BABA DAANGRE FILMS

Hari Bhakta Katuwal

2023-07-02T16:04:00.001+05:30

Hari Bhakta Katuwal was a prominent Gorkhali poet known for his unique writing style and profound lyrical compositions. Born on July 2,1935 in Dibrugarh Assam India he later migrated to Kathmandu to pursue his writing career after being invited by King Mahendra.

Under the pen name Prabasi Katuwal gained recognition for his thought-provoking poetry. His notable works include "Bhitri Manche Bolna Khojcha "Yo Zindagi Khai Ke Zindagi and "Samjhana." These poems touched upon various aspects of life ranging from love and longing to introspection and social issues. Katuwal's writing style was characterized by its depth emotional intensity and vivid imagery which struck a chord with readers.

In addition to being a poet Katuwal also dabbled in songwriting. His lyrical compositions were sung by renowned Nepali musicians such as Narayan Gopal Amber Gurung and Aruna Lama. His words resonated with listeners earning him a special place in the Nepali music industry.

Despite his literary success Katuwal struggled with alcohol addiction. His addiction often overshadowed his talent and left a mark on his personal life. Nevertheless his artistic contributions continued to inspire and captivate his readers.

Sadly Hari Bhakta Katuwal passed away on September 10 1980 in Assam India. A Hindu cremation ceremony was held and he was laid to rest on the banks of the Brahmaputra River. Despite his departure from this world his legacy and influence live on through his profound poetry and lyrical creations.

In recognition of his literary prowess the documentary film "Ani Hari Bhakta Farkiyenan" was released in 2015 shedding light on the life and works of Katuwal. Additionally a theatrical play based on his poems was staged at the Sarwanam Theatre in 2017 commemorating his 82nd birth anniversary.

To honor his contributions to Nepali literature and celebrate his life a life-size statue of Hari Bhakta Katuwal was erected in Jaigaon near the Indo-Bhutan border in 2021. This serves as a lasting tribute to a poet whose words continue to inspire and resonate with generations of readers and music lovers alike.

Gorkha Bravery Shaeed Major Durga Malla!

2023-07-01T22:06:00.000+05:30

Major Durga Malla was born on July 1,1913 in Dehradun India. He played a significant role in the Indian independence movement and was known for his activism and reorganizing efforts. Major Durga Malla served as a Major in the Indian National Army (INA which was led by Subhas Chandra Bose.

He was a prominent figure in the Azad Hind movement which aimed to free India from British rule. Major Durga Malla dedicated himself to the cause of independence and fought against the British alongside other INA soldiers.

Unfortunately Major Durga Malla's life was cut short when he was executed by hanging on August 25,1944 in Delhi, India. His sacrifice and commitment to the cause of freedom continue to inspire generations of Indians.

Major Durga Malla is remembered as a brave freedom fighter who fought for the liberation of his country. His legacy serves as a reminder of the courage and determination displayed by those who fought for India's independence.

During his time in the Indian National Army (INA Malla played a significant role in reorganizing and strengthening the organization. He was appointed as a Major in the INA and became a prominent figure in the Indian independence movement. Malla believed that armed resistance was necessary to overthrow British rule in India.

Under the leadership of Netaji Subhas Chandra Bose Malla and the INA fought against the British forces during World War II. They aimed to liberate India from colonial rule and establish a free and independent nation. Malla proved to be a brave and skilled soldier leading his troops in several successful battles against the British.

However in 1944 during the Imphal campaign Malla was captured by the British and imprisoned in Delhi. He was unfairly tried and sentenced to death for his involvement in the INA. Despite appeals for clemency Malla was executed by hanging on 25th August 1944.

Malla's sacrifice and dedication to the cause of Indian independence made him a martyr and a symbol of resistance against British imperialism. His life and death continue to inspire generations of Indians to fight for freedom and justice. He is remembered as a brave soldier and a committed patriot who gave his life for the liberation of his country.

It is important to remember and honor the contributions and sacrifices made by individuals like Mohan Singh Malla in the struggle for independence. Their courage and determination remind us of the importance of fighting for justice liberty and equality. Their legacy lives on inspiring future generations to work towards a better and more inclusive society.

Despite the difficult circumstances Sharda stood by her husband and supported his decision to fight for India's independence.

After Major Durga Malla's capture by the British forces he was imprisoned in the Red Fort in Delhi. Despite facing imminent death Malla remained resolute and unwavering in his dedication to the cause of freedom. He refused to confess to sedition and remained steadfast in his belief that India would eventually achieve independence.

On July 31,1944 Major Durga Malla was executed by hanging. His sacrifice and unwavering commitment to the cause of India's freedom made him a symbol of bravery and heroism. His final words to his wife Sharda served as a testament to his faith in the eventual liberation of India and his conviction that millions of Indians were standing united in their struggle.

Major Durga Malla's sacrifice did not go in vain. His actions along with those of countless other freedom fighters played a significant role in India's struggle for independence. Their courage and determination inspired millions of Indians to rise against colonial rule ultimately leading to India's freedom in 1947.

Malla's story continues to be a source of inspiration for generations to come. His unwavering spirit loyalty to his country and refusal to surrender in the face of adversity serve as a reminder of the sacrifices made by countless individuals who fought for India's freedom. Major Durga Malla will forever be remembered and honoured as a national hero.

Malla was a brave Indian Gorkha soldier who fought fearlessly against the British during the Indian independence movement. However witnessing the exploitation and mistreatment of his fellow Gorkha soldiers by their British superiors Malla became determined to fight for the freedom of his people.

Malla was actively involved in various resistance movements against the British rule. He played a vital role in organizing protests boycotting British goods and spreading awareness about the need for independence. He was known for his persuasive speeches and ability to rally people together.

During the famous Salt Satyagraha movement led by Mahatma Gandhi in 1930 Malla actively participated in the nonviolent protests against the British salt tax. However he soon realised that nonviolent means alone may not be enough to achieve complete independence. Inspired by the martyrdom of Bhagat Singh and other revolutionaries Malla decided to embrace armed struggle.

Sadly Malla's journey came to an end on 25th August 1944 when he was caught and arrested by the British authorities. He was charged with treason and sentenced to death. Despite pleas for clemency from various quarters including some British officials who had witnessed his bravery on the battlefield Malla's execution went ahead as scheduled.

Malla's sacrifice and martyrdom inspired a sense of patriotism and solidarity among the Gorkha community. His legacy continues to be celebrated today not only in India but also in other parts of the world where Gorkhas have settled. The statues erected in his honor symbolise the bravery and indomitable spirit of the Gorkha soldiers and serve as a reminder of the sacrifices made by people like Malla in the fight for independence.

Balidan Diwas observed on 25th August every year is a day to honor Malla and remember the sacrifices of all the Gorkha martyrs who laid down their lives for the cause of freedom. It is a day of reflection remembrance and renewed commitment to upholding the ideals for which they fought.

World Music Day!

2023-06-21T21:54:00.002+05:30

International Music Day, also known as World Music Day or Fête de la Musique, is an annual celebration of music that brings people together from all walks of life to celebrate the universal language of music. It is a day to celebrate the power of music to inspire, uplift, and connect people around the world.

The origins of World Music Day can be traced back to France in 1982, when the French Minister of Culture, Jack Lang, proposed an idea to promote music in all its forms and to encourage people of all ages and backgrounds to make and enjoy music. The idea was to have free concerts and performances in public spaces, as well as in venues such as concert halls, clubs, and bars, where musicians of all genres and styles would be invited to participate.

The first World Music Day was celebrated on June 21st, 1982, and since then it has become a global phenomenon, with millions of people in over 120 countries participating in concerts, festivals, and other musical events.

The importance of International Music Day lies in its ability to bring people together from all over the world, regardless of their race, religion, or culture. Music has the power to transcend language and cultural barriers, and it can bring people together in a way that few other things can.

On International Music Day, people come together to celebrate the diversity of music and to share their love for music with others. It is a day to discover and enjoy new types of music, as well as to appreciate and honor the music that is a part of our own culture.

One of the most important aspects of International Music Day is the emphasis on making and sharing music. It is a day to encourage people to pick up an instrument, sing a song, or just listen to music. Music has the power to heal, to inspire, and to bring people together, and International Music Day is a reminder of that.

Another important aspect of International Music Day is the emphasis on free concerts and performances in public spaces. This allows people who might not have the opportunity to attend concerts or festivals to experience live music and to discover new artists and genres.

International Music Day is also a time to recognize and honor the contributions of musicians and artists to our culture and society. It is a day to celebrate the creativity and talent of musicians who use their art to inspire, to challenge, and to make the world a better place.

In conclusion, International Music Day is a celebration of the universal language of music and its ability to bring people together and bridge cultural divides. It is a day to celebrate the power of music to inspire, uplift, and connect people around the world. On this day, we come together to appreciate the diversity of music and to share our love for music with others. Music has the power to heal, to inspire, and to bring people together, and International Music Day is a reminder of that.

