Let’s be honest with ourselves. Many women quietly carry a common belief after having children: “I don’t look the way I used to.” Your body may have changed; you might have gained weight, your stomach may look different, or your face may have altered. Along the way, you might start wondering: Am I still beautiful? Am I still attractive? Do I still look young?

Every woman’s experience is unique. Some women bounce back physically much quicker than others, while for some, the changes can be more pronounced. However, regardless of what happens to your body, there are important truths you need to hold on to. I know this because I have had to learn them myself.

For years, I struggled with my self-image. Eventually, I reached a point where I genuinely felt free. I began to love myself again. I took pictures without immediately searching for my flaws. I could look at my body without criticising every single part of it. I thought, “Finally, I’ve overcome this.”

However, over time, I noticed myself slipping back into old habits. I started comparing myself to others again and began to criticise myself once more. I wondered: how did I end up back here?

Then I realised something important: I had stopped encouraging myself. I had stopped intentionally reminding myself of the truth. And that taught me something: Getting free is one thing. Staying free requires you to keep reinforcing your truth. Think about your mind as a gate. Every day, things are trying to get through it:  Social media, People’s opinions, Cultural expectations, Beauty standards, comparisons, and your own past experiences. 

You cannot control everything that is projected at you. But you can decide what you accept as truth. And sometimes, you have to actively reject the things that are trying to redefine you. That is where these truths become important.

Truth 1: You were created beautiful by your Creator

Your body may change. Your face may change. You may age. You may have stretch marks, scars, weight gain, acne, or other things you wish were different. But none of these changes your Creator’s intention when He made you. You were created by God, and you were not created by accident. Your beauty cannot be reduced to one body type or one stage of your life.

Truth 2: Motherhood does not cancel your beauty

Having children may change your body. But it does not mean you have become less of a woman. You can be a mother and still be beautiful. You can be a mother and still be attractive.

You can be a mother and still dress well, take pictures, take care of yourself and enjoy your femininity. Motherhood added something to your story. It did not erase you.

Truth 3: Your body does not determine your value

This is one I have had to remind myself of repeatedly. My body does not determine my value. My body shape does not determine my purpose. My appearance does not determine whether I will succeed at what God has called me to do.

I can want to lose weight without hating myself. I can exercise without punishing my body. I can dress beautifully without believing that my clothes determine my worth. Taking care of your appearance and finding your identity in your appearance are two completely different things.

Truth 4: You have to keep speaking over yourself

This is the part I personally missed. I stopped speaking. I stopped reminding myself. I stopped reinforcing the new way I had learned to see myself. And the old thoughts slowly started finding their way back in. So now, I intentionally remind myself of who I am. I don’t say these things because my creator needs to hear them; I say them because I need to hear them.

In conclusion, Mama, you have to be intentional about what you allow to shape the way you see yourself. And if you have been struggling with how motherhood has changed your body, I want you to know this:

You are allowed to care for your body. You are allowed to want to look good. You are allowed to enjoy being feminine. You are allowed to take pictures. You are allowed to celebrate yourself. But don’t hand your identity over to your body. You had a baby. You did not lose your beauty. And the next time society tells you who you should be, remember that you have a gate. Guard it. Speak over yourself.  And keep choosing the truth.

The post Titilade Ilesanmi: Mothers, Having a Baby is Not a Deadline on Your Beauty appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Osinachi Ohale celebrating club success with Pachuca as she brings an end to her 16-year international career. Photo Credit: Osinachi Ohale/Instagram

Nigerian football marks the end of a legendary era as veteran defender Osinachi Ohale officially steps down from international duty after 16 years with the Super Falcons. The 34-year-old centre-back confirmed her decision in a social post on Friday, 25th September 2026, closing out a historic international career defined by 86 senior caps, four FIFA Women’s World Cup appearances, seven WAFCON tournaments, and five continental titles.

Her national team journey began in 2010, anchoring Nigeria’s defence across multiple generations of talent and establishing her status as one of the longest-serving players in the team’s history. She lifted the Women’s Africa Cup of Nations trophy five times in 2010, 2014, 2016, 2018, and 2024, a distinction that earned her a spot in the prestigious IFFHS CAF Women’s Team of the Decade.

On the global stage, her standout performance came during the 2023 FIFA Women’s World Cup in Brisbane, where she netted the winning header against co-hosts Australia and earned the Player of the Match award. While stepping away from national team duty, her career continues at club level with Mexican Liga MX Femenil side Pachuca, following successful spells across the world with Houston Dash in the USA, Växjö in Sweden, AS Roma in Italy, and Alavés in Spain.

Osinachi Ohale in domestic action for Mexican club Pachuca. Photo Credit: Osinachi Ohale/Instagram

Reflecting on her journey, Ohale expressed her gratitude for serving her country, writing that from the young girl dreaming of green and white to earning 86 caps, she looks back with a heart overflowing with gratitude. She added that she gave the jersey her youth, strength, sweat, tears, and heart, and if given the chance, she would choose Nigeria every single time. She concluded her message noting that while the jersey leaves her shoulders, it will never leave her heart.

Osinachi Ohale celebrating one of her five historic WAFCON titles with the Super Falcons. Photo Credit: Liga Femenil BBVA/Instagram

The Confederation of African Football (CAF) joined in honouring her contribution to continental football, stating that five WAFCON titles represent one immortal legacy, while thanking her for every battle, trophy, and memory.

Her teammates shared similar sentiments across social platforms, with Asisat Oshoala and Michelle Alozie calling her a legend, and Onome Ebi calling her her best ever number six and thanking her for making football enjoyable. Glory Ogbonna expressed gratitude for the opportunity to play alongside her senior commander, while Tosin Demehin noted that learning from her was a special part of her own growth. Rinsola Babajide praised her as the absolute best, and Rasheedat Ajibade thanked her for defending the badge with her whole heart every single time.

Osinachi Ohale commanding the defence for Nigeria during her 86-cap Super Falcons career. Photo Credit: Osinachi Ohale/Instagram

Five-time WAFCON champion Osinachi Ohale posing with her gold medal as she calls time on her international football career. Photo Credit: CAF Women Football/Instagram

The post Osinachi Ohale Retires From Super Falcons After 16 Years and Five WAFCON Titles appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Davido and Aliko Dangote stepping out in New York City during UNGA week.

New York City’s Times Square got a serious double dose of Nigerian excellence when Afrobeats global icon Davido and Africa’s wealthiest man, Aliko Dangote, linked up right in the heart of Manhattan. Standing tall against the vibrant city backdrop, the two stepped out together beneath the massive Nasdaq digital billboard, which was glowing brightly with a major announcement: the official public share offering for the Dangote Petroleum Refinery & Petrochemicals.

The moment brought together two distinct worlds of global influence—music royalty and industrial powerhouse—putting a massive spotlight on African enterprise on one of the world’s most famous stages. The billboard itself showcases a defining milestone for West African business, carrying the proud message, “Made in Nigeria. Built for the World.”

Davido and Aliko Dangote looking up at the Dangote Refinery billboard in Times Square.

The historic initial public offering (IPO) gives everyday retail investors a direct chance to own a piece of the world-scale Lekki refinery project. Running from 14th September through to 13th October 2026, the public offer places 4.1 billion ordinary shares on the market at ₦525 per share. With a minimum subscription threshold set at just 10 shares (₦5,250), it opens up access for young investors, finance enthusiasts, and the wider public across Nigeria to participate directly in the nation’s industrial story.

Beyond the big numbers, seeing both figures sharing the street was a familiar sight for anyone who knows their long history. Dangote has been a close family friend to the Adeleke family for decades, famously driving a young Davido home from the hospital when he was born. Fast forward to New York during United Nations General Assembly (UNGA) week, and that family connection was front and centre as they paused for photos with giant thumbs-up gestures under the flashing lights.

Davido and Aliko Dangote viewing the Dangote Petroleum Refinery advertisement in New York.

Their individual styling for the city stroll caught plenty of attention too. Davido opted for a high-fashion, longline silhouette, layering a dramatic floor-length dark duster coat over a crisp, unbuttoned white shirt and black trousers. The coat’s metallic gold hardware buttons gave the full look a sharp, modern edge, completed with framed dark sunglasses and polished shoes. Dangote matched the moment in classic corporate tailoring, wearing a neatly cut grey patterned two-piece suit with a light blue dress shirt, textured tie, and black leather loafers.

From shutting down global arenas to taking over international financial districts, seeing Nigerian music and business leaders standing together under a billion-dollar home-grown campaign in Times Square is the exact big-picture inspiration we love to see.

Davido styled in a floor-length black duster coat in New York City.

Davido and Aliko Dangote supporting the Dangote Refinery IPO announcement in Times Square.

Davido and Aliko Dangote posing together during their outing in New York City.

***
Photo Credit: Davido/Instagram

The post Davido Joins Aliko Dangote in NYC Times Square to Unveil Dangote Refinery Billboard | See Photos appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Luiza Santos, Aisha Emablo, and Jessica Cubala presenting traditional Bissau-Guinean styling for Miss Guiné-Bissau UK 2026.

Miss Guiné-Bissau UK 2026 is bringing together 12 young women of Bissau-Guinean heritage, each with her own story, personality and reasons for taking part in the competition.

The contestants represent different ethnic backgrounds, from Balanta and Fula to Mandjaco, Mandinga, Pepel and Mankanhi, while their lives outside pageantry are just as varied. Among them are an aspiring entrepreneur, a former school athlete, a trained guitarist, a content lover and a woman who happens to be one of 10 siblings.

The grand finale will take place on 24th October 2026 at AUGB Manchester, where the contestants will compete for the Miss Guiné-Bissau UK 2026 crown. The competition also creates a space for them to celebrate their Bissau-Guinean heritage and connect with their community.

Before the finale, here is a closer look at the 12 contestants competing for the Miss Guiné-Bissau UK 2026 title.

Jessica Cubala

Representing the Balanta ethnic group, 24-year-old Jessica describes herself using three words: authentic, witty, and loyal. She brings a practical business background to the competition through her daily career moves. Sharing a fun detail about her path, she mentions, “I work with a plantain rum company, which has taught me a lot about branding and connecting with people, which fits my personality perfectly.”

Jessica Cubala representing the Balanta ethnic group for Miss Guiné-Bissau UK 2026.

Eldinha Lopes

At 20 years old, Eldinha carries Pepel and Mandjaco heritage and defines her character as creative, determined, and open-minded. She enjoys a balanced lifestyle that mixes personal space with social moments. Opening up about her personality dynamics, she reveals, “I love being alone, but I also love going out and making memories. People often think I like them, but the quieter I am around you, the more comfortable I feel.”

Eldinha Lopes showcasing traditional West African attire and cultural props for Miss Guiné-Bissau UK 2026.

Luiza Santos

Carrying Mankanhi roots, 25-year-old Luiza approaches the runway with three guiding traits: confident, resilient, and optimistic. She thrives on creating an upbeat environment wherever she goes. Reflecting on her social reputation among friends, she notes, “I’m known for bringing positive momentum whenever I go.”

Luiza Santos representing Mankanhi heritage for Miss Guiné-Bissau UK 2026.

Ilce Dans

Representing Mandjaku and Mandinga heritage, Ilce sums up her core values in three simple words: loving, reliable, and faithful. She has one of the most memorable birth stories among this year’s contestants. Sharing the story of her arrival into the world, she explains, “I was born at home because when my mom was in labor and my older sister contacted emergencies, they thought it was a joke until my mom gave birth and they heard me cry in the background.”

Ilce Dans representing Mandjaku and Mandinga heritage for Miss Guiné-Bissau UK 2026.

Gisela Sal

Hailing from the Fula ethnic group, 23-year-old Gisela frames her mindset around being resilient, driven, and confident. Her background includes artistic training that goes beyond the pageantry runway. Reflecting on her musical roots, she shares, “I went to music school for 2 years back in Portugal and learnt how to play the guitar.”

Gisela Sal representing the Fula ethnic group for Miss Guiné-Bissau UK 2026.

Vanessa Cassama

Representing Fula and Jakanka heritage, 26-year-old Vanessa describes her personality as extroverted, energetic, and thoughtful. She loves engaging with global pop culture and creative media during her downtime. Revealing her favourite pastime, she notes, “A fun fact about me is that I love watching Anime.”

Vanessa Cassama representing Fula and Jakanka heritage for Miss Guiné-Bissau UK 2026.

Maísa Spencer

At 18 years old, Maísa represents the Fula ethnic group and describes herself as loud, sensitive, and expressive. Growing up in a large household taught her how to navigate dynamic environments early on. Opening up about her family setting, she reveals, “I’m child number 7 out of 10 siblings, so it’s pretty hectic at home.”

Maísa Spencer representing the Fula ethnic group for Miss Guiné-Bissau UK 2026.

Mireia Detna

Carrying Balanta heritage, 25-year-old Mireia relies on three strong pillars: ambitious, determined, and visionary. She views the competition as a stepping stone toward long-term business goals and community impact. Outlining her future aspirations, she shares, “I dream of becoming a successful entrepreneur and using my platform to inspire young women to believe in themselves and pursue their goals.”

Mireia Detna representing the Balanta ethnic group for Miss Guiné-Bissau UK 2026.

Waldira Da Silva

Representing the Mandjaco ethnic group, Waldira highlights her core traits as loyal, authentic, and determined. She approaches life with a lighthearted outlook and a love for creative hobbies. Sharing what keeps her grounded, she mentions, “I love baking cake. I love to laugh, because I believe life is better with a little happiness and fun.”

Waldira Da Silva representing the Mandjaco ethnic group for Miss Guiné-Bissau UK 2026.

Aisha Emablo

With Fula roots, Aisha outlines her key qualities as ambitious, outgoing, and friendly. She feels completely natural under the spotlight and loves creative visual projects. Describing her relationship with the camera, she states, “I love being in front of the camera—photoshoots never feel like work to me.”

Aisha Emablo showcasing traditional Bissau-Guinean styling for Miss Guiné-Bissau UK 2026.

Melissa Djalo

Carrying Fula heritage, Melissa defines her approach to life as compassionate, resilient, and responsible. Before stepping onto the pageant stage, she built a strong background in competitive athletics during her school years in Portugal. Reflecting on her track achievements, she shares, “I might not look like it now, but I used to be very athletic back in school in Portugal. I won multiple medals for 4 consecutive years in sports like relays, sprinting, shuttle runs and cross country. It was something that I really enjoyed doing.”

Melissa Djalo representing the Fula ethnic group for Miss Guiné-Bissau UK 2026.

Manuela Cande Seidi

Representing the Fula ethnic group, Manuela describes her character as resilient, passionate, and reflective. She brings an upbeat, music-loving spirit to this year’s lineup. Sharing what keeps her moving, she reveals, “Whenever there’s music, no matter where I am, you will always catch me dancing!”

Manuela Cande Seidi representing the Fula ethnic group for Miss Guiné-Bissau UK 2026.

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Photo Credit: Miss Guinea Bissau UK/Instagram 

The post From Guitarists to Athletes, Meet the 12 Miss Guiné-Bissau UK 2026 Contestants appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Shoday drops his latest Afrobeats single CHE featuring Magixx. Photo Credit: Shoday/Instagram

If you’ve spent any time on TikTok over the past week, chances are you’ve already had snippets of this hook playing on loop in your head. Shoday has officially dropped his new single, Che, and he brought Mavin Records’ Magixx along to complete the vibe.

Following his last drop, Move, Shoday uses Che to lean into a smooth, melody-driven Afrobeats sound that feels effortless. Produced by Shallythechampion, the track hits that comfortable sweet spot: a steady, bouncy rhythm that doesn’t rush, giving both artists plenty of room to bring their own flavour to the mic.

What makes the record work so well is how naturally Shoday and Magixx play off each other. Shoday sets the stage first with his easygoing, conversational flow and a catchy hook built for instant replay. Then Magixx slides in with his signature silky vocal texture, shifting the track into a slick Afro-fusion space that feels completely fresh.

The song was already a massive hit before it officially hit streaming platforms, with teaser clips sparking over 45,000 video creations on TikTok in just forty-eight hours.

CHE is out now and ready for your weekend rotation

Listen below

The post Shoday and Magixx Find Their Rhythm on New Single “Che” | Listen appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Today, we are spotlighting KW33N B. KW33N B, also known as B3NEDICTA, is one of the exciting young artists making waves on the internet through her music in recent times. Her song, Smooth Ole Buruku, gained attention across the internet this year. In this feature, KW33N B shares how she discovered her belief in music, where she is currently in her journey and her absolute dream with music.

Hey hey, KW33N B, how are you feeling?

Hi BellaNaija. I feel alright. Thank you for having me.

What first made you believe music was something you wanted to pursue seriously?

Music has always been a part of my life. I grew up surrounded by it, and singing came naturally to me. But the moment everything changed was when I realised I could do more than just sing other people’s songs; I could create my own. The idea that I could turn my thoughts, emotions, and experiences into music made me see it differently. It became more than a passion; it became my escape from reality and the place where I felt most understood. That was when I knew I was meant to be an artist.

Do you remember the first song you ever recorded?

The first song I ever recorded was Masterpiece in December 2023. Looking back, it reminds me of how fearless I was in simply creating without overthinking. Every song since then has helped me grow, not just musically but personally. Those early moments taught me that every experience, whether good or bad, has the power to become something meaningful through music.

Your song, Smooth Ole Buruku, gained a lot of attention this year. How did that make you feel?

I’m at the very beginning of my journey. There’s so much more I want to discover, both about myself and my artistry. Every new experience teaches me something, and I think that’s what makes this stage so exciting.

One of the biggest milestones for me was seeing the response to my rendition of Smooth Criminal. It introduced me to people who had never heard of me before and reminded me that one moment can change everything. More importantly, it gave me the confidence to embrace who I am as an artist fully.

Artists have influences that define the kind of music they eventually make. How would you describe your sound or type of music?

I’ve learned that I absorb everything around me. The way life treats me, the people I meet, and the emotions I experience all find their way into my music. My perspective has evolved as I’ve grown, and so has my sound. I would describe my music as a blend of Afrobeats, soul, and pop, but I don’t like limiting myself to one sound. I create from a place of honesty, and I let the emotion of each song decide where it goes.

What inspires you to make music? What do you draw inspiration from?

The biggest inspiration behind my artistry is everyday life. My songs are influenced by thoughts, emotions, conversations, and experiences that people go through every day. I believe the most powerful music comes from being honest about the human experience.

When people discover your music years from now, what do you hope they’ll find in it?

I hope that years from now my music still feels timeless. I want people to listen to it and still find pieces of themselves in the stories I’m telling, no matter how much time has passed.

More than anything, I hope my music brings people happiness, comfort, and a sense of connection. If someone feels seen, understood, or simply smiles because of something I created, then I’ve done what I set out to do.

What would a truly successful career look like for you?

To me, success isn’t just about numbers or awards. A truly successful career is being able to share my music with the world, connect with people across different cultures, and create songs that continue to live on long after they’re released.

The post On Our Radar: “More Than Anything, I Hope My Music Brings Happiness to People” – KW33N B appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

The event brought together leading dermatologists, medical practitioners, skincare professionals, beauty and lifestyle influencers, dermatology entrepreneurs and key stakeholders from Nigeria’s beauty, skincare and aesthetic medicine industries.

The Lagos event formally introduced ISISPHARMA’s renewed franchise strategy for the Nigerian market, reinforcing the brand’s commitment to expanding access to science-led dermatological skincare solutions in Nigeria.

