Resin art is known for its stunning gloss and vibrant colors, but for these 10 artists, it's also a way to give reclaimed and recycled materials a second life.
From reclaimed wood to cookies, these creators turn what might be waste into one-of-a-kind pieces of art.
Let's take a look and see how creativity and sustainability can go hand in hand.
Eve is an Australian artist now based in New York City, working with textiles that she sculpts directly onto the canvas. She combines fabric with denim, playing with the contrast between matte and glossy to create artwork that highlights sustainability.
💡 Read more about Eve in our blog @eveb_art is our ArtResin Winner.
Courtside in Denim (30-inch round, mixed media on canvas) - made with reclaimed Levi's
Based in Wauwatosa, WI, Les is a mixed media artist who combines resin with recycled and reclaimed materials - especially colored, textured glass - to craft natural, expressionistic scenes. He often works on discarded window sashes or garden trellises to create pieces that interact with the light.
💡 Read more about Les in our blog Les Braze is our ArtResin Winner
made with reclaimed glass
made with reclaimed glass
Caroline Buccino is a mixed media artist based in Falmouth, Massachusetts. She creates colorful, abstract art inspired by the sunsets and beaches of Cape Cod, incorporating reclaimed materials like oyster shells and vintage sheet music into her work.
💡 Read more about Caroline in our blog Caroline Buccino is our ArtResin Winner.
You Are My Sunshine - 4x6” - made with vintage sheet music
Commissioned piece made with vintage sheet music
www.mooreimages.ca
@loramoore_images
Lora Moore is a photographer based in Ontario, Canada. Her series Trash-ion turns found street trash into creative, thought-provoking images. Inspired by fashion and the environmental impact of fast fashion and consumerism, she repurposes discarded materials with humor and imagination.
Trash-ion - made with discarded fry packaging
Trash-ion - made with discarded candy packaging
collectivegeekery.com
@collectivegeekery
Based in Berthoud, CO, Meghann and Kevin Haase are the award-winning mixed media artists behind Collective Geekery. Together, they create dynamic, three-dimensional art using acrylic paint, resin, wood and metal, often incorporating reclaimed and upcycled materials.
The Locals - made with discarded fence picket and reclaimed hardware
Lurking - made with reclaimed wood and metal bubbles
Royal - made with reclaimed hardware and metal
www.justinegiordano.com
@justinegiorart
Based in Philadelphia, PA, abstract artist Justine Giordano is inspired by the ocean and her travels. She creates work that connects to the natural world, giving abandoned surfboards a second life as art.
kimallisonart.com
@kimallisonart
Based in Toronto, Ontario, Kim Allison creates hand-cut, analog collage art using vintage print materials from the 1940s through the 1990s. She brings together pop culture and nostalgic imagery in unexpected ways, using wit and humor to challenge traditional norms.
Old Money - made with hand-cut vintage print materials
Erika Allen is an abstract artist based in South Carolina. She creates textural pieces by saving the runoff from her resin pours, building a collection of shapes and colors to work from. Using these leftover resin scraps, she assembles collages - from angel wings to florals and ocean-inspired designs - giving new life to materials that would otherwise go to waste.
💡 Read more in our blog Erika Allen is our ArtResin Winner
Abstract Floral made with resin scraps
@brookeskousenart
brookeskousenart.com
Brooke Skousen is an artist based in Utah’s Salt Lake Valley. She creates detailed wood landscapes using hand-cut and shaped reclaimed wood and incorporating resin to suggest water and light. Brooke sources materials from cabinet shops, old workshops, and even the dump—salvaging hardwood pieces and giving them a new purpose through her work.
💡 Read more in our blog Brooke_s_designs is our ArtResin Winner.
Jenny Lake - made with reclaimed wood
hanamadecookies.com
@hanamade.cookies
Hana Nguyen is a cookie decorator based in Dallas, Texas, who has found a creative way to preserve her cookies. Using ArtResin, she upcycles stale cookies into fridge magnets, turning everyday treats into playful, lasting keepsakes.
We hope these artists have inspired you to bring reclaimed materials into your own art practice! By reimagining what otherwise might be discarded, they turn potential waste into pieces that are beautiful, thought-provoking, and fun.
This Earth Month, their work is a reminder that art can make a difference—for your creativity and for the planet.
To learn more about recycling resin into new art or how to reduce the materials you use in your resin practice, check out our other blogs:
🌍 How to Upcycle Coaster Fails
🌍 10 Ways to Reduce Waste When Working With Epoxy Resin
ArtResin: The Original Epoxy for Resin Art.
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Describe the type of art you create.
In my work, there are two separate streams: abstract and interactive.
In my exploration and fascination of non-digital interactive work, I have created a series called “ Re-Create ”. “Re-Create” was inspired by my desire to assist others in developing their own creative and play skills. With “Re-Create” the viewer is encouraged to move different forms on a magnetized background in an infinite number of combinations to create their own original design. Art evolves from a defined fixed output to a dynamic, playful, creative, and transitory experience.
My second series is titled “Dance of Opposites”. In this series, I use an amazing and magical medium called alcohol ink and with it I explore and experiment with combining geometric and organic shapes.
For me, painting an image, whether abstract or interactive, is a tumultuous and mysterious process and at times remarkable. This embrace with life and its mysteries always connects me back to Henry Miller’s words….“To paint is to love again”.
Does where you're from or where you currently live influence your work?
Yes, absolutely. Nuevo Arenal, the area where I live in Costa Rica presents surprising, dynamic and vibrant skies, and that has consistently been a source of inspiration for my alcohol ink abstracts paintings.
What's your art background? Are you self-taught or did you study art?
Although, I have taken some Art University classes I am mostly a self- taught artist. My love and interest in painting has been nourished at early age, first by my father, Robert Lavergne a well-recognized French Post-Impressionist painter, and later by my Godfather, Louis Nallard, who was a leader in the Post-War Abstract movement in Paris. These two artists were critical to whom I am now as an artist.
Are you a full-time artist or do you create around work hours?
I am a full-time artist.
What do you love about the mediums that you use in your work?
For my “Dance of Opposites” series I use alcohol inks. I have deeply fallen in love with this medium. I absolutely love the vivid colors, the transparency, the organicity, the flowing quality and its magical spirit!!
I have used various mediums for my interactive work (“Re-Create Series”), such as acrylic paint, crackle, wood, steel, cooper, brass, and mirror and I love the variety of all of these mediums and how they each have different textures and personalities.
How did you discover resin? How has resin impacted your artwork?
To say the truth, I have been using ArtResin for so long that I can’t remember how I discovered it.
ArtResin has been a full complementary partner to creating the art that I love to create.
I use ArtResin for both of my series. For the Interactive (Re-Create), as the viewer is invited to touch and move the art work it was essential to have a resin to protect the art and to allow for it to be handled. And for the paintings done in alcohol ink, (“The Dance of Opposites”) it remains key to protect the art as alcohol ink is a very sensitive medium and calls for UV protection.
Can you provide a brief rundown of your process?
When I work with alcohol ink (Dance of Opposites), my process is very intuitive, and free. I play with shapes and colors, I let my “inner child” come out as much as I can, until I “see” something…..it is a bit like having a vision….I somehow “see” the painting, the completed painting in my mind’s eye….and then I use all my skills, knowledge and experience to make this vision real and palpable.
When I work towards an interactive piece (Re-Create), the process is very different. In a way it’s the opposite. It’s all about geometry. I do a lot of sketches. I think of the versatility of these shapes and colors interacting with each other. It’s all about play again, but in a very different way, I think about what would offer most possibilities and options for the viewers.
Why do you want to make art? What motivates you to create?
I make art because I love to be creative, to play with colors and shapes, to express myself. With my interactive work, it is important to me to help people tap into their own sense of play and creativity.
Does art help you in other areas of your life?
Oh, yes!! Artmaking is my refuge, my therapy, my center. Painting is my fix. To step into that creative flow, where I seem to disappear, is so nourishing! After a few hours in the studio, I often feel stronger and more centered. Again, as Henry Miller said it so well, “to paint is to love again”.
McMillian Arts Center (BC, Canada)
Reflections - 40 x 30"
What do you hope someone sees or feels when they look at your art?
My hope is that my art brightens the viewers’ world in some ways. My wish is that in that moment of “looking” at or “playing” with (one of my interactive), it triggers in the viewer a sense of well-being, play and connection.
How do you define success as an artist? What does that look and feel like
for you?
For me success, first and foremost means that I have found my own path, my own way to express my inner world, and that I can do it technically well. Success, also means that, my works sells and that it is recognized by my peers through Juried Art Shows.
What's your favorite resin tip you'd like to share with our readers?
For artists that use alcohol ink, I have discovered that you can paint on the resin. You can create an additional coat and your art will gain in depth and transparency. But before adding the second coat of resin, use Krylon Kamar Varnish or Pinata High Gloss Varnish to stabilize your new coat of alcohol ink.
Where do you sell your work?
I mostly sell my work in Costa Rica and through my website: www.majie.ca
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: The Original Epoxy for Resin Art.
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Does where you're from or where you currently live influence your work?
Definitely! I live in Toronto, Canada, which has a huge dog loving community. Being surrounded by people who love their pets like family has influenced my work by keeping me inspired. I love walking through nearby dog parks, watching dogs interact with their owners and each other! The bond between humans and animals is so beautiful and can be so deep. Some people might say, “they’re just animals,” but those who’ve experienced that kind of love know how special it really is. I see it every day in my community, and it always inspires me!
What's your art background? Are you self-taught or did you study art?
In sculpture, I’m self-taught. I studied Fine Art at York University, where my focus was graphite drawing - my first love! I always admired sculpture, but I thought it was beyond me. I didn’t try sculpting until after university, when I made my first dog sculpture in 2016 as a gift for my husband of his late Labrador, Lucy. I had no idea that it would lead to creating these sculptures for clients around the world!
Are you a full-time artist or do you create around work hours?
I’m a full-time artist. It’s taken time and commitment to make it sustainable, but I couldn’t imagine doing anything else.
What do you love about the mediums that you use in your work?
Polymer clay lets me bring an animal’s personality to life through touch, which makes the process super intimate! I love that it holds fine detail while staying workable until I feel it's finished. Even after curing, I can carve or add more clay to make adjustments, which is perfect for a perfectionist like me! I find it so cool that a block of clay can turn it into something meaningful that my clients can 'pet', hold, and cherish.
Resin, on the other hand, allows me to bring these pieces to life. It’s that final glossy layer of resin on the eyes that adds soul and completes them. Without it, my sculptures would lack that life-like quality.
How did you discover resin?
I discovered resin a couple years into sculpting. I originally used a glossy varnish on the eyes, but I noticed that the shine would fade or tint yellow or blue over time, and that just wasn’t acceptable. I needed to find a material that I could trust to stay glossy and clear long-term, and that’s when I discovered resin.
How has resin impacted your artwork?
In a huge way! I can’t finish my sculptures without resin. For many of my clients, and especially for those who’ve lost their pets, the eyes are the most important part of the sculpture. I never want them to see the twinkle in their eyes fade again. These pieces are extremely personal representations of a loved one, and resin makes sure those adorable eyes shine for a lifetime and more.
Can you provide a brief rundown of your process?
Each sculpture begins with studying the dog’s photos and personality. I always ask my clients to share their pet’s story, so I can understand their love, connection, and personality, and pour that into the sculpture. I start with a wire armature. From there, I build the basic form in polymer clay. Once I feel the proportions are correct, I start the longest process: the details! I make sure to capture every detail that makes each pet unique, from every angle. Once it’s cured, I carefully paint the sculpture using professional quality acrylic paint. Then, last but surely not least, I add resin to the eyes, and sometimes the nose, lips, and name tag, for that final touch of realism and aliveness.
Why do you want to make art? What motivates you to create?
Art has been my passion for as long as I can remember. In Grade 1, when we were asked what we wanted to be when we grew up, I said “artist.” I know a lot of kids say that because art is fun, but for me, that feeling never went away. Even when others told me it wasn’t a realistic career, nothing else ever made sense.
It might sound silly, but it's just in my blood. When I’m not creating, I feel like something’s missing.
I’ve also loved dogs since I was little, so combining the two just made sense! I’m constantly inspired by my clients’ stories, the unique personalities of their pets, and the deep bonds they share.
Does art help you in other areas of your life?
Absolutely. Creativity is a daily part of my life. Outside of sculpture, I love trying new things such as crochet, mold making (with resin, of course), and sketching ideas I hope to turn into sculptures one day. Creating and exploring other artists' work keeps me grounded and happy.
What do you hope someone sees or feels when they look at your art?
Love and connection. I want people to feel their dog’s presence in their sculpture, not just recognize the likeness. I hope for each piece to express each unique spirit, so that when someone looks into those glossy eyes, they feel warmth, comfort, and the loving bond they once shared.
How do you define success as an artist? What does that look and feel like for you?
To me, success as an artist means learning to get out of your own way. Pushing past fear, perfectionism, and allowing yourself to create freely. It sounds simple, but it’s not! I struggle with it all of the time. With social media pressure, financial realities, and self-doubt, it can be hard to be vulnerable enough to create.What's your favorite resin tip you'd like to share with our readers?
Mix, measure, and apply carefully. There’s nothing worse than a bubble or speck of dust ruining that sparkle! For my sculptures, I like to work in thin layers. Sometimes just one is enough, sometimes two, but a thick layer from the start can cure unevenly on a round surface.
Where do you sell your work?
I sell my sculptures through my website (www.helenvioletart.com), and I ship worldwide!