Assam and Northeast India have a rich musical heritage, and Gorkhali singers from this region have made significant contributions to the regional music industry over the years. Here are some notable Gorkhali singers from Assam and Northeast India and their contributions:

1. Surekha Chetry is a well-known Gorkhali singer from Assam, India. She is known for her melodious voice and her contributions to the Assamese music industry and Nepali music industry.

Surekha began her musical career since from her childhood and has released numerous albums. Her music is known for its unique blend of traditional Nepali folk music with modern elements, making it accessible to a wider audience.

Some of Surekha Chetry's most popular songs includes "Nepali jodi Oxomiya," "Mon Sila", "Eka beka kotha"and many more cover songs. She is also known for her contributions to the soundtracks of Assamese Albums, including "Tur Hoyei Rom", "morom nohoi adhoruwa"and "Moina Sorai."

Surekha Chetry's contributions to the Assamese & Nepali music industry have been significant, particularly in the Northeast region of India where Nepali is one of the major languages spoken. Her music has helped to preserve and promote the Nepali language and culture in the region.

2. Rohit Sonar is a popular singer from Assam, India, who contributed significantly to the Assamese music industry. He is known for his melodious voice and his ability to connect with his audience through his music.

Rohit Sonar began his musical career in the mid-2000s. He was selected as a Top Five finalist in the National level singing reality show which was telecast at Star Plus named as 'Star voice of India' and soon became a well-known name in the regional music industry.

He released many hit albums, including "Sadiya", Dig Digi Moina", "Tumar Morome," "Eka Beka", "Boirhya Laagsi" and many more.

Some of Rohit Sonar's most popular songs include "Ebar Suwana," "Tumar Morome," "O Morom",Morijam," and "Fota Juta." He was also known for his contributions to the soundtracks of Assamese films, including "Raktabeej" and "Mission China."

Rohit Sonar's contributions to the Assamese music industry were significant, and he was regarded as one of the most influential singers of his time. He won numerous awards, including the prestigious awards too.

3. Tilak Newar is a Gorkhali -Assamese singer and Composer from Assam, India. He is known for his unique voice and his ability to blend traditional Nepali and Assamese music with modern styles.

Tilak Newar began his musical career in the early 2000s and has since released many popular albums. He is known for his hit songs like "Kaanchi," "Nacho Bhaale", "Pochewri," " Mero Mon," and "Lalu Maaya."

Tilak Newar's music is known for its unique blend of traditional Nepali and Assamese folk music with contemporary elements, making it accessible to a wider audience. He is also known for his collaborations with other popular Gorkhali and Assamese singers, which have resulted in many successful albums.

In recognition of his contributions to music, Tilak Newar has received numerous awards. He continues to be an influential figure in the Nepali and Assamese music industry and a source of inspiration for aspiring singers from the region.

4. Gopalraj Sharma is a popular Gorkhali singer from Maligaon, Assam. He is known for his soulful voice and his ability to connect with his audience through his music. He has released many hit Gorkhali albums, including "Maya timro Jaali", " Pirati Gasidew" and "Tu dur hai" in Hindi as well.

Gopalraj also sang a title song for the upcoming regional movie of Assam named as "Pratigya Mayako" and "A Gauri timle" in the movie "Chu Mantar".

5. Arjun Acharya is a Gorkhali singer from Sikkim. He is known for his unique voice and his ability to sing in various styles, including folk, pop, and rock. He has sung for the upcoming movie of Assam " Pratigya Mayako", "Aanjan ma galti" and "Silapathar Sahar ma". He recently released one of the popular song," Raamri chaina aru " in his official YouTube Channel.

6. Archan Arjel

It's great to inform about upcoming talents in the music industry! Archan Arjel is a rapper from Assam who is gaining popularity for his rap singing and songwriting skills. Born and brought up from Sonitpur district of Assam, Archan added many unique rap songs and presented it to the Gorkhali song lovers of India. Some of his hit collections are "Aboidhya Nepali", Kala Apanga", " Mukhma Supadi","Pahechan"and many more.

You can checkout his Videos, hit Like, Subscribe the channel and Support our Youth.

https://youtube.com/@RoyalArchan

It's always exciting to see new artists emerging from the region.

However, we can say that Assam has a vibrant music scene, and there are many talented musicians and artists in the region who are making a mark in the industry.

Overall, Gorkhali singers from Assam and Northeast India have made significant contributions to the regional music industry through their unique voices, innovative compositions, and ability to blend traditional Nepali music with modern styles. Their contributions have helped to preserve and promote the rich cultural heritage of the region.

In any case, On this occasion of 'World Music Day' we wish all the best to the upcoming talents in their musical journey!

International Yoga Day

2023-06-21T10:35:00.000+05:30

Introduction

Yoga is an ancient practice originating in India that aims to harmonize the body mind and soul. The practice has gained immense popularity globally and every year on the 21st of June the world observes International Yoga Day to promote the physical mental and spiritual benefits of Yoga.

History

The idea of International Yoga Day was proposed by Prime Minister Narendra Modi in 2014 and on 11th December 2014 the United Nations General Assembly declared 21st of June as the International Yoga Day.

Celebrations

The International Yoga Day celebrations are marked by various events workshops and sessions organized by Yoga centers and enthusiasts worldwide. The day aims to spread awareness about the numerous benefits of Yoga and how it can help in maintaining a healthy lifestyle.

The Theme of International Yoga Day 2021

The theme for International Yoga Day 2021 is "Yoga for well-being." The theme highlights the significance of Yoga in promoting holistic health during the challenging times of COVID-19. The theme emphasizes the importance of practicing Yoga to boost immunity reduce stress and anxiety and overall well-being.

Benefits of Yoga

Yoga benefits both physical and mental health can change a person's life. Some of the benefits of Yoga include:

- Improving flexibility strength and balance

- Reducing stress and anxiety

- Boosting immunity

- Enhancing mental clarity and focus

- Relieving pain and inflammation

- Promoting better sleep and quality of life

Conclusion

International Yoga Day is a celebration of the holistic benefits of Yoga. Today Yoga is more relevant than ever as it can help us cope with the stress and anxiety caused by the pandemic. Therefore let us all embrace Yoga in our daily lives and encourage others to follow the practice.

ध्रुव लोहागण

2023-06-20T17:46:00.000+05:30

शेष प्रणाम

एउटा अपत्यारिलो रोगी खबरले म स्तब्ध भएँ ।

ध्रुब लोहागण छैनन् ।

आज उनले यो नश्वर चोला त्यागी हामी सबेलाई हतचकित बनाएर विदा लिए यो संसारबाट । भारतीय नेपाली नाटक फाँटमा कहिल्यै पुर्ताल नहुने अपूरणीय क्षति पुऱ्याएर । हामी रङकर्मीहरू टुहुरो बन्यौं...शोकग्रस्त बन्यौँ ।

माथ्लो ओठमाथि फेभिकोलले ट्याप्प-ट्याप्प टाँसेकोजस्तो टम्म मिलेको एक मुठा ईर्ष्णीय कालो शानदार, टहकदार, गर्विलो दाम्भिक जुङ्गा । सिपालु पोख्त अब्बल कारीगढ़को बान्किलो सिप वालछ्याल देखिने । यी एक मुठा जुङ्गाका मालिक हुन् मेरा आत्मीय मित्र ध्रुव लोहागण ।

चिटिक्कै परेको कालै केशराशी । अनुहारको भूगोलमा गम्भीर, सौम्य, हँसिला, रसिला, टेसिला, गजबिला अनि जाँगरिला व्यक्तित्वका द्राघिमांशहरू तैँछाड़्-मैछाड़ ।

सरल स्वाभाव । कसैलाई नबिझाउने, नबिगार्ने तर उनलाई बिनाबिच्चामा बिझाए कि वा बिगार्ने कोशिष गरे कि थाहै नपाई थला बसाउने ढीट व्यक्तित्वका सम्राट ।

सिपै सिप, प्रतिभै प्रतिभाका धनी ध्रुव लोहागणको साहित्यिक लेखन यात्रा आरम्भमै हास्यव्यङ्ग्य पत्रिका "झ्याल्टुङ" र "झिल्के" नामक हास्यव्यङ्ग्यात्मक पत्रिकाबाट आरम्भ भएको हो । यसैकारण हास्यव्यङ्ग्य रचना लेख्नमा पनि यिनलाई सिपालु देखिन्छ । यसबाहेक पनि यिनले भानु स्मारिका (पाकिम) अनि गोरेटो बिसौनी (सामयिक पत्रिका) सम्पादन गरेर आफूलाई साहित्यिक पत्रकारका रुपमा परिचय गराएका छन् ।

