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	<item>
		<title>Miles Davis At 100: Still Influencing Music</title>
		<link>https://www.theguardian.com/commentisfree/2026/may/24/the-guardian-view-on-100-years-after-miles-davis-birth-why-he-still-shapes-modern-music</link>
					<comments>https://www.theguardian.com/commentisfree/2026/may/24/the-guardian-view-on-100-years-after-miles-davis-birth-why-he-still-shapes-modern-music#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Mon, 25 May 2026 14:10:32 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441517</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_7917_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" />Davis repeatedly dismantled the sound he had helped invent – embracing the electric age in 1968, much as Bob Dylan had in folk. &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_7917_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" />
<p class="wp-block-paragraph">Davis repeatedly dismantled the sound he had helped invent – embracing the electric age in 1968, much as Bob Dylan had in folk. &#8211;<em><a href="https://www.theguardian.com/commentisfree/2026/may/24/the-guardian-view-on-100-years-after-miles-davis-birth-why-he-still-shapes-modern-music"> The Guardian</a></em></p>
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		<title>The Silencing Of Washington’s National Symphony</title>
		<link>https://www.nytimes.com/2026/05/25/arts/music/kennedy-center-house-orchestra.html</link>
					<comments>https://www.nytimes.com/2026/05/25/arts/music/kennedy-center-house-orchestra.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Mon, 25 May 2026 13:54:39 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441514</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_65219_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" />The cascading cancellations were devastating for the orchestra and its 61 professional musicians. Their annual salary is paid by performance and the lack of work has been demoralizing. The whole ensemble last played together in the Kennedy Center with the American Ballet Theater in February. &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_65219_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">The cascading cancellations were devastating for the orchestra and its 61 professional musicians. Their annual salary is paid by performance and the lack of work has been demoralizing. The whole ensemble last played together in the Kennedy Center with the American Ballet Theater in February. &#8211;<em><a href="https://www.nytimes.com/2026/05/25/arts/music/kennedy-center-house-orchestra.html"> The New York Times</a></em></p>



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		<title>Dance As Competitive Sport Gets A League Of Its Own</title>
		<link>https://www.nytimes.com/2026/05/25/arts/dance/international-dance-league-competition.html</link>
					<comments>https://www.nytimes.com/2026/05/25/arts/dance/international-dance-league-competition.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Mon, 25 May 2026 13:46:40 +0000</pubDate>
				<category><![CDATA[DANCE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441511</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_64423_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />What is the International Dance League? The N.B.A. of dance. The W.W.E. of dance. Formula 1 racing meets the TV show “America’s Best Dance Crew.” These are some of the analogies that came up in conversations with the league’s founders and participants. &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_64423_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">What is the International Dance League? The N.B.A. of dance. The W.W.E. of dance. Formula 1 racing meets the TV show “America’s Best Dance Crew.” These are some of the analogies that came up in conversations with the league’s founders and participants. &#8211; <em><a href="https://www.nytimes.com/2026/05/25/arts/dance/international-dance-league-competition.html">The New York Times</a></em></p>
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		<title>The Enrollment Cliff Is Here For American Colleges</title>
		<link>https://www.newyorker.com/news/fault-lines/the-enrollment-cliff-is-here-which-schools-will-survive-it#intcid=_the-new-yorker-homepage-bkt-a_622f4d14-64e0-449e-8e95-99ba3fd94568_cygnus-personalized</link>
					<comments>https://www.newyorker.com/news/fault-lines/the-enrollment-cliff-is-here-which-schools-will-survive-it#intcid=_the-new-yorker-homepage-bkt-a_622f4d14-64e0-449e-8e95-99ba3fd94568_cygnus-personalized#respond</comments>
		
