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  <channel>
    <title>ArchDaily Global</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Mon, 8 Jun 2026 00:00:00 +0000</lastBuildDate>
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    <item>
      <title>
        <![CDATA[Mansfield House / Field Office Architecture]]>
      </title>
      <link>https://www.archdaily.com/1042193/mansfield-house-field-office-architecture</link>
      <pubDate>Mon, 08 Jun 2026 02:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042193/mansfield-house-field-office-architecture</guid>
      <description>
        <![CDATA[<p>Set on a ridgeline property just outside <a href="https://www.archdaily.com/tag/mansfield">Mansfield</a> in the high country of north-east Victoria, Mansfield House was designed for a young family seeking a quiet, durable, and thermally resilient home that could sit gently within the landscape. Surrounded by rolling farmland, mature red gums, and expansive views, the project embraces a slower and more grounded approach to rural living.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042193/mansfield-house-field-office-architecture/6a2162c758b9e00189195202-mansfield-house-field-office-architecture-photo" rel="attachment" title="featured_image">
    <img title="© Sean Fennessy" src="https://images.adsttc.com/media/images/6a21/62c7/58b9/e001/8919/5202/medium_jpg/mansfield-house-field-office-architecture_3.jpg?1780572904" alt="© Sean Fennessy"/>
  </a>
  <small>© Sean Fennessy</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://fieldoffice.com.au/'>Field Office Architecture</a></li><li><strong>Location:</strong> Mansfield, Australia</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> <a href='https://www.seanfennessy.com.au/'>Sean Fennessy</a></li><li><strong>Area:</strong> 300.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042193/mansfield-house-field-office-architecture">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[House for Rejuvenation / JK-AR]]>
      </title>
      <link>https://www.archdaily.com/1042204/house-for-rejuvenation-jk-ar</link>
      <pubDate>Mon, 08 Jun 2026 00:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Mixed Use Architecture]]>
      </category>
      <category>
        <![CDATA[Refurbishment]]>
      </category>
      <category>
        <![CDATA[Adaptive reuse]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042204/house-for-rejuvenation-jk-ar</guid>
      <description>
        <![CDATA[<p>Located in the historic city of Gyeongju, the House of Rejuvenation seamlessly blends traditional elements with modern design principles. The project introduces innovative timber framing systems that reimagine traditional wooden structures, creating a harmonious fusion of old and new.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042204/house-for-rejuvenation-jk-ar/6a229731d2d36e000102f1c7-house-for-rejuvenation-jk-ar-photo" rel="attachment" title="featured_image">
    <img title="© Rohspace" src="https://images.adsttc.com/media/images/6a22/9731/d2d3/6e00/0102/f1c7/medium_jpg/01-photo-24.jpg?1780651858" alt="© Rohspace"/>
  </a>
  <small>© Rohspace</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.jk-ar.com'>JK-AR</a></li><li><strong>Location:</strong> Gyeongju-si, South Korea</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Rohspace</li><li><strong>Area:</strong> 952.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042204/house-for-rejuvenation-jk-ar">Read more »</a></p>]]>
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    <item>
      <title>
        <![CDATA[Gong’s House / Various Associates]]>
      </title>
      <link>https://www.archdaily.com/1018074/gongs-house-various-associates</link>
      <pubDate>Sun, 07 Jun 2026 21:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1018074/gongs-house-various-associates</guid>
      <description>
        <![CDATA[<p>Gong's House, designed by Various Associates, prioritizes functionality and comfort to address the real needs of the family. The design team has developed and incorporated localized building materials, integrating the urban lifestyle with the natural environment of the countryside, and offering a comfortable gathering and dwelling space for the family and their friends in the ancient village of Yongjia.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1018074/gongs-house-various-associates/667a0b62f15ccd3ca6a2a40b-gongs-house-various-associates-photo" rel="attachment" title="featured_image">
    <img title="© Jonathan Leijonhufvud" src="https://images.adsttc.com/media/images/667a/0b62/f15c/cd3c/a6a2/a40b/medium_jpg/gongs-house-various-associates_36.jpg?1719274357" alt="© Jonathan Leijonhufvud"/>
  </a>
