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      <pubDate>Thu, 19 Jan 2012 01:13:38 -0800</pubDate>
      <title>Myla DalBesio - Young Money</title>
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&lt;p /&gt; Model-turned multi-disciplinary artist Myla DalBesio [..] turned heads &lt;br /&gt;when she blurred the lines between performance art and pornography &lt;br /&gt;with her controversial Young Money piece at Ramis Barquet Gallery last &lt;br /&gt;summer. As part of the Glutton for Punishment show, a topless DalBesio &lt;br /&gt;gyrated seductively on the floor, rolling around in dollar bills to &lt;br /&gt;the tune of Lil’ Wayne’s Young Money, as an LED screen flashed &lt;br /&gt;corresponding cash messages. Willing audience members were treated to &lt;br /&gt;a lapdance by the artist, who poured champagne on herself and her &lt;br /&gt;participants’ crotches. DalBesio said this act reversed the role of &lt;br /&gt;subject-and-object, transforming the dancer into a figure of power. &lt;br /&gt;For her finale, the artist incorporated Evangelical Christianity's &lt;br /&gt;“faith healing”, thumbing the sign of the cross on participants’ &lt;br /&gt;foreheads. She says Young Money “confronts questions of our own &lt;br /&gt;morality and desires, and what drives us to act on them. I’m often &lt;br /&gt;aiming to expose people to parts of themselves that they may never &lt;br /&gt;have acknowledged before.” &lt;p /&gt; &lt;div class='p_embed p_image_embed'&gt;
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&lt;p /&gt; Text: &lt;a href="http://www.mutualart.com/OpenArticle/Performance-Art-Pushes-the-Envelope---bu/0C69913B8BD0E73B"&gt;http://www.mutualart.com/OpenArticle/Performance-Art-Pushes-the-Envelope---bu...&lt;/a&gt; &lt;br /&gt;Photos: &lt;a href="http://www.myladalbesio.com/index.php"&gt;http://www.myladalbesio.com/index.php&lt;/a&gt;?/performance/young-money/
	
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      <pubDate>Sun, 15 Jan 2012 08:28:23 -0800</pubDate>
      <title>Quentin Blake - Mothers and Babies Underwater</title>
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&lt;p /&gt; Illustrations of mothers and their babies underwater are among works &lt;br /&gt;of art displayed in a new exhibition of the work of Quentin Blake at &lt;br /&gt;the Foundling Museum in Holborn, London. Included in the exhibition is &lt;br /&gt;Quentin Blake's biggest project 'Mothers and Babies Underwater' &lt;br /&gt;commissioned by the maternity unit of the Centre Hospitalier &lt;br /&gt;Universitaire in Angers, France. Each of the 11 delivery suites will &lt;br /&gt;be animated by drawings by Blake based on the theme of the mother &lt;br /&gt;meeting her new baby. &lt;p /&gt; &lt;a href="http://www.telegraph.co.uk/culture/culturepicturegalleries/9010454/Quentin-Blake-Picture-Gallery.html?image=1"&gt;http://www.telegraph.co.uk/culture/culturepicturegalleries/9010454/Quentin-Bl...&lt;/a&gt; &lt;p /&gt; &lt;a href="http://www.foundlingmuseum.org.uk/events/view/quentin-blake-as-large-as-life/"&gt;http://www.foundlingmuseum.org.uk/events/view/quentin-blake-as-large-as-life/&lt;/a&gt;
	
