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ruin</category><category>radiofutura</category><category>radionovela</category><category>radiozero.pt</category><category>recordings</category><category>restaurantes</category><category>restruturação</category><category>rhythmic</category><category>ritual</category><category>rocksteady</category><category>roll a twenty</category><category>ruído</category><category>rádio N</category><category>rádio filispim</category><category>second life</category><category>selecção</category><category>semanal</category><category>sexy</category><category>sighup</category><category>silber records</category><category>simiram</category><category>simon trottier</category><category>sleeping me</category><category>snippets</category><category>sociedade portuguesa de autores</category><category>sonicbrat</category><category>soundscape</category><category>spa</category><category>space rock</category><category>stream</category><category>stress.fm</category><category>strip</category><category>strond</category><category>sub bass</category><category>summer</category><category>technology of silence</category><category>texture</category><category>the minor emotion</category><category>the mystery artist</category><category>theremin</category><category>thermidor</category><category>tiago morais</category><category>top10</category><category>topless</category><category>transe</category><category>transmediale</category><category>treesmovethemost</category><category>ubiktune</category><category>upcoming releases</category><category>vaporwave</category><category>violet and the mutants</category><category>virgilio oliveira</category><category>vitor rua</category><category>weird</category><category>welcome home morning star</category><category>xynthetic</category><category>zigurartists</category><category>zuramone</category><title>BPF - Beats Play Free</title><description></description><link>http://beatsplayfree.blogspot.com/</link><managingEditor>noreply@blogger.com (Unknown)</managingEditor><generator>Blogger</generator><openSearch:totalResults>1337</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-3149229510732506311</guid><pubDate>Thu, 02 Apr 2026 00:00:00 +0000</pubDate><atom:updated>2026-04-02T01:05:01.296+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Harsh Noise</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><category domain="http://www.blogger.com/atom/ns#">Otanoise</category><title>[mi357] : Saya Akasegawa - Bikkuri - Horror House</title><description>&lt;b&gt;[PT]&lt;/b&gt;&lt;br&gt;
Saya Akesegawa apresenta Bikkuri - Horror House, um mergulho de 27 minutos numa possessão sonora ficcional. O que começou como uma visita improvisada a umas ruínas assombradas para interpretar temas noise para um público otaku rapidamente transformou-se em algo mais estranho — um “exorcismo” de power electronics impulsionado pela distorção e intensidade.
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Misturando harsh noise, texturas de otanoise e energia ritualística, Bikkuri - Horror House oferece uma experiência auditiva densa e inquietante, repleta de perturbações espirituais imaginadas. Caótico mas intencional, transforma a performance em narrativa e o ruído em atmosfera.
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Entrem neste mundo ficcional com paisagens sonoras estranhas eabracem a perturbação e a experimentaçaão de Saya Akesegawa. Entrem em Bikkuri - Horror House — se tiverem coragem. O disco traz uma banda desenhada feita pela artista e podem fazer o download &lt;a href=&quot;www.clubotaku.org/mimi/extra/bikkuri_horrorhouse_bonuscomic.pdf&quot; target=&quot;_blank&quot;&gt;aqui&lt;/a&gt;. 
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Masterizado por Sou Inomoto
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&lt;b&gt;[UK]&lt;/b&gt;&lt;br&gt;
Saya Akesegawa presents Bikkuri - Horror House, a 27-minute plunge into fictional sonic possession. What began as an impromptu visit to a haunted ruin to perform abrasive noise for an otaku audience spiraled into something stranger — a power electronics “exorcism” driven by distortion and intensity.
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Blending harsh noise, otanoise textures, and ritualistic energy, Bikkuri - Horror House delivers a dense, unsettling listening experience filled with imagined spiritual disturbances. Chaotic yet deliberate, it transforms performance into narrative and noise into atmosphere.
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Enter this fictional world of strange soundscapes, embrace the disturbance, and experience Saya Akesegawa’s experimentation. Step into Bikkuri - Horror House — if you dare. The album includes a comic strip created by the artist, and you can download it  &lt;a href=&quot;www.clubotaku.org/mimi/extra/bikkuri_horrorhouse_bonuscomic.pdf&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;.
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Mastered by Sou Inomoto
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2837934712/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/bikkuri-horror-house&quot;&gt;Bikkuri - Horror House by Saya Akasegawa&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2026/04/mi357-saya-akasegawa-bikkuri-horror.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-2460686182602604343</guid><pubDate>Wed, 01 Apr 2026 23:48:00 +0000</pubDate><atom:updated>2026-04-02T00:50:34.483+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">garage rock</category><category domain="http://www.blogger.com/atom/ns#">Headshrinker Records</category><title>Horror Deluxe &amp; A Clementina - Videodromo &amp; I&#39;m Just A Monster</title><description>&lt;br&gt;
[EN] Videodromo &amp; I&#39;m just a monster brings you two different approaches on what garage rock is.&lt;br&gt;
Videodromo from Horror Deluxe is a more trippy and beat/psych approach.&lt;br&gt;
I&#39;m just a monster is a raw punk approach to what garage means to A Clementina, just drum vocals and a bass.
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Enjoy!
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[PT] Videodromo e I&#39;m just a monster trazem duas abordagens diferentes do que é o garage rock. &lt;br&gt;
Videodromo, dos Horror Deluxe, tem uma abordagem mais psicadélica e com batidas, uma mistura perfeita. &lt;br&gt;
I&#39;m just a monster é uma abordagem punk crua do que o garage rock significa para A Clementina, apenas bateria, voz e baixo.
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Aproveitem!
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&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=1025957285/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://headshrinkerrecords.bandcamp.com/album/videodromo-im-just-a-monster&quot;&gt;Videodromo &amp;amp; I&amp;#39;m Just A Monster by Horror Deluxe &amp;amp; A Clementina&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2026/04/horror-deluxe-clementina-videodromo-im.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-5706083213224188851</guid><pubDate>Tue, 17 Mar 2026 16:23:00 +0000</pubDate><atom:updated>2026-03-17T16:23:37.382+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Electronica</category><category domain="http://www.blogger.com/atom/ns#">enzui</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><title>[mi356] : enzui - omiyage</title><description>&lt;b&gt;[PT]&lt;/b&gt;&lt;br&gt;
Com o lançamento de Omiiyage, Junichi Takizawa (a.k.a. enzui) apresenta um novo capítulo sonoro marcado por atmosferas densas e batidas de trip-hop elegantes.
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Este novo trabalho mistura texturas eletrónicas subtis com melodias hipnóticas que evocam memórias fragmentadas. A capa do disco, com ilustração crua e surreal de um personagem amplificando sons por um megafone, traduz visualmente a energia experimental das composições.
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Entre ruídos lo-fi e grooves lentos, enzui cria uma paisagem sonora íntima e cinematográfica. O álbum pode ser entendido como um Omiyage “souvenir sonoro”: cada faixa funciona como um pequeno fragmento de uma jornada musical.
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[UK]&lt;br&gt;
With the release of Omiiyage, Junichi Takizawa (a.k.a. enzui) presents a new sonic chapter marked by dense atmospheres and elegant trip-hop beats.
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This new work blends subtle electronic textures with hypnotic melodies that evoke fragmented memories. The album cover, featuring a raw and surreal illustration of a character amplifying sounds through a megaphone, visually translates the experimental energy of the compositions.
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Between lo-fi noises and slow grooves, enzui creates an intimate and cinematic soundscape. The album can be understood as an omiyage—a “sonic souvenir”: each track functions as a small fragment of a musical journey.
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=120493504/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/omiyage&quot;&gt;omiyage by enzui&lt;/a&gt;&lt;/iframe&gt;
</description><link>http://beatsplayfree.blogspot.com/2026/03/mi356-enzui-omiyage.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-2338894397295440151</guid><pubDate>Mon, 16 Mar 2026 20:58:00 +0000</pubDate><atom:updated>2026-04-02T00:49:21.025+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Headshrinker Records</category><category domain="http://www.blogger.com/atom/ns#">Psychobilly</category><category domain="http://www.blogger.com/atom/ns#">Surf Rock</category><title>Jack El Paranoico - Stabby</title><description>&lt;br&gt;
[EN] A fuzzy surf psychobilly tune from the band Jack El Paranoico!
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[PT] Uma música psicobilly com um toque surf da banda Jack El Paranoico!