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: The Original Epoxy for Resin Art.
From colorful wall art to functional pieces, jewellery, and seasonal decor, resin makes it easy to play with color, whether you're in the mood for soft pastels or punchy brights.
We've pulled together some of our favorite spring-inspired pieces from our community of artists to spark ideas for your next pour.
You'll find plenty here to get you started. 💐
From butterflies, bunnies and bees to florals and fresh spring scenes, resin's glossy finish adds a professional polish that makes every detail stand out.
Paint It Like You Dream It - Lucy Peveto
12" Butterfly Round - Lucy Peveto
Flutterby, made with 2074 individual handmade resin spheres - @shelleywilfongart
A Series of Bees - @sarahrimboch.art
Mixed Media Collage - Kelly Herring Art
Bunny - made with ResinTint & ArtResin
Bunny - made with ResinTint & ArtResin
Wildflower Coast - @emily_mcsevich_art
Le Table Papillon - @theddsartist
Flower Vases - @emily_mcsevich_art
Floral coasters - @skoartstudio
Dried flower coasters - @skoartstudio
Resin Bloom Coaster - @alluredecoration
💡 TIP: Learn more in our blog How to Make Resin Flower Coasters
Daisy Chopstick Holders - @opaque_vancouver
Wine Bottle Holder - made with ResinTint & ArtResin
Bunny Treat Tray - made with ResinTint & ArtResin
Small pieces can still have big spring energy! With florals and fresh color, you can take a bit of the season with you wherever you go.
Spring Hair Barrettes - @rowanroseresin
Daisy Keychains - @opaque_vancouver
💡 TIP: See our blog How To Make Resin Keychains to learn more.
Make every corner of your home bloom! Resin is perfect for spring mantel decor, signs, and decor pieces that bring color, shine, and joy into your space.
Bunny (decoupage & resin) - made with ArtResin
Spring Porch Leaner - Made with Industrial Clear
Tulips - made with ResinTint & ArtResin
Spring Door Sign - made with ResinTint & ArtResin
Easter Door Sign - made with Industrial Clear
🌼 Spring is here - let your creativity bloom! We hope you're feeling inspired and ready to bring some spring energy into your projects.
💡 TIP: If you haven't yet tried them, ResinTint liquid pigments make it easy to add a splash of color into your spring projects. Mix and match our neons, metallics or originals to create any shade under the rainbow.
ResinTint delivers rich color that pops - from pour to cure!
ArtResin: The Original Epoxy for Resin Art.
To show you exactly how it's done, resin artist and small business owner Haley Crespo of Haley Made is here to guide us. Based in Toronto, Ontario, Haley creates colourful handmade accessories and jewellery. Today, she's sharing how to make 3 of her best-selling hair clips:
“Hair clips are my absolute favourite things to make with resin. They’re so fun and customizable, and I’m going to show you every step of the way!”
Let's get crafting.
Watch the full video tutorial here:
• ArtResin Epoxy Resin
• Nitrile Gloves
• Mixing Cup with measuring lines: Haley prefers a silicone cup because you can gently squeeze it while pouring for better control
• Stir Stick
• Bowl: for a warm water bath
• Silicone Hair Clip Molds: Choose molds that come in sets of 3 so you can make multiple clips at once
• Inclusions: polymer clay fruit slices, gold leaf flakes, iridescent shapes, fine glitter
• Popsicle stick or tweezers: for placing embellishments into the molds
• Scissors: to clean up rough edges after demolding
• Hair clip hardware
• B-7000 clear adhesive: for attaching the clip hardware
Haley's Tip #1
Before mixing, give your resin bottles a warm water bath. Warming the resin makes it easier to mix and pour, and it also helps reduce bubbles
Fill a bowl with warm (not hot) water.
Placed the tightly capped resin and hardener bottles in the bowl. Do not submerge them.
Let them sit for approximately 15 minutes.
💡 PLEASE NOTE: Warming the resin in a water bath reduces ArtResin's 40 minute working time by about 10 minutes.
Haley's Tip #2
Before you measure and mix your resin, take a few minutes to plan your clip design.
This gives you time to experiment without worrying about the clock ticking. You can step away, come back with fresh eyes, and adjust your layout until you're happy with it.
Hair clip molds are easy to find at craft stores or online. Haley recommends choosing molds that make 3 or more clips at once, so you can create several designs in one batch.
This is where the project really gets fun! Haley says:
“Just have the freedom to have fun. These are your hair clips — you can do whatever you want. There are no mistakes.”
Haley uses a variety of inclusions to make her clips, including polymer clay fruit slices, gold leaf, and colorful, iridescent shapes.
These are three of her best-selling designs:
Tutti Frutti Clips
These bright, playful clips use polymer clay fruit slices. Place the slices into the mold using tweezers or your fingers, arranging them in a single layer.
Give each slice a little breathing room and avoid overlapping - this helps prevent air bubbles from getting trapped.
Strawberry & Gold Leaf Clips
This design is one of Haley's best sellers! Don't worry about perfect alignment - a slightly organic layout looks beautiful once the resin is poured.
Place the fruit slices strategically, turning them in different directions for a natural look. Leave some open space where the gold leaf will go after you pour the resin.
Pink Glitter Clips
For a little extra sparkle, Haley loves using iridescent shapes paired with a glitter-and-resin mix.
Arrange the glitter pieces in the mold first, using a mix of of shapes and sizes for visual interest. This helps create a dynamic, eye-catching design once the resin is poured.
Dry the bottles thoroughly after removing them from the water bath. Water contamination can cause resin to cure cloudy.
Wearing gloves, measure your resin. For this batch, Haley carefully pours 20 ml of resin and 20 ml of hardener into a silicone cup.
Mix slowly for 3-5 minutes, scraping the sides and bottom of the cup. Mixing too quickly can introduce bubbles. You'll know the resin is ready to pour once it is clear with no visible strings.
Pour slowly into the molds, pinching the mixing cup to create a controlled pour. Move from one side of the mold to the other making sure the resin reaches the edges of the mold and all the decorations are covered.
Add Gold Leaf (for Strawberry Clips)
Using a popsicle stick, place small pieces of gold leaf into the resin. Add them in the empty spaces between the strawberry slices.
Gently push the gold leaf into the resin with the popsicle stick until fully submerged.
Add Glitter to the Remaining Resin
For the glitter clips, Haley adds find pink glitter to the remaining resin. Add a small amount at a time — remember, you can always add more but you can't take it away. Mix thoroughly so the glitter is evenly distributed.
Pour the glitter resin into the molds.
Now you have three different clip designs ready to cure! Cover them with a dust cover and leave them to cure for 24 hours until they're dry to the touch.
Demolding is easily the most satisfying part of the process! Your clips should be dry to the touch, glossy and clear, letting all of your inclusions shine through.
You'll notice the clips may feel bendy when you first remove them from the mold - don't worry, they'll firm up as they finish curing.
If you notice any rough edges or tiny bits of glitter sticking out, you can gently trim them with a pair of scissors.
Now it's time for the finishing touch! Hair clip hardware comes in different shapes to match the molds - straight and skinny, rectangular and triangular. Make sure you choose the type that fits your clip.
Place the clips face down, with the flat side that was against the mold facing up. This makes it easy to attach the hardware cleanly. 
Haley's Tip #3:
Haley recommends B-7000 glue in crystal clear. She's tested many glues and loves this one because it dries clear, creates a strong bond, and has a precision nozzle for easy application.
Apply a generous amount of glue to the flat metal backing, not to the resin itself. This makes placement easier and prevents the use of excess glue.
Then, place the hardware onto the flat side of the resin clip (the mold side). Press gently and allow to set.
Repeat on the rectangular clips:
For the triangle clips, apply extra glue to the wide section, since that's where they tend to pop loose.
The glue sets quickly, but allow it to dry for several hours before putting the clips into use.
And that's it! Your custom resin hair clips are ready to wear. They're a simple way to add a little sparkle, color, and personality to your day.
“Making these clips over the years has brought me so much joy, and I really hope it brings you joy too.” – Haley
We hope you enjoyed following along and feel inspired to create your own resin hair clips! Grab your molds, mix up some ArtResin, and have fun experimenting with colors, glitter, and designs.
A huge thank you to Haley Crespo for sharing her tips, tricks, and favorite designs with us — we loved seeing her process in action!
To see more of Haley's art:
Read her blog: Haley Crespo is our ArtResin Winner
Visit her website: www.haleymade.ca
Follow her on Instagram: @haleymadeshop
ArtResin: The Original Epoxy for Resin Art.
]]>Congratulations to artist Maike Patan of @maicrylic_arts, our latest ArtResin winner! Based in Hameln, Germany, Maike works in both fluid and mixed media art:
"My art is the abstract realization and interpretation of past journeys and natural spectacles—of a walk through flower fields or a refreshing swim in the sea. The flow of color is at the heart of all my works. Vivid gradients with charming details, or fluid transitions with texture and little hidden treasures. I’d say my art is the spring that never ends, or a seaside vacation, or that one weekend getaway into nature."
Does where you're from or where you currently live influence your work?
I've been living in Hameln, Germany, for three years now. Before that, I spent several years in Hamburg, and prior to that, I called the sea my home for several years— without a place of my own, just a a bed at my parents' house. I traveled the world's oceans on small cruise ships and still draw a great deal of inspiration from that time working as a crew member on board. Waking up somewhere new every day and exploring the most remote places and cultures in the wordl continues to enrich me to this day.
My current place of living may not be the main source of my inspiration, but it still inspires me—absolutely. The green forests and wide meadows of the Weser Uplands bloom so beautifully in spring and summer, and I find inspiration even in the smallest details of nature. Whether it’s a single blossom stubbornly defying the cold between patches of snow, the annual visit to the garden center when planting season begins again, or my own garden.
If I could choose any place to live without having to give up anything, I’d probably choose somewhere where you can see the sea all year round, surrounded by lush nature and a world full of flowers.
What's your art background? Are you self-taught or did you study art?
My love for art came about by a lucky coincidence during the pandemic, when I quit working aboard and moved to Hamburg. In school, I always enjoyed art class, but after graduating I chose a path that fit more into what people might consider the “typical” ideal and a “real” job. I think it’s a shame that as we grow up, creativity is somewhat trained out of us and we’re expected to fit into certain molds.
That’s why I’m so grateful that the lockdown and that period of stillness gave me the chance to reconnect with my hidden passions and talents. One creative evening at a friend’s place was the spark that set everything else in motion. After that, I experimented tirelessly, practiced, and kept evolving. In the beginning, I discovered my love for acrylic pouring, and later expanded into mixed media art.
Are you a full-time artist or do you create around work hours?
I believe everyone needs dreams that feel within reach. I dream of a large, light-filled studio with floor-to-ceiling windows somewhere in nature, where the morning sun pours in and the birds are singing. A place where colorful flowers dance softly in the breeze and the leaves in the trees rustle. Where bees and butterflies flit from blossom to blossom, and I can bring my creative journeys and adventures to life from morning till night. I haven’t yet taken the final step into full-time art—the risks and challenges of being self-employed still hold me back a little—so for now I steady myself with a full-time job. But who knows what tomorrow may bring…
What do you love about the mediums that you use in your work?
What I love most about working with different mediums is that sometimes it feels as if I’m standing in a chemistry lab. I wear nitrile gloves and weigh things down to the gram, I test different effects by mixing various mediums, all while wearing a respirator mask. I work with wind, I work with fire, I work with heat. Yet there always remains a certain level of unpredictability—no matter how carefully I prepare or plan. The result is almost always a little surprise, but that’s exactly what makes it so exciting.
How did you discover resin?
In the beginning of making art, I did a lot of research about different techniques, reading, and YouTube-watching, and at some point I stumbled across epoxy resin. I asked myself: What is this shiny liquid and why do the colors look so brilliant and beautiful with it? So I tried it myself—and ever since then, I’ve been completely fascinated by resin.
How has resin impacted your artwork?
Resin is a high-quality refinement of my artworks. I feel that its shine gives a special sense of value and makes every color glow. Metallics and shimmering pigments, in particular, become even more striking, and I’m always amazed by the depth resin can create in a piece. Working with resin also led me naturally into mixed media, and with that came my love for texture and detail—without ever losing my passion for the flow of color.
Can you provide a brief rundown of your process?
At the beginning, there’s always the inspiration and a vision of the desired outcome. Then comes the planning: the right size, the design, and the suitable surface for the piece. I’ve worked on glass, ceramics, wood, canvas, aluminum dibond, and pure resin. After choosing the right technique, materials, and colors, I prepare the surface and start with my liquid color application. Sometimes I work in several layers and manipulate the transitions until my eye is satisfied and I can recognize my inspiration again.
After that, I add details, little treasures, and either a varnish or multiple layers of epoxy resin. No artwork leaves my home without proper color protection—because I want the colors to stay brilliant and protected for many years. Finally, there are the finishing touches: edges, signature, possibly ordering a suitable frame—and of course taking lots of photos for my website and social media.
Why do you want to make art? What motivates you to create?
Creating art means switching off and letting go of the sometimes hectic everyday life. It motivates me to portray my endless enthusiasm for nature and landscapes in an abstract way and turn it into paintings and sculptures. What makes me truly happy is being able to work with vibrant colors and getting a real dopamine boost from it. It simply feels good to have color on my hands and to create something that exists only once in the entire world—something that can last for generations and bring joy.
Does art help you in other areas of your life?
Yes, I think so. I believe that my eye for detail helps me appreciate even the little things in everyday life, and my love for color and aesthetics brings me joy in many areas.
