Kamsy has been evicted from the Big Brother Naija Season 11 house.

Big Brother is always up to surprises, do you know just one person was evicted tonight on the Big Brother Naija Season 11 live eviction show? With sixteen housemates initially placed on the chopping block this week—a list that included Abi, Araga, Barry, Bells, Gerard, Goddessa, Keivo, Nomy, Oyin, Ricky, Sheba, Sultex, Temi Nkem, Tram, and Yusuf—only Kamsy ended up taking the long walk through the doors, leaving fifteen of her nominated peers completely safe for another week.

Known off-screen as Uzoma Kamsiyochukwu Erika, the twenty-four-year-old event planner and gift curator kept viewers talking throughout her three-week run. Out of the massive block of sixteen nominated contestants facing potential exit, six fellow housemates were already holding immunity—including Aikou and Flora, alongside Bluethopia, Cassi, Martins, and Mercedes—leaving twenty-two housemates in total fighting to protect their spots before her departure. Following her exit, twenty-one housemates now remain in the game to compete for the ultimate prize.

Her departure leaves an undeniable shift in the house, especially after weeks spent building connections and navigating the inevitable kitchen banter. Joining Ebuka Obi–Uchendu on stage for her exit interview, Kamsy reflected on her time in Biggie’s house, sharing her perspective on her interactions and expressing gratitude for her time on the show. Now that the remaining twenty-one housemates are settling back into the house, everyone is bound to re-evaluate their strategies as the race heats up.

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Ebuka Obi-Uchendu styled in traditional Northern Nigerian attire for BBNaija Season 11.

Do you know one thing about Ebuka Obi–Uchendu? He will keep you guessing on what look he will show up in on Sundays on the Big Brother Naija show. Sometimes he steps out in monochrome black and white. Two Sundays ago, it was a modern take on the Agbada with a white shirt, but guess what? The Agbada set was made from denim with a matching cap!

Guess what his look this evening is: it is a three-piece traditional Babariga set. See, let us tell you something, while we know that Ebuka is the host of the Big Brother Naija show, this evening he looks like a rich Northerner who is about to fly a private jet to go inspect his new oil wells. This fabric is giving rich, it is giving luxury, and it is giving cool glamour!

Ebuka Obi-Uchendu captions his golden Northern traditional look “Zinariya” for Big Brother Naija.

We love that the colour is golden as well; talk about that rich vibe. He captioned the photos simply: “Zinariya” — which translates to “Gold” in Hausa.

Designed by D29 Africa, the metallic golden hue of the fabric takes centre stage. A Babariga is a grand, flowing three-piece robe historically worn across Northern Nigeria, consisting of the floor-length outer gown, an inner tunic, and matching trousers. Ebuka’s version features structured geometric tile embroidery along the chest panel and neckline, keeping the detailing sleek rather than overwhelming.

Ebuka Obi-Uchendu adjusts his gold D29 Africa outfit prior to hosting the Big Brother Naija Sunday eviction show.

If you are wondering how men can pull off a golden Babariga without looking over the top, the trick lies in balancing the polish with clean lines. Ebuka demonstrates that men can definitely wear gold traditional attire when the fabric texture has structure and the embroidery remains tonal.

Ebuka Obi-Uchendu brings Northern luxury fashion to the Big Brother Naija stage.

To dress like a stylish Northerner, styling a Babariga properly comes down to the details. Ebuka folds the heavy outer sleeves smoothly over his forearms, letting the floor-length drape fall naturally without pooling around the feet. He pairs the set with a tall, structured Hula in a brown-and-black snakeskin pattern, giving the classic Northern silhouette a modern twist. Dark-tinted aviator sunglasses, a minimal silver cuff bracelet, and polished black leather dress shoes finish off the entire presentation.

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Photo Credit: Ebuka Obi-Uchendu/Instagram 

The post Ebuka Obi-Uchendu Looks Every Bit the Stylish Northerner in This Golden Babariga | See Photos appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Ademola Adeleke has been declared winner of the 2026 Osun State governorship election, securing 511,067 votes to defeat APC candidate Bola Oyebamiji, who polled 444,815 votes. Photo Credit: osunstate.gov.ng

Senator Ademola Jackson Adeleke of the Accord Party has been declared winner of the 2026 Osun State governorship election, securing a second four-year term after a tightly contested race that kept the state glued to the INEC Result Viewing (IReV) portal from Saturday night into Sunday morning.

A former senator and seasoned politician, Adeleke first won the Osun governorship in 2022 under the Peoples Democratic Party (PDP). He defected to the Accord Party in December 2025, citing its welfare-driven philosophy as aligned with his administration’s focus on citizens’ and workers’ wellbeing. The Independent National Electoral Commission (INEC) formally announced his victory at the collation centre in Osogbo on Sunday, 16 August 2026.

Adeleke won by topping the vote count across 19 of Osun’s 30 local government areas, according to INEC’s collated results. His closest rival, Bola Oyebamiji of the All Progressives Congress (APC), carried 11 LGAs. The State Returning Officer, Prof. Joshua Ogunwole, declared the result at about 7:24 am on Sunday. By 8:02 am, INEC had uploaded 3,695 of 3,763 polling unit results to the IReV portal — 98.19 per cent of the total.

According to reports from the collation centre, Adeleke polled 511,067 votes to emerge winner. Bola Oyebamiji (APC) came second with 444,815 votes, while Najeem Salaam of the African Democratic Congress (ADC) was a distant third with 17,180 votes. INEC data showed 1,010,684 accredited voters, with 1,005,800 votes cast and 985,079 valid votes recorded across the 30 LGAs.

Ademola Adeleke has secured a second term as Osun State governor after winning the 2026 governorship election with 511,067 votes, ahead of Bola Oyebamiji of the APC with 444,815 votes. Photo Credit: osunstate.gov.ng

Adeleke contested and won on the platform of the Accord Party, marking a switch from the PDP, under which he won his first term in 2022. Explaining his defection, he said: “We opted for the Accord Party because its mission of welfarism aligns with our passionate focus on citizens’ and workers’ welfare. Since I joined, I have been fascinated by the philosophy of this great party. The primary essence of a government is the welfare and well-being of the people.”

This is Ademola Adeleke’s second term as Governor of Osun State. He served his first term from 2022 to 2026 and has now been returned for another four-year term (2026–2030). Adeleke’s deputy governorship candidate was Kola Adenusi.

The race was largely a three-way contest, with 15 parties participating overall. Adeleke’s main opponents were Bola Oyebamiji (APC), former Managing Director of the National Inland Waterways Authority (NIWA), and Najeem Salaam (ADC), former Speaker of the Osun State House of Assembly (2011–2015).

Ademola Adeleke is also widely known as the uncle of Afrobeats superstar Davido, whose real name is David Adeleke. The governor-elect is the brother of Dr. Adedeji Adeleke, Davido’s father. Davido has been highly visible throughout the campaign, even serving as head of youth mobilisation for his uncle’s re-election bid.

Governor Ademola Adeleke pictured alongside his nephew, Davido. Photo Credit: Davido/X 

Shortly after INEC declared Adeleke winner, Davido took to X (formerly Twitter) with an emotional post and video celebrating the result. His caption read: “WE DID IT UNC !!! @aadeleke_01”.

According to reports, the declaration triggered widespread jubilation across the state, particularly in Osogbo and Ede, Adeleke’s hometown. Supporters poured into the streets, singing, dancing, and chanting in celebration as news of the win spread. Adeleke is set to be sworn in for his second term, marking the beginning of a new four-year administration under the Accord Party.

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Crispy homemade plantain chips stored in glass jars to keep them crunchy and fresh. Recipe by Kikifoodies.

If you’ve ever wondered why homemade plantain chips taste so much better than the ones from the shop, Kikifoodies’ latest recipe makes the answer very clear. Crispy, golden, and incredibly easy to make, these Nigerian plantain chips come together with just a few ingredients and one important trick: using the right plantain.

For the best plantain chips, Kikifoodies recommends either green or semi-ripe plantains. Green plantains are perfect if you want a completely savoury snack with an extra-crispy texture, while semi-ripe plantains give a beautiful golden colour and a slight natural sweetness without losing their crunch. Ripe plantains can also be used, but because they contain more sugar, they brown much faster and tend to be slightly firmer.

The method is wonderfully simple. Peel the plantains, heat oil until it is hot but not smoking, and slice the plantains very thinly directly into the oil. A mandoline slicer works especially well because it keeps the slices even, which helps them crisp up properly. Fry in small batches, turning the chips every few minutes until they become golden and the sizzling begins to quieten.

Portioned homemade plantain chips sealed in clear bags, ready for snacking or storing. Recipe by Kikifoodies.

Once the chips are crisp, remove them from the oil and allow them to cool completely. This final step is what gives homemade plantain chips their signature crunch. Green plantains can be seasoned with salt immediately after frying, while semi-ripe plantains often need very little seasoning because of their natural sweetness.

What you need is wonderfully uncomplicated: plantains, frying oil, and a little salt if you like a savoury finish. The result is a batch of crispy Nigerian plantain chips that are fresher, crunchier, and far more satisfying than the packaged version. Just make extra, because these disappear surprisingly quickly.

Watch below

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Mo Bimpe and Lateef Adedimeji in custom traditional looks styled by Zackstyling Luxury.

Remember we told you to keep an eye out for their second look because a celebration this big definitely deserved an outfit change? Well, Lateef Adedimeji and Mo Bimpe clearly understood the assignment in the best possible way.

After opening the thanksgiving celebration in coordinated burgundy traditional outfits, the Nollywood couple returned for round two in a completely different colour story, and this second look was every bit as beautiful. It had the classic traditional royalty feel, it had a rich gold palette, and it had custom styling details that will make you smile the moment you see them together.

Lateef Adedimeji and Mo Bimpe. Styled by Zackstyling Luxury, outfits by Olusola Philips and Tochini.

The thanksgiving party, held on 12 August 2026, celebrated the arrival of their triplets—Abdul Ramon (Rahman), Abdul Rahim (Raheem), and Abdulrokeeb (Rakeeb)—who were born on 1 May 2026. Both looks were styled by Zackstyling Luxury, with Mo Bimpe’s outfit designed by Olusola Phillips and Lateef’s traditional look created by Tochi.

Mo Bimpe stepped out in a stunning champagne-gold corseted gown covered in sequins, floral embroidery in soft pink tones, and beautifully beaded bird motifs that ran across the skirt. The off-the-shoulder silhouette gave the dress a structured, elegant finish, while her cream-and-gold sculpted gele added the perfect traditional touch. She completed the look with a diamond-and-pearl necklace, matching drop earrings, a crystal bracelet, a woven metallic gold clutch, and pointed metallic heels.

Lateef Adedimeji and Mo Bimpe for their triplets’ thanksgiving party. Styled by Zackstyling Luxury. Outfits by Olusola Philips (Mo Bimpe) and Tochini (Lateef Adedimeji).

Lateef matched her effortlessly in a cream traditional two-piece featuring a deep brown textured chest panel that gave the outfit depth and structure. He paired it with a matching cream fila, layered traditional beads, a carved walking stick, a gold watch, and beige suede loafers that kept the look refined.

Against a vintage olive-green backdrop, the couple leaned fully into the moment, switching from back-to-back poses to warm, playful glances that captured the joy of the celebration. Their first look gave us rich burgundy elegance, but this second appearance brought a softer, golden kind of royalty that felt perfect for a thanksgiving filled with gratitude, family, and new beginnings.

Lateef Adedimeji and Mo Bimpe in their second look for the thanksgiving party. Styled by Zackstyling Luxury.

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Photo Credit: Zackstyling/Instagram

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Afro Vibes Africa’s new six-part live series, powered by Jack Daniel’s, opened at Bature Brewery with six independent artists and proof that the room was the missing piece all along.

Ask anyone how their favourite artist got big and they’ll tell you about a song. Ask the artist, and they’ll tell you about a room.

Independent artists in Nigeria have never lacked talent or audience. What they’ve lacked is a stage built specifically for them: proper production, proper sound, a room that takes the work as seriously as the artist does. On the 2nd of August, Bature Brewery became that room.

This was the opening chapter of Indie Nights Live, a six-part monthly series created by Afro Vibes Africa and powered by Jack Daniel‘s. Six artists, one stage, and an audience that hadn’t heard of half the line-up before that night. They left as the loudest advocates for all six.

Inside the Room

Inside, the room did what it was built to do: hold attention, set after set. Funmi Abimbola, Senior Brand Manager at Brown Forman Portfolio Nigeria, was in the crowd for it and said,

“Independence isn’t a mood for us; it’s the whole brand. Jack Daniel’s has done things its own way since 1866, and that’s exactly what drew us to this room: artists who’d built an audience the same way, with no shortcuts and no permission. Giving them a stage wasn’t a hard decision; it felt obvious.”

The Line-Up Did the Talking

Lil Qhid, JDess, Coblaze, Dhrey, Suurshi and Victor Collins each took the stage with something to prove and no label machinery behind them to do the proving.

What connected the sets wasn’t genre. It was the sound of artists who built whatever audience they have themselves: Audiomack uploads, Instagram Lives, rooms smaller than this one. You could hear it in how they performed, like people who’d finally been handed a room big enough to say what they’d been saying all along.