  <small>© Jonathan Leijonhufvud</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.various-associates.com/'>Various Associates</a></li><li><strong>Location:</strong> Wenzhou, China</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> Jonathan Leijonhufvud</li><li><strong>Area:</strong> 800.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1018074/gongs-house-various-associates">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[Permanent Camping 3 / Casey Brown Architecture]]>
      </title>
      <link>https://www.archdaily.com/1042203/permanent-camping-3-casey-brown-architecture</link>
      <pubDate>Sun, 07 Jun 2026 17:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Lodging]]>
      </category>
      <category>
        <![CDATA[Cabins & Lodges]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042203/permanent-camping-3-casey-brown-architecture</guid>
      <description>
        <![CDATA[<p>Permanent Camping 3 (PC3) at <a href="https://www.archdaily.com/tag/orange">Orange</a> continues an architectural lineage that began with PC1 in Mudgee and PC2 in Berry, yet stands as its own distinctive response to place, climate, and the evolving ethos of minimal living. Built on a working sheep farm, as short-stay boutique accommodation, the cabins are the product of a long process of iterative design. Located some ten minutes outside the NSW regional centre of Orange, the project comprises two sharply profiled A-frame steel cabins that rest lightly on the undulating terrain in a form reminiscent of a tent. Their presence is both utilitarian and sculptural, shaped by economy, climate, and the desire for retreat. The cabins had to support reflection, allow engagement with the environment, and offer a degree of shelter that feels both grounded and elevated above everyday life.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042203/permanent-camping-3-casey-brown-architecture/6a228f1b325f93018750fc1f-permanent-camping-3-casey-brown-architecture-photo" rel="attachment" title="featured_image">
    <img title="© Zella Casey Brown" src="https://images.adsttc.com/media/images/6a22/8f1b/325f/9301/8750/fc1f/medium_jpg/permanent-camping-3-casey-brown-architecture_3.jpg?1780649775" alt="© Zella Casey Brown"/>
  </a>
  <small>© Zella Casey Brown</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.caseybrown.com.au/'>Casey Brown Architecture</a></li><li><strong>Location:</strong> Orange, Australia</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Zella Casey Brown</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042203/permanent-camping-3-casey-brown-architecture">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[Music Room - Casa La Flecha / González Olsina & Vega Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/1040854/music-room-casa-la-flecha-gonzalez-olsina-and-vega-arquitectos</link>
      <pubDate>Sun, 07 Jun 2026 15:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <category>
        <![CDATA[Refurbishment]]>
      </category>
      <category>
        <![CDATA[Renovation]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040854/music-room-casa-la-flecha-gonzalez-olsina-and-vega-arquitectos</guid>
      <description>
        <![CDATA[<p>The project is located in Playa Matamora, in the department of <a href="https://www.archdaily.com/tag/colonia-del-sacramento">Colonia del Sacramento</a>, Uruguay, facing the vastness of the Río de la Plata. The coastal landscape, both rugged and quiet, is defined by the constant presence of the river horizon and native vegetation, creating an atmosphere of contemplation that shapes the intent of the intervention.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040854/music-room-casa-la-flecha-gonzalez-olsina-and-vega-arquitectos/69e83fcb1afd706e415e41b0-music-room-casa-la-flecha-gonzalez-olsina-and-vega-arquitectos-photo" rel="attachment" title="featured_image">
    <img title="© Luis Abba" src="https://images.adsttc.com/media/images/69e8/3fcb/1afd/706e/415e/41b0/medium_jpg/music-room-casa-la-flecha-gonzalez-olsina-and-vega-arquitectos_11.jpg?1776828418" alt="© Luis Abba"/>
  </a>
  <small>© Luis Abba</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> Eduardo Vera</li><li><strong>architects:</strong> <a href='https://govarq.com/'>González Olsina & Vega Arquitectos</a></li><li><strong>Location:</strong> Colonia del Sacramento, Uruguay</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Luis Abba</li><li><strong>Area:</strong> 230.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040854/music-room-casa-la-flecha-gonzalez-olsina-and-vega-arquitectos">Read more »</a></p>]]>
      </content:encoded>
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    </item>
    <item>
      <title>
        <![CDATA[Marian Goodman Gallery New York  / studioMDA]]>
      </title>
      <link>https://www.archdaily.com/1042233/marian-goodman-gallery-new-york-studiomda</link>
      <pubDate>Sun, 07 Jun 2026 11:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Cultural Architecture]]>
