https://images.adsttc.com/media/images/6a2d/d91c/6341/4201/8a2c/3cfa/medium_jpg/b-neshat-villa-chenin-studio_16.jpg?1781389613" alt="© Arash Akhtaran"/>
  </a>
  <small>© Arash Akhtaran</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.cheninstudio.ir'>Chenin Studio</a></li><li><strong>Location:</strong> Shiraz, Iran</li><li><strong>Project Year:</strong> 2022</li><li><strong>Photographs:</strong> Arash Akhtaran</li><li><strong>Area:</strong> 120.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042419/b-neshat-villa-chenin-studio">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[Shenzhen Mingwan School / Perkins&Will]]>
      </title>
      <link>https://www.archdaily.com/1042060/shenzhen-mingwan-school-perkins-and-will</link>
      <pubDate>Tue, 16 Jun 2026 00:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Educational Architecture]]>
      </category>
      <category>
        <![CDATA[Schools]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042060/shenzhen-mingwan-school-perkins-and-will</guid>
      <description>
        <![CDATA[<p>Located in Shenzhen's Qianhai-Dachan Bay Port Zone, the Tencent Global Headquarters campus comprises five neighborhood blocks. Designed by Perkins&amp;Will, Block 05 West integrates a multi-program set of facilities—Mingwan School (private), Qianwan School (a nine-year public school), a community activity center, and a comprehensive transit hub—responding systematically to the district's combined needs across education, culture, sport, and daily mobility. Under complex program demands, the scheme relies on a clear, concise spatial and massing strategy to form a distinct yet harmoniously interwoven architectural ensemble. As the educational centerpiece of this cluster, Mingwan School was jointly founded by the Chen Yidan Foundation, Tencent, and Shanghai Jingzhi. The school provides full-time education from kindergarten through high school, with boarding options available for senior students. Drawing on deep insights into the future of interdisciplinary, personalized, and practice-based learning, Perkins&amp;Will has designed a forward-thinking, innovative learning community on the vibrant "Penguin Island".</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042060/shenzhen-mingwan-school-perkins-and-will/6a1dab9a093e927a6386e2f9-shenzhen-mingwan-school-perkins-and-will-photo" rel="attachment" title="featured_image">
    <img title="© RAWVISION studio" src="https://images.adsttc.com/media/images/6a1d/ab9a/093e/927a/6386/e2f9/medium_jpg/shenzhen-mingwan-school-perkins-and-will_1.jpg?1780329523" alt="© RAWVISION studio"/>
  </a>
  <small>© RAWVISION studio</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://perkinswill.com/'>Perkins&Will</a></li><li><strong>Location:</strong> Shenzhen, China</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> RAWVISION studio</li><li><strong>Area:</strong> 59000.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042060/shenzhen-mingwan-school-perkins-and-will">Read more »</a></p>]]>
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      <title>
        <![CDATA[Northgate Spirit / Sher Maker]]>
      </title>
      <link>https://www.archdaily.com/1042452/northgate-spirit-sher-maker</link>
      <pubDate>Mon, 15 Jun 2026 19:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Restaurants & Bars]]>
      </category>
      <category>
        <![CDATA[Bar]]>
      </category>
      <category>
        <![CDATA[Public Architecture]]>
      </category>
      <category>
        <![CDATA[Community]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042452/northgate-spirit-sher-maker</guid>
      <description>
        <![CDATA[<p>While public space in Thailand is still mostly shaped by private entrepreneurs rather than by urban planning or local government. Northgate Spirit is a creative extension project from the North Gate Jazz Co-op, a street-jazz venue that has been part of Chiang Mai's old town for over 19 years. Located on Ratchapakinai Road within the inner moat, the space takes into account the creation of a commercial area that can connect with and support public spaces accessible to all. This resulted in a multi-functional space combining a coffee shop, garden, and bar.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042452/northgate-spirit-sher-maker/6a30158b712cdb0001fbe389-northgate-spirit-sher-maker-photo" rel="attachment" title="featured_image">
    <img title="© Rungkit Chareonwat" src="https://images.adsttc.com/media/images/6a30/158b/712c/db00/01fb/e389/medium_jpg/DSC_0952_copy.jpg?1781536171" alt="© Rungkit Chareonwat"/>
  </a>
  <small>© Rungkit Chareonwat</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.shermaker.com/'>Sher Maker</a></li><li><strong>Location:</strong> Tambon Si Phum, Chiang Mai, Thailand</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Rungkit Chareonwat</li><li><strong>Area:</strong> 285.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042452/northgate-spirit-sher-maker">Read more »</a></p>]]>
