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Rockaway" /><category term="Bowery Electric" /><category term="Rise of the Planet of the Apes Leak" /><category term="Intrigue and Stuff Vol 1" /><category term="Christopher Willts" /><category term="B-Parent" /><category term="Idiotaphattbarbarskivan" /><category term="staycation" /><category term="hipster grifter thong" /><category term="Nurse with Wound" /><category term="William S. 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/><category term="The Rip Tide Leak" /><category term="Lazy Ways/Beach Party" /><category term="1976" /><category term="Jake Elliot Roren" /><category term="Trackback" /><category term="weedcore" /><category term="Syncedoche New York" /><category term="Dave Shaw" /><category term="God Hates" /><category term="The Postal Service" /><category term="early 00s" /><category term="Catching Butterflies with Hands" /><category term="The Beaver Film" /><category term="Wordless Music Series" /><category term="Delusions" /><category term="Hi-Fi" /><category term="dance rock" /><category term="basement dwellers" /><category term="Diplo" /><category term="Strawberry Skies" /><category term="Dinosaurs" /><category term="beach music" /><category term="Cooper Union graduates" /><category term="Blues" /><category term="Roger Shepard" /><category term="Toeachizown" /><category term="10.0" /><category term="Kisses Bermuda" /><category term="tumblr of erotic poetry" /><category term="Indie Rock" /><category term="Soulja Boi" /><category term="Bedroom" /><category term="Korgis" /><category term="Vertical Ascent" /><category term="Red Square" /><category term="Ole Torjus and Himstregims" /><category term="int lit library" /><category term="louisville" /><category term="microsound" /><category term="Manitutshu" /><category term="Hat or Night" /><category term="Prathna Lor" /><category term="Roman Kronenberg" /><category term="Jeff Buckley" /><category term="Nevada" /><category term="e.e. cummings" /><category term="Bad Ass Congo Amplifier" /><category term="Daniel Klag" /><category term="Earth 2" /><category term="Split EP" /><category term="Ryan Chang" /><category term="Teeth of Lions Rule the Divine" /><category term="Biggest Part of Me" /><category term="Geraldo" /><category term="Instant Composers Pool" /><category term="We Bring the Day" /><category term="Sushi on a Hot Day" /><category term="personal brand" /><category term="The Anatomy of Melancholy" /><category term="Either/Orchestra" /><category term="Law and Order Special Victims Unit" /><category term="ghost bee egg" /><category term="Apocalypse" /><category term="Sleigh Bells" /><category term="Taylor Deupree" /><category term="Growing Up" /><category term="Nailin Palin" /><category term="Jayma May" /><category term="Paul Clark" /><category term="tweezers" /><category term="big cartel" /><category term="Barefoot Girl/Pebble Road" /><category term="Space is the place" /><category term="Knoxville" /><category term="Emily Dickinson" /><category term="Black Lips" /><category term="Meet the Spartans" /><category term="Metazen" /><category term="Blevin Blectum" /><category term="Finding yourself" /><category term="Merzbow" /><category term="Mountain Dew" /><category term="Attack of the Killer Tomatoes" /><category term="God was like No" /><category term="Shaggy Dog Rock" /><category term="Film Festival" /><category term="Honeydew" /><category term="Pokemon porn" /><category term="Beiruting the Square" /><category term="Out Hud" /><category term="Mayo Thompson" /><category term="Apples In Stereo" /><category term="Danny DeVito" /><category term="Jesus Freak" /><category term="Cleveland" /><category term="Paul St. Hilaire" /><category term="Karaoke" /><category term="Cap'n Crunch" /><category term="Gregory Campanile" /><category term="Farmers Manual" /><category term="Pussy Ham" /><category term="beards" /><title>Beach Sloth</title><subtitle type="html" /><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://beachsloth.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Beach 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gd:etag="W/&quot;CkECSXo-fCp7ImA9WhVSFUw.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-1639547846300724854</id><published>2012-03-11T20:04:00.000-04:00</published><updated>2012-03-11T20:04:28.454-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-11T20:04:28.454-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Top Gun" /><category scheme="http://www.blogger.com/atom/ns#" term="Letters From Robots" /><category scheme="http://www.blogger.com/atom/ns#" term="Bleepy Bloop" /><category scheme="http://www.blogger.com/atom/ns#" term="Diana Salier" /><category scheme="http://www.blogger.com/atom/ns#" term="Night Bomb Press" /><category scheme="http://www.blogger.com/atom/ns#" term="wikipedia says it will pass" /><category scheme="http://www.blogger.com/atom/ns#" term="Post-Crabcore" /><category scheme="http://www.blogger.com/atom/ns#" term="Banango the literary blog" /><category scheme="http://www.blogger.com/atom/ns#" term="Crystal Castles" /><category scheme="http://www.blogger.com/atom/ns#" term="Jeff Buckley" /><title>Letters From Robots by Diana Salier</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;a href="http://1.bp.blogspot.com/-t1CL8lsQiQ4/T1mkhDsTzGI/AAAAAAAABZo/VW8MvrJe63Y/s1600/LFR+cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-t1CL8lsQiQ4/T1mkhDsTzGI/AAAAAAAABZo/VW8MvrJe63Y/s400/LFR+cover.jpg" width="245" /&gt;&lt;/a&gt;&lt;/div&gt;
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&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://www.blogger.com/goog_790426430"&gt; &lt;/a&gt;&lt;a href="http://www.dianasalier.com/p/books.html"&gt;Diana Salier is cool as heck&lt;/a&gt;. She writes for Banango, some literary blog. She went on
a book tour for ‘Wikipedia Says It Will Pass’. Los Angeles, San Francisco,
Seattle and Portland were visited. This was a ‘West Coast’ tour. Hopefully she
can tour around the East Coast next time. &amp;nbsp;During this time she also started up a rock
and roll band called ‘Swells’. I assume she got the name either from the
ocean’s swelling or as homage to the Post-Punk band ‘Swell Maps’ a personal
favorite of mine. Guess I’m a little too old for that. My band is an Emo
Post-Crabcore Bleepy Bloop band. Basically we’re a Crystal Castles cover band. It
is nowhere as cool as Salier’s band was (RIP January 2012).&amp;nbsp;&lt;/div&gt;
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&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘&lt;a href="http://nightbombpress.com/"&gt;Letters from Robots&lt;/a&gt;’ is her newest work. The book comes from outer space to land in San
Francisco. She suffers from loneliness and wistfulness. The present offers
little once she’s arrived back on Earth, then she waxes nostalgic of old
relationships in ‘how to fight nostalgia’. She chooses astronauts to focus on, themselves
something of a relic. What interests me is how after she’s landed on Earth she’s
still lonely.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-indent: .5in;"&gt;
Travels throughout the book to
other parts of Earth, Montreal, New York, and Los Angeles have the same
feeling. All these people and she never speaks to them. They occupy spaces
she’ll never know, apartments, random bars, used book stores, etc. It is the
best description of people watching I’ve ever read. ‘People Watching’ is the
ideal sport: funny but sad with absolutely no way to win. ‘i was hoping to
massage you all day’ shows this art at its best. At least she got one of the
few prizes of people watching: nonsensical utterances that make no sense.&amp;nbsp;&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; This is
actually a funny look at our world. Her humor is from unfortunate and silly
situations. Consumer products come in as a way of mapping out her world.
Sometimes these happen in the same poem, like ‘there are many beautiful things
in this world but this is one of them’ which mentions a Cookie Monster band
aid, a drug deal, and an astronaut looking down at an Earth that continues to
exist without him. A few instances are particularly memorable. I agree, “Fuck
the LSAT diagnostic test”.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
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&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A few
poems mention the end of the world on 12/21/12. People make plans for this sort
of thing. It is never taken seriously. Normally end of the world parties are
devoted to drinking and hooking up with people. I figure when the end of the
world happens we should probably be surrounded by drunken, loved ones. Seems
like the best way to go to me. Diana has the same idea. Even for lesser
catastrophes she makes plans to reunite with girlfriends. &amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-indent: .5in;"&gt;
Nostalgia comes up a lot in the
book. It takes the form of astronauts, misunderstood aliens, dinosaurs,
reformed movie monsters and avocado sandwiches. Pop culture references add to
the feeling of nostalgia from Top Gun and Jeff Buckley. The media becomes part
of our lives. We are nothing without our pop culture references. These references
are used in an affectionate manner. One of them directly acknowledges the
importance of nostalgia in modern pop culture ‘nostalgia and fruitflies’.
Apparently styles haven’t changed much in the US in the past three or so
decades. Wonder why that is. Perhaps we are glass half-empty types or maybe
that’s what it feels like lately.&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-indent: .5in;"&gt;
I like ‘Letters from Robots’ a lot.
The combination of sweetness of the past and hesitant hope for the future feels
just right. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/div&gt;
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&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-1639547846300724854?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/HkwmdO-2YBYgOoic-abmhCuKLq0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HkwmdO-2YBYgOoic-abmhCuKLq0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/PqJ6Pxw_s28" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/1639547846300724854/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/letters-from-robots-by-diana-salier.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/1639547846300724854?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/1639547846300724854?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/PqJ6Pxw_s28/letters-from-robots-by-diana-salier.html" title="Letters From Robots by Diana Salier" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-t1CL8lsQiQ4/T1mkhDsTzGI/AAAAAAAABZo/VW8MvrJe63Y/s72-c/LFR+cover.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/letters-from-robots-by-diana-salier.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkUMQXk6fyp7ImA9WhVSEko.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-7344074733747381682</id><published>2012-03-09T00:18:00.000-05:00</published><updated>2012-03-09T00:18:00.717-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-09T00:18:00.717-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Allegories" /><category scheme="http://www.blogger.com/atom/ns#" term="The Dwindlers" /><category scheme="http://www.blogger.com/atom/ns#" term="Bandcamp" /><category scheme="http://www.blogger.com/atom/ns#" term="Dolphin" /><category scheme="http://www.blogger.com/atom/ns#" term="How the Ostrich become a Girl and her Bicycle" /><title>The Dwindlers – Allegories 7.5</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-_QP5DM6UxH0/T02QvWdfloI/AAAAAAAABXc/grO9LfxlCEg/s1600/Dwindlers.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-_QP5DM6UxH0/T02QvWdfloI/AAAAAAAABXc/grO9LfxlCEg/s320/Dwindlers.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Everything
is calm and quiet. &lt;a href="http://heartandsoulpublisher.bandcamp.com/"&gt;The Dwindlers&lt;/a&gt; don’t believe in being loud. Rather they use
the calm sound to their advantage. ‘Allegories’ sounds clean. You can hear the
tiniest detail on here. It has a jazzy quality to it. That’s due to the cello,
the tasteful use of electronics, and the controlled power of the vocals.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘How
the Ostrich became a Girl and her Bicycle’ remains my favorite piece on the
whole album. It longs. That far-off piano compliments the general mood of the
piece. Far more than any of the other pieces, this embodies a certain cool,
detached reflection. It’s truly a beautiful, simple piece. Even the cello
sounds wistful. It barely builds up. Instead it simply lingers around a
comfortable groove.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Monkey’
is one of the more active pieces on here. Drumming introduces the piece as the
vocalist appears to keep time. Her delivery on here sounds particularly good.
The cello appears to anchor the entire song. It is surprisingly fast for the
album and comes closest to a traditional pop song. &lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; By the
end of the album things sound more electronic. Tempos begin to increase. The
whole album sounds excited. It speeds giddily into the finale ‘Dolphin’. On ‘Dolphin’
the cello and electronics merge into one as the piece comes to an end.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-indent: .5in;"&gt;
Nothing on here is particularly
complicated or overly ornate. It is the combination of these small details that
makes the whole album so soothing. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-7344074733747381682?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/sY09anBfYU6mKfI5Nld2dBjiRtw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sY09anBfYU6mKfI5Nld2dBjiRtw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/sY09anBfYU6mKfI5Nld2dBjiRtw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sY09anBfYU6mKfI5Nld2dBjiRtw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/6lY9Djjw9lo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/7344074733747381682/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/dwindlers-allegories-75.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/7344074733747381682?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/7344074733747381682?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/6lY9Djjw9lo/dwindlers-allegories-75.html" title="The Dwindlers – Allegories 7.5" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-_QP5DM6UxH0/T02QvWdfloI/AAAAAAAABXc/grO9LfxlCEg/s72-c/Dwindlers.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/dwindlers-allegories-75.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUMMSHYzfCp7ImA9WhVSEkg.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-7095375456136166951</id><published>2012-03-08T20:44:00.001-05:00</published><updated>2012-03-08T20:44:49.884-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-08T20:44:49.884-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Animal Collective" /><category scheme="http://www.blogger.com/atom/ns#" term="France" /><category scheme="http://www.blogger.com/atom/ns#" term="Pitchfork" /><category scheme="http://www.blogger.com/atom/ns#" term="Beach House" /><category scheme="http://www.blogger.com/atom/ns#" term="Victoria Legrand" /><category scheme="http://www.blogger.com/atom/ns#" term="Baltimore" /><category scheme="http://www.blogger.com/atom/ns#" term="Alex Scally" /><category scheme="http://www.blogger.com/atom/ns#" term="Beach House Bloom leak" /><category scheme="http://www.blogger.com/atom/ns#" term="Myth" /><title>Beach House – Myth</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-QFTRIgLLhDo/T1lVF1YSmpI/AAAAAAAABZY/UzgtIcf3uUs/s1600/800px-BeachHouse.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="180" src="http://2.bp.blogspot.com/-QFTRIgLLhDo/T1lVF1YSmpI/AAAAAAAABZY/UzgtIcf3uUs/s400/800px-BeachHouse.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; There’s
serious tension going on in Beach House. I don’t mean the slow, gradual builds
and delicate pop craft. No, I’m talking literal tension. Members in the band
have been having difficulties for quite some time. From the outside it looks
like ‘Dream Pop’. Inside Beach House it looks like ‘Nightmare Pop’.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Poor
Alex Scally has to deal with terrible abuse. Victoria Legrand mocks him
relentlessly. Referring to Alex as ‘a bearded alt bro’ she tears him apart. If
he argues she goes to Wikipedia. She asks him “Oh, you think you’re important,
who is the one with an additional Wikipedia article? Who is defined as ‘sultry’
and ‘elegant’? I’m from France. You’re from some third rate piece of garbage
called ‘Baltimore’. Who gives a shit about Baltimore? Now get busy making that
guitar a little quieter.” He complies most of the time.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; On the
new song ‘&lt;a href="http://beachhousebaltimore.com/"&gt;Myth&lt;/a&gt;’ the dynamic changes from Victoria based to Victoria based, but
with a little Alex. Alex started getting a little testy. He had begun bothering
Victoria with his passive aggressive puns on popular lyrics. The most effective
one was ‘you will, forget about me, I’ll be alone, playing guitar so quietly’.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Despite
this tension the rumors remain that the album ‘Bloom’ will be their best album.
