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	<title>Art History for All</title>
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	<description>From art lovers to art haters to art-is-just-okay-ers, Art History for All aims to get all kinds of people thinking about art and what it means to them. Each episode, Allyson Healey tackles a single work of art and its history and larger significance, always asking the question: so what? Art History for All takes you beyond the art historical canon and helps you find the way in which art speaks to you (even if it's never spoken to you before)</description>
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	<title>Episodes – Art History For All</title>
	<link>https://arthistoryforall.com</link>
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	<itunes:author>Allyson Healey</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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	<podcast:medium>podcast</podcast:medium>
	<image>
		<title>Episodes – Art History For All</title>
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	<copyright>© 2019 Allyson Healey</copyright><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords><itunes:summary>From art lovers to art haters to art-is-just-okay-ers, Art History for All aims to get all kinds of people thinking about art and what it means to them. Each episode, Allyson Healey tackles a single work of art and its history and larger significance, always asking the question: so what? Art History for All takes you beyond the art historical canon and helps you find the way in which art speaks to you (even if it's never spoken to you before).</itunes:summary><itunes:subtitle>From art lovers to art haters to art-is-just-okay-ers, Art History for All aims to get all kinds of people thinking about art and what it means to them. Each episode, Allyson Healey tackles a single work of art and its history and larger significance, alw</itunes:subtitle><itunes:category text="Arts"><itunes:category text="Visual Arts"/></itunes:category><itunes:category text="Society &amp; Culture"><itunes:category text="History"/></itunes:category><itunes:category text="Education"/><itunes:owner><itunes:email>allysonh@arthistoryforall.com</itunes:email><itunes:name>Allyson Healey</itunes:name></itunes:owner><item>
		<title>Episode 28: No Foolin’</title>
		<link>https://arthistoryforall.com/episode-28-no-foolin</link>
		
		
		<pubDate>Tue, 02 Nov 2021 16:02:34 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[17th century]]></category>
		<category><![CDATA[baroque]]></category>
		<category><![CDATA[disability]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[fools]]></category>
		<category><![CDATA[jester]]></category>
		<category><![CDATA[juan de calabazas]]></category>
		<category><![CDATA[juan ruiz de alarcon]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[spain]]></category>
		<category><![CDATA[velazquez]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=408</guid>

					<description><![CDATA[In this episode we delve into the portrait of Don Juan de Calabazas in the Cleveland Museum of Art! Allyson talks jesters, fools, disability history,&#8230;]]></description>
										<content:encoded><![CDATA[
<p>In this episode we delve into the <a href="https://www.clevelandart.org/art/1965.15">portrait of Don Juan de Calabazas</a> in the Cleveland Museum of Art! Allyson talks jesters, fools, disability history, and rethinking how we view disabled people.</p>
<p>Book rec:&nbsp;<em>Disability Visibility</em>, edited by Alice Wong, 2020. (I listened to the audiobook version, but you can <a href="https://bookshop.org/books/disability-visibility-first-person-stories-from-the-twenty-first-century/9781984899422">Buy on Bookshop.org</a> also)</p>



<span id="more-408"></span>



<p>© 2021 Allyson Healey</p>
<p>Theme music © 2021 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p>Other Music:</p>
<p>Valse Gymnopedie by Kevin MacLeod<br />Link: https://filmmusic.io/song/7928-valse-gymnopedie<br />License: https://filmmusic.io/standard-license</p>
<p>Floating Cities by Kevin MacLeod<br />Link: https://incompetech.filmmusic.io/song/3765-floating-cities<br />License: https://filmmusic.io/standard-license</p>
]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>35:59</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this episode we delve into the portrait of Don Juan de Calabazas in the Cleveland Museum of Art! Allyson talks jesters, fools, disability history,&amp;#8230;</itunes:subtitle><itunes:summary>In this episode we delve into the portrait of Don Juan de Calabazas in the Cleveland Museum of Art! Allyson talks jesters, fools, disability history,&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 27: The Incredible Flying Kris</title>
		<link>https://arthistoryforall.com/episode-27-the-incredible-flying-kris</link>
		
		
		<pubDate>Mon, 09 Aug 2021 13:00:00 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[18th century]]></category>
		<category><![CDATA[arms]]></category>
		<category><![CDATA[blade]]></category>
		<category><![CDATA[colonialism]]></category>
		<category><![CDATA[edward c. moore]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[hinduism]]></category>
		<category><![CDATA[indonesia]]></category>
		<category><![CDATA[islam]]></category>
		<category><![CDATA[kris]]></category>
		<category><![CDATA[mahabharata]]></category>
		<category><![CDATA[malaysia]]></category>
		<category><![CDATA[southeast asia]]></category>
		<category><![CDATA[sword]]></category>
		<category><![CDATA[wayang kulit]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=400</guid>

					<description><![CDATA[The podcast returns as sharp as ever with a discussion of an example of a Malaysian blade called a kris! Allyson talks about the transition&#8230;]]></description>
										<content:encoded><![CDATA[
<p>The podcast returns as sharp as ever with a discussion of an example of a Malaysian blade called a <a href="https://www.metmuseum.org/art/collection/search/21837?searchField=All&amp;amp;sortBy=Relevance&amp;amp;ft=kris+malaysia&amp;amp;offset=0&amp;amp;rpp=20&amp;amp;pos=2">kris</a>! Allyson talks about the transition from Hinduism to Islam in Southeast Asia, tales from the Mahabharata, and the impact of colonialism (again).&nbsp;</p>



<span id="more-400"></span>



<p>© 2021 Allyson Healey</p>
<p>Theme music © 2021 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi:&nbsp;<a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall&nbsp;</a></p>
<p>Other links:&nbsp;<a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p>Other Music:</p>
<p class="p1">Water Lily by Kevin MacLeod<br>Link: https://incompetech.filmmusic.io/song/4609-water-lily<br><span style="font-size: revert;">License: </span><a style="font-size: revert;" href="https://filmmusic.io/standard-license">https://filmmusic.io/standard-license</a></p>
<p class="p1">Stormfront by Kevin MacLeod<br>Link: https://incompetech.filmmusic.io/song/4421-stormfront<br>License: https://filmmusic.io/standard-license</p>


]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:title>Episode 27: The Incredible Flying Kris</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>32:35</itunes:duration>
		<podcast:transcript rel="captions" type="text/plain" url="https://arthistoryforall.com/transcript-of-episode-27-the-incredible-flying-kris"/>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The podcast returns as sharp as ever with a discussion of an example of a Malaysian blade called a kris! Allyson talks about the transition&amp;#8230;</itunes:subtitle><itunes:summary>The podcast returns as sharp as ever with a discussion of an example of a Malaysian blade called a kris! Allyson talks about the transition&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 26: The Case of Ingapirca</title>
		<link>https://arthistoryforall.com/episode-26-the-case-of-ingapirca</link>
		
		
		<pubDate>Mon, 22 Feb 2021 14:00:00 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[15th century]]></category>
		<category><![CDATA[16th century]]></category>
		<category><![CDATA[18th century]]></category>
		<category><![CDATA[ancient]]></category>
		<category><![CDATA[archaeology]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[canari]]></category>
		<category><![CDATA[colonialism]]></category>
		<category><![CDATA[imperialism]]></category>
		<category><![CDATA[inka]]></category>
		<category><![CDATA[looting]]></category>
		<category><![CDATA[south america]]></category>
		<category><![CDATA[spain]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=389</guid>

					<description><![CDATA[Allyson returns refreshed after a quarantine-induced slump to tell you all about Ingapirca, an Inka archaeological site whose function has been obscured by time and&#8230;]]></description>
										<content:encoded><![CDATA[
<p>Allyson returns refreshed after a quarantine-induced slump to tell you all about <a href="https://complejoingapirca.gob.ec/#">Ingapirca</a>, an <a href="https://en.wikipedia.org/wiki/Ingapirca">Inka archaeological site</a> whose function has been obscured by time and imperialism.</p>



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<p>To learn more about the Inka Empire in convenient podcast form, check out <a href="http://ahistoryoftheinca.wordpress.com">ahistoryoftheinca.wordpress.com</a> or search for A History of the Inca in your favorite podcatcher!</p>
<p>© 2021 Allyson Healey</p>
<p>Theme music © 2021 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi:&nbsp;<a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall&nbsp;</a></p>
<p>Other links:&nbsp;<a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p>Additional Music Credits:</p>
<p>Sardana by Kevin MacLeod<br>Link: https://incompetech.filmmusic.io/song/5002-sardana<br>License: https://filmmusic.io/standard-license</p>
<p>Tempting Secrets by Kevin MacLeod<br data-rich-text-line-break="true">Link: https://incompetech.filmmusic.io/song/5005-tempting-secrets<br data-rich-text-line-break="true">License: https://filmmusic.io/standard-license</p>
]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>26:25</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Allyson returns refreshed after a quarantine-induced slump to tell you all about Ingapirca, an Inka archaeological site whose function has been obscured by time and&amp;#8230;</itunes:subtitle><itunes:summary>Allyson returns refreshed after a quarantine-induced slump to tell you all about Ingapirca, an Inka archaeological site whose function has been obscured by time and&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 25: Aboriginal Glyph</title>
		<link>https://arthistoryforall.com/episode-25-aboriginal-glyph</link>
		
		
		<pubDate>Mon, 31 Aug 2020 21:26:29 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[aboriginal]]></category>
		<category><![CDATA[aboriginal art]]></category>
		<category><![CDATA[appropriation]]></category>
		<category><![CDATA[australia]]></category>
		<category><![CDATA[cultural appropriation]]></category>
		<category><![CDATA[indigenous]]></category>
		<category><![CDATA[print]]></category>
		<category><![CDATA[prints]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=382</guid>

