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	<title>ArtsJournal</title>
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	<description>The Arts World's Front Page</description>
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	<title>ArtsJournal</title>
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	<item>
		<title>Digital Lists Are Destroying The Fabric Of Society</title>
		<link>https://slate.com/life/2026/10/giftful-wishlist-app-teenage-shopping-phones.html</link>
					<comments>https://slate.com/life/2026/10/giftful-wishlist-app-teenage-shopping-phones.html#respond</comments>
		
		<dc:creator><![CDATA[Slate]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 20:00:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450037</guid>

					<description><![CDATA[<a href="https://slate.com/life/2026/10/giftful-wishlist-app-teenage-shopping-phones.html" title="Digital Lists Are Destroying The Fabric Of Society" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.18.41-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.18.41-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.18.41-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.18.41.png 400w" sizes="(max-width: 90px) 100vw, 90px" /></a>&#8220;The issue goes deeper than presents. I have four kids from elementary to high-school age, and as hard as I try to expose them to life’s realities, they remain sheltered from disappointment and dissatisfaction at every turn.&#8221; &#8211; Slate]]></description>
										<content:encoded><![CDATA[<a href="https://slate.com/life/2026/10/giftful-wishlist-app-teenage-shopping-phones.html" title="Digital Lists Are Destroying The Fabric Of Society" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.18.41-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.18.41-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.18.41-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.18.41.png 400w" sizes="(max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">&#8220;The issue goes deeper than presents. I have four kids from elementary to high-school age, and as hard as I try to expose them to life’s realities, they remain sheltered from disappointment and dissatisfaction at every turn.&#8221; &#8211; <em><a href="https://slate.com/life/2026/10/giftful-wishlist-app-teenage-shopping-phones.html">Slate</a></em></p>
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		<item>
		<title>The British Museum Adds An Audio Tour To The Bayeux Tapestry in Response To Blind Man’s Lawsuit</title>
		<link>https://www.bbc.com/news/articles/cwp93d9r034xo</link>
					<comments>https://www.bbc.com/news/articles/cwp93d9r034xo#respond</comments>
		
		<dc:creator><![CDATA[BBC]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 19:30:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450034</guid>

					<description><![CDATA[<a href="https://www.bbc.com/news/articles/cwp93d9r034xo" title="The British Museum Adds An Audio Tour To The Bayeux Tapestry in Response To Blind Man&#8217;s Lawsuit" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.15.46-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.15.46-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.15.46-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.15.46.png 400w" sizes="(max-width: 90px) 100vw, 90px" /></a>The museum apparently hadn&#8217;t thought of adding an audio description to its app, or having more audio description tours, before the lawsuit &#8211; despite saying they worked with specialists on accessibility. &#8211; BBC]]></description>
										<content:encoded><![CDATA[<a href="https://www.bbc.com/news/articles/cwp93d9r034xo" title="The British Museum Adds An Audio Tour To The Bayeux Tapestry in Response To Blind Man&#8217;s Lawsuit" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.15.46-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.15.46-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.15.46-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.15.46.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">The museum apparently hadn&#8217;t thought of adding an audio description to its app, or having more audio description tours, before the lawsuit &#8211; despite saying they worked with specialists on accessibility. &#8211; <em><a href="https://www.bbc.com/news/articles/cwp93d9r034xo">BBC</a></em></p>
]]></content:encoded>
					
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		<item>
		<title>We’re In A Gross ‘Great Man’ Statuary Backlash, But Look At Ancient Egypt</title>
		<link>https://www.theatlantic.com/magazine/2026/11/public-monuments-egyptian-art-exhibits/688700/</link>
					<comments>https://www.theatlantic.com/magazine/2026/11/public-monuments-egyptian-art-exhibits/688700/#respond</comments>
		
		<dc:creator><![CDATA[The Atlantic]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 19:00:00 +0000</pubDate>
				<category><![CDATA[AUDIENCE]]></category>
		<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450031</guid>

					<description><![CDATA[<a href="https://www.theatlantic.com/magazine/2026/11/public-monuments-egyptian-art-exhibits/688700/" title="We&#8217;re In A Gross &#8216;Great Man&#8217; Statuary Backlash, But Look At Ancient Egypt" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.05.12-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.05.12-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.05.12-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.05.12.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>&#8220;The great public efforts—the colossal statuary, the expansive propaganda programs, the image campaigns, the attempts to remake the world of living people—have been shattered, defaced, and refaced.&#8221; &#8211; The Atlantic]]></description>
										<content:encoded><![CDATA[<a href="https://www.theatlantic.com/magazine/2026/11/public-monuments-egyptian-art-exhibits/688700/" title="We&#8217;re In A Gross &#8216;Great Man&#8217; Statuary Backlash, But Look At Ancient Egypt" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.05.12-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.05.12-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.05.12-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.05.12.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">&#8220;The great public efforts—the colossal statuary, the expansive propaganda programs, the image campaigns, the attempts to remake the world of living people—have been shattered, defaced, and refaced.&#8221; &#8211; <em><a href="https://www.theatlantic.com/magazine/2026/11/public-monuments-egyptian-art-exhibits/688700/">The Atlantic</a></em></p>
]]></content:encoded>
					