They are channeling this intense dislike of each other through the music. People
respond well to album made during ‘trying times’ and what could possibly be
more trying than Victoria hiding Alex’s vegan sunflower seeds? Not much, I’ll
tell you that.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I’m not
sure how Pitchfork will like their newest album. Their last album got a 9.0. Beach
House is having a hard time trying to beat that score. In fact, all of their
scores show an upward progression, from 8.1, to 8.5, to 9.0. To outdo
themselves, they’ll need to pull an Animal Collective ‘Merriweather Post
Pavilion’ album on their audience, creating the ultimate summer jam.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Here’s
hoping they do. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-7095375456136166951?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/SQh-_VeGbbOXrVZVQuzF5fHE06k/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SQh-_VeGbbOXrVZVQuzF5fHE06k/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/SQh-_VeGbbOXrVZVQuzF5fHE06k/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SQh-_VeGbbOXrVZVQuzF5fHE06k/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/jOFTatL4eBs" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/7095375456136166951/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/beach-house-myth.html#comment-form" title="3 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/7095375456136166951?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/7095375456136166951?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/jOFTatL4eBs/beach-house-myth.html" title="Beach House – Myth" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-QFTRIgLLhDo/T1lVF1YSmpI/AAAAAAAABZY/UzgtIcf3uUs/s72-c/800px-BeachHouse.jpg" height="72" width="72" /><thr:total>3</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/beach-house-myth.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEAGRH04fyp7ImA9WhVSEkg.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-6328156614192061671</id><published>2012-03-08T19:25:00.000-05:00</published><updated>2012-03-08T19:25:25.337-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-08T19:25:25.337-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Round of Applause // Baby Make that Ass Clap" /><category scheme="http://www.blogger.com/atom/ns#" term="The optimist's guide to getting shot in the face" /><category scheme="http://www.blogger.com/atom/ns#" term="Irina Ionsesco" /><category scheme="http://www.blogger.com/atom/ns#" term="Mike Kitchell" /><category scheme="http://www.blogger.com/atom/ns#" term="impregnating houseplants" /><category scheme="http://www.blogger.com/atom/ns#" term="Impossible Mike" /><category scheme="http://www.blogger.com/atom/ns#" term="Danielson Familie" /><title>Round of Applause // Baby Make that Ass Clap by Mike Kitchell</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-L0TzqdkV3fU/T0m_G9_pNSI/AAAAAAAABWE/dOipmnOidGs/s1600/320667_2485821423320_1186178157_32877416_32440078_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="214" src="http://4.bp.blogspot.com/-L0TzqdkV3fU/T0m_G9_pNSI/AAAAAAAABWE/dOipmnOidGs/s320/320667_2485821423320_1186178157_32877416_32440078_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Let’s
start with the brass tacks. I would have loved some of those in this chapbook.
Brass tacks improve any reading experience. No binding materials or even a
single mention of brass tacks anywhere in the chapbook. Despite this obvious
problem this is a solid, enjoyable, and rather dark chapbook. We traverse the
tortured mind of one Mike Kitchell.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Someone
has just fired a gun at me and I am going to die’ is bit of a downer poem. If
you’re about to die why not be a bit more positive about it. An unchill bro
asks you to describe the bullets. I don’t understand why they want to know so
badly. This is a great poem. Mike starts off the chapbook right. As a tribute
to his dark poem let me offer my personal take on it, from a more positive
point of view. It is entitled:&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Happy
Fun Time’&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
The optimist’s guide to getting shot in the face&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Oh nifty, I’m getting shot in the face&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
By golly, I’m going to make a darn fine corpse&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Hope my brains are used for pencil erasers&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Saw that in a movie once&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
Seems relevant&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘True Story’ goes over the late
capitalist landscape of the desert. I wonder how the desert was created. I’m
certain socialism destroyed society and replaced it with a desert. Now that it
is too late to do anything about it people seek out a b-movie preacher. The
b-movie preacher lost his job due to the rough economy, or the total collapse
of the economy. What I object to is all Christian rock being created equal,
specifically ‘chord progressions that fit within the schema of a lifestyle that
never holds excitement’. Two words I say: Danielson Famile. They are weird as
heck. By the end of the poem at least things get a bit happier thanks to the satanic
lifestyle.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Room’
deals with impregnating houseplants. It is a fun poem. Irina Ionsesco is a
French photographer. She takes pictures of Mike in the poem, or rather; she
would if he was a bit more erotic in his plant insemination.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;The chapbook ends on a happy note. It seems
cheerful. As I read this particular piece I wanted to be these people. They
appear to have it all. They live in a hotel, a place I’ve never been to before.
Normally when I travel I sleep under the stars, up in a tree. Forget hotels.
You don’t pay a thing if it has a swing (swings are normally found on many
trees in North America).&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Mike
Impossible does the impossible. His poems are filled with plenty of people I had
to Google. With each poem he expanded my mind little by little. I like his use
of repetition in many of these poems. Upset by the lack of ‘ass-clapping’ in
this chapbook. Despite this flaw it is a strong collection. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-6328156614192061671?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/oFf242bCJif-K44yPOIUzOMHpQ4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oFf242bCJif-K44yPOIUzOMHpQ4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/oFf242bCJif-K44yPOIUzOMHpQ4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/oFf242bCJif-K44yPOIUzOMHpQ4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/YajKa8FVnac" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/6328156614192061671/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/round-of-applause-baby-make-that-ass.html#comment-form" title="3 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/6328156614192061671?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/6328156614192061671?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/YajKa8FVnac/round-of-applause-baby-make-that-ass.html" title="Round of Applause // Baby Make that Ass Clap by Mike Kitchell" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-L0TzqdkV3fU/T0m_G9_pNSI/AAAAAAAABWE/dOipmnOidGs/s72-c/320667_2485821423320_1186178157_32877416_32440078_n.jpg" height="72" width="72" /><thr:total>3</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/round-of-applause-baby-make-that-ass.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkIMRnk6fSp7ImA9WhVSEk8.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-496063611490620525</id><published>2012-03-08T11:36:00.000-05:00</published><updated>2012-03-08T11:36:27.715-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-08T11:36:27.715-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Four Tet" /><category scheme="http://www.blogger.com/atom/ns#" term="Sweden" /><category scheme="http://www.blogger.com/atom/ns#" term="Late Spring Morning Sunlight" /><category scheme="http://www.blogger.com/atom/ns#" term="Henric" /><category scheme="http://www.blogger.com/atom/ns#" term="Mountain Goats" /><category scheme="http://www.blogger.com/atom/ns#" term="Ghost Lake" /><title>Ghost Lake - Late Spring Morning Sunlight EP 8.0</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-_bAkakpOOxo/T1W04l0Pe8I/AAAAAAAABYU/mfIgbghUkAM/s1600/Late-Spring-Morning-Sunlight_cover700x700.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-_bAkakpOOxo/T1W04l0Pe8I/AAAAAAAABYU/mfIgbghUkAM/s320/Late-Spring-Morning-Sunlight_cover700x700.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I like
the complete sweetness of Ghost Lake. There’s a sense of childlike wonder in
each track. While I go through these tracks over and over again I adore it. I
think of a less stuffy version of Four Tet. Each piece discovers new pieces,
sounds, and methods. While there is this exploration of new tender sounds it
remains firmly pop.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Late
Spring Morning’ gives off a very Four Tet feeling. The hand claps, sweet
lyrics, and simple guitars all come together in a giant ‘let’s feel good about
ourselves’ moment. It reminds me of biking on a sunny summer day. That’s where
the EP title comes from. The title matches up with the emotions. Positivity is
all over this EP. It glows with pure joy. Even the saddest songs (like the
insanely titled second track) still have a certain hope to them.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; My
favorite track on here is ‘Music’. This reminds me of ‘The Mountain Goats’ for
some reason. It is extremely catchy. How the sound builds up with a chorus is
particularly wonderful. When it finally reaches the end I wish they would
repeat themselves a bit more, to turn it into a mantra. ‘All I care about is
music’ should go on for a full minute. There’s so much energy behind it I want
to hear this repeated on and on. Or maybe I feel this way because it is true to
me.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ghost
Lake knows what it’s doing. I can’t wait until late spring. On this EP they
capture the hope of early morning. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-496063611490620525?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/LyOStQqjST4kwIN8R-qXI9TlrFI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LyOStQqjST4kwIN8R-qXI9TlrFI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/LyOStQqjST4kwIN8R-qXI9TlrFI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LyOStQqjST4kwIN8R-qXI9TlrFI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/1Yxn5zzYC-I" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/496063611490620525/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/ghost-lake-late-spring-morning-sunlight.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/496063611490620525?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/496063611490620525?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/1Yxn5zzYC-I/ghost-lake-late-spring-morning-sunlight.html" title="Ghost Lake - Late Spring Morning Sunlight EP 8.0" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-_bAkakpOOxo/T1W04l0Pe8I/AAAAAAAABYU/mfIgbghUkAM/s72-c/Late-Spring-Morning-Sunlight_cover700x700.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/ghost-lake-late-spring-morning-sunlight.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEQEQX07fip7ImA9WhVSEUo.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-2065100155916256431</id><published>2012-03-07T21:03:00.001-05:00</published><updated>2012-03-07T21:05:00.306-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-07T21:05:00.306-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="HTML GIANT" /><category scheme="http://www.blogger.com/atom/ns#" term="Thomas Pynchon" /><category scheme="http://www.blogger.com/atom/ns#" term="Ernest Hemingway" /><category scheme="http://www.blogger.com/atom/ns#" term="Basho" /><category scheme="http://www.blogger.com/atom/ns#" term="Jean Rhys" /><category scheme="http://www.blogger.com/atom/ns#" term="Guillaume Morissette" /><category scheme="http://www.blogger.com/atom/ns#" term="Jimmy Chen" /><category scheme="http://www.blogger.com/atom/ns#" term="Tao Lin" /><category scheme="http://www.blogger.com/atom/ns#" term="Alt Lit Gossip" /><category scheme="http://www.blogger.com/atom/ns#" term="point of view of a penis" /><category scheme="http://www.blogger.com/atom/ns#" term="Owen Wilson" /><title>Guillaume Morissette’s Accomplishment Chart.</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-1RJtve5US9k/T1gS_xCX-AI/AAAAAAAABZQ/IWLBcERb7hs/s1600/Final_hgiant.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://3.bp.blogspot.com/-1RJtve5US9k/T1gS_xCX-AI/AAAAAAAABZQ/IWLBcERb7hs/s640/Final_hgiant.png" width="236" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I think
Guillaume needs to make a goddamn chart for his&lt;a href="http://htmlgiant.com/random/accomplishment-chart/"&gt; own accomplishments&lt;/a&gt;. These charts
are wonderful. First they were on his infinitely excellent website. Next they
migrated like birds to hotter climates, like Alt Lit Gossip. Now he has done
it. Guillaume is in the ‘major leagues’ of alt lit flowcharts. HTML Giant, home
to all things wonderful and awful, has his latest flowchart out.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Beneath
the giant flowchart is a rare thing: an explanation. All these flowcharts and
only now does Guillaume reveal his past life. Nobody is born into alt lit. One
chooses the alt lit lifestyle. The allure of making zero dollars and posting
funny things online is too great. Guillaume used to design video games before
finding his alt lit muse. Or maybe he started doing it before he quit his job
to be a full time alt lit contributor, much like myself. Whatever the reason,
it is good to have him here, giving us a flowchart for life.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Hemingway
goes first. He had a desire to be respected, admired and obeyed. Weirdly
Guillaume left out his ‘beer promotion’. I think beer promotion is perhaps
Hemingway’s greatest accomplishment, at least behind most of his books. Going
down the line one sees Hemingway got depressed due to all that death
surrounding him. Unfortunately Hemingway’s plans towards the end of his life
grew a bit unrealistic. Not sure what killing an infant Owen Wilson would have accomplished.
It probably would have resulted in a lack of ‘Rushmore’ as a film. That sounds
depressing.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Basho
had a sad life. So did Jean Rhys. Jean Rhys questioned happiness. That led to
her being unhappy. Don’t question happiness. Happiness doesn’t respond well to
questions. Simply let it be. Embrace the happy. Trying to figure out happiness
is impossible.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; We get
to the ‘currently living’ group of people. Thomas Pynchon (a personal favorite
of mine) gets the spotlight. He’s a pretty old writer. When he began his career
he focused on hamsters, oddball names, and paranoia. As he got older he focused
on hamsters, oddball names, and paranoia. Feel glad he disappeared from public
view. I consider him as a source of inspiration for my own anonymity online and
offline. To those I’ve seen read and have not introduced myself to: I am sorry
yet I am simultaneously not sorry.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Tao Lin
ends the list. Not in a literal sense, more in a ‘he has so much to live/not
live’ for. Guillaume has some fun with Tao’s lifeline. Tao Lin is younger than
the rest of the writers and full of what is commonly referred to as ‘life’. I
like Guillaume’s usage of Jimmy Chen’s photoshop art of a morbidly obese Tao
Lin. I want his comeback novel to be from the point of view of his penis. If
Tao Lin wrote a book from the point of view of his own penis it might be a ‘hard’
sell but he could probably ‘pull’ it off, leading to ‘exploding’ sales.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I like
Guillaume’s work. Happy to see he is bringing together many different commenters on HTML
Giant, no mean feat. Could Guillaume win the ‘end the bitchy attitude on HTML
Giant’ award? We’ll see. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-2065100155916256431?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/jIc-OkFeRlkddny-UQsHTtfDWrI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jIc-OkFeRlkddny-UQsHTtfDWrI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/jIc-OkFeRlkddny-UQsHTtfDWrI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jIc-OkFeRlkddny-UQsHTtfDWrI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/cF5rwXvw20w" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/2065100155916256431/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/guillaume-morissettes-accomplishment.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/2065100155916256431?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/2065100155916256431?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/cF5rwXvw20w/guillaume-morissettes-accomplishment.html" title="Guillaume Morissette’s Accomplishment Chart." /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-1RJtve5US9k/T1gS_xCX-AI/AAAAAAAABZQ/IWLBcERb7hs/s72-c/Final_hgiant.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/guillaume-morissettes-accomplishment.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUIFR307cCp7ImA9WhVSEUs.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-4265453506895888328</id><published>2012-03-07T19:45:00.000-05:00</published><updated>2012-03-07T19:45:16.308-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-07T19:45:16.308-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Mason Johnson" /><category scheme="http://www.blogger.com/atom/ns#" term="Circle Jerk USA" /><category scheme="http://www.blogger.com/atom/ns#" term="Virgin Mary Cum Stain" /><category scheme="http://www.blogger.com/atom/ns#" term="Susi Swanton" /><category scheme="http://www.blogger.com/atom/ns#" term="Daniel Shapiro" /><category scheme="http://www.blogger.com/atom/ns#" term="Beach Boys" /><category scheme="http://www.blogger.com/atom/ns#" term="Circle Jerk Edition" /><category scheme="http://www.blogger.com/atom/ns#" term="Kick Out the Boner Jams" /><title>Reader Beware: It’s about to get crazy up in here</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-xCAKOpzikS4/T1bxN2lCsZI/AAAAAAAABZI/GJNa2TQv3vc/s1600/Fuzzy+Kitten.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-xCAKOpzikS4/T1bxN2lCsZI/AAAAAAAABZI/GJNa2TQv3vc/s1600/Fuzzy+Kitten.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; America
was built by jerk offs. Not just ordinarily jerk offs, but extraordinary jerk
offs. The kind of jerk offs people would look to and admire. Quietly (or
loudly) they’d say ‘there goes a total jerk off’. A few jerk offs have helped
to run this country. Such proud jerk offs like Ronald Reagan, George W. Bush,
and Martin Van Buren worked hard to make this country the land of the jerk off.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Kick
out the Boner Jams’ celebrates the art of the ‘Circle Jerk’. The circle jerk is
a time honored tradition where a bunch of men cum together. Jerk offs don’t
care where or when they jerk off. It could be behind a 7/11. It could be after
a long, throbbing day at work. Really it can be anywhere. That’s the beauty of
the jerk off. Never before have I seen such tasteful treatment of an oftentimes
vulgar and maligned art form.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Transylvanian
Circle Jerk’ has a rhyming scheme reminiscent of a 50s doo-wop song. I like the
joyful mood of these monsters. Daniel Shapiro shows how monsters can get along
through the lost art of the circle jerk. Dracula and Frankenstein solve their
problems in this poem by ejaculating in front of each other. Maybe we could end
wars through circle jerks all that pent up rage just let out. ‘Circle Jerk USA’ reminds me of
a long-lost Beach Boys track; back when they did simple surf ditties. Glad that
after you die you can jerk off behind a convenience store. &amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Susie
Swanton writes about dead boners in ‘Ants on my boner’. Though she is dead she
has a boner for you. It seems extremely affectionate. I’m also glad there’s a
female writer in this collection. Otherwise it may seem a bit male masturbatory.