					<description><![CDATA[AH4A is back with an examination of Margaret Preston&#8217;s 1958 work Aboriginal Glyph, and lots of thoughts about what it means for a white woman&#8230;]]></description>
										<content:encoded><![CDATA[
<p>AH4A is back with an examination of Margaret Preston&#8217;s 1958 work <a href="https://www.artgallery.nsw.gov.au/collection/works/DA2.1960/?tab=details">Aboriginal Glyph</a>, and lots of thoughts about what it means for a white woman to claim her work is &#8220;aboriginal.&#8221;</p>



<span id="more-382"></span>



<p>© 2020 Allyson Healey</p>
<p>Theme music © 2020 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p>Additional Music Credits:</p>
<p class="p1"><i>Talking Drums with Guitar and Bass Mix by Bruce Healey © 2020 Bruce Healey</i></p>
<p class="p1"><em>Pride</em><i> by Kevin MacLeod<br /></i><i>Link: https://incompetech.filmmusic.io/song/4239-pride<br /></i><i>License: </i><a href="http://creativecommons.org/licenses/by/4.0/"><i>http://creativecommons.org/licenses/by/4.0/</i></a></p>
<p class="p1"><i>Beauty Flow by Kevin MacLeod<br /></i><i>Link: https://incompetech.filmmusic.io/song/5025-beauty-flow<br /></i><i>License: </i><a href="http://creativecommons.org/licenses/by/4.0/"><i>http://creativecommons.org/licenses/by/4.0/</i></a><i> </i></p>
]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:title>Episode 25: Aboriginal Glyph</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>24:30</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>AH4A is back with an examination of Margaret Preston&amp;#8217;s 1958 work Aboriginal Glyph, and lots of thoughts about what it means for a white woman&amp;#8230;</itunes:subtitle><itunes:summary>AH4A is back with an examination of Margaret Preston&amp;#8217;s 1958 work Aboriginal Glyph, and lots of thoughts about what it means for a white woman&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 24: A Place to Rest</title>
		<link>https://arthistoryforall.com/episode-24-a-place-to-rest</link>
		
		
		<pubDate>Mon, 08 Jun 2020 14:23:33 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[19th century]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[africa]]></category>
		<category><![CDATA[african art]]></category>
		<category><![CDATA[colonialism]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[headrest]]></category>
		<category><![CDATA[material culture]]></category>
		<category><![CDATA[restitution]]></category>
		<category><![CDATA[shona]]></category>
		<category><![CDATA[zimbabwe]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=376</guid>

					<description><![CDATA[Lots of food for thought in this episode as Allyson discusses a Shona headrest from Zimbabwe in the Met&#8217;s collection: how do such objects come&#8230;]]></description>
										<content:encoded><![CDATA[
<p>Lots of food for thought in this episode as Allyson discusses <a href="https://www.metmuseum.org/art/collection/search/318950">a Shona headrest from Zimbabwe</a> in the Met&#8217;s collection: how do such objects come to be in Western museums? Should they be returned to their cultures of origin?</p>



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<p>© 2020 Allyson Healey</p>
<p>Theme music © 2020 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Get involved with Black Lives Matter: <a href="https://blacklivesmatters.carrd.co/">https://blacklivesmatters.carrd.co/</a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p class="p1">Additional Music Credits:</p>
<p class="p1">&#8220;Round Drums&#8221; by Kevin MacLeod</p>
<p class="p1">Link: https://incompetech.filmmusic.io/song/4308-round-drums</p>
<p class="p1">License: <a href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</a></p>
<p class="p1">&#8220;Nomadic Dawn&#8221; by Alexander Nakarada</p>
<p class="p1">Link: https://filmmusic.io/song/4766-nomadic-dawn</p>
<p class="p1">License: http://creativecommons.org/licenses/by/4.0/</p>
]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>26:18</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Lots of food for thought in this episode as Allyson discusses a Shona headrest from Zimbabwe in the Met&amp;#8217;s collection: how do such objects come&amp;#8230;</itunes:subtitle><itunes:summary>Lots of food for thought in this episode as Allyson discusses a Shona headrest from Zimbabwe in the Met&amp;#8217;s collection: how do such objects come&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>#podcastblackout</title>
		<link>https://arthistoryforall.com/podcastblackout</link>
		
		
		<pubDate>Mon, 01 Jun 2020 12:50:24 +0000</pubDate>
				<category><![CDATA[Bonus Episodes (In Focus)]]></category>
		<category><![CDATA[Episodes]]></category>
		<category><![CDATA[antiracism]]></category>
		<category><![CDATA[bonus episodes]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[podcast blackout]]></category>
		<category><![CDATA[podcastblackout]]></category>
		<category><![CDATA[police brutality]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[resources]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=369</guid>

					<description><![CDATA[In protest of the epidemic of racism and police brutality that affects Black people in America daily, this episode is part of #podcastblackout, a movement&#8230;]]></description>
										<content:encoded><![CDATA[
<p>In protest of the epidemic of racism and police brutality that affects Black people in America daily, this episode is part of #podcastblackout, a movement begun by the <a href="https://www.cult45podcast.com/">Cult 45 Podcast</a>. The list of victims of police violence in this episode is significantly abbreviated.</p>
<p>Below are some resources to educate yourself on anti-racism and support anti-racist work. <strong>Use these resources as a starting point. Allyship is a process. Do not stop educating yourself, and above all LISTEN TO THOSE TO WHOM YOU WISH TO BE AN ALLY.</strong></p>
<p><a href="https://secure.actblue.com/donate/ms_blm_homepage_2019">Donate to Black Lives Matter</a>. <a href="https://org2.salsalabs.com/o/6857/p/salsa/donation/common/public/?donate_page_KEY=15780&amp;_ga=2.254500168.1171299104.1590955477-1771201612.1590955477">Donate to the NAACP Legal Defense Fund</a>. <a href="https://secure.givelively.org/donate/the-bail-project">Donate to The Bail Project</a>.</p>
<p><a href="https://blacklivesmatter.com/chapters/">Find a Black Lives Matter chapter near you</a>.</p>
<p><a href="https://nmaahc.si.edu/learn/talking-about-race/topics/being-antiracist">A breakdown of anti-racism</a> from the National Museum of African American History &amp; Culture</p>
<p><a href="https://bookshop.org/lists/anti-racism?fbclid=IwAR2Q-dV2fQNEq3LSt0i751VRN7sdgab8NmYziOLXvVxrJbgII5Ra-ZdDhcI">Just one of many Anti-Racism Reading Lists</a></p>
<p><a href="http://www.scn.org/friends/ally.html">How to Be an Ally if You Are A Person With Privilege</a>, Frances E. Kendall</p>
<p><a href="https://www.theatlantic.com/magazine/archive/2014/06/the-case-for-reparations/361631/">The Case for Reparations</a>, Ta-Nehisi Coates (and in audio format <a href="https://soundcloud.com/user-154380542/the-case-for-reparations-the-atlantic-ta-nehisi-coates">here</a>)</p>
<p><a href="https://medium.com/@realtalkwocandallies/holy-shit-being-an-ally-isnt-about-me-ae2de5c47514">Holy shit, being an ally isn&#8217;t about me!</a>, WOC &amp; Allies</p>
<p><a href="https://www.theatlantic.com/business/archive/2014/05/the-racist-housing-policy-that-made-your-neighborhood/371439/">The Racist Housing Policy that Made Your Neighborhood</a>, Alexis C. Madrigal</p>
<p><a href="https://www.nytimes.com/interactive/2019/08/14/magazine/1619-america-slavery.html">1619</a>, a podcast by the New York Times</p>
<p><a href="https://podcasts.apple.com/us/podcast/intersectionality-matters/id1441348908">Intersectionality Matters!</a>, a podcast by Kimberlé Crenshaw</p>
<p><a href="https://www.npr.org/sections/codeswitch/">Code Switch</a>, a podcast from NPR</p>
<p> </p>
]]></content:encoded>
					
		
				<enclosure length="3500986" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2020/05/PodcastBlackout2020_mixdown.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>2:24</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In protest of the epidemic of racism and police brutality that affects Black people in America daily, this episode is part of #podcastblackout, a movement&amp;#8230;</itunes:subtitle><itunes:summary>In protest of the epidemic of racism and police brutality that affects Black people in America daily, this episode is part of #podcastblackout, a movement&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 23: Rock Steady</title>
		<link>https://arthistoryforall.com/episode-23-rock-steady</link>
		
		
		<pubDate>Mon, 09 Mar 2020 13:00:49 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[ancient]]></category>
		<category><![CDATA[archaeology]]></category>
		<category><![CDATA[brazil]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[indigenous]]></category>
		<category><![CDATA[prehistoric]]></category>
		<category><![CDATA[rock art]]></category>
		<category><![CDATA[serra da capivara]]></category>
		<category><![CDATA[south america]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=360</guid>

					<description><![CDATA[AH4A is back with an episode that ROCKS! Allyson discusses the rock art at Serra da Capivara National Park, Piauí, Brazil, and what its story&#8230;]]></description>
										<content:encoded><![CDATA[<p>AH4A is back with an episode that ROCKS! Allyson discusses the <a href="https://commons.wikimedia.org/wiki/File:Serra_da_Capivara_-_Painting_7.JPG">rock art at Serra da Capivara National Park</a>, Piauí, Brazil, and what its story reveals about what we do (or don&#8217;t) value.</p>