What do you hope someone sees or feels when they look at your art?
I hope that viewers discover their own joy in colorful artworks and fall in love with my pieces. Maybe they’re reminded of a wonderful vacation, a trip to the sea, or a beautiful springtime walk in nature. My art is meant to radiate positive energy, lift the mood, and bring happiness.
How do you define success as an artist? What does that look and feel like for you?
That’s a difficult question… Sometimes I feel like I’m not successful because I can’t live and work as a full-time artist yet. You start comparing yourself to others and see how successful other great artists are, how well they make a living from their work, and then doubts creep in.
But then I also think about the fact that I can completely express myself, fully embrace my perfectionist tendencies without being judged, and enjoy the freedom to work entirely according to my own ideas and desires. In essence, that is pure fulfillment—because I’m not creating for external validation, but for my own well-being. And that is a beautiful feeling.
What's your favorite resin tip you'd like to share with our readers?
Ohhh… there is quite a lot, I’d say, that makes working with resin easier and more successful. But for starters, I’d say it’s always worth going through the room with a spray bottle beforehand. Lightly misting the air makes dust particles and tiny hairs fall to the ground instead of landing in the resin while you’re working.
Where do you sell your work?
I mainly sell my pieces on my own website, www.maicrylicarts.com, or at smaller exhibitions in Germany. By the way, the name “Maicrylicarts” comes from my first name, “Maike,” combined with “acrylics.” :-)
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: The Original Epoxy For Resin Art!
Does where you're from or where you currently live influence your work?
I'm from NY originally, and have lived in Arizona for 50 years. I am a big fan of Pop art and surrealism, which was centered in NY at the time I lived there.
What's your art background?
I am predominantly a self-taught artist and have studied art via online courses.
Are you a full-time artist or do you create around work hours?
I am a board-certified neurosurgeon. I retired from medicine in 2015 and have been a full-time artist ever since. I started painting and sculpting 35 years ago.
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: The Original Epoxy For Resin Art!
For this piece, Joanne created a wood-burned mirror frame featuring classic Celtic knotwork and Irish words, finished with stain and a crystal-clear resin coat for depth and protection. The result is rich, timeless, and full of character.
This project is a throwback to one of our early tutorials from 2017 — proof that simple, well-loved techniques never really go out of style.
Plain flat wood frame (picture or mirror frame)
Celtic knot design and/or Irish text (printed)
Transfer paper
Pen
Scotch tape
Scissors
Wood-burning kit
Wood stain & rag
Stands
Measuring cup
Mixing stick
Gloves
Level
Silicone mat
Spreader
Dust cover
Kraft paper
Optional: brown & black paint
Picture-hanging hardware
Picture-hanging wire or sisal/hemp twine
Print a Celtic knot design you love. Joanne chose a long braided pattern with a Celtic shield detail at the corner.
Cut the design to fit the area of the frame where you want it placed. Cut transfer paper to match each design piece.
Place the transfer paper on the frame, lay the design on top, and tape everything in place.
Using a pen, carefully trace over the design. Once complete, remove the paper to reveal the transferred pattern.
💡 TIP: Use a red pen so you can see your trace lines clearly.
If you’d like to add words, repeat the same process. Joanne chose “Fáilte” and “Sláinte” — Irish words meaning welcome and cheers.
Use a fine-tip wood-burning tool to trace the outlines of the knotwork and lettering.
Switch to a broader tip to slowly fill in the center areas, working patiently to keep the burn even and controlled.
Once the wood-burning is complete, apply wood stain with a rag to deepen the color and create a darker, more antique feel.
Allow the frame to dry completely.
The next day, before resining, Joanne added the accents on the text, as well as a few extra wood-burned marks around the frame to enhance the aged, time-worn look.
Tape along the outer edges of the frame and the inner opening to prevent resin from dripping down.
Place the frame on stands, level it carefully, and protect your workspace with a silicone mat and kraft paper.
Measure equal parts resin and hardener by volume. Mix thoroughly for 3 minutes, scraping the sides and bottom as you go.
💡 TIP: Joanne used 2 fl oz of resin and 2 fl oz of hardener for this piece, but if you're unsure how much resin you'll need, simply enter the length and width of your piece into our Resin Calculator to determine how much you'll need. If the opening of your frame is quite large, you may want to slightly scale down on the amount of resin/hardener you use.
Pour the resin onto the frame and spread evenly, doming it right up to the edges without letting it flow over.
Use a torch to remove surface bubbles.
Cover the piece with a dust cover and allow it to cure undisturbed for 24 hours.
The next day, remove the tape and replace the mirror.
To finish the back, Joanne painted kraft paper with a mix of dark brown and black paint, glued it onto the frame, and trimmed the edges neatly with an X-Acto knife.
She added metal eye screws and chose hemp twine instead of wire for a softer, vintage finish.
And here is the finished result!
This project is a beautiful way to honor traditional Irish imagery while creating something meaningful and lasting. The combination of wood-burning, stain, and resin brings depth, warmth, and a quiet sense of history - perfect for St. Patrick’s Day or display year-round.
We hope this inspires you to give wood-burning a try to create a keepsake of your own.
ArtResin: The Original Epoxy for Resin Art.
Does where you're from or where you currently live influence your work?
I live in a cute seaside town and my studio is on a Fisherman's wharf. The location in a sense fills me and inspires a certain quiet that allows me to dream and create.
What's your art background? Are you self-taught or did you study art?
I am self taught. I have always been a creative. My teens were spent with a Pentax around my neck and my 1st apartment doubled as a darkroom for developing photographs and I have added to that creative repetoire ever since.
Are you a full-time artist or do you create around work hours?
I am in this full time.
What do you love about the mediums that you use in your work?
I love the nostalgia of the imagery I work with. They give me little endorphin hits when something speaks to me!
How did you discover resin?
I discovered resin at a craft store, trying to figure out how to make something glossy, beautiful and durable. ArtResin specifically from a friend who was looking for something less toxic than the typical craft store resin.
How has resin impacted your artwork?
Resin’s gloss takes it to the next level.
Can you provide a brief rundown of your process?
After I design and print and apply my image to its base we are ready to begin the process. 3 of us each day at my studio begin our resin session by turning off the 3 HEPA filters we use to decrease dust (they don’t really help in all honesty, lol), vacuum, spray the air and floor with water to bring the dust down while we warm the resin (fall and winter) with a space heater. Then it is showtime!
Why do you want to make art? What motivates you to create?
It brings me a sense of calm. It connects me with who I am at my core and I don’t have to be anyone in that moment but myself for myself. It is meditative.
Does art help you in other areas of your life?
Design and craft have given me not only a sense of peace and purpose but they it puts food on my table. My creations have propelled me to learn about business and unlock another side of myself that I didn’t know existed. The business side of it is actually fun for me too and my knowledge and experience in this field have grown tremendously over the years.
What do you hope someone sees or feels when they look at your art?
I hope that they feel a sense of nostalgia and home. That they feel something familiar in what they see, something cosy.
How do you define success as an artist? What does that look and feel like
for you?
Success, for me, is found in the daily hum of my studio, when ideas turn into something real under my hands, a design that clicks, little wins like opening up the bins after a resin session and having no dust and of course the satisfaction of making something beautiful and lasting.
What's your favourite resin tip you'd like to share with our readers?
Spray spray spray the room with water before you resin (cover your work before you do this!)- we add a touch of mint oil too, so our studio smells great!
Where do you sell your work?
I have 4 online platforms. Etsy (the OG, been on there for 17 years!), Faire, and I have 2 Shopify websites, one retail and one wholesale.
Congratulations on your win, Sandy!
To see more of Sandy's work:
Follow her on Instagram: @fireflynotes
Visit her website: www.fireflynotesonline.com
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: The Original Epoxy For Resin Art!
You'll have a chance to win 1 of 2 prizes:
💕 Grand Prize
2000 ArtResin Points (a $60 / £60 / €60 value)
💕 Bonus Prize
1000 ArtResin Points (a $30 / £30 / €30 value)
To redeem your prize, make sure you're signed up for ArtResin Rewards US, Canada, Australia, UK or Germany. It's free to join and you'll get 200 welcome points (a $6 / £6 / €6 value) just for signing up.
It's easy:
💖 Follow @art_resin
💖 Like the Giveaway post on Instagram
💖 Make sure you're enrolled in ArtResin Rewards US, Canada, Australia, UK, or Germany.
💖 Tag @art_resin in your favorite Valentine's themed resin art by February 13 or email your artwork to support@artresin.com with the subject line: "Valentine's Day Giveaway".
Whether it's quietly personal or a bold expression, love has always been at the heart of art. We can't wait to see what you've created!
ArtResin: The Original Epoxy For Resin Art
Artist Rakhi Jha is known for turning everyday objects such as trays, charcuterie boards and furniture into stunning pieces of art.
In this tutorial, Rakhi works her magic on a plain gold tray using layers of tinted resin and alcohol inks blown into an abstract design with a hairdryer.
Follow along as Rakhi walks you through each step and shows just how approachable fluid art can be.
Let's get started.
Rakhi begins by figuring out exactly how much resin she needs. To keep things simple, she uses ArtResin's Resin Calculator - no guessing, no stress.
Enter your tray's dimensions (round or rectangular, in inches or in centimetres) and the calculator tells you the exact amount of resin and hardener to mix.
💡 TIP: For this project, plan to mix 2-3 times the amount from the calculator. Rakhi used about 8-9 oz of resin for her tray. You'll need enough for a generous base layer and the tinted resin for your design. A slightly thick base allows the colors to spread smoothly across the surface.
Once measured, Rakhi mixes equal parts resin and hardener for 3 minutes, scraping the sides and bottom to make sure it's fully blended.
She sets aside a larger portion for the base coat, then divides the rest into smaller cups. Next, she tints each cup with resin pigment paste and mica powder for the gold. Her palette includes purple for the base coat, light & dark pink, white, gold, and a small amount of black. Each color is mixed until smooth and evenly blended.
Rakhi begins with plum purple for the base, pouring it evenly across the tray. She tilts the tray gently to help the resin spread evenly from edge to edge.
Once the surface is covered, she runs a torch over the resin to remove surface bubbles.
Next, Rakhi layers colors directly onto the base layer, starting with dark pink, then light pink, and a very small amount of black.
Next she adds a layer of white, a little more dark pink, and finally, finishes with gold.
This sequence keeps the colors balanced and lets them blend beautifully.
She torches once more - not only to remove the bubbles, but also to gently warm the resin. Heat helps the colors expand, blend, and begin forming cells.
Rakhi uses a hairdryer on low speed to blow the colors outward from each side of the wave. This creates movement, flow, and that signature fluid-art energy.
At this stage, Rakhi pauses. Cells are already forming, but they continue to evolve with time and gentle heat.
She lightly torches again, then lets the resin rest for a few minutes to allow the cells to develop naturally.
This is also a good time to fine-tune the design - use a toothpick or popsicle stick to pull out soft curls and refine the edges.
Once she's happy with the design, Rakhi covers the tray with a dust cover and lets it cure for 24 hours.
The next day, the cured resin looks gorgeous - but now it's time to elevate the design even further.
Rakhi adds alcohol ink for a translucent, layered effect that lets the resin design underneath to shine through.
She starts with a bit of white alcohol ink on the surface, followed by a drop of pink and a few dots of gold. Using the dryer, she gently blows the ink outward.
Rakhi steps back, assesses the design, and adds more ink to any areas that need balancing.
Before pouring another resin layer, she seals the alcohol ink with Kamar Varnish. This step is important - it prevents the ink from shifting or bleeding once the resin is poured over top.
Now it's time for the final clear coat of resin. Rakhi pours a layer over the entire surface, tilting the tray so it spreads evenly from edge to edge. She then torches out bubbles.
Next, Rakhi adds a final blown-out design on top using plum purple, white and gold to echo the base layer.
Using a hairdryer, she blows the colors outward, then torches to remove bubbles and encourage cell formation. Finally, she uses the torch to remove bubbles and encourage cell formation one last time.
Rakhi allows the resin to cure for a full 72 hours before putting the tray into use.
💡 TIP: If desired, you can add one more clear coat for extra depth or if you wish to use the tray for serving food. ArtResin is food safe once cured, but if pigments are added to the clear resin, it can no longer be considered food safe. In this case, we recommend pouring a final, clear top coat to restore its food safety and allowing it to cure for 72 hours before use.
Rakhi says: " Look how gorgeous this tray is! You can’t even tell you’ve done it in layers. Although you can see each layer, they all blend so well together."
We hope you enjoyed this tutorial and feel inspired to make a fluid art tray of your own!
To see more of Rakhi's work:
Visit her website: www.mohanima.com
Follow her on Instagram: @mohanima_art
Watch her YouTube tutorials: @mohanimabyrakhijha5276
ArtResin: The Original Epoxy for Resin Art.
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Does where you're from or where you currently live influence your work?
Charlotte is full of culture and creativity, but I’ve never seen anyone create resin art here.
What's your art background?
My dad is a self-taught artist, and I grew up watching him draw and paint. My parents always encouraged creativity and artistic expression, but I never considered myself an artist until I found resin.
Are you a full-time artist or do you create around work hours?
I create in my spare time.
What do you love about the mediums you use in your work?
I love the look on someone’s face when I show them my pieces. No matter how many photos I post, clients are always overjoyed when they see the art in person. Their smiles keep me motivated and inspired.
How did you discover resin?
Watching YouTube.