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      <title>
        <![CDATA[Adega do Ataíde Winery / Luís Loureiro Arquiteto]]>
      </title>
      <link>https://www.archdaily.com/1042412/adega-do-ataide-winery-luis-loureiro-arquiteto</link>
      <pubDate>Mon, 15 Jun 2026 15:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Industrial Architecture]]>
      </category>
      <category>
        <![CDATA[Winery]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042412/adega-do-ataide-winery-luis-loureiro-arquiteto</guid>
      <description>
        <![CDATA[<p>Located in the Douro Superior, within one of the largest areas of organically certified vineyards in northern Portugal, the Quinta do Ataíde Winery is conceived as a contemporary architectural response to a highly sensitive cultural landscape, where sustainability is a central design driver rather than a technical afterthought. Developed for Symington Family Estates, the project reflects a long-term commitment to environmental responsibility, aiming to achieve LEED v4 Gold certification and positioning the winery among the most advanced sustainable wine production facilities of its kind.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042412/adega-do-ataide-winery-luis-loureiro-arquiteto/6a2c688c712cdb0001fbe264-adega-do-ataide-winery-luis-loureiro-arquiteto-photo" rel="attachment" title="featured_image">
    <img title="© Nelson Garrido" src="https://images.adsttc.com/media/images/6a2c/688c/712c/db00/01fb/e264/medium_jpg/02_exterior_south.jpg?1781295310" alt="© Nelson Garrido"/>
  </a>
  <small>© Nelson Garrido</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> Luís Loureiro Arquiteto</li><li><strong>Location:</strong> Adeganha, Portugal</li><li><strong>Project Year:</strong> 2023</li><li><strong>Photographs:</strong> <a href='http://www.ngphoto.com.pt/'>Nelson Garrido</a></li><li><strong>Area:</strong> 2700.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042412/adega-do-ataide-winery-luis-loureiro-arquiteto">Read more »</a></p>]]>
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      <title>
        <![CDATA[Resort Guest Amenities Building / Poik Stanley Wilcox Architects]]>
      </title>
      <link>https://www.archdaily.com/1042378/resort-guest-amenities-building-poik-stanley-wilcox-architects</link>
      <pubDate>Mon, 15 Jun 2026 12:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Hotels]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042378/resort-guest-amenities-building-poik-stanley-wilcox-architects</guid>
      <description>
        <![CDATA[<p>The Grand Cypress Resort in <a href="/tag/orlando">Orlando</a>, Florida was for decades a golf destination, known for its Jack Nicklaus–designed courses and private villas. The property was reimagined as Evermore, a family-focused alternative to traditional park lodging. Bordering Disney World, it provides access to all major attractions; however, its defining feature is a new eight-acre freshwater lagoon bordered by beaches and framed by a new "town" anchored by a new Conrad hotel to the north, with flats and homes flanking the east and west. Our task was to design South Beach's primary gathering and entertainment venues, linking the lagoon to the golf experience. Of our four projects, The Landing serves as the resort's social and operational heart—welcoming guests at arrival, providing market, dining, fitness, gaming, and bar experiences, and acting as the gateway between beach and golf. Every aspect is organized to maximize views, comfort, and connection.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042378/resort-guest-amenities-building-poik-stanley-wilcox-architects/6a2b1cc3712cdb0001fbe12b-resort-guest-amenities-building-poik-stanley-wilcox-architects-photo" rel="attachment" title="featured_image">
    <img title="© Timothy Hursley" src="https://images.adsttc.com/media/images/6a2b/1cc3/712c/db00/01fb/e12b/medium_jpg/_Tim_Hursley_TH040424_PSW_Evermore_0025.jpg?1781210331" alt="© Timothy Hursley"/>
  </a>
  <small>© Timothy Hursley</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.polkstanleywilcox.com'>Poik Stanley Wilcox Architects</a></li><li><strong>Location:</strong> 1590 Evermore Way Orlando, FL 32836, United States</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> Timothy Hursley</li><li><strong>Photographs:</strong> Chad Baumer</li><li><strong>Area:</strong> 31000.0 ft2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042378/resort-guest-amenities-building-poik-stanley-wilcox-architects">Read more »</a></p>]]>
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      <title>
        <![CDATA[Hilltop House  / W O V E N Architecture and Design]]>
      </title>
