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	<title>Archive Hunter</title>
	
	<link>http://www.archivehunter.com</link>
	<description>The intrepid filmmaker’s guide to archive footage, photos and more</description>
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		<title>Introduction</title>
		<link>http://feedproxy.google.com/~r/ArchiveHunter/~3/P9XIjRhKOlU/</link>
		<comments>http://www.archivehunter.com/2010/04/introduction-2/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 02:59:32 +0000</pubDate>
		<dc:creator>Sam Meddis</dc:creator>
				<category><![CDATA[How-to]]></category>

		<guid isPermaLink="false">http://www.archivehunter.com/?p=582</guid>
		<description><![CDATA[<p>An invitation to help the <a href="http://eempc.org/">Environmental Education  Media Project</a> (EEMP) produce a film for the <a href="http://www.denmark.dk/en/menu/Climate-Energy/COP15-Copenhagen-2009/cop15.htm">Copenhagen  Climate Change Conference</a> was my crash course in the field of archival  storytelling. What I learned is that finding the right stuff is a bit like being  a detective. It requires&#8230; <a href="http://www.archivehunter.com/2010/04/introduction-2/" class="read_more">[Read the rest]</a></p>]]></description>
			<content:encoded><![CDATA[<p>An invitation to help the <a href="http://eempc.org/">Environmental Education  Media Project</a> (EEMP) produce a film for the <a href="http://www.denmark.dk/en/menu/Climate-Energy/COP15-Copenhagen-2009/cop15.htm">Copenhagen  Climate Change Conference</a> was my crash course in the field of archival  storytelling. What I learned is that finding the right stuff is a bit like being  a detective. It requires a certain amount of inquisitiveness and perseverance.  But it can also be fun, once you’re familiar with the archival landscape.</p>
<p>Today’s filmmakers, thanks to the Internet, have ready access to vast and  rich archives, particularly those storing motion picture clips and photos, to  supplement their works in many creative ways.</p>
<p>This guide offers some basic tips and tricks on where exactly to look for  third-party material—and how to get it—lessons that I learned in tracking down  footage for EEMP and, after getting totally hooked on the pursuit of buried  visual treasure, through further reading and exploration. I put those skills to  good use in making my own <a href="http://www.notafraidfilms.com/2010/04/republic-of-fear/">short  documentary</a> investigating the propaganda campaign that led to the U.S.  invasion of Iraq.</p>
<div id="attachment_585" class="wp-caption aligncenter" style="width: 398px"><a href="http://www.flickr.com/photos/globevisions/3298253552/"><img class="size-large wp-image-585 " title="archive" src="http://www.archivehunter.com/wp-content/uploads/2010/04/archive-480x360.jpg" alt="" width="388" height="291" /></a><p class="wp-caption-text">archive</p></div>
<p>Until you realize the wealth of material at your fingertips, you won’t  appreciate how useful it can be. Case in point: The image of the antique-looking  scrolls above comes from <a href="http://www.flickr.com/">Flickr</a>, the photo-sharing site that has become  a de-facto image archive for the public at large.</p>
<p>This photo, simply entitled “<a href="http://www.flickr.com/photos/globevisions/3298253552/">archive</a>,” was  posted on Flickr by a photographer identified as Michele Molinari, and all she  asked in return for its usage was that it be attributed to her under a Creative  Commons license. I thought Molinari’s shot was the perfect illustration for this  guide. But I could just as easily have used it as an interesting visual element  in a film.</p>
<p>Knowledge about how to acquire third-party material should be part of any  filmmaker’s toolkit. After all, “filmmaking is highly collaborative,” as Sheila  Curran Bernard and Kenn Rabin say in their aptly named book “<a href="http://archivalstorytelling.com/">Archival  Storytelling</a>.” (A good book to learn more about this field.)</p>
<p>Just as the leaps in technology—resulting in affordable sophisticated cameras  for shooting and more-powerful computers for editing—have helped increasing  numbers of people to become filmmakers, so too has the digital technology of the  Internet, with its dazzling collaborative powers, made it possible for them to  become archival storytellers as well.</p>
<p>Disclaimer: I’m a journalist, not a lawyer. Copyright and fair use laws can  be tricky. So please don’t take anything in this website as legal advice. The  <a href="http://www.archivehunter.com/2010/04/copyright-and-fair-use-3/">Copyright and Fair Use article</a> offers some helpful resources.</p>
<p align="right">— <a title="Sam Meddis" href="http://www.archivehunter.com/about/">Sam Meddis</a></p>
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