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  <channel>
    <title>ArchDaily Global</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Sat, 23 May 2026 00:00:00 +0000</lastBuildDate>
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    <item>
      <title>
        <![CDATA[UVVA Winery / GAM Arquitetos]]>
      </title>
      <link>https://www.archdaily.com/1041691/uvva-winery-gam-arquitetos</link>
      <pubDate>Sat, 23 May 2026 15:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Industrial Architecture]]>
      </category>
      <category>
        <![CDATA[Winery]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041691/uvva-winery-gam-arquitetos</guid>
      <description>
        <![CDATA[<p>Our inspiration was the strength of the natural landscape and the architecture of Vanja Hertcert, which already showcased the grandeur of concrete and wood as fundamental marks. The interior was conceived as a connecting link: a space where Brazilian authorial furniture, natural materials, and neutral tones create a welcoming atmosphere without interfering with the original architectural experience.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041691/uvva-winery-gam-arquitetos/69defa8763f5ef01884fd10e-uvva-winery-gam-arquitetos-photo" rel="attachment" title="featured_image">
    <img title="© Denilson Machado – MCA Estúdio" src="https://images.adsttc.com/media/images/69de/fa87/63f5/ef01/884f/d10e/medium_jpg/vinicola-uvva-gam-arquitetos_18.jpg?1776220824" alt="© Denilson Machado – MCA Estúdio"/>
  </a>
  <small>© Denilson Machado – MCA Estúdio</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.gamarquitetos.com.br/'>GAM Arquitetos</a></li><li><strong>Location:</strong> Mucugê – Chapada Diamantina, Bahia, Brasil</li><li><strong>Project Year:</strong> 2021</li><li><strong>Photographs:</strong> Denilson Machado – MCA Estúdio</li><li><strong>Area:</strong> 487.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041691/uvva-winery-gam-arquitetos">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[The Rausing Science Center at The King's School / Walters & Cohen Architects]]>
      </title>
      <link>https://www.archdaily.com/1041743/the-rausing-science-center-at-the-kings-school-walters-and-cohen-architects</link>
      <pubDate>Sat, 23 May 2026 11:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Educational Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041743/the-rausing-science-center-at-the-kings-school-walters-and-cohen-architects</guid>
      <description>
        <![CDATA[<p>The Rausing Science Centre is carefully stitched into The King's School's historic estate within the precincts of <a href="https://www.archdaily.com/tag/canterbury">Canterbury</a> Cathedral.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041743/the-rausing-science-center-at-the-kings-school-walters-and-cohen-architects/6a0f1b4335eb240001f0420c-the-rausing-science-center-at-the-kings-school-walters-and-cohen-architects-photo" rel="attachment" title="featured_image">
    <img title="© Jim Stephenson" src="https://images.adsttc.com/media/images/6a0f/1b43/35eb/2400/01f0/420c/medium_jpg/1._King_s_Science_-_Jim_Stephenson.jpg?1779374959" alt="© Jim Stephenson"/>
  </a>
  <small>© Jim Stephenson</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.waltersandcohen.com/'>Walters & Cohen Architects</a></li><li><strong>Location:</strong> Canterbury, United Kingdom</li><li><strong>Project Year:</strong> 2023</li><li><strong>Photographs:</strong> Jim Stephenson</li><li><strong>Area:</strong> 940.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041743/the-rausing-science-center-at-the-kings-school-walters-and-cohen-architects">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[House with a Mountain View / Stempel & Tesar Architects]]>
      </title>
      <link>https://www.archdaily.com/1041508/house-with-a-mountain-view-stempel-and-tesar-architects</link>
      <pubDate>Sat, 23 May 2026 09:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041508/house-with-a-mountain-view-stempel-and-tesar-architects</guid>
      <description>
        <![CDATA[<p>On the edge of a small village near <a href="https://www.archdaily.com/tag/klatovy">Klatovy</a>, Czech Republic, next to a forest and overlooking the mountain horizon, stands a family home that sensitively responds to the character of the landscape. The building is set into sloping terrain, which reduces its visual profile and naturally protects the lower floor. The result is a peaceful retreat with breathtaking views, providing its residents with plenty of privacy while allowing them to be in close contact with nature.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041508/house-with-a-mountain-view-stempel-and-tesar-architects/6a03a995fda2da785134083f-house-with-a-mountain-view-stempel-and-tesar-architects-photo" rel="attachment" title="featured_image">
    <img title="© Filip Šlapal" src="https://images.adsttc.com/media/images/6a03/a995/fda2/da78/5134/083f/medium_jpg/house-with-a-mountain-view-stempel-and-tesar-architects_3.jpg?1778624936" alt="© Filip Šlapal"/>
  </a>
  <small>© Filip Šlapal</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.stempel-tesar.com/en/completed/family-house-krusne-hory/'>Stempel & Tesar Architects</a></li><li><strong>Location:</strong> Klatovy, Czechia</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Filip Šlapal</li><li><strong>Area:</strong> 246.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041508/house-with-a-mountain-view-stempel-and-tesar-architects">Read more »</a></p>]]>
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    </item>
    <item>
      <title>
        <![CDATA[Case Study Houses and the Myth of a Universal Domestic Ideal]]>
      </title>
      <link>https://www.archdaily.com/1041599/case-study-houses-and-the-myth-of-a-universal-domestic-ideal</link>
      <pubDate>Sat, 23 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041599/case-study-houses-and-the-myth-of-a-universal-domestic-ideal</guid>
      <description>
