The Golden Morn Golden Hunt campaign came to an exciting close with its Grand Finale on Friday, April 24, 2026, held at Nestlé Nigeria’s Head Office in Ilupeju, Lagos. What started as a simple nationwide promo quickly grew into a movement that rewarded everyday Nigerians across the country.

Launched in January 2026, the Golden Hunt was built on an easy entry mechanic:, buy a promo pack, find a code, dial in, and stand a chance to win. This simple approach made participation accessible, leading to over 200,000 entries and more than 16,000 winners across multiple draws.

At the centre of it all was Ejiofor Akujieze, a small-scale grocery seller from Plateau State, who emerged as the ₦5 million grand prize winner. What made his story even more special was what happened after the announcement.

In a heartfelt follow-up, the Golden Morn team visited Ejiofor at his home to celebrate the win with him and his family. The moment turned into a joyful gathering, filled with cheers, laughter, and emotional reactions as loved ones came together to share in the life-changing news. It was a powerful reminder that beyond the prizes, the campaign created real impact in real homes.

Beyond the grand prize, winners walked away with cash prizes ranging from ₦10,000 to ₦1 million, along with smartphones, laptops, home appliances, and airtime rewards.

Speaking on the campaign, Omofasa Orhiunu, Category Manager for Healthy Cereals at Nestlé Nigeria, highlighted that Golden Morn has always been part of everyday Nigerian life, and the Golden Hunt was designed to give both loyal and new consumers a rewarding and accessible experience.

By tying participation to smaller, more affordable pack sizes, the campaign ensured inclusivity, allowing more Nigerians to take part without financial strain. This approach ultimately drove its wide reach and success.

As the Golden Hunt wraps up, it leaves behind thousands of winners and one clear message, sometimes, simple moments like breakfast can lead to something truly life-changing.

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Jemima Osunde in three custom birthday looks by Sevon Dejana and DashyBrins, styled by The Style Pundit, photographed by Aham Ibeleme for her 30th birthday shoot

Jemima Osunde did not post three angles of one outfit for her 30th birthday. She posted three entirely different custom looks, each one shot like a cover, every frame looking like it was pulled from an editorial that has not been published yet. The Style Pundit styled it, Aham Ibeleme shot it, T.A’ La Mode Beauty did the face, and the result is a set of images that are going to live in our heads for a while.

The shoot opens with a custom Sevon Dejana baby pink tweed skirt suit. The shawl collar sits high and dramatic, framing her face with intention. The blazer is tailored with an exaggerated peplum that creates a sharp hourglass shape, and both the blazer hem and the high-low skirt carry frayed, distressed edging that keeps the whole thing from feeling too prim. Ballet-inspired satin lace-up pumps and a polished updo complete the look, set against a backdrop of cherry blossoms that makes the whole frame feel like a moment suspended in time.

Jemima Osunde wearing a custom baby pink tweed peplum blazer and frayed high-low skirt by Sevon Dejana with ballet lace-up pumps, photographed by Aham Ibeleme against a cherry blossom backdrop for her 30th birthday shoot. Photo Credit: Jemima Osunde/Instagram

The second look, also by Sevon Dejana, moves into different territory. A structured black Chantilly lace and duchess silk gown with oversized balloon sleeves covered in 3D floral appliqués, a dramatically cinched bodice, and a thigh-high slit that cuts through all that volume with precision. The red pointed-toe heels with a gold metallic tip are the detail that makes the whole image click, a perfect contrast against the black that rewards a second look.

Jemima Osunde in a custom black structured gown with oversized 3D floral appliqué sleeves, a high slit, and a long train by Sevon Dejana, paired with red and gold pointed-toe heels, photographed by Aham Ibeleme against a deep red backdrop for her 30th birthday shoot. Photo Credit: Jemima Osunde/Instagram

For the final frame, she wears a floor-length bronze and gold gown by Cameroonian designer DashyBrins. The beadwork and sequins cover the entire gown, the neckline plunges deep, the sleeves are sheer with gold architectural detailing, and the skirt trails into a burnt-orange feathery train that moves with her. Under warm golden lighting with soft voluminous curls, it is a closing image that feels genuinely celebratory.

Jemima Osunde in a floor-length gold and bronze beaded sequin gown with a burnt-orange feathery train by DashyBrins, photographed by Aham Ibeleme under golden atmospheric lighting for her 30th birthday shoot. Photo Credit: Jemima Osunde/Instagram

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Asake posing in a spotlight wearing a white t-shirt and grey tracksuit for his MONEY album campaign. Photo Credit: Spotify/Instagram 

Has “M$NEY” been on repeat since yesterday? Because if it has, you are not alone, and we would not have it any other way.

Asake told us the album was coming on 1st May 2026, and the man kept his word to the letter.

This is Asake’s fourth studio album, and it arrives at a remarkable point in his career. For context, his debut album “Mr Money With The Vibe” made Apple Music history in 2022 as the biggest opening day for an African album on the platform — and according to Apple Music, “M$NEY” finds him cashing in on the international acclaim he has built in the years since, resulting in his most global-facing body of work yet.

According to Apple Music, the core elements that have defined Asake’s sound — high-octane beats, fuji influences, and hooks that stay with you — remain firmly intact across the album. Tracks such as “Gratitude” and “Forgiveness” marry propulsive indigenous grooves and choral refrains with soulful, soul-searching melodies, while amapiano titan Kabza De Small features on “Asambe,” a momentum-building anthem that arrives and does not let go. Apple Music also highlights the album’s cross-genre moments — the R&B register of “Oba,” the festival-ready production DJ Snake brings to “WORSHIP” — noting that Asake’s own sonic identity remains the dominant expression throughout, absorbing more instantly recognisable sounds and making them his own.

A signed Polaroid of Asake wearing sunglasses and a white beanie, captured by KJohn LaSoul for Spotify. Photo Credit: Spotify/Instagram 

One of those moments is “BADMAN GANGSTA,” a collaboration with Tiakola that samples Amerie’s 2005 hit “1 Thing,” a bold move that, according to Apple Music, succeeds in subsuming a well-known beat and making it entirely Asake’s.

Apple Music sums it up well: “It’s the same carefully managed balance of authenticity and expansion Asake has bet on for his entire career. With M$NEY, he hits the jackpot once again.”

Stream below

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Lateef Adedimeji and Adebimpe wearing matching vibrant patterned robes with white feather trim. Photo Credit: Lateef Adedimeji/Instagram

Guess what? If you woke up this morning feeling an extra dose of joy, it might be because it is a brand new month, but we are willing to bet it is also because of this news. Lateef Adedimeji and his wife Adebimpe, one of Nollywood’s most beloved couples, have just announced that they are expecting. And before you even finish celebrating that, here is the part that will really make your day: they are not expecting one baby, or two — they are expecting triplets.

The couple shared the news this morning on Instagram with the sweetest video, and it is everything. They are seen embracing warmly while Adebimpe holds up a sonogram alongside a set of adorable bear-themed baby clothes. To make the moment even more special, they wore matching caps embroidered with “Dad” and “Mum,” and the video closes with a message that says it all: “Thankful for our miracles.”

We cannot think of a more beautiful way to step into May.

And if last week’s news of Ini Dima–Okojie announcing her pregnancy had us emotional, the Adedimejis have gone and given us even more reason to celebrate.

For those wondering whether the triplets are boys or girls, Lateef answered that question himself in the most heartwarming way. He wrote: “God gave me more than I prayed for, a woman who became a mother of three, and three kings to call my own.” Three kings. The Adedimejis are having boys.

The couple, who wed in a beautiful ceremony in December 2021, have built one of the most admired partnerships in the Nigerian entertainment industry, both on screen and off it. Together they have produced award-winning work, most notably Lisabi: The Uprising, which won the Best Indigenous Language Film (West Africa) award at the 2025 AMVCA. Its sequel, “Lisabi: A Legend Is Born,” is nominated in the same category at this year’s 12th edition of the awards, which takes place on 9th May 2026.

 

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Chioma Adeleke posing in a black mini dress with lace-border thigh-high stockings for her 2026 birthday. Photo Credit: Davido/Instagram

Don’t you just love love? There is something truly special about seeing a partner celebrate their better half with such sincerity, and today, all eyes are on the beautiful Chioma Adeleke.

To mark her birthday, Davido took to Instagram to share a series of photos of his wife, accompanied by a message that reminds us why they remain one of our favourite couples. He described her as his “peace” and “home,” noting that she changed everything for him.

In his birthday tribute, Davido wrote:

Happy birthday to my baby my peace, my home. You changed everything for me. The love, the calm, the way you hold me down through it all… na you be my real strength. God really took His time with you. Thank you for being an amazing wife, an incredible mother, and the one person that truly gets me. I go choose you over and over again. Here’s to life, more blessings, more everything good because you deserve it all and more. Finish work for me!!!

Chioma’s choice for the occasion was a masterclass in Little Black Dress styling with a high-glamour twist. She opted for a form-fitting black mini dress featuring a deep V-neckline. While the dress itself was classic, the styling choices moved it into the realm of nighttime chic.

A black and white editorial shot of Chioma Adeleke sitting on the floor in a black dress and stockings. Photo Credit: Davido/Instagram

She paired the dress with sheer black thigh-high stockings that featured lace borders, adding a femme fatale edge to the appearance. For accessories, she kept things refined with stacked gold and silver bangles on both wrists. Her hair was styled in voluminous waves with a side part, complemented by a soft-glam makeup finish featuring a neutral lip and a subtle smokey eye.

The couple officially tied the knot in a highly anticipated ceremony in August 2025. The Miami star-studded wedding, widely celebrated across social media, marked a major milestone in their relationship.

Davido and Chioma Adeleke posing together on their wedding day in August 2025. Photo Credit: Davido/Instagram

See more photos of Chioma’s birthday shoot:

 

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Anthony Joshua smiling and raising a fist while wearing an Under Armour tracksuit and a large Polymarket diamond chain. Photo Credit: Anthony Joshua/Instagram

He is back and ready to reclaim his territory!

Anthony Joshua has officially confirmed his return to the ring for the first time in 2026, marking a significant moment for the heavyweight division.

The 2012 Olympic gold medallist and two-time unified heavyweight world champion is scheduled to fight on July 25, 2026, in Riyadh, Saudi Arabia. He will face the Albanian heavyweight Kristian Prenga, a formidable opponent who enters the ring with an intimidating record of 20 wins—all of which have come by way of stoppage.

This bout is strategically positioned as a high-stakes return to form for Joshua. After securing dominant victories in 2024 and 2025, including his emphatic knockout of Francis Ngannou and a disciplined win over Otto Wallin, AJ is looking to re-establish his momentum. A victory in Riyadh is expected to clear the path for a massive, undisputed title showdown against Tyson Fury currently slated for the final quarter of the year.

Anthony Joshua shirtless on an exercise bike during a high-intensity indoor training session. Photo Credit: Anthony Joshua/Instagram

This return carries deep personal significance for Joshua, as it follows a period of significant hardship. The fighter has been away from the sport since December 2025, following a tragic car accident in Nigeria that resulted in the loss of two of his close friends. While the tragedy delayed his initial plans for early 2026, his return to training signals a renewed focus on his professional goals.

Joshua’s mindset for this return is clear and uncompromising. Regarding his mission to take back his spot at the top of the rankings, he stated: “It’s no secret I’ve taken some time to consolidate and rebuild to be ready for stepping back into the ring and today is the next step on that journey… I’m looking forward to competing and picking up where I left off. As I said. The landlord will collect his rent. That is certain.”

Official fight poster for The Comeback: Anthony Joshua vs Kristian Prenga, happening July 25, 2026, in Riyadh, Saudi Arabia. Photo Credit: Anthony Joshua/Instagram

His promoter, Eddie Hearn, also highlighted the champion’s mental shift ahead of the July date: “Signed, sealed and delivered! AJ vs Fury is on! … Biggest year of AJ’s career coming up, the comeback is on.“

With his previous wins providing a solid foundation and the Riyadh Season serving as the backdrop, all eyes will be on the champion this summer to see if he can move one step closer to undisputed status.

 

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The Women Makers Series 2026 successfully brought together women entrepreneurs, creatives, artisans, and industry leaders for a powerful day of learning, connection, and business transformation in Lagos.

Convened by Eirini Creatives, Women Makers Series is a year-round platform designed to help women transform hobbies, creative skills, and passion projects into sustainable, income-generating businesses. From fashion and food to beauty, craft, digital services, and cultural enterprise, the initiative supports women at different stages of their entrepreneurial journey.

This year’s edition focused on practical business growth, funding access, visibility, and long-term sustainability for women-led businesses.

Held in celebration of Women’s Month and hosted by Zainab Balogun, the event featured panel conversations, fireside chats, expert-led workshops, networking sessions, business support opportunities, and the highly anticipated Women Makers Bloom Awards, recognising outstanding women building impactful businesses across industries.

One of the standout conversations explored how women can move from “Hobby to Enterprise”,  helping attendees understand how to position passion as profit and creativity as a serious business model.

Another key highlight was the Business Room experience, where participants received direct insight into branding, finance, scaling strategy, and how to build businesses that can attract investors, grants, and long-term partnerships.

The keynote address was delivered by Tayo Kola-Daisi, who shared powerful insights on leadership, resilience, and building with long-term vision.

Panel sessions explored important conversations around entrepreneurship, visibility, and business growth, including Community & Collaboration: The Power of Networks and From Craft to Company: Scaling Creative Businesses.

Speakers and panelists included Dami Osikoya, Founder of Voyage Quest & Switch Visuals; Blessing Obasi Nze, CEO of Desperanza Media and Creative Entrepreneur; Brenda Fashugba, Founder of Women in Arts; Chizoma Chukwueke, CEO of Firewood Jollof and Culinary Entrepreneur; Vivian Obiano, Marketing Manager at Lush Hair and Brand Partnerships Specialist; Eneyi Obi, Global Chief Marketing Officer at Rise; Mimi Onalaja, Media Personality and Fashion Influencer; Kolade Mayowa, CEO of Hooked by Lade; Yolanda Okereke, CEO of The Rani Company; Aderinsola Fabikun, CEO of BloombyDerin; Sophia Adesomo Ugbegua, CEO of Somo by Somo; Oyinade Osobajo, Head of Commercial Banking at Optimus Bank; and our fireside chat with Olanike Aladeojebi, Head of Startups (Lagos Innovates) at the Lagos State Employment Trust Fund.

Together, they shared honest and practical conversations around business structure, funding access, brand partnerships, scaling strategies, financial literacy, and how women can build businesses that move from passion projects to sustainable enterprises.

One of the major highlights of the day was the WMS Starter Fund Pitchathon, where selected women entrepreneurs were invited to pitch their businesses live, sharing their journeys, challenges, and visions for growth in front of the audience.

The room came alive with support, encouragement, and genuine connection as these women boldly presented the businesses they were building. It was one of the most emotional moments of the event, as many were not expecting what came next.

At the end of the session, three women were awarded starter funds to support and scale their businesses, creating smiles, tears, and a powerful moment of celebration across the room. It was a strong reminder that Women Makers is not just about conversation, it is about real opportunities, real funding, and real transformation. Women Makers is not just building businesses; it is building legacy.

Another major highlight was the Women Makers Bloom Awards, which recognised outstanding women whose businesses continue to inspire, create impact, and shape their industries through innovation, excellence, and resilience.

The 2026 awardees included Sophia Adesomo Ugbegua of Somo by Somo, Kolade Mayowa of Hooked by Lade, Ify Mogekwu of Ify’s Kitchen, Remi Martins of Regirl World, Omowumi Ogunye of Beveledge Designs, and Ruth Funmilola Bello of Opulent Ceramics.

The awards celebrated not just business success, but the courage, consistency, and community impact behind each founder’s journey, creating one of the most memorable and emotional moments of the event.

Another memorable highlight of the event was the Art Therapy Session facilitated by Ini Leye, which created a calm and reflective space for attendees to pause, connect, and express themselves creatively.

