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Can’t see the video, visit Motion Art Moment: January 2012 Gorry Bug from Brian Kolm on Vimeo.

I would like to share with you something new I am doing for 2012, a Motion Art Moment. These will be short monthly videos that take a recent piece of my artwork/illustration/comics and animate them using digital tools. The first video above is from my drawing Gorry Bug in which I first showed a sample of the animation.

The term ‘Motion Art’ is a term I am basing on ‘Motion Comics’ (animated comic art such as DC’s Watchmen videos) which is Art of any sort re-purposed for animation. I might also use the term ‘Motion Illustration’ too.

I have been interested for quite a while in how you can use technology to re-purpose existing art from comic books, comic strips, illustrations and other forms into animation. In fact I have posts right here on the AtomicBearPress.com blog labeled Motion Comic Magic in which I have been sharing samples of internet videos using similar techniques and the tools artist use to create it. I hope these small videos allow me to explore new animation techniques and to share my artwork in a new way.

Please let me know what you think by leaving a comment here on the blog or on my twitter feed.

A post on re-purposing comics and illustration into animation

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A post on re-purposing comics and illustration into animation

A few NEW trailers for publications, with the actual published art brought to life through digital animation. Some are more elaborately done and some are more simple.

BONE: Quest for the Spark BOOK 2 Video

Mouse Guard: Fall 1152 Movie Intro (fan made) – with art by Dave Peterson.

“a Monster Calls” – animation by Eric Guémise. Illustrations by Jim Kay.

Zero the Hero book trailer

Any Empire Trailer

Bande annonce Pablo – Max Jacobs T1

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This is a drawing I did in one of my cartooning classes that I teach where I was showing the kids how I inked a drawing over blue pencil lines. For the inking I used both a brush pen and some sharpies of different widths. I also liked the art enough to give is some photoshop coloring as well.

I know it’s kinda of weird to see a redheaded white rabbit, but I thought it was funny. He has a lot of personality and I like that.

©2011 Brian Kolm

See more at www.atomicbearpress.com

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I will be attending the Image Expo on February 24-25-26, 2012. I will be sharing a table with talented artist Rae Wood in Artist Alley. It’s a brand new convention, so it will be interesting to see the attendance.

Dates: Friday February 24 to Sunday February 26, 2012
Location: Oakland Convention Center – 550 10th Street – Oakland, CA 94607
Website: http://www.imagecomicexpo.com

Attending: Image Creators included: Erik Larsen, Marc Silvestri, Todd McFarlane, Jim Valentino, Rob Liefeld, Brian K Vaughan and artists/creators Eric Shanower, Andrew Farego, Jeff Walker, Karen Luk Illustrations, Llyn Hunter, and Rae Wood

IMAGE EXPO is a three-day celebration of creator-owned comics happening at the Oakland Convention Center. Image partners Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri, and Jim Valentino, will be the guests of honor, appearing throughout the weekend for signings, panels, and special events. Other special guests include Image founders Rob Liefeld, and Whilce Portacio, plus the creators of today’s best creator-owned comics, including: Joe Casey, Jay Faerber, Jonathan Hickman, Ryan Ottley, Richard Starkings, Fiona Staples, and Brian K. Vaughan.

IMAGE EXPO is Northern California’s premiere comic con experience in 2012. The three-day event takes place at the Oakland Convention Center in the heart of the bustling nightlife and restaurant center of downtown Oakland, CA on February 24-25-26.

IMAGE EXPO isn’t just about Image Comics, it’s a celebration of independent creativity in comics. The exhibit floor is open to anyone who makes creator-owned comics. We’re also going to be hosting unique programming for fans, aspiring creators, and library professionals. We’ll be continuing our tradition of supporting the Comic Book Legal Defense Fund’s important work to protect creators and retailers by hosting special events including a massive benefit auction.

