Uganda’s Ghetto Kids dance group pose together in matching green, yellow, and patterned Ankara-inspired outfits. Photo Credit: @ghettokids_tfug/Instagram

Africa’s footprint on the 2026 FIFA World Cup just got even bigger! Colombian pop star Shakira has invited Uganda’s Triplet Ghetto Kids to perform with her at the tournament’s final halftime show.

Shakira shared the news in a video message to fans, explaining her vision to make the performance unique by bringing together different dance talents from around the world. She confirmed that the Ugandan dance group is among those officially invited to join her on stage.

During the show, Shakira is expected to perform “Dai Dai,” the official tournament anthem she recently released featuring our very own Burna Boy.

The Ghetto Kids, founded by Dauda Kavuma in Kampala, have gained international recognition over the past decade for their choreography. The dance group previously featured in French Montana’s “Unforgettable” music video, performed during festivities at the 2022 World Cup in Qatar, and reached the finals of Britain’s Got Talent.

The announcement adds to a strong lineup of African talent confirmed for the tournament. Alongside Burna Boy’s feature on the official anthem, Nigerian singer Rema and South African artist Tyla are scheduled to perform at the opening ceremony at SoFi Stadium in Los Angeles on 12 June.

The 2026 FIFA World Cup Final will take place on 19 July at the New York New Jersey Stadium, where Shakira will co-headline the halftime show alongside Madonna and BTS.

 

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The Women at Risk International Foundation (WARIF) is a non-profit organisation set up in response to the extremely high incidence of rape, sexual violence, and human trafficking of young girls and women in our society. WARIF is tackling this issue through a holistic approach that covers health, education, and community service initiatives.

This week, we’re featuring Aisha’s story, a sexual assault survivor.

My name is Aisha. I am 28 years old. I was referred to the WARIF Centre for medical assessment, treatment, and counselling after reporting a case of sexual assault to the police.

I had recently moved into a new neighbourhood in Lagos when my phone developed a fault. While searching for a repair shop, I met a man who later introduced himself as Jacob. He assisted me in locating the shop and even contacted the repairer on my behalf, as the shop owner was not available at the time.

Following that encounter, he asked that I be in a relationship with him, but I declined. Shortly after, he began calling me persistently. I confronted him and firmly asked him to stop contacting me. On another occasion, he saw me on the road and threatened to harm me for rejecting him. At the time, I did not take his threat seriously, unaware that he had begun stalking me and had discovered where I lived.

A few months later, while I was at home, I heard a knock on my door. When I asked who it was, there was no response. As soon as I opened the door, I saw Jacob. He forced his way inside, grabbed me by the neck, and raped me. I was unable to call for help.

In severe pain and distress, I contacted a friend who came to assist me. With her support, I reported the incident to the police. The police then referred me to the WARIF Centre for care and support.

At WARIF, I received immediate medical care, laboratory tests, and psychosocial counselling free of charge. My counsellor provided a safe space for me to share my experience and reassured me that the assault was not my fault. I was taught coping strategies to manage my fear, anxiety, and emotional distress.

I was also supported through counselling sessions that helped me understand the impact of trauma and begin my healing journey. I joined the Group Therapy Sessions, which were held at the Centre, and it helped me develop a sense of belonging with other survivors, and it further helped me in my healing journey. In the past, I used to experience fear and worry, but I have now regained a sense of safety and emotional stability. All things to the counselling sessions with my counsellor.

The police arrested Jacob, and the case was charged in court. The last hearing was eventful and very progressive.

I am grateful for the care and support I received at WARIF. I am hopeful that justice will be served, and I am committed to my healing journey.

Thank you to the staff and team at WARIF Centre for their compassion, professionalism and unwavering support to survivors. Your work restores hope, strength and dignity to so many lives.

*Real name of the survivor changed for confidentiality.

***

WARIF aids survivors of rape and sexual violence through the WARIF Centre – a haven where trained professionals are present full-time, 6 days a week, including public holidays, to offer immediate medical care, forensic medical examinations, psycho-social counselling, and welfare services, which include shelter, legal aid, and vocational skills training. These services are provided FREE of charge to any survivor who walks into the Centre. This feature is published as part of BellaNaija’s commitment to youth, education, healthcare, and community development as part of our corporate social responsibility program.

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Over the past two months, soaring temperatures across Nigeria have made staying fresh and comfortable more difficult. From navigating crowded spaces in sweltering conditions to repeatedly wiping away sweat, the discomfort has been widespread. For those with active lifestyles or constantly on the move, maintaining proper hygiene has become even more demanding.

Building on the momentum of its first edition, which introduced the #OwnTheSweat campaign to communities across the country, Dettol Cool returned with a more immersive approach. With #OwnTheSweat 2.0, the focus was on deeper, more engaging experiences within environments where movement and physical activity are part of everyday life.

At the centre of this experience is the Dettol Cool antibacterial bar soap. It is designed to support active lifestyles with triple-action benefits: 99% germ protection, a cooling sensation that lowers skin temperature by up to five degrees, and long-lasting defence against body odour, even during intense physical activity.

The initiative came to life through a series of pop-up activations engaging participants in real time and reinforcing the connection between active living and everyday hygiene. Rather than simply promoting freshness, the initiative demonstrated how it fits seamlessly into daily routines.

The campaign kicked off in key fitness hubs across the country. At each location, participants took part in interactive fitness challenges led by trained instructors, transforming routine workouts into engaging experiences. These sessions created a practical link between performance and hygiene, allowing participants to experience the brand in context.

At the Lagos NYSC Camp, the brand engaged corps members through fitness challenges, dance competitions, and interactive quizzes led by fitness instructor, Ekemini “Kemen” Ekerette. Standout participants were crowned as ‘Cool Champions,’ and received Dettol Cool branded merchandise.

Speaking on the campaign, Marketing Director at Reckitt West Africa, Boma Harrison, noted that the initiative #OwnTheSweat was designed to meet Nigerians in their everyday routines. “With #OwnTheSweat2.0 by Dettol Cool, we wanted to go beyond awareness and create real, engaging experiences in spaces where people are most active, such as the gym. It’s about showing that staying cool, fresh and maintaining good hygiene can be simple, even in demanding conditions. You can rely on Dettol Cool to get the job done,” she said.

With #OwnTheSweat 2.0, Dettol Cool reinforces its commitment to supporting active lifestyles and helping Nigerians stay fresh, protected, and confident on the go.

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The KongaFM Children’s Day Carnival is almost here, and top Nigerian superstars have expressed great enthusiasm about the excitement they are preparing to bring to their audience on the big day.

As families and children across Lagos count down to Saturday, 23rd May 2026 at The Zone Event Centre, Lagos, anticipation continues to build around what is already shaping up to be one of the biggest and most entertaining Children’s Day celebrations of the year.

If you have been wondering whether this carnival is worth attending, the answer is simple — absolutely.

Jeremiah Sax, A 13-year-old super performer who plays the saxophone with so much zest, confidence, and expertise, will be live on stage at the KongaFM Children’s Day Carnival. Jeremiah Sax is one of the brightest young talents to watch, and his remarkable ability to command the stage at such a young age continues to amaze audiences everywhere. His performance promises to inspire children and leave parents genuinely impressed.

Yellow Girl, one of the most energetic and exciting entertainers in the industry, Yellow Girl is bringing her vibrant personality and electrifying stage presence to the carnival. Known for her ability to connect instantly with audiences, she is set to deliver a thrilling performance that will keep the children dancing, singing, and fully entertained throughout her set.

Osh Michael, an Afrobeat sensation, is also set to storm the KongaFM Children’s Day Carnival stage with an energetic performance packed with rhythm, vibes, and crowd engagement. His unique sound and lively delivery make him a perfect fit for a fun-filled celebration designed for children and families.

Femi Jackson, fondly known as Nigeria’s Michael Jackson, is ready to deliver a breathtaking dance performance that will leave the audience stunned. With his incredible dance moves, unmatched stage energy, and iconic performance style, children and parents alike are in for an unforgettable experience once he steps onto the stage.

Hosted by MC Pato, bringing laughter, excitement, and nonstop entertainment to the event is the one and only MC Pato — Nigeria’s comedy CFR MC and one of the most loved entertainers in the country. From games to jokes and audience interaction, MC Pato will keep the atmosphere lively and engaging from start to finish.

Beyond the performances, the KongaFM Children’s Day Carnival promises a complete family experience packed with exciting activities, including a grand march past, cultural displays, competitions, choreography performances, face painting, and several engaging experiences specially designed for children.

Parents will also enjoy exclusive benefits at the Mum’s Corner, including special discounts on genuine Konga products, free Wi-Fi access throughout the venue, and guaranteed security to ensure a safe and enjoyable experience for everyone in attendance.

The excitement is building. The stars are ready. The stage is almost set for an unforgettable Children’s Day celebration.

Enrollment is currently open at ₦3,000 per child. Tickets are not available online.

To reserve a spot, simply send a message to:
08036669144 or 08054657002.

The countdown has officially begun; don’t let your child miss this unforgettable experience.

BellaNaija is a Media Partner for Konga.

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Mastercard and BMONI, an AI-powered financial platform focused on simplifying access to money, have announced a collaboration to introduce a new generation of virtual and physical payment cards designed to enable seamless local and global transactions for consumers in Nigeria.

Powered by Mastercard’s global payment network, the solution enables users to instantly create multiple Naira and US dollar-denominated virtual and physical cards that are globally accepted and ready for use within seconds, with all card management handled seamlessly within the BMONI app. The collaboration marks one of the first locally issued international card programs in Nigeria, enabled by new card issuance models introduced by Mastercard to accelerate digital payments adoption among fintech companies in the market.

With Nigeria’s e-commerce market projected to exceed $26 billion by 2030, the demand for globally accepted, instantly issued digital payment solutions continues to grow. BMONI’s card offering, built on Mastercard’s trusted network, responds to this shift by enabling users to operate more seamlessly across currencies and everyday spending.

Dr. Folasade Femi-Lawal, country manager, West Africa at Mastercard, said: “Nigeria’s digital economy is growing rapidly, and consumers need payment solutions that keep pace. Our collaboration with BMONI brings together Mastercard’s trusted global network with an innovative platform like BMONI to deliver real value to consumers, instant card access, multi-currency flexibility and seamless transactions across borders.” 

Ashwin Ravichandran, Head of Product at BMONI, said: “At BMONI, our focus has always been simple, which is remove the friction between people and their money. This collaboration with Mastercard allows us to deliver global access and a level of control that simply has not existed before.”

Beyond enabling access, the solution introduces greater control over how users manage their finances. By allowing the creation of multiple cards for different purposes, including everyday spending, subscriptions, travel, savings, cross-border payments and remote work, users can better organize and track their financial activity in real time. It is a practical step toward the speed, convenience and global acceptance, that Nigerian consumers increasingly expect from their financial tools.

The BMONI Mastercard is available now. Users can download the BMONI app via the App Store or Google Play, complete identity verification and begin creating cards instantly.

About BMONI

BMONI is an AI-powered financial platform designed to simplify how individuals access, manage, and move money. The platform enables users to create and manage multiple Naira and US Dollar cards, supporting everyday transactions, cross-border payments, and personalized financial control through a seamless digital experience.

For more information, visit the website

Media contact: marketing@bmoni.com

About Mastercard

Mastercard powers economies and empowers people in 200+ countries and territories worldwide. Together with our customers, we’re building a resilient economy where everyone can prosper. We support a wide range of digital payments choices, making transactions secure, simple, smart and accessible. Our technology and innovation, partnerships and networks combine to deliver a unique set of products and services that help people, businesses and governments realize their greatest potential.

Website

Media contact: kanyi.mwangi@mastercard.com 

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In many cultures, women are viewed as the backbone of families, workplaces, and communities. They constantly care for others, manage various responsibilities, and support everyone around them. However, while juggling these demands, many women unintentionally neglect an essential aspect of their health: their heart health.

As May is Women’s Health Month, I encourage families to pay closer attention to women’s cardiovascular health, particularly because heart disease remains the leading cause of death for women worldwide. Unfortunately, many women are still unaware of their risk factors.

As a Consultant Cardiologist at LECC, I know women do not always experience heart disease the same way men do. While chest pain is a common symptom, women may also notice the following: shortness of breath, unusual fatigue, dizziness, nausea, neck, jaw, or back pain, palpitations and sudden sweating or weakness. Because these symptoms can appear subtle, many women dismiss them as stress, exhaustion, or hormonal changes, delaying medical care until complications become more serious.

Why Women Are at Higher Risk

In Nigerian culture, women are often expected to be strong and self-sacrificing. They are conditioned to endure discomfort and prioritise the needs of others above their own. This cultural expectation can have serious consequences for heart health. Common statements from women who delayed seeking care for heart symptoms include, “I thought it was just stress from work,” and “I had too much to do to go to the hospital.” Unfortunately, by the time these women finally sought help, their condition often became critical. I have seen many cases of such.

Meanwhile, several factors can increase the risk of heart disease, including high blood pressure, diabetes, high cholesterol, smoking, obesity, physical inactivity, chronic stress, and a family history of cardiovascular disease. Additionally, women have unique risk factors that are often overlooked. These include pregnancy complications such as preeclampsia, the use of certain hormonal contraceptives—especially in women who smoke—menopause-related hormonal changes, and conditions like polycystic ovary syndrome (PCOS).

Prevention Can Save Lives

Many heart conditions can be prevented or managed through early detection, healthy lifestyle habits, and regular medical check-ups.

Schedule regular check-ups to monitor your blood pressure, cholesterol levels, blood sugar, and body mass index (BMI). Embrace a heart-healthy diet without giving up Nigerian cuisine. Reduce your sodium intake, choose healthy fats like fish and avocados, increase your fibre intake through vegetables, control portion sizes, and limit processed foods.

Incorporate regular physical activity into your routine. Aim for at least 150 minutes of moderate-intensity exercise each week. You can take brisk walks, use the stairs, dance to your favourite music, or join community exercise groups.

Effectively manage stress by practising deep breathing, setting boundaries, getting enough sleep, and seeking professional help if you feel overwhelmed. Always take medications as prescribed. If you’ve been prescribed medications for blood pressure, cholesterol, or diabetes, make sure to take them consistently as directed.

The Best Gift You Can Give a Woman Is Better Health

This Women’s Health Month, honour the women in your life by encouraging them to prioritise their health, book regular screenings, and take their heart health seriously. A simple check-up could make all the difference. For instance, at LECC, we remain committed to supporting women through expert cardiovascular care, preventive screenings, and patient education. Because healthier women build healthier families, healthier communities, and healthier futures.

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Inverroche Gin has always stood for something beyond the liquid in the bottle. The premium craft Gin, founded by Lorna Scott and distributed in Nigeria under Pernod Ricard, was built on dedication, purpose, and a belief in backing communities that reflect those same values. On May 12th, 2026, that belief took its most direct form yet: the launch of BartendHer, a platform created specifically to give Nigeria’s female bartenders the visibility, recognition, and community they deserve.

The inaugural BartendHer event took place in Lekki, Lagos, bringing together female bartenders, industry leaders, and senior public figures for an afternoon built around craft and professional recognition. The Honourable Minister for Women Affairs attended, commending the initiative and reaffirming support for programmes that elevate women-led industries. Dr. Godrey Ogbechie, Group Executive Director of Rainoil, Dr. Adedayo Benjamins-Laniyi, Pioneer Mandate Secretary for the Women Secretariat FCTA, and the Honourable Commissioner for Youths, Lagos State, Mr. Bolaji Ogunlende, were also present, lending the occasion a weight that reflected how seriously this space is now being taken.

The afternoon opened with the bartenders themselves taking centre stage. Myad Omile, founder of The Thirsty Nerd and a seven-year industry veteran, spoke about the daily reality of having her expertise questioned before she had made a single drink. Rosemary Aliri of Rose Bar Events spoke about choosing professional excellence and perseverance in the face of workplace challenges. Happiness Cletus of The Bar Muse brought the ambition: female bartenders are relevant, strong, and ready to compete globally. BartendHer is a platform founded by Lara Rawa, spirits curator and long-time mentor to many of the women in that room, who has spent years building community around Nigeria’s cocktail and spirits scene. For Lara, the afternoon was not the end of anything. It was an entry point, and she made that clear by directing every bartender present to BartendHer.ng, where they can join the community and access upcoming mentorship programmes. Inverroche Gin created the conditions for that vision to take shape.

That deliberate commitment ran through every aspect of the afternoon. Guests enjoyed cocktails crafted with Inverroche Gin throughout, reinforcing the brand’s presence not as a logo on a backdrop but as the liquid at the heart of the experience. Ebere Aham, Market Lead for Inverroche Gin, addressed the bartenders directly: “People see the final drink. People don’t see the long hours. People don’t see the emotional intelligence, the work that goes into curating the final glass. Day after day, you’re true to your craft.” It was a statement that connected the bartenders in the room to the founding ethos of Inverroche Gin itself.

The afternoon closed with professional headshots for each of the female bartenders present. A practical gesture with real meaning. For women whose expertise is still being questioned in too many rooms, being photographed professionally and published is one more step toward being taken seriously.

BartendHer is now a platform at BartendHer.ng, where bartenders can register, join the community, and access mentorship. Inverroche Gin backed it from the beginning, before the numbers are in, when the commitment means the most.