ध्रुव लोहागण रसिक स्वभावका पनि हुन् । आफूभित्रको रसिक प्रवृत्ति ठिटौले उमेरदेखि नै झाङिँदै गएकोले यिनका ठाउँमा आयोजन हुने कुनै पनि कार्यक्रममा "बौलाहा" (1985) नामक "मोनोएक्ट" (एकल अभिनय) लिएर मञ्चमा ओर्लेर दर्शक / श्रोतालाई च्यूँच्यूँ पार्नुका साथै हँसाएर भुतुक्कै हुरुक्कै पारेर भक्कुचूर श्यावाशी ह्त्याए पछि अभिनय क्षेत्रमा पनि यिनको चासो रहर दिन दुइगुणा रात चौगुणा झ्याङिएर गएको पाइन्छ । उक्त "बौलाहा" मोनोएक्ट यति चर्चित भयो एकेक पल्ट मात्र होइन सात-सात चोटि विभिन्न ठाउँमा प्रदर्शन भए । नेपाली मोनोएक्टको विकासमा ध्रुवले कुलो नै खनेदेखि अन्यान्य कलाकारले पनि मोनोएक्ट गर्न आरम्भ गरेको पाइन्छ । त्यसपछि अभिनय प्राङ्गणमा आएर यिनले अभिनय क्षेत्रमा मुलूक मारे । साइनो (फिचर फिल्म). असली-नकली (टेलिफिल्म) , देवता (टेलिश्रृखला) मा अभिनय गरेर आफ्नो भित्र अभिनय कलाकारमा हुने हुने बिरुवाका चिल्ला पातका लक्षण देखाए । त्यसपछि यिनले अभिनय लगायत निर्देशन गरेका अऩ्य फिल्महरूमध्ये रानी खोला (फिचर फिल्म - लेखन / अभिनय), हाम्रो गाउँको कथा (टेलिफिल्म - निर्देशन), जीवन-गोरेटो ( लेखन, अभिनय अनि निर्देशन / दूरदर्शन गुवाहाटी निर्मित अनि प्रसारित)हिन्दी टेलिफिल्म), हरियाली और प्यार (गान्तको दूरदर्शनद्वारा निर्मित र प्रसारित / अभिनय लेखन तथा निर्देशन) आदि प्रमुख हुन् ।

संसारका नब्बे प्रतिशत साहित्यकारको साहित्य लेखन कविताबाटै आरम्भ भएको देखिए पनि हाम्रा यी ध्रुव लोहागणले भने यिनकै "झ्याल्टुङ"-को अङ्क 5 / 6 (1985) मा हास्यव्यङ्ग्य एकाङ्की "पोथी बासेपछि"-बाट भएको हो । यसैको परिणामस्परुप अहिलेसम्म यिनका निम्न नाट्यकृति बजारमा आइसकेका छन् ।

१.१ प्रकाशित कृतिहरूको विवेचन -

१. आँधी आएपछि (पूर्णाङ्की नाटक) १९९७ को विवेचन

२. कटुसत्य (नाटक सङ्ग्रह ) १९९९

३. रजनीगन्धा (कथा सङ्ग्रह) २००१

४. मृगतृष्णा (पूर्णाङ्की नाटक) २००४

५. त्यो पारी गाउँमा (पूर्णाङ्की नाटक) २००६

६. मन (एकाङ्की सङ्ग्रह) २०१०

७. सम्मोहन (पूर्णाङ्की नाटक) २०१८

८. फेसुबकको पन्नादेखि पुस्तकका पन्नाहरूमा आइतबारे कोसेली (कविता सङ्ग्रह) २०१९

९. तितो सत्य (कविता सङ्ग्रह) २०१९

१०. समय चक्र कथा सङ्ग्रह) पहिलो संस्करण २०१९

११. समय चक्र कथा सङ्ग्रह) दोस्रो संस्करण २०१९

यी नाटकहरूमध्ये कटुसत्य, आँधी आएपछि, मन, सिद्घार्थ आदि एकाङ्की / नाटकहरू सिक्किम विश्वविद्यालय, बीएड एसपीएससीका पाठ्यक्रममा समेत समावेश भएको पाइन्छ । यिनी आकाशवाणी गान्तोकका अनुमोदित नाटककार हुन् ।

कथा लेखनमा पनि मेरा मित्र ध्रुवज्यू अब्बल देखिन्छन् । अहिलेसम्म यिनका एउटै मात्र कथा सङ्ग्रह समय चक्र (पहिलो संस्करण २०१९, दोस्रो संस्करण २०१९) देखिए पनि दुइ / तीन महिनाको हाराहारीमा दोस्रो संस्करण नछापी धर पाएको थिएऩ । यसबाहेक यिनका दुइ काव्यकृति "फेसबुककको पन्नादेखि पुस्तकका पन्नाहरूमा - आइतबारे कोशेली 2018 र तितो सत्य २०१९ मा प्रकाशित भएका छन् । अहिलेसम्म यिनका रेडियो नाटकहरू आकाशवाणी गान्तोकबाट प्रसारण भएको पाइन्छ - सिद्धार्थ (१९९९), कटुसत्य (2000), टिस्टा रङ्गीतको बगरै बगर (तेह्र भागमा धारावाहिक नाटक - २००१), ममता (चार भागंमा विभाजित धारावाहिक नाटक २००६). नयाँ बिहानी २००८ अनि पुनर्जन्म २०१० आदि आदि ।

के लेख्दैनन् हाम्रा ध्रव लोहागण (?) हाम्रा ध्रवज्यू । नाटक, कथा, गीत । यिनका गीतहरू -

बिहानी हुन अघि नाटकका तीन गीत (सङ्गीत माधव घिमिरे), न्यानो घाम (गीति एल्बम सङ्गीत माधव घिमिरे), हरिचिन्तन (भजन सङ्गीत माधव घिमिरे), मृगतृष्णा नाटक - सङ्गीत शान्ति ठटाल, रानो खोला फिचर फिल्म सङ्गीत शक्तिवल्ल्भ, अनन्तसम्म गीति एल्बम शिला बहादुर मोक्तान अनि हरियाली और प्यार हिन्दी टेलिफिल्ममा गीत सङ्गीत जीवन प्रकाश प्रधान ।

तर अचम्मको कुरा, यिनका परिवारभित्र ख्यातिप्राप्त गायक/ सङ्गीतकार हुँदा हुँदै पनि परिवारका कसैले पनि न यिनका गीत गाएका सुनिएको छ न ता सङ्गीत गरिएको नै ।

ध्रुव लोहागण सामाजिक संस्थातिर संलग्न देखिन्छ । प्रतिभाका सम्राट ध्रुव लोहागणले आजसम्म सामाजिक क्रियाकलाप, चलचित्र, सङ्गीत, नाटक एवम् साहित्यमा बिर्सिनै नसकिने दुइ दर्जनभन्दा धेर पुरस्कार / सम्मान तथा अभिनन्दन हत्याइसकेका छन् ।

उपन्यास बाहेक नाटक, गीत, कथा, कविता लेखनाका साथै फेस बुकमा हास्यात्मक कथा तथा कविता अपडेट गरी भक्कुचुर प्रशंसा र श्यावाशी हत्याउने ध्रुव लोहागण साँच्चै नै नेपाली वाङमयका ईर्ष्णीय साहित्यकार हुन् ।

भारतीय नेपाली वाङमयका होनहार, लगनशील, उद्यमी प्रतिभाशाली ध्रुव लोहागणको लेखन शक्ति दिन दुइगुणा रात चौगुणा बढ़ुन् ।

साहित्य लेखनबाहेक चलचित्रमा पटकथा लेखनका साथै अभिनय र निर्देशनमा पनि यिनको भूमिका गज्जब देखिन्छ ।

१.२ चलचित्रमा यिनको योगदान -

१. साइनो (फिचर फिल्म) अभिनय

२.असली-नकली (टेलिफिल्म) अभिनय

३.रानी खोला (फिचर फिल्म) लेखन अनि अभिनय

४. देवता (टेलि श्रृङ्खला) अभिनय

५. हाम्रो गाउँको कथा (टेलिफिल्म) निर्देशन

६. जीवन-गोरेटो (हिन्दी टेलिफिल्म- दूरदर्शन गुवाहाटीद्वारा निर्मित अनि प्रसारित) लेखन, अभिनय अनि निर्देशन

७. हरियाली और रास्ता (टेलिफिल्म -गान्तोक दूरदर्शनद्वारा निर्मित र प्रसारित) लेखन, अभिनय अनि निर्देशन ।