Her female perspective is a key element here. Both of her poems are rather forceful.
The second one ‘Poke a Hole in your Butt’ even incites forms of violence,
through butt hole poking.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Mason
Johnson ends it with the non-controversial ‘Virgin Mary Cum Stain’. It goes
over finding Jesus in a grilled-cheese sandwich. But there’s one place the
narrator finds God. It is in the sleaziest of places. Religious types may get
offended. I say whatever gets more people to church is in your benefit. If it
happens to be through this, so be it. Take what you can get.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Glad to
see this is Volume XXII. Happy to know there are at least twenty one other
editions of ‘Kick out the Boner Jams’. Bring a tear to my eye knowing alt lit supports
circle jerks. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-4265453506895888328?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/VjoZaOd1RcosSI9k4FB0t5-S_VA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/VjoZaOd1RcosSI9k4FB0t5-S_VA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/VjoZaOd1RcosSI9k4FB0t5-S_VA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/VjoZaOd1RcosSI9k4FB0t5-S_VA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/YFyJebqtz5Y" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/4265453506895888328/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/reader-beware-its-about-to-get-crazy-up.html#comment-form" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/4265453506895888328?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/4265453506895888328?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/YFyJebqtz5Y/reader-beware-its-about-to-get-crazy-up.html" title="Reader Beware: It’s about to get crazy up in here" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-xCAKOpzikS4/T1bxN2lCsZI/AAAAAAAABZI/GJNa2TQv3vc/s72-c/Fuzzy+Kitten.jpg" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/reader-beware-its-about-to-get-crazy-up.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkYFQXo_eCp7ImA9WhVSEEQ.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-8462940305157354805</id><published>2012-03-06T23:21:00.000-05:00</published><updated>2012-03-06T23:21:50.440-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-06T23:21:50.440-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Jon Brion" /><category scheme="http://www.blogger.com/atom/ns#" term="Bandcamp" /><category scheme="http://www.blogger.com/atom/ns#" term="Western Expanses" /><category scheme="http://www.blogger.com/atom/ns#" term="Mobile Alabama" /><category scheme="http://www.blogger.com/atom/ns#" term="Edward Appleby" /><title>Edward Appleby - The City (Waiting for the Inevitable Disaster) 7.6</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-ibfYhRKDpg4/Tz66xw6OVvI/AAAAAAAABT8/FJW9WoQE85M/s1600/1724095808-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-ibfYhRKDpg4/Tz66xw6OVvI/AAAAAAAABT8/FJW9WoQE85M/s320/1724095808-1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ah yes,
I am well aware of &lt;a href="http://edwardappleby.bandcamp.com/album/the-city-waiting-for-the-inevitable-disaster"&gt;Edward Appleby&lt;/a&gt;. Thus far I encountered two of his
holiday-themed EPs. This is the first full length album I’ve heard. It is an
epic one, not in terms of length (it is a normal 50 minute or so piece) but in
number of instruments used. One moment you’ll hear a calm piano, next you’ll be
subjected to a sudden surge of synthesizers. Drum machines come out of nowhere.
Or you’ll suddenly get introduced to low key acoustic guitars and violins. It
is a varied listening experience, with so many different styles, twists and
turns thrown.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; It starts
up with ‘No, We Really Couldn't Have’ which reminds me of the beginning of ‘Little
Miss Sunshine’. It has the same amount of anxiety and worry. Most of the album
displays anxiety. Everything, every little part of the album appears to be
worried. There are little parts that appear to try to calm things down, like ‘I
want to see you’ which feels a bit too short to me. I actually really enjoyed
this particular track. Other little parts emerge trying to calm frayed nerves. All
the shorter tracks (under three minutes) are generally the sweetest, most
stable tracks. One of them ‘Western Expanses’ reminds me strongly of Jon Brion’s
soundtrack work.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Edward
Appleby is ambitious. This album really sprawls into everything. It is an
anxious, sweet, beautiful, oftentimes lovely album. In other words, it’s human.
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-8462940305157354805?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/1p4CzD4H8GIgVep4h2t4QuaiB64/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1p4CzD4H8GIgVep4h2t4QuaiB64/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/1p4CzD4H8GIgVep4h2t4QuaiB64/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1p4CzD4H8GIgVep4h2t4QuaiB64/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/S23Bp1m1v7U" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/8462940305157354805/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/edward-appleby-city-waiting-for.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/8462940305157354805?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/8462940305157354805?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/S23Bp1m1v7U/edward-appleby-city-waiting-for.html" title="Edward Appleby - The City (Waiting for the Inevitable Disaster) 7.6" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-ibfYhRKDpg4/Tz66xw6OVvI/AAAAAAAABT8/FJW9WoQE85M/s72-c/1724095808-1.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/edward-appleby-city-waiting-for.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D04EQ386eCp7ImA9WhVSEEU.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-3206146057910627</id><published>2012-03-06T21:05:00.000-05:00</published><updated>2012-03-06T21:05:02.110-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-06T21:05:02.110-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="AWP" /><category scheme="http://www.blogger.com/atom/ns#" term="alt lit" /><category scheme="http://www.blogger.com/atom/ns#" term="When to Be Afraid" /><category scheme="http://www.blogger.com/atom/ns#" term="Pangur Ban Party" /><category scheme="http://www.blogger.com/atom/ns#" term="DJ Berndt" /><category scheme="http://www.blogger.com/atom/ns#" term="Untoward Magazine" /><title>When to Be Afraid by DJ Berndt</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-gJolVp1GooU/T1awl9TIf8I/AAAAAAAABY4/jfdvmGEnmq0/s1600/DJ.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="180" src="http://1.bp.blogspot.com/-gJolVp1GooU/T1awl9TIf8I/AAAAAAAABY4/jfdvmGEnmq0/s320/DJ.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; DJ
Berndt is the original alt lit booster. He boosts when no one is around. Pangur
Ban Party is one of his main boosting grounds. IRL is another boosting ground. This
weekend his boosting ground was Chicago. He gave a well-received reading.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
short story ‘&lt;a href="http://www.untowardmag.com/2012/03/when-to-be-afraid/"&gt;When to Be Afraid&lt;/a&gt;’ shows us a new side of DJ Berndt. ‘When to be
Afraid’ is a dark tale about the relationship between two brothers. It begins
in the forceful way possible.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; “My
brother was six years older than me when he stopped getting older.”&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Slowly
the brother’s many positive attributes are listed. His love of life, desire to
create, knowledge about the stars above, and generally being a good brother are
read off, one by one. This feels less like a short story and more like an
informal talk with a friend. I like the casual tone of the piece. We are listening
to DJ Berndt speak about his brother. The party’s ended and we’re interested in
each other, wanting to know where everybody came from. So DJ begins.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; His
brother got sick. No longer did he have a specific age. Instead due to his
illness he experienced a stasis, an inability to grow. DJ kept on living a
normal life, trying out for the basketball team, getting acne. The typical
things that DJ experienced are interwoven into his older brother’s life. While
DJ continues to have a life his brother gets worse. His brother read books, thinking
he’d be blind soon. Before he becomes blind he wanted to absorb as much
knowledge and information as possible.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; College
goes normally for DJ. He loses his virginity. Losing your virginity seems
chill. That kind of thing normally happens in college. His brother doesn’t
experience this joy. No, part of the sadness of the whole piece is how his
brother can’t experience these normal things. So while DJ experiences a normal
life his brother wallows in the basement, growing more isolated and alone. DJ
receives some support and advice from his increasingly distant brother in the
form of a slingshot. The brother tells him to use the slingshot to ward off the
darkness which is everywhere.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Finally
the brother stops aging. The parents go downstairs and look at all the braille
books he collected. Neither one understood why he collected them. The brother
had twenty-twenty vision. DJ’s parents try to put themselves together. They do.
They call the local Association of the Blind to try and find out what the books
say.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; This is
a powerful, compact piece. DJ Berndt is more than an alt lit booster. He is a
writer. This story is a beautiful piece about the encroaching darkness and when
to be ready for it. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-3206146057910627?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/VfR2FaqzejSiAZbTp1tzH32tQz8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/VfR2FaqzejSiAZbTp1tzH32tQz8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/VfR2FaqzejSiAZbTp1tzH32tQz8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/VfR2FaqzejSiAZbTp1tzH32tQz8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/gg02_O73Ick" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/3206146057910627/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/when-to-be-afraid-by-dj-berndt.html#comment-form" title="2 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/3206146057910627?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/3206146057910627?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/gg02_O73Ick/when-to-be-afraid-by-dj-berndt.html" title="When to Be Afraid by DJ Berndt" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-gJolVp1GooU/T1awl9TIf8I/AAAAAAAABY4/jfdvmGEnmq0/s72-c/DJ.jpg" height="72" width="72" /><thr:total>2</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/when-to-be-afraid-by-dj-berndt.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0UMRHY8cSp7ImA9WhVSFE0.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-4817198068620055107</id><published>2012-03-06T19:14:00.000-05:00</published><updated>2012-03-10T12:41:25.879-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-10T12:41:25.879-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="no i can't drive and i won't learn" /><category scheme="http://www.blogger.com/atom/ns#" term="Terre Thaemlitz" /><category scheme="http://www.blogger.com/atom/ns#" term="Metazen" /><category scheme="http://www.blogger.com/atom/ns#" term="Sian S. Rathore" /><category scheme="http://www.blogger.com/atom/ns#" term="Pokemon" /><category scheme="http://www.blogger.com/atom/ns#" term="summer flings" /><category scheme="http://www.blogger.com/atom/ns#" term="Alvin Lucier" /><title>no, i can’t drive and i won’t learn by Sian S. Rathore</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-OtwbofKx92E/T1annbIjHaI/AAAAAAAABYw/U0hRa1qPFdU/s1600/tumblr_m0hjzxYQt91rqv8ee.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-OtwbofKx92E/T1annbIjHaI/AAAAAAAABYw/U0hRa1qPFdU/s320/tumblr_m0hjzxYQt91rqv8ee.jpg" width="233" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://www.blogger.com/goog_1414862809"&gt; &lt;/a&gt;&lt;a href="http://noicantdrive.tumblr.com/"&gt;Sian S.Rathore has come out with her first chapbook&lt;/a&gt;. The alt lit community has eagerly
anticipated this event for quite some time. She is an editor of the prestigious
Metazen. Lately more of her contributions are in the ‘Screaming Seahorses’
series, a series out every month. With this chapbook (which is rather dense)
she embodies the helplessness of the title page’s character, a Diglet (from
Pokémon) stuck in a tree not needing salvation, simply relaxing with his
upturned car.&amp;nbsp;&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The 7
AM deadline looms large in the first page. A number of reasons come up. First
is the coughing. Next up is the panic attack held at a local Supermarket.
Shoppers were unaware of this panic attack because it was unscheduled. Pillows
and bombs intermingle. It reminds me of the love-bomb foretold by one Terre
Thaemlitz.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; What
does Sian want? She tears apart the question. People never want the same things
every day. To do so would be positively absurd. Answering her science teacher
with a dignified answer is equally absurd. Her boyfriend doesn’t need an answer
now anyway.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A
letter describes a time in a dream. The dream can also depict reality. It
depends on the perspective of the reader. She lives next to a lake. Every piece
of nature can be equated with the joy of being human. Algae are her skin. She
goes underwater. I like the cold and numbness of her body’s state. That’s a
particularly pretty description though horribly bleak. Behind this letter is a
trippy Animal Collective-esque background morphing slowly. Either that or my
eyes are getting worse.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Summer
comes along. The seasons do move forward in this book. We were in the freezing
cold of the lake. I’m glad it is summer out. Summer consists of people tearing
out their hearts. I think they are called ‘Summer Flings’. I can’t think of a
more literal depiction of this than someone literally tearing their heart out
and flinging it at someone.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Unfortunately
death lurks all around us. Before it was the freezing water and cold numbness
but now it is a squirrel. The squirrel is totally dead. I am glad she dragged
me through the mulchy streets. Summer has become fall.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
next part is simply a list. Alvin Lucier gets a shout-out through the line ‘I
am sitting in a room different from the one you are sitting in now’. Maybe I’m
wrong. I doubt it though. For in the next line she discusses how music sounds
like people talking. I agree. That is why I listen mostly to instrumental
music. I like to interpret music myself. I do not enjoy having someone sing meaning
to me. &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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   &lt;w:UseAsianBreakRules/&gt;
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  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
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  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
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  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
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   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
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  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
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  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
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&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
 {mso-style-name:"Table Normal";
 mso-tstyle-rowband-size:0;
 mso-tstyle-colband-size:0;
 mso-style-noshow:yes;
 mso-style-priority:99;
 mso-style-parent:"";
 mso-padding-alt:0in 5.4pt 0in 5.4pt;
 mso-para-margin-top:0in;
 mso-para-margin-right:0in;
 mso-para-margin-bottom:10.0pt;
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 line-height:115%;
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&lt;/style&gt;
&lt;![endif]--&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;For
more information about instrumental music, check out &lt;a href="http://www.onlineuniversities.net/"&gt;online universities&lt;/a&gt; that can teach you all about some of the greatest instrumental compositions from Aavikko to Zyxx. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A cute
puppy wearing a leather jacket represents the brutal loneliness of life. It is
smiling. On the inside that dog is dead. It knows how pointless life truly is.
