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	<title>ArtsJournal</title>
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	<description>The Arts World's Front Page</description>
	<lastBuildDate>Wed, 27 May 2026 23:26:12 +0000</lastBuildDate>
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	<title>ArtsJournal</title>
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		<title>When Cutting the Cord Pays Off</title>
		<link>https://www.artsjournal.com/2026/05/when-cutting-the-cord-pays-off.html</link>
					<comments>https://www.artsjournal.com/2026/05/when-cutting-the-cord-pays-off.html#respond</comments>
		
		<dc:creator/>
		<pubDate>Wed, 27 May 2026 23:26:09 +0000</pubDate>
				<category><![CDATA[DOUG]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441678</guid>

					<description><![CDATA[Good Morning, Watch the money this morning. Three arts institutions on two continents are rewriting survival, and none of them is doing it a traditional way. Wigmore Hall walked away from Arts Council England&#8217;s portfolio and says ticket sales are up 25% year-on-year since (The Stage). Opera Australia, $10.6 million in the red two years [&#8230;]]]></description>
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<p class="wp-block-paragraph">Good Morning,</p>



<p class="wp-block-paragraph">Watch the money this morning. Three arts institutions on two continents are rewriting survival, and none of them is doing it a traditional way. Wigmore Hall walked away from Arts Council England&#8217;s portfolio and says ticket sales are up 25% year-on-year since (<a href="https://www.thestage.co.uk/news/wigmore-hall-boss-claims-finances-never-been-so-strong-after-rejecting-ace-funds"><em>The Stage</em></a>). Opera Australia, $10.6 million in the red two years ago, broke even after a 29% jump at the box office (<a href="https://limelight-arts.com.au/news/opera-australia-reports-dramatic-financial-turnaround/"><em>Limelight</em></a>). And Sydney Dance Company, four straight deficits deep, is closing the gap by selling classes to the public (<a href="https://www.afr.com/life-and-luxury/arts-and-culture/how-pilates-and-tiktok-are-turning-around-sydney-dance-company-20260525-p600iu"><em>Australian Financial Review</em></a>). Earned income, not grants.</p>



<p class="wp-block-paragraph">Which makes the Heinz Endowments&#8217; recent move worth a look: it&#8217;s pulling back from individual artists and one-off projects to fund organizations and infrastructure instead (<a href="https://www.wesa.fm/arts-culture/2026-05-19/pittsburgh-heinz-endowments-shifts-arts-funding-priorities"><em>WESA</em></a>). The safety net is reorganizing around buildings, not people. Meanwhile the West End shows why the math is so brutal in the first place: it now costs £3 to £10 million just to raise the curtain on a musical (<a href="https://www.whatsonstage.com/news/report-reveals-the-current-cost-of-staging-west-end-shows_1722126/"><em>WhatsOnStage</em></a>).</p>



<p class="wp-block-paragraph">Elsewhere, jazz is taking stock of Sonny Rollins, the last man standing from &#8220;A Great Day in Harlem&#8221; (Richard Brody at the <a href="https://www.newyorker.com/culture/postscript/the-revolutionary-force-of-sonny-rollins"><em>The New Yorker</em></a>, Nate Chinen at <a href="https://thegig.substack.com/p/the-metaphysics-of-sonny-rollins"><em>The Gig</em></a>).</p>



<p class="wp-block-paragraph">And the virally successful Savannah Bananas now want to be Disney (<a href="https://www.theguardian.com/sport/2026/may/27/savannah-bananas-bananaball-expansion-disney-baseball-brand"><em>The Guardian</em></a>). Some empires you can see coming.</p>