How has resin impacted your artwork?
Resin has taken my art to a whole new level. I’ve only used ArtResin since I started. It gives my art the dazzle it needs to stand out.
Why do you want to make art?
I want to add beauty to someone’s home and workspace.
What motivates you to create?
My husband and my children motivate me. They make me feel like I can do anything. When I hear, “Mommy, you made that?” it pushes me to amaze them even more.
Does art help you in other areas of your life?
Yes. As a working mom, I rarely get time to myself. When I’m creating, I hide out in my office (The Lab), listen to music, and pour myself into my craft. It’s fulfilling—like therapy. I call it Creative Chaos.
What do you hope someone sees or feels when they look at your art?
I hope they see the time and effort put into creating quality art and feel blessed and honored to have my work.
How do you define success as an artist?
Owning my own craft studio with a storefront where I can teach classes and sell my art.
What’s your favorite resin tip to share with readers?
Follow all safety measures, trust yourself, and have fun.
Congratulations on your win, Torsha!
To see more of Torsha's work:
Follow her on Instagram: @truelove_creationsllc
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: The Original Epoxy For Resin Art!
Sometimes you just want to talk to a real (and friendly) human. We get it!
Call us:
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📞 1-877-401-4001
If we miss you, leave a voicemail and we’ll call you back. Promise.
Email support@artresin.com or use the Contact Us page on our website.
You’ll hear back by the next business day.
We’ve answered the most common resin questions on our FAQ page, covering everything from bubbles and curing issues to safety and storage.
If you’ve wondered about it, chances are we’ve already covered it.
We’ve published hundreds of blog posts on just about every resin topic imaginable:
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And if there’s something you’d love to see next, let us know!
Download our free guides, including:
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Whether you reach out through customer service, explore our blogs and videos, or connect with us on social media, you’re part of a supportive, creative community.
We’re here to answer questions, troubleshoot, celebrate wins, and make resin feel less intimidating - and a lot more fun!
Thanks for creating with us. We’re so glad you’re here. 💛
ArtResin: The Original Epoxy for Resin Art.
Here’s how the points stack up:
• Pro: 6 points per $1 / £1 / €1 spent
• Expert: 4 points per $1 / £1 / €1 spent
• VIP: 2 points per $1 / £1 / €1 spent
One of the best parts about working with resin is how easy it is to play with color: soft pinks, deep reds, rich golds - all finished with that smooth, glossy shine we all love.
Below, you'll find Valentine's-inspired resin art and crafts created by the talented artists in our community. From sweet keepsakes to seasonal decor, these projects are all about creativity, care, and a little extra love.
This Valentine's season, wear your heart on your sleeve ... and your ears, and your hair... 💖. From earrings to hair clips and ties, resin makes it easy to turn everyday accessories into something personal and love-filled.
Heart Earrings by @hancraftedgb
Heart Stud Earrings by @opaque_vancouver
Resin Heart Hair Ties by
@opaque_vancouver
Beautiful and practical - because everyday items deserve a little love too. 💗. From coasters to trinket dishes and trays, these resin items add a little Valentine's charm into daily life. A perfect gift idea for someone you love - or a sweet upgrade for your own space!
Heart Tray & Coasters by @carlidcollective.ca
Heart Fridge Magnets by @ampuleio_art
Resin heart fridge magnets by @magnetficent
Tic Tac Toe Set by @mulberrydesignsldn
Resin bookmarks by ArtResin
Resin Keychains by ArtResin
Here's where resin really gets to shine! These Valentine's day decorative accents add warmth, color and personality to any space. Celebrate the season, refresh a room and fill your home with a little love.
We hope these projects spark a few ideas and inspire you to create something meaningful this Valentine's season. Whether you're making a gift, items to sell, or just enjoying some creative time, have fun with these ideas and make them your own!
Feeling inspired? Let's get creating. Your Valentine's resin projects start here 💕
ArtResin: The Original Epoxy for Resin Art.
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We've gathered our most dependable, tried-and-true resin tips to help you get more consistent, professional-looking results in 2026 - and feel confident every step of the way!
Temperature matters. Resin prefers warm and dry temperatures, so for best results, keep your workspace between 75-85°F (24-30°C) for the first 24 hours. Cooler temperatures can lead to thick resin, micro bubbles, and curing issues.
💡 How to Cure Resin in Cold Temperatures
Dust, dirt, wax, or oils can cause surface imperfections or bare spots where the resin won't adhere. Make sure all materials - including paint, sealers, and adhesives - are completely dry. Acrylic pour paintings should dry 3 weeks before resin is applied. Trapped moisture can cause cloudiness or adhesion problems.
Dust is one of resin's biggest enemies. Try misting the air lightly with a spray bottle of water to pull dust down, covering the floor with plastic, and turning off fans and AC before you pour. Every bit of preparation helps.
💡 Tips to Keep Dust Out of Resin Art
Wood, paper, or fabric can soak up resin and release air, causing dark spots and bubbles in your finished piece. Depending on your artwork, seal with a clear drying brush-on or spray sealant.
💡 Should I Seal My Artwork Before I Resin?
Resin is heavy, so your substrate needs to be sturdy. Work on solid surfaces like wood panels, metal, glass, ceramic tile, and stone. For stretched canvas, reinforce the back with a piece of cardboard cut to size first. This will help prevent it from sagging under the weight of the resin.
💡 What's the Best Surface to Use with Resin?
Plastic tools make clean up simple! Wipe them while wet with isopropyl alcohol and paper towel, or let the resin to cure and peel it off the next day. For mixing cups, use polypropylene plastic - you can remove resin in one satisfying, piece. Finally, protect your workspace with vinyl, silicone mats or a slab of HDPE plastic.
💡 10 Ways to Reduce Waste When Working With Resin
Tape the sides and underside of your artwork with painter's tape to catch drips and keep edges clean. This step saves sanding later and gives you a more polished, pro-looking result. Remove the tape before the 24 hour mark while the resin is still soft - waiting too long can cause the tape to bond to the resin.
💡 How to Deal With Epoxy Resin Drips
When it comes to resin, correct ratios are critical. Weighing and measuring by volume are not the same; for example, ArtResin is measured 1:1 by volume but 100:84 parts resin to hardener by weight. Always follow the label directions precisely to ensure proper curing and hardness.
Never add more hardener thinking you'll end up with a harder cure. It just doesn't work, and you may end up with a sticky mess.
💡 A Beginner's Guide to Mixing Resin
Use a flat-edged stir stick to scrape the cup's sides and bottom as you stir. This ensures a complete blend.
As tempting as it is scrape every last drop when pouring, don't. There's almost always some unmixed resin the sides, and scraping it out can contaminate your mixture and cause sticky spots. If you don't want to waste, scrape the resin into a fresh cup, stir for another couple of minutes, and then pour.
💡 The Top 10 Resin Mistakes and How to Avoid Them
Place tightly capped bottles in a warm (not hot) water bath for 10-15 minutes. Warm resin flows better and releases bubbles more easily. This tip is especially important for those in colder climates.
💡 How to Give Resin a Warm Water Bath
Avoid aggressive mixing - doing so creates a whipped, frothy mixture full of micro bubbles. Instead, a slow, steady stir blends the resin while keeping bubbles to a minimum.
💡 Tips to Prevent Resin Bubbles
Heat removes bubbles, but too much can burn the resin, cause wrinkles, ripples, dimples or yellowing. Keep the flame moving and use it sparingly - flame torches work better than heat guns for bubbles, while heat guns are better for silicone molds or fluid art.
💡 What Happens if I Over Torch Resin?
If your 40 minute working time allows, let the resin sit for about 5-10 minutes after pouring and spreading. This gives bubbles time to rise naturally, making them easier to remove with the torch.
You can let the resin sit briefly in the cup before pouring, but avoid letting large volumes sit too long. Resin can heat up very quickly in the cup - especially in warm temperatures - and in some cases can even flash cure. It's best to portion the resin into smaller cups first.
Bright natural light or strong LED lighting helps you spot bubbles, dust and debris after spreading and torching.
Have paper towels, wipes, and isopropyl alcohol within arm's reach. Planning ahead makes accidental drips or spills far less stressful.
💡 How to Clean up Epoxy Resin
Protect curing resin with a clean cardboard box or plastic container. For larger pieces, prop a board or piece of corrugated plastic on four paint cans to create a simple tent. Check your work every 10-15 minutes with a light source for the first hour. If you spot any dust or bubbles, use a toothpick to remove them before the resin sets.
💡 Tips to Keep Dust Out of Your Resin Art
Most resin is touch-dry in ~24 hours and fully cured in 72 hours. Artwork may be hung on the wall after 24 hours, but functional pieces should not be used until fully cured. It's important to note that resin is food safe only after it has fully cured.
💡 What's the Cure Time of Epoxy Resin?
To fix imperfections, sand cured resin until the flaw is fully removed. Don't forget to sand the rest of the surface so the new resin layer has something to grab onto.
To simply add an additional layer, cured resin must be sanded. Resin won't bond properly to a smooth, cured surface without some tooth.
Alternatively, you can apply an additional coat after about 3-5 hours, while the first layer is still tacky. In this case, sanding isn't needed - the two layers will cure together and bond as one.
💡 How to Sand Epoxy Resin
Sticky resin often comes from under mixing, incorrect mix ratios, or cold temperatures. Move the piece to a warmer spot for a day. If this doesn't fix the issue, remove any traces of liquid resin and apply a properly measured and mixed coat over top.
💡 How to Fix Sticky Resin
We always recommend testing new techniques, colorants, additives, and surfaces before committing to a final piece. It's the easiest way to avoid surprises and know exactly what to expect.
Too much colorant can prevent resin from curing properly. Add no more than 6% of the total volume of resin and hardener. If you use a pigment based colorant, you will need far less than this.
Add the colorant gradually, adding more as required. Test the color as you go by using your stir stick to pull a little resin up the side of the mixing cup. Be careful with water based colorants, such as acrylic paint. Water and resin react and can create a thick, gloppy mixture.
💡 How to Color Clear Epoxy Resin
Keep silicone molds close by to create bookmarks, key rings, coasters or other small projects with excess resin.
A bin for cured scraps is handy to keep on hand. Repurpose scraps as filler in deeper pours or as decorative embellishments in mixed media projects.
💡 Stop Wasting Your Resin
There's a short window, around 12-16 hours, when resin is dry to the touch but still flexible. This is the perfect time to shape it!
Thin coasters with scalloped edges work beautifully shaped into trinket dishes. Just place your flexible coaster into a plastic bowl and leave it to fully cure.
💡 Resin Trinket Dish Tutorial
After 6 months opened (or 12 months unopened) you may notice your bottle of hardener yellowing from oxygen exposure. Don't throw it out! The resin and hardener will lighten significantly once mixed and will still cure perfectly. Use it with colorants or over dark surfaces, like wood, and you’ll never know it was yellow.
💡 What Can You Do With Yellowed Hardener?
As our good friend, artist Jane Monteith says: "Be in a good mood! This sounds silly, but when you’re feeling positive the entire process runs more smoothly. When you're put under pressure to finish your art piece/s, you tend to rush more, which can lead to frustration and unwanted results."
💡 Resin Tips with Jane Monteith
From our blogs, FAQs, and videos to our friendly customer service team, our goal is to help you feel confident and get great results - every time.
💡 Contact Us
We hope you found these tips helpful! With good prep, patience, and a few best practices, you'll get more consistent, professional results every time. And if something doesn't go perfectly - don't stress. It happens to all of us, and we're always here to help.
Want even more artist-approved tips? Check out our blog Professional Artists Share Their Favorite Resin Tips to see the techniques our artists reach for again and again in their own studios.
And don't miss our Top 10 Blogs of 2025, packed with troubleshooting, tips, and how-to's to keep you creating with confidence all year long!
Here's to your best resin results yet in 2026! 🎉
ArtResin: The Original Epoxy for Resin Art.
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What's your art background? Are you self-taught or did you study art?
I always knew that I wanted to become an artist and picked up drawing techniques at an early age. My Dad taught me to use power tools at the age of seven, from there I loved to build anything I could using my hands. I was blessed to have incredible teachers that nurtured my talents early on. I continued developing those talents through North Carolina State University College of Design where I studied Industrial Design and also attended, what used to be, Parsons School of Design in Paris, France. During college I interned with the world renowned architect, Micheal Graves, where I helped design large scale building graphics and his graphics for The New York CowParade. Once out of college, I worked for a Charlotte based architecture firm as their Director of Graphics. Soon after, I was chosen to be on a DIY television show called Homemakers where an all women crew completely renovated houses and explained "how to" as we went. After four years and over sixty episodes of Homemakers, my husband and I wanted to start a family. I then transitioned into being a stay at home mom, filming occasional DIY TV commercials and designing logos to help keep my creative itch at bay. I would say that I have a very eclectic art background where I have learned so many different skills through layers of studying art, traveling, building, and also being self-taught.
Are you a full-time artist or do you create around work hours?
Yes, I am proud to be able to say that I am a full-time artist. It has been a lifelong dream come true.
What do you love about the mediums that you use in your work?
Most of my works of art are completely made using ArtResin. Not only do I love to paint with colorful, overlapping layers of ArtResin, I also use and make silicone molds to form the resin into any shape I need. It can be a very colorful and versatile material and I find new ways to use it all the time.
How did you discover resin?
As my three kids became older and my free time opened up, my creative itch was growing restless and I decided to jump back into creating again. My goal was to find a material that I could work with that was unconventional. This is when I stumbled upon ArtResin and fell in love immediately. ArtResin gave me the ability to create a colorful, 3D layered painting that was unlike anything else I had worked with before.