      </category>
      <category>
        <![CDATA[Museums & Exhibit]]>
      </category>
      <category>
        <![CDATA[Gallery]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042233/marian-goodman-gallery-new-york-studiomda</guid>
      <description>
        <![CDATA[<p>The Marian Goodman Gallery in Tribeca reworks the 1875 Grosvenor Buildings into a contemporary exhibition space, balancing preservation with the spatial requirements of a modern gallery.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042233/marian-goodman-gallery-new-york-studiomda/6a237ae2d2d36e000102f2f2-marian-goodman-gallery-new-york-studiomda-photo" rel="attachment" title="featured_image">
    <img title="© Roland Halbe" src="https://images.adsttc.com/media/images/6a23/7ae2/d2d3/6e00/0102/f2f2/medium_jpg/11_Photo_Credit_Roland_Halbe.jpg?1780710134" alt="© Roland Halbe"/>
  </a>
  <small>© Roland Halbe</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://studiomda.com/contact'>studioMDA</a></li><li><strong>Location:</strong> New York, United States</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> Roland Halbe</li><li><strong>Photographs:</strong> Alex Yudzon</li><li><strong>Area:</strong> 35000.0 ft2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042233/marian-goodman-gallery-new-york-studiomda">Read more »</a></p>]]>
      </content:encoded>
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    <item>
      <title>
        <![CDATA[OUNASS Stage Dubai / VAUST Studio]]>
      </title>
      <link>https://www.archdaily.com/1042184/ounass-stage-dubai-vaust-studio</link>
      <pubDate>Sun, 07 Jun 2026 09:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Cultural Architecture]]>
      </category>
      <category>
        <![CDATA[Museums & Exhibit]]>
      </category>
      <category>
        <![CDATA[Gallery]]>
      </category>
      <category>
        <![CDATA[Interior Design]]>
      </category>
      <category>
        <![CDATA[Retail Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042184/ounass-stage-dubai-vaust-studio</guid>
      <description>
        <![CDATA[<p>OUNASS STAGE in <a href="https://www.archdaily.com/tag/dubai">Dubai</a> was conceived as more than a conventional retail environment. Positioned somewhere between gallery, installation, and boutique, the project explores how contemporary retail spaces can serve as platforms for cultural exchange, storytelling, and spatial experimentation. Designed by VAUST for Ounass, the concept translates the raw atmosphere of Berlin's contemporary art scene into a context shaped by precision, luxury and transformation. At the center of the project lies the idea of "Alternate Abundance". Luxury is expressed not through ornament or visual excess, but through atmosphere, material honesty and spatial tension. The project intentionally distances itself from the polished neutrality often associated with luxury retail and instead embraces an architectural language informed by brutalism and modernism alike.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042184/ounass-stage-dubai-vaust-studio/6a20d5365b1ed900010d46b6-ounass-stage-dubai-vaust-studio-photo" rel="attachment" title="featured_image">
    <img title="© Nicolas Quiniou" src="https://images.adsttc.com/media/images/6a20/d536/5b1e/d900/010d/46b6/medium_jpg/Stage_NicolasQuiniou_019.jpg?1780537743" alt="© Nicolas Quiniou"/>
  </a>
  <small>© Nicolas Quiniou</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://vaust.studio/'>VAUST Studio</a></li><li><strong>Location:</strong> Dubai, United Arab Emirates</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Nicolas Quiniou</li><li><strong>Area:</strong> 700.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042184/ounass-stage-dubai-vaust-studio">Read more »</a></p>]]>
      </content:encoded>
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    <item>
      <title>
        <![CDATA[Thick Walls and Deep Openings: When Architecture Rediscovers Mass]]>
      </title>
      <link>https://www.archdaily.com/1041295/thick-walls-and-deep-openings-when-architecture-rediscovers-mass</link>
      <pubDate>Sun, 07 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041295/thick-walls-and-deep-openings-when-architecture-rediscovers-mass</guid>
      <description>