<p class="wp-block-paragraph">All of our stories below. See you tomorrow,</p>



<p class="wp-block-paragraph">Doug</p>
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		<title>Why The U.S. Radio Industry Opposes Year-Round Daylight Savings Time</title>
		<link>https://www.insideradio.com/free/permanent-daylight-saving-time-bill-revived-amid-radio-industry-concerns/article_8e95693d-cec1-4545-8564-85d9c7ff4d08.html#new_tab</link>
					<comments>https://www.insideradio.com/free/permanent-daylight-saving-time-bill-revived-amid-radio-industry-concerns/article_8e95693d-cec1-4545-8564-85d9c7ff4d08.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Inside Radio]]></dc:creator>
		<pubDate>Wed, 27 May 2026 19:04:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441675</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1204-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1204-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1204.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" />You know how numerous radio stations have to reduce their broadcast power, and a few even have to go off the air, during non-daylight hours? Now, think about morning drive-time up north in December and January … &#8211; Inside Radio]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1204-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1204-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1204.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">You know how numerous radio stations have to reduce their broadcast power, and a few even have to go off the air, during non-daylight hours? Now, think about morning drive-time up north in December and January … &#8211; <em><a href="https://www.insideradio.com/free/permanent-daylight-saving-time-bill-revived-amid-radio-industry-concerns/article_8e95693d-cec1-4545-8564-85d9c7ff4d08.html">Inside Radio</a></em></p>
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		<title>Knoxville Reverses Its Ban Of Alex Haley’s “Roots” From School Libraries</title>
		<link>https://tennesseelookout.com/2026/05/26/knox-county-schools-takes-roots-off-banned-book-list-restores-to-libraries/#new_tab</link>
					<comments>https://tennesseelookout.com/2026/05/26/knox-county-schools-takes-roots-off-banned-book-list-restores-to-libraries/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Tennessee Lookout]]></dc:creator>
		<pubDate>Wed, 27 May 2026 18:02:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441660</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1102-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1102-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1102-1.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" />“Knox County Schools Superintendent Jon Rysewyk said the district will return the (Pulitzer-winning) 1976 novel to school library shelves, walking back a decision that (led to) … weeks of community backlash, board member pressure, and statewide criticism.” &#8211; Tennessee Lookout]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1102-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1102-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1102-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“Knox County Schools Superintendent Jon Rysewyk said the district will return the (Pulitzer-winning) 1976 novel to school library shelves, walking back a decision that (led to) … weeks of community backlash, board member pressure, and statewide criticism.” &#8211; <em><a href="https://tennesseelookout.com/2026/05/26/knox-county-schools-takes-roots-off-banned-book-list-restores-to-libraries/">Tennessee Lookout</a></em></p>
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		<title>Miles Davis’ “Kind Of Blue” Is The Best-Selling Jazz Album Of All Time. He Thought It Was A Failure</title>
		<link>https://theconversation.com/miles-daviss-kind-of-blue-is-the-highest-selling-jazz-record-of-all-time-he-thought-it-was-a-failure-283839</link>
					<comments>https://theconversation.com/miles-daviss-kind-of-blue-is-the-highest-selling-jazz-record-of-all-time-he-thought-it-was-a-failure-283839#respond</comments>
		
		<dc:creator><![CDATA[The Conversation]]></dc:creator>
		<pubDate>Wed, 27 May 2026 17:44:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441668</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_93521_theconversation.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />When I tell people that I missed what I was trying to do on Kind of Blue, that I missed getting the exact sound of the African finger piano up in that sound, they just look at me like I’m crazy. &#8211; The Conversation]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_93521_theconversation.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">When I tell people that I missed what I was trying to do on Kind of Blue, that I missed getting the exact sound of the African finger piano up in that sound, they just look at me like I’m crazy. &#8211;<em><a href="https://theconversation.com/miles-daviss-kind-of-blue-is-the-highest-selling-jazz-record-of-all-time-he-thought-it-was-a-failure-283839"> The Conversation</a></em></p>
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		<title>Eyewitness Memory Is Unreliable. Or Is It?</title>
		<link>https://www.nature.com/articles/d41586-026-01618-1</link>
					<comments>https://www.nature.com/articles/d41586-026-01618-1#respond</comments>
		
