<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2enclosuresfull.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><title>Video : The Atlantic</title><link>http://www.theatlantic.com/video/</link><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/AtlanticVideo" /><description>The Atlantic Video channel</description><language>en</language><lastBuildDate>Sun, 26 Feb 2012 06:41:35 PST</lastBuildDate><feedburner:info uri="atlanticvideo" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><itunes:explicit>no</itunes:explicit><itunes:subtitle>The Atlantic Video channel</itunes:subtitle><item><title>The Quintessential American Barber Shop</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/nhp640n6i8Y/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Fri, 24 Feb 2012 12:42:07 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-24:mt-253518</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<em>Pickin' & Trimmin'  </em>features a classic barber shop in Drexel, North Carolina, and the men who have been meeting there to play bluegrass music, tell stories, and get an occasional haircut, for decades. Matt Morris, the director of the documentary, talks about the making of the film and what has happened at the shop more recently in a brief interview below. Don't miss Morris's new documentary, <em><a href="http://www.theatlantic.com/video/index/253517/">Mr. Happy Man,</a> </em>about 88-year-old Johnny Barnes and his commitment to spending hours every morning wishing Bermuda's commuters well.</p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/nhp640n6i8Y" height="1" width="1"/>]]></content:encoded><description>&lt;em&gt;Pickin' &amp; Trimmin'  &lt;/em&gt;features a classic barber shop in Drexel, North Carolina, and the men who have been meeting there to play bluegrass music, tell stories, and get an occasional haircut, for decades.
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253518</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/the-quintessential-american-barber-shop/253518/</feedburner:origLink></item><item><title>Zen and the Art of Highlining </title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/yfblyQV9xy4/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Fri, 24 Feb 2012 10:18:58 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-24:mt-253576</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	An excerpt from <a href="http://www.highlinersfilm.com/Welcome.html"><em>Highliners, </em></a>a documentary in progress by Grant Thompson, features <a href="http://www.balancecommunity.com/PRO-Team/Jerry-Miszewski/bio.html">Jerry Miszewski</a> as he describes why he fell in love with the sport. Highlining is a variation on <a href="http://en.wikipedia.org/wiki/Slacklining">slacklining</a> -- literally walking a line higher above the ground, ideally in a spectacular natural setting. The title of the video is <em>Cherish Your Stoke,</em> and the term is used liberally throughout, so I asked Thompson to define it. "Stoke is a more common way to say passion or enthusiasm amongst these communities," he explained, "when someone is stoked, they are very passionate and dedicated to something." </p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/yfblyQV9xy4" height="1" width="1"/>]]></content:encoded><description>A short documentary about the joy of walking a highline, featuring Jerry Miszewski
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253576</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/zen-and-the-art-of-highlining/253576/</feedburner:origLink></item><item><title>A Breathtaking Time-Lapse Journey Through the American Southwest </title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/WvLQUfD6Fpk/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Fri, 24 Feb 2012 08:27:15 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-24:mt-253565</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<em>The Wild Heart </em>captures the color-saturated beauty of some of North America's most stunning natural phenomena, from the Grand Canyon to the lunar eclipse of last December. The video is by <a href="http://photography.evosia.com/">Henry Jun Wah Lee</a>, a physician of Chinese medicine who took up photography as a way to reconnect with the natural world. He describes the extensive work and travel that went into documenting these remote locations in an interview below. </p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/WvLQUfD6Fpk" height="1" width="1"/>]]></content:encoded><description>&lt;em&gt;The Wild Heart &lt;/em&gt;captures the color-saturated beauty of some of North America's most stunning natural phenomena, from the Grand Canyon to the lunar eclipse of last December.