Global Leadership Meets Nigerian Expertise

The event welcomed a delegation from ISISPHARMA’s headquarters in France, led by CEO Grégoire Derwavrin.

Representing the brand’s Nigerian operations was the management team of Nigermed Skincare Center, ISISPHARMA’s licensed exclusive partner in Nigeria and the parent company of Prima Derma Center.

Nigermed Skincare Center, founded by Consultant Dermatologist and Venereologist Dr. MB Danmallam, popularly known as Dr. D, continues to build bridges between global skincare innovation and the evolving needs of Nigerian consumers and medical professionals. Under Dr. D’s leadership, Nigermed Skincare Center has established itself as a trusted platform connecting leading international dermatology and aesthetic medicine brands with the Nigerian healthcare and beauty market.

The partnership with ISISPHARMA further strengthens this commitment, creating greater opportunities for access to clinically driven skincare solutions across Nigeria.

Addressing the Skin Concerns That Matter

Beyond the formal launch, the event provided a platform for meaningful conversations around dermatology, skin health and evidence-based skincare.

Guests participated in private consultations, expert-led panel discussions and interactive Q&A sessions exploring some of the most common skin concerns affecting Nigerians, including hyperpigmentation, acne and skin barrier damage.

The discussions highlighted the importance of understanding individual skin concerns and adopting scientifically informed approaches to skincare and dermatological treatment.

A New Chapter for ISISPHARMA in Nigeria

The Lagos launch represents an important milestone in ISISPHARMA’s renewed presence and growth strategy in Nigeria, supported by its partnership with Nigermed Skincare Center.

As demand for advanced dermatological skincare and aesthetic medicine continues to evolve in Nigeria, the partnership is positioned to further connect Nigerian consumers and healthcare professionals with innovative solutions rooted in dermatological expertise.

“A New Era for ISISPHARMA” therefore represents more than a launch. It signals a renewed commitment to dermatology, innovation, education and accessible skincare solutions for the Nigerian market.

Sponsored Content

The post ISISPHARMA Officially Launches in Nigeria With New Vision for Dermatology appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Hi BNers, we are packing our bags for Milan, Italy, from 25th to 28th September 2026, for Brutal Fruit Spritzer’s “The Pink Table Milan,” and of course, we are bringing you along.

The Pink Table is a glamorous event series and community movement by Brutal Fruit Spritzer that brings women together to celebrate sisterhood and connection, and we could not be more excited to be part of it.

Think Milan Fashion Week energy, Lake Como views, good food, better company, and a lot of pink. From runway front rows to rooftop dinners, we are here for every bit of it, and we cannot wait to show you what “girls’ trip” really means when it lands in Italy.

We will be sharing this and more across all our social media pages, @bellanaija, so stay close and follow the journey using #BrutalFruitWorld, #PinkTableMilan, and #BNinMilan

Milan, see you soon!

The post “The Girls’ Trip Finally Left the Group Chat”: BellaNaija’s Ink & Dorcas Are Heading to Milan for Brutal Fruit’s “The Pink Table – Milan Edition appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Since Seyi Vibez released his debut project, No Seyi, No Vibe, in 2021, he has not gone a year without releasing a project, EP, or album. Since NSVN, he has released Billion Dollar Baby 1 & 2 (2022), Vibe Till Thy Kingdom Come (2023), Thy Kingdom Come (2023), Memory Card (2023), Nahamciaga (2023), Loseyi Professor (2024), Children of Africa (2025), Fuji Moto (2025), and now his latest, Swaguu (2026). While making music seems almost effortless for him, as he sings in “Karma,” “My inspiration no go divert / Lyrics ti ma ko, angeli gbe wa / O sure wi pe won ma gbe wa,” suggesting that his musical inspiration is divine, one would still ask: is he putting out too much music?

It is a fair question to ask of an artist who has built a career at such a pace. But Seyi Vibez seems to be operating on a different logic. In the Nigerian music industry, you can’t afford to stay silent for too long. Oftentimes, scarcity of music from an artist creates anticipation, and silence can make a return feel difficult. An artist can be easily forgotten, especially if they have not attained the “GOAT” level, when you can simply pop in and out as you like. So Seyi Vibez rarely disappears. There is always another song, another project, another version of himself being introduced to the public. And every time he releases, he amasses the numbers.

There is something particular about the kind of artist Seyi Vibez is. His music is not built primarily around spectacle. He’s a street artist. And while there has been an appreciation for street music in recent times, it remains unconventional. It is rooted in lamba and language. But Seyi Vibez’s Yoruba lyrics can sound intimate even when the subject is ambition. His songs often move between prayer, street wisdom, wealth, survival, romance, spirituality, and the desire to escape one’s circumstances. He makes music that, for many listeners, is less about discovering a new sound every time and more about finding a familiar feeling in a new song.

For an artist whose appeal is deeply tied to how often listeners encounter his music in their everyday lives, releasing frequently can be a form of cultural presence. A Seyi Vibez song does not necessarily need to become an enormous global hit to do its work. His prolificacy means there is almost always something new to attach to a moment. It is why he was the second most-streamed artist on Spotify in 2025. He makes street music with a blend of familiarity. He has the range to blend with any sound.

This is also where the question of glocalisation becomes useful. Nigerian music’s global expansion has never simply been about taking a song made in Lagos and exporting it unchanged to the rest of the world. The more complicated process has been about making local cultural expressions increasingly legible to global audiences without stripping them of their local character. Burna Boy, Wizkid and Davido have, in different ways, demonstrated how Nigerian music can travel while retaining its Nigerian centre.

Seyi Vibez appears to be negotiating that same tension from a different starting point. His advantage is also his challenge: he is unmistakably local. His vocal delivery, melodic choices and relationship with Fuji and street-pop traditions place him within a distinctly Nigerian musical lineage. For an international listener who does not speak Yoruba, much of that meaning has to be encountered through rhythm, tone and context before the words themselves can become fully understood.

His latest album, Swaguu, as an instance within this trajectory because it suggests an artist increasingly conscious of the distance between being popular at home and becoming globally understood. The global ambition does not necessarily require abandoning what made him successful. In fact, it may require doing the opposite: taking the particularities of his sound and finding new ways for people outside Nigeria to enter it. This is partly why releasing frequently can make sense.

New week. New faces on the charts What debut has your top spot? pic.twitter.com/BRAuSSxLF3

— Spotify (@Spotify) September 21, 2026

Global audiences do not discover artists simultaneously. (And by global audiences, I also mean Africans living abroad.) They arrive at different times, through different songs and different platforms. One listener might discover Seyi Vibez through a song from Thy Kingdom Come. Another might encounter him through Nahamciaga (I think this EP introduced him to a lot of the diaspora audience). Someone else might hear a song from Fuji Moto first. A prolific catalogue gives each listener multiple entry points.

There is also a practical reality to contemporary music consumption where songs have shorter cultural lifespans than they once did. The attention economy rewards artists who can consistently give audiences something to discuss, use, perform or return to. For an artist already capable of generating substantial attention, another release is not necessarily competing with the previous one. It can extend the ecosystem around it.

SWAGUU pic.twitter.com/7uxBCJlSYh

— SWAGUU (@seyi_vibez) May 7, 2026

Still, when an artist releases this frequently, individual projects can struggle to breathe. Albums need time to settle into public consciousness. Songs need time to reveal themselves. Listeners need time to understand an artist’s new direction. Too much material can also make it difficult to distinguish a defining statement from a momentary experiment.

This is particularly important for Seyi Vibez because he has already demonstrated that he can make songs that become cultural reference points. The danger of constant output is not necessarily that people will stop listening. It is that the sheer volume can make individual moments feel less significant.

What do you think?

The post Is Seyi Vibez Releasing Too Much Music? appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Happiness stood out among national contenders with a signature serve rooted in ethical bartending, Nigerian heritage, and creative presentation. By repurposing local ingredients, minimizing waste, and designing a captivating ritual serve, her creation demonstrated how technical mastery, cultural grounding, and eco-friendly techniques can yield a cocktail experience that resonates globally.

More than a winning drink, Happiness’ creation embodies the spirit of Hennessy MyWay: there is no single way to experience Hennessy. There is your way.

“Winning Hennessy MyWay Nigeria is a deeply meaningful milestone for me because it celebrates my creativity, my culture, and the future of sustainable bartending. I wanted my serve to tell an authentically Nigerian story—showing that our local ingredients, eco-conscious techniques, and talent can stand confidently on a global stage. Representing Nigeria in Paris alongside the world’s top bartenders is a huge honor. This journey is just beginning, and I can’t wait to share our vision of mixology with the world.”
— Happiness Cletus, Winner, Hennessy MyWay Nigeria

Her progression highlights the growing depth of Nigeria’s hospitality and creative community, where bartenders are increasingly acting as storytellers, cultural ambassadors, and innovators behind the bar.

By bringing Hennessy MyWay to Nigeria, the Maison continues its commitment to discovering, elevating, and championing the craftspeople who are shaping contemporary cocktail culture. The competition gives bartenders the freedom to challenge conventions, embrace eco-friendly techniques, and reinterpret the time-honored Hennessy ritual through their own lens.
For Happiness, that lens is unmistakably Nigerian.

Her journey now moves to its biggest chapter yet: Paris, France, in October 2026. Joining the Top 25 market champions from across the globe, Happiness will put her recipe, sustainability philosophy, and ritual serve to the test before international judges in pursuit of the ultimate Global Champion title and rare Hennessy recognitions.

Lagos provided the inspiration. Hennessy MyWay provided the stage. Paris is next.

About Hennessy

Founded in 1765, Hennessy is the world’s leading cognac Maison and a member of LVMH Moët Hennessy Louis Vuitton. With a legacy spanning more than 250 years, Hennessy continues to unite tradition and innovation while championing culture, creativity, and craftsmanship around the world. Present in more than 160 countries, the Maison continues to push the boundaries of cognac while creating meaningful connections with new generations and celebrating those who dare to create differently.

For more information about Hennessy and the competition, visit www.hennessymyway.com

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A quick trip can easily turn into hours on the road, plans can change without warning, and the unexpected is often just part of the experience.

The recent traffic gridlock that left commuters stranded for hours was yet another reminder that an ordinary day can quickly become a much longer one. And when you know you could be out for longer than planned, being prepared is always a good idea.

Whether you are gliding through peak hour commutes, staying cool during a sunny afternoon, or making a quick market run, a well stocked bag turns daily movement into an effortless flex. It is all about smart preparation: packing the right essentials so you remain ready.

Before you step out to conquer your agenda, make sure your daily bag includes these essentials:

A High-Capacity Power Bank: If there’s one thing Nigerians understand, it is the importance of keeping your phone alive. Your phone is your map, communication line, entertainment, banking tool, work device and sometimes your entire office. So when that battery starts heading towards 10%, panic can set in. Pair it with a multi-connector cable so you are never caught short when your battery hits 5%

Emergency Cash: While digital transfers dominate, network downtime strikes when you least expect it. Keep a small stack of physical cash divided into smaller denominations for danfo fares, POS charges, or buying quick street snacks like plantain chips, gala and fan yogo, when traffic grinds to a halt.

TomTom to Breathe Through It: Some days are simply doing the absolute most. You’ve been stuck in traffic, rushed between meetings, or spent hours moving from one place to another with barely a minute to breathe. TomTom has always been that menthol OG through generations that comes in when you need a quick pick-me-up. No long break required, just a little moment to reset, refresh and Breathe Through It.

Rechargeable Mini Fan: Lagos heat does not respect designer clothes or intact makeup for the ladies. A compact rechargeable fan or even our sturdy traditional hand fan in your tote bag can save you from looking like a swamp at your destination. The moment you step out of an air-conditioned room into a crowded space, a mid-day queue or a non-AC ride, pull out your mini fan.

Wet Wipes & Sanitizer: Dust is persistent and can easily spoil your steeze. Wet wipes are your best friend for wiping down dusty shoes before an important meeting, cleaning your face after a trek, or freshening up after a long day outside. Sanitizer, meanwhile, comes in handy after touching shared surfaces or eating on the go when there’s no water nearby.

At the end of the day, the average Nigerian has mastered the art of always being prepared. These items are essential not because you expect things to go wrong; but because being prepared makes it easier to take on whatever the day throws your way, with the things you need always within arm’s reach.

So next time you grab your phone and house keys, take a second to look inside your tote or backpack. Toss in your power bank, some TomTom, and those little must haves so you can step out feeling ready for whatever the day brings.

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Founder of the Africa International Film Festival (AFRIFF) and the Africa Film and Content Market (AFCM), Chioma Ude, has been honoured at the recently concluded Dhofar International Film Festival in Oman, organised by the Oman Film Society, with an award recognising her global contributions to the film industry.

Ude served as Head of Jury for Short Films, bringing her experience in African cinema, film festivals, film markets, production and industry development to the festival. Her visit also opened conversations around AFRIFF, AFCM, cultural exchange and
bilateral engagement between Nigeria, Oman and the wider African film industry, with discussions focused on strengthening relationships between filmmakers, institutions and industry professionals.

The connection began last year when Ude met Ahmed Othman, an Omani film professional and member of the Oman Film Society. Following their meeting, Ude invited him to Nigeria, where he served as a jury member at AFRIFF and the Africa Film and Content Market (AFCM) in November 2025. The visit subsequently led to Ude’s invitation to Oman to explore further opportunities for collaboration.

Speaking at the festival, Ude reflected:

“I do not come here by chance. I actually came here as a challenge.”

Reflecting on her jury experience, she added:

“We worked very hard. We watched great films. Some of the films made us laugh so much, some of them made us cry. But all in all, we realised the filmmakers worked even harder than we did.”

During the visit, Ude connected with Anwar bin Khamis Al Ruzaiqi, Chairman of the Oman Film Society, whose leadership has been instrumental in the Society’s efforts to create international opportunities for Omani filmmakers and strengthen the country’s connections with the global film industry.

Ude also connected with Bushra Ahmed Razza, the Egyptian actress, singer and producer professionally known as Bushra, further strengthening relationships between African and Middle Eastern film professionals.

The engagement highlights the role of film festivals and markets as spaces not only for film exhibition, but also for training, professional development, business, investment, co-production and cultural exchange. Ude’s international engagement comes as AFRIFF and AFCM prepare for their next major edition in Nigeria.

The 15th edition of AFRIFF will take place from 1–7 November 2026, bringing together filmmakers, producers, distributors, investors, industry professionals and audiences. Alongside the festival, AFCM provides a dedicated market platform for business,
partnerships, content acquisition, investment and professional exchange across Africa’s film and television ecosystem.

Together, AFRIFF and AFCM connect African creative talent with the industry opportunities, partnerships and networks needed to reach wider audiences and markets.

For Ude, the Dhofar International Film Festival represents another opportunity to build bridges between African and international film communities and create pathways for greater exchange between filmmakers and industry professionals.

Her recognition at the festival acknowledges her contribution to the global film industry while further strengthening conversations around the role of African cinema in the international film Landscape.

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Their experiences were different. For Praise and Oluwaseyi, the adjustment came with financial changes, childcare challenges, the absence of extended family support and moments of strain in their marriage. Oluwasanmi and Abigail, on the other hand, found that relocating together strengthened their relationship, helped by the conversations they had before leaving Nigeria and their willingness to share responsibilities.

Both couples, however, spoke about the importance of communication, financial planning, patience, faith, compromise and approaching relocation as something they were navigating together. As conversations around relocation, marriage and building a life abroad continue to resonate with many Nigerians, we’re revisiting these two conversations to look at the realities behind starting over  as a couple.

Praise & Oluwaseyi on Navigating Life As a Couple in the Netherlands

Praise and Oluwaseyi

Praise and Oluwaseyi got married in 2020 and relocated to the Netherlands with their young son in 2022. Their experience shows some of the less-discussed realities of moving abroad as a family, particularly when the support systems you had in Nigeria are no longer readily available.

Tell us about this impact relocation had on your marriage and one remarkable change you had to make 

Praise: There was a particular moment a few months after our relocation when we found ourselves reevaluating our marriage and the state of our lives. We asked the big, tough questions. We were both on edge, engaging in frequent arguments and disagreements over trivial matters, overwhelmed by the challenges of starting all over again in a foreign land. The constant cycle of job interviews followed by numerous rejections, having to pay heavily for daycare so we could work, learning a new language, and having to spend two times our annual rent in Nigeria on rent monthly here weighed heavily on us. As though that was not enough, despite our decent earnings, we struggled to build any substantial savings.

However, we swiftly recognised the need to confront these difficulties head-on and, reminding ourselves how God had specifically chosen this place for us, was such a reassuring anchor during those tough times, which was a lot in the beginning.

Oluwaseyi: One remarkable change was that we placed more structure into our finances by assigning expenses to each other. For instance, rent and utilities are taken by one person while black tax and others are taken by the other.

Continue reading here.

Oluwasanmi & Abigail on Navigating Life As a Couple in the UK

Oluwasanmi and Abigail

Oluwasanmi and Abigail got married in Nigeria in 2022 and relocated to the UK that same year. For them, the move came with its own adjustments, but the conversations they had before relocating helped them approach their new life with a shared understanding of their finances, responsibilities and expectations.

Tell us about one remarkable change you had to make in your relationship, Oluwasanmi

Oluwasanmi: The direct answer to this will be when we were preparing for our baby. At that time, I had to do most of the house chores. And because it was a time while we were moving home, I was combining getting things for the house, doing house chores and working. It was quite challenging, and to be honest, if we were in Nigeria, I would have many people to run some of the errands for us. Here, such help is not available, and even if it is, you will pay for it.

Did your new environment change your marriage in any way, Abigail?

Abigail: We have continued the exact way we ran our home in Nigeria. It works for us and we don’t intend to change it yet. This time, each person just has to put in a little more work

Continue reading here.

Neither couple’s experience represents a universal blueprint for marriage abroad. Relocation affects couples differently, depending on their finances, careers, family circumstances and the realities of the country they move to. But their stories offer a glimpse into an aspect of migration that can sometimes get lost in conversations about “japa.”

The post What Happens to Marriage When Couples Japa? Nigerian Couples Share Their UK & Netherlands Experiences appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Hilda Baci in her white beaded mini dress with Damilola Akinwunmi at her 31st birthday party

Hilda Baci had already given us two birthday looks, but apparently, two was never going to be enough.

After celebrating 31 in an olive green and blush-pink corseted floral mermaid gown by Clasikq Diane and a second look featuring a floor-length gown covered in layers of silver chain links over a structured base, the celebrity chef has now shared a glimpse of what she wore to her birthday party. And this one takes things in a completely different direction.

For the party, Hilda slipped into a white high-neck, halter-style mini dress with beaded fringe falling down the front. The short silhouette was made for a night of celebrating, while the high neckline gave it a more defined shape. The beaded fringe added movement to the white dress, making it feel playful without taking away from its clean silhouette.

Hilda Baci and Damilola Akinwunmi during her 31st birthday party celebrations

And there was someone special by her side for the celebrations: Damilola Akinwunmi.

Hilda’s partner kept things relaxed in a black short-sleeved open button-down over a simple white crew-neck shirt, paired with dark trousers, wire-rimmed glasses and gold jewellery. Together, they shared the sort of sweet birthday moments that make you want to linger over the photos a little longer, from their smiles to the easy way they settled into the celebrations.

Hilda Baci sharing a birthday moment with partner Damilola Akinwunmi

Set against a leopard-print backdrop and surrounded by warm candlelight, the birthday scenes had an intimate feel, with Hilda enjoying the night alongside someone special to her. And after those two glamorous photoshoot looks, her little white party dress was a lovely way to round out the wardrobe for 31.