How has resin impacted your artwork?
Resin has given me the ability to think outside of the box and take my art to an incredible place where the unexpected fun, color, and form are the priority. Through the years I have stretched its abilities, creating 3D artworks that truly capture my heart and I hope the hearts of the viewers too.
Can you provide a brief rundown of your process?
I am typically inspired in odd ways, like walking through a hardware store or a craft store and looking at unconventional materials. I will try anything and have learned a ton through failure. The best ideas come from the strangest places, you just need to be willing to run with an idea and give it a try. My most recent artworks have combined graphics with 3D art. I start out on my computer and formulate a plan, placement, and specific colors. I find that I can take that plan and confidently make what I see on my computer. By doing this, I have some control over the outcome and ArtResin gives me the ability to bring it all to life in the best way.
Why do you want to make art? What motivates you to create?
I make art because it is the one personal pursuit in my life that makes me feel most in tune and connected with myself. I am motivated not only by my own need to create, but also because I want to share my art with the world - which is not only sharing a part of me, but hopefully sharing the same joy and peace I feel when I create and complete a work.
Does art help you in other areas of your life?
Being an artist helps me to be me, in all areas of my life, and allows me to stay true to who I am and what I care about. When I have a consistent, creative outlet, I am the best version of myself.
What do you hope someone sees or feels when they look at your art?
Whenever I see a piece of art that truly speaks to me, I can feel it in my soul and I don't want to stop looking at it. It makes me happy inside. These are the feelings I would love to convey when someone sees my work.
How do you define success as an artist? What does that look and feel like for you?
I already consider myself a successful artist, because I place tremendous value in the creative process, and add value to the world by sharing my final work.
However, the moment someone moves or hangs my artwork while wearing white gloves, will be a special feeling of success for me personally. It might seem like a silly concept but it is one that I have dreamed about for quite some time.
What's your favorite resin tip you'd like to share with our readers?
My top resin tip is to use it inside where there are no bugs and the temperature is controllable. I started out using resin in my garage. Not only is the outside temperature unregulated but the bugs love resin and seem to find their way to it every time.
Where do you sell your work?
I have sold most of my artwork through Instagram and word of mouth.
Congratulations on your win, Shelley!
To see more of Shelley's work:
Visit her website:
Follow her on Instagram: @shelleywilfongart
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: The Original Epoxy For Resin Art!
Sticky resin can be frustrating, but it doesn't mean your project is ruined. In this post, we break down the most common reasons why resin doesn't cure properly, share practical ways to fix it, and offer simple tips to help prevent the problem next time. Whether you're dealing with wet, liquid resin or just a few tacky spots, you'll find clear solutions here.
New to resin? The guide breaks down the basics so you can started with clarity and confidence. It covers the essential supplies, beginner friendly techniques, along with practical tips to help your first projects go smoothly. 
Download our free e-book, How To Use ArtResin.
A tidy and organized workspace makes working with resin easier! This article walks through the best ways to clean up both fresh and fully cured resin, along with proper disposal tips to help keep your tools and work area in good shape.
Learn the do's and don't of removing resin from skin in our blog How To Clean Resin From Your Hands.
Sanding cured resin might feel intimidating, but it’s a key step in refining your work and correcting surface imperfections. This blog walks through the whole process, from protective gear and sandpaper grits to preparing a surface for additional layers or achieving a matte finish.
If you're new to resin, this guide is a great place to start .It explains the basics of epoxy resin, how to handle it safely, and what tools and colorants you'll need. You'll get practical tips for keeping bubbles at bay and a list of 10 simple projects to try your hand at!
Looking to add a little color into your epoxy resin? This article covers the top colorants to use (and the ones to avoid) for bright, even results. You'll also find some practical tips on mixing and applying colorants for that perfect look!
Download our free color mixing guide to create your own custom color blends.
Want to get a thicker layer of resin? This blog walks you through 3 effective methods to do just that. Whether you're adding a second coat to correct a mistake, you're filling a mold, or simply prefer the look of a thicker pour, you'll find practical tips to help you get smooth, professional looking results every time.
Our blog Tips To Prevent Resin Bubbles has lots of great advice on how to stop - and fix - those pesky air bubbles.
Cloudy resin can be frustrating, but it's usually easy to prevent once you know how. In this article, we explore 6 common reasons why resin can turn cloudy and share simple solutions to prevent it from happening next time. Perfect for beginnners or for those who have been working with resin for years.
Bare spots, voids, fisheyes, divots ... 5 reasons why your resin didn't take in our blog Why Are There Bare Spots In My Cured Resin?
Thanks for checking out our most popular blogs of 2025!
As you get ready to create in 2026, we'd love to hear what topics you'd like us to cover next. Whether you're facing a tricky resin challenge or looking for ideas for a new project, we're here to help.
Reach out on our Contact page - your feedback helps us create content you'll find interesting and inspiring.
Describe your artwork:
In my current series of paintings, I have literally reconstructed my paintings to embrace the underlying order and harmonic balance that supports the organic and, at times, chaotic nature of life. The style is created by the application of paint and resin with a palette knife to thin wooden boards, which are consequently cut up into strips and collaged together in a different order thereby creating more graffiti like painting landscape or simplified color based atmospheres.
Does where you're from or where you currently live influence your work?
My work is influenced by Urban landscapes and The New American Painters movement as related to works of John Chamberlain and Mark di Suvero who have similarly prioritized spontaneity and expressive force.
What's your art background?
My work is a combination of numerous education and life experience [including a] five year degree in bachelor fine arts, masters in urban and landscape, architecture, and masters in integral psychology.
Are you a full-time artist or do you create around work hours?
I have a full-time artistic career, however My artistic directions is also influenced by my private practice in counseling and transpersonal psychology, which influences my work direction and provides respite and equanimity.
How did you discover resin?
Discovered resin any early years of 2000 by observing how light and luminosity enhance colors and preserve paint. By experimenting with resin as a finished surface, I started, including it into a mix of colors in creating depth field.
How has resin impacted your artwork?
Since resins ability to change depth of color in my work, use have opened my art to new audience and exhibits. Resin itself provides a beautiful finished surface. That's unlike anything currently available on a market and it could be challenging to use it effectively. It does offer a possibility for new creative ideas.
Can you provide a brief rundown of your process?
The style of my work is created by the application of resin and paint with a palette knife to thin wooden boards, which are consequently cut up into strips and collaged together in a different order thereby creating more graffiti like painting landscape. In the Chronicle Series, the process includes additional step of including strips of collages made from various newspapers and magazines to bring fragments of images and text into composition. The collage also serves to ground the work in time and place, with references to Art, Poetry and Urban contemporary lifestyle.
Why do you want to make art? What motivates you to create? Does art help you in other areas of your life?
Art is but a child play. I think at heart, all of us want to remain that way. The creative process is nothing more than a playful rediscovery of the world as we see it. Art helps us to percieve the world in a new way.
What do you hope someone sees or feels when they look at your art?
I agree with Leo Tolstoy who famously said that the aim of art, and by extension his own work, was not to resolve a question definitively, but rather to compel people to love life in all its complexity and inexhaustibility.
How do you define success as an artist? What does that look and feel like for you?
I believe that a work of art should transmit emotions, creating an empathetic connection between the artist and the audience. And if art invokes an emotion in a viewer then this makes my work more purposeful.
What's your favorite resin tip you'd like to share with our readers?
Patience and practice. It is important to cover resin while it is curing and use low humidity and steady temperatures.
Where do you sell your work?
My paintings are currently exhibited Los Angeles, the San Francisco Bay Area, Chicago, Dallas, Huston, New York, Boston and London.
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: Celebrating 10 Years As The Original Epoxy For Resin Art!
Does where you're from or where you currently live influence your work?
What do you love about the mediums that you use in your work?
The dynamic range of versatile mediums is essential. Everything is custom designed or painted for that medium and intention.
How did you discover resin? How has resin impacted your artwork?
How do you define success as an artist? What does that look and feel like for you?
The holiday season is here - and with it, all the magic of decorating your space. Resin makes it easy to customize holiday decor to your exact style, whether you love a traditional look, modern minimalism, colorful designs, or sparkly glam. From festive Christmas ornaments and shimmering home decor to meaningful handmade gifts, resin projects allow you to tailor every detail to match your aesthetic.
We're sharing some joyful resin pieces made by our talented artist community to inspire your next make. These customizable holiday resin crafts are full of color, shine and personality. They're sure to to spark ideas for your own seasonal projects - or simply brighten your day with a little creative cheer!
Your tree, your style! From classic Christmas vibes to beachy blues, resin ornaments let you design the holiday look you love.
The cutest stocking stuffers start here! Festive DIY gifts that you can customize for everyone on your list.
Alcohol Ink & Resin Earrings by @hancraftedgb
Give gifts with purpose. Custom resin coasters, cheese boards, wine charms and other holiday helpers - practical, personal, and festive.
Deck your walls for the holiday season! Festive resin artwork, signs, and decor to brighten your home.
Nativity Scene by @paulaogdensart
"Merry Christmas" Sign by ArtResin
"Let It Snow" Door Sign by ArtResin
We hope you found these ideas helpful and inspiring for your holiday resin projects!
From ornaments to jewellery, functional gifts to festive home decor, reisn lets you make every piece uniquely yours.
Get creative, have fun, and share your holiday resin creations with us! We can't wait to see what you make! 🎄✨
ArtResin: Celebrating 10 Years as The Original Epoxy for Resin Art.
The holiday season is here, and many of us are thinking about how to make our homes feel extra special. Instead of buying ornaments, this is the perfect time to create your own - pieces that feel personal and tailored to your own color theme and style.
Each year, Toronto based mixed media artist Ellice Yang creates beautiful handmade alcohol ink ornaments. Adorned with a gold leaf back and a glossy resin finish, she sells them to raise funds for the Princess Margaret Cancer Foundation every holiday season.
In this tutorial, Ellice generously shares her process, from choosing colors to building soft gradients, to adding shimmering metallic details, gold leaf, and a resin topcoat. She shows exactly how to brings each ornament to life so you can confidently make your own.
Whether your holiday palette is classic, modern, or colorful, you can create ornaments that feel uniquely yours and that fit your decor perfectly!
Let's get started.
Watch the full video tutorial:
Inks & Tools
Gloves: to protect your hands from stains
Alcohol ink: Ellice uses red, pink, blue, purple, green, and Piñata brass
Isopropyl Alcohol: preferably 99%
Synthetic paintbrush: for brushing the ink
Airbrush: you can also use a blow dryer or or heat gun
Squeeze bottles: with a fine nozzle needle tip
Ornament Blanks & Embellishments
Acrylic Ornament Blanks from Swimming In Color
Gold metallic marker: Ellice used Sakura Pen-Touch in Gold
Gold leaf: packaged in a booklet with tear-off sheets
Pebeo Gilding Paste: to adhere the gold leaf
Speedball Metal Leaf Sealant: to seal the gold leaf
Flat brush: to apply the gilding paste
Soft brush: to apply the gold leaf
Flat brush: to apply the sealant
Resin Supplies
ArtResin epoxy resin
Measuring cup
Mixing stick
Pointed bamboo skewers: to dome the resin
Maker’s Torch: to pop bubbles
Dust cover: a clean cardboard box or plastic tote to protect the resin while it cures
Finishing Touch
Organza ribbon: Ellice used pink, peach, gold
Choose Your Color Palette
Alcohol ink is highly pigmented, so you don't have to use many colors. Ellice prefers working with 2-3 colors per ornament, along with metallic ink for shimmer. She plans to make 3 ornaments, each in a different color theme. For the first, she chooses a modern jewel-toned palette of pink, blue and purple. For the other two, she selects a more traditional cranberry red and a festive green. All of the ornaments will be embellished with brass alcohol ink for a beautiful metallic accent.
Build the Design
For this ornament, Ellice chooses a colorful palette made up of pink, blue, and deep purple.
She begins by laying down a small amount of isopropyl alcohol to the ornament - a little goes a long way. The alcohol provides a medium for the alcohol ink to move freely, prevents the ink from sticking to the surface, and keeps the ink from drying too quickly while she works.
Ellice shakes her alcohol ink bottles well, then adds 3 drops of blue ink onto the alcohol, tilting the ornament so that the blue ink flows into the alcohol.
Next she applies 2 drops of purple, followed by a couple of drops of pink and a few drops of isopropyl alcohol. She waits to add the brass until the colors have blended together a bit.
Ellice tilts the ornament gently to get the inks moving before switching to her airbrush. She prefers the airbrush to create a soft, organic, flowy design, but a blow dryer or a heat gun will work as well.
Tilting the ornament as she works, Ellice encourages the inks to blend by blowing them back and forth. She makes sure to leave some negative space with no ink - she will build a soft gradient in this space. If the inks stop moving, she adds a few drops of isopropyl alcohol and continues to build the design.
💡 TIP: Working without heat (using an airbrush) keeps the inks wet longer, giving you more time to adjust the composition.
Once the colors have blended a bit, Ellice adds a couple of drops of brass, tilting and using the airbrush to move the ink. As the brass dries, it naturally forms vein-like lines.
💡 TIP: Whenever the ink starts to get too dry, Ellice adds a little more isopropyl alcohol to help the flow.
Ellice finds that the purple is a little overpowering, so she adds a bit more blue and brass in the center, along with some isopropyl alcohol and continues working the ink until it dries.
She repeats this with a little more pink and brass.