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253565</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/a-breathtaking-time-lapse-journey-through-the-american-southwest/253565/</feedburner:origLink></item><item><title>Encyclopedia Britannica's 1949 Animated Guide to Alcohol</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/EMuB5IbHyT4/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Thu, 23 Feb 2012 15:03:37 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-23:mt-253505</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	This vintage educational film covers alcohol's chemical composition and its effects on the human body and mind. Courtesy of the <a href="http://www.archive.org/details/Alcohola1949">Prelinger Archive</a>, this excerpt from the film includes retro animated diagrams and actors demonstrating human behavior under the influence. </p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/EMuB5IbHyT4" height="1" width="1"/>]]></content:encoded><description>A vintage educational film about alcohol's chemical composition and its effects on the human body and mind 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253505</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/encyclopedia-britannicas-1949-animated-guide-to-alcohol/253505/</feedburner:origLink></item><item><title>The Secret Power of Saying 'I Love You'</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/lDAPx1bCdvU/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Thu, 23 Feb 2012 11:58:34 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-23:mt-253517</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<em>Mr. Happy Man</em> is the true story of 88-year-old Johnny Barnes, who spends hours each morning wishing Bermuda's commuters well. "From twenty to four to ten [a.m.], I stand on the corner and just greet people and let them know that life is sweet, life is beautiful -- no matter what happens in life, it's always sweet to be alive," Barnes explains in the film. Directed by <a href="http://www.mattmorrisfilms.com/Site/Films.html">Matt Morris</a>, this short documentary imparts a little slice of that feeling. As Jason Sondhi put it in <a href="http://www.shortoftheweek.com/2012/02/13/mr-happy-man/">his review for Short of the Week</a>, "What’s fascinating about the film to me is that the narrative arc occurred within myself rather than within the film ... through the sheer relentless optimism and good-feeling this film exudes, my cynicism fades, until I feel like I genuinely care about Johnny and his wellbeing like everyone else in Bermuda." Morris talks about the making of the film, and what Johnny's up to now, in a brief interview below. </p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/lDAPx1bCdvU" height="1" width="1"/>]]></content:encoded><description>&lt;em&gt;Mr. Happy Man&lt;/em&gt; is the true story of 88-year-old Johnny Barnes, who spends hours each morning wishing Bermuda's commuters well. 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253517</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/the-secret-power-of-saying-i-love-you/253517/</feedburner:origLink></item><item><title>A Whirlwind Escape to Vietnam's Culinary Landscape</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/U3JTKMsoJlM/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Thu, 23 Feb 2012 10:16:26 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-23:mt-253509</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<a href="http://www.theperennialplate.com/episodes/2012/02/a-taste-of-vietnam/">The Perennial Plate</a>, a series about sustainable eating, spent two weeks traveling around Vietnam before compiling this mouthwatering montage of their food adventures there. The series is produced by <a href="http://www.theperennialplate.com/about/">Daniel Klein and Mirra Fine</a>, and more episodes from the series can be found on the Atlantic Video channel <a href="http://www.theatlantic.com/video/categories/series/perennial-plate/">here</a>.</p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/U3JTKMsoJlM" height="1" width="1"/>]]></content:encoded><description>The Perennial Plate, a series about sustainable eating, compiled a mouthwatering montage of their food adventures in Vietnam.