Hilda Baci wearing her second party look alongside Damilola Akinwunmi

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Photo Credit: Hilda Baci/Instagram

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Omowunmi Dada, Linda Ejiofor-Suleiman, and Scarlet Gomez captured in character during the Abeokuta shoot for the Nollywood thriller Black Market.

Do you know that come 26th of this very month of September, a group of young Nigerian creatives will attempt to break a Guinness World Record for the largest single-location film screening ever?

The film, produced by Nora Awolowo and directed by Fatimah Binta Gimsay, who also co-wrote the screenplay alongside Abdul Tijani–Ahmed, is the highly anticipated crime thriller Black Market. It marks another big-screen moment for the team following the massive success of their 2025 box-office hit, Red Circle.

So, while you get ready to head out to the iconic Tafawa Balewa Square this Saturday, here are five things you should know about the movie and this historic moment.

Lateef Adedimeji, Ibrahim Yekini (Itele D Icon), Shamz Garuba, and Eme Kanaga during behind-the-scenes shoots for Black Market.

A Historic Guinness World Record Attempt

Rather than hosting a typical indoor, invitation-only premiere, the team is opening the doors to 50,000 film lovers at Tafawa Balewa Square (TBS) in Lagos. Their goal is to smash the current world record of 43,000 attendees for a single film screening. It is a bold, community-first celebration of Nollywood that turns a movie premiere into a massive cultural festival. If you are yet to get your ticket, you might want to do that now.

The Story Behind Black Market

Set against the backdrop of fuel scarcity and economic pressure, Black Market follows five market women who build a highly structured, cross-border smuggling network to survive. When a rival kidnaps the daughter of one of the women, their underground empire is thrown into turmoil, forcing them into a high-stakes test of loyalty and survival. Filmed in Abeokuta, Ogun State, it delivers a deeply grounded story rooted in real-world themes.

Omowunmi Dada, Teniola Aladese, Linda Ejiofor-Suleiman, and Susan Pwajok on set filming Black Market.

A Starlight Cast of Nollywood Favourites

The on-screen talent for this project is top-tier. Lateef Adedimeji and Linda Ejiofor-Suleiman lead the charge, bringing serious depth to their roles. They are joined by brilliant performances from Omowunmi Dada, Uzor Arukwe, Scarlet Gomez, Mike Afolarin, Taye Arimoro, Lateef Adedimeji, Linda Ejiofor–Suleiman, Ibrahim Yekini (Itele D Icon), Teniola Aladese, Tomiwa Tegbe, Susan Pwajok, Andrew Yaw Bunting, Shamz Garuba and Adeoluwa Akintoba, making it one of the most exciting ensemble lineups of the year.

Linda Ejiofor-Suleiman and Shamz Garuba on location in Abeokuta during the filming of Black Market.

Women Championing High-Octane Cinema

At its core, Black Market is steered by two of the most dynamic female forces in modern Nollywood: producer Nora Awolowo and director Fatimah Binta Gimsay. Seeing women lead a large-scale, genre-bending crime thriller proves once again that female filmmakers in Nigeria are comfortably taking charge of heavy action and complex storytelling.

Redefining How We Experience Nollywood Premieres

By taking this event to a national landmark like TBS, the team is fundamentally changing how movies meet their audience. It skips the exclusive red-carpet velvet ropes to make cinematic history accessible to everyday fans. It is pure celebration, national pride, and brilliant entertainment all wrapped into one unforgettable weekend.

Producer Nora Awolowo and director Fatimah Binta Gimsay monitoring takes on the set of Black Market.

Filmmakers Nora Awolowo and Fatimah Binta Gimsay, the creative duo behind Black Market.

Linda Ejiofor-Suleiman and Shamz Garuba on location in Abeokuta during the filming of Black Market.

The post Black Market Is Going for a Guinness World Record in Nigeria: 5 Things to Know appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Lagos-born author, streamer, and digital creator Joshua “Tram” Alekewumu before entering Big Brother Naija Season 11 and securing his place in the grand finale. Photo Credit: Tram/Instagram 

Before Big Brother Naija, Tram was already living several lives at once. There was the content creator and live streamer, the YouTuber, the author and entrepreneur, and then there was the guy who could spend his free time boxing, working out or simply “feeding” his brain. Sitting around doing nothing was clearly not his thing.

Born Joshua Alekewumu, the 24-year-old Lagos native had built his world around digital content and the things that genuinely interested him. Gaming and streaming gave him a space to connect with people, while fitness and boxing became part of his life outside the screen. He also describes himself as someone who does not like being limited to one lane, taking on creative and entrepreneurial pursuits alongside his work as a content creator.

Away from the work, Tram sees himself a little differently from how some people might initially read him. He describes himself as a sweet, easygoing free spirit, even though he knows he can come across as tough. He also has no shortage of confidence in himself. When asked about the habits that irritate people, his response was simple: “Irritate is a strong word. Some just can’t stand my audacity.”

Before BBNaija Season 11, Tram built an engaged community around gaming, streaming, and lifestyle content. Photo Credit: Tram/Instagram 

There is also an intuitive side to Tram that he considers one of his hidden talents. For him, it comes down to awareness. He says he is “one with the universe” and trusts his intuition, adding that he can often feel something coming before it happens. It is another side to the Lagos native that sits alongside the more competitive personality viewers have seen during his time in the house.

Then there is his approach to life. Tram says he does not spend much time dwelling on things he has said or done, explaining that he does not regret his decisions. If he said something, he meant it, and if he did something, he accepts it for what it was. That same straightforwardness was already evident in how he approached Big Brother Naija.

So, why did he decide to audition for the show? For Tram, the answer was pretty simple. “It’s Big Brother Naija! It’s an opportunity to put myself out there. I feel I’m a gem and the world needs to experience me.” He also made it clear that he was entering the house to play the game, with romance not part of his plan.

And once he got into Biggie’s house, Tram quickly showed that he was not there to sit back and watch the competition unfold.

Tram emerges as the Head of House for Week 7 of Big Brother Naija Season 11.

A major turning point came in Week 7, when he won the Head of House title after coming through the Arena Games. The victory secured his immunity for the week, gave him access to the HoH lounge and allowed him to choose Flora as his companion.

His run has also seen him take part in the weekly Most Influential Player of the Week (MIPOW) tasks, form alliances and navigate nomination rounds and eviction nights. Through it all, he has managed to remain in the competition and secure his place among the finalists of Big Brother Naija Season 11.

From the author and YouTuber creating content before the show to the boxer, fitness enthusiast and self-described free spirit who walked into Biggie’s house believing the world needed to experience him, Tram has given viewers plenty of reasons to get to know Joshua Alekewumu beyond the housemate they see on screen.

Now, with the Season 11 finale approaching, that “gem” is one step away from finding out how far his Big Brother Naija journey can take him.

Tram joins the official Top 10 finalists competing in the Big Brother Naija Season 11 grand finale.

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Sadio Mané laying the first stone for SM10 Agro in Bambali alongside Ousmane Sonko and officials. Photo Credit: Sadio Mané/Instagram

Sadio Mané is taking his dedication to his hometown to an incredible new level. The Senegalese football star has officially broken ground on SM10 Agro, a massive agro-industrial venture right in Bambali where he was born.

With an investment of 11.7 billion CFA francs (around $20.4 million), the Al-Nassr forward is setting out to turn the southern Casamance region into a bustling agricultural hub.

Reflecting on the milestone, Mané spoke about what the moment meant to him:

Laying the foundation stone of SM10 AGRO at Bambali is a deeply symbolic moment for me. This is where my dreams started. The village where I was born, where I grew up and where I learned the values that still guide me today. I don’t want to be remembered just for the goals I’ve scored. Before the stadiums, lights and victories, there was Bambali.

Today, being able to contribute to creating opportunities for the families and young people of my village and all of Casamance is a great pride. Seeing that first stone laid, where it all began for me, causes an emotion that is hard to describe. Bambali is my roots. And this project is a way to help write the rest of our history.

Sadio Mané meeting with His Excellency President Bassirou Diomaye Faye in Dakar to discuss the SM10 Agro development. Photo Credit: Sadio Mané/Instagram

Spanning 500 hectares, the development directly addresses a long-standing challenge in the Sédhiou region. Up to 40 per cent of local mango harvests are lost every year because of missing storage and processing infrastructure. SM10 Agro plans to fix that by planting 78,000 Kent mango trees and building four facilities. Instead of exporting raw, unprocessed produce, the site will process the harvest into mango pulp, purée, dried mango, and mango butter, alongside plans to process guava.

The complex is targeting an annual processing capacity of 8,500 tonnes, supplying domestic markets while exporting across Africa, Europe, and the Middle East. Beyond manufacturing, the site will host an agricultural training centre, a research lab, and facilities for agro-tourism.

Sadio Mané on site in Bambali during the official launch of his $20.4 million SM10 Agro project. Photo Credit: Sadio Mané/Instagram

The initiative is projected to create 1,000 direct jobs at full launch, scaling up to 2,500 local opportunities over time. Supported by Senegal’s investment promotion agency APIX, construction will run over an 18-month timeline with operations set to launch in early 2027.

Following the ceremony in Bambali—where he was joined by National Assembly President Ousmane Sonko—Mané travelled to Dakar to present the project to the President of Senegal, Bassirou Diomaye Faye.

Sharing updates from their presidential meeting, Mané said:

Delighted and honored to have been received by His Excellency Mr. Bassirou Diomaye Faye, President of the Republic of Senegal. Our exchanges involved the SM10 AGRO project. Thank you, Excellence, for your listening, your availability and the attention given to this project that is particularly close to our hearts.

Sadio Mané in the official Senegal national football team kit. Photo Credit: Sadio Mané/Instagram

 

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Throughout her career, Ujunwa has built a strong track record in driving commercial performance, developing teams and building relationships with customers and partners. Her experience across Nigeria and Sub-Saharan Africa has also given her a strong understanding of the region’s markets, consumers and evolving business landscape

In her new role, Ujunwa will lead Reckitt’s West Africa business, with responsibility for driving commercial performance and sustainable growth across the region. She will also focus on building organisational capabilities, developing talent, and creating opportunities for Reckitt’s brands to meet consumers’ evolving needs.

Commenting on her appointment, Ujunwa said:

“I am delighted to join Reckitt and lead its West Africa business. Having spent much of my career working across the region, I am excited about the opportunity to bring my experience to a business whose brands play an important role in the lives of consumers. I look forward to working with our teams, customers and partners to grow our brands, develop our people and deliver sustainable growth, while continuing to ensure we provide better health in more hands everyday across West Africa.”

Ujunwa’s appointment reinforces Reckitt’s commitment to strong leadership and its long-term ambitions in Nigeria, Ghana, Cote D’Ivoire and other West African markets.

Her combination of commercial expertise, transformational leadership, and extensive regional experience will support the company’s ambition to deepen its market presence, drive sustainable growth, and create greater value for consumers, and communities across the region.

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KWS Garment Production Village sets sights on large scale Nigerian manufacturing, jobs and local production from its Ilorin industrial base

Vice President of the Federal Republic of Nigeria, Senator Kashim Shettima, GCON, on Wednesday commissioned the Kwara State Garment Factory in Ilorin, marking an important new chapter for the industrial facility as it enters commercial operation under the management of KWS Garment Production Village.

The commissioning follows the Kwara State Government’s decision to transition the facility to private sector management, with KWS Garment Production Village assuming responsibility for managing and operating the factory under an agreement concluded in May 2026.

The model brings together public investment in industrial infrastructure with private sector manufacturing expertise, commercial discipline and market access, with the objective of building a sustainable garment manufacturing business capable of serving Nigerian and international customers.

During his visit, Vice President Shettima toured the facility and observed its production infrastructure and manufacturing capabilities.

For KWS, however, the commissioning represents the beginning rather than the end of the work.

Led by Chief Executive Officer Folake Akindele, KWS is focused on transforming the industrial infrastructure established by the Kwara State Government into a commercially productive manufacturing platform capable of delivering garments reliably, competitively and at scale.

“The infrastructure is here. The machines are here. The opportunity is here. Our responsibility now is to make it work commercially and sustainably,” said Folake Akindele, CEO of KWS Garment Production Village.

“For me, this is not simply about commissioning a factory. It is about what happens after the commissioning. Can we manufacture consistently? Can we meet quality standards? Can we deliver large orders on time? Can we create jobs that last? Can Nigerian businesses that currently manufacture abroad confidently manufacture here instead? Those are the questions KWS has been established to answer.”

The facility brings together industrial machinery and systems spanning fabric preparation, cutting, sewing, embroidery, printing, finishing, quality control and packing, creating an integrated production ecosystem capable of serving fashion brands, corporate and institutional clients, and large-scale uniform and workwear requirements.

People are central to that production ecosystem. More than 80% of KWS’s current workforce are women, reflecting the company’s commitment to creating meaningful employment, developing industrial skills and expanding women’s participation in Nigeria’s manufacturing economy.

For KWS, the opportunity extends beyond fashion. Building competitive local capacity for garments currently sourced internationally can support import substitution, local content, skills development and job creation, while retaining more economic value within Nigeria.

“Ultimately, our success will not be measured by the machines we have, but by what comes out of this factory, the customers we serve, the people we train and employ, and the value we are able to keep within Nigeria,” said Akindele.

ABOUT KWS GARMENT PRODUCTION VILLAGE

KWS Garment Production Village is the private sector operator of the Kwara State Garment Factory in Ilorin, Nigeria. Led by CEO Folake Akindele, KWS is building a commercially sustainable garment manufacturing ecosystem focused on industrial production, skills development, sustainability and expanding African manufacturing capacity.

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Denola Grey in his full custom Onalaja SS27 outfit at London Fashion Week.

Wide lapels, sequin textures, earth-toned hues and retro aviator shades were all over Denola Grey as he made his way to London Fashion Week.

The fashion influencer and actor stepped out in London over the weekend to attend the Onalaja Spring/Summer 2027 runway show. He was there to support Nigerian designer Kanyinsola Onalaja as she presented her brand’s first official London Fashion Week show, and for the occasion, Denola arrived in a custom look created specifically for the presentation.

The outfit came in a rich chocolate brown, with a sheer mesh two-piece covered in bronze and amber sequin wave patterns. The matching trousers added even more movement through beaded fringe tassels that fell along the legs, while brown suede Cuban-heel boots continued the warm colour palette from head to toe.

Denola Grey wearing custom Onalaja embroidered sequin trousers with hanging beaded fringe and brown suede Cuban-heel boots for the brand’s SS27 show at London Fashion Week.

The jacket brought some structure to all that texture, with wide chocolate-brown silk-satin lapels framing a fitted ribbed scoop-neck tank top underneath. Gold bee clips secured the thin straps at Denola’s shoulders, while smaller gold bee motifs appeared across the front, adding another detail to the otherwise monochrome base.

Denola Grey showing the gold bee strap details and gradient aviator shades from his Onalaja SS27 London Fashion Week look.

He kept the accessories in the same warm-toned family, finishing the look with gradient amber-lensed aviator sunglasses in gold wire frames and a fine gold chain necklace. His clean fade and manicured nails kept the styling sharp, while the retro shades tied together the 1970s reference running through the outfit.

By the time Denola took his seat in the front row, the look had brought together sheer mesh, sequins, fringe, satin and suede without losing its tailored shape, making it a fitting choice for Onalaja’s first official London Fashion Week presentation.

Denola Grey styling a ribbed brown tank top with gold bee embellishments under a draped sequined suit jacket for the Onalaja SS27 London Fashion Week presentation.

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Photo Credit: Denola Grey/Instagram 

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Tems showcasing her crystal choker and 90s-inspired berry lip look at the Burberry SS27 presentation.

You know Tems turns up the music every time you listen to her, right? Well, she knows how to turn up for a fashion moment too.

The Oscar-nominated Grammy winner and Nigerian music star was among the guests at Chelsea College of Arts in London on Monday, 21st September, where Burberry presented its Spring/Summer 2027 collection. The show closed out the official London Fashion Week schedule, bringing together familiar faces from music, film and fashion, and Tems arrived ready for the occasion in a look that immediately caught our attention.

She started with a floor-length cream faux-fur coat, complete with wide lapels and black leather buckled cuffs. The oversized coat did most of the talking, while everything underneath stayed firmly in black: a ribbed scoop-neck crop top and wide-leg cargo trousers that gave the look a more relaxed shape.

Tems highlighting the black leather buckled cuffs and plush cream faux-fur texture of her Burberry coat.

That mix of soft cream and black continued into the styling. Tems added a crystal choker at her neckline and small hoop earrings, then brought in dark angular sunglasses that picked up on the tougher details of the outfit. Her long hair fell in soft waves, with honey-brown highlights sweeping across one side, while a lined berry lip and flushed cheeks completed the beauty look.

With the outfit doing the talking, Tems took her place in the front row alongside Jodie Turner–Smith, Gemma Chan and Rosie Huntington–Whiteley. For a London evening, the combination of faux fur, leather details, wide-leg trousers and dark shades gave her a look that felt right at home at Burberry.

Tems arriving at Chelsea College of Arts in London for the Burberry Spring/Summer 2027 show.

Tems wearing dark angular sunglasses at the Burberry Spring/Summer 2027 runway show in London.

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Photo Credit: Tems/Instagram 

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When you’ve travelled to more than 70 countries, you assume a kind of confidence. You believe you can figure almost anything out when outside your country. But you travel across Italy with three children, aged 12, 12 and 14, using trains, buses, ferries, metros and your two legs, and then humility locates you.

I have been to Italy more than 12 times, so this wasn’t my first visit. In fact, the children and I had already done Milan earlier in January as a winter trip. For our August summer holiday, I wanted something different. Rather than jumping between European countries, could we take one country and travel through it as a circuit? We had eight nights. We flew into Naples and travelled north through Capri, Sorrento, Positano, Amalfi, Rome, Vatican City, Pisa, Florence and Venice before flying home. Had we not already done Milan in January, I would have added two more days and completed the circuit:

Naples → Sorrento & Amalfi Coast → Rome → Pisa → Florence → Venice → Milan.

Ten days. One country. No internal flights. After more than 70 countries, I think this is increasingly how I would advise families to approach Europe: stop counting countries and start drawing a sensible line on the map.

Start Around Naples, But Sleep Strategically

If Capri, Sorrento, Positano and Amalfi are your priorities, you don’t necessarily need to pay Sorrento or Amalfi Coast accommodation prices. We stayed in Castellammare di Stabia. I would also look at Vico Equense or Meta. The important thing is to stay close to a station on the Naples–Sorrento line and use one base for the coast. In other words: sleep where it is cheaper and commute to where it is expensive. For Capri, we took the train to Sorrento and then a taxi from Sorrento station down to the port to meet our ferry. Here came expensive lesson number one. Our train was delayed. We missed our ferry. Our tickets were non-refundable, so we had to buy new tickets for four people.

About €200. Again!

Unless your ticket is flexible or refundable, I would be careful about booking a tightly timed ferry before you arrive. Sometimes it may be better to get to the port first and buy the next suitable departure. Capri itself deserves a full day. The children did the chairlift in Anacapri; we window-shopped, ate at one of Capri’s famous restaurants and experienced one of those fabulous open-top convertible taxis back towards the port. Capri is beautiful. Capri is also very aware that it is Capri. Prepare your wallet accordingly. And learn the word coperto. It is the cover charge you will often see added per person to restaurant bills in Italy. A few euros doesn’t sound like much until everything is multiplied by four. This was also where Italian public transport began testing us. The buses between Capri and Anacapri were packed. You pay your fare, yes. Whether that fare includes personal space is another conversation entirely.