		<dc:creator><![CDATA[Nature]]></dc:creator>
		<pubDate>Wed, 27 May 2026 17:27:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441664</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-300x298.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-768x764.jpeg 768w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-696x692.jpeg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-e1779899610570.jpeg 201w" sizes="auto, (max-width: 90px) 100vw, 90px" />The science of memory has been shifting. A re-evaluation of real-world criminal cases and laboratory experiments suggests that an eyewitness’s confidence in a specific memory can be a strong indicator of the veracity of their account, at least in certain circumstances.  &#8211; Nature]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-300x298.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-768x764.jpeg 768w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-696x692.jpeg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_92538_www.nature.com_-e1779899610570.jpeg 201w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">The <a href="https://www.nature.com/articles/d41586-026-00603-y">science of memory</a> has been shifting. A re-evaluation of real-world criminal cases and laboratory experiments suggests that an eyewitness’s confidence in a specific memory can be a strong indicator of the veracity of their account, at least in certain circumstances.  &#8211; <em><a href="https://www.nature.com/articles/d41586-026-01618-1">Nature</a></em></p>
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		<title>Spanish Government Demands Audit Of Reina Sofia Museum Collections</title>
		<link>https://www.artnews.com/art-news/news/spain-reina-sofia-museum-inventory-audit-missing-artworks-1234786651/</link>
					<comments>https://www.artnews.com/art-news/news/spain-reina-sofia-museum-inventory-audit-missing-artworks-1234786651/#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Wed, 27 May 2026 17:15:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441658</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_84539_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Spain’s government is turning up the pressure on the Museo Nacional Centro de Arte Reina Sofía over longstanding problems tied to its collection inventory, with lawmakers threatening consequences that could ultimately cost museum director Manuel Segade his job. &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_84539_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Spain’s government is turning up the pressure on the Museo Nacional Centro de Arte Reina Sofía over longstanding problems tied to its collection inventory, with lawmakers threatening consequences that could ultimately cost museum director Manuel Segade his job. &#8211;<em><a href="https://www.artnews.com/art-news/news/spain-reina-sofia-museum-inventory-audit-missing-artworks-1234786651/"> ARTnews</a></em></p>
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		<title>Facing Serious Cash Crunch, Sydney Dance Company Builds Up Its Teaching Offerings</title>
		<link>https://www.artsjournal.com/2026/05/facing-serious-cash-crunch-sydney-dance-company-builds-up-its-teaching-offerings.html</link>
					<comments>https://www.artsjournal.com/2026/05/facing-serious-cash-crunch-sydney-dance-company-builds-up-its-teaching-offerings.html#respond</comments>
		
		<dc:creator><![CDATA[Australian Financial Review]]></dc:creator>
		<pubDate>Wed, 27 May 2026 17:03:00 +0000</pubDate>
				<category><![CDATA[DANCE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441646</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1003-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1003-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1003-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />Despite reaching new artistic heights, Australia’s leading contemporary dance troupe has posted four annual deficits in a row, totaling $5.2 million (US$3.7 million) and attributable mostly to the higher running costs of its revamped headquarters. Luckily, paying students are flocking to SDC’s new classes. &#8211; Australian Financial Review]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1003-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1003-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1003-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">Despite reaching new artistic heights, Australia’s leading contemporary dance troupe has posted four annual deficits in a row, totaling $5.2 million (US$3.7 million) and attributable mostly to the higher running costs of its revamped headquarters. Luckily, paying students are flocking to SDC’s new classes. &#8211; <em><a href="https://www.afr.com/life-and-luxury/arts-and-culture/how-pilates-and-tiktok-are-turning-around-sydney-dance-company-20260525-p600iu">Australian Financial Review</a></em></p>
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		<title>Sonny Rollins As Revolutionary Force</title>
		<link>https://www.newyorker.com/culture/postscript/the-revolutionary-force-of-sonny-rollins</link>
					<comments>https://www.newyorker.com/culture/postscript/the-revolutionary-force-of-sonny-rollins#respond</comments>
		