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&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/track=431244496/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://headshrinkerrecords.bandcamp.com/track/stabby&quot;&gt;Stabby by Jack El Paranoico&lt;/a&gt;&lt;/iframe&gt;
</description><link>http://beatsplayfree.blogspot.com/2026/03/jack-el-paranoico-stabby.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-866179549259878703</guid><pubDate>Mon, 09 Mar 2026 19:22:00 +0000</pubDate><atom:updated>2026-03-09T19:22:01.073+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Enough Records</category><category domain="http://www.blogger.com/atom/ns#">Podcast</category><category domain="http://www.blogger.com/atom/ns#">Radio</category><category domain="http://www.blogger.com/atom/ns#">radio showcases</category><title>Enough Records Radio Show #123</title><description>&lt;img src=&quot;https://enoughrecords.scene.org/covers/enrshow123.jpg&quot; /&gt;
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[EN] Curated by the label owner ps, the Enough Records Radio Show brings you two hours of sounds taken from our eclectic and extensive back-catalogue. This edition premiered in March 2026, broadcasted at &lt;a href=&quot;https://radioquantica.com&quot;&gt;Radio Quântica&lt;/a&gt;, &lt;a href=&quot;https://piratona.alg-a.org/&quot;&gt;Radio Piratona&lt;/a&gt;, &lt;a href=&quot;https://www.internetpublicradio.live/&quot;&gt;Internet Public Radio&lt;/a&gt;, &lt;a href=&quot;https://dfm.nu/&quot;&gt;DFM RTV INT&lt;/a&gt; and &lt;a href=&quot;https://bewaretheradio.com/&quot;&gt;Beware! The Radio&lt;/a&gt;.
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[PT] Duas horas de sons retirados do catálogo da Enough Records. Transmitido pela primera vez em Março de 2026 na &lt;a href=&quot;https://radioquantica.com&quot;&gt;Radio Quântica&lt;/a&gt;, &lt;a href=&quot;https://piratona.alg-a.org/&quot;&gt;Radio Piratona&lt;/a&gt;, &lt;a href=&quot;https://www.internetpublicradio.live/&quot;&gt;Internet Public Radio&lt;/a&gt;, &lt;a href=&quot;https://dfm.nu/&quot;&gt;DFM RTV INT&lt;/a&gt; e &lt;a href=&quot;https://bewaretheradio.com/&quot;&gt;Beware! The Radio&lt;/a&gt;.
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&lt;iframe src=&quot;https://archive.org/embed/enrshow123_enough_records_radio_show__123&quot; width=&quot;350&quot; height=&quot;30&quot; frameborder=&quot;0&quot; webkitallowfullscreen=&quot;true&quot; mozallowfullscreen=&quot;true&quot; allowfullscreen&gt;&lt;/iframe&gt;
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&lt;a href=&quot;https://archive.scene.org/pub/music/groups/enough_records/enrshow123_enough_records_radio_show__123.zip&quot;&gt;Get from scene.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archive.org/details/enrshow123_enough_records_radio_show__123&quot;&gt;Get from archive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://enoughrec.bandcamp.com/album/enough-records-radio-show-123&quot;&gt;Get from bandcamp.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://soundcloud.com/enoughrec/enrshow123&quot;&gt;Get from soundcloud.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.mixcloud.com/enoughrecords/enough-records-radio-show-123/&quot;&gt;Get from mixcloud&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://audius.co/enoughrec/enough-records-radio-show-123&quot;&gt;Get from audius&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://youtu.be/pUdq28EXHiw&quot;&gt;Get from YouTube&lt;/a&gt;&lt;br /&gt;</description><link>http://beatsplayfree.blogspot.com/2026/03/enough-records-radio-show-123.html</link><author>noreply@blogger.com (enoughrec)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-3966903886706900826</guid><pubDate>Mon, 02 Mar 2026 22:54:00 +0000</pubDate><atom:updated>2026-03-02T22:54:27.852+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">breakbeat</category><category domain="http://www.blogger.com/atom/ns#">breaks</category><category domain="http://www.blogger.com/atom/ns#">ELECTRONIC</category><category domain="http://www.blogger.com/atom/ns#">Enough Records</category><category domain="http://www.blogger.com/atom/ns#">Lost In Transmission</category><title>Lost In Transmission - Novocain Rainbow Hurt</title><description>&lt;img src=&quot;https://enoughrecords.scene.org/covers/enrmp559.jpg&quot; /&gt;
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[EN] Collaboration work between artists &lt;a href=&quot;https://astridbellefroid.jimdofree.com/about-1/&quot;&gt;Astrid Bellefroid&lt;/a&gt; and &lt;a href=&quot;https://esc-laboratory1.bandcamp.com/&quot;&gt;Doc.AtmosfearCrush&lt;/a&gt;, &quot;Novocain Rainbow Hurt&quot; is an experience that intensively utilizes modern methods of manipulating natural sounds, resynthesizing, deconstructing, and rearranging them to create an organic, highly danceable sonic cinema for the mind. You can hear the influences from stoner electro, drum &#39;n&#39; bass, electro punk, groovy synthwave melodies, and then if all gets dipped into a handcrafted acid bath.
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[PT] Trabalho colaborativo entre os artistas &lt;a href=&quot;https://astridbellefroid.jimdofree.com/about-1/&quot;&gt;Astrid Bellefroid&lt;/a&gt; e &lt;a href=&quot;https://esc-laboratory1.bandcamp.com/&quot;&gt;Doc.AtmosfearCrush&lt;/a&gt;, &quot;Novocain Rainbow Hurt&quot; é uma experiência que utiliza métodos modernos de manipulação de sons naturais, resintese, deconstrução e rearranjamentos para criar um cinema sónico para a mente, orgânico e altamente dançável. Podemos escutar influencias do stoner electro, drum &#39;n&#39; bass, electro punk, synthwave, sendo tudo submergido num banho àcido preparado à medida.
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&lt;iframe src=&quot;https://archive.org/embed/enrmp559_lost_in_transmission_-_novocain_rainbow_hurt&quot; width=&quot;350&quot; height=&quot;30&quot; frameborder=&quot;0&quot; webkitallowfullscreen=&quot;true&quot; mozallowfullscreen=&quot;true&quot; allowfullscreen&gt;&lt;/iframe&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;https://archive.scene.org/pub/music/groups/enough_records/enrmp559_lost_in_transmission_-_novocain_rainbow_hurt.zip&quot;&gt;Get from scene.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archive.org/details/enrmp559_lost_in_transmission_-_novocain_rainbow_hurt&quot;&gt;Get from archive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.jamendo.com/album/628785/novocain-rainbow-hurt&quot;&gt;Get from jamendo.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://enoughrec.bandcamp.com/album/novocain-rainbow-hurt&quot;&gt;Get from bandcamp.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://music.apple.com/us/album/novocain-rainbow-hurt/1876798791&quot;&gt;Get from iTunes&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://youtu.be/yGq1W8VuSGM&quot;&gt;Get from YouTube&lt;/a&gt;&lt;br /&gt;</description><link>http://beatsplayfree.blogspot.com/2026/03/lost-in-transmission-novocain-rainbow.html</link><author>noreply@blogger.com (enoughrec)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-121530739473809356</guid><pubDate>Mon, 02 Mar 2026 20:59:00 +0000</pubDate><atom:updated>2026-03-02T21:00:13.374+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><category domain="http://www.blogger.com/atom/ns#">post rock</category><category domain="http://www.blogger.com/atom/ns#">Shoegaze</category><title>[mi355] : Sphere within Sphere - 96/99</title><description>&lt;b&gt;[PT]&lt;/b&gt;
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Formado por Hiroyasu Izumori (Isolate Line) e Yuusuke Shimosada (Sparkler), os Sphere within Sphere, são um duo japonês que cria paisagens sonoras imersivas misturando a eletrónica com os sons das guitarras, o ruído e o &quot;glitch&quot;.
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O projeto centra-se na memória como uma presença viva, em vez de um passado fixo. Ao referir 1996 e 1999 como coordenadas emocionais, a obra explora a forma como momentos desaparecidos continuam a moldar o presente.
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A sua música dissolve fronteiras de género, equilibrando estruturas algorítmicas com uma ressonância humana frágil. O resultado é um som pós-tudo, onde abstração e emoção coexistem em esferas sonoras em constante mutação.
