Denrele Edun marks his 45th birthday in a custom multi-coloured woven Aso-Oke robe and towering cultural crown. Photo Credit: Denrele Edun/Instagram

We know you’ve heard of the coat of many colours worn by the Biblical Joseph, but have you seen Denrele Edun‘s birthday Aso-Oke extravaganza?

Our favourite media maverick Denrele just marked his 45th birthday, and because he completely refuses to do anything by half measures, he headed straight into the desert to stage a fashion moment that will be talked about for years.

He stepped out in a massive, sweeping robe made entirely of multi-coloured, vertically striped woven Aso-Oke. We are talking brilliant purples, rich turquoises, emerald greens, and magentas all pieced together to create a massive wall of colour. To add to the movement, thick, raw fringes cascade off the wide sleeves and slice horizontally across the layers, giving the entire outfit a living, breathing texture as it sweeps the desert floor.

But the real crowning glory, quite literally, is the sky-high cultural headpiece. He wore a towering black structure that starts with a voluminous, rounded base before shooting straight up into a slender vertical spire, finished with a neat row of metallic gold floral elements running all the way to the tip.

A detailed look at Denrele Edun’s towering floral-embellished headpiece and heavy neck beads worn for his 45th birthday celebration. Photo Credit: Denrele Edun/Instagram

To anchor the whole look, he layered heavy strands of long dark beads over his chest, stacked his wrists with bracelets, and leaned confidently on an intricately carved wooden walking staff. With a sharply groomed mustache and that undeniable regal posture, he transformed the desert into his personal runway.

It is bold, it is unapologetic, and it is 100% pure Denrele.

Media personality Denrele Edun showcases the rich, layered textures of his birthday Aso-Oke attire during his desert photoshoot. Photo Credit: Denrele Edun/Instagram

The post Have You Ever Seen Aso-Oke Like This? Denrele Edun’s 45th Birthday Look Is One for the Books appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Transforming personal trauma into a powerful catalyst for global advocacy and healing, Nigerian-British gender equality champion Chinwe Enyinna has turned life’s toughest battles into a radiant beacon of hope.

This was beautifully evident as the prestigious Alliance Française in Ikoyi, Lagos, was recently transformed into an inspiring sanctuary of resilience, community, and candid dialogue for the official unveiling of her compelling new book, “My Garden of Thorny Roses.”

Hosted with effortless grace by celebrated broadcaster, event host and actor Chioma Agwunobi, the meticulously curated soirée convened an elite, diverse assembly of guests united in their celebration of human strength and emotional resilience.

Finding Purpose in Pain: The Keynote & Fireside Chat

The evening commenced with a profound Executive Prologue by Executive Coach and CEO of BMO Advisory Services, Bola Matel-Okoh. She described the memoir as a monumental tool for education and societal change, reminding the audience that their history does not have to dictate their future.

“This book has the potential to inspire and give people hope,” Matel-Okoh shared. “It made me remember what my coach once told me: when we find purpose in pain, the pain becomes less. I love the fact that Chinwe has told her story in a way that truly elevates women and young girls.”

During the highly anticipated Author’s Keynote Fireside Chat, Chinwe Enyinna—who serves as the UK Country Chair of the Anti-GBV Wing of the G100 Club and founder of Survivors Support Network Nigeria—articulated her deep-seated motivation to a captivated audience. Drawing on her extensive background in Public Health and Nursing Sciences, along with her lived experiences, she highlighted the urgent need to guide young women in making safe, intentional, and informed relationship choices.

“Coming from Nigeria and seeing the silent challenges many women face in their relationships, I realised there was an urgent need to document my story,” Enyinna shared passionately. “Many young girls are asking questions about choosing the right partner and identifying red flags, but not enough people are willing to have those honest, unfiltered conversations with them. Support is available, and women should never be afraid to seek help despite societal pressures and judgment. Do not lose your voice.”

Gems from “The Unapologetic Panel”

A major highlight of the evening was “The Unapologetic Panel,” masterfully moderated by the Executive Visibility & Board Positioning Advisor Dr. Glory Edozien. The heavy-hitting discourse titled “Breaking the Stigma: Uncomfortable Conversations Women Must Have” focused deeply on the crucial intersection of mindset & personal mastery, legal advocacy, and financial independence.

• On Mindset Before Marriage: Celebrated mindset coach Ehi Ade-Mabo urged women to firmly map out their personal values and aspirations before marriage, strongly cautioning against making lifetime choices driven purely by societal biological clocks or external expectations.
• On Self-Compassion: Renowned psychologist and counsellor Dr Lauretta Ogbum advised attendees never to define their self-worth by a failed relationship. “Failure is merely an event, not an identity,” she reminded the room, advocating for deep, unconditional self-compassion.
• On Financial Autonomy: Adding a critical, practical legal lens, Barr. Obianuju Okafor, Managing Partner at KON & Associates, underscored the absolute necessity of protecting personal assets before marriage through proper legal documentation and normalised, transparent financial discussions before and during marriage.

The transformative energy of the night was further elevated by a distinguished lineup of guest narrators who led poignant readings from the memoir. Bringing their vast professional wisdom to the stage were Dr Abiola Salami, Founder of TPP Africa; Amaka Chika-Mbonu, Certified Relationship Counsellor and Author; and Barr. Chinyere Okorocha, Partner at Jackson, Etti & Edu. Their seamless readings and sharp, insightful reflections quickly emerged as a major highlight of the evening for everyone in attendance.

Adding a breathtaking, creative touch to the evening, was storyteller, actor and multi-portfolio entrepreneur Winihin Jemide, who delivered a stirring ‘Wordsmith’s Charge,’ offering a lyrical, moving reflection on the ultimate resilience of the human spirit.

The star-studded event drew a highly distinguished crowd of policymakers, advocates, and societal thought leaders. Notable special guests who lent their voices to the cause included:

• Adaora Iwuanyanwu, representing the First Lady of Imo State, HE Chief Barrister Chioma Uzodimma.
• Timininu Oni, representing the Lagos State Domestic and Sexual Violence Agency (DSVA).
• Princess Layo Bakare, representing UN Women Nigeria.
• Toun Sonaiya, Chair of Women Radio WFM 91.7.
• Alexis Adelu Sanya-Kawa of the Mirabel Centre.
• Betty Abah, Founder of CEE HOPE, alongside the executive heads of numerous non-governmental organizations.

Following the intense, paradigm-shifting exchanges, attendees seamlessly transitioned into a vibrant cocktail reception. Against a backdrop of beautiful music, premium curated cocktails, and elegant canapés, guests enjoyed networking and sharing their own stories.

Get the Book & Join the Movement

• Purchase Your Copy: My Garden of Thorny Roses is available for immediate purchase and global delivery on Selar.
• Follow the Journey: Connect with the author on Instagram and LinkedIn at @chinwe.enyinna to stay updated on upcoming advocacy tours and events.
• Join the Conversation: Use the official hashtag #ThornyRosesBook to share your own reflections and favourite quotes from the book.

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Nelly Mbonu models custom avant-garde birthday creations by designers Mub Rik and Josiphiah Michael.

Style was at the forefront of Nelly Mbonu’s birthday this June. The Big Brother Naija Season 9 star celebrated in not one but two unforgettable looks, each pushing in a completely different direction and showing just how much fun fashion can be when you are willing to experiment.

The first look leaned into sculptural glamour with a corset-inspired silhouette built on a sheer illusion base. Black beadwork swept across the bodice in strong vertical lines before giving way to strands of black and gold micro-beads that draped from the hips to the floor, creating beautiful movement with every step.

But the real conversation starter sat above the neckline. Instead of traditional jewellery, Nelly opted for a metallic gold jawpiece that framed her face and curved into sculpted extensions around the ears, paired with a coordinating neckpiece that transformed the entire look into something closer to wearable art than eveningwear.

Nelly Mbonu pairs intricate corset-inspired beadwork by Mub Rik with structural face armour for her birthday style celebration. Photo Credit: Nelly Mbonu/Instagram

Then came a complete change of pace.

Her second birthday look embraced volume in the most striking way, wrapping her in oversized layers that called to mind the unfurling petals of a rose. Crafted from textured charcoal-black fabric with soft dusty-pink linings tucked beneath each fold, the piece revealed new details from every angle and rewarded a second look.

Rather than compete with the silhouette, the styling stayed pared back. Her hair was slicked away from the face, jewellery was kept to a minimum, and all attention remained on the remarkable shape of the garment and the way it occupied space.

Nelly Mbonu embraces rich texture and dramatic scale in a rose-inspired birthday look by Josiphiah Michael. Photo Credit: Nelly Mbonu/Instagram

Together, the two looks told very different style stories, but they shared one thing in common: a willingness to step outside the expected. Whether through sculptural beadwork or dramatic volume, Nelly approached birthday dressing with imagination, making the celebration as memorable for its fashion as it was for the occasion itself.

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Photo Credit: Nancy Isime hosting the 17th Headies Awards. The Headies/Instagram

For years, success in African entertainment has often been measured by Western recognition. A Grammy nomination is considered a goal for many artists. An Oscar nod can change careers overnight. These honours and recognitions matter, and rightly so, because they represent excellence at the highest level and connect creatives to audiences far beyond their home countries.

But if Africa’s creative industries are to continue growing on their own terms, they cannot rely solely on international validation to define success. There must also be institutions within the continent that recognise excellence, reward innovation and preserve the cultural contexts from which African stories emerge. African creatives should not have to cross oceans before their work is considered worthy of celebration.

That is why African entertainment awards should exist and remain. From music and film to television and digital storytelling, these ceremonies are markers of cultural influence, platforms for industry growth and symbols of a continent increasingly confident in its creative identity.

Some of these African awards have grown into continental institutions like the AMVCA and the Headies, while others remain national platforms whose influence extends far beyond their borders. They all influence careers, create opportunities and tell African creatives that their work matters long before the rest of the world takes notice.

Here are some of the most prestigious entertainment awards in Africa and the role they play in celebrating the continent’s creative excellence.

Africa Magic Viewers’ Choice Awards (AMVCA)

Since its launch, the Africa Magic Viewers’ Choice Awards has grown into the continent’s most visible celebration of film and television. The awards recognise actors, filmmakers, producers and content creators whose work has influenced African storytelling on screen in a calendar year. Beyond the awards, the AMVCAs have become a cultural stage of African fashion. Most times, the fashion exhibition at the award ceremony becomes even more popular than the award itself.

Africa Movie Academy Awards (AMAA)

Often described as Africa’s equivalent of the Oscars, the Africa Movie Academy Awards occupies a unique place within the continent’s film ecosystem. Since its founding, the awards were created to celebrate artistic achievement in African cinema and have since recognised productions from countries including Nigeria, South Africa, Kenya, Egypt, Ghana and Burkina Faso. While popular appeal often drives audience-facing awards, the AMAAs have built their reputation on recognising craft, storytelling and cinematic excellence. Over the years, they have honoured some of the continent’s most respected actors and filmmakers, helping elevate African cinema on the global stage.

The Headies

Few awards have documented the rise of modern African music quite like The Headies. Established in 2006, the awards, which chronicle the evolution of Afrobeats from a local phenomenon into a global cultural force, used to be Nigerian-based but have since been moved across cities in the United States and Canada. For many artists, a Headies nomination or win represents a defining career milestone. The awards have recognised some of the biggest names in African music, and remain one of the continent’s most influential music honours.

Ghana Movie Awards

Though often discussed alongside Nigeria’s larger film industry, Ghana’s contribution to African cinema remains significant, and the Ghana Movie Awards were established to recognise that contribution. Since 2010, the awards have celebrated excellence in acting, directing, screenwriting and film production while also encouraging collaboration between filmmakers across West Africa, helping preserve and promote Ghanaian storytelling.

South African Music Awards (SAMAs)

As the premier music awards platform in South Africa, the South African Music Awards have long served as a reflection of one of Africa’s most dynamic music industries. The awards recognise achievements across a wide range of genres, from jazz and gospel to hip-hop, house music and Amapiano. Over the years, the SAMAs have honoured influential artists including Black Coffee, AKA, Cassper Nyovest, Mafikizolo and Kabza De Small. More than just an awards ceremony, the SAMAs provide a record of South Africa’s musical evolution and its continued influence on contemporary African culture.

All Africa Music Awards (AFRIMA)

AFRIMA was established with a vision that extends beyond individual countries or music markets. The awards celebrate artists from every region of the continent, recognising excellence across multiple genres, languages and cultures. In doing so, AFRIMA has become one of the few truly pan-African music platforms, bringing together performers from West, East, North, Central and Southern Africa under one umbrella

MTV Africa Music Awards (MAMA)

Long before Afrobeats became a global buzzword, the MTV Africa Music Awards helped introduce African artists to broader audiences across the continent and beyond. Since its debut, the awards have recognised musicians whose influence transcends national borders, creating a platform where artists from different African countries can compete on equal footing. For many performers, a MAMA win marked their arrival on the continental stage.

Collectively, these awards do more than recognise talent. They help build industries, preserve cultural identity and create pathways for future generations of creatives. While international honours remain important markers of achievement, African awards fulfil a different role. They celebrate artists within the contexts that shaped them, acknowledge stories that might otherwise go unnoticed, and remind the continent that excellence does not need external validation to be recognised.

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Mercy Aigbe in a burgundy brocade dress, Nelly Mbonu in a blue lace gown with a train, and Bimbo Akintola in a sequinned dress with red feathers.

Trends come and go, but the Oleku style has a way of staying right where it matters—in the middle of fashion conversations, Owambe entrances, and celebrity style moments. Rooted in Yoruba tradition, the short ìró and bùbá combination first gained popularity in the 1960s and 1970s as a fresh, youthful take on classic ceremonial dressing. What started as a style shift has now become a lasting fashion favourite that keeps finding new life with every generation.

At its heart, Oleku is all about ease and attitude. The shorter wrapper, usually tied neatly at the waist and stopping around the knee or just above it, gives the look a lighter, more playful feel compared to the longer, traditional ìró. It is usually paired with a blouse that ranges from short sleeves to elbow length, allowing for movement while still keeping things elegant and occasion-ready.

Toolz Oniru-Demuren in a gold and black leopard-print Oleku outfit paired with a glossy black leather gele and futuristic gold sunglasses by a vintage car. Photo Credit: Toolz Oniru-Demuren/Instagram

What keeps Oleku firmly in rotation today is how easily it adapts. Designers and style enthusiasts continue to reinterpret it with modern touches, from rich lace and embellished fabrics to structured tailoring and bold colour pairings. The styling also does a lot of the work: a dramatic, layered Gele instantly lifts the silhouette, while strappy heels and minimal jewellery keep the focus on the outfit itself. Each version feels familiar, but never quite the same.

It is this balance between heritage and reinvention that makes Oleku a constant on the fashion scene, especially for celebrities who are always finding new ways to make it their own.

See how stars are rocking the Oleku style now.

Actress Bimbo Akintola in a shimmering blue and pink sequinned Oleku by Wanni Fuga featuring dense crimson feather trims along the sleeves and hemline. Photo Credit: Bimbo Akintola/Instagram

Nelly Mbonu posing in a bright blue lace traditional Oleku outfit with an elongated side train and a matching voluminous structured gele. Photo Credit: Nelly Mbonu/Instagram

Toolz Oniru-Demuren in a gold and black leopard-print Oleku outfit paired with a glossy black leather gele and futuristic gold sunglasses by a vintage car. Photo Credit: Toolz Oniru-Demuren/Instagram

Media personality Kiekie posing in a multi-coloured silk brocade Oleku outfit featuring an asymmetrical mini wrapper with a dramatic side train, a matching voluminous gele, and coral beads. Photo Credit: Kiekie/Instagram

Actress Ini Dima-Okojie in a vibrant orange lace Oleku paired with a dark red patterned gele, posing next to a vintage telephone. Photo Credit: Ini Dima-Okojie/Instagram

Media personality Toke Makinwa leaning against a wall wearing a multi-coloured sequinned Oleku style by Wanni Fuga, featuring dramatic red feathers. Photo Credit: Toke Makinwa/Instagram

Actress Mercy Aigbe in a rich burgundy and black patterned damask Oleku with a gold fringe hemline and matching dark sunglasses. Photo Credit: Mercy Aigbe/Instagram

Bose Ogulu serves major contemporary fashion inspiration in Oleku styles. Photo Credit: Bose Ogulu/Instagram

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Tennis stars Serena Williams in a black athletic dress and Venus Williams in a white and green outfit shaking hands on a hard tennis court.

Just when we thought the sporting summer could not get any more exciting, the ultimate sister act is returning to the court. Wimbledon organisers have officially announced that Serena and Venus Williams have accepted a wildcard invitation to compete in the women’s doubles draw for the 2026 championships. For tennis fans globally, this is the absolute dream scenario, bringing the legendary duo back to the venue where they have historically dominated.

If you are wondering just how massive this reunion is, their record on the London grass speaks entirely for itself. Serena and Venus have won an astonishing 14 Grand Slam doubles titles as a pair, and six of those historic victories happened right at Wimbledon. Interestingly, entering via a wildcard is a bit of a full-circle moment for them; their very first two Wimbledon doubles titles back in 2000 and 2002 came through wildcards as well. Beyond their Grand Slam hardware, they also won the 2012 Olympic gold medal together on these exact same SW19 courts.

An iconic throwback photo of the Williams sisters celebrating an early career victory at Wimbledon.

We last saw the sisters share a doubles court back at the 2022 US Open, where they played an opening-round match before Serena temporarily stepped away from professional competition. Their last tournament victory as a duo at the All England Club was a decade ago in 2016. Now, with Serena making her highly anticipated return to the professional tour after nearly four years away, and Venus continuing to play selective events, the timing is absolutely perfect for them to run it back.

With the main tournament kicking off on Monday, 29 June, all eyes will be squarely on the doubles draw. If they manage to go all the way and secure a seventh Wimbledon doubles trophy, they will officially break the tie for the tournament record and make history as the oldest Grand Slam-winning doubles partnership ever. It is safe to say our tennis viewings for the next few weeks are completely locked in.

Serena and Venus Williams laughing on the grass court while holding up their matching silver Wimbledon women’s doubles championship trophies.

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Simi sporting soft glam makeup and a coordinated burgundy gele for her mother’s birthday event.

After seeing Simi in this look, it’s hard not to appreciate just how well burgundy and crimson suit her. She stepped out for a deeply personal occasion—her mother’s 70th birthday—choosing a custom look that felt appropriate for both celebration and family tradition.

The gown itself brought together contemporary construction and familiar cultural references. Designed on a sheer lace mesh base, it carried glass beadwork, metallic sequins, and floral appliqués that were placed along the hips in a way that shaped the silhouette. From there, a sweetheart neckline flowed into sheer sleeves, while leaf-shaped paillettes moved across the skirt, catching light in subtle shifts as she moved.

Simi shares a joyful hug with her mother, Jedidiah Ogunleye, during her landmark 70th birthday celebration.

To complete the look, she paired the dress with a burgundy gele threaded with soft copper accents, tying the entire palette together. Gold accessories were kept minimal—a pair of hoop earrings, a slim choker, and a diamond ring—allowing the craftsmanship of the outfit to remain at the forefront, while a crimson manicure quietly echoed the colour story.

Her beauty look followed the same restrained direction. A matte base, softly defined brows, rose-toned eyes, and a neutral glossy lip kept things refined. Altogether, the styling came together in a way that felt considered, marking her mother’s milestone with a look that suits her beautifully.

Simi posing with one hand on her hip, showcasing a custom burgundy lace corset gown with a matching striped gele headtie.