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253509</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/a-whirlwind-escape-to-vietnams-culinary-landscape/253509/</feedburner:origLink></item><item><title>The Fracking Landscape: A Tale of Two Pennsylvanias</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/IQLqTfRt9sE/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">James West</dc:creator><pubDate>Thu, 23 Feb 2012 07:49:35 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-23:mt-253499</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<a href="http://cdn.theatlantic.com/static/mt/assets/science/Fracking_Master2-630.jpg"><img alt="Fracking_Master2-630.jpg" class="mt-image-none" height="345" src="http://cdn.theatlantic.com/static/mt/assets/science/assets_c/2012/02/Fracking_Master2-630-thumb-615x345-79224.jpg" style="" width="615" /></a></p>
<p>
	Pennsylvania's fracking frontlines have just been redrawn.</p>
<p>
	At first glance, the <a href="http://www.legis.state.pa.us/cfdocs/billinfo/billinfo.cfm?syear=2011&sind=0&body=H&type=B&bn=1950">sweeping new law</a> signed this month may seem a good deal for local communities. Over the next 15 years, the state is projected to rake in between $190,000 to $355,000 per gas well; 60 percent of that will go back to counties and municipalities, with the rest going to a state-managed fund for infrastructure projects. Proponents in the Republican-controlled legislature insist that the law levels the playing field for industry, while rewarding counties.</p>
<p>
	But fracking can be <a href="http://motherjones.com/environment/2012/01/fracking-water-poisoning-protest-movement">a messy and dangerous business</a>, and locals complain that the law takes control away from citizens who have battled hard for local decision-making.</p>
<p>
	Watch the video and you'll see a tale of two Pennsylvanias: The first one, recognizable from Josh Fox's documentary <a href="http://www.youtube.com/watch?v=BtpSgqUZ3oA">Gasland</a>, is Susquehanna county, bordering New York State. It is dotted with wells—the result of minimal local zoning laws. The second Pennsylvania is Dallas Township, where disputes, protests, and citizen engagement have kept most fracking development at bay. For now.</p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/IQLqTfRt9sE" height="1" width="1"/>]]></content:encoded><description>Why some Pennsylvania counties are pockmarked with fracking facilities and others have remained mostly untouched
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253499</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/the-fracking-landscape-a-tale-of-two-pennsylvanias/253499/</feedburner:origLink></item><item><title>An Aerial Video of Amazing 'Snow Circles' Art Traced in Fresh Powder</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/ekMTjkAg_5U/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Wed, 22 Feb 2012 10:09:30 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-22:mt-253450</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	Artist <a href="http://sonjahinrichsen.wordpress.com/about/">Sonja Hinrichsen</a> enlisted five volunteers create beautiful geometric forms in the snow with their footprints. <a href="http://www.steamboataerials.com/">Cedar Beauregard</a>, a cinematographer specializing in aerial photography, captured this footage of the piece with a remote-control helicopter, as well as <a href="http://www.flickr.com/photos/steamboataerials/sets/72157629090418253/">these still images on Flickr</a>.</p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/ekMTjkAg_5U" height="1" width="1"/>]]></content:encoded><description>Sonja Hinrichsen and five volunteers create beautiful geometric forms in snow, as documented in this video by Cedar Beauregard.
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253450</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/an-aerial-video-of-amazing-snow-circles-art-traced-in-fresh-powder/253450/</feedburner:origLink></item><item><title>A Stereoscopic Music Video for Mint Julep's 'To the Sea'</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/tUk2FodKxmg/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Wed, 22 Feb 2012 09:16:54 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-22:mt-253447</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	Rapidly alternating between two similar camera angles, Vivien Weyrauch and Fabian Röttger's video for <a href="http://mintjulep.squarespace.com/">Mint Julep</a> creates a <a href="http://en.wikipedia.org/wiki/Stereoscopy">3D effect</a>. The Berlin-based directors, who work under the name <a href="http://www.aniceideaeveryday.com/about/">a nice idea every day</a>, refined the stereoscopic look they developed for the band's <a href="https://vimeo.com/28453491">"Aviary" music video</a>. </p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/tUk2FodKxmg" height="1" width="1"/>]]></content:encoded><description>Rapidly alternating between two similar camera angles, Vivien Weyrauch and Fabian Röttger's video for Mint Julep creates a 3D effect. 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253447</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/a-stereoscopic-music-video-for-mint-juleps-to-the-sea/253447/</feedburner:origLink></item><item><title>An Eerily Beautiful Film Visualizes Energy Use as Massive Blobs of Light</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/OtR_7N-guNk/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Wed, 22 Feb 2012 08:05:01 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-22:mt-253438</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<em>Light, </em>an experimental film, combines 35mm cinematography and special effects to make a point about energy consumption. The film is intended to be a public work of art, and has been projected in urban spaces like Times Square. David Parker of <a href="http://www.sunday-paper.com/">Sunday / Paper</a>, who directed the film, describes the labor of love in a brief interview below. </p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/OtR_7N-guNk" height="1" width="1"/>]]></content:encoded><description>&lt;em&gt;Light, &lt;/em&gt;an experimental film, combines 35mm cinematography and special effects to make a point about energy consumption. 