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A capa — uma fotografia Polaroid segurada diante de uma paisagem — capta visualmente esta sobreposição de tempos, enquadrando a memória dentro do próprio ato de observar.
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&lt;b&gt;[UK]&lt;/b&gt;
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Formed by Hiroyasu Izumori (Isolate Line) and Yuusuke Shimosada (Sparkler), Sphere within Sphere are a Japanese duo who create immersive soundscapes, blending electronics with guitar textures, noise, and glitch.
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The project centers on memory as a living presence rather than a fixed past. Referring to 1996 and 1999 as emotional coordinates, the work explores how vanished moments continue shaping the present.
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Their music dissolves genre boundaries, balancing algorithmic structures with fragile human resonance. The result is a post-everything sound where abstraction and emotion coexist within shifting sonic spheres.
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The artwork—a Polaroid held against a landscape—visually captures this layering of time, framing memory within observation.
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=670849129/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/96-99&quot;&gt;96/99 by Sphere within Sphere&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2026/03/mi355-sphere-within-sphere-9699.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-252881095639512340</guid><pubDate>Mon, 16 Feb 2026 21:01:00 +0000</pubDate><atom:updated>2026-03-02T21:03:44.140+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">experimental</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><category domain="http://www.blogger.com/atom/ns#">noise</category><title>[mi354] : Gensai Hasegawa - Memory Rebellion</title><description>&lt;b&gt;[PT]&lt;/b&gt;
&lt;br&gt;
O prolífico artista de noise Gensei Hasegawa, que tem lançado inúmeros discos por todo o mundo, chega finalmente à MiMi Records com Memory Rebelion.
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Este EP de 4 faixas é uma descida experimental e avant-garde ao dark ambient e ao harsh noise wall noise.
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Tal como memórias que se recusam a desaparecer, o álbum ergue imponentes muralhas de som, corroídas e implacáveis, onde a distorção se transforma em lembrança e a rebelião se torna ressonância contra o silêncio. Um confronto com o esquecimento em forma brutal.
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Uma viagem sonora que tem de ser ouvida.
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&lt;b&gt;[UK]&lt;/b&gt;
&lt;br&gt;
The prolific noise artist Gensei Hasegawa, who has released countless records around the world, finally arrives at MiMi Records with Memory Rebelion.
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This 4-track EP is an experimental, avant-garde descent into dark ambient and harsh noise wall noise.
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Like memories refusing to fade, the album builds towering walls of sound, corroded and unrelenting, where distortion becomes remembrance and rebellion becomes resonance against silence. A confrontation with forgetting in brutal form.
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A sonic journey that must be listen.
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2623958348/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/memory-rebellion&quot;&gt;Memory Rebellion by Gensai Hasegawa&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2026/02/mi354-gensai-hasegawa-memory-rebellion.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-9028525378868860942</guid><pubDate>Mon, 16 Feb 2026 10:10:05 +0000</pubDate><atom:updated>2026-02-16T10:10:52.868+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Enough Records</category><category domain="http://www.blogger.com/atom/ns#">ethnic</category><category domain="http://www.blogger.com/atom/ns#">folk</category><category domain="http://www.blogger.com/atom/ns#">hip-hop</category><category domain="http://www.blogger.com/atom/ns#">numetal</category><title>Door213 - None of My Friends Understand What It Means</title><description>&lt;img src=&quot;https://enoughrecords.scene.org/covers/enrmp558.jpg&quot; /&gt;
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[EN] &lt;a href=&quot;https://soundcloud.com/door213&quot;&gt;Door213&lt;/a&gt; is the new project of V. Von Jacquin (of &lt;a href=&quot;https://enoughrecords.scene.org/release/enrmp410&quot;&gt;J-1792&lt;/a&gt; and &lt;a href=&quot;https://enoughrecords.scene.org/release/enrmp330&quot;&gt;Gottfried Ist Tot&lt;/a&gt;) and it&#39;s dedicated to Jeffrey Dahmer. It mixes nu-metal, hip-hop and ethnic/folk influences, bringing out whimsical and poetic lyrics, influenced by sounds like System of a Down and Noga Erez, with a touch of a romantic and platonic vibe that reaches out to spirit and leads you on a spiritual journey through chaos.
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[PT] &lt;a href=&quot;https://soundcloud.com/door213&quot;&gt;Door213&lt;/a&gt; é o novo projecto de V. Von Jacquin (de &lt;a href=&quot;https://enoughrecords.scene.org/release/enrmp410&quot;&gt;J-1792&lt;/a&gt; e &lt;a href=&quot;https://enoughrecords.scene.org/release/enrmp330&quot;&gt;Gottfried Ist Tot&lt;/a&gt;) e é dedicado a Jeffrey Dahmer. Este projecto mistura nu-metal, hip-hop e influências étnicas/folk, com letras cuidadas e algo poéticas, influenciado fortemente por sonoridades como System of a Down e Noga Erez, com um toque romântico e platónico que nos transporta a uma viagem espiritual através do caos.
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&lt;iframe src=&quot;https://archive.org/embed/enrmp558_door213_-_none_of_my_friends_understand_what_it_means&quot; width=&quot;350&quot; height=&quot;30&quot; frameborder=&quot;0&quot; webkitallowfullscreen=&quot;true&quot; mozallowfullscreen=&quot;true&quot; allowfullscreen&gt;&lt;/iframe&gt;
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&lt;a href=&quot;https://archive.scene.org/pub/music/groups/enough_records/enrmp558_door213_-_none_of_my_friends_understand_what_it_means.zip&quot;&gt;Get from scene.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archive.org/details/enrmp558_door213_-_none_of_my_friends_understand_what_it_means&quot;&gt;Get from archive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.jamendo.com/album/627214/none-of-my-friends-understand-what-it-means&quot;&gt;Get from jamendo.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://enoughrec.bandcamp.com/album/none-of-my-friends-understand-what-it-means&quot;&gt;Get from bandcamp.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://soundcloud.com/door213/sets/none-of-my-friends-understand&quot;&gt;Get from soundcloud.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://music.apple.com/us/album/none-of-my-friends-understand-what-it-means/1871654180&quot;&gt;Get from iTunes&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://audius.co/enoughrec/album/door213-none-of-my-friends-understand-what-it-means&quot;&gt;Get from audius&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://youtu.be/xqoKstf01f4&quot;&gt;Get from YouTube&lt;/a&gt;&lt;br /&gt;</description><link>http://beatsplayfree.blogspot.com/2026/02/door213-none-of-my-friends-understand.html</link><author>noreply@blogger.com (enoughrec)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-34322628344170106</guid><pubDate>Mon, 09 Feb 2026 16:42:17 +0000</pubDate><atom:updated>2026-02-09T16:42:54.686+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Enough Records</category><category domain="http://www.blogger.com/atom/ns#">Podcast</category><category domain="http://www.blogger.com/atom/ns#">radioshow</category><title>Enough Records Radio Show #122</title><description>&lt;img src=&quot;https://enoughrecords.scene.org/covers/enrshow122.jpg&quot; /&gt;
&lt;br /&gt;&lt;br /&gt;
[EN] Curated by the label owner ps, the Enough Records Radio Show brings you two hours of sounds taken from our eclectic and extensive back-catalogue. This edition premiered in February 2026, broadcasted at &lt;a href=&quot;https://radioquantica.com&quot;&gt;Radio Quântica&lt;/a&gt;, &lt;a href=&quot;https://piratona.alg-a.org/&quot;&gt;Radio Piratona&lt;/a&gt;, &lt;a href=&quot;https://www.internetpublicradio.live/&quot;&gt;Internet Public Radio&lt;/a&gt;, &lt;a href=&quot;https://dfm.nu/&quot;&gt;DFM RTV INT&lt;/a&gt; and &lt;a href=&quot;https://bewaretheradio.com/&quot;&gt;Beware! The Radio&lt;/a&gt;.