		<dc:creator><![CDATA[The New Yorker]]></dc:creator>
		<pubDate>Mon, 25 May 2026 13:43:08 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441508</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_64025_www.newyorker.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Last year, at least sixteen nonprofit colleges and universities announced that they would close and seven more announced that they would merge with or be acquired by other schools. &#8211; The New Yorker]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_64025_www.newyorker.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Last year, at least sixteen nonprofit colleges and universities announced that they would close and seven more announced that they would merge with or be acquired by other schools. &#8211; <em><a href="https://www.newyorker.com/news/fault-lines/the-enrollment-cliff-is-here-which-schools-will-survive-it#intcid=_the-new-yorker-homepage-bkt-a_622f4d14-64e0-449e-8e95-99ba3fd94568_cygnus-personalized">The New Yorker</a></em></p>
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		<title>Ansel Adams Trust Slams Gallery Over AI Image</title>
		<link>https://www.artnews.com/art-news/news/ansel-adams-trust-danziger-gallery-ai-artwork-aipad-1234787113/</link>
					<comments>https://www.artnews.com/art-news/news/ansel-adams-trust-danziger-gallery-ai-artwork-aipad-1234787113/#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Mon, 25 May 2026 13:39:11 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441505</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_63731_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />The artwork, which still appears on Danziger’s website, does not contain a title but is headlined A.I. GENERATED, From the prompt: Make a realistic color version of Ansel Adams’ iconic “Moonrise Over Hernandez”. &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_63731_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">The artwork, which still appears on Danziger’s website, does not contain a title but is headlined<em> A.I. GENERATED, From the prompt: Make a realistic color version of Ansel Adams’ iconic “Moonrise Over Hernandez”.</em> <em><a href="https://www.artnews.com/art-news/news/ansel-adams-trust-danziger-gallery-ai-artwork-aipad-1234787113/">&#8211; ARTnews</a></em></p>
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		<title>46 Museum Shows And Biennales To See This Summer</title>
		<link>https://www.artnews.com/list/art-news/news/summer-preview-1234786351/</link>
					<comments>https://www.artnews.com/list/art-news/news/summer-preview-1234786351/#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Mon, 25 May 2026 13:29:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441502</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_62730_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Spectacle in all its many forms is the big theme of the summer season, when big, glitzy projects will take over museums across the globe. &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_62730_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Spectacle in all its many forms is the big theme of the summer season, when big, glitzy projects will take over museums across the globe. &#8211; <em><a href="https://www.artnews.com/list/art-news/news/summer-preview-1234786351/">ARTnews</a></em></p>
]]></content:encoded>
					
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		<title>Weird Writing Advice (It’s The Best)</title>
		<link>https://www.newyorker.com/books/under-review/why-the-best-writing-advice-is-often-the-weirdest</link>
					<comments>https://www.newyorker.com/books/under-review/why-the-best-writing-advice-is-often-the-weirdest#respond</comments>
		
		<dc:creator><![CDATA[The New Yorker]]></dc:creator>
		<pubDate>Mon, 25 May 2026 13:26:22 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441499</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_62334_www.newyorker.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Writers have a bevy of mantras—“show don’t tell,” “kill your darlings”—that mainly help by giving the writer a sense that there are rules. But the rules can’t govern the place the work comes from. &#8211; The New Yorker]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_62334_www.newyorker.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Writers have a bevy of mantras—“show don’t tell,” “kill your darlings”—that mainly help by giving the writer a sense that there are rules. But the rules can’t govern the place the work comes from. &#8211; <em><a href="https://www.newyorker.com/books/under-review/why-the-best-writing-advice-is-often-the-weirdest">The New Yorker</a></em></p>
]]></content:encoded>
					
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		<title>A Theatre Chain Encourages Its Patrons To Use Their Phones During The Movie. They Hate It</title>
		<link>https://www.nytimes.com/2026/05/24/movies/alamo-drafthouse-mobile-ordering.html</link>
					<comments>https://www.nytimes.com/2026/05/24/movies/alamo-drafthouse-mobile-ordering.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Mon, 25 May 2026 13:22:10 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441496</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_61843_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />The response from Alamo patrons has been largely negative, with many expressing outrage at a perceived about-face. They have taken to social media in droves to protest mobile ordering, and started a Change.org petition asking the chain to reinstate its no-phones policy. &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_61843_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">The response from Alamo patrons has been largely negative, with many expressing outrage at a perceived about-face. They have taken to social media in droves to protest mobile ordering, and started a <a href="http://change.org/" target="_blank" rel="noreferrer noopener">Change.org petition</a> asking the chain to reinstate its no-phones policy. <em><a href="https://www.nytimes.com/2026/05/24/movies/alamo-drafthouse-mobile-ordering.html">&#8211; The New York Times</a></em></p>
]]></content:encoded>
					