Why a Room Like This Matters Right Now

Nigerian music is having its biggest global moment yet, and the machinery around it has never been more selective. The playlists, the label deals, the sync placements move fast, and they move around a small number of names.

The sound keeps coming from somewhere else: artists working on their own terms, with no A&R sign-off, who get discovered eventually, usually long after the people in rooms like Bature already knew. That’s the gap Indie Nights Live is built for. Not a showcase, not a talent hunt. A proper stage, with proper production, for artists who earned an audience without being handed one.

This is the argument for platforms like this existing at all: independent music doesn’t need more praise; it needs infrastructure. It’s also why the Jack Daniel‘s partnership fits so naturally here: a brand that has done things its own way since 1866, choosing to enable the room rather than the noise around it.

Chapter One of Six

Indie Nights Live runs monthly through December, with a new line-up each edition, so the artists playing at chapter four or five could be names you’re hearing everywhere by this time next year. Chapter Two lands on the 30th of August.

Indie Nights Live is created and curated by @AfroVibesAfrica and @IndieNightLagos in partnership with @JackDaniels_NG. Please drink responsibly. 18+.

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Nigeria is often framed as a single emerging luxury market because that framing is tidy for slide decks and regional briefs. It is also dangerously misleading for brands that care about lasting premium equity and measurable commercial returns. The reality is simple: Lagos, Abuja and Port Harcourt operate as three different luxury markets, each with distinct money flows, status codes and expectations of what luxury should feel and do. Brands that persist with a one-size-fits-all Nigeria strategy will increasingly waste budgets, erode credibility and miss the customers who matter most.

Lagos is the theatre of modern Nigerian premium life. Luxury here is performed publicly,  at restaurants, rooftop bars, private clubs, gallery openings, fashion shows and headline brand moments. That performance economy makes Lagos the natural home for experiential marketing. Launches, creative collaborations and high-visibility activations are designed to be shared as much as they are designed to sell. Recently, The Macallan launches and cultural partnerships in Lagos show how a heritage brand converts careful staging into visibility, endorsement and desirability. A winning Lagos playbook prioritises cultural relevance over simple price mechanics. It asks who will see the brand being lived, which local partners make a gesture credible, and which experiences produce the media moments that both aspirants and established high-net-worth individuals prize. In Lagos, disciplined spectacle, executed with local cultural intelligence,  earns the right to be premium.

Abuja operates by a different logic and pace. Spending is anchored in governance, diplomacy, corporate leadership and long-tenured institutional relationships. The premium consumer here values discretion, predictable service and trust,  not public spectacle. Where Lagos rewards visibility, Abuja rewards proximity and continuity. The right activation in Abuja is a curated, invitation-only tasting, a private salon with carefully chosen hosts, or a relationship built over time with diplomatic residences, corporate general managers and policy circles. Loud, influencer-heavy activations that play well in Lagos can feel badly out of place in the capital. In Abuja, the levers that move purchase decisions are credibility and the right introductions, not attention for its own sake.

Port Harcourt’s premium economy is tightly tied to oil, gas and logistics. Wealth is concentrated and circulates within close professional and social networks. Status travels by club membership, corporate hospitality and personal recommendation. For brands, success rarely comes from broad public campaigns. It comes through deep relationships with top hotels, private clubs and corporate hosts. Repeated service excellence and reliable presence signal respect for the customer’s time and position. Port Harcourt rewards depth over scale. A consistent relationship with the right gatekeepers will deliver disproportionate returns.

This framework is itself incomplete,  Kano and the broader northern market operate on different cultural and religious codes entirely. But the first step is simply abandoning the fiction that Nigeria is one market.

Most multinational brand briefs still default to a Lagos creative and media plan rolled out nationally. The result is predictable: the campaign catches fire in Lagos, underperforms in Abuja and largely goes unnoticed in Port Harcourt. The brand is left asking why the same investment produced uneven outcomes. This pattern repeats because national briefs emphasise reach and uniformity rather than the differing motivations and cultural codes that make a premium purchase meaningful in each city.

Heritage spirits make a useful testing ground because they must balance global provenance with local culture. The Macallan’s staged launches in Lagos, curated soirees, cultural partnerships and selective hospitality, build awareness and aspirational pull. But the same brand needs very different activations in Abuja and Port Harcourt. A private tasting for diplomatic households in Abuja will not create Instagram frenzy, but it will secure institutional trust and reduce churn among corporate buyers. A sustained hospitality partnership with top venues in Port Harcourt’s gated districts will drive concentrated repeat revenue from a small, lucrative cohort. The trade-offs are clear: Lagos builds awareness, Abuja protects institutional relationships, Port Harcourt drives repeat revenue.

If cities require different strategies, they also require different metrics. Lagos success can be measured by media value, social engagement and aspirational purchase behaviour. Abuja success should be measured by depth of corporate and diplomatic relationships, closed institutional orders and longevity of trade contracts. Port Harcourt success should be measured by quality of venue partnerships, repeat corporate business and recurring high-value sales. Move beyond campaign reach and track the right relationship and revenue signals by city.

The practical starting point is simple. Start with a city map, not a national map. Allocate budgets to reflect the business logic of each city, culture in Lagos, governance in Abuja, corporate hospitality in Port Harcourt. Use different media mixes. Build local partner lists that reflect who actually holds influence in each market. There will be added planning cost up front, but the return on invested marketing will be higher and more durable.

Nigeria’s premium market is not just growing. It is maturing and segmenting. Treating the country as a single test market will be an increasingly expensive mistake. The brands that will thrive over the next decade will be those willing to learn the languages of each city, tailor playbooks to underlying economies and codes, and measure success by outcomes that matter. Luxury is earned city by city, ecosystem by ecosystem,  not declared in a single national campaign.

Hammed Adebiyi is Senior Brand Manager for the Edrington portfolio in West and Central Africa. The Macallan, referenced in this piece as a market illustration, is part of the Edrington portfolio he manages.

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We are officially halfway into the holidays, and if you’re still figuring out how to keep the kids occupied for the weeks left, you are not alone. Whether they are up early looking for cartoons, winding down after a day of play, or settling in for family TV time, DStv has plenty lined up to keep them glued to the screen this August.

Leading the pack is the Naija Kidz Pop-Up Channel (DStv Channel 315 and GOtv Channel 93), bringing entertaining and educational Nigerian shows the whole family will love, available from 10 August to 10 September.

Here are 10 shows worth adding to the holiday watchlist.

My Friend Maisy| Weekdays, 3PM WAT

Curious, creative, loves making friends and loves being independent? My friend Maisy is the right show if your child ticks any of the descriptions above.

Little imaginations are in for a treat with My Friend Maisy. Based on Lucy Cousins’ much-loved children’s books, the new animated series follows the curious mouse as ordinary days turn into extraordinary adventures. One moment she’s heading to the moon, the next she’s exploring magical dream worlds. It’s the kind of gentle storytelling that preschoolers will happily come back to every afternoon.

RoboGobo Season 2 | Weekend, 11:25 WAT

Bigger gadgets, bolder rescues and even higher stakes—RoboGobo returns with plenty to keep young superhero fans glued to the screen. Dax and the gang are back in action with upgraded Robo-Suits that transform into powerful Robo-Vehicles, taking on daring rescue missions to help animals in need. Fast-paced, fun, and packed with teamwork, it’s the kind of adventure that’ll make your kids anticipate resumption so he can narrate to his friends out of excitement.

Masha and the Bear Song Fest | Sunday, 1:00 PM WAT

Some songs are impossible to sit still through, and Masha is making sure this holiday comes with plenty of them. Masha and the Bear Song Fest brings together special Sunday marathons packed with catchy tunes, playful adventures, and the lovable mischief that has made the curious little girl a global favourite with families around the world.

If your child loves to sing, dance, and laugh along with their favourite characters, Masha and the Bear Song Fest deserves a spot on your holiday watchlist.

LEGO® City: No Limits MAX | Weekdays, 3:20 PM WAT



If your kids love the unexpected, this one’s for them. Zombies, cowboys, strange creatures, and one very mysterious banana all collide in this wildly unpredictable LEGO adventure. Every episode throws Jason and his friends into bizarre new situations and facing off against mysterious villains like NoFace and The Collector, making LEGO® City: No Limits MAX one of the freshest additions to Cartoon Network’s holiday line-up.

Goat Girl | Weekdays, 4;20 PM WAT

Starting a new school is never easy, but imagine doing it after being raised by mountain goats. That’s the hilarious reality for 13-year-old Gigi, whose wild upbringing makes fitting into boarding school anything but ordinary.

Expect plenty of awkward encounters, laugh-out-loud moments, and heartwarming lessons as Gigi learns to navigate friendships, school life, and what it truly means to belong. If your child enjoys quirky comedies with an unconventional hero, Goat Girl is one to add to the holiday watchlist.

Game of Crowns | Weekend, 3:00 PM WAT

King Julien is back to prove that ruling a kingdom is anything but ordinary. Game of Crowns brings together the hilarious adventures of everyone’s favourite Madagascar lemur as he juggles royal responsibilities, outrageous enemies and the kind of chaos only Julien can create.

Expect over-the-top comedy, colourful characters and plenty of laugh-out-loud moments as the self-proclaimed king rules the jungle his own way. If your kids already love Madagascar, they’ll feel right at home with this fun-filled spin-off.

Wylde Pak | Weekday, 4:15 PM WAT

Summer holidays take an unexpected turn when Lily and Jack, two half-siblings with very different personalities, suddenly find themselves navigating life under one roof while helping to run the family’s bustling pet grooming business.

Between hilarious sibling rivalries, lovable animals and everyday adventures, Wylde Pak is filled with humour, heart and relatable family moments. Expect a feel-good series that reminds viewers that the best adventures often begin at home.

Tom and Jerry: Blast Off to Mars | Monday, 8:40 AM WAT

Tom and Jerry have chased each other through houses, cities, and just about everywhere else—but this time, they’re heading into space. The iconic rivals accidentally board the first manned mission to Mars, only to stumble upon an alien threat that could put Earth in danger.

Packed with the slapstick comedy fans have loved for generations, the movie blends hilarious chases with an exciting space adventure that the whole family can enjoy. Expect plenty of classic Tom and Jerry moments, with an out-of-this-world twist.

Dora | Weekdays, 3:30 PM WAT

Everyone’s favourite young explorer is back for a brand-new adventure, proving that curiosity is still the best compass. Joined by Boots and a colourful cast of friends, Dora sets off on exciting journeys that encourage children to learn, solve problems and embrace new experiences.

Filled with music, exploration and interactive fun, Dora continues to make learning feel like an adventure. It’s the perfect pick for younger viewers who love discovering something new with every episode.

Magicampers | Weekend, 2:45 PM WAT

Adventure is never far away at this extraordinary summer camp. Darly and Loomis return for more magical quests, exploring enchanting locations like Melody Mountain and the Never-Ending Cave while meeting all kinds of extraordinary creatures along the way.

Every episode is packed with imagination, discovery and valuable lessons about friendship and teamwork. If your child enjoys fantasy-filled adventures where anything feels possible, Magicampers is the perfect way to round off their holiday viewing.

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Today, we’re doing life with Omowunmi Dada, one of Nollywood’s most entertaining and exciting actors of the generation. An AMVCA winner and a film executive, Omowunmi Dada has appeared in some of the most successful Nollywood movies, including Everybody Loves Jenifa, Elesin Oba and others. In this exclusive feature, she tells us about his journey into Nollywood and how else she’d want people to know her.

Enjoy the conversation!

Hello Omowunmi. Thank you for doing this with us. If you could describe how you feel right now with three books or movies, what would they be?

Now, this is something, haha.

I’d say The Alchemist, because right now I genuinely feel like I’m walking the path I was always meant to walk, even though it didn’t always make sense while I was on it. Then The Pursuit of Happyness, because every milestone I’m enjoying today sits on top of years of waiting, praying, rejection, hard work and choosing not to give up.

And finally, The Secret Lives of Baba Segi’s Wives. Now, this is not because I’m in it o. But because it’s a reminder that human beings are beautifully layered. Nobody is ever just one thing. I think that’s where I am in life too. You have to choose yourself and heal from the pain of your past. I’m still discovering new versions of myself.

We absolutely love that. Speaking of The Secret Lives of Baba Segi’s Wives, congratulations, you’re in the movie adaptation of the book

Yasss. Thank you!

We would like to know: How did you get the role?

When MA (Mo Abudu) got the licensing rights to make The Secret Lives of Baba Segi’s Wives in 2019, she immediately told me she wanted me to play Bolanle. That didn’t happen at the time. Then the project was going to become a Netflix original series, and she still said, “Omowunmi, I still want you as Bolanle.”

Then, when she finally decided to make it into a film, she called me on December 26th last year and said, “Omowunmi, we’re finally doing The Secret Lives of Baba Segi’s Wives, and I want you to be Bolanle.” So, that’s really how I got the role. I honestly think Bolanle found me long before the film was ready to be made.

What convinced you that this was a story you wanted to be part of?

It was special because I had actually read the book when it came out, and I had even auditioned for a stage adaptation of it years ago. So I already had a relationship with the story. However, it’s definitely the story. There’s a reason it became a worldwide bestseller. And Bolanle represents so many young women whose past experiences become a major part of the decisions they make. She mirrors the lives of girls we know. But most importantly, her story reminds us that we cannot allow our past to dictate decisions that will ultimately mar our future. That lesson really stayed with me.