&lt;br /&gt;&lt;br /&gt;
[PT] Duas horas de sons retirados do catálogo da Enough Records. Transmitido pela primera vez em Fevereiro de 2026 na &lt;a href=&quot;https://radioquantica.com&quot;&gt;Radio Quântica&lt;/a&gt;, &lt;a href=&quot;https://piratona.alg-a.org/&quot;&gt;Radio Piratona&lt;/a&gt;, &lt;a href=&quot;https://www.internetpublicradio.live/&quot;&gt;Internet Public Radio&lt;/a&gt;, &lt;a href=&quot;https://dfm.nu/&quot;&gt;DFM RTV INT&lt;/a&gt; e &lt;a href=&quot;https://bewaretheradio.com/&quot;&gt;Beware! The Radio&lt;/a&gt;.
&lt;br /&gt;&lt;br /&gt;
&lt;iframe src=&quot;https://archive.org/embed/enrshow122_enough_records_radio_show__122&quot; width=&quot;350&quot; height=&quot;30&quot; frameborder=&quot;0&quot; webkitallowfullscreen=&quot;true&quot; mozallowfullscreen=&quot;true&quot; allowfullscreen&gt;&lt;/iframe&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;https://archive.scene.org/pub/music/groups/enough_records/enrshow122_enough_records_radio_show__122.zip&quot;&gt;Get from scene.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archive.org/details/enrshow122_enough_records_radio_show__122&quot;&gt;Get from archive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://enoughrec.bandcamp.com/album/enough-records-radio-show-122&quot;&gt;Get from bandcamp.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://soundcloud.com/enoughrec/enrshow122&quot;&gt;Get from soundcloud.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.mixcloud.com/enoughrecords/enough-records-radio-show-122/&quot;&gt;Get from mixcloud&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://audius.co/enoughrec/enough-records-radio-show-122&quot;&gt;Get from audius&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://youtu.be/444ioc_Bs4M&quot;&gt;Get from YouTube&lt;/a&gt;&lt;br /&gt;</description><link>http://beatsplayfree.blogspot.com/2026/02/enough-records-radio-show-122.html</link><author>noreply@blogger.com (enoughrec)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-3739522888754307046</guid><pubDate>Wed, 04 Feb 2026 21:05:00 +0000</pubDate><atom:updated>2026-03-02T21:09:03.899+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">reggae</category><category domain="http://www.blogger.com/atom/ns#">rocksteady</category><category domain="http://www.blogger.com/atom/ns#">Tás Parvo Records</category><title>Harry Sherman &amp; The Intelligence - Heavy Burden</title><description>Heavy burden is my new musical work. How many times have I thought about giving up on positive lyrics and love songs? I can&#39;t even say. For a while it felt like I was carrying a burden, and honestly, the exhaustion almost made me want to stop doing this altogether. But I went against that urge, I went to my studio with lyrics only in my head, and I came out smiling and with new songs.
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Here are those new songs that emerged from love and not from the hatred that overwhelmed me at that time.
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We are:
Harry Sherman: Vocals and Lyrics&lt;br&gt;
Marcos: Guitar and bass&lt;br&gt;
Edgar: keyboard&lt;br&gt;
Rubin: drums
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&lt;iframe style=&quot;border: 0; width: 100%; height: 120px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=1150739462/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://tasparvorecords.bandcamp.com/album/heavy-burden&quot;&gt;Heavy Burden by Harry Sherman &amp;amp; The Intelligence&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2026/02/harry-sherman-intelligence-heavy-burden.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-2498408261260996264</guid><pubDate>Sun, 01 Feb 2026 22:20:00 +0000</pubDate><atom:updated>2026-02-01T22:20:37.875+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Instrumental hip-hop</category><category domain="http://www.blogger.com/atom/ns#">Lo-fi Beats</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><title>[mi353] : Câmera Analógica - even the softest hearts need somewhere to rest</title><description>&lt;b&gt;[PT]&lt;/b&gt;&lt;br&gt;
É mais uma bonita estreia no catálogo da MiMi Records.
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Desta vez é o projecto Câmera Analógica que nos traz &quot;even the softest hearts need somewhere to rest&quot;, um EP construído como uma coleção de pequenas cenas, inspirado na estética das visual novels e nas OSTs dos anos 2000. Cada faixa é nos dada com bonitos lo-fi beats que capturam um momento íntimo e silencioso, onde conforto, nostalgia e pausa emocional se encontram.
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O disco percorre paisagens urbanas, fins de semana mais leves e instantes de contemplação, criando um espaço seguro para sentimentos que não precisam ser explicados. Os títulos das faixas carregam significados pessoais, mas permanecem abertos à interpretação, convidando o ouvinte a encontrar suas próprias histórias dentro do som.
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Um disco para se ouvir em loop e de headphones.
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&lt;b&gt;[UK]&lt;/b&gt;&lt;br&gt;
It is another beautiful debut in the MiMi Records catalogue.
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This time, the project Câmera Analógica presents even the softest hearts need somewhere to rest, an EP built as a collection of small scenes, inspired by the aesthetics of visual novels and the soundtracks of the 2000s. Each track is presented with beautiful lo-fi beats that capture an intimate, quiet moment, where comfort, nostalgia, and emotional pause meet.
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The record moves through urban landscapes, lighter weekends, and moments of contemplation, creating a safe space for feelings that don’t need to be explained. The track titles carry personal meanings, yet remain open to interpretation, inviting the listener to find their own stories within the sound.
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An EP to listen to on repeat with headphones. 
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3261231653/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/even-the-softest-hearts-need-somewhere-to-rest&quot;&gt;even the softest hearts need somewhere to rest by Camera Analógica&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2026/02/mi353-camera-analogica-even-softest.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-1710020427233823789</guid><pubDate>Fri, 16 Jan 2026 21:30:00 +0000</pubDate><atom:updated>2026-01-16T21:30:25.525+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">drone</category><category domain="http://www.blogger.com/atom/ns#">experimental</category><category domain="http://www.blogger.com/atom/ns#">field recordings</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><title>[mi352] : Falésia - Música Pobre</title><description>&lt;b&gt;[PT]&lt;/b&gt;
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É mais um novo artista a entrar na família da MiMi Records.
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Nesta estranha condição espaço-temporal saturada de informação, em que o excesso de dados se sobrepõe à experiência sensível, o Antropoceno já não se anuncia como hipótese futura, mas como presença imediata, quase física, a respirar-nos sobre os ombros.
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É neste horizonte de colapso lento — ecológico, tecnológico e simbólico — que, ao longo da última década, Nuno Afonso, sob o heterónimo Falésia, tem procurado territórios sonoros limítrofes: paisagens ora vulcânicas, ora estratosféricas, onde a beleza ainda se recompõe a partir da estranheza e do desvio.
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Música Pobre surge como um desses microcosmos singulares: uma realidade tecnológica que insiste em permanecer primitiva, quase arcaica, como se a eletrónica fosse aqui menos um instrumento de progresso e mais um vestígio — um resto, uma ruína ativa.
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Entre ecos das congeminações teóricas de Mark Fisher, emissões de rádios distantes e exóticas, e uma panóplia de dispositivos eletroacústicos, constrói-se uma peça dividida em dois lados que são também duas visões do mesmo mundo: uma fratura, mais do que uma oposição.
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&lt;b&gt;[UK]&lt;/b&gt;
&lt;br&gt;&lt;br&gt;
It is yet another new artist joining the MiMi Records family.
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In this strange space–time condition saturated with information, where the excess of data overrides sensory experience, the Anthropocene no longer presents itself as a future hypothesis but as an immediate, almost physical presence, breathing down our necks.
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It is within this horizon of slow collapse — ecological, technological, and symbolic — that over the past decade Nuno Afonso, under the heteronym Falésia, has been searching for liminal sonic territories: landscapes at times volcanic, at times stratospheric, where beauty is still reassembled out of strangeness and deviation.
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Música Pobre emerges as one of these singular microcosms: a technological reality that insists on remaining primitive, almost archaic, as if electronics were here less an instrument of progress and more a trace — a remainder, an active ruin.
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Between echoes of Mark Fisher’s theoretical formulations, broadcasts from distant and exotic radios, and a panoply of electroacoustic devices, a piece takes shape, divided into two sides that are also two visions of the same world: a fracture, rather than an opposition.