      <link>https://www.archdaily.com/1042330/hilltop-house-w-o-v-e-n-architecture-and-design</link>
      <pubDate>Mon, 15 Jun 2026 10:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042330/hilltop-house-w-o-v-e-n-architecture-and-design</guid>
      <description>
        <![CDATA[<p>Perched atop a steep, rocky slope on a Gulf Island in British Columbia, the angular form of the Hilltop House hugs the contours of the land. Designed as a refuge for a Toronto-based client seeking respite from urban chaos, this home is more than a dwelling—it's a meditation on light, landscape, and longevity.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042330/hilltop-house-w-o-v-e-n-architecture-and-design/6a2967efba074e0001cda4cd-hilltop-house-w-o-v-e-n-architecture-and-design-photo" rel="attachment" title="featured_image">
    <img title="© Genevieve Graham" src="https://images.adsttc.com/media/images/6a29/67ef/ba07/4e00/01cd/a4cd/medium_jpg/SIDE_1.jpg?1781098501" alt="© Genevieve Graham"/>
  </a>
  <small>© Genevieve Graham</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.wovenarchitecturedesign.com/'>W O V E N Architecture and Design</a></li><li><strong>Location:</strong> Salt Spring Island, BC , Canada</li><li><strong>Project Year:</strong> 2023</li><li><strong>Photographs:</strong> Genevieve Graham</li><li><strong>Area:</strong> 3166.0 ft2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042330/hilltop-house-w-o-v-e-n-architecture-and-design">Read more »</a></p>]]>
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      <title>
        <![CDATA[Designing for Stray Cities: Architecture Beyond the Human]]>
      </title>
      <link>https://www.archdaily.com/1042316/designing-for-stray-cities-architecture-beyond-the-human</link>
      <pubDate>Mon, 15 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042316/designing-for-stray-cities-architecture-beyond-the-human</guid>
      <description>
        <![CDATA[<p>Architecture continues to draw cities as though humans occupy them alone. Plans trace circulation routes, zoning maps assign functions, and buildings are evaluated according to human comfort, safety, and efficiency. Walking through cities across <a href="https://www.archdaily.com/country/india">India</a> and Southwest Asia reveals something much more complex. Dogs sleep beneath market stalls, monkeys move across rooftops, birds nest in temple towers and mosque façades, and insects pollinate urban landscapes hidden in plain sight. These <a href="https://www.archdaily.com/1020079/architecture-beyond-humanity-designing-for-non-human-species?ad_campaign=normal-tag">species are woven into daily urban life</a> as consistently as human occupants. Streets, courtyards, roofs, drainage systems, markets, and vacant lots are <a href="https://www.archdaily.com/1042201/when-facades-become-habitats-architecture-making-room-for-other-species?ad_campaign=normal-tag">already occupied by multiple species simultaneously</a>. Architectural thinking has been slower to account for this reality.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042316/designing-for-stray-cities-architecture-beyond-the-human/6a29bc63a0e0630189c9f375-designing-for-stray-cities-architecture-beyond-the-human-image" rel="attachment" title="featured_image">
    <img title="Stray dogs in Istanbul. Image by istanbulphotos, via Shutterstock" src="https://images.adsttc.com/media/images/6a29/bc63/a0e0/6301/89c9/f375/medium_jpg/designing-for-stray-cities-architecture-beyond-the-human_15.jpg?1781120116" alt="Stray dogs in Istanbul. Image by istanbulphotos, via Shutterstock"/>
  </a>
  <small>Stray dogs in Istanbul. Image by istanbulphotos, via Shutterstock</small>
</figure>
<p><p>Architecture continues to draw cities as though humans occupy them alone. Plans trace circulation routes, zoning maps assign functions, and buildings are evaluated according to human comfort, safety, and efficiency. Walking through cities across <a href="https://www.archdaily.com/country/india">India</a> and Southwest Asia reveals something much more complex. Dogs sleep beneath market stalls, monkeys move across rooftops, birds nest in temple towers and mosque façades, and insects pollinate urban landscapes hidden in plain sight. These <a href="https://www.archdaily.com/1020079/architecture-beyond-humanity-designing-for-non-human-species?ad_campaign=normal-tag">species are woven into daily urban life</a> as consistently as human occupants. Streets, courtyards, roofs, drainage systems, markets, and vacant lots are <a href="https://www.archdaily.com/1042201/when-facades-become-habitats-architecture-making-room-for-other-species?ad_campaign=normal-tag">already occupied by multiple species simultaneously</a>. Architectural thinking has been slower to account for this reality.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042316/designing-for-stray-cities-architecture-beyond-the-human">Read more »</a></p>]]>