Photo Credit: Simi/Instagram

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• 88% of consumers in Nigeria have used AI to assist with shopping, while 97% feel AI-powered tools make online shopping faster and easier.
• 89% believe AI will play a critical role in protecting consumers from fraud in the future, but only 34% today trust AI agents to complete checkout.
• 83% have purchased directly through social commerce, while 57% of consumers who experienced scams report it happened on social media.
• 76% are concerned children struggle to recognize scams, and 62% have seen a child fall victim while gaming or shopping online.
• Only 7% believe consumers should be primarily responsible for protection against fraud when shopping online. Separately, 64% say alerts when something looks suspicious would help them feel more secure paying online.

Visa, a world leader in digital payments, today released the annual Stay Secure study in Nigeria, which assesses consumer awareness and behaviors around digital commerce and fraud. This year’s edition, conducted by Wakefield Research, highlights how AI enabled shopping and social commerce are changing consumer behavior even as expectations around trust and protection remain firmly in place.

Consumers Embrace AI-Assisted Shopping 

Consumers are embracing artificial intelligence as part of their shopping journeys. 88% in Nigeria have used AI tools to assist with shopping, including comparing prices 54%, finding gift ideas 53%, and checking reviews or product ratings 56%.  The appeal is clear: 97% feel new technologies, including AI-powered tools, are making online shopping faster and easier than before. AI is also influencing discovery, with 68% typically discovering new brands or retailers while shopping online.

However, consumers remain more cautious when it comes to AI handling transactions on their behalf. Today, only 34% would trust AI agents to complete checkout, reinforcing the importance of earning consumer trust in the age of agentic commerce. As AI adoption grows, consumers increasingly view the technology as part of the solution to fraud. 76% feel AI has made scams easier to recognize today and 89% believe AI will play a critical role in protecting consumers from fraud in the future.

Social Commerce is Growing but so are Scam Risks

Shopping through social platforms has become mainstream, with 83% of consumers in Nigeria having purchased products directly through social media platforms. As commerce expands across new channels, fraud risks continue to follow consumers online. 51% have experienced a financial scam in the past 12 months. Among those who have experienced a scam, 57% report the incident occurred on social media, more than those who encounter scams on other platforms such as websites, online marketplaces, or shopping apps.

Children are Increasingly Exposed to Scams While Shopping and Gaming Online

The study also highlights growing concern about how children encounter scams online, with 76% of consumers reporting that children in their lives struggle to recognize scams. A significant 62% have seen a child fall victim to a scam while gaming or shopping online. That concern comes as children gain greater access to digital commerce. 33% of Nigerian parents have children who can access mobile payment apps or digital wallets.

Consumers Expect Institutions to Lead on Fraud Protection

When it comes to protecting against fraud while shopping online, consumers look first to institutions rather than themselves. 49% believe banks or financial institutions should be primarily responsible, followed by government authorities or regulators 35% and payment providers (30%). Only 7% believe consumers themselves should hold primary responsibility. They also want more proactive reassurance. 64% would feel secure receiving real-time alerts from their bank or payment app when something looks suspicious, while 39% would feel more comfortable seeing a familiar, trusted logo at checkout.

“Visa’s Stay Secure study shows that while online shopping and social commerce continue to grow, scams and fraud are evolving too. Consumers see fraud protection as a shared responsibility, but they expect financial institutions, governments, and payment providers to take the lead, underscoring the importance of secure-by-design payment systems,” said Irene Auma, Head of Risk, Sub-region, Visa.

She continued,

“As commerce moves toward more agentic, AI-powered experiences, the study shows that consumers are embracing the convenience AI can bring to shopping but remain cautious when it comes to AI completing purchases on their behalf. With Visa Intelligent Commerce, we are helping enable the next era of commerce built on trust, control and confidence.”

To learn more about building trust for a new era of commerce, read the full Visa Stay Secure 2026 Nigeria report here

About the Stay Secure Study 2026

The Stay Secure study was commissioned by Visa and conducted by Wakefield Research from January to February 2026. It involved a survey of 5,800 adults aged 18 years and older across 17 CEMEA markets, including Bahrain, Côte d’Ivoire, Egypt, Jordan, Kazakhstan, Kenya, Kuwait, Morocco, Nigeria, Oman, Pakistan, Qatar, Saudi Arabia (KSA), Serbia, South Africa, Ukraine and the United Arab Emirates (UAE).

Disclaimers: 

• Study results reflect customer perception at the time of research and do not predict future behavior or outcomes.
• Results may vary by country, demographic group, and market conditions within the surveyed regions.
• Study findings reflect consumer observations and perceptions and should not be interpreted as professional guidance on child safety or online behavior.
• References to artificial intelligence reflect supporting technologies and insights only. AI‑based tools do not replace human judgment and do not constitute legal, financial, compliance, or professional advice.

About Visa

Visa (NYSE: V) is a world leader in digital payments, facilitating transactions between consumers, merchants, financial institutions and government entities across more than 200 countries and territories. Our mission is to connect the world through the most innovative, convenient, reliable and secure payments network, enabling individuals, businesses and economies to thrive. We believe that economies that include everyone everywhere, uplift everyone everywhere and see access as foundational to the future of money movement. Learn more at Visa.com.

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As Africa continues to assert itself as a growing force in digital commerce and economic transformation, Visa marked Africa Day 2026 by bringing its West Africa team together in a celebration of culture, shared identity and continental pride. The occasion reaffirmed the global payments company’s commitment to the people and communities at the heart of its operations across the region.

Visa’s Nigeria team gathered to mark the day in a spirit of reflection and belonging, with employees sharing the customs, ceremonies and traditions that define African life across the region. Cultural presentations formed the centerpiece of the day, with colleagues walking one another through naming ceremonies, wedding traditions and the significance of practices that have carried community spirit across generations. It was a moment that put Visa’s most important asset, its people, at the front.

Visa and the African Story

For a company that processes a significant share of the continent’s digital transactions, Africa Day carries meaning that extends well beyond a calendar observance. Visa has spent years deepening its presence across West Africa, building partnerships with financial institutions, fintechs, merchants and governments to expand access to safe, reliable digital commerce in a region where financial inclusion remains one of the most important economic conversations of our time.

Andrew Uaboi, Vice President and Cluster Head for Visa West Africa, speaking on that commitment said:

“Africa is not just a market for Visa, it is a core part of who we are. Africa Day is a reminder of why the work we do here matters, and of the responsibility we carry to build systems that create real opportunity for people across the continent.”

Building for the Long Term

Africa’s digital economy is shifting at pace. Cross-border trade is growing, mobile access continues to expand, and the appetite for seamless, secure transactions, from Lagos to Accra and across the wider region is accelerating. Visa’s work sits at the centre of that shift.

Uaboi was clear about the company’s direction.

“The energy and innovation we see across Africa every day; in our partners, in our employees, in the entrepreneurs and businesses we support, that is what drives us,” he said. “We are committed to being here, growing here, and helping Africa connect to the world.”

The sentiment reflects a broader truth about how the continent’s most consequential economic story is being written, not by external observers, but by institutions that have chosen to build here, invest here and grow alongside the people they serve.

A Reflection of Who They Are

Beyond strategy and infrastructure, what Africa Day surfaced at Visa’s Lagos office was something more personal. The diversity visible in the room, employees from different parts of Nigeria and the wider West Africa region, each carrying their own cultural history, is the same diversity that informs how the company understands its markets and builds its products.

“We are building for the long term,” Uaboi said.

For Visa’s West Africa team, Africa Day was a reminder that the people behind that work are themselves, the story.

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The best way to support this transformation has always been to start local. Creating opportunities wherever they take root, with global payment networks like Visa helping to scale secure, seamless connections across markets of the economy into the heart of everyday commerce, empowering small businesses, enabling cross-border connections, and creating opportunities wherever they take root.

Today, we see the clear impact of this faster transition to digital payments and how it ripples through economies, communities, businesses, and daily life across West Africa, day after day.

Momentum visibility

Over the past five years, the decline in cash usage has been structural rather than cyclical. Digital adoption is reaching segments of the population that were previously untouched by formal financial services. Looking forward, 2026 is projected to be the first year in history where half of all consumer payments globally are made with card credentials, and West Africa is actively part of this defining milestone.

AI-Powered Commerce is Reshaping Experiences

Artificial intelligence is transitioning from backend operations to a front-of-the-experience technology. The region is entering the era of agentic commerce, where AI agents can handle purchases on behalf of consumers, guided by their preferences and guardrails.

For everyday users in Nigeria and across West Africa, this means intelligent assistants can manage complex tasks, like booking an affordable flight within a set budget using a preferred airline, authenticating payments securely with tokenised credentials, and completing transactions without friction. The result is greater convenience, stronger data protection, and more time for what matters most.

Security that Inspires Trust

As digital payments grow, security remains foundational. Advanced AI-powered risk models continuously learn to spot suspicious patterns before transactions are completed. Biometric authentication methods, such as fingerprint and facial recognition, are replacing older processes, making payments both safer and more convenient.

Consumer engagement is encouraging, with 98% of people in key markets taking active steps to protect their digital payments. When the ecosystem works together, digital payments deliver protections that cash simply cannot match.

Cross-Border Payments Getting Closer to Local Simplicity. Sending and receiving money across borders, something millions in the region do regularly, is becoming as straightforward as domestic transactions. Innovations like stablecoins, digital tokens backed by fiat currencies, are providing faster, cheaper, and more reliable ways to move money.

This is especially meaningful for remittances in Sub-Saharan Africa, supporting Nigerian professionals sending money home and businesses receiving payments from international clients with significantly lower costs and delays.

Evolving Consumer Habits and Experiences

People are spending with a stronger intention. There is a growing appetite for experience-led choices, travel, wellness, meaningful moments with loved ones, solo experiences, and self-gifting. These shifts reflect how consumers are redefining value in their lives.

Premium solutions, such as the Visa Signature Card launched in partnership with FirstBank and Zenith Bank, are helping meet these aspirations with benefits like global airport lounge access, travel insurance, concierge services, and exclusive offers.

Serving the Full Spectrum of Needs

Financial inclusion and premium services are complementary. One ensures every person has a secure, dignified entry into the digital economy. The other supports those further along their journey with world-class tools for global living. What ties them together is trust, building a network where everyone, from first-time users to frequent travellers, feels safe, valued, and connected.

The Path Forward: Personalisation and Trust

In the next two to three years, the biggest shift will be the convergence of personalisation and trust. Technologies like tokenisation, AI, and biometrics will enable truly individualised experiences, the “segment of one,” tailored to each person’s unique needs, habits, and goals.

In West Africa’s diverse markets, this personalised approach at scale has the potential to be transformative for everyone from market traders to international professionals.

The accelerating shift to digital payments is creating new opportunities for consumers, businesses, and the broader economy. By continuing to invest in secure infrastructure, innovative technologies, and strong local partnerships, this positive momentum can keep building.

That’s what the digital payments revolution in West Africa is all about. The progress we’re seeing today is impressive, but the most exciting developments are still to come.

Sponsored Content

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Goalkeeper Vozinha smiling and holding the blue, white, and red national flag of Cabo Verde above his head in the stadium.

If you are curious about how the Cabo Verde national team managed to hold the star-studded Spanish squad to a stunning stalemate in Atlanta, you only need to look at one man: their goalkeeper.

Before Monday’s Group H clash, Josimar José Évora Dias—affectionately known to the football world as Vozinha—was a 40-year-old journeyman keeper whose contract at Portuguese second-division side Chaves was just two weeks away from expiring. He walked onto the pitch with a modest transfer valuation of €50,000 and a quiet Instagram following of around 50,000.

By the time the final whistle blew on Cabo Verde’s jaw-dropping 0–0 draw against heavyweight Spain, he wasn’t just a national hero. He was a global sensation.

Spain arrived at the tournament boasting a terrifying attack featuring Euro 2024 winners, Champions League victors, and the electric Lamine Yamal coming off the bench. Statistically, the Spaniards dominated, holding 74% of the ball and peppering the African side’s box.

Cabo Verde goalkeeper Vozinha diving across the pitch to stop a shot during the World Cup match against Spain.

But analytics don’t account for pure heart.

Vozinha put on an absolute masterclass between the sticks, making seven crucial saves to keep a clean sheet against a side that racked up an expected goals (xG) rating of 2.29. His defining moment came just before half-time: after Ferran Torres rattled the crossbar, Mikel Oyarzabal’s follow-up header looked completely unstoppable. Vozinha somehow stretched his veteran frame to tip the ball over the bar, sparking a roar from the Atlanta crowd that set the tone for the rest of the match.

With that display, he officially became the oldest goalkeeper to keep a clean sheet on his FIFA World Cup debut. Naturally, he walked away clutching the official Man of the Match trophy.

While Vozinha was busy frustrating Spain on the pitch, a completely different kind of magic was happening across social media.

During the broadcast, the famous Brazilian streaming network CazéTV urged its millions of viewers to go and support the legendary shot-stopper. The internet took that directive and ran with it.

Fans worldwide fell in love with his grit, and his Instagram account experienced one of the fastest growth spikes in sporting history. In less than 24 hours, his following exploded from 50,000 to a staggering 5.8 million followers. To put that into context, he now has more digital followers than the entire population of Cabo Verde ten times over!

Vozinha proudly displays his Man of the Match award after the historic goalless draw in Atlanta.

When the match concluded, the tough-as-nails keeper dropped to his knees and burst into tears as his teammates mobbed him. Speaking to reporters after the game, an emotional Vozinha revealed the heartbreaking reason behind his tears.

I cried after the game because I was raised by my grandparents during my childhood, and they could not be there. They passed away a few years ago. My mother was also unable to attend due to a visa issue and the costs associated with it. We could not arrange this in time.

Though his family wasn’t physically in the stands to see him lift his Man of the Match award, the entire world was watching.

From playing street football against much older boys on the island of São Vicente to silencing the best attackers in Europe, Vozinha’s story embodies exactly why we love the World Cup. He wanted to bring pride to his country, instead, he captured the imagination of the entire planet.

Vozinha executes a crucial fingertip save to deny the Spanish attack at the Atlanta Stadium.

Veteran keeper Vozinha communicates with his backline during the high-pressure Group H tournament fixture.

Photo Credit: Vozinha/Instagram

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Members of the Blue Sharks squad celebrating their resilient defensive performance during the match against Spain.

Football, right? Just when you think you’ve seen it all, the beautiful game serves up a slice of pure, unadulterated brilliance

If you went to bed early on Monday night, you missed what is officially the biggest shock of the FIFA World Cup 2026 so far. World Cup debutants Cabo Verde just held the reigning European champions, Spain, to a spectacular, hard-fought 0-0 draw at the Atlanta Stadium. You read that correctly. The tiny island nation stood toe-to-toe with La Roja and walked away with their first-ever point on football’s ultimate stage. Talk about the ultimate David vs. Goliath story!

While the entire team played with the heart of a lion, special praise must go to the backline and veteran goalkeeper Vozinha (Josimar Dias), who stood as an absolute brick wall to secure a historic clean sheet. His heroic presence ensured the Spanish attack remained completely frustrated throughout the night, defying some of the biggest names in world football.

Cabo Verde goalkeeper Vozinha in a yellow jersey leaping high in the air to tip the football over the crossbar.

Going into the game, nobody gave coach Bubista’s men a chance against a star-studded Spanish side featuring the likes of Rodri, Pedri, and Gavi. Spain heavily dominated the ball, maintaining a massive 74% possession rate and registering 7 shots on target from an overwhelming 27 total attempts. They even earned 11 corners compared to Cabo Verde’s single corner. Yet, despite matching their highest-ever World Cup shot attempt record since 1966, Spain simply could not find a way through.

It wasn’t just a defensive masterclass either. In the dramatic final minutes of the game, Cabo Verde actually looked incredibly dangerous on the counter-attack and had a couple of bold moments where they could have snatched an unbelievable winner. Spain coach Luis de la Fuente was even forced to throw on Barcelona’s teenage sensation Lamine Yamal for the final twenty minutes in a desperate bid to save the match, but the debutants simply refused to crack.

Intense match action from the Atlanta Stadium as debutants Cabo Verde battle Spain for possession in the air.

This historic 0-0 draw completely blows Group H wide open. With highly anticipated fixtures against Saudi Arabia and Uruguay left in the group stage, Cabo Verde has proven they aren’t just in the United States to make up the numbers—they are here to compete. For anyone who loves a good underdog story, this is a beautiful reminder that in football, passion and organisation can match pedigree any day of the week.

See all the action from Cabo Verde vs Spain in photos

Jubilant Cabo Verde supporters displaying their signed national flag at the Atlanta Stadium during the historic match against Spain.

Members of the Blue Sharks squad celebrating their resilient defensive performance during the match against Spain.

Spanish player jersey number 7 controlling the ball while surrounded by three Cabo Verde defenders on the pitch.

Happy Cabo Verde supporters with face paint wearing blue shirts and waving flags in the stadium stands.

Overhead view of the Cabo Verde starting eleven in white jerseys gathered in a tight team huddle on the green grass.

Blue Sharks supporters cheering loudly in white team shirts during the Group H opener at the 2026 FIFA World Cup.

Photo Credit: FIFA/Instagram

The post Cabo Verde Make World Cup History With 0–0 Draw Against Spain [In Photos] appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Newly crowned Miss Martinique 2026 Maureen-Alycia Lucéa-Merlin holding her winner’s bouquet during the coronation ceremony in Fort-de-France. Photo Credit: Maureen-Alycia Lucéa-Merlin/Instagram

Martinique now has a new queen and her name is Maureen–Alycia Lucéa–Merlin! The 24-year-old Afro-Martinican beauty secured the prestigious title of Miss Martinique 2026 during a spectacular coronation gala held at the Grand Carbet du Parc Culturel Aimé Césaire. Standing tall at 1m76, the Fort-de-France native moved through the competition with immense poise and grace, representing the rich Afro-Caribbean heritage and vibrant cultural tapestry of the island.

What makes Maureen-Alycia truly stand out is her deep connection to her community. Beyond her background in pageantry, having previously built up experience as the first runner-up in the Miss Martinique 2020 competition, her professional life is deeply rooted in social care. She works closely within the EHPAD sector (specialised French care homes), dedicating her time to supporting and improving the lives of the elderly.

24-year-old social care professional Maureen-Alycia Lucéa-Merlin celebrating her coronation as Miss Martinique 2026. Photo Credit: Maureen-Alycia Lucéa-Merlin/Instagram

With this exciting win, Maureen-Alycia takes over the title from her predecessor, Léaline Patry. She is now officially preparing to take Martinique’s rich heritage to the global stage at the Miss France 2027 pageant, which takes place this coming December.

The competitive final lineup was a testament to the exceptional standard of this year’s contestants. Nathanaëlle Hélène finished as the first runner-up, with Loanne Nodin taking the second runner-up position. The top five was completed by Laura Laventure as third runner-up and Laureen Lixfé as fourth runner-up, marking a successful and highly memorable evening for Caribbean pageantry.

24-year-old social care professional Maureen-Alycia Lucéa-Merlin celebrating her coronation as Miss Martinique 2026. Photo Credit: Maureen-Alycia Lucéa-Merlin/Instagram

The post Afro-Martinican Beauty Maureen-Alycia Lucéa-Merlin Wins Miss Martinique 2026 appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Enjoy the exclusive interview!

Hello Ini. How are you feeling right now? 