Designed as both a wellness and community-building experience, the session reminded participants that building sustainable businesses also requires mental well-being, self-awareness, and moments of intentional reflection.
Through guided creative expression, attendees were encouraged to reconnect with themselves beyond business goals and daily responsibilities, making the experience both personal and deeply impactful.

Beyond recognition, Women Makers Series also created direct opportunities for growth. Lush Hair awarded scholarships to two women to attend the Lush Hair Academy, while the WMS Starter Fund, sponsored by Zedcrest, provided financial support to help women take the next step in building their businesses.

After the main event, Women Makers continues throughout the year with workshops, pop-up marketplaces, digital visibility opportunities, and practical support systems for women building sustainable brands.

The event was proudly supported by partners including ONGA, Zedcrest, Checkers, Voyage Quest, Firewood Jollof, Plot Twist, The Mobile Spa, Amstel Malta, and Anakle Films.
According to Convener, Winifred Okpapi, the goal is simple:

“Women Makers exists to ensure that women do not just create beautifully—they build sustainably. We are creating a platform where women can move from passion to profit, from visibility to legacy.”

With growing partnerships across the private and public sectors, Women Makers Series continues to position itself as a strong ecosystem for women, culture, creativity, and economic empowerment.

As the 2026 edition closes, one thing remains clear: women are building, scaling, and redefining what success looks like, and Women Makers is helping make that journey possible.

BellaNaija is a Media Partner for Women Makers Series 2026

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Mum, have you ever stood in front of your wardrobe and thought, “This doesn’t feel like me anymore”? Not because the clothes are bad, but because, somewhere between showing up for everyone else, you’ve changed, and your wardrobe hasn’t kept up with you.

I’ve experienced that feeling more than once. Different seasons of my life require different versions of me, and each time, I’ve had to intentionally realign how I present myself, even in something as simple as my clothing.

The truth is, wanting to look better isn’t just about vanity. Sometimes, it’s about identity and growth. It’s recognising that you’ve evolved and allowing your appearance to reflect that. So, if I ever find myself in that situation again, wanting to feel like myself once more, here are five things I would do:

I would clear out what no longer feels like me

The first thing I would do is go through my wardrobe and remove everything I haven’t worn in a while. This isn’t about sentimentality or thinking “maybe one day.” It’s about being honest with myself. Often, we don’t realise how much of our past we hold onto until we see it hanging in our wardrobe. Some pieces represent who we used to be, how we used to think, or even eras we’ve outgrown. Letting go of these items brings a quiet freedom. You create space not just physically, but also mentally—for the woman you are becoming.

I would get clear on the kind of style that inspires me

Next, I would define my personal style and identify the influences that appeal to me. This step provides direction because, without clarity, it’s easy to keep buying clothes and still feel like nothing fits well. However, when you understand what draws you in, you can begin to dress with intention rather than confusion. Over time, that inspiration can evolve into your own unique style.

I would create a simple, intentional shopping list

Instead of making random purchases, I would write down the pieces I actually need, rather than buying everything at once. There’s no pressure—just clarity. This way, when it’s time to shop or when someone asks what I’d like, I won’t be guessing. I’ll know exactly what items would elevate my wardrobe. Style becomes easier when your choices are intentional.

I would create a small “style fund” for myself

This is something I’ve found to be very important. I would set aside a little money consistently just for my shopping. It doesn’t have to be a lot. But it changes your mindset. You’re no longer feeling guilty for wanting to look good. You’re not pulling from what was meant for something else. You’re intentionally investing in yourself. And that, in itself, builds confidence.

I would start showing up and documenting the new me.

I would then begin taking pictures of myself to see myself in a different light. There’s something powerful about capturing your growth and recognising the woman you are becoming. It reinforces confidence. If I choose to share those images, that’s even better. Sometimes, showing up differently is a declaration: this is who I am now. At the core of all this is confidence,

Mum, looking stylish isn’t just about the clothes you wear; it’s about your identity. It’s about how you see yourself and how you choose to present that image to the world. As a mum, it’s easy to put yourself last on the list of priorities. However, when you start to feel good about yourself, it positively impacts every aspect of your life—how you communicate, how you carry yourself, and even how you show up for the people you love. You don’t need to transform into someone else; you simply need to permit yourself to reflect on who you’re becoming. Sometimes, this journey begins with something as simple and powerful as your wardrobe.

***

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This year, the theme is Maximizing Your Twenties: The Unstoppable Edition.

So if you are in your twenties or thirties, run to the Grow With Renny page, click on the link in their bio, and register.

There will be sessions on:

• Career and business
• Finance and investment
• Strategic relationships and lots of fun activities like gift exchange, an opportunity to pitch yourself.

Subsidized transportation scheme and baby lounge.

So you see, you have no reason not to show up!

It is time to learn from the experiences of others. You don’t need to learn from only your experience alone; you can learn from the experiences of others.

Don’t miss GWR Live Experience !!! Ask those who have attended previous editions.

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Paris Trip winners with the L’Oréal Dermatological Beauty team and CerAwards jury members, including Yvonne Enwerem, Funke Akindele, and Uzor Arukwe, at the CerAwards 2026 Gala.

After weeks of creator entries, online conversation, and standout reinterpretations of classic Nollywood scenes, CeraVe Nigeria has officially brought its CeramoVE campaign to a close with the CerAwards 2026 Gala, marking the brand’s biggest creator-led campaign in Nigeria yet. 

Entries were reviewed by a distinguished jury comprising Funke Akindele, Actress, Producer & Director; Uzor Arukwe, Actor; Anais Routhiau, Business Development Manager, CeraVe Africa; Ijeoma Balogun, CEO, Redrick PR; Subuola Oyeleye, Founder, Beauty Hut Africa; and Yvonne Enwerem, VP, Konga Health, who selected standout creators based on originality, execution, and storytelling. 

On April 23 in Lagos, the CerAwards 2026 Gala brought together finalists, creators, media, industry leaders, and cultural tastemakers for an evening celebrating creativity, storytelling, and the creator community behind CeramoVE. Hosted by Bisola Aiyeola, the programme opened with a blue carpet reception and cocktail experience, followed by live performances, creator recognition moments, and the announcement of winners across six award categories spanning cleansing, originality, virality, education, body moisturizing, and creative execution. 

One of the evening’s defining moments was the announcement of three standout winners who will travel to Paris for the CeraVe Global Creator Trip, representing Nigeria alongside creators from other markets. Additional finalists also received cash prizes to support the next phase of their content journeys. 

Speaking on the campaign, Nadia Amasa, Digital Specialist, L’Oréal Dermatological Beauty Sub-Saharan Africa, said:

“CeramoVE showed us what happens when creators are given something culturally familiar and the freedom to make it their own. The response was creative, entertaining, and deeply connected to the audience, which is exactly what made this campaign resonate.”

The evening closed with a surprise performance from Wande Coal, whose set turned the room into a full celebration and brought the CerAwards night to a memorable close. 

For more updates, follow @CeraVe_Africa. 

#CeramoVE #CerAwards2026 #CeraVeNigeria 

Media Contact 

Redrick PR 

About CeraVe

CeraVe is the world’s #1 dermatologist-recommended skincare brand. Founded on the science of the skin barrier, every CeraVe product is formulated with 3 Essential Ceramides (1, 3, and 6-II) and features a unique MVE (Multivesicular Emulsion) Technology that releases moisturizing ingredients over a 24-hour period. 

About CerAwards 2026

CerAwards is a global cultural platform adapted specifically for the Nigerian market as the #CeramoVE Edition. It celebrates the transition of Nollywood from its legacy home-video roots to the modern streaming era, using the “Move” as a metaphor for skin health and self-expression. 

About L’Oréal Dermatological Beauty (LDB)

LDB is the world leader in dermocosmetics, with a portfolio of brands including CeraVe that are developed with and recommended by healthcare professionals. LDB’s mission is to provide life-changing dermatological solutions to everyone, everywhere, by partnering with dermatologists worldwide to offer the highest standards of safety and efficacy.

BellaNaija is a Media Partner for CeraMove

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Idia Aisien in a black croc-skin strapless dress, Akin Faminu in a cowrie shell embellished vest, and Stephanie Coker in a monochrome coat dress at the premiere.

We really hope you are not tired of hearing this, because Nigerians continue to make a strong case for themselves at movie premieres. There is always something to look at, something to admire, something that makes you pause for a second. The premiere of the sequel to “The Devil Wears Prada” was no exception.

Even Miranda Priestly might have raised an eyebrow.

On hosting duties was Stephanie Coker, and she stepped out in a black-and-white look by Fruché. that felt carefully put together from every angle. Her floor-length coat dress played with contrast beautifully — one side a clean white, the other a deep satin black. Sharp lapels framed a plunging neckline, while a structured bow at the waist gave the look shape and a bit of character.

Stephanie Coker posing in a FRUCHÉ black and white split-tone coat dress with neon green heels and a dark green mini bag. Photo Credit: Stephanie Coker/Instagram

Then she added a touch of colour with pointed neon green heels, a choice that immediately lifts the look. A dark green quilted mini bag followed, paired with a dainty diamond-link necklace resting softly along her collarbone.

Her caption read: “Miranda Priestly would look up from her desk, say nothing, and that would be enough. Truly an honour to host the premiere of such an iconic movie that shaped the careers and fashion of so many of us women and men. The shoes? Also Miranda approved.”

See how guests stepped out for the premiere of “The Devil Wears Prada” sequel.

Idia Aisien

 

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Stephanie Coker

 

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Akin Faminu

 

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Mary-J-Blige-wearing-a-black-strapless-gown-with-red-floral-embellishments and a silver-diamond-fringe-choker. Photo Credit: Mary J.Blige/Instagram

Mary J. Blige stepping into the Spirit Tunnel? Yeah, it was never going to be a regular entrance.

From the second she appears — black blazer dress, thigh-high boots, sunglasses firmly in place — you already know she’s about to have fun with it. And she does. Immediately.

She’s moving to the beat like it’s second nature. A little two-step, shoulders in sync, walking and dancing at the same time. The outfit moves with her, the boots keeping time as she goes. And she’s not ignoring anyone either — she’s pointing at people, laughing, blowing kisses, giving just enough attention to make every interaction count.

And the crowd gave her plenty to respond to. Lined on both sides, they sang a custom welcome song, danced, clapped and celebrated her all the way through. “Pump it up in the tunnel ’cause we got Mary J. Blige, you know we love her! She’s an icon, so we gotta turn her up! Join the celebration, congregation, at the happy place, a joy to circulate… for Miss Mary J., let’s get it!” You could hear Mary laughing and saying “thank you” as she made her way forward, clearly enjoying every second of it.

Watch her dance below

 

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My name is Aanuoluwa Odole, and I am a double first-class law graduate from the University of Ibadan and the Nigerian Law School. What an intro; it feels really good to say that. I want to say that I am a very curious and expressive person, the kind of girl who loves YouTube video essays and seeks out spoilers for her favourite shows because she just has to know what happens next. 

When it was time to decide which law school campus I wanted, my first choice was Abuja. I had heard it was the prime spot for anyone who wanted a relatively stress-free experience while still doing well. I got assigned to the Lagos campus, which I had heard was the complete opposite. I remember not having enough time to even process it, and my parents telling me to just trust God.

I resumed pretty early on the second day of registration and got a room with two of the best people a person could have as roommates. By the next day, I was settled in and spent the rest of the orientation week mentally preparing myself for the journey ahead. Despite the stories I had heard, I was just trying to psych myself up to make the best out of it, regardless.

At the beginning of my academic journey, I really had no reading routine, but I realised that my usual “procrastinate till a month or two before exams” system would not fly here, so I adopted a system that would allow me to increase the intensity as time went by. I really took each day as it came, and when I had done my best, I left the rest till the next day, until I couldn’t anymore.

With law school, I knew I could stretch myself. Prior to then, I had never gone through such a rigorous training programme; university felt like a walk in the park compared to this. But at the core of it, I still wanted to stay true to myself. For example, I knew a mentorship programme was not something I could commit to, so I didn’t join any. When I realised the library wasn’t working anymore, I stopped going, same with the reading room. I did not get any textbooks because it had never been my thing. It was really knowing what truly works for me, just me and nobody else. I promise it can be harder sticking to your methods in a somewhat homogeneous environment, but I made that my priority early on.

I switched things up a lot, changed reading materials, redirected my focus from pre-class tasks, and started past questions during my second externship. However, I think one thing I consistently did was read in a chronological manner for most of my courses. Most of the courses, like Civil Litigation, felt like stories, and I didn’t want to pick and choose what I studied. I made a Notion tracker to monitor my understanding of each topic. I would attempt MCQs after studying each topic and give myself a percentage based on my score. This way, I knew the topics I needed to pay attention to during subsequent readings.

I can’t count how many times I cried because of Corporate Law Practice. I was fully convinced it was after my life, and then they made me write it first. I remember calling my sister and my friend so I could crash out. Even after the exam, I was convinced I had bombed it. I think it was the only exam I had stayed up most of the night for, because if anything, I did sleep a lot. In my latter years of university, I had picked up the habit of sleeping a lot, and I brought it into law school. On a bad day, I averaged about five to six hours of sleep.

Some of the most important things I got out of law school were the relationships I left with. I honestly think I should have made more connections and tried to be more social, but maybe if I had, the outcome would have been different. Butterfly effect and all.

Personally, I am excited for the opportunities (read money) a double first class will bring. Five years from now, I want to be excelling at a job I absolutely love. Getting a first class two times in a row has to mean something, right? To quote a friend, “It’s not a fluke.” It just makes me confident in my success. I honestly can’t wait for all the doors and rooms I get to be in soon. I am extremely grateful to God.

If I could advise anyone desirous of a first class from the Nigerian Law School, it would be to stay true to yourself and your methods. If you are experimenting with something new, drop it the moment it stops working. No crime in that. Also, prioritise your health. Take it from someone who fell terribly sick in law school. It is not fun, but above all, try to enjoy yourself. Keyword: try.

The post How Aanuoluwa Odole Earned a Double First Class at the University of Ibadan and Nigerian Law School appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Kay Matseba, Country Manager, Sub Saharan Africa, Estée Lauder Companies

On the evening of Friday, April 24, 2026, Estée Lauder opened the doors of The Black Diamond Hotel to a diverse and luminous gathering of women in Lagos; entrepreneurs, beauty enthusiasts, content creators, influencers, HNIs, educators, makeup artists, the media, and loyal Double Wear devotees, for the Nigerian launch of the New Double Wear Foundation. An intimate cocktail event brimming with warmth, music, and beauty, it was a night as iconic as the formula it celebrated.

Hosted by Kay Matseba, Country Manager for Sub-Saharan Africa at Estée Lauder Companies, the evening was anchored in a clear and resonant message: the New Double Wear Foundation
is for the everyday woman. Not a special occasion. Not a stage. Every day, every woman, every
skin tone. It is #MadeforMore

Christerbella Mashigo, Education executive, Sub Saharan Africa, Estée Lauder Companies with a model

That promise is backed by science. Developed by a team of 100 scientists and tested across more than 3,000 participants, the reformulated foundation launches in 70 shades, seven more than its predecessor, honoring the full spectrum of skin tones with a lighter, buildable, true-to-match formula. Its 36-hour wear and flawless full-coverage finish remain iconic, while a new dimension of versatility means that with the right skin preparation, wearers can choose between a perfected matte or a luminous, full-of-life dewy finish.

The centrepiece of the evening was a compelling masterclass delivered by Christerbella Mashigo, Education Executive for Sub-Saharan Africa at Estée Lauder Companies. With live demonstrations and an engaging talk track that balanced artistry with formulation insight, Christerbella brought the formula’s dual-finish capability to life and had a room full of guests completely engrossed. For some, who have worn Double Wear faithfully for up to ten years, it was both a homecoming and a revelation.