		<dc:creator><![CDATA[The New Yorker]]></dc:creator>
		<pubDate>Wed, 27 May 2026 16:46:39 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441671</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_94544_www.newyorker.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Some musicians evolve, others effect personal revolutions. Rollins is in the latter category, and his work bears the shuddering force of his drastic, self-imposed transitions. To hear Rollins in the late fifties is to hear the lion roar. &#8211; The New Yorker]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_94544_www.newyorker.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Some musicians evolve, others effect personal revolutions. Rollins is in the latter category, and his work bears the shuddering force of his drastic, self-imposed transitions. To hear Rollins in the late fifties is to hear the lion roar. &#8211;<em><a href="https://www.newyorker.com/culture/postscript/the-revolutionary-force-of-sonny-rollins"> The New Yorker</a></em></p>
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		<title>Movie Box Office Memorial Day Weekend Disaster Averted</title>
		<link>https://www.yahoo.com/entertainment/movies/articles/box-office-slump-averted-3-132200859.html</link>
					<comments>https://www.yahoo.com/entertainment/movies/articles/box-office-slump-averted-3-132200859.html#respond</comments>
		
		<dc:creator><![CDATA[The Wrap (Yahoo)]]></dc:creator>
		<pubDate>Wed, 27 May 2026 16:44:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441655</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_82513_www.yahoo_.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Studio insiders told TheWrap they were projecting $190 million for the four-day weekend, well below last year’s holiday weekend of $330 million. But Monday estimates have the overall box office coming in at $222 million, just below the $223 million recorded in 2022, the year of “Top Gun: Maverick.” &#8211; The Wrap (Yahoo)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_82513_www.yahoo_.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Studio insiders told TheWrap they were projecting $190 million for the four-day weekend, well below last year’s holiday weekend of $330 million. But Monday estimates have the overall box office coming in at $222 million, just below the $223 million recorded in 2022, the year of “Top Gun: Maverick.” &#8211; <em><a href="https://www.yahoo.com/entertainment/movies/articles/box-office-slump-averted-3-132200859.html">The Wrap (Yahoo)</a></em></p>
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		<title>The Savannah Banana Phenomenon: What It’s Becoming</title>
		<link>https://www.theguardian.com/sport/2026/may/27/savannah-bananas-bananaball-expansion-disney-baseball-brand</link>
					<comments>https://www.theguardian.com/sport/2026/may/27/savannah-bananas-bananaball-expansion-disney-baseball-brand#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Wed, 27 May 2026 16:31:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441652</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_82110_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />The Disney comparison is not necessarily a coincidence. Multiple players mention an overlap between Disney fandom (including Disney adults) and bananaball fandom, and Jesse Cole, founder of the Bananas, identifies Walt Disney as a key influence. &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_82110_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">The Disney comparison is not necessarily a coincidence. Multiple players mention an overlap between Disney fandom (including <a href="https://www.theguardian.com/business/article/2024/aug/12/disney-superfans-d23-conference-prices">Disney adults</a>) and bananaball fandom, and Jesse Cole, founder of the Bananas, identifies Walt Disney as a key influence. &#8211; <em><a href="https://www.theguardian.com/sport/2026/may/27/savannah-bananas-bananaball-expansion-disney-baseball-brand">The Guardian</a></em></p>
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		<title>You Couldn’t Design A More Anti-News Internet If You Tried</title>
		<link>https://www.niemanlab.org/2026/05/you-couldnt-create-a-more-anti-news-internet-if-you-tried/</link>
					<comments>https://www.niemanlab.org/2026/05/you-couldnt-create-a-more-anti-news-internet-if-you-tried/#respond</comments>
		