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      <pubDate>Sun, 15 Jan 2012 08:15:26 -0800</pubDate>
      <title>Eva Caridi</title>
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&lt;p /&gt; One of the "20 unique life-sized plaster human sculptures". &lt;p /&gt; &lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://getfile6.posterous.com/getfile/files.posterous.com/artboobs/kbxCJqpIdaFoofxtheeApedmdvjDnwDguBDtAGsIGEEexsCwpurbgvumtdGt/media_httpwwwartdaily_vkyhB.jpg.scaled1000.jpg"&gt;&lt;img alt="Media_httpwwwartdaily_vkyhb" height="402" src="http://getfile4.posterous.com/getfile/files.posterous.com/artboobs/kbxCJqpIdaFoofxtheeApedmdvjDnwDguBDtAGsIGEEexsCwpurbgvumtdGt/media_httpwwwartdaily_vkyhB.jpg.scaled600.jpg" width="600" /&gt;&lt;/a&gt;
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&lt;p /&gt; "This exhibition is a monumental installation made of two labyrinths. &lt;br /&gt;The first is in the Cretan fashion with a one-way path leading to the &lt;br /&gt;core where there is a video projection. The second is a deconstructed &lt;br /&gt;labyrinth with a path through iron blocks with 20 unique life-sized &lt;br /&gt;plaster human sculptures, each about 1.6 meters in height, positioned &lt;br /&gt;along the way" &lt;p /&gt; LONDON.- On January 11 the Corfu-based artist, Eva Caridi, opened her &lt;br /&gt;first solo show in London, at Ambika P3, University of Westminster. &lt;br /&gt;This exhibition is a monumental installation made of two labyrinths. &lt;br /&gt;The first is in the Cretan fashion with a one-way path leading to the &lt;br /&gt;core where there is a video projection. The second is a deconstructed &lt;br /&gt;labyrinth with a path through iron blocks with 20 unique life-sized &lt;br /&gt;plaster human sculptures, each about 1.6 meters in height, positioned &lt;br /&gt;along the way. &lt;p /&gt; The installation stages a representation of time as a human condition. &lt;br /&gt;There are no dead ends, no illusions, but only constant walking ahead &lt;br /&gt;in one direction. The visitor proceeds through the corridor surrounded &lt;br /&gt;by iron walls, and sound flows from the labyrinth’s depths compelling &lt;br /&gt;one to continue the journey. The path culminates in the artwork’s &lt;br /&gt;core: a space in between walls that hosts a video installation &lt;br /&gt;depicting females in their three stages of life: girl, woman and &lt;br /&gt;elderly lady. During the course of our life we tend to lose &lt;br /&gt;connections with the child part of ourselves and memories are locked &lt;br /&gt;in the secret alleys of our soul. &lt;p /&gt; The second room features a deconstructed labyrinth filled with nude &lt;br /&gt;human sculptures frozen in multiple body positions. The artist says &lt;br /&gt;that the plaster sculptures resemble the fragility of human nature &lt;br /&gt;when it comes up against the impenetrable iron walls of the labyrinth, &lt;br /&gt;which in this case symbolizes the world and reality that we live in . &lt;br /&gt;Ms Caridi is intimately involved with her creations, and she tries to &lt;br /&gt;establish a bond with the public. Plaster and iron are the means to a &lt;br /&gt;sensorial experience and their molding quality makes into almost &lt;br /&gt;living beings that speak to us. &lt;p /&gt; Ms Caridi’s monumental interactive installation unwinds over a floor &lt;br /&gt;surface of around 14,000 square feet, and the walking distance is &lt;br /&gt;about 75 meters from the entrance to the central area. The walls are &lt;br /&gt;about 2.4 meters high, and the labyrinth uses about 11 tons of steel. &lt;br /&gt;It is made by S &amp; W Limited, based in the Midlands, and will take &lt;br /&gt;about five days to install. &lt;p /&gt; “The labyrinth is used as a symbol to represent a threedimensional &lt;br /&gt;feeling, to concretise feelings. It forces you into a pilgrimage, a &lt;br /&gt;journey through time. People lose track of direction and of the &lt;br /&gt;outside world, ascending towards a personal state of mind. Despite &lt;br /&gt;feeling confused and lost, one finds the way to the end which is, in &lt;br /&gt;fact, just the beginning. ” Eva Caridi &lt;p /&gt; Eva Caridi is a Greek–English artist who lives and works between the &lt;br /&gt;UK and the island of Corfu in Greece. She was educated and trained in &lt;br /&gt;Paris where she graduated from the Academy Julienne. Since 1997, she &lt;br /&gt;has exhibited her works in the art world’s most prominent cities – &lt;br /&gt;Paris, New York, and San-Paolo. She has participated in and won awards &lt;br /&gt;at prestigious shows such as the Cairo, Florence and Alexandria &lt;br /&gt;Biennales. &lt;p /&gt; &lt;a href="http://www.artdaily.org/index.asp?int_sec=2&amp;int_new=53012"&gt;http://www.artdaily.org/index.asp?int_sec=2&amp;int_new=53012&lt;/a&gt;
	
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      <pubDate>Tue, 10 Jan 2012 04:31:00 -0800</pubDate>
      <title>Wong Wo Bik, Beauty and Snow, Lai Yuen Amusement Park, Hong Kong, 1997</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/Xm85L9LiI1U/wong-wo-bik-beauty-and-snow-lai-yuen-amusemen</link>
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      <description>&lt;p&gt;
	&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;img alt="B018829_31" height="570" src="http://getfile2.posterous.com/getfile/files.posterous.com/temp-2012-01-10/qDkmhGvBqczJyFapketlhehqewmBvnGdgcszGgwpnktgwihuppcwbraIfAkq/b018829_31.jpg.scaled600.jpg" width="323" /&gt;
&lt;/div&gt;
&lt;em&gt;Wong Wo Bik,&amp;nbsp;Beauty and Snow, Lai Yuen Amusement Park, Hong Kong, &lt;/em&gt;&lt;br /&gt;&lt;em&gt;1997, Fine art inkjet print, 172 x 96 cm (Edition of 5) / 120 x 68 cm &lt;/em&gt;&lt;br /&gt;&lt;em&gt;(Edition of 8). (Image courtesy of the artist and Blindspot Gallery) &lt;/em&gt;&lt;p /&gt; Blindspot Gallery is proud to present &amp;ldquo;Memory and Fiction&amp;rdquo;, featuring &lt;br /&gt;Wong Wo Bik, one of Hong Kong&amp;rsquo;s most accomplished photographers, as &lt;br /&gt;well as one of a small number of female photographers active in the &lt;br /&gt;territory. The retrospective exhibition will feature selected works of &lt;br /&gt;Wong dated from the 1980s, including photographs of Hong Kong's &lt;br /&gt;historical and notable landmarks, such as Lai Yuen Amusement Park and &lt;br /&gt;the Eu family mansions that were now demolished, and the Main Building &lt;br /&gt;of the University of Hong Kong. &lt;p /&gt; Since the 1980s, Wong took all possibilities to photograph historical &lt;br /&gt;architecture threatened by demolition in Hong Kong. &amp;ldquo;I paid particular &lt;br /&gt;attention to landmarks or buildings that were not considered 'built &lt;br /&gt;heritage', but carried historical significance or were once frequented &lt;br /&gt;by locals. Because their demolition was inevitable, the only thing I &lt;br /&gt;could do was to document them photographically. It was for me of &lt;br /&gt;paramount importance to capsulate them in the photographic space1,&amp;rdquo; &lt;br /&gt;Wong says. Yet Wong&amp;rsquo;s photographs of these architectures are not &lt;br /&gt;merely documentary of history, they are also the artist&amp;rsquo;s subjective &lt;br /&gt;narrative of her personal experiences at these sites, as well as &lt;br /&gt;depiction of traces left behind by others. &lt;p /&gt;  &lt;br /&gt;Wong Wo Bik &lt;br /&gt;Memory and Fiction &lt;br /&gt;11 January - 4 February 2012 &lt;br /&gt;at Blindspot Gallery, Hong Kong &lt;p /&gt; Opening Reception: Tuesday, 10 January 2012, 6:30 &amp;ndash; 8:30pm &lt;br /&gt;Artist will be present. &lt;p /&gt; Blindspot Gallery &lt;br /&gt;24-26A, Aberdeen Street, Central, Hong Kong &lt;br /&gt;Tel.: +852 2517 6238 &lt;br /&gt;Opening hours: Tue - Sat, 11am - 7pm &lt;br /&gt;Closed on public holidays &lt;p /&gt; &lt;a href="http://www.blindspotgallery.com"&gt;http://www.blindspotgallery.com&lt;/a&gt;&lt;/p&gt;
	