<span id="more-360"></span>



<p>© 2020 Allyson Healey</p>
<p>Theme music © 2020 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p>Additional Music Credits:</p>
<p class="p1">“Harp III Meditation,” by Bruce Healey, used with permission of the composer, © 2020 Bruce Healey</p>
<p class="p3">“Chalet,” by Meydän, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>, licensed under a Creative Commons Attribution 4.0 International License (<a href="https://creativecommons.org/licenses/by/4.0/"><span class="s1">https://creativecommons.org/licenses/by/4.0/</span></a><span class="s1">)</span></p>
<p class="p5"><span class="s3">“Cosmic Relevance,” by Unheard Music Concepts, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>, </span><span class="s4">Attribution 4.0 International License (<a href="https://creativecommons.org/licenses/by/4.0/"><span class="s5">https://creativecommons.org/licenses/by/4.0/</span></a></span><span class="s2">)</span></p>
]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>24:05</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>AH4A is back with an episode that ROCKS! Allyson discusses the rock art at Serra da Capivara National Park, Piauí, Brazil, and what its story&amp;#8230;</itunes:subtitle><itunes:summary>AH4A is back with an episode that ROCKS! Allyson discusses the rock art at Serra da Capivara National Park, Piauí, Brazil, and what its story&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 22: Gilded Gingerbread</title>
		<link>https://arthistoryforall.com/episode-22-gilded-gingerbread</link>
		
		
		<pubDate>Tue, 24 Dec 2019 14:00:12 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[17th century]]></category>
		<category><![CDATA[18th century]]></category>
		<category><![CDATA[eastern orthodox]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[icons]]></category>
		<category><![CDATA[john the baptist]]></category>
		<category><![CDATA[peter the great]]></category>
		<category><![CDATA[religion]]></category>
		<category><![CDATA[russia]]></category>
		<category><![CDATA[russian art]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=353</guid>

					<description><![CDATA[An icon of the head of John the Baptist (c. 1680) from Yaroslavl is the focus of this last episode of 2019, prompting a discussion of how Russia has been viewed across history.]]></description>
										<content:encoded><![CDATA[
<p>An icon of the head of <a href="https://tmora.org/currentexhibitions/online-exhibitions/transcendent-art-icons-from-yaroslavl-russia/17th-century-icons/head-of-st-john-the-baptist/">John the Baptist (c. 1680)</a> from Yaroslavl is the focus of this last episode of 2019, prompting a discussion of how Russia has been viewed across history.</p>



<span id="more-353"></span>


<p>© 2019 Allyson Healey</p>
<p>Theme music © 2019 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p>Additional Music Credits:</p>
<p class="p1">“Ay Uchniem (Song of the Volga Boatmen),” performed by Kiriloff’s Russian Balalaika Orchestra, 1921. 78 rpm recording via <a href="http://archive.org">archive.org</a>: https://archive.org/details/78_ay-uchniem-song-of-the-volga-boatmen_kirilloffs-russian-balalaika-orchestra_gbia0054989a/Ay+Uchniem+(Song+-+Kirilloff&#8217;s+Russian+Balalaika+Orchestra.flac</p>
<p class="p1">Music from https://filmmusic.io</p>
<p class="p1">&#8220;Virtutes Instrumenti&#8221; by Kevin MacLeod (https://incompetech.com)</p>
<p class="p1">License: CC BY (http://creativecommons.org/licenses/by/4.0/)</p>]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>27:00</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>An icon of the head of John the Baptist (c. 1680) from Yaroslavl is the focus of this last episode of 2019, prompting a discussion of how Russia has been viewed across history.</itunes:subtitle><itunes:summary>An icon of the head of John the Baptist (c. 1680) from Yaroslavl is the focus of this last episode of 2019, prompting a discussion of how Russia has been viewed across history.</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 21: A Paintbrush in Her Hand</title>
		<link>https://arthistoryforall.com/episode-21-a-paintbrush-in-her-hand</link>
		
		
		<pubDate>Mon, 25 Nov 2019 14:00:42 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[canadian art]]></category>
		<category><![CDATA[categorization]]></category>
		<category><![CDATA[cloisonnism]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[cubism]]></category>
		<category><![CDATA[daphne odjig]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[gatekeeping]]></category>
		<category><![CDATA[indigenous]]></category>
		<category><![CDATA[modernism]]></category>
		<category><![CDATA[native american]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=344</guid>

					<description><![CDATA[Indigenous Canadian artist Daphne Odjig's painting Bathed in Sunlight (1983) and the larger story of Odjig's career prompt us to think about Native art and how it is (or isn't) included in the mainstream contemporary art world.]]></description>
										<content:encoded><![CDATA[
<p>Indigenous Canadian artist Daphne Odjig&#8217;s painting&nbsp;<a href="http://www.artnet.com/artists/daphne-odjig/bathed-in-sunlight-YFBFCq_ZEZUB8ULOlBnxsg2"><em>Bathed in Sunlight</em> (1983)</a> and the larger story of Odjig&#8217;s career prompt us to think about Native art and how it is (or isn&#8217;t) included in the mainstream contemporary art world.</p>



<span id="more-344"></span>



<p>© 2019 Allyson Healey</p>
<p>Theme music © 2019 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p class="p1">Additional Music Credit:</p>
<p class="p1">“<a href="https://www.freemusicarchive.org/genre/Instrumental?sort=track_date_published&amp;d=1&amp;page=10">Synchronicity</a>” by Unheard Music Concepts via <a href="http://freemusicarchive.org">freemusicarchive.org</a>, licensed under a <a href="https://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.</p>
<p class="p1">“<a href="https://www.freemusicarchive.org/music/Daniel_Birch/Music_For_Audio_Drama_Podcasts_Vol1">Amber Haze</a>” by Daniel Birch via <a href="http://freemusicarchive.org">freemusicarchive.org</a>, licensed under a <a href="https://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.</p>
]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>29:23</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Indigenous Canadian artist Daphne Odjig's painting Bathed in Sunlight (1983) and the larger story of Odjig's career prompt us to think about Native art and how it is (or isn't) included in the mainstream contemporary art world.</itunes:subtitle><itunes:summary>Indigenous Canadian artist Daphne Odjig's painting Bathed in Sunlight (1983) and the larger story of Odjig's career prompt us to think about Native art and how it is (or isn't) included in the mainstream contemporary art world.</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>In Focus: Conservation Horror Stories</title>
		<link>https://arthistoryforall.com/in-focus-conservation-horror-stories</link>
		
		
		<pubDate>Thu, 31 Oct 2019 13:00:36 +0000</pubDate>
				<category><![CDATA[Bonus Episodes (In Focus)]]></category>
		<category><![CDATA[Episodes]]></category>
		<category><![CDATA[art conservation]]></category>
		<category><![CDATA[beast jesus]]></category>
		<category><![CDATA[bonus episodes]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[halloween]]></category>
		<category><![CDATA[spain]]></category>
		<category><![CDATA[spanish art]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=333</guid>

					<description><![CDATA[It's Halloween 2K19 and Allyson is sharing a very specific type of horror story--art conservation horror stories! Listen in, and then share your own tales of artsy mishaps by emailing allysonh[at]arthistoryforall.com!]]></description>
										<content:encoded><![CDATA[
<p>It&#8217;s Halloween 2K19 and Allyson is sharing a very specific type of horror story&#8211;<a href="https://en.wikipedia.org/wiki/Ecce_Homo_(Mart%C3%ADnez_and_Gim%C3%A9nez,_Borja)">art conservation</a> <a href="https://www.bbc.com/news/world-europe-44619416.">horror</a> <a href="https://www.artsy.net/news/artsy-editorial-amateur-art-restorer-spain-botched-restoration-centuries-old-religious-artwork">stories</a>! Listen in, and then share your own tales of artsy mishaps by emailing allysonh[at]arthistoryforall.com!</p>



<span id="more-333"></span>


<p>© 2019 Allyson Healey</p>
<p>Theme music © 2019 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p class="p1">Additional Music Credit:</p>
<p class="p1">“Ride of the Valkyries,” performed by American Symphony Orchestra, 1921, from <a href="http://Archive.org">Archive.org</a>’s collection of 78 RPMs and Cylinder Recordings: <a href="https://archive.org/details/EDIS-SRP-0197-06">https://archive.org/details/EDIS-SRP-0197-06</a></p>
<p class="p1">“Pale Moon (Indian Love Song),” performed by Fritz Kreisler, 1919, from <a href="http://Archive.org">Archive.org</a>’s collection of 78 RPMs and Cylinder Recordings: <a href="https://archive.org/details/78_pale-moon-indian-love-song_fritz-kreisler-logan-r.-kreisler_gbia0012554a/Pale+Moon+(Indian+Love+Song)+-+Fritz+Kreisler.flac">https://archive.org/details/78_pale-moon-indian-love-song_fritz-kreisler-logan-r.-kreisler_gbia0012554a/Pale+Moon+(Indian+Love+Song)+-+Fritz+Kreisler.flac</a></p>]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>14:08</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>It's Halloween 2K19 and Allyson is sharing a very specific type of horror story--art conservation horror stories! Listen in, and then share your own tales of artsy mishaps by emailing allysonh[at]arthistoryforall.com!</itunes:subtitle><itunes:summary>It's Halloween 2K19 and Allyson is sharing a very specific type of horror story--art conservation horror stories! Listen in, and then share your own tales of artsy mishaps by emailing allysonh[at]arthistoryforall.com!</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 20: Big Odalisque Energy</title>
		<link>https://arthistoryforall.com/episode-20-big-odalisque-energy</link>
		
		
		<pubDate>Mon, 28 Oct 2019 13:00:56 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[body image]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[fernando botero]]></category>
		<category><![CDATA[hispanic]]></category>
		<category><![CDATA[latinx]]></category>
		<category><![CDATA[nude]]></category>
		<category><![CDATA[odalisque]]></category>
		<category><![CDATA[orientalism]]></category>
		<category><![CDATA[south america]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=326</guid>

					<description><![CDATA[There are lots of different types of bodies in the world, but artist Fernando Botero focuses on the rounder kind--in this episode, Allyson tells you about Botero's 1998 painting L'Odalisque, and talks about how it relates to body image and ideas of the "other."]]></description>
										<content:encoded><![CDATA[
<p>There are lots of different types of bodies in the world, but artist Fernando Botero focuses on the rounder kind&#8211;in this episode, Allyson tells you about Botero&#8217;s 1998 painting&nbsp;<a href="http://www.artnet.com/artists/fernando-botero/lodalisque-SazVa0DQATQJ7ZM6oVHpoQ2"><em>L&#8217;Odalisque,</em></a> and talks about how it relates to body image and ideas of the &#8220;other.&#8221;</p>



