Indian Temples

Amazing Sculptures of Thiruvanaikoil

noreply@blogger.com (Ram) — Tue, 22 Sep 2009 22:25:00 -0700

Thiruvanaikoil Tower with Sculptures

Adjacent to Srirangam there is an ancient temple of sculptural marvels called Thiruvanaikoil. This magnificent temple is full of beautiful stone sculptures dating back to 17th century. This temple had been there for thousands of years.

It is around 3 Kms away from the heart of Tiruchirapalli city, Tamilnadu in South India. Thiruvanaikoil and Srirangam are in the banks of river Cauvery. Literally these two places form an island, surrounded by river Cauvery and river Coleroon.

Presiding deities are Lord Shiva called ‘Jambukeswarar’ and Shakthi called ‘Akilandeswari’. As this temple represents water this is also called as 'Appu sthalam' and the Shivalinga here is called as 'Appu Linga'. Even today you can see water oozing out near the Shivalinga idol in the temple.

Temple priest dressed as a lady representing Akilandeswari does the noon pooja, daily to the Jambukeswarar and to the sacred Cow. Devotees throng to the temple to see this ritual and to get the blessings of the Jambukeswarar. We too participated in the pooja.

Thousand Pillar Mandapam

The massive outer wall, known as the Vibudi Prakara, stretches over a mile long, and is two feet thick and over 25 feet in height. Legend maintains that the wall was built by Shiva working along with the laborers.

There are so many mandapams and temples in this temple complex. One will find sculptures of rare and exquisite beauty of workmanship in the temple. Devi’s temple had been built of marble stones.

Beautiful Sculptures In Thiruvanaikaval Ther

Several hundred years back the Godess Akilandeswari was fierce and Sri Adi Sankara reduced Devi’s ferocity by transferring the same into Gold earrings. Adi Shankarcharya is known to have made two sets of earrings called Tatankam, a pair of powerful Sri Chakra Yantra studs adorning both the ears of the Goddess, which one can find in the ears of Mother Akhilandeswari.

The Legend of the - 'Thiru Aanai Kaa'

Akilandeswari

Once Devi Parvati, mocked at Lord Shiva’s penance for betterment of the World. Lord Shiva wanted to condemn her act and directed her to go to the earth from 'Kailayam' and do penance.

Devi Parvathi (Akilandeswari) as per Shiva's wish found 'Jambu' forest (Thiruvanaikoil) to conduct her penance. Devi made a Lingam out of water of river Cauvery under the Jambu tree and commenced her worship. The Lingam is known as 'Appu Lingam' (Water Lingam).

There were two Siva Ganas (Siva’s disciples who live in Kailash) by name 'Malyavan' and 'Pushpadanta'. Though they are Shiva Ganas they always quarrel with each other and fight for one thing or other. On top of all in one fight 'Malyavan' cursed 'Pushpadanta' to become an elephant in earth and the latter cursed the former to become a spider in earth.

Both the elephant and the spider came to Jambukeshwaram and continued their Shiva worship. The elephant collected water from river Cauvery and conducted Abhishekam to the lingam under the Jambu tree daily. The spider constructed his web over the lingam to prevent dry leaves from dropping on it and prevent Sunlight directly felling on Shiva.

When the elephant saw the web and thought that as dust on Lord Shiva and tore them and cleaned the Linga by pouring water. This happened daily. The spider became angry one day and crawled into the trunk of the elephant and bit the elephant to death killing itself. Lord Siva, moved by the deep devotion of the two relieved them from one other curse.

As an elephant worshiped the Lord here, this place came to be known as 'Thiru Aanai Kaa' (Holy Elephant Forest).

In the next birth the Spider was born as the King Ko Chengot Chola and built 70 temples and Thiruvanaikoil is the one among them. Remembering his enmity with the elephant in his previous birth, he built the Lord Shiva 'Sannathi'(Sanctorum) such that not even a small elephant can enter. The entrance on the sanctorum of Lord Shiva is only 4 foot high and 2.5 foot wide.

Closer View of Awesome Temple Tower with colorful Sculptures

Thiruvanaikoil is also called as 'Jambukeswaram' and the Lord as Jambukeswara, Jambunathan and Jambulingam. The myth behind this is, there was a Sage by name 'Jambu Munivar'. He once got a rare and sacred 'Venn Naaval' fruit and he offered that fruit to Lord Siva. The Lord after eating the fruit spitted the seed.

Jambu Munivar took and swallowed the seed, as it is sacred as the seed came from the Lord’s mouth. Immediately a 'Naaval' tree began to grow in the Saint's head. The Saint prayed to Lord Siva that He should take his abode under that tree. Lord accepted and asked him to continue his penance in the forest on the banks of river Cauvery and said that he will one day come there and abode under that tree.

After many years Devi Akilandeswari worshiped Lord Shiva under that tree during her penance. Thus as he took adobe under the tree on Jambu Munivar he was called as 'Jambukeshwara' and the place is called as 'Jambukeshwaram'. Also thus the 'Venn Naaval' became the 'Sthala Vriksham' (Temple’s sacred tree). The Shiva Lingam is placed under the Venn naaval tree in this temple. Even today you can see that Venn Naaval tree at the temple, which is said to be many hundred years old.

A cook named Kalamegam, an ardent devotee of Siva had an appearance of Divine Mother Akilandeswari and Mother had spat chewed betal leaves into his mouth, which gave him wisdom and he went on to become a very famous Tamil poet named Kavi Kalamegam. We prayed to the mother to give us too some wisdom.

A Sculpture in Thiruvanaikoil Temple

We took some photographs of the awesome sculptures in the temple and returned to the hotel room.

Srirangam Ranganatha

noreply@blogger.com (Ram) — Fri, 4 Sep 2009 23:09:00 -0700

Srirangam Renganatha

Srirangam is the abode of Lord Mahavishnu called here as Sri Ranaganatha Perumal. It is considered as the first, foremost and the most important of the 108 main Vishnu temples (Divyadesams). Srirangam is the foremost of the eight self-manifested shrines (Swayam Vyakta Kshetras) of Lord Vishnu.

Srirangam is the major pilgrimage destination for Hindus (especially Vaishnavites). Though the term Kovil is generically used in Tamil to signify any temple, for many Vaishnavas the term Kovil exclusively refers to this temple, indicating its extreme importance for them.

This temple is also known as Thiruvaranga Tirupati, Periyakoil, Bhoologa Vaikundam, Bhogamandabam. The temple at Srirangam boasts an historic past of great kingdom and a civilization thousands of years old.

Gopurams (Towers) of Srirangam Temple

The temple is enormous in size. The temple complex is 156 acres in extent. It has seven prakaras or enclosures. These enclosures are formed by thick and huge rampart walls which run round the sanctum. There are 21 magnificent towers in all prakaras providing a unique sight to any visitor. This temple lies on an islet formed by the Twin Rivers Cauvery and Coleroon.

Srirangam Temple Tower

Srirangam temple is the biggest functioning Hindu temple in the world as it covers an area of about 631,000 m². It is very near to Tiruchirapalli town in Tamilnadu, India.

This temple enshrines Ranganathar in the central sanctum, crowned with gold plated Pranava Vimanam or Paravasudeva Vimanam. A total of 7 concentric prakarams surround this shrine, housing several mandapams, tanks and shrines.

Srirangam Ranganathar is enshrined in a reclining posture (facing the South); while Namperumaal the festival deity in a standing posture is also housed in the main sanctum. There is a shrine in the fourth prakaram, housing Ranganayaki Taayaar.

Sculpture in Srirangam Renganathar Temple

Sriranga Mahathmiyam is the compilation of religious accounts of the temple, detailing the origins of its greatness. According to it, Lord Brahma, the Lord of Creation in Hindu mythology was once in a state of deep meditation and in His supreme trance received the gift of the Lord Vishnu's idol, "Ranga Vimana". He was told by the Supreme Lord that there would be seven other appearances of such idols on earth -- Srirangam, Srimushnam, Venkatadri (Tirumala), Saligram (Muktinath), Naimisaranya, Totadri, Pushkara and Badrinath.

The idol was then passed on by Brahma to Viraja, Vaiswatha, Manu, Ishwaku and finally to Rama. Lord Rama, himself an avatar of Vishnu, worshipped the idol for a long time, and when he returned victoriously from Sri Lanka after destroying Ravana, he gave it to King Vibhishana as a token of appreciation for the latter's support for Rama against his own brother, Ravana.

When Vibhishana was going via Trichyirapalli, now called as Tiruchy, en route to Sri Lanka, the Lord wanted to stay in Srirangam. Vibhishana wanted to do his daily Karma [Sandhyavandhanam] in the river Kaveri. In order to do this without placing the idol on the ground, Vibishana gave the idol to LordGanesh disguised as a cowherd boy.

Srirangam Renganatha

When Vibhishana was fully into the water, Ganesha placed the idol firmly on the sand on the banks of the Kaveri. Seeing this, the angry Vibhishana chased the boy to punish him, but the boy kept running and climbed over the rock near the Kaveri bank. Vibhishana finally caught the boy and hit him on the fore-head, upon which the boy revealed himself to be Lord Ganesha. Vibhishana immediately apologized and the Lord gave him his blessings after which Vibhishana continued on his way to Lanka leaving the idole in Srirangam.

The location where the Ranganathan idol was placed was later covered by an overgrowth of deep forests, due to disuse. After a very long time, a Chola king, chasing a parrot, accidentally found the idol. He then established the Ranganathaswamy temple as one of the largest temple complexes in the world.

According to historians, most dynasties that ruled the South India -- Cholas, Pandiyas, Hoysalas, Nayakkas -- assisted with renovation and assisted in the observance of the traditional customs. Even during periods of internal conflicts amongst these dynasties, utter importance was given to the safety and maintenance of these temples.

Srirangam Gopuram

Interesting historical stories:

During the period of invasion by the Emperor Malik Kafur and his forces in 1310–1311, Namperumal (Urchavar idole) was stolen and taken to Delhi. In a daring exploit, devotees of Srirangam ventured to Delhi and enthralled the emperor with their histrionics. Moved by their talent, the emperor was pleased to gift them the idole Namperumal, which was requested by the performers.

