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	<title>Art Animal</title>
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	<link>http://www.artanimalmag.com</link>
	<description>a women&#039;s art magazine</description>
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		<title>Aspens</title>
		<link>http://www.artanimalmag.com/aspens-alison-kjeldgaard/</link>
		<comments>http://www.artanimalmag.com/aspens-alison-kjeldgaard/#comments</comments>
		<pubDate>Mon, 02 Mar 2015 08:27:06 +0000</pubDate>
		<dc:creator><![CDATA[Alison Kjeldgaard]]></dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[love]]></category>

		<guid isPermaLink="false">http://www.artanimalmag.com/?p=518</guid>
		<description><![CDATA[<p>My wandering eyes find You- sleeping shape in moonlight- While wind whispers in the night. You- simple silhouetted lines- Breathing evenly in dream time- Past worlds collide in my mind. In the dark he kissed her, Swaying shadows in the breeze- Moving with summer aspen leaves- In moonlight no one missed her. With crinkled eyes [&#038;hellip</p>
<p>The post <a rel="nofollow" href="/aspens-alison-kjeldgaard/">Aspens</a> appeared first on <a rel="nofollow" href="/">Art Animal</a>.</p>
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		<title>Dance and Diaspora: Persian Dance at the ODC Theater</title>
		<link>http://www.artanimalmag.com/dance-and-diaspora-persian-dance/</link>
		<comments>http://www.artanimalmag.com/dance-and-diaspora-persian-dance/#comments</comments>
		<pubDate>Sat, 01 Feb 2014 05:29:10 +0000</pubDate>
		<dc:creator><![CDATA[Setsu Uzume]]></dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Bay Area]]></category>
		<category><![CDATA[ODC Theater]]></category>
		<category><![CDATA[Omar Khayyam]]></category>
		<category><![CDATA[Persian Dance]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[Rumi]]></category>
		<category><![CDATA[Sufism]]></category>

		<guid isPermaLink="false">http://www.artanimalmag.com/?p=4198</guid>
		<description><![CDATA[<p>I went to church to find God, he was not there. I went to the Hindu temple, to the ancient pagoda, God was not there. I went to the Kaaba of Mecca, God was not there. I crossed the wilderness and asked about him from Avicenna, the philosopher but he was beyond the range of [&#038;hellip</p>
<p>The post <a rel="nofollow" href="/dance-and-diaspora-persian-dance/">Dance and Diaspora: Persian Dance at the ODC Theater</a> appeared first on <a rel="nofollow" href="/">Art Animal</a>.</p>
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		<title>Deviba Wala: an ode to life&#8217;s pure existence</title>
		<link>http://www.artanimalmag.com/deviba-wala/</link>
		<comments>http://www.artanimalmag.com/deviba-wala/#comments</comments>
		<pubDate>Wed, 18 Dec 2013 07:53:16 +0000</pubDate>
		<dc:creator><![CDATA[Marc Londo]]></dc:creator>
				<category><![CDATA[Art]]></category>

		<guid isPermaLink="false">http://www.artanimalmag.com/?p=4175</guid>
		<description><![CDATA[<p>Deviba Wala believes in the ability of art to foster connections. A self-described cultural nomad, Wala&#8217;s artistic style is an intriguing perspective of interconnectivity through space and time. Each of her linear formations is autonomous, yet forebodes an inevitable interaction. Collectively, Wala&#8217;s linear formations resemble network typologies. However, the formations never quite connect. In her [&#038;hellip</p>
<p>The post <a rel="nofollow" href="/deviba-wala/">Deviba Wala: an ode to life&#8217;s pure existence</a> appeared first on <a rel="nofollow" href="/">Art Animal</a>.</p>
]]></description>
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		<title>High-art Haunted House:  Layla Means Night</title>
		<link>http://www.artanimalmag.com/layla-means-night/</link>
		<comments>http://www.artanimalmag.com/layla-means-night/#comments</comments>
		<pubDate>Mon, 21 Oct 2013 06:43:19 +0000</pubDate>
		<dc:creator><![CDATA[Setsu Uzume]]></dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Theater]]></category>

		<guid isPermaLink="false">http://www.artanimalmag.com/?p=4151</guid>
		<description><![CDATA[<p>Just in time for Halloween, &#8220;Layla Means Night&#8221; by Rosanna Gamson is a high art haunted house that explores perception and intimacy through retellings of 1,001 Arabian Nights. Held at the ODC Theater in San Francisco, audience members are led through the theater in three groups to view performances of the 4th night, 40th night [&#038;hellip</p>
<p>The post <a rel="nofollow" href="/layla-means-night/">High-art Haunted House:  Layla Means Night</a> appeared first on <a rel="nofollow" href="/">Art Animal</a>.</p>
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		<title>Serena Kovalosky: The Artful Vagabond</title>
		<link>http://www.artanimalmag.com/serena-kovalosky/</link>
		<comments>http://www.artanimalmag.com/serena-kovalosky/#comments</comments>
		<pubDate>Fri, 30 Aug 2013 05:23:59 +0000</pubDate>
		<dc:creator><![CDATA[Marc Londo]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://www.artanimalmag.com/?p=4121</guid>
		<description><![CDATA[<p>Serena Kovalosky can hardly contain her passion for art. Widely known throughout the blogosphere as the Artful Vagabond, Kovalosky has made it her mission to spread her love of art to the far reaches of the world. Working from her studio in the foothills of New York&#8217;s Adirondack Mountains, Kovalosky continually engages her readers with [&#038;hellip</p>
<p>The post <a rel="nofollow" href="/serena-kovalosky/">Serena Kovalosky: The Artful Vagabond</a> appeared first on <a rel="nofollow" href="/">Art Animal</a>.</p>
]]></description>
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		<title>Exploring Relationships at the Intersection of Film and Dance</title>
		<link>http://www.artanimalmag.com/deconstructing-the-surrogate/</link>
		<comments>http://www.artanimalmag.com/deconstructing-the-surrogate/#comments</comments>
		<pubDate>Fri, 02 Aug 2013 05:42:09 +0000</pubDate>
		<dc:creator><![CDATA[Setsu Uzume]]></dc:creator>
				<category><![CDATA[Dance]]></category>