<span id="more-326"></span>



<p>© 2019 Allyson Healey</p>
<p>Theme music © 2019 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p>Additional Music Credit:</p>
<p class="p1">Music from https://filmmusic.io<br />&#8220;Cool Vibes&#8221; by Kevin MacLeod (https://incompetech.com)<br />License: CC BY (http://creativecommons.org/licenses/by/4.0/)</p>
]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>29:20</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>There are lots of different types of bodies in the world, but artist Fernando Botero focuses on the rounder kind--in this episode, Allyson tells you about Botero's 1998 painting L'Odalisque, and talks about how it relates to body image and ideas of the "other."</itunes:subtitle><itunes:summary>There are lots of different types of bodies in the world, but artist Fernando Botero focuses on the rounder kind--in this episode, Allyson tells you about Botero's 1998 painting L'Odalisque, and talks about how it relates to body image and ideas of the "other."</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 19: The Casco and the Yacht</title>
		<link>https://arthistoryforall.com/episode-19-the-casco-and-the-yacht</link>
		
		
		<pubDate>Tue, 01 Oct 2019 15:40:48 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[anita magsaysay-ho]]></category>
		<category><![CDATA[asian art]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[colonialism]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[filipinx]]></category>
		<category><![CDATA[philippines]]></category>
		<category><![CDATA[women artists]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=321</guid>

					<description><![CDATA[Allyson discusses Filipina artist Anita Magsaysay-Ho&#8217;s Girls with Baskets (1966), and how colonialism, class, and global politics affect even the most sentimental of art. ©&#8230;]]></description>
										<content:encoded><![CDATA[
<p>Allyson discusses Filipina artist Anita Magsaysay-Ho&#8217;s <a href="https://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5390977"><em>Girls with Baskets</em></a> (1966), and how colonialism, class, and global politics affect even the most sentimental of art.</p>



<span id="more-321"></span>


<p>© 2019 Allyson Healey</p>
<p>Theme music © 2019 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p>Additional Music Credit:</p>
<p>Music from https://filmmusic.io<br />&#8220;Infados&#8221; by Kevin MacLeod (https://incompetech.com)<br />License: CC BY (http://creativecommons.org/licenses/by/4.0/)</p>
<p> </p>]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>29:24</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Allyson discusses Filipina artist Anita Magsaysay-Ho&amp;#8217;s Girls with Baskets (1966), and how colonialism, class, and global politics affect even the most sentimental of art. ©&amp;#8230;</itunes:subtitle><itunes:summary>Allyson discusses Filipina artist Anita Magsaysay-Ho&amp;#8217;s Girls with Baskets (1966), and how colonialism, class, and global politics affect even the most sentimental of art. ©&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 18: As Much Worker as Woman</title>
		<link>https://arthistoryforall.com/episode-18-as-much-worker-as-woman</link>
		
		
		<pubDate>Mon, 26 Aug 2019 18:08:19 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[19th century]]></category>
		<category><![CDATA[american art]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[james mcneill whistler]]></category>
		<category><![CDATA[johannes vermeer]]></category>
		<category><![CDATA[labor]]></category>
		<category><![CDATA[myra albert wiggins]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[pictorialism]]></category>
		<category><![CDATA[women artists]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=310</guid>

					<description><![CDATA[Allyson discusses Myra Albert Wiggins's The Lacemaker (1899, Portland Museum of Art), workin' hard for the money, and types of labor that we might not see as labor. This one's for you, needleworkers!]]></description>
										<content:encoded><![CDATA[
<p>Allyson discusses Myra Albert Wiggins&#8217;s&nbsp;<a href="http://portlandartmuseum.us/mwebcgi/mweb.exe?request=record;id=26370;type=101#"><em>The Lacemaker</em></a> (1899, Portland Museum of Art), workin&#8217; hard for the money, and types of labor that we might not see as labor. This one&#8217;s for you, needleworkers!</p>



<span id="more-310"></span>


<p>© 2019 Allyson Healey</p>
<p>Theme music © 2019 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Drop us a tip on Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p>Additional Music Credits:</p>
<p>“Serenity” by Jason Shaw, Audionautix.com (https://audionautix.com/Music/Serenity.mp3)<br />Licensed under a Creative Commons Attribution 3.0 License</p>
<p>Music from https://filmmusic.io<br />&#8220;Breaktime&#8221; by Kevin MacLeod (https://incompetech.com)<br />License: CC BY (http://creativecommons.org/licenses/by/4.0/)<br />&#8220;Trio for Piano, Cello, and Clarinet&#8221; by Kevin MacLeod (https://incompetech.com)<br />License: CC BY (http://creativecommons.org/licenses/by/4.0/)</p>]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>30:09</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Allyson discusses Myra Albert Wiggins's The Lacemaker (1899, Portland Museum of Art), workin' hard for the money, and types of labor that we might not see as labor. This one's for you, needleworkers!</itunes:subtitle><itunes:summary>Allyson discusses Myra Albert Wiggins's The Lacemaker (1899, Portland Museum of Art), workin' hard for the money, and types of labor that we might not see as labor. This one's for you, needleworkers!</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 17: First Lady to Travel Over Sea</title>
		<link>https://arthistoryforall.com/episode-17-first-lady-to-travel-over-sea</link>
		
		
		<pubDate>Tue, 25 Jun 2019 17:55:50 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[abstract]]></category>
		<category><![CDATA[africa]]></category>
		<category><![CDATA[commodification]]></category>
		<category><![CDATA[corporate collaboration]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[esther mahlangu]]></category>
		<category><![CDATA[football]]></category>
		<category><![CDATA[ndebele]]></category>
		<category><![CDATA[south africa]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=297</guid>

					<description><![CDATA[Esther Mahlangu's Untitled, 2008 has simple geometry, but a complex context--Allyson talks about its connections to commerce, soccer, and... BMWs? ]]></description>
										<content:encoded><![CDATA[
<p>Esther Mahlangu&#8217;s&nbsp;<a href="https://www.artsy.net/artwork/esther-mahlangu-untitled-17"><em>Untitled, 2008</em> </a>has simple geometry, but a complex context&#8211;Allyson talks about its connections to commerce, soccer, and&#8230; BMWs?&nbsp;</p>



<span id="more-297"></span>


<p>© 2019 Allyson Healey</p>
<p>Theme music © 2019 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p>Additional Music Credits:</p>
<p>Music from https://filmmusic.io:<br />&#8220;The Complex,” “Enchanted Journey,” and “Babylon,” by Kevin MacLeod (https://incompetech.com)<br />Licence: CC BY (http://creativecommons.org/licenses/by/4.0/)</p>]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>29:38</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Esther Mahlangu's Untitled, 2008 has simple geometry, but a complex context--Allyson talks about its connections to commerce, soccer, and... BMWs? </itunes:subtitle><itunes:summary>Esther Mahlangu's Untitled, 2008 has simple geometry, but a complex context--Allyson talks about its connections to commerce, soccer, and... BMWs? </itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 16: Invasion of the Night</title>
		<link>https://arthistoryforall.com/episode-16-invasion-of-the-night</link>
		
		
		<pubDate>Mon, 27 May 2019 16:09:29 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[chile]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[landscape]]></category>
		<category><![CDATA[latinx]]></category>
		<category><![CDATA[physics]]></category>
		<category><![CDATA[psychology]]></category>
		<category><![CDATA[roberto matta]]></category>
		<category><![CDATA[south america]]></category>
		<category><![CDATA[surrealism]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=290</guid>

					<description><![CDATA[It's a mind-bending episode as Allyson guides you through Roberto Matta's surreal mental landscape, Invasion of the Night (1941), and explores its connections to physics and psychology.]]></description>
										<content:encoded><![CDATA[
<p>It&#8217;s a mind-bending episode as Allyson guides you through Roberto Matta&#8217;s surreal mental landscape,&nbsp;<a href="https://img.theculturetrip.com/fit-in/1024x/images/56-126494-roberto-matta-invasion-of-the-night.png"><em>Invasion of the Night</em> (1941)</a>, and explores its connections to physics and psychology.</p>



<span id="more-290"></span>



<p>© 2019 Allyson Healey</p>
<p>Theme music © 2019 Bruce Healey</p>
<p>Twitter and Instagram: @arthistory4all</p>
<p>Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all</a></p>
<p class="p1">Additional Music Credits:</p>
<p class="p1">Music from https://filmmusic.io:</p>
<p class="p1">&#8220;Unanswered Questions&#8221; by Kevin MacLeod (https://incompetech.com)</p>
<p class="p1">Licence: CC BY (http://creativecommons.org/licenses/by/4.0/)</p>
<p class="p1">&#8220;Thunderbird&#8221; by Kevin MacLeod (https://incompetech.com)</p>
<p class="p1">Licence: CC BY (http://creativecommons.org/licenses/by/4.0/)</p>
]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>29:02</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>It's a mind-bending episode as Allyson guides you through Roberto Matta's surreal mental landscape, Invasion of the Night (1941), and explores its connections to physics and psychology.</itunes:subtitle><itunes:summary>It's a mind-bending episode as Allyson guides you through Roberto Matta's surreal mental landscape, Invasion of the Night (1941), and explores its connections to physics and psychology.</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 15: Compared to Rocks and Mountains</title>
		<link>https://arthistoryforall.com/episode-15-compared-to-rocks-and-mountains</link>
		
		
		<pubDate>Mon, 29 Apr 2019 13:00:27 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[11th century]]></category>
		<category><![CDATA[asian art]]></category>
		<category><![CDATA[chinese art]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[handscroll painting]]></category>
		<category><![CDATA[landscape]]></category>
		<category><![CDATA[neo-confucianism]]></category>
		<category><![CDATA[qu ding]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=283</guid>