        <![CDATA[<p>For much of the <a href="https://www.archdaily.com/tag/archdaily-topic-2026-20th-century-design-in-flux" target="_blank" rel="noopener">twentieth century</a>, architectural culture was shaped by the pursuit of lightness. <a href="https://www.archdaily.com/tag/steel-structure">Steel structures</a> and <a href="https://www.archdaily.com/tag/curtain-wall">curtain walls</a> reduced the building envelope to a thin layer separating interior from exterior, while façades became smooth, continuous surfaces where windows were cut as precise openings within an abstract plane. But for centuries, buildings were conceived as bodies of mass; walls possessed depth, windows were recessed within thick masonry, and space was often experienced as something carved from the solidity of construction. In recent years, several <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary projects</a> appear to revisit this older spatial logic, reintroducing thickness as an architectural condition through deep openings, monolithic volumes, and heavy envelopes.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041295/thick-walls-and-deep-openings-when-architecture-rediscovers-mass/69ff77b9bbf1cd01885bb81a-thick-walls-and-deep-openings-when-architecture-rediscovers-mass-photo" rel="attachment" title="featured_image">
    <img title="Alférez House / Ludwig Godefroy Architecture. Image © Rory Gardiner" src="https://images.adsttc.com/media/images/69ff/77b9/bbf1/cd01/885b/b81a/medium_jpg/thick-walls-and-deep-openings-the-return-of-architectural-mass_3.jpg?1778350016" alt="Alférez House / Ludwig Godefroy Architecture. Image © Rory Gardiner"/>
  </a>
  <small>Alférez House / Ludwig Godefroy Architecture. Image © Rory Gardiner</small>
</figure>
<p><p>For much of the <a href="https://www.archdaily.com/tag/archdaily-topic-2026-20th-century-design-in-flux" target="_blank" rel="noopener">twentieth century</a>, architectural culture was shaped by the pursuit of lightness. <a href="https://www.archdaily.com/tag/steel-structure">Steel structures</a> and <a href="https://www.archdaily.com/tag/curtain-wall">curtain walls</a> reduced the building envelope to a thin layer separating interior from exterior, while façades became smooth, continuous surfaces where windows were cut as precise openings within an abstract plane. But for centuries, buildings were conceived as bodies of mass; walls possessed depth, windows were recessed within thick masonry, and space was often experienced as something carved from the solidity of construction. In recent years, several <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary projects</a> appear to revisit this older spatial logic, reintroducing thickness as an architectural condition through deep openings, monolithic volumes, and heavy envelopes.</p></p><p><p>This shift does not imply a rejection of <a href="https://www.archdaily.com/1007164/from-tradition-to-innovation-how-modern-technologies-are-transforming-the-potential-of-wood">modern construction technologies</a>, nor does it represent a nostalgic return to historical forms. Instead, it reflects a renewed interest in the fundamental relationship between material, <a href="https://www.archdaily.com/tag/mass">mass</a>, and <a href="https://www.archdaily.com/tag/void">void</a>. By reintroducing thickness into the architectural vocabulary, these buildings reconnect contemporary practice with long-standing traditions in which space was inseparable from the weight and depth of construction.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041295/thick-walls-and-deep-openings-when-architecture-rediscovers-mass">Read more »</a></p>]]>
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      <title>
        <![CDATA[Neckarbogen Neighborhood Parking Garage / Wittfoht Architekten]]>
      </title>
      <link>https://www.archdaily.com/1042085/neckarbogen-neighborhood-parking-garage-wittfoht-architekten</link>
      <pubDate>Sun, 07 Jun 2026 06:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Infrastructure]]>
      </category>
      <category>
        <![CDATA[Transportation]]>
      </category>
      <category>
        <![CDATA[Parking]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042085/neckarbogen-neighborhood-parking-garage-wittfoht-architekten</guid>
      <description>
        <![CDATA[<p>The Neckarbogen neighborhood parking garage is Heilbronn's most modern and forward-thinking parking facility. This new multifunctional building combines parking spaces, electric vehicle charging infrastructure, car-sharing services, local energy generation, and other neighborhood services, all under one roof. A mobility station, which can be used independently of car traffic, is located in a highly visible corner spot.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042085/neckarbogen-neighborhood-parking-garage-wittfoht-architekten/6a1e8b1635eb240001f04be1-neckarbogen-neighborhood-parking-garage-wittfoht-architekten-photo" rel="attachment" title="featured_image">
    <img title="" src="https://images.adsttc.com/media/images/6a1e/8b16/35eb/2400/01f0/4be1/medium_jpg/260304011.jpg?1780386619" alt=""/>
  </a>
  <small></small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.wittfoht-architekten.com'>Wittfoht Architekten</a></li><li><strong>Location:</strong> Heilbronn, Germany</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> </li><li><strong>Area:</strong> 2806.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042085/neckarbogen-neighborhood-parking-garage-wittfoht-architekten">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Renewal Experiment of Chaiji Lane / TJAD + DCA]]>