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=211001615/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/m-sica-pobre&quot;&gt;Música Pobre by Falésia&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2026/01/mi352-falesia-musica-pobre.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-1359529055168313948</guid><pubDate>Tue, 13 Jan 2026 04:17:00 +0000</pubDate><atom:updated>2026-01-13T04:17:27.394+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Enough Records</category><category domain="http://www.blogger.com/atom/ns#">Radio</category><category domain="http://www.blogger.com/atom/ns#">radio showcases</category><category domain="http://www.blogger.com/atom/ns#">radioshow</category><title>Enough Records Radio Show #121</title><description>&lt;img src=&quot;https://enoughrecords.scene.org/covers/enrshow121.jpg&quot; /&gt;
&lt;br /&gt;&lt;br /&gt;
[EN] Curated by the label owner ps, the Enough Records Radio Show brings you two hours of sounds taken from our eclectic and extensive back-catalogue. This edition premiered in January 2026, broadcasted at &lt;a href=&quot;https://radioquantica.com&quot;&gt;Radio Quântica&lt;/a&gt;, &lt;a href=&quot;https://piratona.alg-a.org/&quot;&gt;Radio Piratona&lt;/a&gt;, &lt;a href=&quot;https://www.internetpublicradio.live/&quot;&gt;Internet Public Radio&lt;/a&gt;, &lt;a href=&quot;https://dfm.nu/&quot;&gt;DFM RTV INT&lt;/a&gt; and &lt;a href=&quot;https://bewaretheradio.com/&quot;&gt;Beware! The Radio&lt;/a&gt;.
&lt;br /&gt;&lt;br /&gt;
[PT] Duas horas de sons retirados do catálogo da Enough Records. Transmitido pela primera vez em Janeiro de 2026 na &lt;a href=&quot;https://radioquantica.com&quot;&gt;Radio Quântica&lt;/a&gt;, &lt;a href=&quot;https://piratona.alg-a.org/&quot;&gt;Radio Piratona&lt;/a&gt;, &lt;a href=&quot;https://www.internetpublicradio.live/&quot;&gt;Internet Public Radio&lt;/a&gt;, &lt;a href=&quot;https://dfm.nu/&quot;&gt;DFM RTV INT&lt;/a&gt; e &lt;a href=&quot;https://bewaretheradio.com/&quot;&gt;Beware! The Radio&lt;/a&gt;.
&lt;br /&gt;&lt;br /&gt;
&lt;iframe src=&quot;https://archive.org/embed/enrshow121_enough_records_radio_show__121&quot; width=&quot;350&quot; height=&quot;30&quot; frameborder=&quot;0&quot; webkitallowfullscreen=&quot;true&quot; mozallowfullscreen=&quot;true&quot; allowfullscreen&gt;&lt;/iframe&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;https://archive.scene.org/pub/music/groups/enough_records/enrshow121_enough_records_radio_show__121.zip&quot;&gt;Get from scene.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archive.org/details/enrshow121_enough_records_radio_show__121&quot;&gt;Get from archive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://enoughrec.bandcamp.com/album/enough-records-radio-show-121&quot;&gt;Get from bandcamp.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://soundcloud.com/enoughrec/enough-records-radio-show-121&quot;&gt;Get from soundcloud.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.mixcloud.com/enoughrecords/enough-records-radio-show-121/&quot;&gt;Get from mixcloud&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://audius.co/enoughrec/enough-records-radio-show-121&quot;&gt;Get from audius&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://youtu.be/tGUdoZXCIRw&quot;&gt;Get from YouTube&lt;/a&gt;&lt;br /&gt;</description><link>http://beatsplayfree.blogspot.com/2026/01/enough-records-radio-show-121.html</link><author>noreply@blogger.com (enoughrec)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-3593815878478900611</guid><pubDate>Mon, 05 Jan 2026 22:10:00 +0000</pubDate><atom:updated>2026-01-05T22:10:16.126+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">ambient</category><category domain="http://www.blogger.com/atom/ns#">drone</category><category domain="http://www.blogger.com/atom/ns#">Koen Daigaku</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><category domain="http://www.blogger.com/atom/ns#">modern classical</category><title>[mi351] : Koen Daigaku - Eureka</title><description>&lt;b&gt;[PT]&lt;/b&gt;&lt;br&gt;
Koen Daigaku abre o catálogo de 2026 da MiMi Records com este EP que explora a atmosfera, a paciência e a escala emocional.
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Ao longo de composições expansivas, Daigaku combina tons sustentados, harmónicos suaves e melodias de evolução lenta em paisagens sonoras imersivas que se sentem simultaneamente íntimas e vastas.
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Eureka convida os ouvintes a parar, respirar e flutuar, captando uma sensação de elevação e calma que ressoa muito depois de a nota final se desvanecer, com uma confiança discreta e uma contenção composicional refinada em toda a obra.
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Imperdível!!!
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&lt;b&gt;[UK]&lt;/b&gt;&lt;br&gt;
Koen Daigaku opens MiMi Records’ 2026 catalog with this EP that explores atmosphere, patience, and emotional scale.
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Across expansive compositions, Daigaku blends sustained tones, gentle harmonics, and slow-moving melodies into immersive soundscapes that feel both intimate and vast.
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Eureka invites listeners to pause, breathe, and drift, capturing a sense of elevation and calm that resonates long after the final note fades, with quiet confidence and refined compositional restraint throughout.
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A must listen!!!
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=1871838601/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/eureka&quot;&gt;Eureka by Koen Daigaku&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2026/01/mi351-koen-daigaku-eureka.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-6474833666667747589</guid><pubDate>Tue, 30 Dec 2025 22:52:00 +0000</pubDate><atom:updated>2025-12-30T22:52:49.031+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">cinematic</category><category domain="http://www.blogger.com/atom/ns#">Enough Records</category><category domain="http://www.blogger.com/atom/ns#">guitarra portuguesa</category><category domain="http://www.blogger.com/atom/ns#">M-PeX</category><title>M-PeX - Dialugus</title><description>&lt;img src=&quot;https://enoughrecords.scene.org/covers/enrmp556.jpg&quot; /&gt;
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[EN] New album by Portuguese project &lt;a href=&quot;https://bit.ly/m/m-pex&quot;&gt;M-PeX&lt;/a&gt;. Between electronica and Portuguese guitar, between piano and silence, the album DIALUGUS unfolds as a journey in waves - fragments becoming flow, rhythms that breathe, light that fades and returns. Each track is an act of listening, and each listening becomes a dialogue - between stone and sky, between shadow and brightness, between what is spoken and what is felt. Created within the PRALAC artistic residency, released by Enough Records, with artwork by &lt;a href=&quot;https://marcomadruga.com/&quot;&gt;Marco Madruga&lt;/a&gt;, this album by M‑PeX is dedicated to his grandmother, Celeste Pinheiro, born on 25.05.1925. This year marks her centenary. This album breathes with her.
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[PT] Nova edição do projecto &lt;a href=&quot;https://bit.ly/m/m-pex&quot;&gt;M-PeX&lt;/a&gt;. Entre eletrónica e guitarra portuguesa, entre piano e silêncio, o disco DIALUGUS é um percurso em ondas - fragmentos que se tornam fluxo, ritmos que respiram, luz que se despede e regressa. Cada faixa é uma escuta, e cada escuta, um diálogo - entre pedra e céu, entre sombra e brilho, entre o que se diz e o que se sente. Criado no âmbito da residência artística PRALAC, editado pela Enough Records, com grafismo de &lt;a href=&quot;https://marcomadruga.com/&quot;&gt;Marco Madruga&lt;/a&gt;, este disco de M‑PeX é dedicado à sua avó, Celeste Pinheiro, nascida em 25.05.1925. Este ano marca o seu centenário. Este disco respira com ela.