Beyond the stage, the evening unfolded as a fully immersive brand experience. The Essenza Nigeria team guided guests through personalized shade matching and product trials at curated make-up stations, while a virtual shade finder on iPad offered another touchpoint for discovery. A claw machine gifting moment, live art illustration, and an abundance of vanity mirrors created an atmosphere that was as playful as it was premium and thoroughly content-worthy.

Christerbella Mashigo with Esenzza Team

Canapés, cocktails, and a dessert station kept spirits high, and products were available for purchase on-site from Essenza Nigeria at a 20% discount. Every guest departed with a curated mini gift truly made for more.

Beneath the warm glow of the room, it was the laughter — easy, genuine, and abundant —that said it best. Lagos showed up for Double Wear, and Double Wear showed up for Lagos.

About the New Double Wear Foundation

The New Double Wear Stay-in-Place Foundation is Estée Lauder’s most advanced long-wear formula
to date, developed by 100 scientists, tested on over 3,000 participants, and available in 70 shades.
Lightweight, buildable, and full-coverage with a 36-hour wear promise and matte or dewy finish
options. Available through Essenza Nigeria and select Estée Lauder stockists worldwide

Idia Aisien

Adedamola Adenaike

Amy Okoli

Ify Okoye

Itunu Umar-Lawal

Idia Aisien

Jennifer Uwa

Kamsi Nnamani., Boluwatife Asorona

Kay Matseba

L-R Kiki Ojewale, Mrs Temilola Adepetun, Yewande Thorpe

L-R Angel Anosike, Kamsi Nnamani & Ify Okoye

L-R Idia ify Okoye, Mercy Familusi, Ezinne Alfa

L-R Mercy Familusi, Founder Faame Digital, Diols Classics, Lilian Paul

Layo Ogunbanwo and Funmto Ogunbanwo

Lilian Paul, Onome Ezekiel, Olamide Kolade

Lilian Paul

middle – Kay Matseba & Christerbella Mashigo

Nashaira Smith

Nonye Udeogu

Olamide Kolade

Ozinna Anumudu and Kay Matseba, Country Manager, Sub Saharan Africa, Estée Lauder Companies

Ranwa Rizk and Dalal Nawfal

Tania Omotayo

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Olamide and Teni Behind-the-Scenes Still from “Zion” Video. Photo Credit: OG Pixels/Instagram 

Teni is back, and this time she is taking listeners straight to “Zion.” The video for her latest single has arrived, pairing her with YBNL boss Olamide in a visually striking collaboration that matches the warmth of the song itself.

In the video, Teni steps out in a head-to-toe red look that is impossible to ignore. She wears a high-neck, long-sleeved blouse tucked into a matching mini skirt, creating a strong, coordinated shape. Gold layered necklaces and a chain belt add texture and richness, giving the outfit a regal feel without taking away from its simplicity.

Her footwear adds another point of interest: red slip-on sandals finished with cowrie shells, a detail that nods to heritage, history and value. She completes the look with Bantu knots, tying the styling together with intention and cultural reference.

Close-up of Teni-the-Entertainer in red-clothing featuring layered-gold-necklaces and Bantu-knots hairstyle. Photo Credit: OG Pixels/Instagram

Beside her, Olamide keeps things understated in a black t-shirt and tailored trousers marked with a silver stripe. Dark aviator sunglasses and a gold watch finish the look, offering a calm contrast to Teni’s vivid colour palette.

Beyond the fashion, “Zion” is a song about comfort, loyalty and finding peace in one person. Teni sings about feeling lost, judged and overwhelmed, then finding relief in a love that feels safe and steady. It is the kind of relationship where presence alone can make life feel lighter.

Teni-the-Entertainer wearing a red-monochromatic-outfit with cowrie-shell-sandals and Olamide in all-black-streetwear for the Zion music video. Photo Credit: OG Pixels/Instagram

Olamide’s verse adds another layer, touching on commitment through difficult seasons and choosing love that is rooted in sincerity rather than status. Together, they deliver a song that values companionship, reassurance and staying power.

With its mix of English, Yoruba and Nigerian slang, “Zion” feels close to home and easy to connect with. It is a reminder that sometimes the most meaningful love is simply being with someone who makes the world feel softer.

Watch the video below.

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Greatness is a complicated business, largely because it can be very subjective; as often is the case, the genius of a person is lost in the shuffle of polarising views held by swaths of the public about him or her. Especially in the age of social media, legacies are being re-litigated in real time. Great people are not so because they are without flaws; it’s their ability to shape genres, inspire generations and tell stories through their craft that stands them out. This past weekend brought back some amazing childhood memories, and I couldn’t help myself. When it comes to slicing and dicing ideas in the most creative ways, I’m bad – you know it.

Got To Be Starting Something

You cannot tell a story that remains in your head; it’s the decision to author a book that turns your memories into a memoir. I meet clients all the time who have a story that they have preserved in its most pristine manner in their head, and once they get the opportunity, they commission their book projects immediately because it feels like a weight being lifted off their shoulders. In Maya Angelou’s I Know Why The Caged Bird Sings, lies a most profound quote, “There is no greater agony than bearing an untold story inside you”. Many people worry about how songs they haven’t recorded won’t be accepted, they overanalyse books they haven’t begun to write, and they criticise movies that principal photography hasn’t commenced. You can’t redirect a car that is parked; it has to be in motion before you can change direction. Serendipity happens when you find what you really want in the quest for what you originally wanted. Don’t always wait to learn before you do; you can learn while doing. Once you start telling your story in whatever form, it’s easier to refine it along the way.

Do You Remember The Times?

Nostalgia is a very strategic way to connect with your audience when telling a story. There is an entire business model built around helping people relive pleasant memories, and great brands know how to leverage this effectively. I wrote last year about how a brand like WWE milked John Cena’s retirement partly as a nostalgia tour, other times they would reference the famed Attitude Era that was headlined by ‘Stone Cold’ Steve Austin and Dwanye ‘The Rock’ Johnson. Dufil Prima Foods does this with their leading product, Indomie – one of their current ads (Mama Do Good) is simply a contemporary iteration of their previous ad. There is a reason why Osita Iheme is the king of memes on today’s internet; he embodies a time when most people watched movies on VHS, and actors gave some of their best performances. The term “Old School” used to be a slur, but most people now embrace it. Today, you hear of old school costume day, old school themed party, old school playlist, etc.

You Are Not Alone

The story you tell has to be very relatable; you have to convey to the audience that you see them, you hear them, and you understand them. Basically, you have to communicate with them in a language that they are familiar with. People love to see themselves in a story or the characters; they want to take ownership of certain narratives. Jesus came from heaven, but his ministry was on earth; he and the people he came to serve were literally worlds apart. So he deployed cultural intelligence; he began using parables or anecdotes to communicate his agenda. The parables of the Prodigal Son, Mustard Seed, Sower, Talents or Good Samaritan were not real-life events but stories that incorporated the agrarian, religious, communal and economic themes of the day. Jesus himself gave the game away as he approached the end of his time on earth: “I still have many things to tell you, but you can’t handle them now.” Translation: I have had to restrict myself to telling you things you could relate to; there is some other stuff I couldn’t share because it would fly over your heads. At the risk of sounding like a broken record, this is one of the reasons Paul has to become QB1 so he can really articulate and declassify some of those esoteric truths.

Beat It

One of the surest ways to manage expectation is to always under-promise but over-deliver in your storytelling. People should get more value than they paid for, and you should constantly beat the standards that have been used as benchmarks. This hack is something I take very personally; whether I’m writing for free or for a fee, I give my best work regardless because quality storytelling is one of my non-negotiable signatures. People should see my name associated with a story or anything else and expect excellence by default; you should have the same mindset. Many storytellers struggle with their sophomore projects because their audiences feel cheated in the first instalment; people want to know why they should trust you enough to become repeat customers. This brings us to the small matter of quality control and internal audits. I recently saw a movie critic reviewing a very popular movie at the cinema, and he sounded so disappointed; the movie had big names that could draw audiences, but the screenplay and continuity were terrible. Many people want to replicate the successes of others, but they don’t put in the systems to deliver amazing productions. HBO’s Game of Thrones had us all in a chokehold because the storytelling and production value were insane. If you’re going to tell a great story, tell it properly.

Annie, Are You OK?

Following the alleged drowning of an unidentified young woman in the River Seine, Resusci Annie or CPR Annie, a training manikin used widely for the training of healthcare personnel, was developed by Norwegian toy maker Åsmund Laerdal in 1960 to teach mouth-to-mouth resuscitation and chest compressions. In the unfortunate event that your story falls flat or doesn’t get the buzz you expected it gain, here are some things you can do to bring it back to life.
• Admit where you went off the climb. It mustn’t be done publicly or stated explicitly, but you should be able to point out the things that didn’t work internally.
• Pivot. Play around with some narratives or characters and make it seem like a natural swerve, story arc or character development – effectively blurring the line between facts and fiction.
• Let it go. Sometimes, when a story is on life support, and you have done everything within your power to keep it breathing, and it’s still not showing signs of recovery, you have to make a tough decision. Your sunk costs should not make you hang on to something that wasn’t meant to be.

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At Lakowe Lakes Golf and Country Estate, the shift happens quickly.

Just 90 minutes from Lagos, it’s close enough for a spontaneous break, but far enough to feel like time away. No flights. No overplanning. Just space, fresh air, and a slower pace. Set across 308 hectares of green lawns, still lakes, and tree-lined paths, the estate isn’t built around doing everything. It’s built around choosing how your time moves.

Designed Around Your Pace

Golf is part of the landscape – an 18-hole championship course that runs through the estate – but it only takes centre stage if you want it to.

There’s plenty else to fill your time. Cycling routes that wind through the property. Paddle boating and pontoon cruises out on the water. Catch-and-release fishing across the lakes. Tennis courts, a fitness centre, and open space that makes it easy to switch off, especially for families.

Nothing feels fixed. You move through it as you like.

Dining That Fits the Day

Dining follows the same rhythm – easy, varied, and unforced.
Revivo Restaurant & Bar sits poolside, offering light meals, smoothies, and drinks throughout the day. The Wine Bar leans quieter, with lakeside views and a more intimate setting for lunch, sundowners, or dinner.

Restaurant on 18 anchors the Lodge, where mornings begin with breakfast and later meals bring together Nigerian favourites and continental dishes in generous spreads. The Clubhouse Restaurant & Bar, set beside the lake, keeps things relaxed with a mix of grills, local dishes, and familiar classics.

By evening, the atmosphere shifts naturally – open-air cinema, bonfires, and dinners that stretch a little longer.

Stay Your Way

Accommodation is designed to match how long you plan to stay.

The Lodge on 18 offers hotel-style rooms for shorter visits. Balinese-inspired cottages sit closer to the water, more private and laid-back. For longer stays, one- to four-bedroom apartments provide space to settle in, with open-plan living and fully equipped kitchens.

Everything in One Place

What makes Lakowe Lakes easy is how seamlessly everything comes together.
Reliable Wi-Fi, secure access, and enough to do without needing to leave the estate. It works just as well for a quick weekend as it does for a midweek reset.

If You’re Planning Ahead

For those looking to book something more structured, two packages are available year-round.
The Honeymoon Package includes a two-night stay, full-board meals, a couple’s massage, and a choice between a lakeside picnic or candlelit dinner – designed for a calm, easy celebration.
The Serene Adventure Escape offers a two-night stay with a 30-minute pedal boating experience, complete with music and a mini picnic – a simple addition that makes the stay feel a little different.

A Different Kind of Getaway

Lakowe Lakes doesn’t try to do too much. That’s the point.
You can fill your time or leave it open. Stay active or slow things down completely. Either way, it’s an easy way to step out of the city – without the effort of going far.

For more information or reservations
www.newmarkhotels.com
reservations@newmarkhotels.com
+27 21 427 5901

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A studio portrait of Asake wearing a black sweatshirt, two gold Cuban link chains, and a black beanie, posing with his arms crossed against a neutral grey background. Photo Credit: Asake/Instagram

We bring you good news from Mr Money’s camp! If you have been looking forward to a Friday release from the YBNL star, we are here to tell you that you shouldn’t worry too much. Asake has officially released the tracklist of what you should expect from his upcoming album, “M$NEY,” which is set to arrive on Friday, 7th August 2026.

The announcement arrived via a cinematic teaser video featuring a gallery-inspired aesthetic. In the visual, Asake walks through a grand marble hall where the names of his new tracks are etched into the stone, appearing as the floor cracks beneath his feet. The 13-track project includes his pre-released hit, “Worship“, featuring French electronic icon DJ Snake, a collaboration that has already set the tone for the album’s global reach.

Other notable guest appearances include French-Congolese rapper Tiakola and South African Amapiano pioneer Kabza De Small.

“M$NEY” follows the massive success of his 2024 sophomore album, Lungu Boy, which saw the artist experiment with faster tempos and international collaborations. The project was anchored by chart-topping hits like “Active” featuring Travis Scott, “MMS” with Wizkid, and the vibrant “Suru” featuring Stormzy.

See the tracklist for “M$NEY” below

 

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Juma Jux in a white Swazzi suit and Priscilla Ojo in a gold sequin Styled By Layo gown holding hands. Photo Credit: Priscilla Ojo/Instagram

Don’t you just love it when couples step out looking completely in sync without doing too much? Juma Jux and Priscilla certainly gave that energy in the UK at the premiere of Iyabo Ojo’s latest film, “The Return of Arinzo.” If you and your partner have been looking for style inspiration for your next event, consider this your sign.

Juma Jux arrived in a white suit by Swazzi, clean and impossible to miss. Priscilla stood beside him in a one-shoulder gown by Styled By Layo, detailed with gold metallic accents. Together, the pairing felt effortless. Nothing forced, nothing overdone, just two people who clearly know how to dress well together.

Priscilla Ojo wearing a one-shoulder gold metallic disc gown by Styled By Layo with a matching gold wrap. Photo Credit: Priscilla Ojo/Instagram

Stylist Emmanuel Goodnews pulled both looks together beautifully, proving that coordinated style does not have to mean wearing the same thing. Sometimes it is about colour harmony, balance and those little details that make everything click.

Juma Jux wearing an all-white mandarin-collar suit by Swazzi with burgundy piping and flared trousers. Photo Credit: Priscilla Ojo/Instagram

And then there is the event itself. “The Return of Arinzo,” Iyabo Ojo’s highly anticipated sequel, has already sparked interest with its cast lineup including Funke Akindele, Mercy Aigbe, William Benson and Uzor Arukwe. With a story built around revenge, buried secrets and drama across Nigeria, Ghana and Tanzania, there is already plenty to talk about.

As for Priscilla and Juma Jux? They made coordinated style look easy. Save these photos now, because couples’ outfit moodboards everywhere just got new material.

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I’m Fareedah Adedoyin Adeowu, a graduate of Common and Islamic Law, University of Ilorin. I recently finished with a First Class from the Nigerian Law School, Kano. Graduating with a First Class wasn’t initially my target. My plan was 2.1. I had always thought First Class was for very smart people. I just wanted to have a very good grade. I was even mostly inspired to get a 2:1 when our seniors’ law school results came out, and most people I knew got 2:1s. I was like, “Okay, I can do a 2:1 too.”

⁠I wanted the Abuja Campus to be with my friends, and because, well, almost everyone wants it. When I saw that I got the Kano campus, I was brokenhearted. None of my close friends from the university was posted to the same campus as me. “Allah knows best,” was my reassurance because I thought there had to be goodness in it. Kano campus was literally the only campus I prayed against; it was my prayer point the last Ramadan, so getting posted to the campus I prayed against has to be ordained.