Things took a drastic turn immediately. Surathani, his daughter, fell in love with the deity and followed him to Srirangam. She prostrated herself to the God in front of the Sanctum Sanctorum and is believed to have attained the Heavenly Abode immediately. Even today, a painting of "Surathani" (known as "Thulukha Nachiyar" in Tamil) can be seen in the Arjuna Mandap adjacent to the Sanctum Sanctorum for whom, "chappathis" are made daily. This greatly explains the secular nature of the temple and also its all inclusive nature.

Srirangam Namperumal in Urchavam (Festival)

Having assumed that the magical power of the deity had killed his daughter, there was a second invasion to Srirangam in 1323 A.D. This time it was more severe. The presiding deity was taken away before the emperor's troops reached Srirangam by a group led by the Vaishnavite Acharaya, Pillai Lokacharyar, who died en-route to Thirunelveli in Tamil Nadu. The Goddess "Renganayaki" was taken in another separate procession.

Swami Vedanta Desika, instrumental in planning the operations during the siege of the temple, closed the Sanctum Sanctorum of the temple with bricks, after the processions of the presiding deities had left -- thereby protected the temple for generations to come.

13,000 Sri Vaishnavas, the people of Srirangam, laid down their lives in the fierce battle to ensure that the institution was protected. In the end, "Devadasis", the dancers of Srirangam, seduced the army chief, to save the temple.

After nearly six decades, the presiding deity returned to Srirangam and the same Swami Vedanta Desika, who had built a brick wall in front of the sanctum sanctorum, broke it open. We learn that the deity of Srirangam had lived in the hills of Tirumala Tirupati for quite a long period of time.

It is not surprising to note that the temple and the life of the people, even today, are intertwined. The Lord is their Ruler and also their Child. It is believed that Sriman Narayana presently lives in Srirangam and not in His abode, Vaikuntham.

Srirangam Golden Gopuram

Srirangam cannot be discussed without mentioning the great Vaishnavite scholar of Ramanujacharya who attained divinity here. His "Swayam Thirumeni" (the symbolic body) is preserved and offered prayers even today after 8 centuries. His Shrine is found in the fourth "prakara" of the temple and his "Thirumeni" is preserved in the temple in a seated position, by applying saffron and camphor every six months in a ritualistic style.

Srirangam Renganatha

"Kovil Ozhugu" is a codification of all temple practices, religious and administrative, shaped and institutionalised by Sri Ramanuja after receiving the due rights from Sri Periya Nambi.

My self and my wife did prayers in the Srirangam temple Sanctum and at Sri Ramanujacharya shrine to have the harmony in the society and returned to our hotel room in Thiruchirapalli.

Beautiful carvings in the Srirangam Temple

Kanchipuram Kamatchi

noreply@blogger.com (Ram) — Thu, 6 Aug 2009 01:26:00 -0700

Kanchipuram Kamatchi Aman Temple and Tank

Kanchipuram is called place of thousand temples. It has 128 temples. Each temple is associated with Hindu Puranas and legends. Kanchepuram is also noted for its Silk Sarees. Best quality of Silk sarees is woven here. It is a land of God and talented workmen of silk sarees. It is 3 hours travel from Chennai to Kanchipuram. Hotels in Kanchipuram are very close by to temples and bazaar where you can get good quality Kanchipuram Sarees. Here we will cover some important temples in Kanchipuram.
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Kamatchi Amman Temple:

Kamatchi with Shri Chakra

Built in the 14th century by the Cholas, this temple is dedicated to Goddess Kamakshi - the presiding deity of Kanchi. Here, the goddess is worshipped in the form of a Shri Chakra placed in front of the idol. Shri Sankaracharya worshiped her and formed the Shri Chakra in front of the deity. It radiates and vibrates the power of the Godess to the visiting devotees.

Shankaracharya is said to have defeated Buddhist philosophers in debate here. He worshiped here at the end of his life and his life force merged with Kamatchi. It is one of the three holy places of Shakthi worship in India, the other two being Madurai and Varanasi. The temple has a golden "gopuram" in the centre. Kamatchi blesses the devotees with riches, knowledge, and vibrant energy to work and gives things required for a happy life to her visitors and devotees.

Kamatchi Aman Temple Towers

People consider a visit to her in full moon night bestows with all the riches they require.

Some interesting legends associated with the above two temples:

According to Devi Bhagavatam, the lord of the ganas, Chitrakarma creates the image of a man out of the burnt ashes of Love; the Love god Manmatha who tried to distract Shiva from meditation and got burnt by the power of agni (fire) from the third eye of Shiva. Shiva names the new image, Bhanda or Panda, teaches him a powerful mantra and gives him the boon of being one and a half times as strong as his enemy, and empowering him as ruler for sixty thousand years. By the power of this mantra, one could gain half the might of one's adversary.

Ekambareswarar Temple Tower

Unfortunately, because he was generated from the ashes of Shiva's wrath he is transformed into a fierce demon. Intoxicated with his new found power he proceeded to rampage the kingdom of the gods. Apprehending defeat and humiliation, there is nothing that any of the gods can do during the sixty thousand years when Siva is protecting Bhanda, but once this time has gone by, the gods try to find a way to destroy him and protect all the Celestials from the atrocities of a demon.

Devas in disguise of a parrot image together with the holy Trinity, Shiva, Vishnu and Brahma, summon the Divine Mother Adi Parashakti, Sri Lalita Ambika, in the form of Kamatchi. Legend has it that Kamatchi appeared in her ethereal form in a pit or cave (Bilakasa Swarupa) to save the Devas from Asuras agrees to stop Bhanda's efforts to overtake the city of the gods and destroy him.

Kanchipuraam Ekambareswarar Temple Tower

The battle starts and gods rejoice in Kamatchi's growing success and worship her. Nonetheless, Bhanda is still alive and empowered. Sri Kamatchi Devi agrees to bless all of those worshiping her with progeny, fame, and virtue, among other things. As the city is being attacked by Bhanda, Kamatchi in the form of Parvati marries Lord Shiva, forming a strong allied army. At the same time, Kamatchi proclaims her independence while honoring her independence. Years go by and Kamatchi leaves her Consort to lead the army against Bhanda.

Bhanda does not regard an army of women as a serious threat, and laughs that Kamatchi is as soft and delicate as the flower. To Bhanda's dismay and the gods' delight, Kamatchi's army is very powerful. She is supported by strong women who work together to create unique weapons, particularly the noose and goad (which Lalita's icon often hold) in order to be successful. One after another, Bhanda's generals are defeated.

Kamatchi creates new gods to fight as the battle rages on, including Lord Ganesa, and he destroys many armies and Bhanda's brother. As a reward, Kamatchi grants him the right to be worshipped before all other gods. The battle rages on, all of Bhanda's family is killed, and finally he tries to save himself by creating powerful missiles to destroy Kamatchi. She is too powerful for him and sends Durga after him. Finally, it is a showdown between Bhanda and Kamatchi. She kills him using the kamesvara missile, which has an incredibly bright splendor. The deities praise Kamatchi for her courage and success. She agrees to bring back the god of Love, Manmatha and reunites him with his grateful wife Rathi Devi.

This myth shows how Kamatchi is the two forms of human nature simultaneously. She is able to be devoted to her Consort Siva, but to maintain the independence she needs to lead her army to war. She is fierce in her battles, but her most powerful weapons and warriors are created from her laugh and jubilance. Kamatchi shows people the way to deal with problems in their everyday lives. Her being is not an example for those who intend to lead an isolated life. Kamatchi shows how to live in balance, for people with numerous responsibilities. She demonstrates that it is possible to honor the family and other responsibilities, without disappointing anyone.

Another legend associated with this place:

Parvathi Meditating on Siva

While Lord Siva was meditating, Parvati playfully covered his eyes for a moment. This resulted in the earth being covered with darkness for years. This angered Siva who cursed Parvati to go to earth and do severe penance. She came to earth and created the earth linga and worshiped it under a single (eka) mango tree in Kanchipuram. Siva sent different obstacles to test Parvati’s sincerity. When he sent a flood, she clasped to the linga so tightly that imprints were made on it.

Here is an interesting story:
A beautiful maiden called Sati, who is also called Dakshayani; one of the daughters of Prasuti and Daksha, an ancient creator god, loved Shiva. But her father Daksha forbade her marriage to Shiva.
Daksha got revenge by performing Yajna without offering the first Prasada to Siva; he did not pay any attention to Sati, when she showed up for the Yajna. Sati declared to the assembled galaxy of gods, goddesses and Rsis that she was ashamed to own the body given to her by her father. She performed Tapas and the internal heat generated by the Tapas consumed her life. Having heard the death of Sati, Siva, in a fit of anger, pulled his matted lock and flung it on the ground and performed the dance of destruction (tandava nritya) with Sati’s dead body on his shoulder, in the form of Bhairava.
From the fulgurant lock emerged a being, scraping the skies and heavens with a thousand arms, with three eyes shining like the sun, dark complexion like a rain clouds, fierce teeth, a garland of skulls, matted locks resembling ropes of fire, and a host of weapons at the ready. That was Virabhadra, a part manifestation of Siva in his fierce form, together with 7 other beings called Muneeswaras. They immediately sought and received their mission which is to annihilate Daksha and his sacrifice. Daksha met his death at the hands of Virabhadra.
Siva picked up the body of Sati and wandered all over the universe. Vishnu seeing Siva in such condition sent his discus, which cut the dead body of Sati into several pieces, which fell all over Indian subcontinent. Wherever the body parts fell, that ground became sacred. The womb portion of Sati fell in Kanchipuram, Tamil Nadu, which became the sacred site of temple (Sakti Peetha) for her in the form of Sr Kamatchi Amman.

Some more temples of interest in Kanchipuram:

Kailasa Nathar Temple

Kailasanathar Temple is dedicated to Lord Siva. Iit is one of the earliest temples built by Rajasimha and his son Mahendra in the 8th century A.D. There are 58 small shrines situated round the main shrine. Fresco-style paintings adorn the inner walls of the shrines. Sandstone was used in the construction of this temple. It is the only temple at Kanchipuram which is not cluttered with the more recent additions of the Cholas and Vijayanagar rulers. Fragments of the eighth century murals which once graced the alcoves are a visible reminder of how magnificent the temple must have looked when it was first built.