        <![CDATA[<p>Sitting on low benches, casually talking, dressed in comfortable clothes, and surrounded by books, design objects, and works of art, <a href="https://www.archdaily.com/642966/spotlight-charles-and-ray-eames" target="_blank" rel="noopener">Charles and Ray Eames</a> appear in one of the most emblematic images of postwar modern domesticity in the United States. The house does not appear as an explicit architectural manifesto, but rather as an inhabited, appropriated, everyday space. Still, nearly everything in that scene functions as the condensation of a carefully constructed ideal: modern informality, the integration between architecture and daily life with the coexistence of industrial production. The photograph projects a way of living more than it represents a residence. And perhaps that was, from the very beginning, the central ambition behind the <a href="https://www.archdaily.com/tag/case-study-houses" target="_blank" rel="noopener"><em>Case Study Houses</em></a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041599/case-study-houses-and-the-myth-of-a-universal-domestic-ideal/6a0a5a18093e9201898643b1-case-study-houses-and-the-myth-of-a-universal-domestic-ideal-photo" rel="attachment" title="featured_image">
    <img title="Eames House (Los Angeles, Calif.), 1958. Image © Julius Shulman © J. Paul Getty Trust. Getty Research Institute, Los Angeles" src="https://images.adsttc.com/media/images/6a0a/5a18/093e/9201/8986/43b1/medium_jpg/case-study-houses-and-the-limits-of-a-universal-domestic-ideal_1.jpg?1779063339" alt="Eames House (Los Angeles, Calif.), 1958. Image © Julius Shulman © J. Paul Getty Trust. Getty Research Institute, Los Angeles"/>
  </a>
  <small>Eames House (Los Angeles, Calif.), 1958. Image © Julius Shulman © J. Paul Getty Trust. Getty Research Institute, Los Angeles</small>
</figure>
<p><p>Sitting on low benches, casually talking, dressed in comfortable clothes, and surrounded by books, design objects, and works of art, <a href="https://www.archdaily.com/642966/spotlight-charles-and-ray-eames" target="_blank" rel="noopener">Charles and Ray Eames</a> appear in one of the most emblematic images of postwar modern domesticity in the United States. The house does not appear as an explicit architectural manifesto, but rather as an inhabited, appropriated, everyday space. Still, nearly everything in that scene functions as the condensation of a carefully constructed ideal: modern informality, the integration between architecture and daily life with the coexistence of industrial production. The photograph projects a way of living more than it represents a residence. And perhaps that was, from the very beginning, the central ambition behind the <a href="https://www.archdaily.com/tag/case-study-houses" target="_blank" rel="noopener"><em>Case Study Houses</em></a>.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041599/case-study-houses-and-the-myth-of-a-universal-domestic-ideal">Read more »</a></p>]]>
      </content:encoded>
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    </item>
    <item>
      <title>
        <![CDATA[Scala-Mare Building / Atelier d’Arquitectura Lopes da Costa]]>
      </title>
      <link>https://www.archdaily.com/1041326/scala-mare-building-atelier-darquitectura-lopes-da-costa</link>
      <pubDate>Sat, 23 May 2026 06:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Housing]]>
      </category>
      <category>
        <![CDATA[Apartments]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041326/scala-mare-building-atelier-darquitectura-lopes-da-costa</guid>
      <description>
        <![CDATA[<p>The Scala-Mare Building is located on the seafront, right by Canide and Sereia beaches in Canidelo, <a href="https://www.archdaily.com/tag/vila-nova-de-gaia">Vila Nova de Gaia</a>. It enjoys a privileged location, distinguished by its excellent sun exposure and sea views, as well as its easy access to the city of Porto.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041326/scala-mare-building-atelier-darquitectura-lopes-da-costa/69fd2793bbf1cd01885baf2e-scala-mare-building-atelier-darquitectura-lopes-da-costa-photo" rel="attachment" title="featured_image">
    <img title="© Ivo Tavares Studio" src="https://images.adsttc.com/media/images/69fd/2793/bbf1/cd01/885b/af2e/medium_jpg/edificio-scala-mare-atelier-darquitectura-lopes-da-costa_1.jpg?1778198469" alt="© Ivo Tavares Studio"/>
  </a>
  <small>© Ivo Tavares Studio</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.lopesdacosta.pt'>Atelier d’Arquitectura Lopes da Costa</a></li><li><strong>Location:</strong> Vila Nova de Gaia, Portugal</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> <a href='https://www.ivotavares.net'>Ivo Tavares Studio</a></li><li><strong>Area:</strong> 3000.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041326/scala-mare-building-atelier-darquitectura-lopes-da-costa">Read more »</a></p>]]>
      </content:encoded>
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    </item>
    <item>
      <title>
        <![CDATA[fuu Oimachi by LATIERRA / R/URBAN DESIGN OFFICE]]>
      </title>
      <link>https://www.archdaily.com/1041620/fuu-oimachi-by-latierra-r-urban-design-office</link>
      <pubDate>Sat, 23 May 2026 02:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Hospitality Architecture]]>
      </category>
      <category>
        <![CDATA[Lodging]]>
      </category>
      <category>
        <![CDATA[Cabins & Lodges]]>
      </category>
      <category>
        <![CDATA[Interior Design]]>
      </category>
      <category>
        <![CDATA[Residential Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041620/fuu-oimachi-by-latierra-r-urban-design-office</guid>
      <description>
        <![CDATA[<p>Located in <a href="https://www.archdaily.com/tag/tokyo">Tokyo</a>, fuu Oimachi by LATIERRA is a comprehensive renovation of a 35-year-old corporate dormitory transformed into a contemporary rental residence. In a dense metropolis where individuals are constantly embedded in intense social networks, this project proposes a novel urban housing prototype that balances personal autonomy with shared living. While responding to site-specific conditions, it addresses a universal architectural challenge: how to design communal spaces that do not mandate social interaction, but instead offer a sophisticated coexistence between the "individual" and the "collective."</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041620/fuu-oimachi-by-latierra-r-urban-design-office/6a0b050735eb240001f03cfc-fuu-oimachi-by-latierra-r-urban-design-office-photo" rel="attachment" title="featured_image">