१.३. गीत लेखनमा पनि यिनको योगदान रहेको पाइन्छ ।

१.अहिलेसम्म हात परेका यिनका गीति सृजनाहरू -

२. बिहानी हुन अघि नाटकमा तीनवटा गीत सङ्गीत माधव घिमिरे

३, न्यानो घाम गीति एल्बममा एउटा गीत सङ्गीत माधव घिमिरे

४. हरि चिन्तन भजन एल्बममा एउटा भजन सङ्गीत माधव घिमिरे

५.मृगतृष्णा नाटकमा तीनवटा गीत सङ्गीत शान्ति ठट़ाल

६. रानी खोला फिचर फिल्ममा एउटा गीत सङ्गीत शिलाबहादुर मोक्तान

७. हरियाली और रास्ता हिन्दी टेलिफिल्ममा एउटा हिन्दी गीत सङ्गीत जीवन प्रकश प्रधान

१.३ आकाशवाणी गान्तोकबाट प्रसारित रेडियो नाटकहरू भइसकेका छन् ।-

१. सिद्धार्थ (रेडियो नाटक) सन् 1990

२. कटुसत्य (रेडियो नाटक) सन् 2000

३. टिस्टा रङ्गीतको बगरै बगर (तेह्र भागमा रेडियो धारावाहिक नाटक) सन् 2001

४. ममता ( चार भागमा रेडियो धारावाहिक नाटक) सन् 2003

५. मन (रेडियो नाटक) सन् 2005

६. सम्मोहन (चार भागमा रेडियो धारावाहिक नाटक) सन् 2006

७. नयाँ बिहानी (रेडियो नाटक) सन् 2008

८, ९पुनर्जन्म (रेडियो नाटक) सन् 2010

यिनका रचनाहरू शैक्षिक पाठ्यक्रम अनि एसपीएससी अन्तर्गत अन्तरवार्तामा समाविष्ट भएको पाइन्छ -

नाटक सङ्ग्रह कटुसत्य एकाङ्कीको मतैक्य एसपीएससी अन्तर्गत नेपाली विषयका स्नातकोत्तर शिक्षकको अन्तरवार्ता (परीक्षा) को निम्ति समावेश ।

पूर्णाङ्की नाटक आँधी आएपछि एसपीएससी अन्तर्गत नेपाली विषय स्नातक शिक्षाकको अन्तरवार्ता (परीक्षा)को निम्ति समावेश ।

एकाङ्की सङ्ग्रह मन-बाट मन शीर्षकको एकाङ्की नाटक सीबीएसई अन्तर्गत दशौं श्रेणीको पाठ्यक्रममा समावेश ।

मन एकाङ्की नाटक एसपीएससी अन्तर्गत नेपाली विषय स्नातक शिक्षकको अन्तरवार्ता (परीक्षा)को निम्ति समावेश ।

मन एकाङ्की नाटक एसपीएससी अन्तर्गत सिक्किम महाविद्यालयको नेपाली विषय लेक्चररको अन्तरवार्ता (परीक्षा)को निम्ति समावेश ।

मन एकाङ्की सङ्ग्रहबाट सिद्धार्थ शीर्षक एकाङ्की नाटक सिक्किम युनिभर्सिटी अनतर्गत एम ए थर्ड सेमिष्टारको पाठ्यक्रममा समावेश ।

सामाजिक सङ्घ-संस्थातिर पनि यिनको सहबागितात देखिन्छ -

१. संस्थापक सदस्य पाङल्हाबसोल समारोह समिति, राभाङ्ला

२. अध्यक्ष हिमचुली नाट्य निकेतन, सिक्किम

३. संस्थापक गोरेटो-बिसौनी (साहित्यिक भेटघाट, पाकिम)

४. संस्थापक सदस्य पुष्पाञ्जलि विद्यालय, पाकिम

५. संस्थापक महासचिव सिक्किम प्रतिभा प्रतिष्ठान, पाकिम

६. आजीवन सदस्य कलाकार सङ्घ, सिक्किम

७. आजीवन सदस्य नेपाली साहित्य परिषद, सिक्किम

८. पूर्व अध्यक्ष नेपाली साहित्य परिषद, सिक्किम

सामाजिक क्रियाकलाप, चलचित्र, सङ्गीत, नाटक अनि साहित्यमा सेवाको निम्ति पुरस्कुर एवम् अभिन्दन -

१. डा. अम्बेदकर फेलोसिप - भारतीय दलित साहित्य अकादमी सन् १९९ ६

२. सिक्किम साहित्य परिषद् सन् १९९८

३. डा. अम्बेडकर विशिष्ट सेवा पुरस्कार -१९९९ सन् १९९९

४. सिक्किम प्रतिभा प्रतिष्ठान, पाकिम सन् १९९९

५. पूर्व पाण्डाम गाउँले अनि युवाद्वारा सन् १९९९

६. सिक्किम कलाकार सङ्घ सन् १९९९

७. किनार प्रकाशन, गान्तोक सन् २०००

८. डा. शोभा थेगिम (लेप्चा) स्मृति पुरस्कार -(रजनीगन्धा कथा सङ्ग्रह) सन् २००५

९. सिक्किम प्रतिभा प्रतिष्ठान सन् २००५

१०. गाउँले आवाज सागर सम्मान -ताकछाङ, पूर्व सिक्किम सन् २००८

११. नेपाली समाज सेवा समिति, नयाँ बजार, सिक्किम सन् २००८

१२. १९४ औं भानु जयन्ती समारोह समिति, जोरथाङ सन् २००८

१३. पुस्तक लोकार्पण समिति, किनार प्रकशन सन् २००८

१४. सांस्कृतिक मामिला एवम् धरोहर विभाग, (नाट्य अभिनय कार्यशालामा प्रशिक्षक) सन् २००८

१५. पारखा रिइन्कारनेशन अर्गनाइजेशन, अनन्त युवा सङ्घ र देशबुन्धु क्लब (संयुक्त रुपमा) सन् २००९

१६. गोर्खा दुःख निवारक सम्मेलन दार्जिलिङ (विश्व नाट्य मेला उत्सव) सन् २०१०

१७. स्वतन्त्र दिवस समारोह समिति, जोरथाङ सन् २०११

१८. शिवकुमार राई स्मृति पुरस्कार -दक्षिण सिक्किम साहित्य सम्मेलन, नाम्ची सन् २०११

१९. पाङ्ल्हाबसोल समारोह समिति, राभाङ्ला सन् २०११

२०. राष्ट्रिय तहको लालमान-सञ्चरानी स्मृति पुरस्कार, दक्षिण सिक्किम साहित्य सम्मेलन सन् २०१२

२१. डा. अम्बे़डकर सामाजिक आर्थिक विकास सङ्गठन, गान्तोक सन् २०१२

२२. अनुसूचित जाति कल्याण सङ्घ, दक्षिण सिक्किम सन् २०१२

२३. कोपिला परिवार टाशी नाम्ग्याल एकेडेमी, गान्तोक सन् २०१२

२४. अखिल किरात राई सङ्घ - साकेवा पर्वको उपलक्ष्यमा सन् २०१३

२५. डिमापुर गोर्खा युनियन - उत्तर पूर्वीय नेपाली साहित्य सङ्गोष्ठी सन् २०१४

२६. जुम - सालघारी समष्टिका जनतावर्ग - स्वतन्त्र दिवस समारोह समिति, जोरथाङ सन् २०१५

२७. सिक्किम कलाकार सङ्घ सन् २०१८

२८. जुनकेरी युथ क्लब (एऩ. जी. ओ) मिलिङ चियाबारी, धोत्रे (दार्जिलिङ) सन् २०१९

२९. भानु पुरस्का,. नेपाली साहित्य परिषद्- सिक्किम सन् २०१९

३ ०. टासी नामग्याल एकेडेमी, गान्तोक सन् २०१९

३१. पुष्पाञ्जली विद्यालय - पाकिम सन् २०१९

ध्रुब लोहागणको असामयिक निधनमा सादर श्रद्धाञ्जलीका साथै सम्पूर्ण शोकाकुल परिवारकन हादिक समवेदना ।

ध्रुब लोहागयणजी

शेष प्रणाम ।

ASSAMESE FILMS ROLE AND ITS ACHIVEMENTS !!

2023-06-12T14:45:00.002+05:30

The Assamese film industry, also known as "Axomiya Cinema" or "Jollywood," has a rich history that dates back to the early 1930s. Here is an overview of the Assamese film industry from its beginnings until today:

1. Early Years (1930s-1950s):

- The first Assamese film, "Joymoti," was released in 1935. Directed by Jyoti Prasad Agarwala, it is considered a milestone in Assamese cinema.

- Films during this period were primarily based on literary works and folklore, highlighting the rich cultural heritage of Assam.

- Prominent filmmakers of this era include Phani Sharma, Bhabendra Nath Saikia, and Prabhat Mukherjee.

2. Golden Era (1960s-1980s):

- The 1960s saw the rise of a new wave of filmmakers who brought a fresh perspective to Assamese cinema.

- Bhupen Hazarika, a renowned filmmaker, composer, and lyricist, made significant contributions to Assamese cinema during this period.

- Films like "Shakuntala" (1961) and "Pratidhwani" (1964) gained critical acclaim and popularity.

- The 1970s and 1980s witnessed the emergence of socially relevant films that addressed issues like poverty, corruption, and rural life.

- Filmmakers like Jahnu Barua, Abdul Majid, and Bidyut Chakravarty made notable contributions during this period.

3. Modern Era (1990s-present):

- The 1990s marked a period of experimentation and diversification in Assamese cinema.

- Filmmakers explored various genres, including drama, romance, comedy, and suspense.

- Assamese films gained recognition at national and international film festivals, bringing global attention to the regional industry.

- Some notable directors of this era include Jahnu Barua, Munin Barua, Manju Borah, Rima Das, and Rima Bora.