&lt;/p&gt;

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    <item>
      <pubDate>Thu, 05 Jan 2012 00:19:00 -0800</pubDate>
      <title>Goddess Durga</title>
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&lt;img alt="" src="http://www.artdaily.org/imagenes/2012/01/05/eske-2.jpg" /&gt;
&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;Goddess Durga, Vietnam or Cambodia Kingdom of Funan. Pre-Angkorian &lt;br /&gt;period, 7th century, Sandstone. Height: 31&amp;frac12; in, 80 cm.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;NEW YORK, N.Y.- John Eskenazi, the highly-respected London dealer in &lt;br /&gt;Indian, Gandharan, Himalayan and Southeast Asian works of art, will be &lt;br /&gt;presenting outstanding sculpture in his annual New York exhibition at &lt;br /&gt;Adam Williams Fine Art and Moretti Fine Art, 24 East 80th Street . &lt;br /&gt;Recent Acquisitions will be on view from 14 to 25 March 2012, as part &lt;br /&gt;of Asian Art Dealers New York and coinciding with Asia Week. &lt;p /&gt; The timeless beauty of the finest Southeast Asian sculptures is &lt;br /&gt;evident in a graceful figure of the goddess Durga holding a discus in &lt;br /&gt;her upper left hand. The sandstone sculpture dates from the &lt;br /&gt;Pre-Angkorian period, 7th century and comes from the ancient kingdom &lt;br /&gt;of Funan , situated on the Mekong Delta, which was once a great centre &lt;br /&gt;of international maritime trade. Indian merchants who were established &lt;br /&gt;there probably introduced Durga and other Hindu deities into the &lt;br /&gt;region. The 6th/7th centuries are known for such fine stone sculptures &lt;br /&gt;of gods in regal, stately poses. Durga is a heroic figure who, &lt;br /&gt;according to legend, was created by the Hindu gods to conquer the &lt;br /&gt;demon Mahishasura who had unleashed a reign of terror and who could &lt;br /&gt;not be defeated. Each god armed Durga with his most fearsome weapon. &lt;br /&gt;For example, Vishnu gave his discus which also symbolises the &lt;br /&gt;continuous cycle of creation and destruction of the world. The discus &lt;br /&gt;also represents the power of the mind, capable of destroying ignorance &lt;br /&gt;in the same way that the goddess eliminated the demon. Durga, whose &lt;br /&gt;victory is so energetically depicted in Indian art, is represented &lt;br /&gt;here as a serene authoritative figure, dressed in an elegant, &lt;br /&gt;unadorned skirt and a tall headdress. &lt;p /&gt; &lt;a href="http://www.artdaily.org/index.asp?int_sec=2&amp;amp;int_new=52826"&gt;http://www.artdaily.org/index.asp?int_sec=2&amp;amp;int_new=52826&lt;/a&gt;&lt;/p&gt;
	
&lt;/p&gt;

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      <pubDate>Tue, 03 Jan 2012 00:26:22 -0800</pubDate>
      <title>Albert Von Keller</title>
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&lt;a href="http://getfile1.posterous.com/getfile/files.posterous.com/artboobs/JgbHppvtDnsJodhwfyElvFlclpjgzgEeriGpskfbonyxJtEAtHuqlurjvqcg/media_http4bpblogspot_hFHjC.jpg.scaled1000.jpg"&gt;&lt;img alt="Media_http4bpblogspot_hfhjc" height="267" src="http://getfile1.posterous.com/getfile/files.posterous.com/artboobs/JgbHppvtDnsJodhwfyElvFlclpjgzgEeriGpskfbonyxJtEAtHuqlurjvqcg/media_http4bpblogspot_hFHjC.jpg.scaled600.jpg" width="600" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;p /&gt; &lt;div class='p_embed p_image_embed'&gt;
&lt;img alt="Media_http3bpblogspot_pcvbe" height="320" src="http://getfile5.posterous.com/getfile/files.posterous.com/artboobs/rIBBfswEyrCgaHfnaqelBCtimuxCtIavGnxFtCmcclAIEFubgxajmbthElgH/media_http3bpblogspot_pcvBE.jpg.scaled600.jpg" width="217" /&gt;
&lt;/div&gt;
&lt;p /&gt; Fascinated by the mysteries of the human psyche, the Swiss-born &lt;br /&gt;painter Albert von Keller (1844–1920) is remembered today more for his &lt;br /&gt;spectacular subject matter than for his exceptional artistic ability. &lt;br /&gt;In fact, although Keller was a founding member of the Munich &lt;br /&gt;Secession, an influential artists’ association, and was highly &lt;br /&gt;regarded in Europe and America at the dawn of the twentieth century &lt;br /&gt;for his “modern” psychological painting, he has never before been the &lt;br /&gt;subject of a solo exhibition in America. &lt;p /&gt; Keller’s close association with the Munich psychiatrist Dr. Albert von &lt;br /&gt;Schrenck-Notzing (1862–1929), and his participation in séances and &lt;br /&gt;occult experiments, placed him at the center of passionate debates in &lt;br /&gt;fin de siècle Germany on Seelenleben, or the life of the soul. While &lt;br /&gt;fascinated by the paranormal, Keller was equally enthralled by &lt;br /&gt;traditional Christian narratives such as the raising of the dead, the &lt;br /&gt;powers of mystical healing, and the mysteries of stigmata. He engaged &lt;br /&gt;in a lifelong search for new techniques and visual forms to describe &lt;br /&gt;shifting, uncertain states of being and becoming. &lt;p /&gt; Images: &lt;a href="http://artandlair.blogspot.com/2010/10/albert-von-keller-1844-1920.html"&gt;http://artandlair.blogspot.com/2010/10/albert-von-keller-1844-1920.html&lt;/a&gt; &lt;br /&gt;Text: &lt;a href="http://fryemuseum.org/exhibition/3687/"&gt;http://fryemuseum.org/exhibition/3687/&lt;/a&gt;
	