Varatharaja Perumal Temple

Varadarajar temple is a massive and impressive edifice. This is another Vishnu temple on Hastagiri rock at the end of the town. The Hundred-Pillar-hall erected during the Vijayanagar period in this temple is noted for its exquisite sculptures. The ornamental rings carved out of a single stone in a chain at the four corners are the special features of the hall. The riders on horseback, beautiful figures of Rathi and Manmatha, exquisite temple jewelery are other notable features. This temple provides a glimpse of a 16th century pillared pavilion with an exuberant workmanship.

Kumarasamy temple or Skantha Kottam in Kanchipuram is a temple for Lord Muruga. It is modern temple when compared to other old historical temples. Here the famous ‘Kanthasashti Kavasam’ adoring the Lord Muruga, son of Lord Shiva and Parvathi was written by an aminent saint called ‘Kumarkurupara Swamikal’.

The visit to the Kanchipuram is so memorable with some good Kanchipuram Sarees. Indians especially Tamilian ladies wear Kanchipuram Sarees on all important and auspicious functions. It is prestigious for them wear Kanchipuram Sarees. Even many foreign visitors to South India love to wear Kanchipuram Sarees.

A Model in Kanchipuram Sarees

People of Kanchipuram hotels and the local people are very helpful in finding locating the temples and Kanchipuram Sarees shops.

Tiruthani Murugan

noreply@blogger.com (Ram) — Sun, 19 Jul 2009 01:19:00 -0700

Thiruthani Murugan Temple

Murugan worship is very popular with Tamil speaking people and especially in Nattukottai chettiyar and Thirunelvelli Pillaimar community. They commence anything with prayers to Lord Muruga. People in Nattukottai nagarathar community prefer to have Lord Muruga's and his consorts Valli and Theivanai's names as the names of their children. My life partners name is Valli.

Today we are visitingTiruthani Murugan temple, a famous Hindu temple, in South India on the way to Thirupathy from Chennai. It is one of the Arupadaiveedu, the six holy abodes of Lord Muruga.

The other five are;
Palani ,
Swamimalai ,
Tirupparangunram ,
Pazhamudircholai and
Thiruchendur .

Murugan with Consorts Valli and Theivanai

According to Hindu mythology, Lord Murugan married Valli, the daughter of a hunting tribe chieftain, here. The origins of this temple, like most Hindu temples, are buried in antiquity. This temple has been mentioned in the Sangam period work Tirumurugaatruppadai composed by Nakkeerar.

Murugan tricking Valli by posing as an old man, along with Ganesha posing as an elephant.
Image taken from the temple paintings drawn centuries ago.

Legends:

Indra the king of the Gods gave his daughter Deivayanai in marriage to Lord Murugan, and along with her presented his elephant Airavatam as part of his dowry offering. Upon Airavatam's departure Indra found his wealth waning. Muruga is said to have offered to return the white elephant, however Indra bound by protocol refused to accept a gift that he had made, and insisted that the elephant face his direction, hence the image of the elephant in this temple also faces the east.

Peacocks mount of Muruga grassing with Cocks

Lord murugan fiercely fought with Surapadma at Tiruchendur and won the battle. He gave moksha to the Asuras Surapadma and Tharakasura. They were made as his mount peacock and as Cock picture in his flag.

He reached Tiruttani Hill to reduce his anger, that is why Tiruttani is called as Thanigai malai. Tiruttani is also known by many other names. That is Purnagiri, Kshanikachalam, Mooladri, Neelotpala.

As its very name indicates, when we propitiate our Lord in this holy shrine, He blesses us with mental peace and bodily happiness. His righteous indignation towards the asuras for their cruelty is said to have been quelled and cooled at this place which is, therefore, known as Shantipuri (Abode of Peace).

Another legend has it that Indra presented a sandal stone to Murugan as a part of his daughter Theivayani's dowry. The sandal paste made on this stone is applied to the image of Muruga and the applied paste is said to acquire medicinal value.

Legend also has it that Muruga bore the discus thrown by the demon Tarakasuran on his chest, and hence there is a hollow in the chest region of the image of Murugan in this temple. Legend also has it that Muruga gifted the discus to Vishnu. Murugan is also believed to have imparted knowledge of Tamil to the sage Agasthyar and he is regarded as Veeramurthy, Gnanamurthy and Acharyamurthy in this shrine.

Sage Agasthyar Muni (of Potikai Hill) worshiped Lord Muruga at Tanikai when he was blessed with the divine gift of the Tamil language.

In Dwapara Yuga, Arjuna got the blessings of Murugan here by offering prayers to Him on his way to the South for Teertha Yatra (pilgrimage to take sacred immersion). Lord Vishnu prayed to the Lord and got back His powerful Chakra (sacred wheel), Shanku (sacred conch), which were forcibly seized from Him by Tarakasura, brother of Soorapadma.

Lord Rama, after putting an end to Ravana, worshiped Lord Siva at Rameswaram and then came to Tiruttani to find perfect peace of mind by worshiping Lord Subrahmanya here.

Lord Brahma propitiated the Lord here at the holy spring known as Brahmasonai after his imprisonment by our Lord for his failure to explain the Pranava ('Om' mantra) and got back his creative function of which he was deprived by our Lord due to his egotistic impudence in neglecting to worship Lord Subrahmanya on his way to Mount Kailasa to worship Lord Siva.

On worshipping our Lord at Thanikai, the king of snakes Vasuki got his bodily wounds healed, which had been caused during the churning process in the Milky Ocean to secure the Amrita (nectar of immortality) by the devas and asuras when the Mantotra Mountain was used as the churning base and the snake king Vasuki as the rope.

Apart from its puranic greatness, Saint Arunagirinathar has praised this hill as the chosen place for worship by devas and the favorite abode of saints performing prolonged tapas. He also compared this hill to Sivaloka (Bhuloka) and as the very soul of the world. Sri Muttuswami Deekshitar, who lived 200 years ago (one of the trinity of Karnatic music) had his inspiration in Tiruttani when the Lord (in the guise of an old man) met him on the steps and sweetened his tongue with the prasadam of this temple, which impelled him to sing his first song on Lord Murugan of Tanikai.

Murugan In Thiruthani

When our Lord came to this hill after wedding Goddess Valli at Vallimalai, She implored Him to enlighten Her on the importance and greatness of this hill. In reply, our Lord said that if one worshipped Him with heart and soul for five consecutive days in this hill temple, that person would be blessed with all that is best in this life and hereafter.

Lord Indra planted and reared in the pool known as Indrasonai adjoining this hill temple the rare plant known as Karunkuvalai, which gave three flowers a day and worshiped our Lord thrice daily with these flowers and , thus, got back the precious wealth of Deva Loka such as Sanghaneeti, Padmaneeti, Chintamani, etc seized by the asura titan.

Nanda Devi worshiped our Lord here on the bank of the Nandi River and got His peerless initiation to realize the unique relationship between the soul (jeevatma) and God (Paramatma), which is the quintessence of Saiva Siddhanta philosophy, the choicest product of the Dravidian intellect according the pioneering dravidologist Dr. G.V. Pope.

Muruga taken in a specially made boat (Thepam) in the Sacred Tank

The sacred tanks of the shrines of Murugan are all known as Saravanapoikai ('sacred pond of the reedy marsh' where Lord Karttikeya was born). The tank at Tiruttani, which (unlike in other places) is at the very foot of the hill, is particularly renowned for its sacred water (teertham) having curative effect for ailments both bodily and mental, as it is rich in minerals such as sulfur, iron, etc. A bath in this holy tank refreshes the devotee and makes him hale and healthy to propitiate our Lord with faith and devotion.

We also got a dip in the Saravanpoikai with devotion. We got our wet cloths dried in near by Nattukottai Nagarathar Chattiram and climbed the hill to have darshan of Lord Muruga.

Pooja In Sri Kalahasthi Temple

noreply@blogger.com (Ram) — Thu, 18 Jun 2009 08:38:00 -0700

Sri Kalasthi town in dawn

Pooja in Sri Kalahasthi Temple.

Pandit, who guided us to the Sri Kalahasthi temple told us that performing Dosha Pooja in the temple is very good for every one. So we reached the temple by 9 am and had darshan and did Pooja in time.

Sri Kalahasti temple, situated 36 km away from Tirupati is one of the Panchabootha temples representing “wind”. This is the only shrine for the God of Wind in India. Constructed in the 12th century by the Chola king, Rajendra Chola.

Temple Tower

There is a lamp inside the inner sanctum that is constantly flickering despite the lack of air movement inside . The air-linga can be observed to move even when the priests close off the entrance to the main deity room, which does not have any windows. One can see the flames on several ghee lamps flicker as if blown by moving air.

The linga is white and is considered Swayambhu, or self-manifested. No one touches the linga including the priest. Abisheka (holy bathing) are made only to the 'Urchavar' and not to the main deity.

Sri Kalathiswarar

The temple site where Kannappa, one of the 63 Saivite Nayanars, was ready to offer both his eyes to cover blood flowing from the Siva linga. The Lord Siva stopped him and granted mukti.

Thinna (Later became Bhaktha Kannappa) plucked out one of his eyes and placed in the eye of Linga which was oozing with blood and tears. When the tears and the blood were still trickling from another eye, Kannappa decided to remove his second eye and placed one of his feet on the spot of the right eye of the Shiva Linga. Before he could pull out his second eye with the arrow, Lord Shiva appeared and restored his eye while granting him a boon to occupy a place close to him.

Kannapa being poor hunter he used to give meet of what ever animal he hunted that day to Lord Shiva as offering to the Lord in Pooja. Lord accepted it with love. But sages and learned scalars did not like it. They where complaining that Kannappa was polluting the holly place.

Lord Shiva tested the unshakable devotion of Kannappa before the sages gathered at SriKalahasti. Lord Shiva created a tremor and the roof tops of the temple began to fall. All the sages ran away from the scene except Kannappa who covered the linga with his body to prevent it from any damage. Then the sages recognized the devotion of Kannappa towards the Lord.

The temple is also associated with Rahu and Kethu (of the nine grahams or celestial bodies in the Indian astrological scheme). Prayers to Rahu and Kethu here helps one to get a good life partner. Everyday there is big crowd for this pooja. Even though I am married, myself and my wife too performed the pooja to get a loving bondage for ever between us.