Sian knows this too. That’s why she watches deeply disturbing GIFS of dogs
fucking. I am not sure why she does.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
ending is beautiful. It basically brings together all the lonely aspects into
one piece. With so much of our life being hidden, clothed, it is sad to be
naked alone. Some people find it liberating. But to be liberated it seems one
must be alone. Wish it didn’t have to be this way.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Sian
moves through seasons. She moves through relationships. The chapbook is short
and precise. I enjoy the flow of the book. Despite its sometimes sad nature, it
feels hopeful. The last line ‘doesn’t have to change anything’ is the best. We don’t
have to change anything. Most of life is made up not of any dramatic event but
a slow and carefully collected consciousness, much like what we saw in the
preceding pages. It is these small events that affect us the most. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-4817198068620055107?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/lJm430IT0GxwZGZX4nVrm4bDoJg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lJm430IT0GxwZGZX4nVrm4bDoJg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/lJm430IT0GxwZGZX4nVrm4bDoJg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lJm430IT0GxwZGZX4nVrm4bDoJg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/LCqZRDnJdqk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/4817198068620055107/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/no-i-cant-drive-and-i-wont-learn-by.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/4817198068620055107?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/4817198068620055107?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/LCqZRDnJdqk/no-i-cant-drive-and-i-wont-learn-by.html" title="no, i can’t drive and i won’t learn by Sian S. Rathore" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-OtwbofKx92E/T1annbIjHaI/AAAAAAAABYw/U0hRa1qPFdU/s72-c/tumblr_m0hjzxYQt91rqv8ee.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/no-i-cant-drive-and-i-wont-learn-by.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkUGRXg8eip7ImA9WhVSEEs.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-3979556315351199624</id><published>2012-03-06T13:57:00.000-05:00</published><updated>2012-03-06T13:57:04.672-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-06T13:57:04.672-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="soundcloud" /><category scheme="http://www.blogger.com/atom/ns#" term="Night Heat" /><category scheme="http://www.blogger.com/atom/ns#" term="Cascine" /><category scheme="http://www.blogger.com/atom/ns#" term="Selebrities" /><category scheme="http://www.blogger.com/atom/ns#" term="80s" /><title>Selebrities – Night Heat 7’ 7.2</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-jlGj9qI-QQs/T0gbtSKOYiI/AAAAAAAABV0/ujSEHuu7q5A/s1600/NIGHT-HEAT-SELEBRITIES-575x575.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-jlGj9qI-QQs/T0gbtSKOYiI/AAAAAAAABV0/ujSEHuu7q5A/s320/NIGHT-HEAT-SELEBRITIES-575x575.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ah yes,
Selebrities have come back to me. They brought out a great album in 2011 and
now they’re back. Don’t worry all those 80s influences are here. Guitars sound
like Reagan. Synthesizers are back in a big way, perhaps even more prominent
than before. Plus they appear to be using more effects for the songs.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘&lt;a href="http://soundcloud.com/cascine/sets/selebrities-night-heat/s-UC8si"&gt;Night Heat&lt;/a&gt;’ brings back Maria’s wonderful voice. It sounds cryogenically frozen in
the early 80s. The guitar sounds strong on here. Even the drum appears to have
been lifted out of some cheesy late night movie. Just to make sure they are
doing the decade justice, they cut out the guitar leaving the lonely
synthesizer. This is the breakdown. The buildup is even sweeter.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The B
side is even more playful. Is that a cowbell? I think I’m happy with this
track. Selebrities take their time with this one, letting it slowly grow. The
guitar is considerably less prominent in this track. However that synthesizer
is the star of this piece, overtaking even Maria’s vocals. Instead of being the
lead, the guitar almost adds punctuation to the track. Only a few times can
Maria manage to rise up against the synthesizer.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Glad to
hear that Selebrities aren’t resting on their laurels. This is going to be
released later this month. On here they’ve perfected the 80s icy coolness.
Sure, this is a bit of a tease. That’s fine. Hopefully their next album can
continue to bring the dark pop hooks they’ve explored on here. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-3979556315351199624?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Kwn-jP-NQ63V-7ePkIK21Ttdzs0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Kwn-jP-NQ63V-7ePkIK21Ttdzs0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Kwn-jP-NQ63V-7ePkIK21Ttdzs0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Kwn-jP-NQ63V-7ePkIK21Ttdzs0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/B0cHWuK-0Ac" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/3979556315351199624/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/selebrities-night-heat-7-72.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/3979556315351199624?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/3979556315351199624?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/B0cHWuK-0Ac/selebrities-night-heat-7-72.html" title="Selebrities – Night Heat 7’ 7.2" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-jlGj9qI-QQs/T0gbtSKOYiI/AAAAAAAABV0/ujSEHuu7q5A/s72-c/NIGHT-HEAT-SELEBRITIES-575x575.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/selebrities-night-heat-7-72.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUEESHk7fip7ImA9WhVSEE0.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-9104446220401561029</id><published>2012-03-05T23:20:00.000-05:00</published><updated>2012-03-05T23:20:09.706-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-05T23:20:09.706-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Gabby Gabby" /><category scheme="http://www.blogger.com/atom/ns#" term="Virginia" /><category scheme="http://www.blogger.com/atom/ns#" term="Peter Pan" /><category scheme="http://www.blogger.com/atom/ns#" term="Paul Cunningham" /><category scheme="http://www.blogger.com/atom/ns#" term="Junior" /><category scheme="http://www.blogger.com/atom/ns#" term="Zachary German" /><category scheme="http://www.blogger.com/atom/ns#" term="Truman Capote" /><category scheme="http://www.blogger.com/atom/ns#" term="Holly Go Lightly" /><category scheme="http://www.blogger.com/atom/ns#" term="Gabby Gabby Poetry" /><category scheme="http://www.blogger.com/atom/ns#" term="Arnold Schwarzenegger" /><title>Holly Go Lightly</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-8d0ngANLQqg/T1WPpqCT9wI/AAAAAAAABYM/cpTeaPa9ZnI/s1600/tumblr_m0fg6cp2iJ1r9li2go1_500.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-8d0ngANLQqg/T1WPpqCT9wI/AAAAAAAABYM/cpTeaPa9ZnI/s320/tumblr_m0fg6cp2iJ1r9li2go1_500.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;a href="http://gabbygabbypoetry.tumblr.com/"&gt;Gabby Gabby&lt;/a&gt; traverses the internet. See her everywhere. I feel Gabby Gabby is the
‘Lady Gaga’ of alt lit. The two of them have worked together before and I know
they will work together again. Besides her collaborations, she is all over
Facebook. Recently she posted on my Facebook wall and discussed Rush Limbaugh.
So she covers all her bases. In her spare time she attends school in Virginia.
Virginia is one of the designated ‘for lovers’ states, along with Oklahoma and
Idaho. I’m sure she learns more from alt lit than any school could teach her.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;‘&lt;a href="http://downloadhollygolightly.files.wordpress.com/2012/03/holly-go-lightly.pdf"&gt;Holly Go Lightly&lt;/a&gt;’ is Gabby Gabby’s third chapbook. This has the strongest ‘personal
feel’ to it. Previous ones dealt with people but in more abstract, distant
ways. Here Gabby presents a great deal of her experiences in school, college,
and life in general. Yes, it is still funny. Gabby has a sense of humor. But
there’s something very raw, very real about it. A few times I felt moved,
saddened even. I remember how my college experience went. The isolation of that
experience came back to me as I read this work. I thought ‘good, I thought I
was the only one who felt alone at school.’ Glad Gabby shows me that I am not
alone in school-related experiences.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Truman
Capote introduces the book with his ‘hot bod’. However, if one looks carefully,
one sees Gabby’s body within Truman Capote. Did Truman Capote give birth to
Gabby? I find this unlikely. One, men cannot give birth to children yet
(despite what the movie ‘Junior’ showed us). Also, even if such a thing was
possible, she’s too young to have Truman Capote as a father. Most likely this
photo refers to media’s fascination more with how a writer looks than one’s
actual output. See Zachary German’s many interviews due to his extreme, intense
attractiveness. This explains the occasional attempts at writing anonymous, all
of which fail miserably, with a few notable exceptions.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;I like
the description of the Apple Laptop. From one single possession an entire flood
of emotions comes forth. One person, one memory appears from this mass-produced
consumer product. What makes it so memorable is its dent. Its imperfections
become its most endearing quality. I feel that way about a lot of people.
Usually what annoys people the most is what interests me the most. This story,
which is spying, is quite forceful in its delivery. The reason this story comes
up is due to the deep emotional bond Gabby has with her computer. Since my
computer goes everywhere with me, I understand.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Not
sure if Gabby’s life is a TV show. I don’t own a TV to watch. Maybe it is a
good TV show on one of those cable channels you need to pay for, like AMC,
Showtime, or HBO. Feel if Gabby’s life were a show it wouldn’t have canned
laughter. It’d probably be impeccability well-shot and cast. Probably it would
win an award or two, like a Golden Globe since those seem to be fairly popular.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;She
lists many items. All of these items are mere suggestions. Her goal is to have
men stick something up their butt holes. This of course goes back to her now
famous quote ‘Poop in my Butt Hole’ made famous by one Paul Cunningham. As a
sloth I’m lucky this will never happen to me. But if I may, let me say ‘Sporks’
and ‘Butter knives’ seem harsh. Stick with erasers. I think erasers seem like a
logical thing to shove up one’s ass. Her exploration of sexuality doesn’t end
there. Rather it continues onward to her school production of ‘Peter Pan’ where
she had to ace bandage her breasts to look male. That’s one of the most
interesting parts of the chapbook. It confirms why I never starred in any
school plays.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;I like
this chapbook. I feel with each chapbook Gabby opens up a little more than
before. The absurd humor made me laugh a few times. The photos are wonderful.
And the use of repetition to heighten tension is great. I hope she goes on an ‘IRL
Poetry Tour’. &lt;span style="mso-spacerun: yes;"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-9104446220401561029?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/cu63OORbvJNqA2iv0CF0LI4srxk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cu63OORbvJNqA2iv0CF0LI4srxk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/cu63OORbvJNqA2iv0CF0LI4srxk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cu63OORbvJNqA2iv0CF0LI4srxk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/I-_y88390M0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/9104446220401561029/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/holly-go-lightly.html#comment-form" title="5 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/9104446220401561029?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/9104446220401561029?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/I-_y88390M0/holly-go-lightly.html" title="Holly Go Lightly" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-8d0ngANLQqg/T1WPpqCT9wI/AAAAAAAABYM/cpTeaPa9ZnI/s72-c/tumblr_m0fg6cp2iJ1r9li2go1_500.jpg" height="72" width="72" /><thr:total>5</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/holly-go-lightly.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkMFQH44cSp7ImA9WhVSEE0.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-278811359126466307</id><published>2012-03-05T21:20:00.000-05:00</published><updated>2012-03-05T21:20:11.039-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-05T21:20:11.039-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Possibly Maybe" /><category scheme="http://www.blogger.com/atom/ns#" term="Canada" /><category scheme="http://www.blogger.com/atom/ns#" term="Dudley Do Right" /><category scheme="http://www.blogger.com/atom/ns#" term="Arthur from PBS shows his dick" /><category scheme="http://www.blogger.com/atom/ns#" term="Walter Mackey" /><category scheme="http://www.blogger.com/atom/ns#" term="Carnivorous Judy" /><category scheme="http://www.blogger.com/atom/ns#" term="Arthur" /><category scheme="http://www.blogger.com/atom/ns#" term="Eggplant" /><category scheme="http://www.blogger.com/atom/ns#" term="Björk" /><title>Possibly, Maybe by Walter Mackey</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
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&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I like
Walter Mackey. Walter Mackey is getting big in the alt lit scene. First he
collaborates with another Walter, one Sir Walter Davis. Sir Walter Davis smites
like no other. Glad they combine their powers via Tinychat. His Tumblr looks
better designed than my Tumblr, but that’s fairly easy for anyone to do. Now he
has an E-books section. That’s where ‘Possibly, Maybe’ lies.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘&lt;a href="http://youcanfindmescreaminginyourface.files.wordpress.com/2012/02/possibly-maybe.pdf"&gt;Possibly, Maybe&lt;/a&gt;’ is Walter’s first ‘multi-media’ project. He’s come a long way since his
overly morbid Kindergarten-era chapbook. Any kindergartner who writes about
death definitely needs to ‘chill out’. The cover for this chapbook is lovely.
Some Alt Lit Gossipers state this cover is a rip-off of Frank Hinton’s now
famous ‘Action, Figure’ cover. I disagree. I am pretty sure Walter did an
intense ‘Google Image Search’ rather than create it himself. Besides he has to
pay his newest collaborator Bjork somehow. Using her music isn’t free you know.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; This is
the first alt lit E-book. Usually E-books aren’t set to such stunning music but
what do you expect from one of Canada’s finest citizens. Walter Mackey is
Dudley Do Right, if Dudley Do Right ever decided to draw an anteater’s penis on
the beloved children’s program star ‘Arthur’. If you ever need a reason to like
or enjoy Walter’s work, simply think of that cartoonish penis. You’re welcome.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Walter
goes over his development into his current state. He was born a child, you
know, a normal kid. Then, through all these experiences, he became an eggplant.
The first time it happened is when he saw a Gymnastics Barbie. Of course,
Barbie turns people into eggplants. It is so obvious. And when Walter dresses
up Barbie it is because he’s becoming a Carnivorous Eggplant. A dress on a
plastic Barbie is like cheese on a salad. It’s not necessary, but it’s
certainly nice.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; One
part of it I read twice. Yes it is true. Walter knows how to knit. Few in the
alt lit community know this rare skill. Imagine the possible Walter may have
with the first ‘sewn’ chapbook that serves as a stylish scarf. Think I am
willing to pay roughly $12 for such a scarf, so long as he includes the ‘Arthur’
picture on it.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; All of
his childhood is gone over in an attempt to find an answer. Walter needs to know.