&lt;/p&gt;

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    <item>
      <pubDate>Tue, 03 Jan 2012 00:23:40 -0800</pubDate>
      <title>Hubertus Giebe - Liegender Akt von vorn (2000)</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/Et65ZfwiiLY/hubertus-giebe-liegender-akt-von-vorn-2000</link>
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&lt;/div&gt;
&lt;p /&gt; Hubertus Giebe (German, 1953) &lt;p /&gt; &lt;a href="http://www.mutualart.com/Artwork/Liegender-Akt-von-vorn/FCB991AFBA6F1124"&gt;http://www.mutualart.com/Artwork/Liegender-Akt-von-vorn/FCB991AFBA6F1124&lt;/a&gt;
	
&lt;/p&gt;

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      <pubDate>Tue, 03 Jan 2012 00:21:50 -0800</pubDate>
      <title>Emil Wachters - "Roter Akt" (1993)</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/ylFi9AfJzxM/emil-wachters-roter-akt-1993</link>
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&lt;/div&gt;
&lt;p /&gt; Emil Wachters - "Roter Akt" (1993) &lt;br /&gt;source: &lt;a href="http://www.stimme.de/heilbronn/kultur/sonstige-Die-Welt-in-der-Nussschale;art11930,2255914"&gt;http://www.stimme.de/heilbronn/kultur/sonstige-Die-Welt-in-der-Nussschale;art...&lt;/a&gt;
	
&lt;/p&gt;

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      <pubDate>Mon, 02 Jan 2012 00:36:38 -0800</pubDate>
      <title>Babylonian goddess</title>
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&lt;img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/8/80/Queen_of_the_Night_%28Babylon%29.jpg/450px-Queen_of_the_Night_%28Babylon%29.jpg" /&gt;
&lt;/div&gt;
&lt;br /&gt;Statue c. 1792 - 1750 BC that represents an ancient Babylonian &lt;br /&gt;goddess, possibly Ishtar or Ereshkigal &lt;p /&gt; Happy new year! &lt;p /&gt; &lt;a href="http://en.wikipedia.org/wiki/Ghosts_in_Mesopotamian_religions"&gt;http://en.wikipedia.org/wiki/Ghosts_in_Mesopotamian_religions&lt;/a&gt;
	
&lt;/p&gt;

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      <pubDate>Wed, 21 Dec 2011 23:49:16 -0800</pubDate>
      <title>Shirin Fakhim - The Tell-Tale Tart</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/O2TWt7NYBec/shirin-fakhim-the-tell-tale-tart</link>
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&lt;/div&gt;
&lt;p /&gt; Shirin Fakhim, “The Tell-Tale Tart,” Feb. 25-Mar. 28, 2011, at Leila &lt;br /&gt;Heller Gallery, New York &lt;p /&gt; "How do the new sanctions against the government of Iran affect an &lt;br /&gt;artist like Shirin Fakhim, who lives in Tehran and yet whose &lt;br /&gt;sculptures are gaining increasing traction in the Western art market?" &lt;p /&gt; Read: &lt;a href="http://www.artnet.com/magazineus/features/grant/iranian-art-and-the-us-embargo-12-16-11.asp"&gt;http://www.artnet.com/magazineus/features/grant/iranian-art-and-the-us-embarg...&lt;/a&gt;
	
&lt;/p&gt;