					<description><![CDATA[Allyson guides you through the eleventh-century Chinese handscroll painting Summer Mountains, (北宋 傳屈鼎 夏山圖 卷) by little-known painter Qu Ding (屈鼎). © 2019 Allyson Healey&#8230;]]></description>
										<content:encoded><![CDATA[
<p>Allyson guides you through the eleventh-century Chinese handscroll painting <em><a href="https://www.metmuseum.org/art/collection/search/39915">Summer Mountains</a></em>, (北宋 傳屈鼎 夏山圖 卷) by little-known painter Qu Ding (屈鼎).</p>



<span id="more-283"></span>



<p>© 2019 Allyson Healey</p>



<p>Theme music © 2019 Bruce Healey</p>



<p>Twitter and Instagram: @arthistory4all</p>



<p>Ko-Fi:&nbsp;<a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall&nbsp;</a></p>



<p>Other links: <a href="http://linktr.ee/arthistory4all">linktr.ee/arthistory4all </a></p>



<p>Additional Music Credits:</p>



<p>Music from https://filmmusic.io:</p>



<p>&#8220;Dreams Become Real&#8221; by Kevin MacLeod (https://incompetech.com)</p>



<p>Licence: CC BY (http://creativecommons.org/licenses/by/4.0/)</p>



<p>&#8220;Perspectives&#8221; by Kevin MacLeod (https://incompetech.com)</p>



<p>Licence: CC BY (http://creativecommons.org/licenses/by/4.0/)</p>
]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>29:25</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Allyson guides you through the eleventh-century Chinese handscroll painting Summer Mountains, (北宋 傳屈鼎 夏山圖 卷) by little-known painter Qu Ding (屈鼎). © 2019 Allyson Healey&amp;#8230;</itunes:subtitle><itunes:summary>Allyson guides you through the eleventh-century Chinese handscroll painting Summer Mountains, (北宋 傳屈鼎 夏山圖 卷) by little-known painter Qu Ding (屈鼎). © 2019 Allyson Healey&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 14: Happiness and Color</title>
		<link>https://arthistoryforall.com/episode-14-happiness-and-color</link>
		
		
		<pubDate>Tue, 26 Mar 2019 22:00:03 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[abstract]]></category>
		<category><![CDATA[canadian art]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[marcelle ferron]]></category>
		<category><![CDATA[public art]]></category>
		<category><![CDATA[quebec]]></category>
		<category><![CDATA[stained glass]]></category>
		<category><![CDATA[women artists]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=277</guid>

					<description><![CDATA[Allyson teaches you all about québécoise painter and stained glass artist Marcelle Ferron, whose windows at the Champ-de-Mars Métro station in Montréal are a unique&#8230;]]></description>
										<content:encoded><![CDATA[
<p>Allyson teaches you all about québécoise painter and stained glass artist Marcelle Ferron, whose <a href="https://en.wikipedia.org/wiki/Champ-de-Mars_station_(Montreal_Metro)#/media/File:Montreal_-_Metro_Champ-de-Mars,_panorama-20050329.jpg">windows at the Champ-de-Mars Métro station</a> in Montréal are a unique example of public art.</p>



<span id="more-277"></span>



<p>© 2019 Allyson Healey</p>



<p>Theme music © 2019 Bruce Healey</p>



<p>Twitter: @arthistory4all</p>



<p>Ko-Fi:&nbsp;<a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall&nbsp;</a></p>



<p>Additional Music Credits:</p>



<p>“Let That Sink In” by Lee Rosevere (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>). Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/">Attribution 4.0 License</a>.&nbsp;</p>



<p>“You’re Enough (version a)” by Lee Rosevere (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>). Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/">Attribution 4.0 License</a>.&nbsp;</p>
]]></content:encoded>
					
		
				<enclosure length="36690970" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2019/03/AH4A_Ep14_Ferron_mixdown.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>25:26</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Allyson teaches you all about québécoise painter and stained glass artist Marcelle Ferron, whose windows at the Champ-de-Mars Métro station in Montréal are a unique&amp;#8230;</itunes:subtitle><itunes:summary>Allyson teaches you all about québécoise painter and stained glass artist Marcelle Ferron, whose windows at the Champ-de-Mars Métro station in Montréal are a unique&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 13: Namatjira’s Creek</title>
		<link>https://arthistoryforall.com/namatjiras-creek</link>
		
		
		<pubDate>Thu, 28 Feb 2019 20:03:21 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[aboriginal]]></category>
		<category><![CDATA[aboriginal art]]></category>
		<category><![CDATA[australia]]></category>
		<category><![CDATA[colonialism]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[indigenous]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[watercolor]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=236</guid>

					<description><![CDATA[In this episode, Allyson goes down under and discusses the life of Albert Namatjira, his watercolor painting Catherine Creek, Northern Territory (circa 1950), and the&#8230;]]></description>
										<content:encoded><![CDATA[
<p>In this episode, Allyson goes down under and discusses the life of Albert Namatjira, his watercolor painting <em><a href="https://www.artgallery.nsw.gov.au/collection/works/358.2001/?">Catherine Creek, Northern Territory</a></em> (circa 1950), and the situation of Aboriginal Australians in the early to mid-twentieth century. </p>



<span id="more-236"></span>



<p>© 2019 Allyson Healey</p>



<p>Theme music © 2019 Bruce Healey</p>



<p>Twitter: @arthistory4all</p>



<p>Ko-Fi:&nbsp;<a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall&nbsp;</a></p>



<p>Additional Music Credits:</p>



<p>All background music for this episode was composed by Bruce Healey.</p>
]]></content:encoded>
					
		
				<enclosure length="41865844" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2019/02/AH4A_Ep13_Namatjira_mixdown.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>29:02</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this episode, Allyson goes down under and discusses the life of Albert Namatjira, his watercolor painting Catherine Creek, Northern Territory (circa 1950), and the&amp;#8230;</itunes:subtitle><itunes:summary>In this episode, Allyson goes down under and discusses the life of Albert Namatjira, his watercolor painting Catherine Creek, Northern Territory (circa 1950), and the&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 12: Wrecked</title>
		<link>https://arthistoryforall.com/episode-12-wrecked</link>
		
		
		<pubDate>Tue, 29 Jan 2019 00:05:47 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[19th century]]></category>
		<category><![CDATA[africa]]></category>
		<category><![CDATA[beyonce]]></category>
		<category><![CDATA[colonialism]]></category>
		<category><![CDATA[disaster]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[french art]]></category>
		<category><![CDATA[history painting]]></category>
		<category><![CDATA[jay-z]]></category>
		<category><![CDATA[liberons le louvre]]></category>
		<category><![CDATA[louvre]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[refugees]]></category>
		<category><![CDATA[slavery]]></category>
		<category><![CDATA[theodore gericault]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=223</guid>

					<description><![CDATA[Théodore Géricault&#8217;s 1819 painting&#160;The Raft of the Medusa is part of a larger tangled web of colonialism, incompetence, and disaster. In this episode we get&#8230;]]></description>
										<content:encoded><![CDATA[<p>Théodore Géricault&#8217;s 1819 painting&nbsp;<a href="https://upload.wikimedia.org/wikipedia/commons/1/15/JEAN_LOUIS_TH%C3%89ODORE_G%C3%89RICAULT_-_La_Balsa_de_la_Medusa_%28Museo_del_Louvre%2C_1818-19%29.jpg"><em>The Raft of the Medusa</em></a> is part of a larger tangled web of colonialism, incompetence, and disaster. In this episode we get into the shipwreck on which it was based as well as how it&#8217;s used today in pop cultural milestones like Beyoncé and Jay-Z&#8217;s &#8220;APES**T&#8221; video.</p>


<span id="more-223"></span>



<p>You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category.</p>



<p>© 2019 Allyson Healey</p>



<p>Theme music © 2019 Bruce Healey</p>



<p>Twitter: @arthistory4all</p>



<p>Ko-Fi:&nbsp;<a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall&nbsp;</a></p>



<p>Additional Music Credits:</p>



<p>“Betrayal” by Lee Rosevere (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>). Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/">Attribution 4.0 License</a>.</p>



<p>“Puzzle Pieces” by Lee Rosevere (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>). Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/">Attribution 4.0 License</a>.</p>



<p>“Caught in the Beat” by Broke for Free (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>). Licensed under a <a href="https://creativecommons.org/licenses/by/3.0/">Creative Commons Attribution 3.0 License</a>.</p>
]]></content:encoded>
					
		
				<enclosure length="46089962" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2019/01/AH4A_Ep12_Gericault_mixdown.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>31:58</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Théodore Géricault&amp;#8217;s 1819 painting&amp;#160;The Raft of the Medusa is part of a larger tangled web of colonialism, incompetence, and disaster. In this episode we get&amp;#8230;</itunes:subtitle><itunes:summary>Théodore Géricault&amp;#8217;s 1819 painting&amp;#160;The Raft of the Medusa is part of a larger tangled web of colonialism, incompetence, and disaster. In this episode we get&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 11: Suspended on a Golden Chain</title>
		<link>https://arthistoryforall.com/episode-11-suspended-on-a-golden-chain</link>
					<comments>https://arthistoryforall.com/episode-11-suspended-on-a-golden-chain#comments</comments>
		
		
		<pubDate>Mon, 24 Dec 2018 14:00:27 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[19th century]]></category>
		<category><![CDATA[ancient]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[byzantine]]></category>
		<category><![CDATA[crusades]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[hagia sophia]]></category>
		<category><![CDATA[middle ages]]></category>
		<category><![CDATA[middle east]]></category>
		<category><![CDATA[ottoman]]></category>
		<category><![CDATA[phenomenology]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[religion]]></category>
		<category><![CDATA[turkey]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=201</guid>