At some point, travelling with children, it becomes your call: save the money and stand packed like sardines or pay more for comfort. Budget travel doesn’t mean always choosing the cheapest option.

Our Sorrento “Rest Day”

Sorrento was supposed to be our rest day. I had directions for Marina Grande. The children had visions of Marina Piccola. By the time we discovered we were discussing two entirely different places, our low-walking rest day involved considerably more walking than planned. Lesson: when your children say they want to go to “the beach”, make them show you the exact beach on the map. If Marina Piccola is your plan, also be prepared to pay for beach clubs if you want some of the better-positioned spots.

And wear comfortable shoes throughout this trip. Honestly, you need the trainers you are wearing and perhaps simple slip-ons for the beach. That’s it. Italy will make you walk even when you have confidently announced that nobody is walking today.

Positano and Amalfi: Make Your Transport Part of the Experience

The next day we did Positano and Amalfi. One useful warning if you’re waiting around Sorrento: don’t assume a family of four can sit in a restaurant, share one pizza and happily wait for the ferry. Some restaurants expect each person occupying a seat to order a meal. If you’re only killing time, get snacks. We travelled towards Positano by bus, walked down through the town towards the waterfront and then took the ferry from Positano to Amalfi. I loved this because one expense did two jobs. We needed transportation anyway, but travelling along the coast by water also gave us those beautiful Amalfi Coast views people pay separately to experience on boat tours.

In Amalfi, spend time around the cathedral and its famous staircase and, obviously, have gelato. Look out for Il Pianeta Del Gelato and the Instagram-famous gelato spots around the cathedral. Actually, just accept now that gelato is a daily Italian budget category.

Before Every Long Train Journey, Find a Supermarket

This became one of my strongest budget rules. Buy your snacks before you get to the station. A packet of Haribo that costs a perfectly sensible amount in a supermarket can suddenly cost around €5 at a major train station. Now multiply everything by four. Water. Sweets. Crisps. Drinks. Something else because somebody is hungry again. Before travelling north to Rome, stock up at the supermarket.

Also, keep coins. Public toilets regularly cost around €1.20–€1.50, and not everywhere takes cards. Four people needing the toilet several times over eight days is apparently a legitimate holiday budget category. Nobody puts that part on Instagram.

Rome: You Don’t Have to Pay for Everything

Rome is where I would encourage families to distinguish between seeing something and paying to enter something. We did the Spanish Steps, Trevi Fountain, Vatican City, St Peter’s Basilica, the Colosseum and Trastevere without buying tickets for every attraction. Do check the current arrangements at the Trevi Fountain before travelling because access has changed from the completely open experience many repeat visitors will remember. If your dates allow it, I would also consider putting Vatican City on a Sunday. When the Pope is in Rome, and his schedule permits, the Angelus is traditionally held at noon in St Peter’s Square.

And while in Rome, go to Giolitti for gelato. Yes, there is gelato everywhere. Go anyway. One thing I did choose to spend money on was a professional family photoshoot outside the Colosseum at sunset. The light was beautiful, and years from now those photographs will probably matter more to me than whether we bought another four attraction tickets. Afterwards, we headed to Trastevere. Our version of clubbing with three children? A public flash mob around Piazza Trilussa. Music, people, dancing and Rome at night. Perfect.

Pisa: Where a Cheap Day Became Expensive

Pisa was supposed to be simple. Arrive. See the Leaning Tower. Take our photographs. Eat. Catch the FlixBus to Venice. First came the local bus. I tapped my contactless bank card believing I was paying for all four of us. Apparently not. One card had paid for one passenger. Then the inspector arrived. Three penalty notices followed.

So here is another rule: never assume public transport payment systems work the same way they do in London. Ask whether every passenger needs a separate ticket or payment method and whether tickets need validating.

Then we missed our FlixBus to Venice. Our carefully budgeted coach journey suddenly became a same-day Pisa → Florence → Venice train purchase. Not the plan.

Not the budget. But it gave us Florence.

Sometimes the Missed Bus Becomes Florence

We had about two hours between trains in Florence, so instead of sitting inside the station regretting our financial decisions, we went walking. As luck would have it, Fiorentina centenary celebrations were happening that same day, so we found ourselves joining the atmosphere before heading back for our train.

It wasn’t on the itinerary. It became part of the holiday. If you’re recreating our journey with 10 days rather than eight, don’t make Florence an accident. Give it proper time. See the Duomo, walk the historic centre, eat and explore before continuing north. Sometimes the missed bus becomes Florence.

Venice: I Would Walk More and Vaporetto Less

We eventually arrived at Venezia Santa Lucia and, like millions of visitors before us, used the vaporetto. Would I automatically recommend it for a family travelling on a budget? No. For four people, it becomes expensive quickly. Add the waiting time, crowds and possibility of paying all that money only to stand packed like sardines again, and the value becomes questionable.

If everyone is physically able and you’re travelling light, walk. A 30-minute walk through Venice isn’t wasted transport time. It is sightseeing. You cross bridges, find little canals, browse shops, stop for gelato and perhaps pick up a frozen Aperol Spritz for the adults along the way. We did, however, pay for a gondola because that was an experience I specifically wanted us to have.

Again: save where it doesn’t matter so you can spend where it does. When it was time for us to leave, we walked back towards Ferrovia at Santa Lucia, took the short train to Venezia Mestre and then caught the Barzi airport coach to Treviso Airport. For four of us, that worked out at roughly €46, compared with around €54 for the more direct airport option we had considered. I also discovered that Barzi can be cheaper when booked sufficiently in advance. But if you’re following my recommended 10-day itinerary, don’t follow us to the airport.

Get on the train to Milan.

Turn Our Eight Days Into Your 10-Day Circuit

We skipped Milan because we’d already taken the children there in January. If you haven’t, it is the logical finish. I would structure the journey like this:

Days 1–4: Base yourself around Castellammare di Stabia, Vico Equense or Meta. Do Capri, Sorrento, Positano and Amalfi.

Days 5–7: Rome and Vatican City.

Day 8: Pisa and Florence.

Day 9: Venice.

Day 10: Train to Milan.

In Milan, visit the Duomo and Galleria Vittorio Emanuele II, then personalise the experience for the children. For the football lovers, visit San Siro Stadium. For the beauty lovers, we did a custom lip-gloss session at KIKO Milano, which was something completely different and the girls enjoyed. Then, obviously, more gelato. If you have an extra day and the budget permits, add Lake Como. Then fly home from Milan instead of travelling backwards through Italy.

The Things Nobody Puts in the Instagram Budget

Family travel is multiplication. €5 isn’t €5 for us. It is €20. A €15 experience is €60.

A €30 attraction is €120. So throughout this trip, I stopped asking only, How much does it cost? I started asking:

Is this worth buying four times? Sometimes the answer was no. The Capri convertible taxi? Yes. The gondola? Yes. The Colosseum photoshoot? Absolutely. Another €5 packet of sweets at a train station? Please direct me to the nearest supermarket. Budget for the unglamorous things too: toilets, coperto, beach clubs, taxis to ports, local buses, supermarket runs and replacement tickets when things go wrong. And travel light. Our backpacks made trains, buses, stairs, stations and unexpected changes considerably easier.

One Country Can Be a European Summer

For Nigerian travellers, I understand the temptation to make a Schengen visa work overtime. You’ve gone through the application. You’ve paid for the international flight. Why not collect five countries? Because more borders don’t automatically create a better holiday. If you’re already spending time in the UK, consider leaving your larger luggage there and using one of the many onward European connections with just what you need. If you’re travelling directly from Nigeria, compare multi-city fares. You could, for example, fly into Naples and home from Milan instead of forcing yourself to return to your arrival city.

Our eight days gave the children Capri, Sorrento, Positano, Amalfi, Rome, Vatican City, Pisa, Florence and Venice. Give yourself 10 days and add Milan. That’s an extraordinary European summer without changing countries every 48 hours or collecting airports. After more than 12 visits to Italy and more than 70 countries, I am increasingly less interested in how many borders I can cross.

I’m interested in how intelligently a journey connects. So, for your next Euro summer, perhaps don’t start by counting countries.

Draw a Line on the Map Instead

Travel light. Follow the railway. Use supermarkets. Keep coins. Read your ticket conditions. Protect important connections. Wear comfortable shoes. Budget for the whole family, not one person, and spend on the experiences your family will actually remember. Most importantly, leave some room for things to go wrong. Because sometimes the train delay costs you €200. Sometimes the €3 bus gives you three fines. And sometimes the missed bus becomes Florence. That’s travel too.

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Professor Obi Davies-Ekwenna speaking at the Redeemer’s Health Village Launch Dinner celebrating Nigeria’s first tele-robotic surgery.

In a historic milestone for healthcare in Nigeria, and across West Africa, Nigeria has officially recorded its first tele-robotic surgery. The groundbreaking procedure, a robot-assisted right radical nephrectomy to remove a cancerous kidney tumour, was performed by Professor Obi Davies–Ekwenna, a board-certified transplant and urologic surgeon and Tenured Professor of Urology and Renal Transplantation at the University of Toledo College of Medicine and Life Sciences.

In a historic milestone for healthcare in Nigeria, and across West Africa, Nigeria has officially recorded its first tele-robotic surgery. The groundbreaking procedure, a robot-assisted right radical nephrectomy to remove a cancerous kidney tumour, was performed by Professor Davies-Ekwenna, a board-certified transplant and urologic surgeon and Tenured Professor of Urology and Renal Transplantation at the University of Toledo College of Medicine and Life Sciences.

Operating in real time from a Toumai robotic surgical console at Redeemer’s Health Village in Mowe, Ogun State, Professor Davies-Ekwenna operated on a patient physically located over 500 kilometres away at Nisa Premier Hospital in Abuja. According to the medical team, the landmark procedure was made possible through a collaboration between Redeemer’s Health Village, Nisa Premier Hospital, and RoboMed Global.

Established by The Redeemed Christian Church of God (RCCG) as a state-of-the-art multi-specialist medical facility in Redemption City, Ogun State, Redeemer’s Health Village was built to deliver world-class tertiary healthcare equipped with advanced diagnostic and surgical technologies.

Expressing profound gratitude for the breakthrough, the hospital shared: “We give all glory to God for this remarkable milestone. We also extend our profound gratitude to our beloved Principals, Pastor E.A. Adeboye and Pastor (Mrs) Folu Adeboye, for their vision, support, prayers and commitment to the advancement of healthcare.”

Professor Obi Davies-Ekwenna operating the robotic surgical console during a procedure at Redeemer’s Health Village.

According to the centre, this victory follows another major achievement earlier in their robotic surgery journey. Prior to this tele-robotic procedure, Professor Davies-Ekwenna also led the medical team at Redeemer’s Health Village to complete their very first robotic-assisted surgery—a successful radical prostatectomy to treat prostate cancer. Celebrating both milestones, the hospital shared: “We are delighted to announce a major milestone at Redeemer’s Health Village; We have successfully completed our first robotic surgery, a robotic-assisted radical prostatectomy.”

Photo Credit: Redeemer’s Health Village/Instagram (Image 1 and Image 2)

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Three times Bonang Matheba wore Nigerian fashion designers Sheye Oladejo, Emagine By Bukola, and Veekee James for major hosting duties

If you ask us what Nigeria and South Africa have in common, we will tell you that it is fashion. There is a lot more, of course, but for the sake of Bonang Matheba and how stunning she looks whenever she steps out in a dress made by a Nigerian designer, we simply cannot help but stick to fashion.

Now, it is no news, and certainly no small feat, that when it comes to fashion and style, Nigerian designers know how to create gowns that command attention. From structured corsets and intricate beadwork to dramatic silhouettes and unexpected colour combinations, Nigerian fashion designers continue to create red-carpet looks for some of the biggest names in Africa. Bonang, fondly known as “Queen B”, has given us several examples, wearing Nigerian creations for major appearances including Miss Cosmo and the Miss South Africa grand finale.

One of those looks came from Sheye Oladejo, who created a custom strapless gown for Bonang for Miss Cosmo, with styling by celebrity stylist Dahmola. The gown brought together deep cobalt, sky blue, turquoise and silver, with the colours flowing through the silhouette before giving way to a cascading fringe hem. An asymmetrical neckline added another shape to the strapless design, while the combination of deeper blue tones and lighter shades gave the dress its layered colour palette.

Bonang Matheba hosting Miss Cosmo 2025 in a blue custom Sheye Oladejo strapless gown with cascading fringe details. Photo Credit: Bonang Matheba/Instagram 

For the 2024 Miss South Africa grand finale, Bonang turned to Veekee James, another Nigerian designer known for her couture gowns and structured designs. Veekee created a deep forest-green gown with a beaded bodice and plunging neckline, which flowed into a teal-blue draped hip and full skirt. The contrast between the fitted, embellished bodice and the fluid skirt gave the gown its shape, while the forest green and teal kept the colour palette firmly in the jewel-tone family.

Bonang Matheba hosting the Miss South Africa 2024 grand finale in a structured forest green and teal gown by Veekee James. Photo Credit: Bonang Matheba/Instagram 

Then, for another Miss Cosmo appearance, Bonang wore a creation by Emagine By Bukola. The Nigerian fashion label designed a red and gold floor-length gown featuring sculpted, wing-like shoulder extensions, sheer illusion sleeves and rows of pleating through the skirt. The architectural shoulders established the shape of the look, while the sheer sleeves softened the upper half before the pleated skirt carried the red and gold palette down to the floor.

Bonang Matheba wearing a red and gold architectural dress by Emagine By Bukola at Miss Cosmo 2025. Photo Credit: Bonang Matheba/Instagram 

What makes these Bonang Matheba fashion moments particularly interesting is how different the three Nigerian designers approached her red-carpet wardrobe. Sheye Oladejo worked with multiple shades of blue, silver and movement through the fringe. Veekee James built her gown around beadwork, a structured bodice and draped fabric in forest green and teal. Emagine By Bukola went in a more sculptural direction with wing-like shoulders, sheer sleeves and a pleated red-and-gold skirt.

Three times Bonang Matheba wore Nigerian fashion designers Sheye Oladejo, Emagine By Bukola, and Veekee James for major hosting duties

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The newly appointed board includes Folake Soetan, Managing Director of Arahas Global Oilfield Services (Sahara Group); Doja Allen, Managing Director and Chief Executive Officer of Cardinal Broadcasting Limited, operators of City 105.1 FM and 93.5 Area FM; Colette Amaeshi, Managing Director of Pulse Ghana (Ringier); Remi Ogunkayo, Chief Executive Officer of Momentum Africa; and Natasha Kofoworola Quist, Regional Director, West Africa, at AGRA. Their collective experience across media, business, communications, technology and enterprise brings a broad range of perspectives to FourthMainland as it develops a new model for how African stories are created, distributed and amplified.

The appointments reflect the scale of the vision behind FourthMainland: to bring different parts of Africa’s content ecosystem into one media group, while building platforms capable of telling African stories with depth, ambition and global relevance. The board’s expertise will support the group as it navigates the intersection of media, storytelling, business, technology and culture, strengthening its institutional foundation while opening new possibilities for partnerships, investment and audience growth across the continent. For Jideonwo, whose career has spanned journalism, television, digital media, film and media entrepreneurship, FourthMainland represents another chapter in a long-standing commitment to building African media institutions rather than simply producing individual pieces of content.

Welcoming the board, FourthMainland expressed gratitude to its members for joining what it described as an “epic journey of African storytelling.” The appointments come as the group prepares to take its ambitions to a new level, bringing together the people, platforms and capabilities required to create a more connected African media ecosystem.

FourthMainland is positioning itself not simply as another media company, but as an integrated home for the continent’s entire content ecosystem, built to tell African stories, grow African talent and take African ideas further.

For more information visit www.fourthmainland.com

BellaNaija is a Media Partner for FourthMainland

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Queen Moremi Women Initiative, the nonprofit arm of women’s empowerment platform Queen Moremi, has announced the third cohort of its flagship free Public Relations training programme for female SME founders and career women. The initiative is designed to equip 5,000 Nigerian women with practical PR, storytelling and communications skills to strengthen their visibility, build credibility and accelerate their business and career growth.

The third cohort will begin on 15 October 2026, with SARA by Wema officially joining the initiative as its Strategic Sponsor. The partnership will enable Queen Moremi Women Initiative to amplify awareness of the programme, extend its reach and equip more women with the practical communication skills, resources and support required to build visible, credible and sustainable brands and careers.

Although the initiative is now entering a more visible phase, the programme has been underway since January 2026. Queen Moremi Women Initiative has spent the year working quietly behind the scenes with different organisations and communities to deliver the training to women at no cost.

The programme forms part of the Initiative’s commitment to providing 5,000 female SME founders and career women with practical knowledge in public relations, personal branding, media engagement, strategic storytelling, digital communications and the effective use of artificial intelligence for visibility and growth.

Through expert-led sessions, learning resources and mentorship, participants are taught how to articulate their value, communicate their work confidently, attract the attention of relevant audiences and use visibility as a strategic tool for business and career advancement.

“Since January, we have been quietly doing the work-building partnerships, and taking practical PR knowledge directly to women who may otherwise be unable to access professional communications support,” said Moremi Elekwachi, Founder of Queen Moremi Women Initiative.

“Many talented women are building valuable businesses, developing innovative ideas and making meaningful contributions within their organisations, but their work remains largely unseen. Visibility is not merely about popularity; it creates access to customers, partnerships, funding, professional opportunities and influence. Our goal is to ensure that more women possess the knowledge and confidence to communicate their value and take their rightful place in the marketplace,” she added.

Elekwachi added that the partnership with SARA by Wema represents an important step towards expanding the programme’s impact.

“We are delighted to welcome SARA by Wema as our Strategic Sponsor. This partnership reflects a shared commitment to equipping women with the tools, resources and opportunities they need to thrive. With SARA by Wema’s support, we can amplify the programme, reach more women and deliver an even stronger learning experience,” said Elekwachi.

SARA by Wema is Wema Bank’s women-focused proposition, created to support women through access to financial services, capacity-building opportunities, business support, career development resources and a community designed to help them grow.

As part of the partnership, participants will also receive relevant financial literacy education to strengthen their understanding of financial management, savings, business banking, access to finance, wealth creation and long-term financial planning.

“At SARA by Wema, we recognise that women require more than ambition to succeed; they also need access to practical knowledge, supportive communities and the right financial and business-growth resources. Our partnership with Queen Moremi Women Initiative provides an opportunity to help more women strengthen their visibility, communicate their value and build sustainable businesses and careers,” said Onyedikachi Ohakwe, Product Manager, SARA By Wema.

The free PR training programme responds to a critical challenge facing many women-led businesses and professionals: The gap between building a strong service or product, possessing valuable skills, and knowing how to communicate that value effectively.

The third cohort and fourth cohorts will be delivered predominantly through virtual learning sessions, allowing women from different locations to participate. Successful participants will also receive supporting resources and certificates upon completion of the programme.

Applications for the third cohort are now open. Eligible female SME founders and career women are encouraged to register through the official programme platform:

https://wema-queen-moremi.alat.ng/

The Queen Moremi Women Initiative free PR Training Programme is proudly supported by: Lagos State Signage and Advertisement Agency (LASAA), BellaNaija, 21 Mag, Marie Claire Nigeria, Exquisite Magazine, Fashion & Co., Cypress Ghana, Dream City, DAME Media and PR Solutions, and Front Page.