Maybe it happened during all these potential interactions. Slowly but surely
Walter transformed, into his current Eggplant status. I like the repetition in
this chapbook. He keeps everything simple. There is nothing adorning it, just fact
after fact after fact. Each one is stand-one. Who knows when he became an
Eggplant? Who knows when his Eggplant-self transformed into a Carnivorous
Eggplant (note nearly all alt lit writers are vegans, hence this makes it
difficult for his acceptance into the alt lit community).&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Honestly
the chapbook never defines the precise moment. Whenever the moment happened is
somewhat irrelevant. Each moment lead to an incremental change to present day
Walter. And I like Walter. He’s my friend. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-278811359126466307?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/NzM_3n93QLkCbhFPDu2_CPDDb5k/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NzM_3n93QLkCbhFPDu2_CPDDb5k/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/NzM_3n93QLkCbhFPDu2_CPDDb5k/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NzM_3n93QLkCbhFPDu2_CPDDb5k/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/KqyZcXZ8mbE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/278811359126466307/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/possibly-maybe-by-walter-mackey.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/278811359126466307?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/278811359126466307?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/KqyZcXZ8mbE/possibly-maybe-by-walter-mackey.html" title="Possibly, Maybe by Walter Mackey" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/possibly-maybe-by-walter-mackey.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkICQHc-fyp7ImA9WhVSEEs.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-7452590883842693545</id><published>2012-03-05T00:04:00.000-05:00</published><updated>2012-03-06T14:02:41.957-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-06T14:02:41.957-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Leyland Kirby" /><category scheme="http://www.blogger.com/atom/ns#" term="The Splendor of India's Royal Courts" /><category scheme="http://www.blogger.com/atom/ns#" term="Good Morning Africa" /><category scheme="http://www.blogger.com/atom/ns#" term="Andrew Kenower" /><category scheme="http://www.blogger.com/atom/ns#" term="Michael James Tapscott with Andrew Kenower" /><category scheme="http://www.blogger.com/atom/ns#" term="Gastr del Sol" /><category scheme="http://www.blogger.com/atom/ns#" term="Bookmaker Records" /><category scheme="http://www.blogger.com/atom/ns#" term="Michael Tapscott" /><title>Michael James Tapscott with Andrew Kenower - Good Morning, Africa 7.9</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-LxlaGMT68pI/T02MgO9yRfI/AAAAAAAABXU/ThLDootVk2c/s1600/R-3346515-1326738412.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-LxlaGMT68pI/T02MgO9yRfI/AAAAAAAABXU/ThLDootVk2c/s1600/R-3346515-1326738412.jpeg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href="http://www.bookmakerrecords.com/"&gt;‘Good Morning, Africa’&lt;/a&gt; is a dark, mysterious work. Technically it almost feels like
two separate, yet complimentary pieces. In the first album we have the
constantly evolving dark soundscapes. For the second album there is actual singing
and song craft. Both aspects of the album are enjoyable. The approach reminds
me of Gastr Del Sol’s modus operandi, where ‘pop-like’ songs would be
surrounded by emotional abstract pieces.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Longer
songs fare far better on here. The two seem to excel at expanding the dark
atmospheres. ‘Who'll stop the Rain’ begins with a field recording of steady
rain before an old radio tune is lifted out of nowhere. Everything in this song
seems to be happening just out of perception. Little pieces of talking,
screaming, and perhaps singing are distorted into pure creepiness. By the end it
transforms itself into a brooding synth piece with a tense guitar giving it
some rhythm.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Other
pieces are as equally compelling. ‘The Splendor of India’s Royal Courts’ gives
off an eerie haunted feeling. It is highly reminiscent of Leyland Kirby’s
project ‘The Caretaker’ but with considerably more distance involved. You can
barely make it out. It is as if the music is struggling to reach the listener.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
singing pieces are much more straightforward. Discernible guitars and drums are
located. Yet even with these seemingly normal pieces, there is a great deal
going on in the background. They are connected to their more abstract
counterparts.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; All of
this feels highly usual having such a large range of material. It is all dark,
brooding and atmospheric. Without the more conventional songs to break up the
experimental urges, this might have been slightly less accessible. Including
all these elements together gives the whole recording a certain sense of
balance. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-7452590883842693545?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/9T0riz5d-qZTfYYC7hKicZYtEn0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9T0riz5d-qZTfYYC7hKicZYtEn0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/9T0riz5d-qZTfYYC7hKicZYtEn0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9T0riz5d-qZTfYYC7hKicZYtEn0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/f9H06U1Touk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/7452590883842693545/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/michael-james-tapscott-with-andrew.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/7452590883842693545?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/7452590883842693545?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/f9H06U1Touk/michael-james-tapscott-with-andrew.html" title="Michael James Tapscott with Andrew Kenower - Good Morning, Africa 7.9" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-LxlaGMT68pI/T02MgO9yRfI/AAAAAAAABXU/ThLDootVk2c/s72-c/R-3346515-1326738412.jpeg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/michael-james-tapscott-with-andrew.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0QESXg-cCp7ImA9WhVTGEQ.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-5033194226211045609</id><published>2012-03-04T16:08:00.000-05:00</published><updated>2012-03-04T16:08:28.658-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-04T16:08:28.658-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Daniel M. Shapiro" /><category scheme="http://www.blogger.com/atom/ns#" term="Ally Batchelder" /><category scheme="http://www.blogger.com/atom/ns#" term="Angela Shier" /><category scheme="http://www.blogger.com/atom/ns#" term="Helen Yung" /><category scheme="http://www.blogger.com/atom/ns#" term="Nathan Masserang" /><category scheme="http://www.blogger.com/atom/ns#" term="Maggie Lee" /><category scheme="http://www.blogger.com/atom/ns#" term="J Adam" /><category scheme="http://www.blogger.com/atom/ns#" term="Brian Mcelmurry" /><category scheme="http://www.blogger.com/atom/ns#" term="Joe Vaughan" /><category scheme="http://www.blogger.com/atom/ns#" term="Heath Ison" /><category scheme="http://www.blogger.com/atom/ns#" term="Allison Kistenbroker" /><category scheme="http://www.blogger.com/atom/ns#" term="Michael Koh" /><category scheme="http://www.blogger.com/atom/ns#" term="B Alexander" /><title>Screaming Seahorse</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-NvKQoVr48jM/T1KDILEHxTI/AAAAAAAABYE/nvQUElrNz28/s1600/SS%21%21.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-NvKQoVr48jM/T1KDILEHxTI/AAAAAAAABYE/nvQUElrNz28/s320/SS%21%21.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Walter
Mackey, do you sleep? You are so busy lately. All those chapbooks, all that
Facebook shit-storm creation, and now this how do you do it? I want to know
your secret. Let me know. Send me an email. Post a link on my wall with
specific instructions. I’m jealous. Here I am blogging my life and you’re
‘kicking it’. This is the&lt;a href="http://www.screamingseahorse.com/p/issue-number-two.html"&gt; second Screaming Seahorse&lt;/a&gt; edition with the first
edition out only a mere couple of weeks ago. I know the internet is fast, but
that’s really fast.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; J. Adam
must have had a better 1997 than I did. My 1997 was nowhere near as dramatic. I
am happy he didn’t wake anybody up. Making coffee is always the better option.
I like to sleep and whenever I get woken up I feel a bit cranky. Of course I’m
a sloth so this is normal.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Michael
Koh is everyone. I think I see him everywhere. His poem rushes past me. It is a
single moment, one long sentence. Every tiny detail rushes by, the lip, the
jacket, the tree, everything. The end is the kicker though.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Matthew
Holmes runs ‘ThePyramidPress’. He’s one elusive bastard. One moment he’s
everywhere, all over my internet, next he’s nowhere to be found. Probably he’s
busy leaking things, doing his Wikileaks type project. Hope he never finds
peace of mind. I suggest traveling. Traveling is the best thing you can do with
your life. Go forth Matthew and don’t find yourself. That’s the worst.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Daniel
Cooper used to email me, Gchat me, you know, all that good stuff. His poem on
here is the darkest in the entire collection. Man, this is some bleak stuff.
Wonder what is going on down there in Austin, TX. Hope he’s okay. Glad I got to
read this, it feels extremely raw to me.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Helen
Yung is the cutest thing. It says that on the bottom of her tiny poem. This is
a sweet poem. I feel happy reading it. It is an extremely sweet, affectionate
little poem.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Joe
Vaughan turns it around. In the beginning I wanted to ask him “Are you okay
bro?” By the end I knew. However, it doesn’t answer why he only gives one cent
worth of advice. The normal amount is two cents. That’s just standard. Where’s
the other penny?&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Pancho
Espinoza studies the human condition. No joke he’s the anthropology expert of
the alt lit scene. Both of these poems are from his now-famous chapbook. I
never played the Sims as a kid but I’ve heard it ‘tears people apart’. I want
to address Pancho on the second poem: Pancho it gets better. Take it from me.
I’ve been around this big old world. People who act that stupid remain that
stupid for the rest of their lives. They end up being totally fucking useless.
You’re useful, relevant and alt. Let your inner alt guide you to salvation.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Daniel
M. Shapiro is funny. The language is absurd. Every word plays with the other. I
actually laughed at some of these, particularly the ‘Bird Doodie’ which is a
fun thing to say and ‘a piece of cheese shaped like a rubber duck’. It seems
dumb as hell yet also extremely funny to me.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Justin
Carter wrote this epic story. It hurts. I tend to ruin surprises or have
spoilers. Let me avoid that. Read this story. It is fantastic. There’s a reason
this guy edits Banango, the literary blog. Glad we are Facebook friends. Stay
away from my wife and three sloth kids Justin!&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Carolyn
DeCarlo is one half of the famous alt lit love story of 2012. Carolyn DeCarlo
and Jackson Nieuwland are up and everything is fantastic. Both of them warm my
heart. Her piece here is slightly different from what I usually see. In her
poem she’s rather tender. There is no mention of sex. I checked twice.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Janey
Smith rocks. She’s been in a number of publications and has a really positive
web presence. I love the drool imagery and the sleep imagery. When people sleep
I’m so happy. There’s something about being completely satisfied in sleep that
I adore. You can be whatever you want and everyone is really nice in your
dreams.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Maggie
Lee is one of those ‘New Jersey’ poets I hear so much about. They live around
Mount Olive in some kind of ‘alt lit split level commune’ and drink tea all
day. Her poem is a series of disconnected emoticons, the new emotion.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Andrea
Coates has a tremendous web presence. Her poem summarizes her entire life. It
is gigantic, sprawling. You learn about everyone she dated, the order, the
type, the style, the way they acted. The evolution of her is shown, Goth,
Hippie, etc. I never had a style. Sometimes I wish I did. I am post style.
Sloths don’t have styles. They chill.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Nathan
Masserang, that is the worst Valentines’ Day present ever. Museums don’t assign
value. They only assign importance. Lots of assholes are valuable. But you want
to be important. I value you. I also don’t want you throwing that shade around
too much.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Sian
Rathore is an institution. She’s everywhere including Thought Catalog. I want
to be on Thought Catalog (again). Her Tumblr is amazing. On here she discusses
the worst kept secrets, snow cocks, and the logistics of ‘Ratatouille’. Wish I
knew enough about logistics to understand how they are involved in a children’s
movie.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Allison
Kistenbroker loves cats. She hates their sneezes though. Don’t choke on the
mountain. The mountain doesn’t exist. I wonder why she needs to say ‘Navy Blue’
so much. Maybe she’s a fashion designer. I like these short poems. They have a
lot of impact due to their extremely sparse nature.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Rachel
Hyman slaps around Judge Judy for a little while. Judge Judy deserves it. All
this time she’s spent making people feel bad. Judge Judy is empty inside. Glad
Rachel runs Banango. Happy she is in Chicago, living the life.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Tyler
Arsenault knows how to write a poem. He also knows how to title one. ‘Teen-aged
Pansexual Anarchists on Speed’ reminds me of my wasted non-wasted youth. Maybe
I should have ‘hit the pansexual speed’ a little harder back in the day. The
poem is gorgeous. Weirdly it feels exactly like the America I know, wide awake,
living off of vapor, for no real reason.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ally
Batchelder gets advice from Taiwanese fish. I wonder how it got blood-colored.
Maybe it was ‘born this way’ via Lady Gaga’s hit song ‘Bad Romance’. An 807
page manuscript can’t be ripped up, at least not quickly. I’ve tried. I agree
about the toe nails. That’s gross. Hope Burroughs lives but we all know how
that ends up. He always lived on the edge.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;B. Alexander is mysterious, a man with no
(first) name. The poem shows two astronauts. I think this is the updated Icarus
tale. Only this is ‘Don’t go so close to the moon’. I find it interesting that
the moon will freeze you up, rather than the moon burning you up. Freezing
seems lonelier to me than burning up. I don’t know, if I get burned up I feel
there would be other people there for some reason.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Heath
Ison is clearly an artist, judging from his picture. Let the blow-up doll live.
It seems Heath doesn’t like you. You steal from him. You are a pill, an evil
nasty beast from the Sahara. Stop stealing and start living.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Brian
Mcelmurry has a boner. I want to end it with that. Find out the rest. I can’t
spoil some guy’s boner. You have to take a peak and read it. Hope he can teach
you how to play guitar.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Sarah
San is cool as heck. She’s teaching in South Korea. With her mere internet
presence she makes the world a better place. You can Gchat with her at
‘Spookyguts@gmail.com’. I don’t Gchat too much though. Her poem shows her
positivity and belief in her fellow man. I feel happy about that. I won’t go
driving with her though.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Angela
Shier makes macros. Her Tumblr is full of them. She likes cats more than you.
She apparently lives in a colder place than you do too. She knows a few things
about the moon and the stars.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Laurens
Verdonkschot, that’s a long name. I have another name for him ‘friend’. His
blog is solid. Along with a select few, he runs a great poetry reading series
in the UK, right across the pond. To be honest I’m a little jealous of his
beard. That’s a mighty fine beard. Can’t believe somebody told him he was part
of ‘Generation Entitled’. Laurens works pretty dang hard at his craft. And the
second poem reminds me of how I should probably meet this guy and have a beer
with him.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Love
this collection. Can’t believe it came out so quickly. If this is a monthly
thing I want to be in it the next month. I promise. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-5033194226211045609?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/slfQH07sYkAyOcNlj1XGyDZcL8I/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/slfQH07sYkAyOcNlj1XGyDZcL8I/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/slfQH07sYkAyOcNlj1XGyDZcL8I/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/slfQH07sYkAyOcNlj1XGyDZcL8I/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/M9xUTV_BJoA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/5033194226211045609/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/screaming-seahorse.html#comment-form" title="4 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/5033194226211045609?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/5033194226211045609?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/M9xUTV_BJoA/screaming-seahorse.html" title="Screaming Seahorse" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-NvKQoVr48jM/T1KDILEHxTI/AAAAAAAABYE/nvQUElrNz28/s72-c/SS%21%21.png" height="72" width="72" /><thr:total>4</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/screaming-seahorse.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEYHQX8-fyp7ImA9WhVTGE0.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-5493573670805205867</id><published>2012-03-03T15:22:00.000-05:00</published><updated>2012-03-03T15:22:10.157-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-03T15:22:10.157-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Oh yeah this" /><category scheme="http://www.blogger.com/atom/ns#" term="Session 2" /><category scheme="http://www.blogger.com/atom/ns#" term="improv." /><category scheme="http://www.blogger.com/atom/ns#" term="Aptyl Swarms" /><title>Oh Yeah This – Session 2 6.7</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-aO66RJ8e338/Tz7AAOjX4OI/AAAAAAAABUE/KWYeDpF0Pm8/s1600/61497539.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-aO66RJ8e338/Tz7AAOjX4OI/AAAAAAAABUE/KWYeDpF0Pm8/s320/61497539.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href="http://www.last.fm/music/Oh+Yeah+This/Session+2"&gt;Oh YeahThis&lt;/a&gt; doesn’t give a shit. Songs, forget about it. Structure, they don’t believe
in structure. Who knows how many of these sessions they’ve recorded. It is
probably some unreasonable amount certain to outstrip demand. Despite their
obvious goal of becoming the poster child of art wank, they are oddly engaging.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
first track barely begins. A guitar starts dying. For the final few moments of
the song they sing out ‘People die’, proving what an existential band this is. They
are beyond weird. Rhythms are barely kept. Guitars don’t function as guitars,
but as fun trick noise makers. Occasionally they even settle into something
resembling a ‘song’ though those are rare moments. ‘Aptyl Swarms’ is perhaps
the most accessible of all these songs, and that’s not saying much. What it
does do is show a certain talent for form that they seem to deliberately avoid.
This avoidance can be frustrating as they are clearly talented musicians when
they try. But most of the time they don’t seem to care.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Session
2’ is a bizarre album. I can’t say I love the thing. This is a hard child to
love. However their humor makes the whole experimentation seem a lot more fun
especially for the mind-numbingly stupid closer which goes on for far longer
than anybody would ever want. There’s also energy apparent throughout the whole
thing, an enthusiasm. Had they perhaps ‘scaled back’ some of the filler aspects
of the album it could be a lot stronger. As it stands, it is still an odd artifact.