      </title>
      <link>https://www.archdaily.com/1042068/renewal-experiment-of-chaiji-lane-tjad-plus-dca</link>
      <pubDate>Sun, 07 Jun 2026 02:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Urbanism]]>
      </category>
      <category>
        <![CDATA[Urban Planning]]>
      </category>
      <category>
        <![CDATA[Public Architecture]]>
      </category>
      <category>
        <![CDATA[Community]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042068/renewal-experiment-of-chaiji-lane-tjad-plus-dca</guid>
      <description>
        <![CDATA[<p>China has an extensive number of small towns with historic districts boasting natural and organic spatial fabric mainly composed of self-built houses. Nevertheless, these areas are generally trapped in tough regeneration predicaments: the deterioration of physical spaces has disrupted the social ecosystem, resulting in hollowing-out, an aging population and a severe loss of vitality; meanwhile, they fall into a quagmire due to constraints such as limited resource endowments, weak financial support, and insufficient market drive.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042068/renewal-experiment-of-chaiji-lane-tjad-plus-dca/6a1df1b3fd52922d0b0b9a72-renewal-experiment-of-chaiji-lane-tjad-plus-dca-photo" rel="attachment" title="featured_image">
    <img title="© Qingshan Wu" src="https://images.adsttc.com/media/images/6a1d/f1b3/fd52/922d/0b0b/9a72/medium_jpg/renewal-experiment-of-chaiji-lane-tjad_5.jpg?1780347328" alt="© Qingshan Wu"/>
  </a>
  <small>© Qingshan Wu</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.dcachina.com/'>DCA</a></li><li><strong>architects:</strong> <a href='http://www.tjad.cn'>TJAD</a></li><li><strong>Location:</strong> Baita East Road, Dengbu Street, Yujiang District, Yingtan City, Jiangxi Province, China</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> <a href='https://www.wuqingshan.cn/'>Qingshan Wu</a></li><li><strong>Area:</strong> 33600.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042068/renewal-experiment-of-chaiji-lane-tjad-plus-dca">Read more »</a></p>]]>
      </content:encoded>
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    <item>
      <title>
        <![CDATA[Floating Ground: A Landmark that Disappears / YZA]]>
      </title>
      <link>https://www.archdaily.com/1042196/floating-ground-a-landmark-that-disappears-yza</link>
      <pubDate>Sat, 06 Jun 2026 21:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Cultural Architecture]]>
      </category>
      <category>
        <![CDATA[Heritage]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042196/floating-ground-a-landmark-that-disappears-yza</guid>
      <description>
        <![CDATA[<p>Baekje (18 BCE–660 CE) was one of the ancient kingdoms of Korea, established by migrants of Buyeo origin who branched from Goguryeo and settled in the Han River basin. Among its history, the Hansung period—before the capital was relocated to Ungjin—represented the height of Baekje's prosperity, with the kingdom flourishing in and around present-day <a href="https://www.archdaily.com/tag/seoul">Seoul</a> until 475 CE.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042196/floating-ground-a-landmark-that-disappears-yza/6a219b73d2d36e000102f166-floating-ground-a-landmark-that-disappears-yza-photo" rel="attachment" title="featured_image">
    <img title="© Kyungsub Shin" src="https://images.adsttc.com/media/images/6a21/9b73/d2d3/6e00/0102/f166/medium_jpg/Floating_Ground_222.jpg?1780587398" alt="© Kyungsub Shin"/>
  </a>
  <small>© Kyungsub Shin</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://yz-architecture.com/'>YZA</a></li><li><strong>Location:</strong> 508 Baekjegobun-ro, Songpa-gu, Seoul, South Korea</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Kyungsub Shin</li><li><strong>Area:</strong> 200.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042196/floating-ground-a-landmark-that-disappears-yza">Read more »</a></p>]]>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a21/9b73/d2d3/6e00/0102/f166/medium_jpg/Floating_Ground_222.jpg?1780587398"/>
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      <title>
        <![CDATA[On cloud9 hdy  cafe / Sitti architects and design]]>
      </title>
      <link>https://www.archdaily.com/1042202/on-cloud9-hdy-cafe-sitti-architects-and-design</link>
      <pubDate>Sat, 06 Jun 2026 17:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Restaurants & Bars]]>
      </category>
      <category>
        <![CDATA[Coffee Shop]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042202/on-cloud9-hdy-cafe-sitti-architects-and-design</guid>
      <description>