Sponsored Content

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Catch up on all the drama, wins, and twists in the BBNaija Season 11 Week 8 recap, proudly brought to you by Minimie.

What a week in Biggie’s house! If there’s one thing Big Brother Naija Season 11 has taught us, it’s that just when you think you’ve figured out the rhythm, Biggie flips the script entirely.

Week 8 threw the housemates straight through the looking glass into a full-blown Wonderland theme, where ordinary routines turned completely surreal and every single day brought a brand new plot twist. From a massive Ultimate Veto Power showdown to emotional ship conversations and a heartbreaking triple eviction, it was a week packed to the brim with top-tier drama. Naturally, keeping up with all this energy calls for a quick break and a delicious pack of Minimie Chinchin to keep the tastebuds happy while we unpack everything that went down.

Barry Takes the Crown and Locks His Finale Spot

The Head of House game this week was no ordinary battle. Beyond the coveted HoH title, the Ultimate Veto Power Holder spot was up for grabs, bringing game-changing privileges along with it. After intense rounds, it all came down to a tense duel between Barry and Keivo. Barry eventually claimed the victory, becoming the very first official finalist of the season. The win gave him the power to shape nominations for Weeks 8 and 9. He picked Keivo as his HoH Loft guest, while Bells took on the Benchwarmer role.

Muudumbari “Barry” Pop-Yornwin secures the Week 8 Head of House crown, becomes the first Season 11 finalist, and uses his veto power to save Aikou

Pitches, Twists, and Pushed Buttons

Biggie completely overhauled the nomination process. Instead of the traditional voting session, each housemate had just two minutes to pitch directly to Barry, explaining why he should use his Ultimate Veto Power to spare them from the chopping block. After hearing every single plea, Barry chose to save Aikou. That decision sent ripples through the house, raising eyebrows and sparking serious side-eyes from Bluethopia and Temi Nkem.

When Ebuka asked Barry why he’s always the guy ladies approach when they need someone to talk to. He asked if Barry is a second option#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/Tlf5P3FmSL

— BellaNaija (@bellanaija) September 20, 2026

A Whimsical Wager Victory

The housemates needed a win after losing the previous week’s wager, and Wonderland provided just the right inspiration. Tasked with creating a Nigerian adaptation of Alice in Wonderland, they dove headfirst into their Character Bible and reference guides. Their hard work paid off handsomely as Biggie awarded them a full wager victory, bringing back much-needed celebration and smiles across the living room.

Ship Updates: YuBells and Bluethopia-Chimsom Chuka

Things were far from quiet on the romance front. After Yusuf admitted in his diary session that he planned to step back from Bells, YuBells shippers were left holding their breath. However, the pair eventually sat down for a deep chat, cleared the air, and closed the distance between them, keeping everyone on an absolute emotional rollercoaster.

Meanwhile, things hit a snag for Bluethopia and Chimsom Chuka. Despite not being an official ship, Chimsom Chuka had been quietly planning a sweet movie date for her. Frustrated by what he described as poor communication on her end, he asked Barry for his BB Bucks back and opened up to Temi Nkem and Sheba about his doubts.

The Mad Hatter’s Tea Party & Keivo’s Arena Streak

Biggie rewarded the housemates’ wager success with The Mad Hatter’s Tea Party. A whimsical Lucky Dip required each housemate to celebrate someone else’s “Unbirthday” through a tailored performance. Dressed in full fantasy gear, everyone leaned into the playful, surreal vibes.

Come Friday, the Arena Games tested flying skills, quick decision-making, and pure risk appetite. Keivo proved his dominance once again, emerging victorious to become the first housemate this season to win back-to-back Arena Games titles. Barry finished right behind as first runner-up, with both taking home extra BB Bucks.

The Sunday Night Shockwave: A Triple Eviction

Just as everyone thought the Wonderland fantasy might end on a smooth note, Sunday night delivered a heavy reality check. In a massive shake-up right before the finale stretch, Yusuf, Bells, and Chimsom Chuka were evicted from the Big Brother house. Leaving three empty beds in one swoop sent shockwaves through the remaining housemates, making it crystal clear that the race for the grand prize is at its absolute peak.

“The money is close. Are you doing enough to be the winner?”

— Ebuka’s final words to the housemates tonight#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/eCOtPzd6io

— BellaNaija (@bellanaija) September 20, 2026

Here’s how you voted for the housemates last week!

Any surprises?#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/jX6J2IsFGi

— BellaNaija (@bellanaija) September 20, 2026

This recap is proudly brought to you by Big Brother Naija Season 11 associate sponsor, Minimie. Keep up with Minimie Nigeria across their social channels for more of the Show Ya Sef fun.

• Instagram: @MinimieNigeria and @Minimienoodles
• Facebook: @Minimie Nigeria
• TikTok: @Minimie_nigeria
• X (Twitter): @MinimieNigeria

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Ten years after creating a platform for women to speak, be heard and influence the conversations that shape society, the Voice of Women Empowerment Foundation (VOWEF), in partnership with Women Radio WFM 91.7, is set to mark its 10th anniversary with the 10th Voice of Women Conference & Awards (VOW2026).

The landmark conference, themed “A Decade of Voices and Impact,” will hold on Tuesday, 6 October 2026, at Harbour Point, Victoria Island, Lagos, with the Secretary to the Government of the Federation, Senator George Akume, CON; renowned business leader and philanthropist, Folorunso Alakija; Erelu Bisi Adeleye-Fayemi, Hansatu Adegbite among distinguished leaders expected to attend. But VOW2026 is not simply a celebration of the past decade. It is a platform for asking a critical question: what comes next for women and girls — and who will shape it?

VOW2026 Awards to Celebrate Outstanding Women, Organisations and Institutions

A major highlight of the 10th anniversary edition will be the VOW2026 Awards, recognising individuals, organisations, companies and government institutions making meaningful contributions to women, families and society. The awards will spotlight leadership, innovation, commitment and measurable impact in advancing the rights, opportunities, participation and wellbeing of women and families. The award categories include Lifetime Achievement Award, Family-Focused Organisation Award, Gender-Balance Empowerment Company Award, Social Media Innovation Award, Woman of the Year Award, Government Agency Supporting Women & Families Award, Civil Society Organisation Supporting Women & Families Award.

A National Platform, From the Grassroots to the Next Generation

With participants expected from all six geopolitical zones of Nigeria, VOW2026 will bring together established women leaders, policymakers, entrepreneurs, grassroots women, students, young women, civil society organisations, development partners, media professionals and advocates. A major feature will be “The Power of Women: Across Generations — Shaping What Comes Next,” an intergenerational conversation bringing together women at different stages of leadership and from diverse fields. The session will explore how experience, fresh perspectives and collective action can strengthen women’s participation and influence across society. To extend participation beyond the conference venue, VOW2026 will be broadcast live on television, radio and digital platforms, enabling audiences across Nigeria and beyond to follow the conversations and participate in the wider national dialogue.

The conference will also spotlight five women contesting the 2027 elections, creating space for conversations around women’s political participation, leadership and representation in decision-making.

VOW2026 will go beyond conversation to create tangible opportunities for women. Asha Microfinance Bank will provide grants to 10 women, supporting their economic aspirations and helping turn empowerment into practical opportunity.

Speaking ahead of the 10th edition, Toun Okewale-Sonaiya, Convener of the Voice of Women Conference & Awards and Executive Director of the Voice of Women Empowerment Foundation, said the anniversary is an opportunity not only to celebrate the journey but to deliberately shape the future.

“VOW2026 is a celebration of ten years of voices, stories, courage and impact. For a decade, the Voice of Women platform has provided a space where women can speak, be heard and contribute meaningfully to conversations that shape our society. As we mark this milestone, we are not only looking back at the journey; we are looking ahead to the next decade and the kind of impact we want to create.”

Aisha Sanni, Programmes Manager, Voice of Women Empowerment Foundation, said the 10th edition was deliberately designed to ensure that the next chapter of the platform reflects the diversity of women across Nigeria and creates space for those whose voices are often missing from national conversations.

“A decade is an important milestone, but for us, it is also a responsibility. We want the next decade to reach further — to women whose voices are often missing from national conversations, and to young women and students who will become tomorrow’s leaders, decision-makers and changemakers. VOW2026 is about creating the space, confidence and opportunities for those voices to be part of what comes next.”

Over the past decade, the Voice of Women Conference & Awards has evolved into a platform for advocacy, empowerment, leadership, dialogue, recognition and action, providing women with opportunities to share their experiences, access knowledge, influence conversations and translate their voices into meaningful change. As VOW enters its second decade, its focus is firmly on expanding that reach — from the grassroots to the highest levels of leadership, and from today’s women leaders to the young women who will carry the conversation forward.

VOW2026 is supported by FirstBank, Asha Microfinance, Lotus Bank, Ekiti State Government, LIRS, Nigeria Bottling Company, LASENA, Air Peace, United Airlines, Checkers Custard, Amandla Institute, Betacare, Dejabys Empowerment Initiative, WRAPA and ActionAid.

From Lagos to the six geopolitical zones, VOW2026 will bring women’s voices into one national conversation — celebrating ten years of progress while creating space for the women who will shape the decade ahead.

VOW2026A: Decade Of Voices And Impact

Date: Tuesday 6 October 2026
Venue: Harbour Point, Victoria Island, Lagos
Media Contact: Emmanuel Olonade, Communications Specialist, VOW2026.
Projects@wfm917.com
Voice of Women Empowerment Foundation (VOWEF)
In partnership with Women Radio WFM 91.7

BellaNaija is a Media Partner for Voice Of Women Conference

The post Akume, Alakija, Fayemi, Others To Headline 10th Voice Of Women Conference appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Every season, Big Brother Naija has always delivered moments that get fans talking long after the end of each season. This year’s season, the 11th season, has already delivered some of these moments. While there are still two weeks to go, this season has given us moments and topics we will always remember when discussing the season.

From Biggie’s twists to housemates’ strategies, these are some of the highlights of this year’s Big Brother Naija season:

Nomy’s Disqualification

Nomy’s disqualification seems like an arrow fans saw coming. Many fans believed the disqualification should have come earlier due to how constantly Nomy disrespected Biggie’s rules, like her constant unwillingness to wear the bench warmer jacket and disobeying some other rules. She was not only disqualified, but she was revoked privileges that come with the show.

The moment Nomy was disqualified from the Big Brother Naija house!#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/ySOOkcNBe9

— BellaNaija (@bellanaija) September 7, 2026

Good bye, Nomy. You had your time in the house.#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/HcDvnX9201

— BellaNaija (@bellanaija) September 7, 2026

Unexpected Evictions

Sometimes, the more active you are on the show, the longer you stay in the game. But this season showed something different. Despite how much some housemates showed themselves this season, they were evicted. Mercedes and Chimsom Chuka, for instance, danced so much at parties and plotted in games. Chimsom Chuka was the most competitive housemate in the house, won the immunity back-to-back, became the head of house twice and danced so much at the Saturday Night Link-Up before the eviction. Yet, he was evicted.

These unexpected evictions are what have made this season unpredictable and fun.

Did you expect that Goddessa’s eviction?#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/8g1j83NXem

— BellaNaija (@bellanaija) August 30, 2026

Chimsom Chuka has been evicted!#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/afke3qVyM3

— BellaNaija (@bellanaija) September 20, 2026

Did you expect Mercedes to have been evicted this week? #BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/pX0je56nnx

— BellaNaija (@bellanaija) August 9, 2026

The Gambits

For the first time, The Gambits were introduced; they were housemates who were only in the house as spectators. They won’t compete for the money or anything. They were simply in the house for the sake of it. What made it interesting? They were voted in by the fans. Aikou and Flora were voted as The Gambits. However, they were later released to partake in the game. Some fans criticised this because they believed being The Gambits had kept them in the house for that long.

The moment Ebuka announced The Gambits!

Flora and Aikou.

Should we say congratulations or what?#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/dOmif1fCDr

— BellaNaija (@bellanaija) August 2, 2026

By the way, The Gambits have been informed that they’ve been reinstated back into the game.

If you could instantly evict one of them, who will you evict?#BBNaijaS11 #BNxBBNaija11 #BBNaija

— BellaNaija (@bellanaija) August 31, 2026

YuBells

Yusuf and Bells gave everyone a show this season! They showed us love and played that love at every chance they got.

When Ebuka asked if anything has happened between Yusuf and Bells

Hehe, it’s getting serious…#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/IWpMv6vSRC

— BellaNaija (@bellanaija) August 23, 2026

And Yusuf and Bells gave us a show in the house o#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/deQyGPRDnI

— BellaNaija (@bellanaija) September 20, 2026

Oyin & Flora’s Friendship

Biggie’s house is not the typical place where you make friends because you’re there to show yourself; you can’t afford to let your guard down. Being friends with someone else might reduce your game strategy. But Flora and Oyin have found a way around their friendship. They are always seen having each other’s back and standing up for each other.

Oyin and Flora’s friendship is so beautiful to see#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/UCY6zd37D8

— BellaNaija (@bellanaija) September 5, 2026

Oyin X Flora, bad combination #BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/GkkpMni8y7

— BellaNaija (@bellanaija) August 30, 2026

The post Some Major Highlights From Big Brother Naija Season 11 So Far appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Registration has opened for the 11th edition of the Nigeria Digital PR Summit 2026 (NDPRS), themed “The Rise of Digital Influence: Culture, Creators and the New PR Playbook.” The flagship digital communication conference will take place on 15 and 16 October 2026 at The Zone, Gbagada Expressway, Lagos.

Attendance is free, but preregistration is required. Click here to Register.

The 11th edition is endorsed by the Office of the Senior Special Assistant to the President on Digital Engagement, Strategy and New Media, and is expected to feature distinguished speakers addressing digital transformation, creativity and culture, and influence engineering in a digitally connected ecosystem. The Summit will convene communication and marketing professionals, business leaders, policymakers, technology innovators, creators, entrepreneurs, academics and media practitioners.

The opening ceremony will feature the launch of the fifth edition of the Digital PR Digest, the Summit’s flagship thought-leadership publication.

The Summit will examine how culture and creators now shape public conversation, and what that shift demands of PR practice. As audiences increasingly place their trust in creators alongside, and sometimes ahead of, traditional media, practitioners need a genuinely new playbook, not an update to the old one. Sessions will explore how brands and institutions build real influence within Nigeria’s creator economy, the shifting architecture of cultural relevance, and practical frameworks for collaborating with and measuring the impact of creator-led communication.

The Summit will culminate in the Third Nigeria Digital PR Awards Gala, themed “Art of Influence,” which will feature the official unveiling and conferment of the Digital Communications Ambassadors, Class of 2026 (DICA 2026), recognising fifty exemplary players driving online influence, thought leadership and professional excellence across agency, corporate, entrepreneurial and creator sectors.

This hybrid edition serves as a training platform for young and mid-level communication professionals, particularly millennials, Gen Z and forward-thinking Gen X, alongside technology companies specialising in internet services, social media and digital innovation.

The Summit is a professional industry initiative established by Segun McMedal, Founder of the Nigeria Digital PR Summit and Lead Partner at Upticomm Marketing Company Limited. Since 2016, NDPRS has positioned itself as one of Africa’s foremost platforms for equipping professionals with practical digital PR strategy, continuing to address the impact of AI and other disruptive technologies on public relations and communication.

Contact +234 818 200 1459, or email for participation and sponsorship enquiries or visit @nigeriadigitalprsummit

Sponsored Content

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Like every other year, 2026 has been a great year of music for Nigeria. From new releases on Fridays to EPs and albums, Nigerian music continues to dominate global charts, win awards and even appear on football’s biggest stages, like Burna Boy performing alongside Shakira at the 2026 World Cup. Davido, Asake, Omah Lay, Kunmie, CKay, Llona, Ayra Starr, Victony, Johnny Drille, Ladipoe, Muyeez, Seyi Vibez, Mavo and others have kept the year busy with stellar albums that all appeared on global charts, including Victony’s smash hit, Slick.

But the more, the merrier. While some of the biggest names have released stellar albums, there are still artists whose albums are eagerly anticipated by everyone. Who are some of these artists?

FOLA

Fola has had a great music year. In fact, he’s had a great music run since his breakout in 2024 with his single, Alone. Ever since, Fola has made himself available to everybody’s ears. His debut album, Catharsis, broke and made several records, amassing over 100 million streams on streaming platforms.

He has now announced his sophomore album, 9, which alludes to his nick, Striker. The album drops on October 9, and has released singles such as treat u right, attention, fine ting, it’s over off the album.

9
October 9. #9isOnTheWay 9⃣

pre-save here: https://t.co/CkiKdkx4LF pic.twitter.com/l62fz5ZXcq

— FOLA (@Folapondis) September 10, 2026

Despite not being released yet, the album has already started charting, which shows how much people actively anticipate the superstar’s album.

FOLA’s unreleased album, “9” peaks at #4 on Apple Music Nigeria Top Albums chart. pic.twitter.com/ibK5ZCwmfG

— THE DEBUT HUB (@thedebuthub) September 11, 2026

Fireboy DML

Fireboy DML’s album is always a delight. He has been praised as one of the few artists in Nigerian music gifted with a good pen game. His previous albums, Laughter, Tears and Goosebumps, Apollo, Playboy and Adedamola, have been critically received and considered classics. Fireboy DML takes music very seriously, which is why his albums get people talking often.

He has announced his latest album, ZUKO!, forthcoming on October 16.

pre-save — https://t.co/mFNoP6E4wT pic.twitter.com/nhRcfc4Hai

— Fireboy DML (@fireboydml) September 20, 2026

Kizz Daniel

Kizz Daniel is famed for surprise album releases. But this time, he has given his fans ample time to expect a new album, Radio Gidi, from him. His new album arrives on the 16th of October.

RADIO GIDI / OCT 16TH
__
NEW MUSIC – OWO OLUWA
_https://t.co/Ep0V56VZid pic.twitter.com/nNzZGTmKHB

— VADO D’GREAT (@KizzDaniel) September 20, 2026

Blaqbonez

Since Blaqbonez became a mainstream artist in 2018 with his debut EP, Bad Boy Blaq, he has consistently remained prominent in the minds of his audience. He also has a blueprint for releasing his albums in October. Almost all his projects have been released in October. He is not changing the pattern this year. He has announced his latest album, Nomadinho: 4th Prime, forthcoming in October.

Blaqbonez is building on the amazing year he’s had this year. From releasing the deluxe of his fourth album, No Excuses, which includes a remake of ACL, the famed track off the album, and his collaboration with Asake on Chanel, Blaqbonez always knows how to play the game of consistency.

NOMADINHO: 4TH PRIME
OCTOBER 2026 pic.twitter.com/4mYk0OBStp

— FRESH PRINCE (@BlaqBonez) September 21, 2026

BNXN

While BNXN’s upcoming project, Still in Charge, is an EP, it deserves to be mentioned, as it is also dropping in October. As it seems, October is going to be a music-filled month in Nigeria, and fans cannot be more excited.

The post From FOLA, Fireboy DML, Kizz Daniel, Expect New Albums From These Artists appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Iyabo Ojo, Efe Irele, and Timini Egbuson lead red carpet style at the Starlomo movie premiere.

What do you get when a movie premiere comes with an African Music Icon dress code? In Lagos, the answer was a red carpet where celebrities took the theme in completely different directions, from sequins and bold colour to patchwork and statement accessories.