					<description><![CDATA[Hagia Sophia has had many lives over the centuries: from church, to mosque, to secular museum, it&#8217;s always taken center stage in its city, whether&#8230;]]></description>
										<content:encoded><![CDATA[
<p style="font-size:0"><a href="https://en.wikipedia.org/wiki/Hagia_Sophia#/media/File:Hagia_Sophia_Mars_2013.jpg">Hagia Sophia</a> has had many lives over the centuries: from church, to mosque, to secular museum, it&#8217;s always taken center stage in its city, whether you call it Istanbul or Constantinople. This episode explores its history, from the violent to the serene, and how the building remains a site of change and shifts in power.</p>



<span id="more-201"></span>



<p>You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category.</p>



<p>© 2018 Allyson Healey</p>



<p>Theme music © 2018 Bruce Healey</p>



<p>Twitter: @arthistory4all</p>



<p>Ko-Fi:&nbsp;<a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall&nbsp;</a></p>



<p>Additional music credits:</p>



<p>“Between Worlds (Instrumental)” by Aussens@iter via <a href="http://ccmixter.org">ccmixter.org</a>. Licensed under a <a href="https://creativecommons.org/licenses/by/3.0/">Creative Commons Attribution 3.0 License</a>.</p>



<p>“Rite of Passage” by Kevin MacLeod via <a href="http://freemusicarchive.org">freemusicarchive.org</a>. Licensed under a <a href="https://creativecommons.org/licenses/by/3.0/">Creative Commons Attribution 3.0 License</a>.</p>



<p>“Photo theme: Window like” by Antony Raijekov via <a href="http://ccmixter.org">ccmixter.org</a>. <a href="https://creativecommons.org/licenses/by/2.5/">Licensed under a Creative Commons Attribution 2.5 Generic License</a>.</p>



<p>&#8220;Virtutes Vocis&#8221; Kevin MacLeod (<a href="http://incompetech.com">incompetech.com</a>). Licensed under a <a href="https://creativecommons.org/licenses/by/3.0/">Creative Commons Attribution 3.0 License</a>.</p>



<p><br></p>
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			<slash:comments>1</slash:comments>
		
				<enclosure length="46511712" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2018/12/AH4A_Ep11_HagiaSophia_mixdown.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>32:16</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Hagia Sophia has had many lives over the centuries: from church, to mosque, to secular museum, it&amp;#8217;s always taken center stage in its city, whether&amp;#8230;</itunes:subtitle><itunes:summary>Hagia Sophia has had many lives over the centuries: from church, to mosque, to secular museum, it&amp;#8217;s always taken center stage in its city, whether&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 10: A Sketch of Native American History</title>
		<link>https://arthistoryforall.com/episode-10-a-sketch-of-native-american-history</link>
		
		
		<pubDate>Mon, 26 Nov 2018 14:00:30 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[19th century]]></category>
		<category><![CDATA[american art]]></category>
		<category><![CDATA[david cusick]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[indigenous]]></category>
		<category><![CDATA[iroquois]]></category>
		<category><![CDATA[native american]]></category>
		<category><![CDATA[prints]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[tuscarora]]></category>
		<category><![CDATA[woodcuts]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=186</guid>

					<description><![CDATA[This episode gets a bit obscure and focuses on a single woodcut from David Cusick&#8217;s 1828 book&#160;Sketches of Ancient History of the Six Nations, the&#8230;]]></description>
										<content:encoded><![CDATA[<p><span style="font-family: georgia, palatino, serif;">This episode gets a bit obscure and focuses on a single woodcut from <a href="https://digitalcommons.unl.edu/libraryscience/24/">David Cusick&#8217;s 1828 book&nbsp;<em>Sketches of Ancient History of the Six Nations</em></a>, the earliest English-language account of Iroquois history.</span><br />
<span id="more-186"></span><br />
<span style="font-family: georgia, palatino, serif;">You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category.</span></p>
<p><span style="font-family: georgia, palatino, serif;">© 2018 Allyson Healey</span></p>
<p><span style="font-family: georgia, palatino, serif;">Theme music © 2018 Bruce Healey</span></p>
<p><span style="font-family: georgia, palatino, serif;">Twitter: @arthistory4all</span></p>
<p><span style="font-family: georgia, palatino, serif;">Ko-Fi:&nbsp;<a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall&nbsp;</a></span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif;">Additional Music Credits:</span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif;">“You’re Right But I’m Me” by Doctor Turtle, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>. Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/">Attribution 4.0 License</a>.</span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif;">“Under the Stairs (Instrumental Version)” by Josh Woodward, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>. Licensed under a Creative Commons <a href="https://creativecommons.org/licenses/by/3.0/">Attribution 3.0 License</a>.</span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif;">“Completely Lost” by Lee Rosevere, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>. Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/">Attribution 4.0 License</a>.</span></p>
]]></content:encoded>
					
		
				<enclosure length="45469978" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2018/11/AH4A_Ep10_Cusick_mixdown.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>31:32</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This episode gets a bit obscure and focuses on a single woodcut from David Cusick&amp;#8217;s 1828 book&amp;#160;Sketches of Ancient History of the Six Nations, the&amp;#8230;</itunes:subtitle><itunes:summary>This episode gets a bit obscure and focuses on a single woodcut from David Cusick&amp;#8217;s 1828 book&amp;#160;Sketches of Ancient History of the Six Nations, the&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 9: Fiends, Frankenstein, and Fuseli</title>
		<link>https://arthistoryforall.com/episode-9-fiends-frankenstein-and-fuseli</link>
		
		
		<pubDate>Mon, 29 Oct 2018 13:00:38 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[18th century]]></category>
		<category><![CDATA[british art]]></category>
		<category><![CDATA[demons]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[frankenstein]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[halloween]]></category>
		<category><![CDATA[henry fuseli]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[literature]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=180</guid>

					<description><![CDATA[We&#8217;re getting spooky in this episode and looking at Henry Fuseli&#8217;s 1781 painting The Nightmare, by far one of the eeriest paintings in Western art&#8230;]]></description>
										<content:encoded><![CDATA[<p>We&#8217;re getting spooky in this episode and looking at Henry Fuseli&#8217;s 1781 painting <a href="https://www.dia.org/art/collection/object/nightmare-45573">The Nightmare</a>, by far one of the eeriest paintings in Western art history! Perhaps this image reminds you of something&#8230;</p>
<p><span id="more-180"></span></p>
<p>You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category.</p>
<p>Subscribe on Apple Podcasts, Stitcher, or RadioPublic!</p>
<p>© 2018 Allyson Healey</p>
<p>Theme music © 2018 Bruce Healey</p>
<p>Twitter: @arthistory4all</p>
<p>Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p class="p1">Additional Music Credits:</p>
<p class="p1">“Fog” by Sergey Cheremisinov, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>. Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/">Attribution 4.0 License</a>.</p>
<p class="p1">“Nightcrawlers” by Parvus Decree, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>. Licensed under a <a href="http://creativecommons.org/publicdomain/zero/1.0/">CC0 1.0 Universal License</a>.</p>
<p class="p1">“Farewell the Innocent” by Ars Sonor, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>. Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/">Attribution 4.0 License</a>.</p>
]]></content:encoded>
					
		
				<enclosure length="49998724" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2018/10/AH4A_Ep9_Fuseli.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>34:41</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>We&amp;#8217;re getting spooky in this episode and looking at Henry Fuseli&amp;#8217;s 1781 painting The Nightmare, by far one of the eeriest paintings in Western art&amp;#8230;</itunes:subtitle><itunes:summary>We&amp;#8217;re getting spooky in this episode and looking at Henry Fuseli&amp;#8217;s 1781 painting The Nightmare, by far one of the eeriest paintings in Western art&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 8: In Memory of Malcolm</title>
		<link>https://arthistoryforall.com/episode-8-in-memory-of-malcolm</link>
		
		
		<pubDate>Mon, 24 Sep 2018 17:23:48 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[abstract]]></category>
		<category><![CDATA[african american]]></category>
		<category><![CDATA[barbara chase riboud]]></category>
		<category><![CDATA[black art]]></category>
		<category><![CDATA[bronze]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[fiber]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[malcolm x]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[roland barthes]]></category>
		<category><![CDATA[sculpture]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=175</guid>

					<description><![CDATA[This episode is a bit more multidimensional, mainly because we&#8217;re talking about a sculpture! Barbara Chase-Riboud&#8217;s Malcolm X #3 is titled in memory of Malcolm X, but&#8230;]]></description>
										<content:encoded><![CDATA[<p>This episode is a bit more multidimensional, mainly because we&#8217;re talking about a sculpture! Barbara Chase-Riboud&#8217;s <em><a href="http://www.philamuseum.org/collections/permanent/105682.html">Malcolm X #3</a> </em>is titled in memory of Malcolm X, but this abstract stele is more than just a funerary monument&#8230;</p>
<p><span id="more-175"></span></p>
<p>You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category.</p>
<p>© 2018 Allyson Healey</p>
<p>Theme music © 2018 Bruce Healey</p>
<p>Twitter: @arthistory4all</p>
<p>Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p class="p1">Additional Music Credits:</p>
<p class="p1">“Shake It!” by Jahzzar (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>). Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by-sa/4.0/">Attribution-ShareAlike 4.0 License</a>.</p>
<p class="p1">“Mercy” by Kai Engel (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>). Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by/4.0/">Attribution 4.0 License</a>.</p>
]]></content:encoded>
					
		
				<enclosure length="43462910" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2018/09/AH4A_Ep8_ChaseRiboud_mixdown.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>30:08</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This episode is a bit more multidimensional, mainly because we&amp;#8217;re talking about a sculpture! Barbara Chase-Riboud&amp;#8217;s Malcolm X #3 is titled in memory of Malcolm X, but&amp;#8230;</itunes:subtitle><itunes:summary>This episode is a bit more multidimensional, mainly because we&amp;#8217;re talking about a sculpture! Barbara Chase-Riboud&amp;#8217;s Malcolm X #3 is titled in memory of Malcolm X, but&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 7: Painting of Interest</title>
		<link>https://arthistoryforall.com/episode-7-painting-of-interest</link>
		