Give us a peek into your background, childhood, education and something from your childhood that still informs your life today

I was born in Lagos, Nigeria, grew up in a home of 3 boys and a girl (me); the last child too. I did tomboy games: football, tennis, catching birds, video games (Nintendo, Sega, PlayStation), and watching and fighting wrestling. Very much a tomboy in touch with her feminine side.

As a child, I was very expressive. I loved stories. My dad told me a lot of stories, and we danced a lot together as well. I loved reenacting things. I loved observing people. Uncles, aunties, neighbours, teachers. Looking back now, I didn’t realise I was already training to become an actress.

The funny thing is, I honestly thought I would become a lawyer or broadcaster. If you had met younger Omowunmi, she would have confidently told you she was going to court or reading the news, not a film set. But God has other plans, always.

Studying Theatre Arts at the University of Lagos completely changed my life. Graduating as the Best Graduating Student wasn’t just an academic achievement for me; it was proof that passion deserves the same level of excellence as any other profession.

One thing from childhood that has never left me is resilience. My parents believed in doing things well, and they raised us to understand that excellence isn’t about competing with people; it’s about giving your best. I don’t give up easily. Even when I’m tired, I somehow find the strength to keep going. I think that’s carried me through every season of my career.

Now that you are where you are in your career, do you still remember when you got the call for your career-launching role?

Sometimes people think it’s one phone call that changes everything overnight, but those calls usually come after years of preparation that nobody saw.

Before Victor Sanchez Aghahowa‘s Jemeji, I had done AMOF and a few other projects. I had auditioned for Victor back in 2009, but I didn’t get that particular role. He remembered me and had told himself he would work with me someday. (I didn’t know this until after we were done filming Jemeji in 2017.)

When they were casting Jemeji, I wasn’t even in the country. Nne asked that when I returned, I should come and read for Folake. I did; I got the role, and I gave it everything I had. It went on for 260 episodes, and suddenly people were watching Folake every day. Looking back, I think it was less about getting the role and more about what I did with the opportunity. And honestly, to God be the glory.

And you’ve starred in some of Nollywood’s biggest films ever since. How would you describe your journey?

Grace. That’s honestly the first word that comes to mind. It hasn’t been easy, yes, but when I look back, I see God’s hand in places where I couldn’t have opened the door myself.

I’ve played roles of broken, joyful, fierce, vulnerable, funny, complicated women and those honouring legacy, and every single one has taught me lessons and changed me in some way. I still feel like I’m learning. Every set teaches me something new.

You’re appearing in Black Market, a project attempting to break a Guinness World Record. Why is this attempt important?

I’m not just appearing in Black Market as an actor but also as producer and executive producer. But everything for us is bigger than breaking a record. It’s about culture and changing the way the world sees Nollywood. For years we’ve said we have the talent, the stories and the audience. This is one more opportunity to show what happens when Nigerians decide to dream big together.

And I love that every day people get to be part of history. Years from now, someone can genuinely say, “I was there.” As for Black Market, The Movie, expect suspense, emotion, surprises and conversations that won’t end when you leave Tafawa Balewa Square on the 26th of September.

Everyone knows Omowunmi Dada, the actress. How else would you want people to know you?

As someone who genuinely cares. Someone who leaves people better than she met them. Someone who uses her platform for more than just red carpets and beautiful pictures. I want people to remember that I loved well, worked hard, honoured God, and told stories that mattered.

What does a typical day look like?

There’s no typical day. Every day is always different. One day I’m on set from 6 am till midnight. Another day I’m recording voiceovers. The next day I’m travelling, attending meetings, reading scripts or creating content. Some days I get home from set before midnight; other days I’m filming all night till dawn. And there are days I am home all through, not stepping out at all. But one thing I always try to protect is my quiet time with God. Everything else changes. That doesn’t.

Tell us something interesting about anything.

We all should be kind to ourselves as humans. One of the most beautiful things I have learnt about life is that we’re all carrying stories that nobody can see. Someone can be smiling and fighting the hardest battle of their life. That’s probably why I love storytelling so much. It reminds us to be kinder. To listen a little longer. To judge a little less. Because every person you meet is a story still being lived.

Thank you for being on Doing Life With, Omowunmi

Thank you for having me.

_

Many thanks to Omowunmi Dada for having this conversation with us and answering all our questions – and swiftly too, we must add.

Do you love this content, have any feedback for us or want to be a BellaNaija Features contributor? We’d love to read from you. Shoot us an email: features@bellanaija.com.

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Evelyn Okafor demonstrating high-level ball control and trick execution during a live competition. Photo Credit: World Freestyle Football Association/Instagram

Did you know there is a Nigerian athlete freestyling her way across the continent, shattering historical records and transforming football tricks into a mesmerising performance art? Her name is Evelyn Okafor, and she is single-handedly reshaping what it means to be a woman in sports entertainment.

Hailing from Nigeria, Evelyn Okafor has spent nearly a decade carving out a dominant space on the pitch and the performance stage. Since stepping onto the competitive circuit in the late 2010s, first making waves on the national scene before taking her craft across Africa, she has built a track record defined by technical discipline and relentless execution. Today, as a four-time Nigerian national champion and three-time African female freestyle football champion, her trophy cabinet reflects years of unbroken consistency.

Evelyn Okafor performing a seated ball control trick during the World Freestyle Football Championship at Juventus Creator Lab in Turin. Photo Credit: Evelyn Okafor/Instagram

Her journey onto the global stage reached a historic milestone in November 2024 when she became the very first African woman to qualify for the World Freestyle Football Championship Finals. Competing among the world’s top 16 freestylers at the iconic Juventus Creator Lab in Turin, Italy, Okafor demonstrated that African female freestylers belong on the highest international platforms. She previously represented the continent at the prestigious Red Bull Street Style World Final in Croatia back in October 2022.

Rooted in early inspiration from Super Falcons captain Rasheedat Ajibade—who famously won national freestyle competitions before transitioning into professional pitch football—Okafor recognised early on that a single football could unlock endless opportunities on global stages.

Nigerian freestyle football champion Evelyn Okafor wearing an official Feet ‘N’ Tricks and WFFA polo shirt. Photo Credit: FaithLala/Instagram

Unlike traditional pitch football focused on team strategy and scoring goals, freestyle football demands absolute individual mastery. It is a fusion of athletic control, rhythm, flick-ups, and intricate trick transitions, all executed under heavy pressure. Okafor continues to dominate the sport, successfully defending her title at the Predator Energy Freestyle Football Championship at Ikeja City Mall in Lagos in October 2025 to secure yet another national championship ring.

Evelyn Okafor alongside fellow freestyle athletes during an international competition appearance. Photo Credit: Fyartlove Rkts/Instagram 

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Nathaniel Bassey leading a worship session during the live recording of “The Battle Belongs to God”. Photo Credit: Nathaniel Bassey/Instagram 

Looking for a moment of quiet reflection or a fresh sound to elevate your morning worship? Nathaniel Bassey has officially delivered.

The celebrated gospel minister and trumpeter has released his latest live album, “The Life Recording“, bringing an authentic sanctuary experience directly to listeners on 14 August 2026. Running seven tracks deep, the project captures an intimate live session built around faith, gratitude, and spiritual renewal.

While Bassey leads the majority of the recording himself, he invites vocalist Mirabel Ekezie to join him on “Onye Kam Ga Si Na Oyiri Gi” for the album’s sole featured performance. The tracklist moves smoothly through declarations like “Agbanilagbatan”, “Praise the Lord”, and “The Potentate”, before rounding out with “New Beauty”.

Two specific moments on the record carry incredible backstories straight from Bassey himself. On “The Battle Belongs to God”—a medley co-written with Joshua Selman that incorporates “You are You and Jehovah Nissi”—Bassey captures a declaration of victory and dominion over life’s challenges. Rooted in 2 Chronicles 20:15, he shared that the session was recorded as a timely sound in season, reminding believers that every struggle ultimately rests in divine hands.

Then comes “Glory To God in the Highest,” a piece born right in the middle of a church worship service. Bassey described hearing the melody filter down from the heavenly throne room, noting that the presence and breath of God rest heavily on the song for anyone seeking a deeper encounter in praise.

Whether you play it straight through during your quiet time or let specific tracks loop through your day, “The Life Recording” offers a refreshing space to breathe, rest, and reconnect.

Watch below

The post Nathaniel Bassey Brings the Sanctuary to You with The Life Recording appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

The 2026 August Meeting in Enugu State unfolded in grand style on August 8, with Amstel Malta joining thousands of women in celebrating a longstanding tradition of culture, community, and collective impact.

The revered annual homecoming saw Igbo women in Nigeria and the diaspora returning to their communities in the South-East to reconnect, deliberate, and contribute to community development. As a long-standing supporter of the August Meeting, Amstel Malta once again reaffirmed its commitment to the celebration, deepening its participation through experiences and initiatives that honoured the values at the heart of the event and reflected the brand’s belief in helping Nigerians be their best.

As vibrant attires, joyful reunions, and rich cultural displays remained defining features of the celebration, the Enugu August Meeting attracted prominent dignitaries and stakeholders, including the First Lady of Enugu State, Nkechinyere Mbah, and the Commissioner for Children, Gender Affairs and Social Development, Enugu State, Hon. Ngozi Enyi.

In her speech, Joy Egolum, Corporate Affairs Manager, East, Nigerian Breweries Plc, highlighted the resilience of women and their invaluable contributions to society while also underscoring the importance of Amstel Malta’s participation in platforms that recognise and celebrate women.

“It’s important to Nigerian Breweries because we believe in winning with Nigeria and winning with our communities. This is such an auspicious occasion, with a very important demographic of our consumer and customer base, so we feel it is important to identify with what is happening here, she said. “We are a company that strongly believes in partnering with our consumers, customers, and all our stakeholders. So, once something is important to our consumers and stakeholders, it is important to us.”

Extending its commitment beyond the festivities, Amstel Malta also supported the government women’s empowerment initiative focused on strengthening small businesses. As part of the initiative, grants were awarded to two women entrepreneurs from the state’s different senatorial zones, providing vital financial support to help them grow and sustain their businesses.

Speaking on the significance of the impact of the initiative on the beneficiaries and their communities, Senior Brand Manager, Amstel Malta, Francis Obiajulu, said,

“At the heart of Amstel Malta’s Be Your Best campaign is the belief that everyone has the potential to strive for excellence. It is a belief in resilience among Nigerian consumers. So having an occasion like the August Meeting, which is all about commitment, community, and resilience, is a match between the brand’s belief and what the August Meeting stands for in the hearts of women of Eastern Nigeria. It’s also about encouraging and empowering our consumers to strive for greatness, strive for excellence. That is why it was important for us to show our support for the women of Enugu State as they celebrate the August Meeting and to empower them beyond the festivities, not only by providing a refreshing malt drink, but also by supporting the growth of small and medium-sized businesses.”

This year’s August Meeting, Amstel Malta’s participation went beyond hospitality and celebration. From creating memorable experiences that honoured the richness of Igbo culture to supporting an initiative that puts tangible resources in the hands of women entrepreneurs, the brand demonstrated how meaningful impact can be woven into the moments and traditions that matter most to communities.

For Amstel Malta, the value of community engagement lies not only in being present, but in finding meaningful ways to contribute to the progress of the people it celebrates. This shows that when brands invest in the aspirations, traditions, and everyday realities of their communities, they can help create conditions in which people thrive and communities grow.

Sponsored Content

The post Inside August Meeting 2026: How Amstel Malta Honoured Igbo Heritage and Created Meaningful Impact in Enugu appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

As excitement reaches fever pitch across the globe for the Itsekiri Global Homecoming 2026 (IGHC), the Organising Committee, in partnership with Maggi, has officially kicked off the #MaggiTasteofItsekiri Cooking Challenge, a vibrant digital showcase celebrating the rich, royal gastronomy of the Warri Kingdom.

Designed to take the unique flavors of Iwere culture to the world stage, the challenge has already set social media ablaze, drawing food lovers, home cooks, and professional chefs from all corners of Nigeria and the diaspora.

The challenge was officially launched by Ify Mogekwu (Ify’s Kitchen), renowned food storyteller, creator, and friend of the Itsekiri nation. In a stunning visual showcase shared to her platform, Ify stepped into the kitchen elegantly draped in a traditional Itsekiri Ukweke outfit, demonstrating how deeply culture and culinary art intertwine. She whipped up a rich, mouth-watering pot of authentic Banga Soup, seasoned to royal perfection with MAGGI®.

Adding global momentum to the campaign, renowned UK-based Itsekiri culinary expert, Chef Tuoyo, also joined in from the United Kingdom, preparing his own signature Iwere dish to kick off his participation. This serves as a mouth-watering teaser ahead of the exclusive 8-course signature meal he will be crafting in collaboration with MAGGI® at the Cultural Fair during the Itsekiri Global Homecoming celebrations in Warri.

Open to Everyone: No Itsekiri Lineage Required!

One of the most exciting aspects of the #MaggiTasteofItsekiri challenge is its absolute inclusivity. You do not have to be Itsekiri to participate or win!