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&lt;iframe src=&quot;https://archive.org/embed/enrmp556_m-pex_-_dialugus&quot; width=&quot;350&quot; height=&quot;30&quot; frameborder=&quot;0&quot; webkitallowfullscreen=&quot;true&quot; mozallowfullscreen=&quot;true&quot; allowfullscreen&gt;&lt;/iframe&gt;
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&lt;a href=&quot;https://archive.scene.org/pub/music/groups/enough_records/enrmp556_m-pex_-_dialugus.zip&quot;&gt;Get from scene.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archive.org/details/enrmp556_m-pex_-_dialugus&quot;&gt;Get from archive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.jamendo.com/album/622338/dialugus&quot;&gt;Get from jamendo.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://mpex.bandcamp.com/album/dialugus&quot;&gt;Get from bandcamp.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://freemusicarchive.org/music/M-PeX/dialugus&quot;&gt;Get from freemusicarchive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://audius.co/enoughrec/album/m-pex-dialugus&quot;&gt;Get from audius&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.youtube.com/playlist?list=PL7V69Mscm84w4PtGRz4-dl9IoB_ua0Uyn&quot;&gt;Get from YouTube&lt;/a&gt;&lt;br /&gt;</description><link>http://beatsplayfree.blogspot.com/2025/12/m-pex-dialugus.html</link><author>noreply@blogger.com (enoughrec)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-6934145397275654697</guid><pubDate>Sun, 21 Dec 2025 21:58:00 +0000</pubDate><atom:updated>2025-12-22T11:36:02.315+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">House</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><category domain="http://www.blogger.com/atom/ns#">Minimal Dub</category><category domain="http://www.blogger.com/atom/ns#">Techno</category><title>[mi350] : Koichiro Okada - Inner Space</title><description>&lt;b&gt;[PT]&lt;/b&gt;&lt;br&gt;
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É mais uma estreia no catálogo da MiMi Records, oriundo da cidade de Quioto, Koichiro Okada oferece-nos um disco completo de várias latitudes da música electrónica e com bons temas &quot;banger&quot;.
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Do techno ao house e dando uma piscadela de olho ao minimal dub, Okada atira-nos para uma viagem groovy e envolvente, mas que ao mesmo tempo também é sombrio e hipnótico como podemos ouvir na faixa &quot;Resolution&quot; que encerra o disco.
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Inner Space é um EP para as pista de dança, mas também para momentos mais &quot;chill&quot;. Altamente recomendado a sua audição!!!
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&lt;b&gt;[UK]&lt;/b&gt;
&lt;br&gt;&lt;br&gt;
This is another debut in the MiMi Records catalogue. Hailing from Kyoto city, Koichiro Okada delivers a complete record that explores several latitudes of electronic music, featuring strong “banger” tracks.
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From techno to house, with a nod to minimal dub, Okada takes us on a groovy and immersive journey that is also dark and hypnotic at times, as heard on the closing track “Resolution.”
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Inner Space is an EP made for the dance floor, but also for more chill moments. Highly recommended listening!!!
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2575088299/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/inner-space&quot;&gt;Inner Space by Koichiro Okada&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2025/12/mi350-koichiro-okada-inner-space.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-6204368459889487974</guid><pubDate>Tue, 16 Dec 2025 00:37:04 +0000</pubDate><atom:updated>2025-12-16T00:37:37.443+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Enough Records</category><category domain="http://www.blogger.com/atom/ns#">Podcast</category><category domain="http://www.blogger.com/atom/ns#">Radio</category><category domain="http://www.blogger.com/atom/ns#">radio showcases</category><title>Enough Records Radio Show #120</title><description>&lt;img src=&quot;https://enoughrecords.scene.org/covers/enrshow120.jpg&quot; /&gt;
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[EN] Curated by the label owner ps, the Enough Records Radio Show brings you two hours of sounds taken from our eclectic and extensive back-catalogue. This edition premiered in December 2025, broadcasted at &lt;a href=&quot;https://radioquantica.com&quot;&gt;Radio Quântica&lt;/a&gt;, &lt;a href=&quot;https://piratona.alg-a.org/&quot;&gt;Radio Piratona&lt;/a&gt;, &lt;a href=&quot;https://www.internetpublicradio.live/&quot;&gt;Internet Public Radio&lt;/a&gt;, &lt;a href=&quot;https://dfm.nu/&quot;&gt;DFM RTV INT&lt;/a&gt; and &lt;a href=&quot;https://bewaretheradio.com/&quot;&gt;Beware! The Radio&lt;/a&gt;.
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[PT] Duas horas de sons retirados do catálogo da Enough Records. Transmitido pela primera vez em Dezembro de 2025 na &lt;a href=&quot;https://radioquantica.com&quot;&gt;Radio Quântica&lt;/a&gt;, &lt;a href=&quot;https://piratona.alg-a.org/&quot;&gt;Radio Piratona&lt;/a&gt;, &lt;a href=&quot;https://www.internetpublicradio.live/&quot;&gt;Internet Public Radio&lt;/a&gt;, &lt;a href=&quot;https://dfm.nu/&quot;&gt;DFM RTV INT&lt;/a&gt; e &lt;a href=&quot;https://bewaretheradio.com/&quot;&gt;Beware! The Radio&lt;/a&gt;.
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&lt;iframe src=&quot;https://archive.org/embed/enrshow120_enough_records_radio_show__120&quot; width=&quot;350&quot; height=&quot;30&quot; frameborder=&quot;0&quot; webkitallowfullscreen=&quot;true&quot; mozallowfullscreen=&quot;true&quot; allowfullscreen&gt;&lt;/iframe&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;a href=&quot;https://archive.scene.org/pub/music/groups/enough_records/enrshow120_enough_records_radio_show__120.zip&quot;&gt;Get from scene.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archive.org/details/enrshow120_enough_records_radio_show__120&quot;&gt;Get from archive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://enoughrec.bandcamp.com/album/enough-records-radio-show-120&quot;&gt;Get from bandcamp.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://soundcloud.com/enoughrec/enough-records-radio-show-120&quot;&gt;Get from soundcloud.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://podcasts.apple.com/gb/podcast/enough-records-radio-show-120/id1522627544?i=1000741431434&quot;&gt;Get from iTunes&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.mixcloud.com/enoughrecords/enough-records-radio-show-120/&quot;&gt;Get from mixcloud&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://audius.co/enoughrec/enough-records-radio-show-120&quot;&gt;Get from audius&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://youtu.be/TToxUHPmTLM&quot;&gt;Get from YouTube&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.audible.com/podcast/ITEM_NAME/B0G5MPVQPZ&quot;&gt;Get from amazon&lt;/a&gt;&lt;br /&gt;</description><link>http://beatsplayfree.blogspot.com/2025/12/enough-records-radio-show-120.html</link><author>noreply@blogger.com (enoughrec)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-6992294759845397743</guid><pubDate>Tue, 09 Dec 2025 21:52:00 +0000</pubDate><atom:updated>2025-12-21T21:56:38.124+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">breakcore</category><category domain="http://www.blogger.com/atom/ns#">CaӤdy🍬Syлc</category><category domain="http://www.blogger.com/atom/ns#">Chiptune</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><title>[mi349] : CaӤdy🍬Syлc - recess EP</title><description>&lt;b&gt;[PT]&lt;/b&gt;&lt;br&gt;
Depois de quatro anos de &quot;silêncio&quot; os CaӤdy🍬Syлc voltaram à MiMi Records com um novo EP.
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recess EP é uma explosão lolicore que mistura breakcore, speedcore, drum’n’bass e noise. Vozes lolita agudas e finais abruptos marcam cada faixa com intensidade e irreverência. Se és um verdadeiro otaku e vibra com o espírito de Akihabara, este disco é feito para ti.
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Prepare-te para uma overdose sonora de energia pura e estética otaku.
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&lt;b&gt;[UK]&lt;/b&gt;&lt;br&gt;
After four years of “silence,” CaӤdy🍬Syлc return to MiMi Records with a new EP.
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recess EP is a lolicore explosion blending breakcore, speedcore, drum’n’bass, and noise. Sharp, high-pitched lolita vocals and abrupt endings mark each track with intensity and irreverence. If you’re a true otaku who vibes with the spirit of Akihabara, this record is made for you.
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Get ready for a sonic overdose of pure energy and otaku aesthetics.
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=1242943694/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/recess-ep&quot;&gt;recess EP by CaӤdy🍬Syлc&lt;/a&gt;&lt;/iframe&gt;
</description><link>http://beatsplayfree.blogspot.com/2025/12/mi349-cadysyc-recess-ep.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-5873402519444860330</guid><pubDate>Wed, 26 Nov 2025 21:19:00 +0000</pubDate><atom:updated>2025-11-26T21:19:32.338+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">ambient</category><category domain="http://www.blogger.com/atom/ns#">drone</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><title>[mi348] : ryohei kurihara - Afterimage of words, a place beyond return</title><description>&lt;b&gt;[PT]&lt;/b&gt;&lt;br&gt;
Mais uma estreia no catálogo da editora. Ryohei Kurihara lança o seu mini EP de duas faixas intitulado “Afterimage of Words, a Place Beyond Return”, e traz-nos o seu drone ambiental, evocando ecos dos trabalhos anteriores.