I emptied my Dad’s account to get my stuff for law school. I bought plenty of provisions and snacks because I knew they would help a lot. I made new dresses, bought scarves, and plenty of stuff. I left for Kano on a Monday by bus; my journey was almost 21 hours. I sat by the window and took pictures of everything that fascinated me. Fantastic experience, until I got to the Kano campus with swollen feet. My feet couldn’t fit into my Crocs, let alone my flat shoes. My registration was smooth too, but there was a hurdle along the way. I had left my chest X-ray at home. I didn’t forget it; I left it because I thought the results were written on my medical report. I only noticed it was part of the required documents for clinic registration when I got to the clinic. People who didn’t have were sent back in my presence. It got to my turn, and the staff didn’t ask me. I just submitted my medical report, and I left. It was a miracle.

I went in for the doctor’s evaluation, too, who would check the chest X-ray, make comments, then stack it on the shelf. The doctor checked the X-ray of the guy I went in with, and it got to my turn, I didn’t hand it over, and he didn’t ask. I cleared the hurdle twice, Alhamdulillah!

Our classes typically started by 9 o’clock, but I’m more of a back bencher in school; I didn’t wake up around 4 am to bathe and get ready for a class early. I would wake up for Fajr, sleep back and wake up by 6:30 am, then get ready and queue for the class attendance thumbprint by some minutes past 7. See, law school was draining, back-to-back classes, then group meetings, and then trekking to Maami Market to get food.

Speaking of food, my eating habits went down the drain in law school. I enjoyed noodles and egg, rice and beans and peppered sauce, cheap, but I’m always very lazy to go to the market. My roommates/friends indulged me. I didn’t make plenty of friends in law school; I don’t really make friends, but the few I made in the first week of lecturers were heaven-sent. On other days, I survive on cereals and garri. In class, I hardly go out on break. I just take my snacks: a sachet of Hollandia yoghurt and Minimie chinchin.

In law school, there was no time for notes. But I only enjoy reading handwritten notes, not textbooks or materials or even from my phone. So I knew I had to do something about it. The only textbook I bought in law school was the Compendium. What I did was that I knew I wouldn’t have the time for jottings during exams, so I turned my notes into jottings. I carefully made my own notes from slides from the previous set and PDF materials. God bless Badmus and Mayowa. On some days, I would use like 5 materials. Badmus, Mayowa, Agbata, Sarumi, Caleb. I would write and complete my notes according to the class outcomes every night, the night before the class. From the week, I would sleep around 1 am, 2 am because I had to finish my notes. So the next day, in class, the topics aren’t new anymore. I listened, cross-checked with my notes, added new cases, new subtopics, and extra tips. My notes were golden.

But after class every day, I made sure I got enough sleep, a siesta, one hour at least, and I’ll wake up to observe Maghrib, which was consistent even till my last day of exam. So in class, I hardly doze off. The only times I might sleep in class were during pre-class tasks. As for the pre-class tasks, I just go through them to check the course outline for making my notes. I don’t solve them; I stopped attending group meetings at a point because I felt intimidated. My mates were quoting sections, and there’s me looking confused. My break was for pre-class tasks. I used to study my group tasks to prepare ahead in case I get called, and the mic randomly comes for me.

I was very attentive in class, and it’s surprising because I’m a yapper, but my seat arrangement didn’t help. It was a single seat; I wasn’t sitting beside any of my friends. It was close to the window, and I enjoyed watching the lake glisten when it was sunny from my seat. I had seat partners behind and in front of me, but not beside, so I just had to listen in class. I was my friend’s plug for any tips the lecturers mentioned in class.

I realised early that my phone was the weapon fashioned against me, so when I started reading, I would leave my phone in my hostel and go to the mosque in the morning to read, then come back in the evening after Maghrib, or sometimes, Ishai when I’m done reading. I used to fold the notes I had to complete reading for everyday and it’s only when I finish it I would go back to my hostel. If I read in my room, I would leave my phone in my friend’s hostel till I finish reading.

I memorised cases because I heard there’s an extra mark for it. During the exam, I used to whisper to myself, “general rule, then exception, general rule, then exception” while we waited for the exam questions. I wouldn’t forget and go straight to the answers. I also practised the recall method; it’s my favourite part of reading. Whenever I finished reading, on my bed, while preparing to sleep, I would revise everything I read for the day. If I remembered, I would sleep. If I didn’t, I’d carry notes to revise immediately. I would also try to revise with my friends. I used to attack my roommates with questions almost every day; some things got stuck in my head from that.

Every day was a moment of doubt, particularly during pre-class tasks. Especially for someone like me, who’s so unsure of herself.
During exams, I couldn’t afford to sleep overnight for an hour. My alarm was always set to 50 minutes. I would return to my room around 3 am, sleep for 50 minutes, and continue reading. But sometimes, I slept for longer hours; you can’t cheat nature. I wasn’t really sick in law school, Alhamdulillah, because typical AA will treat malaria in that weather. I treated malaria once. At one point, I had recurring headaches, and I thought I was going to relapse.

I wouldn’t say graduating with First Class is a dream come true; that’s too cliche. At a point when my friends and I make jokes about First Class, I tell them my brain can’t handle the thought of it.

My friend once told me she’s rooting for a First Class, and I was like, “Wow, nicee. I’ll pass,” because I never thought it could be me. Anytime I think, “I should just have First Class”, my brain goes blank and resets to 2:1.

But mehn, graduating with First Class is bliss. For any Bar Aspirant, don’t be like me. Dream it, and get it. If anyone can do it, you can do it. That was what I stuck with. I saw CTB pictures of our seniors, and I was like, if they can pass, I can ace my exams. I wouldn’t say it’s simple, but put in the hard work. My prayer point after my exams was that I didn’t want to pass alone, I wanted God to crown my efforts, and I didn’t want a result where people would sympathise with me and say, “And this girl read in school.” I used to believe first-class students have two heads, I mean, they have to because it’s not an easy feat, but I see just one head on my neck. Academic validation is sweet like mad; you’ll get it, and your stomach will be filled with butterflies and lilies.

One final thing, I added weight in law school, and I was sad, thinking it’s because I was not reading enough. The dresses I specifically made for law school became tight by the time we left. Sometimes I’ll have to unzip under my scarf in class. People started noticing my cheeks, making comments like you don’t even look as if you’re in law school, but na me sabi wetin my eyes dey see. Anyways, who is the NLS first-class graduate with cheeks?

The post How Fareedah Adeowu Graduated With a First Class at Nigerian Law School—She Never Planned It appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

As the reflective season of Ramadan, marked by prayer, togetherness, and giving, draws to a close, Eid quietly ushers in a time of shared meals and celebration that completes the journey of the season.

This year, ONGA showed up in Kano in grand style, hosting “Eid in the City” to celebrate this anticipated festival with consumers. The celebration was part of the brand’s “Taste of Home” promise. Right from the jump, you could tell it was a deliberate move designed to deepen the brand’s affinity, from culturally resonant visuals and attire to interactive moments that brought people together, encouraged participation, and made the celebration more meaningful for consumers.

ONGA at the Heart of Ramadan 

Onga showed up throughout Ramadan, sharing Iftar meals across mosques and staying present beyond a one-off engagement. The brand nourished consumers with meals and product samples in 80 mosques while also supporting mosques with product donations, honoraria, prayer mats, and kettles.

In-store, shoppers were rewarded with gifts, and the “Taste of Ramadan” series digital campaign engaged consumers with ₦1 million worth of shopping vouchers. Overall, Onga combined community presence, generosity, and engagement to connect meaningfully with the Muslim faithful.

Eid in the City Lands in Kano

As the Eid in the City event approached, anticipation was already at a peak, fuelled by the impactful Ramadan experiences that came before. The venue was a sight to behold, transformed with decor that paid homage to traditional Northern aesthetics.

The fashion was, as expected, a major highlight. The crowd was a sea of stunning babanrigas, heavy embroidery, and perfectly draped hijabs. Families, friends, and ONGA trade partners all gathered to catch up and enjoy the holiday.

The Flavours of Arewa: Highlights from the Celebration

Every corner of the Eid in the City event was designed to reflect the richness of Arewa culture.

The sounds of traditional gaisuwa music welcomed the guests as they walked into an intricately crescent-lantern-inspired décor installation. The ambience captured the essence of Eid with the added experience of the photo booth and calligraphy wall, where people received personalised name cards, a thoughtful touch.

The real heart of the event was the Arewa Taste of Home Zone. It was an interactive space where chefs like Hanifa, Fatima, and Aisha showed off the best of indigenous cuisine enriched with the rich flavour variants of ONGA Chicken and ONGA Beef cubes, through engaging flavour lab demos.

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The chefs showcased beloved spices and the inspiration behind their choices while effectively passing down food culture. In turn, the guests got to see the process and taste the outcomes. The meal lineup featured spiced danbo jollof, paired with dan wake with yaji for that familiar kick, and perfectly baked gurasa. There was also chicken suya with yaji and a comforting serving of sinassar with miyan taushe. Even classics like gwate made an appearance, showcasing just how diverse and satisfying Arewa cuisine can be. 

The whole place smelled and felt like home. To keep things cool, there was a signature Eid mocktail that went down perfectly with the spicy dishes. Between the food, the calligraphy wall, where guests got their names written beautifully on cards, and the traditional gaisuwa music, the “Arewa vibe” was spot on.

With other fun activities such as the MC-led food games, henna drawings, music, and the fashion parade, where the best-dressed guest walked away with ₦100,000 cash; the celebration was one for the books.

The Big Moment: ONGA Dandano Cube Reveal

One of the major highlights of the celebration was the introduction of ONGA Dandano Cube, Onga’s newest family member. This seasoning was clearly made with the North in mind. It’s a blend of soya and local herbs and spices, designed to hit those specific flavour notes that Arewa cooking is known for. The reaction from the crowd as they sampled it in the different dishes was a positive nod, and it’s safe to say it’s going to be a staple in many Northern kitchens soon.

Onga Eid in the City was a beautiful expression of ONGA’s Taste of Home campaign; a platform built around the idea that food is more than nourishment or what is in the pot; it’s about memory and moments. From the start of Ramadan through to the big Eid celebration, ONGA’s presence symbolized the brand’s appreciation of the Ramadan journey and made it memorable for the consumers.

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Theophilus Sunday and Ashlee Sunday holding their son Mystery during a family photo session in all-white outfits. Photo Credit: Ashlee Sunday/Instagram

Do you know that the “Sailing to Sunday” couple have a son? Now, if you’re wondering who and who that is, we are talking about Theophilus Sunday and his wife, Ashlee Sunday, and their little boy, Mystery.

It has been a beautiful season of celebrations for the family, with two major milestones happening back to back this month. First came their second wedding anniversary, and then this past weekend, they celebrated their son’s first birthday.

The couple, who got married on 13 April 2024, marked two years of marriage before gathering family and loved ones to celebrate Mystery turning one.

Minister Theophilus Sunday and wife Ashlee Sunday smiling in a professional portrait celebrating their second wedding anniversary. Photo Credit: Ashlee Sunday/Instagram

For the birthday celebration, the family stepped out in coordinated baby blue outfits that made the occasion feel even sweeter. Both parents also shared loving messages for their son as he marked his big day.

Theophilus Sunday and Ashlee Sunday wearing baby blue outfits while walking into their son Mystery’s first birthday party. Photo Credit: Ashlee Sunday/Instagram

Ashlee wrote:”My sweet boy. You are so kind, you love to worship, and I know the Lord has amazing plans for you. You are loved, protected, and you’ve come to do great wonders for Jesus. You are indeed God’s Mystery. Happy birthday my Chulo.”

Theophilus Sunday added: “God’s Mystery! Happy birthday son, the God of your father is your God and only Him will you serve.”*

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Food lovers, it is almost that time again. The GTCO Food and Drink Festival is back for its 9th edition, and if you miss it, you’re wrong!

This year’s festival is set to bring together the best of food, music, culture, learning, and community in one vibrant space. Widely regarded as Africa’s biggest culinary experience, the festival will hold from Friday, May 1st to Sunday, May 3rd, 2026, at GT Centre, Plot 1, Water Corporation Drive, Oniru, Lagos.

From the moment the gates open at 10:00 AM each day, you can expect a full day of flavour, energy, and discovery, with activities running until 10:00 PM. And the best part? Attendance is free!

That free entry is part of what makes the festival so special. It opens the door to everyone—food lovers, families, curious first-timers, loyal regulars, vendors, families and children—to come in and enjoy the experience without barriers.

The festival has been designed so that no one is excluded, especially children, who have a dedicated children’s play area and a kids’ masterclass that offers fun, engaging activities for younger attendees as well.

This year’s edition will feature over 200 vendors, offering a wide range of food options. From local favourites to new discoveries, you have the chance to sample different flavours and satisfy your every craving.

Headlined by acclaimed culinary experts from around the world, the masterclasses offer the chance to learn and explore everything food and drink. For food enthusiasts, home cooks, and aspiring culinary professionals, these sessions are one of the most anticipated parts of the weekend.

No festival is complete without a party, and GTCO Food and Drink Festival promises to deliver! There will be music and a lively after-party that keeps the energy going long after all the eating is done. It is that perfect mix of flavour and fun; again, if you miss it, you’re very wrong!

At the heart of it all is GTCO’s continued commitment to supporting small and medium food businesses, making the festival an important part of the company’s CSR efforts. The Festival is a platform for these businesses to showcase their offerings, reach new customers, and grow their visibility.

The Festival has shaped Nigeria’s food culture in a way that feels accessible, inclusive, and exciting. So if you have been waiting for the right excuse to eat well, discover new favourites, dance a little, and spend the day with your people, this is it.

Date: Friday, May 1st to Sunday, May 3rd, 2026
Venue: GT Centre, Plot 1, Water Corporation Drive, Oniru, Lagos.
Time: 10 AM – 10 PM Daily

Do. Not. Miss. It!

Visit here for more information!

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Tiwa Savage in a Lisa Folawiyo Studio crochet top and crystal-fringed skirt at the Tiwa Savage Music Foundation’s Berklee in Nigeria Grand Finale Concert. Photo Credit: Tiwa Savage/Instagram

Tiwa Savage can be in the studio giving us hit after hit, and in the very next moment remind everyone that when it comes to style, she knows her way around that too. This look from the Tiwa Savage Music Foundation’s Berklee in Nigeria Grand Finale Concert at the National Theatre Lagos is proof.

She stepped out in a two-piece set by Lisa Folawiyo Studio, styled by Ade Owolabi. The top is a one-shoulder crochet design in stripes of coral, orange, cream, and pink. The texture alone draws you in, then the asymmetrical cut leaves one arm bare, placing her tattoo sleeve right at the centre of the look.

Then the skirt shifts the conversation. The fitted upper half carries navy, olive, and yellow stripes, but from the knee downward it opens into long crystal-beaded fringe that falls to the floor and parts at the front with a high slit. Every angle gives you something else to notice, from the contrast in texture to the movement built into the design.

Side profile of Tiwa Savage at the Tiwa Savage Music Foundation’s Berklee in Nigeria event, featuring Lisa Folawiyo Studio craftsmanship and a ruched yellow bag. Photo Credit: Tiwa Savage/Instagram

She carried a soft yellow ruched shoulder bag that picks up the yellow running through the skirt, while yellow satin mules with floral detail at the toe kept the colour story going. Silver drop earrings, stacked bracelets, and rings on both hands added another layer of detail. Her pixie cut stayed sleek and close, while warm-toned makeup and a full lip held their place against all the colour.

As for the occasion itself, the Tiwa Savage Music Foundation’s Berklee in Nigeria programme brought together the Class of 2026 for their Grand Finale Concert at the National Theatre Lagos, a celebration of young Nigerian musical talent trained under a programme that has become one of the most significant investments in African music education in recent years. That Tiwa chose to show up to this one dressed with this much intention says everything about how seriously she takes the work the foundation is doing.

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The CeraVe CerAwards 2026: CeramoVE Edition delivered a defining moment for Nigeria’s rapidly expanding creator economy, bringing together creators, industry leaders, global brand partners, and entertainment icons in an evening that celebrated innovation, influence, and commercial potential.