		<dc:creator><![CDATA[NiemanLab]]></dc:creator>
		<pubDate>Wed, 27 May 2026 16:18:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441647</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_81757_www.niemanlab.org_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />It’s like an invisible tax levied on our communities that we pay civically, cognitively and sometimes even literally, in the form of higher local bond prices due to more wasteful government spending. Increasingly, this invisible tax is being silently levied by Big Tech. &#8211; NiemanLab]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_81757_www.niemanlab.org_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">It’s like an invisible tax levied on our communities that we pay civically, cognitively and sometimes even literally, in the form of higher local bond prices due to more wasteful government spending. Increasingly, this invisible tax is being silently levied by Big Tech. &#8211; <em><a href="https://www.niemanlab.org/2026/05/you-couldnt-create-a-more-anti-news-internet-if-you-tried/">NiemanLab</a></em></p>
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		<title>Heinz Endowments Changes Priorities In Its Arts Funding Grants</title>
		<link>https://www.wesa.fm/arts-culture/2026-05-19/pittsburgh-heinz-endowments-shifts-arts-funding-priorities#new_tab</link>
					<comments>https://www.wesa.fm/arts-culture/2026-05-19/pittsburgh-heinz-endowments-shifts-arts-funding-priorities#new_tab#respond</comments>
		
		<dc:creator><![CDATA[WESA (Pittsburgh)]]></dc:creator>
		<pubDate>Wed, 27 May 2026 16:01:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441637</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/901-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/901-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/901-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />The Pittsburgh-based foundation is ending grants for one-time projects and for individual artists in favor of funding arts organizations and cultural infrastructure in the region. &#8211; WESA (Pittsburgh)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/901-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/901-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/901-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">The Pittsburgh-based foundation is ending grants for one-time projects and for individual artists in favor of funding arts organizations and cultural infrastructure in the region. &#8211; <em><a href="https://www.wesa.fm/arts-culture/2026-05-19/pittsburgh-heinz-endowments-shifts-arts-funding-priorities">WESA (Pittsburgh)</a></em></p>
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		<title>Spotify: Our AI Pivot Is Better Than Slop</title>
		<link>https://www.theguardian.com/technology/2026/may/26/spotify-ai-remix-tool-protects-artists-slop</link>
					<comments>https://www.theguardian.com/technology/2026/may/26/spotify-ai-remix-tool-protects-artists-slop#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Wed, 27 May 2026 15:44:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441643</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_8744_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Spotify’s chief executive has defended the company’s move into AI-generated music, claiming it offers users and creators a better alternative to piracy and unregulated AI slop. &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_8744_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Spotify’s chief executive has defended the company’s move into AI-generated music, claiming it offers users and creators a better alternative to piracy and unregulated AI slop. &#8211;<em><a href="https://www.theguardian.com/technology/2026/may/26/spotify-ai-remix-tool-protects-artists-slop"> The Guardian</a></em></p>
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		<title>A 2018 Fire Destroyed 80 Percent Of Brazil’s National Museum Collection. It’s Working To Rebuild</title>
		<link>https://www.smithsonianmag.com/science-nature/brazil-lost-80-percent-of-its-national-museum-collection-in-one-night-heres-how-its-fighting-to-rebuild-180988796/?shem=dsdf,sharefoc,agadiscoversdl,,sh/x/discover/m1/4</link>
					<comments>https://www.smithsonianmag.com/science-nature/brazil-lost-80-percent-of-its-national-museum-collection-in-one-night-heres-how-its-fighting-to-rebuild-180988796/?shem=dsdf,sharefoc,agadiscoversdl,,sh/x/discover/m1/4#respond</comments>
		