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		<title>What Happens When You Give Artists A Guaranteed Income</title>
		<link>https://theconversation.com/we-studied-what-happened-when-financially-struggling-artists-received-1-000-a-month-no-strings-attached-for-18-months-280799</link>
					<comments>https://theconversation.com/we-studied-what-happened-when-financially-struggling-artists-received-1-000-a-month-no-strings-attached-for-18-months-280799#respond</comments>
		
		<dc:creator><![CDATA[The Conversation]]></dc:creator>
		<pubDate>Mon, 25 May 2026 13:17:55 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441493</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_6166_theconversation.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />The extent to which AI will upend creative work remains unsettled. But that uncertainty has made guaranteeing income for creatives a more viable policy idea. &#8211; The Conversation]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_6166_theconversation.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">The extent to which AI will upend creative work remains unsettled. But that uncertainty has made guaranteeing income for creatives a more viable policy idea. &#8211;<em><a href="https://theconversation.com/we-studied-what-happened-when-financially-struggling-artists-received-1-000-a-month-no-strings-attached-for-18-months-280799"> The Conversation</a></em></p>
]]></content:encoded>
					
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		<title>Pop Music Concerts Aren’t Selling Well This Summer. Why?</title>
		<link>https://www.linkedin.com/pulse/blue-dot-fever-popularity-crisis-pricing-armando-barrera-barrios-f2t2e/</link>
					<comments>https://www.linkedin.com/pulse/blue-dot-fever-popularity-crisis-pricing-armando-barrera-barrios-f2t2e/#respond</comments>
		
		<dc:creator><![CDATA[Armando Barrera Barrios]]></dc:creator>
		<pubDate>Mon, 25 May 2026 13:11:29 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441490</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_6950_www.linkedin.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Something has happened since the pandemic. I don&#8217;t know if it was greed accumulated during the closure years, if it was inflation, if it was the lack of competition on platforms like Ticketmaster. But ticket prices have skyrocketed to levels that are, plainly and simply, obscene. &#8211; Armando Barrera Barrios]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_25-5-2026_6950_www.linkedin.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Something has happened since the pandemic. I don&#8217;t know if it was greed accumulated during the closure years, if it was inflation, if it was the lack of competition on platforms like Ticketmaster. But ticket prices have skyrocketed to levels that are, plainly and simply, obscene. &#8211; <a href="https://www.linkedin.com/in/armandobarrera/">Armando Barrera Barrios</a></p>



<p class="wp-block-paragraph"></p>
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		<title>AJ Chronicles: Hollywood, 6; Non-Profit Arts, 1</title>
		<link>https://www.artsjournal.com/diacritical/2026/05/aj-chronicles-hollywood-6-non-profit-arts-1.html</link>
		
		<dc:creator/>
		<pubDate>Sat, 23 May 2026 16:02:27 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441476</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Thinking-PixTeller-e1779551841589-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Thinking-PixTeller-e1779551841589-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Thinking-PixTeller-e1779551841589.jpg 150w" sizes="auto, (max-width: 90px) 100vw, 90px" />Hollywood has reinvented its core model at least six times in a century. The nonprofit arts model has reinvented itself exactly once. Now there may no choice. But what's the case?]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Thinking-PixTeller-e1779551841589-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Thinking-PixTeller-e1779551841589-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Thinking-PixTeller-e1779551841589.jpg 150w" sizes="auto, (max-width: 90px) 100vw, 90px" /><p><a href="https://www.artsjournal.com/diacritical/2026/05/aj-chronicles-hollywood-6-non-profit-arts-1.html" title="AJ Chronicles: Hollywood, 6; Non-Profit Arts, 1" rel="nofollow"><img loading="lazy" decoding="async" width="150" height="150" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Thinking-PixTeller-e1779551841589.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="display: block;margin-bottom: 5px;clear:both;max-width: 100%" /></a>Hollywood has reinvented its core model at least six times in a century. The nonprofit arts model has reinvented itself exactly once. Now there may no choice. But what&#8217;s the case?</p>
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		<title>Christine Taylor Conda talks about the One Score, One Chicago program</title>
		<link>https://www.artsjournal.com/artsengines/2026/05/23/christine-taylor-conda-talks-about-the-one-score-one-chicago-program/</link>
		