    <img title="© Kenya Chiba" src="https://images.adsttc.com/media/images/6a0b/0507/35eb/2400/01f0/3cfc/medium_jpg/communal_lounge_06.jpg?1779107115" alt="© Kenya Chiba"/>
  </a>
  <small>© Kenya Chiba</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://rurbandesignoffice.com/'>R/URBAN DESIGN OFFICE</a></li><li><strong>Location:</strong> Shinagawa, Tokyo, Japan</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> <a href='http://www.kenyachiba.jp/'>Kenya Chiba</a></li><li><strong>Area:</strong> 215.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041620/fuu-oimachi-by-latierra-r-urban-design-office">Read more »</a></p>]]>
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    <item>
      <title>
        <![CDATA[Malli Showroom / UP2DATE architects]]>
      </title>
      <link>https://www.archdaily.com/1041730/malli-showroom-up2date-architects</link>
      <pubDate>Fri, 22 May 2026 19:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Interior Design]]>
      </category>
      <category>
        <![CDATA[Retail Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041730/malli-showroom-up2date-architects</guid>
      <description>
        <![CDATA[<p>Malli, a womenswear brand from <a href="https://www.archdaily.com/tag/almaty">Almaty</a>, decided it needed a closed showroom in addition to its existing stores – a place where clients would visit only on selected days and strictly by appointment. The space they chose sits next to the brand's production workshop and was far from perfect: industrial, full of exposed services, and not particularly convenient in terms of layout. Precisely this unpromising shell became the starting point for the project. The brief was to transform it into a calm, architectural interior that feels completely unexpected – a place that looks nothing like what a visitor imagines when they arrive at Malli for the first time.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041730/malli-showroom-up2date-architects/6a0f049a35eb240001f040f5-malli-showroom-up2date-architects-photo" rel="attachment" title="featured_image">
    <img title="© Damir Otegen" src="https://images.adsttc.com/media/images/6a0f/049a/35eb/2400/01f0/40f5/medium_jpg/UP2DATE_Malli_hero01_otegen.jpg?1779369158" alt="© Damir Otegen"/>
  </a>
  <small>© Damir Otegen</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://up2date.kz/en/'>UP2DATE architects</a></li><li><strong>Location:</strong> Almaty, Kazakhstan</li><li><strong>Project Year:</strong> 2025</li><li><strong>Photographs:</strong> Damir Otegen</li><li><strong>Area:</strong> 120.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041730/malli-showroom-up2date-architects">Read more »</a></p>]]>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a0f/049a/35eb/2400/01f0/40f5/medium_jpg/UP2DATE_Malli_hero01_otegen.jpg?1779369158"/>
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    <item>
      <title>
        <![CDATA[Juriquilla House / Estudio Mero]]>
      </title>
      <link>https://www.archdaily.com/1040649/juriquilla-house-estudio-mero</link>
      <pubDate>Fri, 22 May 2026 15:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <category>
        <![CDATA[Sustainability]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1040649/juriquilla-house-estudio-mero</guid>
      <description>
        <![CDATA[<p>Amidst the tranquil landscape north of Quer&eacute;taro rises Casa Juriquilla, designed by Estudio Mero. This structure revolves around the Mexican concept of the patio, a place where vegetation and the warmth of everyday life converge. It is a home that embodies Mexico's cultural richness with a contemporary approach.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1040649/juriquilla-house-estudio-mero/69de55391afd707057d94ce4-juriquilla-house-estudio-mero-photo" rel="attachment" title="featured_image">
    <img title="© Dane Alonso" src="https://images.adsttc.com/media/images/69de/5539/1afd/7070/57d9/4ce4/medium_jpg/casa-juriquilla-estudio-mero_15.jpg?1776178544" alt="© Dane Alonso"/>
  </a>
  <small>© Dane Alonso</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://mero.mx/'>Estudio Mero</a></li><li><strong>Location:</strong> Querétaro, Mexico City, Mexico</li><li><strong>Project Year:</strong> 2024</li><li><strong>Photographs:</strong> Dane Alonso</li><li><strong>Area:</strong> 350.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1040649/juriquilla-house-estudio-mero">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Spaziu Davia Franceschini - Open-Air Theater and Cultural Center / A FABRiCA architettura +  CGZ Architecture]]>
      </title>
      <link>https://www.archdaily.com/1041662/spaziu-davia-franceschini-a-fabrica-architettura-plus-cgz-architecture</link>
      <pubDate>Fri, 22 May 2026 12:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Landscape Architecture]]>
      </category>
      <category>
        <![CDATA[Cultural Architecture]]>
      </category>
      <category>
        <![CDATA[Theaters & Performance]]>
      </category>
      <category>
        <![CDATA[theater]]>
      </category>
      <category>
        <![CDATA[Cultural Center]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041662/spaziu-davia-franceschini-a-fabrica-architettura-plus-cgz-architecture</guid>
      <description>
        <![CDATA[<p>An inhabited terrace facing the great Balagne landscape - In <a href="https://www.archdaily.com/tag/corbara">Corbara</a>, facing the Church of the Annunciation and the landscape of Balagne, the project chooses effacement rather than assertion. On this sensitive site, marked by the old village, the topography, and the symbolic presence of the church, the aim was not to add an architectural object, but to extend the ground, reveal the slope, and create continuity.</p>]]>