		<dc:creator><![CDATA[Smithsonian]]></dc:creator>
		<pubDate>Wed, 27 May 2026 15:31:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441640</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_8359_www.smithsonianmag.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />The fire on September 2, 2018, began with an electrical issue, but it spiraled out of control when the hydrants next to the building proved to be dry. According to a 160-page report, the museum had been chronically underfunded for years, and a whistleblower had warned of fire risk as early as 2004. &#8211; Smithsonian]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_8359_www.smithsonianmag.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">The fire on September 2, 2018, began with <a href="https://www.smithsonianmag.com/smart-news/faulty-air-conditioning-unit-sparked-devastating-brazil-national-museum-fire-180971903/" target="_blank" rel="noreferrer noopener">an electrical issue</a>, but it spiraled out of control when the hydrants next to the building proved to be dry. According to a <a href="https://www.museunacional.ufrj.br/destaques/balanco-de-gestao-kellner.html" target="_blank" rel="noreferrer noopener">160-page report</a>, the museum had been <a href="https://www1.folha.uol.com.br/cotidiano/2018/09/repasse-federal-ao-museu-nacional-cai-a-metade-nos-ultimos-cinco-anos.shtml" target="_blank" rel="noreferrer noopener">chronically underfunded</a> for years, and a whistleblower had warned of fire risk as early as 2004. &#8211;<em><a href="https://www.smithsonianmag.com/science-nature/brazil-lost-80-percent-of-its-national-museum-collection-in-one-night-heres-how-its-fighting-to-rebuild-180988796/?shem=dsdf,sharefoc,agadiscoversdl,,sh/x/discover/m1/4"> Smithsonian</a></em></p>
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		<title>Remembering Sonny Rollins</title>
		<link>https://thegig.substack.com/p/the-metaphysics-of-sonny-rollins?</link>
					<comments>https://thegig.substack.com/p/the-metaphysics-of-sonny-rollins?#respond</comments>
		
		<dc:creator><![CDATA[The Gig]]></dc:creator>
		<pubDate>Wed, 27 May 2026 15:15:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441634</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_73554_thegig.substack.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />He was the last of the Mohicans1 — an essential piece of jazz’s midcentury-modern picture, the only surviving subject in Art Kane’s iconic yearbook photograph A Great Day in Harlem. But longevity is just one factor at play. &#8211; The Gig (Nate Chinen)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_27-5-2026_73554_thegig.substack.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">He was the last of the Mohicans<a href="https://thegig.substack.com/p/the-metaphysics-of-sonny-rollins?utm_source=post-email-title&amp;publication_id=862742&amp;post_id=199403580&amp;utm_campaign=email-post-title&amp;isFreemail=true&amp;r=3hfh5g&amp;triedRedirect=true&amp;utm_medium=email#footnote-1">1</a> — an essential piece of jazz’s midcentury-modern picture, the only surviving subject in Art Kane’s iconic yearbook photograph <em><a href="https://digital.library.umkc.edu/node/5941">A Great Day in Harlem</a>. </em>But longevity is just one factor at play. &#8211; <em><a href="https://thegig.substack.com/p/the-metaphysics-of-sonny-rollins?">The Gig (Nate Chinen)</a></em></p>
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		<title>Opera Australia Has Turned Its Troubled Finances Around</title>
		<link>https://limelight-arts.com.au/news/opera-australia-reports-dramatic-financial-turnaround/#new_tab</link>
					<comments>https://limelight-arts.com.au/news/opera-australia-reports-dramatic-financial-turnaround/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Limelight (Australia)]]></dc:creator>
