<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">
    <title>Begonya Plaza</title>
    
    
    <link rel="alternate" type="text/html" href="http://www.begonyaplaza.com/begonya_plaza/" />
    <id>tag:typepad.com,2003:weblog-359460</id>
    <updated>2011-06-22T10:38:59-04:00</updated>
    <subtitle>There's no self-knowledge without creativity, no creativity without love, and no love without God.  
</subtitle>
    <generator uri="http://www.typepad.com/">TypePad</generator>
    <atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/BegonyaPlaza" /><feedburner:info uri="begonyaplaza" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://hubbub.api.typepad.com/" /><feedburner:browserFriendly></feedburner:browserFriendly><entry>
        <title>TERESA'S ECSTASY by Begonya Plaza</title>
        <link rel="alternate" type="text/html" href="http://www.begonyaplaza.com/begonya_plaza/2011/06/teresas-ecstasy-by-begonya-plaza-1.html" />
        <link rel="replies" type="text/html" href="http://www.begonyaplaza.com/begonya_plaza/2011/06/teresas-ecstasy-by-begonya-plaza-1.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00d8341fec9053ef0154332ec6dc970c</id>
        <published>2011-06-22T10:38:59-04:00</published>
        <updated>2012-01-11T15:04:38-05:00</updated>
        <summary>"Teresa's Ecstasy, which was simply phenomenal: it is about so many things, but what really struck me is the way it speaks to tensions both past and present, for instance those between physical and spiritual, feminine and masculine, lesbian and straight, Christian and Jew. But in speaking to them, it never does so in an abstractly explicit way, it hints at them, speaks them, plays with them, lets these tensions push in whatever directions they need to go, such that one sees something both intellectually intense and absolutely personal. It was, in any case, a pleasure to watch."  Daniel Barber PhD - professor at Marymount Manhattan College and La Guardia CC</summary>
        <author>
            <name>Begotxu</name>
        </author>
        
        <category scheme="http://sixapart.com/ns/types#tag" term="INTAR" />
        <category scheme="http://sixapart.com/ns/types#tag" term="LINCOLN CENTER" />
        <category scheme="http://sixapart.com/ns/types#tag" term="new york theater" />
        <category scheme="http://sixapart.com/ns/types#tag" term="off broadway plays" />
        <category scheme="http://sixapart.com/ns/types#tag" term="off-broadway" />
        <category scheme="http://sixapart.com/ns/types#tag" term="plays by women" />
        <category scheme="http://sixapart.com/ns/types#tag" term="PUBLIC THEATER" />
        <category scheme="http://sixapart.com/ns/types#tag" term="theater" />
        



    </entry>
 
</feed><!-- ph=1 -->