The scene unfolded on Sunday, 20th September 2026, as stars gathered for the grand premiere of Starlomo. Produced by Akinyoola Ayoola, popularly known as Kamo State, and directed by Kayode Kasum, the film brought together familiar faces including Odunlade Adekola, Lateef Adedimeji, Ibrahim Chatta, Mike Afolarin, KieKie and Iyabo Ojo, among others.

Starlomo producer Akinyoola Ayoola (Kamo State) attends his film premiere in a graphic blazer framed by yellow striping, paired with black wide-leg trousers, silver chains, and statement rings

Lateef Adedimeji was one of the stars bringing plenty of texture to the carpet, pairing a beige jacket with dark stitching and a black top layered with gold chains. His asymmetrical patchwork trousers added stripes and burgundy pockets to the mix, making the outfit feel like several different pieces had come together in one look.

Lateef Adedimeji mixes beige tailoring with striped patchwork trousers.

Then there was Efe Irele, who took things somewhere altogether more glamorous. She described the look as channelling her “Star Girl”, stepping out in a silver sequinned tunic dress finished with mirrored disc trim and worn over deep maroon tights. A choker and crystal-bow heels completed the look, bringing the silver and deep red together beautifully.

Efe Irele brings retro glamour in a silver sequined tunic dress and plum tights.

Iyabo Ojo went all in on colour with a deep forest-green column gown, where geometric panels in blue, crimson, yellow and cream broke up the silhouette. She added red sunglasses and gold jewellery, turning the accessories into part of the colour story rather than simply finishing touches.

Iyabo Ojo arrives in a forest green column dress embellished with colourful geometric fabric panels.

Timini Egbuson offered yet another interpretation, mixing an earthy patchwork jacket with a teal tie, wide-leg ivory trousers and a cream fedora. The relaxed proportions of the trousers and fedora gave the tailored pieces a more eclectic feel, while the different shades kept the outfit connected to the evening’s African-inspired theme.

Timini Egbuson pairs an earthy patchwork blazer with wide-leg trousers and a fedora hat.

And that was the fun of the Starlomo premiere. There was no single way to interpret an African Music Icon, so the red carpet became a mix of colour, texture, tailoring, sparkle and accessories, with each guest finding their own way into the theme.

Starlomo hits cinemas nationwide on Friday, 25th September 2026. See more looks from the premiere below.

Akinyoola Ayoola (Kamo State) and his wife, Esther Ayoola, step out in themed looks for the Starlomo premiere.

Iyabo Ojo, Efe Irele, and Timini Egbuson lead red carpet style at the Starlomo movie premiere.

KieKie wears a structured maroon and green striped gown finished with white lace accents.

Sophia Chisom channels sculpted elegance in a black deep-plunge mermaid gown.

Lydia Lawrence-Nze chooses volume in a tiered metallic gold silhouette.

Iyabo Ojo arrives in a forest green column dress embellished with colourful geometric fabric panels.

Efe Irele brings retro glamour in a silver sequined tunic dress and plum tights.

Lateef Adedimeji mixes beige tailoring with striped patchwork trousers.

The post See All the Stars Who Showed Up for the Starlomo Premiere in African Music Icon Style appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Aikou, Temi Nkem, and Barry secure their places among the Big Brother Naija Season 11 Top 10 finalists

Are you counting down to the grand finale of Big Brother Naija Season 11 yet? The excitement is reaching fever pitch as the latest turn inside Biggie’s house has completely flipped the game on its head! In a stunning turn of events during Week 9, all ten remaining housemates officially secured their places as grand finalists for the Show Ya Sef edition.

Aikou, Barry, Bluethopia, Flora, Keivo, Oyin, Ricky, Sheba, Temi Nkem, and Tram are officially your Big Brother Naija Season 11 finalists.

So, how did ten housemates make it straight to the final week without facing a nerve-wracking public vote? It all came down to a game-changing decision inside the Diary Room, alongside Keivo’s strategic victory on the Arena floor.

Fresh off winning the Week 9 Head of House challenge, Keivo earned individual immunity and selected Aikou as his Loft mate for the week, while Oyin became the Benchwarmer. However, with the Loft selection granting no immunity to Aikou and Keivo holding no power over the nomination process, the fate of the remaining nine housemates—and the security of Keivo’s own HoH immunity—rested entirely in the hands of Barry.

Having secured the Ultimate Veto Power during Week 8, Barry was summoned to the Diary Room during nominations to make a historic choice. Inside a sealed envelope were two options: Immunity For All or Immunity For None. Choosing the second option would have stripped every housemate, including the reigning Head of House, of their safety. After asking Biggie for clarification, Barry chose Immunity For All and confirmed his decision. Big Brother instructed him to keep the choice completely secret, warning that any attempt to hint at what had happened would cost Barry his own immunity.

When Biggie gathered the house to announce that nominations were complete and reminded them not to campaign or discuss perceived voters, the housemates assumed they were waiting for Sunday’s live eviction results. In reality, Barry’s secret decision eliminated public voting entirely for Week 9, officially locking in the Show Ya Sef Top 10.

With only two weeks remaining in the 10-week season, the competition is officially entering its final phase. The grand finale is set for Sunday, October 4, 2026, where one of these ten finalists will walk away with the grand prize.

Ultimate Veto Power holder Barry grants immunity to all remaining housemates, securing the Top 10 grand finale.

Ricky secures his place in the Big Brother Naija Season 11 Top 10 finalists.

Sheba officially enters the Big Brother Naija Season 11 grand finale as a Top 10 finalist.

Flora advances to the final week of Big Brother Naija Season 11 as a Top 10 contestant.

Temi Nkem secures her spot in the Big Brother Naija Season 11 Top 10 finale lineup.

Tram joins the official Top 10 finalists competing in the Big Brother Naija Season 11 grand finale.

Week 9 Head of House Keivo leads the remaining housemates into the Big Brother Naija Season 11 grand finale.

Oyin confirms her position among the Top 10 finalists for Big Brother Naija Season 11.

Aikou advances to the Big Brother Naija Season 11 grand finale after securing safety in Week 9.

Bluethopia secures her place as one of the Top 10 finalists in Big Brother Naija Season 11.

The post BBNaija Season 11 Finalists: Meet the Top 10 Housemates Heading to the Finale appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Kayinsola Ajayi, Tobi Amusan, and Ezekiel Nathaniel have secured automatic qualification for the 2027 World Athletics Championships.

What a year it has been for Nigerian track and field! As the 2026 outdoor athletics season comes to a close, Team Nigeria leaves behind a trail of broken records, historic gold medals, and unforgettable podium moments. That hard work has paid off, as three of Nigeria’s individual stars alongside three relay squads have officially locked in their automatic qualification for the 2027 World Athletics Championships in Beijing, China.

Tobi Amusan (100m Hurdles)

Nigeria’s hurdles queen, Tobi Amusan, officially wrapped up her 2026 season at the women’s-only Athlos meeting at StoneX Stadium in London, crossing the line in second place with a season’s best clocking of 12.51 seconds. In a high-calibre race against the world’s best, Amusan held off Bahamas’ Commonwealth Games champion Devynne Charlton and Jamaica’s former world champion Danielle Williams, finishing just 0.01 seconds behind America’s Alaysha Johnson. Her consistent sub-12.60 clockings across the international circuit comfortably dipped under the automatic qualifying mark for the 100m hurdles, officially securing her spot in Beijing.

Tobi Amusan has locked in her automatic qualification mark for the 2027 World Athletics Championships in the women’s 100m hurdles

Kayinsola Ajayi (100m)

Kayinsola Ajayi’s rapid rise in global sprinting has been one of the biggest stories of the year. The 21-year-old sprint sensation delivered a massive statement at the London Diamond League meeting, storming to victory in the men’s 100m in 9.84 seconds to equal his own national record. In a thrilling dash to the line, Ajayi fended off reigning world champion Oblique Seville of Jamaica (9.87s) and Team GB’s Romell Glave (9.97s). Following his NCAA Outdoor title win, Ajayi’s repeated sub-10 performances against world-class fields have punched his ticket to Beijing in commanding fashion.

Kanyinsola Ajayi, Nigerian national record holder in the 60m and 100m events

Ezekiel Nathaniel (400m Hurdles)

Ezekiel Nathaniel has cemented his status as one of the elite quarter-mile hurdlers in the world. Nathaniel made history at the Glasgow Commonwealth Games by winning Nigeria’s first-ever gold medal in the men’s 400m hurdles, stopping the clock at 48.47 seconds. The 23-year-old pulled clear down the home straight to beat England’s Jake Minshull and Jamaica’s Assinie Wilson. Edging closer to the African record with a lifetime best of 47.11 seconds this season, his top-tier individual times make his automatic World Championship qualification well deserved.

Ezekiel Nathaniel secured automatic qualification in the men’s 400m hurdles for Beijing 2027.

The Relays: Three Squads Locked In

Nigeria’s relay teams matched that individual success with standout performances at the World Athletics Relays in Gaborone, Botswana, clinching automatic qualification across three key events:

• Women’s 4x100m Relay: The women’s squad clocked 42.94 seconds in Gaborone to secure their ticket to Beijing.
• Mixed 4x100m Relay: The quartet of Favour Ashe, Jennifer Obi Chukwuka, Chidera Ezeakor, and Maria Thompson Omokwe ran an African record of 40.24 seconds, sealing Nigeria’s qualification in the new discipline.
• Mixed 4x400m Relay: Anchored by Chidi Okezie alongside Ezekiel Nathaniel, Taiwo Mary Kudoro, and Patience Okon George, the squad produced a composed run to secure their World Championships spot.

The post Tobi Amusan, Kayinsola Ajayi, Ezekiel Nathaniel & 3 Relay Squads Book Tickets for Beijing 2027 appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Keivo is the Week 9 Head of House on Big Brother Naija Season 11.

A brand-new week has begun in the Big Brother Naija Season 11 house, and there is already plenty to celebrate: we have a new Head of House, and he is also officially a finalist!

After coming close to the top spot in last week’s Head of House challenge, Keivo returned to the Arena with one thing on his mind, and this time, he got the result he wanted. He emerged as the winner of the Week 9 Head of House challenge, securing his place in the finale along with immunity from eviction.

The challenge put the housemates through a four-game Arena course, with each game testing a different combination of precision, speed, agility and endurance. Rather than facing off in a simple elimination round, the housemates competed across individual stations, collecting points as they went.

Keivo managed to stay consistent across the different games and finished with the highest cumulative score, putting him at the top of the leaderboard and handing him one of the biggest advantages of the week. Along with his new title, he gets a guaranteed place in the finale, meaning his journey in the BBNaija house is officially taking him all the way to the final week.

And he is not heading to the Loft alone. As part of his Head of House privileges, Keivo has chosen Aikou to join him in the luxury suite for the week, giving the pair some exclusive time away from the rest of the house.

There is also a little birthday bonus attached to the win. Keivo is set to celebrate his birthday in the Big Brother Naija house later this week, so becoming Head of House and securing a spot in the finale has arrived at a particularly good time.

From narrowly missing out on the HoH title last week to returning to the Arena and taking the win this time around, Keivo has certainly started Week 9 with plenty to celebrate. Now, the question is what he will do with his power as the housemates move one step closer to the finale.

The post Keivo Has Done It! BBNaija Season 11 Housemate Wins HoH and Books Finale Spot appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Nigerian cinema just secured a major historic moment in Toronto! Filmmaker Kaelo Iyizoba has officially put Nollywood on the jury scoreboard at the 51st Toronto International Film Festival (TIFF). His whimsical short film, The Spectacular Death of Prisca, was awarded an Honourable Mention in the Best International Short Film category by the Short Cuts jury on 20 September 2026.

This recognition marks the very first time a Nigerian film has been recognised by a jury in the history of the Toronto International Film Festival. Standing out as the only African title named among TIFF’s 2026 award recipients and runners-up, the project—starring and executive produced by Nollywood icon Rita Dominic alongside Genoveva Umeh, Fae Olumide, and Shamz Garuba—brought a fresh, unapologetic taste of old Nollywood storytelling to global screens.

The narrative centers on an overprotective mother who finds herself catapulted into a fever-dream quest to rescue her daughter on her wedding day. Conceptualised as a love letter to the bold aesthetics, dramatic twists, and campy melodrama of 1980s and 2000s Nollywood, the film turns complex family dynamics into a wild, high-energy ride.

Praising the project’s precision, performances, and distinct tone, the Short Cuts jury released a glowing statement explaining their choice:

We wanted to give an Honourable Mention to a film that took us on a completely different kind of ride: a delightful mashup of melodrama, action and comedy that reminded us of the pure joy of making and watching cinema. Executed with remarkable precision in both filmmaking and performance, it turns family dynamics into something heightened, absurd and unexpectedly revealing.

We were especially struck by how original it felt without ever seeming to chase originality. Choices that many filmmakers might hesitate to make were handled with such confidence and ease that the film created its own singular tone, full of personality and completely free of pretension.

Out of 294 films presented from 72 countries at Toronto this year, Iyizoba’s victory reinforces how powerfully Nigerian stories resonate across international festival circuits.

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Tems and Kim Kardashian at the SKIMS London Flagship opening on Regent Street.

What are the chances of Tems and Kim Kardashian linking up? Apparently, pretty high if there is a major global event involved. The Nigerian singer and American entrepreneur found themselves together in London for the SKIMS London Flagship launch, posing for photos inside the richly wood-panelled space and giving us two very different takes on dark-toned dressing.

Tems kept things sleek in a black strapless bodycon dress with subtle micro-beading tracing the straight neckline. The ankle-grazing hem kept the silhouette clean, while a half-up curly ponytail, structured silver drop earrings, a stacked bracelet and a glossy dark plum lip added just enough detail around the otherwise pared-back dress. If you are wondering how to style a black strapless bodycon dress, this is a good formula to borrow: keep the jewellery structured, pull the hair away from the shoulders and let the neckline and fitted silhouette remain visible.

Kim took the same dark-colour approach in a completely different direction. She wore a rich chocolate-brown look built around a fitted leather corset top, with micro-stud embellishments and horizontal front lacing, paired with a floor-length maxi skirt. The combination gives a corset-and-skirt outfit plenty of structure without relying on a bright colour, while her loose, centre-parted waves and warm bronzed makeup kept the beauty look soft against the leather.

Tems and Kim Kardashian at the SKIMS London Flagship opening on Regent Street.

The contrast between the two looks is where things get interesting. Tems used black, silver and plum to keep her outfit sleek and streamlined, while Kim stayed within shades of brown and let the texture of the leather and studded corset do more of the work. If you are figuring out how to style a leather corset top, pairing it with a floor-length skirt is one way to balance the fitted bodice, while keeping the rest of the accessories simple allows the corset details to remain visible.

And although their outfits took different routes, both looks show how much you can do with a dark colour palette without reaching for an all-black outfit. Tems kept hers close to the body and played with the contrast of silver jewellery and plum lips, while Kim layered chocolate brown, leather and warm makeup for a softer take on evening dressing. Together, they made quite the London fashion sighting.

Tems and Kim Kardashian at the SKIMS London Flagship opening on Regent Street.

***
Photo Credit: Kim Kardashian/Instagram 

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Hilda Baci wearing custom 31st birthday dresses by Clasikq Diane and Firstlady, styled by Emmanuel Goodnews Icon

Hilda Baci has given us two very good reasons to stop scrolling. The Nigerian chef, restaurateur and entrepreneur is 31, and for her birthday, she stepped out in not one but two looks that could not be more different. One came covered in florals, the other in gold, and both were styled by Emmanuel Goodnews Icon.

You might know Hilda for her record-breaking cooking feat or for My Food by Hilda, the food brand she has continued to build alongside her work as a chef and restaurateur. For this birthday, however, the kitchen was not the only place where she had something worth serving.

Look one arrived in the form of a Clasikq Diane floral corseted mermaid gown, and the first thing to notice is the colour. Olive green velvet sits against blush-pink tulle, with 3D floral appliqués, pearls and lacing running across the corset. If you have been sleeping on olive green and pink as a colour pairing, this dress might change your mind. The green gives the pink some depth, while the pink keeps the darker shade from feeling too heavy.

Hilda Baci posing in a custom Clasikq Diane floral dress to mark her 31st birthday.

Hilda did not try to compete with the gown. She wore simple drop earrings and pulled her hair into a high, full curly ponytail, which keeps the neckline open while giving the curls enough room to fall. It is also a good formula if you are trying to figure out how to style a floral corseted gown: let the shape and detailing of the dress do the talking, then use your hair to frame it rather than cover it.

Hilda Baci posing in a Clasikq Diane floral corseted dress as she celebrates turning 31.

And then, just when you thought you knew where the birthday wardrobe was going, she changed into a gold metallic chainmail dress by Firstlady. The floor-length piece has thin straps and layers of golden chains over a sheer base, making it about as far away from the floral gown as you can get while still belonging to the same birthday wardrobe.

Hilda Baci styling a gold chainmail gown by Firstlady for her 31st birthday shoot.

This time, Hilda kept things in the gold family with simple choker chains and an updo. If you are wondering how to style a gold metallic chainmail dress, this is one route to take: keep the jewellery simple, pull the hair away from the face and let the texture of the dress take up the space. It means you can have a statement birthday outfit without adding five more statement pieces to it.

So, if your own birthday is coming up and you are wondering what to wear, perhaps the better question is what sort of birthday you want to have. A floral corseted gown with a curly ponytail takes you in one direction, while a gold metallic dress and an updo take you somewhere completely different. Hilda, naturally, chose both.

Hilda Baci wearing custom 31st birthday dresses by Clasikq Diane and Firstlady, styled by Emmanuel Goodnews Icon

As she celebrated 31, she also shared a reflection on the woman she has become and the life she is still building:

Another year. Another chapter. Another reminder of just how much grace has carried me.
I look at these pictures and I see more than a woman celebrating a birthday. I see the girl who dreamed, the woman who dared, the moments that broke her, the ones that rebuilt her, and everything in between.

This year, I’m choosing to celebrate me my growth, my courage, my softness, my strength, the lessons, the wins, and even the things I’m still praying for.

Here’s to another year of becoming, loving, creating, giving, laughing, living fully and walking boldly into everything God has prepared for me.
Happy birthday to me

Hilda Baci in a gold metallic dress by Firstlady for her 31st birthday celebration.

Hilda Baci wearing a floral corseted mermaid gown by Clasikq Diane for her 31st birthday photoshoot.

Hilda Baci styling a gold chainmail gown by Firstlady for her 31st birthday shoot.

***
Photo Credit: Hilda Baci (First Look), Hilda Baci (Second look)/Instagram

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In April 2025, I received an admission to Drake University in Des Moines, Iowa. I stared at the screen in disbelief before joy took over. After years of chasing the dream of studying abroad, a dream I had carried since 2023, it finally felt real. I called my parents immediately, and their excitement echoed mine. Not only had I been admitted, but I had also been awarded a Presidential Scholarship. It felt like proof that the hustle had finally paid off.

By May, I was completing my admission requirements and preparing for the next steps. I needed to secure my I-20 form, and that was when reality began to settle in. Even with the scholarship, we were left with a remaining tuition deficit of $33,000 to cover on the bank statement. The process required a financial balance we did not yet have. We reached out within our community, hoping for support, but the responses were polite and firm no’s.

June passed, then July. I attended virtual orientation sessions, holding on to hope that somehow a miracle would happen. I convinced myself everything would work out at the last minute. But by the end of summer, I had to make the hard decision to defer my admission.