		<pubDate>Wed, 27 May 2026 15:04:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441631</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />After posting an operating loss of $10.6 million (US$7.6 million) in 2024, the company — boosted by a 29% increase in ticket sales — posted a small net operating deficit and, after a contribution from the Opera Australia Capital Fund, broke even for 2025. &#8211; Limelight (Australia)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/804-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">After posting an operating loss of $10.6 million (US$7.6 million) in 2024, the company — boosted by a 29% increase in ticket sales — posted a small net operating deficit and, after a contribution from the Opera Australia Capital Fund, broke even for 2025. &#8211; <em><a href="https://limelight-arts.com.au/news/opera-australia-reports-dramatic-financial-turnaround/">Limelight (Australia)</a></em></p>
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		<title>The Heroic Effort To Rebuild Brazil’s National Museum, Almost Completely Destroyed In A Fire</title>
		<link>https://www.smithsonianmag.com/science-nature/brazil-lost-80-percent-of-its-national-museum-collection-in-one-night-heres-how-its-fighting-to-rebuild-180988796/#new_tab</link>
					<comments>https://www.smithsonianmag.com/science-nature/brazil-lost-80-percent-of-its-national-museum-collection-in-one-night-heres-how-its-fighting-to-rebuild-180988796/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Smithsonian Magazine]]></dc:creator>
		<pubDate>Wed, 27 May 2026 14:36:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441628</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“The news arrived (in September 2025) with both excitement and a pang of grief: The oldest national history museum in the Americas was slated to partially (and temporarily) reopen for the first time since a 2018 fire destroyed more than 16 million objects — 80 percent of its collections.” &#8211; Smithsonian Magazine]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/736-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“The news arrived (in September 2025) with both excitement and a pang of grief: The oldest national history museum in the Americas was slated to partially (and temporarily) reopen for the first time since a 2018 fire destroyed more than 16 million objects — 80 percent of its collections.” &#8211; <em><a href="https://www.smithsonianmag.com/science-nature/brazil-lost-80-percent-of-its-national-museum-collection-in-one-night-heres-how-its-fighting-to-rebuild-180988796/">Smithsonian Magazine</a></em></p>
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		<title>Jazz Pianist John Eaton, Evangelist For Great American Songbook, Has Died At 91</title>
		<link>https://www.yahoo.com/entertainment/music/articles/john-eaton-renowned-jazz-pianist-163826596.html#new_tab</link>
					<comments>https://www.yahoo.com/entertainment/music/articles/john-eaton-renowned-jazz-pianist-163826596.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Washington Post (Yahoo!)]]></dc:creator>
		<pubDate>Wed, 27 May 2026 14:02:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441625</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Across a more-than-six-decade playing career, he recorded albums for the Chiaroscuro label, took requests from Nancy Reagan at the White House, delighted audiences at Wolf Trap and maintained a long-running association with the Smithsonian Institution, delivering song-filled lectures on American music that were broadcast around the country.” &#8211; The Washington Post (Yahoo!)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/702-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“Across a more-than-six-decade playing career, he recorded albums for the Chiaroscuro label, took requests from Nancy Reagan at the White House, delighted audiences at Wolf Trap and maintained a long-running association with the Smithsonian Institution, delivering song-filled lectures on American music that were broadcast around the country.” &#8211; <em><a href="https://www.yahoo.com/entertainment/music/articles/john-eaton-renowned-jazz-pianist-163826596.html">The Washington Post (Yahoo!)</a></em></p>
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		<title>Behind The Scenes At Second City, Watching A New Show Get Made</title>
		<link>https://www.wbez.org/theater-stages/2026/05/27/how-second-city-show-gets-made-pandemonium-please-hold#new_tab</link>
					<comments>https://www.wbez.org/theater-stages/2026/05/27/how-second-city-show-gets-made-pandemonium-please-hold#new_tab#respond</comments>
		