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		<title>The Joys Of Music Discovery Don’t Include Robots</title>
		<link>https://www.salon.com/2026/10/04/please-dont-send-me-your-robot-music/</link>
					<comments>https://www.salon.com/2026/10/04/please-dont-send-me-your-robot-music/#respond</comments>
		
		<dc:creator><![CDATA[Salon]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 18:30:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450028</guid>

					<description><![CDATA[<a href="https://www.salon.com/2026/10/04/please-dont-send-me-your-robot-music/" title="The Joys Of Music Discovery Don&#8217;t Include Robots" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.00.45-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.00.45-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.00.45-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.00.45.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>With AI-generated &#8220;music,&#8221; &#8220;It’s not just the lack of discovery. &#8230; It’s more about the lack of anything personal behind the music. No history, no struggle, no catharsis, no exploration, no humanity. I listen to music because it’s flawed, raw and human.&#8221; &#8211; Salon]]></description>
										<content:encoded><![CDATA[<a href="https://www.salon.com/2026/10/04/please-dont-send-me-your-robot-music/" title="The Joys Of Music Discovery Don&#8217;t Include Robots" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.00.45-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.00.45-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.00.45-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-09.00.45.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">With AI-generated &#8220;music,&#8221; &#8220;It’s not just the lack of discovery. &#8230; It’s more about the lack of anything personal behind the music. No history, no struggle, no catharsis, no exploration, no humanity. I listen to music because it’s flawed, raw and human.&#8221; &#8211; <em><a href="https://www.salon.com/2026/10/04/please-dont-send-me-your-robot-music/">Salon</a></em></p>
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		<item>
		<title>Turning Millennial Nostalgia For Raves Into A Big Business</title>
		<link>https://www.npr.org/2026/10/04/nx-s1-5872210/at-this-rave-the-crowd-is-under-5-and-home-by-8-p-m</link>
					<comments>https://www.npr.org/2026/10/04/nx-s1-5872210/at-this-rave-the-crowd-is-under-5-and-home-by-8-p-m#respond</comments>
		
		<dc:creator><![CDATA[NPR]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 18:00:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450025</guid>

					<description><![CDATA[<a href="https://www.npr.org/2026/10/04/nx-s1-5872210/at-this-rave-the-crowd-is-under-5-and-home-by-8-p-m" title="Turning Millennial Nostalgia For Raves Into A Big Business" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.56.32-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.56.32-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.56.32-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.56.32.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>But this one&#8217;s for the real kids (of Millennials and older Gen-Zers): &#8220;We wanted to get the baby into the rave scene,&#8221; says one set of parents. &#8211; NPR]]></description>
										<content:encoded><![CDATA[<a href="https://www.npr.org/2026/10/04/nx-s1-5872210/at-this-rave-the-crowd-is-under-5-and-home-by-8-p-m" title="Turning Millennial Nostalgia For Raves Into A Big Business" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.56.32-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.56.32-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.56.32-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.56.32.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">But this one&#8217;s for the real kids (of Millennials and older Gen-Zers): &#8220;We wanted to get the baby into the rave scene,&#8221; says one set of parents. &#8211; <em><a href="https://www.npr.org/2026/10/04/nx-s1-5872210/at-this-rave-the-crowd-is-under-5-and-home-by-8-p-m">NPR</a></em></p>
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		<title>As A New Show Opens, It’s Past Time To Reevaluate Our Reactions To Lee Krasner’s Work</title>
		<link>https://www.nytimes.com/2026/10/03/arts/design/lee-krasner-and-jackson-pollock-met-museum.html</link>
					<comments>https://www.nytimes.com/2026/10/03/arts/design/lee-krasner-and-jackson-pollock-met-museum.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 17:30:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450022</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/10/03/arts/design/lee-krasner-and-jackson-pollock-met-museum.html" title="As A New Show Opens, It&#8217;s Past Time To Reevaluate Our Reactions To Lee Krasner&#8217;s Work" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.47.12-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.47.12-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.47.12-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.47.12.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>&#8220;Her response to life with a mean and desperate drunk was to cannibalize her old canvases and explode into the pugnacious scale, audacious color, and thrusting verticles of collages.&#8221; &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/10/03/arts/design/lee-krasner-and-jackson-pollock-met-museum.html" title="As A New Show Opens, It&#8217;s Past Time To Reevaluate Our Reactions To Lee Krasner&#8217;s Work" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.47.12-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.47.12-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.47.12-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.47.12.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">&#8220;Her response to life with a mean and desperate drunk was to cannibalize her old canvases and explode into the pugnacious scale, audacious color, and thrusting verticles of collages.&#8221; &#8211; <em><a href="https://www.nytimes.com/2026/10/03/arts/design/lee-krasner-and-jackson-pollock-met-museum.html">The New York Times</a></em></p>
]]></content:encoded>
					