        <![CDATA[<p>Blending Geometric Forms with Nature<br>The inception of this healthy cafe and restaurant stems from the owner's vision for a space that is "simple yet truly outstanding." The design team brilliantly interpreted this by integrating the concept of nature with basic geometric shapes—triangles, squares, and circles—weaving them into a cohesive narrative. Given the densely populated residential neighborhood, the designers addressed the context by utilizing a bold "circular form" to enclose the area, cleverly masking the external chaos. This strategic layout creates an open sanctuary that connects the earth below with the sky above, seamlessly drawing nature into the heart of the architecture.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042202/on-cloud9-hdy-cafe-sitti-architects-and-design/6a228672d2d36e000102f1ae-on-cloud9-hdy-cafe-sitti-architects-and-design-photo" rel="attachment" title="featured_image">
    <img title="© Rungkit Charoenwat" src="https://images.adsttc.com/media/images/6a22/8672/d2d3/6e00/0102/f1ae/medium_jpg/On_cloud9_hdy__34_.jpg?1780647676" alt="© Rungkit Charoenwat"/>
  </a>
  <small>© Rungkit Charoenwat</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.facebook.com/sittiarchitects/'>Sitti architects and design</a></li><li><strong>Location:</strong> Tambon Hat Yai, Thailand</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Rungkit Charoenwat</li><li><strong>Area:</strong> 200.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042202/on-cloud9-hdy-cafe-sitti-architects-and-design">Read more »</a></p>]]>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a22/8672/d2d3/6e00/0102/f1ae/medium_jpg/On_cloud9_hdy__34_.jpg?1780647676"/>
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      <title>
        <![CDATA[Villa Robles House / arquitectura.te]]>
      </title>
      <link>https://www.archdaily.com/1041198/villa-robles-house-arquitecture</link>
      <pubDate>Sat, 06 Jun 2026 15:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041198/villa-robles-house-arquitecture</guid>
      <description>
        <![CDATA[<p>Located within a pine forest, the house is conceived as an architectural element that, rather than blending into the landscape, seeks an intentional contrast. The project is organized around three solid, light-toned shingle volumes that emerge against the dark hues of the trees. This decision transforms the house into a luminous element within the forest, establishing a dialogue where the architecture asserts itself as an object in the face of nature.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041198/villa-robles-house-arquitecture/69fa5a75754aba01a3ca815a-villa-robles-house-arquitecture-photo" rel="attachment" title="featured_image">
    <img title="© Ignacio Tessore" src="https://images.adsttc.com/media/images/69fa/5a75/754a/ba01/a3ca/815a/medium_jpg/casa-villa-robles-arquitecture_3.jpg?1778014856" alt="© Ignacio Tessore"/>
  </a>
  <small>© Ignacio Tessore</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://estudiote.com.ar/arquitectura/'>arquitectura.te</a></li><li><strong>Location:</strong> Villa Robles, Argentina</li><li><strong>Project Year:</strong> 2023</li><li><strong>Photographs:</strong> Ignacio Tessore</li><li><strong>Area:</strong> 1432 ft2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041198/villa-robles-house-arquitecture">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[É Um Restaurante / SIA arquitectura + gonçalves perić]]>
      </title>
      <link>https://www.archdaily.com/1041041/e-um-restaurante-sia-arquitectura-plus-goncalves-peric</link>
      <pubDate>Sat, 06 Jun 2026 11:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Restaurants & Bars]]>
      </category>
      <category>
        <![CDATA[Restaurant]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041041/e-um-restaurante-sia-arquitectura-plus-goncalves-peric</guid>
      <description>
        <![CDATA[<p>The project was made in partnership with the association CRESCER, which supports people in social vulnerability, and the Municipality of <a href="https://www.archdaily.com/tag/amadora">Amadora</a>. We sought to make the space inhabited from the very first moment.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041041/e-um-restaurante-sia-arquitectura-plus-goncalves-peric/69f0b74c20d6d80001663deb-e-um-restaurante-sia-arquitectura-plus-goncalves-peric-photo" rel="attachment" title="featured_image">
    <img title="© Charlotte Auger" src="https://images.adsttc.com/media/images/69f0/b74c/20d6/d800/0166/3deb/medium_jpg/Charlotte_Auger_08.jpg?1777383313" alt="© Charlotte Auger"/>
  </a>