Hosted at the Jewel Aida, in Lagos, and anchored by Bisola, the event transformed the city into a vibrant hub of storytelling, beauty, fashion, and digital culture, underscoring the growing role of content creation as a major force in commerce and communication. The awards served as a strong reminder that content creation has evolved from an emerging trend into a commanding industry with measurable impact.

The ceremony commenced with remarks from Nadia Amasa, Digital Lead at L’Oréal Dermatological Beauty, who welcomed attendees and highlighted the significance of creators in shaping modern culture, commerce, and public engagement.

The Konga Group once again left no one in doubt about its status as the engine of commerce in Africa, as it lent its weight, support and network on the platform of KongaHealth, which is the arm of the group in charge of global beauty and wellness brands like CeraVe. The Chairman of the Group, Leo Stan Ekeh, in the company of his wife, Chioma Ekeh, addressed guests, emphasizing the importance of grooming, skincare, and personal presentation as essential elements of branding and opportunity in today’s digital landscape. He noted that creators can leverage Konga’s digital ecosystem to strengthen their visibility and expand their businesses.

Further reinforcing the collaboration behind the event, Yvonne Enwerem, Vice President of Konga Health, confirmed the continued partnership between CeraVe and Konga, with plans for additional product launches and broader market engagement. Onochie Melvin also reaffirmed Konga’s commitment to authenticity, assuring customers that all CeraVe products available across Konga channels are original and verified.

A major highlight of the evening was the awards presentation, which recognized top-performing creators selected from over 700 entries. Following an extensive evaluation process, 24 finalists emerged across multiple categories, showcasing the depth of talent within Nigeria’s digital creator ecosystem.

In the Best Content (Original) category, Darkskinned Ella received ₦1,000,000 as runner-up, while Berylinegbenose secured the top prize of ₦2,000,000. Both also received an additional ₦500,000 bonus from the Chairman of Konga Group.

For Best Educational Content, Oluwafikayomi Faleye won ₦1,000,000 as runner-up, while Boluwatife Lawal claimed the category title and a trip to Paris.

In the Body Moisturizing (Skincident) category, Esther Adewale received ₦1,000,000 as runner-up, while Perpetua Ugwuegede won the top prize of a trip to Paris.

The Viral Category saw Temilade Ladejobi awarded ₦1,000,000 as runner-up, while Joseph Shaka Momodu emerged winner with ₦2,000,000.

In Let’s Get Creative, Jessica Ajayi won ₦1,000,000, while Iyanuoluwa Sowemimo received ₦500,000 and a trip to Paris.

Beyond creator-focused awards, the event also honored Nollywood stars Uzor Arukwe and Funke Akindele with recognition awards for their significant contributions to storytelling and cultural influence. The evening further featured the unveiling of new CeraVe brand ambassadors — Kolakpo, Hilarry, and Elozonam — reflecting the brand’s commitment to authenticity and strong audience connection.

A Best Dressed award, sponsored by KongaHealth, was also presented, with the winner receiving ₦500,000 in recognition of outstanding fashion expression. Entertainment remained a key feature of the event, with DJ Caspersandra delivering an engaging set that energized the audience, while Wande Coal closed the night with a headline performance that brought the ceremony to a memorable conclusion.

Brand partners in attendance reinforced the collaborative ecosystem driving the creator economy forward, demonstrating how corporations, creators, and culture can work together to unlock new opportunities.

The CeraVe CerAwards 2026 ultimately affirmed the growing structure and influence of Nigeria’s creator economy — an industry where creativity translates into income, authenticity builds influence, and local talent gains international recognition.

As opportunities continue to expand beyond borders, the event positioned Nigerian creators as active participants in the global creative and commercial landscape, signaling a future where Africa’s creator economy remains at the forefront of innovation and cultural impact.

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I think about how little moments in our lives can be used to compare bigger things. I think about the multiple transitions we’ve made, from childhood to adulthood, and the times we’ve found ourselves in unfamiliar places, but we’ve managed to adapt. I remember when I was in primary one as a child, but still wearing my nursery school uniform because my primary uniform had not arrived. In my school, we purchased the uniforms from the school. As everyone else looked like they belonged, I didn’t. But I sat in class, learned, even though something felt off, like I hadn’t arrived yet. One day, I was called to receive my uniform. Although it didn’t fit properly, in that moment, I felt as if I belonged with my classmates.

Looking back now, I realise that those moments, those transitions, form or shape the human need to have something to feel like we are where we are supposed to be. As adults, we transition and switch uniforms; we move into new phases, new careers, new environments, new relationships, and sometimes we find ourselves in spaces where we are present but not fully settled. Like we are waiting for something to happen before we can finally say, “Yes, this is me.”

But I also think about what transitions do to humans, and how we lose track of who we are as we evolve and change. As adaptable creatures, we follow the world as it moves, people as they evolve and expectations as they change. Meanwhile, as we adapt to the world and the evolution of people, we forget the previous version of ourselves, the skin we had before we adapted to the new one. Some have become people they don’t recognise anymore. Some became versions of themselves they never liked. Some became better people, too.

I was reminded of a previous version of myself when I met a classmate from junior secondary school recently. He told me he remembered how much I loved my own company, how often I read novels and how I was drawn to stories. He’s not surprised that I’m now a writer. However, he mentioned that I used to sleep a lot, which I found surprising and hard to believe, since sleep doesn’t come easily to me now. 

For a moment, I was shocked because while he reminded me of something soft, only God knows what other parts of myself are now lost. Maybe I haven’t changed as much as. Maybe the core of who I am never really left. Maybe it was just buried under everything I had to become. I have met people in life who have told me, “You’ve changed.” I have also met people who see me now and say, “This makes sense. This is who you were always becoming.”

Both reveal that not every transition in life results in a loss; some can be distortions or mere layers that conceal who we truly are. It’s important to acknowledge that we can never fully revert to our former selves. That previous version of us was not without flaws, as it faced its own struggles, insecurities, and limitations. We may find that we no longer need to reclaim parts of ourselves that have changed.

I don’t need to long for what these life transitions have altered in me. I recognise that I used to cherish my own company, enjoy reading stories, and engage in writing. Despite everything, those aspects of me still exist. Perhaps we don’t need to return to who we once were. Instead, we should focus on taking the authentic parts of ourselves—those untouched by pressure and expectation—and carry them forward into the person we are becoming.

***

Featured Image by Ken Zero for Pexels

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The Afro-Modern Edit collection engages in a curated dialogue between tradition and modernity, elevating indigenous African textiles through the precision of contemporary tailoring. With this collection, Umenyiora explores the delicate balance between ancestral identity and present-day expression, delivering pieces that are both culturally resonant and globally relevant.

Rejecting the notion of simple fusion, Afro-Modern Edit positions itself as a redefinition of coexistence, where past and present are not blended but worn simultaneously. Each design embodies a thoughtful duality: soft yet structured, ornate yet minimal, traditional yet innovative.

Speaking on the collection, Umenyiora notes:

“Afro-Modern Edit is about honouring where we come from while confidently stepping into where we are. It’s a reflection of identity in motion, intentional, layered, and unapologetically rooted.”

The collection presents a wardrobe that feels deeply personal yet universally appealing, marked by clean, architectural silhouettes and rich, culturally grounded fabrics. It signals a continued evolution for Piillz Poizn as a brand committed to storytelling through design.

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A portrait of Shade Okoya standing next to a gold-trimmed mirror, showing her reflection and the detail of her silver choker and drop earrings. Photo Credit: Shade Okoya/Instagram

We knew that yellow is a very good, sweet colour, but what we did not know is that yellow lace on Shade Okoya is just the perfect shade of sunshine you need to brighten up your Saturday. The businesswoman, philanthropist, and style icon marks her 49th birthday today, and she has chosen to celebrate it in the most beautiful way — a full photoshoot, dressed to the nines, looking every bit like a woman who knows exactly who she is and what she deserves.

And the look? It is a lot of good things at once.

Shade steps out in a floor-length, long-sleeved fitted gown in a rich mustard-gold fabric covered entirely in beadwork and embellishment. The beading runs across the bodice in curved and linear geometric patterns, giving the dress a structured, considered quality. At the hip, a fringe peplum detail adds movement and dimension to what is otherwise a slim, column silhouette that narrows all the way to the floor. The sleeves are sheer with the same beading running through them from shoulder to wrist, and the neckline sits in a modest V that keeps the whole look elegant.

hade Okoya showcases the movement of her fringe-peplum Tubobereni gown. Her precise beauty look, featuring defined lashes and a neutral lip, was created by Aishat Kashaam (Tenny Coco). Photo Credit: Shade Okoya/Instagram

Her gele is tall, sculptural, and tied in the same golden yellow fabric, gathered and folded into a full, structured shape with a rosette detail at the front. It is the finishing touch that pulls the entire look into a complete, unified picture. She keeps her jewellery in silver, a layered choker and drop earrings, a deliberate contrast that stops the look from being overwhelmed by all that gold. Her shoes are pointed-toe satin heels in a matching yellow with an embellished detail at the toe, and her makeup is full and precise, with defined lashes and a clean, neutral lip.

Business mogul Shade Okoya celebrates her 49th birthday in a custom mustard gold beaded gown by Tubobereni. The look features geometric beading and a sculptural gele by Taiwo’s Touch, captured in an opulent interior by Felix Crown. Photo Credit: Shade Okoya/Instagram

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Today, we’re doing life with Ibrahim Suleiman, a multi-talented Nigerian actor, architect, and artist known for his performances in films such as Up North, Funmilayo Ransome-Kuti and others. In this exclusive feature, he tells us what it means to be an actor in Nigeria today.

Enjoy the conversation!

Hello Ibrahim. How are you feeling right now? What are you up to?

Hey, I’m good, thank you for asking. Feeling a little nervous because I have a solo art exhibition kicking off this weekend. But still excited.

Ouu, congratulations!

Thank you.

Everyone knows you as an actor but now you’re having an art exhibition. How did acting start for you, and what are the other things that you do?

Acting was actually something I stumbled into. Had no plans whatsoever to be an actor. My Mom had just passed away, and  I basically lost interest in everything I was doing. Quit my job as an Architect and hung up my sneakers as a Choreographer. Took a year off to just deal with the darkness that came with losing her.

And then a friend of mine found out I was back in Lagos and said to come hang out on their set. So I did, just to pass the time. I somehow got roped into recording an audition tape right there and got hired immediately. It felt like a joke to me at first, and I basically just felt like “Yeah, just have fun for a couple of months, then head back to Abuja.” It’s been almost 9 years and several really great projects so far. 

I’m also an Architect (studied at ABU Zaria), writer, storyboard artist for ads, voice-over artist, and a self-taught painter/digital artist. (There’s more, but abeg let’s focus. Lol.)

Yeah, let’s focus! Give us a peek into your childhood and what aspects of your childhood inform all that you do today?

I was born and raised in Kaduna State, Northern Nigeria. First of 3 siblings. My parents separated when I was about 6, and my mom raised us all by herself (along with the Holy Spirit, as she always said, lol). We had a few really tough years, but she found her feet as a divorced mom of three, got a second job, and focused on making sure we did not lack the basics. I grew up in a very close-knit family. We learned to share, be honest, kind, empathetic, grateful, work hard, protect each other, and laugh. My family laugh a lot. It is one of my favourite things about us.

All of that, I think, has contributed to how I approach life today. I keep it simple. I work hard. I protect my positivity. I love wholly. And I laugh. A lot.

I was particularly introduced to your acting brilliance in Up North. I’m not sure people ask this often, but what is the most difficult thing about being an actor, an actor in Nigeria (because it’s different from being a Nigerian actor), and what is the best thing about it?

Lol, the difference between being an actor in Nigeria and being a Nigerian actor is HUGE abeg. I think being a Nigerian actor IN Nigeria is hard. Yes, a lot of people think it is all fun and games, but the GRIME of it is ridiculous. And right now, the biggest challenge of all is selling the projects. It is currently easier to make a good project than to sell it. We had a product quality problem before, but now, we have a sales platform problem. It is part of a broader conversation, though. But on an individual note, the most difficult thing for me has been finding the balance between the projects I really want to do and the ones that pay the bills.

But the best thing about being an actor in Nigeria? The people. I get to work with incredibly hard-working, dedicated and creative people every day. Especially those behind the cameras. 

As an actor, do you have a role that particularly speaks to you a lot, that your acting makes you want to watch the film again and again? Or do you simply finish a role and a film and say, “Well, it’s just another day at the office”?

Certain projects are honestly about getting through another day at the office, but there are some roles that are just… memorable. I don’t particularly enjoy watching myself, because I am constantly nitpicking my performances. However, I find that over the last year or so, I’m enjoying playing the villain way more than the sweethearts I am known for.

Okay, ket’s talk about Linda. What’s the best thing about being married to someone who works in the same industry as you?

First-hand, experienced advice. You can never overestimate how valuable that is. Then, of course, there is the fact that you don’t need to explain the dynamics of work schedules, career decisions, and others.

When do you feel most loved by your wife, and what’s the best thing about being a father?

Hmmm, this is tough, because this girl is constantly loving on me in micro and macro ways. Sometimes it is by waiting up until I get home at 2 AM so we can sit at the dining table, share a cup of tea and talk about our day, before going up to bed. Other times, it is by paying for the return tickets or changing the tyres on the cars without telling me. Big things, little things, they are all important things.

Best thing about being a father? Motivation. Motivation to be my best self, every day. Because someone thinks I’m the best guy in the world. So I have to be MY best version.

What has been your proudest moment as Ibrahim Suleiman? Could be professionally or personally

Professionally? There are a few o, lol. But I think selling out my first art exhibition was absolutely phenomenal for me. Personally? Being Keon’s dad.

What are the little things that bring you joy, get you excited or make you feel alive? (Mention Linda and your son, they are not little, but still still. )

Hahaha, Linda and Keon are not little, but they top my list of joy generators. Other things that excite me would include going home after a long day, painting on my iPad, waking up in a beach house, and bungee jumping.

Do you have ‘Oh! No’ moments in your career? A day you felt like, “Bruh!” How were you able to navigate them?

Lol, without naming names, I absolutely dislike working with people who are difficult or unkind. I cannot stand people who have no respect for others and their time. I don’t like negative vibes at all. Life is short, and I need to enjoy my work. Lol.

If you could do one thing when no one was watching, what would that be?

I create some of my best work while seated on the white throne. So maybe that would be it. Lol.

Thank you for being here with us, Ibrahim

Thank you for having me.

_

Many thanks to Ibrahim Suleiman for having this conversation with us and answering all our questions – and swiftly too, we must add.

Do you love this content, have any feedback for us or want to be a BellaNaija Features contributor? We’d love to read from you. Shoot us an email: features@bellanaija.com.

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An official digital invitation for High Tea with BellaNaija Style, taking place on Sunday, 26th April 2026.

If you have been following BellaNaija Style through Women’s Month, you already know that we always close the month out with something special. And this year is no different.

High Tea with BellaNaija Style returns on Saturday, 26th April 2026, and we could not be more excited to have you there.

What Is High Tea with BellaNaija Style?

For those who are new here, let us bring you up to speed. High Tea with BellaNaija Style started in 2022 as a first-of-its-kind intimate closing event for the BellaNaija Style Women’s Month, a gathering designed to drive impact through conversation, connection, and community. What began as a room of women talking honestly about collaboration and growth has grown, year on year, into one of the most anticipated events on Lagos’ social calendar.

The event brings together women from diverse fields — fashion, business, health, media, and beyond — for an afternoon that is equal parts inspiration and celebration. Past editions have featured keynote sessions, panel conversations, beauty activations, and of course, some of the most well-dressed women in Lagos all gathered under one roof. Each year has its own theme, its own vibe, and its own memorable moments — and this year is shaping up to be the best one yet.

Previous themes have included Sophisticated Elegance in 2024 and Lagos High Fashion in 2025. This year, the theme is Pastels and Petals.