Whether you are in Nigeria or anywhere across the globe; whether you are Yoruba, Igbo, Hausa, or an international food lover, this challenge is open to all. Across Instagram and TikTok, culinary enthusiasts are trying their hands at iconic dishes like Banga & Starch, Owo Soup, Epuru, and Pepper Soup for the very first time, letting their dishes do the talking and bringing incredible energy to the IGH2026 movement.

Participants stand a chance to win exclusive MAGGI® gift vouchers, and ultimate culinary bragging rights, with top entries featured across official festival channels.

How To Enter The #MaggiTasteofItsekiri Challenge

• Prepare any authentic Itsekiri dish using MAGGI® seasonings.
• Share a short video or photo of your cooking process and finished dish on Instagram or TikTok.
• Tag @itsekiriglobalhomecoming and @maggi_nigeria.
• Hashtag: Use the official hashtag #MaggiTasteofItsekiri and #ItsekiriGlobalHomecoming in your caption and tag your friends to take on the challenge!

Get cooking, show off your skills, and let your dish do the talking!

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The post Itsekiri Global Homecoming And Maggi® Launch The ‘MaggiTasteofItsekiri’ Cooking Challenge appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Today, we are spotlighting Solana. Solana is one of the exciting young artists making waves on the internet through her music in recent times. Her song, Okunkun, has gained attraction globally. In this feature, Solana shares how she discovered her belief in music, where she is currently in her journey and her absolute dream with music.

Hey Solana, how are you doing today?

Hi hi. I am well. Thank you.

Super! So what first made you believe music was something you wanted to pursue seriously?

Honestly, there wasn’t one defining moment where I suddenly knew music was for me. It’s always been a part of who I am. Music has been my way of expressing myself for as long as I can remember, so it never really felt like a choice; it just felt natural.

Every creative has that first work they created. Do you remember the first song you ever wrote?

The first song I ever wrote was when I was six years old. Looking back, it was such a funny little song, but I guess that was the beginning. The first time I actually recorded a song was in my second year at university. My roommate happened to work at a recording studio, and she took me there one day. That’s really how I started making music professionally.

Interesting!

Yeah, I realised this was the life I wanted to live. Music gives me a sense of freedom. I can go wherever I want emotionally and creatively through it. I’m not confined by anything. It’s my escape, and it’s where I feel the most like myself.

Was that first studio the moment you knew it was always going to be music?

I don’t think there was one specific moment. It happened over time, through every song I made and through seeing people genuinely connect with my music. Those experiences kept reminding me that I was on the right path.

Love that! Where do you think you are in your career today?

I think I’m in a really exciting stage of my career. I’ve grown a lot as an artist, but I still feel like I’m only scratching the surface of what’s possible. Every release and every experience has helped shape me, and Okunkun has definitely been one of those moments that reminded me that people connect the most when you’re being your authentic self.

How has your sound or perspective evolved along the way? How would you describe your sound or type of music?

I’ve learned that I don’t have to fit into a box. YoruPop is a part of Solana. It’s an extension of who I am. I love expressing myself through music, and I never want to feel confined to one sound or one way of creating. My music is very experimental, but no matter where I take it, I always stay true to my core, my identity, and where I come from.

I like exploring different sounds, emotions, and ideas while keeping the essence of who I am at the centre. That’s what makes it feel authentic to me.

When people discover your music years from now, what do you hope they’ll find in it?

I hope that years from now, when people discover my music, they find light. I hope they find the courage to express themselves freely, without worrying about being perfect or polished. I want my music to remind people that there’s beauty in being honest and unapologetically yourself.

Who or what do you think continues to influence your artistry?

A lot of what inspires my artistry comes from my experiences growing up in Lagos as a young girl and now as a woman. Those experiences shaped the way I see the world, the stories I tell, and the emotions I put into my music. My environment, my culture, and everyday life continue to influence me creatively.

Every artist has a dream, but what would a truly successful career look like for you?

One of my biggest goals is to help share African culture with the world in an authentic way. Our culture is rich, beautiful, and incredibly cool, and I want people everywhere to experience it through my music, creating something rooted in where I come from while making it accessible to everyone.

For me, a truly successful career isn’t just about numbers or awards. It’s about building something that lasts, creating music that people can return to years from now, inspiring others to embrace who they are, and leaving a meaningful mark on the culture.

The post On Our Radar: “When People Discover My Music, I Hope They Find Light” – Solana appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Ayra Starr in a patterned cut-out dress with purple detailing as part of the promotional imagery for her album “Starrgirl”.

Has Ayra Starr convinced you to make purple your colour of this season?

The superstar has officially released her third studio album, titled “Starrgirl“, wrapped in a rich purple aesthetic that sets the visual tone for this era. Following the success of “19 & Dangerous” and “The Year I Turned 21“, this 16-track project serves as an affirmation of her place among Afropop’s most inventive talents. The title itself centers on deepening her artist lore and owning her space at the very top of her game.

Across the record, Starr collaborates with a stellar group of global and local heavyweights. She links up with Wizkid on “Gimme Dat”, pairs with Mavin labelmate Rema on “Who’s Dat Girl”, and features UK singer Kwn on “Amazing”. The album also includes appearances from American singer-songwriter Leon Thomas on “Pressure”, French artist Theodora on “Ms. Paper”, and Colombian star Danny Ocean on the remix of “Hot Body”. One of the project’s most talked-about moments arrives on “Heaven Baby”, a piano-driven duet featuring UK pop star ZAYN, where their distinct vocal styles merge into an instant standout.

Before dropping the full project, Starr laid the groundwork with a string of strategic releases that kept her firmly on the charts. Listeners were given early previews through singles like “Gimme Dat”, “Hot Body”, “Who’s Dat Girl”, “Where Do We Go”, and her June drop, “Tornado“, all of which built direct momentum towards this release.

From the full-band crescendos on “Letter to God” to the late-night rhythms on “Midnight in New York“, “Starrgirl” delivers on every front, anchored by her core declaration on the track “Dance”: “Feels good to be who I am.”

Listen below

The post Ayra Starr’s Starrgirl Is the Album That Wants You to Dance, Feel & Believe in Yourself appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

There are books you enjoy, and then there are books that remind you of a version of yourself you’d almost forgotten. As someone who grew up reading Psalty’s Kid Bible, Open Heavens for Teens, and Rhapsody of Realities for Kids, The Mysteries of Praise took me back to that little girl who learned Bible stories through colourful pages, prayers, and childlike wonder. As I turned the pages, I found myself thinking that every child and adult who enjoys simple illustrated works that convey deep meaning deserves to have this experience.

When we teach children about God, we sometimes strip away the fun because we want to preserve the reverence. And while the things of God are certainly not to be trivialised, we must consider the best approach to make them impactful for children. And because children engage through stories, colour, play and imagination, Dunsin Oyekan’s book debut plays to that. 

Built around the theme of praise, the book explores the mysteries of praise through 21 Bible stories and 7 interactive activities. Rather than treating praise as something only done during worship, it beautifully shows the different ways God responds to and works through the praise of His people.

The stories are familiar enough for children to recognise but told in a way that keeps them flipping the pages. From the singing sons of Korah to the walls of Jericho, the crossing of the Red Sea, Daniel in the lions’ den, the raising of Lazarus, Paul and Silas in prison, and many more, every story points back to the same thread: God shows up in remarkable ways when His people praise Him.

What’s more are activities to help readers fully engage with the book’s messages. These activities are important because they’re a delightful part of the book. They don’t feel like extra work; they feel like an extension of the learning. They’re thoughtful, engaging and a clever way to help children remember what they’ve just read. There’s also space for notes at the back, so the book becomes something children can return to long after they’ve finished reading it.

With captivating, imaginative illustrations, the book focuses on ensuring universal appeal and inclusion. The illustrated characters featured people from different races, which was beautiful to see, and the art style was warm without being overwhelming. The language is simple enough for children to understand without talking down to them, and every chapter ends with a carefully written prayer, practical action points, and Bible references that encourage children to live out what they’ve learned instead of simply reading it.

It is no surprise that popular, spirited gospel music minister Dunsin Oyekan co-authored this book with Foluke Oyeleye, a passionate literacy advocate, children’s book author and publisher at Tani. This collaboration gives credence to the depth and befitting skill required to do the theme justice. If anyone understands how to communicate the heart of praise in a way that is both biblical and accessible, it would be Oyekan and Oyeleye.

By the time I got to the end, I wasn’t thinking about whether I’d recommend the book— that answer was obvious. I found myself wondering something else entirely: How do we get copies of this into the hands of every child around us? Because it’s one thing to teach children to know God. It’s another thing to give them relatable resources that genuinely spark their curiosity about faith and the supernatural.

The post BN Book Review: The Mysteries Of Praise by Dunsin Oyekan & Foluke Oyeleye | Review by The BookLady NG appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Nigerian singer Niniola standing beside her late husband and talent manager, Michael Ndika, dressed in formal evening attire. Photo Credit: Niniola/Instagram 

When life brings moments that shift everything, artists often turn to the one place where they can speak without holding back: their music. For Afro-house favourite Niniola Apata, known simply as Niniola, returning to the studio has been about turning deep emotion into a lasting tribute. Following a pause after losing her husband, manager, and long-time partner, Michael Ndika, earlier this year in May 2026, the singer has officially shared her newest single, “Raining (O Dun Mi)”.

Rather than dwelling purely on sorrow, the release feels like a gentle, healing space. The song serves as a dedicated tribute to Michael, who played an essential role behind the scenes of her career for many years, whilst also opening its arms to anyone who has ever loved and lost. Translated from Yoruba, “O dun mi” speaks to deep feelings, but the music channels that weight into something beautiful, comforting, and memorable.

A visual still from Niniola’s official music video for “Raining (O Dun Mi)”. The singer poses in an A-line black dress surrounded by draped white fabric, marking her first video release following the passing of her husband, Michael Ndika. Photo Credit: Niniola/Instagram

Instead of stepping away from the craft they built together, Niniola chose to process her journey through sound, creating a space for listeners to cherish their own special memories. Speaking on what the release means to her, Niniola shared a message with her audience:

Some feelings are too deep for words. So I put them in a song. Some songs are made to entertain. Others are born from moments that change us forever. ‘Raining (O Dun Mi)’ is my deeply personal tribute to a man who was not only my life partner, but an important part of my journey and career.

But this song is also for everyone who has lost someone they love — for the memories that remain, the empty spaces they leave behind, and the love that never truly goes away. Through music, I honour his memory.

By sharing “Raining (O Dun Mi),” Niniola gives her audience a song that feels like a warm embrace—honouring love, legacy, and the special bonds that remain with us forever.

Listen below

The post Niniola Honours Late Husband Michael Ndika in Her New Song “Raining (O Dun Mi)” appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Actor Adedimeji Lateef in a bespoke wine Agbada outfit by Tochini and styled by Zackstyling Luxury for a family thanksgiving.

If you have been looking for the ultimate blueprint on how to show up to a major family celebration, Adedimeji Lateef just set the bar. Stepping out for the thanksgiving celebration of his triplets, the actor went all in on classic regal tailoring, making a strong case for why traditional Nigerian menswear continues to top the charts for big occasions. Posing against a warm portrait backdrop, he gave us a total masterclass in wearing a three-piece Agbada set with absolute precision.

For any man wondering whether burgundy or wine works for major milestone events, Lateef makes a strong case for stepping away from standard blacks and navys. The deep wine shade carries a rich, executive weight that feels tailored specifically for grand celebrations. The beauty of a proper Agbada lies in how the outer cape drapes over the shoulders, and here, the structured material holds its shape perfectly while leaving plenty of room for movement.

Adedimeji Lateef wearing a traditional three-piece burgundy Agbada designed by Tochini and styled by Zackstyling Luxury.

What makes this look hit all the right notes is how the gold embroidery ties the entire piece together. Running straight down the centre of the inner tunic, flowing across the broad collar, and extending over the back panel, the light-gold geometric threadwork gives the deep red fabric an elevated finish. The matching folded cap (Fila) carries that same gold stitching, keeping the visual line uniform from head to toe.

Detail shot of traditional menswear accessories including coral and gold beads, rings, and a carved staff styled by Zackstyling Luxury.

Accessories can easily make or break traditional attire, and Lateef keeps things traditional yet deliberate. Multiple strands of thick coral beads hang well past the chest, bringing essential cultural weight to the outfit. He layers gold and coral beads around his wrist, balancing the jewelry with a classic gold metal-strap watch. Holding a carved dark wooden walking stick with both hands, he finishes the outfit with black velvet loafers detailed with gold studded toe caps.

Stepping out in traditional attire comes down to confidence in the drape, selecting the right fabric weight, and picking accessories that complement rather than overpower the outfit. Lateef’s look hits every single mark, offering plenty of inspiration for anyone looking to make a strong impression at their next big event.

Adedimeji Lateef showcasing the embroidered back panel of his wine three-piece Agbada by Tochini, styled by Zackstyling Luxury.

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Photo Credit: ZackStyling/Instagram 

The post Lateef Adedimeji’s Wine Agbada Look Is Everything We Love About Nigerian Menswear appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Why have we gotten so obsessed with our devices these days? How did we become so glued to our phones, our laptops, our iPads, our consoles, our monitors that it feels like we don’t have any other life apart from our devices and our work? It seems social media has carried us away from actually having a life outside of our screens.