		<guid isPermaLink="false">http://www.artanimalmag.com/?p=4028</guid>
		<description><![CDATA[<p>When I was a kid I thought that falling in love meant floating on air like Ginger Rogers and Fred Astaire. Now, in my late twenties, I have a much more complex vision of love and relationships. Deconstructing the Surrogate, a multimedia dance performance, sums up that complexity with over a thousand layers of audio [&#038;hellip</p>
<p>The post <a rel="nofollow" href="/deconstructing-the-surrogate/">Exploring Relationships at the Intersection of Film and Dance</a> appeared first on <a rel="nofollow" href="/">Art Animal</a>.</p>
]]></description>
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		<title>Taking Classical Ballet to New Heights</title>
		<link>http://www.artanimalmag.com/milissa-payne-bradley/</link>
		<comments>http://www.artanimalmag.com/milissa-payne-bradley/#comments</comments>
		<pubDate>Fri, 02 Aug 2013 05:40:04 +0000</pubDate>
		<dc:creator><![CDATA[Setsu Uzume]]></dc:creator>
				<category><![CDATA[Dance]]></category>

		<guid isPermaLink="false">http://www.artanimalmag.com/?p=4023</guid>
		<description><![CDATA[<p>Milissa Payne Bradley takes classical ballet to new heights in her most ambitious work, Up in the Air, showing at this summer&#8217;s sixth annual Summer Performance Festival in San Francisco. The piece transforms grounded, classical movement into flight, inviting the audience on a majestic and exhilarating journey. Nine dancers balance the technique of classical ballet [&#038;hellip</p>
<p>The post <a rel="nofollow" href="/milissa-payne-bradley/">Taking Classical Ballet to New Heights</a> appeared first on <a rel="nofollow" href="/">Art Animal</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
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		<title>BodiGram Wants Their Audience to Get Tipsy</title>
		<link>http://www.artanimalmag.com/bodigram/</link>
		<comments>http://www.artanimalmag.com/bodigram/#comments</comments>
		<pubDate>Fri, 02 Aug 2013 05:20:57 +0000</pubDate>
		<dc:creator><![CDATA[Setsu Uzume]]></dc:creator>
				<category><![CDATA[Dance]]></category>

		<guid isPermaLink="false">http://www.artanimalmag.com/?p=4018</guid>
		<description><![CDATA[<p>BodiGram Dance Company has come a long way from their roots in Asian philosophy. Founded by choreographers Blair Bodie and Julia Graham, BodiGram bridges the gap between pop culture and elite modern dance, smashing through the fourth wall to shed light on current social issues. At the ODC Theater in San Francisco this month, Bodie [&#038;hellip</p>
<p>The post <a rel="nofollow" href="/bodigram/">BodiGram Wants Their Audience to Get Tipsy</a> appeared first on <a rel="nofollow" href="/">Art Animal</a>.</p>
]]></description>
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		<title>Home is Home</title>
		<link>http://www.artanimalmag.com/home-is-home/</link>
		<comments>http://www.artanimalmag.com/home-is-home/#comments</comments>
		<pubDate>Fri, 19 Jul 2013 06:19:36 +0000</pubDate>
		<dc:creator><![CDATA[Mallory Nezam]]></dc:creator>
				<category><![CDATA[Fiction]]></category>

		<guid isPermaLink="false">http://www.artanimalmag.com/?p=3955</guid>
		<description><![CDATA[<p>The fluorescent light bore down but had a way of beating off her skin like daylight. The way her son put it, she could turn anything around. She built her empire in the water, of the water. She knew her empire was her skin and bones. The extent of her story she carried on her [&#038;hellip</p>
<p>The post <a rel="nofollow" href="/home-is-home/">Home is Home</a> appeared first on <a rel="nofollow" href="/">Art Animal</a>.</p>
]]></description>
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		<title>Anastasia Alexandrin&#8217;s Powerful Female Forms</title>
		<link>http://www.artanimalmag.com/anastasia-alexandrin/</link>
		<comments>http://www.artanimalmag.com/anastasia-alexandrin/#comments</comments>
		<pubDate>Fri, 19 Jul 2013 04:39:30 +0000</pubDate>
		<dc:creator><![CDATA[Marc Londo]]></dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[charcoal]]></category>
		<category><![CDATA[female body]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[identity]]></category>

		<guid isPermaLink="false">http://www.artanimalmag.com/?p=4001</guid>
		<description><![CDATA[<p>Anastasia Alexandrin&#8217;s style is unmistakable. Interlacing lines of charcoal and gritty overlays infuse her female subjects with an ethereal quality. Her masterful integration of line and tone within the framework of her narratives evokes nostalgia and introspection. But though her work reflects another time and place, nonconformist message speaks to a uniquely modern view of [&#038;hellip</p>
<p>The post <a rel="nofollow" href="/anastasia-alexandrin/">Anastasia Alexandrin&#8217;s Powerful Female Forms</a> appeared first on <a rel="nofollow" href="/">Art Animal</a>.</p>
]]></description>
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