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253438</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/an-eerily-beautiful-film-visualizes-energy-use-as-massive-blobs-of-light/253438/</feedburner:origLink></item><item><title>Why Space? A Surreal 1957 Cartoon About Space Exploration</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/TyBStMMlpVo/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Tue, 21 Feb 2012 13:08:26 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-21:mt-253404</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	Courtesy of the <a href="http://www.archive.org/details/gov.dod.dimoc.26630">Internet Archive</a>, this animated film from the Department of Defense makes the case for space. "The challenging idea of exploring beyond our planetary boundaries is as old as history," the narrator explains, and goes on to give a brief overview of the astronomers, explorers, and inventors who led the way. "Space is the new psychological frontier," he continues. "It provides us an emotional challenge, it stimulates our desires for knowledge and adventure, it increases our fears," he says, and the list goes on. </p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/TyBStMMlpVo" height="1" width="1"/>]]></content:encoded><description>An archival film from the Department of Defense makes the case for space. 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253404</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/why-space-a-surreal-1957-cartoon-about-space-exploration/253404/</feedburner:origLink></item><item><title>Visualizing the Paths of 10,000 Taxi Rides Across Manhattan</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/NztddQxKGjo/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Tue, 21 Feb 2012 09:22:55 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-21:mt-253385</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	Using data from 10,000 taxi rides and the Google Maps API, students at Columbia University's <a href="http://www.arch.columbia.edu/">Graduate School of Architecture, Planning, and Preservation</a> created this mesmerizing animation of the transit arteries of New York City. The project is by Tom McKeogh, Eliza Montgomery and <a href="http://www.juanfrans.com/taxi">Juan F Saldarriaga</a>.</p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/NztddQxKGjo" height="1" width="1"/>]]></content:encoded><description>Using data from 10,000 taxi trips and the Google Maps API, graduate students at Columbia University created this mesmerizing animation of the transit arteries of New York City.  
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253385</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/visualizing-the-paths-of-10-000-taxi-rides-across-manhattan/253385/</feedburner:origLink></item><item><title>A Music Video Remix of Classic Sci-Fi Films About A.I.</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/sTT01gCzBDc/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Tue, 21 Feb 2012 07:29:39 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-21:mt-253370</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<a href="http://smallmammal.com/">John Pavlus's</a> video for <a href="http://www.jaschavsjascha.com/">Jascha Hoffman's</a> "Limited" combines clips from <em>TRON, 2001, Moon, WarGames </em>and <em>Robocop</em> to create a new, impressionistic narrative.</p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/sTT01gCzBDc" height="1" width="1"/>]]></content:encoded><description>John Pavlus's video for Jascha Hoffman's "Limited" combines clips from &lt;em&gt;TRON, 2001, Moon, WarGames &lt;/em&gt;and &lt;em&gt;Robocop&lt;/em&gt; to create a new, impressionistic narrative. 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253370</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/a-music-video-remix-of-classic-sci-fi-films-about-ai/253370/</feedburner:origLink></item><item><title>NASA's Documentary About the First American to Orbit Earth</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/ZJe2FiR_vR0/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Mon, 20 Feb 2012 08:09:42 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-20:mt-253329</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	John Glenn and the other astronauts who manned the <a href="http://www.nasa.gov/externalflash/glenn50/">Friendship 7 mission 50 years ago</a> give a play by play description of the effort in this documentary from NASA, including stunning archival footage. For more images from the project, don't miss Alexis Madrigal's reconstruction of Glenn's experience in orbit, in <a href="http://www.theatlantic.com/technology/archive/2012/02/what-john-glenn-saw-when-he-became-the-first-american-to-orbit-earth/253316/">"What John Glenn Saw When He Became the First American to Orbit Earth,"</a> or NASA's <a href="http://www.nasa.gov/externalflash/glenn50/">multimedia tribute to the mission</a>. </p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/ZJe2FiR_vR0" height="1" width="1"/>]]></content:encoded><description>John Glenn and the other astronauts who manned the Friendship 7 mission 50 years ago give a play by play description of the effort, including stunning archival footage.