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		<title>Russia’s War On Ukraine’s Books</title>
		<link>https://www.theguardian.com/world/ng-interactive/2026/oct/04/incinerated-novels-destroyed-warehouses-russia-war-ukrainian-books</link>
					<comments>https://www.theguardian.com/world/ng-interactive/2026/oct/04/incinerated-novels-destroyed-warehouses-russia-war-ukrainian-books#respond</comments>
		
		<dc:creator><![CDATA[The Guardian (UK)]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 17:00:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450019</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/world/ng-interactive/2026/oct/04/incinerated-novels-destroyed-warehouses-russia-war-ukrainian-books" title="Russia&#8217;s War On Ukraine&#8217;s Books" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.43.50-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.43.50-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.43.50-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.43.50.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>&#8220;In total, this summer, 13 [million] Ukrainian books have been destroyed by Russian missiles or drones – a third, estimates the government, of all books printed in Ukraine this year.&#8221; &#8211; The Guardian (UK)]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/world/ng-interactive/2026/oct/04/incinerated-novels-destroyed-warehouses-russia-war-ukrainian-books" title="Russia&#8217;s War On Ukraine&#8217;s Books" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.43.50-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.43.50-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.43.50-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.43.50.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">&#8220;In total, this summer, 13 [million] Ukrainian books have been destroyed by Russian missiles or drones – a third, estimates the government, of all books printed in Ukraine this year.&#8221; &#8211; <em><a href="https://www.theguardian.com/world/ng-interactive/2026/oct/04/incinerated-novels-destroyed-warehouses-russia-war-ukrainian-books">The Guardian (UK)</a></em></p>
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		<title>So Now There’s Apparently ‘Weird Girl Lit’?</title>
		<link>https://www.nytimes.com/2026/10/02/books/review/weird-girl-literature.html</link>
					<comments>https://www.nytimes.com/2026/10/02/books/review/weird-girl-literature.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 16:30:00 +0000</pubDate>
				<category><![CDATA[AUDIENCE]]></category>
		<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450016</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/10/02/books/review/weird-girl-literature.html" title="So Now There&#8217;s Apparently &#8216;Weird Girl Lit&#8217;?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.11.25-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.11.25-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.11.25-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.11.25.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Emerging from Reddit, the subgenre is not fully defined, but &#8220;books that get called weird girl lit tend to deal in uncanny or dreamlike circumstances.&#8221; &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/10/02/books/review/weird-girl-literature.html" title="So Now There&#8217;s Apparently &#8216;Weird Girl Lit&#8217;?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.11.25-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.11.25-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.11.25-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.11.25.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Emerging from Reddit, the subgenre is not fully defined, but &#8220;books that get called weird girl lit tend to deal in uncanny or dreamlike circumstances.&#8221; &#8211; <em><a href="https://www.nytimes.com/2026/10/02/books/review/weird-girl-literature.html">The New York Times</a></em></p>
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		<title>Netflix Had A Little Pivot Toward Prestige, But That’s Ending</title>
		<link>https://www.theverge.com/streaming/1004323/netflix-david-fincher-shawn-levy-mike-flanagan-duffer-brothers-greta-gerwig</link>
					<comments>https://www.theverge.com/streaming/1004323/netflix-david-fincher-shawn-levy-mike-flanagan-duffer-brothers-greta-gerwig#respond</comments>
		
		<dc:creator><![CDATA[The Verge]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 16:00:00 +0000</pubDate>
				<category><![CDATA[AUDIENCE]]></category>
		<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450013</guid>

					<description><![CDATA[<a href="https://www.theverge.com/streaming/1004323/netflix-david-fincher-shawn-levy-mike-flanagan-duffer-brothers-greta-gerwig" title="Netflix Had A Little Pivot Toward Prestige, But That&#8217;s Ending" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.07.05-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.07.05-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.07.05-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.07.05.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Prestige movies don&#8217;t reliably make money on streaming. &#8220;It seems like Netflix’s main game plan is to put an increased focus on producing lower-budget series, live events, and sports programming.&#8221; &#8211; The Verge]]></description>
										<content:encoded><![CDATA[<a href="https://www.theverge.com/streaming/1004323/netflix-david-fincher-shawn-levy-mike-flanagan-duffer-brothers-greta-gerwig" title="Netflix Had A Little Pivot Toward Prestige, But That&#8217;s Ending" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.07.05-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.07.05-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.07.05-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-04-at-08.07.05.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Prestige movies don&#8217;t reliably make money on streaming. &#8220;It seems like Netflix’s main game plan is to put an increased focus on producing lower-budget series, live events, and sports programming.&#8221; &#8211; <em><a href="https://www.theverge.com/streaming/1004323/netflix-david-fincher-shawn-levy-mike-flanagan-duffer-brothers-greta-gerwig">The Verge</a></em></p>
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		<title>When Will We Know The Answers To AI’s Most Important Questions?</title>
		<link>https://time.com/article/2026/10/03/we-won-t-know-the-answers-to-ai-s-most-important-questions-until-its-too-late/</link>
					<comments>https://time.com/article/2026/10/03/we-won-t-know-the-answers-to-ai-s-most-important-questions-until-its-too-late/#respond</comments>
		