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O disco soa como sombras sonoras que persistem na memória, guiando-nos para um território onde retorno é impossível, apenas contemplação lenta e radiante, em suaves ondas de som.
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São quase 20 minutos de camadas sonoras que revelam um espaço emocional onde o silêncio respira entre texturas granuladas. Kurihara molda frequências com precisão meditativa, permitindo que cada drone se desdobre como uma lembrança desfocada.
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O resultado é uma travessia sensorial que amplia o sentido do título, onde palavras desaparecem, mas sensações permanecem até agora.
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&lt;b&gt;[UK]&lt;/b&gt;&lt;br&gt;
Another debut in the label’s catalog. Ryohei Kurihara releases his two-track mini EP titled “Afterimage of Words, a Place Beyond Return”, bringing us his ambient drone, echoing traces of his previous works.
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The record sounds like sonic shadows that linger in memory, guiding us toward a territory where return is impossible—only slow, radiant contemplation in gentle waves of sound.
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It offers nearly 20 minutes of layered sonorities that reveal an emotional space where silence breathes between grainy textures. Kurihara shapes frequencies with meditative precision, allowing each drone to unfold like a blurred memory.
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The result is a sensorial crossing that deepens the meaning of the title, where words disappear but sensations remain to this day. 
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=3715171620/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/afterimage-of-words-a-place-beyond-return&quot;&gt;Afterimage of words, a place beyond return by ryohei kurihara&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2025/11/mi348-ryohei-kurihara-afterimage-of.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-5532181068738288244</guid><pubDate>Mon, 10 Nov 2025 23:49:00 +0000</pubDate><atom:updated>2025-11-10T23:49:06.138+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">breakbeat</category><category domain="http://www.blogger.com/atom/ns#">breaks</category><category domain="http://www.blogger.com/atom/ns#">drum&#39;n&#39;bass</category><category domain="http://www.blogger.com/atom/ns#">Enough Records</category><category domain="http://www.blogger.com/atom/ns#">StereoKollektor</category><title>StereoKollektor - Holly Graphic Sound Archives</title><description>&lt;img src=&quot;https://enoughrecords.scene.org/covers/enrmp555.jpg&quot; /&gt;
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[EN] 6 track album by Portuguese collective StereoKollektor, exploring drum&#39;n&#39;bass, breakbeat and electronic sounds in a series of different artist collaborations performing on instruments and vocals. Eclectic, trippy, with notable influences ranging from acid to fusion jazz and world music. All tracks produced, mixed and mastered by Jorge Clímaco. Additional credits to Vasco Fortes, Yuna Gomes, Aurora Fortes, Sérgio Cardoso, Sérgio Rolo, Luis Terno, Geoffrey Picard, Lea Rouby, Luís Aly, Rui Vida Larga and José Simões. Please check full track credits on the technical infofile.
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[PT] Album de 6 temas do colectivo Português StereoKollektor, explorando drum&#39;n&#39;bass, breakbeat e outros sons de música electrónica numa série de colaborações com diferentes artistas nos instrumentos e vocais. Ecléctico, trippy, com evidentes influências desde o acid ao jazz de fusão e música do mundo. Todos os temas produzidos e misturados por Jorge Clímaco. Créditos adicionais de Vasco Fortes, Yuna Gomes, Aurora Fortes, Sérgio Cardoso, Sérgio Rolo, Luis Terno, Geoffrey Picard, Lea Rouby, Luís Aly, Rui Vida Larga e José Simões. Por favor consultem a ficha técnica em anexo para mais detalhes.
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&lt;iframe src=&quot;https://archive.org/embed/enrmp555_stereokollektor_-_holly_graphic_sound_archives&quot; width=&quot;350&quot; height=&quot;30&quot; frameborder=&quot;0&quot; webkitallowfullscreen=&quot;true&quot; mozallowfullscreen=&quot;true&quot; allowfullscreen&gt;&lt;/iframe&gt;
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&lt;a href=&quot;https://archive.scene.org/pub/music/groups/enough_records/enrmp555_stereokollektor_-_holly_graphic_sound_archives.zip&quot;&gt;Get from scene.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archive.org/details/enrmp555_stereokollektor_-_holly_graphic_sound_archives&quot;&gt;Get from archive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.jamendo.com/album/617667/holly-graphic-sound-archives&quot;&gt;Get from jamendo.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://enoughrec.bandcamp.com/album/holly-graphic-sound-archives&quot;&gt;Get from bandcamp.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://audius.co/enoughrec/album/stereokollektor-holly-graphic-sound-archives&quot;&gt;Get from audius&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://youtu.be/kDrT8WQe7oI&quot;&gt;Get from YouTube&lt;/a&gt;&lt;br /&gt;</description><link>http://beatsplayfree.blogspot.com/2025/11/stereokollektor-holly-graphic-sound.html</link><author>noreply@blogger.com (enoughrec)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-1409590976135216779</guid><pubDate>Fri, 07 Nov 2025 21:07:00 +0000</pubDate><atom:updated>2025-11-26T21:10:53.517+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">ambient</category><category domain="http://www.blogger.com/atom/ns#">drone</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><title>[mi347] : Nuno Pires - Animal Sintético</title><description>&lt;b&gt;[PT]&lt;/b&gt;&lt;br&gt;
Gravado durante o período de confinamento, Animal Sintético resulta de uma exploração intensiva de um sintetizador Novation Peak, emprestado por um amigo.
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O trabalho desenvolve-se através de gravações e modulações em tempo real, ao longo de uma semana, com composições construídas pista a pista e captadas em takes únicos.
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Este trabalho explora territórios de ambient e drone, progredindo para faixas mais rítmicas e percussivas no final.
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Cada faixa corresponde a um material têxtil sintético distinto, evocando a ideia de que os filamentos sonoros ganham sentido na sua interligação.
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O título — nascido de uma piada espontânea sobre um casaco de pelo sintético — projeta a estética do EP: artificial, texturada, entrelaçada.
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Animal Sintético é um exercício de síntese material e conceptual, onde a limitação instrumental se transforma em linguagem.
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&lt;b&gt;[UK]&lt;/b&gt;&lt;br&gt;
Recorded during the lockdown period, Animal Sintético is the result of an intensive exploration of a Novation Peak synthesizer, temporarily loaned by a friend.
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The work unfolds through real-time recordings and modulations over the course of a week, with compositions built track by track and captured in single takes.
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This release explores ambient and drone territories, progressing toward more rhythmic and percussive pieces at its conclusion.
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Each track corresponds to a distinct synthetic textile material, evoking the idea that sonic filaments gain meaning through interconnection.
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The title — born from a spontaneous joke about a faux fur coat — precisely reflects the EP’s aesthetic: artificial, textured, interwoven.
Animal Sintético is an exercise in material and conceptual synthesis, where instrumental limitation becomes language. 
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=2696218380/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/animal-sint-tico&quot;&gt;Animal Sintético by Nuno Pires&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2025/11/mi347-nuno-pires-animal-sintetico.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-8435877309168371946</guid><pubDate>Tue, 28 Oct 2025 00:44:00 +0000</pubDate><atom:updated>2025-10-28T00:44:42.692+00:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">breakbeat</category><category domain="http://www.blogger.com/atom/ns#">breaks</category><category domain="http://www.blogger.com/atom/ns#">cinematic</category><category domain="http://www.blogger.com/atom/ns#">ELECTRONIC</category><category domain="http://www.blogger.com/atom/ns#">Electronica</category><category domain="http://www.blogger.com/atom/ns#">Enough Records</category><category domain="http://www.blogger.com/atom/ns#">triphop</category><title>Sobria Ebrietas &amp; Iliaque - Carnation</title><description>&lt;img src=&quot;https://enoughrecords.scene.org/covers/enrmp554.jpg&quot; /&gt;
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[EN] Breaks, sampling and electronic sounds in a split EP between &lt;a href=&quot;https://sobriaebrietas.bandcamp.com/&quot;&gt;Sobria Ebrietas&lt;/a&gt; and &lt;a href=&quot;https://iliaque.bandcamp.com/&quot;&gt;Iliaque&lt;/a&gt;, artwork by Béa.