  <small>© Charlotte Auger</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.sia-arquitectura.com/'>SIA arquitectura</a></li><li><strong>architects:</strong> <a href='http://www.goncalves-peric.com'>gonçalves perić</a></li><li><strong>Location:</strong> Amadora, Portugal</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Charlotte Auger</li><li><strong>Photographs:</strong> João Lança de Morais</li><li><strong>Area:</strong> 369.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041041/e-um-restaurante-sia-arquitectura-plus-goncalves-peric">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Renovation in Veillac / Atelier AJO]]>
      </title>
      <link>https://www.archdaily.com/1042087/renovation-in-veillac-atelier-ajo</link>
      <pubDate>Sat, 06 Jun 2026 09:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Refurbishment]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042087/renovation-in-veillac-atelier-ajo</guid>
      <description>
        <![CDATA[<p>The project consists of the rehabilitation of a former farmhouse, uninhabited and previously used to accommodate agricultural workers, that forms part of a larger ensemble organized around a central courtyard.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042087/renovation-in-veillac-atelier-ajo/6a1e8c2935eb240001f04bf6-renovation-in-veillac-atelier-ajo-photo" rel="attachment" title="featured_image">
    <img title="© Sandrine Iratçabal" src="https://images.adsttc.com/media/images/6a1e/8c29/35eb/2400/01f0/4bf6/medium_jpg/sandrineiratcabal_2026_AAJO_MAISONVEILLAC_PONT_DE_SALARS_HD-2.jpg?1780386944" alt="© Sandrine Iratçabal"/>
  </a>
  <small>© Sandrine Iratçabal</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.atelierajo.com'>Atelier AJO</a></li><li><strong>Location:</strong> Pont-de-Salars, France</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> Sandrine Iratçabal</li><li><strong>Area:</strong> 170.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042087/renovation-in-veillac-atelier-ajo">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Designed to Repeat, Forced to Adapt: The Parallel Architecture of Socialist Housing]]>
      </title>
      <link>https://www.archdaily.com/1041867/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing</link>
      <pubDate>Sat, 06 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041867/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing</guid>
      <description>
        <![CDATA[<p>A <a href="https://www.archdaily.com/789828/discover-the-grit-and-glory-of-new-belgrades-communist-architecture">housing block in New Belgrade</a> appears orderly from a distance. <a href="https://www.archdaily.com/981407/concrete-estates-the-legacy-of-soviet-era-housing">Concrete slabs repeat</a> with disciplined consistency, windows align into measured grids, and balconies stack with the confidence of a system certain of itself. However, proximity changes the reading. One <a href="https://www.archdaily.com/940952/a-display-of-informal-architecture-new-documentary-on-the-ukrainian-makeshift-balconies-phenomenon">balcony is enclosed in aluminum glazing</a>, another softened with improvised shading. Insulation thickens part of a façade while laundry frames another edge like an accidental elevation study. The district still reads as planned, though occupation has made its order less uniform. Within that order, <a href="https://www.archdaily.com/1011352/the-paradox-of-symmetry-and-grace-in-the-repetition-of-architectural-elements">repetition has gradually been rewritten</a> through occupation.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041867/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing/6a15a869fd529207909d278e-designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing-image" rel="attachment" title="featured_image">
    <img title="Novi Beograd (New Belgrade), a planned city built in 1948. Photo © Piotr Bednarski" src="https://images.adsttc.com/media/images/6a15/a869/fd52/9207/909d/278e/medium_jpg/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing_13.jpg?1779804278" alt="Novi Beograd (New Belgrade), a planned city built in 1948. Photo © Piotr Bednarski"/>
  </a>
  <small>Novi Beograd (New Belgrade), a planned city built in 1948. Photo © Piotr Bednarski</small>
</figure>
<p><p>A <a href="https://www.archdaily.com/789828/discover-the-grit-and-glory-of-new-belgrades-communist-architecture">housing block in New Belgrade</a> appears orderly from a distance. <a href="https://www.archdaily.com/981407/concrete-estates-the-legacy-of-soviet-era-housing">Concrete slabs repeat</a> with disciplined consistency, windows align into measured grids, and balconies stack with the confidence of a system certain of itself. However, proximity changes the reading. One <a href="https://www.archdaily.com/940952/a-display-of-informal-architecture-new-documentary-on-the-ukrainian-makeshift-balconies-phenomenon">balcony is enclosed in aluminum glazing</a>, another softened with improvised shading. Insulation thickens part of a façade while laundry frames another edge like an accidental elevation study. The district still reads as planned, though occupation has made its order less uniform. Within that order, <a href="https://www.archdaily.com/1011352/the-paradox-of-symmetry-and-grace-in-the-repetition-of-architectural-elements">repetition has gradually been rewritten</a> through occupation.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041867/designed-to-repeat-forced-to-adapt-the-parallel-architecture-of-socialist-housing">Read more »</a></p>]]>