I am feeling very grateful, excited, and quite reflective. It has been such a fulfilling season professionally, with projects I am very proud of getting ready to meet audiences. On a personal level, this is also a very special chapter for me as I prepare to welcome a new addition to my family, so there is a lot of joy, anticipation, and gratitude in my heart. 

Moments like this make you pause and really appreciate your journey while also looking ahead with excitement. Right now, I am embracing everything fully. The growth, the work, the new experiences, and I am especially looking forward to people finally seeing GRIT. It was such a unique and rewarding project to be part of, and I cannot wait for audiences to experience it.

Before you tell us more about GRIT, let’s talk “Blood Sisters.” Congratulations and well done on the outstanding performance. What does it take to embody your character in the show? Are there similarities between you and the character in any way? 

Thank you very much. Every role begins with understanding the emotional truth of the character. I always try to ask myself who she is, what drives her, what she is afraid of, and what she truly wants. That process helps me build something honest and grounded.  With Blood Sisters, I wanted to approach the character with a lot of empathy and truth. Even when a character makes choices that are very different from mine, I try to understand her perspective fully so I can portray her as authentically as possible. 

In terms of similarities, I think every character allows you to bring a part of yourself into the role. I relate strongly to resilience, determination and the ability to navigate difficult situations with strength. Beyond that, I think the differences are just as important because they challenge you as an actor.

You’ve been in Nollywood for the past decade and witnessed the evolution of the industry, which you have also evolved along with. When would you consider the most defining moment in your career? Was there a role that switched up everything for you? 

I do not think there was one single defining moment. My journey has really been shaped by different chapters that each contributed something meaningful. My first feature film, North East, was a very important introduction for me. Playing Hadiza was a challenging experience, and even today, it is still one of the performances people remember and talk about. It really shaped how I saw myself as an actor. 

Then came Battleground, where I played Teni. That project introduced me to a much wider audience and became a real breakout moment in my career. More recently, Blood Sisters has also been a major milestone because of its reach and the way audiences connected with it. 

When I look back, I see a pattern of growth rather than one turning point. Each role has helped me evolve, take on new challenges, and grow into the actor and storyteller I am becoming.

From your perspective, and for the kind of roles you’ve acted, what kind of stories do you think Nigerian filmmakers still aren’t telling enough of? 

I think we are making progress, but there is still so much room for stories that explore the depth and complexity of everyday African lives. There are so many lived experiences that have not yet been fully represented on screen. 

I would also love to see more stories that celebrate African innovation, history, culture, and identity in fresh and unexpected ways. There is so much richness across different communities and regions that can still be explored. 

I am also excited by the growing space for female-directed storytelling and the unique perspectives that women bring into film. I think that voice is very important in shaping the future of the industry.

Looking ahead to what the future might bring, what excites you most about the future of Nollywood, and for your personal life, how would you wish the coming years look like for you? 

What excites me most about Nollywood is how ambitious the industry is becoming. The quality of productions continues to improve, the storytelling is becoming more diverse, and there is a growing global interest in African stories. We are truly entering an exciting phase. 

There is also more collaboration happening across the continent, and that makes me very hopeful about the future of African storytelling as a whole. 

On a personal level, I hope the coming years are filled with growth, purpose, creativity, and meaningful moments with the people I love. I am entering a new season of life, and it has given me an even deeper appreciation for balance, family, and the things that truly matter. Professionally, I want to continue challenging myself, exploring new opportunities, and being part of stories that inspire people.

Now, let’s talk GRIT. As you prepare to host the show soon, what does grit mean to you beyond the dictionary definition, and what would you want the audience to take away from the show? 

For me, grit is about showing up even when things are difficult. It is resilience, determination, adaptability, and the courage to keep going even when the outcome is not guaranteed. 

That is why I connected so strongly with GRIT. Beyond the competition, it is a celebration of human potential. The contestants are pushed in ways that test memory, logic, teamwork, and emotional strength, and it is fascinating to watch how people respond under pressure. 

What I love most is that the show is rooted in African culture and storytelling. It is entertaining, competitive, and visually engaging, but it also celebrates identity, ingenuity, and perseverance. 

As someone who genuinely loves reality television, being part of this project was incredibly exciting for me. It was also my first experience hosting, which made it even more special. I was truly impressed by the quality and creativity behind the show, and I cannot wait for audiences to see it on the July 3rd showing on YouTube.

Decades from now, when people hear the name Ini Dima-Okojie, what do you hope they remember first? 

I hope they remember someone who was dedicated to her craft and who approached storytelling with honesty, passion, and care.  I also hope they remember someone willing to grow and evolve across different phases of her life and career. Whether through acting, hosting, or other creative work, I hope my journey encourages people to embrace change and possibility. 

More than anything, I hope I am remembered for kindness and the way I made people feel. The impact we leave on others is just as important as the work we create. 

What are the little things in your everyday life that bring you joy, get you excited, or make you feel alive? 

I find joy in very simple things. Spending time with the people I love, good food, travelling, discovering new places, and having meaningful conversations all make me very happy. I also really enjoy watching television, especially reality shows. I have always been fascinated by human behaviour and how people respond in different situations. Storytelling in any form continues to excite me deeply, whether I am participating in it or simply experiencing it as an audience member. 

We know Ini, the actress, who is Ini beyond our screens? 

Beyond the screen, I am very curious and always evolving. I love learning, experiencing new things, and connecting with people in meaningful ways. I am a daughter, a wife, a friend, and someone who values relationships deeply. I enjoy laughter, travel, food, and creating memories with the people I love. At my core, I am grateful for the journey so far and committed to continuing to grow into the best version of myself.

The post Exclusive: What’s Next for Ini Dima-Okojie? appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Official portrait of Peter Vowles, who succeeds Dr Richard Montgomery CMG as the British High Commissioner to the Federal Republic of Nigeria starting September 2026. Photo Credit: Peter Vowles/X

The United Kingdom has announced a new British High Commissioner to Nigeria, and his appointment comes with a career that spans decades of diplomatic and development work across Africa, Asia, and beyond. Peter Vowles has been appointed British High Commissioner to the Federal Republic of Nigeria, succeeding Richard Montgomery CMG, and will take up his appointment in September 2026.

Reacting to his appointment on X, Vowles shared that he is absolutely delighted to be appointed British High Commissioner to the Federal Republic of Nigeria.

If you are wondering what kind of track record he is bringing to the table, his CV shows he is a highly seasoned diplomat with a career that spans over two decades across global borders. He is making the transition to Nigeria straight from Harare, where he has been serving as the HM Ambassador to Zimbabwe since 2023. Before that, he held the role of Transformation Director at the Foreign, Commonwealth and Development Office (FCDO) from 2022 to 2023, following his tenure as HM Ambassador to Yangon, Myanmar between 2021 and 2022.

His earlier roles at the Foreign, Commonwealth and Development Office include serving as Transformation Director, Director for Asia, Caribbean and Overseas Territories, and Head of Programme Delivery. He has also worked as DFID Country Director in Kenya and Deputy DFID Country Director in the Democratic Republic of Congo, giving him deep, hands-on experience across the African continent specifically.

His connection to Africa runs further back than his senior diplomatic postings. Vowles first worked on the continent in the early 1990s, spending time in Zimbabwe as a teacher with the Ministry of Education, Sport and Culture from 1992 to 1993, and returning later as a Policy and Programme Manager with Students Partnership Worldwide from 1996 to 1999. He has also worked in Bangladesh, India, and Afghanistan across roles covering health, governance, and global partnerships.

Vowles will assume his role in September 2026.

The post Meet Peter Vowles: The New United Kingdom High Commissioner Heading to Nigeria appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

An AI-generated representation of a proud female academic celebrating her graduation, symbolising the wave of achievements shared by Nigerian women on social media in June 2026.

One woman asked for motivation. Nigerian women showed up with receipts—PhDs, distinctions, research grants, publications, and plenty of reasons to keep going.

It started with one simple request on X (formerly Twitter): a woman asking other women to share their academic achievements, looking for a little motivation to push through the month. What followed was a flood of responses from Nigerian women that has been genuinely difficult to scroll past without stopping to read every single one.

Doctors of Philosophy. Master’s degrees with distinction. First-class graduates. Women juggling research, grants, publications, and awards while still showing up every single day. One woman shared that she completed her doctoral research in Industrial Chemistry in April, defended her thesis, and officially earned her PhD. Her Google Scholar citation now sits at 138, with 12 Q1-indexed Scopus journals to her name, a research grant to her group, and a postdoctoral fellowship still on the horizon. Another listed her achievements with the quiet confidence of someone who has earned every single line: a BA in History and International Studies as the best graduating female student, an MA in Women and Gender Studies with distinction, a PhD in African History in view, three publications (with one more under review), and five awards already in the bag.

What makes this thread so worth your time is not just the achievements themselves, it is the women behind them. Nigerian women navigating systems that were not always built with them in mind, pushing through financial pressure, self-doubt, and every other obstacle that does not make it into the graduation photo, and coming out the other side with letters after their names and fire still in their eyes.

And if you are a woman reading this, regardless of your age or where you are in your journey, and the thought of quitting has crossed your mind recently — let these women’s stories be the reminder you needed today. See more from the thread below.

BSc: Mathematics, Statistics and Economics
BSc Hons: Pure Mathematics
Masters: Pure Mathematics (cum laude)
PhD: Pure Mathematics https://t.co/75Py1Lau6B pic.twitter.com/UuhcimBXLK

— Dr Gugu Nogwebela (@Gugu_Noggy) June 14, 2026

B.A in History and International Studies, Best graduating female student
M.A ( Women and Gender Studies) with Distinction
PhD ( African History) in view
Publications: 3 and 1 under review
Awards: 5 in the bag pic.twitter.com/n9rdWnFFeP

— Chidinma Udechukwu (@ChidinmaUdechu2) June 14, 2026

B.A. French (First Class Honours) – Obafemi Awolowo University
Best Female Graduating Student, Faculty of Arts (OAU)

M.A. French (Distinction) – University of Ibadan
Best Graduating Student, Department of European Studies

Ph.D. French Literature – Purdue University, USA
Student… pic.twitter.com/kBPeP8MAnp

— ADEWUYI Roseline Adebimpe (@AdewuyiRoseline) June 14, 2026

April 23rd I completed my doctoral research, defended my thesis and became a Doctor of Philosophy in Industrial Chemistry. This morning my Google citation is now 138 with 12 Q1 index Scopus journals. My research group won a grant….and I still look forward to post-doctoral…

— Queen-Esther (@_amakannamani) June 12, 2026

School of Nursing (RN)
School of Midwifery (RM)
Postgraduate Diploma in Education (PGCert)
BSc in Nursing
MSc Healthcare Management and Leadership
PhD in Nursing
Lecturer, Nursing Education and Administration
Associate Professor of Nursing
Dean, College of Nursing Science https://t.co/iKDMjDUe1z pic.twitter.com/UM9GoY3tKp

— Cecilia Olusolape Adeyemo (@AdeyemoCecilia1) June 14, 2026

First Class Finance Graduate
Best Graduating Student, Department of Finance, AfeBabalola University
Just won the PTDF Overseas scholarship for my masters in Paris in September.
Published author on The Effects of Financial Sector Reforms on Economic Growth in Nigeria

— Joanne. (@_angelljo) June 13, 2026

Bachelor of Arts (B.A.) in Arabic Language and Education (University of ilorin)

Master’s degree in Leadership and Management,United Kingdom

Memorized the Qur’an and written it by heart.

Represented my state in Qur’an competitions both locally and Nationally.

A Thanawiy… https://t.co/IIpRxKCbDn pic.twitter.com/xE3NXnKFlN

— Firdaous… (@ApaokagiFirdaus) June 15, 2026

Triple Chartered

Chartered Accountant
Chartered Stockbroker
Chartered Tax Practitioner https://t.co/AHTZ6wV3oT pic.twitter.com/FQ8g57xumy

— Olamide Akanji (@Lamiide_A) June 14, 2026

B.Eng. Computer Engineering
MSc. Computer Engineering
PhD. Computer Engineering
Professional body. COREN and NSE.
Senior Lecturer https://t.co/b6PbxHO6S1 pic.twitter.com/YbNV37IwR5

— Engr. Amarachi (Ph.D.) (@UdefiAmarachi) June 14, 2026

BSc. Industrial Chemistry
MSc. Petroleum Chemistry
MSc. Petroleum Production Engineering
PhD. Energy Process Engineering and Energy Systems (in view)
Fully funded scholarships
British Council Climate Action Grant
Founder, Beyond Borders Circle
Mother. https://t.co/5wb8wUsi2N pic.twitter.com/TxALsliX6Q

— ENGR (@ENGRxxd) June 14, 2026

Bsc- Biology, ABU Zaria
MSc.- Zoology, Unilorin
MSc.- Environmental Biology, UniAbuja
PhD.- Environmental Science, University of Newcastle, Australia.
Clock it! https://t.co/UEcMm1B99B pic.twitter.com/q25Oi4ocya

— Dr. Rossy Ene (@rossyene30) June 14, 2026

BSc, Computer Science (First Class)
MSc, Computer Science & AI (Highest Honor)
3 research papers accepted this year
7 books written
Executive in Residence, Miva University
Computer Science mentor, University of Bristol

Bonus:
MBA (Michigan Ross) – in… https://t.co/x1hk8c6Cqr pic.twitter.com/5G2y0NnLPM

— Big Nenz (@AdoraNwodo) June 14, 2026

Posting for my Aunty.https://t.co/zYuO4ego2g Zoology
PGD Psychology https://t.co/zYuO4ego2g Psychology https://t.co/um5h3KEmDT Forensic/Correctional Psychology
P.hd Forensic/Correctional Psychology.
Dr Nafisat Suleiman Ogah.
My Aunty https://t.co/46uDLBGP5C pic.twitter.com/mFXBuNaTv7

— Philemon Isa (@IamSocialMallam) June 15, 2026

BSc. Economics
MSc. International Business
MSc. Monetary Economics(in view)

I’ve had so many “first to achieve it” and this tops them all! https://t.co/Bq8FsCf5AD pic.twitter.com/2bTAAflFql

— Sally (@beingsally1) June 15, 2026

Not me(yet) but my mum:
Schools of Nursing, Midwifery & Occupational Health Nursing(RN,RM, OHN)
BEd, MPH & PHd in Health Education and Promotion at UI
Pre-doctoral fellowship, UChicago
Cert in Cancer Genetics and Risk Management
Fellow of UICC
Fellow of ACLI
MammaCare Specialist https://t.co/AllBIMpcqy pic.twitter.com/7DTAP2YGEh

— Angela (@ebube_chiii) June 15, 2026

My Mum
Bsc: Agricultural Engineering (UI )
MSc: Agricultural Engineering
PhD: Agricultural Engineering with specialisation in Crop Processing and Storage (UI)
Professor of Agricultural Engineering
Dean of College of College of Agriculture (Tasfued) https://t.co/Lxli8cMvzF pic.twitter.com/qu1ZnK9RDL

— Fissy (@FissyVogue) June 15, 2026

BSc. – Biology
MSc. – Biology specialization phylogenetics
Ph.D. – Plant Breeding Genetics and Genomics (in view) https://t.co/Xfdk76fFzW pic.twitter.com/n46VZDI8a8

— Cynthianukege (@dimps_cindy) June 14, 2026

BSc Microbiology
BMLS Medical Laboratory Science
MSc Medical Microbiology
PhD in Medical Microbiology & Biomedical Science (In View)

Licensed Medical Laboratory Scientist
Former Lecturer
Research Assistant
Author of Scopus-indexed publications https://t.co/PXMykO1Xdw pic.twitter.com/6jMengIier

— Ayanfe (@Ajoke_adex) June 15, 2026

1. Bachelor of Laws (LLB)
2. Master of Laws (LLM)
3. Master of Criminal Justice
4. Master of Research
5. Master of International Affairs
6. Master of Business Administration (MBA)

Everybody, please clap for meI almost died before I achieve that number oneMake God make… https://t.co/ghtMkLyzeK pic.twitter.com/xmfmOH9awf

— OLUWAKEMISOLA (@TheOnlyFarry) June 15, 2026

LLB, BL
LLM
MSc, Distinction (Commonwealth Scholar)
MA, Merit (ESRC Scholar)
PhD (ESRC Scholar)
Higher Education Awards (AFHEA, Horizon)
Fully Funded Research Scholarships in
University Graduate School Scholar

6 degrees, 7 scholarships https://t.co/KYBVDmY9Di pic.twitter.com/yA8yAn4zNM

— Queenie Nwariaku (@queenie__n) June 15, 2026

– BSc. Petroleum Engineering, First class
– 4x Engineering Provost List Awardee (2013-2017)
– MSc. Energy & Economics – Best Graduating student
– MSc. Energy & Economics – Dean’s Award

Especially proud of the MSc as I was working full time then https://t.co/cF34mGHvbv pic.twitter.com/AqoDttj1om

— Coco (@chidiogo_s) June 15, 2026

The post From First-Class Degrees to PhDs, Nigerian Women Are Celebrating Their Academic Achievements on X appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

The World Cup is arguably the most popular football tournament on the globe. The sheer prestige of competing for the prestigious trophy that every country wants in their cabinet is unimaginable. Every four years, the conversations start swirling about which teams are favourites, which team would have a fairy-tale story and which big teams are going to predictably flop despite having talented individual players. This year’s World Cup is being co-hosted by three North American countries: the United States of America, Canada and Mexico. This is the very first instalment of the expanded format, where 48 teams now participate instead of the original 32 teams. Africa has ten representatives at the mundial, but an alleged giant of the continent that would not be mentioned is glaringly missing in action. Thankfully, I have adopted Cape Verde as the country I will be cheering for security reasons (wink wink).

On a more serious note, let me address the elephant in the room. Football has always been three things: sports, business and politics. The fans enjoy it purely as an entertaining activity, entrepreneurs see it as a venture, and governments see it as an opportunity for image laundering (the actual term for this is sports washing). One can’t help but wonder what the rationale for choosing this year’s hosts was, because they are not exactly the biggest footballing countries – one of those countries even refers to the sport as soccer. It’s hard to ignore the rumblings already heralding the event and interjecting the showpiece itself: immigration issues, geopolitics making a not-so-subtle cameo, high ticket prices and gaps between rabid football lovers and the cultural contexts of the host nations.

Am I hyped about this year’s World Cup? No. However, I don’t mind being proved wrong and pleasantly surprised. It’s not just me saying it; a lot of people are also saying it. I’m rather good at social listening, and I can say authoritatively that the buzz for this event isn’t as huge as previous events. It’s an obvious fact, but people who would otherwise say this have to walk on eggshells when making comments about a superpower; good-faith commentary seems to carry more consequences, and many sports aficionados simply don’t want to risk their words being lost in translation. That being said, if (and it’s a big if) this World Cup somehow beats the very low expectations and gives fans the fireworks they so crave, it would be solely caused by events on the pitch and not off it. All that aside, I’m here for the storytelling.

Here are some touchpoints I would be looking out for.

Ronaldo vs Messi

These are not just two players that have dominated football; these are leaders of two distinct footballing civilisations. Hence, the endless argument of who is the GOAT is a futile exercise because, in a way, it’s not just about their laurels and personal achievements; it’s what they represent to millions of their adoring fans all over the world. Both men would be participating in their sixth and possibly final World Cup. That in itself lends credence to the insane longevity of their careers. The little magician, touted to have the most educated left foot in the game, led La Albiceleste to the trophy in 2022, and many claimed he has “completed football” by winning every possible trophy there is to win. Fans of CR7, the most followed sports personality in the world with over a billion in social media following, would insist that he has proven himself over and over again with different teams – whether or not he wins the World Cup wouldn’t define his legacy. I just think we’re privileged to witness the greatness of these two men.