By August, I was supposed to be packing for college, stepping into a new country and the life I had worked so hard to build. Instead, I was still home, and nothing made sense anymore. I quietly went offline, tired of motivational quotes and watching people my age move forward while I felt stuck. I stopped finding my own life interesting.

Mornings became the hardest. I would wake up and cry, wondering how I was still here after everything I had done. I cried on my way to my mother’s shop and sometimes on my way home. I lost the energy to take care of myself, repeating clothes, leaving my hair undone, withdrawing into a version of myself I barely recognised.

In September, I found refuge in journaling. Each day, I poured my thoughts onto paper because it felt safer than speaking them aloud. But in October, the heaviness lingered even more. On October 6, when I turned 21, I was too emotionally drained to celebrate. Birthdays in my home are usually joyful, but that day passed quietly. Aside from my mother, almost no one reached out. 

I didn’t dress up; I didn’t go out; I simply sat with the weight of everything I was trying to understand.

But my parents remained my anchors. My mother, whose resilience has shaped who I am becoming, supported me emotionally and constantly reminded me that mediocrity was never my portion. My father, a soldier who continues to support my dreams despite his own demands, never stopped believing in the future I was building.

Their support made me understand what life was teaching me. I learned that the outcomes of our plans are never fully in our hands. I learned that every life unfolds at its own pace, and comparison only steals our peace. Most of all, I was reminded that Allah is the only constant in a world that can shift without warning. I am still learning to know Him more deeply, but I am no longer as lost as I once felt.

In November, I returned online, beginning with small replies to messages I had ignored. By December, I gathered the courage to start posting on Instagram, sharing reflections about life and growth. When I started, my page had 55 followers. Today, it has grown to 95. The numbers may seem small, but to me, they represent that I am showing up again.

In January 2026, I enrolled in culinary school, which has become my safe space, a place to focus, make mistakes, and rebuild my confidence one class at a time. Around the same period, I began applying to schools again and recently received admission to Elizabethtown College in Pennsylvania with a merit scholarship. While uncertainties still exist and I continue to pray for clarity, I know one thing for certain: I am no longer standing still.

The post Halima Yahaya: How I Got a Scholarship to Study in America But Couldn’t Make It There appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Davido announces “ORIADÉ: The Residency,” a three-night concert series at the National Theatre in Lagos this December. Photo Credit: Davido/Instagram

Lagos Detty December just got its crown jewel! Afrobeats super star  Davido has officially announced a landmark three-night residency at the newly restored National Theatre in Iganmu, Lagos.

Dubbed “ORIADÉ: The Residency,” the three-night spectacle will run from 17 to 19 December 2026. Marking a massive milestone in his journey, the residency double-hats as the first live Nigerian performance of his sixth studio album, Oriadé, and a celebration of his 15-year reign at the top of global music.

Taking to social media to share the news alongside an electrifying video trailer, OBO could not hide his excitement for the homecoming:

LAGOS!!! We bringing it HOME! 15 years of madness and there’s nowhere I’d rather be. ORIADÉ: The Residency comes to the National Theatre for 3 nights this December.

For Davido, this residency is deeply personal. After almost a year of deliberate planning, the 5x Grammy-nominated star emphasised that the project is about creating world-class live experiences right at home and showing the world what happens when we invest in and build on native soil.

Taking over the iconic, newly renovated National Theatre—a symbol of African arts and culture—makes history, marking one of the first major multi-night concert residencies by a leading Afrobeats artiste on Nigerian soil.

Fans can expect three unforgettable evenings packed with dynamic renditions of tracks off Oriadé, classic career-defining hits, and guest appearances from featured collaborators.

The post Davido Brings It Home: “Oriadé: The Residency” Heading to Lagos’ National Theatre for 3 Royal Nights appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Dear Ajayi wins the Bisato d’Oro Award 2026 for Best Cast & Performances at Venice Days.

Come 13 November, you will find yourself glued to the big screen as Dear Ajayi makes its nationwide theatrical debut across Nigeria. But if you simply cannot wait until then, there is great news: there is great news: since 18 September, the film has been showing in select cinemas for an exclusive early look ahead of its wider release.”

Directed, written, and produced by Damilola Orimogunje (For Maria Ebun Pataki), this period drama arrives with massive global prestige. Dear Ajayi recently made history as the first Nigerian film selected for competition at the Venice Giornate degli Autori (Venice Days), where it scooped two major honours at the 83rd Venice International Film Festival: the Bisato d’Oro Award 2026 for Best Cast & Performances and the 38th CICT-UNESCO Enrico Fulchignoni Prize (Fellini Medal).

Damilola Orimogunje and team celebrate winning the CICT-UNESCO Enrico Fulchignoni Prize at the Venice Film Festival.

The jury praised the film for its emotional resonance and craft, noting in their official citation:

A work of great human depth on the drama of emigration in the context of a society, the Nigerian one, in full evolution. The beautiful acting of the two protagonists and the direction, skilled in returning environments and emotions, make this film a sure testimony to the creative moment of Nigerian cinema, now ripe for the international limelight.

Celebrating the historic win, Orimogunje expressed immense gratitude to the cast and crew who brought the project to life:

Congratulations to every other film and filmmaker recognised this year. It was a privilege to have our film stand among other amazing films. To our cast and crew, this belongs to you. Thank you to everyone who gave something of themselves to bring this story to life, and to everyone who has carried it since. This is only the beginning. We can’t wait for more people around the world to meet these characters.

Set against the backdrop of 1990s southwestern Nigeria, Dear Ajayi centers on two estranged sisters, Ade and Titi Ajayi, who are forced back under the same roof to care for their paralysed mother. Ade (played by Bimbo Akintola) is a devout Christian and the family’s primary provider, navigating daily struggles through faith and duty. Titi (played by Tosin Adeyemi) is an ambitious aspiring singer whose independent spirit and defiance of traditional expectations constantly clash with her sister’s values. As old wounds resurface, the two are forced to confront grief, ambition, sacrifice, and the fragile bonds that hold a family together.

Uzoamaka Power and Tosin Adeyemi in Damilola Orimogunje’s period drama, Dear Ajayi.

The film boasts an incredible ensemble cast featuring veteran actress Lanre Hassan (Mama Awero), William Benson, Antar Laniyan, Uzoamaka Power, Michelle Dede, Chioma Omeruah (Chigul), Tope Tedela, and Baaj Adebule. Produced under Orimogunje’s 2o9ine Films banner alongside Bose Oshin, Ajah Enene-Orimogunje, Zorana Mušikić, and May Odeh, the film features a captivating score by Re Olunuga, with FilmOne Entertainment handling distribution across West Africa.

Watch the official trailer below to get your first look at this touching story of sisterhood and survival.

Watch the trailer

The post First Nigerian Film in Venice Days Competition: Dear Ajayi Wins Two Awards appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

“I cried this morning.”

Those were the emotional words of Amb. Mfon Ekpo, Founder and Convener of the Global Knowledge Festival, as she reflected on her journey during the commissioning of the Global Knowledge Centre in Uyo, Akwa Ibom State.

Speaking through tears, Mfon recalled the painful words she had heard surrounding her birth: that she would be “retarded.”

But standing before a gathering of distinguished leaders, innovators, creatives and changemakers years later, she confronted that prediction with the reality of what she had built.

The woman who was once told what her future would look like was now witnessing the birth of a centre created to expand knowledge, inspire discovery and unlock human potential across Africa.

It was one of the most emotional moments of the Global Knowledge Festival 2026.

Mfon’s tears were not simply tears of sadness. They carried the weight of memory, struggle, possibility and a journey that had brought her to a moment she once could not have imagined.

The emotional moment came as the festival celebrated the commissioning of the Global Knowledge Centre, the first of its kind in Africa, a landmark institution conceived as a hub for knowledge, learning, discovery and human development.

The occasion brought together an impressive gathering of dignitaries and influential voices, including the Governor of Akwa Ibom State, Pastor Umo Eno, Olori Atuwatse III, RMD, Dr. Gabriel Ogbechie, Dr. Busola Tejumola, Dr. Nike Adeyemi, Adebola Williams, Chude Jideonwo, Ini Edo and Tunde Onakoya, among others.

Their presence reflected the vision of the Global Knowledge Festival as a meeting point for ideas, people and conversations focused on Africa’s future.

The festival, themed “The Convergence,” is built around the belief that knowledge can become a catalyst for transformation when people, ideas and possibilities come together.

For Mfon Ekpo, however, the commissioning represented something deeply personal.

It was the culmination of a journey that began with someone else attempting to define the limits of her future.

Today, that story stands in Uyo as a centre dedicated to expanding the possibilities of others.

Sponsored Content

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Through its nationwide anniversary campaign “Together, Every Moment,” the company is inviting Nigerians at home and abroad to search their photo albums, family archives, camera rolls and personal memories for moments that show how Nigerian Breweries, its brands, people, investments or its wider impact have been part of their lives, businesses and communities over the last eight decades.

The campaign is built on a simple truth: Nigerian Breweries’ story has never belonged to the company alone. Since its incorporation in 1946, the company has grown alongside Nigeria, becoming part of homes, businesses, communities, celebrations, cultural experiences and everyday moments across generations.

Beyond its brands, Nigerian Breweries‘ journey has been shaped by farmers, distributors, retailers, suppliers, entrepreneurs, transporters, employees and host communities whose livelihoods have grown alongside the company over the decades.

Somewhere in a Nigerian home, business, farm, market or community is a photograph or video that tells part of this shared history. It may be a wedding, a graduation, a football celebration or a family gathering. It may also be the story of a farmer whose harvest found a market, a retailer who built a thriving business, a distributor who served generations of customers, a supplier who grew alongside the company or a community transformed through partnership and opportunity. And somewhere in that moment, a Nigerian Breweries brand may have been part of the story.

That idea inspired the National Story Collection, a nationwide call for Nigerians to share photographs and videos that capture these connections. Together, the submissions will create a living archive of the moments, people, businesses, livelihoods and experiences that have intersected with Nigerian Breweries over 80 years.

Speaking on the campaign, Managing Director/CEO, Nigerian Breweries Plc, said:

“An 80th anniversary can easily become a company talking about itself. That would miss the point. Long before our history was captured in corporate archives, it was being lived in Nigerian homes, businesses and communities.

For 80 years, Nigerians have welcomed our brands into their celebrations, friendships, traditions, businesses and everyday lives. Farmers, entrepreneurs, retailers, distributors, suppliers, employees and communities have all played a role in shaping our journey. They have given meaning to our history.

With NB@80, we are inviting Nigerians to bring those moments to life and give them the national stage they deserve. We want to see the photographs, videos and memories that tell the story from their perspective – not simply ours. Because after 80 years, the most meaningful way to celebrate our history is to celebrate the people and moments that made it.

From the submissions received, 80 memories will be selected, with each winner receiving 1 million naira, alongside other prizes. Selected stories will also be featured across the NB@80 campaign, including films, editorial features, social media, outdoor displays, anniversary experiences and the company’s commemorative archive.”

Participation is free. Nigerians can visit www.nbplc.com/80 to upload their memories or on social media using #NigerianBreweriesAt80 #NBAt80 and tag @nigerianbreweriesplc.

Beyond the National Story Collection, NB Plc. will anchor a wider anniversary Programme spanning consumer participation, films, media storytelling, cultural experiences and commemorative events, celebrating the people and shared moments that have shaped Nigerian Breweries’ 80-year journey.

After 80 years, Nigerian Breweries is not simply looking back at its history. It is inviting Nigerians to help tell the story of what has been built, shared and experienced together.

Together, Every Moment.

Sponsored Content

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“Wetin she sef go find for him house?” “Why wasn’t she dressed decently?” “Na her waka waka and bad lifestyle cause am.” In the Nigerian context, these are a few of the common perspectives expressed against female victims of sexual assault or rape.

While it is incorrect to dismiss the possibility of male rape victims, data consistently indicates that women are disproportionately affected by sexual violence. Although the exact ratio varies by country and reporting source, the common denominator is the higher likelihood of a rape victim being female. This may be because most male rape cases occur when victims are at a younger age. Data from the VIRAGE survey, Sexual violence against men is committed by other males, mainly during childhood, by Lucie Wicky supports this opinion. On the other hand, while females also experience high rates of sexual violence during childhood and youth, their likelihood of being assaulted does not necessarily decrease as they get older. This is not to imply that male sexual violence is any less severe than when a female is the victim; rather, it underscores the prolonged and broader exposure females face to sexual violence over their entire lifetimes. 

Sexual violence remains one of the most harrowing experiences a person can endure, leaving deep physical, emotional, and psychological scars that can last a lifetime. Physical scars frequently manifest as chronic pain conditions, severe sleep disturbances, reproductive health impacts and acute bodily trauma. Alongside these are deep emotional scars, where survivors battle intense, misplaced shame, profound emotional numbness, and a persistent, exhausting sense of vulnerability in everyday spaces. Many survivors grapple with debilitating Post-Traumatic Stress Disorder, dissociation and compartmentalisation, severe anxiety, clinical depression, and deep-seated intimacy issues that fracture their ability to trust others.

Unfortunately, due to the underreporting of sexual assault and rape cases owing to stigma surrounding the subject matter, it is difficult to determine the exact number of rape victims in any society—however, daily interactions and the news show that it is an endemic issue. Specifically in Nigeria, it seems as though every time you come online or listen to the news, there is another tragic tale of a young girl or woman who has been recently victimised. What is more heartbreaking is the response to this unsavoury news: in between the outrage that accompanies such reports, there are those who insist on placing the blame squarely on the victim.

I recall the horror I felt reading about the Ozoro fertility festival that took place in March 2026 in Delta State. There were reports that women were warned not to come out during the festival, and as far as the perpetrators were concerned, a woman who violated that decree was fair game and had opened herself up to being targeted. I thought to myself, “So men who were participants in this festival that promotes such heinous acts of violence will return home afterwards to their wives, sisters and daughters; then what? Will the women in their lives welcome them with open arms, cook for them, obey their demands?” I simply could not wrap my head around how a traditional ceremony could be used as a medium to perpetrate sexual violence.

The incident shows how women are reduced to the wants and wishes of men. The villainous men obviously believed the women were theirs to take. Hence, they required no consent from them, and their protesting voices were sounds to be silenced and ignored, because who were these women to deny them their rights? It also speaks to the moral decadence in society and how graceless a society can become when people take matters that should be taken seriously for granted or overlook them. 

An example of how sexual violence is trivialised is embodied in jokes made by some men. You will hear them blatantly utter statements like, “Do you want to tell me she didn’t enjoy it?” “Abeg, make person come rape me too”, “I wish I could be raped too.” All of which are utterances that dismiss the gravity of the crime. Some will even go as far as making mocking videos, imitating women crying over being violated.

Another example of a frequent occurrence that is being overlooked or not taken seriously is the physical and verbal abuse women are forced to endure at the hands of male traders at marketplaces. I was one of those who would most times shout at the traders for pulling my arm or touching any other part of my body. On one such occasion, the trader responded with, “Wetin dey your body?” As the disrespectful trader rightly observed, it was my body, which means even if it is the ugliest body to walk the face of the earth, I should have a say on whether I want it touched or not. In many cases, the physical abuse is accompanied by verbal abuse characterised by name-calling. The worst part is that these incidents are normalised, and when you try to fight against being touched at the market, you get told by observers that, “Your own sef is too much.” What people fail to realise is that these seemingly ignorable acts compound and become the foundation for enabling perpetrators of sexual violence and victim blaming.

Those common expressions in the opening paragraph and their variations completely absolve the abuser and blame the victim directly. There is no justifiable reason for sexual violence, regardless of clothing, appearance, location, or relationship to the perpetrator. The only person or persons responsible for any case of sexual violence are the perpetrator or perpetrators. Hence, it is our collective duty as members of society to fight against sexual violence and stop victim blaming. 

One of the most important ways we can fight against sexual violence is by acknowledging and accepting that it is a fight that should involve us all. We cannot afford to be bystanders. Most people only seem to get concerned when someone close to them becomes a part of the disheartening statistics. You should not have to wait until you or someone close to you is affected before you decide to join the fight against sexual violence. There should be no “it is not my business” when it comes to this matter. The aftereffects of sexual violence (some of which have been listed earlier) are too severe, and we must all ensure it is an epidemic that comes to an end.

Also, speaking up is an act we encourage, but it will do no good if victims who find the courage to speak up are treated like the architects of their misfortune and as outcasts. Unfair treatment leads to survivors internalising these prejudices, resulting in intense self-blame and possibly self-harm. It is important to create a safe space where victims can feel free to share their stories without fear of judgment. When a society shifts from scepticism and victim-blaming to active listening and accountability, we strip abusers of their shield of silence and pave the way for true healing.

In addition, strict legal measures should be taken against abusers. It is not enough for the act to be condemned; perpetrators need to face the full weight of the law. In many cases, they walk away without being punished. Closing loopholes in the judicial process, eliminating institutional corruption, and ensuring that reporting an assault leads to transparent, unbiased investigations are critical steps. Without uncompromising legal consequences, the cycle of impunity will only continue to protect offenders at the expense of survivors.

I’d like to encourage victims of sexual abuse to do all they can to seek help. When you are ready and safe to do so, sharing your burden with a trusted professional or support system can help strip the experience of its secrecy and power. There will be days when it might seem as if you have not healed at all, days when the memories seem so fresh, but even on those days, the following days are better. The nightmares will become way less frequent and may eventually stop completely. You will find many reasons to smile. Self-harm and suicide are never the answers. It gets better with time.

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Two-time Head of House Chimsom Chuka evicted from the Big Brother Naija house.

Three evictions tonight! Can you believe it? The Big Brother Naija “Show Ya Sef” house just got hit with a massive plot twist as three fan-favourite housemates packed their bags on Sunday, 20 September 2026. In a drama-packed live eviction show, Yusuf, Bells, and two-time Head of House Chimsom Chuka bade farewell to the game, sending shockwaves through both the house and social media.

First to step out into the bright lights with Ebuka Obi-Uchendu was Yusuf (real name Yusuf Muhammad-Awal). The 25-year-old actor, filmmaker, and author from Kogi State brought a unique blend of intellect, charm, and creative discussion to the season. Beyond his work in front of the camera, Yusuf is an accomplished writer who has published books like Reflections of a Restless Mind, while also running his own agricultural business in Lokoja. His thoughtful nature and open conversations added a rich, grounding layer to the house dynamics, leaving a lasting impression on viewers.

Yusuf evicted from the Big Brother Naija house.

Next up was Bells (real name Isabella Imoh), who brought all the energy and strategic edge to the “Show Ya Sef” stage. The 22-year-old student and model from Akwa Ibom State never shied away from standing her ground. A former trained ballerina who pivoted into videography and sports after undergoing surgery, Bells proudly called herself a sharp, calculative thinker who wasn’t afraid to play a schemer’s game. Her candid, straight-talking personality kept her right at the centre of some of the most talked-about moments of the season.

Bells evicted from the Big Brother Naija house.

The biggest shockwave of the night undoubtedly came with the eviction of Chimsom Chuka (real name Chimsom Chuka-Okoli). The 27-year-old pharmacist, actor, and resident comedian from Anambra State wasn’t just a strong player—he made history as a two-time Head of House, taking the coveted HoH crown in both Week 1 and Week 4. With his quick wit, impressive impersonation talents, and high-energy competitive drive, Chimsom seemed poised for the long haul. His sudden exit is proof that no amount of titles or past victories guarantees safety when the public votes come in.

Two-time Head of House Chimsom Chuka evicted from the Big Brother Naija house.

With three major personalities stepping out in one night, the remaining housemates are left picking up the pieces in a much quieter house. The stakes have never been higher.