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      <title>
        <![CDATA[“Gauguin, l’Atelier du Pouldu” Interpretation Centre / Modal Architecture + Quartz Architecture]]>
      </title>
      <link>https://www.archdaily.com/1042088/gauguin-latelier-du-pouldu-interpretation-centre-modal-architecture-plus-quartz-architecture</link>
      <pubDate>Sat, 06 Jun 2026 06:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Cultural Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1042088/gauguin-latelier-du-pouldu-interpretation-centre-modal-architecture-plus-quartz-architecture</guid>
      <description>
        <![CDATA[<p>The project is inspired by the artistic legacy of Paul Gauguin and the painters who stayed in Le Pouldu at the end of the 19th century. The architecture seeks to preserve the spirit and perception of the former Buvette de la Plage, where Gauguin and his companions lived and worked, while creating a contemporary cultural facility that can welcome a wider audience.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1042088/gauguin-latelier-du-pouldu-interpretation-centre-modal-architecture-plus-quartz-architecture/6a1e8c2e35eb240001f04c2b-gauguin-latelier-du-pouldu-interpretation-centre-modal-architecture-plus-quartz-architecture-photo" rel="attachment" title="featured_image">
    <img title="© Eric Sueur" src="https://images.adsttc.com/media/images/6a1e/8c2e/35eb/2400/01f0/4c2b/medium_jpg/251119-MODAL_QUARTZ-CLOHARS_CARNOET-248.jpg?1780387175" alt="© Eric Sueur"/>
  </a>
  <small>© Eric Sueur</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.modal-architecture.com'>Modal Architecture</a></li><li><strong>architects:</strong> Quartz Architecture</li><li><strong>Location:</strong> Clohars-Carnoët, France</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Eric Sueur</li><li><strong>Area:</strong> 1000.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1042088/gauguin-latelier-du-pouldu-interpretation-centre-modal-architecture-plus-quartz-architecture">Read more »</a></p>]]>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a1e/8c2e/35eb/2400/01f0/4c2b/medium_jpg/251119-MODAL_QUARTZ-CLOHARS_CARNOET-248.jpg?1780387175"/>
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      <title>
        <![CDATA[Modum Atelier Nanjing Office / Modum Atelier]]>
      </title>
      <link>https://www.archdaily.com/1019505/modum-atelier-nanjing-office-modum-atelier</link>
      <pubDate>Sat, 06 Jun 2026 02:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Interior Design]]>
      </category>
      <category>
        <![CDATA[Offices Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1019505/modum-atelier-nanjing-office-modum-atelier</guid>
      <description>
        <![CDATA[<p>The new office of Modum Atelir is located in the middle part of the rows of bungalows in National Leading Talents Pioneer Park, which used to be the General Bureau of Silver Dollar Minting in Jiangnan during the late Qing Dynasty. It is separated by a stone tunnel and adjacent to the Ming City Wall site. The original floor height of the interior was five meters, and the floor plan was evenly divided into two parts by a structural wall. The height of the floor and the insulation of the wall result in a passive energy-saving disadvantage of the house, and the structural wall in the center also brings difficulties in spatial integration. The townhouse where the studio is located is in a low-lying part of the park. In the summer, when rainfall is abundant, rainwater may back up into the house.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1019505/modum-atelier-nanjing-office-modum-atelier/66a962c2aa9b6b3fc3ce75fb-modum-atelier-nanjing-office-modum-atelier-photo" rel="attachment" title="featured_image">
    <img title="© AYstudio" src="https://images.adsttc.com/media/images/66a9/62c2/aa9b/6b3f/c3ce/75fb/medium_jpg/modum-atelier-nanjing-office-modum-atelier_7.jpg?1722377020" alt="© AYstudio"/>
  </a>
  <small>© AYstudio</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.studiomodum.com'>Modum Atelier</a></li><li><strong>Location:</strong> Nan Jing Shi, China</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> AYstudio</li><li><strong>Area:</strong> 67.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1019505/modum-atelier-nanjing-office-modum-atelier">Read more »</a></p>]]>
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