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    <item>
      <pubDate>Wed, 21 Dec 2011 23:45:36 -0800</pubDate>
      <title>Lucretia by Lucas Cranach</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/JCe-mF_olRY/lucretia-by-lucas-cranach</link>
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&lt;a href="http://getfile1.posterous.com/getfile/files.posterous.com/artboobs/hdIrkHfFCyHHeIaflmiowrgngxfCoJCqjzCfchldBngnHGvrvdAJoqpltkoH/media_httpmedia1webbr_ozobt.jpg.scaled1000.jpg"&gt;&lt;img alt="Media_httpmedia1webbr_ozobt" height="762" src="http://getfile2.posterous.com/getfile/files.posterous.com/artboobs/hdIrkHfFCyHHeIaflmiowrgngxfCoJCqjzCfchldBngnHGvrvdAJoqpltkoH/media_httpmedia1webbr_ozobt.jpg.scaled600.jpg" width="600" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;p /&gt; Lucretia, oil on panel by Lucas Cranach, 15th–16th century. 57 × 46.5 cm. &lt;p /&gt; "Lucretia is a striking panel by German Renaissance painter Lucas &lt;br /&gt;Cranach the Elder, which has not been seen on the market – and &lt;br /&gt;virtually unseen by anyone – since its sale to the current owner in &lt;br /&gt;1988 (est. $4/6 million). Its recent cleaning has revealed an &lt;br /&gt;extremely well-preserved paint layer, which contains all of the &lt;br /&gt;hallmarks of the early style of Cranach, in one of his most favored &lt;br /&gt;subjects. The work has been dated to extremely early in the artist’s &lt;br /&gt;career, both for stylistic reasons and for the construction of the &lt;br /&gt;panel that is seen in works before 1510." &lt;p /&gt; Source: &lt;br /&gt;&lt;a href="http://www.artdaily.org/index.asp?int_sec=2&amp;int_new=52566"&gt;http://www.artdaily.org/index.asp?int_sec=2&amp;int_new=52566&lt;/a&gt; &lt;br /&gt;&lt;a href="http://www.britannica.com/EBchecked/media/97442/Lucretia-oil-on-panel-by-Lucas-Cranach-15th-16th-century"&gt;http://www.britannica.com/EBchecked/media/97442/Lucretia-oil-on-panel-by-Luca...&lt;/a&gt;
	
&lt;/p&gt;

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      <pubDate>Mon, 19 Dec 2011 12:32:35 -0800</pubDate>
      <title>Jonathan Yeo - "Capsulotomy and Implant Exchange Symmetrisation" - 2011</title>
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&lt;a href="http://getfile8.posterous.com/getfile/files.posterous.com/artboobs/AHtsHpchIfoEaztAiCvkcAwABfqErdHtifntbFakipEarEequrmbdfHFwGwF/media_httpwwwartinfoc_AlCjc.jpg.scaled1000.jpg"&gt;&lt;img alt="Media_httpwwwartinfoc_alcjc" height="356" src="http://getfile9.posterous.com/getfile/files.posterous.com/artboobs/AHtsHpchIfoEaztAiCvkcAwABfqErdHtifntbFakipEarEequrmbdfHFwGwF/media_httpwwwartinfoc_AlCjc.jpg.scaled600.jpg" width="600" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;p /&gt; Detail of Jonathan Yeo's "Capsulotomy and Implant Exchange &lt;br /&gt;Symmetrisation," 2011. Courtesy the artist &lt;p /&gt; Jonathan Yeo's sitters may include Dennis Hopper, Nicole Kidman, and &lt;br /&gt;David Cameron — and he might be currently working on portraits of &lt;br /&gt;Sienna Miller and Kevin Spacey — but the artist has always been up for &lt;br /&gt;unsettling his polished image of society painter. In 2007, he produced &lt;br /&gt;a portrait of George Bush collaged together from clipping from porn &lt;br /&gt;mags. The U.S. Republican party called it "extremely distasteful," but &lt;br /&gt;it was an instant hit — and similar portraits of Tiger Woods, Paris &lt;br /&gt;Hilton, and (infamously) Sarah Palin shortly followed. &lt;p /&gt; Yeo's newly open exhibition at London's Lazarides Gallery reveals yet &lt;br /&gt;another radically different aspect of the painter's multifarious &lt;br /&gt;practice. For "You're Only Young Twice," Yeo has turned to cosmetic &lt;br /&gt;surgery for subject matter. The show features images of bodies mapped &lt;br /&gt;out for the scalpal, before-and-after mammary augmentation diptychs, &lt;br /&gt;and unconscious patients on operation tables. Speaking to ARTINFO UK &lt;br /&gt;recently, the artist explained the background of the new series." &lt;p /&gt; Read the interview: &lt;br /&gt;&lt;a href="http://www.artinfo.com/news/story/753894/aesthetic-surgery-portraitist-jonathan-yeo-on-his-new-plastic-surgery-paintings"&gt;http://www.artinfo.com/news/story/753894/aesthetic-surgery-portraitist-jonath...&lt;/a&gt;
	
&lt;/p&gt;

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    <item>
      <pubDate>Thu, 08 Dec 2011 04:35:07 -0800</pubDate>
      <title>Peter Beard, Fayel Tall / El Molo Bay, Lake Rudolf (1987)</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/jc4SrK4V0UQ/peter-beard-fayel-tall-el-molo-bay-lake-rudol</link>
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&lt;img alt="Media_httpwwwphotogra_coafl" height="570" src="http://getfile6.posterous.com/getfile/files.posterous.com/artboobs/nGvGbkmcmGDvAEgawsCfvdfttcfHHiHvnHcHlCDnssvjxulsksqpHFFEGylx/media_httpwwwphotogra_Coafl.jpg.scaled600.jpg" width="470" /&gt;
&lt;/div&gt;
&lt;p /&gt; Lot 340: Peter Beard, Fayel Tall / El Molo Bay, Lake Rudolf, silver &lt;br /&gt;print with applied blood and feather, 1987, printed 1997. &lt;br /&gt;Estimate $20,000 to $30,000. &lt;br /&gt;© The Peter Beard Studio &lt;p /&gt; From the Important Photobooks &amp; Photographs auction at &lt;br /&gt;&lt;a href="http://www.swanngalleries.com/"&gt;http://www.swanngalleries.com/&lt;/a&gt;
	
&lt;/p&gt;