4 Ways to Correct and Refine
There are a few ways Ellice likes to refine areas that aren't working:
1) She adds a little more ink and isopropyl alcohol into negative spaces
2) Ellice uses a brush dipped in isopropyl alcohol to soften hard lines.
3) Ellice uses paper towel dipped in isopropyl alcohol to lift the color from an area where it's too overpowering. Once the section is removed, she adds more ink and works her design once again.
4) In areas that are highly saturated, Ellice removes ink with a brush to create some negative space. This time, instead of adding more ink, she adds alcohol to simply reactivate the ink already there. She blows back and forth to create a soft, gradient fade.
Allow to Dry
Ellice is so happy with how it turned out! Her ornament is a rich blend of pink, deep purple, and blue with soft gradients, saturated areas and soft gradients, and shimmering metallic veins throughout.
She sets it aside to dry for about an hour and moves on to her next ornament.
Build the Design
For this ornament, Ellice chooses a traditional Christmas red accented with brass. Even with only 1 color, she can still create multiple hues and gradients: the more concentrated the inks are, the deeper the color will appear.
Ellice starts by laying down some isopropyl alcohol and red ink, concentrating on one side of the ornament, and leaving negative space on the other.
Next, Ellice adds in some brass and tilts the ornament to blend before going in with the airbrush. At this stage, Ellice is building her base layer composition - everything can be adjusted and refined afterwards.
Keep working until you're happy with the design. As Ellice says: "The beauty of alcohol ink is that you can keep working and changing things as you feel looks good to you. You just want to have fun with it."
Adjust the Ink
If the ink isn't moving as much as you'd like, add a touch of isopropyl alcohol to encourage the flow. On the other hand, if you feel like there's too much ink, gently dab the excess onto your paper towel pad. If the airbrush isn't giving you the movement you want, use your brush to guide the ink.
Soften Harsh Lines
Dip your brush into a little isopropyl alcohol to break up strong edges, then use the airbrush to blow them out and create beautiful, soft gradients.
Deepen the Color
To create areas with deeper hues, add a few drops of red ink - a little goes a long way. Skip the isopropyl alcohol for this step - too much alcohol will make the ink flow and you'll lose control of the depth you're adding.
Correct and refine:
Use a paper towel dipped in isopropyl alcohol to lift any areas that feel too heavy or if the red ink has moved too much. Then add more alcohol and gently move it in and out of the ink to create a soft fade.
Finishing touches
Ellice adds a touch more red near the top to deepen the hue and finishes with one more small hint of brass.
Allow to Dry
The ornament looks beautiful! Ellice loves how the cranberry red contrasts with the negative space.
She sets it aside to dry and moves on to Ornament 3.
Build the Design
Ellice begins by laying isopropyl alcohol and ink across the entire ornament. Unlike the previous pieces, she plans to cover the entire surface and build beautiful gradients from edge to edge.
Ellice tilts the ornament to let the ink and alcohol spread naturally, then follows with the airbrush to guide the flow even further.
Ellice adds a little more green and brass ink, moving it around and helping it settle into organic lines that add movement and shimmer.
The ornament already looks beautiful, even at this early stage.
As Ellice explains: "It doesn't have to be complicated. Sometimes it happens quickly and you're really happy with how it looks and that's all it takes. You can also work on it as long as you like until you get the composition you're happy with."
Correct and Refine
Ellice loves the soft gradient that's developing, but adds a bit more green to deepen the color on the opposite side of the gradient. She finishes it by adding more gold, green and alcohol around the circle.
Let it Dry
Ellice is really happy with the composition and the range of beautiful shades she was able to achieve with just one color. She sets this ornament aside to dry before moving onto some detail work.
Once the ornaments have dried for about an hour, Ellice is ready to add some metallic details.
Ellice starts by highlighting some of the fine ink lines with brass. She shakes the brass ink bottle well and drops a small amount into a beaker and tilts it, letting the pigment settle from the alcohol.
Using a small pointed brush, she dips into the pigment and lightly dabs along the lines. Ellice isn't brushing the pigment on - she's placing small, gentle dabs and following the line so it looks as natural. Ellice recommends taking your time with this step, creating subtle lines until you're happy with the effect.
Next, Ellice dips a long, stiff brush into the beaker and flicks it over the ornaments to create tiny speckles. A fan brush works well too, or tapping the brush handle to create a soft splatter. Ellice likes to keep this step subtle so it doesn't overwhelm the design.
Next Ellice outlines each ornament edge with gold metallic marker, making sure the ink is captured on the front. This detail frames the ornament in a really elegant way. Go all the way around, including the top and inside the circle. Then apply the marker to the sides, trying to get into the crevices to give it a beautiful, clean finish.
To prevent the alcohol ink from shifting under the resin, it's important to seal each ornament with 2-3 light coats of Kamar Varnish. Kamar Varnish is the go-to sealant for alcohol ink because it doesn't contain solvents - meaning it won't reactivate the ink and smudge your design.
Once the Kamar Varnish has dried, Ellice follows with 2-3 light coats of UV Resistant spray to help prevent the ink colors from fading over time.
⚠️ TIP: Always use spray sealants outdoors or in a well-ventilated area, or wear a protective mask.
Ellice has the ornaments propped up on stands, ready for resin. There's no need to tape off the back as each ornament already has a removable paper backing which will protect it from resin drips.
Wearing gloves, Ellice measures equal parts of resin and hardener (1.5 fl oz of each) into a measuring cup. She stirs for 3 minutes, scraping the sides and bottom to ensure the product is thoroughly blended.
She pours a small amount of resin into the center of the ornament, gently nudging it to the edges with a bamboo skewer. This method creates a domed effect without letting resin spill over the edges.
After torching the surface to remove bubbles, the transformation is instant — the resin brings out the metallic accents and deepens the ink, giving each ornament a rich, glossy glow.
Ellice allows the ornaments to cure for 24 hours under a dust cover.
Once the resin has cured, it's time to apply gold leaf to the back.
First, remove the sticker backing from each ornament. Ellice makes a small cut with an X-Acto knife, making it easier to peel off.
Next, Ellice pours a small amount of Pebeo Gilding Paste into a cup and applies a very thin layer with a flat brush. It can be hard to see on the white surface, so she tilts the ornament towards the light to check that the paste reaches the edges and that no puddles have formed.
You'll know the ornament is ready for the gold leaf once the gilding paste feels tacky, after about 15 minutes.
Ellice finds it easiest to tear out a full sheet of gold leaf from the booklet, and gently places it facedown on the ornament. Using a soft brush, she presses the gold leaf into the surface, and then traces around the perimeter with her finger before removing the paper.
She gently brushes over the ornament again to make sure the gold leaf has adhered, especially around the edges.
Next, Ellice brushes away the excess gold leaf. Because the paste is only on the back, any gold around the sides will fall away easily.
To finish, Ellice seals the gold leaf to protect it and prevent tarnishing over time. She pours a little Speedball sealant into a small cup and brushes on a thin, even coat. It will go on cloudy but will clear as it dries. Ellice recommends brushing in one direction to avoid streaks.
Ellice cuts 30 cm lengths of organza ribbon - she uses pink, peach, and gold. To keep the knot below the top of the ornament, she first folds the ribbon length in half to create the loop for hanging the ornament.
She then feeds the two ends into the hole from the front side of the ornament, pulling them through until the loop is the desired length.
If the tails are a bit long or frayed, she trims them.
Ellice's finished ornaments look elegant and festive, with deep vibrant colors, soft gradients, shimmering brass details, gold leaf backs, and a glossy resin finish.
Alcohol ink offers endless possibilities and, with a few thoughtful touches, Ellice elevates each ornament into a truly special, truly customizable keepsake.
ArtResin: The Original Epoxy for Resin Art
What's your art background? Are you self-taught or did you study art?
Self taught.
Are you a full-time artist or do you create around work hours?
Formerly full-time, but have taken a break due to an illness in the family.
What do you love about the mediums that you use in your work?
I love the originality of the 3D Layered Canvas Art, and I love the process involved in the other mixed media art because it evolves as it is being created and the finished product is always a surprise.
How did you discover resin?
It was recommended by a print media vendor. I used another product extensively in the past, but it was lacking in many ways.
How has resin impacted your artwork?
When used on the 3D layered canvas pieces it unleashed a depth and breadth of color that really pops when compared to the raw canvas. It also makes it difficult to tell what the final product is made from.
Can you provide a brief rundown of your process?
I edit photos and print them on canvas, then cut them into hundreds, sometimes thousands of pieces, glue them in layers and coat them in ArtResin.
Why do you want to make art? What motivates you to create?
A desire to see my ideas transformed into tangible pieces of art that can be shared with others.
Does art help you in other areas of your life?
Yes, it has taught me to be patient and enjoy experimenting in order to achieve an objective. The journey can be more rewarding than reaching the destination.
What do you hope someone sees or feels when they look at your art?
I hope it makes them smile. It would also be great if it inspires their own creativity.
How do you define success as an artist? What does that look and feel like for you?
Success in art for me is simply processing emotion into a tangible object. It is a huge plus if others enjoy it and an even bigger plus if it puts money in my pocket, but the process itself is enough even if no one else ever sees it.
What's your favorite resin tip you'd like to share with our readers?
Use an ArtResin plastic stir stick, wipe it completely immediately after use, and don't whip the resin into a froth.
Where do you sell your work?
Primarily to a major hotel/restaurant chain.
Congratulations on your win, Adam!
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: Celebrating 10 Years As The Original Epoxy For Resin Art!
Congratulations to Robert Mackie, our latest ArtResin winner! Robert is a mixed media artist based in Redondo Beach, CA, who creates both 2D and 3D works using a variety of techniques, including watercolour, oil, welded metal sculpture and resin.
Does where you're from or where you currently live influence your work?
I was born in England, but moved to the Caribbean at an early age. The islands of Jamaica and Trinidad and Tobago greatly influence my art work.
What's your art background? Are you self-taught or did you study art?
Totally self taught, but work in the textile, and ceramic industries helped.
Are you a full-time artist or do you create around work hours?
I teach art, but my artwork is ongoing on a daily basis.
Can you provide a brief rundown of your process?
My work space is well laid out. The resin and hardener are well separated - resin on the right and hardener on the left. I use yellow mustard squeeze bottles for the resin and red ketchup bottles for the hardener. This is a very visible method to avoid mistakes.
I use large cups for mixing reserves of coloured resin minus the hardener. This is poured as needed into small measuring cups and the hardener is added. This avoids confusion.
Why do you want to make art? What motivates you to create?
My art is my life, even as a young child the desire to make things was evident.
Does art help you in other areas of your life?
In a way, my whole working career has been helped by my artist bent, be it in textile engraving, printing footwear, and in later life, ceramic tile murals for the Tile Guild. I still get requests for work with this firm. Then there is teaching which I still do, in my eighty eighth year.
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: Celebrating 10 Years As The Original Epoxy For Resin Art!
Does where you're from or where you currently live influence your work?
Yes, I'm quite often attempting to capture the soul of certain local beaches using wood grain. I also tend to work with a lot of local urban timber live-edge slabs. Also as I travel across California to do art shows, I search out unique regional woods like redwood from the bay area or buckeye from central CA. But just here in San Diego our climate allows a huge range of trees to grow so it's a pretty amazing place to be a woodworker. We of course have indigenous desert and chaparral coniferous special species like CA Liveoak and Torrey Pines but also any tree that can grow in both Australia and Mediterranean climates can grow here as can most tropical species as well. Probably more species of wood available locally here than any other region of the United States. Don't tell rival woodworkers in the deciduous forrest only zones cuz they'll be all jealous and wanna move here...
What's your art background? Are you self-taught or did you study art?
When I was a kid I was the type that wanted to explore the local canyons all day and not take showers so a lotta affluent privileged kids were real mean all the time and so I'd go escape the playground and collect leaves, study the patterns on them ect...Eventually I became all best friends with all the other loser kids in my class and started skateboarding and surfing when these were still cultural institutions for outcasts like myself. By the time I was a teenager in the 90's, San Diego had become a mecca for aspiring pro skaters who would film legit video parts at my neighborhood schools and so my 1st artistic aspiration was to do as they did and make surf and skate videos with bad VHS or Hi8 cams and some linear editing decks in my high school video film class. I'd also be doing lots of "uncompensated teenage labor" for my folks. My dad had broken his neck skiing in 1964, became a quadrapelegic and then learned to walk again, badly, so it was expected of me, the only child son, to perform handyman tasks like sanding decks and painting fences. So I started learning the skills for what I do now "Karate Kid" style.
In 93' my folks bought a run down mountain hostel in Mammoth Lakes and I spent my summers building bunkbeds and pushing boulders around the hillside. Also by some miracle I got myself into college at UC Santa Cruz where I continued on with the video production as my major. I started to discover and watch all the high-minded art films and fostered aspirations of making highly intelligent art films. I could have maybe did it too if I wasn't getting all partied out hanging with all the musicians and shooting basic music videos documenting the scene instead. This is to say I approach my artwork with a film school background being better at cinematography and photographic composition than I am at traditional sketching or illustration. Once I graduated, I followed my friend's bands to Oakland where I would eventually get a hold of a 8,500 sq' warehouse and start an underground DIY venue the people named "The French Fry Factory." From 03' - 05' I ran one of the "it" illegal rockclubs of the day and spent two years helping other people do their art being the venue and not the talent though many a good show flyer I did make and those should count in the art portfolio. Mostly bands that wanted to sound like Black Sabbath but I'd also host community theatre and curate art shows in there. Jello Biafra and bands like "The Residents" would come through. It was rad. You don't however make any money doing that so I started doing odd jobs like hauling and painting. When My venue had run it's course I went through a dive bar vinyl DJ Old Spice period seeking rare soul and psych 45's and then ended up moving back to SD and becoming a licensed painting contractor.