&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-5493573670805205867?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/RnoX8V2G11PkPG505DNXMx25O5k/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RnoX8V2G11PkPG505DNXMx25O5k/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/ZMsot4qvQnI" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/5493573670805205867/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/oh-yeah-this-session-2-67.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/5493573670805205867?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/5493573670805205867?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/ZMsot4qvQnI/oh-yeah-this-session-2-67.html" title="Oh Yeah This – Session 2 6.7" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-aO66RJ8e338/Tz7AAOjX4OI/AAAAAAAABUE/KWYeDpF0Pm8/s72-c/61497539.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/oh-yeah-this-session-2-67.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0QDRHY8cSp7ImA9WhVTGEk.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-4741655423211193493</id><published>2012-03-02T17:22:00.000-05:00</published><updated>2012-03-04T01:09:35.879-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-04T01:09:35.879-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Billy Crystal" /><category scheme="http://www.blogger.com/atom/ns#" term="viagra" /><category scheme="http://www.blogger.com/atom/ns#" term="Tropical Skittles" /><category scheme="http://www.blogger.com/atom/ns#" term="Kelsey Grammer" /><category scheme="http://www.blogger.com/atom/ns#" term="NBC" /><category scheme="http://www.blogger.com/atom/ns#" term="What's the Story Wishbone" /><category scheme="http://www.blogger.com/atom/ns#" term="AWP" /><category scheme="http://www.blogger.com/atom/ns#" term="Cantaloupe" /><category scheme="http://www.blogger.com/atom/ns#" term="Wishbone" /><category scheme="http://www.blogger.com/atom/ns#" term="Coors Lite" /><category scheme="http://www.blogger.com/atom/ns#" term="Eddie Crane" /><category scheme="http://www.blogger.com/atom/ns#" term="Jonathan Franzen" /><category scheme="http://www.blogger.com/atom/ns#" term="Frasier" /><category scheme="http://www.blogger.com/atom/ns#" term="PBS" /><category scheme="http://www.blogger.com/atom/ns#" term="Happy Dog Mom Litjournal" /><category scheme="http://www.blogger.com/atom/ns#" term="John Mahoney" /><title>Will Wishbone appear at AWP this year?</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-xZENRswTRN8/T0xxp7pel3I/AAAAAAAABW8/Y5DjLoFe9YQ/s1600/tumblr_l4v2jp8V6u1qb2y5yo1_400.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="246" src="http://3.bp.blogspot.com/-xZENRswTRN8/T0xxp7pel3I/AAAAAAAABW8/Y5DjLoFe9YQ/s320/tumblr_l4v2jp8V6u1qb2y5yo1_400.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Wishbone
used to be such an alt lit dog. Back then people asked him “What’s the story
Wishbone”. He’d reply with a bark and everybody laughed. People loved Wishbone.
Alt lit writers like Charles Dickens and Mark Twain appeared regularly on the
show, ready to advertise their latest books. The mid to late 90s was a
wonderful time for Wishbone. PBS paid him hundreds of thousands of dollars
every year. Life felt good.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
show ended. Viewers moved on. Wishbone had a few books out, showing off his
skill with poetry, but people didn’t care. If you watch PBS you don’t buy
books. You absorb them through osmosis. PBS viewers are some of the stingiest
viewers on all of television. Besides for the price of one Wishbone book they
could get a delightful tote bag. So Wishbone’s literary career languished.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; One
writer took pity on poor Wishbone. Jonathan Franzen told Wishbone he could try
for a show based off of his brother. It was called ‘Frasier’ and starred Kelsey
Grammer. The previous ‘Eddie Crane’ had been killed after John Mahoney accidentally sat on him. The staff loved Wishbone. Frasier viewers adored
Wishbone. Wishbone got catapulted into a whole other stratum of cool. Suddenly ‘Entertainment
Weekly’ did cover stories about him. Wishbone got as many bitches as he wanted.
NBC paid so much more than PBS.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Frasier’
ended in 2004. For a while Wishbone could simply live off of his money. But
during the show he developed some terrible vices such as cocaine abuse. People
asked him ‘What’s the story Wishbone’ and he’d get upset. Once he bit the face
off of a small child for asking that innocuous question. The parents sued
Wishbone and he eventually settled out of court.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Money ran
out. It had been years since Wishbone had gotten any new gigs. No one wanted to
hire a surly has-been dog. They told him ‘You can’t teach an old dog new tricks’.
Wishbone began hanging out with other has-beens, like Billy Crystal. Billy
Crystal would go on and on about how cool he used to be in the 80s. Wishbone
had isolated all his other friends through his terrible behavior. Oddly Billy
Crystal didn’t seem to mind any of Wishbone’s outrageous behavior. In fact
Billy Crystal appeared to enjoy the many times Wishbone defecated on his chest.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
2012 Oscars were what broke apart Wishbone from his pathetic master. Wishbone
tried to ‘live-tweet’ the Oscars but gave up. Billy Crystal’s performance was
so flaccid not even Viagra could save it. Wishbone knew Billy would want to
party hard to forget what an abysmal failure he was. Before Billy even got home
Wishbone had purchased at least $80 worth of combos and Coors Lite.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Monday,
February 27&lt;sup&gt;th&lt;/sup&gt; Wishbone woke up with a hangover. Billy and Wishbone
spent the entire night drinking excessively. Each one had vomited during the night.
Wishbone went over and ate his own vomit. The vomit tasted sub-par, like 7-11
food. Next he went over to a half-conscious Billy Crystal. Billy Crystal’s
vomit tasted like a lifetime of regret, sadness, and defeat. It tasted sort of
like Cantaloupe.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Wishbone
looked at his reflection in a puddle of Coors Lite. ‘Seems ruff’ Wishbone
thought to himself wearing a dog facial expression. Wishbone went to the toilet
to get a drink. Unfortunately the toilet was filled with what appeared to be ‘Tropical
Skittles’. Nothing to drink either Wishbone barked to no one in particular.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Time to
go Wishbone decided. Packing up his things into a doggie bag, he set off to try
to make it in alt lit. Would he succeed with his experimental prose? Where
would he go? Was it too late to get into AWP? If he made it to AWP who should
he talk to first? Should he speak to&lt;a href="http://happydogmomlitjournal.blogspot.com/"&gt; Happy Dog Mom Litjournal&lt;/a&gt;? Wishbone sighed and quietly said to himself ‘What’s the story
Wishbone’ before setting off to Chicago. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-4741655423211193493?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/bjgcyvvO9Df3DOsl6U8VUWCtDkU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bjgcyvvO9Df3DOsl6U8VUWCtDkU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/bjgcyvvO9Df3DOsl6U8VUWCtDkU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bjgcyvvO9Df3DOsl6U8VUWCtDkU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/o3L5jftBN90" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/4741655423211193493/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/will-wishbone-appear-at-awp-this-year.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/4741655423211193493?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/4741655423211193493?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/o3L5jftBN90/will-wishbone-appear-at-awp-this-year.html" title="Will Wishbone appear at AWP this year?" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-xZENRswTRN8/T0xxp7pel3I/AAAAAAAABW8/Y5DjLoFe9YQ/s72-c/tumblr_l4v2jp8V6u1qb2y5yo1_400.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/will-wishbone-appear-at-awp-this-year.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEIDRn8yeyp7ImA9WhVTFks.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-1403305308466920836</id><published>2012-03-01T23:29:00.000-05:00</published><updated>2012-03-01T23:29:37.193-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-01T23:29:37.193-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="UK" /><category scheme="http://www.blogger.com/atom/ns#" term="Bandcamp" /><category scheme="http://www.blogger.com/atom/ns#" term="Bon Accord" /><category scheme="http://www.blogger.com/atom/ns#" term="Unknowing EP" /><category scheme="http://www.blogger.com/atom/ns#" term="chillwave" /><title>Bon Accord – Unknowing EP 7.4</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-Eb32uTO3pOM/Tzn796_gvlI/AAAAAAAABS0/x8v3VwCECzU/s1600/3352846044-1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-Eb32uTO3pOM/Tzn796_gvlI/AAAAAAAABS0/x8v3VwCECzU/s320/3352846044-1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;a href="http://www.blogger.com/goog_1988734012"&gt; &lt;/a&gt;&lt;a href="http://bonaccord.bandcamp.com/album/unknowing-ep"&gt;Bon Accord&lt;/a&gt; loves pop. That much is obvious. Judging from this carefree EP, the
feeling is mutual. The melodies are easy-going. It embodies all that is good
about chillwave: a certain joy, a spritely little melody, and honest vocals.
Each little song contributes to this tender feeling. Unknowing EP is filled
with small moments, tiny little flourishes, slight changes in tempo, and
infused with fun.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Softer
than Ever’ chugs along, perfectly happy with life. It is the longest piece on
here and it simply expands. Moving slowly in the beginning it gradually settles
into one of those ‘oh let this groove go on for an undetermined period of time’
moments. Thankfully Bon Accord teases this one out a little bit before entering
sonic fluorescence. It is definitely my favorite piece on the entire EP. &lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;Yep, Bon Accord includes all those things
people forget. Simple pleasures like basic handclaps and uncomplicated beats
make it pretty easy to get into. None of the songs approach anything verging on
darkness. In fact, for a little while, they almost seem to transport you out of
a bleak horrible winter into a place where it is always sunny.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;Overall, it is simply a bundle of happiness.
There are all the trademarks for good chillwave and simply good pop
sensibilities in general. The hooks are there. Let them grab you in. You won’t
be disappointed. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-1403305308466920836?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/DxTxzwI-hQ7PIl1Tqc2l1vmb8m4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DxTxzwI-hQ7PIl1Tqc2l1vmb8m4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/DxTxzwI-hQ7PIl1Tqc2l1vmb8m4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DxTxzwI-hQ7PIl1Tqc2l1vmb8m4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/VFquCyiyFM0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/1403305308466920836/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/bon-accord-unknowing-ep-74.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/1403305308466920836?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/1403305308466920836?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/VFquCyiyFM0/bon-accord-unknowing-ep-74.html" title="Bon Accord – Unknowing EP 7.4" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Eb32uTO3pOM/Tzn796_gvlI/AAAAAAAABS0/x8v3VwCECzU/s72-c/3352846044-1.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/bon-accord-unknowing-ep-74.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DU8EQXw-eyp7ImA9WhVTFkg.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-3760288474118664988</id><published>2012-03-01T22:10:00.000-05:00</published><updated>2012-03-01T22:10:00.253-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-01T22:10:00.253-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Go Dog Go" /><category scheme="http://www.blogger.com/atom/ns#" term="MFA" /><category scheme="http://www.blogger.com/atom/ns#" term="Crunk Juice" /><category scheme="http://www.blogger.com/atom/ns#" term="Steve Roggenbuck speaks at Duke University" /><category scheme="http://www.blogger.com/atom/ns#" term="MILF porn" /><category scheme="http://www.blogger.com/atom/ns#" term="Baltimore" /><category scheme="http://www.blogger.com/atom/ns#" term="Flarf" /><category scheme="http://www.blogger.com/atom/ns#" term="MILF porn involving Steve Roggenbuck" /><category scheme="http://www.blogger.com/atom/ns#" term="drive by flarfings" /><category scheme="http://www.blogger.com/atom/ns#" term="Steve Roggenbuck" /><title>Crunk Juice by Steve Roggenbuck ***Warning: An Actual Review this Time***</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://0.gvt0.com/vi/LY9eSgU4JzA/0.jpg" height="266" width="320"&gt;&lt;param name="movie" value="http://www.youtube.com/v/LY9eSgU4JzA&amp;fs=1&amp;source=uds" /&gt;

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&lt;embed width="320" height="266"  src="http://www.youtube.com/v/LY9eSgU4JzA&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A black
triangle is on my screen. I’m going over ‘&lt;a href="http://store.livemylief.com/"&gt;Crunk Juice&lt;/a&gt;’. How do I feel about
this book? Since Steve’s last solo project ‘Download Helvetica for Free’ he’s changed.
He spoke at Duke University last November. Over 2012 he has traveled along the
East Coast. Now he is in Chicago. He will be going to Texas soon. Steve
Roggenbuck is a digital bard traveling around the internet, around the IRL,
following his dreams, making new friends.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Crunk
Juice’ reflects his new approach to literature. Of course there is a lot of
flarf. Flarf is funny. It wouldn’t be his book without some of the silly Flarf.
What immediately struck me though was the tenderness of these pieces. Another
aspect was the almost autobiographical nature of the work. Usually this hides
within a poem. It startles the reader. It shocks me to read such non-ironic
statements. I’m happy to say ‘Crunk Juice’ is the most sincere thing I’ve ever
read of Steve Roggenbuck’s.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; People
wonder ‘Who is Steve Roggenbuck? What does he stand for?’ He’s the guy who
wrote this book. Steve wants people to tap into their inner creative spirit. That’s
what he god-dang stands for, geez. Maybe the MFA program wasn’t right for
Steve. He certainly seems happy traveling around the country, meeting new
people, creating new relationships, and writing new poems. Heck, Roggenbuck is
happy in Baltimore and Baltimore’s depressing as fuck. Take it from me. I hate
you Baltimore.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-indent: .5in;"&gt;
I like Steve’s work. My preference
in general is for his sincere work. I enjoy the funny stuff too such as ‘Haha
good point about mother fucking’ which deals with the prevalence of ‘MILF’ porn.
In ‘Crunk Juice’ we see the hilarious and the sweet. After you’re done laughing
you see lines like “I appreciate my life more now that I’m not planning to be
successful” an unusually raw statement. Steve sold all of his possessions and
travels around the country. Right now his goal is to create new work and
experience new things. As I read this my mind kept on returning to his travels,
to all he’s seen on his journey. He addresses his online presence within the
poems. In one statement he says ‘Someone asked me if my internet presence is
sarcastic, sincere, or both and I have no idea’. That’s honest.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-indent: 0.5in;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The famous
misspellings are here. They are really mind-numbingly stupid. I like the
misspellings. Misspellings are a more personal way of expressing oneself.
Everybody can spell something properly. People usually misspell in the midst of
passion. I think that’s the effect they have here. That each one of these
pieces needs to get out and come to you immediately. For me it creates the sense
of urgency.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Rain is
everywhere. It gives the poems a darker vibe. Seasons come up. The poems feel realistic.