Brand Wars

Remember, I mentioned that sport is business? Well, there are leading sports fashion brands that are already battling for supremacy with outrageous storytelling campaigns. For the uninitiated, there is a reason why you would never see some of your faves in the same ad. It’s such a big deal for some brands that they have certain players signed to lifetime contracts just to ensure those universes remain parallel. As I said, there are many civilisations in sports, and loyalty is a powerful currency. Aside from the sales motivation of brands wanting to profit from the World Cup being hosted in one of the biggest consumer markets, this is also the centre of media and entertainment culture.

Peter Drury

I’m looking forward to the genius poetry of Peter Drury; this man makes you want to watch football with your eyes closed because he has learnt how to paint pictures in the minds of his listeners with his words. Easily the best play-by-play commentator in the world, his storytelling during football games is legendary. While the average Joe could say something like: “Kylian Mbappé has just scored his first goal of the 2026 World Cup”. Trust Drury to be extra: “Mbappé has started this World Cup the same way he finished the last. Like the Camembert au Four, this is only just the appetiser. He will be saving his pièce de résistance for the final match if Les Bleus make it that far in the tournament for the third edition in a row”. Bro is never beating the allegations.

Aura Farming

Is it just me or are some countries doing the most this time with their promotional campaigns? I have seen some very beautiful vignettes of national teams that curate their history, culture and football pedigree. Many countries are really invested in maximising the exposure their national teams would get to sell their homeland as the best thing since sliced bread on God’s green earth. I’m not gonna lie, the team with the most aura points has to be Norway. Mandem were killing their send-off photoshoot with that Vikings energy. Erling Halaand was giving Thor, son of Odin, vibes. It had all the trappings of Nordic and Scandinavian culture and then some more. If you are familiar with Norse mythology, you can tell that these guys are in Asgard.

The Stars & Stripes

It would be impossible to separate the World Cup from the backdrop of the United States of America celebrating its 250th Anniversary. Typical of the US to have main character syndrome, you would almost forget that two other countries are co-hosting the tournament. Brace yourselves for the political fireworks. Who knows, maybe by the end of the competition, President Donald Trump may finally abandon the idea of Canada being the “51st State” in the Union. Maple Leaf in the chat? Shebang! Mexico, their neighbours south of the border, may finally get to drink their glasses of Tequila without ice. By the way, I think Mēxihco has already shown that they would be the host with the most vibes. I saw how large swaths of their fanbase went un poco loco when they won the opening match against South Africa.

The centre of the political universe becoming the centre of the footballing universe for the next month or so would be interesting to behold, to say the least. If a different country were hosting this World Cup, I can bet that the media would have been singing another song. It underscores how the United States of America have built a machinery that can easily shift global narratives, especially using its cultural assets. In the words of Cersei Lannister, “power is power”. It won’t just be the sweltering heat that would affect the action on the pitch or grab the headlines; there is also the small matter of 1600 Pennsylvania Avenue. Again, it’s not just me saying it, a lot of people are saying it. Hopefully, North America can make the World Cup great again. Thank you for your attention to this matter.

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Water is foundational to how economies function. When water systems work, farmers produce, businesses operate, and cities attract investment. Our task now is to align reform, financing, and partnerships to deliver reliable water services at scale. Nigerian business leader Aliko Dangote, who delivered a keynote at the Water Forward launch, underscored the critical role of private sector investment and infrastructure in unlocking economic value. UN Secretary General António Guterres added, Water is life, and no strategy for sustainable development can succeed without it.

Carrying that same philosophy of turning essential infrastructure into growth engines, the Handshake Summit centred on advancing relationship capital, “the art of transforming human connections into measurable economic outcomes”. The theme for spring was “The Offline Survival Kit: Building and Monetising Impactful Communities”. In an era of digital saturation, the theme challenged leaders to prioritise human-centred engagement and tangible results over vanity metrics.

The summit opened with a keynote address from Oluseun Onigbinde, founder of BudgIT and chair of the Handshake Summit & Awards. Onigbinde, whose work has redefined public accountability across Africa, spoke directly to the complex relationship between Africa and the United States.

Accountability is not a buzzword. It is the difference between a signed agreement and a fulfilled promise, Onigbinde said. For too long, African-American relations have been heavy on grand declarations and light on follow-through. Transparency is the missing link. When citizens cannot track how aid is spent or whether trade deals actually benefit local communities, trust erodes. Our theme, The Offline Survival Kit, is a direct response to that problem. We are building systems where every handshake comes with a receipt. Where commitment is not just spoken but measured. Where communities on both sides of the Atlantic can hold leaders accountable long after the cameras leave.

He challenged the audience to move beyond performative partnership.

“Real collaboration means opening the books. It means sharing data. It means creating feedback loops that catch broken promises before they become betrayals. That is what we do at BudgIT. That is what Handshake must do for transatlantic cooperation.

Following the keynote, the summit shifted into the “Hot Suya” Green Carpet Studio, a media activation produced by Afroglobal Radio and Tribe Kitchen. In a format reminiscent of Hollywood’s most candid interviews, guests answered spicy questions on global risk while sampling West African suya and zobo drink. The lighthearted but pointed conversations set the tone for a day that balanced hard negotiation with cultural warmth.

The heart of the program was the “Beyond the Hype” panel, a cross-sector conversation structured for real-deal flow. Moderated by Chaste Inegbedion, the session brought together a powerhouse lineup of leaders. Each panellist offered a raw, unfiltered take on what it takes to move from hype to execution.

Bobola Odebiyi of CrossKudi said, “We have too many conferences where people collect business cards and never speak again. Real partnership means building shared infrastructure, not just shared photo ops.”

Nadjad Nikabou Salifou of UNA NCA added, “Diplomacy without delivery is just theatre. The communities we serve do not need another resolution. They need reliable water, electricity, and digital access. That is where relationship capital must flow.”
Dr Oluseun D. Ojo of Centerbility noted, “I have watched too many well-intentioned programmes fail because no one trusted the person next to them. Trust is not soft. Trust is the hardest currency we have.”

Jay Adewole of POV Consulting said, “Every deal I have ever closed started with someone being willing to be vulnerable first. You cannot automate that. You have to sit in the room and listen.”

Bosede Akinbosulere of BOFAK shared, “Risk is not a bad word. The problem is that we often take risks on the wrong things. We need to take risks on people, not just on PowerPoints.”

Kome Igbogidi of ServiceNow and Tribes Kitchen said, “AI will not save your broken relationships.” ” Technology is a tool. The human decision to show up again and again, that is what actually moves the needle.”

Dr Femi Salami of MinePro concluded, ‘Mining and extraction industries are often seen as purely transactional. But the most successful projects I have worked on succeeded because we built a community of trust first, then the capital followed.”

After the panel, the summit transitioned into a cultural celebration. Guest artiste Gwen Diva performed a soulful tribute to the workforce with Donna Summer’s “She Works Hard for the Money”, followed by an uplifting rendition of “Hypnotise”. Then came one of the most anticipated moments of the day: the Guided Wellness Session.

Mental health coach Lola Oguntade, who was also recognised as a Spring Honoree, led attendees through a practice she calls “Stepping Into Your Power.” Her words landed with uncommon weight.

“You cannot negotiate from an empty cup,” Oguntade said. “We spend so much time chasing deals that we forget to breathe. Today I want you to take three deep breaths before you walk into any room. That small pause changes everything. It changes how you listen, how you speak, and how you close.”

The wellness session was followed by a Policy House fireside chat hosted by Victor Akangbe, Chief Impact Officer and CEO of Viktonia Strategies. Akangbe, whose work focuses on nonprofit management, impact investing, and sustainable development, guided a conversation featuring Joy Ferdinand, a Criminal Justice PhD candidate, and diaspora strategist Adetola Omooba.

Akangbe reflected after the session,

“Policy is not just legislation. Policy is the daily choice of where we put our money, our attention, and our networks. The diaspora has enormous financial power, but we lack coordination. Today I saw people who are ready to coordinate.”

The evening concluded with a Technology Showcase featuring ConcordeApp, Semaform Foundation, Utiva, and CrossKudi. Then came the awards ceremony. Oluseun Onigbinde was joined on stage by Babatunde Rosanwo, Advisor at the African Union, to present the honours to the Spring 2026 recipients, known as the Super Seven. Rosanwo added a reflection before the ceremony.

“Partnerships that produce results, not just resolutions, are the only ones that matter,” Rosanwo said. “What I have seen at this summit is a blueprint for how the private sector, civil society, and governments can work as one. These honorees represent the best of that spirit.”

Together, Onigbinde and Rosanwo handed each of the Super Seven their awards as dignitaries, including Chukwuka Onyekwena, Executive Director at Centre for the Study of the Economies of Africa; Godbless Otubure, Global President of ReadyToLead Africa; Abayomi Adepoju of i‑fitness centre; Charles Ojei, Chairman SPCTA Industrial; Dr Tagbo Azubike, Board Adviser, Africa Data Foundation and Dr Chuwuka Monye of Ciuci Consulting looked on. Each honoree offered a brief statement.

Tope Esan, Co‑Founder of MIPAD, said, “Recognition is not the goal. The goal is to open doors for the next person. When I receive this award, after several years of being the one who gives the award for the Nigeria Entertainment Award and MIPAD, it means even more. Now I know what it feels like to be on the receiving end of gratitude.”

Oswald Osaretin Guobadia, Managing Partner of DigitA and former Senior Special Assistant on Digital Transformation to the President of Nigeria, said,

“My advice is simple. Do not wait for permission. Build the coalition, then show the policy makers what already works.”

Sheryl Estrada, Senior Writer at Fortune and co‑chair of the Fortune CFO Collaborative, said,

“Finance has never been more dynamic. I write about its transformation, through AI, blockchain, and the people driving more creative, inclusive leadership.”

Lola Oguntade, Founder of New Spring Consult, said,

“I have sat in too many boardrooms where everyone is burned out. My work is not extra. It is essential. Thank you for honoring the people who keep the humans in human capital.”

Stephen Oguntoyinbo, Founder of Afroglobal Radio, said,

“Media is memory. If we do not tell our own stories, someone else will tell them for us. This award belongs to every African voice that refuses to be silenced.”

Kome Igbogidi, AI Product Leader at ServiceNow and Founder of Tribes Kitchen, said,

“I build AI systems by day and cook for my community by night. Both are acts of love. Both require precision. Do not let anyone tell you that you have to choose.”

Dr. Oluseun D. Ojo, Executive Director of Centerbility of Maryland, said,

“Equity is not a slogan. It is a daily grind of showing up for people who have been ignored. I am grateful to be seen, but more grateful to keep working.”

The final moment of the evening was not a speech but a gesture. As the program closed, organisers invited all honorees, panellists, and attendees onto the floor for a symbolic handshake. No microphones. No cameras, except a few phones held up by friends. One by one, pairs of leaders from different sectors, different continents, different generations reached out and shook hands. Some held on longer than usual. A few laughed. More than a few nodded with the quiet satisfaction of people who had just made a real connection.

A young entrepreneur from Lagos shook hands with a policy advisor from Washington. A journalist from New York shook hands with a miner from Abuja. For a few minutes, the room became what the summit had promised all along. An offline space where relationship capital stopped being a buzzword and started being real.

Master of Ceremony James Ladi Williams, Founder of Akada, described the D.C. expansion as “the beginning of a new era of Relationship ROI.

” Watching the handshake circle close, he added, “You can measure a lot of things. But you know a real handshake when you feel it.”

The Handshake Summit returns in July 2026, this time in New York, riding the energy of UN High Level Political Forum(HLPF). Think post-Cannes Lions creative heat, community builders, nonprofit professionals, and UN delegates all in one room, gathered around a theme that says exactly what it means: Old Money Moves. D.C. was the handshake. New York is the deal.

For more highlights and future events, visit the website or stay connected to Chaste Inegbedion on LinkedIn. For media inquiries or sponsorship opportunities, please get in touch with https://concordeapp.com/.

See how the full event went on YouTube and a highlight clip on instagram, Also see the reports from News Central TV and Arise TV below:

Photo Credit: Kojo Kissi

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Barack Obama closely examining the intricate collage textures of his joint portrait with Michelle Obama, painted by Njideka Akunyili Crosby. Photo Credit: Obama Foundation/Instagram

From the absolute second Barack and Michelle Obama walked into the room, their reactions said it all. Wide-eyed and completely captivated, the former First Lady let out an immediate, astonished “Hi!” as she rushed forward to embrace Nigerian artist Njideka Akunyili Crosby.

The occasion was a special one. Akunyili Crosby had just unveiled the first official portrait of former US President Barack Obama and former First Lady Michelle Obama together. The artwork is one of 28 original commissions created for the Obama Presidential Center on Chicago’s South Side, which opens to the public on Juneteenth.

Before diving into the technical details, the group stood in silence to take in the massive piece. “Before we get any commentary in, we’ve just got to soak it in,” Barack Obama remarked, looking up at the large-scale canvas. “It’s us!” Michelle added, admiring the depth of the artwork. “And all of the stories within the story.”

The portrait features the couple seated together and draws on Akunyili Crosby’s distinctive approach to image-making, layering personal and historical photographs into the background. To prepare for the commission, the artist and her studio spent months reading the Obamas’ books and revisiting interviews, speeches and archival footage, weaving those references into the final work.

Former US President Barack Obama and First Lady Michelle Obama admiring their first official joint portrait by artist Njideka Akunyili Crosby in June 2026. Photo Credit: Obama Foundation/Instagram

Of course, it wouldn’t be a meeting with Barack Obama without a little humour. Examining his likeness, the former President jokingly asked, “My only real question is, how come you didn’t dye my hair in the photo? Don’t they usually touch it up a little bit?” Laughing, the artist admitted, “I thought about it!”

He also took a strong liking to his painted wardrobe, gesturing to the canvas and announcing, “In fact, I’m going to have a suit made with this pattern.”

For Akunyili Crosby, the commission marked a new challenge and an opportunity to tell a story that stretched beyond a single portrait. By the end of the viewing, it was clear the admiration was mutual.

“You know how long I’ve been wanting this woman to do something with and for me?” Michelle Obama shared, wrapping up the viewing with a warm hug. Looking at the finished artwork, she celebrated with a joyful, “We did it!”

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The official album cover art for Anendlessocean’s 2026 studio project, Love Is A Machinery (LIAM). Photo Credit: Anendlessocean/Instagram

If you have been scouring the internet for fresh soundscapes to rescue your daily queue from the same old rotations, you can officially stop looking. The mid-year music rush is fully upon us, and the industry’s heavy hitters—alongside some incredibly brilliant rising acts—have delivered exactly what the weather demands. From highly anticipated album teases to groove-heavy collaborations, the sonic landscape has shifted beautifully over the past few weeks.

Here are 5 brand-new Nigerian songs you need to add to your playlist right now:

Ayra Starr — “Tornado”

Fresh off her captivating global showcases, the Afro-pop queen returned on 12 June 2026 with her newest single, “Tornado“. Released via Mavin Records and Republic Records, this dancefloor-ready anthem serves as a confident, fast-paced teaser for her highly anticipated third studio album, “Starrgirl,” which is slated to arrive on 14 August 2026. If you want a track that commands you to move from the very first second, this one is a mandatory addition.

Mr P — “I Can’t Look Away”

Peter Okoye, widely known as Mr P, returned to the visual and sonic landscape on 11 June 2026 with his latest single, “I Can’t Look Away“. For this record, Mr P intentionally reunited with key creatives from the classic P-Square era to recapture that nostalgia-driven, dance-heavy pop formula that captured the continent years ago. Accompanying the release is a high-grade performance video that centres entirely on sharp, synchronised choreography.

Tiwa Savage featuring Wande Coal and Mavo — “Energy”

When veterans link up, the result is bound to be a masterclass. Dropped on 29 May 2026 as a standalone single, “Energy” brings together the iconic vocals of Tiwa Savage and Wande Coal, alongside a stellar contribution from Mavo. It is a smooth, mid-tempo record that builds on their historic chemistry, creating a laid-back atmosphere perfect for breezy evening drives or quiet weekend wind-downs.

Kunmie and Lojay — “Gorgeous”

Released on 28 May 2026 through CiDAR Africa, “Gorgeous” pairs the rising talent Kunmie with the unmistakable, silk-smooth vocal delivery of Lojay. This Afro-soul fusion tracks a story of vulnerability and deep romance, driven by an atmospheric production from The Kazez, Drilly, and Puffybeatz. It is easily one of the most compelling collaborative records of the season for anyone who appreciates fine lyricism.

Anendlessocean — “Love Linguistics” (LIAM)

Anendlessocean has officially ushered us into his new creative era with the release of Love Is A Machinery (LIAM), a stunning 11-track studio album that arrived just this month. The album’s conceptual focal point, “Love Linguistics,” unpacks devotion and human connection with his signature poetic precision and acoustic warmth. For a playlist addition that grounds your mind and settles your mood, this project is unmatched.

The post 5 New Nigerian Songs to Add to Your Playlist This Week appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

The Convener of the Emotional Well-Being Conference Mrs Ijeoma Anyiam-Osigwe with her husband, the Publisher of Pride Magazine Nigeria Chief (Nze) Charles Anyiam-Osigwe

In a world that feels unrelentingly chaotic, a moment of introspection feels like a luxury. Yet, this is what is needed for clarity to succeed on your own terms. The 10th edition of the Emotional Well-Being Conference (formerly Pride Women Conference), convened in May 2026 under the theme “Wellness by Design: A Lifestyle of Self-Care and Balance” to provide a platform for more intentional living and wellness.

In her welcome address, the Convener of the Emotional Well-Being Conference Ijeoma Anyiam-Osigwe emphasised that self-care is a lifelong journey, noting that it is important to audit our habits, set meaningful boundaries, and make self-care a natural part of daily life.

The chairperson of the occasion, Her Excellency, Dr Elizabeth Ifeyinwa, continued by noting that wellness is a daily responsibility—a conscious, intentional act of self-leadership. When we are well, everything around us thrives.

The convener and the chairperson of the occasion join the moderator and panellists of “Positioning Yourself for Success

With proceedings expertly moderated by the MC Georgement, facilitators and moderators from different walks of life provided lessons and strategies from real experiences. Adeboyin Olukoya, Bawo Ogunro, Cassandra Uzo-Ogbugh, Dr Celine Njoku, Fatima Bashiru, Funmto Ogunbanwo, Mary Edoro, Oluwatoyin Aralepo, Roseline Abaraonye, Ndidi Edeoghon (“Coach DiDi”), Nneka J. Ezeani, and Adiya Uri Ngozichukwu were covered diverse topics, including how to understand our body’s signals, being comfortable in our uniqueness, and leaning into our communities to support our healing and growth.

The convener joins the moderator and panellists of the teen panel “System Reset: Redesigning the Teen Experience”

The event also appreciated long-term sponsors for 10 years of commitment to well-being: Eat’N’Go Limited, Flour Mills of Nigeria Plc, Intercontinental Distillers Limited, Mouka Limited, Stanbic IBTC Holdings, Studio 24 Creative Imaging Solutions, The Coca-Cola Company, and The Eagle Online.