More info at: http://www.imagecomics.com/news/120/EXPERIENCE-CREATIVITY-AT-IMAGE-EXPO-A-3-DAY-CELEBRATION-OF-CREATOR-OWNED-COMICS-

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My first drawing (posted) of the new year. I drew this guy at my Parent/Child at the Cartoon Art Museum and to me it looks like it was designed by Edward Gorey.

Below is a test for something new. My hope is that at lest once a month I will take one of my drawings and use digital tools to animate it. The version below needs a bit of work still, but you get the idea of where I am going with it. If you like it, comment please and let me know.

EDIT: I have replaced the test footage with the final video, to find out more visit HERE.

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A very Merry Christmas and a Happy Holiday to everyone no matter how/what/where you celebrate.

Every year I have illustrated an original Christmas card for my family to send to family and friends. The earliest Christmas cards we would make were silk screened and my father took my art and cut it by hand into the screen. Latter we would xerox the cards in black and white and hand color a few small elements to enhance them. And now I can scan, edit, color and prep the files on the computer and have them printed in vivid color, but no matter what form the cards take they are a continuing tradition I am proud to be part of. This year I decided to show you the illustrations I have created since 2000 in the video above.

I hope you enjoy the video and have a wonderful season.

note: Music “We Wish You a Merry Christmas” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons “Attribution 3.0″

Continue reading »]]> I just started a new workshop at the youth center I work at featuring one of my favorite applications, Adobe After Effects (as well as Photoshop and Illustrator too). I love After Effects since there is so much versatility in what you can do. The program is also great since it can accommodate huge differences in artistic styles and accepts lots of  different digital media (even flash movies) which is perfect for a wide range of young artists.

The goal is for the students to plan short scenes or sequences and work towards having them in some final form. But I feel it’s important to take on the same challenges I give the students myself, so I gave myself the goal of doing a short project in the last few weeks. It’s important to do since it can help me to understand what they are attempting better and I can trouble shoot better ways to teach different techniques.

So the first week we learned the very basics of the software and drew short sequences as storyboards. We then scanned and placed the art in After Effects as an animatic (can also be called a story reel). A lot of our techniques are very low tech in part due to the equipment is not always available to the students. For my project I decided to do a sort of an animated holiday card.

Here is the first test with some minimal animation in it. This test is the first pass to see if it will actually work as a story in real time. I could have added some sound on top of it too, but decided that could wait for now due to a tight schedule.

After letting this Animatic sit in my mind for a while, I decided to add some rough animation in the ‘Sketchbook’ style into my animatic that I experimented earlier this year. The style is really fun to do and can be very expressive and fast to do. I scanned in the drawings and timed it out, mixing it into the original Animatic to get a stronger look of what it might look like. Here is what I came up with.

Here are some of the animation drawings I used for the test in the animatic.

While the drawings are less then perfect, it’s amazing how much life you can easily throw into your project. But now I had to decided what techniques to use for the final animation. I could create sequences of drawings like classic ‘cel’ animation or I could use less art and just manipulate the drawings in more of a limited cut out style or even do a mix of both.

I decided that I would explore how I could use a fairly new feature of After Effects, the Puppet Tool. The tool allows you to take an image and add ‘pins’ to it and then bend the figures where those are placed.

Here you can see above the yellow ‘pins’ on the neck of the bear. The empty square are null objects that control each pin and allow them to be parented to each other.

Here is my first attempt with the bear character in the story, mind you I was only testing technique and not going for giving an actual animated performance. To help set-up the animation I used a great After Effects script called GG_PuppetTools, which saved me a lot of time.

The character is made up of 3 layers of art, the neck, head and arm/hand. There is also two different faces to give the bear a change in expression.

Below is my second attempt at the technique with 4 layers of art, but no changes in the bears expressions. Here I attempted to give the bear a ‘bone’ structure and set up ways for the different parts to move together. Here the body, neck and arm are all using the Puppet Tool and the head is static for now.

The head is a bit off, but I decided to leave it as-is for now.

I have a feeling that I might use the ‘sketchbook’ technique that I mentioned above since it’s actually a bit more fun for me to do and very expressive, but we’ll just have to wait and see.