      </description>
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        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041662/spaziu-davia-franceschini-a-fabrica-architettura-plus-cgz-architecture/6a0c748535eb240001f03e05-spaziu-davia-franceschini-a-fabrica-architettura-plus-cgz-architecture-photo" rel="attachment" title="featured_image">
    <img title="© Antoine Mangiavacca" src="https://images.adsttc.com/media/images/6a0c/7485/35eb/2400/01f0/3e05/medium_jpg/SPAZIU_DAVIA_FRANCESCHINI_01.jpg?1779201178" alt="© Antoine Mangiavacca"/>
  </a>
  <small>© Antoine Mangiavacca</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.afabrica.fr'>A FABRiCA architettura</a></li><li><strong>architects:</strong> <a href='https://www.cgz-architecture.com/'>CGZ Architecture</a></li><li><strong>Location:</strong> Corbara, France</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> Antoine Mangiavacca</li><li><strong>Area:</strong> 450.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041662/spaziu-davia-franceschini-a-fabrica-architettura-plus-cgz-architecture">Read more »</a></p>]]>
      </content:encoded>
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    </item>
    <item>
      <title>
        <![CDATA[North Vancouver Remodel / Olson Kundig]]>
      </title>
      <link>https://www.archdaily.com/1041188/north-vancouver-remodel-olson-kundig</link>
      <pubDate>Fri, 22 May 2026 10:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <category>
        <![CDATA[Refurbishment]]>
      </category>
      <category>
        <![CDATA[Renovation]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041188/north-vancouver-remodel-olson-kundig</guid>
      <description>
        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/north-vancouver">North Vancouver</a> Remodel revitalizes an existing 1956 mid-century home for a couple with young children, maximizing available usable space to create a comfortable and functional home base for their family. The remodel elevates the experience of the existing home while honoring its mid-century origins, adding extensive new glazing to open the interior to light and views, and enhancing connections between living spaces and the landscape beyond.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041188/north-vancouver-remodel-olson-kundig/69f9e26d20d6d80001664234-north-vancouver-remodel-olson-kundig-photo" rel="attachment" title="featured_image">
    <img title="© Ema Peter" src="https://images.adsttc.com/media/images/69f9/e26d/20d6/d800/0166/4234/medium_jpg/17031_00_N38_high300.jpg?1777984139" alt="© Ema Peter"/>
  </a>
  <small>© Ema Peter</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://olsonkundig.com/'>Olson Kundig</a></li><li><strong>Location:</strong> North Vancouver, Canada</li><li><strong>Project Year:</strong> 2020</li><li><strong>Photographs:</strong> Ema Peter</li><li><strong>Area:</strong> 370.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041188/north-vancouver-remodel-olson-kundig">Read more »</a></p>]]>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69f9/e26d/20d6/d800/0166/4234/medium_jpg/17031_00_N38_high300.jpg?1777984139"/>
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    <item>
      <title>
        <![CDATA[MASS: A Non-Profit Model for Architecture in Service of Society]]>
      </title>
      <link>https://www.archdaily.com/1041595/mass-a-non-profit-model-for-architecture-in-service-of-society</link>
      <pubDate>Fri, 22 May 2026 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041595/mass-a-non-profit-model-for-architecture-in-service-of-society</guid>
      <description>
        <![CDATA[<p>At the time of writing, an article by Martyn Evans asked '<a href="https://www.bdonline.co.uk/opinion/is-architecture-in-crisis/5141978.article?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Is Architecture in Crisis</a>?' In the same year, Reinier de Graaf published the book '<a href="https://www.amazon.com/Architecture-Against-Manifesto-Reinier-Graaf/dp/B0FFG3C6GB/ref=sr_1_1?crid=2MADIEELUJV39&amp;dib=eyJ2IjoiMSJ9.NRzTEN8J65e7QBpRQJkRoSag3eZCl8LsPcurPh3hjyTYarnGbO1c12Y9S4ZqG0Uzod6MeLQF5vKX-vuLImnlKaWqndYyRmULob_2U5VA81SvTLiSlMzOwuPx2JXVS7MPf_s0i9tX2x0RuOVFK33d_qW_iCkeQ3PEOe5N3lcZYGOAStaagxg047AZobyN_HSnzO4PE3L-jw7nE3-Uum8aVWn4LHUzoR4WzRopeSzNiQc.uqBFtn8zW20w7fpVuRYT1oUmJedSYW-bGs2pY23A3cU&amp;dib_tag=se&amp;keywords=architecture+against+architecture&amp;qid=1779021333&amp;sprefix=architecture+against+arc%2Caps%2C300&amp;sr=8-1&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Architecture Against Architecture</a>,' where he set out fourteen problems with the profession and discipline. The question of a <a href="https://www.archdaily.com/tag/crisis" target="_blank" rel="noopener">crisis</a> in architecture is a perennial one. Referring to <a href="https://www.archdaily.com/tag/architecture" target="_blank" rel="noopener">architecture</a> as a profession, it rears its head especially when <a href="https://www.archdaily.com/tag/economical-crisis" target="_blank" rel="noopener">economic downturns</a> are expected or in full swing. Simultaneously, there are ongoing questions regarding the effectiveness of architecture at dealing with the pressing matters of the globe and society—<a href="https://www.archdaily.com/tag/housing" target="_blank" rel="noopener">housing</a>, <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">climate change</a>, and <a href="https://www.archdaily.com/tag/development" target="_blank" rel="noopener">human development</a>. One venture that attempts to address these questions is <a href="https://www.archdaily.com/tag/mass" target="_blank" rel="noopener">MASS</a>, established in <a href="https://www.archdaily.com/country/rwanda/page/1" target="_blank" rel="noopener">Rwanda</a> not long after the 2008 financial crisis. The clue is in the name, which stands for <em>Model of Architecture Serving Society</em>. MASS was created as a different way of practicing architecture. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041595/mass-a-non-profit-model-for-architecture-in-service-of-society/6a09d06e093e920189864332-mass-a-non-profit-model-for-architecture-in-service-of-society-photo" rel="attachment" title="featured_image">