		<dc:creator><![CDATA[Time]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 15:00:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450007</guid>

					<description><![CDATA[<a href="https://time.com/article/2026/10/03/we-won-t-know-the-answers-to-ai-s-most-important-questions-until-its-too-late/" title="When Will We Know The Answers To AI&#8217;s Most Important Questions?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.34.58-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.34.58-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.34.58-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.34.58.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>&#8220;Several of the most fundamental debates about the future and safety of AI remain unresolved. I believe we can’t expect these disagreements to be resolved until it’s too late to change course.&#8221; &#8211; Time]]></description>
										<content:encoded><![CDATA[<a href="https://time.com/article/2026/10/03/we-won-t-know-the-answers-to-ai-s-most-important-questions-until-its-too-late/" title="When Will We Know The Answers To AI&#8217;s Most Important Questions?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.34.58-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.34.58-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.34.58-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.34.58.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">&#8220;Several of the most fundamental debates about the future and safety of AI remain unresolved. I believe we can’t expect these disagreements to be resolved until it’s too late to change course.&#8221; &#8211; <em><a href="https://time.com/article/2026/10/03/we-won-t-know-the-answers-to-ai-s-most-important-questions-until-its-too-late/">Time</a></em></p>
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		<title>Eugenia Errazuriz, Who Made Picasso Possible</title>
		<link>https://www.nytimes.com/2026/10/03/obituaries/eugenia-errazuriz-overlooked.html</link>
					<comments>https://www.nytimes.com/2026/10/03/obituaries/eugenia-errazuriz-overlooked.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 14:30:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450004</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/10/03/obituaries/eugenia-errazuriz-overlooked.html" title="Eugenia Errazuriz, Who Made Picasso Possible" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.28.54-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.28.54-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.28.54-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.28.54.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Errázuriz was &#8220;a patron, adviser, connector and tastemaker whose influence expanded beyond Picasso and Stravinsky to fashion and interior design. She &#8230; opened doors, offered criticism and used her considerable wealth to steer artists toward the work that would make them famous.&#8221; &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/10/03/obituaries/eugenia-errazuriz-overlooked.html" title="Eugenia Errazuriz, Who Made Picasso Possible" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.28.54-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.28.54-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.28.54-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.28.54.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Errázuriz was &#8220;a patron, adviser, connector and tastemaker whose influence expanded beyond Picasso and Stravinsky to fashion and interior design. She &#8230; opened doors, offered criticism and used her considerable wealth to steer artists toward the work that would make them famous.&#8221; &#8211; <em><a href="https://www.nytimes.com/2026/10/03/obituaries/eugenia-errazuriz-overlooked.html">The New York Times</a></em></p>
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		<title>What It’s Like For Musician And Filmmaker Hayley Kiyoko To Be Called ‘Lesbian Jesus’ By Her Fans</title>
		<link>https://www.theguardian.com/film/2026/oct/02/hayley-kiyoko-interview-girls-like-girls-music-film-books</link>
					<comments>https://www.theguardian.com/film/2026/oct/02/hayley-kiyoko-interview-girls-like-girls-music-film-books#respond</comments>
		