- Films like "Halodhia Choraye Baodhan Khai" (1987), "Xagoroloi Bohu Door" (1995), and "Village Rockstars" (2017) received critical acclaim and accolades.

4. Current Scenario:

- The Assamese film industry continues to produce a diverse range of films, including mainstream commercial films as well as independent and art-house productions.

- Filmmakers are exploring new narratives, themes, and storytelling techniques.

- The advent of digital platforms and online streaming has provided a wider reach and distribution for Assamese films.

- Assamese films have gained recognition globally, with movies like "Village Rockstars" being India's official entry to the 91st Academy Awards in the Best Foreign Language Film category.

Despite facing challenges like limited budgets and market constraints, the Assamese film industry continues to thrive, showcasing the cultural heritage, stories, and talents of the region. It serves as a medium of expression, entertainment, and cultural preservation for the people of Assam.

Rich Culture Of Gorkha Community- Khas Tribe

2020-04-24T18:52:00.000+05:30

Gorkha Schedule Tribes

CULTURAL IDENTITY OF GORKHAS

Cultural Identity is somewhere a great topic ever since the evolution of mankind. Globally there are more than thousand types of culture which runs the community with much proud and dignity. Meanwhile the tragedy part is that everyday there's a death of Culture most probably due practicing of mordenisation with hopeful of science and technologies.
There's an English proverb,'Loss of culture is loss of Identity' .
Apart from Aryan, Dravidian and Mongolian stroke there Exists a race Known as KHAS/Khasa or Kasayets with an history of evolution since its prehistoric Period.

Gorkha Rocks

गोर्खा महाजातिको मेरूदण्ड स्वरूप *खस* हरू महात्मा बुद्ध-दर्शनको प्रभावमा एक सोझो सरल दयाशील जनसमूह। उसै अनुसार खस+किराँत+मंगोलको मिश्रण खुकुरीधारी गोर्खा महाजातिनै उस्तै सहनशील इमानदार भातृत्ववोधी छ। संस्कार संस्कृति प्रति कट्टर मानसिकता नहुनाले क्रमश गोर्खाहरूको मौलिक संस्कारहरूलाइ थिच्तै हिन्दुत्वको शास्त्रीय कथाहरूसित मिलाउने लक्षले "नेपाली जाति बनाउने अनि फेरि हिन्दु जाति भनिनुपर्ने चक्रान्तले गोर्खाहरूलाई बिलिन गर्ने प्रयास १५०० सनदेखिनै क्रमश गतिमान देखिदैं आएको छ।

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हिन्दुधर्मको आडमा गतिमान यो चाला देख्तै क्रमश ईसाईकरण, इस्लामकरणलेपनि आफ्नो चाल शुरू गर्यो गोर्खाहरूमा। हिन्दुत्वले फैल्याएको वर्णवाद सामाजिक भेदभाव दमन उत्पीडनहरूबाट दिक्क भएको समूहलाई उद्धार साथ सहयोग गर्दै इसाई इस्लामले आफ्नो जरागाड्न सफल भयो।

त्यसप्रकार नियाल्दा देखिन्छ -तीनैवोटाले आखिरकार गोर्खे मौलिकताको विनाश गरेको छ, तीनतिर बाट लुछ्तै थाङ्थिल़ र दूर्बल पार्दै अदूर भविष्यमा चिनोचाप्टो बिनाको सम्पूर्ण बिलिन पार्ने छर्लङ्ग देखिन्छ।

त्यसैले गोर्खाहरूको मेरूदण्ड बहुसंख्यक खसहरूले अब जातीय हितमा बागडोर सम्हाल्दै मौलिकताको उत्थान, जातीय सामाजिक समानताको समभागिता न्याय निसाफ निर्माताको जिम्मेदारी सम्हाल्न अतिनै जरूरी भएको छ।ब्राह्मण बनेर अघिबढनेले संस्कृतको चचचुचु बाट थालनी गर्छनै, त्यहीँ बाट रोगको शुरूवात भएको याद राखौं, तसर्थ खसपनाले अघि बढेर आउनुहोस-

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Given below are the 20 important Rituals still practises Khas community people since its Periodic times.

गोर्खा महाजाति र संस्कृति भित्र खस जनजाति- एक संक्षिप्त चर्चा।।

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क) खसजाति पशुपालन, खेती गर्ने बन-जंगल सित सम्बन्धित र माटो संगङ्ग जोड़िएको, बन-झाँक्रीलाई आस्थाको देउता मान्ने, धामी, झाँक्री, माता नचाउने। पाहाड़ी आदिवासी हुन भन्ने कुरा उल्लेखित पुस्तकको उपरान्त पनि जीवन्त व्यवहारिकताले प्रमाणित हुँदछ।

ख) खसहरूले उहिले पूजा आजामा चामलको सेतो अक्षता दहीमा मुछेर टिका लगाउने चलन थियो भने, वर्तमान समयमा राम्रो देखिनुको निम्ति रातो अबीरमा अक्षता दहीमा मुछेर टिका लगाउने चलन चलाई ल्याएका देखिन्छ।

ग) खसहरूले वास्तवमा कुनै माटो द्वारा निर्मित देउता पुज्दैनन अर्थात मूर्तीपुजक समूह होइन्। ईश्वर या त प्राकृतिपरक रूख, खोला, वा ढुंगा लाई शिलाको रूपमा स्थापना गरेर पुज्ने गरेको पाइन्छ । हिजोआज दसैंलाई दूर्गापूजा अथवा कालिपूजा नामले मूर्ति पूजा जो निक्कै अप्नाएको पाइन्छ त्यो वास्तवमा राजनैतिक उद्धेश्य प्रणोदितरूपले बृटिसकालमा थालनी भएको बङ्गालको संस्कारहरू हुन भने गणेश पूजा उसरीनै स्वतन्त्रता संग्रामको बेलादेखि एकताको निम्ति महाराष्ट्र बाट उब्जिएको पर्व हुन।त्यो पूजाहरू निर्गुण भक्तिधाराका निराकार आस्थापालक खस गोर्खाहरूको मौलिक संस्कृति होइन।

घ) खाना खाँदा टोपी फुकाल्ने खसहरुको आदिम प्रचलन हो। बाउ, छोरा र नातीले एउटै थालमा खाने चलन हुँदैन।

ङ) खसहरूमा कुम्ले विहे, विधुवा विहे, जारी, बिजारी, सिजारी, फिर्के,पोइला स्वीकार गरिन्छ।जारी बुझाउने र बुझ्ने प्रचलन रहेको पाइन्छ। घर जुवाँई राख्नु खस समाजमा बेइज्जत मानिदैन। खस समुदायभित्र अन्तर्जातीय विवाह निषेधित छैन। जात झर्ने/जाने जस्तो कुरा खसहरूमा थिएन र छैन तर आर्य वर्णवादमा रहेको त्यो जात झर्ने कुरा कतै घुसार्ने प्रयास नभएको चैं होइन्। केटालाई तिलक दिने वा छोराको मोलतोल गर्ने प्रचलन खस समाजमा छैन। छोरीहरूको पेवाको रू्पमा संरक्षित धन सम्पत्ति आदि बिहेको समयमा सक्तो विभिन्न दिने चलन छ जसलाई अंशधन मानिन्छ र यसलाई हिन्दी समाजमा रहेको दहेज शब्दको अनुकरण गर्दै दाइजो- नामाकरण गरेर प्रचलनमा ल्याएको कदाचित मान्न सकिदैन बरू खस समाजमा छोरा र छोरी दुवैलाई सम मर्यदा हक व अंशधनको चलन रहेको गर्वबोधको साथ मान्य हो। खस समाजमा धामीद्वारानै केटा-केटीबीचमा सिन्दुर-पोते गराउने चलन रहेको थियो।

च) आर्य हिन्दुहरूले जस्तो खस छोरी-चेलीले बाउ, आमा, दाजु, भाईका गोडा़ छुदैनन्। विवाहमा बेहुलाले खुकुरी भीर्ने र छाता बोक्ने प्रचलन कायमै छ। जन्तीले हतियार बोक्दैनन। छोरीलाई ढोगेर दक्षिणा दिने चलन छ। भाञ्जा-भाञ्जीलाई झोलिको देउता मानिएकोले कुटनू पिटनु गाली गर्नु असभ्य मानिन्छ। तेसैले पूजा-आजामा पुरेत नपाउँदा भाञ्जा-भाञ्जीलाई टिको लगाई संस्कार चलाइन्छ।

छ) पारिवारिक व सामाजिक सघाऊ संस्कृति सम्बन्धमापनि खस परम्पराहरूमा आफ्नोपन स्वकीय मौलिकता छ। जस्तै पारपाचुके, माना-चामल, अपुताली जस्ता परम्पराहरू अन्यत्र देखिदैन।