No longer are they simply pre-fabricated words. Steve liberates them. They
convey a mood. Perhaps it is the mood Steve had when he wrote them. This
injects life into these poems. It makes them a snapshot of a moment in time.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘Crunk
Juice’ is the ‘Go Dog Go’ of the Flarf movement. It is beautiful. See Steve
Roggenbuck. See Steve go. Go Steve go! &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-3760288474118664988?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/pDRJ11auGPRVsAwD8_Sz8SkLbG8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/pDRJ11auGPRVsAwD8_Sz8SkLbG8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/xuMVfSrB4d8" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/3760288474118664988/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/crunk-juice-by-steve-roggenbuck-warning.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/3760288474118664988?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/3760288474118664988?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/xuMVfSrB4d8/crunk-juice-by-steve-roggenbuck-warning.html" title="Crunk Juice by Steve Roggenbuck ***Warning: An Actual Review this Time***" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/crunk-juice-by-steve-roggenbuck-warning.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0ECQHw4fip7ImA9WhVSFE0.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-6041985201517516257</id><published>2012-03-01T20:36:00.001-05:00</published><updated>2012-03-10T12:47:41.236-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-10T12:47:41.236-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Method of exercising a cat" /><category scheme="http://www.blogger.com/atom/ns#" term="036" /><category scheme="http://www.blogger.com/atom/ns#" term="Kevin Amiss" /><category scheme="http://www.blogger.com/atom/ns#" term="late capitalism" /><category scheme="http://www.blogger.com/atom/ns#" term="‘Patent No. 5" /><category scheme="http://www.blogger.com/atom/ns#" term="Dada" /><category scheme="http://www.blogger.com/atom/ns#" term="443" /><category scheme="http://www.blogger.com/atom/ns#" term="August 22" /><category scheme="http://www.blogger.com/atom/ns#" term="1995" /><category scheme="http://www.blogger.com/atom/ns#" term="Stuckist" /><category scheme="http://www.blogger.com/atom/ns#" term="Cats" /><category scheme="http://www.blogger.com/atom/ns#" term="Martin Abbott" /><category scheme="http://www.blogger.com/atom/ns#" term="Patent Law" /><category scheme="http://www.blogger.com/atom/ns#" term="a cat chasing a laser beam" /><title>‘Patent No. 5,443,036, August 22, 1995 - A laser beam to motivate cats to exercise’</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-wY9dnkYtw20/T1Aje8ZiLyI/AAAAAAAABX0/VhSk3Gq7H5U/s1600/Method_of_exercising_a_cat.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="237" src="http://4.bp.blogspot.com/-wY9dnkYtw20/T1Aje8ZiLyI/AAAAAAAABX0/VhSk3Gq7H5U/s400/Method_of_exercising_a_cat.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;




&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I don’t
get involved in patent law. Patent law can be rigorous. Often there is a great
deal of near-incomprehensible jargon involved.&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:DocumentProperties&gt;
  &lt;o:Version&gt;14.00&lt;/o:Version&gt;
 &lt;/o:DocumentProperties&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG/&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:EnableOpenTypeKerning/&gt;
   &lt;w:DontFlipMirrorIndents/&gt;
   &lt;w:OverrideTableStyleHps/&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
 {mso-style-name:"Table Normal";
 mso-tstyle-rowband-size:0;
 mso-tstyle-colband-size:0;
 mso-style-noshow:yes;
 mso-style-priority:99;
 mso-style-parent:"";
 mso-padding-alt:0in 5.4pt 0in 5.4pt;
 mso-para-margin-top:0in;
 mso-para-margin-right:0in;
 mso-para-margin-bottom:10.0pt;
 mso-para-margin-left:0in;
 line-height:115%;
 mso-pagination:widow-orphan;
 font-size:11.0pt;
 font-family:"Calibri","sans-serif";
 mso-ascii-font-family:Calibri;
 mso-ascii-theme-font:minor-latin;
 mso-hansi-font-family:Calibri;
 mso-hansi-theme-font:minor-latin;
 mso-bidi-font-family:"Times New Roman";
 mso-bidi-theme-font:minor-bidi;}
&lt;/style&gt;
&lt;![endif]--&gt;&lt;span style="font-size: small;"&gt;To learn the highly &lt;/span&gt;technical definition of patent law, find &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:DocumentProperties&gt;
  &lt;o:Version&gt;14.00&lt;/o:Version&gt;
 &lt;/o:DocumentProperties&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG/&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:EnableOpenTypeKerning/&gt;
   &lt;w:DontFlipMirrorIndents/&gt;
   &lt;w:OverrideTableStyleHps/&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
 {mso-style-name:"Table Normal";
 mso-tstyle-rowband-size:0;
 mso-tstyle-colband-size:0;
 mso-style-noshow:yes;
 mso-style-priority:99;
 mso-style-parent:"";
 mso-padding-alt:0in 5.4pt 0in 5.4pt;
 mso-para-margin-top:0in;
 mso-para-margin-right:0in;
 mso-para-margin-bottom:10.0pt;
 mso-para-margin-left:0in;
 line-height:115%;
 mso-pagination:widow-orphan;
 font-size:11.0pt;
 font-family:"Calibri","sans-serif";
 mso-ascii-font-family:Calibri;
 mso-ascii-theme-font:minor-latin;
 mso-hansi-font-family:Calibri;
 mso-hansi-theme-font:minor-latin;
 mso-bidi-font-family:"Times New Roman";
 mso-bidi-theme-font:minor-bidi;}
&lt;/style&gt;
&lt;![endif]--&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: inherit; line-height: 115%;"&gt;&lt;a href="http://www.online-law-degree.com/"&gt;online law degree classes&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:DocumentProperties&gt;
  &lt;o:Version&gt;14.00&lt;/o:Version&gt;
 &lt;/o:DocumentProperties&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG/&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:EnableOpenTypeKerning/&gt;
   &lt;w:DontFlipMirrorIndents/&gt;
   &lt;w:OverrideTableStyleHps/&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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&lt;![endif]--&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: inherit;"&gt;at an onli&lt;/span&gt;&lt;/span&gt;ne school that can teach you about the legal
definition of invention and how the law of patents describe inventive ingenuity. This patent&amp;nbsp;
takes all you’ve known about patent law and tears it apart. I laugh every time
I read this patent. While I highly doubt these guys made much money on their
invention, they succeeded on so many other, perhaps more critical, levels.&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; For
one, this is a patent for a ‘method of exercising a cat’. That may be one of
the best phrases in the English language. I feel this entire patent may be an
elaborate joke. You know those truly stupid bets people have with each other,
the frivolous ones that no outsider can understand? Outsiders look and stare as
they shave their heads, completely baffled by their behavior. The whole
patent reads like an inside joke.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href="http://www.planetpatent.com/wp-content/uploads/2011/06/US5443036A.pdf"&gt;Kevin Amiss and Martin Abbott are my heroes&lt;/a&gt;. Whatever lawyer drafted this is another
hero. And the visual artist goes down in history as far better than any Dadaist,
Stuckist, or other surreal/absurd artist. I wonder what the artist thought as
they received money for this drawing. I am pretty sure he hung out with his
friends later that evening and said ‘Guess what? I just got money to draw a
picture a cat chasing a laser beam’. Then they would have gotten him a cab
because he was ‘totally wasted’ and ‘spewing nonsense’. The language flows.
Even the explanation of how a cat wants to chase a laser beam is genius. I feel
better knowing this exists. Someone in the patent office must have had an
extremely good sense of humor. Either that or people invented basically nothing
in 1995. Standards must have been pretty low to say ‘A cat chasing a laser
beam? That sounds pretty hi-tech. Patent granted.’ &amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The cat
owner sits on the floor in the picture. Clearly the artist wanted the owner to
be ‘gender-neutral’ as it appears to really be nothing. The cat owner is
interested in their cat. The cat, as the inventors claim, swats at the light.
Obviously the cat gets good exercise out of this extraordinarily useful device.
And the cat owner is entertained. Below the figure is an explanation of what is
going on in the most obtuse language imaginable. Several paragraphs are
dedicated to the basic premise of ‘In the dark you can see the laser a little
better’. You know, maybe we are all scientists. All of us have the ability to
determine the day from the night, the dark from the light. Good job everyone.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-indent: .5in;"&gt;
Say what you will about the ills of
capitalism but at least it created a method of exercising a cat. Shame the
patent expired in 2007. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-6041985201517516257?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/z_elfkdi_S40f0UayM_otYhTl08/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/z_elfkdi_S40f0UayM_otYhTl08/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/z_elfkdi_S40f0UayM_otYhTl08/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/z_elfkdi_S40f0UayM_otYhTl08/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/83FNg6bz9F8" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/6041985201517516257/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/patent-no-5443036-august-22-1995-laser.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/6041985201517516257?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/6041985201517516257?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/83FNg6bz9F8/patent-no-5443036-august-22-1995-laser.html" title="‘Patent No. 5,443,036, August 22, 1995 - A laser beam to motivate cats to exercise’" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-wY9dnkYtw20/T1Aje8ZiLyI/AAAAAAAABX0/VhSk3Gq7H5U/s72-c/Method_of_exercising_a_cat.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/patent-no-5443036-august-22-1995-laser.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUMMR346eyp7ImA9WhVTFkk.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-4606254354019570649</id><published>2012-03-01T19:16:00.000-05:00</published><updated>2012-03-01T19:18:06.013-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-01T19:18:06.013-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="The Sky Conducting" /><category scheme="http://www.blogger.com/atom/ns#" term="Michael J Seidlinger" /><category scheme="http://www.blogger.com/atom/ns#" term="post apocalyptic America" /><category scheme="http://www.blogger.com/atom/ns#" term="consumer culture" /><category scheme="http://www.blogger.com/atom/ns#" term="nostalgia" /><title>“The Sky Conducting” by Michael J. Seidlinger</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-IjNN7ZQKkvg/T0Rl94PH9CI/AAAAAAAABU0/OdEr0o5XBX4/s1600/384019_322130744484691_100000633035987_1028055_418687297_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-IjNN7ZQKkvg/T0Rl94PH9CI/AAAAAAAABU0/OdEr0o5XBX4/s320/384019_322130744484691_100000633035987_1028055_418687297_n.jpg" width="213" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
“The Sky Conducting” is what post-apocalyptic America will
look like. There won’t be as much bloodshed as some of the ‘gore-mongers’ would
like. Don’t bother saving all those containers of spam. They aren’t going to
prepare you for the overwhelming emotion.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
Wistfulness, nostalgia, these emotions are engrained into the present
American psyche. You can feel it all around. Feel the longing for the 50s, 60s,
70s, 80s, and 90s but not today. Now is not something to be proud of; it is
something we try to forget. By constantly diving ever deeper into periods where
‘we thought we had it’ we figure maybe we’ll get a little bit better. Instead
of dealing with the problem we ignore it.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
Michael states rather clearly in his book how unhealthy that is. Look at
the father in the book. Look at the mother. Are their ways of dealing with the
present the best way of coping with the present situation? Even the son appears
to be stunted in some sort of horrible growth, a longing for a childhood that
never happened. Only the daughter shows the right amount of separation from the
not-so-long ago past to look and plan for a better future.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;I enjoy how the rest of the world copes
with America’s demise. They remain enamored with a dead culture. Despite the
empty consumer culture we created and despite how this led to our demise,
other countries around the world continue to arrive into America to benefit
from this awfulness. That’s one of the most interesting parts of the entire
book for me. Even though they know what they do will lead to collapse, the
temptation of easy, empty living is too great.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
whole book pays close attention to detail. Every sentence, every single
phrase, is carefully arranged and stated. Michael doesn’t miss a thing. He
fleshes out the characters. For a book about the end it is surprisingly
gore-free. The temptation to resort to an ‘OMG look dead bodies inside out
hanging from the school gymnasium with stuffed animals stapled to them’ is
strong in these sorts of situations. I am glad Michael pays attention less to
the actual events of how it occurred (it is never stated directly in the book)
but rather on how it affects those left behind, after the collapse.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
Michael has a unique voice. No matter what his subject, he manages to
focus on the here-and-now of America. His last book dealt with our arrogance in
online interactions, to deal with the rise of social networking. This one feels
even closer to home as we mature and long for a simpler, easier, and more
carefree time. Don’t be so easy on yourself. Live in the present.&lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-4606254354019570649?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/um99H7btTIF6ababFM1JrWEoZG0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/um99H7btTIF6ababFM1JrWEoZG0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/um99H7btTIF6ababFM1JrWEoZG0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/um99H7btTIF6ababFM1JrWEoZG0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/f9I0PJeTmGs" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/4606254354019570649/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/sky-conducting-by-michael-j-seidlinger.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/4606254354019570649?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/4606254354019570649?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/f9I0PJeTmGs/sky-conducting-by-michael-j-seidlinger.html" title="“The Sky Conducting” by Michael J. Seidlinger" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-IjNN7ZQKkvg/T0Rl94PH9CI/AAAAAAAABU0/OdEr0o5XBX4/s72-c/384019_322130744484691_100000633035987_1028055_418687297_n.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/sky-conducting-by-michael-j-seidlinger.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUcCQXs-eyp7ImA9WhVTFk8.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-5458652348941424101</id><published>2012-03-01T12:31:00.000-05:00</published><updated>2012-03-01T12:31:00.553-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-01T12:31:00.553-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Oscar the Grouch" /><category scheme="http://www.blogger.com/atom/ns#" term="Lana Del Ray" /><category scheme="http://www.blogger.com/atom/ns#" term="Sesame Street" /><category scheme="http://www.blogger.com/atom/ns#" term="Girlcore" /><category scheme="http://www.blogger.com/atom/ns#" term="Andrea Coates" /><category scheme="http://www.blogger.com/atom/ns#" term="GirlKore" /><category scheme="http://www.blogger.com/atom/ns#" term="Marie Calloway" /><category scheme="http://www.blogger.com/atom/ns#" term="Mike Bushnell" /><category scheme="http://www.blogger.com/atom/ns#" term="Frank Hinton" /><category scheme="http://www.blogger.com/atom/ns#" term="Tao Lin" /><title>GirlKore by Andrea Coates</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-3RTNWeS4o50/T08ZaJfJmXI/AAAAAAAABXs/ldY50i_OqG8/s1600/Andrea.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-3RTNWeS4o50/T08ZaJfJmXI/AAAAAAAABXs/ldY50i_OqG8/s320/Andrea.JPG" width="213" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I am
slow. I admit it. I have read Andrea’s work, been keeping up with her blog for
a while now. Maybe I could have written about some of her other pieces, such as
her critique of Tao Lin. Her &lt;a href="http://andreacoates.blogspot.com/2011/12/blog-post.html"&gt;Tao Lin piece&lt;/a&gt; is extremely comprehensive. Love him
or hate him she did a huge amount of research on him. Some called her
‘obsessive’ but I think it was pretty thorough. She also wrote a harrowing
piece on ‘Mr. Ducky’. As it turns out, Mr. Ducky is not her friend. You can
read that post on her blog as well. Mr. Ducky is a worthless pile of human
excrement. Why would anybody ever want it as a bath time friend?&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘&lt;a href="http://andreacoates.blogspot.com/2012/02/girlkore-manifesto.html"&gt;GirlKore&lt;/a&gt;’
is an artistic manifesto. It originally appeared from one Marie Calloway,
famous alt lit writer you probably should have heard about if you’re remotely
aware of alt lit. The idea behind ‘GirlKore’ (or ‘Girlcore’ as Marie originally
spelled it) is to create a literary form for female artists. You know, this
isn’t ‘Chick Lit’. Andreas Coates takes her time in eviscerating Chick Lit for
its pandering to stereotypically feminine things. Andreas takes Marie’s idea
and runs with it fleshing it out further.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Andreas
then explains why she adds the ‘K’. The ‘K’ gives it an edge. ‘C’ is a cute,
adorable little letter. ‘K’ is a kick to the face. When Sesame Street does
‘today’s show is brought to you by the letter’ it never says ‘K’. Why you might
ask? Because the letter ‘K’ doesn’t give a fuck! You want to know how Oscar the
Grouch ended up a trashcan. Do you really want to know? I’ll tell you. ‘K’ beat
the living snot out of Oscar, who used to be a really happy person. Then he
crawled into a trash can and K shouted ‘Stay there, you piece of filth’. Yeah,
Sesame Street is dark.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Hope
‘GirlKore’ picks up. There seems to be a good amount of positive writing coming
out of Canada. Frank Hinton has written extensively about females in general,
through her work and twitter efforts. One of Frank’s tweets ‘this is a woman’s
world you fuckers’ is forever kept in my heart. An added bonus in the
‘GirlKore’ post is Andreas’ review of Lana Del Ray’s first (better) album.