		<dc:creator><![CDATA[The Guardian (UK)]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 14:00:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=450001</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/film/2026/oct/02/hayley-kiyoko-interview-girls-like-girls-music-film-books" title="What It&#8217;s Like For Musician And Filmmaker Hayley Kiyoko To Be Called &#8216;Lesbian Jesus&#8217; By Her Fans" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.23.24-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.23.24-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.23.24-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.23.24.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>She&#8217;s felt a pretty big responsibility, honestly, and she&#8217;s proud of the film Girls Like Girls. &#8220;We go to watch movies to dream and to fantasise and to see representation that maybe we lack in our lives.” &#8211; The Guardian (UK)]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/film/2026/oct/02/hayley-kiyoko-interview-girls-like-girls-music-film-books" title="What It&#8217;s Like For Musician And Filmmaker Hayley Kiyoko To Be Called &#8216;Lesbian Jesus&#8217; By Her Fans" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.23.24-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.23.24-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.23.24-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.23.24.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">She&#8217;s felt a pretty big responsibility, honestly, and she&#8217;s proud of the film <em>Girls Like Girls</em>. &#8220;We go to watch movies to dream and to fantasise and to see representation that maybe we lack in our lives.” &#8211; <em><a href="https://www.theguardian.com/film/2026/oct/02/hayley-kiyoko-interview-girls-like-girls-music-film-books">The Guardian (UK)</a></em></p>
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		<title>This Administration Is Moving The Kennedy Center Honors To Capital One Arena</title>
		<link>https://www.nytimes.com/2026/10/02/arts/kennedy-center-honors-capital-one-arena.html</link>
					<comments>https://www.nytimes.com/2026/10/02/arts/kennedy-center-honors-capital-one-arena.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 13:30:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449998</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/10/02/arts/kennedy-center-honors-capital-one-arena.html" title="This Administration Is Moving The Kennedy Center Honors To Capital One Arena" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.17.56-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.17.56-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.17.56-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.17.56.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>&#8220;As Mr. Trump pushes to close the center for two years of renovations, he is trading the ruby-red Opera House for the 20,000-seat home of the N.B.A.’s Washington Wizards and the N.H.L.’s Washington Capitals.&#8221; &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/10/02/arts/kennedy-center-honors-capital-one-arena.html" title="This Administration Is Moving The Kennedy Center Honors To Capital One Arena" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.17.56-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.17.56-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.17.56-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.17.56.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">&#8220;As Mr. Trump pushes to close the center for two years of renovations, he is trading the ruby-red Opera House for the 20,000-seat home of the N.B.A.’s Washington Wizards and the N.H.L.’s Washington Capitals.&#8221; &#8211; <em><a href="https://www.nytimes.com/2026/10/02/arts/kennedy-center-honors-capital-one-arena.html">The New York Times</a></em></p>
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		<title>A Reminder For All Of Us – And Something New For The Young Ones – Who Love Music</title>
		<link>https://www.wired.com/story/how-to-collect-cds/</link>
					<comments>https://www.wired.com/story/how-to-collect-cds/#respond</comments>
		
		<dc:creator><![CDATA[Wired]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 13:00:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449995</guid>

					<description><![CDATA[<a href="https://www.wired.com/story/how-to-collect-cds/" title="A Reminder For All Of Us &#8211; And Something New For The Young Ones &#8211; Who Love Music" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.12.21-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.12.21-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.12.21-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.12.21.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>When CDs are seen more as merch, something to buy to help out the artists rather than to hear the music, then you get a first tip like &#8220;Get a CD player.&#8221; &#8211; Wired]]></description>
										<content:encoded><![CDATA[<a href="https://www.wired.com/story/how-to-collect-cds/" title="A Reminder For All Of Us &#8211; And Something New For The Young Ones &#8211; Who Love Music" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.12.21-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.12.21-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.12.21-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.12.21.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">When CDs are seen more as merch, something to buy to help out the artists rather than to hear the music, then you get a first tip like &#8220;Get a CD player.&#8221; &#8211; <em><a href="https://www.wired.com/story/how-to-collect-cds/">Wired</a></em></p>
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		<title>Is 3D, As Film Tech, Finally Worth It?</title>
		<link>https://www.theverge.com/tech/1004131/3d-movies-are-finally-worth-watching-xreal-meta-glasses-vision-pro</link>
					<comments>https://www.theverge.com/tech/1004131/3d-movies-are-finally-worth-watching-xreal-meta-glasses-vision-pro#respond</comments>
		
		<dc:creator><![CDATA[The Verge]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 12:00:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449987</guid>