For about 10 years I worked in this capacity mostly painting white apartments white and then surfing in Baja a lot between the jobs. I worked as a professional painter until I developed a severe allergy to latex which also makes me allergic to neoprene wetsuits. Like go into anaphylactic shock allergic. So right when I started a family I lost my livelihood painting from the allergy. Made a goal to surf every day without a wetsuit for a year and by the end of that year I had decided to dedicate the rest of my life to using wood grain to do seascapes. Whilst as a contractor I would sand cabinetry for days and see surf breaks in the grain. Eventually I set out to realize these seascapes out of wood and went back to school to study at The American School of French Marquetry which happened to be in San Diego where I'm from. There I learned the traditional French methods for wood inlay. That was ten years ago and I've since been breaking all the rules developing my own contemporary techniques. For anybody who's seen Zoolander I'd love for you to think of me as the Hansel of marquetry wood inlay. Just kidding....
Are you a full-time artist or do you create around work hours?
Full time and after ten years of being a full time working artist I now also run the family hostel and am a caregiver to my disabled parents.
What do you love about the mediums that you use in your work?
I yield the power of nature. It's the best! Woods nature's hologram and it's a highly underexploited painting medium. I create colors unique to the one piece of wood I'm working with so it's inherently special. I also love searching for unique slabs and veneer I work with. This is a carryover from my years looking for rare records. It's a similar skill set. Always on the treasure hunt for the perfect board to make the perfect fantasy surf break in the grain.
How did you discover resin? How has resin impacted your artwork?
Repairing surfboards. Resin makes it possible to do colored marquetry art without fear of the colors fading. It also enabled me to create my "Waves in the Wood" series works because you can colorize the wood without the color being so opaque that it blocks out the wood grain.
Can you provide a brief rundown of your process?
For Marquetry art, I shoot photos that I'm essentially adapting into wood. From my photos I create elaborate cad vector designs individually drawing out shapes I'll fulfill in wood as if I'm an architect. Then I'll use a scroll saw or a laser cutter to cut my veneer. Some of it I'll keep in natural wood tones and others I'll stain. I'll organize what could be up to like 1000 veneer components and then assemble and laminate them using a mechanical glue press. Finally I varnish the work under ArtResin to preserve the color and then buff the pieces. There's like 50 steps and the process can take months for one series. This is process that took me years to innovate.
For the "Waves in the Wood" series, which I do to relax after the marquetry art, I find boards with a good coastline and surf potential lurking in the grain, tint my resin, define the ocean and then eventually paint the surf breaks on according to the grain lines. So all the waves follow the refraction in the grain lines, grain line by grain line, as to illuminate the shared patterns in the cosmos. It's a delicate matter and it employs years of studying bathymetry looking for undiscovered surf breaks in the world. I don't blow white paint around with a hot air gun.
Why do you want to make art? What motivates you to create?
It's a circumstance. It was the best option for an injured contractor / retired rock promoter:) That's true but of course I do it because it's the best use of all my combined skill sets and passion. It's my calling and it's the best ticket for a life well lived doing something I can continue to get better and better at my whole life. I especially love that through the context of making and selling art I get the very best version of the people I encounter. My work is highly meaningful to my collectors and might, as they tell me directly in dramatic language, symbolize a late relative, their surviving cancer, their success or a start of a new chapter for them. Life is hard sometimes and people have incredibly hard circumstances they navigate without divulging the details. My art helps take the edge off. It's a fucking honor! + it gives me license to wear flamboyant 70's button down rayon shirts which is nice...
Does art help you in other areas of your life?
Yeah perpetrating all the beauty helps reverse all the childhood neglect trauma. That's most likely too heavy a concept for you passive readers and casual art enthusiasts but for some of us our art is an affirmational psychological life or death type thing echoing man's search for meaning and worth. The artist's life is no walk in the park except when you're literally walking to your art booth at an art faire in a park which happens kinda often but aside from that, it's no walk in the park! I love the artist, surfing and fishing community my work puts me amidst and my rolodex of clients includes actual tech demigods, Hollywood producers, government officials and straight up salt of the earth dudes I can call upon at any given juncture. These people move mountains and by some miracle they choose to have my art above their bed forming the shape of their lives. It's crazy. They respect what I do. It gives me a sense of peace knowing that I have all the people in my corner if I need some advice or something. I also get to prove to my kids that you can do something you love for a living. That a pretty big parenting win.
What do you hope someone sees or feels when they look at your art?
Simply that they're transported to some super unison ethereal space between our own respective lived experience. A place they've conjured up out of their own psyche but that was prompted by what they see and relate to in my art. The "nature" in the wood get's the lion's share of credit for this but I do like to think of myself as reminding people that wonder inherent to nature is there for them...in this art...
How do you define success as an artist? What does that look and feel like for you? Success as an artist is defined by the connoisseurs of your art aka the people that experience it and affirm its value and I don't just mean patrons. If you find them using actual expressive or arcane adjectives to describe the feeling the work gives them that counts. Equally admissible are faces of jaw dropping, deer in the headlights type looks of dumbfounded wonderment. Your art is working if it stops the people in their tracks and makes the talkative extrovert ones shut up and the shy introverts actually say something. We're trying to blow minds but it can also be akin to the simple feeling you have when you cook for someone and you know they really like it. Basic simple joy counts but too often this world we live in erros on the side of validating the safety of simplicity so I say take tremendous risk, really apply yourself as an artist and do some robust nearly impossible stuff. About the money...it's great to make it with your art but don't beat yourself up or let anyone else beat you up if you either do or do not make money with yours.
What's your favorite resin tip you'd like to share with our readers? I like a star head pie filling tip. just kidding. If you're trying to transport two resin'd artworks face to face one on top of the other I highly recommend my old blue and grey Mexican blanket. Towels will often imprint the towel fabric onto the resin. You want the sort of really soft Mexican blanket that's most likely synthetic wool. Something that would have been sold circa 1994' next to the stuffed iguanas and Bart Simpson themed Tshirts at the Rosarito Beach bazaar. That's what you're looking for :)
Where do you sell your work?
Artwork is one big game of Frogger. Jump on a lilly pad. Jump on a log. Try not to get hit by a truck. I do a ton of the top art faires in CA but I'm lucky and can do any surf, fishing, maritime, flora or woodworking events that suit me. Also the occasional local big sticky street festival. I've had my own brick and mortar gallery during the pandemic when I could make a sweetheart commercial lease deal and occasionally I work with galleries on the highly unlikely off-chance they don't take a 50% commission. I have an online store at www.amberwavesofgrain.gallery and you can reach me on the gram at @amber_waves_of_art for DM sales. Sometime soon I'll smarten up and pay for adds and do E-commerce but until then I'll remain an art carnie loading up my 07' Tacoma and setting up my shows as a one man show art gypsy beast man in his rayon shirt. I just can't quit you...the Art Faires that is...
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: Celebrating 10 Years As The Original Epoxy For Resin Art!
Broken bottle resin art has become a popular way to turn empty bottles into a unique piece of wall art! Perfect for preserving a special memory, creating a conversation piece for your home bar, or making a meaningful gift for someone special, this beginner-friendly project combines recycled glass with glossy resin for a one-of-a-kind result.
Artist Cindy Manly, founder of Art Shattered and The Shattered Circle, has over 20 years of experience teaching glass and resin techniques. In this tutorial, Cindy shows how to use resin, crushed glass, and broken Captain Morgan and Coca-Cola bottles to create a Rum and Coke inspired resin art piece.
Here's how to make your own broken bottle resin art from start to finish. Let's get started!
Watch the full video tutorial here:
• Wood tray: Cindy's is from Hobby Lobby
• Painter's Tape: optional, to protect the tray sides and back from drips
• Broken bottles: Captain Morgan & mini Coca-Cola for a rum and Coke theme
• Crushed Tempered Glass: Cindy uses crushed tempered glass in Starfire
• Plastic-lined work surface
• Nitrile gloves
• ArtResin
• Mixing Cup: with graduated lines
• Stir stick: Cindy used a jumbo craft stick
• Spreader: Cindy used a silicone spreader
• Heat gun or Butane Torch: to pop bubbles
• Dust Cover: to protect the curing resin
• Isopropyl Alcohol & Paper Towel: to wipe off wet tools or clean resin drips or spills
Lay your materials out on a plastic-lined work surface.
💡 TIP: Work on plastic lined table top. Resin drips can be wiped away with baby wipes or isopropyl alcohol, or simply peel from the plastic once cured.
Cindy's wood tray is not sealed, but you can apply a clear-drying sealant to help prevent air bubbles. You can also paint the tray if you wish, but Cindy chose to leave hers natural for a rustic look.
Next, Cindy mixes up 3 oz of ArtResin - enough for the base coat, to apply the broken glass pieces and as a top coat to fix them in place.
If you're unsure how much resin you'll need, enter the dimensions of your piece into ArtResin's Resin Calculator, and double the result to cover the base and top coat.
💡 TIP: Cindy decants her resin and hardener into labelled squeeze bottles for easy pouring.
Stir the resin and hardener together for 3 minutes, scraping the sides and bottom of the mixing cup to ensure a thorough mix. Stir gently to avoid creating excess bubbles.
Once mixed, Cindy pours a thin, even layer of resin onto the base of the tray. She guides it to the edges and corners with a silicone spreader. The base layer gives the glass pieces something to adhere to.
⚠️ IMPORTANT: Before handling the glass, it's important to hone the sharp edges with a honing stone. This will dull the edges, protecting you while you're creating your piece, as well as those who may handle it afterwards.
Cindy starts by positioning the Captain Morgan bottle, which luckily broke into 2 really nice, clean pieces.
To make sure the glass adheres well, Cindy drizzles a little resin, smoothing it out with her gloved hand along the inside of the glass as well as the edges. This will help the glass pieces, particularly curved pieces, stick better.
💡 TIP: Whether the pieces are large or small, it's ok either way! The smaller pieces help add interest and texture.
Once all the pieces are placed, Cindy removes her gloves to add the crushed tempered glass, scattering them around the empty spaces. This will add some depth and help create the illusion of freshly shattered glass or crushed ice.
Next, Cindy puts her gloves back on and, using a craft stick, drizzles a generous amount of resin over the glass, focusing on the edges to seal them in. She uses her craft stick to help spread it evenly, partcularly over the curved pieces. This step helps solidify the art, making it less fragile or prone to breakage.
Cindy prefers drizzling the resin over top rather than flooding the surface. As you drizzle, check for bare spots on the base to make sure the coverage is even however, you can also leave some shards without a top layer of resin for a more “raw” broken-glass look.
💡 TIP: Don't worry if the resin pools in spots - ArtResin will even out as it cures.
Now that the top coat of resin is applied, it's time to pop the bubbles. Cindy is using a heat gun, but you can use a butane torch if you wish.
💡 TIP: Make sure you keep the heat gun or torch moving at all times to avoid scorching the resin or the wood.
Finally, Cindy sprinkles in a few more pieces of fireglass to any areas that look a bit sparse, then covers her artwork to protect it from dust while curing.
Once cured, your Rum & Coke broken bottle resin art is ready to hang - a glossy, upcycled piece of wall art that you made yourself!
Thanks so much to Cindy for sharing her techniques with us! We hope you enjoyed this fun project and feel inspired to make a broken bottle resin art piece of your own!
For more information on resin and glass, please visit our blogs:
How To Create a Resin & Glass Mosaic Seahorse
Can Resin Art Be Done On Glass?
Les Braze is our ArtResin Winner!
ArtResin: Celebrating 10 years as the Original Epoxy for Resin Art.
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Does where you're from or where you currently live influence your work?
We live in a house full of art from local artists and friends, and our own creations. Our
yard is all garden beds that provide inspiration, ideas and visual resources for my work.
We have wonderful parks, architecture and green spaces in Milwaukee County. My wife
has a fantastic eye, taking so many incredibly interesting pictures of gardens and
inhabitants providing ideas and subjects on occasion. So yes, where we live does
influence us.
What's your art background?
I grew up taking art every year, summer school and a couple of years of college,
production art. I spent 20 years managing artists for a special events/ trade event
company observing exceptional talents, taking it all in.
Are you a full-time artist or do you create around work hours?
I work full time in addition to gardening and create art in the hours left over!
What do you love about the mediums that you use in your work?
The whole business started with observing window sashes put out at the curbside for
disposal, and me thinking, "what could we do with those?" Now friends are letting me know when they see abandoned windows for the taking. I love the color and
transparency of colored glass wherever I can find it. Each type of glass from art glass to
mass production bottle glass has different levels of transparency that create unforeseen
results, sometimes good surprises, sometimes disappointing. ArtResin has provided a safe, stable product that doesn’t discolor. I’ve been using ArtResin for 10 years; I have
yet to have a piece yellow from exposure. That’s a huge plus!
How did you discover resin?
Long ago a couple of artist co-workers were experimenting with resin, I was fascinated.
So, when I was developing my glass-on-glass art it was a natural solution to create the
effect I was envisioning.
How has resin impacted your artwork?
It has made my niche technique possible.
Can you provide a brief rundown of your process?