		<dc:creator/>
		<pubDate>Sat, 23 May 2026 14:11:10 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441474</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg 150w, https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331.jpg 175w" sizes="auto, (max-width: 90px) 100vw, 90px" />Christine Taylor Conda, Executive Director of Education and Community Engagement at Ravinia, talks about the unique impact of their One Score, One Chicago program.]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg 150w, https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331.jpg 175w" sizes="auto, (max-width: 90px) 100vw, 90px" /><figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio">
<div class="wp-block-embed__wrapper">
<p><span class="rT1ayePlgq7GGJzW4RnQCmXjdpUExUfhEcRVm0qYC2PnABNMi6w7Llpy4cNv85Dx5kBZ6XzbfFKYD8bHiIQHAKoWtST3Ot9d"></p>
<div class="youtube-embed" data-video_id="j85fhCEigrI"><iframe loading="lazy" title="Christine Taylor Conda on Arts Engines with Aaron Dworkin" width="696" height="392" src="https://www.youtube.com/embed/j85fhCEigrI?feature=oembed&#038;enablejsapi=1" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
<p></span></p>
</div>
</figure>
<p class="wp-block-paragraph">Christine Taylor Conda, Executive Director of Education and Community Engagement at Ravinia, talks about the unique impact of their One Score, One Chicago program.</p>
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		<title>The Robot Fight Clubs Of San Francisco Are Now Having Dance Wars</title>
		<link>https://sfstandard.com/2026/05/15/robot-dance-wars/#new_tab</link>
					<comments>https://sfstandard.com/2026/05/15/robot-dance-wars/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The San Francisco Standard]]></dc:creator>
		<pubDate>Fri, 22 May 2026 18:50:00 +0000</pubDate>
				<category><![CDATA[DANCE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441452</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1150-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1150-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1150-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />Yes, this is a thing. &#8211; The San Francisco Standard]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1150-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1150-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1150-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">Yes, this is a thing. &#8211; <em><a href="https://sfstandard.com/2026/05/15/robot-dance-wars/">The San Francisco Standard</a></em></p>
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		<title>Is Arts Criticism A Moral Good?</title>
		<link>https://www.artforum.com/columns/problems-of-criticism-xi-harmon-siegel-1234747381/</link>
					<comments>https://www.artforum.com/columns/problems-of-criticism-xi-harmon-siegel-1234747381/#respond</comments>
		
		<dc:creator><![CDATA[Artforum]]></dc:creator>
		<pubDate>Fri, 22 May 2026 18:31:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441468</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_103932_www.artforum.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />We no longer argue about whether art as such is a matter of life and death—we assume that it’s not. Consequently, critics aren’t prompted to ask about the political valence of their own activity: Is criticism itself a moral good? &#8211; Artforum]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_103932_www.artforum.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">We no longer argue about whether art as such is a matter of life and death—we assume that it’s not. Consequently, critics aren’t prompted to ask about the political valence of their own activity: Is criticism itself a moral good? &#8211;<em><a href="https://www.artforum.com/columns/problems-of-criticism-xi-harmon-siegel-1234747381/"> Artforum</a></em></p>
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		<title>One Of Chicago’s Veteran Music Critics Writes An Opera About His Holocaust-Survivor Mother</title>
		<link>https://news.wttw.com/2026/05/15/new-opera-chicago-music-critic-unpacks-being-son-holocaust-survivors#new_tab</link>
					<comments>https://news.wttw.com/2026/05/15/new-opera-chicago-music-critic-unpacks-being-son-holocaust-survivors#new_tab#respond</comments>
		