Temple Tower In dusk (6.15 pm)

Other Legends:

Sri Kalahasti is named after the staunch devotees of Lord Shiva. They were the Spider (Sri), the Serpent (Kala) and the Elephant (Hasti). Appeased with their unflinching devotion, Lord Shiva gave them a boon that their names be merged with the Vayulinga and called as Sri Kalahasteeswara.

One day, the spider had built a very big and thick web around the deity to protect it from dust and weather while the snake places its gem. The elephant not knowing this and assuming that this form of pooja by Sri and Kala is a desecration by the seeming miscreants, pours water on it and cleans it up. This causes a war between the three. The snake punishes the elephant by entering its trunk and in the process kills itself while the elephant runs amok and hits its trunk and head against the shiva linga. During this struggle, the spider is squashed against the linga by the elephant's trunk and the elephant dies due to the snake's poison. Lord Shiva then appeared and gave moksha to all three of them for their selfless devotion. The spider takes rebirth as a great king while the elephant and the snake reaches heaven for satisfying all its karma.

This king continues his good work from his previous birth and builds a variety of temples that seeks to protect the underlying deity with tons of stones. It is interesting to note that all his temples, keep the deity beyond the access of an elephant. In this temple, access to the deity is through a narrow passage in the side of the building that prevents an elephant from extending its trunk over the lord from any side.

Having got the blessings of Vayu (wind) God Sri Kalahasteeswara through the special Pooja we went to Thiruthani Murugan Temple. In the next post we will meat in Thiruthani, where Lord Shanmuga with his consorts Valli and Devayani blesses the devotees with all riches in life.

Sri Kalathiswarar with Consort

Thirupathi Venkatesa Stotram

noreply@blogger.com (Ram) — Sun, 17 May 2009 07:37:00 -0700

This is a rare photograph of Thirupathi Venkatesa. Only twice the main deity has been captured in picture. This is one of it. You are lucky to have it. Share it with your friends.

Lord Venkatesa and Sri Padmawathy

Thirupathi Venkatesa Stotram:

In whatever form you praise the Thirupathy Lord the net result is prosperity to you. Here is another Song praising the Thirupathi Venkatachalapathy. Read it and get the blessings of Thirupathi Lord.

Sri Venkatesa Stotram with English Translation:

1
kamala-kucha-chuchuka-kunkumato
niyatarunitatula-nilatano!
kamalayata-lochana!lokapate!
vijayi bhava!venkata sailapate.

Lord of Venkatachala! One whose matchless blue body is ever rendered red by the saffron on the breasts of Kamala (called Sridevi); One whose eyes are broad like the petals of the lotus.

2
sachaturmukha-sanmukha-panchamukha-
pramukhakhila-daivata-maulimane! sarangatavatsala!saranidhe! paripalaya mam vrsa-sailapate.

The crest-jewel of all Gods like Brahma, Kumarasvami and Maheshwara! The Compassionate One to those seeking protection! Protect me, O Lord of Vrsasaila!

3
ativelataya tava durvisahair-
anuvela-krtair aparadha-sataih,
bharitam tvaritam vrsa-sailapate! paraya krpaya paripahi hare.

Lord of Vrsasaila! May Thou (O Hari!) with Thy extreme mercy protect me who has always committed various unendurable sins.

4
kalavenu-ravavasa-gopavadhu-
satakoti-vrtat smarakoti-samat,
prati-vallavikabhimatat sukhadat
vasudeva-sutan na param kalaye.

I do not understand any one other than Krishna who is surrounded by innumerable cowherdesses (gopikas) who are enchanted by the sweet music of His flute; who equals the beauty of all the Cupids (Manmathas); who gives joy and is dear to each gopika.

5
abhirama-gunakara!dasarathe! jagadeka-dhanurdhara! dhiramate! raghunayaka! rama! ramesa! vibho!
varado bhava! deva! daya-jaladhe!

Source of enchanting virtues ! Rama! The Matchless Archer of the Universe! The Steady-minded One! The Best of the race of Raghu! Ramesa! The All-pervading! The Ocean of Compassion! O Lord ! Grant us boons

6
avani-tanaya-kamaniya-karam
rajanikara-charu-mukhambu-ruham,
rajanichara-raja-tamo-mihiram
mahaniyam aham raghuramam aye.

I seek refuge in Raghurama who does what Sita likes, who has a beautiful face like the Moon, who is like the Sun to put an end to darkness (Ravana the King of Demons), and who is exalted.

7
sumukham suhrdam sulabham sukhadam svanujam cha sukayamamoghasaram,
apahaya raghudvaham anyam aham
na kathanchana kanachana jatu bhaje.

At no time and in no way, do I worship any one other than Rama,, who has elevated the Raghu race, who has a handsome face, a good heart, is easily attainable, has good brothers, has a beautiful body and whose arrows are unfailing.

8
vina venkatesam na nanatho na nathahsada venkatesam smarami smarami,
hare! venkatesa! prasida prasida
priyam venkatesa! prayaccha prayaccha.

There is no saviour other than Venkatesa. I will always pray to Venkatesa. O Hari Venkatesa! Be pleased and grant us favours.

9
aham duratas te padambhoja-yugma-prana-mecchayagatya sevam karomi, sakrt sevaya nitya-sevaphalam tvamprayaccha prayaccha prabho venkatesa.

O Lord! Having come from afar, with a desire to salute Thy lotus-like feet, I serve Thee Venkatesa! Please give me the opportunity for this occasional worship.

10
ajnanina maya dosan
asesan vihitan hare!
ksamasva tvam ksmasva tvam sesasailasikhamane.

O Hari! The jewel-crest of Sesasaila! Pardon me for all the sins committed by me, an ignorant being.

The trip to Thirupathi was so memorable. With Thirupati Venkateswara in memories we are going to visit Sri Kalahasthi.

In the next post I will give you some interesting stories about Kalahasthi. Kalahasthi is a famous Shiva temple on the way to Thirupathy from Chennai. Meat you there in Thiru Kalahasthi.

Laksmi Sthuthi Sri Venkatesa Prapatti

noreply@blogger.com (Ram) — Thu, 16 Apr 2009 02:55:00 -0700

Goddess Lakshmi

Lakshmi:

Lakshmi is the Hindu Goddess consort of Lord Vishnu (Venkatesa). She Governs All form of Wealth and Success and the Paths, Means and Results of all forms of Prosperity.

She is the Goddess of Health , Beauty, Siddhi, Peace, Strength, Balance, Auspiciousness, Opulence and Wisdom.

She brings good luck, especially in business.

She in the form of Pthmavathy did thapas, sitting on a large and beautiful Lotus flower in Padmawathy Knuru. She got married to Lord Venkatesa (Vishnu).

Padmavathi Konaru (Laksmi Tank)

She blesses the devotees with all prosperity.

Here is ‘Sri Venkatesa Prapatti’, a prayer song praising her and Sri Venkatesa Perumal. English translation is given for every verse.

Sri Laksmi Sthuthi Sri Venkatesa Prapatti

isanam jagato ‘sya venkatapater visnoh param preyasim tad-vaksassthala-nityavasa rasikam tatsantisamvardhinim, padmalankrta-panipallava-yugam padmasanastham sriyamvatsalyadi-gunojjyalam bhagavatim
vande jaganmataram.

I salute Goddess Lakshmi, who is the Queen of the Universe, who is the most beloved of Vishnu, the Lord of Venkatachala, who is fond of dwelling on His (Vishnu’s) chest, who is the promoter of His forgiving nature, who has hands decorated with lotuses, who is seated on a lotus in the posture of a lotus (called padmasana), who shines with virtues like mercy and who is the Mother of the Universe.

sriman!krpa-jalanidhe!krta-sarvaloka! sarvajna! sakta! nata-vatsala! sarvasesin, svamin!susila-sulabhasrita parijata!
sri-venkatesa! charanau saranam prapadye.

One who possesses Sri (wealth)! Ocean of Compassion! Creator of the whole Universe! The Omniscient! The Almighty! Affectionate to those that bow to Thee! The Principal of the animate and inanimate world! Easily attainable by persons of good conduct! the Divine tree (parijata) to those who seek refuge! Venkatesa! I stay at Thy feet.

anupurarpita-sujata-sugandhi-puspa-
saurabhya-saurabha-karausama-sannivesau,
saumyau sadanubhavane‘pi navanu-bhavyau
sri-venkatesa-charanau saranam prapadye.

I seek refuge at Venkatesa’s feet which add fragrance to the scent of the sweet-smelling flowers which decorate His feet up to His anklets, which are well-placed and handsome, which are always enjoyable even though they are ever seen.

sadyo-vikasi-samuditvara-sandraraga- saurabhya-nirbhara-saroruha-samya-vartam,
samyaksu sahasa-padesu vilekhayantau
sri-venkatesa-charanau saranam prapadye.

I seek refuge at Sri Venkatesa’s feet, and it induces us to compare His beautiful feet with lotuses that have just blossomed and emanate fragrance and red color. This comparison is hasty and not right as the feet of the Lord are several times superior to lotuses.

rekhamaya-dhvaja sudha-kalasatapatra- vajrankusamburuha-kalpaka-sankha-chakraih,
bhavyair alankrta-talau paratattva-chihnaih
sri-venkatesa charanau saranam prapadye.

I seek refuge at Venkatesa’s feet whose soles bear marks of the Supreme Spirit like the Banner, Pot of Ambrosia, Umbrella, Thunderbolt, Lotus, Divine Tree (Kalpa vrksa), Conch and the Disc which can be seen in the form of auspicious lines.

tamrodara-dyuti-parajita-padmaragau
bahyair mahobhir abhibhuta-mahendra-nilau, udyan-nakhamsubhir-udasta-sasanka-bhasau
sri-venkatesa-charanau saranam prapadye.

I seek refuge at Venkatesa’s feet whose reddish soles surpass the luster of rubies (called Padmaraga) or red lotuses; whose appearance excels the brilliance of sapphires (called Indranila) and whose toe-nails outshine moonlight.

suprema-bhiti kamala-karapallavabhyam samvahane’pi sapadi klamam adadhanau, kantay avan-manasa-gochara-saukumaryau
sri venkatesa-charanau saranam prapadye.