Stay tuned to see the final results in the next two weeks!

Continue reading »]]> As mentioned in my trip report from the Dickens Fair this past weekend I attended the Pre-Raphaelite Artist Salon at the Adventures Club at the event. Here we were transported to a period drawing session with models recreating a religious scene while live harp music was played and poetry recited. It was a pretty awesome experience that I would recommend all artist visit when at the fair. The salon was at 3:30pm and ran about 45 min.

Warm up sketches while the event was getting set-up…

My drawing from the posed models… (note: the club seal was actually on the back of the drawing paper, but I photoshoped it on front so you could see it)

And some photos from the session…

Continue reading »]]> I have been wanting to go to the Great Dickens Fair in San Francisco for at least have of my life and this year I took the plunge and went today, Sunday November 27, 2011 with a friend of mine. This is just some highlights and not every detail.

I apologize that the photos are pretty ‘ghostly’ with the dark environments being hard to capture on my camera. I will posting more photos on my FLICKR page later this week.

I started off taking BART to the Glen Park station and took the FREE shuttle to the Cow Palace in South San Francisco. The fair starts at 11 am and the first shuttle did not arrive till 11:15 am, but the trip takes about 10 minuets and we had per-bought are ticket and were able to get in fairly fast.

You enter the Cow Palace through a switchback and find your self on a ‘movie set’ with false front buildings filling the space to create Victorian London. At first it seems odd as you enter a world of perpetual ‘twilight’, but that helps mentally to help hide the limits of a show like buildings with no roofs. Here the characters from Charles Dickens’ books wander the streets with the people of London on Christmas Eve and go about their business whether they have an audience or not.

I did not wear a costume per-say, but tried to be in spirit at least with a dress shirt, vest and cap. I think it is a good way to feel part of the fair’s story if you can accommodate it. When I was younger they actually gave away a poster that had tips on simple costumes for guests to wear. I have not seen that for a long while, but I bet you can find something online to give you some ideas.

Our first stop was to the Victoria and Albert theater to see a classic Christmas Pantomime ‘Cinderella and Aladdin meet the Monkey King’ with a mixture of music hall spirit in a family friendly production. Here fairy tale characters are mixed together with all rules thrown out and some men are played by women and some women are played by men. There is a happy ending followed by sing-alongs and slap stick fun. Next time I would like to also catch their production of Gilbert and Sullivan’s ‘Mikado’ that plays once a day.

Next we headed to food and I tried Haggis for the first time and maybe the last. It actually tasted good, but there are other things I prefer. I also had some Chocolate EggNog that was really really tasty.

While sitting down to eat we found a flyer for a life drawing art salon and 3:30 pm at the Adventures Club and we both agreed we wanted to go. We learned how to play the harp and wandered the streets looking into specialty stores. San Francisco’s Dark Garden had a store front selling period corsets and had live ‘manikins’ in the windows. The store always had a male heavy crowd gaping at the lovely girls in the windows and I noticed that there were service men in dress uniforms that seemed to always be there gazing as we passed by, but as a guy I can see why.

A procession of carolers passed by with Father Christmas in tow shouting ‘Happy Christmas’ and the temperance society stopped to tell me about their cause and at the nearby Adventures Club some officers were having some naughty fun with some lovely ladies till they fled their revelry when a high ranking general confronted them. The adventures club was an area that I would have liked to have experienced more with lots of tableaux and presentations throughout the day. For example, near the end of the day we found Prince Albert presenting a model of the Crystal Palace for the Great Exhibition of 1851.

On a friend recommendation who was working one of the booths we tried the Hard Black Cherry Cider which was really good and really relaxes you and puts you in a holiday spirit. There was a royal precision of Queen Victoria and her husband Albert that marched by on their way to Fezziwig’s Dance Party. Next time I would like to learn some of the period dances as well, the dancers were still going at closing time with a large crowd.