ज) गोर्खा-खस परम्परामा दसैं, भाईटिका, भैलो, देउसीलाई प्रमुख चाड़का रूपमा मानिन्छ। तिज र तिहार छोरी-चेलीका सम्बन्धमा अत्यन्त महत्वपूर्ण हुन। देउसी खेल्ने चलन खसहरुको जातीय पहिचान हो।समस्थ गोर्खा महाजातिले बलिराजाको हुकुम पालन गर्दै खेलिने देउसीले प्रमाणित गर्दछ हामी खस-किराँतको समष्ठी गोर्खा महाजातिनै यस भारतीय भूक्षेत्रको प्राचीन जनजातीय सम्राट दानवीर बालिको सन्तान हौं प्रजा हौं । तेसैले हिन्दु शास्त्रीय देव-असुर युद्धा आर्यहरूले हाम्रै पूर्खासित लडेको कथा हुनुपर्छ भन्नेकुरालाई नकार्न पटक्कै सकिदैन।

झ) उसरी भूत-प्रेत, टुना-मुनाको दुष्प्रभाव पन्छाउन, तान्त्रिक गुरू गोरखनाथको ज्ञान शक्तिलाई आत्मसात गर्ने खसहरूमा जोगीले राती विशेष प्रागवैदिक मन्त्र फलाक्दै बराठको सिंग बजाएर प्रत्येक घर घुम्ने चलन छ र यसप्रकार जोगिले फेरि लाउने क्रमलाई समूर्ण गोर्खा समाजलेनै आदर सम्मानको साथ दान गर्ने गरेको छन जो अगोर्खाहरूमा पाइँदैन।योपनि हाम्रो छुट्टै पहिचान बोकेको मौलिकता हो।

ञ) खस समाजमा कुनैपनि परम्पराहरू निर्वाह गर्दा कामी, दमाई, सार्की र वादी नभइ हुदैन।असार पन्द्रमा बेठी लाएर खेत रोप्ने पर्व होस अथवा विहे अथवा अन्यकुनै खुसीको पर्व होस, नौमती बाजा घन्काएकै हुन्थ्यो, खुकुरी आतीय पहिरन व स्वजातीय पहिचानका गहनाहरू यीनै कर्मठ कामी, दमाई, सार्की र वादीहरूकै सृजना हुन । तसर्थ उनिहरूको निश्चित रूपले भन्न सकिन्छ बिना खस समाज अपूर्ण थियो अर्थात प्रकृतार्थमा उनिहरू खसनै हुन।

ट) कृषि-पशुपालक जनजाति खासहरूको प्राय सबै चाड पर्वहरूनै प्राकृतिक मौसम र समयलाई ध्यानमा राखेर तय गरेको देखिन्छ। पूर्णेको (पूर्णिमा)को खुबै महत्व छ, कुलपुजा देउता कोठामा धुप-धुवाँर पूर्णेको दिनै हुने गर्छ। यसरी प्रकृतिक पुजनको प्रचलनले खस जातिको धार्मिक संस्कारलाई स्वतन्त्र संस्कारका रूपमा प्रमाणित गर्दछ। उपरूक्त मन्थनबाट के स्पष्ठ हुन्छ भने वास्तवमा हिन्दु शास्त्रीय कथाहरूको आधारमा सिर्जिएका पुजा ब्रत चाडपर्वहरू प्रकृतार्थमा खस गोर्खाहरूका चाडपर्व होइन बरू हिमाली प्राचीन खस किराँतहरूको मौलिकतालाई टिपेर मनपरि तरिकाले बिगार्दै जोड्दै फेर्दै आर्यहरूले लेखेका भिन्न भिन्न कथाहरू हुन भन्न सकिन्छ ।किनकि ऐतिहासिक तथ्यानुसार खसहरुको समकक्षी किराँत जातिसंग पुरानो सम्बन्ध रहेको र खस - किराँत वैदिककाल पूर्वका जाति हुन जसलाई मनुस्मृतिमा म्लेछ, तुच्छ, असभ्य जस्ता शब्दले सम्बोधन गरेको उल्लेख छ ।

ठ) माटाका भाँड़ामा पकाउने वा खाने चलन खसहरूमा हुदैन।माटाको भाँड़ाको प्रयोग केवल पितृ कार्यमा गरेको र प्रयोगपछि जुठो मानि फाल्ने गरेको पाईन्छ।

ड) कुलदेउता (कुल मष्टो), गोठ देउता, धामी, झांक्री, माता (नौ भुवानी) खस समुदायका अभिन्न स्वकीय धार्मिक आस्थाहरूले खसहरुको धार्मिक संस्कारलाई प्रमाणित गर्दछ- जो बोनधर्म सामिन्जिम अन्तर्गत रहेको प्रतित हुन्छन। उपरोक्त अध्ययनबाट अनुभव गर्न सकिन्छ कि खस मौलिक धर्म अलिखित वंशानुक्रमले लोक संस्कारको रूपमै रहेको कारण अन्य विभिन्न धर्महरूको सरह ध्रर्मशास्त्र नरहेको र स्थापित धर्मको रूप लिएर फैलिन नसकेको। यही अभावको मौकामा अन्य स्थापित धर्महरूले खसहरूलाई आआफ्नो तर्फ भित्र्याउने क्रम यद्द्पि जारी छ , फलस्वरूप खस लगायत पूरै गोर्खा समूह विभिन्न धर्मतर्फ ढल्किदैँ पूर्व पश्चिम उत्तर दक्षिण फर्कीन थालेको पाइन्छ।

ढ) मौसम अनुसार चैत बैसाकमा उँभौली (संसारी) र कात्तिक मुंशीरमा उधौली(संसारी) गाउँ समाजको सामूहिक धामी-झांक्रीले सम्पन्न गर्ने प्रमूख पुजा हुन्। यही उँभौली र उधौली (संसारी) व्यक्तिगत रूपमा घर-घरमा पनि गरिन्छ- जसलाई दसैंमा नौलाको पुजा भनेर पनि बुझिन्छ- जो नौ भुवानीको पूजा हो भने मष्टोको चाही भीमसिन पुजाको रूपमा गर्दै आएका वंशहरूले कायम राखेको छन्। यस उपरान्त आफ्नो वंशको गोल-टोलले तीनबर्षमा देवाली नामले एकै ठाँउ भेला भएर कुलपुजा गर्ने परम्परा छ । भने कुनै वंशले त्यही देवालीलाई गोठधुप नामले पनि गर्ने गर्छन । गोठपाला जनसमूदाय हुनुकै कारण स्यानो-तिनो पाराले एकैछिनमा गरिने डाङ्ग्रे भगत/ पन्च भगत/भाँगपुजा आदि नामले साँझपख घरको सिकुवातिर दियो कलश बाँसका झिक्राको फूर्का बनाएका तीन घुङ्ग्रीङ, पान-तामुल फलफूल गरि धामी मेलोले एकैछीनमा गरि सकीने पूजा(भगत)प्राय महिनै गर्ने गरेको प्राय असम तथा पूर्वोत्तरतिरका खस घर गाँउमा देखिन्छ।यस पूजामा मूख्य प्रसिद अलिकति गाँजा अथवा कानि चडाउनू अनिवार्य छ।

ण) खसहरूमा घरमा नयाँ शुभकार्य हुँदा- जस्तै जय-जन्म, बिहे आदिमा, सुत्केरी भाग, बिहे भाग भनेर नौलाको पूजा थान थपना गरेर धामी अथवा शुद्ध मनले उसरीनै फलाक्न सक्ने आफैंले गर्ने मष्टोधर्मको मौलिक संस्कृति हो।

त) प्रकृतिको नियम अनुसार व्यस्क महिलाहरूमा हुने महिनावारीलाई आदरको साथ शारिरिककष्ट बुझेर बिश्रामको दिने लक्षले कामकाजमा तीन देखि पाँचदिन छुन नहुने, नदी-नाला नतर्ने बारी बिरूवाको काम भान्साघर आदिको कामबाट पर रहने नियम चलि आएको देखिन्छ। यद्दपि आआफ्नो पारिवारिक सुबिधा-असुविधा अनुसार भान्साघरको कामहरू गर्न बाध्यता रहेको अवस्थाहरूपनि अनेक हुन्छन ।

थ) मृत्यु संस्कार सिध्याएर चोखिएको दिन त्यी परिवारले धामीद्वारा चिन्ता राखेर, मरेको व्यक्तिको आत्मालाई त्यस परिवारबाट मुक्त गराउने प्रचलन थियो र धेरैतिर आजपनि कायमै छ। कालक्रमा धेरैतिर धामीहरूको संख्या द्रूतगतिमा घटतै गएको र त्यो ज्ञान दिक्षाको पहल गर्ने परिवन्धको अभावको मौका छोपेर, उस्तो परिवन्ध भएका अन्य धार्मीक शास्त्रीय विधान खस समाजमा गाँज्जिन मौका पाउँदै आएको होइन भन्न मिल्दैन्।