I seek refuge at Venkatesa’s feet which, though massaged with love and apprehension by the hands of Lakshmi, are experiencing fatigue, and are yet very charming, the tenderness of which is not within the scope of speech or mind.

laksmi-mahi-tadanurupa-nijanubhava-
niladi-divya-mahisi-kara-pallavanam,
arunya-sankramanatah kila sandraragau
sri venkatesa charanau saranam prapadye.

I seek refuge at Venkatesa’s feet which have become extremely red on account of the union with the redness of the hands of the Divine queens like Sridevi, Bhudevi and Niladevi.

nityanamad-vidhi-siadi-kiritakoti-
pratyupta-dipta-navaratna-mahah-prarohaih, nirajanavidhim udaramupadadhanau
sri-venkatesa-charanau saranam prapadye.

I seek refuge at Venkatesa’s feet which receives as it were, the grand nirajana (harati), through the luster of the nine gems studded on the crowns of Brahma, Siva and others who bow their heads every day before Him.

visnoh pade parama ity udita-prasamsau yau madhva utsa iti bhogyatayapy upattau, bhuyas tatheti tava panitala-pradistau
sri venkatesa! charanau sarnam prapadye.

Venkatesa! I seek refuge at Thy feet which are extolled (in the Rig Veda I.154.5) as 'Vishnu parame pade' (meaning 'in the most exalted abode of Vishnu); as 'madhava utsah' (meaning ‘the fountain of honey’); as extremely enjoyable; and which are indicated as such by the direction in which Thy palm points.

parthaya tatsadrsa-sarathina tvayaiva
yau darsitau svacharanau sarnam vrajeti, bhuyo’pi mahyam iha tau karadarsitau te
sri-venkatesa! charanau sarnam prapadye.

Venkatesa! I seek refuge at Thy feet which were shown (in your incarnation as Krishna) to the worthy charioteer, Arjuna, for him to seek refuge, and which, now on Venkatadri, are again pointed out by Thy hand for me to seek refuge.

manmurdhni kaliyaphane vikatatavisu
sri-venkatadri-sikhare sirasi srutinam,
chittepy ananya-manasam samam ahitau te
sri-venkatesa! charanau saranam prapadye

Venkatesa! I seek refuge at Thy feet which are placed in the same way: on my sinner's head, on the hood of the serpent Kaliya, in the thick forests, on the peak of Venkatachala, in the Upanishads and in the hearts of the sages who meditate on God. (It means Venkatesa is omnipresent).

amlana-hrsyad-avanitala-kirna-puspau
sri-venkatdri-sikharabharanayamanau,
ananditakhila-mano-nayanau-tavaitau
sri-venkatesa! charanau saranam prapadye.

Venkatesa! I seek refuge at Thy feet around which the scattered flowers remain fresh. Thy feet which are an ornament of Venkatachala, delight the hearts and eyes of all.

prayahprapanna-janata-prathamavagahyau
matuh stanaviva sisor mrtayamanau, praptau paraspara-tulam atulantarau te sri-venkatesa! charanau saranam prapadye.

Venkatesa! I seek refuge at Thy feet which are to be seen at first by people who pay obeisance to them often; which are nectar like mother's milk to her child; which can be compared with each other, but incomparable with anything else.

satvottarais-satata-sevya-padambujena
samsara-taraka-dayardra-drganchalena,
saumyopayantr-munina mama darsitau te
sri-venkatesa! charanau saranam prapadye

Venkatesa! I seek refuge at Thy feet which are shown to me by the sage Manavala, the sage whose feet are always worshiped by Sattvic people (men of sattva guna) and whose mind and merciful glances enable mankind to cross the ocean of transmigration (samsara).

srisa! sriya ghatikaya tvadupayabhave
prapye tvayi svayam upeyatavasphurantya,
nityasritaya niravadya-gunaya tubhyam
syam kinakaro vrsagirisa! na jatu mahyam.

Srinivasa! When Thou art a means i.e., upaya (to the devotees for attainment of the Supreme Abode, i.e. Liberation), Lakshmi brings about this. When Thou become the object of attainment (prapya), Lakshmi appears to be so resorting to Thee always. Thou art of pure faultless qualities. I become servant to Thee and not to myself at any time.

Thirupathi Venkatesa Perumal With Padmavathi (Lakshmi)

Venkateswara Suprabath

noreply@blogger.com (Ram) — Wed, 15 Apr 2009 01:37:00 -0700

Suprabath a popular prayer song on Lord Venkateswara of Thirupathi with English Translation:

1.
kausalyasuprajarama!
purva sandhya pravartate,
uttistha! narasardula!
kartavyam daivam ahnikam.

O! Rama! Kausalya’s auspicious child! Twilight is approaching in the East. O! best of men (Purushottama)! Wake up, the divine daily rituals have to be performed.

2.
uttisthottistha! govinda!
uttistha garudadhvaja!
uttistha kamalakanta!
trailokyam mangalam kuru.

O! Govinda, wake up! O! Garudadhvaja (one who has Garuda on his flag)! wake up. O! Kamalakanta (the husband of Kamala)! by rising, render the three worlds auspicious.

3.
matas samsastajagatam madhukaitabhareh
vaksoviharini! manohara-divyamurte!
srisvanmini! sritajanapriya-danasile!
sri-venkatesa-dayite! Tava suprabhatam

May it be an auspicious dawn to Thee, O! Lakshmi, the Mother of the Worlds, who dwells on the chest of Vishnu, the enemy of the demons, Madhu and Kaitabha), of attractive and divine form, with the nature of granting what is desired by those seeking refuge!

4.
tava suprabhatam aravindalochane!
bhavatu prasannamukha-chandramandale!
vidhisankarendra-vanitabhir archite! vrsasailanatha-dayite!dayanidhe

May it be an auspicious dawn to Thee, O! Lakshmi, the beloved of the Lord of Vrsacala, with eyes like lotus petals, with a bright face like the Moon, who is worshipped by Vani, Girija and Pulomaja (the wives of Brahma, Sankara and Indra) and who is very compassionate.

5.
atryadi-saptarsayas samupasya sandhyam
aksasindhu-kamalani manoharani,
adaya padayugam archayitum prapanna sesadri-sekhara-vibho! tava suprabhatam.

Having worshipped the morning twilight and said their morning prayers, called sandhyavandana, the seven sages like Atri, bringing the beautiful lotuses from the divine Ganges, have arrived to worship Thy feet. Lord of Seshachala! May it be an auspicious dawn to Thee.

6.
panchananabjabhava sanmukha vasavadyah traivikramadi charitam vibudhah stuvanti,
bhasapatith pathati vasarasuddhim arat
sesadri-sekhara-vibho! tava suprabhatam.

The Gods, like the five-headed Brahma, the lotus-born Subrahmanya, and the six-headed Indra are praising the deeds of your incarnations as the Trivikramavatara. Nearby is Brhaspati who is reading out the planetary position (called Panchangam) of the day. Lord of Seshachala! May it be an auspicious dawn to Thee.

7.
isatpraphulla-sarasiruha-narikela- pugadrumadi-sumanohara-palikanam avati mandam anilah saha divyagandhaih sesadri-sekhara-vibho! tava suprabhatam

The breeze, carrying the wonderful fragrance of the partly-opened lotuses, and the beautiful trees like the Areca and Coconut, is blowing gently. Lord of Seshachala! May it be an auspicious dawn to Thee.

8.
unmilya netrayugam uttama-panjarastah
patravasista-kadaliphalapayasani,
bhuktva salilam atha kelisukhah pathanti
sesadri-sekara-vibho! tava suprabhatam.

The parrots in their cages are opening their eyes, and graciously singing, after eating the remains of the plantain fruits and the payasam in the vessels. Lord Seshachala! May it be an auspicious dawn to Thee.

9.
dtantriprakarsa-madhurasvanaya vipanchya gayaty anantacharitam tava narado’pi bhasasamagram asakrt-karachararamyam
sesadri-sekhara-vibho! tava suprabhatam.

The sage, Narada, is playing sweet music with his veena, and, in fine language, is singing praises of Thy endless deeds, gracefully waving his other hand. Lord of Seshachala! May it be an auspicious dawn to Thee

10.
bhrngavali cha makaranda-rasanuviddha- jhankaragita-ninadaih saha sevanaya, niryaty upanta-sarasi-kamalodarebhyah
sesadri-sekhara-vibho! tava suprabhatam.

The humming swarm of bees are sucking honey and emerging from the interiors of the lotuses of the adjoining pools, in order to serve Thee. Lord of Seshachala! May it be an auspicious dawn to Thee.

11.
yosa-ganena vara-dadhni vimathyamane ghosalayesu dadhimanthana-tivraghosah,
rosat kalim vidadhate kakubhas cha kumbhah
sesadri-sekhara-vibho! tava suprabhatam.

While the womenfolk of the hamlet of cowherds churn the curds, the loud sounds and echoes emanating from the pots seems like as if the pots and the eight directions are quarrelling. Lord of Seshachala! May it be an auspicious dawn to Thee.

12.
padmesa-mitra-satapatra-gatalivargah
hartum sriyam kuvalayasya nijanga-laksmya,
bherininadam iva bibhrati tivra-nadam
sesadri-sekhara-vibho! tava suprabhatam.

The swarm of bees in the lotuses are friends of the sun, and are making lound sounds with a view to surpassing the splendour of the lustrous blue lotuses. Lord of Seshachala! May it be an auspicious dawn to Thee.

13.
srimann abhista-varadakhila-lokabandho! srisrinivasa!jagadeka-dayaikasindho! sridevata-grha-bhujantara-divyamurte!
sri-venkatachalapate! tava suprabhatam

One with Lakshmi! One who grants boons! Friend of all the worlds! Abode of Sri Lakshmi! The matchless ocean of compassion! One having a charming form on account of the chest which is the abode of Sri Lakshmi! Lord of Venkatachala! May it be an auspicious dawn to Thee.

14.
srisvami-puskarinika-plava-nirmalangah sreyorthino hara-virinchi-sanandanadyah,
dvare vasanti varavetra- hatottamangah
sri-venkatachalapate! tava suprabhatam.