I am a living example of that. I’ve gotten so used to my laptop and my phone that they’ve become my comfort and company when I’m not working or doing chores. I knew this when I realised that I had deviated from who I used to be years ago. My parents didn’t allow me to own a phone until I graduated from secondary school, unlike my friends whose parents let them have phones from JSS1. I often felt like the odd one out. I thought my parents were too harsh and strict, that they were doing things the “old-fashioned way”, and I needed them to be cool parents.

But being a cool parent doesn’t mean giving your kids devices they absolutely don’t need. If you want to reach your kids at home, any phone works just fine. Now, as a young adult with a lot of freedom, I’ve realised how much my devices have been damaging me. They made me drift from being that girl who loved vocabulary growing up.

I’ve always loved writing since I was a little girl. My dad bought me interesting books to read as a child. I remember when I passed my Common Entrance into secondary school in 2013, he bought me Chimamanda Ngozi Adichie‘s Purple Hibiscus to mark the milestone. I love my dad so much for that. My mom too, because she bought me books whenever she could.

There was this particular shop opposite the University of Ibadan where she bought me novels. They were imported books, and they were of great value to me. The first one she ever got for me was Nora Roberts‘ Blue Smoke. It was a mixture of mystery, crime, romance and discovery.

That part of my childhood shaped who I am today in my writing journey.

But I have found myself drifting apart from who I was. I was no longer reading books or developing myself like before.

I might be grown, but that doesn’t mean the dreams and values I had as a little girl had to die. This isn’t just about me. The world has deviated from important things. The percentage of people who spend most of their time on social media is way higher, as Al Jazeera reported.

While there are opportunities for youths, adults, and even kids on social media, the opportunities are not what we spend hours on TikTok, Facebook, WhatsApp, Instagram, Twitch, Snapchat, Twitter, and the like. I believe our brains need healthy things to feed on. Aside from the food we eat, there are the things we consume that also help the brain grow. You can choose between reading books, improving your vocabulary, reading articles and learning something new every day, or staring at your devices, playing games and watching skits all day.

Some people say, “I go to work, and the little time I have, I can’t spend it reading.” But there are days — weekends, free evenings — when we don’t have work. It doesn’t have to be spent on our screens all day. You can read something that fascinates you. It doesn’t have to be serious. It can be fun, interesting, anything.

Reading like this helps us manage our time better and prevents us from wasting away by just staring at our screens.

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Featured Image by Cottonbro for Pexels

The post Stephanie Inakoju: Are We Becoming Too Attached to Our Phones? appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Enioluwa Adeoluwa in a tailored black tuxedo with patent leather shoes

When Enioluwa Adeoluwa decided to update his official portraits for school, a standard passport photo was never going to be on the cards. The creator dropped a fresh set of studio shots that hit that sweet spot between academic polish and high-fashion tailoring, giving men everywhere a proper guide on how to show up for the camera.

Sharing the photos, he summed it up simply: “Took some new headshots for my school, since the Afro is here to stay.”

His choice to keep his natural Afro front and centre is a huge win for anyone wondering if natural hair works for formal portraits. An Afro gives a headshot immediate presence, framing the face with incredible structure. The secret to making it work lies in the shaping and preparation. Keeping the hair rounded and symmetrical keeps the focus right on your features. Hydrating the hair with a light leave-in moisturiser ensures it looks healthy under studio lights, while a clean goatee and sharp line-up keep the overall appearance balanced and neat.

Close-up beauty and hair portrait of Enioluwa Adeoluwa highlighting his styled Afro and warm studio lighting in a purple shirt.

For men figuring out what to wear for their own portraits, Enioluwa proves that tailoring offers endless variety beyond basic dark suits. He steps out first in a textured royal purple suit, styling it monochrome with a matching shirt underneath to let the rich fabric do all the talking. Accessories stay simple—just dark-rimmed sunglasses, a silver watch, and a single ring.

Enioluwa Adeoluwa wearing a textured purple monochrome suit and silver watch in a seated headshot pose.

He then switches things up with a preppy navy blue suit featuring distinct white piping along the lapels and pockets. Layered with a light blue collared shirt, a silver tie, black eyeglasses, and a teal lapel pin, it shows how small contrast details can transform a standard corporate outfit.

Enioluwa Adeoluwa wearing a navy blue suit with white contrast piping and eyeglasses against a turquoise background.

When absolute formality is required, a three-piece tuxedo remains unbeaten. His version pairs a matte black suit with deep velvet peak lapels, a tailored waistcoat, a white dress shirt, and a black satin necktie, rounded off with black patent dress shoes. Combining different textures within a black suit adds depth to photos without feeling plain.

Studio headshot of Enioluwa Adeoluwa wearing a three-piece black tuxedo with velvet peak lapels.

Beyond the wardrobe, the photos offer a great look at how different camera angles alter the mood of a portrait. A direct head-on shot with open shoulders creates a clear, professional connection perfect for official profiles. Turning the body slightly at a three-quarter angle narrows the profile and gives a relaxed, confident posture, while a seated pose leaning forward feels personal and conversational.

Which of Enioluwa’s three looks are you saving to your mood board—the Royal Purple, the Navy Blue, or the Classic Tuxedo?

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Photo Credit: Enioluwa Adeoluwa/Instagram

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But the résumé is only half the story. Cikida walked into the Southern African retail industry with no experience, no relationships, and no network — and left having signed landmark partnerships with industry giants such as Woolworths and SPAR. She’s also spoken candidly about losing the biggest pitch of her career and spending four years finding her way back.

Her message, distilled through her leadership platform The Divine Edge, is that the parts of your story that don’t fit the job spec are usually the very thing that makes you win.

That’s the throughline we’re bringing to the stage: a woman who has occupied boardrooms, operating tables, and now her own brand and who keeps choosing to build on her own terms, even when the path bends.

Cikida takes the mic under this year’s theme, “Kingdom Business: Occupying Spaces, Influencing Culture.” Her career is our 2026 theme in practice — an engineer who pivoted into consulting, into big tech operations, and finally into founder, proving that occupying a space isn’t about staying in your lane. It’s about redefining it, and building a life where all of you belongs.

Tickets are selling at R750. Dress code: Suits & Sneakers.

Get tickets here

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The post Meet The Keynote Speaker for the 4th Annual IAMe Africa Women’s Conference, Cikida Gcali-Mabusela appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

“December is coming… so, what’s the plan?”

If this question has ever made its way into your group chat with your best friends, your family WhatsApp, your holiday plans, or a conversation with someone you haven’t seen in months, you’re not alone.

December in Nigeria has a way of filling up quickly. Friends start making plans, people come home, calendars get crowded, and suddenly there’s somewhere to be every other night.

This year, you have 13 days of answers. Detty December Fest 2026 is coming to Lagos from 18–30 December, with Wizkid headlining the Grand Opening Concert on Friday, 18 December, Day 1 of 13.

So, if you’re wondering where to start, start here.

DAY 1: Wizkid Opens The Festival

Let’s start with the big one. Wizkid takes the Detty December Festival Stage for the Grand Opening Concert, bringing his sound back to Lagos and kicking off 13 days of music, entertainment, and experiences.

Whether you’ve been a Starboy fan from day one or you simply want to experience Wizkid live, this is one way to start your Detty December.

But Day 1 is only the beginning. There are 10 shows across 13 nights, with more artists, immersive experiences, and reasons to keep coming back throughout the festival.

Two Stages. More For You To Experience

A lot is happening across the Detty December Fest, and you’ll have two stages to catch all the action: the Detty Festival Stage and the Detty Pulse Stage.

Detty Festival Stage

This is where the big moments happen.

The Detty Festival Stage is the festival’s main stage for headline acts and major performances. Think big names, songs you know by heart, and the kind of performances that have everyone singing along. And yes, Wizkid gets us started on Day 1.

Detty Pulse Stage

If you want to keep your energy going throughout this December, this is where you’ll find more of it. The Detty Pulse Stage is the daily heartbeat of the festival, bringing together nightlife, culture nights, rising artists, fresh sounds, and new talent across all 13 days.

So, you can come for the artists you already know, stay for the new sounds, and leave with a new, fresh artist on your playlist. That’s all part of the fun.

13 Days Of Detty

There’s much more to the Detty December Fest than what happens on the stages. Across 13 days, you can move from live performances to aerial shows, DJ-led nights, food and lifestyle experiences, nightlife, and family-friendly activities without running out of things to do.

You will also find experiences including Gen Z Republik, a Christmas Grotto, ice skating rink, and pop-up market stalls, with plenty more happening across the festival.

So, bring your friends. Bring your family. Bring that person in your circle who has been saying “this December, we’re outsideee!” since September. Or come because someone sent you the flyer five minutes ago. However you end up here, come ready to have a good time.

Your Detty December Starts Here

Thirteen days. Ten shows. Plenty to see, plenty to do, and plenty of ways to make your December detty. Whether you are coming for the music, looking for something new, bringing your friends and family along, or simply curious to see what Detty December Fest is all about, there’s something stunning waiting for you.

Detty December Fest 2026 runs from 18–30 December in Lagos, Nigeria. Tickets are now on sale. Visit here to get yours and start planning your Detty December.

BellaNaija is a Media Partner for Entertainment Week Africa 2026

The post Wizkid Kicks Off Detty December Fest at the Grand Opening Concert | Day 1 of 13 appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Greatman Takit and featured gospel icon Nathaniel Bassey performing together on stage in the official music video for “You Are Good.”

Need something to put you in a gratitude mood and get you up from your seat to give thanks to God for His blessings over you? Greatman Takit has something for you!

The gospel music minister has officially dropped the visual treatment for his soul-stirring worship single, “You Are Good,” featuring gospel icon Nathaniel Bassey.

Taken off his latest 23-track album, “Flames of a Wildfire,” the song is a heartfelt declaration of God’s constant love and benevolence. Grounded in the reassuring truth that God remains good in every season—both in moments of joy and times of trial—the track serves as a gentle reminder that we are covered, sustained, and never forsaken.

A vibrant communal worship scene featuring Greatman Takit surrounded by a choir and congregation in traditional African attire in the “You Are Good” video.

The accompanying video brings this message to life with vibrant, communal energy. Set inside an auditorium, Greatman Takit anchors the visual performance in a sharp striped jacket and maroon suit, while Nathaniel Bassey delivers his signature spirit-lifting presence in classic white traditional attire alongside his iconic trumpet. Adding colour and warmth to the worship atmosphere, a choir and congregation clad in beautiful traditional African wear join in joyful praise.

Gospel artist Greatman Takit performs his worship single “You Are Good” from the album Flames of a Wildfire.

Watch the official video for “You Are Good” below:

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Photo Credit: Emmanuel Chukwuka/Instagram 

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Following the successful announcement of its Guinness World Record attempt, Rixel Studios has officially unveiled the highly anticipated trailer for its upcoming feature film, Black Market.

Written by Abdul Tijani-Ahmed, and Fatimah Binta Gimsay, Black Market will be released in Lagos, Nigeria on September 26, 2026 at Tafawa Balewa Square, Lagos.

In collaboration with Filmone Studios, Signet Ring Studios and Switch Visuals Production, Black Market will host 50,000 people for a single screening of Black Market in an official Guinness World Records attempt to surpass the current record of 43,000 – the largest number of people to screen a film in a single location.

Shot in Abeokuta, Nigeria, Black Market was directed by Fatimah Gimsay and stars Lateef Adedimeji, Linda Ejiofor-Suleiman, Itele D Icon, Scarlet Gomez, Omowunmi Dada, Teniola Aladese, Susan Pwajok and Uzor Arukwe.

Others include Folagade Banks, Tomiwa Tegbe, Andrew Yaw Bunting, Shamz Garuba, and Adeoluwa Akintoba.

“It is so surreal when you go from what is in your head and see it come to life. We have been attached to different versions of the script but the final version felt different. We finally felt like we merged all our tones together” Fatimah Binta Gimsay who directed and wrote Black Market says.

The Event is in partnership with MTN, Puma, Swoop, PlaystreetNG, Oraimo, Shuttlers and Lagos State Ministry of Culture.

Watch the trailer below.

BellaNaija is a Media Partner for Black Market 

The post Official Trailer Drops For Black Market Ahead Of Historic Guinness World Record Premiere appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Michaely Bihina in action for the Indomitable Lionesses, leaping to make a key save during Cameroon’s knockout campaign at WAFCON in Morocco. Photo Credit: Bihina Michaely/Instagram

The stage is officially set for an extraordinary conclusion to the 2026 Women’s Africa Cup of Nations (WAFCON) in Morocco. After weeks of brilliant performances, dramatic turnarounds, and historic moments across five venues in Rabat and Casablanca, two teams have navigated the knockout rounds to book their spots in Sunday’s grand finale: Cameroon and Malawi. With former winners and host nations eliminated, Africa is guaranteed a brand-new champion on Sunday, 16th August 2026, when both sides line up at the Olympic Stadium in Rabat at 8:00 PM WAT.

Both nations earned their places in the showpiece following dramatic semi-final victories on Wednesday, 12th August. Tournament debutants Malawi extended their fairytale run with a dominant 3-1 victory over Algeria. Captain Tabitha Chawinga scored twice alongside her sister Temwa Chawinga, continuing an extraordinary attacking partnership that has defined their journey to the final.

Tabitha Chawinga lifts sister Temwa Chawinga as they celebrate securing Malawi’s historic qualification for the FIFA Women’s World Cup.