		
		<pubDate>Mon, 27 Aug 2018 23:11:22 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[17th century]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[art crime]]></category>
		<category><![CDATA[baroque]]></category>
		<category><![CDATA[dutch art]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[gardner museum]]></category>
		<category><![CDATA[johannes vermeer]]></category>
		<category><![CDATA[netherlands]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=166</guid>

					<description><![CDATA[The game is afoot as we investigate the theft of Johannes Vermeer&#8217;s The Concert&#8211;or, more accurately, investigate how that theft affects how we look at the&#8230;]]></description>
										<content:encoded><![CDATA[<p>The game is afoot as we investigate the theft of Johannes Vermeer&#8217;s <a href="https://en.wikipedia.org/wiki/The_Concert_(Vermeer)#/media/File:Vermeer_The_concert.JPG"><em>The Concert</em></a>&#8211;or, more accurately, investigate how that theft affects how we look at the painting itself.</p>
<p><span id="more-166"></span>You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category.</p>
<p>© 2018 Allyson Healey</p>
<p>Theme music © 2018 Bruce Healey</p>
<p>Twitter: @arthistory4all</p>
<p>Ko-Fi: <a href="https://ko-fi.com/arthistoryforall">ko-fi.com/arthistoryforall </a></p>
<p class="p1">Additional Music Credits:</p>
<p class="p1">“Sonata No. 1 in F Minor, Op. 2 No. 1 &#8211; III. Menuetto Allegretto” by Ludwig van Beethoven, performed by Daniel Veesey (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>). Licensed under a <a href="http://creativecommons.org/licenses/publicdomain/">Public Domain License</a>.</p>
<p class="p1">“Lucid Awakening” by Parvus Decree (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>). Licensed under a <a href="http://creativecommons.org/publicdomain/zero/1.0/">CC0 1.0 Universal License</a>.</p>
]]></content:encoded>
					
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>30:40</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>The game is afoot as we investigate the theft of Johannes Vermeer&amp;#8217;s The Concert&amp;#8211;or, more accurately, investigate how that theft affects how we look at the&amp;#8230;</itunes:subtitle><itunes:summary>The game is afoot as we investigate the theft of Johannes Vermeer&amp;#8217;s The Concert&amp;#8211;or, more accurately, investigate how that theft affects how we look at the&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 6: Fly Like An Eagle</title>
		<link>https://arthistoryforall.com/episode-6-fly-like-an-eagle</link>
					<comments>https://arthistoryforall.com/episode-6-fly-like-an-eagle#comments</comments>
		
		
		<pubDate>Mon, 30 Jul 2018 17:57:54 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[chicanx art]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[latinx]]></category>
		<category><![CDATA[laura aguilar]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[queer art]]></category>
		<category><![CDATA[race]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=156</guid>

					<description><![CDATA[Get your shutter fingers ready, because in this episode we&#8217;re talking about a photograph! Specifically, Laura Aguilar&#8217;s Three Eagles Flying (1990). **This podcast contains discussions of lynching,&#8230;]]></description>
										<content:encoded><![CDATA[<p>Get your shutter fingers ready, because in this episode we&#8217;re talking about a photograph! Specifically, Laura Aguilar&#8217;s <a href="https://artsandculture.google.com/asset/three-eagles-flying/EgHiSvhj8KCStg"><em>Three Eagles Flying</em></a> (1990). **This podcast contains discussions of lynching, torture, and death. Listener discretion is advised.**</p>
<p><span id="more-156"></span></p>
<p>You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category.</p>
<p>© 2018 Allyson Healey</p>
<p>Theme music © 2018 Bruce Healey</p>
<p class="p1">Additional Music Credits:</p>
<p class="p1">“Edmond VI” by Marco Trovatello, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>. Licensed under a Creative Commons <a href="http://https://creativecommons.org/licenses/by/4.0/">Attribution License</a>. Based on a work at <a href="https://www.derkleinegruenewuerfel.de/en/releases-en/marco-trovatello-not-at-all/">https://www.derkleinegruenewuerfel.de/en/releases-en/marco-trovatello-not-at-all/</a></p>
<p class="p1">“Friction” by Nctrnm, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>. Licensed under a Creative Commons <a href="http://https://creativecommons.org/licenses/by/4.0/">Attribution License</a>.</p>
<p class="p1">“First Time Outdoors” by Parvus Decree, via <a href="http://freemusicarchive.org/music/Parvus_Decree/The_Introspection/01-First_Time_Outdoors">freemusicarchive.org</a>. Licensed under a <a href="http://creativecommons.org/publicdomain/zero/1.0/">CC0 1.0 Universal License</a>.</p>
<p class="p1">“The Encouragement Stick” by Doctor Turtle, via <a href="http://freemusicarchive.org">freemusicarchive.org</a>. Licensed under a Creative Commons <a href="http://creativecommons.org/licenses/by-sa/4.0/">Attribution-ShareAlike License</a>.</p>
]]></content:encoded>
					
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			<slash:comments>1</slash:comments>
		
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				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>31:18</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Get your shutter fingers ready, because in this episode we&amp;#8217;re talking about a photograph! Specifically, Laura Aguilar&amp;#8217;s Three Eagles Flying (1990). **This podcast contains discussions of lynching,&amp;#8230;</itunes:subtitle><itunes:summary>Get your shutter fingers ready, because in this episode we&amp;#8217;re talking about a photograph! Specifically, Laura Aguilar&amp;#8217;s Three Eagles Flying (1990). **This podcast contains discussions of lynching,&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 5: Hip to Be Square</title>
		<link>https://arthistoryforall.com/episode-5-hip-to-be-square</link>
					<comments>https://arthistoryforall.com/episode-5-hip-to-be-square#comments</comments>
		
		
		<pubDate>Thu, 21 Jun 2018 03:55:34 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[abstract]]></category>
		<category><![CDATA[eastern european art]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[kazimir malevich]]></category>
		<category><![CDATA[russia]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=139</guid>

					<description><![CDATA[Brace yourselves, listeners, because in this episode Allyson gets abstract and discusses Kazimir Malevich&#8217;s Black Square, often hailed as the end of traditional painting and the&#8230;]]></description>
										<content:encoded><![CDATA[<p>Brace yourselves, listeners, because in this episode Allyson gets abstract and discusses Kazimir Malevich&#8217;s <a href="https://commons.wikimedia.org/wiki/File:Kazimir_Malevich,_1915,_Black_Suprematic_Square,_oil_on_linen_canvas,_79.5_x_79.5_cm,_Tretyakov_Gallery,_Moscow.jpg"><em>Black Square</em></a>, often hailed as the end of traditional painting and the beginning of modern art. <span id="more-139"></span></p>
<p>You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category.</p>
<p>© 2018 Allyson Healey</p>
<p>Theme music © 2018 Bruce Healey</p>
<p>Additional Music credits:</p>
<p class="p1">“Violin Spider” by Marco Trovatello (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>) Licensed Under Creative Commons: By Attribution 4.0 License. <a href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</a></p>
<p class="p1">“A Whale on It’s Side” by Ask Again (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>) Licensed under Creative Commons: Attribution-ShareAlike 4.0 License. <a href="https://creativecommons.org/licenses/by-sa/4.0/">https://creativecommons.org/licenses/by-sa/4.0/</a></p>
<p class="p1">“Cherry” by Nctrnm (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>) Licensed Under Creative Commons: By Attribution 4.0 License. <a href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</a></p>
<p class="p1">“Fantasy in B Minor, Op. 28,” by Alexander Scriabin, performed by Raul Manjarrez (via <a href="http://musopen.org">musopen.org</a>) Public Domain Mark 1.0 License. <a href="https://creativecommons.org/publicdomain/mark/1.0/">https://creativecommons.org/publicdomain/mark/1.0/</a></p>
]]></content:encoded>
					
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			<slash:comments>2</slash:comments>
		
				<enclosure length="35347822" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2018/06/AH4A_Ep5_BlackSquare.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>32:55</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Brace yourselves, listeners, because in this episode Allyson gets abstract and discusses Kazimir Malevich&amp;#8217;s Black Square, often hailed as the end of traditional painting and the&amp;#8230;</itunes:subtitle><itunes:summary>Brace yourselves, listeners, because in this episode Allyson gets abstract and discusses Kazimir Malevich&amp;#8217;s Black Square, often hailed as the end of traditional painting and the&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 4: Do the Wave</title>
		<link>https://arthistoryforall.com/episode-4-do-the-wave</link>
		
		
		<pubDate>Sat, 19 May 2018 20:36:50 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[19th century]]></category>
		<category><![CDATA[asian art]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[hokusai]]></category>
		<category><![CDATA[japan]]></category>
		<category><![CDATA[landscape]]></category>
		<category><![CDATA[parody]]></category>
		<category><![CDATA[pop culture]]></category>
		<category><![CDATA[prints]]></category>
		<category><![CDATA[seascape]]></category>
		<category><![CDATA[woodblock prints]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=131</guid>