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    <item>
      <pubDate>Thu, 01 Dec 2011 04:40:12 -0800</pubDate>
      <title>Aaron Johnson - I Dreamed I Painted Flowers All Over Your Naked Body, and in that Dream I Awoke from Dreaming, My Eyes Opened to See the Flowers Rot, Turning First Putrid, then Burst Your Flesh into Flame</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/yFst0lDEspI/aaron-johnson-i-dreamed-i-painted-flowers-all</link>
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	&lt;img src="http://re-title.com/public/mailimages/nov11-swab/1.jpg" border="0" height="600" alt="© Aaron Johnson, I Dreamed I Painted Flowers All Over Your Naked Body..., 2010" width="378" style="" /&gt;&lt;div&gt; &lt;br /&gt;&lt;div&gt;&lt;div align="left" style="background-color: rgb(255, 255, 255);"&gt;© &lt;strong&gt;Aaron Johnson&lt;/strong&gt;&lt;/div&gt;&lt;div align="left" style="background-color: rgb(255, 255, 255);"&gt; &lt;em&gt;I Dreamed I Painted Flowers All Over Your Naked Body, and in that Dream I Awoke from Dreaming, My Eyes Opened to See the Flowers Rot, Turning First Putrid, then Burst Your Flesh into Flame&lt;/em&gt;&lt;/div&gt; &lt;div align="left" style="background-color: rgb(255, 255, 255);"&gt;(Acrylic on polyester knit mesh)&lt;/div&gt;&lt;div align="left" style="background-color: rgb(255, 255, 255);"&gt;185x117cm, 2010&lt;/div&gt; &lt;div align="left" style="background-color: rgb(255, 255, 255);"&gt;Courtesy of Galería MiTO, Barcelona&lt;/div&gt;&lt;p /&gt;&lt;/div&gt;&lt;/div&gt;
	
&lt;/p&gt;

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      <pubDate>Wed, 30 Nov 2011 01:30:54 -0800</pubDate>
      <title>Sarah Trouche, Action for China</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/Y36hETRdiFA/sarah-trouche-action-for-china</link>
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&lt;/div&gt;
&lt;p /&gt; Sarah Trouche, Action for China, Photography of Performances; China, &lt;br /&gt;August, 2011 &lt;p /&gt; Watch the video: &lt;br /&gt;&lt;iframe src="http://player.vimeo.com/video/27926144?portrait=0" frameborder="0" height="339" width="600"&gt;&lt;/iframe&gt;
	
&lt;/p&gt;

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      <pubDate>Thu, 24 Nov 2011 07:02:00 -0800</pubDate>
      <title>alex katz | naked beauty</title>
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      <description>&lt;p&gt;
	&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://getfile2.posterous.com/getfile/files.posterous.com/temp-2011-11-24/BfxgdygfHAIvhiruDJtfGqFncvrelCnDnxtrzDkbCFvcGDzefohBmAzoybJi/kestnergesellschaft_katz_Sandra_2_klein_1.jpg"&gt;&lt;img alt="Kestnergesellschaft_katz_sandra_2_klein_1" height="799" src="http://getfile7.posterous.com/getfile/files.posterous.com/temp-2011-11-24/BfxgdygfHAIvhiruDJtfGqFncvrelCnDnxtrzDkbCFvcGDzefohBmAzoybJi/kestnergesellschaft_katz_Sandra_2_klein_1.jpg.scaled600.jpg" width="600" /&gt;&lt;/a&gt;
&lt;/div&gt;