Mary Edoro, Chief of Staff at BellaNaija, moderates the ‘Becoming Her’ session with panellists Nancy Isime and Tania Omotayo. This conversation focuses on visibility, the art of reinvention, and the importance of owning your personal narrative in the digital age.

What to Expect This Year

Think of this as your full guide to the day.

The afternoon will feature panel sessions bringing together women who have been doing genuinely interesting work — conversations designed not just to inspire but to leave you with something practical and real to take away. Past panel sessions have covered everything from entrepreneurship and collaboration to women’s health and innovation, and this year’s discussions promise the same depth and honesty that BNS conversations are known for.

Omotunde Ibironke, Head of Partnerships and Growth at BellaNaija, leads a discussion on financial wellness with panellists Odunayo Eweniyi and Ibukun Akinola. The session focuses on ‘The Self-Love Fund,’ exploring wealth-building as a practical act of self-care and a love letter to your future self.

Beyond the panels, there will be the full High Tea experience — exquisite food and drink, curated activations from our partners, networking opportunities with women you will actually want to stay in touch with, and the kind of afternoon that reminds you why community matters.

And then, of course, there is the fashion.

Nollywood actress Sunshine Rosman embodies the ‘Pastels and Petals’ theme for High Tea with BellaNaija Style 2026 in a custom Melira dress. For this edition, guests are expected to arrive in soft, luminous tones and botanical-inspired textures that celebrate the spirit of the season.

What to Wear: Your Pastels and Petals Style Guide

This year’s dress code is doing a lot, and we mean that in the best way. Pastels and Petals is an invitation to show up in soft, luminous colour and floral sensibility. This is not the time to fade into the background. This is the time to be the garden.

Here is how to approach it:

• Start with colour: The three pastel anchors you can never go wrong with are yellow, pink, and blue. Lavender, sage, soft peach, and powder blue are all fair game. If you have been sitting on a pastel piece waiting for the right occasion, 26th April is it.
• Go floral, but make it intentional: Florals for this dress code do not have to mean a printed dress — though that works beautifully. A floral accessory, a bloom pinned into your hair, or a beaded floral necklace all count. The idea is to reference the garden, not necessarily to recreate it.
• Support Nigerian designers: BellaNaija Style has always been proud supporters of African fashion, and this is the occasion to reach into your wardrobe, or treat yourself, and support the creatives making beautiful work on the continent. Some favourites who do pastels beautifully include Désire Iyamah, Melira Official, Rendoll, Orire, Dye Lab, SheyOladejo RTW, and Imad Eduso.
• Think about your accessories: Statement floral jewellery works beautifully here, if you have been sitting on a bold floral piece wondering where to wear it, 26th April is your answer. Pearls, beaded necklaces, gold statement pieces, and floral hair accessories all fit the brief perfectly.
• For your beauty look: You have two directions and both work: a burst of pastel colour with soft lids and a pale blush lip, or a clean, dewy skin moment with a glossy neutral. Either way, keep it intentional and keep it you.

The beauty direction for High Tea with BNS 2026 focuses on luminous, dewy skin and delicate colour palettes. Inspired by the ‘Soft Pastel Glam’ of Keke Palmer and the ‘Clean Girl Glow’ of Nia Long, attendees are encouraged to lean into radiant, fresh-faced finishes to complement the floral aesthetic of the afternoon.

It is really going to be an afternoon of substance and style, and we cannot wait to see how our BellaStylistas bring the theme to life.

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A portrait of Funke Akindele showing a sleek high updo, neutral makeup, and a small metallic silver clutch held against the beaded navy dress. Photo Credit: Funke Akindele/Instagram

You know that every time Funke Akindele steps out, she steps out fashionably and stylishly. She never misses a chance to remind us that while she is a powerhouse in Nollywood, grossing over 2 billion naira at the box office, she can just as easily hold her own when it comes to style. If you are wondering why we are saying this, look no further than this Toju Foyeh dress, styled by Zack Styling, that she rocked to the CerAwards last night.

And what a look it is.

Funke arrived in a floor-length navy blue fitted gown that followed her silhouette closely from the chest all the way down to a fishtail hem at the floor. The neckline is a high halter style, leaving her shoulders and arms completely bare — a choice that worked beautifully against the deep navy of the dress. What makes this gown genuinely impressive is the beadwork covering every inch of it. Silver and crystal embellishment is arranged in a scalloped, overlapping arc pattern that runs from the bodice all the way through the skirt, with trailing fringe-like beading at various points across the surface. The construction is dense and architectural, giving the dress a textured, three-dimensional quality that photographs beautifully. A side slit at the hem revealed strappy silver heeled sandals, and she carried a small metallic silver clutch to complete the look.

Funke Akindele posing in a floor-length navy blue halter gown by Toju Foyeh, featuring silver architectural beadwork and a fishtail hem. Photo Credit: Funke Akindele/Instagram

And you know that we have to talk about her hair and makeup right? Her hair was pulled into a sleek high updo with a few loose pieces framing her face at the front, and her makeup was defined and precise — strong brows, clean skin, and a neutral lip that kept the focus firmly on the gown. The result is a look that is glamorous without being excessive, a perfect fit for a record-breaking queen.

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OkayAfrica has announced the return of Afrobeats Intelligence for a fifth season, with Martell joining as sponsor. The podcast, hosted by Joey Akan, launched on February 27th and is rolling out new episodes weekly, featuring some of the most compelling conversations in African music right now.

Season 5 brings in Shallipopi, Wale, Sarz, Ladipoe, Kcee, Joshua Baraka, BOJ, Aniko, Dr. Sid, Magixx, and others across the season. Previous guests have included Tiwa Savage, Ayra Starr, Mr Eazi, and Don Jazzy, and the new season continues in that tradition of sitting down with the artists and voices that define the genre and pushing the conversation beyond where it usually goes. Joey Akan described the new season as the deepest the show has been, with bigger conversations, sharper stories, and more access to the people shaping the future of the music on a global scale.

That ambition is visible in the guest list. Sarz brings the producer’s perspective on the construction of the sound. Wale carries the weight of the diaspora experience and what it means to carry Afrobeats into spaces not built for it. Shallipopi is the current moment in full, a voice that has cut through faster than almost anyone in his generation. Each episode this season adds to an archive that Afrobeats Intelligence has been building for five years, one that functions as a genuine document of how the genre has grown and continues to evolve with every season.

Martell stepping in as sponsor is a fitting partnership. The brand has invested consistently in Nigerian music and nightlife, showing up in the spaces that matter to its audience with intention rather than just visibility. For a cognac house that has been doing things its own way since 1715, backing a podcast that takes the music seriously is consistent with how Martell has always approached the culture. The partnership builds on the brand’s broader commitment to championing the stories and voices shaping Afrobeats’ global influence, and to building presence in the places that genuinely count.

New episodes drop weekly on OkayAfrica‘s YouTube channel and across all major podcast platforms.

Drink Martell Responsibly. 18+

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From the moment guests arrived at the Chivas Regal Watch Party for the Arsenal vs Manchester City clash on April 19 2026, the tone was already set. Before kickoff, the space buzzed with anticipation; drinks in hand, jerseys on display, and conversations flowing easily as guests moved through the experience area.

The Banter Zone served as an early touchpoint, drawing guests in before the game began. It became a space for personal predictions, playful takes, and quick-fire opinions; setting the tone for the night’s mix of football and lifestyle. Moreso, the video booth came alive pre-game, with guests stepping in to share their thoughts and build early momentum ahead of kickoff.

As the match kicked off, attention turned to the screens, but the energy in the room never lost its social edge. Jerseys were everywhere, but not in the usual way. Guests styled them with intention, pairing kits with tailored trousers, bold accessories, and layered pieces that transformed football fits into fashion statements. It was not just about supporting a team; it was about expressing identity.

As the first half unfolded, reactions came in waves: cheers, banter and debates moving fluidly across groups. The “Predict and Win” challenge kept guests engaged, giving them a stake in the outcome as the game progressed.

By halftime, the focus naturally shifted from the pitch to the analysis table featuring Do2dtun, MI Abaga, Efa Iwara, and Igbo Blondie, hosted by Excel Joab, brought humour, sharp takes, and an easy conversational flow that kept the energy high.

The second half pulled everyone back into the game, with emotions rising as the match intensified. Even as Arsenal lost 2–1 to Manchester City, the mood in the room remained vibrant. Reactions were immediate but shared: strangers turning into conversation partners in real time.

Throughout the night, the guest mix added to the atmosphere. Familiar faces like Ruggedman and Joey Akan blended seamlessly with the crowd, reinforcing the sense of a community brought together by culture as much as football. That sense of connection reflects how football is experienced now. It is no longer just about individual fandom, but about shared moments and how those moments are expressed. Showing up, being seen, and engaging with others speaks directly to the “I Rise, We Rise” philosophy.

Guests who purchased Chivas Regal during the game also received official Arsenal merchandise ranging from jerseys to bomber jackets, backpacks, and Stanley cups.

As the final whistle blew, the transition into the afterparty felt natural. The focus shifted from the game to music, conversations, and celebration. What started as a watch party evolved into a full cultural moment where football, style, and community moved as one.

Drink Responsibly 18+

About Pernod Ricard Nigeria

Pernod Ricard Nigeria is the local affiliate of Pernod Ricard, a global leader in wines and spirits.

About the Chivas Regal

Founded in 1786 and produced at the historic Strathisla Distillery in Speyside, the oldest working distillery in the Scottish Highlands – Chivas Regal embodies over two centuries of Scotch whisky craftsmanship. As a leading name in blended Scotch, Chivas is renowned for its signature smoothness, achieved through expert blending of high-quality single malt and grain whiskies sourced from across Scotland. Each expression in the Chivas range is a testament to the skill of our master blenders, combining rich Speyside character with exceptional depth and balance.

At the heart of Chivas is a simple but powerful belief, success isn’t a personal journey but it’s a shared celebration. That’s the spirit of the brand’s campaign, “I Rise, We Rise”. Today’s achievers don’t just rise alone – they bring others up with them. Because when one of us rises, we all rise.

For more information, visit here or follow on @ChivasRegalng. 

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My tenth book and fourth novel, In Our Own Ways, was published in October 2025 by Narrative Landscape Press. The journey from conception to publication took only 15 years. In a 2022 article, I discussed the lengthy manuscript I had titled When Land Spirits Cross Big Waters, while talking about my third novel, A Good Name.

What I did not mention then was that this manuscript became three books. Some of you may have read my novella, Chasing Butterflies, book one. A Good Name is book two, and In Our Own Ways is the third and final part of that magical manuscript that grew with me. Having left Nigeria in 2000, I became the land spirit who crossed big waters.

When the idea for When Land Spirits Cross Big Waters sparked in 2010, my initial plan was to write about two warring Nigerian couples living in the United States. I have always been fascinated by the complexity in humans and human relationships. To be honest, perfect humans are boring. They also do not exist.

As I developed Zinachidi and Eziafakaego’s story, I saw threads of a second story: the new couple wanted to go back home. This led me to set In Our Own Ways in Nigeria. Unlike its siblings, this book never had multiple working titles. Self-assured, it has always known what it is.

With this tenth book, I can finally say that I know and am resting in the knowledge of who I am as a writer, and, as important, who I am not. That is freedom. I think, as creatives or humans, it is essential that we have a clear understanding of both.

I have read several reviews of In Our Own Ways. Good or bad, I do not shy away from reading my book reviews. My heart is pleased with how these characters, who insisted on “japada-ing,” have represented themselves, each in their own flawed and complex way. This demanding heart is not always pleased with my work. Therefore, I am intentional about enjoying the warmth of this joy bath, knowing that water cools. Knowing I still own pots that can be placed back on the fire. 

As I reflect on what lies ahead for this writer girl, I am deeply grateful to my readers and cherish the privilege of dreaming new dreams. With eyes wide open.

__

Yejide Kilanko is the author of novels, In Our Own Ways and A Good Name, and picture books, Juba and the Fireball and The Other Side of Small, published by Narrative Landscape Press.

The post Yejide Kilanko on The Making of “In Our Own Ways” appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

A studio portrait of Asake wearing a black sweatshirt, two gold Cuban link chains, and a black beanie, posing with his arms crossed against a neutral grey background. Photo Credit: Mr Money/Instagram 

We bet you have heard the news that Asake, also known as Mr Money, is planning to drop his fourth studio album, M$NEY, on 1st May 2026 — and we know you are so eager for the day to arrive that the wait is already feeling like the longest week of your life. We get it. We are right there with you.

The good news is that while the calendar moves at its own pace, Asake’s back catalogue has more than enough to keep us dancing until that day comes. The man has given us enough material to keep the countdown going with a proper groove, and that is exactly what we plan to do.

M$NEY follows the successes of Lungu Boy, Work of Art, and Mr Money With The Vibe — three albums that between them broke streaming records, sold out arenas, and firmly established Asake as one of the most consistent artists Africa has ever produced. The man has not released a bad project yet, and anticipation for this one is at an all-time high.

While we wait, and we are absolutely counting down the days, here are five Asake songs to keep on rotation until 1st May arrives.

Sungba (Remix) ft. Burna Boy (2022)

If there is one song that announced to the world that Asake was not playing games, it is this one. Originally appearing on his debut EP “Ololade Asake,” the remix featuring Burna Boy reached number seven on the US Afrobeats Songs chart. Produced by his long-time creative partner Magicsticks, the song combined hypnotic log drums drawn from amapiano, Asake’s fuji-drenched hip-hop flow, and chanted backing vocals that burrowed into your brain and refused to leave. Within a month of the original dropping, Burna Boy had hopped on a remix, and the rest is history. Play this one and watch a room come alive instantly.

Peace Be Unto You (2022)

From his record-breaking debut album “Mr Money With The Vibe,” “Peace Be Unto You,” known widely as PBUY, is the song that showed the full range of what Asake could do with a melody. The track layered Islamic-inspired chants over high-octane production, making it one of the most distinctive songs of his breakout era. It proved that Asake was not a one-trick performer, that he could take sounds from deeply personal and cultural places and turn them into something that connected with millions of people across the world. It sounds just as good today as it did the first time you heard it.

Lonely at the Top 

From his second studio album “Work of Art,” “Lonely at the Top” became his most-streamed song, peaking at number four on the UK Afrobeats Singles Chart and spending 13 weeks on the chart. Where many of his songs are built for movement and celebration, this one sits with you differently. It is introspective and aching, a meditation on the cost of ambition and the isolation that can come with success, themes that clearly resonated with a great many people. Crowds at his concerts have sung along to it with their hands in the air, which tells you everything about how deeply it landed.

Basquiat (2023)

Also from “Work of Art,” “Basquiat” is one of those Asake songs that rewards close listening. Named after the legendary American artist Jean–Michel Basquiat, the track is a confident, swaggering declaration of artistic self-belief — Asake drawing a line between himself and one of the most celebrated creative minds of the 20th century, and doing so without a hint of apology. It peaked at number five on the UK Afrobeats Singles Chart and spent 13 weeks on the chart. It is a record that sounds expensive, and it should — it was made by an artist who knows exactly what he is worth.

Remember (2024)

From “Lungu Boy,” his third studio album, Remember became the most-streamed song in Nigeria on Spotify — a fact that still feels almost impossible to process when you consider the competition. It is a love song, warm and open, built around a melody so straightforward and so well-executed that it feels inevitable. It made converts out of people who had not paid close attention to his earlier work, and it proved that after three albums and countless hit singles, Asake still had entirely new territory to explore.

1st May cannot come fast enough. Make sure M$NEY is the first thing you press play on when it drops.