Members of the Emotional Well-Being Conference Community – Alimosho Branch at the conference

The conference also appreciated the work of the Emotional Well-Being Conference Communities across Lagos State and Ogun State, led by co-ordinators Bibiana Chijinwa Osuji, Elewechi Blessing Nwogu, Emeka Mbagwu and Angela Mbagwu,  Idayat Olasunkanmi Kasali, Ifeoma Pascal Ugwu, Onyinyechi Charity Ikeh, Omobosede Motirade Akinlade, and Sophia Chinwe Matthew.

Ten years on, the conversations on emotional well-being continue to enable women to experience the fullness of life—self, family and work.

Learn more about the Emotional Well-Being Conference here.

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Grand Prix winner Lewis Hamilton celebrates his historic milestone on the podium at the Circuit de Barcelona-Catalunya. Photo Credit: Lewis Hamilton/Instagram

If you have been holding your breath to see Lewis Hamilton take the top step of the podium in Ferrari red, you can finally let it out. The seven-time World Champion has secured a magnificent maiden victory for the Scuderia at a sweltering 2026 Barcelona-Catalunya Grand Prix, delivering a tactical masterclass in tyre management and race strategy to break Mercedes’ recent winning streak. In what was the hottest race of the year so far, the 41-year-old Briton also entered the history books as the oldest Grand Prix winner since Jack Brabham in 1970, proving to the world that his world-class calibre remains entirely intact.

Starting from second on the grid, Hamilton and Ferrari opted for an aggressive tyre strategy, launching on the soft compound while most of the front-runners chose mediums. Pole-sitter George Russell held the lead at the start, but the blistering track temperatures caused severe tyre degradation across the field, forcing teams to balance outright pace with rubber preservation. Ferrari’s pit wall executed a flawless three-stop strategy, and the turning point arrived when Hamilton capitalised on a Virtual Safety Car period for a seamless final pit stop. Returning to the track on fresh hard tyres with a three-second advantage, he unleashed a series of brilliant laps to finish nearly 20 seconds clear of the field.

Lewis Hamilton and the Ferrari team pose with the first-place winner’s trophy following the Barcelona-Catalunya Grand Prix. Photo credit: Lewis Hamilton/Instagram 

Mercedes driver George Russell crossed the line in second place, while reigning World Champion Lando Norris secured third for McLaren, marking the first all-British podium in Formula 1 since 1968. Current championship leader Kimi Antonelli suffered a mechanical failure mid-race, forcing a premature retirement from the top three and opening the door for Hamilton to capitalise fully.

Top three finishers George Russell, Lewis Hamilton, and Lando Norris gather after securing an all-British podium in Barcelona. Photo Credit: Lewis Hamilton/Instagram

Speaking immediately after his landmark victory, an emotional Hamilton reflected on the journey to this milestone, saying: “I started out with a dream last year, which seemed almost impossible during my time last year. But we never gave up hope. The team just continued to lift me up. We made so many changes and so many improvements. On top of that, I’ve got the greatest fanbase a sportsman could ever ask for.”

Praise flooded in from around the paddock, including from runner-up George Russell, who noted: “Huge congrats to this guy because I know how hard he works. We spent a lot of years together at Mercedes, so I’m really pleased to see him back to the Lewis I remember when I was growing up watching Formula 1.” Ferrari Team Principal Fred Vasseur also praised Hamilton’s clinical composure throughout the 66-lap race, adding: “Today he was managing the situation very well – as soon as we were adjusting the strategy, he was pushing more or less. He was very outstanding today.”

Formula 1 driver Lewis Hamilton in a red Ferrari kit celebrates on the ground surrounded by cheering Scuderia Ferrari team members. Photo Credit: Lewis Hamilton/Instagram

With this landmark victory, Hamilton has closed the gap on Kimi Antonelli in the Drivers’ Championship standings, setting up a highly anticipated title battle as the European leg of the F1 season gets fully underway.

Catch the highlights below

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Image courtesy of Hermic H20

My name is Hermic H2O, a Congolese rapper, songwriter and performer born in Kitwe, Zambia, and raised in Lubumbashi, Democratic Republic of the Congo. For years, I have been building my career independently, using music to tell stories about the realities, ambitions and struggles of young people growing up in Central Africa. But over the past few months, my life has taken a direction I never expected.

Recently, I found myself at the centre of a story that was slightly about much more than music. The situation began with House of Challenge, an online reality competition created by Togolese influencer Bovann. The show brought together content creators and influencers from different African countries, allowing audiences to support their favourite contestants through live interactions and virtual gifts.

One of the contestants happened to be someone who once played an important role in my life—my former girlfriend, a Congolese TikTok creator. Although our relationship had ended, I continued to respect her journey and wished her success in her projects.

As the competition gained momentum, fans became deeply invested in supporting contestants. On TikTok, viewers could send virtual gifts, including one called a “Lion,” which carries significant value and helps contestants earn points and visibility during live broadcasts.

At the time, I was facing personal and financial challenges. For that, I was unable to send the virtual gifts that many people expected me to contribute. What seemed like a small personal matter quickly became something much bigger. On social media, some users began questioning why I was not publicly supporting her. Conversations turned into criticism. Criticism turned into online attacks. Before long, I found myself becoming part of the whole thing, despite never being a participant in the competition.

The experience revealed how quickly social media can transform private expectations into public controversy. Within weeks, I went from being an independent rapper focused on releasing music to becoming the subject of intense online discussion. Some people judged me not for my work as an artist, but for what they believed I should have done during a live-streaming competition.

The backlash was overwhelming. For several weeks, I watched as assumptions, opinions and speculation spread across social platforms. I felt misunderstood and powerless against a narrative that seemed to grow larger every day.

What affected me most was realising how modern digital culture can blur the lines between personal relationships, public expectations and entertainment. A simple action, or even the absence of one, can suddenly become a topic of national conversation.

As an independent artist, I had a choice: Either respond with anger or turn the experience into art.

I chose music.

Image courtesy of Hermic H20

That led to the creation of my single, “Lion,” released in April 2026. The song was inspired by the emotions, pressures and public scrutiny I experienced during that period. Rather than attacking anyone or revisiting old conflicts, the track explores resilience, perception, and the challenges of living under the constant gaze of social media.

The title itself carries a double meaning. On one level, it references the virtual “Lion” gift that became central to the controversy. On another, it symbolises endurance to keep moving forward despite criticism.

What makes this significant to me is that it reflects a much larger phenomenon happening across Africa and around the world. Social media platforms are increasingly shaping public narratives, influencing reputations and affecting the lives of artists, creators, and ordinary people in ways that were unimaginable a decade ago.

My experience is not just about a relationship, a competition, or a viral debate. It is about what happens when digital culture becomes powerful enough to redefine how people are perceived. “Lion” is both a personal testimony and a reflection of a broader social reality. It is the story, my story, of an artist navigating public judgment, online pressure and personal resilience in an era where a virtual gift can spark a real-world conversation.

The post Hermic H2O Shares Why He Had to Create His Latest Single “Lion” appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Rwandan-Ugandan artist Somi posing for her promotional album artwork for What Does It Take to Bloom?

It has been six years since Somi last released a full body of original work, and now the Rwandan-Ugandan singer-songwriter is finally ready to share what she’s been creating.

The multi-award-winning artist has announced her new album, What Does It Take to Bloom?, arriving on 7 August via Salon Africana. Alongside the announcement comes its first single, “We’re All Falling,” giving listeners an early glimpse into the world she has been building over the past few years.

If you’ve followed Somi’s music, you’ll know she has always had a way of turning deeply personal experiences into songs that feel universal. On What Does It Take to Bloom?, she leans into questions of growth, change, belonging and what it means to remain true to yourself when life refuses to stay still.

The album was written and recorded across Dakar, Lagos, Paris and New York City, drawing from different places, experiences and moments in her life. Its lead single, “We’re All Falling,” arrives from a particularly personal place. Written during a period marked by loss, the song reflects on life’s fragility and the reality that time keeps moving whether we’re ready or not. Yet it doesn’t dwell in sadness. Instead, it gently encourages presence, grace and appreciating the moments we have.

Promotional press photograph of singer-songwriter Somi for her album What Does It Take to Bloom?

Speaking about the album, Somi says:

“I wrote this body of work while traversing many places and losing many people. This album is a mirror of searching for where and how to take root in spite of that. I pray these songs offer each listener a sense of Home or, at the very least, a witnessing of me coming Home to myself.”

One of the things that has always made Somi’s music so compelling is that it rarely sits in one place. Across her catalogue, she has moved between jazz, soul, highlife, spoken word and the many influences that shape her African and diasporic experiences. This new album continues that journey while allowing her voice and instincts to take up even more space.

The project also comes with some exciting collaborations, including an appearance from Nigerian duo The Cavemen on “Sometimes Love” and saxophonist Lakecia Benjamin on “So You Want to Be a Woman.”

The official album artwork cover for Somi’s upcoming 13-track studio album, What Does It Take to Bloom?

The full album features 13 tracks:

Throw Something
Sometimes Love (ft. The Cavemen)
What Does It Take to Bloom?
Mama On Blooming
So You Want to Be a Woman (ft. Lakecia Benjamin)
Aiwah
Sugar
Mama On Tradition
Ngayaya
Lay It Down
Interlude: Skin To Skin
We’re All Falling
Love Could Be Anywhere

With What Does It Take to Bloom? arriving on 7 August, Somi has set the ball rolling with “We’re All Falling.” Listen below.

Photo Credit: Somi

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Part I: Village Life in Sere’e

The year 1954 marked the end of a long and gruesome drought in the Hazemo plains, located in the Akele Guzay Region of today’s Eritrea. It was into this climate of renewal and resistance that I was born.  My name, Yibrah, in my Semitic Tigrigna language, is loosely translated to “let it be light” or “let it be bright.” I was born in an ancient Logo clan’s village named Sere’e.

Like all of my brothers and sisters, I was born in a Hedmo, a traditional house dominant in the highlands of Eritrea. These houses consist mainly of masonry walls, wooden ceilings, and soil roofs. My late mother, Weizero Abeba Reda, gave birth to all her children in the same Hedmo and on the same Ni’edi, a stone-and-mud traditional bed, with the support of traditional midwives who did not have any formal medical training.

Formal schooling was a distant dream in Sere’e. Instead, education took root within the modest walls of Saint Mary’s Church, an Orthodox sanctuary where learning was passed down through the oral traditions of storytelling and recitation. Night lessons conducted in a blend of Tigrigna and Ge’ez were led by the esteemed Qeshi Neguse Atzebaha, the head priest. The curriculum revolved around two sacred skills: Memorisation and Oral Recitation. Young students would gather in the dimly lit church, listening intently as the priest recited ancient Ge’ez religious texts. Materials like pens and paper were virtually non-existent, making every written word a testament to determination.

The church atmosphere was illuminated by the faint glow of kerosene lamps called Lamba. These simple devices, with flat cotton wicks, cast a flickering yellow light that danced on the rough walls. Yet, the smoky haze they produced was a constant discomfort. For the students, this smoke became a symbol of endurance; a reminder that even a dim light could brighten the path to knowledge.

Transportation in Sere’e was limited. Each day, a single blue bus made its way across the Hazemo plains. Catching the bus, however, was always a gamble. Three factors determined the chances: whether the bus would pass that day, whether there would be room, and the mood of the driver. On a bad day, the moody driver might even bypass passengers who had waited for hours along the roadside. For most people, horses, mules, and donkeys were the primary means of transportation.

Radios were a rare luxury; batteries were expensive and hard to find. By the early 1960s, only eleven radios existed in our village, and even those were often without batteries. News travelled by word of mouth, and evenings were spent around the elders, listening to their stories and folklore. The outside world felt distant and almost mythical.

 Part II: The Monster Machine

Just a few months shy of my sixth birthday, my father made a decision that would change the course of my life. He chose me to pursue an education in the big city. On the day we were to leave for the city, my mother woke me early in the morning and told me to get ready. There was no special preparation; my night and day clothes were one and the same. She said we were travelling to the city to visit my grandfather. There was no mention of school.

The walk to catch the bus was brutal. I had never seen a bus, let alone ridden one. From stories told by the elders, I imagined it was a magical, flying object. Then, I saw it; a light blue machine with wheels hurtling towards us noisily. I had never seen such a strange and intimidating object. It raised clouds of dust as it moved and belched grey smoke from different parts of its body. When it screeched to a halt before us, my instinct was to run back to the village. My mother, as if reading my mind, grabbed my arm firmly.

The machine opened its “belly,” and a man dressed strangely emerged. He barked instructions, and people began climbing into the metal box like lambs to the slaughterhouse. I refused to join them, convinced I was walking into danger. Some villagers helped my mother drag me inside as I kicked and screamed. Once inside, the box roared to life with a deafening clatter, rattling as it spewed smoke. I looked out the window and saw trees and rivers seemingly fleeing from the beast. Feeling dizzy, I closed my eyes. My stomach churned as I watched my beloved village vanish in the distance.

Part III: The Stubborn Light Bulb

We eventually arrived at my maternal grandfather’s house in the capital city of Asmara. Coming from a stone-age-like village to a modern city with thousands of Art Deco buildings was breathtaking.

When it was time to sleep, my mother completed her night prayers and, exhausted, she went straight into a deep sleep. Silence took over, an almost absolute stillness. Lying beside my mother, my mind wandered back to my village, Sere’e. I marvelled at how rapidly my life had transformed; the changes were both colossal and exhilarating.

Eventually, sleep began to creep in. My eyelids grew heavy, yet the bare lightbulb hanging from the centre of the ceiling remained lit. Its harsh, unyielding glow kept me from fully surrendering to rest. No one was there to turn it off, as there had been on previous nights. I longed to switch it off myself, just as I used to extinguish the kerosene lamp back in Sere’e. That bulb, emblematic of this new, electrified world, held a strange, compelling allure.

Accustomed to kerosene lamps, I had assumed the same technique would work: a gentle blow of air to extinguish the flame. How could I have known that an electric bulb was not so easily tamed? 

On that first night, I stood up on the bed, determined to perform what I thought was the simple act of turning off the light. I blew air toward the bulb, hard and deliberate, but it stayed stubbornly lit. Undeterred, I tried again and again. The bulb was too far from my reach, suspended from the ceiling like a glowing fruit just out of grasp. I jumped from the bed, puffing air with all my might, but my efforts were still in vain.

As I continued my struggle, the commotion roused the sleepers in the room. My mother stirred first, her drowsy eyes filled with confusion. One by one, the others awoke, their expressions shifting from bewilderment to amusement as they took in the scene. Liation laughter erupted, warm and uncontrollable, filling the room that had been silent only moments before. I froze, bewildered by their reaction. To me, there was no humour in my genuine attempt to extinguish the light. Yet, their mirth was infectious, and soon I found myself laughing along with them, though I wasn’t entirely sure why.

It was a moment of shared joy, a bridge between the simplicity of my past and the complexity of this new life. My mother patiently showed me how to operate the small black switch attached to the electric wire hanging on the side wall. I followed her instructions and successfully flipped the switch, turning off the lightbulb for the first time in my life. It was a moment of quiet triumph, a simple yet profound act that made me feel an undeniable sense of accomplishment.

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You can order A Tale of an African Executive & His African Dream Team – in Corporate America via Amazon UK and Africa World Press. 

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Temi Otedola and Mr Eazi sit opposite each other in white armchairs wearing matching black clothes.

Mr Eazi and Temi Ajibade are back with a new season of The How Far Podcast, and if you’ve been waiting for their return, the wait is officially over — Season 5 comes with plenty of tea you’ll want to sit with, listen to properly, and not miss a single detail of.

The premiere opens like a proper catch-up between two people who’ve had a lot happen off-mic. They effortlessly move between life updates, quieter day-to-day changes, and those big moments that only really make sense when you pause and look back.

And then, of course, there’s the pregnancy conversation. It beautifully expands on what many of us already caught online—those gorgeous photos of Temi showing off her baby bump, styled in her usual understated, elegant way. In this episode, they dive deep into how they first found out they were expecting and exactly how that life-changing moment unfolded for them.

Temi Otedola poses in profile wearing a fitted black off-the-shoulder dress highlighting her baby bump.

They also spend a lot of time talking about their mothers and the profound influence they’ve had on their lives. The conversation naturally drifts into childhood memories, upbringing, and the things you only start viewing differently once you step into a new chapter of life yourself.

At one point, they speak about Ifeoma Ajibade, Mr Eazi’s mother, and the mood shifts slightly. It becomes more reflective here, as they talk through memory and what still remains with them.

Throughout the rest of the premiere, the couple circles back to how things are shifting generally—their routines, new priorities, and even the way they look back at their younger years. Nothing is forced into grand conclusions; it just flows like a genuine chat between partners.

So if you were curious about what’s been happening in the Ajibade household, you’ve got your answer here.

See more BTS photos and watch the first episode below

Temi Otedola shapes her hands into a heart over her baby bump alongside Mr Eazi on a studio set.

Temi Otedola embraces her mother Nana Otedola against a plain white studio backdrop.

Two makeup artists apply touch-ups to Temi Otedola as she sits in a studio chair.

Temi Otedola poses with open arms wearing an oversized black leather jacket over a black maternity outfit.

Photo Credit: Temi Ajibade/Instagram

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Rema stands on the outdoor stage holding a microphone, wearing his signature white hooded jacket, custom diamond eyewear, and rings.

Have you watched Rema‘s World Cup performance yet? And be honest, how many times have you replayed it already?

Just a day after Burna Boy and Shakira got the tournament celebrations underway in Mexico City, it was Rema’s turn to step onto one of football’s biggest stages. The Nigerian superstar joined BLACKPINK‘s Lisa and Brazilian singer Anitta at SoFi Stadium in Los Angeles for the first-ever live performance of “Goals,” their collaboration from the official FIFA World Cup 2026 album.

The performance brought together three artists from different corners of the world, with Lisa opening the track, Anitta following with her verse, and Rema taking over the final stretch with the Afrobeats-infused rap section that had fans singing right along. As the song moved from one artist to the next, the crowd stayed fully locked in, making it one of the standout musical moments ahead of the United States vs Paraguay match.

Of course, we also need to talk about the fit.

Rema holds a microphone to his mouth while wearing a white hooded jacket, a matched white wrap, and his angel chain pendant.

Rema stepped onto the pitch in an all-white look made up of a loose hooded jacket layered over a ribbed vest and wide-leg trousers. He finished it off with a crystal-covered angel pendant, a luxury watch, futuristic sunglasses detailed with crystal fringes, and a white head wrap tucked neatly beneath the hood. The styling tied in neatly with the coordinated white looks worn by Lisa and Anitta, giving the performance a unified visual identity without making anyone look exactly the same.

For Nigerian music fans, it was another reminder of just how far Afrobeats continues to travel. Within the space of two days, both Burna Boy and Rema found themselves performing at World Cup events, placing Nigerian music right at the centre of one of the biggest sporting spectacles on the planet.

After the performance, Rema shared photos from the night on social media with a simple caption: “Momma hope you proud ”

See more photos from the performance and watch the full moment below.

Rema walks through a backstage corridor at SoFi Stadium wearing a white ribbed vest, baggy trousers, a white headwrap, and custom jewellery before his performance.

Rema sings into a microphone during his 2026 World Cup performance wearing a white hooded jacket, fringed diamond sunglasses, and a luxury watch

Rema stands on stage with K-pop star Lisa of BLACKPINK and Brazilian singer Anitta during their joint performance of Goals at the World Cup opening ceremony

Rema walks down stage steps during his World Cup set, surrounded by backup dancers dressed in matching white clothing.

Rema gestures with his hands, displaying his gold rings, luxury watch, and futuristic sunglasses detailed with hanging crystal fringes.