&lt;p&gt;Alex Katz -&amp;nbsp;Sandra 2 -1986&lt;/p&gt;
&lt;p&gt;&amp;Ouml;l auf Leinwand,&amp;nbsp;163 cm x 122 cm.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Courtesy Galerie Jablonka, K&amp;ouml;ln.&amp;nbsp;Paul Takeuchi, New York.&amp;nbsp;&amp;copy; VG Bild-Kunst, Bonn 2011&lt;/p&gt;
&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://getfile0.posterous.com/getfile/files.posterous.com/temp-2011-11-24/ExxFuqDCxGhqoEIvudejlazFGxynBwpclzkGvBguqgGmeejadCgAhnhyicdh/kestnergesellschaft_Katz_Pink_Nude_1_mittel.jpg.scaled1000.jpg"&gt;&lt;img alt="Kestnergesellschaft_katz_pink_nude_1_mittel" height="448" src="http://getfile7.posterous.com/getfile/files.posterous.com/temp-2011-11-24/ExxFuqDCxGhqoEIvudejlazFGxynBwpclzkGvBguqgGmeejadCgAhnhyicdh/kestnergesellschaft_Katz_Pink_Nude_1_mittel.jpg.scaled600.jpg" width="600" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;Alex Katz -&amp;nbsp;Pink Nude 1 -&amp;nbsp;1990&lt;/p&gt;
&lt;p&gt;&amp;Ouml;l auf Leinwand,&amp;nbsp;183 cm x 244 cm.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Courtesy Galerie Jablonka, K&amp;ouml;ln.&amp;nbsp;&amp;copy; VG Bild-Kunst, Bonn 2011.&amp;nbsp;Paul Takeuchi, New York&lt;/p&gt;
&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://getfile5.posterous.com/getfile/files.posterous.com/temp-2011-11-24/hjouzfvFkICJDwhFEdAhowvIlIyCahwmsErzzpmpxzciCxuFpujgtxCurAqq/kestnergesellschaft_katz_Untitled_Four_Nudes_klein.jpg.scaled1000.jpg"&gt;&lt;img alt="Kestnergesellschaft_katz_untitled_four_nudes_klein" height="602" src="http://getfile7.posterous.com/getfile/files.posterous.com/temp-2011-11-24/hjouzfvFkICJDwhFEdAhowvIlIyCahwmsErzzpmpxzciCxuFpujgtxCurAqq/kestnergesellschaft_katz_Untitled_Four_Nudes_klein.jpg.scaled600.jpg" width="600" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;/p&gt;
&lt;p /&gt;
&lt;p&gt;Alex Katz -&amp;nbsp;Untitled (Four Nudes) -&amp;nbsp;2011&lt;/p&gt;
&lt;p&gt;&amp;Ouml;l auf Leinwand,&amp;nbsp;244 cm x 244 cm&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Courtesy Galerie Jablonka, K&amp;ouml;ln,&amp;nbsp;&amp;copy; VG Bild-Kunst, Bonn 2011.&amp;nbsp;Paul Takeuchi, New York&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;alex katz | naked beauty&lt;br /&gt;alice springs | people&lt;br /&gt;25 November 2011&amp;ndash;5 February 2012&amp;nbsp;&lt;/p&gt;
&lt;p&gt;kestnergesellschaft&lt;/p&gt;
&lt;p&gt;Goseriede 11&lt;br /&gt;30159 Hanover, Germany&lt;br /&gt;Tuesday&amp;ndash;Sunday and on holidays 11 am&amp;ndash;6 pm&lt;br /&gt;Thursday 11 am&amp;ndash;8 pm&lt;br /&gt;Mondays closed&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.kestnergesellschaft.de"&gt;http://www.kestnergesellschaft.de&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The US-American painter Alex Katz (*1927 in Brooklyn, lives in New York) will be showing a series of nudes covering the period from 1980s to the present day, juxtaposed with selected city views of New York in his show at the kestnergesellschaft. In this way, two extremes coincide in the exhibition "naked beauty": the human body and architecture stand side by side and tell the story of the capacity of Katz's painting to transform subjective impressions into universal symbols.&lt;/p&gt;
&lt;p&gt;Until now, Alex Katz's nudes have never been gathered together in such a concentration and profusion within the framework of one exhibition. With his characteristically focused works replete with crisp lines and surfaces, the painter explores the relationship between the real and the painted figure, creating paintings of singular persons and situations that are universally symbolic at the same time. The city views of New York shown in tandem with the nudes are drawn from situations and forms of everyday life, which, alongside the direct encounter with the life model, represent the material for his paintings. By means of the juxtaposition of nude and landscape as two traditional genres, the kestnergesellschaft is initiating a discussion on the essence of Alex Katz's painterly enquiries: his respect for old subjects while rendering them modern, the translation of fleeting moments of perception in form and surface, the creation of perfect, cool planes of color using the traditional means of painting. When we look at Katz's works, we see pictures that fluctuate between subjectivity and universality, without ever reconciling the two.&lt;/p&gt;
&lt;p&gt;The Kehrer Verlag, Heidelberg will publish an 100-page catalogue on the exhibition, with over 50 Illustrations. In English and German with a foreword by Veit G&amp;ouml;rner and essays by Morgan Falconer and Kathrin Meyer.&amp;nbsp;&lt;/p&gt;
&lt;/p&gt;
	
&lt;/p&gt;

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    <item>
      <pubDate>Fri, 18 Nov 2011 06:35:38 -0800</pubDate>
      <title>Partum, "Selfidentification," Warsaw 1980</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/iXg2PkSEQv8/partum-selfidentification-warsaw-1980</link>
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      <description>&lt;p&gt;
	&lt;div class='p_embed p_image_embed'&gt;
&lt;img alt="Media_httpwwwefluxcom_crdif" height="410" src="http://getfile5.posterous.com/getfile/files.posterous.com/artboobs/bwElAaDFHaDkGuumteBFAqfsiIxJvFnHtAuweHzqmicfxCHsGtGuszyBcbhC/media_httpwwwefluxcom_CrdIf.jpg.scaled600.jpg" width="553" /&gt;
&lt;/div&gt;
&lt;p /&gt; Ewa Partum, "Selfidentification," Warsaw 1980. &lt;br /&gt;Photo-montage (from a series of 8 images). &lt;br /&gt;Courtesy: The artist. &lt;p /&gt; re.act.feminism #2 &lt;br /&gt;a performing archive &lt;br /&gt;Archive / Exhibitions / Workshops / Performances / Talks / Research &lt;br /&gt;7 October 2011–1 September 2013 &lt;p /&gt; First Venue: &lt;br /&gt;7 October 2011–15 January 2012, Centro Cultural Montehermoso &lt;br /&gt;Kulturunea, Vitoria-Gasteiz, Spain &lt;p /&gt; &lt;a href="http://www.reactfeminism.org"&gt;www.reactfeminism.org&lt;/a&gt; &lt;p /&gt; re.act.feminism #2 - a performing archive is a continually expanding, &lt;br /&gt;mobile and temporary performance archive travelling through six &lt;br /&gt;European countries from 2011 to 2013. In its current version, it &lt;br /&gt;presents gender-critical, feminist and queer performance art by 125 &lt;br /&gt;artists and artists collectives from the 1960s until the beginning of &lt;br /&gt;the 1980s, as well as contemporary positions. The research focus is on &lt;br /&gt;artworks from Eastern and Western Europe, the Mediterranean and the &lt;br /&gt;Middle East, the US and selected countries in Latin America. On its &lt;br /&gt;route through Europe this temporary archive will continue to expand &lt;br /&gt;through local research and scholarly cooperation. It will also be &lt;br /&gt;"animated" through exhibitions, screenings, performances and &lt;br /&gt;discussions along the way, which will continuously contribute to the &lt;br /&gt;archive. &lt;p /&gt; With this project, the organiser cross links e.V., Berlin and the &lt;br /&gt;curators Bettina Knaup and Beatrice Ellen Stammer, draw on the success &lt;br /&gt;of the exhibition "re.act.feminism—performance art of the 1960s &amp; 70s &lt;br /&gt;today" which was shown to great critical acclaim in the Akademie der &lt;br /&gt;Künste, Berlin, Germany, in 2008–2009. &lt;p /&gt; The main goals of the project are to make performance documentation, &lt;br /&gt;which is dispersed and often difficult to access, available to a &lt;br /&gt;broader public for the first time in such a great volume and variety, &lt;br /&gt;and to strengthen cross-generational and trans-cultural dialogue. &lt;p /&gt; The project is based on the idea of a living archive, emphasising the &lt;br /&gt;use, appropriation, and re-interpretation of documents: What effect &lt;br /&gt;does the performance document have in the moment of its reception, &lt;br /&gt;what does it do? What kind of relationship does it create between past &lt;br /&gt;and future, between author and recipient? &lt;p /&gt; more: e_flux announcement &lt;a href="http://www.e-flux.com/shows/view/10387"&gt;http://www.e-flux.com/shows/view/10387&lt;/a&gt;
	