					<description><![CDATA[This episode we dip our toe into the Asian art pool and talk about Hokusai&#8217;s Great Wave, its origins, and the many many transformations it has undergone&#8230;]]></description>
										<content:encoded><![CDATA[<p>This episode we dip our toe into the Asian art pool and talk about Hokusai&#8217;s <em>Great Wave, </em>its origins, and the many many transformations it has undergone in commerce and pop culture.</p>
<p><span id="more-131"></span></p>
<p>You can find a transcript of this podcast at <a href="https://arthistoryforall.com">arthistoryforall.com</a> under the Transcripts category.</p>
<p>© 2018 Allyson Healey</p>
<p>Theme music © 2018 Bruce Healey</p>
<p class="p1">Additional Music Credits:</p>
<p class="p1">“Bathed in Fine Dust” by Andy G. Cohen (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>) Licensed Under Creative Commons: By Attribution 4.0 License. <a href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</a></p>
<p class="p1">“Boismortiers Concerto for Five Flutes No. 4, Mvt II. Allegro” by The United States Army Old Guard Fife and Drum Corps (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>) Public Domain Mark 1.0 License. <a href="https://creativecommons.org/publicdomain/mark/1.0/">https://creativecommons.org/publicdomain/mark/1.0/</a></p>
<p class="p1">“Brand New World” by Kai Engel (via <a href="http://freemusicarchive.org">freemusicarchive.org</a>) Under Creative Commons: By Attribution 4.0 License. <a href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</a></p>
]]></content:encoded>
					
		
				<enclosure length="32418288" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2018/05/AH4A_Ep4_Hokusai.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>30:28</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>This episode we dip our toe into the Asian art pool and talk about Hokusai&amp;#8217;s Great Wave, its origins, and the many many transformations it has undergone&amp;#8230;</itunes:subtitle><itunes:summary>This episode we dip our toe into the Asian art pool and talk about Hokusai&amp;#8217;s Great Wave, its origins, and the many many transformations it has undergone&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 3: In Love with the Rococo</title>
		<link>https://arthistoryforall.com/episode-3-in-love-with-the-rococo</link>
		
		
		<pubDate>Sun, 15 Apr 2018 03:26:14 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[18th century]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[pastel]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[rococo]]></category>
		<category><![CDATA[rosalba carriera]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=114</guid>

					<description><![CDATA[In a very self-indulgent episode, Allyson talks about her favorite period in art history, and one of her favorite artists: Rosalba Carriera, who did a&#8230;]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-114-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://arthistoryforall.com/wp-content/uploads/2018/04/AH4A_Ep3_Carriera.mp3?_=1" /><a href="https://arthistoryforall.com/wp-content/uploads/2018/04/AH4A_Ep3_Carriera.mp3">https://arthistoryforall.com/wp-content/uploads/2018/04/AH4A_Ep3_Carriera.mp3</a></audio></p>
<p>In a very self-indulgent episode, Allyson talks about her favorite period in art history, and one of her favorite artists: Rosalba Carriera, who did a sexy pastel with a parrot in it once.</p>
<p><span id="more-114"></span></p>
<p>You can find a transcript of this podcast at arthistoryforall.com under the Transcripts category.</p>
<p>© 2018 Allyson Healey</p>
<p>Theme music © 2018 Bruce Healey</p>
<p>Background music:</p>
<p><em>Prelude in C (BWV 846)</em> Kevin MacLeod (incompetech.com)<br />
Licensed under Creative Commons: By Attribution 3.0 License<br />
<a href="http://creativecommons.org/licenses/by/3.0/">http://creativecommons.org/licenses/by/3.0/</a></p>
<p><em>Southside</em>, <em>Keeping Stuff Together</em>, and <em>How I Used to See the Stars</em> by Lee Rosevere via freemusicarchive.org<br />
Licensed under Creative Commons: By Attribution 4.0 License<br />
<a href="https://creativecommons.org/licenses/by/4.0/">https://creativecommons.org/licenses/by/4.0/</a></p>
]]></content:encoded>
					
		
				<enclosure length="34496171" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2018/04/AH4A_Ep3_Carriera.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>31:47</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In a very self-indulgent episode, Allyson talks about her favorite period in art history, and one of her favorite artists: Rosalba Carriera, who did a&amp;#8230;</itunes:subtitle><itunes:summary>In a very self-indulgent episode, Allyson talks about her favorite period in art history, and one of her favorite artists: Rosalba Carriera, who did a&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 2: Why Oh Wiley</title>
		<link>https://arthistoryforall.com/episode-2-why-oh-wiley</link>
					<comments>https://arthistoryforall.com/episode-2-why-oh-wiley#comments</comments>
		
		
		<pubDate>Wed, 14 Mar 2018 03:19:12 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[black art]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[kehinde wiley]]></category>
		<category><![CDATA[masculinity]]></category>
		<category><![CDATA[morpheus]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[wiley]]></category>
		<guid isPermaLink="false">https://arthistoryforall.com/?p=103</guid>

					<description><![CDATA[In this episode, Allyson gets topical and talks about a Kehinde Wiley painting&#8211;but maybe not the one you think! You can find a transcript of&#8230;]]></description>
										<content:encoded><![CDATA[<p><audio class="wp-audio-shortcode" id="audio-103-2" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://arthistoryforall.com/wp-content/uploads/2018/03/AH4A_Ep2_Wiley.mp3?_=2" /><a href="https://arthistoryforall.com/wp-content/uploads/2018/03/AH4A_Ep2_Wiley.mp3">https://arthistoryforall.com/wp-content/uploads/2018/03/AH4A_Ep2_Wiley.mp3</a></audio></p>
<p>In this episode, Allyson gets topical and talks about a Kehinde Wiley painting&#8211;but maybe not the one you think!</p>
<p><span id="more-103"></span>You can find a <a href="https://arthistoryforall.com/transcript-of-episode-2-why-oh-wiley">transcript of this podcast</a> at arthistoryforall.com under the Transcripts category.</p>
<p>Twitter: @arthistory4all</p>
<p>© 2018 Allyson Healey</p>
<p>Theme music © 2018 Bruce Healey</p>
<p>Background music:</p>
<p>“Space (Full)” by Andy G. Cohen (via freemusicarchive.org) Licensed Under Creative Commons: By Attribution 4.0 License. http://creativecommons.org/licenses/by/4.0/</p>
<p>“Fresh Air” by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. <a href="http://creativecommons.org/licenses/by/3.0/">http://creativecommons.org/licenses/by/3.0/</a></p>
<p>“Rotisserie Graveyard” by Doctor Turtle (via freemusicarchive.org) Licensed Under Creative Commons: By Attribution 4.0 License. http://creativecommons.org/licenses/by/4.0/</p>
]]></content:encoded>
					
					<wfw:commentRss>https://arthistoryforall.com/episode-2-why-oh-wiley/feed</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
				<enclosure length="25240319" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2018/03/AH4A_Ep2_Wiley.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>31:23</itunes:duration>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this episode, Allyson gets topical and talks about a Kehinde Wiley painting&amp;#8211;but maybe not the one you think! You can find a transcript of&amp;#8230;</itunes:subtitle><itunes:summary>In this episode, Allyson gets topical and talks about a Kehinde Wiley painting&amp;#8211;but maybe not the one you think! You can find a transcript of&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
		<item>
		<title>Episode 1: For the Love of Mona Lisa</title>
		<link>https://arthistoryforall.com/episode-1-for-the-love-of-mona-lisa</link>
					<comments>https://arthistoryforall.com/episode-1-for-the-love-of-mona-lisa#comments</comments>
		
		
		<pubDate>Tue, 13 Feb 2018 06:51:57 +0000</pubDate>
				<category><![CDATA[Episodes]]></category>
		<category><![CDATA[episodes]]></category>
		<category><![CDATA[jeff koons]]></category>
		<category><![CDATA[leonardo da vinci]]></category>
		<category><![CDATA[louvre]]></category>
		<category><![CDATA[mona lisa]]></category>
		<category><![CDATA[renaissance]]></category>
		<guid isPermaLink="false">http://arthistoryforall.apps-1and1.com/?p=86</guid>

					<description><![CDATA[Welcome to the inaugural episode of Art History for All! In this episode, Allyson tells you all about Leonardo da Vinci&#8217;s Mona Lisa and the impact&#8230;]]></description>
										<content:encoded><![CDATA[<p>Welcome to the inaugural episode of <em>Art History for All</em>! In this episode, Allyson tells you all about Leonardo da Vinci&#8217;s <em>Mona Lisa</em> and the impact it&#8217;s had on Western culture, breaking it down from the Renaissance to Dan Brown and beyond.</p>
<p>You can find a transcript of this podcast <a href="https://arthistoryforall.com/transcript-of-episode-1-for-the-love-of-mona-lisa">right here</a>, or go to the Transcripts tab at <a href="https://arthistoryforall.com">https://arthistoryforall.com</a>.</p>
<p>Email: allysonh@arthistoryforall.com</p>
<p>Twitter: @arthistory4all</p>
<p>© 2018 Allyson Healey</p>
<p>Theme music © 2018 Bruce Healey</p>
<p>Background music:</p>
<p>“Lasting Hope”, “Suonatore di Liuto”</p>
<p>Kevin MacLeod (incompetech.com)</p>
<p>Licensed under Creative Commons: By Attribution 3.0</p>
<p>http://creativecommons.org/licenses/by/3.0/</p>
]]></content:encoded>
					
					<wfw:commentRss>https://arthistoryforall.com/episode-1-for-the-love-of-mona-lisa/feed</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
				<enclosure length="30039032" type="audio/mpeg" url="https://arthistoryforall.com/wp-content/uploads/2018/02/AH4A_Ep1_MonaLisa.mp3"/>

				<itunes:author>Allyson Healey</itunes:author>
		<itunes:episodeType>full</itunes:episodeType>
	<dc:creator>allysonh@arthistoryforall.com (Allyson Healey)</dc:creator><itunes:explicit>no</itunes:explicit><itunes:subtitle>Welcome to the inaugural episode of Art History for All! In this episode, Allyson tells you all about Leonardo da Vinci&amp;#8217;s Mona Lisa and the impact&amp;#8230;</itunes:subtitle><itunes:summary>Welcome to the inaugural episode of Art History for All! In this episode, Allyson tells you all about Leonardo da Vinci&amp;#8217;s Mona Lisa and the impact&amp;#8230;</itunes:summary><itunes:keywords>art,sculpture,painting,history,art,history</itunes:keywords></item>
	</channel>
</rss>