Briefly, I’ll have an idea, or a really interesting supply of a color glass that just screams
“make something from me!” Using a window sash, I’ll repair and repaint the wood
frame, replacing deteriorating glazing and resealing the glass in the frame (to prevent
epoxy leakage). Then placing the sash flat on my work surface, the glass is my canvas.
I lay out the idea. After I have completed the composition, I mix epoxy and pour the
piece making sure all glass is covered or at least emersed in the ArtResin to
permanently fix it. The depth available in the window sash frame allows the possibility
of adding layers for further depth of color and design. After 24 hours of curing time, I
stand the piece in our east windows and watch how the appearance changes over the
course of the day into night.
Why do you want to make art? What motivates you to create?
I am driven to make the next best colorful piece, to become more skilled, more nuanced
at my niche style, to reproduce ideas in the medium of colored glass. I just enjoy trying
to create pleasing, unusual pieces expressing naturalistic scenes.
Does art help you in other areas of your life?
Making art, experiencing art, provides a different focus, a diversion or distraction from
today’s world, the stresses of work and life in general. We just returned from a trip to
see the John Singer Sargent show at the Met in New York, wonderful, inspirational and
aspirational. Personally, often a couple of hours can disappear after the simple thought
of “I'll just reposition this one piece of glass".
What do you hope someone sees or feels when they look at your art
I hope they see color, light play and feel interested, curious and happy.
How do you define success as an artist? What does that look and feel like for you
Success? First making a piece that makes me happy. Most importantly success is the
excited happiness on people’s faces when they tell me they want to purchase my work
for their homes. Success is happiness when they try to describe how the piece makes
them feel. I buy art, I know that joy. I feel that every piece I make will find its home.
What's your favorite resin tip you'd like to share with our readers?
Making sure the two parts are equal when mixing. No going back if your mix isn’t right.
Self-leveling is a monster if you don’t do your leveling preparation. I found these little
adjustable “platform lifts” that I can support my work and level it before I pour without
disturbing the work.
Where do you sell your work?
Various Milwaukee galleries, Sanger House Gardens, commissions and word of mouth.
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: Celebrating 10 Years As The Original Epoxy For Resin Art!
Halloween is the season for all things spooky and fun - and resin art is the perfect way to capture the spirit! From eerie home decor and wall art to whimsical coasters and jewellery, resin artists are celebrating the Halloween season with incredible creativity.
We're sharing some imaginative resin pieces made by the talented artists in our community. These pieces are packed with Halloween charm and sure to inspire your own seasonal projects - or simply to delight you with the artistry behind them!
Show your Halloween spirit all month long with playful resin earrings - think cats, bats, ghosts and more!
Cute ghost earrings by ArtResin
With resin, you can craft everything from sparkly or glowing pumpkins and festive signs to table decor and spooky scenes for a perfect Halloween vibe!
Colorful, embellished pumpkins by @jennasuehome
Glowing pumpkins by @hancraftedgb
Boo sign by ArtResin
Spooky Decor and Candy Dishes by @oliveeveandco
Halloween Decor by @graphiq_design
Want to deck your walls in Halloween spirit? From webs to skulls, resin makes it simple to craft seasonal art pieces. Or try your hand at the viral ghost painting everyone's talking about!
Stay Spooky by @higharts_studio
Lily of the Valley Ghosts by @higharts_studio
Web painting by @justinstromfineart
Ghost wall art by ArtResin
Gravestone wall art by ArtResin
Pumpkin wall art by ArtResin
Day of the Dead wall art by ArtResin
Halloween resin art isn't just for show! Coasters, magnets, pop sockets and other functional pieces bring spooky style to your home while being useful every day.
Day of the Dead coaster by @callowaystudios
Day of the Dead coasters by @callowaystudios
Halloween pop socket by ArtResin
Turn these cute Halloween pumpkins into fridge magnets by @oliveeveandco
Halloween trinkets (fridge magnets) by @oliveeveandco
Halloween dominos by ArtResin
Halloween is the perfect opportunity to play with resin in fun and creative ways. We hope you enjoyed seeing how versatile resin can be and feel inspired to create your own Halloween resin art! Here's to a spooky and creative October!
ArtResin: Celebrating 10 Years as The Original Epoxy for Resin Art.
]]>Learn how to turn an everyday shelf and ceramic tiles into a bold Pop-Art tray and coasters this easy DIY resin project. Using acrylic paint, glitter and a glossy coat of resin, you'll create a colorful, functional set that's sure to brighten any space!
Tallahassee, Florida artist Quia Atkinson is known for both her bright candy-colored artwork and her luxe metallic palettes. She works primarily with acrylics for their vibrant color and loves how resin brings her work to life with a glossy, professional finish.
In today's blog, Quia shares how to create a matching tray and coaster set that's as fun to create as it is to use!
Let's get started.
• Wood or MDF Shelf – Quia used a 12 x 24" shelf from Home Depot
• Porcelain tiles - Quia used 4 x 4 square tiles from Home Depot
• Black handles x 2
• Acrylic paint in your favorite palette – Quia chose a neon palette in pink, orange, yellow, green, blue and teal, balanced with beige and black
• Deco Color Premium Paint Pens - in gold and silver
• Glitterific Hologram Glitter Paint - Quia used clear and green
• Assorted Paintbrushes
• Recollections Fine Iridescent Glitter
• ArtResin
• Disposable gloves – for safe handling
• Measuring container - Quia used 2 disposable plastic cups
• Stir stick, spreader, and stands - available in our Accessory Kit
• Level – to ensure an even pour
• Maker’s Studio Torch – to remove bubbles
• Heat Gun and knife - to remove drips from the back
• Felt pads & cork coaster backing - to finish off the tray and coasters
Quia starts by placing her materials on a plastic lined work surface. 
She then paints simple, colorful shapes onto her coaster and tray using acrylic paints. Choose your favorite color combination - Quia is using a happy, bright palette of fluorescent shades balanced with neutrals.
Quia recommends: "I would definitely say have fun with this part! Don't overthink it. Just paint some cool shapes in whatever pattern you like, whatever color you like - anything that's going to lift your mood and brighten your day."
Once Quia paints her colorful shapes, she outlines then in black acrylic to create bold contrast and to make the colors pop even more.
TIP: For the best results, she thins the black acrylic paint with a little water - this helps the brush glide smoothly across the surface and makes outlining much easier.
After finishing the outlines, Quia lets the paint dry completely overnight before moving onto the next step.
The next step is adding metallic accents to bring in extra sparkle and dimension. Quia uses gold and silver Deco Art pens to draw shimmering lines alongside the black outlines.
Next, Quia sets up a fan over her tray and coasters, letting them dry for a couple of days so that the surface is ready for resin: it's essential that the paint is completely dry before pouring resin.
Once the paint is fully dry, Quia adds an extra layer of sparkle with holographic glitter paint. She brushes the glitter over a few of her shapes to create an effect that shimmers and shifts in the light.
Next, Quia prepares the ArtResin.
If you're unsure how much ArtResin to use, enter your panel’s dimensions into our Resin Calculator. For example, Quia's 12 x 24" panel needs 10 oz total resin.
Each coaster requires .5 oz of resin. For 4 coasters, Quia requires 2 oz total. 
Wearing gloves, Quia prepares 12 oz total, made up of 6 oz of resin and 6 oz of hardener. She stirs well for a full 3 minutes, making sure to scrape the sides and bottom of the container to ensure thorough blending. Quia recommends stirring slowly to avoid creating excess bubbles.
Once the resin is mixed, Quia mixes a small amount of iridescent fine glitter into the resin.
TIP: A little goes a long way! Quia used about 3 shakes - you don't need much.
When pouring, start in the center of the panel, pouring close to the surface to minimize air bubbles.
Next, spread the resin out from the center to the edges with a flat-edged spreader, gently dragging it over the edges.
TIP: Quia suggests looking at the piece from eye-level so you can see if you have any bare spots on your project.
Next, Quia uses a torch to remove bubbles. She prefers using a torch over a heat gun, which can push the resin around.
TIP: After torching, we recommend you look for bits of dust particles in the resin, using a toothpick to fish them out.
Place the handles into the wet resin exactly where you want them. This allows the handles to cure seamlessly into the resin without drilling. Measure carefully to ensure your resin tray handles are perfectly symmetrical to create a polished, professional-looking piece.
Cover the piece with a dust cover. Quia uses a large canvas propped up on some paint cans. Let the resin cure for 24 hours.
Once the resin tray has fully cured, remove any drips from the back. Taping off the back of the tray with painter's tape would avoid this step, but if you do end up with drips, simply heat the resin drips with a heat gun for a few seconds, then scrape them off with a knife. This is an easy technique - but be careful to scrape away from you.
Next, Quia adds felt pads to the bottom of the tray to protect surfaces, and signs the back to personalize her creation. She also applies self-adhesive cork backings to the tiles for finished look.
Quia says: “As you can see, this tray turned out so beautifully. I am absolutely in love with the colors, I’m in love with the way the ArtResin makes everything pop and glisten - I mean, look at the sparkle! I would encourage all of you to start your own resin project. As you can see, this was super easy to do and ArtResin makes it so easy for beginners.”
To see more of Quia's art:
Visit our blog: @qzdesigngallery Is Our Instagram Winner!
Visit her website: www.qzdesigngallery.com
Follow her on Instagram: www.instagram.com/qzdesigngallery
ArtResin: Celebrating 10 years as the Original Epoxy for Resin Art!
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Does where you're from or where you currently live influence your work?
I’d say Toronto definitely influences me. It’s such a diverse and multicultural city, and I’m constantly exposed to different fashion trends and creative styles. I sell my work at local markets around the city, and I’m always so inspired by the people I meet and the way everyone expresses themselves. Whether it’s bold fashion, cool vintage finds, or just the creative energy in the air, Toronto really encourages me to keep experimenting and embracing my own style.
What's your art background? Are you self-taught or did you study art?
I've always loved being creative and trying different crafts. I studied graphic design in university, but near the end of my second year, I was hospitalized and diagnosed with Lupus. While in the hospital, I started making jewelry, which sparked my passion for resin art and led me to start my own business. I’m self-taught through online tutorials and lots of experimenting. Resin feels special to me because it lets me bring color and texture to life in a unique, hands-on way.
Are you a full-time artist or do you create around work hours?:
I work full-time on my small business. As of the end of May, Haley Made will be turning 4 years old! I feel incredibly lucky to be running a full-time business at just 24. I love having the freedom to work for myself and pour all my energy into building my brand—it’s exciting to watch my vision grow every day.
What do you love about the mediums that you use in your work?
I love how many different combinations I can use to create unique pieces. Resin lets me play with color, glitter, and pigments to make each item truly one of a kind. I’m all about bright, colorful designs that stand out—and every piece I make has its own personality.
How did you discover resin?
I discovered resin through TikTok during COVID. I saw someone making little trinket dishes and became totally obsessed. I immediately ordered some resin and started experimenting with different molds. My first batch was full of air bubbles, but after researching and asking friends who work with resin, I gradually got the hang of it. Ive been creating with art resin ever since!
How has resin impacted your artwork?
Resin has allowed me to experiment with different glitter mixes and create something truly magical. I love how you can preserve small items in resin and turn them into unique hair clips that people can wear and enjoy.
Can you provide a brief rundown of your process?
First, I start by laying glitter and pigment into my hair clip molds. I like to make my clips in batches, so pre-laying the glitter helps save time when I mix the resin since it hardens quickly. Next, I mix the resin and work fast to pour it into each mold. At the end, I do some last-minute adjustments—shuffling glitter or adding pieces—and then use a lighter to pop any air bubbles I see. After waiting 24 hours for the resin to fully cure, I demold the pieces and glue the clips onto their backings.
Why do you want to make art? What motivates you to create?
I love making art because it makes me feel happy and fulfilled. I’m all about bright colors, and I want to bring as much of that joy into the world as I can. Building my small business and working for myself is amazing—it feels great knowing that every piece I create and sell helps me support myself and chase my dreams.
Does art help you in other areas of your life?
Art has helped me so much in my life. When I was 20, I was diagnosed with Lupus, and while I was in the hospital undergoing tests, I turned to creating art to keep my hands busy. That experience led me to discover my love for wearable art and inspired me to start my business. Creating art every day really helps me relax and supports me through life’s challenges. I truly believe art has changed my life and helped me get through some tough times.
What do you hope someone sees or feels when they look at your art?
I hope people feel happy when they see my art. I love making people smile or even laugh when they spot the mini fruits or sparkly glitter in my pieces. Bringing a little joy and fun into someone’s day is what it’s all about for me. I also hope my art can inspire confidence and brighten someone’s mood, even if just for a moment.
How do you define success as an artist? What does that look and feel like for you?
That is such a tough question because I find my definition of success to be rapidly changing. But right now, I would say a successful artist is someone who continues to create and share their passion with the world. Someone who connects with people through their art and has a clear vision.
What's your favorite resin tip you'd like to share with our readers?
My favorite resin tip is to warm up the resin a bit before working with it. I find it helps reduce air bubbles and makes the resin clearer. Also, make sure to have everything prepared—materials, molds, gloves—before mixing the two parts. You want to make the most of the time while the resin is still workable!
Where do you sell your work?
I sell my work on my website, Haleymade.ca, and at in-person pop-ups all over Southern Ontario. I’m also working hard to start offering wholesale deals to brands across the country.
Every month, to celebrate our community of artists, ArtResin will send out a 32 oz kit to two lucky people who have shared the work they've created with ArtResin.
ArtResin: Celebrating 10 Years As The Original Epoxy For Resin Art!