द) खस समाजमा ईश्वर र आत्मबीचको संवाद कतिपय गाउँ घरमा धामी, झाँक्रीद्वारा नै गराएको देखिनु अचम्भ मान्नु हुँदैन। खसजातिको जातीयता र पहिचानको कुरा गर्दा कतिपय हिन्दुत्वमा बिलिन भक्तहरुले खसलाई आर्य समूहसंग जोड़ने गरेको पाइन्छ। यदि खसहरूले आफूलाई आर्यहरू सित जोडने भूलबाट उक्सिने चिन्तन र परिवन्ध झट्टै गर्दैनन भने, खस-गोर्खाहरुको इतिहास लोप हुनधेरै समय लाग्ने छैन भन्नेकुरा छर्लङ्ग दृषिटगोचर हुदैँ आएको छ। ।नियालेर हेर्दा स्मरणीय के देखिन्छ भने- हाम्रो चाड पर्वहरू प्रागवैदिक कृषि-पसुपालक पारिवारिक र सामाजिक हितको लक्षले थालनी भएको हुन नकि कुनै हिन्दु अथवा अन्य कुनै धार्मीक कथाको आधारमा अथवि अनुकरणमा थालनी भएको। अस्सलमा हाम्रो मौलिक चाडहरूलाई देखेर थप जोड गर्दै कतै हुवहु कतै बिरूप कथा जोडेर रचिएका कथाहरूलाईनै हामीले धार्मीक शास्त्रको मान्यता दिएको पाइन्छ- जुन कथाहरूको आपसमा तालमिल छैन खस मौलिकता सित त सम्पर्कै देखिदैन।
ध) उहिले खसहरूमापनि फूपु-चेला,मामा-चेली बिचमा विहेवारी चल्ने प्रथा रहेको र पछि हिन्दुधर्म ग्रहणपछि उक्त नियममा फेरबदल गरिएपनि, सात ज्वाँईलाई गर्ने धर्म एक भानिजलाई गर्दा हुन्छ भन्ने चलन बरकरार छ। तेसैले सात ज्वाँई एक भानिज भनिन्छ।यो रीतपनि आफ्नो वंशानुगत व्यक्तित्व, भाषा, धर्म संस्कृति र समाजको दृष्टिले बहुसांस्कृतिक एउटा महत्वपूर्ण पाटोको रुपमा मानिन्छ।

न) तथाकथित साना जात कहलाइने जातहरूले तथाकथित उच्चजातको सादृश्य नाम-थर कायम गरेको उदाहरणहरू यत्रतत्र पाइन्छन।त्यसैगरि खस शब्दले खसेको जाति भन्ने मानसिकता वोध गराउँदै षढ्यन्त्रले चर्चा प्रचार गरिदैँ ल्याएको कारण खसहरूमा बाहुन-छेत्री वर्णको सृजना र उनिहरूले आफूलाई उच्च कुलको भन्ने भ्रान्त धारण विकसित हुदैँ आएर समाजमा अनेकता बढदै जात जातको उत्पति हुन पुगेको
देखिन्छ ।

अब हामीले भारतीय खस-गोर्खाहरुको वर्तमान र भविष्य सुरक्षित राख्नु हो भने, गोर्खाहरुको पारम्पारिक रीतिथीति, गोर्खाभाषा, संस्कार, संस्कृतिको जगेरा गर्नुको निम्ति,गोर्खा समाजमा व्याप्त वर्णभेद-छुवाछूत जस्तो कुप्रथा, कुसंस्कृतिबाट मुक्ति पाउनै पर्छ। अनि मात्र गोर्खाहरुको मौलिक पहिचानको वर्चस्व कायम रहन्छ।
A very sincere gratitude to Shri Bogiram Gorkha Bhandari for this very great summary.

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भारतीय गोर्खा जनजाति

Gorkha Tribes of Assam

Do Gorkhali Movies of Assam has a Feature or consequence vision to its community or just Entertaining?

2020-04-18T22:43:00.000+05:30

Life has become very easy and comfortable due to easy communication and transportation contribution of science through T.V, Radio, Mobile phone services, computers, the Internet, etc. Cinema has played the main role to impress people, highlight their social activities, encouraged them to be modernized to step up with the complex modern life to make it easy and successful in one's life. Cinema, documentary, and television are the main media of public instruction, harmonious development through visual and audiovisual.
'Time and tide wait for none' is a proverb for all conscious person and of the conscience, with such competitive mind and brain the young stars of the Gorkha community of Assam have set up their 'Daydream' by releasing the First Gorkhali Film, a full-fledge movie of 2 Hours 20 Minutes in Gorkhali Language from Telam in the Dhemaji district of Assam.

Pratigya Mayako- First Gorkhali Movie of Assam

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‘Pratigya Mayako' i.e., The Promise of love (sublime), Promise of reward, etc, have been inserted as ideals in the film through dialogue, discussion, action, and activities through its characters. Revival and renovation is the Motto of the film in favor of the social existence, in search of the originality, and the atrocity upon the people for justice after the Mahabharata war, a part of Jammu Dwipe was named as Kashmir i.e. the dwelling place of the Khashas, the province of the Khashas, the history tells and repeats to the worshippers and followers of the Baba Daangre that they were in India and shall be in India an important part of the nation.

Artists will be inspired, Singers will be inspirited, unemployed will be engaged,' have not' will earn their livelihood in time. In time the worshippers shall be encouraged and uplifted to reach Kashmir and Bada Khashan and at last to Babylon as their originality.

In fact, all people in different dynasties have their history of the movement and their settlement for thousands of years became their ethnicity in origin and thus, Kashmir, Behind the Khasha Community, their province of birthright in Bharat Varsha since thousands of years like the Mongoloid from the 'Bod' province of Mongolia, west China.

God 'Baba Daangre' may lead, guide, inspire to uplift to reach the destiny in favor of the greater community the 'Khashas' in particular and the greater Gorkhas in general for the well being of the human community and their safety in the coming days.

This promise of sublime has been furnished in the 'Pratigya Mayako' for all.

प्रतिज्ञा मायाको

असमको पहिलो गोर्खाली चलचित्र

प्रयास

प्रतिज्ञा मायाको Poster
जिम्मेवारी
संदेश
दायित्व
प्रेरणा
प्रतिस्प्रद्धा
अनुसन्धान
बिस्लेशन
अन्यान्य

प्रयास प्रतिज्ञा मायाको पृष्ठ्भुमि  :-

प्रतिज्ञा मायाको कसैले पनि गर्दछ भने, त्यस्को पछाडि कति कष्ट स्वीकार गर्दछ उही जान्दछ ।

यो प्रतिज्ञा नगर्नेले बुझ्न सक्दैनन । यो ‘प्रतिज्ञा मायाको’ पहिलो कथानक पूर्ण प्रयास हो।पुर्वांचल  भारतीय गोर्खाली चलचित्रको कायमन-वाचा प्रथमतः ‘’डांग्रे बाबा शिवालय’’ मंदिर,पासिघाटमा यस्का प्रमुख कार्यकर्ताहरुको वंदना तथा प्रार्थनाले केही गरौं भन्ने प्रतिवद्धता पछि प्रतिज्ञामा बदलिएकोहो । समय मा  13/04/17 का दिन यस चलचित्रको सुभारम्भ भयो!
प्रयास-

यस कार्यको निम्ति गरिएको प्रयासमा अनावश्य्क परिश्रम, दौड र अडचन, विशिष्ट  व्यक्ति तथा व्यवस्थित व्यक्तिहरुले धेरै बात-चित गर्नु तर सघाउने प्रयासमा धेरै आना कानि गरेर टार्नु धेरै ठाउमा भएका हुन ! यो प्रयास गर्ने कोइ धनाढ्य व्यक्ति थिए भने, प्रतिष्ठित व्यक्तिहरुले सबै कुरा छिट्टै बुझ्ने कोसिस गर्ने थिए होलान। परंतु नया पिडीको प्रयास बुझ्नमा शंका गर्नुनै उंहाहरुका दक्षता थिए ।

बिमुख हुनु यस्का कार्यकर्ताहरुको प्रत्याह्वान हुन गयो ! भ्रमणको सेरोफेरोमा पनि रीत्तिए जस्तै भएतापनि अफठ्यारो अडचनहरुले विकल्प प्रदान गरि रहयो ।

जिम्मेवारि-

Pratigya Mayako (Behind the Scene)

समाज प्रतिको जिम्मेवारिलाई प्राथमिकता दिएर यो चलचित्रको कथानक आधारित छ । कारण,समाजमा परिवर्तन ल्याउनु छ । समाजमा संस्कृतिको प्रतिष्ठा तथा व्यवस्थापन गर्नु / गराउनु छ ।