		<dc:creator><![CDATA[WTTW (Chicago)]]></dc:creator>
		<pubDate>Fri, 22 May 2026 18:03:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441446</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1103-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1103-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1103-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />In 2019, Howard Reich, longtime jazz critic of the Chicago Tribune, published The Art of Inventing Hope, based on conversations with Elie Wiesel and Reich&#8217;s mother’s experiences in WWII Poland. He has now adapted that book into an opera libretto, The Dialogue of Memories, with music by Tom Cipullo. &#8211; WTTW (Chicago)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1103-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1103-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1103-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">In 2019, Howard Reich, longtime jazz critic of the <em>Chicago Tribune</em>, published <em>The Art of Inventing Hope</em>, based on conversations with Elie Wiesel and Reich&#8217;s mother’s experiences in WWII Poland. He has now adapted that book into an opera libretto, <em>The Dialogue of Memories</em>, with music by Tom Cipullo. &#8211; <em><a href="https://news.wttw.com/2026/05/15/new-opera-chicago-music-critic-unpacks-being-son-holocaust-survivors">WTTW (Chicago)</a></em></p>
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		<title>Potential Strike On London’s West End After Actors Vote</title>
		<link>https://www.theguardian.com/stage/2026/may/19/west-end-shows-equity-possible-strikes-london</link>
					<comments>https://www.theguardian.com/stage/2026/may/19/west-end-shows-equity-possible-strikes-london#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Fri, 22 May 2026 17:44:00 +0000</pubDate>
				<category><![CDATA[THEATRE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441465</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_103536_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />An indicative ballot held by the performing arts union, Equity, was overwhelmingly backed by its membership: 98% voted yes to potential strikes. The result means the union now has the right to have a statutory ballot on taking industrial action. &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_103536_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">An indicative ballot held by the performing arts union, Equity, was overwhelmingly backed by its membership: 98% voted yes to potential strikes. The result means the union now has the right to have a statutory ballot on taking industrial action. &#8211;<em><a href="https://www.theguardian.com/stage/2026/may/19/west-end-shows-equity-possible-strikes-london"> The Guardian</a></em></p>
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		<title>Philadelphia Museum Of Art Remakes Its Leadership Team</title>
		<link>https://www.msn.com/en-us/entertainment/general/new-philadelphia-museum-of-art-senior-team-is-complete-with-neil-batiancila-as-fundraising-chief/ar-AA23KgWf</link>
					<comments>https://www.msn.com/en-us/entertainment/general/new-philadelphia-museum-of-art-senior-team-is-complete-with-neil-batiancila-as-fundraising-chief/ar-AA23KgWf#respond</comments>
		