      </content:encoded>
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    </item>
    <item>
      <title>
        <![CDATA[Nieuw Bergen / MVRDV]]>
      </title>
      <link>https://www.archdaily.com/1042421/nieuw-bergen-mvrdv</link>
      <pubDate>Mon, 15 Jun 2026 07:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Housing]]>
      </category>
      <category>
        <![CDATA[Apartments]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042421/nieuw-bergen-mvrdv</guid>
      <description>
        <![CDATA[<p>Nieuw Bergen, a residential project comprising seven buildings designed by MVRDV, has been completed in the heart of <a href="/tag/eindhoven">Eindhoven</a>. The development combines five new buildings with two transformed historic structures, introducing 237 diverse homes to the city that range from apartments for singles to family residences, and from social housing to luxury penthouses. Characterised by jagged sloping roofs that maximise sunlight access while giving the development a dramatic, mountainous silhouette, the project demonstrates how careful design can add density while retaining a sense of openness, character, and urban identity.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042421/nieuw-bergen-mvrdv/6a2de4d4634142018a2c3d7b-nieuw-bergen-mvrdv-photo" rel="attachment" title="featured_image">
    <img title="© Ossip van Duivenbode" src="https://images.adsttc.com/media/images/6a2d/e4d4/6341/4201/8a2c/3d7b/medium_jpg/nieuw-bergen-mvrdv_2.jpg?1781392622" alt="© Ossip van Duivenbode"/>
  </a>
  <small>© Ossip van Duivenbode</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.mvrdv.com/'>MVRDV</a></li><li><strong>Location:</strong> Eindhoven, The Netherlands</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Ossip van Duivenbode</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042421/nieuw-bergen-mvrdv">Read more »</a></p>]]>
      </content:encoded>
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    <item>
      <title>
        <![CDATA[Material Intelligence: How Steel Resists Weather, Corrosion, and Time]]>
      </title>
      <link>https://www.archdaily.com/1042312/material-intelligence-how-steel-resists-weather-corrosion-and-time</link>
      <pubDate>Mon, 15 Jun 2026 06:45:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042312/material-intelligence-how-steel-resists-weather-corrosion-and-time</guid>
      <description>
        <![CDATA[<p>Produced on an industrial scale since the 19th century, steel has profoundly <a href="https://www.archdaily.com/search/projects/materials/steel">transformed the way we build</a>. The combination of iron and small amounts of carbon has given rise to a material capable of combining mechanical strength, relative lightness, and constructive precision, making possible some of the major achievements of modern engineering and architecture. From skyscrapers and bridges to facades, roofs, and industrialized systems, few materials have had such a significant impact on shaping the built environment.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042312/material-intelligence-how-steel-resists-weather-corrosion-and-time/6a285bba8373750188310967-material-intelligence-how-steel-resists-weather-corrosion-and-time-photo" rel="attachment" title="featured_image">
    <img title="The Waterfront Pavilion – Australian National Maritime Museum / FJMT Studio. Image © Brett Boardman" src="https://images.adsttc.com/media/images/6a28/5bba/8373/7501/8831/0967/medium_jpg/material-intelligence-how-steel-resists-weather-corrosion-and-time_3.jpg?1781029827" alt="The Waterfront Pavilion – Australian National Maritime Museum / FJMT Studio. Image © Brett Boardman"/>
  </a>
  <small>The Waterfront Pavilion – Australian National Maritime Museum / FJMT Studio. Image © Brett Boardman</small>
</figure>
<p><p>Produced on an industrial scale since the 19th century, steel has profoundly <a href="https://www.archdaily.com/search/projects/materials/steel">transformed the way we build</a>. The combination of iron and small amounts of carbon has given rise to a material capable of combining mechanical strength, relative lightness, and constructive precision, making possible some of the major achievements of modern engineering and architecture. From skyscrapers and bridges to facades, roofs, and industrialized systems, few materials have had such a significant impact on shaping the built environment.</p></p><p><p>However, the quality of a material cannot be measured solely by its initial structural performance or its appearance at the time of delivery. Although buildings are often evaluated when they are completed, their true performance only reveals itself over time. Photographs record impeccable facades, newly installed surfaces, and spaces ready for use. The following decades, however, expose these constructions to solar radiation, rain, humidity, salinity, air pollution, and thermal variations. It is in this continuous contact with the environment that material choices are effectively put to the test.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042312/material-intelligence-how-steel-resists-weather-corrosion-and-time">Read more »</a></p>]]>