Along the way we stopped by the steam-punk inspired La Legion Fantastique, but sadly seemed to miss most of their presentations. Next time I would make an effort to see some of them from a steam powered robot to giant squid feeding. Another thing is to keep an eye open for characters like Scrooge walking with the Ghost of Christmas Future as the stories of Charles Dickens play out thorough out the day.

After doing some shopping we headed back for the Artist Salon at the Adventures Club where they provided paper and pencils to draw from costumed models while live music is played and poetry is read. I would have loved for them to have their own space and have events going all day cause it was lots of fun and the models were very good. The life drawing session was at 3:30 pm if you are going, but be early enough to get a good seat.

(I will post my drawing later this week when I have some more time.)

As we got closer to the end of the day we sat down for some dinner where I had Yorkshire Pudding which was tasty, but I should have purchased a side dish to go with it. I also got some rich roasted chestnuts. While a few of the food items at the fair can be pricy, they are mostly all unique items and at full range of different prices. If you are worried about diet or on a budget, I would make sure to eat a hearty breakfast/brunch before coming and then enjoy the special food/treats knowing that you had something substantial before coming. Next time I want to get one of the small meat pies run that about $6.50 and looked really good.

While my friend shopped I headed back to the La Legion Fantastique and found an impromptu boxing match in progress first with street ladies and then with Gorgeous George vs Charles the Chap who had posters announcing the fight throughout the streets. I was impressed that they had gone to the detail of the posters announcing the fight.

At the Legion Fantastique I chatted with Professor Phineas J. Flockmocker III F.H.S.C about his new discovery: electricity (he claims it might catch on some day a little) and his plans to harpoon his way to the moon. The gent was really in character and was surrounded with props to help tell his story. Definitely worth a visit.

As we neared the end of the fair’s day (the events run till 7:00 pm with the last shuttle at 7:15 pm) we headed to the 6 pm performance of Mad Sal’s Music Hall Extravaganza (featuring the Le Can Can Bijou) which featured all the performers from that day coming together for a bit naughty, raunchy fun. The most adult material in the show was sexual innuendo and lyrics about booze. The other big night time show was the 18 and over only Saucy French Postcard Tableaux Review at the Albert and Victoria Music Hall, but you have to get a FREE ticket to get in due to popularity. Tickets were gone when we check, so go early in the day to get one if you want to see it.

The show runs about 50 min which gave us enough time to stroll to the exit and catch the shuttle back to the BART station. Note: the last shuttle is 7:15 pm by-the-way.

So, was it worth it?

Heck ya. It really was a great way to celebrate the holidays and it feels very organic and alive. The tickets run $25 per-person (unless you have a 2-for-1 coupon to use at the door or buy your ticket early) but you really get your money’s worth with just the entertainment alone. There were so many events/productions that I would have loved to have seen that I would think of trying to get discount tickets early next year and even planning to go more than once. We went on a Sunday and the crowds were never to crazy, so if you don’t like crowds that might be helpful since they say they get more busy as we get near to Christmas. The biggest cost beyond your entrance ticket is transportation and food and drink, but if you are on a budget you can still do a lot with some careful planning. I definitely plan to go back next year and maybe even with more of a costume.

So…

- If you want to see the Saucy French Postcard Tableaux Review, make sure to get a ticket early in the day (tickets are free, ages 18+), if you can’t, don’t worry and go to Mad Sal’s.
- Eat a hearty, nutritious meal before you come and then explore some of the unique food and treats at the fair with out fear.
- Interact with the characters and be part of the story. Feel free to pretend you are from the Victorian era yourself.
- Get there early in the day to get your moneys worth and avoid the crowds.
- Dress the part, even if it’s just a hint of Victorian London to make you feel part of the story.
- The Adventures Club hosted an artist salon with costume models which was a blast. 3:30pm this year when I went.
- Be open to follow your ‘bliss’ and to not feel guilty missing something cause there is a lot going on.
- Use this as a chance to recharge your adventurist spirit and get ready for the holidays and don’t forget to try something new.
- Sunday early in their season might be a great day to go.