#InverrocheNG #BartendHer. Drink Inverroche Responsibly. 18+

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The Joint Admissions and Matriculation Board (JAMB) has a new registrar!

President Bola Ahmed Tinubu has appointed Professor Segun Aina to lead the board, succeeding Professor Is-haq Oloyede, whose two term tenure expires on July 31, 2026. Professor Aina, who will be 40 in July, is a distinguished academic and systems expert with extensive experience in national examination systems, digital infrastructure, and public sector institutional reform. He makes history as JAMB’s youngest registrar.

If his name sounds familiar, it is because he is a major trailblazer in academia. At 39, he became one of Nigeria’s youngest Computer Engineering professors at Obafemi Awolowo University, Ile Ife. Interestingly, his journey with JAMB actually comes full circle, as he began his career with the board during his National Youth Service, gaining foundational experience in national admissions and data driven institutional processes. Those early insights have shaped his ongoing contributions to examination reform and systems optimisation.

Professor Aina operates at the intersection of technology, policy, and institutional transformation. He holds a Bachelor of Engineering in Computer Systems Engineering from the University of Kent, an MSc in Internet Computing and Network Security, and a PhD in Digital Signal Processing, both from Loughborough University in the United Kingdom. He has also completed the Senior Management Programme at Lagos Business School.

With over 15 years of post graduation experience, he has advised federal and state governments on system design, digital transition, and operational reform. He has also served as a consultant to major examination bodies, including NECO, NABTEB, and various State Ministries of Education, providing expertise on ICT systems, examination integrity, and digital process optimization.

He is a member of several professional bodies, including the Council for the Regulation of Engineering in Nigeria (COREN), the Nigerian Society of Engineers (NSE), the Institute of Electrical and Electronics Engineers (IEEE), and the Institution of Engineering and Technology (IET).

President Tinubu Appoints Professor Segun Aina As New JAMB Registrar.@JAMBHQ pic.twitter.com/QkT8CDH5kn

— Presidency Nigeria (@NGRPresident) May 21, 2026

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The AMVCA is basically the ultimate “Who is Who” of African entertainment, and this year, Guinness made sure we knew they were there. From the red carpet (well, Black Carpet) to the final after-party fun, the brand was doing the most in the best way possible, showing they understood the assignment and a genuine appreciation for African culture, style and storytelling.

Fashion took centre stage most beautifully. The Guinness Most Rated Best Dressed Award invited the public to vote for their favourite looks of the evening, and the celebrities and guests responded with remarkable enthusiasm. When the votes were tallied, Sultana and Faith, two beloved former BBNaija housemates, were crowned the winning pair.

Both winners were dressed with the kind of bold confidence that makes a room stop and stare. They each received a ₦1 million prize, a fitting reward for two looks that clearly captured the imagination of an entire country.

The Guinness Black Carpet set the tone early as a stunning hub for photo and video moments, giving guests the space to be seen and the brand an immersive presence that extended well beyond the venue.

Guinness also sponsored the Best Director category, won by the director of The Father’s Shadow, demonstrating a commitment to honouring the craft behind African cinema alongside the glamour of the evening.

Tiwa, Fave and BNXN delivered live performances that had the audience completely captivated, and a dedicated Guinness lounge kept the energy high throughout. The night closed out at the official after-party, rounding off a truly full and memorable showing from a brand that clearly understands what celebrating African excellence really means.

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Temi Ajibade and her husband Mr Eazi coordinate in matching all-white attire for a serene, black-and-white double frame from her pregnancy shoot ahead of announcing the arrival of their first child in May 2026. Photo Credit: Temi Ajibade/Instagram

It is literally raining babies on our timelines right now and honestly, nobody should stop the rain! Just yesterday, we were all screaming and getting emotional over Sharon Ooja welcoming her baby boy, and now Temi Ajibade and Mr Eazi have jumped into the chat with their own beautiful news.

Temi just took to Instagram to announce that they are expecting their first baby, using the most beautiful caption: “Before I formed you in the womb I knew you, Before you were born I set you apart.”

You already know Temi is a fashion girlie, so of course her maternity shoot is doing exactly what it’s supposed to do.

In the first photo, which is a black-and-white double frame, she and Mr Eazi are matching in all-white. He’s standing behind her holding her chin while she leans back against him, showing off just a little bit of her bump under her shirt.

Temi Ajibade and her husband Mr Eazi coordinate in matching all-white attire for a serene, black-and-white double frame from her pregnancy shoot ahead of announcing the arrival of their first child in May 2026. Photo Credit: Temi Ajibade/Instagram

The next slides of photos are in full colour and it’s just Temi looking like a literal breath of fresh air. She has her hair in these gorgeous auburn waves and she’s wearing a white crop top with a long matching skirt, plus a cozy grey cardigan draped off her shoulders.

It feels like just yesterday we were obsessed with their three-part wedding that touched down in Monaco, Dubai, and Iceland. Now, they are getting ready for the ultimate next step.

The Nigerian entertainment space is really just one big nursery right now and we are here for it. Temi is joining a whole club of new mummies this season, right after Sharon Ooja and Ugo Nwoke’s baby boy WIN, Veekee James welcoming her daughter Eliana, and Ini Dima-Okojie announcing her pregnancy just last month.

Huge congratulations to Temi and Eazi!

 

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Photo credit: Adut Akesh/Instagram

One thing we love almost as much as a good baby announcement is a fashionable pregnancy era, and Sudanese-Australian supermodel Adut Akech is serving exactly that once again as she shares new maternity portraits.

In the latest shoot, Adut poses in a knitted white look that gently frames her baby bump, keeping the styling minimal and intentional. Her full, flowing curls fall around her shoulders, adding texture to the black-and-white portraits.

Back when she first shared the news of her pregnancy, Adut revealed she was expecting her second child in a heartfelt announcement that also featured her daughter, Kiki, who is already preparing for her new role as a big sister. That moment introduced this journey to the world, and these new images feel like a continuation of it.

See more photos from the shoot below.

 

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The heat didn’t arrive all at once. At first, Pere noticed it in small ways—bread that cost a little more each week, bus fares that suddenly increased, the quiet disappearance of things people once took for granted. Lagos had always been loud, crowded, restless. Now it felt strained, as a drum stretched too tight, one good strike away from tearing.

He clung to a different story. “This is the year of double,” Pastor had declared back in January, sweat shimmering on his forehead as the choir’s voice rose behind him. “Double portion, double favour. This administration will favour you and your family. Confess it. Say only what you want to see.” So Pere did.

Each morning, he stood in front of the cracked mirror and spoke the words over his reflection. “Ah, this administration will favour my family and me. Things are getting better.” He watched his own lips move, as if the certainty might one day reach his eyes.

At the printing shop, the generator coughed before catching, rattling like an old man’s lungs. Fuel prices rose so often that the new figures on the board felt temporary, like someone could come in any moment to wipe them and write another. The boss spent more time with his calculator than with customers, punching buttons, frowning, sighing.

When clients stopped printing party flyers and wedding programs and came only for CVs and affidavits, Pere noticed. When they started saying, “I’ll collect it next week, I don’t have the money yet,” he noticed that too. He noticed the way the boss’s eyes drifted to him, then away, like a man rehearsing bad news.

But noticing was different from naming.

At home, the adjustment was practical. Less meat in the soup. More water. Rice stretched for one more day. Seiyefa, his younger sister, began calling her hunger fasting, even on days when there was nothing particularly spiritual about it. Their mother stopped talking about “what we’ll cook tomorrow” and started saying “we’ll see.”

Everywhere, small shifts. The fan stayed still all afternoon. The landlord’s voice, losing its friendliness and keeping only its firmness. The neighbours’ generator that once hummed cheerfully at night was now silent more often than not.

In the evenings, when the power cut out and the room sank into darkness, Pere would lie on his mattress, heat pressing down on his chest, and replay Pastor’s words like a recording. Say only what you want to see. This administration will favour you. Things are getting better.

One night, the landlord came and spoke to their mother at the door. The conversation was low, but Pere could not miss the throat-cutting word: arrears, others waiting, cannot continue like this. When the door closed, Pere looked at his mother’s tired face, at the way she avoided his eyes.

“We’ll pay,” he said. “God is working.”

She nodded, slow and automatic, as if the gesture belonged more to habit than hope.

The next morning, Pere lost two workdays. “You’re not fired,” the boss said. “We’re just reducing the work days, for now.” On the bus home, squeezed between bodies that smelled of sweat and frustration, Pere watched Lagos slide by: women under sun-bleached umbrellas selling less than they used to, men standing idle where queues for work once formed, billboards with smiling politicians promising “Hope” while potholes yawned below.

He whispered under his breath, “This administration will favour me. It will favour my family. Things are getting better.” The words felt like a thin sheet held up against a forest fire.

At home, the air was thick and still. Seiyefa lay on the floor, where the tiles were marginally cooler than the mattress. The pot on the stove was small and smelled mostly of Maggi and pepper. There was no meat at all. Pere washed his hands at the plastic bucket, took his plate, sat, and began to eat. No one asked, “Is that enough?” Silence did that work for them.

Later, as darkness folded over the house, the three of them sat in the heat. Outside, someone’s radio tried to sound cheerful, crackling with a presenter talking about growth figures and reforms. The generator in the next compound started, groaned, and stopped. Pere lay back and stared at the ceiling he could barely see.

He thought of the church, of the pastor’s smooth suit and shining shoes, of the polished floor and cold air conditioning. He thought of the words: double, favour, breakthrough, harvest. He thought of his own voice in the mirror, insisting that things were getting better while everything around him shrank.

The strange thing was not that life was getting harder. It was how natural the hardness had begun to feel. Each cutback made the next easier to accept. Each small loss made room for a bigger one. Less food. Less work. Less sleep. He told himself he was strong. That he was enduring, that to complain was to confess defeat.

But lying there, sweat gathering at his neck, the darkness buzzing with mosquitoes and distant generators, a different thought edged in. What if calling this “favour” did not change what it was? What if all his declarations were not shields, but blindfolds? He did not say it aloud. He did not dare. The habit of “right confession” was strong, a rope wrapped tight around his tongue. Yet the thought stayed. He had accepted each new degree as normal. He had baptised every discomfort with hopeful language until he could no longer tell faith from fear.

It occurred to him that he had not been climbing toward anything. He had just been sitting very still. Like the metaphoric frog. In water that had been heating for a long, long time.

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Photo credit/ Timini Egbuson/Instagram

In entertainment, film and fashion often move together. Just like music artists use style as part of their identity, actors also use fashion to express who they are off-screen. And honestly, there is something about a man who understands both that always stands out.

Timini Egbuson fits right into that space. He is not just an actor, he also knows how to show up when it comes to style. Over time, he has become one of Nollywood’s most stylish actors, with a clear sense of how to put a look together.

His style is pretty simple. He starts with classic tailoring, then switches things up with texture, accessories, and small details that change the whole vibe. He is not boxed in by fashion rules and that is what makes it work.

Here are five looks that show how he is redefining modern tailoring.

Timini in Light Blue and Pearls

This look for his last birthday, styled by Zackstyling, is a great example of how to make tailoring look fresh. He is wearing a long, light blue coat by T.I Nathan paired with high-waisted black trousers, a clean white shirt, and shiny black dress shoes.

The accessories are really what make the outfit here. He layers multiple long pearl necklaces and gold chains over the shirt, which completely changes the mood of the clothing. Finishing the look with dark sunglasses and earrings gives the whole outfit a smooth finish.

Timini in a Classic Three-Piece Look

The “Lagos Peaky Blinders” theme for the “Gingerr” movie premiere was a specific look to pull off, but Timini handled it smoothly. Styled by Yomi Daj and wearing T.I Nathan, he pairs a long black coat featuring a textured lapel with a grey waistcoat and pinstripe trousers. White shirt, patterned tie, and high-heeled black leather boots complete the base of the outfit.

The accessories are what really nail the vintage vibe here. He adds a plaid newsboy cap, a pocket watch chain across his waist, grey gloves, and small sunglasses. Mixing these old-school details with the sharp tailoring gives the look a distinct, stylised appearance without making it feel like a costume.

Timini in Velvet and Eyelet Details

Mo Abudu’s 60th birthday called for sophisticated evening wear, and Timini delivered with a sharp look styled by Swankyjerry. He is wearing an all-black velvet suit by Deji & Kola that relies on texture rather than colour to make an impact. The blazer and the sides of the trousers feature metallic eyelet rings running down the edges, giving the classic fabric a distinct, modern update.

Instead of a traditional button-down shirt, he wears a dark, silky top with an oversized scarf detail at the neck. The outfit is finished with pointed black shoes and square-frame tinted sunglasses, keeping the monochromatic look interesting.

Timini in Monochrome Red

Timini literally painted the town red for the “Red Circle” movie premiere. Styled by Whytace, he wore a bright, head-to-toe red outfit. The top is structured with a high neck and has silver studs along the edges, and he pairs it with matching wide-leg trousers.

The sleeves are extra long with big cuffs that give the look a different shape than your usual suit. He keeps everything else simple by just adding dark sunglasses and letting the bright red colour do all the talking.

Timini in Royal Blue Velvet

As a cast member in the record-breaking movie “A Tribe Called Judah,” Timini turned up for the premiere in a standout look styled by Swankyjerry. He wore a rich royal blue velvet blazer by Deji & Kola. He paired the bold jacket with wide-leg black trousers, a dark shirt, and a classic black bow tie.

The styling details are really what keep it from looking like a standard tuxedo. He pinned a large, silver cross brooch onto the lapel of the jacket and wore square-frame sunglasses studded with rhinestones. The combination of the velvet fabric with these bright, iced-out accessories gives the entire look a premium finish.

The post Timini Egbuson Is One of Nollywood’s Best Dressed Men and Here’s Why appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

The official YouTube thumbnail for Episode 1 of Bare by BKO, Tiwi Remi’s new podcast, titled Digital Footprint: Are You Really Not on Any Socials, released in May 2026

Have you ever done something that completely takes you out of your comfort zone? Tiwi Remi — wife of Nollywood actor Kunle Remi — has, and she is documenting every bit of it. The quietly private entrepreneur has launched a brand new YouTube podcast called Bare by BKO, and the first episode is already out.

What makes this launch particularly interesting is who Tiwi is away from the camera. She does not have Instagram, TikTok, or any popular social media apps installed on her personal phone. LinkedIn is the only platform she considers herself present on, and when she needs to check anything else online, she occasionally uses her husband’s phone. So launching a podcast on YouTube, in front of a camera, is a significant personal stretch — and in the first episode, she says exactly that. “This is probably going to be the hardest episode for this podcast I’ve ever done,” she opens, describing a lump in her throat and physical tension as she speaks. “There are so many reasons why I shouldn’t even be starting a podcast on YouTube, out in the flesh, because I’ve done such a good job for years of keeping my life relatively private.”

For the first episode, she sat in a warm, softly lit setting wearing a bicolour knit cardigan split down the middle in black and white with ornamental floral buttons, layered gold necklaces, and black nail polish. Tiwi married Kunle Remi in a private ceremony in late 2023, with a white wedding following on 1 January 2024. The couple welcomed their first child, a daughter named Wonder, in March 2025.

Watch the first episode of Bare by BKO below

The post Tiwi Remi Is Officially a Podcaster! Watch the First Episode of “Bare by BKO” appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Sharon Ooja and her husband Ugo Nwoke photographed together during her pregnancy shoot ahead of announcing the birth of their first child, a baby boy, in May 2026. Photo Credit: Sharon Ooja Nwoke/Instagram 

The most joyful news just hit our timelines and if you are not smiling by the end of this sentence, keep reading. Sharon Ooja has become a mummy! The Nollywood actress and her husband Ugo Nwoke have welcomed their first child, a baby boy, and the announcement she shared on Instagram has us genuinely emotional in the best possible way.

Less than two years after her stunning three-part wedding celebration in June 2024 — a traditional ceremony, a civil wedding, and a white wedding — Sharon is now a mother, and she could not be more grateful. She shared the news alongside pregnancy photos that show exactly why she kept this pregnancy so beautifully private.

For her maternity shoot, she wore a minimalist black bralette showcasing her bare baby bump, paired with oversized cargo trousers in an earthy grey-taupe shade and a matching button-down shirt tied casually at the waist. Her hair was styled into a full cloud of natural curls, and her husband stood beside her, peace sign up, matching her energy entirely. The two of them together looked every bit like people living in the middle of something wonderful.

Sharon Ooja and husband Ugo Nwoke celebrate during her maternity shoot, Sharon raising one arm in joy while Ugo flashes a peace sign, both wearing matching grey and black outfits. Photo Credit: Sharon Ooja Nwoke/Instagram 

Her caption was the full testimony. “I just gave birth to the most handsome baby boy I have ever seen,” she wrote. “2025/2026 — God truly ushered me into the most beautiful years of my life and wrote a story that only He can take the glory for.” She revealed the baby’s initials are W.I.N., and signed off with: “You can officially call me mama win, the yummiest mummy on the block.” She also had deeply moving words for her husband: “Thank you for loving me so fiercely and beautifully through every stage of our pregnancy. The prayers, reassurance, back rubs, trips, baths, endless gifts, food runs and the way you carried me emotionally and spiritually these past nine months — baby, you are truly everything.”