Brahma, Shiva, Sanandana and several others have bathed in purified water. They are at your doorstep eager to see you, for their own well-being, though they have been hit with canes by your gods. Lord of Venkatachala! May it be an auspicious dawn to Thee.

15.
sri-sesasaila-garudachala-venkatadri- narayanadri-vrsabhadri-vrsadri-mukhyam,
akhyam tvaduta-vasater anisam vadanit
sri-venkatachalapate! tava suprabhatam.

Lord of Venkatachala! Thy abode is always called by several names, such as Sri Sesasaila, Garudachala, Venkatadri, Narayanadri, Vrsabhadri, Vrsadri. May it be an auspicious dawn to Thee.

16.
sevaparah siva-suresa-krsanu-dharma- raksombunatha-pavamana-dhanadhinathah, baddhanjali-pravilasan nijasirsa-desah
sri-venkatachalapate! tava suprabhatam.

Siva, Indra, Agni, Yama, Nairuti, Varuna, Vayu and Kubera, with folded hands placed on their heads, are desirous of offering service to thee. Lord of Venkatachala! May it be an auspicious dawn to Thee.

17.
dhatisu te vihangaraja-mrgadhiraja-
nagadhiraja-gajaraja-hayadhirajah, svasvadhikara-mahimadikam arthayante
sri-venkatachalapate! tava suprabhatam.

The modes of Thy conveyance – Garuda, the Lord of Birds, the Lion, Lord of Animals, Adisesa, the Lord of Serpents, Airavata, the Lord of Elephants and Uccaissravas, the Lord of Horses - are begging Thee to grant them their respective authority and power to server Thee better, on your pleasure trips. Lord of Venkatachala! May it be an auspicious dawn to Thee.

18.
suryendu-bhauma-budha-vakpati-kavya-sauri
svarbhanu-kettu-divisat parisat pradhanah,
tvaddasa-dasa-charamavadhi-dasadasah
sri-venkatachalapate! tava suprabhatam.

The main deities of the Assembly of Gods – the nine planets - the Sun, the Moon, Mars (Angaraka), Mercury (Budha), Jupiter (Brhaspati), Venus (Sukra), Saturn (Sani), Rahu and Ketu are happy to serve even your servants and remain most obedient to Thee. Lord of Venkatachala! May it be an auspicious dawn to Thee.

19.
tvat-padadhuli-bharita-sphuritottamangah svargapavarga-nirapeksa-nijanarangah, kalpagamakalanayakulatam labhante
sri-venkatachalapate! tava suprabhatam.

Lord of Venkatachala! Thy devotees, whose heads are sanctified by the dust of Thy feet, being in Thy presence, do not desire Heaven or Liberation, but are worried that another kalpa will start, when there will be no such glory to Venkatachala!
Lord of Venkatachala! May it be an auspicious dawn to Thee.

20.
tvad-gopuragra-sikharani niriksamanah svargapavarga-padavim paramamsrayantah,
martya manusya-bhuvane matim-asrayante
sri-venkatachalapate! tava suprabhatam.

On seeing the crests of Thy temple tower, the mortals, who are attempting to attain the exalted paths of Heaven and Liberation, feel like living on in the mortal world, as it gives them the opportunity of worshipping Thee. Lord of Venkatachala! May it be an auspicious dawn to Thee.

21.
sri-bhumi-nayaka! dayadi-gunamrtabdhe! devadhideva!jagadeka-saranyamurte,
srimann-ananta-garudadibhir architanghre!
sri-venkatachalapate! tava suprabhatam.

Lord of Sridevi and Bhudevi! The ocean of nectar of compassion and other virtues! The chief of the Gods! The sole refuge of the Universe! The possessor of Sri (wealth)! One whose feet are worshipped by Ananta and Garuda! Lord of Venkatachala! May it be an auspicious dawn to Thee.

22.
sripadmanabha! purusottama! vasudeva!
vaikuntha! madhava! janardana! chakrapane!
srivasta-chihna! sarangata-parijata!
sri-venkatachalapate! tava suprabhatam.

Padmanabha! Purushottama! Vasudeva! Vaikunta! Madhava! Janardana! Chakrapani! Bearer of the mole Srivatsa! Celestial tree (parijata) under whom refuge is sought! Lord of Venkatachala! May it be an auspicious dawn to Thee.

23.
kandarpa-darpa-hara-sundara-divyamurte!
kanta-kucamburuha-kutmala-loladrste! kalyana-nirmala-gunakara! divyakirte! sri-venkatachalapate! tava suprabhatam

Bearer of the charming and divine form surpassing the pride of Cupid (Manmatha)! One whose sight is fondly centred on the lotus bud like breasts of His beloved! The abode of auspicious and pure virtues! The possessor of Divine fame! Lord of Venkatachala! May it be an auspicious dawn to Thee.

24.
minakrte!kamatha!kola!nrsimha!varnin! svamin!parasvatha-tapodhana!ramachandra!
sesamsarama! yadunandana! kalkirupa!
sri-venkatachalapate! tava suprabhatam

Lord in ten incarnations of Matsya (Fish), Kamatha (Tortoise), Kola (Boar), Narasimha (Man-lion) Trivikrama (Dwarf), Parasurama, Rama, Balarama, Krishna and Kalki! Lord of Venkatachala! May it be an auspicious dawn to Thee.

25.
ela-lavanga-ghanasara-sugandhi-tirtham divyam viyat-sariti hema-ghatesu purnam, dhrtvadya vaidika-sikhamanayah prahrstah tisthanti venkatapate tava suprabhatam.

The Brahmins, well-versed in the Vedas, are now joyfully waiting to worship you. They are carrying golden pots on their heads that are filled with the water of the Divine Ganges (Akasa Ganga), which has been rendered fragrant by mixing cardamom, cloves and camphor in it. Lord of Venkatachala! May it be an auspicious dawn to Thee.

26.
bhasvan udeti vikachani saroruhani sampurayanti ninadaih kakubho vihangah,
srivaisnavas satatam arthita-mangalas te dhamasrayanti tava venkata! suprabhatam.

The Sun is rising; the lotuses have blossomed; the birds are twittering; the Sri Vaishnavas, always imploring auspiciousness, are waiting at Thy abode. Lord of Venkatachala! May it be an auspicious dawn to Thee.

27.
brahmadayas suravaras samaharsayas te santas sanadana-mukhastv atha yogivaryah,
dhamantike tava hi mangala-vastu-hastah
sri-venkatachalapate! tava suprabhatam.

Brahma,the great sages and the good Yogins as Sanandana are waiting at Thy abode, with auspicious offerings in their hands. Lord of Venkatachala! May it be an auspicious dawn to Thee.

28.
sriyah kantaya kalayana-
nidhaye nidhaye'rthinam,
sri venkata nivasaya
srinivasaya mangalam

May all auspiciousness be unto Srinivasa, who is the Lord of Lakshmi; resides in the abode of auspiciousness; is a treasure trove of supplicants and dwells on the Venkatachala!

Download Suprabath:

Thanks to Thirumala.org

Thirupathi

noreply@blogger.com (Ram) — Sat, 14 Mar 2009 02:34:00 -0700

" id="BLOGGER_PHOTO_ID_5369759421016226370" border="0" />Thirupathi Temple Towers in Dawn

Thirupathi Venkateswara:

Thirupathi Venkatachalapathi is the living God for most of the Hindus. Saivaits, Vaisnavites and all other sects of Hindus worship Thirupathy Lord Venkateswara. Accorsing to Bhagavan Ragavendra Lord Venkatachalapaty of Thirupathi is the ultimate God. A visit to the Thirupathi gives a break through in life. He is considered as Lord of Prosperity.

Thirupathi Venkatesa Perumal With Godess Lakshmi

The temple of Sri Venkateswara has acquired unique sanctity in Indian religious lore. The Sastras, Puranas, Sthala Mahatyams and Alwar hymns unequivocally declare that, in the Kali Yuga, one can attain mukti, only by worshipping Venkata Nayaka or Sri Venkateswara.
The benefits acquired by a pilgrimage to Venkatachala are mentioned in the Rig Veda and Asthadasa Puranas. In these epics, Sri Venkateswara is described as the great bestower of boons.

Golden Thirupati Temple Kopuram

There are several legends associated with the manifestation of the Lord at Tirumala
With his conch he creates the cosmic sound from which the creation has manifested.And with his disc he destroys ignorance and ego in the beings,thus liberating them. Lord Venkateswara is believed by followers to be a very merciful deity form of Vishnu, being the fulfiller of every wish made to him by the devotees.

According to Rig Vedha, the person, devoid of wealth and vision, is implored to go to the hill which burns up all evil (vikata for Venkata) and drives away all obstacles to peace and prosperity.

The ancient and sacred temple of Sri Venkateswara is located on the seventh peak, Venkatachala (Venkata Hill) of the Tirupati Hill, and lies on the southern banks of Sri Swami Pushkarini. It is in Andhra Pradesh. India.

Sri Venkatachala Mahatmya is referred to in several Puranas, of which the most important are the Varaha Purana and the Bhavishyottara Purana. The Tirupathi Tirumala hills comprising of the seven hills of Seshadri, Neeladri, Garudadri, Anjanadri, Vrushabadri, Narayanadri and Venkatadri are the abode of the Tirumala Venkateswara temple. The hill town (Tirumala) and the temple (Venkateswara Temple) are located on the Seshadri or Seshachalam hill. The temple complex comprises a smaller traditional temple building along with a number of modern queue and pilgrim lodging sites.

Temple Tank (Pushkarni) in night

The varied names ascribed to the main deity are Balaji, Srinivasa, Perumal, Venkateswara and Venkatachalapathy. The goddess Sri or Lakshmi (Vishnu's consort) resides on the chest of Venkateswara, and thus he is also known by the epithet Srinivasa (the one in whom Sri resides). Goddess Lakshmi and Goddess Padmavathi reside on his either chests. The deity is considered the Kali yuga varada, that is 'the boon-granting Lord of Kali yuga' (the fourth and final age of the Hindu cycle of ages). The temple is held in particular reverence by the Vaishnava sect of southern India, known as the Sri Vaishnava.