		<dc:creator><![CDATA[WBEZ (Chicago)]]></dc:creator>
		<pubDate>Wed, 27 May 2026 13:30:00 +0000</pubDate>
				<category><![CDATA[THEATRE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441622</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/630-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/630-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/630-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“What people don’t know about the process is that when the old cast is done, on their final day, usually a Sunday, the new cast comes in on a Tuesday,” director Carisa Barreca says. “That night, the new cast has to put up a show — the old show.” &#8211; WBEZ (Chicago)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/630-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/630-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/630-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“What people don’t know about the process is that when the old cast is done, on their final day, usually a Sunday, the new cast comes in on a Tuesday,” director Carisa Barreca says. “That night, the new cast has to put up a show — the old show.” &#8211; <em><a href="https://www.wbez.org/theater-stages/2026/05/27/how-second-city-show-gets-made-pandemonium-please-hold">WBEZ (Chicago)</a></em></p>
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		<title>What It Costs These Days To Produce A Show In London’s West End</title>
		<link>https://www.whatsonstage.com/news/report-reveals-the-current-cost-of-staging-west-end-shows_1722126/#new_tab</link>
					<comments>https://www.whatsonstage.com/news/report-reveals-the-current-cost-of-staging-west-end-shows_1722126/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[WhatsOnStage (UK)]]></dc:creator>
		<pubDate>Wed, 27 May 2026 13:03:00 +0000</pubDate>
				<category><![CDATA[THEATRE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441619</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/603-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/603-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/603.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Mounting a play in the West End now requires between £1 million and £2 million pounds in upfront investment, while staging a musical requires between £3 million and £10 million. This is before weekly costs&#8221; — £120,000 to £200,000 before royalties for a play and £300,000 to £400,000 for a musical. &#8211; WhatsOnStage (UK)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/603-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/603-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/603.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“Mounting a play in the West End now requires between £1 million and £2 million pounds in upfront investment, while staging a musical requires between £3 million and £10 million. This is before weekly costs&#8221; — £120,000 to £200,000 before royalties for a play and £300,000 to £400,000 for a musical. &#8211; <em><a href="https://www.whatsonstage.com/news/report-reveals-the-current-cost-of-staging-west-end-shows_1722126/">WhatsOnStage (UK)</a></em></p>
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		<title>Barn At Oscar Hammerstein II’s Pennsylvania Farmstead Collapses In Storm</title>
		<link>https://www.phillyvoice.com/hammerstein-barn-bucks-county-collapse/#new_tab</link>
					<comments>https://www.phillyvoice.com/hammerstein-barn-bucks-county-collapse/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[PhillyVoice]]></dc:creator>
		<pubDate>Wed, 27 May 2026 12:35:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441616</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/535-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/535-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/535-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />Highland Farm, just outside Doylestown in Bucks County, was where Hammerstein wrote the words for many of the musicals he created with Richard Rodgers. It is now the site of the Oscar Hammerstein Museum and Theatre Education Center, which plans to rebuild the barn as an exhibition space and education center. &#8211; PhillyVoice]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/535-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/535-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/535-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">Highland Farm, just outside Doylestown in Bucks County, was where Hammerstein wrote the words for many of the musicals he created with Richard Rodgers. It is now the site of the Oscar Hammerstein Museum and Theatre Education Center, which plans to rebuild the barn as an exhibition space and education center. &#8211; <em><a href="https://www.phillyvoice.com/hammerstein-barn-bucks-county-collapse/">PhillyVoice</a></em></p>
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		<title>Since It Gave Up Government Funding, Finances At London’s Wigmore Hall Are Stronger Than Ever</title>
		<link>https://www.thestage.co.uk/news/wigmore-hall-boss-claims-finances-never-been-so-strong-after-rejecting-ace-funds#new_tab</link>
					<comments>https://www.thestage.co.uk/news/wigmore-hall-boss-claims-finances-never-been-so-strong-after-rejecting-ace-funds#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Stage]]></dc:creator>
		<pubDate>Wed, 27 May 2026 12:01:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441613</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/501-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/501-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/501-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />The city&#8217;s most respected chamber music venue has seen a 25% increase year-on-year in ticket sales since it left the funding portfolio of Arts Council England, artistic director John Gilhooly said. &#8211; The Stage]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/501-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/501-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/501-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">The city&#8217;s most respected chamber music venue has seen a 25% increase year-on-year in ticket sales since it left the funding portfolio of Arts Council England, artistic director John Gilhooly said. &#8211; <em><a href="https://www.thestage.co.uk/news/wigmore-hall-boss-claims-finances-never-been-so-strong-after-rejecting-ace-funds">The Stage</a></em></p>
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		<title>“The World’s Greatest Orchestra” — Take Two: Today’s Metropolitan Opera</title>
		<link>https://www.artsjournal.com/uq/2026/05/the-worlds-greatest-orchestra-take-two-todays-metropolitan-opera.html</link>
		
		<dc:creator/>
		<pubDate>Wed, 27 May 2026 01:59:05 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441608</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/image-2-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Yevgeny Mravinsky I find myself still gorging on live recorded performances by the greatest orchestra I ever encountered –]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/image-2-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" /><p> <a href="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/image-2.png"></a>Yevgeny Mravinsky  </p>
<p>I find myself still gorging on live recorded performances by the greatest orchestra I ever encountered –</p>
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