					<description><![CDATA[<a href="https://www.theverge.com/tech/1004131/3d-movies-are-finally-worth-watching-xreal-meta-glasses-vision-pro" title="Is 3D, As Film Tech, Finally Worth It?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.05.50-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.05.50-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.05.50-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.05.50.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>&#8220;Almost every 3D technology cuts something you care about in half, whether it’s resolution &#8230; or the refresh rate and flicker you get with active shutter glasses. But what if you had a full screen for each eye? That’s what video glasses can provide.&#8221; &#8211; The Verge]]></description>
										<content:encoded><![CDATA[<a href="https://www.theverge.com/tech/1004131/3d-movies-are-finally-worth-watching-xreal-meta-glasses-vision-pro" title="Is 3D, As Film Tech, Finally Worth It?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.05.50-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.05.50-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.05.50-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.05.50.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">&#8220;Almost every 3D technology cuts something you care about in half, whether it’s resolution &#8230; or the refresh rate and flicker you get with active shutter glasses. But what if you had a full screen for each eye? That’s what video glasses can provide.&#8221; &#8211; <em><a href="https://www.theverge.com/tech/1004131/3d-movies-are-finally-worth-watching-xreal-meta-glasses-vision-pro">The Verge</a></em></p>
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		<title>What Venice Could Have Been</title>
		<link>https://www.nytimes.com/2026/10/02/arts/design/robert-lazzarini-us-pavilion-venice-boston-exhibition.html</link>
					<comments>https://www.nytimes.com/2026/10/02/arts/design/robert-lazzarini-us-pavilion-venice-boston-exhibition.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 04 Oct 2026 11:30:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449984</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/10/02/arts/design/robert-lazzarini-us-pavilion-venice-boston-exhibition.html" title="What Venice Could Have Been" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.01.52-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.01.52-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.01.52-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.01.52.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>At least, what the U.S. pavilion could have been. &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/10/02/arts/design/robert-lazzarini-us-pavilion-venice-boston-exhibition.html" title="What Venice Could Have Been" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.01.52-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.01.52-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.01.52-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot-2026-10-03-at-16.01.52.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">At least, what the U.S. pavilion could have been. &#8211; <em><a href="https://www.nytimes.com/2026/10/02/arts/design/robert-lazzarini-us-pavilion-venice-boston-exhibition.html">The New York Times</a></em></p>



<p class="wp-block-paragraph"></p>
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		<title>Kennedy Center Honors Moving to an Arena</title>
		<link>https://www.artsjournal.com/2026/10/kennedy-center-honors-moving-to-an-arena.html</link>
					<comments>https://www.artsjournal.com/2026/10/kennedy-center-honors-moving-to-an-arena.html#respond</comments>
		
		<dc:creator/>
		<pubDate>Sat, 03 Oct 2026 23:09:49 +0000</pubDate>
				<category><![CDATA[DOUG]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449988</guid>

					<description><![CDATA[This Week&#8217;s Highlights: The Kennedy Center&#8217;s board voted last month to close its building, and this week the center said the Honors will be held December 7 at Capital One Arena instead (AP). A Washington Post analysis found ticket sales on pace to fall by two-thirds, donations down 40% in four months, and a development [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">This Week&#8217;s Highlights:</p>



<p class="wp-block-paragraph">The Kennedy Center&#8217;s board voted last month to close its building, and this week the center said the Honors will be held December 7 at Capital One Arena instead (<a href="https://www.yahoo.com/news/politics/articles/kennedy-center-honors-held-capital-160207821.html"><em>AP</em></a>). A Washington Post analysis found ticket sales on pace to fall by two-thirds, donations down 40% in four months, and a development staff cut from 96 to 14 (<a href="https://www.msn.com/en-us/news/other/the-kennedy-center-was-solvent-when-trump-took-over-then-its-finances-collapsed/ar-AA2dgdhp"><em>The Washington Post</em></a>). And on Monday Utah Republican Mike Lee blocked a bill co-sponsored by his colleague Lisa Murkowski barring demolition of a congressional memorial without Congress&#8217;s approval (<a href="https://www.cnn.com/2026/09/29/politics/mike-lee-kennedy-center-bill"><em>CNN</em></a>).</p>



<p class="wp-block-paragraph">The Nashville Symphony suspended its season effective October 18, furloughing all 77 musicians and half its staff against a $10 million deficit (<a href="https://www.yahoo.com/news/us/articles/nashville-symphony-financial-emergency-suspends-230054847.html"><em>The Tennessean</em></a>). The Cleveland Orchestra&#8217;s players, backed by a $329 million endowment, struck for three days and won 5% annual raises and a rule that the music director can&#8217;t hire anyone the audition committee&#8217;s majority hasn&#8217;t approved (<a href="https://www.ideastream.org/arts-culture/2026-09-27/cleveland-orchestra-musicians-agree-to-new-contract-ending-strike"><em>Ideastream</em></a>).</p>



<p class="wp-block-paragraph">The Third Circuit Federal Court held that Ross Intelligence, a legal-research startup, can&#8217;t claim fair use for training its AI on Westlaw&#8217;s editorial headnotes, the first appeals ruling of its kind (<a href="https://www.niemanlab.org/2026/09/federal-appeals-court-upholds-thomson-reuters-landmark-ai-copyright-win/"><em>Nieman Lab</em></a>).</p>



<p class="wp-block-paragraph">Banned Books Week begins Sunday, and Seattle Public Library&#8217;s Books Unbanned, an e-card for readers 13 to 26 anywhere in the country, has passed 1.1 million checkouts on nearly $900,000 in donations (<a href="https://komonews.com/news/local/seattle-librarys-program-challenging-banned-books-tops-1-million-teen-e-book-checkouts"><em>KOMO</em></a>). Xander Parish, the first British principal at the Mariinsky Ballet, opens the Nouveaux Ballets Russes in Florence on March 14 with a <em>Swan Lake</em> set in Belle Époque Paris (<a href="https://pointemagazine.com/xander-parish-to-lead-new-company-inspired-by-ballets-russes/"><em>Pointe</em></a>).</p>