Continue reading »]]> I have written in the past in my Motion Comic Magic posts where I talk about re-purposing artwork from comics and books into animation, but today’s post is about re-purposing architecture with animation using video/architectural mapping. Basically a high-tech technique in which video is seamlessly projected on unusual surfaces to wrap it in animation and visuals.They have been using this technique in the last decade years for planetariums and for theme park shows like this one at Disneyland in Anaheim CA…

Even some home holiday light shows are using this technique since it allows you to do a lot more then just flashing a string of lights on and off. So…

Last night I headed into San Francisco not to shop, but to experience all the holiday decorations, spirit and displays. By chance I saw a sign for a new holiday show: Illuminique  at Westfield Mall a.k.a San Francisco Center. The mall was open late for Black Friday and so I headed up to the top floor to check it out.

When I arrived at 9:10 pm there was Christmas music playing and a ‘screen saver’ of video outlined the architecture of the historical Emporium dome that was re-built after the 1908 earthquake from the previous 1896 one. There were a few variations of visuals that changed every few songs.

The schedule for Illuminique is 6pm to 8:30pm (running on the half hour), but I guessed that since the mall was open late they would just keep running the show as well. So I walked around a bit then found a nice chair to sit in and waited to see what would happen at 9:30pm.

Sure enough the 4 min show started as I expected. The show transforms the dome into a whimsical mechanical music box with the architectural elements open and close like a coo coo clock. The animation was done with CGI 3D images.
when projected CGI animation transforms the historic dome into a whimsical mechanical musicbox.

Some of my photos had the flash on and so the actual show will look a bit darker and richer.

Pretty neat stuff and a great way for them to re-purpose  the classic space in a new way. It might not be worth a special trip just for this holiday show, but there are museums (Cartoon Art Museum, Moma, MoAD, Jewish Contemporary, CA history society), Yerba Buena Gardens, shopping and restaurants all right off the BART line to make the day special and meaningful along with this unique show.

The show was created by: obscuradigital.com

Continue reading »]]> Hey all, here it is the last of the CAM-JAM 2011 events I am organizing with the Bookstore at the Cartoon Art Museum and inkDrinkDraw San Francisco. The events this year have really been quite fantastic with the final results being Animation and Paper Toy Monsters! But for this one we will be using the inspiration of the new Wizard of Oz Comic exhibit at the museum to draw our version of the iconic characters as well as having a Cartoonist Boutique! The Cartoonist Boutique will allow museum guests to buy work directly from the artists as well as get customized Holiday Cards and Mini-Buttons. (more info below the poster image)

WHEN: Saturday December 3rd. 2011 12 noon to 5pm
WERE: Cartoon Art Museum – 655 Mission St. San Francisco CA
COST: FREE with admission to the museum

Brought to you by inkdrinkdraw.weebly.com

On Saturday December 3rd, 2011 the Bookstore at the Cartoon Art Museum and InkDrinkDraw San Francisco will present the Holiday Cam-Jam and Cartoonist Art Boutique. The Cam-Jams are a series of artist collaborative events that happen a few times of year, but this December a new element is added…our Art Boutique.

Guests visiting the museum will have the chance to watch artist creating work inspired both by the winter holidays as well as the new Wizard of Oz comic exhibit. A selection of great holiday gifts will be for sale directly from their creators including:

- The premier of the first anthology from InkDrinkDraw SF
- One-of-a-kind Holiday Cards and buttons made while you wait
- Personalized comic books, prints, cards and more!

Another bonus is the artist-in-residence Kraig Rasmussen (www.monkeygong.com) will be located in the museum’s lobby signing his books and demonstrating how he creates his work from 1pm to 3pm.

So come on down between 12 noon and 5:00 pm and check out the current exhibits (Archie 70th and Wizard of Oz) while meeting some very talented artists and celebrate the season cartoon-style.