&lt;/p&gt;

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    <item>
      <pubDate>Fri, 18 Nov 2011 02:40:01 -0800</pubDate>
      <title>Francisco Corzas - Desnudo (Fleur du Mal)</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/gH24i66cNa4/francisco-corzas-desnudo-fleur-du-mal</link>
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&lt;img alt="Media_httpl1yimgcombt_rngwx" height="630" src="http://getfile0.posterous.com/getfile/files.posterous.com/artboobs/ABIBcasiDDktyFocofnAyDjmrAsAkrlhIdaqIclvtaflJyeApHyhlEGeAyGr/media_httpl1yimgcombt_rnGwx.jpg.scaled600.jpg" width="501" /&gt;
&lt;/div&gt;
&lt;p /&gt; Artist Francisco Corzas' oil on canvas of a nude young woman "Desnudo &lt;br /&gt;(Fleur du Mal") in seen in this handout released November 18, 2011. &lt;br /&gt;The piece set records for Corzas at Sotheby's November 16, 2011 &lt;br /&gt;auction, selling for $218,500. A Mexican 20th century artist, Corzas &lt;br /&gt;died in 1983. &lt;p /&gt; source: &lt;br /&gt;&lt;a href="http://news.yahoo.com/photos/world-events-1316137200-slideshow/artist-francisco-corzas-oil-canvas-nude-young-woman-photo-180058441.html"&gt;http://news.yahoo.com/photos/world-events-1316137200-slideshow/artist-francis...&lt;/a&gt;
	
&lt;/p&gt;

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      <pubDate>Thu, 10 Nov 2011 00:12:30 -0800</pubDate>
      <title>Guido Argentini - Living The Blank Spaces Of My Life</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/0CGJ7KFQFGY/guido-argentini-living-the-blank-spaces-of-my</link>
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&lt;img alt="Media_httpcache0bigca_bhzdh" height="580" src="http://getfile7.posterous.com/getfile/files.posterous.com/artboobs/xqaExjnCBmDwreozhcaCHnlmJtnmuBnghzJDfxnaGqsbcbbvpnhxakGlGJFu/media_httpcache0bigca_bhzdH.jpg.scaled600.jpg" width="576" /&gt;
&lt;/div&gt;
&lt;p /&gt; Print for sale at internet-only gallery &lt;a href="http://www.5piecesgallery.com/"&gt;http://www.5piecesgallery.com/&lt;/a&gt; &lt;br /&gt;for $5,500.00 &lt;p /&gt; High Quality Chromogenic Print made on archival matte paper &lt;br /&gt;Signed and numbered by the artist &lt;br /&gt;Print is sold with a certificate of authenticity &lt;p /&gt; Edition: 25 + 2 A/p &lt;br /&gt;Size: 80 x 80 cm &lt;p /&gt; Edition: 25 + 2 A/p (Part of the same edition) &lt;br /&gt;Size: 100 x 100 cm &lt;p /&gt; Source: &lt;a href="http://www.5piecesgallery.com/product/guido-argentini-living-the-blank-spaces-of-my-life"&gt;http://www.5piecesgallery.com/product/guido-argentini-living-the-blank-spaces...&lt;/a&gt;
	
&lt;/p&gt;

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    <item>
      <pubDate>Thu, 27 Oct 2011 11:00:00 -0700</pubDate>
      <title>Boris Lopez - "Alicia"</title>
      <link>http://feedproxy.google.com/~r/ArtBoobs/~3/Y3tQ7lkihA4/boris-lopez-alicia</link>
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&lt;a href="http://getfile1.posterous.com/getfile/files.posterous.com/artboobs/G9wHIdDEDtCLtldt57CQu4xPZExKZCocHEpBHToYuSNTK0WusbEs6AI1nHr3/Alicia.jpg.scaled.1000.jpg"&gt;&lt;img alt="Alicia" height="886" src="http://getfile9.posterous.com/getfile/files.posterous.com/artboobs/KtKtIo80WiRZHqGcTWi7h7stbolVzRSPpxgA2s3VWY8r8aEJeTE1GODiB0hN/Alicia.jpg.scaled600.jpg" width="600" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;American.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Please look at the large version to make sure you see that she's&amp;nbsp;&lt;span style="font-family: sans-serif; line-height: 19px;"&gt;cross-eyed!&lt;/span&gt;&lt;/strong&gt;&lt;p /&gt; Represented in Europe by Edouard GUIOUNET / Agence Hunting Scene &lt;p /&gt; &lt;a href="http://www.borislopez.com"&gt;http://www.borislopez.com&lt;/a&gt;&lt;/p&gt;
	
&lt;/p&gt;

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/ArtBoobs/~4/Y3tQ7lkihA4" height="1" width="1"/&gt;</description>
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