<p class="wp-block-paragraph">We collected handfuls of stories this week. You can see all of them below, organized by topic.</p>



<p class="wp-block-paragraph">See you next week.</p>



<p class="wp-block-paragraph">Doug</p>
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		<title>Roberto Kalb shares key strategies to incorporate diversity into casting</title>
		<link>https://www.artsjournal.com/artsengines/2026/10/03/roberto-kalb-shares-key-strategies-to-incorporate-diversity-into-casting/</link>
		
		<dc:creator/>
		<pubDate>Sat, 03 Oct 2026 16:40:40 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449979</guid>

					<description><![CDATA[<a href="https://www.artsjournal.com/artsengines/2026/10/03/roberto-kalb-shares-key-strategies-to-incorporate-diversity-into-casting/" title="Roberto Kalb shares key strategies to incorporate diversity into casting" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg 150w, https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331.jpg 175w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Roberto Kalb, Music Director of Detroit Opera, shares his philosophy of incorporating diversity into casting and programming.]]></description>
										<content:encoded><![CDATA[<a href="https://www.artsjournal.com/artsengines/2026/10/03/roberto-kalb-shares-key-strategies-to-incorporate-diversity-into-casting/" title="Roberto Kalb shares key strategies to incorporate diversity into casting" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg 150w, https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331.jpg 175w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a><figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio">
<div class="wp-block-embed__wrapper">
<p><span class="U"></p>
<div class="youtube-embed" data-video_id="pF5Xa6HKnC8"><iframe loading="lazy" title="Roberto Kalb on Arts Engines with Aaron Dworkin" width="696" height="392" src="https://www.youtube.com/embed/pF5Xa6HKnC8?feature=oembed&#038;enablejsapi=1" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
<p></span></p>
</div>
</figure>
<p class="wp-block-paragraph">Roberto Kalb, Music Director of Detroit Opera, shares his philosophy of incorporating diversity into casting and programming.</p>
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		<title>Kennedy Center Honors To Be Moved To An Arena</title>
		<link>https://www.yahoo.com/news/politics/articles/kennedy-center-honors-held-capital-160207821.html</link>
					<comments>https://www.yahoo.com/news/politics/articles/kennedy-center-honors-held-capital-160207821.html#respond</comments>
		
		<dc:creator><![CDATA[Yahoo]]></dc:creator>
		<pubDate>Fri, 02 Oct 2026 19:21:15 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449973</guid>

					<description><![CDATA[The 49th annual awards are set to take place at Washington&#8217;s downtown arena, a Kennedy Center spokesperson said Friday. Few other details were immediately available, and an explanation for the change wasn&#8217;t given. &#8211; AP (Yahoo)]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">The 49th annual awards are set to take place at Washington&#8217;s downtown arena, a Kennedy Center spokesperson said Friday. Few other details were immediately available, and an explanation for the change wasn&#8217;t given. &#8211; <em><a href="https://www.yahoo.com/news/politics/articles/kennedy-center-honors-held-capital-160207821.html">AP (Yahoo)</a></em></p>
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		<title>What Laurie Anderson Knows Now That She Wishes She’d Known At Age 18</title>
		<link>https://www.thenerve.news/p/laurie-anderson-interview-cardiff-festival-trump-kennedy-center#new_tab</link>
					<comments>https://www.thenerve.news/p/laurie-anderson-interview-cardiff-festival-trump-kennedy-center#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Nerve (UK)]]></dc:creator>
		<pubDate>Fri, 02 Oct 2026 18:50:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449968</guid>

					<description><![CDATA[<a href="https://www.thenerve.news/p/laurie-anderson-interview-cardiff-festival-trump-kennedy-center#new_tab" title="What Laurie Anderson Knows Now That She Wishes She’d Known At Age 18" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1150-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1150-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1150.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Nothing, actually. “No, I&#8217;m happy with what I knew then and what I didn&#8217;t know, and I was glad to get a chance to be an idiot. … You know, I don&#8217;t mind making these blunders. I learned a lot through blunders.” &#8211; The Nerve (UK)]]></description>
										<content:encoded><![CDATA[<a href="https://www.thenerve.news/p/laurie-anderson-interview-cardiff-festival-trump-kennedy-center#new_tab" title="What Laurie Anderson Knows Now That She Wishes She’d Known At Age 18" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1150-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1150-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1150.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Nothing, actually. “No, I&#8217;m happy with what I knew then and what I didn&#8217;t know, and I was glad to get a chance to be an idiot. … You know, I don&#8217;t mind making these blunders. I learned a lot through blunders.” &#8211; <em><a href="https://www.thenerve.news/p/laurie-anderson-interview-cardiff-festival-trump-kennedy-center">The Nerve (UK)</a></em></p>
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		<title>What’s Behind The Amazing Starchitect Building Boom In… Albania?</title>
		<link>https://www.theguardian.com/artanddesign/2026/oct/02/starchitects-go-home-albania-building-boom-edi-rama</link>
					<comments>https://www.theguardian.com/artanddesign/2026/oct/02/starchitects-go-home-albania-building-boom-edi-rama#respond</comments>
		