Sharon Ooja in a solo maternity shoot portrait, photographed in a studio setting as she prepares to welcome her first child with husband Ugo Nwoke in 2026. Photo Credit: Sharon Ooja Nwoke/Instagram 

Sharon joins a growing and beautiful wave of Nollywood women stepping into motherhood this season. Veekee James welcomed her daughter Eliana Adeife Atere on 2 May 2026, and Ini Dima–Okojie announced her pregnancy just last month.

Has this not been the most amazing season? See more of Sharon’s pregnancy photos below.

 

View this post on Instagram

 

A post shared by Sharon ooja Nwoke (@sharonooja)

The post It’s a Baby Boy! Sharon Ooja and Ugo Nwoke Welcome Their First Child appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

The response has been overwhelming.

Since KongaFM announced the upcoming Children’s Day Carnival, the interest from Lagos families has been nothing short of extraordinary. Across social media, the messages and questions have been pouring in, and that alone tells a story. When this many parents are asking questions, it means one thing: nobody wants to miss out.

So in the spirit of keeping every family fully informed and ready, KongaFM is addressing the most frequently asked questions directly, because a great experience starts with great preparation.

The carnival runs from 9AM to 5PM on Saturday, 23rd May 2026 at The Zone Event Centre, Lagos. That is a full eight hours of fun, performances, competitions, and memories — so come early and make the most of every moment.

Tickets are not available online, but booking is straightforward. Simply send a message to 08054657002 to reserve your spot. Given the level of interest already generated, early booking is strongly encouraged; spaces are filling up fast.

With just N3000 you can secure a ticket for your child. Parents and Guardians do not pay anything.

As a school proprietor, you can register students in your school , 15, 20, 30, 50 and above

Great Activities are lined up for the Carnival

• March Past Competition
• Dance Competition
• Music Performances
• Cultural/ Special Presentations
• Bouncy Castle
• Face Painting
• Red Carpet interviews

Guess what, KongaFM has got the little ones covered. Small chops and drinks will be provided for all children attending the carnival, because no great celebration is complete without great refreshments.

Special Food Vendors will be available to sell Food.

There is no specific dress code for children, so feel free to let the kids come in whatever makes them feel most comfortable and ready to have fun.

Students and schools competing will be in their School uniform.

KongaFM is just a message away. Reach out via: 08036669144 or 08054657002

We have corporate partners supporting the KongaFM Children’s Day Carnival, they include

• So Yummy,
• TD Africa,
• Zinox,
• Samsung,
• Kivo,
• G Delite,
• Nature’s Sip Treat,
• Nutriq Yoghurt,
• Checkers Custard,
• Viju,  
• Vitali ,
• Masters Noodles,
• Konga Pay
• TD iLife,
• Task Systems,
• Konga Health is all on board with great packages for children
• The Mum’s Corner* is where you can buy highly discounted family products. Parents, this is for you.

Alright, the questions have been answered. The stage is set. Konga is ready for you. Secure your child’s ticket now.

Konga FM Children’s Day Carnival is powered by Young Stars Corner on Konga 103.7Fm a weekly Children’s show that airs every Saturday at 11 am.

A grooming place for Young Stars.

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The post Everything You Need to Know About the Konga103.7 FM Children’s Day Carnival — Your Questions Answered appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

There’s something about Eid in Nigeria that no other celebration quite captures. You see it in the early morning rush and the sound of water boiling. You see it in irons pressing agbadas and kaftans and children sneaking one last look at the outfit they laid out the night before. But this time, there is something deeper in the air. A quiet understanding of sacrifice, obedience, and generosity.

From Lagos to Ilorin, Kano to Ibadan, Eid el Kabir or Big Sallah, as many of us grew up calling it, is a feeling that lives in our homes, our food and our people through the small rituals that make everything come alive.

Here’s what celebrating Eid truly looks like for many of us, and how to make every moment of it count.

1. The House Must “Smell Like Eid”
Before the visitors arrive, before the food is even ready, and before the children are fully dressed and accounted for, there’s one thing that must be right first. The atmosphere must be perfect.

Floors are swept twice, sometimes three times and chairs are rearranged. If the mood is serious enough, curtains that have been hanging unbothered since January are pulled down, washed, and rehung. And then comes the final touch: the scent. Whether it’s Turaren Wuta or another favorite incense, diffuser, or scented candle, that moment when the fragrance fills the room is when it truly starts to feel like Eid.

It’s a small touch that makes all the difference. and the right lighter ensures it comes to life effortlessly, every single time. The BIC EZ Reach Lighter steps in perfectly here. Its extended wand keeps your fingers safely away from the heat while you light deep candles or incense burners.

2. The Food Is a Statement

Eid food in Nigeria is never casual. It does not arrive without thought or leave without a lasting impression. It is intentional, layered, and generous in a way that says something about the person who made it.

There’s always that one pot that draws everyone in. It might be jollof rice or the stew the cook started before anyone else was awake. And of course, there’s the meat which is grilled, spiced and shared with portions going out to neighbors before the family has even sat down.

Outside in the compound, you will often find a small grill going with someone fanning charcoal with a patience that is itself a kind of prayer. These moments do not wait and they do not accommodate equipment that gives trouble. You need things to work the first time especially when getting the fire going. The BIC Mega Lighter simply handles this heavy lifting. Its extra-long reach and strong flame safely light up charcoal pots and outdoor grills so nothing interrupts the rhythm of the feast.

3. Visiting Is the Real Celebration

After the Eid prayers, the movement begins. Phones start ringing with friends asking where you are and playfully warning you not to finish the food before they arrive. People step out in their finest flowing agbadas with perfumes trailing behind them. Children proudly show off their new outfits that took three weeks of tailor negotiations and two fittings to produce, while waiting patiently for their crisp Naira notes.

Homes that are usually private become open spaces. Strangers from the neighborhood become guests and friends turn to family before the afternoon is over. And even if you didn’t plan to go out, somehow you find yourself in two or three different houses before the day ends. This constant movement and deliberate visiting of people you love makes Eid in Nigeria feel alive in a way that no other celebration quite matches.

4. The Little Gifts and Big Meanings

Not every gift during this season comes wrapped. Sometimes it’s money folded into the palm of a child who has been strategically greeting every adult since 8am, fully aware that enthusiasm is its own currency today. Sometimes it’s food packed for “later” that never actually makes it home. Sometimes it’s something small but thoughtful, chosen because the giver was thinking about you.

That’s the beauty of Eid. It’s not really about the amount spent but about how present and helpful you are. It is about the act of seeing someone and saying with whatever you have that I thought of you today. If you are packing a gift bag for a neighbor or a friend, slipping in a classic BIC Pocket Lighter is a thoughtful touch. It is a reliable everyday essential that fits perfectly into a pocket or purse and lights on the first flick whenever it is needed.

5. The Quiet Moments Matter Too

After the visits, after the food, after the children have finally crashed from the sugar and the excitement and the weight of their new shoes, there’s always a quieter side to Eid. A moment to sit back. To reflect. To breathe. Maybe it’s later in the evening, when the house is calm again. Someone grabs that BIC EZ Reach Lighter to light a candle, or incense goes on, not for guests this time, but to let the fragrance settle the day and fill the room with comfort and calm. The adults sit together, talking about nothing in particular and everything that actually matters, like who came and who said what.

These softer moments are not an afterthought of Eid. They are, in many ways, just as important. The season was always about gratitude and togetherness and in the quiet of the evening, with the day still warm around you, all of those things settle into the room at once.

Eid in Nigeria is many things happening at once. It is energy and calm wrapped together. It is food and faith mixing with movement and stillness. And in all of it, it’s the little details and the things that work without stress, that make the experience complete.

From all of us at BIC Nigeria, Eid el Kabir.
May your home be full, your food plenty, and your moments truly lit.

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The post The Season of Sacrifice: How We Truly Celebrate Eid in Nigeria appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Nigeria’s leading etiquette specialist, author, and social development advocate, Etienying Akpanusong, popularly known as Lady Eti, has unveiled yet another groundbreaking educational project aimed at shaping the future of Nigerian children through value-based learning and character development.

The book series titled The Etiquette Adventure is a children’s etiquette storybook collection designed to teach young readers essential life skills including civility, confidence, hygiene, communication skills, emotional intelligence, empathy, cultural respect, sportsmanship, leadership, and social refinement in an engaging and relatable format.

The official unveiling took place on Monday, May 18, 2026, during the National Caregivers Summit 2026 held at the National Centre for Women Development, Abuja. The summit was hosted in collaboration with the Federal Ministry of Women Affairs and Social Development and Etiquette Africa as part of activities commemorating the 2026 National Children’s Day celebration under the theme: “Future Now: Promoting Inclusion in Every Nigerian Child.”

The landmark event attracted dignitaries and stakeholders from across the education, development, and social impact sectors including representatives of UN Women, UNICEF, Caring Africa, educators, caregivers, school administrators, and members of Etiquette Africa Clubs from government schools across the Federal Capital Territory.

The book was officially unveiled by the Honourable Minister of Women Affairs, Hajia Imaan Sulaiman-Ibrahim, who commended Lady Eti and the entire Etiquette Africa team for their consistency and commitment towards promoting values, civility, refinement, and intentional child development across Nigeria.

In her remarks, the Honourable Minister emphasized the importance of strengthening the care economy and advancing inclusive child development through intentional caregiving, value reorientation, and social education. She noted that initiatives such as The Etiquette Adventure strongly align with the Ministry’s vision of building a more inclusive and responsible generation of Nigerian children.

She further appreciated the members of Etiquette Africa Clubs present at the summit and applauded Etiquette Africa Initiative for its immense contribution towards instilling positive values and life skills in children and teenagers across the nation.

Also present at the summit was the wife of the Chief of Defence Staff, Oghogho Musa, alongside development partners, teachers, caregivers, government representatives, and advocates for child development and social inclusion.

Speaking during the unveiling, Lady Eti described The Etiquette Adventure as more than a storybook series, but a transformational educational tool created to help children build character, confidence, emotional intelligence, social awareness, and respectful behavior from an early age.

According to her, the project was inspired by the urgent need to intentionally nurture a more refined, compassionate, disciplined, and socially responsible generation of African children.

Over the years, Lady Eti has continued to establish herself as one of Nigeria’s foremost voices in etiquette education, youth refinement, and human capital development through her work with Etiquette Africa and ETI Global Academy. Through school outreaches, advocacy campaigns, media engagements, and youth development initiatives, she has impacted thousands of children and young people across Nigeria with transformational life skills and refinement education.

The unveiling of The Etiquette Adventure marks another major milestone in the ongoing mission to promote civility, social excellence, and holistic child development in Africa.

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Arsenal FC players celebrating winning the 2025/26 Premier League in the locker room. Photo credit: Arsenal/X

If you’re not a football aficionado, you might probably wonder what all the fuss is about. Arsenal Football Club winning the English Premier League ordinarily shouldn’t be a big deal, given the rich history of the club, until you really understand the backstory. In my family, there are a few things that we have a consensus on. Aside from faith, another is supporting The Arsenal. It’s quite the irony when someone like me finds it hard to put into words the effect Arsenal’s style of football had on us as children. Our very own papilo, Nwankwo Kanu, was a big pull for the Nigerian and wider African audiences at the time. Before tiki taka became a thing, Arsène Wenger had shaped the club into a team that played the most attractive football. I was there as a little boy when The Invincibles won the 2003/2004 Premier League season, conquering the league without losing a single match. I remember how the fans christened Thierry Henry as “Igwe”. It doesn’t matter that we supported a London club while residing in Lagos; Arsenal was our club. Ever since then, it’s been more than two decades of trying to recapture that magic in a bottle.

Banter FC

Speaking of bottles, it was becoming an unwanted tag that the club was associated with: a bottle job, the ‘almost’ guys, always the bridesmaid but never the bride. One of the most heartbreaking matches I watched as a fan was the final of the UEFA Champions League twenty years ago. Despite being a man down, we nearly crossed the line against Barcelona. There have been several near misses in competing for major honours in recent years, but being runners-up for three consecutive seasons easily tops the list of frustrating times. FA Cups are great, but nothing compares to the league. It has been a long and arduous journey. Quite frankly, embarrassing at many points. Watching other teams pick up trophies almost turned me into bad belle, but I thank God because say e no too deep like that.

You know Arsenal is a big club when other supporters who usually don’t see eye to eye on football topics find common ground in taking swipes at us. It was even said that men who support Arsenal are simps because they stay loyal to their partners even when the relationship isn’t mutually beneficial. Trust me, this feels like we just got a huge monkey off our backs. You needed really good cardio to watch Arsenal games because the heartbreaks were on steroids. It’s the hope that kills you; the trauma of starting a season with great energy only for it to end in tears was crazy work. At some point, it looked like GTA 6 would be released before Arsenal ended the trophy drought. Make no mistake, winning the league isn’t just the completion of our redemption arc; this is bragging rights!

Trusting The Process

At some point, the handwriting was on the wall. The club needed to move into its post-Wenger era. However, filling the shoes of le professeur was no small feat. This wasn’t just another job opening; there was a legacy to preserve. The leadership of the club tried what many considered the best available option at the time, but the disconnect was just too obvious. Enter Mikel Arteta. Yes, he was a former player at the club under Wenger and was an assistant to one of football’s greatest coaches, but he had no managerial experience of his own. Winning the FA Cup only helped him buy some time, but the crown jewel was always bringing the Premier League trophy home to the Emirates. I’m not gonna lie, I wasn’t the biggest Arteta fan out there. I just couldn’t see the vision; it also didn’t help that we didn’t qualify for the Champions League in those first two seasons. Big shout out to the Kroenkes, even when some sections of the gooners wanted a change, they stuck to their guns and just let Mikel cook. They stood ten toes and accepted the mission.

It wasn’t until my gaffer started to clean house by getting rid of some characters in the team that I began to clock it. When he made Raya the first-choice goalie, I was up in arms, then he proved me wrong again. Man was moving like prime Thomas Shelby, who famously says, “I have made arrangements with men I trust.” He wasn’t just doing shrewd business in the transfer market, but he wanted to change the culture at the club. I could smell what the club was cooking when we brought in players like Big Decs for a hundred million quid, then I knew we were serious about this title thing. He built this team brick by brick and made us believe again. All I could do from that point on was support the team and let it all work out (and it did!) The future is bright because we’ve got super Mik Arteta!

Let Me Talk To The Opps For A Sec

The north remembers how you lots were moving funny, rival fans trolling us on the internet and calling us choke artists. Even pundits who had failed at coaching were talking smack about Arsenal every week on television. Laughed at us when we were losing, but when we started getting our ducks in a row, we were labelled “Set Piece FC”. Since 2004, when we climbed the ladder, you envied us like Nevada, but it never mattered. We’re used to this, numb to that – as fans, we just knew we gotta adapt. To the rest of you, the non-believers: I shouldn’t even be shocked to see you not staying the course because you always made your career off of switching teams up. The apologies have to be as loud as the disrespect, that’s all I’m saying. Winning is problematic; people like you more when you’re working towards something, not when you have it. Now the banter will no longer hit like before; it will be harder to hide behind ‘analysis’ to score brownie points. You know what’s coming, but you’re not ready for it: this isn’t just a W but the beginning of dominance. Be humble, eh. Your faves know they are gonna be put in a spliff from next season. How do you feel now when we’ve got the champagne on ice?

We Used To Pray For Times Like This

Over the last few weeks, I had bragged about the things I would do when Arsenal eventually won the league, but when it actually happened, I was too overwhelmed to do any of those things. I didn’t know how to act. I even had some lines written down for the fans’ party of the final day of the season, including one for my starboy, Bukayo: “E ba mi toju Oluwa Saka, omo iya mi o!” I am particularly happy that a new generation of young gooners will get to see this version of Arsenal succeed and not just the endless references to a storied past. This is not Nostalgia FC, this is Arsenal freaking FC. From hoping for a fourth-place finish every season to playing in the Champions League final, we have really come a long way. The Unforgettables? I dare say, when Arsenal wins Europe’s most prestigious club competition, I want a statue of Arteta outside the Emirates in short order, and I’m not even joking. Shout out to the real fans who knew what we had in the basement and for the patience it took to turn these Ls into lessons. Come on, you Gunners! Get in!

North London forever,
Whatever the weather.
These streets are our own,
And my heart will leave you never.
My blood will forever,
Run through the stone!

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People who truly understand hospitality know that food is only the beginning. What stays with a guest long after the last bite, what they carry home and describe to a partner, or recount over laughter with friends who were lucky enough to be there, is the feeling. The memory of a place that held them well.

It is this feeling that Oasis Gourmet Restaurant and Pool Bar captures. Tucked within the Heliconia Park Hotel & Spa estate in Victoria Island, it is a new kind of fine dining in Lagos: one built not just around what is on the plate, but around everything that surrounds it.

Lagos moves at a pace few cities can match. It is electric, relentless, and alive in ways that draw people in and rarely let them go. Yet even its most devoted residents know there are moments when you want to exhale; to sit somewhere beautiful and let the evening find its own rhythm. Oasis Gourmet is built for exactly that moment.