The post Asake’s M$NEY Drops Soon! Here Are 5 Songs to Keep on Repeat Till Then appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Photo credit: Mrmoney/Instagram

Since his breakout in 2022 with his single, Omo Ope, featuring his former record label boss, Olamide, Asake has grown into a worldwide superstar. His meteoric rise to global stardom could make it difficult to argue that Asake was only signed to a record label 6 years ago. His musical career became so successful in a short time period, compared to what it takes for a Nigerian artist to crossover across the world, releasing three albums, winning a MOBO Award, being twice-nominated at the Grammys, being the first African artist to perform at RedBull Symphony, releasing a collaborative project with Afrobeats legend, Wizkid, and launching his own record label, Giran Republic. Asake went ahead of his peers.

Following the successes of his previous albums, Mr Money With Vibe, Work of Art and Lungu Boy, Asake is set to release his fourth studio album, M$NEY, on May 1st. From the title, it can be assumed that the album is an attribute to himself, Ololade Mr Money, as he fondly calls himself and as he revealed in an interview with Korty, he likes money a lot. With the previous albums, there is a noticeable pattern in the message Asake tries to pass with each album.

His debut album, MMWTV, reveals an artist seeking acceptance on a stage he has suddenly arrived at. As a spiritual person, he believes that stardom is something that can fade, so his album is like an appeal to God and the stakeholders to wish him a successful ride in this journey he has just begun. His second album, WoA, draws from similar inspiration but with a more reinforced belief. He needed to assure the world that he is ready to own the stages and become an Afrobeats global star. With Lungu Boy, he is unapologetic. He has made the money, garnered the fame, performed on multiple stages, and he wants people to understand that. The lyrics of the songs on the album reveal this. He now sings about S-Class, skating and exuberance.

With M$NEY, the pattern could continue, but yet again, with a reinforced belief. These are some of the things you should expect from Asake’s M$NEY:

Good music

One thing Asake will always be proud of is his catalogue. He has songs that became instant classics as they were released. From Nzaza, Terminator, Basquiat, Lonely at the Top, to MMS, Badman Gangsta, he almost has no bad songs. He wouldn’t disappoint on M$NEY. So expect good music on his forthcoming album.

Themes of wealth

Lungu Boy leans on a “big boy” type of theme. With M$NEY, Asake will intend to flex the wealth he amassed over the year. With its title, the album will likely explore success more critically, what it brings, what it costs, and the struggle, if there is any, between fame and identity.

Global positioning

Asake is now a global Afrobeats artist. But like every artist, he definitely wants more. This album is one of his springboards to attain more global relevance, to cover new grounds and achieve new feats.

Less amapiano, maybe?

Asake’s signature sound is Amapiano. In recent times, however, he has been exploring new sounds as experienced in newer releases like Badman Gangsta and Worship.

What are you expecting from Asake’s M$NEY?

The post Everything You Can Expect From Asake’s Forthcoming Album “M$NEY” appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

BamBam posing with one leg forward to reveal a front slit in her ruffled white lace skirt, highlighting her jewelled strappy heels. Photo Credit: Bambam/Instagram

Do you not love it when someone treats their birthday like the occasion it deserves to be? Because BamBam has stepped into her new year with the kind of fashion moment that makes you pause mid-scroll.

The former Big Brother Naija housemate and Nollywood actress is celebrating another year today, and she marked it in a floor-length white lace gown by Medlin Couture, styled by Mimi Yina of Medlin Boss. The dress features a high neckline, sculpted shoulders, long sleeves that open into wide bell cuffs, and a fitted bodice covered in floral lace appliqué. Sheer side panels add contrast, while the skirt falls into layered ruffles with a front slit and sweeping train that gives the entire look movement and presence. She finished it with jewelled strappy heels, a glossy waved bob, defined makeup and sparkling earrings.

BamBam posing in a floor-length white lace gown by Medlin Couture with sculpted shoulders and bell cuffs, set against tall white marble columns. Photo Credit: Bambam/Instagram

Photographed against tall white marble columns beneath an overcast sky, the portraits feel equal parts bridal fantasy and old-school glamour. One thing about BamBam, she knows how to celebrate herself beautifully.

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Watch below

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Konga103.7 FM Covers the ASUS Partner Elevate Summit Nigeria 2026 — A Landmark Moment for Nigeria’s Tech Landscape.

As Nigeria’s leading AI broadcasting station in Africa, KongaFM was invited to be on the ground for the ASUS Partner Elevate Summit Nigeria 2026, a product launch that marks a bold new chapter for technology in Nigeria.

With Konga Group and TD Africa standing as major partners of the event, the summit was a powerful convergence of innovation, distribution, and media, and KongaFM was right at the heart of it.

New Products, New Possibilities

Jasmine Lin, Africa Regional Head at ASUS, took the stage to unveil an impressive lineup of new products, each designed to meet the diverse needs of today’s tech users. The products launched include:

1. ASUS Zenbook DUO
2. ASUS Zenbook A14
3. ASUS Zebook A16 
4. ASUS Vivobook S16 
5. ROG Zephyrus G14
6. ProArt GoPro Edition

One standout feature highlighted during the launch was the MYASUS App, an intelligent built-in tool that offers users helpful suggestions when they are unsure of what to do next, making the experience of using an ASUS device smarter and more intuitive.

Adding to the value proposition, every purchase comes with an impressive additional 700GB of storage, a compelling offer for both everyday users and professionals.

Mohammed Kazim, Head of Sales at ASUS, shed light on how these products will reach Nigerian consumers. Three major distributors have been appointed to drive availability across the country; TD Africa, Tecknodome, and Coscharis Group, with the laptops already available across key outlets in Computer Village, Lagos.

It is a distribution strategy designed to ensure that these products are not just launched, but genuinely accessible to Nigerians wherever they are.

Representing Konga Group, Melvin Eche-Chukwuma added an important dimension to the conversation: the need to effectively pass product knowledge to end users. His contribution underscored a truth that goes beyond the launch itself: great technology is only as powerful as the understanding behind it, and equipping consumers with the right knowledge is critical for real market penetration.

Being specially invited to cover the ASUS Partner Elevate Summit Nigeria 2026 is a reflection of what KongaFM represents; a trusted, authoritative media platform that Nigeria’s biggest brands turn to when they want their stories told with credibility and reach.

As Africa’s number one AI broadcasting station, KongaFM continues to be the platform at the intersection of technology, business, and media, present at every conversation that matters.

Stay tuned to Konga103.7FM for more updates, and get ready for a day full of fun, connection, and unforgettable memories. You can also stream worldwide on kongafm.com. For media inquiries and partnership opportunities, connect with us at info@kongafm.com

Konga103.7FM, Your Commerce and Hit Music Station.

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Ini Edo standing in a carved wooden archway wearing a black pleated gown with a sheer embellished bodice and a statement black stone necklace. Photo Credit: Ini Edo/Instagram

Do you know that today is Ini Edo’s birthday? And what do we do with birthdays, especially when you are a Nollywood star who lives for fashion and style? You go all out to mark the milestone with portraits that essentially stop the timeline.

For this year’s celebration, she chose a black floor-length gown by Medlin Couture that is all about drama and shape. Styled by Mimi Yina of Medlin Boss, the look features voluminous off-the-shoulder pleating, a sheer sequinned bodice, and a satin train that brings even more elegance to the silhouette. She finished the look with a bold stone necklace, matching earrings, and a sleek cropped hairstyle that keeps all eyes on the dress.

Ini Edo posing by a rustic wooden balcony in a black Medlin Couture gown, showing the long satin train and sheer lace detailing. Photo Credit: Ini Edo/Instagram

Set against weathered wood and vintage brass lighting, the portraits carry a rich, cinematic mood. It is a striking way for Ini Edo to begin a new year.

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A grainy, high-contrast black-and-white portrait of Tyla with voluminous hair covering her face, overlaid with a bold pink “A*POP” graphic. Photo Credit: Tyla/Instagram

Tyla is officially ready to usher us into a new era. After months of subtle teasers, the South African singer has confirmed that her sophomore album, A*POP, will be released on 24 July 2026. The announcement arrived via a cinematic trailer that sets a clear tone for what is to come: a project that is unapologetically African, confident, and global.

The trailer serves as a visual manifesto for the A-Pop era. Tyla narrates the transition into this new phase of her career,describing the project as an evolution where she is “settled in” and has a clearer sense of her direction. In an interview with Rolling Stone, she explained that while her debut felt like a “rush,” she now knows exactly what she wants to say. This shift in perspective is evident in the album’s 19-track scope, which Tyla told i-D Magazine “really reflects” where she is in her life now, moving from the initial pressure of a massive debut to a sound that materialised naturally.

It is a significant moment for the singer, who has spent the last two years collecting accolades at a record-breaking pace. Her 2024 self-titled debut, “TYLA,” was the launchpad for “Water,” the viral hit that earned her the first-ever Grammy Award for Best African Music Performance. She proved that success was no fluke by winning the same category again in February 2026 for “Push 2 Start,” making her the first artist to win the award twice and the youngest African artist with two Grammys to her name.

While the full tracklist for A*POP remains under wraps, the album already has a solid foundation. It features “Chanel,” which first appeared on her 2025 mixtape “WWP,” and her recent collaboration with Zara Larsson, “She Did It Again,” which leans into a 2000s-inspired pop aesthetic. There are also reports of a collaboration with Wizkid titled “Dynamite” being part of this cycle, further expanding the cross-continental reach she is aiming for.

Tyla is scheduled to perform at the TODAY Show’s Citi Concert Series in New York City on the day of the release, marking a high-profile start to the album’s life cycle.

Watch the trailer below

The post Tyla Confirms A*POP Release Date With Cinematic Trailer appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Recently, I’ve been noticing the persistent metaphor suggesting that women lose value as they age, gain experience, and accumulate life history. I’m curious about why this idea is so prevalent and who it ultimately benefits. If women spoke about men in the same dismissive way that men often talk about women, it would be clear just how illogical such comparisons are. How is it that men can compare women to used cars? As a writer, I encounter these analogies far too often for any mature person’s comfort. It’s always the women being labelled as worn out or past their prime, as if men have never lived, loved, aged, or faced failures themselves.

Women do not lose value over time. Instead, their experiences yield dividends that enhance their discernment, establish boundaries, and set standards they no longer feel the need to apologise for. When people, men, objectify women, they are stripping away their identity and worth. They approach relationships as if they were shopping for appliances that will serve them rather than forming meaningful connections. Often, the men who are quickest to label women as used are the ones who are themselves emotionally, financially, and spiritually totalled.

In my experience, this double standard subtly undermines marriages. Men often demand that a woman be untouched, unhurt, and without a past. Yet, they carry a significant amount of their own emotional baggage. They seek purity they cannot provide, loyalty they refuse to offer, and flawless histories they themselves have never experienced.

Women internalise these expectations and begin to diminish their own worth. They feel ashamed for living fully, for loving deeply, and for having their own histories. This happens because some men reduce them to objects that are perceived to lose value over time. However, women do not depreciate. Instead, they evolve, refine, and deepen.

Every time I hear a man express these ideas, I remind women of the truth: he is not defining her, he is revealing his own fears. They fear women with experience because experienced women cannot be manipulated. They fear women who have healed because healed women do not tolerate nonsense. They fear women with history because women with history can see patterns.

If the logic were reversed, men would likely falter under the same scrutiny that they impose on women; this is why the analogy fails. A woman is not an object. She is not a tool to be examined for wear. She is a human being whose worth does not lessen with age, use, or experience. Often, the men who struggle to grasp this concept are the ones who have their own imperfections.

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Actress Ini Dima-Okojie posing in a white pleated Toju Foyeh gown against an impressionist-style painted landscape backdrop with white roses, captured by Chuchu Ojekwe. Photo Credit: Ini Dima-Okojie/Instagram

We are still over the moon from the news Ini Dima–Okojie shared yesterday. She announced she is expecting a baby with a short film that was, genuinely, one of the most moving reveals we have seen in a long time.

Because these photos? These photos are a whole moment.

Ini is standing in front of a sweeping impressionist-style painted landscape — golden skies, dark trees, a body of water in the distance — and the whole thing looks less like a maternity shoot and more like someone commissioned a Renaissance painting and then stepped inside it. White and cream flowers, roses and smaller blooms, are scattered all around her feet and trailing across what looks like a bed of earth. The set design alone deserves its own applause.

Ini Dima-Okojie in a white gown with a deep side slit, standing on a set decorated with trailing white blooms and golden-sky backdrop. Photo Credit: Ini Dima-Okojie/Instagram

She is wearing a floor-length white pleated gown with dramatic cape sleeves that pool behind her and a deep front slit that gives the whole look a sharp, contemporary edge. The neckline dips into a deep V. The fabric is sheer and light. Her hair falls straight to her shoulders, her makeup is clean and dewy, and she holds her bump with both hands, meeting the camera with a gaze that is completely open and completely calm.

Ini has been open over the years about her fibroid journey and what it has meant for her health and her hopes. So when she says in her caption that God has been intentional and faithful, and that she gets to be a mother, it does not read like a caption. It reads like the end of a very long sentence that started years ago and has finally found its full stop.

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In many Nigerian households, laundry day often comes with an added challenge, unpredictable power supply. A washing cycle that suddenly stops due to a blackout can leave clothes half-washed, soaked, and inconveniently delayed. For families with busy schedules, restarting laundry from scratch is not just frustrating, it wastes time, water, and electricity.

LG Electronics addresses this everyday concern with a simple but powerful innovation: the Auto Restart feature in LG Twin Tub Washing Machines. Designed with real-life Nigerian conditions in mind, this feature ensures your laundry continues seamlessly, even after an unexpected power outage.

Understanding the Auto Restart Feature in LG Washing Machines

The Auto Restart feature allows an LG washing machine to automatically resume its wash cycle from the exact point it stopped when power is interrupted. Instead of resetting the cycle or requiring manual input, the machine retains the previous settings and continues washing once electricity is restored.

This intelligent design removes the need to:

• Restart the wash cycle manually
• Guess how long the clothes were already washed
• Repeat washing unnecessarily

For households experiencing frequent power cuts, Auto Restart turns a common inconvenience into a non-issue.

Why Power-Friendly Washing Machines Matter in Nigeria

Power outages remain part of daily life across many parts of Nigeria. From urban centres to rural communities, sudden electricity interruptions can disrupt household routines, especially when appliances are running.

Traditional washing machines often reset completely after power failure. This can result in:

• Incomplete washing
• Over-washing clothes when cycles are restarted
• Increased water and electricity usage
• More time spent monitoring the laundry

LG’s Auto Restart feature is designed specifically to overcome these challenges, making it a highly practical solution for Nigerian homes.

Key Benefits of LG Auto Restart for Nigerian Households

• Uninterrupted Laundry Experience

With Auto Restart, you don’t need to stay close to your washing machine or worry about power restoration while you’re away. The machine takes care of itself and resumes washing automatically.

• Saves Time, Water, and Energy

Restarting a wash cycle means using extra water and electricity. Auto Restart ensures that no part of the wash is wasted, helping households operate more efficiently.

• Protect Your Clothes

Repeated washing or incorrect restarting can lead to fabric wear. By continuing from the correct wash stage, LG Auto Restart helps maintain proper fabric care.

• Ideal for Busy Families and Professionals

Whether you’re managing a large household or balancing work and home responsibilities, Auto Restart ensures laundry doesn’t become another task that demands constant attention.

LG Twin Tub Washing Machines: Built for Real Living

LG Twin Tub Washing Machines are widely appreciated in Nigeria for their durability, affordability, and strong washing performance. Combined with Auto Restart, these machines become even more responsive to local household needs.

Other features include:

• Powerful wash action for tough stains
• Separate wash and spin tubs for greater control
• Long-lasting build quality designed for frequent use
• Efficient water usage, especially useful in water-conscious households

These qualities make LG Twin Tub washing machines a popular choice among Nigerian consumers looking for reliability and value.