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[PT] Batidas, samples e electrónica numa edição partilhada entre &lt;a href=&quot;https://sobriaebrietas.bandcamp.com/&quot;&gt;Sobria Ebrietas&lt;/a&gt; e &lt;a href=&quot;https://iliaque.bandcamp.com/&quot;&gt;Iliaque&lt;/a&gt;, grafismo de Béa.
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&lt;iframe src=&quot;https://archive.org/embed/enrmp554_sobria_ebrietas___iliaque_-_carnation&quot; width=&quot;350&quot; height=&quot;30&quot; frameborder=&quot;0&quot; webkitallowfullscreen=&quot;true&quot; mozallowfullscreen=&quot;true&quot; allowfullscreen&gt;&lt;/iframe&gt;
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&lt;a href=&quot;https://archive.scene.org/pub/music/groups/enough_records/enrmp554_sobria_ebrietas___iliaque_-_carnation.zip&quot;&gt;Get from scene.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archive.org/details/enrmp554_sobria_ebrietas___iliaque_-_carnation&quot;&gt;Get from archive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.jamendo.com/album/616525/carnation&quot;&gt;Get from jamendo.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://enoughrec.bandcamp.com/album/carnation&quot;&gt;Get from bandcamp.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://audius.co/enoughrec/album/sobria-ebrietas-iliaque-carnation&quot;&gt;Get from audius&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.youtube.com/watch?v=KarMCIPZouM&quot;&gt;Get from YouTube&lt;/a&gt;&lt;br /&gt;</description><link>http://beatsplayfree.blogspot.com/2025/10/sobria-ebrietas-iliaque-carnation.html</link><author>noreply@blogger.com (enoughrec)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-6586387055861515060</guid><pubDate>Wed, 22 Oct 2025 21:14:00 +0000</pubDate><atom:updated>2025-10-22T22:14:46.766+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">ambient</category><category domain="http://www.blogger.com/atom/ns#">drone</category><category domain="http://www.blogger.com/atom/ns#">MiMi Records</category><category domain="http://www.blogger.com/atom/ns#">VelgeNaturlig</category><title>[mi346] : VelgeNaturlig - 2500</title><description>&lt;b&gt;[PT]&lt;/b&gt;&lt;br&gt;
O artista VelgeNaturlig (nome real Ivo São Bento) conjuga ambientes sonoros densos, improvisados e com uso de máquinas analógicas para explorar paisagens audiovisuais introspectivas.
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Este seu trabalho para a MiMi Records transporta o ouvinte por paisagens industriais e efémeras, onde drones metálicos e pulsações subtis narram sem palavras. A ambientação íntima e ritualística revela uma estética rara: beleza austera e uma tensão constante.
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Uma obra exigente, mas recompensadora — para quem procura imersão profunda e silêncio criativo.
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Gravado ao vivo a 22 de Dezembro, 2023, no KIC (Kulturno Informativni Centar) em Zagreb, durante o evento &#39;Ambientalika&#39;.
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Música, Gravação, Mistura e Master por Ivo São Bento&lt;br&gt;
Photografia de Bianca Stanea, tirada ena Ilha de Patmos&lt;br&gt;
Layout de Nanna Cartis&lt;br&gt;
Curadoria do evento Ambientalika por Miljenko Rajakovic&lt;br&gt;
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&lt;b&gt;[UK]&lt;/b&gt;&lt;br&gt;
The artist VelgeNaturlig (real name Ivo São Bento) combines dense, improvised sound environments and the use of analog machines to explore introspective audiovisual landscapes.
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This work, released by MiMi Records, carries the listener through industrial and ephemeral soundscapes, where metallic drones and subtle pulses narrate without words. Its intimate, ritualistic atmosphere reveals a rare aesthetic — austere beauty and constant tension.
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A demanding yet rewarding work — for those who seek deep immersion and creative silence.
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Recorded live on December 22nd, 2023, at KIC (Kulturno informativni centar) in Zagreb, during &#39;Ambientalika&#39;.
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Music, recording, mixing and mastering by Ivo São Bento&lt;br&gt;
Photography by Bianca Stanea, taken on Patmos Island&lt;br&gt;
Layout by Nanna Cartis&lt;br&gt;
Ambientalika curated by Miljenko Rajakovic
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&lt;iframe style=&quot;border: 0; width: 400px; height: 520px;&quot; src=&quot;https://bandcamp.com/EmbeddedPlayer/album=768509974/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/&quot; seamless&gt;&lt;a href=&quot;https://mimirecords.bandcamp.com/album/2500&quot;&gt;2500 by VelgeNaturlig&lt;/a&gt;&lt;/iframe&gt;</description><link>http://beatsplayfree.blogspot.com/2025/10/mi346-velgenaturlig-2500.html</link><author>noreply@blogger.com (Unknown)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-9191871449636472304.post-5077778205324844122</guid><pubDate>Mon, 20 Oct 2025 15:14:22 +0000</pubDate><atom:updated>2025-10-20T16:14:56.448+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Enough Records</category><category domain="http://www.blogger.com/atom/ns#">radioshow</category><title>Enough Records Radio Show #118</title><description>&lt;img src=&quot;https://enoughrecords.scene.org/covers/enrshow118.jpg&quot; /&gt;
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[EN] Curated by the label owner ps, the Enough Records Radio Show brings you two hours of sounds taken from our eclectic and extensive back-catalogue. This edition premiered in October 2025, broadcasted at &lt;a href=&quot;https://radioquantica.com&quot;&gt;Radio Quântica&lt;/a&gt;, &lt;a href=&quot;https://piratona.alg-a.org/&quot;&gt;Radio Piratona&lt;/a&gt;, &lt;a href=&quot;https://www.internetpublicradio.live/&quot;&gt;Internet Public Radio&lt;/a&gt;, &lt;a href=&quot;https://dfm.nu/&quot;&gt;DFM RTV INT&lt;/a&gt; and &lt;a href=&quot;https://bewaretheradio.com/&quot;&gt;Beware! The Radio&lt;/a&gt;.
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[PT] Duas horas de sons retirados do catálogo da Enough Records. Transmitido pela primera vez em Outubro de 2025 na &lt;a href=&quot;https://radioquantica.com&quot;&gt;Radio Quântica&lt;/a&gt;, &lt;a href=&quot;https://piratona.alg-a.org/&quot;&gt;Radio Piratona&lt;/a&gt;, &lt;a href=&quot;https://www.internetpublicradio.live/&quot;&gt;Internet Public Radio&lt;/a&gt;, &lt;a href=&quot;https://dfm.nu/&quot;&gt;DFM RTV INT&lt;/a&gt; e &lt;a href=&quot;https://bewaretheradio.com/&quot;&gt;Beware! The Radio&lt;/a&gt;.
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&lt;iframe src=&quot;https://archive.org/embed/enrshow118_enough_records_radio_show__118&quot; width=&quot;350&quot; height=&quot;30&quot; frameborder=&quot;0&quot; webkitallowfullscreen=&quot;true&quot; mozallowfullscreen=&quot;true&quot; allowfullscreen&gt;&lt;/iframe&gt;
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&lt;a href=&quot;https://archive.scene.org/pub/music/groups/enough_records/enrshow118_enough_records_radio_show__118.zip&quot;&gt;Get from scene.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archive.org/details/enrshow118_enough_records_radio_show__118&quot;&gt;Get from archive.org&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://enoughrec.bandcamp.com/album/enough-records-radio-show-118&quot;&gt;Get from bandcamp.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://soundcloud.com/enoughrec/enrshow118&quot;&gt;Get from soundcloud.com&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://podcasts.apple.com/gb/podcast/enough-records-radio-show-118/id1522627544?i=1000732659213&quot;&gt;Get from iTunes&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.mixcloud.com/enoughrecords/enough-records-radio-show-118/&quot;&gt;Get from mixcloud&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://audius.co/enoughrec/enough-records-radio-show-118&quot;&gt;Get from audius&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://youtu.be/t3b6gsFNYMU&quot;&gt;Get from YouTube&lt;/a&gt;&lt;br /&gt;</description><link>http://beatsplayfree.blogspot.com/2025/10/enough-records-radio-show-118.html</link><author>noreply@blogger.com (enoughrec)</author><thr:total>0</thr:total></item></channel></rss>