Rema, Lisa, and Anitta point forward in unison while singing on stage against a backdrop of modern architectural set designs.

Rema holds a microphone to his mouth while wearing a white hooded jacket, a matched white wrap, and his angel chain pendant.

Rema, Lisa, Anitta, and a large group of dancers perform on the stadium field in front of a giant inflatable gold FIFA World Cup trophy.

Photo Credit: Rema/Instagram

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New York Knicks players OG Anunoby, Jalen Brunson, and Karl-Anthony Towns posing together in their white home jerseys. Photo Credit: LakeShowYo /X

After 53 years of waiting, New York finally has its championship! The New York Knicks are NBA champions, defeating the San Antonio Spurs 94-90 in Game 5 of the 2026 NBA Finals on Saturday night to claim the franchise’s first title since 1973. It is a historic moment that the city of New York will be celebrating for a very long time.

It was not a straightforward night in San Antonio. The Spurs took an early 16-point lead in the first quarter, threatening to force a Game 6. But these Knicks, who made a habit of coming back from impossible positions throughout this postseason, kept their composure, chipped away at the deficit, and refused to let the Larry O’Brien trophy slip away. At the center of it all was Jalen Brunson, who delivered a legacy-defining 45-point performance to close the series. It was a legendary night that will be spoken about in New York for generations, capped off by Brunson being named Finals MVP—an honour nobody who watched this series will argue with.

Knicks guard Jalen Brunson, who led New York to the 2026 NBA championship and earned Finals MVP honors with his legacy-defining performances. Photo Credit: Jalen Brunson/Instagram

The road to the title was nothing short of remarkable, defined by shattered records and historic resilience:

• The Win Streak: The Knicks entered the Finals on a roaring 11-game postseason win streak, fuelled by consecutive sweeps of both the Philadelphia 76ers and the Cleveland Cavaliers.
• The Travel Feat: They took absolute control early by winning the first two games on the road in San Antonio.
• The Garden Pivot: After dropping Game 3 at Madison Square Garden, the arena’s first Finals game since 1999, the team found itself tested.
• The Historic Turnaround: Game 4 provided the turning point when the Knicks staged the greatest comeback in NBA Finals history, roaring back from a 27-point halftime deficit to secure a thrilling 107-106 victory and a 3-1 series stranglehold.

The Spurs, led by 7-foot-4 generational talent Victor Wembanyama in his very first postseason, showed real fight throughout. But this series belonged to New York from the moment the Knicks refused to fold in Game 4.

Jalen Brunson holding the Bill Russell Finals MVP trophy surrounded by teammates celebrating the New York Knicks 2026 NBA championship. Knicks Fan TV/X

For Nigerian and African basketball fans, there is an added layer to this championship celebration. Knicks forward OG Anunoby, born in London to Nigerian parents, was an essential anchor throughout this postseason run. His defensive presence and clutch heroics in Game 4 pushed him firmly into the Finals conversation and solidified his status as a fan favourite across the continent.

The New York Knicks are the 2026 NBA champions. For a franchise and a fan base that has carried the weight of a five-decade drought, a golden night in Texas made every single bit of the wait worthwhile.

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Don Julio Sets the Standard After Dark:
The awards ceremony was only the beginning. Don Julio took the celebration further by hosting an exclusive after-party that brought together actors, filmmakers, and cultural tastemakers for an evening that matched the premium standard of the brand itself. Signature cocktails, curated music, and refined dining created an atmosphere where Africa’s most accomplished creatives could unwind and connect in a setting worthy of the occasion. It was the kind of event that reminds you why premium experiences matter, and why Don Julio belongs in that conversation.

Fashion That Stopped the World:
The 2026 AMVCA red carpet delivered fashion moments that will be talked about for years. Actress Osas Ighodaro arrived in breathtaking pieces by designer Veekee James, a pairing that consistently produces some of the most elegant looks on any Nigerian red carpet. Ghanaian style icon Nana Akua Addo made a commanding entrance in a cathedral-themed gown by Mohamed Abbas Ossu of Abbas Woman, a design that drew on architectural drama to stunning effect.

The evening’s most talked-about moment, however, belonged to Toyin Lawani. The CEO of Tiannah’s Place Empire, a designer who has built her reputation on defying the expected, created a gown for former Big Brother Naija star Queen Mercy Atang, constructed entirely from 500 loaves of bread. The piece generated international headlines, with the BBC among the outlets that covered it. It sparked conversation across social media platforms worldwide and introduced the AMVCA to audiences who had never previously encountered it. That is the reach African creativity commands when the brands supporting it are strong enough.

Investment That Speaks Louder Than Applause:
The glamour of the AMVCA is well documented, but the industry behind it has not always had the resources to match its ambitions. Funding constraints have historically limited the scope of African film and television production, shaping which stories get told and which remain untold. Diageo’s role as headline sponsor marks a meaningful shift in that narrative.

When brands such as Don Julio and Johnnie Walker, with their global standing, commit to a platform like the AMVCA, it sends a powerful message to every creative on the continent: the work you are doing is valued, and the world is prepared to invest in it.

MultiChoice has spent 12 years building the AMVCA into Africa’s most prestigious film and television awards. Diageo’s partnership further elevates that platform, introducing it to new audiences and signalling to the international creative and commercial community that African entertainment is a serious, thriving, and globally relevant industry.

Africa’s Moment on the World Stage:
The 2026 AMVCA was a night that demonstrated, with full confidence, that African entertainment no longer needs to seek validation from the rest of the world. With the historic joint Diageo sponsorship, a fashion showcase that rivalled anything the international circuit has produced, and viral moments that crossed continents, this was a ceremony that set its own terms and exceeded them.

For Nigerian and West African designers, the AMVCA now offers a genuine international platform to present their craft to audiences in Hollywood, Bollywood, and beyond.

For Diageo, standing alongside that moment with Don Julio, Singleton, Johnnie Walker, Guinness and Smirnoff was more than a business decision. It was an acknowledgement that African culture is one of the most exciting and dynamic forces in global entertainment today and that being part of its story is something worth raising a glass to.

The curtain has come down on the 12th AMVCA. The gowns have been preserved, the trophies collected, and the after-party memories filed away. But what this edition sets in motion is a deeper, more globally connected future for African entertainment. It’s only just beginning.

About Diageo:
Diageo is a global leader in beverage alcohol with an outstanding collection of brands across spirits and beer categories. These brands include Johnnie Walker, Crown Royal, J&B and Buchanan’s whiskies; Smirnoff and Ketel One vodkas; Captain Morgan, Baileys, Don Julio, Tanqueray and Guinness.

Diageo is a global company, and our products are sold in nearly 180 countries around the world. The company is listed on both the London Stock Exchange (DGE) and the New York Stock Exchange (DEO).

For more information about Diageo, our people, our brands, and performance, visit us at www.diageo.com.

Visit Diageo’s global responsible drinking resource, www.DRINKiQ.com, for information, initiatives, and ways to share best practice.

Sponsored Content

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Tyla and Future performing their official song Game Time together on stage at the 2026 FIFA World Cup opening ceremony in Los Angeles.

If you thought the opening festivities in Mexico City with Burna Boy and Shakira were massive, wait until you hear about what went down at SoFi Stadium in Los Angeles. South African superstar Tyla and American rapper Future completely took over the pitch just minutes before the United States vs Paraguay match to perform “Game Time,” their official track from the tournament’s album. The song fit a global football crowd perfectly, pairing Future’s melodic rap with Tyla’s smooth vocals over a heavy, driving rhythm that got the stadium moving.

On the style front, the duo leaned into a sporty, high-fashion aesthetic that completely matched the athletic setting. Tyla opted for a cropped, short-sleeved top featuring a white bodice and vibrant blue raglan sleeves dotted with white stars, paired with ultra-baggy, low-rise cobalt blue velvet trousers that pooled over a pair of clean white flats. Her hair was styled into voluminous, loose curls pinned up in a high half-up look, completely complementing her casual, midriff-baring silhouette.

Tyla singing on stage at the 2026 FIFA World Cup opening ceremony flanked by background dancers in gold and black tracksuits. Photo Credit: Gianni Infantino/Instagram

Future balanced the colour story with a bold red and silver sequinned varsity jacket, finished with classic ribbed stripe detailing. He kept the rest of the look simple, layering it over a plain top and pairing it with wide-leg black trousers and clean white trainers.

Future performing on stage at the 2026 FIFA World Cup opening ceremony in Los Angeles. Photo Credit: Gianni Infantino/Instagram

That same sense of coordination carried through the rest of the performance. The background dancers were dressed in matching gold and black graphic tracksuits, which helped ground the entire visual on the pitch and kept the focus tightly on the movement and staging.

From the synchronised choreography to the coordinated wardrobe, everything worked together to set the tone for the match ahead.

Have you been keeping up with the matches this week, or are you just here for the stadium style? Personally, we are here for both.

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He talks about his work, what he hopes the project will inspire and why photography is such a powerful tool for challenging underrepresentation.

Hey Aderopo. Thank you for sharing this packet of work with us. When creating these portraits, what does your creative process look like, and how do you ensure the subjects are collaborators in telling their own stories rather than being photographed?

Thank you for having me. My creative process begins with research, conversation and trust. I have explored identity, representation, fashion, and cultural expression in my work, and I believe meaningful photographs come alive when people feel seen, heard and respected. I regularly spend time learning about their experiences, perspectives, and how they wish to be represented.

Rather than approaching the project from an outsider’s perspective, I wanted the women to be active collaborators in shaping the narrative. I collaborated with Mistyglamcompany, Nigeria’s first albinism advocacy project and the initiative’s lead implementer. We extensively discussed themes of visibility, beauty, identity, and belonging, and these conversations informed the creative direction of the portraits. Fashion also played an important role, as it often does throughout my work, serving as a powerful form of self-expression and individuality.

Taking photographs is not simply about documenting a person; it involves creating a space where individuals can represent themselves authentically. The resulting images are therefore collaborative visual narratives that reflect the confidence, dignity, and individuality of each participant.

Why was it important for you to focus on women living with albinism, and what conversations do you hope these images inspire?

Throughout my journey, from supporting Black women in fashion to championing diversity and confronting appearance-based discrimination through my project about Hijab Women Project, I remain a steadfast advocate for Women’s representation in fashion. And as is known, women living with albinism remain significantly underrepresented in photography, fashion, and media, despite having important stories and experiences that deserve visibility.

It was important for me to create a body of work that challenges stereotypes and shifts the narrative surrounding albinism. Too often, people with albinism are defined by misconceptions or viewed through a limited lens. I wanted to create portraits that celebrated the women as confident individuals, cultural contributors, and active participants within society. Through collaborative storytelling, the project explores identity, beauty, visibility, and belonging while creating space for authentic self-representation.

Advocacy can take many forms. What makes photography such a powerful tool for challenging underrepresentation, and why do you believe an image can sometimes communicate what words alone cannot?

As I previously mentioned, throughout my practice, I use photography as a tool for cultural documentation and representation. My work continuously explores how identity is constructed and communicated through visual culture. I am interested in how photography can challenge existing narratives and create new ways of seeing.

As I have consistently highlighted in my work, fashion is a ubiquitous cultural phenomenon that transcends social and cultural divisions. It exists as a form of identity and expression that should be accessible to all, irrespective of race or personal background. By its very nature, fashion is inclusive, as it reflects the shared human desire to communicate individuality, creativity, and a sense of belonging.

A photograph can challenge assumptions, create empathy and encourage reflection within a matter of seconds. For communities that have historically been overlooked or underrepresented, visibility itself can be transformative. I ultimately believe photography has the ability not only to document reality but also to influence how people understand one another, fostering greater inclusion, understanding and belonging within society.

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Dede Ashiogwu wrapping a voluminous custom denim trench coat around her silhouette at the BBNaija Season 10 reunion.

The BBNaija Season 10 reunion has given us plenty to talk about already, but for a moment, can we leave the conversations aside and focus on Dede Ashiogwu‘s outfit? Because this is one of those looks that makes you stop scrolling immediately.

At first glance, you see denim. Then you look again and realise there is a lot more happening here. The three-piece custom outfit is crafted from heavy denim treated in shades of slate blue-grey, with soft sand-and-gold bleaching running through the fabric. And just when you think you’ve figured it out, the lace comes in. Beige floral lace is appliquéd across all three pieces, creating a contrast that feels unexpected but works beautifully.

The bralette sets the tone, with its structured triangle shape fully covered in floral lace. From there, the eye moves down to the high-waisted maxi skirt, which follows the body’s shape before extending into a gentle train at the hem. Matching lace panels run along the sides, connecting the pieces together and giving the entire look a sense of continuity.

Dede Ashiogwu’s BBNaija Season 10 reunion glam featuring a razor-sharp black bob, denim choker, and detailed floral lace on her bralette.

Then comes the trench coat, and it changes the scale of everything. Floor-length and oversized, it features dropped shoulders, an exaggerated lapel, wide cuffs with black button detailing, and a sweeping train of its own. Worn open, it frames the outfit beneath. Wrapped around the body, it creates a completely different silhouette.

The styling keeps pace with the outfit without competing with it. A chunky denim choker with metallic hardware sits at the neck, while a sharp middle-parted bob, bronzed skin, and a glossy brown lip complete the look.

Don’t you just love how Dede Ashiogwu is making denim feel this interesting again? From the lace details to the layering and structure, it keeps shifting in ways that make you look twice without overcomplicating anything.

Dede Ashiogwu wrapping a voluminous custom denim trench coat around her silhouette at the BBNaija Season 10 reunion.

Dede Ashiogwu in an avant-garde custom denim bralette, maxi skirt, and oversized trench coat for the BBNaija Season 10 reunion.

Photo Credit: Dede Ashiogwu/Instagram

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Tolulope Tunde-Ajiboye, author, entrepreneur, mentor, banking executive, and founder of The Undaunted Conference, is set to host what she describes as Africa’s largest youth leadership conference, bringing together thousands of young people, professionals, entrepreneurs, and emerging leaders for a day of learning, inspiration, and nation-building conversations.

Scheduled to hold on Saturday, June 27, 2026, in Abuja, The Undaunted Conference 2026 will feature an impressive lineup of speakers, including Dr. (Mrs.) Oluwatoyin Madein, First Female Accountant-General of the Federation; Stan Nze; Financial Jennifer; Salem King; and Olusola Dada, alongside other distinguished leaders and change makers.

For Tunde-Ajiboye, The Undaunted Conference is more than an annual gathering. It is a platform born out of a deep passion for nation building and a belief that the future of any nation is shaped by the quality of its people.

Over the years, she has committed herself to raising leaders through mentorship, personal development initiatives, and platforms that equip individuals to live purposefully and lead effectively. Her conviction is simple: if we want a better Nigeria, we must be intentional about developing better leaders, stronger families, responsible citizens, and people who are equipped to influence their communities positively.

This vision has also informed one of the most significant decisions behind this year’s conference.

While many of Tunde-Ajiboye’s previous initiatives have focused on empowering women and the girl child, The Undaunted Conference 2026 deliberately expands the conversation to include men in a more intentional way.

According to her, the decision was driven by the growing need to bridge the mentorship gap many young men currently experience.

“Supporting women and girls remains important and will always be a cause close to my heart. However, true nation building requires that we pay attention to everyone. Many young men today are searching for guidance, mentorship, positive role models, and safe spaces for growth. We cannot ignore that reality.”
She adds, “At The Undaunted Conference, we believe men matter too. We believe they deserve opportunities to learn, grow, be mentored, and become the leaders, husbands, fathers, professionals, and nation builders they were created to be.”

With an expected attendance of over 2,000 participants, the conference will explore leadership, personal growth, entrepreneurship, financial intelligence, resilience, influence, and nation building through keynote sessions, panel discussions, and networking opportunities.

The Undaunted Conference 2026 will hold on Saturday, June 27, 2026, at Temple of Glory, Living Brooks Park, Asokoro, Abuja, from 9:00 a.m.

For Tolulope Tunde-Ajiboye, the mission remains unchanged: to raise people who are equipped to transform their lives, strengthen their communities, and contribute meaningfully to the future of Nigeria.

BellaNaija is a Media Partner for The Undaunted Conference 2026

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Four DR Congo players standing indoors in matching black-tie suits with leopard details and dark sunglasses.

One thing you can always look forward to at the World Cup, besides the football, is the looks the teams arrive in — and DR Congo’s Léopards have wasted absolutely no time making their mark on that front. The Léopards of the Democratic Republic of the Congo have arrived at the 2026 FIFA World Cup in outfits that are generating serious attention for all the right reasons.

The arrival suit, designed by Alvin Junior Mak of JMAKxPARIS, is a classic black single-breasted blazer with a striking asymmetric panel of leopard print fabric running across the left shoulder and chest in a curved, wave-like shape that is integrated directly into the suit’s construction. A metallic gold lapel pin depicting a leaping leopard sits on the lapel, a small but pointed detail that reinforces the national identity at the heart of the design. The suit is grounded with a white formal shirt, a slim black tie, black trousers, and polished black leather dress shoes. The result is formal and unmistakably Congolese.

DR Congo team members walking through an airport terminal with luggage and matching leopard-print statement tote bags.

The design draws deliberate inspiration from two sources — the Léopards squad of 1974, when Zaire became the first sub-Saharan African nation to qualify for the FIFA World Cup, and the Sape, the celebrated Congolese culture of elegant dressing that has long been one of the country’s most distinctive cultural exports.

Alvin Junior Mak described the creation as a tribute to those who dare to dream bigger and carry a nation’s colours with pride, writing in French: “Elegance is a way of wearing one’s history. Conceived as a homage to the Léopards of 1974 and the spirit of the Congolese Sape, this creation celebrates those who dare to dream bigger and carry high the colours of a nation. A nation behind them, a dream ahead of them.”

One of ten African nations at the 2026 FIFA World Cup, DR Congo are making their second World Cup appearance and their first since 1974 — which makes the nod to that historic squad in the design all the more meaningful. The football is yet to begin for the Léopards, but on the style front, they have already made a statement.

DR Congo player with an afro hairstyle recording a video on his phone while walking in his official World Cup suit jacket.

DR Congo football players and staff posing indoors on leather sofas in their leopard-print theme formal wear.

Four DR Congo players standing indoors in matching black-tie suits with leopard details and dark sunglasses.

Full squad of DR Congo football team seated outdoors in uniform black suits featuring gold leopard pins and animal-print sashes.

DR Congo football player on an escalator in a custom black suit with an asymmetric leopard-print panel for the 2026 World Cup.

DR Congo team members walking through an airport terminal with luggage and matching leopard-print statement tote bags.

The DR Congo national football team squad seated in rows on grass wearing matching leopard-print panelled suits.

Photo Credit: Alvin Junior Mak and CAF

The post DR Congo Arrive at FIFA World Cup 2026 in Suits Inspired by the Léopards of 1974 appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

A still from the “Tornado” video capturing a close-up of Ayra Starr alongside a surreal scene of a frozen crowd suspended above a miniature city.

The post Ayra Starr Steps Into a Surreal New World in Her “Tornado” Video | Watch appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Three toasted Nigerian beef shawarma wraps by Kikifoodies sliced in half, showing a rich mixture of beef, cabbage, carrots, and creamy pink sauce. Photo Credit: Kikifoodies

There are some foods that never need much convincing, and shawarma is definitely one of them. Whether it’s a late-night craving, a quick lunch, or something to look forward to after a long day, a good shawarma almost always hits the spot. Soft pita bread, juicy beef, plenty of sauce, and that familiar mix of vegetables wrapped together into one satisfying bite? Say no more.