The restaurant extends into an outdoor space where the pool sits in quiet company and the setting unfolds with deliberate care. The lighting does not intrude; it flatters, settling over the tables at precisely the warmth the hour deserves. It is the kind of ambience that does not need to announce itself. Everything within it already speaks clearly enough.

Woven into that setting is a culinary experience shaped by Heliconia Park‘s long-held philosophy of home-away-from-home luxury. The kitchen operates with a commitment to craft that does not reserve itself for special occasions. Every plate is the product of seasoned hands and a genuine understanding of what a guest deserves from quality ingredients handled with care, to presentation that earns a second look, and a consistency that tells you this kitchen takes its work personally.

The restaurant made its debut at an exclusive launch event that gathered some of Lagos’ most prominent figures: business leaders, government representatives, and tastemakers who know a significant addition to the city’s hospitality landscape when they see one. The evening unfolded exactly as the space was designed to, with good music, considered entertainment, and a menu that introduced itself with quiet confidence. It was less a launch than a statement of intent.

That statement carries the weight of a clear vision. Pasquale Fiore, Managing Director of Heliconia Park, put it plainly: the goal was never simply to open another restaurant.

“With Oasis Gourmet Restaurant and Pool Bar, we are bringing our philosophy into fine dining, offering an experience where every guest feels extra special, comfortable, and at home.”

There is something telling in the order of those words, that comfort and belonging are named alongside refinement, not as an afterthought, but as the point.

For Lagos, the arrival of Oasis Gourmet is well-timed. The city’s hospitality and lifestyle sector has been quietly but steadily maturing, drawing discerning visitors and locals alike who expect more from a night out than a good dish. They want an environment that reflects their own standards, secure, stylish, and run by people who understand that modern luxury is not loud. Oasis Gourmet answers that expectation without having to raise its voice.

Oasis Gourmet is the newest chapter in Heliconia Park‘s growing hospitality story, a natural extension of an estate that has always believed its guests deserve more than accommodation. They deserve an experience that follows them from check-in to the last sip of the evening, one that makes stepping outside feel entirely unnecessary.

The finest places never try to be everything to everyone. They do one thing extraordinarily well and let the right people find their way. At Oasis Gourmet, that one thing is an evening so well-considered it feels designed for you personally.

For reservations and enquiries, please call: +234 707 452 5979

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Still from My Father’s Shadow, a film directed by Akinola Davies Jr. and written by Wale Davies. Credit: Lakin Ogunbanwo

At the twelfth African Magic Viewers’ Choice Awards, on 9th May, My Father’s Shadow, Akinola Davies Jr.’s directorial debut, swept the major and most wins at the award show, including Best Movie, Best Director, Best Writing and others. The film was initially released in 16 states across Nigeria from September to October 2025, but due to its short run in Nigerian cinemas, most Nigerians missed out on watching the film. However, the recent AMVCA major awards clearouts ignite Nigerians’ interest in watching the film.

Therefore, to coincide with the month of Democracy in Nigeria, as My Father’s Shadow is a semi-autobiographical tale set over the course of a single day in the then Nigerian capital Lagos during the 1993 general election crisis, the film will return to Nigerian cinemas from 5th June 2026 for a special limited re-release in partnership with FilmOne Entertainment. The re-release is meant to invite audiences to revisit the acclaimed film as a living archive of memory and nationhood ahead of June 12.

Ahead of its re-release, we sat with the film’s producer, Funmbi Ogunbanwo, on the process of making the film, her personal story, working with Wale Davies and Akinola Danies Jr., their company Fatherland, and her general observations on the status of Nollywood.

Enjoy the conversation.

Funmbi Ogunbanwo at the AMVCA.

Hello Funmbi. How are you feeling today?

I’m feeling very well, very blessed, deeply fulfilled and humbled.

Congratulations to you and the team on the recent AMVCA wins. My Father’s Shadow is a terrific film, and it deservedly won most of the major categories. While shooting the film, as the producer, did you and the team envisage the film to be this successful?

No, we didn’t envisage that it would be this successful. My Father’s Shadow is a beautiful story and very gripping. At heart, it’s an honest take by Wale and Akin on what it means to deal with grief. It’s an honest take on Nigeria as a country and Nigeria as a father, on being a child and longing for the love of a father. It’s that honesty we always knew and felt when making the film. With these things, you almost never know, and you’re just showing up every day. We didn’t think it would be this successful.

Well, it turns out to be successful, winning multiple awards and premiering arguably the biggest movie stage in the world. Please tell us about the early days of My Father’s Shadow when the idea to shoot the film emerged

I’ve been working with Akin and Wale for many years now. We founded Fatherland together. I lead Fatherland as CEO and co-founder. My Father’s Shadow was a project we’ve been working on together for many years now. It was first written as a short film that Wale sent to me, which I thought was very beautiful. Wale would tell you he’s a new writer, and this is his first feature, but I could hear the tone of voice clearly in the script. For me, clarity is always a big thing in anything I’m working on. In any script or story, is the voice clear? When Akin and Wale decided to develop it into a feature from a short film, that clarity shone even more. The location, the 90s, was the detail and the subtlety. Not having light in your house as a 90s kid and playing outside with action figures, longing for your father to come back so you can play with him.

What prompted the foundation of Fatherland as a production company, and how has it been managing and directing the affairs of the production company?

Fatherland is a production company founded by Wale, myself and Akinola Davies.

I’m their unofficial adopted sister. I met Wale over a decade ago. We started off the company because we believed stories from here could travel, and more specifically, there were other kinds of stories that we were drawn to, and we both really wanted to tell. Akin was directing at the time and doing a lot of fashion projects. As Akin has said in interviews, at first he wasn’t sure he wanted to be a director because that comes with so much responsibility, but he’s such a strong visual storyteller and has a real knack and instinct. And that’s how you know good directors, they just have a pulse for these things.

We started off with just servicing Akin’s fashion projects and working with friends on other fashion projects and music videos. Then we started working with more international brands. The gap I saw was matching artistic integrity with structural efficiency, and that’s really what I handle as the CEO of the business. Yes, it’s great to do a cool project, but what are the systems you put in place to make sure that project is efficient? And that the next time you do that project, it is even more efficient? I sit in between creativity and business in the same breath. My passion revolves around building people, building stories and building systems. At the heart of Fatherland, that’s what we’re really committed to doing: nurturing talent, building stories that are culturally specific, contributing to the artistic lens through which we’re seen as African people and creating systems that enable these stories to thrive and reach the rest of the world.

Funmbi Ogunbanwo and Wale Davies at the AMVCA.

What are your observations on filmmaking in Africa, particularly in Nigeria?

We need more long-term thinking investors. We need strategists, people who have resources and finances, who will look at this whole ecosystem and value chain, and then decide to plug or fix very specific solutions-based businesses and structures that will ultimately solve long-term problems in this space. Production across the world is challenging, and I think in this age it’s even more challenging, with the disruption from streaming, verticals and so on. Nigeria is living in parallels – a system fraught with both a lot of challenges and a lot of opportunities. What the system really needs is more long-term investors. I always say Lekki and parts of VI didn’t exist 50-60 years ago, and people decided to start to sandfill as they saw a population boom coming. That’s the kind of foresight and thinking we need in the creative ecosystem. It’s not just being a fund for the sake of being a fund. Do you know how to fund, do you know what you’re funding? Are you really a fund or are you just some cheeky way to put some money, get some accolades and disturb filmmakers to get your money back? I just feel there is a big gap between funding, nurturing talent and actually finding solutions to our existing problems.

Thank you for taking the time to speak to us. Finally, as My Father’s Shadow returns to Nigerian cinemas, what do you hope the re-release does to Nigerians?

This re-release is about creating space for reflection, for conversation, and the healing of our shared wounds. There’s something powerful about watching this story in a room full of our people here in Nigeria, as we approach June 12.

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The scholarship initiative, which was first announced by Africa’s foremost technology entrepreneur and Chairman of Zinox Group, Leo Stan Ekeh, is designed to empower indigent but exceptionally gifted Nigerian students to study Computer Science and other technology-related disciplines in federal and state universities, as well as polytechnics, across the country. Interested applicants can now visit Konga.com and click on the “1000 Tech Scholarship” banner, where all relevant information and application guidelines are available.

The initiative was inspired by Ekeh’s decision to mark his 70th birthday in an unconventional yet impactful manner. Rather than host an elaborate celebration, the serial digital entrepreneur and Forbes-recognised tech icon chose to invest directly in Nigeria’s future as a way of giving back to the corporate institutions and Nigerians who supported and trusted his business startup from its early stages and have continued to patronise his businesses over the years.

For decades, Ekeh, a recognised tech disruptor and a notably private personality, has remained a major force in the continent’s digital ecosystem. He pioneered indigenous computer manufacturing through Zinox Technologies, ICT Solutions through Task Systems, drove technology distribution through TD Africa, and transforming e-commerce with Konga. Through his businesses and philanthropic efforts, more than 6,700 Nigerians have reportedly benefited from technology training and empowerment initiatives championed by him over the years.

According to stakeholders behind the programme, the scholarship initiative goes beyond financial support and represents a strategic investment in Nigeria’s digital future. Beneficiaries will enjoy full scholarships covering tuition, accommodation, and monthly stipends. In addition, they will undergo intensive holiday training focused on strategic self-development and digital skills designed to prepare them for global opportunities upon graduation.

Globally, the impact of technology on economic growth has become undeniable. According to reports by the World Bank and the International Finance Corporation, digital economies contribute more than 15% of global GDP, while countries that invest heavily in digital education and technology infrastructure consistently record higher employment rates, stronger innovation ecosystems, and improved economic competitiveness. In Africa, the technology sector is projected to contribute over $1.5 trillion to the continent’s economy by 2030, with millions of digital jobs expected to emerge within the decade.

Nigeria, Africa’s largest economy and most populous nation, stands at the centre of this opportunity. However, experts have consistently stressed that the country’s ability to compete globally will depend significantly on how quickly it develops a new generation of highly skilled technology professionals.

It is this critical gap the Leo Stan Ekeh Foundation hopes to bridge.

Beyond tuition support, beneficiaries will gain access to mentorship, industry exposure, and practical guidance from distinguished members of the Nigeria Computer Society and other technology professionals. The initiative is structured to equip students with market-relevant skills, hands-on experience, and professional networks capable of positioning them for success in today’s rapidly evolving digital economy.

The scholarship programme also reflects a broader vision shared by its supporting partners (TD Africa, Konga, Zinox Technologies, and Task Systems) all of whom have played significant roles in shaping Africa’s ICT landscape over the years.
Industry observers believe the initiative could become one of the most impactful private-sector-driven educational interventions in Nigeria’s technology sector, particularly at a time when the country is aggressively pursuing digital transformation across education, governance, business, and public services.

As applications officially commence, organisers have assured prospective candidates that the selection process will remain transparent, merit-driven, and inclusive, with equal opportunities for qualified applicants from across Nigeria.

For easy access to the scholarship portal, application details, and participation guidelines, interested students are encouraged to visit Konga.com and click on the “1000 Tech Scholarship” banner.

BellaNaija is a Media Partner for Leo Stan Ekeh Foundation

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Kasala movie stars Emeka Nwagbaraocha, Chimezie Imo, Tomiwa Tegbe, and Mike Afolarin reunite to co-produce and star in the theatrical production Project X… Almost Famous.

What happens when four of Nollywood’s most exciting young talents, who also happen to be genuine friends, decide to build something together from the ground up? You get “Project X… Almost Famous,” and you will want a front-row seat for this one.

Emeka Nwagbaraocha, Chimezie Imo, Tomiwa Tegbe, and Mike Afolarin, four names you already know from the beloved Nigerian coming-of-age film Kasala, are reuniting — this time on stage — for a brand new theatrical production they are headlining and executive producing together. The four actors have also officially launched The MECT Company, a creative collective born from years of friendship, collaboration, and a shared commitment to telling stories that actually feel true.

The stars of the upcoming Nigerian theatrical production Project X… Almost Famous showcase their real-life camaraderie ahead of their July 2026 performance at the MUSON Centre.

Written by Chiemeka Osuagwu and directed by Goodness Emmanuel, “Project X… Almost Famous” follows four friends and former members of a defunct music group called 4-Eva, as they navigate the pressure, chaos, laughter, and heartbreak of life in Lagos. Brotherhood, ambition, failure, survival, hope — it is all in there, wrapped in sharp dialogue, live musical elements, and emotional honesty. The production is set against the full weight and colour of contemporary Lagos life, and it sounds like exactly what Nigerian theatre has been waiting for.

The four shared:

Since Kasala, each of us has continued to grow individually, but there’s something special about coming back together. This project is personal. It’s about the friendships that hold us up, the dreams we refuse to let die, and the city that tests us every single day.

Project X… Almost Famous runs across two weekends at the MUSON Centre, Agip Hall, Lagos — Saturday 18 and Sunday 19 July, and Saturday 25 and Sunday 26 July 2025. Ticket information and full cast details will be announced in the coming weeks.

A vibrant, contemporary promotional graphic highlighting the core brotherhood themes of Chiemeka Osuagwu’s new stage play, Project X… Almost Famous.

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Tems leads the African contingent at the 2026 BET Awards with three major nominations, including Best Female R&B/Pop Artist. Photo Credit: Tems/Instagram

BET has dropped the nominations for its 2026 ceremony and Nigerian music is, once again, all over the list. Tems, Wizkid, Burna Boy, and Asake have all secured nominations for this year’s show, which holds on Sunday, 28 June 2026 at the Peacock Theatre in Los Angeles, hosted by comedian Druski.

Tems leads the Nigerian contingent with three nominations, making her the most nominated African act this year. She is up for Best Female R&B/Pop Artist alongside SZA, Olivia Dean, Mariah the Scientist, Kehlani, Jill Scott, Ella Mai, Coco Jones, and Ari Lennox. She also picks up a BET Her Award nomination for her song “First,” and a Viewers’ Choice nomination for “Raindance,” her collaboration with British rapper Dave.

Wizkid and Asake earned a joint nomination in the Best Group category for their collaborative project and string of chart-topping releases together, including tracks from their joint Real EP. Burna Boy rounds out the Nigerian music nominations with a Best Collaboration nod for “WGFT,” his feature on Gunna’s hit single from the 2025 album “The Last Wun.” Beyond music, stars of Nigerian heritage also feature prominently in the acting categories — Ayo Edebiri and Cynthia Erivo are both nominated for Best Actress, while Damson Idris received a Best Actor nomination.

South African star Tyla earned two nominations: Video of the Year and Viewers’ Choice for her track “Chanel.” Leading the overall nominations is Cardi B with six nods, followed by Kendrick Lamar and Mariah the Scientist with five each. This year also introduces two new categories — the Fashion Vanguard Award and the Pulse Award. The 2026 BET Awards air live on 28 June at 8pm ET/PT on BET, with simulcast across BET HER, MTV, VH1, Comedy Central, and several other Paramount networks.

See the full nominees list below for the music category

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If you love premium sound but hate the ear fatigue and blocked-out feeling of traditional earbuds, your audio game just got a massive upgrade. Lifestyle tech brand digifon officially launched its highly anticipated Open Wearable Stereo (OWS) earbuds series, and they did it in true Lagos fashion with an absolute banger of an experiential party that had guests testing, dancing, and buying on the spot.

Moving away from boring, traditional tech rollouts, digifon turned their launch into a full sensory celebration of sound, culture, and pure vibe.

The Open-Ear Revolution: Guests Couldn’t Get Enough

The energy in the room was electric as tech enthusiasts, creators, and lifestyle pioneers crowded the interactive testing zones. The big talk of the night? Open Wearable Stereo (OWS) technology. Unlike regular earbuds that plug your ear canal, digifon’s new lineup sits comfortably outside the ear, delivering crisp, heavy bass while letting you stay completely aware of your surroundings.

Guests were genuinely wowed, testing the spatial awareness features while grooving to relentless Afrobeats sets. It didn’t take long for the testing stations to turn into buying stations, as attendees eagerly snapped up the new devices right at the venue to take advantage of the exclusive launch perks.

Adding major glam and energy to the event was product experience specialist Alex Unusual, who was the night’s special guest. The creative expert and former BBNaija star brought her signature authenticity and distinct eye for experiential design to the showcase, hyping up the crowd as they explored the interactive sound stages.

With endless cocktails, light bites, and a live DJ pumping heavy bass through digifon’s BOOMMAX ELITE 3 speakers and digifon’s power & audio ecosystem, the music was the ultimate product pitch.

“African consumers have been instructed to adapt to technology ecosystems and play by a retail rulebook that was never written for us,” stated Dapo Rowland Okotore, CEO of WTG IT Solutions Limited, parent company of digifon. “The ‘Unplugged & Unstoppable’ movement is our direct response to the real-world challenges our consumers face every day, from battery anxiety to disconnected lifestyles. In launching the breakthrough Oyster and StoneBud earbuds, we didn’t just introduce premium audio; we shattered the old limitations and created an authentic, high-performance tech playbook built by us, for us.”

The New Lineup (With Limited-Time Launch Perks)

To celebrate the nationwide rollout, digifon is offering these premium open-ear devices with exclusive launch discounts and complimentary data bundles to keep you instantly connected.