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253329</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/nasas-documentary-about-the-first-american-to-orbit-earth/253329/</feedburner:origLink></item><item><title>Fauna: Monkeys Love iPhones</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/I7e_fOCbU-8/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Fri, 17 Feb 2012 12:05:16 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-17:mt-253272</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	In the spirit of the <a href="http://www.theatlantic.com/video/categories/genre/fauna/">Friday Fauna</a> series on the Atlantic Video channel, this video features both cute monkeys and shiny Apple products. <a href="http://www.youtube.com/user/onemeeeliondollars?feature=mhsn">Mark Rober,</a> a NASA engineer and proud dad, discovers the secret to getting amazing footage of primates at the zoo with his trusty iPhone 4S. </p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/I7e_fOCbU-8" height="1" width="1"/>]]></content:encoded><description>Mark Rober discovers the secret to getting amazing footage of primates at the zoo -- and all it takes is an iPhone.
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253272</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/fauna-monkeys-love-iphones/253272/</feedburner:origLink></item><item><title>1930s Hong Kong Revealed in a Vintage Travel Film</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/Jrtfe-CgriA/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Fri, 17 Feb 2012 10:01:01 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-17:mt-253262</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<em>Hong Kong: Gateway to China </em>is rich with amazing footage of the "mountainous and verdant island," and worth watching in spite of the condescending narration. Courtesy of the <a href="http://www.youtube.com/travelfilmarchive">Travel Film Archive</a>, the film captures stunning landscapes of the bay, especially the panorama from the top of the island (skip to about 7:45 to take in the view).</p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/Jrtfe-CgriA" height="1" width="1"/>]]></content:encoded><description>&lt;em&gt;Hong Kong: Gateway to China &lt;/em&gt;is rich with amazing footage of the "mountainous and verdant island." 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253262</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/1930s-hong-kong-revealed-in-a-vintage-travel-film/253262/</feedburner:origLink></item><item><title>'Inception'-Inspired Floating Roller Coasters in Buenos Aires</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/uywlyuchGA4/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Fri, 17 Feb 2012 07:22:33 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-17:mt-253251</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<em>Inception Park</em> is pure fun, with theme park rides zipping between historic buildings in Buenos Aires, thanks to clever special effects. The video was directed by Fernando Livschitz of <a href="http://www.bsfilms.com.ar/Bsfilms/Black_Sheep_Films_-_Fernando_Livschitz.html">Black Sheep Films</a>. </p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/uywlyuchGA4" height="1" width="1"/>]]></content:encoded><description>&lt;em&gt;Inception Park&lt;/em&gt; is pure fun, with theme park rides zipping between historic buildings in Buenos Aires, thanks to clever special effects. 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253251</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/inception-inspired-floating-roller-coasters-in-buenos-aires/253251/</feedburner:origLink></item><item><title>This Glow-in-the-Dark Snowboarding Video Will Blow Your Mind</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/Sht1igd5LDk/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Thu, 16 Feb 2012 15:19:06 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-16:mt-253228</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<a href="http://www.jacobsutton.com/">Jacob Sutton's</a> simply gorgeous video captures pro snowboarder William Hughes on a night run in the French Alps -- in an <a href="http://en.wikipedia.org/wiki/Light-emitting_diode">LED-encrusted</a> snowsuit. The suit was specially designed by John Spatcher for the shoot. “I was really drawn to the idea of a lone character made of light surfing through darkness,” Sutton tells Nowness, the culture blog that produced the video, in <a href="http://www.nowness.com/day/2012/2/16/1893/jacob-sutton-s-l-e-d-surfer">a post on their site</a>. “I've always been excited by unusual ways of lighting things, so it seemed like an exciting idea to make the subject of the film the only light source.”