Meanwhile, four-time finalists Cameroon reached the main event by defeating host nation Morocco 3-1 in a tense penalty shootout after a goalless 120 minutes. Shot-stopper Michaely Bihina delivered another masterclass between the posts, stopping an extra-time penalty before making crucial saves in the shootout alongside Myriam Maéva Nyadjou, who converted the decisive kick.

Cameroonian forward Myriam Maéva Nyadjou celebrating on the pitch during the 2026 Women’s Africa Cup of Nations (WAFCON) in Morocco. Photo Credit: CAFOnline/Instagram

Sunday’s encounter brings together two distinct footballing styles: Malawi’s relentless frontline led by the Chawinga sisters against Cameroon’s disciplined defensive setup guided by Bihina and forward Nyadjou, who scored the winning goal against defending champions Nigeria in the quarter-finals. With both teams having already secured automatic qualification for the 2027 FIFA Women’s World Cup in Brazil alongside Morocco and Algeria, the ultimate prize remains lifting the WAFCON trophy for the very first time in their national histories.

How to Watch the WAFCON 2026 Final

For football fans across Africa and around the world following Sunday evening’s match, live television coverage and streaming broadcasts will be accessible across major networks:

• Nigeria: Nigerian viewers can watch the match live on SuperSport Football Plus (DStv Channel 202, GOtv Channel 61) via MultiChoice, as well as streaming via DStv Stream and GOtv Stream. Free-to-air coverage will also be accessible via NTA and AfroSport TV.
• Sub-Saharan Africa: Broadcast live in high definition across the region on SuperSport and Canal+ Sport.
• Free-To-Air Television: Local terrestrial networks, including CRTV in Cameroon and MBC in Malawi, will provide live coverage for viewers in both finalist nations.
• Digital Streaming: Live match feeds will stream globally via CAF’s official YouTube channel (CAF TV) depending on regional broadcasting rights.
• MENA Region: Live coverage across North Africa and the Middle East will air on beIN Sports.

The post The WAFCON 2026 Final Is Here: Cameroon and Malawi Will Battle for a Historic First Title appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Cameroonian goalkeeper Michaely Bihina holding her first TotalEnergies Woman of the Match award following her nine-save performance against Nigeria in the WAFCON 2026 quarter-finals. Photo Credit: Bihina Michaely/Instagram

If you have been following the action at the 2026 Women’s Africa Cup of Nations (WAFCON) in Morocco, there is one name currently dominating sports conversations across the continent: Michaely Bihina. The 22-year-old Cameroonian goalkeeper has anchored her nation’s run to the final, producing memorable performances between the posts and capturing the attention of football fans everywhere.

Her rise to the continental spotlight reached a high point during Cameroon’s tense 1-0 quarter-final victory against defending champions Nigeria. Bihina pulled off nine vital saves throughout the encounter to preserve the lead, earning her the TotalEnergies Woman of the Match award and helping secure Cameroon’s automatic ticket to the 2027 FIFA Women’s World Cup in Brazil.

She followed that up in the semi-finals against host nation Morocco, where she stopped an extra-time penalty before saving three additional spot-kicks in the penalty shootout to send the Indomitable Lionesses straight into the WAFCON final. With three clean sheets and two Woman of the Match awards in this tournament alone, her presence in goal has been central to Cameroon’s success.

Michaely Bihina with her second TotalEnergies Woman of the Match trophy after saving four penalties in Cameroon’s victory over host nation Morocco to reach the WAFCON 2026 final. Photo Credit: Bihina Michaely/Instagram

Born Kyria Inès Michaely Bihina on 28th December 2003 in Ekounou, Nkoldongo, Yaoundé, the 1.77-metre shot-stopper did not actually start out in goal. During her early days playing youth football in Yaoundé, she played as a striker. However, as she grew noticeably taller than her peers, her youth coach suggested that her height and reach would be better suited between the goalposts. The transition was swift; within six months of making the switch, she earned her first call-up to the national youth setup.

Michaely Bihina in action for the Indomitable Lionesses, leaping to make a key save during Cameroon’s knockout campaign at WAFCON in Morocco. Photo Credit: Bihina Michaely/Instagram

Bihina made her top-flight domestic debut with Canon of Yaoundé before joining Nkoldongo, where she represented Cameroon at the 2019 African Games at just 15 years old. She later moved to Eclair FF de Sa’a in October 2019, where she was even deployed as an occasional forward due to her overall pitch awareness.

In August 2022, she made her European move to Portuguese side Racing Power, helping them win the second division title, gain promotion, and finish third in the top flight—where she picked up the award for the best goalkeeper in the league after keeping 14 clean sheets during the 2023-2024 season. That impressive form prompted European giants SL Benfica to sign her on 1st February 2026, where she went on to win both the Portuguese League and Portuguese Cup double in her debut months.

Michaely Bihina with an SL Benfica scarf at Estádio da Luz following her transfer to the Portuguese champions on 1st February 2026. Photo Credit: Bihina Michaely/Instagram

Having made her senior international debut for Cameroon in September 2023 with a clean sheet against Kenya, Bihina has rapidly established herself on the global stage. Now, as Cameroon gear up to face Malawi in Sunday’s showpiece final, all eyes will undoubtedly be on the shot-stopper between the posts. If her performances so far are anything to go by, she is definitely one to watch out for as the Indomitable Lionesses chase continental glory.

Cameroonian goalkeeper Kyria Michaely Bihina on the pitch during a national team training session ahead of the Women’s Africa Cup of Nations (WAFCON). Photo Credit: Bihina Michaely/Instagram

SL Benfica goalkeeper Michaely Bihina celebrating on the pitch with silver trophies following Benfica’s domestic success in Portugal. Photo Credit: Bihina Michaely/Instagram

The post Meet Michaely Bihina, the 22-Year-Old Goalkeeper Leading Cameroon to the WAFCON Final appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

I started living with pain when I was 11 years old. At that age, I did not have the language to describe what I was feeling. I only knew that my hips hurt so bad. As the years passed, the pain became part of my everyday life, and I learnt to live around it. Like many people with long-term pain, I stopped questioning it because it had become normal, when it wasn’t.

In 2018, when I was diagnosed with avascular necrosis (AVN), I remember feeling relieved. After years of uncertainty, I finally knew what was wrong. But the relief was brief. By the time doctors discovered the cause of my pain, both of my hip joints had already been severely damaged. The only option was surgery.

Knowing both hips were damaged felt like swallowing a stone. People asked if I had considered other treatments first before my diagnosis, and the truth is, I did. I spent years trying different things, but they were all temporary solutions. By the time I was diagnosed, I was worn out. I just wanted my life back.

What surprised me most was my reaction before surgery. Anyone informed of surgery doesn’t take the news lightly. But I laughed, even after being told I would undergo two major surgeries. I just kept laughing. Instead of fear, I chose to be numb about it.

Like many patients, I searched online, and where everything promised a quick recovery and a clear finish line, reality proved far more challenging. A week after my second surgery in 2021, I developed an infection in the operated leg. Instead of moving forward, I found myself preparing for an emergency third surgery. For the first time, I could truly process what had happened. The pain from the first two surgeries was still fresh, so I now understood exactly what another operation would mean. The numbness that had protected me before the first surgeries was gone; fear had finally caught up with me.

The early days after surgery are difficult to describe. There was physical pain and trying to recover from surgery, but I was also trying to understand what my life would look like now. My family and friends showed up for me in beautiful ways, and I will always be grateful for that.

Susan Uko.

But after visiting hours ended, everyone went home, and the hospital became quiet. Surrounded by nurses, hospital attendants and other patients, I never felt more alone. It was during that period that I began saying something I still believe till today: “I’d rather drink garri in my own house than chicken in the hospital.” People usually laugh when I say it, but anyone who has recovered in a hospital understands. Home represents familiarity; the hospital reminds you of a future you don’t know yet. 

That experience changed how I understand loneliness. It isn’t the absence of people; sometimes it is the feeling that nobody else can fully enter the place where you’re hurting.

Eventually, I was discharged. I thought the hardest part was over; it wasn’t. Leaving the hospital was not the same thing as recovering. My body was getting better, but my mind was struggling to catch up.

I began learning how to walk again. Physiotherapy was so painful; every exercise needed patience, every step a negotiation between what my mind wanted to do and what my body was ready for. Walking aids became part of my life, and movements I had once taken for granted suddenly required preparation and effort.

Even today, there are things I still cannot do. I cannot squat. I cannot cross my legs. My mobility is better than it once was, but recovery has also meant accepting that some parts of my life have changed permanently.

A few weeks after being discharged, I found myself replaying the surgeries over and over. I did the procedures firsthand, but I had watched videos of total hip replacements beforehand, and my imagination filled in the gaps. I could not stop thinking about them; I cried so much.

Some days, I could not explain why. Other days, I could not find the words. I stopped taking my medication, stopped attending appointments, withdrew into myself, and became overwhelmed by sadness, anxiety and fear. There were days I really wondered if I would ever feel like myself again.

As I recovered, I kept asking myself: When? When would this be over? When would I stop hurting? When would I stop feeling afraid? When would life begin to feel normal again?

Because I couldn’t walk after surgery, I had to defer the second semester of my 200 level at the university. Deferring my semester meant adding another year to my degree, an extra weight on top of the delays our class had already faced from university strikes and COVID-19. Watching life continue while yours seems to pause is another strange kind of grief.

As a student of Guidance and Counselling, I could identify the emotions I was experiencing, but knowledge did not make me immune to them. Sometimes, we know exactly what is happening to us and still need someone else to help us through it. When I returned to school, my lecturers, who are trained counsellors, became part of my support system. I was admitted into my university’s medical centre, where I began seeing a psychiatrist and was placed on medication that held me through one of the most difficult periods of my life.

Recuperation was never something I achieved by myself. My family and friends remained present. Some of my closest friends were also studying Guidance and Counselling. With them, conversations felt safe. I could be honest about what I was feeling without worrying that I had to pretend to be fine. Sometimes they listened to me, sometimes I listened to them. Those conversations reminded me that healing mostly happens in relationships with other people.

By my final year, I found myself withdrawing from activities I would normally have enjoyed. What was the point? I thought. My classmates were preparing to move on while I already knew I would be staying behind. To distract myself, I organised tutorials for my classmates. Looking back, I think teaching gave me something healing had taken away for a while: a sense of purpose.

When final-year week came around, I didn’t want to participate. It took encouragement from my lecturers and classmates before I eventually joined in. Then came convocation. One of my lecturers encouraged me to attend the ceremony simply to celebrate with my friends.

I couldn’t do it. Instead, I sent messages to our class group, called my friends and congratulated them. I was truly happy for them, even while quietly grieving the extra year that lay ahead of me.

Susan Uko graduated and awarded herself some awards.

One of the hardest parts of healing wasn’t only learning to walk again, but also learning how to stop measuring my life against everyone else’s timeline.

Years later, I still have difficult days. There are days my scars remind me of everything I lost. There are other days when they remind me of everything I overcame. This is why I believe pre-operative and post-operative counselling should become a standard part of surgical care. Not as an optional service, not as something available only to people who can afford additional therapy. But as part of the care every surgical patient receives.

When patients pay for surgery, they are paying for the chance to recuperate, not just for a successful operation. Emotional readiness before surgery and emotional support afterwards should be treated as essential parts of rehabilitation, alongside medication, physiotherapy and follow-up appointments.

A patient who understands what recovery can feel like isn’t guaranteed an easier journey, but is less likely to believe they are failing when recovery becomes emotionally difficult. They are more likely to ask for help, more likely to remain engaged with treatment. It’s easy for them to realise they are not alone.

The post Susan Uko on How She Recovered After Two Total Hip Replacement Surgeries appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Stepping out in coordinated style, Lateef Adedimeji and Mo Bimpe admire each other’s custom Zackstyling Luxury outfits ahead of their triplets’ thanksgiving event in Lagos.

When you pray for something and yearn for it for so long, and then it finally happens after years of waiting, it is only natural to throw a party, paint the town red, and dance with everyone you love in celebration of what you have received.

Oh, if you’re wondering what we’re talking about, it’s the thanksgiving celebration of Lateef Adedimeji and Mo Bimpe. The Nollywood couple held a thanksgiving party to celebrate the arrival of their triplets, and while we cannot wait to bring you all the highlights from the celebration, especially the guest fashion, we need to start with their first look because it was colourful, regal, and perfectly suited for the occasion.

A quiet, tender moment between Nollywood couple Lateef Adedimeji and Mo Bimpe as they showcase their custom burgundy traditional outfits by Zackstyling Luxury for their triplet sons’ grand thanksgiving celebration.

Following the arrival of their three boys—Rahman, Raheem, and Rakeeb—which the couple announced on 1st May 2026, , actor Lateef Adedimeji and actress Adebimpe Oyebade (famously known as Mo Bimpe) hosted family, friends, and colleagues to celebrate their triplets. Styled by Zackstyling Luxury, the new parents chose a striking, coordinated burgundy palette that immediately set the celebratory mood for the day.

A closer look at the craftsmanship behind the Adedimejis’ first look, highlighting the geometric embroidery on Lateef’s Agbada and the beaded, floral-detailed gown worn by Mo Bimpe.