Oyster Premium OWS: Engineered for pristine clarity, fluid movement, and zero ear fatigue. This premium model is currently packaged with a special launch discount, a data bundle, and an incredible free gift.

StonesBud OWS: Massive, everyday wireless sound built for the fitness and fashion crowd. This fan-favorite is also coming hot with special promotional pricing, instant data, and a free gift.

“Our mission is to create unique, reliable lifestyle products that fundamentally improve how people live,” says Kemi Adedeji, General Manager of WTG IT Solutions Limited. “With the new Open Wearable Stereo series, you can safely listen to your background environment while enjoying crisp, Afrobeats-tuned audio unique to our music preferences.”

The room confirmed the cross-industry pull of the Unplugged & Unstoppable experience. Guests drawn from every corner of Nigeria’s creative, business, and professional landscape including coach and business leader, Dr Lanre Olusola; Nollywood actor and film producer Efe Henry, and fragrance connoisseur and CEO of Seinde Signature Salon De Parfum, Olufemi Olusola Olaseinde amongst many others were in attendance.

For the next 30 days, consumers can now walk into Glo outlets nationwide to experience digifon products, claim their bonus data, and upgrade their lifestyle.

To learn more about the Unplugged & Unstoppable rollout and buy your own digifon products engineered for the African reality, visit www.digifon.ng and get updates on Instagram.

Sponsored Content

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A close-up portrait of Las Vegas Aces star A’ja Wilson sporting a bold red hairstyle and her signature number 22 jersey ahead of her historic 2026 WNBA run. Photo Credit: A’ja Wilson/Instagram

A’ja Wilson is not letting 2026 breathe. Just three games into the new WNBA season, the Las Vegas Aces centre dropped 45 points against the Connecticut Sun on Friday, 15 May, to become the first player in WNBA history with multiple 45-point games. The Aces won 101-94 at Mohegan Sun Arena in Uncasville, Connecticut, and Wilson was the reason why.

The numbers from that night deserve their own paragraph. Wilson shot 15-for-18 from the field, connected on both of her three-point attempts, and made all 13 of her free throws — finishing with 45 points, 3 rebounds, 3 assists, 2 blocks, and a steal in just 32 minutes. According to ESPN Research, she became the only player in WNBA history to score 45 or more points while shooting 80 per cent or better from the field. The performance also gave her the fifth 40-point game of her career, the most in WNBA history, moving her past Breanna Stewart and Diana Taurasi who she had previously been tied with.

Her first 45-point game came on 22 August 2023 against the Atlanta Dream, which remains her career high at 53 points. Friday’s 45 is now the second highest scoring night of her career, and the highest in the WNBA this season. Her boyfriend, Miami Heat star Femi “Bam” Adebayo, was courtside to watch it happen.

Basketball champion A’ja Wilson steps out in a striking gold metallic Prabal Gurung gown for the 2026 Met Gala red carpet. Photo Credit: A’ja Wilson/Instagram

Wilson was typically understated about it afterwards. “Finding shots in our system and letting the flow of the game take over — that’s big to me,” she said. “I want to be efficient. It’s beautiful to rack up all these points, but to be efficient, that’s what is key.” Her Aces teammate and point guard Chelsea Gray had a different kind of reaction: “You can’t get bored with watching greatness. I’m around it all the time, but I’m surprised every day.” Wilson herself added a sentimental note about the venue, which is set to lose the Connecticut Sun next season as they relocate to Houston. “This building has been special to me for a while,” she said. “Got my first WNBA point in this building and a championship in this building. It’s fun coming here. Going to miss this place.”

Four-time WNBA MVP. First player in league history with multiple 45-point games. The 2026 season has barely started.

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A visual representation of a Ghanaian traveller benefiting from Togo’s historic 2026 decision granting visa-free access to all African nationals, seen at the Lomé airport arrivals.

Attention, passport holders. Togo has just made your next travel decision a lot easier. The West African country officially removed visa requirements for all African citizens on 18 May 2026, making it the sixth African country to grant visa-free access to fellow Africans. If you are holding a valid African passport, you can now enter Togo for stays of up to 30 days — no visa, no stress.

The announcement was made by Togo’s Ministry of Security on Tuesday via its official X handle. In the official statement, the ministry said: “Togo takes a historic step in strengthening African integration. Henceforth, all nationals of African states holding a valid national passport may enter Togolese territory without a visa, for a stay of up to 30 days. Through this major reform, the President of the Council reaffirms his commitment to making Togo a space of openness, mobility, opportunities, and cooperation at the heart of the African continent.” Togo’s Minister of Security, Calixte Madjoulba, added that the decision is aimed at deepening regional integration and boosting cross-border cooperation across the continent, and that the policy is part of Togo’s broader ambition to position Lomé as a regional hub for trade, services, culture, and investment within Africa.

The timing of the announcement is significant. Togo made the declaration at the opening of the third edition of the Biashara Afrika Business Forum, which Lomé is hosting under the theme “Powering Africa’s Economic Transformation through the AfCFTA.” The move aligns with African Union goals around free movement under the African Continental Free Trade Area framework, and follows similar visa liberalisation policies adopted by Rwanda, Ghana, Benin, and Kenya.

There are a few things worth knowing before you start packing. The visa-free policy does not mean showing up at the border without any preparation. Travellers are required to complete a travel declaration on Togo’s official government platform at voyage.gouv.tg at least 24 hours before arrival. Once completed, you will receive a travel slip that must be presented at the border checkpoint, whether you are entering by land, air, or sea. The exemption also does not override existing immigration, health, and national security regulations, so standard entry requirements still apply. The 30-day stay limit is firm, and overstaying will still carry consequences under Togolese law.

Lomé is one of West Africa’s most underrated cities — coastal, culturally rich, and increasingly open for business. With this new policy in place, getting there just got a whole lot more straightforward for Africans everywhere.

LE TOGO SUPPRIME LE VISA POUR TOUS LES AFRICAINS !

Le Togo franchit une étape historique dans le renforcement de l’intégration africaine. Désormais, tous les ressortissants des États africains détenteurs d’un passeport national valide peuvent entrer sur le territoire togolais… pic.twitter.com/ewa2QRSfyq

— Ministère de la Sécurité – Togo (@MSPC_TOGO) May 18, 2026

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The award-winning cast and crew of The Fisherman bring festival glamour to the blue carpet during the film’s official Lagos premiere celebration. Photo Credit: The Fishermen/Instagram

Before you make your cinema plans, there is one film you need to know about. “The Fisherman,” the Ghanaian comedy that won Ghana its first ever official selection at the Venice International Film Festival, is now in Nigerian cinemas and the trailer is finally here for Nigerian audiences.

“The Fisherman” tells the story of Atta Oko, a retired traditional fisherman whose life takes an unexpected turn when he is paired with a sarcastic talking fish. Together with his three quirky associates — Shasha, Kobina, and Emmanuel — they set off on a whimsical adventure to Accra, chasing the dream of owning a boat while navigating the clash between tradition and the modern world. It is warm, funny, and culturally rich.

Written and directed by Ghanaian-American filmmaker Zoey Martinson in her feature debut, the film is produced by Kofi Owusu–Afriyie and Korey Jackson for Luu Vision Media, and executive produced by Emmy-nominated Nigerian-American actress Yvonne Orji. The cast includes Ricky Adelayitar, William Lamptey, Kiki Romi, Adwoa Akoto, and Princess Fathia Nkrumah, with Nigerian dancer and content creator Endurance Grand bringing serious star power to the screen, and Nigerian comedian Dulo Harris voicing the talking fish.

Filmmaker Zoey Martinson goes over production notes with lead character Atta Oko, played by William Lamptey, on the set of the award-winning comedy The Fisherman. Photo Credit: The Fishermen Film/Instagram 

The film’s festival run speaks for itself. “The Fisherman” made history as Ghana’s first official selection at the 81st Venice International Film Festival, where it won the prestigious UNESCO Fellini Medal. It went on to win Best Narrative Feature at the American Black Film Festival, Best Ghanaian Film at the REFFA Awards, and earned a nomination for Outstanding International Motion Picture at the NAACP Image Awards. Closer to home, director Zoey Martinson won Best Director at the Africa International Film Festival in Lagos, with the award presented by David Oyelowo.” The Fisherman” is now in Nigerian cinemas from 15 May 2026.

Watch the trailer below.

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Reehaa

One of the biggest misconceptions about artists is that when they go quiet, it means they have stopped caring about their fans. For me, it was quite the opposite. The quieter I became, the more music consumed my life emotionally.

I’m Rihanat Ajala, professionally Reehaa, a 21-year-old Nigerian Afro-fusion artist. I’m the lastborn and the only daughter in a family of five. My mum is late, and honestly, music is one of the deepest connections I still have to her. She loved music so much, and sometimes I think a huge part of why I make music is because of that. I want to create songs I know she would have loved. Songs she would have played loudly. Songs she would have been proud of.

That emotional connection is what made music feel natural to me from the beginning. I genuinely love making music. Not just the idea of being an artist, but the actual process of creating songs and expressing emotions through sound. But loving music and surviving the music industry are two different things.

There were periods where everything felt exciting. Meeting creatives, recording constantly, getting opportunities that once felt impossible. One of those moments was meeting Shallipopi. Funny enough, he actually reached out to me after listening to a song I was on. He said he loved my vocals and my verse, then contacted somebody who knew me and invited me over to work on background vocals for some songs he was preparing to release.

Beyond music, he was genuinely kind to me. In this industry, you remember people who treat you well, especially during uncertain moments in your life. I have a lot of respect for him for that. Moments like that made everything feel real.

But even with moments like those, the journey still became emotionally heavy for me. It wasn’t one specific event. It came in waves. In 2023, music started feeling heavier than it used to. In 2024, things became a little better mentally. But 2025 was probably the hardest period for me because I had no personal release and genuinely did not know what my life looked like anymore.

Everything felt uncertain at the same time. Comparison played a huge role in that feeling. Burnout too.

Social media makes it very easy to feel like everybody else is moving forward while you are standing still. You open Instagram, and everybody is announcing something, achieving something, becoming something. Meanwhile, you are sitting there questioning yourself.

At some point, I stopped believing in myself completely. I was still recording music, but I was no longer connected to it emotionally. I was making songs without even believing in what I was doing anymore. There were so many moments I genuinely considered quitting music entirely.

I remember one conversation that affected me deeply. A friend once told me that maybe I was not hungry enough for success. That maybe I did not want it badly enough. Honestly, hearing that during a period when almost everything in my life already felt like it was going wrong made things worse for me. I was already emotionally exhausted. I had no release out. I felt disconnected from myself creatively. Everything felt delayed at once.

Reehaa

It is hard to explain that kind of feeling unless you have experienced it before. It is when your dream still exists, but you no longer know how to carry it properly.

A lot of people misunderstood my silence during that period, especially online. People probably assumed I was unserious or inconsistent, but it was never about a lack of love for music. Life was simply happening to me in real time. I also had this mindset that Instagram had to be perfect and polished before I could show up there. So instead of posting imperfectly, I disappeared quietly for long periods.

But during those silent moments, music never left me still.

And eventually, “Lọ́kànmi” was born from that space emotionally. I wrote the song at home, and surprisingly, it took me over a month to finish because it just was not coming together the way I wanted. I wanted the song to feel honest and complete, but I kept hitting creative walls while writing it. The craziest part is that the second verse only came to me on the actual day I was recording the song.

That song carries a lot emotionally. I think “Lọ́kànmi” became my reassurance to myself. A reminder that even after doubt, burnout, comparison and silence, my dreams were still alive somewhere inside me. Because the truth is, I never stopped loving music. I just got tired. And I think many young creatives secretly understand that feeling more than people realise.

 

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A post shared by Ajala (@reehaa_____)

Thankfully, I did not go through that period alone. My family, my friends and my manager kept reminding me who I was during moments where I could not even see it myself. A lot of the reason I am still here today is that people around me refused to let me completely give up on myself.

Slowly, I started reconnecting with music again in a healthier way, not from trying to compete with everybody online but from genuine love for creating. I am no longer chasing perfection endlessly; just creating honestly and allowing myself to grow publicly instead of hiding while trying to become perfect first.

I am still growing. Still learning myself. Still becoming. More than anything, I just want people to understand me better after reading this. I want people to understand that behind all the silence was simply a girl trying to hold onto herself while still holding onto her dream. A girl who genuinely loves music. Hopefully, as people continue listening to my music, they will hear that honesty for themselves.

“Lọ́kànmi” is out tomorrow on all streaming platforms. Stick with me.

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A detailed view of the fluffy inside texture and rich fish filling of Kikifoodies’ homemade Nigerian-style sardine bread loaf. Photo Credit: Kikifoodies

If you grew up loving sardine sandwiches, soft agege bread, or those quick savoury snacks that somehow disappear faster than expected, Kikifoodies’ new Sardine Pull-Apart Bread recipe might be calling your name already.

Fresh out of the oven, this bread comes apart in warm, fluffy layers packed with savoury sardine filling and just enough pepper to keep every bite interesting. The dough is soft, buttery, and slightly chewy, while the sardines bring that rich, salty flavour many Nigerians already know and love. Then comes the finishing touch: a glossy spicy sardine oil brushed over the loaf while it is still warm, giving the bread extra flavour and a gentle kick from the pepper.

What also makes this recipe fun is the way it comes together. After the dough rises into a soft, airy texture, the sardine mixture is spread across it before everything is sliced, stacked, and arranged upright in a loaf pan. As it bakes, the layers puff up beautifully into golden pull-apart sections that are easy to tear into and share. It is one of those recipes that feels comforting from start to finish, especially when the smell starts filling the kitchen.

The complete golden-brown loaf of Kikifoodies’ spicy sardine pull-apart bread recipe, finished with a glossy herb and chili oil brush. Photo Credit: Kikifoodies

For the filling, Kikifoodies keeps things simple with sardines, a little seasoning, and pepper flakes for heat, allowing the flavour of the fish to remain at the centre of the bread. The recipe also uses bread flour for that stretchy, bakery-style texture, alongside butter, yeast, and warm milk or water to help the loaf stay rich and soft.

Whether you eat it as a snack, breakfast, or something to pass around at home with tea, this Sardine Pull-Apart Bread looks like the sort of recipe people will keep coming back to. And if you are anything like us, you will probably pull off “just one piece” before immediately going back for another.

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Hey BNers! Funmilola Sanya here, and I have some exciting news: I am packing my bags and heading to Nairobi, Kenya, this week to the 2026 Africa Soft Power Summit, and, guess what? I am taking you with me.

Now in its seventh edition, the Africa Soft Power Summit is one of the continent’s most critical cross-sector gatherings. It brings together leaders from finance, technology, policy, media, and the creative industries to tackle the conversations that matter most about Africa’s economic future.

This year’s theme, “Africa’s Compound Interest: Aligning Ecosystems of Finance, Creativity and Human Capital for Growth,” sets the tone for four days of high-level dialogue running from 20 to 23 May at the Hyatt Regency Nairobi Westlands. The programme includes the Remarkable African Women’s Leadership Conference, the Creative and Innovative Industries Conference, and the famous ASP Gala and Awards. The speaker lineup is packed with heavy hitters too, including Bolanle Austen–Peters, D’banj, Rita Dominic, Alex Okosi, and Zainab Hawa Bangura.

BellaNaija joins the summit as a narrative partner this year, meaning I will be right on the ground covering every session, conversation, and cultural moment worth knowing about. From the panels to the people in the room, expect daily diaries, exclusive insights, and plenty of behind-the-scenes action straight from the plenary floors.

It doesn’t end there, we will be touring Nairobi! How cool is that? I cannot wait to bring you all the exquisite looks from the beautiful city of Nairobi. So what say you? Coming with me? Keep your eyes glued to our social media pages and follow the journey using the hashtags #ASPSummit2026 and #BNinNairobi.

Nairobi, here I come!

The post BellaNaija’s Funmilola Is Heading to Nairobi for the Africa Soft Power Summit 2026 appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Mesoma in her studio surrounded by her paintings and quiltworks

Mesoma Hammida Onyeagba, a Nigerian artist, along many milestones has made a significant mark in New York City with her unique quilt art. Her recent creation has been acquired by the Finnish Consulate General and is now proudly displayed in their residence. This marks a notable achievement as one of the first art pieces/quilts by a Nigerian artist to be included in their collection.

Mesoma is an interdisciplinary artist based in the New York/New Jersey area, who explores painting, textiles, and fashion-based art. Drawing from her Nigerian heritage, Onyeagba transforms discarded fabrics into cherished artifacts that carry histories, memories, and personal narratives.

A Photo of a quilt and its presentation by the wife of the Finnish Consulate General

With a BFA from the University of Ottawa 2022 and an MFA from the School of the Art Institute of Chicago (SAIC) 2024, Onyeagba redefines traditional notions of beauty by advocating for the
appreciation of upcycled art and aesthetics.

This caught the eye of the Wife of the Consulate General, Jaana Sareva who recognized its artistic merit and cultural significance. The acquisition of the two quilt works highlights the Consulate’s commitment to diversity and inclusion in the arts.