    <img title="Ellen DeGeneres Campus of the Dian Fossey Gorilla Fund / MASS. Image © Iwan Baan" src="https://images.adsttc.com/media/images/6a09/d06e/093e/9201/8986/4332/medium_jpg/mass-alternative-model-of-architectural-practice-from-rwanda_13.jpg?1779028103" alt="Ellen DeGeneres Campus of the Dian Fossey Gorilla Fund / MASS. Image © Iwan Baan"/>
  </a>
  <small>Ellen DeGeneres Campus of the Dian Fossey Gorilla Fund / MASS. Image © Iwan Baan</small>
</figure>
<p><p>At the time of writing, an article by Martyn Evans asked '<a href="https://www.bdonline.co.uk/opinion/is-architecture-in-crisis/5141978.article?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Is Architecture in Crisis</a>?' In the same year, Reinier de Graaf published the book '<a href="https://www.amazon.com/Architecture-Against-Manifesto-Reinier-Graaf/dp/B0FFG3C6GB/ref=sr_1_1?crid=2MADIEELUJV39&amp;dib=eyJ2IjoiMSJ9.NRzTEN8J65e7QBpRQJkRoSag3eZCl8LsPcurPh3hjyTYarnGbO1c12Y9S4ZqG0Uzod6MeLQF5vKX-vuLImnlKaWqndYyRmULob_2U5VA81SvTLiSlMzOwuPx2JXVS7MPf_s0i9tX2x0RuOVFK33d_qW_iCkeQ3PEOe5N3lcZYGOAStaagxg047AZobyN_HSnzO4PE3L-jw7nE3-Uum8aVWn4LHUzoR4WzRopeSzNiQc.uqBFtn8zW20w7fpVuRYT1oUmJedSYW-bGs2pY23A3cU&amp;dib_tag=se&amp;keywords=architecture+against+architecture&amp;qid=1779021333&amp;sprefix=architecture+against+arc%2Caps%2C300&amp;sr=8-1&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Architecture Against Architecture</a>,' where he set out fourteen problems with the profession and discipline. The question of a <a href="https://www.archdaily.com/tag/crisis" target="_blank" rel="noopener">crisis</a> in architecture is a perennial one. Referring to <a href="https://www.archdaily.com/tag/architecture" target="_blank" rel="noopener">architecture</a> as a profession, it rears its head especially when <a href="https://www.archdaily.com/tag/economical-crisis" target="_blank" rel="noopener">economic downturns</a> are expected or in full swing. Simultaneously, there are ongoing questions regarding the effectiveness of architecture at dealing with the pressing matters of the globe and society—<a href="https://www.archdaily.com/tag/housing" target="_blank" rel="noopener">housing</a>, <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">climate change</a>, and <a href="https://www.archdaily.com/tag/development" target="_blank" rel="noopener">human development</a>. One venture that attempts to address these questions is <a href="https://www.archdaily.com/tag/mass" target="_blank" rel="noopener">MASS</a>, established in <a href="https://www.archdaily.com/country/rwanda/page/1" target="_blank" rel="noopener">Rwanda</a> not long after the 2008 financial crisis. The clue is in the name, which stands for <em>Model of Architecture Serving Society</em>. MASS was created as a different way of practicing architecture. </p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041595/mass-a-non-profit-model-for-architecture-in-service-of-society">Read more »</a></p>]]>
      </content:encoded>
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    <item>
      <title>
        <![CDATA[Boutique House / Studio Gontijo Arquitetura]]>
      </title>
      <link>https://www.archdaily.com/1041690/boutique-house-studio-gontijo-arquitetura</link>
      <pubDate>Fri, 22 May 2026 07:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
      <category>
        <![CDATA[Residential Architecture]]>
      </category>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041690/boutique-house-studio-gontijo-arquitetura</guid>
      <description>
        <![CDATA[<p>Implanted on a plot of land in Bras&iacute;lia, the Boutique House arises from the challenge of accommodating two generations under a single architectural gesture. The project is organized as a unique and continuous volume, which unfolds into two branches capable of offering autonomy and privacy to each family unit. Between them emerges a central elevated volume, marked by a thin and extensively horizontal slab, which houses the kitchen, living, and dining areas. It is here that life unfolds, in the space where the daily rituals of coexistence are concentrated.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041690/boutique-house-studio-gontijo-arquitetura/69e0ad0f8471200001f8e943-boutique-house-studio-gontijo-arquitetura-photo" rel="attachment" title="featured_image">
    <img title="© Edgard Cesar" src="https://images.adsttc.com/media/images/69e0/ad0f/8471/2000/01f8/e943/medium_jpg/Imagem_de_destaque.jpg?1776332114" alt="© Edgard Cesar"/>
  </a>
  <small>© Edgard Cesar</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='https://www.studiogontijo.com/'>Studio Gontijo Arquitetura</a></li><li><strong>Location:</strong> Park Way, Brasília, Brasil</li><li><strong>Project Year:</strong> 2021</li><li><strong>Photographs:</strong> Edgard Cesar</li><li><strong>Area:</strong> 537.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041690/boutique-house-studio-gontijo-arquitetura">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[How the Christo and Jeanne-Claude Center is Breathing New Life into Gabrovo’s Cultural Identity]]>
      </title>
      <link>https://www.archdaily.com/1041561/how-the-christo-and-jeanne-claude-center-is-breathing-new-life-into-gabrovos-cultural-identity</link>