Lateef Adedimeji made a stately appearance in a rich burgundy Agbada featuring off-white geometric chest embroidery, paired with a matching Fila tilted to the side. He completed his look with multiple long strands of traditional coral beads draped around his neck and wrists, holding a carved wooden staff featuring a lion figure at the top.

Mo Bimpe and Lateef Adedimeji pose in their vibrant red-and-burgundy traditional attire designed by Zackstyling Luxury for Rahman, Raheem, and Rakeeb’s thanksgiving party.

Standing beside her husband, Mo Bimpe wore an off-the-shoulder red gown built on a beaded grid-lace base with a halter-neck detail. The dress featured colourful floral appliques in white, pink, and blue scattered across the neckline, sleeves, and skirt. A structured pleated drape wrapped across her waist into an oversized side bow, flowing down into a pleated flare along the hem. She tied a tall red gele in a textured lace finish to match her dress, carrying a red velvet drawstring bag with a gold ring handle and finishing off with silver jewellery.

A celebration this grand naturally calls for a quick outfit change, so keep an eye out for their second look and all the fabulous guest appearances coming up next.

Ready to celebrate their three boys—Rahman, Raheem, and Rakeeb—Lateef Adedimeji and Mo Bimpe strike a pose in their striking burgundy first-look outfits.

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Photo Credit: Zackstyling Luxury/Instagram

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Omotola Jalade-Ekeinde channeled old Hollywood glam at the Lagos premiere of Mother’s Love, pairing a floral-beaded strapless gown with a platinum blonde retro wave hairstyle, oversized pearl accessories, and a plush faux fur wrap. Photo Credit: Omotola Jalade-Ekeinde/Instagram 

If you bought a ticket to watch Omotola Jalade–Ekeinde’s film, Mother’s Love, or if you’ve ever wondered how films do in the cinemas, you might want to grab some popcorn for this one as Omotola doesn’t hold back in sharing how “Mother’s Love” did at the cinema. Serving as her directorial debut feature, the family drama released nationwide on 6 March 2026 stars Omotola alongside Noray Nehita, Ifeanyi Kalu, Olumide Oworu, Lilian Afegbai, and Nosa Rex.

The story centers on a sheltered young woman, Adebisi (Noray Nehita), who steps out into the world during her NYSC service year. Excited for freedom away from her family’s strict dynamic, she forms new friendships that push her to find her own voice. Meanwhile, her mother Labake (Omotola Jalade-Ekeinde) must navigate the fine line between her protective instincts and allowing her daughter to build an independent life.

Omotola Jalade-Ekeinde attending the 34th Pan African Film Festival in Los Angeles for the screening of her directorial debut, Mother’s Love. Photo Credit: Omotola Jalade-Ekeinde/Instagram 

Reflecting on the theatrical journey, Omotola took to her channel to walk viewers through the final numbers. During its run, Mother’s Love generated ₦103,094,663 at the box office before wrapping up on 19 April 2026. “Our last cinema run was actually on the 19th of April,” she recalled. “What a beautiful day it was… We ended at the cinema in ICM Ikeja. Thank you so much to the manager of that cinema who always welcomed us with warm hugs. We had a nice time at the cinema. It was my first time ever doing cinema runs, and it was a challenge, but I rose to the challenge, I believe.”

She also addressed why the theatrical window ended when it did. “Unfortunately, that week, I had to pull the movie out of the cinemas because I had pressing issues I had to travel back to go attend to,” she explained. “When your movie is in the cinema, you have to promote, promote, promote, and show up… I knew that I would do the movie a disservice if I left it in the cinemas and I would not have the time to promote it or to be there in the cinema, as the culture was, or is at this time, to meet with fans.”

Family support: Omotola Jalade-Ekeinde flanked by her sons, Matthew Ekeinde and Michael Ekeinde, at the Los Angeles showcase of Mother’s Love. Photo Credit: Omotola Jalade-Ekeinde/Instagram 

Providing full transparency on the numbers, she detailed the remaining funds after accounting for exhibitors, distributors, print and advertising, Value Added Tax (VAT), entertainment tax, and withholding tax. “All deductions and everything else from cinemas, the money that was accrued to us as producers of Mother’s Love was 22,276,558.”

Following through on her commitment, 100 per cent of those net producer earnings went to the educational NGO Slum to School Africa. Distribution partners Nile Entertainment officially transferred the ₦22,276,558 sum on 7 July 2026 to support children across underserved communities.

Watch below

 

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A post shared by Dr Omotola Jalade-Ekeinde, MFR (@realomosexy)

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Jarvis and Peller pose for their wedding reception portrait showcasing her custom Prudential dress and his structured P.Aries suit styled by Emmanuel Goodnews Icon.

When your persona is Human AI, it is only fitting that your wedding reception dress comes bearing the marks of that identity. Think gears. Think cogs. Think 3D metallic hardware and exposed silver piping on a corseted black mini dress that looks like it was designed in a laboratory specifically for someone who calls herself Human AI. Jarvis, real name Amadou Elizabeth Aminata, showed up to her wedding reception in a Prudential creation that felt bold, futuristic, and completely in tune with the persona she has built over the years.

The dress is a steampunk-inspired off-the-shoulder structured A-line mini with a fitted corseted bodice, a voluminous flared skirt, and wide sculptured shoulder caps that give the silhouette a bold, architectural quality. The sweetheart neckline is deeply cut and embellished with black sequins and beaded crystal elements, before transitioning into black vertical piping, metallic silver cords, and exposed silver zipper trims that contour down the torso.

Jarvis in her custom Prudential reception dress, featuring sculpted shoulder caps, vertical piping, and mechanical hardware details.

The real conversation, however, is on the surface of the corset and skirt, where 3D industrial hardware, including gears, cogs, sprockets, and miniature spanner accents, are attached across the dress like decorative mechanical elements straight out of a science fiction fantasy. The back is equally considered, a lace-up corset with silver eyelets surrounded by vertical flexible piping and matching gear embellishments. Every angle of this dress is deliberate, and every detail rewards a closer look.

Peller and Jarvis share a moment during their reception shoot, highlighting the 3D gear appliqués and corset construction of her dress.

She styled it with pointed clear PVC pumps embellished with crystal brooch buckles, oversized silver statement earrings, and a sleek low bun that kept the focus firmly on the dress where it belonged. Styled by Emmanuel Goodnews Icon, the look was a complete departure from her traditional Edo wedding look earlier in the day, and a world away from the elegant white Veekee James gown she wore for the civil ceremony last week. Three weddings, three completely different aesthetic directions, each one fully committed to the moment it was made for.

Jarvis and Peller holding hands in their custom reception looks designed by Prudential and P.Aries.

Peller matched the occasion in a light grey tailored suit by P.Aries featuring a high mandarin collar, geometric line stitching, and darker grey panels across the chest and torso, paired with black leather dress shoes and rimless wire-frame glasses. Clean, contemporary, and the perfect complement to a bride in gears.

Jarvis and Peller pose for their wedding reception portrait showcasing her custom Prudential dress and his structured P.Aries suit styled by Emmanuel Goodnews Icon.

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Photo Credit: Prudential/Instagram 

The post Jarvis Said Human AI and Turned Her Wedding Reception Dress into Wearable Art appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Miss World Nigeria 2026 Tamunosoye Karibi-George poses with branded luggage before departing Nigeria for the 73rd Miss World festival in Vietnam. Photo Credit: Tamunosoye Karibi-George/Instagram 

All eyes are on Vietnam as the 73rd Miss World competition gets underway, and Nigeria’s very own Tamunosoye Karibi–George is officially in the building.

If you followed the thrilling Miss World Nigeria pageant back in June 2026, her name will definitely sound familiar. Representing Bayelsa State, the 26-year-old mass communication graduate and Port Harcourt native clinched the national crown at Balmoral Hall in Lagos, earning the honour to carry the green-white-green flag on the international stage. Now, she has landed in Vietnam alongside contestants from over 120 countries for nearly a month of cultural showcases, fast-track challenges, and community outreach events.

Tamunosoye Karibi-George steps out for the 73rd Miss World opening ceremony in Vietnam wearing a long-sleeved white gown with a ruffled skirt. Photo Credit: Tamunosoye Karibi-George/Instagram 

The global festival kicked off on 8 August 2026 and runs through to 5 September 2026, taking delegates through iconic destinations like Quang Ninh, Hai Phong, and Khanh Hoa, before culminating at the grand finale in Ho Chi Minh City.

Beyond the glamorous sashes and spotlight, Tamunosoye brings serious credentials to the contest. She holds a degree from Madonna University, Okija, is an Associate Member of the Nigerian Institute of Public Relations, and previously won the Miss Africa International title in Accra, Ghana, in 2024.

Miss World Nigeria Tamunosoye Karibi-George dressed in a brown tailored ensemble for her visit to the Thiên Thái workshop for people with disabilities in Vietnam. Photo Credit: Tamunosoye Karibi-George/Instagram 

Alongside her creative work as an event host, voice-over artist, and actress, her main mission centres around her social impact campaign, the Beyond Labels Initiative, which advocates for the dignity, inclusion, and empowerment of children living with special needs. As the competition unfolds, she is giving standard-setting performances that keep Nigerian pageantry fans cheering every step of the way.

Tamunosoye Karibi-George poses in her official portrait as Miss World Nigeria 2026 following her coronation in Lagos. Photo Credit: Tamunosoye Karibi-George/Instagram 

The post From Bayelsa to Vietnam: Meet Nigeria’s Miss World 2026 Representative Tamunosoye Karibi-George appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Sisters Temwa and Tabitha Chawinga share a moment on the pitch during an international match for the Malawi Scorchers.

Are you watching WAFCON? Of course you are! If you’ve come across a player with bright cobalt blue low-cut hair sprinting across the field, creating scoring chances for her teammates and scoring goals for the Malawi team, you’re looking at Temwa Chawinga.

And you bet she’s got a sister on the field and on the same team as well—same position as well—only that she doesn’t have blue hair; she’s got locs on that you’ll see flying as she sprints across the field. That’s Tabitha Chawinga.

They’re known as the Chawinga sisters, and their impact on Malawian football is nothing short of legendary.

Hailing from the Rumphi district in Northern Malawi, the duo spent their early years playing alongside local boys before breaking through at DD Sunshine in Lilongwe. Their chemistry and sheer goalscoring power have transformed the Malawi women’s national football team (the Scorchers), where together they account for roughly a third of all international goals in the team’s history.

Tabitha Chawinga lifts sister Temwa Chawinga as they celebrate securing Malawi’s historic qualification for the FIFA Women’s World Cup.

For younger sister Temwa, her entire global career trajectory traces back to Tabitha’s unwavering belief and personal sacrifice. Speaking on her journey, Temwa shared how her elder sister personally guaranteed her big break in Europe:

My sister… she has been there for me always. When I started soccer, I went to Sweden because of her. She opened the door for me. She called me to go there and told the owner of the team, ‘I have a younger sister, she plays well.’ But the owner of the team doubted it and said, ‘It’s not possible in one family to have two players like this.’

My sister went and said, ‘No. I’ll put my money, I’ll book the air ticket, visa, whatever. But when you see that she’s good, you’ll give me back the money.’

So the owner said, ‘All right, we’ll just book the air ticket… we’ll do it because you say so, we trust you.’ That’s why I’m here today because of her.

Temwa Chawinga focuses during an intense agility training session with the Football Association of Malawi.

That gamble paid off massively. Temwa went on to conquer Chinese football with Wuhan Jianghan University before setting the NWSL ablaze with Kansas City Current, where she won the Golden Boot and NWSL MVP. Tabitha, meanwhile, made history as the first African top scorer in Serie A with Inter Milan before joining French giants Olympique Lyonnais.

Tabitha Chawinga cradles her winner’s trophy following a successful campaign with French giants Olympique Lyonnais.

The 2026 Women’s Africa Cup of Nations in Morocco marks Malawi’s historic debut appearance at the tournament, and the Scorchers have turned their maiden run into a sensational story. Spearheaded by the Chawinga sisters, the team kicked off their Group C campaign with a 3–2 win over defending champions Nigeria before following it up with a 3–1 victory against Egypt.

Their momentum only built from there. In a tight quarter-final clash against Ghana, Malawi mounted a second-half comeback to claim a 2–1 victory. That win not only punched their ticket into the WAFCON semi-finals but also secured their historic first-ever qualification for the FIFA Women’s World Cup.

Up next, Malawi face Algeria in a high-stakes semi-final showdown at the Olympic Stadium in Rabat on Wednesday, 12 August 2026, at 18:00 WAT. With a spot in the final on the line, the Scorchers continue their bid to cap off an incredible debut tournament.

Temwa Chawinga celebrates taking home the Woman of the Match award following a standout performance for Malawi at WAFCON 2026.

Kansas City Current striker Temwa Chawinga proudly poses with her NWSL Golden Boot and MVP silverware.

The post Meet Temwa & Tabitha Chawinga, the Sisters Behind Malawi’s WAFCON Dream appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Royal Salt Ltd, makers of Mr. Chef Salt, has successfully concluded its nationwide Mr. Chef Market Runz to 20 Millionaires Campaign, rewarding more than 520 Nigerians through one of its largest consumer engagement initiatives to date.