Mesoma’s work not only represents a personal triumph but also serves as a bridge between cultures, celebrating Nigerian artistry on an international stage. This achievement is a testament to her talent and dedication, paving the way for more diverse representation in art collections worldwide. Her works have been featured in solo and group exhibitions across the U.S and internationally, including at the Ely Center of Contemporary Art, Arts14c, and Ottawa Art Gallery, TEDxUTAustin etc Her art is also held in private collections, including at The Bunker Artspace in West Palm Beach.

Above: Quilt 1 displayed in the Guest Room, 2026

Above: Quilt 2 displayed in the Conference Room, 2026

Onyeagba has been recognized with awards such as the Municipal Art League Fellowship Award and the Suzanne Rivard-Le Moyne Award. Her work has been highlighted in publications such as 1883 Magazine, Create! Magazine, New American Paintings, MFA Annual Issue, Vanguard News Nigeria, Business Insider and Yale Daily News. You can view more of her artworks
at www.mesomaonyeagba.com.

Mesoma Poses with one of her acquired quilt in Mrs Jaana’s home, 2026

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The complete full-length view of Omawunmi Dada’s custom royal blue Northern Nigerian-inspired ensemble for the Okanjuwa premiere. Photo Credit: Omowunmi Dada/Instagram

Ready to be blown away by some blue?

Omawunmi Dada stepped out for the “Okanjuwa” premiere last night, wearing a royal blue look inspired by Northern Nigerian royalty. The official theme for the evening was “Eid-MetGala,” and she completely leaned into the cultural fusion.

Sharing the look on her Instagram, she captioned it:

Serving Muslimah elegance because Eid came a little early for the OKANJUWA premiere. Dresscode is Eid-MetGala, now my team can’t decide whether I look more like a Khadijah or a Zareema . Which team are you on?

The base of her outfit is a structured, floor-length column gown in a striking shade of blue. The material has a rich texture that holds its shape, featuring a modest boat neckline paired with a sheer panel across the collarbone highlighted by a neat row of silver crystals. Down the bodice, vertical lines of linear beadwork run past the waist, creating a sharp, structured silhouette before smoothing out into a clean skirt. For a bit of sculptural flair, the long sleeves finish with structured, petal-like ruffles around the forearms.

Omawunmi Dada’s dramatic flowing chiffon cape and custom royal blue gown tailored for the Eid-MetGala dress code. Photo Credit: Omowunmi Dada/Instagram

To hit that perfect note of Northern cultural grace, a matching chiffon veil draped over her headpiece flows down her back, pooling into a long cape behind her. The setting for her photoshoot features traditional Hausa architectural patterns and handwoven baskets, making her vibrant blue outfit stand out even more against the earthy backdrop. She rounded everything off with stacked silver bracelets, statement rings, drop earrings, and a bright pink lip.

Whether she leans more towards Team Khadijah or Team Zareema, this look is a beautiful nod to cultural heritage. Which team are you voting for?

See more looks below

 

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At the 12th edition of the AMVCA, one of the brands that understood the cultural significance perfectly was Don Julio.

As headline sponsor of this year’s ceremony, Don Julio brought its philosophy of devotion, craftsmanship and earned celebration into the heart of one of the continent’s biggest entertainment moments. But rather than simply showing up as a sponsor, the brand created an experience that felt intentional, immersive, and deeply connected to the spirit of the night.

At the centre of Don Julio’s AMVCA presence was The Don’s Table, a symbolic and curated space designed to honour individuals whose commitment to their craft has earned them defining moments of recognition.
Inspired by the legacy of Don Julio González, the experience celebrated the discipline, passion, and years of dedication that often exist behind extraordinary success. It became a moment not just of recognition, but of reflection. This year, Don Julio sponsored three of the evening’s most prestigious categories: Best Actor, Best Supporting Actress, and Best Film of the Year, transforming each win into a larger celebration of storytelling, artistry and devotion to craft.

Hosted by Uti Nwachukwu, The Don’s Table became one of the defining highlights of the evening as winners shared intimate conversations about their journeys, the discipline behind their work and the evolving future of African cinema.

The Best Actor award went to Uzor Arukwe, popularly known as “Odogwu”, whose years of consistency and memorable performances continue to establish him as one of Nollywood’s most respected talents. The announcement was met with excitement across the room, with many describing the recognition as long-deserved.

For Best Supporting Actress, Linda Ejiofor-Suleiman was welcomed to The Don’s Table in recognition of her range, resilience, and ability to embody every character with authenticity and emotional depth.

The Best Film of the Year recognition went to My Father’s Shadow, with Funmbi Ogunbawo and Wale Davis recognised for a project that reflects the growing global potential of African storytelling and craftsmanship, values that naturally align with Don Julio’s philosophy.

To commemorate the moment, each winner received a specially engraved bottle of Don Julio 1942. More than a luxury gift, the engraved bottles symbolised permanence, recognition, and the celebration of earned excellence, reflecting the same level of intentionality and craftsmanship that defines the tequila itself.

Another memorable highlight of the evening came during the Don Julio 1942 toast moment, where Bovi Ugboma led guests in a celebratory toast to creativity, storytelling, and the people shaping the future of African entertainment.

Don Julio’s presence also extended to the AMVCA red carpet through its Fashion Icon of the Night, Uche Montana, who made a striking appearance in a custom design by Tubo Bereni. Inspired by the rise of a phoenix, the look symbolised transformation, strength, reinvention, and ambition. The themes mirrored both the spirit of the AMVCA and Don Julio’s philosophy around evolution and earned success. The Best Supporting Actress recognition was presented by Ose Head, Head of Media & Content, alongside Uche Montana, further reinforcing Don Julio’s commitment to celebrating creativity and cultural excellence across multiple touchpoints.

What made Don Julio’s presence at the AMVCA stand out was its ability to move beyond traditional sponsorship into something more culturally meaningful. The brand did not simply attach itself to a prestigious event; it created moments that honoured the people behind the stories, recognised the years of unseen dedication required to achieve excellence, and celebrated the craftsmanship that continues to shape African entertainment.

As African cinema, fashion, and storytelling continue to gain global recognition, Don Julio remains committed to celebrating the creators, visionaries, and storytellers pushing culture forward across the continent.

About Don Julio Tequila
Founded on the devotion and craft of Don Julio González in 1942, Don Julio Tequila is the world’s original luxury tequila. Crafted in the highlands of Jalisco, Mexico, the brand remains committed to the highest quality standards, resulting in a portfolio that includes Don Julio Blanco, Reposado, Añejo, and the ultra-premium 1942. Don Julio celebrates the moment of earned achievement, recognising the effort that leads to extraordinary success.

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A promotional portrait of Nigerian alternative artist Dwin, The Stoic from his intimate musical collaboration with singer Celeste Ojatula on the song This Side of Love. Photo Credit: Celeste Ojatula/Instagram

Long-distance love is not for the weak, and Celeste Ojatula knows it.

On “This Side of Love,” the singer teams up with Dwin, The Stoic for a sweet, slow-burning track about loving someone from afar and still finding ways to feel close to them. From the soft guitar lines to the easy rhythm running through the song, everything about it feels warm and comforting, like a late-night phone call you do not want to end. Dwin slips into the record smoothly with understated lines and soft claps that make the song feel even more intimate, as though we are listening in on two people trying to hold onto each other from different corners of the world.

Then there is the video, which might just make you want to redecorate a room with someone you are in love with. One of the first scenes shows Celeste perched on Dwin’s shoulders while they paint a wall deep teal-green together, and the chemistry between them carries through the rest of the clip. Between silhouette shots, teasing little hand-clapping moments, and cosy close-ups in softly lit spaces, the visual feels personal in a way that quietly pulls you in.

A promotional portrait of Nigerian alternative artist Dwin, The Stoic from his intimate musical collaboration with singer Celeste Ojatula on the song This Side of Love. Photo Credit: Celeste Ojatula/Instagram

“This Side of Love is a tender song about what it feels like to love someone in these times when they could be anywhere in the world,” Celeste says. “It’s a bittersweet feeling, and I wanted to remind myself we’ll always have each other.”

The single sets the tone for Celeste’s forthcoming EP, *Our Time In The Sun*, arriving on May 29, 2026. If this track is anything to go by, the project may well lean into love, longing, closeness, and the small emotional moments people carry with them long after conversations end.

Watch below

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Legendary actress Jenifer Lewis shares a high-energy moment with host Jennifer Hudson on the set of The Jennifer Hudson Show following her viral backstage tunnel dance. Photo Credit: Jennifer Hudson Show/Instagram

You know Jenifer Lewis still got it, right?

The veteran actress steps into The Jennifer Hudson Show Spirit Tunnel with no hesitation, walking into a brightly lit backstage corridor lined with cheering crew members on both sides. A pink neon sign glows at the far end of the hallway as she immediately breaks into rhythm, turning her entrance into something far from ordinary.

Dressed in a bright red turtleneck layered under a sheer black flowing jacket, paired with loose red trousers finished with bold faux-fur cuffs at the ankles, she moves with full confidence. Her voluminous Afro, gold hoop earrings, silver chain necklace and bold red lip bring sharp character to her look as she smiles, claps, and engages the staff along the way.

The hallway comes alive with a chant from the crew, clapping in sync as they call out: “I don’t want nobody messing with me in these streets.” The response follows in unison: “And ain’t nobody got time for that! Haha! Ain’t nobody got time for that!” Jenifer Lewis keeps pace with it all, swinging her arms, stepping to the beat, and feeding off the call-and-response as she moves forward.

Midway through, she stops for two clean high kicks straight toward the camera, drawing loud reactions from the staff before continuing her strut down the corridor. By the time she reaches the end, the Spirit Tunnel feels less like an introduction and more like a shared celebration between Jenifer Lewis and everyone lining the walls.

Watch below

 

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The first time I showed up for the IELTS exam, I didn’t get to write it because I was just a few minutes late. The door was already shut. I stood there confused and desperate, hoping someone would understand or show empathy, but nobody cared. I went back home disappointed, watching my chance slip away before the exam even started. It was the first of many walls I would hit in my journey to Canada.

Between September 2018 and February 2020, I would go on to write the IELTS exam seven times. Anyone who has written the IELTS exam for the Canadian Express Entry pool knows that to remain competitive in the pool, it’s not just about passing; you need a near-perfect score. At the time, one weak section in reading, speaking, writing, or listening meant retaking all four, with no option to combine results and no guarantee you wouldn’t perform worse next time. Each attempt came with its own cost: financial, emotional, and psychological. Paying for the exam and preparing repeatedly was one thing; the uncertainty was another psychological strain.

In February 2020, for the seventh attempt, I walked into the exam hall feeling very confident that it would be my last. I had become very familiar with the exam questions from reading and practising thousands of questions. I understood the format and rhythm even more than my own heartbeat. Then the results came: I had a suspiciously low score in speaking. I felt so miserable, and I could not focus on work throughout that day, but I also felt a gut instinct that the grade was wrong. 

So out of frustration, I decided to make a gamble by applying for a remark. It was a risky move because if the score didn’t change, I’d lose the fee, but I trusted my instinct and weeks later, the remark was out, and my score was revised upward. I finally scored the much-needed 8.5 out of 9. My IELTS journey was finally over.

Or so I thought.

I immediately updated my profile with the new score and watched my points go up. I was excited. For the first time, it felt like I was truly close. I thought, “This is it; I’ll make the next draw.”

Suddenly, everything paused. Within a week, COVID-19 changed the world, and Canada paused the draw in March 2020. Just like that, another waiting game began. For nearly six months, everything was still. I kept checking for updates, but there were none. It was a different kind of stress, the uncertainty of not knowing when things would move again.

In July 2020, the Express Entry draws reopened, and I received my invitation to apply for the Canadian Permanent Residence Program. I had become cynical by this point. I had learned that nothing in this process was straightforward. So, as a coping mechanism, I decided to live my life as if the relocation process wasn’t happening. When my permanent resident visa was finally approved and my passport returned in January 2021, it felt like everything was finally falling into place. I booked my flight, ready to begin a new chapter in Canada.

But another surprise was waiting for me at the airport. 

After packing my entire life into suitcases and saying a tearful goodbye to my family, I was denied boarding. A specific government travel restriction was in place due to the pandemic, and I wasn’t aware of it.  I stood in the terminal in total disbelief.

What followed was a nightmare of back-and-forth calls, emails and ticket booking. Every solution led to another problem. Then there were the COVID tests, each one only valid for two days. So, every delay meant doing another test. Eventually, I was advised to try a different airline; one that hadn’t yet adopted the same restrictions. So, I had to let go of the ticket once more to book another last-minute flight with Ethiopian Airlines. 

This time, I finally made it onto the plane. 

The journey took two days and multiple layovers — from Lagos to Addis Ababa, then Dublin, then Toronto, before taking the final flight to Edmonton. There are no words to describe the long-haul exhaustion of a traveller who was already drained before the flight even began. By the time I touched down, I wasn’t even thinking about how long the journey had been. I was just quietly relieved that it was over.

Looking back at the journey, it was a bumpy series of setbacks. Seven exams, a drained account, a global pandemic, and being turned away at the finish line. It took two and a half years to prove I had the patience, consistency and resilience to be here. People talk about moving to Canada as a big milestone, and it is. But what we don’t talk about enough is the grit it takes to survive the process. From being turned away from an exam hall and finally landing in Edmonton, I made it through everything it took to get here.

The post Oluwayemisi Peters: How I Finally Got My Canadian PR After Seven IELTS Exams and Two Years of Waiting appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

L-R Andrew Uaboi Vice President & Cluster Head, West Africa, Visa, Dr. Obianuju Ndu-Okereke Head, Cards and Messaging Services, FirstBank & Seyi Oyefeso Executive Director, Retail Banking South Directorate, FirstBank, at the launch of the Visa Signature and Naira Visa Debit Card recently.

First Bank, in partnership with Visa, has announced the launch of Visa Signature, a premium card offering designed for Nigeria’s affluent segment. The card unlocks an exclusive portfolio of lifestyle benefits, global travel privileges, and curated merchant offers through Visa’s worldwide acceptance network, giving high-spending Nigerians a product built around how they live.

Visa Signature targets Nigeria’s top executives, business owners, and frequent international travellers who expect more from their financial products. Through Visa Global Benefits and Visa Destination offers, cardholders gain access to preferential rates, premium experiences, and priority services across hundreds of partner merchants, hotels, airlines, and destinations around the world. The card supports both domestic and cross-border transactions, ensuring seamless payment experiences whether cardholders are in Lagos, London, or Dubai.

Commenting on FirstBank’s ambition for its premium cardholders, Chuma Ezirim, Group Executive, eBusiness & Retail Products, FirstBank, said:

“At FirstBank, we are dedicated to creating financial solutions that reflect the evolving lifestyles of our customers. We understand that our premium customers aspire to experiences that reflect their global outlook. Visa Signature is crafted to meet those expectations, offering access to exclusive experiences, global connectivity, and lifestyle privileges that empower our customers to live without boundaries. We remain focused on creating value and reinforcing our position as the partner of first choice for Nigerians at home and abroad.”

Highlighting the strategic importance of the FirstBank partnership, Andrew Uaboi, Vice President and Cluster Head, West Africa, Visa, noted,

“Nigeria’s affluent consumers are among the most active and globally connected spenders on the continent. Visa Signature is designed to serve that profile with the depth of benefits and the breadth of acceptance they deserve. We are delighted to work with FirstBank in making this available to the Nigerian market.”

The launch marks a strategic step for FirstBank in deepening its premium product offering. FirstBank’s existing Visa portfolio already serves millions of Nigerians across everyday retail, cross-border commerce, and online transactions through Visa Infinite, Visa Gold, Naira Credit, and Visa Prepaid cards. Visa Signature adds a dedicated tier for the affluent segment, giving this customer group the recognition and privileges their spending profile demands.

A cross-section of the FirstBank & Visa West Africa team.

Visa Signature is available to eligible FirstBank customers. Interested customers can visit any FirstBank branch nationwide or contact their dedicated relationship manager to apply.

About Visa

Visa (NYSE: V) is a world leader in digital payments, facilitating transactions between consumers, merchants, financial institutions, and government entities across more than 200 countries and territories. Our mission is to connect the world through the most innovative, convenient, reliable and secure payments network, enabling individuals, businesses and economies to thrive. We believe that economies that include everyone everywhere, uplift everyone everywhere and see access as foundational to the future of money movement. Learn more at Visa.com.

Media Contact:

Babatunde Aribido: baribido@visa.com

About FirstBank

First Bank of Nigeria Limited (“FirstBank”), established in 1894, is the premier bank in West Africa, a leading financial inclusion services provider in Africa, and a digital banking giant. FirstBank’s international footprints cut across three continents ─ Africa, Europe and Asia, with FirstBank UK Limited in London and Paris; FirstBank in the Democratic Republic of Congo, Ghana, The Gambia, Guinea and Sierra Leone; FBNBank in Senegal; and a FirstBank Representative Office in Beijing, China. All the subsidiary banks are fully registered by their respective central banks to provide full banking services.

Their vision is “to be Africa’s bank of first choice”, and our mission is “to remain true to our name by providing the best financial services possible”. This commitment is anchored on our core values of EPIC – Entrepreneurship, Professionalism, Innovation and Customer-Centricity. Our strategic ambition is “to deliver accelerated growth in profitability through customer-led innovation and disciplined execution.”