      <pubDate>Fri, 22 May 2026 06:45:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041561/how-the-christo-and-jeanne-claude-center-is-breathing-new-life-into-gabrovos-cultural-identity</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/1036111/from-factories-to-futures-adaptive-reuse-in-the-post-industrial-city">Large factories are being transformed into museums</a>, former administrative buildings are becoming co-working spaces, and even <a href="https://www.archdaily.com/1030944/from-churches-to-homes-conversions-and-contemporary-renovations-that-fuse-past-and-present">churches are being converted into homes</a>. In this century, the rise of <a href="https://www.archdaily.com/970632/adaptive-reuse-as-a-strategy-for-sustainable-urban-development-and-regeneration">adaptive reuse in cities</a> reflects a growing interest in preserving the memory and identity of historic structures. At the same time, it introduces a contemporary perspective that responds to the urgent needs of today's urban landscape. In Gabrovo, <a href="https://www.archdaily.com/tag/bulgaria">Bulgaria</a>, the Municipality invites architects to design the Christo and Jeanne-Claude Center for Contemporary Art by transforming, adapting, and upgrading the former Textile Technical School and its adjacent site. EU co-financing, a disclosed budget, a designated jury, and a two-phase structure frame this competition, reflecting the spirit of <a href="https://www.archdaily.com/tag/christo-and-jeanne-claude" target="_blank" rel="noopener">Christo and Jeanne-Claude</a>'s artistic practice: bold, accessible artistic creation. More than a commission for a cultural building, it calls for a design response that understands the specific character of their work, adding a curatorial dimension to what might otherwise be a straightforward adaptive reuse project.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041561/how-the-christo-and-jeanne-claude-center-is-breathing-new-life-into-gabrovos-cultural-identity/6a05b2c14a402e017ff66932-how-the-christo-and-jeanne-claude-center-is-breathing-new-life-into-gabrovos-cultural-identity-image" rel="attachment" title="featured_image">
    <img title="Courtesy of the Christo and Jeanne-Claude Center for Contemporary Art, Gabrovo" src="https://images.adsttc.com/media/images/6a05/b2c1/4a40/2e01/7ff6/6932/medium_jpg/how-the-christo-and-jeanne-claude-center-is-breathing-new-life-into-gabrovos-cultural-identity_4.jpg?1778758370" alt="Courtesy of the Christo and Jeanne-Claude Center for Contemporary Art, Gabrovo"/>
  </a>
  <small>Courtesy of the Christo and Jeanne-Claude Center for Contemporary Art, Gabrovo</small>
</figure>
<p><p><a href="https://www.archdaily.com/1036111/from-factories-to-futures-adaptive-reuse-in-the-post-industrial-city">Large factories are being transformed into museums</a>, former administrative buildings are becoming co-working spaces, and even <a href="https://www.archdaily.com/1030944/from-churches-to-homes-conversions-and-contemporary-renovations-that-fuse-past-and-present">churches are being converted into homes</a>. In this century, the rise of <a href="https://www.archdaily.com/970632/adaptive-reuse-as-a-strategy-for-sustainable-urban-development-and-regeneration">adaptive reuse in cities</a> reflects a growing interest in preserving the memory and identity of historic structures. At the same time, it introduces a contemporary perspective that responds to the urgent needs of today's urban landscape. In Gabrovo, <a href="https://www.archdaily.com/tag/bulgaria">Bulgaria</a>, the Municipality invites architects to design the Christo and Jeanne-Claude Center for Contemporary Art by transforming, adapting, and upgrading the former Textile Technical School and its adjacent site. EU co-financing, a disclosed budget, a designated jury, and a two-phase structure frame this competition, reflecting the spirit of <a href="https://www.archdaily.com/tag/christo-and-jeanne-claude" target="_blank" rel="noopener">Christo and Jeanne-Claude</a>'s artistic practice: bold, accessible artistic creation. More than a commission for a cultural building, it calls for a design response that understands the specific character of their work, adding a curatorial dimension to what might otherwise be a straightforward adaptive reuse project.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041561/how-the-christo-and-jeanne-claude-center-is-breathing-new-life-into-gabrovos-cultural-identity">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[World Urban Forum 13 Concludes in Baku with Focus on Housing, Resilience, and Urban Inclusion]]>
      </title>
      <link>https://www.archdaily.com/1041760/world-urban-forum-13-concludes-in-baku-with-focus-on-housing-resilience-and-urban-inclusion</link>
      <pubDate>Fri, 22 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041760/world-urban-forum-13-concludes-in-baku-with-focus-on-housing-resilience-and-urban-inclusion</guid>
      <description>
        <![CDATA[<p>The thirteenth session of the <a href="https://www.archdaily.com/tag/world-urban-forum">World Urban Forum (WUF13)</a> concludes today, May 22, in <a href="https://www.archdaily.com/tag/baku/page/1">Baku</a>, <a href="https://www.archdaily.com/country/azerbaijan/page/1">Azerbaijan</a>, after six days of discussions, exhibitions, and international exchanges centered on <a href="https://www.archdaily.com/1041422/one-week-until-wuf13-begins-in-baku-exploring-safe-and-resilient-cities-under-the-theme-housing-the-world?ad_campaign=special-tag">the theme "Housing the World: Safe and Resilient Cities and Communities."</a> Co-organized by <a href="https://www.archdaily.com/tag/un-habitat/page/1">UN-Habitat</a> and the Government of <a href="https://www.archdaily.com/country/azerbaijan/page/1">Azerbaijan</a>, the forum marked the first time the event was held in the <a href="https://www.archdaily.com/tag/caucasus/page/1">Caucasus</a> region, bringing together policymakers, <a href="https://www.archdaily.com/tag/architects">architects</a>, urban planners, academics, and civil society representatives from around the world.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041760/world-urban-forum-13-concludes-in-baku-with-focus-on-housing-resilience-and-urban-inclusion/6a10334afd52920189f21cb7-world-urban-forum-13-concludes-in-baku-with-focus-on-housing-resilience-and-urban-inclusion-photo" rel="attachment" title="featured_image">
    <img title="Baku, Azerbaijan. Image © Fakhri Baghirov via Pexels" src="https://images.adsttc.com/media/images/6a10/334a/fd52/9201/89f2/1cb7/medium_jpg/world-urban-forum-13-concludes-in-baku-with-focus-on-housing-resilience-and-urban-inclusion_7.jpg?1779446611" alt="Baku, Azerbaijan. Image © Fakhri Baghirov via Pexels"/>
  </a>
