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                    <title>BackStage - LA Reviews</title>
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                    <category>LA REVIEW</category>
                   	
	
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               <title>Asleep on a Bicycle</title>
               <pubDate>2008-10-02</pubDate>
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               <description disable-output-escaping="yes">While Lanfair Field's original electronic suite conjures something composed by Erik Satie channeled through Philip Glass, Linda and her husband sleep on a heart-shaped bed.</description>
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               <title>Hamlet</title>
               <pubDate>2008-10-02</pubDate>
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               <description disable-output-escaping="yes">Act 1 crackles with flashes of humor rarely mined from the melancholy Dane. This directorial masterstroke gives the tragic events of Act 2 an even greater emotional wallop.</description>
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               <title>Red Scare on Sunset</title>
               <pubDate>2008-10-02</pubDate>
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               <description disable-output-escaping="yes">Charles Busch's 1991 farce takes a slapsticky look at the 1950s, examining the Red Scare and the sometimes un-American depredations of the House Un-American Activities Committee.</description>
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               <title>Sea Change </title>
               <pubDate>2008-10-02</pubDate>
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               <description disable-output-escaping="yes">Who can resist the lure of the sea? Apparently not Nick Salamone, who has placed his two-act, five-actor gabfest on a particularly small boat.</description>
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               <title>This Beautiful City</title>
               <pubDate>2008-10-02</pubDate>
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               <description disable-output-escaping="yes">The Civilians, a New York-based troupe, explores the subject of America's burgeoning evangelical Christian movement, zeroing in on Colorado Springs, Colo.</description>
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               <title>43 Plays for 43 Presidents </title>
               <pubDate>2008-10-01</pubDate>
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               <description disable-output-escaping="yes">Director Paul Plunkett's splendidly varied and imaginative production offers 43 two-minute plays, each about one of our fine (or, very occasionally, fiendish) presidents.</description>
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               <title>Be Like Water</title>
               <pubDate>2008-10-01</pubDate>
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               <description disable-output-escaping="yes">To some of us who were raised on Bruce Lee movies and all things kung fu, the sensation of '70s martial arts flicks is fabulously evocative and bigger than life.</description>
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               <title>The Belle of Amherst</title>
               <pubDate>2008-10-01</pubDate>
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               <description disable-output-escaping="yes">William Luce's one-hander about the eccentric life and awe-inspiring work of Emily Dickinson remains at 30-plus years a seamless blend of storytelling and poetry.</description>
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               <title>Dead Man's Cell Phone</title>
               <pubDate>2008-10-01</pubDate>
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               <description disable-output-escaping="yes">Thank goodness John Zalewski's sound design does for cell-phone rings what Disney did for snails in its Electric Parade: makes them not just tolerable but almost worthy of an "aww."</description>
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               <title>Don't Talk to the Actors</title>
               <pubDate>2008-10-01</pubDate>
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               <description disable-output-escaping="yes">With a design team of Paulie Jenkins (lighting), Bruce Goodrich (scenic), and David Edwards (sound), you can always expect that the show will skillfully set the mood.</description>
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