Ideal Washing Machine for Areas with Frequent Power Outages

If you live in an area where electricity supply can be unpredictable, choosing a washing machine with Auto Restart is no longer optional but it’s essential. LG washing machines with Auto Restart are especially suitable for:

• Homes with irregular power supply
• Large families with frequent laundry needs
• Users who value convenience and efficiency
• Households looking to reduce water and energy waste

Why LG Washing Machines Stand Out in Nigeria

LG continues to be a trusted name in home appliances across Nigeria due to its focus on durability, smart features, and customer-centric innovation. By designing washing machines that work reliably under local conditions, LG reinforces its position as a brand that understands and responds to everyday challenges.

From Auto Restart technology to powerful wash performance, LG washing machines provide practical solutions that simplify daily life.

Final Thoughts: Less Stress, More Control Over Laundry

Laundry should not depend on the perfect electricity supply and with LG Auto Restart washing machines, it doesn’t have to. By automatically continuing wash cycles after power outages, LG helps Nigerian households enjoy greater convenience, efficiency, and peace of mind.

For anyone searching for the best washing machine for power cuts in Nigeria, LG washing machines with Auto Restart offer a smart, reliable, and stress-free solution – every wash, every time.

For more information, watch or visit

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Age is just a number, they say. But for a lot of people, it is also a measurement of life’s progress. Many people want to achieve certain things at a certain age, so beyond being just a number, and how much or low we’ve spent on earth, it is also a measurement of success. When people arrive at a certain age, they begin to make decisions that they wouldn’t have previously considered. Some begin to be serious, unapologetic, bold; it means to them that they have arrived at the age where everything has been intentional, every decision has to lead towards a goal, an outcome. Some shed off that youthful exuberance, while some embrace living free even more.

But what is the most serious age for you?

A while back, one of our editors, Nnebuife Kwubei, asked some members of the team what age they consider to be serious; that is, the age they become conscious of everything, including embracing the realities of life. Here are their responses:

Osas

Anything above 25 [is a serious age]. Can’t be fooling around anymore.

Motunde

Hmm, I don’t really have a serious age, but if it counts, I’d say 40. I believe it’s the beginning of a new phase of my life, so it’s a good reason to live to the fullest and do all the things on my bucket list.

Deborah

I don’t know, but it’s supposed to be my 20s with more stability, money, knowledge of the world and myself. I know that life is a series of constantly building and finding oneself, but I do genuinely hope that when I’m 40, I’m really happy and content.

Mary

For me, it was 29. I had a lot of fun in my early 20s, so when I was 29, about to turn 30, I knew that I needed to make clear decisions about my career trajectory, my relationships, and my financial obligations. I think 29 is a good age to get serious, because your 20s should be about exploring things, and your 30s should be about making intentional choices that will carry on for the rest of your life.

Splendour

A serious age to me is 20. You’re crossing fully into adulthood and at the same time, still very young. You gave all that youthfulness in place to put life on your preferred path (it helps if you’re not Nigerian). Time ticks, but at 20, you have the opportunity to try things, fail, try again and succeed. You’re not a teenager anymore. 20 is up there. It’s new, it’s scary, but it holds a lot of promise. At 20, you’re not just making long-term goals, you’re trying to act on them. At 20, you begin to question your decisions and environment more than ever. In conclusion, I believe 20 is the age to get serious because your actions, more than ever, begin shaping the trajectory of your life. You feel it in the need for independence, the uncertainties and in societal structure. We’re all new to this thing called life, but once that two-digit age starts with 2, you know you’re off to the next, more serious level.

Pelumi

27 is a serious age to me because it sounds serious. I’m the lastborn in my family, and I feel like once I turn that, I can’t lie to myself anymore that I’m a baby. It’s also 3 years away from 30; what’s more serious than that? It just feels like the age where you can’t lie to yourself anymore, and you owe yourself a certain level of commitment.

Esther

Hmm, I’d say a serious age to me is 30. That’s when things became more intentional. You’re no longer just figuring life out; you’re actively building it. Your decisions carry more weight, especially when it comes to career, finances, and the kind of life you want to live. 30 feels important because it brings clarity. You understand yourself better.

Fumilola

30. I think for me it was the age when I became more. More confident, more aware, more knowledgeable of who I am, what I’m made of and what I can do. It was the age I became. In my earlier years, I battled low self-esteem and a lot of inadequacies. 30 just came with this clarity I never knew I could achieve. I took life less seriously, and I became more intentional in living to the fullest. I also became more assertive.

Okeroghene

No age serious o. Lol. But as a guy, I feel 30 is a serious age. Na there you go really see as life be. But then again, no age is serious. People make it, or not make it at certain ages. It all depends on when things align.

Pamela

I don’t think there’s a specific serious age, to be honest. For me, it’s less about age and more about a mindset shift, when you start thinking with more clarity, taking ownership, and considering the long-term impact of your decisions. For me personally, that point came around 25/26. Why is it important to get serious at that age? For me, 25 felt important because that’s when things started to count a bit more. Up until then, a lot of decisions can still feel like a trial phase. I was exploring (I explored o), figuring things out, and there was a bit more room to make mistakes without long-term impact. But around 25, I started to realise that my choices, career, relationships, and lifestyle were beginning to shape my future in a more lasting way.

It’s also when I started to better understand trade-offs. I realised I can’t do everything, and that saying yes to one thing often means saying no to something else. That awareness made me more intentional. And while you can absolutely pivot later in life, it’s generally easier to make certain changes earlier on. So getting serious at that point isn’t about pressure, it’s about being more conscious and deliberate with your decisions so you’re not just drifting. That shift in mindset is what really matters.

Oluwadunsin

I don’t have a serious age. And I have intentionally kept it that way. I was way more serious in my 20s than I am currently. I intentionally stopped checking the clock. Tbh, I still do once in a while, but I remind myself not to. I have life goals and aspirations, and I try not to attach them to my age. Just wanna live and I’m gonna be unserious till I pe-me.

Ahmad

I used to think clocking 21 was a serious age because it was the age I was leaving school. And as a tradition or stereotype, graduating means you’re made or tipping towards that. So O was scared of the life outside. But that went like a breeze. I am not sure I am yet at that serious age. But an important age definitely was 25 when I got married to the best person on earth and did some incredible stuff. It was really memorable, but as humans, I am already chasing the next thing to mark the speciality of an age. I’m 26, and I want it to be seriously remarkable.

Dein

Ha, I think it’s 40 o. You know that fool at 40 thing. Lol. I just feel 40 is such a grown-up age. It’s like the perfect middle. You can no longer use being young as an excuse for why you don’t have your life together, and you are still young enough to do so much.

Allen

30 is a serious age. I say that because I’m nearing it, and it’s starting to feel like some grace period is coming to an end. You can’t keep blaming circumstances or saying you’re still figuring things out because by then, you’ve had a full decade of adult decisions and you genuinly know better. You start to feel the weight of what you’ve built, and even more so, what you haven’t.

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A collage featuring AMVCA 12 Best Supporting Actor nominees Gabriel Afolayan, Bucci Franklin, and Uzor Arukwe.

Every great film has one. A performance that does not announce itself from the outset, but that you would notice immediately if it were gone. Supporting actors are the architecture of a story — they give the lead somewhere to stand, something to reckon with, and a world that feels lived-in enough to be believable. They are the ones who make the emotional stakes feel real, who absorb the tension so the lead can release it, and who, in the best cases, leave you thinking about them long after the credits roll.

This year’s AMVCA Best Supporting Actor category is a particularly rich one. Across eight nominations drawn from films and series that have dominated conversations since their release, the 12th edition has assembled a field that stretches from first-time nominees arriving on the back of breakout performances, to seasoned veterans returning with fresh material that proves they are nowhere near done.

With the ceremony set for 9th May 2026 at the Eko Hotel and Suites in Lagos, we are taking a closer look at each of them — the films they inhabit, the roles they bring to life, and what this nomination means in the context of their careers.

Sinmileoluwa Hassan — The Yard

If you love a story where the hero slowly becomes the villain, “The Yard” was made for you. The series tracks a character whose moral compass shifts gradually enough that you find yourself questioning what you rooted for at the start. Simileoluwa Hassan’s performance sits right at the centre of that tension, bringing a grounded, measured presence to a story that asks difficult questions about loyalty, ambition, and the cost of survival.

At AMVCA 12, “The Yard” is nominated for Best Scripted M-Net Original and Best Series Scripted alongside Hassan’s Best Supporting Actor nod, a sweep of nominations that speaks to the quality of the production he is working within. This is Hassan’s first AMVCA nomination, and it is a strong way to arrive

Sinmileoluwa Hassan on the set of the M-Net original series The Yard. Photo Credit: Sinmileoluwa Hassan/Instagram

Lateef Adedimeji — Gingerrr and Red Circle  

“Gingerrr” leads the 2026 AMVCA race with nine nominations. It follows a group of women navigating love and friendship, where Adedimeji’s role demands subtlety over spectacle. He enters this year’s ceremony as the most nominated individual, achieving a historic triple nod in the acting categories alone—nominated for Best Lead Actor for “Lisabi: A Legend Is Born,” and for Best Supporting Actor for both “Gingerrr” and “Red Circle.” Adedimeji previously won the Best Indigenous Language Film (West Africa) category at the 2025 AMVCA as executive producer on “Lisabi: The Uprising,” but an acting win at this ceremony has not yet come his way.

A behind-the-scenes look at Lateef Adedimeji filming Red Circle. His portrayal of Oshisco earned him one of his historic triple acting nominations for the 2026 AMVCA. Photo Credit: Nora Awolowo/Instagram 

Femi Adebayo — Agesinkole (King of Thieves) 2

“Agesinkole 2” returns to the legend of the titular character. Femi Adebayo reprises the role he created in the 2022 original, though this sequel places him in the Supporting Actor category as the mythic force behind the narrative. Adebayo arrives as a heavyweight champion, having won Best Lead Actor at the 2025 AMVCA for “Seven Doors.”

Gabriel Afolayan — Colours of Fire

“Colours of Fire” is a fantasy epic where Afolayan plays a supporting character whose choices ripple outwards and affect the lead’s journey. If there is a defending champion presence in this category, it belongs to Afolayan. At the 11th AMVCA in 2025, he won Best Supporting Actor for his performance in Inside Life. He returns now with back-to-back nominations in this category and a win already on the shelf.

Reigning AMVCA winner Gabriel Afolayan on the set of Colours of Fire, returning to the Best Supporting Actor category for his role as Badero. Photo Credit: Valerie Okeke/Instagram 

Femi Branch — Owambe Thieves

In “Owambe Thieves,” Branch brings a seasoned presence to a comedy grounded in the financial pressures of new parenthood. This nomination is part of a massive year for Branch, who also earned a Best Lead Actor nod for the thriller “Red Circle.” This range is a clear step up from his first AMVCA acting nomination in 2025, where he was recognised for Best Lead Actor in the historical drama House of Ga’a.

Bucci Franklin — To Kill A Monkey

“To Kill A Monkey” follows Efemini, a tech graduate drawn into a cybercrime syndicate. Bucci Franklin plays a key figure in that criminal world, making the wrong choices feel entirely reasonable. While the film’s success on Netflix in 2025 put him into much wider conversations, this is not his first time on the AMVCA shortlist. Franklin was previously nominated for Best Supporting Actor in 2022 for “Rattlesnake: The Ahanna Story” and Best Actor in 2025 for “The Weekend.” This year, he returns to the Supporting Actor category for his role in one of the year’s most talked-about productions.

A candid moment on the set of the hit series To Kill A Monkey, featuring director Kemi Adetiba and AMVCA nominee Bucci Franklin sharing a smile during production. Photo Credit: Bucci Franklin/Instagram

Uzor Arukwe — Behind the Scenes

Arukwe plays Victor, the lawyer and closest friend to the lead in “Behind the Scenes,” the first Nollywood production to cross the N1 billion mark in 19 days. Arukwe received a Best Supporting Actor nomination at the 2025 AMVCA for “Suspicion,” and returns this year with both a Best Lead Actor nomination for “Colours of Fire” and this Best Supporting Actor nod, making him a major contender across the board.

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If getting ready each morning has started to feel like a full-time job, Dimma Umeh’s new tutorial arrives right on time.

In her latest video, she shares a minimal daily makeup routine created for rushed mornings and anyone who wants to look polished without spending an hour in front of the mirror. It is simple, practical, and easy to follow.

She also pays attention to sparse brows, showing how to shape and define them in a soft, natural way without making them look too heavy. The result feels fresh and balanced.

Overall, this routine is all about doing less while still looking put together. Think light, effortless makeup that works for everyday life.

If you have been looking for a faster way to get ready, Dimma may have just given you the answer.

Watch below

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Afrobeats superstar, Asake, also known as Mr Money, has announced the release date of his long-awaited album, M$NEY. The album will be released on the 1st of May, 2026, as announced on his social platform.

Accompanying the announcement, Asake unveiled a video documenting a behind-the-scenes look at the creation of a marble structure in his likeness by Iraqi-Dutch artist Arthar Jabar. You can presave the album via this link.

The upcoming release of M$NEY follows some singles from the superstar, from his 2025 tracks “Why Love” and “Bad Gangsta” ft. Tiakola is on his latest collaboration, “WORSHIP” with world-renowned dance producer DJ Snake. He also dropped a collaborative project with Nigeria’s finest, Wizkid. Grounded in Asake’s unique musical perspective and ever-evolving creative expression, M$NEY reaffirms the Afrobeats powerhouse as a defining voice in music today.

M$NEY, which is Asake’s fourth studio album following the successes of Lungu Boy, Work of Art and Mr Money With The Vibe, will be available on all streaming platforms on May 1. Additional details, including the full tracklist, will be revealed soon.

 

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A three-panel vertical collage of Priscilla Ojo featuring her in a gold metallic corset, a white pearl-encrusted gown, and a purple floral brocade dress.

If you have been wondering where to get ideas for your next big event look, Priscilla Ojo has been supplying options quietly and consistently. She knows how to wear a gown with purpose, and more importantly, she knows that details are what make people pause.

Some people choose one lane and stay there. Priscilla appears to enjoy options. Metallic corsets, pearl-covered mermaid gowns, sculpted florals — she has been moving between moods and doing it well.

We picked three recent looks that deserve a second look.

The Sculpted Gold Corset

Let’s start here because this dress makes an entrance before she even says a word.

The gold corset is built from layered panels that resemble folded fans or shells, creating shape across the torso. It is paired with a champagne crystal-covered base dress that hugs the figure and opens into a soft mermaid finish.

The accessories were wisely kept simple, which lets the corset remain the headline.

If you have a gala, formal dinner or wedding reception coming up, this is how to make metallics feel considered.

Priscilla Ojo in a tiered gold metallic seashell corset over a champagne crystal mermaid gown. Photo Credit: Priscilla Ojo/Instagram

The Petal-Encrusted Mermaid Gown

This one is for anyone who likes texture.

The bodice uses illusion mesh and rows of white beading, while floral appliqués sit at the shoulders. Then the skirt comes in with pearl rows, a fitted silhouette, and a dramatic ruffle train.

What could have felt excessive instead feels carefully arranged. Every section has a role.

Also worth noting: an all-white gown does not need to be bridal. This proves it.

Priscilla Ojo in a white beaded mermaid gown with 3D floral appliqués and a ruffled petal train. Photo Credit: Priscilla Ojo/Instagram

The Purple Floral Sculpted Gown

Now for the colour story.

The champagne-and-purple brocade gives the gown depth from the start, while the basque waist adds shape through the hips. Then those violet organza sleeves arrive and shift the whole look into statement territory.

Finished with a wide circular train, this is the sort of dress made for photos, entrances, and anyone not interested in fading into the background.

Priscilla Ojo in a purple floral brocade gown with exaggerated violet organza puffed sleeves. Photo Credit: Priscilla Ojo/Instagram

Three looks, three different moods, and enough ideas to save for later.

hdhdhdhd

 

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The post Priscilla Ojo Serves Three Unforgettable Occasion Looks From Sculpted Gold to Floral Drama appeared first on BellaNaija - Showcasing Africa to the world. Read today!.