Deity Venkateshwara

For worshippers, the deity Venkateswara symbolises goodness. When people travel to Tirupati, they chant "Yedu Kondala Vada Venkataramana Govinda Govindaa" (in Telugu), "Yezhu Malai Vaasa Venkataramana Govinda Govindaa" (in Tamil) or "Tirupati Thimmappana Padakke Govinda" (in Kannada).

The Holy mantra chanted is Om Namo Venkateshaya. "The Venkateswara Suprabhatam", the morning recital of prayers and songs of awakening, is written by Prativadi Bhayankaram Annan of Kanchipuram.[4] Several composers composed beautiful kirtans about Lord Venkateswara, the most notable amongst them being Tyagaraja and Annamacharya. Annamacharya is a legendary devotee of Lord Venkateswara and composed songs almost exclusively about the deity.

Ramanuja Alwar

Ramanuja Alwar got the Darshan of Lord while climbing Thirumala. He did various reforms in the temple poja procedures. Even now they are practiced in the temple.

Sri Venkatachala Mahatyam is the most accepted legend with respect to Tirumala and provides the history of the temple across the various yugas.

Lord is believed to have manifested on its own without any human endeavour (Swayambhu)
Discovery of the Venkateswara deity is described as an act of divine providence: there was a huge anthill at Tirupati, and one day a local farmer heard a voice from the heavens asking him to feed the ants. By chance the local king heard the voice and began supplying milk for the ants himself. His compassion resulted in the liquid uncovering the magnificent deity form of Venkateswara hidden beneath the anthill.

Thirupathi Temple Tower in day light

Thondaiman, ruler of the ancient Thondaimandalam (present day Kanchipuram) (capital: Kanchipuram, just south of modern day Chennai), is believed to have first built the temple after visualising Lord Vishnu in his dream. He built the Gopuram and the Prakhara, and arranged for regular prayers to be conducted in the temple. Later on the Chola dynasty vastly improved the temple and gave rich endowments.

To date, you will find the various Tamil Grantha script within the Temple prakara walls. The Sangam literature of Tamil such as that of Silapadikaram and Satanar Manimekalai, dated between 500BC and 300AD, mentions Thiruvengadam (now named Tirupati) by the appellation "Nediyon Kunram" as the northernmost frontier of the Tamil kingdoms . In fact, a fairly detailed description of the deity is given in lines 41 to 51 of book 11 of the Silapadikaram

Many devotees have their head tonsured as an offer. The daily amount of hair collected is over a ton. The hair thus gathered is sold by the temple organization a few times a year by public auction to international buyers for use as hair extensions and in cosmetics, bringing over $6 mln to the temple's treasury.

It is the richest Hindu temple. Devotees offer a portion of their earnings to the Thirupathi Venkateswara. They believe what ever the amount given to the Lord returns back to them in greater magnitude.

Laddu is the world famous prasadam given at Tirumala Temple.[13] Many other delicious prasadams are also available including curd rice, pulihora(tamarind rice in telugu), vada and Chakkera-pongali (sweet pongal in telugu). Free meals are given daily to the pilgrims, and on Thursdays, the Tirupavadai seva occurs, where food items are kept for naivedyam to Lord Srinivasa.

Suprabath is a popular prayer song on Lord Venkateswara of Thirupathi. The other popular songs on the Lord are Sri Venkatesa Stotram and Sri Venkatesa Prapatti.

Download Suprabath

Thanks to Thirumala.org

Chidambaram Nataraja|Nataraj

noreply@blogger.com (Ram) — Thu, 12 Mar 2009 22:12:00 -0700

Golden Roof of Chidambaram Nataraj Temple

Nataraj Of Chidambaram

Nataraj - Ananada Thandavam

Lord Shiva in his manifestation of formlessness is worshiped in Chidambaram. According to Shivaits Puranas when the Lord Shiva was in a happy blissful mood he took the form of Nataraja (Nataraj). He continuously dances in a state of eternal bliss "Aananda thaandava", with his consort Sakthi or energy called Sivagami, the other form of him. In the course of ‘Anantha Thandava’ he took several other forms and created this Universe. He does this dance even now and takes new forms.

Chidambarm Nataraj and Chidambara Rahasiyam

A curtain covers this space which when drawn reveals strands of golden ‘Vilva’ leaves hung to indicate the Lord’s presence. The curtain is dark on its exterior side (indicating ignorance) and bright red on the interior side (indicating wisdom and bliss).

The word Chidambaram derived from chit, meaning "consciousness", and ambaram, meaning "sky" (from aakasam or aakayam). It refers to the chidaakasam, the sky of consciousness, which is the ultimate aim one should attain according to all the Vedas and scriptures.

During the daily rituals, the Chief priest, parts the curtain, indicating the withdrawal of ignorance and reveals the space, and the Lord’s presence.

The Chidambara Rahasya, is hence representative of that time when one, in total surrender, allows God to intervene and remove our ignorance, even as we get to 'see and experience' His presence and hence – bliss.

In Hindu literature, Chidambaram is one of the five holiest Shiva temples representing five natural elements; Chidambaram is space.

Dikshitar, the priests of the temple are also called the 'Thillaivaazh Andhanar'. Dikshitar, meaning the priests who reside in Thillai and administer the worship and management of the Chidambaram temple, are considered the foremost amongst the devotees (Arupathu Mover) of the Lord Siva.

Chidambaram temple is an ancient and historic temple dedicated to Lord Shiva Nataraja and Lord Govindaraja Perumal, one of the few temples where both the Shaivite and Vaishnavite deities are enshrined in one place.

A unique feature of this temple is the image of Nataraja. It depicts the Lord Shiva as the Lord of the dance Bharatanatyam and is one of the few temples where Shiva is represented by an anthropomorphic murthi rather than the classic, anionic Lingam. The Cosmic Dance of Lord Nataraja symbolises the motion of the universe as sustained by Lord Shiva.

The Ananda Thaandava Of Nataraj

Beautiful Sculpture of Nataraj

In the Thillai forests resided a group of saints or 'rishis' who believed in the supremacy of magic and that God can be controlled by rituals and 'mantras' or magical words. The Lord strolls in the forest with resplendent beauty and brilliance, assuming the form of 'Pitchatanadar', a simple mendicant seeking alms. He is followed by his Grace and consort who is Lord Vishnu as Mohini. The rishis and their wives are enchanted by the brilliance and the beauty of the handsome mendicant and his consort.

On seeing their womenfolk enchanted, the rishis get enraged and invoke scores of serpents by performing magical rituals. The Lord as the mendicant lifts the serpents and dons them as ornaments on his matted locks, neck and waist. Further enraged, the rishis invoke a fierce tiger, which the Lord skins and dons as a shawl around his waist.

Thoroughly frustrated, the rishis gather all their spiritual strength and invoke a powerful demon Muyalakan - a symbol of complete arrogance and ignorance. The Lord wearing a gentle smile, steps on the demon's back, immobilizes him and performs the Ánanda Thaandava (the dance of eternal bliss) and discloses his true form. The rishis surrender, realizing that this Lord is the truth and he is beyond magic and rituals.

A Nataraj Sculpture

Legends say that Lord Shiva displayed his dance of bliss (the Aananda Thaandavam) to Pathanjali and Vyagrapathar. Sage Pathanjali wrote Suthras, the methods ways to perform Raja Yoga.

Temple complex spread over 40 acres (160,000 m2) in the heart of the city. It is one of the few examples of Dravidian architectural and sculptural styles built up over the centuries.

Chidambaram Temple

The temple has 9 gateways and four of these have towering pagodas or gopurams each with 7 levels in the East, South, West and North. The eastern pagoda has all the 108 postures (karnams) of the Indian dance form – Bharathanatyam sculpted on it.
Bharathanatyam dancers consider Chidambaram Nataraj as their invisible Guru. Every year dancing festival is conducted in the temple complex. Eminent dancers participate in the function.

Video on Chithambaram Nataraj. Thanks to Rajathikshithar.

Jesus is the Son of Lord Arunachala

noreply@blogger.com (Ram) — Sun, 15 Feb 2009 01:53:00 -0800

Jesus in Cross

Is Jesus is the Son of Arunachala ?

Yes Jesus is son of Arunachala. Some striking evidence is presented here to prove the statement is true.

Christians believe that Jesus is son of Father.

Hindus believe that Shanmuga is the Son of Arunachala or otherwise popularly called Lord Shiva, Ganesh is the Son of Sakthi and Iyappa is the Son of Vishnu.

Bible and Upanishiths or puranas of Hindus say so and many of us believe in it and feel it as true. We believe in the words of the religious books.

Father, Arunachala , Shiva, Sakthi & Vishnu are all one, the same Almighty Lord, otherwise called God.

Arunachala Siva as Arthanari

There is no difference between Father & Son. They are part and parcel of only Almighty Lord in various names such as Father, God of Abraham, God of Jacob, God of David, Jahoova,Jesus, Arunachala, Lord Siva, Athiparaskthi (Sakthi, Buvaneswari, Rajarajeshvari, …), Maha Vishnu (Krishna, Rama, Narayana, Govinda…), Allaha .. .. ., .. , …!!!

Father, as per Bible, is formless who created this entire universe.

Arunachala, Lord Shiva as per various scriptures of Shivaites, Adhvaithists of Hindus, is also formless who created this entire universe.

Various Scriptures of other religions too assert that there God created this Universe.
There can be only one God who has created this Universe and us. Universe in which we live is only one; there cannot be more than one to give credit to each God of having created its own Universe where we live.

There is only one Almighty God who has been given different names by different religions.

Jesus Heart

Father of Christians, Arunachala or Shiva of Saivaites, Vishnu of Vaishnavites, or any other God of any Religion is the same. It implies Jesus Christ, Shanmuga, Vinayaga’ and Iyappa are the same.

Maha Vishnu

Rig Veda says Unknown is one, and every one calls it in different names.
Father of Christians & Arunachala or Shiva of Hindus is the same.

For more evidence on Jesus is the Son of Arunachala Siva, please visit
http://arunachalajesus.blogspot.com/

Amazing Arunachala

noreply@blogger.com (Ram) — Mon, 2 Feb 2009 23:59:00 -0800

Arunachala Temple and its rich heritage is simply amazing.

Arunachala is one of the Pancha Bootha Sthalangal representing the fire element along with Chidambaram, Sri Kalahasti, Thiruvanaikoil and Kanchipuram representing sky, air, water and earth respectively.