		<dc:creator><![CDATA[Philadelphia Inquirer (MSN)]]></dc:creator>
		<pubDate>Fri, 22 May 2026 17:30:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441462</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_103022_www.msn_.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Daniel Weiss took over as director and CEO in December after the dismissal of former leader Sasha Suda. He has rolled back some of the decisions made during her tenure, including the brief renaming of the museum as the “Philadelphia Art Museum,” or PhAM. And now new leaders in finance and human resources. &#8211; Philadelphia Inquirer (MSN)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_103022_www.msn_.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Daniel <a href="https://www.inquirer.com/arts/philadelphia-art-museum-director-daniel-weiss-20260121.html" target="_blank" rel="noreferrer noopener">Weiss</a> took over as director and CEO in December after the <a href="https://www.inquirer.com/arts/philadelphia-art-museum-sasha-suda-dismissal-legal-investigation-20251110.html" target="_blank" rel="noreferrer noopener">dismissal</a> of former leader Sasha Suda. He has rolled back some of the decisions made during her tenure, including the brief <a href="https://www.inquirer.com/arts/philadelphia-museum-of-art-name-change-rebrand-20260204.html" target="_blank" rel="noreferrer noopener">renaming of the museum</a> as the “Philadelphia Art Museum,” or PhAM. And now new leaders in <a href="https://www.inquirer.com/arts/philadelphia-museum-art-new-cfo-20260306.html" target="_blank" rel="noreferrer noopener">finance</a> and human resources. &#8211;<em><a href="https://www.msn.com/en-us/entertainment/general/new-philadelphia-museum-of-art-senior-team-is-complete-with-neil-batiancila-as-fundraising-chief/ar-AA23KgWf"> Philadelphia Inquirer (MSN)</a></em></p>
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		<title>New Zealand To Decentralize Arts Funding, Awarding Most Grants Regionally</title>
		<link>https://www.thebigidea.co.nz/stories/cnz-regional-partnerships#new_tab</link>
					<comments>https://www.thebigidea.co.nz/stories/cnz-regional-partnerships#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Big Idea (New Zealand)]]></dc:creator>
		<pubDate>Fri, 22 May 2026 17:02:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441434</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1002-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1002-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1002-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />The national government’s arts agency, Creative New Zealand, plans to have most funding decisions (excepting international projects and national companies such as the NZ Symphony and Royal NZ Ballet) made by up to 16 independent regional organizations. &#8211; The Big Idea (New Zealand)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1002-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1002-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/1002-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">The national government’s arts agency, Creative New Zealand, plans to have most funding decisions (excepting international projects and national companies such as the NZ Symphony and Royal NZ Ballet) made by up to 16 independent regional organizations. &#8211; <em><a href="https://www.thebigidea.co.nz/stories/cnz-regional-partnerships">The Big Idea (New Zealand)</a></em></p>
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		<title>Beloved Tenor Limmie Pulliam, 51</title>
		<link>https://moto-perpetuo.com/limmie-pulliam-dies-at-51/</link>
					<comments>https://moto-perpetuo.com/limmie-pulliam-dies-at-51/#respond</comments>
		
		<dc:creator><![CDATA[Moto Perpetuo]]></dc:creator>
		<pubDate>Fri, 22 May 2026 16:44:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441459</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_95449_moto-perpetuo.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />His return became one of the most remarkable late-career success stories in American opera. As his voice matured into a true dramatic tenor, Pulliam emerged as a sought-after interpreter of Verdi and other heavyweight repertoire. &#8211; Moto Perpetuo]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_95449_moto-perpetuo.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">His return became one of the most remarkable late-career success stories in American opera. As his voice matured into a true dramatic tenor, Pulliam emerged as a sought-after interpreter of Verdi and other heavyweight repertoire. <em><a href="https://moto-perpetuo.com/limmie-pulliam-dies-at-51/">&#8211; Moto Perpetuo</a></em></p>
]]></content:encoded>
					
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		<title>How Vermont Public Got To Be The State’s Biggest News Organization</title>
		<link>https://vnews.com/2026/05/03/vermont-public-radio-history/</link>
					<comments>https://vnews.com/2026/05/03/vermont-public-radio-history/#respond</comments>
		
		<dc:creator><![CDATA[Valley News (Vermont)]]></dc:creator>
		<pubDate>Fri, 22 May 2026 16:31:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441455</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_84522_vnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />In 2022, Vermont Public Radio merged with Vermont Public Television to form a new entity titled simply Vermont Public. The marriage pulled together 57 employees from the radio network and 42 from the TV side and total assets valued at $90 million. It thus became the state’s largest news organization by far. &#8211; Valley News [&#8230;]]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_84522_vnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">In 2022, Vermont Public Radio merged with Vermont Public Television to form a new entity titled simply Vermont Public. The marriage pulled together 57 employees from the radio network and 42 from the TV side and total assets valued at $90 million. It thus became the state’s largest news organization by far. &#8211;<em><a href="https://vnews.com/2026/05/03/vermont-public-radio-history/"> Valley News (Vermont)</a></em></p>
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		<title>Canadian Regulator Says Streaming Services Must Spend 15 Percent Of Revenue On Canadian Content</title>
		<link>https://apnews.com/article/canada-us-streamers-canadian-content-34f06d7f7a831cffa92259b5a674a211</link>
					<comments>https://apnews.com/article/canada-us-streamers-canadian-content-34f06d7f7a831cffa92259b5a674a211#respond</comments>
		