Media Contact:

Olayinka Ijabiyi- Group Head, Marketing & Corporate Communications, First Bank of Nigeria Limited

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Call of My Life stars Uzoamaka Aniunoh and Andrew Bunting show off high-fashion elegance on the AMVCA 12 red carpet ahead of their romantic comedy’s major May box office release. Photo Credit: Uzoamaka Power/Instagram

May is not playing around at the cinemas this year. Between the love stories, the historical epics, the family chaos, and an internationally celebrated comedy adventure, Nollywood and African cinema have put together one of the most varied lineups we have seen in a single month.

Whether you are looking for something to cry at, something to laugh at, something to fall in love to, or something to sit with long after the credits roll, there is something in here for you. Here are five films worth making plans for.

Call of My Life

This romantic comedy produced by Blessing Uzzi follows Soluchi, a call centre agent played by Uzoamaka Power, who is still healing from being jilted by her ex Kalu, played by Zubby Michael. When a routine customer call puts her in touch with the charming Eli, played by Andrew Bunting, her entire view of love begins to shift.

The stars of Call of My Life gather for the film’s Lagos premiere. Featured from left are Andrew Bunting, Uzoamaka Power, veteran actor Nkem Owoh, producer Blessing Uzzi, director Dammy Twitch, and actress Beverly Osu. Photo Credit: Uzoamaka Power/Instagram

Written by Uzoamaka Power and directed by Dammy Twitch in his feature debut, the film was shot across Lagos, Abuja, and Enugu, with a supporting cast that includes Nkem Owoh, Patience Ozokwor, Beverly Osu, and Broda Shaggi, and live musical performances by Johnny Drille and Cobhams Asuquo.

The Boy Who Gave

This is the kind of film that stays with you. Set on Bonny Island in Rivers State, the story follows Idah, nicknamed Broda, a teenager who drops out of school to care for his younger siblings after the death of their parents. Written, directed, produced by, and starring Allison Precious Emmanuel, Tina Mba and Chuks Joseph.

The official theatrical poster for Allison Precious Emmanuel’s independent Nollywood drama, The Boy Who Gave, is currently in cinemas nationwide this May. Photo Credit: The Boy Who Gave (Movie)/Instagram

The film also features Blossom Chukwujekwu as Idah’s father, and Abbey Delight Dagogo and Hart Andrew as his younger siblings. It premiered at the Africa International Film Festival in 2025 to strong responses, and its theatrical release is a debut worth supporting.

The Fisherman

Written and directed by Zoey Martinson, with Yvonne Orji as executive producer, This Ghanaian comedy adventure comes with an impressive festival pedigree. It follows Atta Oko, a retired traditional fisherman who is paired with a modern talking fish and three quirky associates on a whimsical journey to Accra.

The award-winning cast and crew of The Fisherman bring festival glamour to the blue carpet during the film’s official Lagos premiere celebration. Photo Credit: The Fishermen/Instagram

The cast includes Ricky Adelayitar, Endurance Grand, William Lamptey, Kiki Romi, and Princess Fathia Nkrumah. The film won the UNESCO Fellini Medal at the 81st Venice International Film Festival, Best Narrative Feature at the American Black Film Festival, and Best Director at AFRIFF in Lagos, and earned an NAACP Image Award nomination.

Efunroye: The Unicorn

Remember Efunroye Tinubu? This Yoruba-language historical epic tells the true story of Efunroye Tinubu, a 19th-century merchant, kingmaker, and political force whose influence shaped the foundations of Lagos. Produced by and starring Faithia Williams, the film traces Tinubu’s rise from a market trader near Abeokuta to one of the most powerful figures in colonial-era Yorubaland and Lagos politics.

Directed by Adebayo Tijani and Tope Adebayo Salami, with co-direction by Abbey Lanre, the film features an expansive cast including Saidi Balogun, Odunlade Adekola, Ibrahim Chatta, Femi Adebayo, Mercy Aigbe, Eniola Ajao, Layi Wasabi, Foluke Daramola, and Ibrahim Yekini.

Ajosepo 2: The Gathering

In cinemas from 28 May, this sequel brings back the family you fell in love with in 2024. Directed by Kayode Kasum, the film picks up after the first film’s wedding chaos as the families reunite for an even bigger gathering. Old secrets resurface, new love stories begin, and the wahala is very much still present. The cast includes Toyin Abraham, Timini Egbuson, Mike Afolarin, Bolaji Ogunmola, Bisola Aiyeola, Mercy Aigbe, Tomike Adeoye, Ronke Oshodi–Oke, Yemi Solade, Kamo State, and Kiitan Bukola. If you watched the first Ajosepo, you already know you are going to see this one.

The post Your May Cinema Guide: 5 Nollywood & African Films to Add to Your Watchlist appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

L-R Andrew Uaboi, Vice President & Cluster Head, West Africa, Visa & Seyi Oyefeso, Executive Director, Retail Banking South Directorate, FirstBank, at the launch of the Visa Signature and Naira Visa Debit Card recently.

First Bank has announced the launch of its Naira Visa Debit Card in partnership with Visa to extend accessible, reliable electronic payment capabilities to a broader segment of the Nigerian population.

The card is targeted at everyday consumers who require a dependable payment instrument for routine domestic and international transactions. Accepted across POS terminals, ATMs, and online platforms through Visa’s payments network, the Naira Visa Debit Card is designed to reduce friction for customers transitioning from cash to electronic payments across retail, utilities, and digital commerce.

The launch aligns with Nigeria’s ongoing drive toward a cashless economy, a policy direction that has gained significant momentum following successive Central Bank of Nigeria directives encouraging the adoption of electronic payment channels. The card is intended to serve customers across the country’s diverse economic segments.

Speaking on the launch, Chuma Ezirim, Group Executive, eBusiness & Retail Products, FirstBank, said, “Everyday transactions should be simple, secure, and rewarding. The Naira Visa Debit Card is designed to make life easier for our customers, whether they are paying for groceries, settling utility bills, or shopping online. By extending reliable electronic payment access across Nigeria, we are helping more people transition confidently from cash to digital payments, supporting the nation’s cashless policy and empowering communities with greater financial inclusion.”

Commenting on the strategic importance of the partnership, Andrew Uaboi, Vice President and Cluster Head, West Africa, Visa, noted, “A strong payments ecosystem is one that works for everyone. The Naira Visa Debit Card extends reliable electronic payment access to everyday Nigerian consumers, and this, in addition to the cards in our portfolio, continues to demonstrate what a truly comprehensive card portfolio looks like for the Nigerian market. Visa is proud to power this offering with FirstBank.”

A cross section of the FirstBank & Visa West Africa team.

The launch of the Naira Visa Debit Card broadens Visa’s card portfolio at FirstBank, which already includes products spanning credit cards and high-end premium lifestyle spending cards. The addition completes its offering across customer segments, ensuring that cardholders at every income level have access to a product suited to their needs.

The Naira Visa Debit Card is available to all eligible FirstBank account holders through any of the bank’s branches nationwide.

About Visa

Visa (NYSE: V) is a world leader in digital payments, facilitating transactions between consumers, merchants, financial institutions, and government entities across more than 200 countries and territories. Our mission is to connect the world through the most innovative, convenient, reliable and secure payments network, enabling individuals, businesses and economies to thrive. We believe that economies that include everyone everywhere, uplift everyone everywhere and see access as foundational to the future of money movement. Learn more at Visa.com.

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A glimpse of Toyin Abraham in the chaotic family dynamics of Kayode Kasum’s anticipated sequel, Ajosepo 2: The Gathering, hitting Nigerian cinemas nationwide from May 28.

If you really enjoyed “Ajosepo,” we are here to tell you some good news. The chaotic, laugh-out-loud world of the 2024 hit film is officially expanding with a brand-new sequel, and the stakes look even higher. If you remember all the family drama, buried secrets, and brilliant comedic timing that made the original movie a fan favourite, “Ajosepo 2: The Gathering” is leaning heavily back into that signature energy. This time around, the narrative focuses on love, celebration, and the exact kind of dramatic storms that only a large Nigerian family can stir up during a major milestone.

Directed once again by Kayode Kasum and written by Ife Olujuyigbe alongside Feyifunmi Oginni, the sequel picks up two years after the wild, stressful eve of Dapo and Tani’s wedding. Instead of things cooling down, the families find themselves right back in the thick of it with another major celebration: the wedding of Jide, played by Timini Egbuson, and Mary, played by Bolaji Ogunmola. It is a brilliant setup for comedy, trapping the entire opinionated crew in an intimate, single setting where unresolved tension and new secrets are bound to spill over.

The ensemble cast features a massive lineup of returning favourites, including Toyin Abraham, Timini Egbuson, Bolaji Ogunmola, Mercy Aigbe, Mike Afolarin, Tomike Adeoye, Ronke Oshodi–Oke, Yemi Solade, Kamo State, and Kiitan Bukola. To add even more flavour to the mix, the legendary Odunlade Adekola joins the crew for this round. As we watch Dapo and Tani navigate early married life while the older generation struggles to drop their old habits, the story keeps its relatable core intact—proving that family always endures, no matter how messy things get.

“Ajosepo 2: The Gathering” is heading to cinemas nationwide from May 28, making it a major highlight for the upcoming box office line-up.

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Courtesy: Anita Ashiru

One of my favourite reactions to Call Of My Life has been people saying things like “I didn’t know Lagos could look like this,” because honestly, that was the entire point. Lagos is usually portrayed through intensity, chaos, hustle, traffic and survival. Even in romance films, the city often feels emotionally hard; something the characters are trying to escape rather than exist within.

But while building the visual world of Call Of My Life, I became obsessed with the idea of what it would look like to romanticise Lagos realistically, without pretending the city is perfect or as a fake city, but by looking at it through a different lens of softness and ease. I wanted Lagos to feel emotionally alive, and that became the foundation of the production design process.

While designing the film, I kept returning to films that make cities feel personal, like Rye Lane, Me Before You, In the Mood for Love, and even older British romantic comedies that understood how environments could support emotion. In Rye Lane, South London feels vibrant, youthful, playful, and emotionally expressive. The colours are bold, and you could feel and see the texture of the city through the film’s intentional styling, yet every frame feels soft without losing the authenticity of the city. With Me Before You, the world feels warm and emotionally safe. The production design leans heavily into softness, nostalgia, and intimacy.

With Call Of My Life, I wanted Lagos to feel like a version of Lagos where tenderness could exist, and not the version of Lagos people are scared to fall in love with. A city where someone could miss their train because they were staring at someone they loved. A city where someone could fall in love with someone just by the sound of their voice. 

To achieve this, colour theory became the heart of the visual language of Call of My Life. Very early in the design process, I knew I wanted the film to feel emotionally warm and dreamy, but at the same time, I didn’t want it to feel artificial or overly stylised. The goal was never to create a fantasy detached from reality. It was to amplify the emotional beauty that already exists within everyday Lagos, but is often shadowed by the chaos.

I built the film’s palette around soft pastels, retro tones and emotionally warm colours. Even when brighter colours appear, they are carefully controlled within the frame so the image always feels cohesive rather than visually overwhelming. What made this process especially interesting was that Lagos already naturally carries warmth within its environment, so instead of stripping those qualities away, I leaned into them and heightened them through our design choices.

We amplified environments to fit within the film’s colour world while still preserving authenticity. So, even at its most stylised, the world still feels believable and lived-in.

Costuming as Emotional Storytelling

One thing I cared deeply about was making every character feel visually distinct before they speak, and this is evident from the first scene. Soluchi’s styling, for example, is intentionally whimsical, instinctive, playful and slightly unconventional. Her outfits often feature softer colours, expressive layering, unexpected accessories, textured fabrics, playful colour combinations, and pieces that feel chosen rather than perfectly styled. We wanted her to be someone who dresses in what she feels; even her earrings became part of storytelling.

Courtesy: Anita Ashiru

Kalu exists in complete contrast. His wardrobe remains more practical, repetitive, and structured. Safer tones. Traditional silhouettes. Cleaner styling. Emotionally controlled choices. By simply placing Soluchi and Kalu side by side visually, you could already feel their incompatibility before dialogue even confirmed it.

Then there’s Eli, with whom, visually, things soften again. His styling feels more emotionally expansive and relaxed. His world visually accommodates Soluchi rather. Their colour palettes begin to complement each other naturally, and, subconsciously, the audience feels an emotional ease around them. Something production design and costuming can powerfully do is make audiences feel relationships before characters even define them.

Courtesy: Anita Ashiru

Lagos as a Character

Courtesy: Anita Ashiru

One of the most important creative decisions we made was to treat Lagos as a living emotional presence within the film—not just a location, but a character. We wanted the city to feel intimate rather than overwhelming, romantic instead of aggressive, and textured instead of the usual chaos. This meant paying attention to every detail: architecture, practical lighting, restaurant interiors, street textures, wall colours, reflections, fabrics, environmental tones, and even how night scenes appeared. Many romantic films set in cities like London, Seoul, Paris, or New York understand that cities can embody emotional personalities.

In the design process, I aimed to give Lagos that same cinematic tenderness. I believe we achieved it.

The post How Anita Ashiru Built the Visual World of “Call of My Life” appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Getting into a tertiary institution is only half the journey. Staying in school, paying fees on time, and having the right support system can be the bigger challenge. Over the past year, OPay has stepped into that gap, not just as a fintech company, but as a partner in the ambition and aspirations of thousands of students.

Through its long-term scholarship initiative, OPay has committed ₦1.2 billion over 10 years to support outstanding and indigent students across more than 20 partner tertiary institutions nationwide. What began as tuition support has grown into something more profound, a structured investment in young people who have the capacity but need financial backing to stay focused on their studies.

In campuses from Ife to Zaria and Calabar, OPay scholarship beneficiaries have shared stories of relief and renewed confidence. For many, the scholarship meant their parents no longer had to borrow money for school fees. For others, it meant more time in the library and less time worrying about part-time work. In a country where education remains one of the strongest ladders to upward mobility, this kind of support goes beyond money; it restores dignity and hope.

But OPay’s Corporate Social Responsibility (CSR) journey is not stopping at the scholarship initiative.

Building on the strong foundation already laid, OPay is launching OPay Scholars, a bold expansion that moves from financial support to full career development. The 2026 edition will introduce OPay Futures and a National Innovation Challenge, where students can propose practical solutions to real-world problems. It will also feature a focused webinar session and a bootcamp led by industry experts, providing scholars with direct access to knowledge in technology, entrepreneurship, and career growth.

Most notably, the 2026 edition will create a structured career development pathway, culminating in a grand finale of OPay’s second annual Empowering Futures Conference. This platform will not only celebrate academic excellence but also spotlight creativity, leadership, and innovation among Nigerian students.

At a time when many young Nigerians are asking, “What next after school?”, OPay is helping to answer that question. By combining financial aid with mentorship, exposure, and opportunities for innovation, the company is positioning education as both a safety net and a springboard.

OPay’s impact over the past year proves one thing clearly: when businesses invest consistently in people, communities grow stronger. And in 2026, OPay Scholars is set to support ambitions and actively shape the future, one student, one idea, and one opportunity at a time.

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An AI-generated visual representation of a medical professional, accompanying official public health guidelines, symptoms, and prevention facts regarding the 2026 regional Ebola virus advisory.

By now you have probably seen Ebola trending and wondered what is actually going on. We have gone through the official statements and pulled together everything you need to know, calmly and clearly.

The World Health Organisation declared an Ebola outbreak in the Democratic Republic of Congo and Uganda a public health emergency of international concern on Sunday, 17 May 2026. The outbreak is caused by the Bundibugyo ebolavirus, a rare strain with no approved vaccine or treatment, first reported in DRC’s eastern Ituri province. More than 300 suspected cases and 88 deaths have been recorded. One case has crossed into Uganda, and a confirmed case has also been reported in Kinshasa, approximately 1,000 kilometres from the outbreak’s epicentre. WHO Director-General Tedros Adhanom Ghebreyesus has been clear that the outbreak does not meet the criteria for a pandemic emergency, and has advised countries not to close their borders.

For Nigerians reading this, the Nigeria Centre for Disease Control and Prevention has confirmed that there is currently no case of Ebola Virus Disease in the country. NCDC Director-General Dr Jide Idris said in an official public health advisory on Sunday: “Nigeria currently has no confirmed case of Ebola Virus Disease.” The agency has intensified surveillance at ports of entry and is working closely with the Port Health Services of the Federal Ministry of Health to maintain vigilance across the country.

What are the symptoms?

Ebola symptoms typically appear between two and 21 days after exposure and include sudden onset of fever, severe headache, muscle pain, weakness, fatigue, diarrhoea, vomiting, stomach pain, and unexplained bleeding or bruising. If you or anyone around you develops these symptoms and has recently travelled to or from the DRC or Uganda, seek medical attention immediately and inform the health workers of your travel history before entering any facility.