ARTIST:
Artist wishing to participate in the CAM-Jam can sign-up by contacting me at the links below or showing up at the day of the event. Participating artist get free admission into the museum.

Artist wishing to sell some of their home grown items need to contact me by December 2nd, 2011.

We will be making custom cards and buttons to sell to guests, but a donation for materials will be required with a sale.

Contact info: staff (AT) atomicbearpress.com or DM at https://twitter.com/#!/AtomicBearPress

Continue reading »]]> Here is a fun parent-child cartooning class I will be teaching in San Francisco at the Cartoon Art Museum Wednesday December 28th, 2011.

December 28th (Wednesday) Critters, Creatures and Monsters
Ages: Parents and Children (7 to 12 years old) recommended
Time: 11am – 1pm
Cost: $10 per person (all children must be accompanied by an adult, ideally no more than two children for each parent)
About: Adults and Kids team up to learn how to create their own Critters, Creatures and Monsters wheather they be scary, cute or something else. The class will teach basic cartooning skills mixed with lots of fun creativity challenges.
All classes are taught by instructor Brian Kolm (Atomic Bear Press) atomicbearpress.com.

(((CLICK HERE TO SIGN UP TODAY!)))

Continue reading »]]> I will be teaching a parent-child cartooning class at the Cartoon Art Museum on Tuesday December 27, 2011.

December 27th (Thursday) Heroes and Villains
Ages: Parents/Guardians and Children (7 to 12 years old) recommended
Time: 11am – 1pm
Cost: $10 per person (all children must be accompanied by an adult, ideally no more than two children for each parent)
About: In this Adult/Kid combo class we will learn how to create our own Hero and Villain characters while learning some of the basics of cartooning.

Celebrate the end of 2012 with fun classed that will have adults and kids teaming up to cartoon at the Cartoon Art Museum over the winter holiday break December 27th and 28th. All classes includes materials and admission to the museum.

(((SIGN-UP ONLINE HERE)))

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A post on re-purposing comics and illustration into animation

For today’s Motion Comic Magic post I just wanted to share a few nice trailers for comic books from France/Belgium and Germany. I am still surprised that the  major US companies don’t create more trailers for their books.

The first one is a Franco-Belgian BD comic trailer that features a story of three comic artists and their trip to America. Jijé is the creator of Spirou et Fantasio and Jerry Spring, Morris is the creator of Lucky Luke, and André Franquin is the creator of the comics Gaston and Marsupilami.

Gringos Locos (editions Dupuis)

The journey of Franco-Belgian artists Jijé, Morris and Franquin throughout the United States and Mexico.

Concerned about the advance of communism in Europe, artist Jijé decided to leave the Old World with his family. Franquin and Morris decided to follow him, with them all arrived in New York in 1948. Having acquired a Hudson Ford, they travel the U.S. from east coast to west coast, hoping to get hired by Disney Studios. Not a chance, at a time when Disney has laid off more than he was hiring. Seeing his tourist visa expired, Jijé decided to move several months to Mexico with his family and is soon joined by Franquin and Morris.

After the success of “Groom verdigris,” the duo of Yann and Schwartz addresses the picaresque adventures of three monuments of the Franco-Belgian comics.

The next two trailers are from the Berlin based company Stenarts who are a studio that creates art for all sorts of projects including comics. Where the first trailer for Vol 1 below features art from the comic the second trailer looks as it’s art has been created specificly for it. Both of the trailers are especially nice with the second being really impressive.

Ria: Lightclan Chronicles (by Stenarts)

And lastly we head back to Franco-Belgian BD comics  this one featuring the classic comic cowboy character Lucky Luke as a kid. That’s right, it’s Kid Luck which should not be confused with Alexis Fajardo’s comic Kid Beowulf (which I do production work on BTW) though I would love to think they stole the idea for him.  The creator of Lucky Luke is Morris is who is a character in the trailer for Gringo Loco above.

The trailer does a nice job of animating the characters from the comic art with quite a bit of cleaver movement.

Kid Lucky (from Dargaud)