संदेश:-
समाजलाई एउटा राम्रो र नया संदेश पनि दिनु छ।विशौ शताब्दीको प्रथम दशकमै प्रथम हिंदी चलचित्र राजा हरिचंद्रले मुक्ति लियो भने, 1936 सनमा असमको पहिलो चलचित्र जयमति, ऐतिहासिक कथानक तथा घट्ना क्रममा आधारितले मुक्ति लियेको थियो। विप्लबि कवि ज्योति प्रसाद अगरवाला यस्का सृष्टी कर्ता तथा व्यवस्थापक थिए। समाजका प्रत्येक व्यक्तिको आफ्नो घर, समाज, प्रदेश तथा आफ्नो राष्ट्र प्रति गहिरो दायीत्व र कर्तव्य रहेको हुन्छ्।
हाम्रोपनि रातो रगत यहि खसेको छ! हाम्रोपनि तातो पसिना यहि बगेको छ!! कुनै कविले गाएका थिए। पुर्खाले यस्तो श्रेय राखेको भुमिमा हाम्रो पनि परम दायीत्व र कर्तव्य छ्। यहि प्रवचनलाई- ‘’प्रतिज्ञा मायाको’’ चलचित्रले यीनै सन्दर्भ दर्शाउने प्रयास गरिएको हो। प्रयास हाम्रा हुन, सफलता पाठक/दर्शकहरुका द्रिष्टि तथा मुल्यांकन मा छ।राष्ट्र विकसित हुनमा व्यक्ति, जाति, समाज र साला-खालामा सारा देशवासिको विकास निहित छ। हामी त्यसै भित्रका एक अंग हौं। हामी त्य्सै भित्रका एक अंग हौ। हामी ऐतिहासिक द्रष्टिकोण तथा अनुंशधानका तर्फ बाट प्राप्त प्रामानिकता अनुसार बेबिलोनियाका खश जाति एव्म भारतवर्षको कश्मीर प्रदेश हाम्रो इसापुर्व देखिको जातिनाम खश हरुको मिहिर वा प्रदेश अर्थात काश्मीर रहेछ भन्ने सन्दर्भ भारतीय विज्ञान तथा महाभारत जस्तो अनमोल ग्रंथले बताएको छ मात्र खोजि गर्न बाकि रहेको हो।

‘’वीर जातिको अमर काहानि’’ भन्ने पुस्तकले हामिलाई धेरै संदेश तथा पुर्वराग दिएको छ भने, हाम्रा गोर्खा वीरहरुले कमाएको अतुलनीय वीरत्वको गौरव विस्वबासिलाई थाहा छ। यस चलचित्रको प्रयासले तथा हाम्रो अनुशंधानले यो वीरताको एतिहासिक गौरव खोजि गर्ने र चलचित्रमा उतार्ने पनि भित्रि मनले बोल्दैछ। अबका दिनहरुमा हाम्रा यस प्रयासको सफलतालाइ द्रृष्टीपात गरेर भविश्य योजनामा कुनै महानुभाव निस्किएलान।वैशिष्टय लजाउने, शंकागर्ने, एकांतमा रहेर आफ्नै पेशामा सिमीत रह्ने र पुराना परम्परालाईनै आफ्नो प्यारो मान्ने तथा संस्कार सुधार गर्न नचाह्ने बानि परेका सबै नाना भाषी जातिनै जनजाति हुन भने हामी पनि त्यही आयामका पछौटे खस-किरात हौ। जनजातिको दर्जा प्रप्तिको लागि सरकारी मान्यता प्राप्ति हाम्रो सार्वजनेक मांग रही आएको छ। नकारात्मक द्रिष्टि र शंका पहिले गर्ने हाम्रो ठुलो त्रिटि र भ्रम रहेको यस चलचित्रको संदर्भमा पनि प्रत्यक्ष नभएको होईन। यस प्रयास लाई धेरैजसोले नकारात्मक वयवहरिकतामा नजरअंदाज़ गर्नाले धेरै अडचन प्राप्त भएको अवश्य हो। जे जति सहयोग प्राप्त भयो, अफ्ठयारोमा त्यही साहाराले प्रयास जारि रह्यो;ति महानुभाव प्रति ह प्रेरणा

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नया पिडिका उत्साहित जीवनमा आशा, उमंग,

उल्लास लिएर अघि बडनँ खोज्ने शिक्षित

युवक-युवती, भाई-बैनीहरुलाइ प्रोत्साह दिने,

तथा नया बाटामा सुविधा दिलौने,

प्रतियोगितात्मक व्यपार-बाणिज्य तथा

व्यवसाहरुलाइ विज्ञापन मार्फत ति

व्यवसाइहरुको श्रीब्रिद्धि गरऊने समेत

चलचित्रको उद्देश्य रहेको यहाँ जाहीर गरिन्छा।

सबैइलाई साथ लिएर सबैको विकास गरौ यस

चलचित्रको उद्देश्यमा भित्रि मन बोलेको हुनाले

बहु दिशा-मुखि हाम्रो समाजलाई यस्को प्रमुख

आधार पनि मानिएको छ।

Here is the 1st Teasure.. Check it out.

Anhad Studio Mumbai & Baba Daangare Films Assam

Presents " Pratigya Maya Ko" Gorkhali Film Official Teaser Music: Balkrishan Sharma DOP : P Sundarajan Director: Kamal Chetry Producer : Ravindra Rajawat & Suraj Dahal Co-Producer: Surya Tamang Production Manager Chandan Chetry (Biku) Script By Varun Sharma Asst. Director: Mukta Dewan Creative Director: Rajendra Sandilya Chief Advisor: Dr.Harka Bahadur Chhetri Co-ordinator: K.P. Bhusal Starring: Varun Sharma, Reshma Pradhan, Sumit Sonar, Amit Chetry, Karishma Bhuyan, Parashmani Taliwar, Sujan Baral, Urmi Sharma Singer: Dil Sribin Limboo, Jyoti Sharma, Arjun Acharya, Rojy Devi Bhuyan

Choreographer: Proneet Darlami, Bindiya Limboo, Vicky Doley Music: Balkrishan Sharma, Tarun Tanmoy Background Music: Balkrishna Sharma. Asst. DOP: Ankit Sharma, Dharmendra Singh Chouhan, Anshuman Singh Rajawat Editor: Anuj Singh, Ravi Yadav Production Associate: Gopalraj Sharma, Vijay Chetry, Rajiv Sonar

Very soon you will be updated with more details Details.

2020-04-13T14:02:00.001+05:30

This is a Motivational video to overcome fear,

Yes, we can defeat Covid-19. Coronavirus outbreak.

What we have to do in Lockdown?

There is a fear in every human race for COVID-19, and maybe this is for the first time in the history of mankind that the whole world is Lockdown.

To say about India the same situation is in the Entire Country. India locks itself for 21 days Quarantine at Home.

Govt. officials, Defence forces, Medical staffs, Administrative, NGO, News Reporters are working day and night to serve the Nation. Henceforth many good people are coming forward to donate many poor families some sort of food items and essential commodities.

Apart from this very well corporate Bussinesman, Filmstars, Sports personality, Political leaders and many social workers are coming forward, donating a very good amount to the PM fund and state funds.

Given link a short poem and a few lines to Motivate all the quarantine people and some tips what to do in this Lockdown period?

सन्नाटा छ आजा हर गाऊँ, शहर मा।

समस्त मानव परेका छन आज ठूलो कहरमा।।

कसले सोचेको थियो होला एकदिन एस्तो पनि हुन्छ ?

कोरोना वायरसको प्रकोपले समस्थ विश्व थर्कन्छ।।

What to learn in Lockdown (Corona Virus) ?

2020-04-10T14:34:00.001+05:30

BABA DAANGRE FILMS - ASSAM

बाबा डांग्रे फिल्मस-असम

WHY BABA DAANGRE ?

We the general People of India respect devotionally and very deeply to the Lord of the Lords i.e., ‘Devadhidev’ or ‘Shivam’ the protector of the common people as well as of the nation from the north.' He’ has no beginning and ending in the human history.' He’ has many names in different Indian Languages and He is equal to all people as omnipotent, omniscient and omnipresent.

All tribal people of the northern hemisphere demand and seek ‘His’ kind grace and protection in need. The ‘Khasha’ tribe of Indian origin like other ancient Tribes by whose name behind the place Kashmir, a province of the Khashas as mentioned in the ancient Literary history too worship ‘Him’ as Baba ‘father or Lord’ and ‘Daangre’ the greatest from their heart and soul. It is a great cultural bond of the Khasha Kirata composite culture of Assam as well as of the Nation.

The ‘Baba Daangre’ is naturally dressed, garland snakes, massage ashes, rings the ‘Dambaru’a ringing sound instrument which inspires ‘Him’ to dance ‘Bhairab Nritya’ perhaps alive in need only. This briefness of the Lord of the Lords much inspired these persons much to come to this adventure and thus named our Production ‘BABA DAANGRE’!

About us

We are Baba Daangre Film a registered Organisation under the Indian Society Registration Act.1860. Registered DMJ/24/D/28 at Assam on 4th Oct. 2017. The main motto and the objectives for which the Production is established is to save/Promote one's Tradition & Culture irrespective of any community or location within India and encourage the upcoming youths in the field of Art & Culture. India is a country of diverse culture and there is a lot to know from each culture and heritage grown with the time in this holy land.

We strongly believe in giving back to the society in whichever way we can we choose it through producing Movies in the sector of entertainment, documentary, live stage shows, Short Films, Awareness Programs, etc.

OUR PROJECT