  <small>Baku, Azerbaijan. Image © Fakhri Baghirov via Pexels</small>
</figure>
<p><p>The thirteenth session of the <a href="https://www.archdaily.com/tag/world-urban-forum">World Urban Forum (WUF13)</a> concludes today, May 22, in <a href="https://www.archdaily.com/tag/baku/page/1">Baku</a>, <a href="https://www.archdaily.com/country/azerbaijan/page/1">Azerbaijan</a>, after six days of discussions, exhibitions, and international exchanges centered on <a href="https://www.archdaily.com/1041422/one-week-until-wuf13-begins-in-baku-exploring-safe-and-resilient-cities-under-the-theme-housing-the-world?ad_campaign=special-tag">the theme "Housing the World: Safe and Resilient Cities and Communities."</a> Co-organized by <a href="https://www.archdaily.com/tag/un-habitat/page/1">UN-Habitat</a> and the Government of <a href="https://www.archdaily.com/country/azerbaijan/page/1">Azerbaijan</a>, the forum marked the first time the event was held in the <a href="https://www.archdaily.com/tag/caucasus/page/1">Caucasus</a> region, bringing together policymakers, <a href="https://www.archdaily.com/tag/architects">architects</a>, urban planners, academics, and civil society representatives from around the world.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041760/world-urban-forum-13-concludes-in-baku-with-focus-on-housing-resilience-and-urban-inclusion">Read more »</a></p>]]>
      </content:encoded>
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      <title>
        <![CDATA[Charleroi Palais des Expositions / AgwA + architecten jan de vylder inge vinck]]>
      </title>
      <link>https://www.archdaily.com/1041635/charleroi-palais-des-expositions-agwa-plus-architecten-jan-de-vylder-inge-vinck</link>
      <pubDate>Fri, 22 May 2026 06:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Refurbishment]]>
      </category>
      <category>
        <![CDATA[Adaptive reuse]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041635/charleroi-palais-des-expositions-agwa-plus-architecten-jan-de-vylder-inge-vinck</guid>
      <description>
        <![CDATA[<p><em>Text description provided by Fundació Mies van der Rohe. </em>The 2026 Architecture Winner is the Renovation of the 1950s convention center Charleroi Palais des Expositions in Wallonia, Belgium, by architects AgwA (Brussels) and architecten jan de vylder inge vinck (Ghent) - AjdvivagwA, commissioned by the City of Charleroi.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041635/charleroi-palais-des-expositions-agwa-plus-architecten-jan-de-vylder-inge-vinck/6a0b9dbffd52920189f20b70-charleroi-palais-des-expositions-agwa-plus-architecten-jan-de-vylder-inge-vinck-photo" rel="attachment" title="featured_image">
    <img title="© Filip Dujardin" src="https://images.adsttc.com/media/images/6a0b/9dbf/fd52/9201/89f2/0b70/medium_jpg/charleroi-palais-des-expositions-agwa-plus-architecten-jan-de-vylder-inge-vinck_5.jpg?1779146225" alt="© Filip Dujardin"/>
  </a>
  <small>© Filip Dujardin</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.agwa.be'>AgwA</a></li><li><strong>architects:</strong> architecten jan de vylder inge vinck</li><li><strong>Location:</strong> Wallonia, Belgium</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> <a href='http://www.filipdujardin.be'>Filip Dujardin</a></li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041635/charleroi-palais-des-expositions-agwa-plus-architecten-jan-de-vylder-inge-vinck">Read more »</a></p>]]>
      </content:encoded>
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    <item>
      <title>
        <![CDATA[Street Artist JR Installs an Inflatable Cave on Paris' Pont Neuf in Tribute to Christo and Jeanne-Claude]]>
      </title>
      <link>https://www.archdaily.com/1041756/street-artist-jr-installs-an-inflatable-cave-on-paris-pont-neuf-in-tribute-to-christo-and-jeanne-claude</link>
      <pubDate>Fri, 22 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041756/street-artist-jr-installs-an-inflatable-cave-on-paris-pont-neuf-in-tribute-to-christo-and-jeanne-claude</guid>
      <description>
        <![CDATA[<p>On May 21st, a realistic cave took shape on Paris' Pont Neuf, the oldest standing bridge across the Seine. The inflatable artwork was designed and built by French photographer and street artist JR, along with an extensive multidisciplinary team. La Caverne du Pont Neuf was conceived in honor of <a href="https://christojeanneclaude.net/press/the-pont-neuf-wrapped/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Christo and Jeanne-Claude's 1985 work <em>The Pont Neuf Wrapped</em></a>, an environmental artwork in which the artists wrapped the historic bridge in sandstone-colored fabric for two weeks. The structure creates a <em>trompe-l'œil</em> effect that mimics a textured rock formation through photographic printing in tones of white, black, and gray. The shape of the exterior already gives the public the optical illusion of the artwork, while paving the way for the final stage of the interior design.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041756/street-artist-jr-installs-an-inflatable-cave-on-paris-pont-neuf-in-tribute-to-christo-and-jeanne-claude/6a0f81d6093e9201898657ca-street-artist-jr-installs-an-inflatable-cave-on-paris-pont-neuf-in-tribute-to-christo-and-jeanne-claude-photo" rel="attachment" title="featured_image">
    <img title="La Caverne du Pont Neuf. Paris, 2026. Image © Eléa Jeanne Schmitter / Atelier JR" src="https://images.adsttc.com/media/images/6a0f/81d6/093e/9201/8986/57ca/medium_jpg/la-caverne-du-pont-neuf_17.jpg?1779401214" alt="La Caverne du Pont Neuf. Paris, 2026. Image © Eléa Jeanne Schmitter / Atelier JR"/>
  </a>
  <small>La Caverne du Pont Neuf. Paris, 2026. Image © Eléa Jeanne Schmitter / Atelier JR</small>
</figure>