The post Three Evictions in One Night! Yusuf, Bells & Chimsom Chuka Leave BBNaija Show Ya Sef appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Ebuka Obi-Uchendu showcasing modern menswear tailoring by Atafo.

What’s a Sunday on Big Brother Naija without looking forward to Ebuka Obi–Uchendu’s look? Is that even a Sunday? Of course not. Every Sunday, the host of Africa’s popular reality TV show steps onto the BBNaija stage in style, and we get to pick up a few fashion and styling ideas along the way. For those who may need a quick introduction, Ebuka is a Nigerian television host, lawyer and media personality best known for hosting Big Brother Naija, where his live-show looks have become almost as anticipated as the eviction itself.

So, what is he wearing this evening? Let’s start with the custom creation by Nigerian fashion house Atafo. Ebuka wears a dusty periwinkle blue double-breasted crossover shirt-jacket, featuring wide peak lapels, a double-breasted button arrangement and subtle metallic pinstripes. Sitting between a shirt and a tailored jacket, the piece has the structure of formal tailoring but a softer construction that makes it easier to wear beyond a traditional suit.

Detail of the silver crystal brooch accessorising Ebuka Obi-Uchendu’s Atafo outfit.

If you’re wondering how to wear or style a double-breasted crossover shirt-jacket, Ebuka offers a dressed-up approach. Let the crossover front and wide lapels remain visible by keeping the piece as the focus of the outfit. For a formal occasion, wear it fastened with tailored trousers; for a more relaxed look, leave it open over a fitted T-shirt or tank top and switch to wider or more relaxed trousers. The important thing is to let the shape of the shirt-jacket do the work rather than piling on too many competing details.

For the trousers, Ebuka goes high-waisted with navy slate Gurkha trousers featuring double front pleats, side-adjuster straps and a wide-leg cut. The waistband is part of what makes Gurkha trousers distinctive, so keeping it visible is key when styling them. A tucked-in shirt or cropped jacket works well here, while the side adjusters mean there is no need to add a belt and interrupt the clean line of the waist. Ebuka finishes the trousers with black glittered loafers.

Ebuka Obi-Uchendu styled in custom Atafo tailoring for the Big Brother Naija live eviction show.

He also shows how to wear pinstripe trousers without making the outfit feel like office tailoring. The navy stripes on the trousers are paired with the lighter periwinkle pinstripes on the shirt-jacket, giving both pieces enough contrast to remain distinct. If mixing pinstripes feels too risky, pair your trousers with a plain shirt, knit or T-shirt instead and let the stripes be the only pattern in the outfit.

Ebuka’s look also makes a case for the brooch in menswear. He places an ornate silver-and-crystal piece high on the left lapel, then adds wire-rimmed round glasses, diamond stud earrings and a silver chain necklace. When accessorising men’s tailoring with a statement brooch and jewellery, giving each piece enough room to be noticed keeps the look from becoming crowded. Here, the brooch adds a decorative detail to the tailoring, while the glasses and jewellery bring more personality to the outfit.

Ebuka Obi-Uchendu’s grooming and eyewear pairing for the BBNaija live eviction night.

Now, let’s get to the show and see who will be evicted tonight.

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Photo Credit: Ebuka Obi-Uchendu/Instagram

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Olugbile Holloway, Director-General of the National Commission for Museums and Monuments (NCMM), named to the inaugural 2026 TIME100 Art list as a leading repatriation advocate.

Olugbile Holloway, the Director-General of Nigeria’s National Commission for Museums and Monuments (NCMM), has been named to TIME Magazine’s inaugural TIME100 Art list. The release highlights one hundred of the most influential figures shaping the future of art, spanning painters, sculptors, museum leaders, and advocates. Holloway was recognised in the Leaders category as a repatriation advocate for his work in securing the return of looted cultural artefacts to Nigeria.

His inclusion follows significant progress in reclaiming historical treasures stolen from Benin City in 1897, when British troops looted approximately 5,000 objects known as the Benin Bronzes. Holloway played a pivotal role in the transfer agreement signed in Leiden in February 2025, which paved the way for the physical return of 119 Benin Bronzes from the Netherlands in June 2025—marking the largest single repatriation of the artefacts to date. He subsequently oversaw the return of over 100 additional artefacts from the University of Cambridge.

According to Chika Okeke–Agulu, an expert in African diaspora art history, these agreements stem from Holloway’s ability to resolve long-standing confusion surrounding the rightful ownership of the bronzes. Drawing on his background in corporate advertising, Holloway worked alongside the Oba of Benin to establish a 20-page agreement outlining shared commitments to the future of the artefacts. According to Holloway, this agreement enabled the Nigerian government to present a unified front when requesting the return of the bronzes from the Netherlands.

NCMM Director-General Olugbile Holloway and Dutch Minister of Education, Culture and Science Eppo Bruins exchange signed transfer documents for 119 looted Benin Bronzes at the Wereldmuseum in Leiden

Holloway is currently working to negotiate the future of Nigerian antiquities held at the British Museum, an institution presently restricted by British legislation from permanently deaccessioning items in its collection.

Several other notable African cultural figures were also named to the list across various categories. Renowned Ghanaian sculptor El Anatsui was recognised in the Titans section, while Kenyan painter Michael Armitage (Innovators) and ceramicist Dame Magdalene Odundo (Titans) were also featured for their contributions to contemporary art.

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Photo Credit: Olugbile Holloway

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An editor at one of the national dailies I once worked for made a humorous remark about the number of things I was doing. I laughed because I understood why it might look that way from the outside. Writer, journalist, broadcaster, podcaster, author and media entrepreneur. Before all of that, I was even a bassist. But to me, they have always been different expressions of the same thing: creativity, communication, media and storytelling.

That is probably why I have spent much of my life resisting labels. Labels can help people quickly understand who we are and what we do, but they can also become boxes. I have never wanted to live inside one.

There was a season when music was almost everything I was doing. I played bass in church and with bands, and that was the world I was immersed in. But I also loved to read, and somewhere in that love for books, I found writing. Words fascinated me. Ideas fascinated me. The ability to take something in your mind and make another person see, feel or understand it fascinated me. That was how my love affair with the media began.

As a student on campus, I published motivational newsletters and a mini magazine. I also wrote for national newspapers while still an undergraduate. After I graduated, journalism became another major chapter of my life. I went fully into the media and became an entertainment journalist, interviewing entertainers, observing careers and telling stories about people in popular culture.

Journalism also taught me that careers are rarely as straight as they appear from the outside. People evolve. Interests change. Industries shift. Sometimes, the person you need to become next looks very different from the person you have been. In journalism, I explored different expressions of the media. I hosted Star Lounge on an online radio station and, years later, co-hosted a business programme on Max FM alongside my friend Kehinde Olagbenjo.

Journalism taught me how to find and tell stories, while broadcasting taught me how to engage an audience through conversation and the spoken word. Today, I host my own podcast, Conversations With Kenni, where I have had conversations with people including Seyi Awolowo, Jide Awobona, Mojisola Adebanjo, GT Da Guitarman, Diva Gold and others. Along the way, I became an author and eventually built a media business of my own.

So when someone asks, “What exactly do you do?” my answer is simple. I create, communicate and tell stories, and I build ideas within the media and creative space. The platforms may change, but the thread has always been there.

Looking back, I do not see the different phases of my life as disconnected. I believe there is a reason for every season. There was a season for music, a season when journalism demanded most of me, a season for broadcasting, and now a season for podcasting, books, media strategy and entrepreneurship.

Not every gift has to be expressed at the same time. Some abilities sit for years before life gives them another expression. Some seasons teach you discipline, introduce you to people who will matter later or give you experiences whose value you only understand years afterwards. That is why I have learned not to despise any phase of my journey. The season may change, but the lessons travel with you.

Sometimes I think life is like a series. You finish one season thinking that is the whole story, only to discover that your life has another season waiting. The things you once thought defined you may no longer be the centre of the story. But it is still your story. You are not starting again from zero. You are entering another season with everything the previous ones taught you.

Perhaps that is what reinvention really is: not throwing away the person you used to be, but carrying the best of that person into who you are becoming next.

Meanwhile, don’t put your identity in other people’s hands. Look at Jesus. Different people encountered Him differently. Some saw a healer, some saw a teacher, some saw a deliverer, and some saw a miracle worker. At one point, He asked His disciples, “Who do men say that I am?”

People often describe you according to the part of you they have encountered. One person knows you as a journalist. Another knows you as a musician. Someone else knows you as a businessperson. Another person may know you only from one season of your life. If you are not careful, you can begin to build your identity around their limited view of you.

Someone can call you a writer and be right, but that does not mean writing is all you are capable of. Someone can call you a journalist and be right, but that does not mean journalism is the final expression of your life. Other people’s descriptions may explain a part of you. They should never become the boundary of you.

Reinventing yourself does not mean rejecting everything that came before. I am not less of a writer because I became a broadcaster. I am not less of a journalist because I became an author. I am not less creative because I became an entrepreneur. The mistake would have been believing that because I started somewhere, I was obligated to remain there forever. Life keeps moving. We should be allowed to move with it.

This is not an argument for chasing everything. Focus matters. Mastery matters. Commitment matters. But focus should not become fear. You can honour who you have been without refusing who you are becoming.

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The Women at Risk International Foundation (WARIF) is a non-profit organisation set up in response to the extremely high incidence of rape, sexual violence, and human trafficking of young girls and women in our society. WARIF is tackling this issue through a holistic approach that covers health, education, and community service initiatives.

This week, we’re featuring Rasheedah’s story, a sexual assault survivor.

I was born and raised in Lagos, Nigeria, although my family is originally from the northern part of the country. I am the firstborn in a family of seven—my parents and my five younger siblings. For a long time, I carried a secret that I did not know how to tell anyone. It started when I was just 11 years old.

My parents employed a religious cleric to teach my younger sister and me Arabic at home. We called him Alfa Kudus. He would come to our house to teach us while my parents were away at work.

I remember the first time he abused me. Alfa Kudus brought out his phone and played a pornographic video. As the video played, he began touching my breasts and caressing my body and raped me. I was only 11. I did not understand why an adult who was supposed to teach and protect me was doing these things to me. I was frightened, confused, and helpless. At the time, I did not understand what the whitish, slippery substance was. I only learned much later that it was semen.

Whenever Alfa Kudus came to teach us, he would rape me each time. I became more afraid and felt trapped. He made sure I understood I wasn’t supposed to tell anyone. He told me that if my parents found out, they would die mysteriously. That terrified me. So I kept quiet.

I was afraid of what he might do to me, but I was also deeply afraid for my younger sister. I wondered if he would hurt her too. I had no idea how to ask for help. I only knew that something terrible was happening to me, and I was too scared to tell anyone. The abuse went on for two years.

I endured the pain and the fear in silence, partly because I believed I was protecting my younger sister. In my young and frightened mind, I thought that if I continued allowing him to abuse me, he would leave my baby sister alone. I thought I could somehow shield her by becoming his victim.

As I grew older, I finally summoned the courage to tell my mother. She, in turn, told my father. I had hoped that, at last, someone would believe me. I hoped my nightmare would finally come to an end.

Instead, my parents did not believe me. They were deeply devoted to their religious beliefs, and they warned me never to defame the character of a well-respected religious leader, a family man, and a highly respected figure in society. Those were their exact words.

Their response broke my heart.

The people I had trusted to protect me had chosen to protect the reputation of the man who was destroying me. From that moment, I became irritated by anything associated with religion or religious leaders. I made a vow to myself that once I was old enough to leave my parents’ home, I would stay away from anything that reminded me of religion.

Despite everything I had been through, I sat for my WAEC and JAMB examinations and passed with excellent results. To me, it felt like a miracle. I had struggled academically for years, not because I lacked intelligence—I knew I was brilliant—but because the abuse and trauma I was living with had deeply affected my ability to concentrate and perform well in school.

So, when I gained admission at the age of 19 to study Pharmacy at one of Nigeria’s prestigious universities, my joy was beyond words.

For the first time in a long while, I saw a way out. I left home proudly for the university. Although I was finally away from him, I soon realised that the abuse had left deep wounds inside me. It affected the way I related to men. I struggled to build positive friendships or relationships with male figures because, in my mind, I saw them all as potential predators—men waiting for an opportunity to harm or exploit women. The early exposure to sexual abuse left me with insecurities that I still struggle with. Even now, as I approach the end of my university education, I am still learning how to deal with the effects of what happened to me.

Then came another event that brought the past crashing back into my life.

During the last Ileya celebration, my parents hosted members of our extended family who had travelled from different parts of Nigeria and abroad to celebrate with us. The house was full of people, laughter, and celebration. Food was abundant: local, continental, and international dishes, and everyone seemed to be having a wonderful time.

We were enjoying ourselves so much that we did not realise how late it had become.

As night fell, some relatives who lived within the city began saying their goodbyes and thanking my parents for being wonderful hosts. Those who had travelled from outside the city were given rooms in the house so they could spend the night and leave the following day.

I was exhausted. After the long day, I went to my room, had a shower, and prepared to sleep. I did not know how long I had been asleep when I suddenly felt a heavy weight on my body. I opened my eyes. And there he was: Alfa Kundus—the same man who had abused me throughout my childhood.

He was naked and on top of me. For a moment, everything felt unreal. Then, fear and shock gave way to instinct. I pushed him away and screamed for help. My parents and siblings rushed into my room. They froze when they saw what was happening.

He had been allowed to spend the night in our home because he had told my parents that he wanted to say a special prayer for our family. At that moment, the image they had held of him as a respected religious leader, a family man, and a highly respected member of society was shattered before their eyes.

My mother broke down. My parents immediately reported the incident to the police, and he was arrested.

When we returned home, my parents asked me to forgive them for not believing me years earlier. But there was another painful truth waiting to come to light. My younger sister finally opened up.

She revealed that after I left for the university, the same man had begun raping her too. The very thing I had spent years fearing had happened. Despite everything I had endured in the hope of protecting her, he had eventually turned his attention to her. She also revealed that he had taken her to a slum where she underwent abortions after becoming pregnant by him on two occasions.

My sister and I were referred to the WARIF Centre through the police, and that marked the beginning of our healing journey. For the first time, we received the kind of support we desperately needed. We were given free medical examinations, psychosocial counselling, and follow-up care. The counselling sessions became an important part of my healing. They were eye-opening and helped me begin to understand something I had struggled with for years: none of what happened to me was my fault.

My counsellor encouraged me to believe in myself again. She taught me to appreciate myself, to recognise my strength, and to be grateful that I had survived those dreadful and horrific years. For so long, those years had defined my life. But slowly, I began to understand that they did not have to define my future.

Today, my goal is to practise self-care, celebrate myself more, and take my healing journey one step at a time, just as my counsellor taught me. I also attended group therapy sessions at WARIF, where I met other survivors of sexual abuse. We shared our experiences, bonded with one another, and learned new coping mechanisms. For the first time, I realised that I was not alone. I found a community of people who understood pain, survival, healing, and the difficult journey of rebuilding one’s life.

Meanwhile, justice eventually came. Kudus was found guilty of the crimes committed against me and my sister. During the case, other people he had raped over the years also came forward to testify against him. In the end, he was sentenced to life imprisonment.

Today, I am back at school and in my final year. My academic performance has improved tremendously compared to the years when I was silently carrying the weight of abuse and trauma. I am hopeful of graduating with a First Class. My younger sister is also currently preparing for her WAEC examinations.

Our journey has not been easy, and healing is not something that happens overnight. There are still difficult days, painful memories, and moments when the past feels closer than I would like. But I am no longer the frightened 11-year-old girl who believed she had to suffer in silence. I am a survivor. And I am still healing, still growing, and still moving forward—one step at a time.

*Real name of the survivor changed for confidentiality.

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WARIF aids survivors of rape and sexual violence through the WARIF Centre – a haven where trained professionals are present full-time, 6 days a week, including public holidays, to offer immediate medical care, forensic medical examinations, psycho-social counselling, and welfare services, which include shelter, legal aid, and vocational skills training. These services are provided FREE of charge to any survivor who walks into the Centre. This feature is published as part of BellaNaija’s commitment to youth, education, healthcare, and community development as part of our corporate social responsibility program.

Featured Image by Monstera Production for Pexels.

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Nigerian athletics record-holders Jami Schlueter, Chinecherem Nnamdi, and Kanyinsola Ajayi.

What if the limits of Nigerian athletic performance were completely redefined in a single track season?

While we were keeping up with global entertainment news, four remarkable Nigerian athletes delivered an unprecedented campaign on the international athletics circuit. Across short sprints, quarter-miles, multi-discipline grinds, and field throws, these four stars broke longstanding national records and established brand new benchmarks on the world stage. 

Kanyinsola Ajayi: The Dual-Record Sprint Sensation

Kanyinsola Ajayi made 2026 the year he established himself as the undisputed king of speed. The Auburn University star started his record-smashing spree indoors on 26 February, storming to a mind-blowing 6.45 seconds in the 60 metres—a time that set a new Nigerian national record and cemented his position as the African indoor record holder.

He was far from finished. Transitioning to the outdoor season, Ajayi lined up at the NCAA East Preliminaries on 30 Mayin Lexington, Kentucky. Blasting out of the blocks, he stopped the clock at a blazing 9.84 seconds in the 100 metres. The run did two major things: it erased Olusoji Fasuba‘s legendary 20-year-old national record of 9.85s (set back in May 2006) and made Ajayi the fastest man in the world for the 2026 outdoor season at that moment.

Kanyinsola Ajayi, Nigerian national record holder in the 60m and 100m events

Samuel Ogazi: The Quarter-Mile Maestro

Samuel Ogazi took the 400-metre world by storm, shattering both national and continental marks indoors and outdoors. On 14 March, competing at the NCAA Division I Indoor Championships, Ogazi stormed around the track in 44.57 seconds. That single run broke the African and Nigerian indoor records, proving early on that he was operating on a different level.

Fast forward to 12 June at the NCAA Outdoor Championships in Eugene, Oregon. Ogazi delivered one of the most dominant quarter-mile displays in collegiate history, crossing the finish line in a staggering 43.38 seconds. The performance smashed the long-standing national record, crowned him NCAA champion, and elevated him to the fourth-fastest man in world history over 400 metres.

Samuel Ogazi, African and Nigerian 400m national record holder.

Jami Schlueter: The Ultimate All-Rounder

The Decathlon is widely considered the ultimate test of athletic versatility—10 gruelling events played over two exhausting days. On 7 June, Jami Schlueter took on this monster challenge and produced a performance for the history books.

Amassing a monumental 8,024 points, Schlueter became the first athlete representing Nigeria to cross the coveted 8,000-point barrier in modern competition. The performance officially smashed the previous Nigerian national decathlon record, placing him in an elite tier of global combined-events competitors and putting Nigeria firmly on the international decathlon map.

Jami Schlueter, Nigerian national decathlon record holder.

Chinecherem Nnamdi: The Spear Master

Over in the field events, Chinecherem Nnamdi proved once again that Nigerian dominance isn’t limited to the running track. On 17 April, competing at the prestigious Tom Jones Memorial in Gainesville, Florida, Nnamdi stepped up to the runway for the javelin throw.

Unleashing a near-perfect throw, he launched his spear to a massive distance of 84.68 metres. The monster throw smashed his own previous national record by nearly two full metres, earned him a decisive event victory, and solidified his spot among Africa’s all-time greatest javelin throwers.

Chinecherem Nnamdi, Nigerian national javelin record holder.

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