		<dc:creator><![CDATA[AP News]]></dc:creator>
		<pubDate>Fri, 22 May 2026 16:15:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441441</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_83943_apnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Large online streaming services must contribute 15% of their Canadian revenues to Canadian content, the country’s federal broadcast regulator said Thursday. That figure is three times the 5% initial contribution requirement the Canadian Radio-Television and Telecommunications Commission, CRTC, set out in 2024. &#8211; AP News]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_83943_apnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Large online streaming services must contribute 15% of their Canadian revenues to <a href="https://apnews.com/hub/canada">Canadian content</a>, the country’s federal broadcast regulator said Thursday. That figure is three times the 5% initial contribution requirement the Canadian Radio-Television and Telecommunications Commission, CRTC, set out in 2024. &#8211; <em><a href="https://apnews.com/article/canada-us-streamers-canadian-content-34f06d7f7a831cffa92259b5a674a211">AP News</a></em></p>
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		<title>Seattle Opera Hosts First “Furry” Night</title>
		<link>https://www.thestranger.com/furry/the-seattle-opera-hosted-its-first-official-furry-night/</link>
					<comments>https://www.thestranger.com/furry/the-seattle-opera-hosted-its-first-official-furry-night/#respond</comments>
		
		<dc:creator><![CDATA[The Stranger]]></dc:creator>
		<pubDate>Fri, 22 May 2026 16:15:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441447</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_9323_www.thestranger.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />The evening was championed by baritone Christian Pursell, better known in the fandom as Chester the Geroo, who plays Escamillo in Carmen. As far as anyone can tell, this was the first official Furry Night at the opera in history, a genuinely historic moment for the fandom and the city of Seattle. &#8211; The Stranger]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/Screenshot_22-5-2026_9323_www.thestranger.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">The evening was championed by baritone Christian Pursell, better known in the fandom as Chester the Geroo, who plays Escamillo in <em>Carmen</em>. As far as anyone can tell, this was the first official Furry Night at the opera in history, a genuinely historic moment for the fandom and the city of Seattle. &#8211; <em><a href="https://www.thestranger.com/furry/the-seattle-opera-hosted-its-first-official-furry-night/">The Stranger</a></em></p>
]]></content:encoded>
					
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		<title>Michael Pennington, One Of Britain’s Great Classical Stage Actors, Is Dead At 82</title>
		<link>https://www.thetimes.com/uk/obituaries/article/michael-pennington-obituary-acclaimed-actor-sm00cl0g7#new_tab</link>
					<comments>https://www.thetimes.com/uk/obituaries/article/michael-pennington-obituary-acclaimed-actor-sm00cl0g7#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Times (UK)]]></dc:creator>
		<pubDate>Fri, 22 May 2026 16:04:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=441428</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/904-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/904-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/904-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Over the years with the RSC, the English Shakespeare Company” — which he co-founded — “and beyond, Pennington played most of the leading roles in the canon; … his stage career looked like ‘he drew up a list of the juiciest roles in the classical repertoire and methodically set about ticking them off’.” &#8211; The [&#8230;]]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/904-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/904-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/05/904-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“Over the years with the RSC, the English Shakespeare Company” — which he co-founded — “and beyond, Pennington played most of the leading roles in the canon; … his stage career looked like ‘he drew up a list of the juiciest roles in the classical repertoire and methodically set about ticking them off’.” &#8211; <em><a href="https://www.thetimes.com/uk/obituaries/article/michael-pennington-obituary-acclaimed-actor-sm00cl0g7">The Times (UK)</a></em></p>
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