<p><p>On May 21st, a realistic cave took shape on Paris' Pont Neuf, the oldest standing bridge across the Seine. The inflatable artwork was designed and built by French photographer and street artist JR, along with an extensive multidisciplinary team. La Caverne du Pont Neuf was conceived in honor of <a href="https://christojeanneclaude.net/press/the-pont-neuf-wrapped/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Christo and Jeanne-Claude's 1985 work <em>The Pont Neuf Wrapped</em></a>, an environmental artwork in which the artists wrapped the historic bridge in sandstone-colored fabric for two weeks. The structure creates a <em>trompe-l'œil</em> effect that mimics a textured rock formation through photographic printing in tones of white, black, and gray. The shape of the exterior already gives the public the optical illusion of the artwork, while paving the way for the final stage of the interior design.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041756/street-artist-jr-installs-an-inflatable-cave-on-paris-pont-neuf-in-tribute-to-christo-and-jeanne-claude">Read more »</a></p>]]>
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      <title>
        <![CDATA[Building Autonomy: Latin American Communities Bringing Life’s Systems Into Architecture]]>
      </title>
      <link>https://www.archdaily.com/1041578/building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture</link>
      <pubDate>Fri, 22 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041578/building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture</guid>
      <description>
        <![CDATA[<p>Before a building can be inhabited, many other things need to happen. Water has to arrive, energy has to be generated, food has to be grown or transported, and waste has to go somewhere. These processes are usually treated as something outside architecture, even though they shape the most basic conditions of everyday life.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041578/building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture/6a0b3910093e92018986487a-building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture-image" rel="attachment" title="featured_image">
    <img title="Aerial View of Lush Green Hills and Traditional Homes in Cauca, Colombia, Showcasing Nature and Rural Tourism. Image by Jhampier Giron M, via Shutterstock" src="https://images.adsttc.com/media/images/6a0b/3910/093e/9201/8986/487a/medium_jpg/building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture_6.jpg?1779120426" alt="Aerial View of Lush Green Hills and Traditional Homes in Cauca, Colombia, Showcasing Nature and Rural Tourism. Image by Jhampier Giron M, via Shutterstock"/>
  </a>
  <small>Aerial View of Lush Green Hills and Traditional Homes in Cauca, Colombia, Showcasing Nature and Rural Tourism. Image by Jhampier Giron M, via Shutterstock</small>
</figure>
<p><p>Before a building can be inhabited, many other things need to happen. Water has to arrive, energy has to be generated, food has to be grown or transported, and waste has to go somewhere. These processes are usually treated as something outside architecture, even though they shape the most basic conditions of everyday life.</p></p><p><p>This is why the idea of <a href="https://www.archdaily.com/1037624/self-sufficient-facades-where-solar-protection-meets-renewable-energy">self-sufficient</a> communities is more complex than it first appears. It can suggest a place that provides more of what it needs: energy, water, food, shelter, and waste management. Yet, in many <a href="https://www.archdaily.com/1040890/climate-and-collective-use-architectural-permeability-in-latin-america">Latin American contexts</a>, autonomy is not a complete separation from the world. It is a way of bringing the systems of daily life closer to the people who use, maintain, and care for them.</p></p>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041578/building-autonomy-latin-american-communities-bringing-lifes-systems-into-architecture">Read more »</a></p>]]>
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      <title>
        <![CDATA[Sentier - Contemporary Workplace / Agathe Marimbert Architecte + Exbrayat Enrico architectes + Romain Granoux architecte]]>
      </title>
      <link>https://www.archdaily.com/1041733/sentier-contemporary-workplace-agathe-marimbert-architecte-plus-exbrayat-enrico-architectes-plus-romain-granoux-architecte</link>
      <pubDate>Fri, 22 May 2026 03:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Offices]]>
      </category>
      <category>
        <![CDATA[Refurbishment]]>
      </category>
      <category>
        <![CDATA[Renovation]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1041733/sentier-contemporary-workplace-agathe-marimbert-architecte-plus-exbrayat-enrico-architectes-plus-romain-granoux-architecte</guid>
      <description>
        <![CDATA[<p>Transforming the Existing: A Former Printing House Reimagined as a Contemporary Workplace</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<figure>
  <a href="https://www.archdaily.com/1041733/sentier-contemporary-workplace-agathe-marimbert-architecte-plus-exbrayat-enrico-architectes-plus-romain-granoux-architecte/6a0f06bd35eb240001f04148-sentier-contemporary-workplace-agathe-marimbert-architecte-plus-exbrayat-enrico-architectes-plus-romain-granoux-architecte-photo" rel="attachment" title="featured_image">
    <img title="© Jean Baptiste Thiriet" src="https://images.adsttc.com/media/images/6a0f/06bd/35eb/2400/01f0/4148/medium_jpg/EE_SENTIER_JBT-2.jpg?1779369692" alt="© Jean Baptiste Thiriet"/>
  </a>
  <small>© Jean Baptiste Thiriet</small>
</figure>
<ul class='project-specs'> <li><strong>architects:</strong> <a href='http://www.marimbert.fr'>Agathe Marimbert Architecte</a></li><li><strong>architects:</strong> <a href='https://www.cube-architectes.com/'>Exbrayat Enrico architectes</a></li><li><strong>architects:</strong> Romain Granoux architecte</li><li><strong>Location:</strong> Paris, France</li><li><strong>Project Year:</strong> 2026</li><li><strong>Photographs:</strong> <a href='https://jbthiriet.studio/'>Jean Baptiste Thiriet</a></li><li><strong>Area:</strong> 1000.0 m2</li> </ul>]]>
        <![CDATA[<p><a href="https://www.archdaily.com/1041733/sentier-contemporary-workplace-agathe-marimbert-architecte-plus-exbrayat-enrico-architectes-plus-romain-granoux-architecte">Read more »</a></p>]]>
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