      </content:encoded>
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    </item>
    <item>
      <title>
        <![CDATA[Heatherwick Studio and SPPARC Unveil First Phase of Olympia's Transformation in West London]]>
      </title>
      <link>https://www.archdaily.com/1042436/heatherwick-studio-and-spparc-unveil-first-phase-of-olympias-transformation-in-west-london</link>
      <pubDate>Mon, 15 Jun 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042436/heatherwick-studio-and-spparc-unveil-first-phase-of-olympias-transformation-in-west-london</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/office/heatherwick-studio">Heatherwick Studio</a> and <a href="https://www.archdaily.com/office/spparc-studio">SPPARC</a> have unveiled the first phase of <a href="https://www.archdaily.com/1017625/heatherwick-studio-reveals-expansive-glass-canopy-for-olympias-regeneration-project-in-london">the transformation of Olympia</a>, a historic <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> complex in West <a href="https://www.archdaily.com/tag/london/page/1">London</a>, into a mixed-use cultural destination. Originally opened in 1886, the <a href="https://www.archdaily.com/tag/victorian-architecture/page/1">Victorian</a> landmark is undergoing a large-scale <a href="https://www.archdaily.com/tag/redevelopment/page/1">redevelopment</a> that aims to reconnect the 14-acre site with the surrounding city through new <a href="https://www.archdaily.com/tag/public-spaces">public spaces</a>, cultural venues, hospitality programs, and commercial facilities. The opening is marked by the completion of a new public canopy, which introduces elevated pedestrian circulation and serves as a gateway into the broader master plan while framing new views across <a href="https://www.archdaily.com/tag/olympia/page/1">Olympia</a>'s historic roofscape. The intervention forms part of a broader <a href="https://www.archdaily.com/tag/master-plan">master plan</a> that will be implemented through 2026 and 2027.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042436/heatherwick-studio-and-spparc-unveil-first-phase-of-olympias-transformation-in-west-london/6a2fcf1a634142018a2c3fca-heatherwick-studio-and-spparc-unveil-first-phase-of-olympias-transformation-in-west-london-photo" rel="attachment" title="featured_image">
    <img title="Olympia Heatherwick Studio. Image © Raquel Diniz, Moonshine" src="https://images.adsttc.com/media/images/6a2f/cf1a/6341/4201/8a2c/3fca/medium_jpg/heatherwick-studio-and-spparc-unveil-first-phase-of-olympias-transformation-in-west-london_6.jpg?1781518332" alt="Olympia Heatherwick Studio. Image © Raquel Diniz, Moonshine"/>
  </a>
  <small>Olympia Heatherwick Studio. Image © Raquel Diniz, Moonshine</small>
</figure>
<p><p><a href="https://www.archdaily.com/office/heatherwick-studio">Heatherwick Studio</a> and <a href="https://www.archdaily.com/office/spparc-studio">SPPARC</a> have unveiled the first phase of <a href="https://www.archdaily.com/1017625/heatherwick-studio-reveals-expansive-glass-canopy-for-olympias-regeneration-project-in-london">the transformation of Olympia</a>, a historic <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> complex in West <a href="https://www.archdaily.com/tag/london/page/1">London</a>, into a mixed-use cultural destination. Originally opened in 1886, the <a href="https://www.archdaily.com/tag/victorian-architecture/page/1">Victorian</a> landmark is undergoing a large-scale <a href="https://www.archdaily.com/tag/redevelopment/page/1">redevelopment</a> that aims to reconnect the 14-acre site with the surrounding city through new <a href="https://www.archdaily.com/tag/public-spaces">public spaces</a>, cultural venues, hospitality programs, and commercial facilities. The opening is marked by the completion of a new public canopy, which introduces elevated pedestrian circulation and serves as a gateway into the broader master plan while framing new views across <a href="https://www.archdaily.com/tag/olympia/page/1">Olympia</a>'s historic roofscape. The intervention forms part of a broader <a href="https://www.archdaily.com/tag/master-plan">master plan</a> that will be implemented through 2026 and 2027.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042436/heatherwick-studio-and-spparc-unveil-first-phase-of-olympias-transformation-in-west-london">Read more »</a></p>]]>
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    <item>
      <title>
        <![CDATA[House on the Reservoir / Obranegra Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/1042212/house-on-the-reservoir-obranegra-arquitectos</link>