In the previous post I told you about the legends connected to the formation of the Amazing Arunachala hill and the temple festival. There are many more legends about Lord Arunachala and the temple. Each shrine and every constructed structure in the temple complex has its own legand. Here are some interesting legends about the Amazing Arunachala.

Appearance of Lord Muruga:

Saint Arunagirinathar was the ardent devotee of Lord Muruga. In his earlier years Arunagirinathar climbed the Vallala Maharaja Gopuram in the Arunachala temple complex and attempted to fall off. Lord Muruga appeared before him and saved his life. Since then Arunagirinathar became known as Gopurathilayanar.

Sambandan was a scholar in the king’s court and had obtained many boons from goddess Kali. Afraid of Arunagirinathar’s popularity, he proposed to the king a competition between him and Arunagirinathar, as to who could bring his chosen deity manifest in the form visible to everyone present.

In the competition the devotion of Arunagirinathar brought the appearance of Lord Muruga through a stone pillar. Since then this has became one of the famous places of visit for the devotees of Lord Muruga. A temple for Lord Muruga is there in the Arunachala Temple complex where Lord Muruga appeared. Beautiful paintings narrating this story are there in the temple.

Arunagirinathar’s Life force entering into the body of a Parrot:

The Vijayanagar King Pravda Deva Maharaya, once lost his vision and was blind. Sambandar, a confidant to the king advised him to get the flower Parijatham to regain his sight and suggested that Arunagirinathar could do the job. The king was convinced and asked Arunagirinathar to bring Parijatha flower.

As the Parijatha flower is in heaven, Arunagirinathar moved his life force into the body of parrot, after keeping his own body in the gopuram. Even before his return with Parijatha flower his body was cremated. As he could not get his human form back, Arunagirinathar remained as parrot and composed great songs including Kandaranubuti.

Vallala Maharaja and Lord Arunachala:

After completed the construction of magnificent Vallala Maharaja Gopuram in Arunachala temple King Vallala became proud of his achievement. In order to teach him a lesson, Lord Arunachaleswarar refused to leave the temple through the Vallala Gopuram during first 9 days of 10 days Special Festival. The King was distressed and prayed for his forgiveness. Only then, Lord Arunachala consented to pass through this gopuram on the 10th day of the festival. This is a lesson taught by Lord Siva about humility and greatness, not only to King Vallala but to everyone.

Arunachala Puranam describes King Vallala as an embodiment of all human virtues. He was praised for his uprightness, generosity and love for Lord Arunachala. The King had no issues. Lord Arunachala tested him for his piety and became a child at the hands of king Vallala and his wife. King Vallala embraced the child in all his lovingness and later Lord Arunachala disappeared.

When the king prayed for a child, Lord Arunachala assured him that would perform all his funeral rites as he himself became a child to the king. Lord Arunachala himself performed the funeral rites of King Vallala. Even now in the month of Maasi (February) when the annual anniversary of King Vallala Deva’s death occurs, at the instruction of Lord Arunachala, the Lord is taken in procession with great Ceremony to the village Pallikonda Pattu, where the funeral rites take place. This festival is known as ‘Masi Maga Theerthavari’ Urchavam.

Yanai Thiraikonda Vinayakar:

Once a king from Andrapradesh after a battle captured the locality and allowed his troops to occupy the area. In the night the King had a dream that an elephant was charging his troops and making him to run away. When asked, he was informed that they stayed over a holy land which was protected by Lord Ganesh. Realising his mistake, the king donated his elephants and begged forgiveness. The holy land is the Arunachala temple complex.

Ramana maharishi in his earlier periods did thapas (meditation) for several years in the Pathalalingam temple in Arunachala temple complex. Latter when he was disturbed by the people he moved to Arunachala hill and other places and finally to the place where now the Ramana Ashram is there.

Every full moon night, hundreds of thousands of pilgrims worship Arunachala circumambulating the Arunachala hill barefoot. Every ones wishes are fulfilled and they get lifted in their life style. The circumambulation covers a distance of about 14 km. Ramana maharishi used to cirumbulating the Arunachala hill in 7 days, enjoying the bliss of Arunachala every minute.

Advaita Vedanta guru Ramana Maharshi lived in Thiruvannamalai for fifty three years until his death in 1950. Raman Ashram is located at the foot of the Arunachala hill, to the west of the town.

Idaikkattu Siddhar, one of the eighteen Siddhars, belongs to this sacred soil. It has the honour of providing an abode for saints such as Arunagirinathar, Vitpatchathevar, Gugai Namachivayar, Guru Namachivayar, Deivasigamani, Arunachala Desikar, Mahan Seshadri Swamigal, Bagawan Ramana Maharishi, Sri Yogi Ram Surathkumar and the like.
A visit to Arunachala temple and circumbulating the Arunachala hill brings blessings and good vibrations of the ever living saints (Siddhars) there. This multiplies in hundred folds the blessings of Lord Arunachala.

Ohm Arunachleswarya Namaha!

Arunachala Temple

noreply@blogger.com (Ram) — Thu, 29 Jan 2009 05:58:00 -0800

Lord Arunachala And Abithakujambal

Thiruvannamalai is home to the Arunachala Temple located at the foot of the Annamalai hill . Arunachala is the Lord Siva. He is here with his consort ‘Abithakujambal’ and also called as ‘Unnamulai Amman’. Both have separate chambers inside the temple. Temple complex has several separate temples for Skantha, Arunagirinathar and others.

Arunachala Temple Complex

The Arunachala Hill was Agni (fire) during Krithayugam, was Manikkam (Emerald) during Threthayugam, was pon (Gold) during Dwaprayugam and rock during Kaliyugam as per the ancient legends. On the request of Thirumal and Bramha, Arunachala who was in the form of a fire column took the form of a Sivalingam at the foot of the hill. Here the Arulmigu Arunachala Temple is located.

Arunachala Temple Golden Flag Tree

The Creator Lord Bramha and Protector Lord MahaVishnu entered into a controversy among themselves so as to ascertain who was the greatest. Lord Siva was asked to be the judge. Lord Arunachala (Siva) told them that whoever was able to see his crown as well as his feet would be termed as the greatest.

Then Lord Siva transformed himself into a Jothi (a column of fire) touching the heaven and earth. Thirumal took the avatar of wild boar and dug deep into the earth to find Arunachala’s feet but at last accepted defeat. Bramha took the form of a swan and flew to see the crown of Arunachala.

Unable to see the crown, Bramha saw a thazhambu flower which had decked Arunachala’s crown falling down. He asked the flower as to the distance of Arunachala’s crown whereby the flower replied that he had been falling for forty thousand years. Bramha, realizing that he would not be able to reach the crown asked the flower to act as a false witness. The thazhambu flower acting as a false witness declared that Brahma had seen the crown.

Arunachala became angry at the deception and cursed that Bramha should have no temple on earth and that the thazhambu flower should not be used while praying to Lord Siva. The place where Lord Siva stood as a column of fire to eliminate the ego is the Arunachala Hill.

Arunachala Hill and the Temple

Lord Siva’s wife Goddess Umadevi once playfully closed His eyes which plunged the world into darkness. All living beings suffered in the dark. To absolve herse of this sin Mother Umadevi created a Sivalingam out of sand and worshipped at Kancheepuram.

At that instance, Lord Siva ordered her to proceed to Arunachala Hills and do penance so that she could get half of His body. Likewise Mother Parvathi did penance at Pavalakundru with the help of Saint Gowthama. A demon called Makidasuran disturbed the penance of Mother Parvathi.

The Mother took the form of goddess Durga Devi and destroyed him on the full moon day of the Tamil month of Karthigai during the auspicious period of pradosham. Lord Arunachala (Siva) presented himself in the form of Fire atop the hill and merged Goddess Parvathi on the left half of his body.

Temple Tower and Tank

To commemorate this event, every year during the Tamil month of Karthigai in Kiruthigai Star, exactly at 6.00 p.m. Arthanareeswaramurthi presents himself as Jyothi Swaroopa to his devotees at the time of Karthigai Festival 10th day. It is celebrated as karthigai Deepam festival.
The ten day event culminates on the day of Karthigai Deepam. On that evening, a huge lamp is lit in a cauldron with three tons of ghee at the top of the Arunachala hill.[2] People chant ‘Annamalaiyaruku Arohara’ and ‘Arunachaleswrya Namaha’. It vibrates through out the Arunachala hill , temple and all through the town.

In next post I will meet you with some more information about the Arunachala Temple.

Transport:

Road:

Thiruvannamalai is well connected to many cities and towns in Tamil Nadu, Karnataka and Andhra Pradesh by road. This town lies on the junction of the Chittoor - Cuddalore state highway and the Puduchery - Bengalooru national highway (NH 66). The TNSTC operates many bus services to the different towns and cities in Tamil Nadu.

Rail:

A railway line between Vellore and Villupuram passes through Thiruvannamalai, where passengers can board a passenger train to Vellore (up) or Villupuram (down) (traffic in this section is now closed for gauge conversion). The nearest major railway station is at Tindivanam (63 km).

Air:

The nearest airport is at Chennai 170 km.

Awesome Temples

noreply@blogger.com (Ram) — Wed, 14 Jan 2009 00:44:00 -0800

Dear friends ,

India is a land of temples with rich heritage. Temples and Indian culture are very much interlinked. There are communities and casts which have fully devoted their time and money for temples. Maharajahs, rich trading communities and several other individuals have built awesome temples.

I hail from such a community. My fore fathers have built many temples and have contributed to the renovation of sevaral famous temples. We maintain the tradition. I want to share with you the richness of Indian Temples. You will be amazed to find beautiful temples and rich cultural background they have. Travel with me to the Amazing and Awesome Temples of India and have a glimpse of it.

I thank my parents for this golden opportunity to take the people of the world to the Indian temples.

Prayer to Guru, the Teacher to bless us:

'Guru Brahma
Guru Vishnu
Guru Devo Maheswaraha
Satchath Prahbrahma
Thasmai
Shri Guruway Namaha'

In my next post we will be visiting the Annamalaiyar Temple in Thiruvannamalai town of Tamil Nadu State in India.

See you there in Thiruvannamalai Annamalaiyar temple.