Anybody who is able to talk about Lana Del Ray in such an intelligent,
non-insulting way is alright with me.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Overall
I enjoyed the post. Andrea tends to spend a great deal of time on some of her
blog posts. The quality shines through. Bummer she used to live in Brooklyn.
Shame she doesn’t live there anymore. Hope she is able to create her Artist
House. And for the record I don’t think her writing is ‘Junk’. Glad to see she
&lt;a href="http://bulkculture.com/an-introduction-to-deep-current-thinking/"&gt;speaks with Mike Bushnell&lt;/a&gt;. Andrea Coates is a fucking mountain lion. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-5458652348941424101?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/hUvHk-cf3uHxe3uQieJn3FpC9Kw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hUvHk-cf3uHxe3uQieJn3FpC9Kw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/hUvHk-cf3uHxe3uQieJn3FpC9Kw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hUvHk-cf3uHxe3uQieJn3FpC9Kw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/BntmaSaKwdQ" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/5458652348941424101/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/girlkore-by-andrea-coates.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/5458652348941424101?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/5458652348941424101?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/BntmaSaKwdQ/girlkore-by-andrea-coates.html" title="GirlKore by Andrea Coates" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-3RTNWeS4o50/T08ZaJfJmXI/AAAAAAAABXs/ldY50i_OqG8/s72-c/Andrea.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/girlkore-by-andrea-coates.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkYGSHg9eip7ImA9WhVTFUo.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-2757664993864640577</id><published>2012-03-01T00:02:00.000-05:00</published><updated>2012-03-01T00:02:09.662-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-03-01T00:02:09.662-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="She's always watching you" /><category scheme="http://www.blogger.com/atom/ns#" term="Lo-Fi" /><category scheme="http://www.blogger.com/atom/ns#" term="St. Vincent" /><category scheme="http://www.blogger.com/atom/ns#" term="One Second of Love album leak" /><category scheme="http://www.blogger.com/atom/ns#" term="Hi-Fi" /><category scheme="http://www.blogger.com/atom/ns#" term="Nite Jewel" /><title>Nite Jewel – One Second of Love 8.3</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-WlfNUTqLqLY/T07DsK36JVI/AAAAAAAABXk/wtI1tiNrBy8/s1600/1-nite-jewel-one-second-of-love.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-WlfNUTqLqLY/T07DsK36JVI/AAAAAAAABXk/wtI1tiNrBy8/s320/1-nite-jewel-one-second-of-love.jpg" width="318" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Weird,
you can actually hear Ramona’s voice on ‘One Second of Love’. It is weird.
Before she hid behind so much lo-fi effects but now she’s out in the open. She
actually has a good voice. Hearing it liberated from those effects on her first
album ‘Good Evening’ makes this infinitely enjoyable. Though anyone following her
string of EPs might have released this would happen. That slowly she would
emerge from the murk to rely on her singing and pop hooks rather than various
lo-fi charms.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
first song reminds me faintly of St. Vincent. Her delivery is that clear. It
slowly lurches forward. ‘This Story’ sets the mood but not the tempo of the
album. Sonically she is still heavily indebted to a particular 80s sound.
That’s only re-enforced on the title track which has considerably more hustle.
The tight, mechanical groove is rather enjoyable. And the melody shows how
she’s moved closer towards her pop ideals.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Some of
these songs are pure sunshine. ‘She’s always watching you’ previously released
in December, is complete joy. I don’t think I’ve ever heard Ramona sound this
happy or this clear. This is one of the catchiest tunes on the whole album.
Consider this the sing-along song of the album right down to the chorus.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A few
of these tracks possess the smoky coolness of her debut. The track ‘Autograph’
sounds like smooth RnB. She had songs similar to this on her debut (think ‘What
did he say’) but here they are better developed. The closer ‘Sister’ ends
things off on a mellow note, with only a slow drum machine providing any
rhythm.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ‘One
Second of Love’ is a far more diverse album than her debut. The sound is
clearer. It is far catchier. And, most importantly, on here she proves that
underneath the murk of her debut was a singer longing to escape. Glad she made
it out of the lo-fi realm. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-2757664993864640577?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/iHYzd5Tv-ah1eR9KH250FnGfMok/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iHYzd5Tv-ah1eR9KH250FnGfMok/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/iHYzd5Tv-ah1eR9KH250FnGfMok/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iHYzd5Tv-ah1eR9KH250FnGfMok/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/047F-4v_9Pk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/2757664993864640577/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/03/nite-jewel-one-second-of-love-83.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/2757664993864640577?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/2757664993864640577?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/047F-4v_9Pk/nite-jewel-one-second-of-love-83.html" title="Nite Jewel – One Second of Love 8.3" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-WlfNUTqLqLY/T07DsK36JVI/AAAAAAAABXk/wtI1tiNrBy8/s72-c/1-nite-jewel-one-second-of-love.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/03/nite-jewel-one-second-of-love-83.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0ABSH89cSp7ImA9WhVTFUs.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-71237622913279329</id><published>2012-02-29T21:42:00.000-05:00</published><updated>2012-02-29T21:42:39.169-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-29T21:42:39.169-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Canada" /><category scheme="http://www.blogger.com/atom/ns#" term="Dayton C Castleman" /><category scheme="http://www.blogger.com/atom/ns#" term="OK Cupid" /><category scheme="http://www.blogger.com/atom/ns#" term="SentfrommyIphone" /><category scheme="http://www.blogger.com/atom/ns#" term="Maggie McGee" /><category scheme="http://www.blogger.com/atom/ns#" term="PhDs" /><category scheme="http://www.blogger.com/atom/ns#" term="iphone" /><title>#SentfrommyIphone by Dayton C Castleman and Maggie McGee</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-e2FYLAQ4TJM/T02HDmpCOmI/AAAAAAAABXM/eVGnSnJjf0I/s1600/kjN4t.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-e2FYLAQ4TJM/T02HDmpCOmI/AAAAAAAABXM/eVGnSnJjf0I/s320/kjN4t.png" width="240" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; #&lt;a href="http://www.sentfrommyiphone.us/"&gt;SentfrommyIphone&lt;/a&gt;is cutting edge. All previous edges are cut. You’re left with smooth
interactions. Each piece is moving. The first piece for example goes over the
difficultly one has with relationships. Relationships are tricky things.
Sometimes people you want don’t want you. That hurts but it works both ways.
Here that happens, the part of the rejector trying not to laugh.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
pictures in here are beautiful weird things. You’re spying on an Iphone
conversation. ‘True perfection is not attaining completion’ is a particularly
good line. I feel this way all the time. If you’re not improving you’re busy
being a big old pile o’ poop. Maybe things get completed. I doubt it though
especially if you’re playing around with your Iphone.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A few
of these are pretty silly. I like the ‘Blockbuster’ and ‘meditating child’ one.
They play off of each other’s silliness. On a side note I haven’t seen the
Blockbuster logo for years. Wonder when they’ll stop using the term to describe
box office hits. Feel that’ll never happen since the term predates use of the
actual store.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; One of
the saddest ‘most emotional’ poems deals with pumpkin seeds. The back image is
a decapitated head. Astronauts come up in this poem. I think astronauts are
probably some of the loneliest people off the planet. They’ve probably met
aliens. Probably aliens are super-boring people, like the kind of people who
get PhDs in sociology and can’t stop talking about it. I get it. Labor rights
are important. Now let me eat this taco.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Sadness
and pain comes up a lot in the chapbook. I guess a lot of small, short
interactions are often filled with sadness. Usually they have to be short. If
you talk for a while about how bummed out you are, the other person tends to
tune you out. The sadness is pretty funny though in a weird, voyeuristic way.&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
images used rarely if ever have anything to do with the actual text. It is an
additional sense of humor. Seeing the Little Mermaid covered in oil is one
example. Seeing some English to Japanese translator stating ‘Reality is
disappointing’ is another. Plus you just learned a little Japanese.
Congratulations! Ok Cupid, that lovable alt lit scamp, appears as well. It
seems ‘meth’ is searchable interest. It ends with the only non-ironic image, of
a Google Map showing the distance between them.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; What
this poetry collection shows is that the Iphone is not just a way to kill time.
You can write in those tiny little pieces of time. Things can be created with
the excess time we have each and every day. Dayton and Maggie show us that with
this work. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-71237622913279329?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/3cDbBott0-W_kkD3xMDjo_RpZUo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3cDbBott0-W_kkD3xMDjo_RpZUo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/3cDbBott0-W_kkD3xMDjo_RpZUo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3cDbBott0-W_kkD3xMDjo_RpZUo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/DBg44P68UEo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/71237622913279329/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/02/sentfrommyiphone-by-dayton-c-castleman.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/71237622913279329?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/71237622913279329?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/DBg44P68UEo/sentfrommyiphone-by-dayton-c-castleman.html" title="#SentfrommyIphone by Dayton C Castleman and Maggie McGee" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-e2FYLAQ4TJM/T02HDmpCOmI/AAAAAAAABXM/eVGnSnJjf0I/s72-c/kjN4t.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/02/sentfrommyiphone-by-dayton-c-castleman.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkQNRXc6cCp7ImA9WhVTFUs.&quot;"><id>tag:blogger.com,1999:blog-1340473668962842022.post-2035627422601365760</id><published>2012-02-29T19:06:00.000-05:00</published><updated>2012-02-29T19:06:34.918-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-02-29T19:06:34.918-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Crunk Juice" /><category scheme="http://www.blogger.com/atom/ns#" term="Stephen Tully Dierks" /><category scheme="http://www.blogger.com/atom/ns#" term="juice container" /><category scheme="http://www.blogger.com/atom/ns#" term="slutty bagel" /><category scheme="http://www.blogger.com/atom/ns#" term="Pure hype" /><category scheme="http://www.blogger.com/atom/ns#" term="Poetry Review" /><category scheme="http://www.blogger.com/atom/ns#" term="Hess Truck" /><category scheme="http://www.blogger.com/atom/ns#" term="Steve Roggenbuck" /><category scheme="http://www.blogger.com/atom/ns#" term="rare days" /><title>Crunk Juice by Steve Roggenbuck</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-PA2_F5VS_NM/T0aSg5chWYI/AAAAAAAABVM/EHNxhjD6EHM/s1600/425453_357560010930190_100000285814749_1408185_1456673128_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="318" src="http://3.bp.blogspot.com/-PA2_F5VS_NM/T0aSg5chWYI/AAAAAAAABVM/EHNxhjD6EHM/s320/425453_357560010930190_100000285814749_1408185_1456673128_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Get
crunk. Get juiced. Get up. Get down. Get psyched. Get stoked. Get rare. Get
ready. It is happening. ‘&lt;a href="http://store.livemylief.com/"&gt;Crunk Juice&lt;/a&gt;’ the phenomenal, long-waited chapbook from
Steve Roggenbuck is here. Think the Hess Christmas Truck is exciting? Take a
bath. A little battery powered helicopter can’t compare with ‘&lt;a href="http://store.livemylief.com/"&gt;Crunk Juice&lt;/a&gt;’. Nothing
comes close to crunk juice. For an added benefit every copy of ‘&lt;a href="http://store.livemylief.com/"&gt;Crunk Juice&lt;/a&gt;’
comes with an empty juice container. You fill the container with your own crunk.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Some
events stick out in my mind. I remember where I was when I saw my first episode
of ‘The Simpsons’, where I was when I first watched ‘Rocky Horror Picture Show’
and where I was when I got my first internet connection. Who would have thought
that over one decade later, the internet could be used for such a wonderful
social good? I had no idea when I heard that crackling internet modem,
shrieking out in horrible pain, that communities could be created. I never
realized that someone like Steve Roggenbuck would come out of this, creating
such a tight knit community.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I am sitting
in front of a computer. This is the rarest of days, February 29&lt;sup&gt;th&lt;/sup&gt;. .
I’ll remember this day forever. I am happy. ‘&lt;a href="http://store.livemylief.com/"&gt;Crunk Juic&lt;/a&gt;e’ is officially here,
available digitally. I live online so an online presence is all I know. Steve picked
this day for its rare qualities. February 29&lt;sup&gt;th&lt;/sup&gt; might as well run for
President. It is that rare. Once every four years we get an extra day, an extra
24 hours to truly live our lives. &amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Weeks
ago Steve explained the concept of ‘&lt;a href="http://store.livemylief.com/"&gt;Crunk Juice&lt;/a&gt;’ to me. He told me how excited
he was to release it. I was privy to such #rare knowledge. We walked around
Baltimore, talked about the internet, and bro-ed it up. He created a wonderful
video here in Baltimore. But I got a firsthand look at the some of the amazing and
quite honestly life changing poems in here. Some of them made me laugh for a
long time and I’m not an easy laugh.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Of
course you could have ordered this book earlier in physical form. You could
have ordered it weeks ago in which case it is busy coming to your home. ‘&lt;a href="http://store.livemylief.com/"&gt;Crunk Juice&lt;/a&gt;’ wants to be your friend. No wait, it wants something more. ‘&lt;a href="http://store.livemylief.com/"&gt;Crunk Juice&lt;/a&gt;’
is human and it needs to be loved just like everybody else does. Today you can
pay what you want and download the love onto your computer. Think of &lt;a href="http://store.livemylief.com/"&gt;Crunk Juice&lt;/a&gt; as the pornography of literature. It is naked, raw, and beautiful. And
you can probably get really turned on by it, you slutty bagel you!&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I’m all
fricked up and I don’t know what to do. I’m happy for Steve. This is his first
solo book project since ‘Download Helvetica for Free’ released in March 2011,
or ‘I love music’ a sensual collaboration with Stephen Tully Dierks. Steve is
my uncle on Facebook but IRL he is something more. Steve Roggenbuck is my
friend. &lt;/div&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1340473668962842022-2035627422601365760?l=beachsloth.blogspot.com' alt='' /&gt;&lt;/div&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/mVq1aSC6bc9kU3We4_6yfYeUTN4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mVq1aSC6bc9kU3We4_6yfYeUTN4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/BeachSloth/~4/2bLGHVOhaho" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://beachsloth.blogspot.com/feeds/2035627422601365760/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://beachsloth.blogspot.com/2012/02/crunk-juice-by-steve-roggenbuck.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/2035627422601365760?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/1340473668962842022/posts/default/2035627422601365760?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BeachSloth/~3/2bLGHVOhaho/crunk-juice-by-steve-roggenbuck.html" title="Crunk Juice by Steve Roggenbuck" /><author><name>Beach Sloth</name><uri>http://www.blogger.com/profile/01487203406227378909</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="22" src="http://2.bp.blogspot.com/_HEkHa3AWOFY/TE-VPLNQ_sI/AAAAAAAAAAM/Cfk2kWUCVfw/S220/sloth.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-PA2_F5VS_NM/T0aSg5chWYI/AAAAAAAABVM/EHNxhjD6EHM/s72-c/425453_357560010930190_100000285814749_1408185_1456673128_n.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://beachsloth.blogspot.com/2012/02/crunk-juice-by-steve-roggenbuck.html</feedburner:origLink></entry></feed>