      <pubDate>Mon, 15 Jun 2026 06:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042212/house-on-the-reservoir-obranegra-arquitectos</guid>
      <description>
        <![CDATA[<p>Built on a small peninsula within the La Fe reservoir, 30 km east of Medell&iacute;n, the project is set in a mountainous landscape with highly variable weather conditions, where fog, intense sunlight, heavy rain, and cold nights can occur within the same day. This shifting condition defines both the site and the design decisions.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042212/house-on-the-reservoir-obranegra-arquitectos/6a16ab6e35eb240001f045c5-house-on-the-reservoir-obranegra-arquitectos-photo" rel="attachment" title="featured_image">
    <img title="© Mauricio Carvajal" src="https://images.adsttc.com/media/images/6a16/ab6e/35eb/2400/01f0/45c5/medium_jpg/25_MauricioCarvajal_Casa_en_el_Embalse.jpg?1779871052" alt="© Mauricio Carvajal"/>
  </a>
  <small>© Mauricio Carvajal</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.obranegra.com/'>Obranegra Arquitectos</a></li><li><strong>Location:</strong> Retiro, Colombia</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photography:</strong> Mauricio Carvajal</li><li><strong>Area:</strong> 655.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042212/house-on-the-reservoir-obranegra-arquitectos">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Shamballa Opens in Italy as a 3D-Printed Research Site Exploring Self-Sufficient Sustainable Living]]>
      </title>
      <link>https://www.archdaily.com/1042422/shamballa-opens-in-italy-as-a-3d-printed-research-site-exploring-self-sufficient-sustainable-living</link>
      <pubDate>Mon, 15 Jun 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042422/shamballa-opens-in-italy-as-a-3d-printed-research-site-exploring-self-sufficient-sustainable-living</guid>
      <description>
        <![CDATA[<p>Shamballa, an 8-hectare open-air laboratory and research site dedicated to sustainable living and advanced architectural <a href="https://www.archdaily.com/tag/3d-printing" target="_blank" rel="noopener">3D printing</a>, was inaugurated on June 8, 2026, in the hills of the Emilia-Romagna region in northern <a href="https://www.archdaily.com/country/italy" target="_blank" rel="noopener">Italy</a>. The project is a collaboration between WASP, a 3D printing technology company, and Olfattiva, an aromatherapy and botanical perfumery company, hosting a makers laboratory, a medicinal <a href="https://www.archdaily.com/tag/botanic-garden" target="_blank" rel="noopener">botanical garden</a>, and "Itaca," a self-sufficient farm built using 3D printing. The building was designed as a model for 3D-printed construction, representing a certified and replicable structure. The outdoor areas host research and development centers, forming an experimental "ecosystem" to develop new ideas in bio-construction and sustainable living, along with automated gardens, rainwater harvesting systems, and initiatives focused on micro circular economies.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042422/shamballa-opens-in-italy-as-a-3d-printed-research-site-exploring-self-sufficient-sustainable-living/6a2df19b634142018a2c3dc9-shamballa-opens-in-italy-as-a-3d-printed-research-site-exploring-self-sufficient-sustainable-living-image" rel="attachment" title="featured_image">
    <img title="Shamballa: Laboratory for Sustainable Living. Itaca, 2026. Image Courtesy of WASP" src="https://images.adsttc.com/media/images/6a2d/f19b/6341/4201/8a2c/3dc9/medium_jpg/the-laboratory-for-sustainable-futures_4.jpg?1781395894" alt="Shamballa: Laboratory for Sustainable Living. Itaca, 2026. Image Courtesy of WASP"/>
  </a>
  <small>Shamballa: Laboratory for Sustainable Living. Itaca, 2026. Image Courtesy of WASP</small>
</figure>
<p><p>Shamballa, an 8-hectare open-air laboratory and research site dedicated to sustainable living and advanced architectural <a href="https://www.archdaily.com/tag/3d-printing" target="_blank" rel="noopener">3D printing</a>, was inaugurated on June 8, 2026, in the hills of the Emilia-Romagna region in northern <a href="https://www.archdaily.com/country/italy" target="_blank" rel="noopener">Italy</a>. The project is a collaboration between WASP, a 3D printing technology company, and Olfattiva, an aromatherapy and botanical perfumery company, hosting a makers laboratory, a medicinal <a href="https://www.archdaily.com/tag/botanic-garden" target="_blank" rel="noopener">botanical garden</a>, and "Itaca," a self-sufficient farm built using 3D printing. The building was designed as a model for 3D-printed construction, representing a certified and replicable structure. The outdoor areas host research and development centers, forming an experimental "ecosystem" to develop new ideas in bio-construction and sustainable living, along with automated gardens, rainwater harvesting systems, and initiatives focused on micro circular economies.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042422/shamballa-opens-in-italy-as-a-3d-printed-research-site-exploring-self-sufficient-sustainable-living">Read more »</a></p>]]>