This time, Kikifoodies is showing us how to make Nigerian-style beef shawarma at home, and the best part is that you do not need any special equipment to pull it off. If you’ve got a skillet, a handful of ingredients, and a healthy appetite, you’re already halfway there.

Anyone who has eaten shawarma in Nigeria knows that we have taken the popular Middle Eastern wrap and made it our own. While traditional shawarma is often prepared with a spice-forward seasoning mix and slow-cooked on a vertical rotisserie, the Nigerian version follows a different path. The seasonings are different, the sauce is different, and depending on where you buy yours, you might even find a hotdog tucked inside the wrap. It is one of those additions that sounds surprising until you try it.

For this recipe, thinly sliced beef takes centre stage. The meat is seasoned with a combination of onion, garlic, pepper, lemon juice and other flavour-packed ingredients before being cooked until tender. It is then paired with shredded cabbage and carrots, while a rich shawarma sauce made from mayonnaise, ketchup, sweet chilli sauce, lemon juice and pepper brings everything together.

Two halves of a Nigerian beef shawarma wrap by Kikifoodies stacked vertically, showcasing a hotdog embedded in the centre of the juicy filling. Photo Credit: Kikifoodies

One of Kiki’s favourite tricks for getting a really good shawarma is mixing the filling before wrapping it. Instead of layering everything separately, the cooked beef, vegetables and sauce are tossed together first. That way, every bite comes with a little bit of everything rather than leaving you with a mouthful of cabbage here and a pocket of sauce there.

Once the filling is ready, it is wrapped in soft pita bread and toasted until lightly golden on the outside. The result is everything you want from a Nigerian beef shawarma: juicy beef, creamy sauce, plenty of flavour, and a wrap that disappears much faster than you planned.

Watch Kikifoodies show you exactly how it’s done below.

The post Kiki Foodies Reveals Her Secret to Extra-Juicy Nigerian Beef Shawarma appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Most smartphones today don’t really say much about the people holding them. They’re sleek, yes. Powerful, yes. But emotionally? They all kind of blend into the same story.

That’s why the HOT 70 Series from Infinix feels a little different. It’s not just another upgrade cycle, it’s a shift in how we think about phones altogether. And at the centre of that shift is something surprisingly simple: colour.

Not just colour as “black, blue, or gold” but colour as expression, mood, and identity.

From fashion and music to social media feeds and personal spaces, today’s generation is constantly finding new ways to express who they are. Individuality is no longer confined to what people wear; it extends to the devices they carry, the content they create, and the aesthetics they choose to surround themselves with.

It is this growing desire for self-expression that sits at the heart of the new Infinix HOT 70 Series.

More than a smartphone launch, the HOT 70 Series represents a bold exploration of colour, personality, and identity. Built around Infinix’s new Dynamic Shine Design philosophy, the series transforms the smartphone from a functional everyday device into a personal style statement, introducing a range of colourways that are designed not just to be seen, but to be experienced.

At the centre of the collection is Thermo Orange, perhaps the most expressive smartphone colourway introduced by Infinix to date. Unlike traditional smartphone finishes that remain unchanged throughout their lifespan, Thermo Orange evolves with its environment. Powered by Dual-Way Thermo Sensing Skin technology, the back cover responds to temperature changes, transitioning between different shades of orange depending on surrounding conditions.

In cooler temperatures, the device deepens into a rich, saturated orange. As temperatures rise, it gradually transforms into a lighter, brighter shade. The result is a smartphone that never looks exactly the same twice.

In many ways, the feature mirrors the fluid nature of personal identity itself. Just as people adapt their style, mood, and energy depending on the moment, the HOT 70 adapts alongside its environment, creating a dynamic relationship between the user and the device.

The experience becomes even more personal through the device’s DIY customization capability. Users can imprint semi-permanent patterns, symbols, initials, or creative designs onto the Thermo Orange back cover, transforming the smartphone into a unique canvas of self-expression.

For a generation that values personalization, this feature moves beyond customization and enters the realm of ownership. The device becomes more than a smartphone; it becomes an extension of the user’s personality.

While Thermo Orange takes centre stage, the HOT 70 Series offers other interpretations of personal style through its carefully curated colour palette.

The Quiet Violet edition embodies understated elegance. Inspired by the transition between dusk and dawn, it features subtle purple hues enhanced by Infinix’s Lumina Flare Dynamic Flame Texture. As light interacts with the surface, flowing patterns emerge, creating depth and movement without overwhelming the eye. It is a colourway designed for those who prefer quiet confidence over bold statements.

Green Texture takes inspiration from nature, reflecting the layered beauty of leaf veins and organic forms. The textured finish creates a sense of depth and dimension that changes as the device catches the light. Fresh, contemporary, and effortlessly stylish, it speaks to users who gravitate towards authenticity and natural aesthetics.

The lineup is completed with Night Pulse, Silver Dancer, and Dive Blue, each bringing its own personality to the series. Whether users prefer bold and energetic, clean and modern, or cool and expressive, the HOT 70 Series offers a colourway that feels intentional rather than generic.

This diversity of choice reflects a broader shift in how consumers relate to technology. Smartphones are no longer simply communication tools; they have become extensions of personal style, appearing in photos, videos, workspaces, social media content, and everyday interactions.

What makes these colourways particularly interesting is that they do not simply apply colour to a smartphone. Instead, they create interaction through colour. Light shifts. Textures move. Surfaces respond. The device becomes part of the user’s visual identity rather than merely supporting it.

This philosophy extends to details such as the Crystal Mood Island camera design, where the camera module is elevated from a purely functional component into a design feature that refracts light and adds another layer of visual character to the device.

The HOT 70 Series arrives at a time when smartphones have become deeply intertwined with how people present themselves to the world. They appear in photographs, videos, social media content, workspaces, and everyday interactions. Increasingly, consumers want devices that reflect their tastes and lifestyles as much as their technological needs.

Infinix appears to understand this shift. While the HOT 70 delivers practical features including a dedicated One-Tap AI Button, AI FlashMemo, AI-powered productivity tools, a 50MP camera system, a 6000mAh battery, Military-Grade durability, IP65 water and dust resistance, and up to five years of security updates, the story of the device extends beyond specifications.

At its core, the HOT 70 Series is about expression.

It is about recognising that technology can be functional and fashionable. That smartphones can be practical and personal. That colour can communicate something meaningful about the people who choose it.

In a world where individuality is increasingly celebrated, the HOT 70 Series shows that the strongest statements are often made through the colours we carry every day. For a generation unafraid to stand out, the message is simple: Be Seen. Be Hot. 

The Infinix Hot 70 is available at authorized retailers nationwide, priced at ₦189,900 for the 128GB variant and ₦299,900 for the 256GB variant. For more information about Infinix Nigeria’s products, please visit the website and follow @InfinixNigeria on Instagram, Facebook, TikTok, and X (formerly Twitter).​

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Official digital single cover artwork for Ayra Starr’s 2026 track “Tornado” from her upcoming studio album, Starr Girl. Photo credit: Ayra Starr/Instagram

For months, Ayra Starr has been teasing her fans with the prospect of new music, and fast forward to today, the superstar has released a new single, “Tornado“. Following a live preview of the unreleased record during her session at NPR’s Tiny Desk, the Mavin Records singer has officially delivered the single which serves as the primary glimpse into her highly anticipated forthcoming studio album, “Starr Girl.”

“Tornado” is a confident anthem centered on self-worth, high status, and owning your presence the moment you step into a room. Ayra Starr positions herself as the ultimate center of attention, using the track to celebrate her charisma and physical appeal with direct, unapologetic lyricism. Through lines like “I’m that girl they wanna be” and “My figure no be fable,” she reminds listeners that her global appeal is entirely real and unexaggerated. She even includes a playful nod to her rising value in the music industry with the boastful line, “Inflation, I’m the price they wanna beat.”

Co-produced by Skillies, Shizzi, and RiotUSA, the single captures a vibrant, celebratory mood of enjoying life and luxury with friends, summarised perfectly as she sings about being in the club with her girls and “treatin’ every day like e be a new year.”

See the photos from the exclusive listening party and stream the new track below.

Ayra Starr performs her new single “Tornado” live for guests and media during an exclusive album listening session. Photo credit: Ayra Starr/Instagram

The main stage production at the “Tornado” single listening event, featuring the signature Starr Girl illuminated backdrop. Photo credit: Ayra Starr/Instagram

Ayra Starr shares a candid moment with attendees on the floor during her single premiere event. Photo credit: Ayra Starr/Instagram

A silhouette of Ayra Starr singing into a microphone, backlit by a large glowing white star on a dark stage. Photo credit: Ayra Starr/Instagram

The post Ayra Starr Begins Her Starr Girl Era With Tornado | Listen appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

The New LURÈ BEAUTY Collection Features:

• Organic Shea Butter
• Organic Vanilla & Shea Body Butter
• LURE Golden Caress Coconut Elixir
• Radiant Orange Foaming Exfoliating Sugar Scrub
• Radiant Lavender Foaming Exfoliating Sugar Scrub
• Lumière Citrus Lavender Sugar Serub

Each product is thoughtfully crafted to deliver a spa-like skincare experience while promoting softness, hydration, skin renewal, and lasting radiance. Rich in nourishing botanicals, vitamins, essential oils, and natural extracts, every formula is designed to elevate everyday body care into luxurious self-care ritual.

At the heart of LURÈ BEAUTY is a commitment to clean beauty, premium self-care, and confidence through skincare. The brand celebrates the transformative power of nature-inspired ingredients while embracing elegance, wellness, and visible results.

“Our vision with LURE BEAUTY is to create products that not only enhance the skin but also inspire confidence, self-love, and intentional self-care,” says the Founder of LURE BEAUTY. “We believe beauty should feel luxurious, effective, and naturally radiant. Every product is created te help our customers embrace healthy, glowing skin while enjoying a truly indulgent experience.”

The LURE BEAUTY collection is cruelty-free, thoughtfully formulated, and suitable for all skin types. With elegant textures, captivating scents, ar skin-loving ingredients, the brand is redefining organic body care through sophistication, wellness, and exceptional quality.

LURÈ BEAUTY invites beauty editors, skincare enthusiasts, influencers, retailers, distributors, and customers worldwide to experience the futu of luxury organic skincare.

About LURE BEAUTY

Founded with a passion for natural beauty and effective skincare, LURÈ BEAUTY is dedicated to creating luxurious organic body care products ti nourish the skin and inspire confidence. Through carefully selected ingredients and premium formulations, the brand delivers skincare solutions designed to promote healthy, radiant skin while transforming everyday routines into moments of indulgence.

To place an order, send us a direct message on Instagram or contact our customer care team via WhatsApp at +234 815 536 8802.

LURÈ BEAUTY LIMITED

Phone/WhatsApp: +234 815 536 8802
Instagram: @shoplurebeauty
Website: www.shoplurebeauty.com (Coming Soon)
Email: info@shoplurebeauty.com

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Burna Boy and Shakira perform the official anthem “Dai Dai” during the 2026 FIFA World Cup opening ceremony in Mexico City.

Burna Boy has officially performed at the 2026 FIFA World Cup opening ceremony — and the moment was everything Nigerian music fans have been waiting for. The Lagos-born Afrobeats star took the stage at the iconic Estadio Azteca in Mexico City on Thursday, 11 June, alongside Colombian superstar Shakira, in front of over 80,000 fans inside the stadium and millions watching around the world.

Shakira opened the performance, taking to the pitch and executing the choreography of “Dai Dai” — the official 2026 FIFA World Cup anthem — with her dancers before Burna Boy joined her on stage. The two danced together as the crowd roared, closing the song with “Dale, allez, let’s go!” Following the performance, plumes of red and green smoke erupted from the top of the stadium in a nod to the colours of the Mexican flag.

Shakira performs the tournament anthem with her choreography team during the 2026 FIFA World Cup opening festivities in Mexico City. Photo Credit: FIFA/Instagram

For Shakira, the performance was a return to the World Cup stage 16 years after “Waka Waka” became the defining cultural moment of the 2010 South Africa tournament. For Burna Boy, it was one of the biggest stages any Nigerian artist has ever stood on — performing the official anthem of the most watched sporting event on the planet.

The ceremony also featured Tyla and Megan Thee Stallion, with Alejandro Fernández performing the Mexican national anthem and Tyla delivering the South African anthem. World Cup Ambassador Salma Hayek Pinault also welcomed fans from around the world before the opening match between Mexico and South Africa got underway.

Shakira participates in the official on-field choreography rehearsal ahead of the 2026 FIFA World Cup opening ceremony at Estadio Azteca. Photo Credit: Shakira/Instagram

Global artist Shakira performs the official anthem “Dai Dai” with Burna Boy during the World Cup opening ceremony at Estadio Azteca. Photo Credit: Gianni Infantino/Instagram

The post Watch Shakira & Burna Boy Perform “Dai Dai” at FIFA World Cup 2026 Opening Ceremony appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

L-R: Brand Manager, Rexona, Olaide Olumide; Winner, Rexona 2026 World Cup Consumer Promotion, Fatima Ahmad; Head, Communications, Sustainability and Corporate Affairs, Unilever Nigeria Plc, Zainab Obagun; and content creator/influencer, Hauwa Lawal, during the presentation of a dummy ticket to the winner of Rexona 2026 World Cup Consumer Promo held at Ebeano Supermarket, in Lagos today

Unilever Nigeria Plc has officially announced the winners of the Rexona FIFA World Cup 2026 Consumer promotion, giving loyal consumers of its leading deodorant brand, Rexona, the chance to experience the excitement of the FIFA World Cup 2026 live in Vancouver, Canada.

The ticket presentation ceremony, held at Prince Ebeano Supermarket, Ikeja, marked the successful conclusion of the consumer promotion designed to reward loyal customers who purchased Rexona products. Under the campaign structure, consumers who purchased three Rexona aerosol products were eligible for the grand prize, while all participating shoppers also received guaranteed rewards.

Winners emerged from the promotional draw after meeting the purchase criteria, with their prize packages fully sponsored by Rexona. The rewards included return flight tickets, accommodation, match tickets and other travel arrangements, offering them a memorable FIFA World Cup 2026 experience.

Speaking at the event, Head of Corporate Affairs, Communications and Sustainability, Unilever Nigeria Plc, Zainab Obagun, stated that the FIFA World Cup 2026 Consumer promotion sponsored by Rexona reflects Unilever’s commitment to building stronger connections with consumers through initiatives that reward loyalty and create memorable experiences.

Obagun noted that the promotion underscores the importance of partnerships within the retail ecosystem, emphasizing that collaborations with trade partners remain essential for delivering value to consumers nationwide.

“At Unilever, we believe our relationship with consumers goes beyond providing quality products. It is about creating meaningful experiences and rewarding the trust they place in our brands every day. This presentation demonstrates that when we make a promise to our consumers, we fulfill it. We remain committed to creating value for Nigerian consumers while strengthening our partnerships with retailers and trade partners across the country,” she said.

Also speaking, Brand Manager, Rexona, Olaide Olumide, explained that the campaign was inspired by the success of previous football-focused consumer activations and forms part of Rexona’s broader strategy to deepen engagement with consumers through passion points that resonate strongly with them.

Olumide added that the emergence of winners and the presentation of prizes validate the integrity of the campaign and encourage continued participation with future brand initiatives and promotions.

“Rexona is a performance-focused brand globally, and football provides the perfect platform to demonstrate what performance means. Following our successful partnerships with CAF during AFCON and WAFCON, where we rewarded consumers with unique football experiences, this promotion around the FIFA World Cup 2026 represents an even bigger opportunity to celebrate and reward our loyal consumers. More importantly, it shows that we care about our consumers not only through our products but also by creating life-changing experiences for them,” she added.

Expressing her excitement, one of the winners, Fatima Ahmed, described the opportunity as a dream come true and thanked Rexona for enabling her to witness one of the world’s biggest sporting events live.

As one of the FIFA World Cup 2026 official sponsors, Rexona leveraged the global football spectacle to connect with consumers and reward their loyalty. The campaign also featured other Unilever personal care brands, including Dove and Axe, extending the opportunity to households across different consumer segments while creating excitement around the tournament.

About Unilever:

Unilever is one of the world’s leading suppliers of Personal Care, Beauty & Wellbeing, and Foods products, with sales in over 190 countries and products used by 3.4 billion people every day. Unilever Nigeria is a locally listed business that has been operating for over 100 years, selling brands such as Closeup, Pepsodent, Vaseline, Rexona, Knorr, Royco, and Pears.

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Lagos is a city that moves at a beautiful, rapid pace. But over the weekend of June 6th and 7th, Kerrygold Nigeria invited us to slow down, breathe, and celebrate the beauty of connection.

It was a space designed for families, friends, and food lovers to gather, unwind, and create lasting memories together, with Kerrygold serving as the perfect mindful companion for the weekend.

Cherishing Moments of True Connection

While the space was filled with delightful activities, the real magic lay in the meaningful interactions between loved ones.

Families unplugged from their busy schedules to connect over cups of Kerrygold Milk and classic board games. The event was a beautiful reminder of how Kerrygold elevates nourishing family moments while exemplifying how the simplest moments of togetherness are often the most nourishing.

Wholesome Treats That Nourished the Soul

Food has a unique way of bringing people closer, and the Kerrygold Food Station truly became the heart of the weekend. Chef Britty crafted a menu of milk-inspired delights that felt like comfort in a bite, bringing families together around the joy of wholesome food.

Guests shared warm, velvety crepes filled with rich, milky goodness, delicate custard profiteroles, and heavenly milk-dusted churros. Every dish highlighted the premium, creamy quality that comes from Kerrygold’s rich Irish grass-fed dairy heritage. It wasn’t just about enjoying a sweet treat; it was about experiencing how true creamy nutrition and authentic flavor can elevate everyday family moments into something special.

A Gentle Reminder of What Matters Most

With families traveling from far and wide, the event blossomed into a true community gathering. In the midst of our bustling Lagos lives, Kerrygold provided a gentle reminder of the importance of nurturing our relationships and our bodies.

Every moment of the experience underscored Kerrygold’s role in supporting nourishing family moments, proving that taking care of our loved ones can be a deeply delicious and joyful journey.

Nourishment goes far beyond what is in our cups, it is found in the communities we build and the quiet moments of connection we share with the people who matter most.

If you weren’t able to join the gathering this time, the journey of togetherness continues. You can stay connected with the Kerrygold Nigeria family online to be a part of future warm experiences. Until then, may your days be filled with warmth, nourishment, and golden moments of your own.

Follow us on social media:Facebook, Instagram and X

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For years, Opera Mini has been helping Nigerians get online. For many, it is tied to early mobile internet memories: browsing on limited bundles, reading blogs, chatting, downloading music, and finding ways to stay connected without spending too much. Now, thanks to Poco Lee and Seyi Vibez’s new track, “Opera Mini,” the browser’s name is showing up somewhere new: on the dance floor.

Debuting this past Friday, Poco Lee and Seyi Vibez’s infectious street-pop hit “Opera Mini” rocketed up to #2 on Spotify Nigeria, turning a familiar browser name into one of the country’s catchiest hooks. The title works because Opera Mini is already part of everyday digital life in Nigeria: a browser that has long been synonymous with staying online while using less data.

The track was created independently by the two artists, with no collaboration from Opera, and that’s what makes this moment feel even more special: Opera Mini is so embedded in Nigerian culture that it can show up naturally in music, dance, and everyday conversation.