How to keep yourself safe

There is no need to panic, but there is every reason to stay informed and take basic precautions. Here is what you should and should not do:

Do:

• Wash your hands regularly with soap and water or use an alcohol-based hand sanitiser
• Stay informed through credible sources — the WHO, Nigeria Centre for Disease Control (NCDC), and BellaNaija will keep you updated
• Report any suspicious symptoms to your nearest health facility immediately
• Avoid contact with blood or bodily fluids of anyone who is ill

Do not:

• Touch the body of anyone who has died from a suspected or confirmed Ebola infection
• Handle bushmeat or wild animals without proper protection
• Travel to active outbreak zones unless absolutely necessary
• Share information that has not been verified — misinformation during a health emergency can cost lives

The post WHO Declares Ebola in DRC and Uganda a Global Health Emergency | What You Need to Know appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

From Edo cultural royalty to high-glam after-party sequins, discover the full style breakdown of Nollywood icon Toyin Abraham’s three jaw-dropping outfits across the entire AMVCA 2026 weekend.

Did you really think we were over the AMVCA looks? Oh no! We have got so much more in the bag for you and your style cravings. Nollywood actress Toyin Abraham showed up for the entire AMVCA 2026 weekend — Cultural Night, the main awards ceremony, and the after party — in three completely different looks, and not one of them missed. Here is the full breakdown.

For Cultural Night, Toyin wore a deep crimson velvet mermaid gown by Prudent Gabriel of Prudential, rooted in royal Edo cultural aesthetics. The off-the-shoulder silhouette featured dramatic tiering at the hips, a heavily structured flared train, and a lattice-patterned coral beadwork overlay cascading to the hem. She accessorised with a traditional Okuku crown, stacked Ivie coral bead necklaces, matching wrist cuffs, and a bold cocktail ring — soft bronzed makeup and a defined lip balancing the whole look.

Toyin Abraham in a deep crimson velvet mermaid gown by Prudent Gabriel of Prudential, accessorized with a traditional Edo Okuku crown and heritage coral beads for AMVCA 2026 Cultural Night. Photo Credit: Toyin Abraham/Instagram

At the awards ceremony, she returned in a second Prudent Gabriel of Prudential creation — a strapless black and champagne-gold ballgown with a dramatic asymmetric front drape revealing a gold-lined interior edged in fine black beadwork. A metallic gold branch-like extension climbed over the left shoulder, making it the detail everyone was talking about. Textured updo, soft bangs, a gold collar necklace, and warm smoky makeup finished the look beautifully.

Nollywood star Toyin Abraham stuns at the AMVCA 2026 main awards ceremony wearing an architectural black and champagne gold ballgown designed by Prudent Gabriel of Prudential. Photo Credit: Toyin Abraham/Instagram

Then came the after party, and Toyin shifted gears entirely into a lilac and lavender two-piece by Leemah Couture — a halter-neck corset top with vertical beadwork and a butterfly-inspired bust detail, paired with a high-waisted mini skirt covered in oversized metallic lavender disc sequins. Crystal-embellished silver stilettos, minimalist drop earrings, and a sleek high ponytail wrapped it all up.

Toyin Abraham shifts gears for the AMVCA 2026 after party in a playful lilac and lavender two-piece set by Leemah Couture, featuring a butterfly-inspired corset and metallic disc sequin mini skirt. Photo Credit: Toyin Abraham/Instagram

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A detailed styling profile of Farooq Oreagba, the “King of Steeze,” highlighting traditional accessories, geometric cream embroidery, and luxury heritage jewellery. Photo Credit: Farooq Oreagba/Instagram

They do not call him the king of steeze for no reason. With the 2026 Ojude Oba Festival just around the corner, Farooq Oreagba — one of the most prominent faces of the festival — has dropped photos of himself that have us counting down the days to Ijebu-Ode. One look at these images and you already know the festival grounds are going to be something else this year.

The look is a full Yorùbá prestige statement from top to bottom. He is wearing a structured Agbada set woven from premium Asọ-Ọkè fabric — a rich navy blue Bùbá heavily detailed with geometric cream-coloured embroidery forming sharp, cascading diamond patterns down the centre, layered under a grand outer robe in deep indigo, crimson red, and cream vertical stripes with open-work lattice detailing along the edges.

Cultural style icon Farooq Oreagba showcasing custom heritage Yorùbá tailoring ahead of the 2026 Ojude Oba Festival in Ijebu-Ode. Photo Credit: Farooq Oreagba/Instagram

On his head sits a beautifully pleated Fìlà Gbobà pulling all three tones together. Long silver chain necklaces drape down the front, statement rings stack on his fingers, and he carries a dark walking cane topped with an ornate sculptural gold handle. Aviator-style clear glasses add a modern finish to the whole look. He is posed alongside a beautiful brown horse, and the entire frame feels like something between a royal portrait and a fashion editorial.

Ojude Oba, which translates to “the King’s Forecourt” in Yorùbá, is one of the most celebrated cultural festivals in Nigeria. Held annually in Ijebu-Ode, Ogun State, on the third day after Eid al-Kabir, the festival brings together Ijebu indigenes and their guests from across Nigeria and the world to pay homage to the Awujale of Ijebuland.

It is a festival of horsemanship, heritage, age-grade processions, and some of the most spectacular traditional fashion you will see anywhere on the continent. The 2026 edition is confirmed for 28 or 29 May, and if Farooq’s pre-festival photos are anything to go by, the bar is already set.

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The post The King of Steeze Returns! See Farooq Oreagba’s Stunning Pre-Ojude Oba 2026 Photos appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

A detailed style shot of Nigerian music icon Davido showcasing his custom stage wardrobe during the Conakry stop of his 5IVE Alive global tour. Photo Credit: Davido/Instagram

We are not jealous of the people of Guinea today. Cough cough. Not only did they get to watch Nigerian Afrobeats star Davido perform live on his 5IVE Alive Tour, but they also got to see this outfit up close, and that, might be the bigger flex.

For his 5IVE Alive Tour stop in Conakry, Guinea, Davido stepped out in a dark navy double-breasted pinstripe suit covered in subtle golden speckles that caught every stage light going. The jacket featured a layered lapel combining a classic pinstripe fold with an inner geometric black-and-white checkered pattern, and the lower patch pockets came framed in light blue trim with white graphic silhouettes of human figures printed on them. It is the kind of detailing that rewards a second look.

He paired it with matching wide-leg pinstripe trousers breaking cleanly over a pair of white sneakers, a light blue collared undershirt, tinted sunglasses, a structured blue patterned traditional cap, and a silver luxury watch on the wrist.

Afrobeats superstar Davido showing off a tailored navy pinstripe suit accented with graphic patch pockets and gold speckles for his performance wardrobe in Guinea. Photo Credit: Davido/Instagram

The whole look sits somewhere between sharp tailoring and a cultural nod, and it works completely. The traditional cap alongside the wide-leg trousers and white sneakers is what ties it together — dressed up enough for the stage, relaxed enough to remind you this is still OBO. Whoever put this look together deserves their flowers.

Guinea got a show and a fashion moment. We are not jealous. We are absolutely not jealous.

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The post Davido’s 5IVE Alive Tour Look in Guinea Has Us Zooming Into Every Detail appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Premier Nigerian fashion from the 12th AMVCA spotlighting BBNaija Season 9 star Samuel Chibuikem Osuji (Sooj), Chimezie Imo, and Ikechukwu Mitchel Ogbonna (IK Ogbonna) in tailored menswear.

The 12th edition of the AMVCA might be over, but we are absolutely not. Between the awards, the speeches, and the tears, the men of Nollywood were putting together some of the best fashion looks of the night in Lagos, and now that the dust has settled, we need to talk about it properly. From reimagined Nigerian traditional wear to head-to-toe velvet, the men showed up and showed out. Naija men no dey carry last, and these photos are the proof.

Bucci Franklin, who went home with Best Supporting Actor for his role in Netflix’s “To Kill a Monkey,” walked the AMVCA 2026 red carpet in a structured dark charcoal utility jacket with a metallic front zipper and large patch pockets, styled over a white collared shirt, dark tie, wide-leg black trousers, and black leather shoes. Sharp and unfussy, exactly how you dress when you already know what the night holds.

Best Supporting Actor winner Bucci Franklin wearing a minimalist, architectural utility jacket ensemble at the 12th edition of the AMVCA in Lagos. Photo Credit: Bucci Franklin/Instagram

Uzor Arukwe, the night’s Best Lead Actor winner for “Colours of Fire,” was not leaving anything to chance either. He wore a tailored royal blue tuxedo jacket by The Way It Fits, styled by Kingsley Okoye Rex, with velvet textures on the lapel and cuffs, swirl embroidery down the sleeve, gold cufflinks, a navy velvet bow tie, and a white pocket square.

Best Lead Actor winner Uzor Arukwe showcasing a custom embroidered royal blue tuxedo jacket at the 2026 Africa Magic Viewers’ Choice Awards. Photo Credit: Uzor Arukwe/Instagram

Tobi Bakre took Nigerian menswear somewhere else entirely. His custom three-piece Agbada by Deji and Kola, styled by Frontiers Brand, was built from the brand’s monogram canvas denim, weighing approximately 8kg, and drew from traditional Yorùbá and Hausa-Fulani dress of the late 1950s. Layered gold bead necklaces, a white cap, clear-framed sunglasses, and a sacred Șaworoide brass-bell staff completed the look. Cultural, rooted, and completely unforgettable.

Tobi Bakre making a bold cultural statement at the AMVCA 2026 in an 8kg canvas denim three-piece traditional Agbada inspired by late 1950s heritage dress. Photo Credit: Tobi Bakre/Instagram

Then Chimezie Imo walked in wearing head-to-toe electric blue velvet. A double-breasted suit by Fai World, styled by King Black, with wide satin lapels, flared trousers, a matching blue shirt, and a sculptural gold brooch at the neck. Sleek cornrows, polished black shoes, and a Nigerian fashion moment that photographed beautifully from every angle.

Chimezie Imo in a monochromatic electric blue velvet suit styled with sharp cornrows and a sculptural neck brooch for AMVCA 2026. Photo Credit: Chimezie Imo/Instagram

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Yemi Cregx

 

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Deyemi Okanlawon

 

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Akin Faminu

 

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Fidson Healthcare Plc, one of  Nigeria’s foremost pharmaceutical manufacturing companies, participated as a sponsor in ChessMasters 2026, Africa’s largest inter-school chess tournament, held on Saturday, 2 May 2026 at Eko Hotel and Suites, Victoria Island, Lagos. The annual event, which made its debut in 2025, brought together over 750 children from 150 schools across Lagos State, alongside coaches, parents, and other spectators, for a full-day celebration of youthful energy, critical thinking, and competitive chess playing.

Speaking at the event, the Corporate Services Manager of Fidson –  Temitope Akindele explained the alignment of the ChessMasters Tournament with the organisation’s values of excellence, innovation and passion.

“For Fidson, this alignment is natural. Our support for this initiative is rooted in our commitment to child education and empowerment. We believe that the focus, critical thinking, and problem-solving skills developed over a chessboard are essential life skills for any child’s total well-being.” – Temitope Akindele.

Recognized as one of the tournament’s returning sponsors, Fidson was expressly acknowledged by ChessMasters co-founder,  Caline Chagoury Moudaber, who noted that Fidson was among the brands that committed to the tournament before it had an established track record.

“They came in blind,” she said. “We are super grateful to them.” 

Fidson’s presence at ChessMasters 2026 extended well beyond brand visibility. The Fidson Wellness Centre at the event was a beehive of activities carefully curated to give children and adults a memorable experience. With lively games that kept them engaged, and complimentary health checks for blood pressure, blood sugar and more, an atmosphere of energy, joy and wellness was created throughout the day – reinforcing Fidson’s reputation as a company that truly values life.

To bring alive the stress-management value proposition of one of Fidson’s flagship nutritional supplement — Astymin — the company deployed a stress-level assessment activity where responses from attendees to simple questions enabled Fidson’s team to have personalised conversations for healthier living. This innovative activation successfully positioned Astymin within the broader conversation of mental wellness and cognitive performance — values that resonate with chess players. 

ChessMasters 2026 was organised by KEY Academy and Eko Hotels & Suites in partnership with the Nigerian Chess Federation. It was themed “Your Move” — an idea rooted in the belief that children who learn to think for themselves become adults who lead societies effectively.

ChessMasters co-founder and KEY Academy Founder, Damilola Okonkwo expressing her excitement about the success of the second edition of the tournament, saying the event didn’t just give children the opportunity to play chess and developing 21st century soft skills, they also had fun doing it. 

“To see children come together here in Lagos City for an incredible world-class inter-school chess tournament that was just an idea two years ago is a thing of pride.” Damilola Okonkwo.

The tournament reached a thrilling conclusion with the Indian Language School emerging as the overall winner, clinching the ₦5 million grand prize from a total pool of ₦10 million. They were followed by Jareb Private School in second place and Dupeolu Childrenland School in third.

“Fidson congratulates the winners and celebrate their focus, strategic foresight, and the mental fortitude to stay composed under pressure. These are qualities we champion at Fidson, and they are qualities we want every Nigerian child to develop.” Temitope Akindele added.

ABOUT FIDSON HEALTHCARE PLC

Fidson Healthcare Plc is Nigeria’s leading pharmaceutical manufacturing company, committed to improving the health and wellbeing of Nigerians through the development, manufacturing, and marketing of high-quality, affordable medicines and healthcare products. With a portfolio spanning prescription drugs, over-the-counter medicines, nutritional supplements, and consumer health brands, Fidson continues to set the standard for pharmaceutical excellence in Nigeria and across the African continent.

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Ethnocentrique’s Fashion Future Program (FFP), implemented in partnership with Mastercard Foundation’s Fashion Future Program (FFP), implemented in partnership with Ethnocentrique Limited, is demonstrating what happens when fashion is treated not as a creative pursuit, but as an economic system.

Over two years of implementation across Aba and surrounding communities in Abia State, the program has reached 10,379 people, a result that reflects a deliberate architecture: skills development, enterprise growth, and market access built into a single coordinated model.

The program was designed to respond to a specific and longstanding challenge within Nigeria’s fashion sector: fragmentation. While the talent base is deep, the systems required to convert that talent into scalable economic value, structured production, financing infrastructure, and market integration, have remained weak or disconnected. FFP was built to close that gap.

Across the pilot period, the program trained 6,140 young people in garment, footwear, and leather production, with a strong focus on young women and persons with disabilities. A key feature of this approach was the adaptation of the traditional Igbo apprenticeship system, standardized through the National Skills Qualifications Framework (NSQF), bridging informal learning with formal certification at cluster scale.

But skills training was never the terminal goal. Alongside this, the program delivered targeted business development support, financing pathways, market access opportunities, and intellectual property awareness to over 4,240 MSMEs, strengthening the businesses that absorb and sustain the skills being built.

The results are beginning to compound. To date, the program has contributed to the creation and sustainment of over 10,000 primary and secondary jobs, while facilitating more than ₦200 million in orders processed through program-supported businesses. Women account for over 80 per cent of participants, and 282 persons with disabilities have successfully established businesses through the program.

Speaking at the close of the pilot phase during The Fashion Games 2026 in Aba, Program Coordinator Jeremiah Ubunama framed the program’s founding logic saying;

“When we came to Aba, we asked a question: what if we stop seeing fashion as style and start seeing it as an economy?”

That question has guided the program’s design and points to the broader hypothesis being tested: that sustainable growth in Nigeria’s fashion sector will not come from isolated interventions, but from coordinated ecosystems where skills, enterprise support, financing, and policy engagement function as parts of a coherent system.

Country Director for Nigeria at Mastercard Foundation, Rosy Fynn, confirmed that the program has exceeded its targets, with documented results across economic participation, enterprise development, and inclusion for young women and persons with disabilities.

Chief Executive Officer of Ethnocentrique Limited, Irunna Ejibe, addressed what she identified as the root cause of sector underperformance:

“Ecosystems don’t fail from lack of effort, but from lack of coordination.”

To address this, the program worked to integrate ecosystem functions that typically operate in isolation. This has led to the structuring of over 4,000 businesses and their clustering into 99 formalized MSME cooperatives, improving access to finance and expanding collective production capacity at scale.

Stakeholders at the event reinforced the urgency of this approach, identifying limited access to finance, weak production systems, and inconsistent quality standards as persistent barriers to scale. Strengthening governance structures, improving business record-keeping, and deepening formalization were identified as critical next steps toward unlocking sustainable growth in the sector.

Abia State Governor Alex Otti reaffirmed the government’s commitment to this direction, positioning Aba as a competitive manufacturing hub for Nigeria’s fashion industry.

As the pilot phase concludes, the program enters a new stage focused on translating the Aba model into a broader deployment framework for Nigeria and the region.

The lesson is clear: building a globally competitive fashion industry in Nigeria will require more than talent or training. It will require coordinated systems that connect people, businesses, finance, and markets in ways that allow value to move consistently, at a scale that changes the sector, not just the individuals within it.

About the Fashion Future Program

The Fashion Future Program is a Mastercard Foundation program implemented in partnership with Ethnocentrique Limited. It is a youth apprenticeship and MSME development intervention focused on the Aba fashion and leather production cluster in Abia State, Nigeria.

About Ethnocentrique Limited

Ethnocentrique builds the full infrastructure stack — skills, finance, markets, and policy — for fashion’s human capital in Nigeria. Its work spans the complete local fashion loop: garments, footwear, bags, slippers, leather goods, and accessories. Its programs include the Fashion Future Program (FFP); a Mastercard Foundation program implemented in partnership with Ethnocentrique, African Cobblers Ltd, Ethnocentrique Arts, and The Fashion Games.

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