		<dc:creator><![CDATA[The Guiardian]]></dc:creator>
		<pubDate>Fri, 02 Oct 2026 18:29:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449961</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/artanddesign/2026/oct/02/starchitects-go-home-albania-building-boom-edi-rama" title="What&#8217;s Behind The Amazing Starchitect Building Boom In&#8230; Albania?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot_2-10-2026_82839_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>Sixty top architecture firms from around the world have mooted 500 eye-catching projects across Albania, sparking fury and protests. &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/artanddesign/2026/oct/02/starchitects-go-home-albania-building-boom-edi-rama" title="What&#8217;s Behind The Amazing Starchitect Building Boom In&#8230; Albania?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot_2-10-2026_82839_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">Sixty top architecture firms from around the world have mooted 500 eye-catching projects across Albania, sparking fury and protests. &#8211; <em><a href="https://www.theguardian.com/artanddesign/2026/oct/02/starchitects-go-home-albania-building-boom-edi-rama">The Guardian</a></em></p>
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		<title>When A Financial Tech Company Stages An Industrial Musical On Broadway</title>
		<link>https://www.yahoo.com/entertainment/articles/peter-thiel-backed-company-put-094500713.html#new_tab</link>
					<comments>https://www.yahoo.com/entertainment/articles/peter-thiel-backed-company-put-094500713.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Slate (Yahoo!)]]></dc:creator>
		<pubDate>Fri, 02 Oct 2026 18:02:00 +0000</pubDate>
				<category><![CDATA[THEATRE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449965</guid>

					<description><![CDATA[<a href="https://www.yahoo.com/entertainment/articles/peter-thiel-backed-company-put-094500713.html#new_tab" title="When A Financial Tech Company Stages An Industrial Musical On Broadway" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1103-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1103-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1103.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“Bill Pay itself was extremely meta and self-aware, a post-postmodern pageant that would have given David Foster Wallace an aneurysm. … (It) felt like an indicator of where the broader cultural zeitgeist is headed: back to a not-so-recent past where wealthy companies devoted heaping shares of their budgets toward sheer pandering.” &#8211; Slate (Yahoo!)]]></description>
										<content:encoded><![CDATA[<a href="https://www.yahoo.com/entertainment/articles/peter-thiel-backed-company-put-094500713.html#new_tab" title="When A Financial Tech Company Stages An Industrial Musical On Broadway" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1103-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1103-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/1103.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“<em>Bill Pay</em> itself was extremely meta and self-aware, a post-postmodern pageant that would have given David Foster Wallace an aneurysm. … (It) felt like an indicator of where the broader cultural zeitgeist is headed: back to a not-so-recent past where wealthy companies devoted heaping shares of their budgets toward sheer pandering.” &#8211; <em><a href="https://www.yahoo.com/entertainment/articles/peter-thiel-backed-company-put-094500713.html">Slate (Yahoo!)</a></em></p>
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		<title>Opera Is Increasingly Expensive To Make. So How Will We Pay For It?</title>
		<link>https://sfclassicalvoice.substack.com/p/opera-is-really-expensive-where-will</link>
					<comments>https://sfclassicalvoice.substack.com/p/opera-is-really-expensive-where-will#respond</comments>
		
		<dc:creator><![CDATA[San Francisco Classical Voice]]></dc:creator>
		<pubDate>Fri, 02 Oct 2026 17:44:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=449958</guid>

					<description><![CDATA[<a href="https://sfclassicalvoice.substack.com/p/opera-is-really-expensive-where-will" title="Opera Is Increasingly Expensive To Make. So How Will We Pay For It?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot_2-10-2026_8266_sfclassicalvoice.substack.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>You can look at the finances of San Francisco Opera and what has changed in the last 45 or so years to understand what the company is dealing with. &#8211; San Francisco Classical Voice]]></description>
										<content:encoded><![CDATA[<a href="https://sfclassicalvoice.substack.com/p/opera-is-really-expensive-where-will" title="Opera Is Increasingly Expensive To Make. So How Will We Pay For It?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/10/Screenshot_2-10-2026_8266_sfclassicalvoice.substack.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">You can look at the finances of San Francisco Opera and what has changed in the last 45 or so years to understand what the company is dealing with. <em><a href="https://sfclassicalvoice.substack.com/p/opera-is-really-expensive-where-will">&#8211; San Francisco Classical Voice</a></em></p>
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