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      <title>
        <![CDATA[Building on the Moon: NASA's Architectural Strategy for Permanent Lunar Habitation]]>
      </title>
      <link>https://www.archdaily.com/1042350/building-on-the-moon-nasas-architectural-strategy-for-permanent-lunar-habitation</link>
      <pubDate>Mon, 15 Jun 2026 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042350/building-on-the-moon-nasas-architectural-strategy-for-permanent-lunar-habitation</guid>
      <description>
        <![CDATA[<p>After <a href="https://www.archdaily.com/1038362/9-m3-of-survival-inside-the-orion-spacecraft-and-the-architecture-of-space-travel?ad_source=search&amp;ad_medium=search_result_articles">Artemis II's</a> return to Earth, <a href="/tag/nasa">NASA</a> unveiled a new phased plan to<a href="https://www.theglobeandmail.com/investing/markets/stocks/INTC-Q/pressreleases/2354808/nasa-has-big-plans-for-the-moon-here-are-some-of-them/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> establish a Moon Base</a>. Although most of the media's attention went to rockets, budgets, and geopolitical competition, a quieter question was lingering for architects in the background: How can a human being actually live on the surface of the Moon, and for how long? The establishment of a permanent <a href="https://www.archdaily.com/1039446/gateway-in-lunar-orbit-extending-architecture-beyond-earth?ad_source=search&amp;ad_medium=search_result_articles">human presence on the Moon</a> marks a fundamental shift in space exploration that requires a new architectural paradigm. In their presentation, NASA officials suggested the strategy would drift away from highly constrained, vehicle-dependent environments toward autonomous, site-adaptive, and eventually permanently habitable structures. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042350/building-on-the-moon-nasas-architectural-strategy-for-permanent-lunar-habitation/6a2a1905aa48ad0189b7bf4c-building-on-the-moon-nasas-architectural-strategy-for-permanent-lunar-habitation-image" rel="attachment" title="featured_image">
    <img title="Concept : Living and Working on the Moon. Image Courtesy of NASA" src="https://images.adsttc.com/media/images/6a2a/1905/aa48/ad01/89b7/bf4c/medium_jpg/nasas-vision-for-a-moon-base-architectural-innovations-for-human-habitation_9.jpg?1781143823" alt="Concept : Living and Working on the Moon. Image Courtesy of NASA"/>
  </a>
  <small>Concept : Living and Working on the Moon. Image Courtesy of NASA</small>
</figure>
<p><p>After <a href="https://www.archdaily.com/1038362/9-m3-of-survival-inside-the-orion-spacecraft-and-the-architecture-of-space-travel?ad_source=search&amp;ad_medium=search_result_articles">Artemis II's</a> return to Earth, <a href="/tag/nasa">NASA</a> unveiled a new phased plan to<a href="https://www.theglobeandmail.com/investing/markets/stocks/INTC-Q/pressreleases/2354808/nasa-has-big-plans-for-the-moon-here-are-some-of-them/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> establish a Moon Base</a>. Although most of the media's attention went to rockets, budgets, and geopolitical competition, a quieter question was lingering for architects in the background: How can a human being actually live on the surface of the Moon, and for how long? The establishment of a permanent <a href="https://www.archdaily.com/1039446/gateway-in-lunar-orbit-extending-architecture-beyond-earth?ad_source=search&amp;ad_medium=search_result_articles">human presence on the Moon</a> marks a fundamental shift in space exploration that requires a new architectural paradigm. In their presentation, NASA officials suggested the strategy would drift away from highly constrained, vehicle-dependent environments toward autonomous, site-adaptive, and eventually permanently habitable structures. </p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042350/building-on-the-moon-nasas-architectural-strategy-for-permanent-lunar-habitation">Read more »</a></p>]]>
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      <title>
        <![CDATA[House Alva / Arhitekti Počivašek Petranovič]]>
      </title>
      <link>https://www.archdaily.com/1042387/house-alva-arhitekti-pocivasek-petranovic</link>
      <pubDate>Mon, 15 Jun 2026 03:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042387/house-alva-arhitekti-pocivasek-petranovic</guid>
      <description>