That is very Nigerian in the best way: Nigerian pop and street-pop have a long history of turning everyday phrases, slang, jokes, and familiar references into cultural reference points. The kind of words people repeat, dance to, meme, and make their own. Think of how “Dorobucci” became bigger than a song, or how “Chop breakfast” has become shorthand for getting your heart broken. It travels because it is playful, memorable, and catchy. “Opera Mini” works in that same tradition: a familiar everyday reference becomes a hook – and because Nigerians already understand the name, the song does not need to explain the joke.

That familiarity did not happen by accident. In a country where data costs are a daily consideration for many people, Opera Mini has earned its place. For many Nigerians, it carries memories of browsing with limited data, discovering music, chatting with friends, following football scores, and stretching data bundles as far as they could go.

Because it’s hard to cut loose and feel free when you’re constantly worried about data. We know, because we recently took to the streets across the country and asked people about their data consumption. Esther from Lagos told us

“I spend close to 20,000 (Naira) every week on data, and it doesn’t even last me.” Upon finding out about Opera Mini’s free daily data, she said “It’s nice actually. I feel so, so good.”

Playful, catchy, and made to move to, “Opera Mini” is the kind of song that takes on a life of its own once Nigerians start adding their own steps, dance routines, memes, and energy. To celebrate the moment, Opera is inviting friends to join the Opera Mini  TikTok dance challenge, so users can show their own version of the vibe. No perfect choreography needed. Just press play, bring your energy, and show us how “Opera Mini” moves you.

So come get in on the action! Listen to Seyi and Poco’s new track, and show us what “Opera Mini” means to you. And if you don’t already have it, see why two of Nigeria’s biggest artist have named their summer dance hit after our mobile browser – download Opera Mini now.

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Julián Quiñones shares a goal celebration with Mexican national team technical staff and substitute players at Estadio Azteca. Photo Credit: FIFA/Instagram

Three red cards, two goals, and one opening match that nobody will forget in a hurry — the 2026 FIFA World Cup has officially begun, and it has come in hot. Mexico defeated South Africa 2-0 at the iconic Estadio Azteca in Mexico City on Thursday, 11 June, in a game that delivered more drama than most tournaments see in an entire group stage.

Julián Quiñones opened the scoring in the ninth minute, capitalising on a costly defensive mistake from South Africa’s Sphephelo Sithole to fire home the first goal of the 2026 World Cup. Quiñones, a Colombian-born winger who has faced significant criticism since choosing to represent Mexico internationally, could not have picked a better moment or a bigger stage to silence the noise.

Winger Julián Quiñones celebrates scoring the first goal of the 2026 FIFA World Cup against South Africa. Photo Credit: Selección Nacional de México/Instagram

Mexico held their 1-0 lead at half-time, and the second half brought further chaos. South Africa’s Sphephelo Sithole was shown a red card early in the second half, and with Bafana Bafana down to ten men, veteran striker Raúl Jiménez headed home Mexico’s second on his fifth World Cup appearance — scoring his first-ever World Cup goal in the process and sending the Estadio Azteca into wild celebrations. Themba Zwane then received South Africa’s second red card, leaving them with nine men, before Mexico’s César Montes was also dismissed in the closing stages for denying a goalscoring opportunity.

Mexico striker Raúl Jiménez celebrates scoring the second goal against South Africa during the 2026 FIFA World Cup opening match in Mexico City. Photo Credit: Selección Nacional de México/Instagram

Before the football, the Estadio Azteca — the only stadium in history to host three World Cup opening matches — staged an opening ceremony rooted in Mexican culture through the visual language of papel picado and folkloric performance. Shakira and Burna Boy performed “Dai Dai,” the official 2026 World Cup anthem, in a moment that brought the 80,000-capacity stadium to its feet.

The full lineup also included Tyla, Andrea Bocelli, DJ David Guetta, and Megan Thee Stallion, with Alejandro Fernández singing the Mexican national anthem and Tyla performing the South African anthem. June 11 was declared a public holiday in Mexico City, with streets buzzing with anticipation from the earliest hours of the morning.

Global artist Shakira performs the official anthem “Dai Dai” with Burna Boy during the World Cup opening ceremony at Estadio Azteca. Photo Credit: Gianni Infantino/Instagram

Mexico now prepare to face South Korea in Guadalajara on Thursday, 18 June. Meanwhile, South Africa face an uphill task as they navigate their next group stage fixture without their suspended key players.

Julián Quiñones reacts after scoring the opening goal during the World Cup match between Mexico and South Africa in Mexico City. Photo Credit: Selección Nacional de México/Instagram

Dancers performing during the opening ceremony ahead of the match between Mexico and South Africa in Mexico City. Photo Credit: Gianni Infantino/Instagram

FIFA President Gianni Infantino attends the opening ceremony and match of the 2026 FIFA World Cup in Mexico City. Photo Credit: Gianni Infantino/Instagram

The giant World Cup trophy replica on display inside the packed Estadio Azteca during the opening ceremony festivities in Mexico City. Photo Credit: Gianni Infantino/Instagram

Cultural and folkloric dance presentation during the 2026 FIFA World Cup opening ceremony at Estadio Azteca. Photo Credit: Gianni Infantino/Instagram

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Full-length view of Toyin Abraham Ajeyemi standing with hands clasped in a black and orange floral lace skirt and blouse. Photo Credit: Toyin Abraham Ajeyemi /Instagram

If your calendar is already filling up with weddings and celebrations, Toyin Abraham Ajeyemi may have just given you something to save for your next tailor visit.

She stepped out in a black lace two-piece that moves away from the usual owambe patterns. The fabric carries floral and petal motifs in terracotta, burnt orange, and soft cream, giving it a warmer, more layered feel than the typical lace designs we see on the weekend circuit.

The blouse brings in a fitted waist that flares into a peplum, following the same curved direction as the print. Across the neckline and sheer sleeves, black beadwork is densely worked in, adding depth without taking away from the fabric underneath. The skirt stays fitted through the hips before easing slightly at the hem, creating a long, structured line from top to bottom.

Toyin Abraham Ajeyemi smiling in a black and terracotta beaded lace peplum blouse holding a matching shoulder cloth. Photo Credit: Toyin Abraham Ajeyemi /Instagram

Her headtie sits in a sculpted, layered style that echoes the copper tones in the lace, pulling everything together. With a gold collar necklace and crystal-buckled heels, the look stays rooted in classic occasion dressing, just with a more modern approach to silhouette and fabric choice.

So, are we seeing something like this at your next owambe, or is it already saved for inspiration?

Toyin Abraham Ajeyemi posing with one hand on her hip, wearing a pleated copper architectural gele, a terracotta beaded lace outfit, and holding a matching ipele over her arm. Photo Credit: Toyin Abraham Ajeyemi /Instagram

Toyin Abraham Ajeyemi walking forward looking down, wearing a copper architectural headtie and crystal-buckled heels. Photo Credit: Toyin Abraham Ajeyemi /Instagram

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Mr P and back-up dancers dressed in matching black leather outfits performing synchronised break dance choreography.

Have you missed those dance steps that give you goosebumps like you’re watching Michael Jackson on stage? Then you already know we’re talking about Mr P’s latest video for “I Can’t Look Away.”

Such a fitting title too. In the song, Mr P sings about a woman whose beauty has him completely locked in, to the point where he just can’t take his eyes off her. It’s that familiar line you’ve probably heard — or even said yourself — “you’re so beautiful, I can’t look away.”

The video leans into that feeling and then takes us straight into choreography mode. Mr P and his dance crew show up with routines that pull from the kind of steps fans have long associated with the Psquare era, the same movement-heavy style that defined so many of their performances.

There’s also a nostalgic feel running through it, the kind that makes you pause for a second just to take it all in.

So whether you’re stuck in Lagos traffic or getting ready for a night out, “I Can’t Look Away” slides easily into that rotation of songs you keep playing back to back.

And if you can pick up those moves like Mr P? Even better.

Watch below

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Some years ago, I was not looking for a TV opportunity that day when it came. I was simply doing what I had been consistently doing, and sometimes wondering if anyone was paying attention: posting and sharing what I knew about talent development back then. I didn’t have millions of followers or a verified badge. I was just a person with a point of view and the discipline to keep showing up online. Then my phone rang.

It was a TV producer. A show needed an expert who could speak intelligently on talent development. They searched online and found me. Not because I was the most famous person in the space, but because when they typed what they were looking for, my digital presence raised its hand. I got on that show, did my thing and represented well.

But what shook me was not the opportunity itself. It was the question that followed me home after the show. What if I had not been online? What if I had all that knowledge locked inside my chest with no digital record of it? What if I had been invisible? That producer would have called someone else. Some other expert would have gotten that seat. And I would never have known what I missed because you do not mourn opportunities you never knew existed.

That day, I learned the irreversible importance of having a digital footprint. Not just being in the media space but finding your place in it. Not just existing online but owning a corner of it.

Every morning, millions of Nigerians wake up to their phones. Instagram. TikTok. X. LinkedIn. WhatsApp. The feeds are full. The timelines are crowded. Everyone has a page. Everyone has a post. Everyone has a story. And yet, only a few have a presence. There is a difference between existing online and being known online. One is a digital shadow. The other is a digital footprint. A shadow disappears when the light shifts. A footprint stays long after the person has moved on.

When people step into your space, do they feel the weight of your impact?

You cannot be found if you are hidden

Before strategy, before content, before branding, there must be self-awareness. Know who you are before the internet tries to define you. Self-awareness is a critical part of your success.

Many Nigerians build digital presence from a place of mimicry. They see what Tunde is posting and copy the format. They see how Amaka is speaking and borrow the tone. The result is a crowded space full of other people’s versions, and nobody is searching for a version. They want the original.

Look at what Dr Chinonso Egemba (Aproko Doctor), a medical professional, did. There are thousands of medical professionals in Nigeria. But Aproko Doctor found his lane by breaking down health information in the most Nigerian way possible with plain language and cultural references. He became the doctor your neighbourhood auntie actually listens to. Not because he went to the best medical school, but because he understood who his audience was and engaged them in a language their heart understood.

Build before you broadcast

Architecture is the structure you build before you start making noise. Most people broadcast first and build later. That is why their digital presence collapses the moment they go quiet for two weeks. Think of your digital presence the way Aliko Dangote thinks about infrastructure. Before he ventured into other franchises, cement was the face of the brand. Your digital architecture includes your bio, content pillars, platform strategy, tone of voice, and visual identity.

If someone lands on your page today and cannot tell within 10 seconds who you are, what you do, and why they should care, your architecture is broken. Study Fisayo Fosudo. Before most tech creators in Nigeria knew what they were building, Fisayo was already deep in it. That architecture is why brands pay attention. That architecture is why his audience grew.

Speak like you know something

In a saturated digital space, attention goes to the confident. Ifedayo Agoro, known as Ife of DANG, did not become a household name by being shy about who she was. She started with an Instagram page, shared stories without shame, and kept showing up until Diary of a Naija Girl became a strong, credible community of women. Before the skincare brand, before the brand deals, before DANG Lifestyle, there was relentless digital authority-building through honest, consistent content.

You build authority through opinion. Anyone can share a news headline. Only you can share your perspective on what it means. Posting every day with nothing to say is noise. Posting three times a week with genuine insight is authority.

Footprints are built over time, not overnight

The biggest lie of digital media is the overnight success story. Anything worth its salt takes time. Anything hastily conscripted will be hastily decimated. What we see is the moment of explosion. What we do not see is the 18 months of consistent posting before the algorithm rewarded it. The two years of pitching before the media started calling. The three years of showing up before the speaking invitations came.

Fisayo Fosudo did not just wake up famous. Aproko Doctor did not go viral on day one. Adeola Fayehun did not become a reference point after one episode. These are people who chose a direction and kept walking in it long after the initial excitement wore off. A digital footprint is not a sprint. It is a long walk with a clear direction.

And you have to be accountable. Accountability means tracking what is working. It means reviewing your content quarterly and asking hard questions. It means not abandoning your strategy every time a post underperforms. It means choosing growth over applause.

A Lagos saying that fits perfectly here: Slowly, slowly, catch the monkey. Digital presence built on consistency outlasts digital presence built on one viral moment. Accountability also means being answerable to your audience. Respond to comments. Show up in your DMs. Acknowledge your community. The people who stick around through your quiet seasons are your most valuable digital asset.

Your digital footprint is more than today’s post; it is the lasting pattern of your presence online. Opportunities often come when the right people can find you at the right time. Every post, platform and interaction shapes perception before you enter the room. Build your digital presence intentionally, stay visible with purpose, and create a footprint that keeps opening doors long after you log off.

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Featured Image by Ketut Subiyanto for Pexels.

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BBNaija Season 10 star and Edo State Arts Ambassador Sabrina Idukpaye debuts two distinct style directions for the reality television reunion show.

Do you still have room on your style moodboard? Because you are definitely going to want to make space for what Sabrina Idukpaye just did. The Big Brother Naija Season 10 reunion show is officially underway, and while the chat is already leaning into the usual house drama, Sabrina completely shifted the focus by using her appearances to tell a beautiful story about identity, public life, and personal growth.

For her first look, designed by Juliet Peters, Sabrina chose to pay homage to her heritage and her evolving career path. As the Ambassador of Arts, Culture and Creative Economy for Edo State, she wanted to step outside the usual red carpet templates, asking herself: “What if an Edo look could feel like a power suit?” The result was a structured burgundy two-piece suit with a distinct, sculpted hourglass silhouette, heavily textured with corals across the shoulders and trousers.

Sabrina Idukpaye in a burgundy trousersuit with a sculpted hourglass silhouette and coral beads details.

The real talking point was her hair—a contemporary interpretation of Queen Idia’s iconic commemorative headpiece. Sabrina described the entire concept as a love letter to Edo heritage and female power, perfectly mirroring her transition into public service and politics.

Sabrina Idukpaye showcasing her braided top knot hairstyle inspired by Benin’s Queen Idia with gold statement earrings.

Then came the second look, which took a different turn toward volume and texture. For this, she returned to Aanuoluwa Ajide–Daniels of ASO Nigeria, the designer behind her memorable finale outfit. Initially, Sabrina wanted to remix her old finale look to show how much she had evolved, but the designer challenged her to create something entirely new that reflected who she has become today, leading them to trade the familiar for a combination of deep green and bright canary-yellow feathers on a flowing organza skirt.

Sabrina Idukpaye in a canary yellow organza skirt with a high leg slit and a long flowing train.

Reflecting on her time since the show, Sabrina shared how much the styling matches her personal growth over the past year, noting that the Sabrina who walked into the Big Brother house and the woman standing here today are not the same person. She shared that the journey became far more beautiful than anything she could have planned, saying, “God had a bigger imagination than I did. And for the first time in a very long time, I feel exactly how I look.”

See more photos below

Sabrina Idukpaye framed by layers of yellow and forest green feathers with a soft smoky eye makeup look.

Sabrina Idukpaye wearing a tailored, heritage-inspired burgundy power suit by Juliet Peters.

Sabrina Idukpaye wearing a custom yellow and green gown designed by Aanuoluwa Ajide-Daniels.

Sabrina Idukpaye laughing next to Thelma Lawson in a coordinated wine-red dress at the BBNaija reunion.

Photo Credit: Sabrina Idukpaye/Instagram

The post Sabrina Idukpaye’s BBNaija Season 10 Reunion Looks Are Giving Edo Royalty & Canary Yellow Feathers appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

One of Nigeria’s leading hygiene brand, Dettol, in partnership with The Wellbeing Foundation Africa (WBFA), has officially flagged off Phase 3 of the Dettol Hygiene Quest initiative, expanding its mission to equip more Nigerian children and families with essential hygiene education and healthy living practices. The milestone phase was launched with an educational event held at Eko Akete Junior Secondary School, Lagos Island where students participated in interactive handwashing demonstrations and hygiene education sessions. They also received Dettol antibacterial soaps and educational materials to encourage healthy hygiene habits

The Clean Naija Initiative, under which the Dettol Hygiene Quest programme is implemented, aims to reach 6 million schoolchildren by 2030 through promoting proper handwashing and hygiene education. The initiative also seeks to increase handwashing rates by 20%, reduce diarrhoea cases by 10%, and decrease school absenteeism linked to hygiene-related illnesses.

Since its inception, the initiative has impacted more than 440,000 beneficiaries across 716 schools, 36 healthcare facilities, and 456 communities nationwide, promoting lifelong hygiene habits among children, mothers, families, and community members through lessons focused on handwashing, cleanliness, and healthy living.

Phase 3 has been designed to build directly on these results, taking the program’s proven model into new geographies and deepening its reach among communities where the need for hygiene education remains greatest. It plans to reach more than 750,000 students, and 90,000 pregnant and new mothers through hygiene education and behavioral change programmes designed to promote sustainable hygiene standards.

As part of Phase 3, the initiative will also reinforce awareness around proper handwashing and the use of trusted hygiene solutions such as Dettol Original Antibacterial Bar Soap, which with regular use, reinforces the skin’s natural germ fighting ability for up to 12-hours against germs. Through school, community, and healthcare engagements, the programme aims to encourage sustainable hygiene behaviours among children, caregivers, and families, helping them stay protected from hygiene-related illnesses in their everyday environments.

Speaking about the programme, Cassandra Uzo-Ogbugh, Head of External Affairs, Media, and Partnerships, represented by Toluwase Abikoye, Brand Manager for Dettol stated,

“At Reckitt, we understand that when children learn healthy habits early, those habits can create a lasting impact far beyond the classroom. That is why programmes like the Dettol Hygiene Quest remain important to us. Through our partnership with the Wellbeing Foundation Africa, we have continued to see tremendous and measurable progress across participating communities. A third-party evaluation of Phase 2 showed that reported cases of communicable disease symptoms among students declined by 9.3% in Abuja, 12.3% in Lagos, and 15.7% points in Kwara, with corresponding reductions in school absenteeism linked to illness demonstrating the positive impact of sustained hygiene education and awareness. As we commence Phase 3 of the programme, we remain committed to empowering even more children and families with the knowledge they need to lead healthier lives.”

In her opening remarks, the President of WBFA, Princess Toyin Ojora Saraki, represented by Dr Osinachi Onyeoziri, highlighted the critical role of hygiene education in improving health outcomes for children and communities, and encouraged students to become advocates for good hygiene practices.

“The future of Nigeria depends on children, their health, education, confidence, and ability to grow into responsible leaders. But for this to happen, staying healthy matters. At the Wellbeing Foundation Africa, we believe that healthy children learn better, thrive better, and build stronger futures. This belief continues to guide our efforts to improve health, wellbeing, education, and hygiene outcomes for children, women, and families across Nigeria.” she said.

As the flag-off ceremony concluded, the students left equipped with practical hygiene knowledge and renewed confidence to champion healthy habits within their schools, homes, and communities, reinforcing the programme’s broader goal of nurturing a generation of hygiene-conscious Nigerians.

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From party Jollof to creative local dishes and elevated everyday meals, Nigerians continue to find new ways to express themselves through food. Now, Power Oil is giving home cooks an opportunity to showcase that creativity through the Power Oil-Certified MasterChef Challenge.

The challenge invites participants to upload cooking videos, share their entries with supporters and compete for a chance to progress to the Grand Finale for a grand prize.

For aspiring food creators, passionate home cooks and anyone who enjoys experimenting in the kitchen, the challenge offers a platform to gain visibility and recognition for their culinary talent. If you’ve ever wondered whether your signature recipe deserves a bigger audience, this may be the opportunity you’ve been waiting for.

Cook, upload on https://masterchef.poweroil.com.ng/, get voted by your fans and make your way to the grand finale! 

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