</p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/Sht1igd5LDk" height="1" width="1"/>]]></content:encoded><description>Jacob Sutton's simply gorgeous video captures a snowboarder on a night run in the French Alps -- in an LED-encrusted snowsuit. 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253228</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/this-glow-in-the-dark-snowboarding-video-will-blow-your-mind/253228/</feedburner:origLink></item><item><title>Everything Is a Remix: Part 4</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/-TZvjgEg1mQ/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Thu, 16 Feb 2012 07:38:15 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-16:mt-253179</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<em><a href="http://www.everythingisaremix.info/">Everything Is a Remix</a> </em>is a sweeping, multipart documentary series about the importance of remixing -- copying, transforming, and combining ideas -- in culture and technology. The fourth and final segment, <em>System Failure,</em> examines the history and incentives that shaped current intellectual property laws, making the argument that they no longer serve their original purpose -- copyright and patent laws block, rather than promote, innovation. The series is directed by <a href="http://www.everythingisaremix.info/">Kirby Ferguson</a>, who talks about the project in an interview with the Atlantic Video channel <a href="http://www.theatlantic.com/video/archive/2011/08/everything-is-a-remix-part-1/243066/">here</a>. Don't miss previous episodes of the series, on music, movies, and technology, <a href="http://www.theatlantic.com/video/categories/series/everything-is-a-remix/">here</a>, and Ferguson's infographic take on the SOPA and PIPA anti-piracy legislation <a href="http://www.theatlantic.com/video/archive/2011/11/an-infographic-guide-to-opposition-to-the-protect-ip-act/248573/">here</a>.</p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/-TZvjgEg1mQ" height="1" width="1"/>]]></content:encoded><description>Part four of &lt;em&gt;Everything Is a Remix &lt;/em&gt;examines the history and incentives that shaped current intellectual property laws, and how they are blocking, rather than promoting, innovation. 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253179</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/everything-is-a-remix-part-4/253179/</feedburner:origLink></item><item><title>A Video About People Who Fall Out of the Sky for a Living</title><link>http://feedproxy.google.com/~r/AtlanticVideo/~3/0nEx4SSrOSE/</link><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Kasia Cieplak-Mayr von Baldegg</dc:creator><pubDate>Wed, 15 Feb 2012 14:02:31 PST</pubDate><guid isPermaLink="false">tag:theatlantic.com,2012-02-15:mt-253155</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>
	<em>Experience Freedom</em> is an incredible montage of BASE jumping, skydiving, and wingsuit athletes doing their thing, hundreds of feet above stunning landscapes. The video was created by the production company <a href="http://www.bettywantsin.com/">Betty Wants In</a> for extreme sports site <a href="http://www.infinitylist.com/">Infinity List</a> -- the same team that created <em>Experience Human Flight </em>and <em>Experience Zero Gravity</em> (below). Why mess with a winning formula?</p>
<img src="http://feeds.feedburner.com/~r/AtlanticVideo/~4/0nEx4SSrOSE" height="1" width="1"/>]]></content:encoded><description>An incredible montage of BASE jumping, skydiving, and wingsuit athletes doing their thing, hundreds of feet above stunning landscapes. 
</description><media:category>video</media:category><disqus:thread xmlns:disqus="http://disqus.com/">
		<disqus:shortname>theatlantic</disqus:shortname>
		<disqus:identifier>mt253155</disqus:identifier>
	</disqus:thread><feedburner:origLink>http://www.theatlantic.com/video/archive/2012/02/a-video-about-people-who-fall-out-of-the-sky-for-a-living/253155/</feedburner:origLink></item><media:rating>nonadult</media:rating></channel></rss>