        <![CDATA[<p>House Alva stands in the Upper Carniola region, at the foot of the Pokljuka forests. The village center is made up of typical Upper Carniola farms and houses, surrounded by gardens, orchards, and wooden farm buildings covered with traditional concrete roof tiles.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042387/house-alva-arhitekti-pocivasek-petranovic/6a2b61bd712cdb0001fbe1a7-house-alva-arhitekti-pocivasek-petranovic-photo" rel="attachment" title="featured_image">
    <img title="© Urban Petranovič" src="https://images.adsttc.com/media/images/6a2b/61bd/712c/db00/01fb/e1a7/medium_jpg/08_House_Alva_-_Arhitekti_Pocivasek_Petranovic_-_foto_Urban_Petranovic-.jpg?1781228019" alt="© Urban Petranovič"/>
  </a>
  <small>© Urban Petranovič</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.pocivasekpetranovic.si/'>Arhitekti Počivašek Petranovič</a></li><li><strong>Location:</strong> , Slovenia</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> <a href='https://urbanpetranovic.com/'>Urban Petranovič</a></li><li><strong>Area:</strong> 135.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042387/house-alva-arhitekti-pocivasek-petranovic">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Eva and Marc Besen Centre / Kerstin Thompson Architects]]>
      </title>
      <link>https://www.archdaily.com/1042383/eva-and-marc-besen-centre-kerstin-thompson-architects</link>
      <pubDate>Mon, 15 Jun 2026 02:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Cultural Architecture]]>
      </category>
      <category>
        <![CDATA[Museums & Exhibit]]>
      </category>
      <category>
        <![CDATA[Exhibition center]]>
      </category>
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      <description>
        <![CDATA[<p>The Eva and Marc Besen Centre, adjacent to the TarraWarra Museum of Art, is a new purpose-built facility designed as a cultural hub catering to a diverse range of activities and experiences.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042383/eva-and-marc-besen-centre-kerstin-thompson-architects/6a2b583b634142721e507b20-eva-and-marc-besen-centre-kerstin-thompson-architects-photo" rel="attachment" title="featured_image">
    <img title="© Leo Showell" src="https://images.adsttc.com/media/images/6a2b/583b/6341/4272/1e50/7b20/medium_jpg/eva-and-marc-besen-centre-kerstin-thompson-architects_1.jpg?1781225557" alt="© Leo Showell"/>
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  <small>© Leo Showell</small>
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<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.kerstinthompson.com/'>Kerstin Thompson Architects</a></li><li><strong>Location:</strong> Healesville, Australia</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> <a href='https://www.leoshowell.com/'>Leo Showell</a></li><li><strong>Area:</strong> 2375.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042383/eva-and-marc-besen-centre-kerstin-thompson-architects">Read more »</a></p>]]>
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      <title>
        <![CDATA[YunTuo Distillery / OLI Architecture]]>
      </title>
      <link>https://www.archdaily.com/1042359/yuntuo-distillery-oli-architecture</link>
      <pubDate>Mon, 15 Jun 2026 00:00:00 +0000</pubDate>
      <dc:creator>韩爽 - HAN Shuang</dc:creator>
      <category>
        <![CDATA[Industrial Architecture]]>
      </category>
      <category>
        <![CDATA[Brewery]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042359/yuntuo-distillery-oli-architecture</guid>
      <description>
        <![CDATA[<p>YunTuo, Diageo's first single malt whisky distillery in China, is in the fertile <a href="/tag/dali">Dali</a> valley of Yunnan Province, at an altitude of approximately 2,100 metres and adjacent to the natural water source of Sanye Spring. Designed by OLI Architecture, the distillery translates its mountain setting, local craft traditions and whisky-making programme into a contemporary architectural experience rooted in place.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042359/yuntuo-distillery-oli-architecture/6a2a7564634142018a2c30fe-yuntuo-distillery-oli-architecture-photo" rel="attachment" title="featured_image">
    <img title="© Fangfang Tian" src="https://images.adsttc.com/media/images/6a2a/7564/6341/4201/8a2c/30fe/medium_jpg/yuntuo-distillery-oli-architecture_1.jpg?1781167470" alt="© Fangfang Tian"/>
  </a>
  <small>© Fangfang Tian</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> OLI Architecture</li><li><strong>Location:</strong> Eryuan, Dali, China</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> <a href='https://www.tianfangfang.cn'>Fangfang Tian</a></li><li><strong>Photographs:</strong> YunTuo</li><li><strong>Photographs:</strong> Yilong Zhao</li><li><strong>Photographs:</strong> Courtesy of OLI</li><li><strong>Area:</strong> 18726.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042359/yuntuo-distillery-oli-architecture">Read more »</a></p>]]>
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