The campaign culminated in a colourful Grand Finale in Lagos, where 20 lucky consumers were each presented with ₦1 million, amounting to a total of ₦20 million in grand prizes. The winners received their ceremonial cheques in the presence of Royal Salt Ltd Management, Key Distributors of Mr Chef Salt, media organisations, WAZOBIA FM representatives, agency partners, and invited guests.

Beyond the Grand Prize winners, the campaign delivered value to hundreds of Nigerians throughout its duration. Over a 12-week campaign period, more than 500 consumers across the country were rewarded with ₦10,000 and ₦5,000 cash prizes on radio and social media after correctly answering the Mr. Chef Market Runz Trivia questions aired on five (5) WAZOBIA FM stations and published across the brand’s digital platforms. The weekly trivia sessions transformed ordinary radio and social media interactions into rewarding experiences, encouraging consumer participation while educating audiences about the Mr. Chef brand in a fun and engaging way.

The Mr. Chef Market Runz Campaign was conceived as a nationwide consumer engagement platform designed to celebrate hardworking Nigerians while rewarding loyalty through an exciting combination of radio, digital, and experiential marketing. The campaign successfully connected with consumers across multiple cities through engaging radio programmes, interactive social media conversations, market-themed entertainment, cooking discussions, quizzes, and trivia competitions that generated significant public participation.

To reinforce transparency and public confidence, Royal Salt Ltd ensured that the selection of the 20 grand prize winners was conducted openly. The final raffle draw was broadcast Live across five (5) WAZOBIA FM stations, Facebook, Instagram, TikTok, and YouTube, allowing consumers nationwide to witness the winner selection process in real time. This transparent approach further strengthened the credibility of the campaign and reinforced the company’s commitment to fairness, integrity, and accountability.

The Group Managing Director of Royal Salt Ltd reaffirmed the company’s dedication to rewarding consumer loyalty and supporting Nigerians striving to improve their lives.

“At Royal Salt Ltd, we believe our consumers are the foundation of our success. The Mr. Chef Market Runz Campaign was designed not only to reward loyalty but also to celebrate the resilience, determination, and entrepreneurial spirit of hardworking Nigerians. While we are delighted to celebrate our 20 new millionaires today, we are equally proud that throughout this campaign, hundreds of other consumers also benefited through our weekly radio and social media trivia rewards. Supporting the daily hustle of Nigerians remains at the heart of everything we do.“

The Grand Finale celebrated not only the presentation of the ₦20 million grand prizes but also the collective success of a campaign that touched lives across Nigeria. Guests enjoyed live entertainment, campaign highlights, winner testimonials, media interviews, and networking sessions, while the 20 winners received their ₦1 million ceremonial cheques before an audience of consumers, partners, and the media.

The event also highlighted the impact of an integrated campaign that successfully combined traditional radio with digital engagement to create meaningful conversations around the Mr. Chef brand. Thousands of consumers participated throughout the campaign, while hundreds were rewarded instantly through weekly trivia competitions before the final selection of the 20 grand prize winners.

Through the Mr. Chef Market Runz Campaign, Royal Salt Ltd has once again demonstrated that rewarding consumers goes beyond promotions – it is about recognising loyalty, celebrating determination, and investing in the aspirations of everyday Nigerians. The initiative reflects the company’s belief that meaningful brands create meaningful impact by giving back to the communities that support them.

Royal Salt Ltd expressed appreciation to every participant, WAZOBIA FM, Key Distributors, media partners, retail partners, campaign implementation partners, and all Nigerians whose enthusiasm made the campaign a resounding success.
As the campaign concludes, the company reaffirmed its commitment to developing innovative consumer engagement programmes that create memorable experiences, reward loyalty, and empower Nigerians through impactful initiatives.

About Royal Salt Ltd

Royal Salt Ltd is Nigeria’s leading domestic and industrial salt manufacturing company, dedicated to producing premium-quality salt products that enrich everyday cooking and food preparation. Through its flagship brand, Mr. Chef Salt, the company is committed to delivering exceptional quality, fostering consumer trust, driving innovation, and building meaningful connections with consumers, while creating impactful initiatives that support Nigerian families, businesses, and communities.

Media Contact

Corporate Communications
Royal Salt Ltd

Name: Donatus Imaghodor
Email: admin@royalsaltltd.com
Telephone: 08162743513

Sponsored Content

The post Royal Salt Ltd Rewards Over 520 Nigerians In The Mr. Chef Market Runz Campaign, Crowns 20 Millionaires At Grand Finale appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Ibrahim Chatta in royal traditional attire on set for Kayode Kasum’s epic fantasy film Alahun: The Weaver.

August is shaping up to be a genuinely good month for you cinephiles, and Alahun: The Weaver is a big part of why. Produced by Kayode Kasum and directed by Dare Olaitan in his first directorial outing since Ile Owo in 2022, this Yoruba fantasy-adventure film is heading to cinemas on 21 August 2026, and everything about it suggests this one is going to be a conversation starter long after the credits roll.

The story follows a young man mocked by his society for his love of weaving baskets and plaiting hair, crafts that his community believes are not for men. Refusing to abandon who he is, he is drawn into a mystical journey that could determine the fate of his entire kingdom. It is the kind of premise that immediately raises questions you need answered, and from what has been shared so far, the film handles those questions with the kind of visual ambition and cultural rootedness that Nollywood has been building toward for years.

Moshood Fattah weaves Tomi Ojo’s hair in a behind-the-scenes shot from the set of Kayode Kasum’s epic Yoruba film Alahun: The Weaver.

Rooted in Yoruba history and tradition, “Alahun: The Weaver” celebrates craftsmanship, heritage, and the enduring influence of culture. With its richly designed costumes and period setting, the film shines a light on stories deeply connected to African identity, and the cast assembled to tell that story is one of the strongest lineups in recent Nollywood memory.

Omowunmi Dada in character as a fierce warrior in Kayode Kasum’s epic film Alahun: The Weaver.

Odunlade Adekola leads the cast, joined by Ibrahim Chatta, Lateef Adedimeji, Moshood Fattah, Kunle Remi, Tomi Ojo, Omowunmi Dada, Faithia Williams, Ronke Oshodi Oke, Tope Tedela, and Peter Fatomilola. That is a cast that covers dramatic range, comic timing, and screen presence across every register, and the material gives all of them somewhere interesting to go.

: Ronke Oshodi Oke poses in traditional Yoruba regalia as part of the cast reveal for Kayode Kasum’s film Alahun: The Weaver.

With its mix of established talent, rich Yoruba heritage, and high-stakes fantasy adventure, Alahun: The Weaver promises an immersive cinematic experience when it hits cinemas across Nigeria this month on the 21st. Block out the date.

Watch the trailer

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Photo Credit: Kayode Kasum/Instagram 

The post “Alahun: The Weaver” Brings Odunlade Adekola, Tomi Ojo, Moshood Fattah & Omowunmi Dada Together in One Epic Film appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Enjoy the exclusive conversation below!

Photo Credit: Mitchelle Daka/Instagram

Congratulations on making history as Uganda’s first-ever Miss Universe! How has it felt since that moment?

Honestly, I was in complete shock. I felt overwhelmed and incredibly honoured. The competition was incredibly strong, and every single girl was amazing, so I knew it could have gone in so many different directions. To be the one standing there with the crown was surreal.

But more than anything, I felt a tremendous sense of responsibility because I understand what this means for my country. I am the face of Uganda. I am Ugandan. I represent what people may not always see when they look at my country, and I carry the stories, hopes and spirit of the people who call Uganda home.

That responsibility is something I don’t take lightly.

Tell us about a moment with the other finalists like Kimberly that really stuck with you

Kimberly and I had a moment around pre-judging that really stayed with me. My roommate had locked me out of our room, and I didn’t have the card, so I went upstairs to Kimberly’s room because we were staying in the same villa. I made myself comfortable, sat on the bed and plugged my phone in to charge. Faith was there, Kimberly was there, and Shiba was sitting beside me.

At some point, Kimberly and I started talking, and I said to her, “I think if I wasn’t rooting for myself, I’d be rooting for you.”

I genuinely think she is one of the sweetest people in the world. I think the world is not ready for everything that is coming with her. I feel honoured to have met someone as special as she is, and I think her favour is evident in the way the world has received her. When she is ready, she will do incredible things.

What’s important is that we all know how much we dedicated ourselves to this journey. That is something we have in common, and more than anything, I don’t want anyone to pit us against one another. That moment stayed with me because even in the middle of a competition, I could look at someone else’s light and celebrate it. Her light doesn’t diminish mine.

Photo Credit: Mitchelle Daka/Instagram

Your mental health advocacy is closely tied to the loss of your close friend, Karabo Mokoena, and the foundation you co-founded in her name. How has that work with shelters and survivors shaped the message you now want to carry as Miss Universe Uganda?

When my best friend died, we were in so much pain because of the life we had lost. We naturally looked for ways to stay close to her, and carrying forward the things she was passionate about became one of those ways.

She was an incredibly passionate person. She stood for everything she believed in with such conviction. At the time, continuing that work helped us feel connected to her, but it also became my introduction to public work, legacy and creating impact. I remember sitting at her funeral and thinking, “Wow, this girl left something behind.” She was young, but she made sure that every person she interacted with felt her presence. That’s why her loss was so profound to so many people.

I decided to take that feeling of purpose and extend it further for both of us. My advocacy isn’t necessarily about her loss. If it were, I would probably be focusing specifically on gender-based violence. It’s more about what that experience taught me and how it changed me.

I want to teach young people the tools they need to navigate life, because one of the certainties of life is that you will experience disappointment and moments when things don’t go your way. Sometimes it’s about having the tools to get yourself out of bed, the discipline to show up for yourself, to exercise, to pursue your goals and to remain consistent. Those everyday actions can play an important role in how we care for our mental and emotional wellbeing.

Those are the tools I want to help young people in my country develop.

Photo Credit: Mitchelle Daka/Instagram

You host a podcast on emotional wellbeing. What made you want to build that platform?

I always think about how emotional wellbeing has become such an important conversation among young people, but I don’t want to have that conversation in a cliché way. We know that many people go to therapy and have been on their healing journeys for years. Sometimes you can talk about something repeatedly and, instead of feeling smaller, the problem can feel even bigger.

One thing I’ve learned over time is that healing also happens through action. You acknowledge what you’re feeling, but then you also have to get up and do things. You go to the gym. You build discipline. You act on the dreams you said you were going to pursue. You show up even when you don’t feel like it. You remain consistent.

That is what I want my podcast to highlight—the heart behind that belief. I believe one of the ways we move beyond painful memories is by creating new experiences, new moments and better memories.

You also founded Figures The Brand, a sustainable activewear line. Sustainable fashion is still a hard sell in a lot of African markets. What challenges did you run into building it, and how has the business held up in a tough economy?

One of the things I was very intentional about was sourcing the right fabrics. I travelled to China myself and made sure I visited a supplier specialising in Oeko-Tex-certified materials, because women’s health and the quality of what we put on our bodies are important to me.

For me, sustainability is part of a much bigger conversation. I’m not necessarily trying to sell sustainability as a label. I’m selling high-fashion activewear that makes women feel good while also being intentional about the materials we use. I felt that activewear had become extremely generic, and I wanted to bring something more exciting to the market—something that takes us back to the ’80s and ’90s, when fashion felt playful and expressive.

One of the biggest challenges was realising just how much of a team I needed. It might not look like it from the outside, but almost everything on my business page has been run by me. I curate the shoots, work on the designs, source influencers and oversee the brand. From the beginning, I was building with an international market in mind.

Lately, though, I’ve started to recognise an opportunity in African markets for that same product. I believe people across Africa are looking for quality products, and if I have the capacity to provide women with products that are stylish, well-made and thoughtfully produced, that is something I want to pursue.

One of my goals is to eventually open a store in Uganda.

You hold a degree in Business Administration and have spent a decade modelling across Africa and beyond. How has that international experience shaped how you plan to represent Uganda in Puerto Rico?

After a decade in the fashion industry, working with brands and publications such as Dior, Ivy Park, Chanel, Fendi, Harper’s Bazaar and Vogue, I’ve built a level of access that I never fully understood how to use for a greater purpose. That access has taught me what people in these international spaces are looking for, how these industries operate and how global conversations are shaped.

Now I have an opportunity to use that access to spotlight Uganda in a much stronger way. I want to use this platform to create greater access for Uganda—to put my country on the global stage and have us recognised not only for our fashion and creative talent, but also for the heart, resilience and spirit of our people.

I hope I can take everything I’ve learned over the last decade, the relationships I’ve built and the access I’ve been given, and use all of it to leave a meaningful mark for my country.

What should Uganda expect from you as November approaches?

I’m genuinely excited for everyone to see what’s in store. We have some major plans, and we’re working very intentionally behind the scenes to make sure Uganda is represented at the highest possible level.

One thing I can say with confidence is that Uganda will be remembered this year, and Black girls will be remembered once again.

I’m so excited to make everyone proud. We’re doing everything we can to put ourselves in a position that showcases the talent, creativity, heart and spirit of where I come from. A lot is happening behind the scenes, and I’m incredibly excited to see how everything comes together.

Most importantly, I want to make Uganda proud.

Photo Credit: Mitchelle Daka/Instagram

If you had one message for young Ugandan girls reading this, what would it be?

The race is not won by the fastest runner, but by the most consistent one over time—over months and over years. Slow and steady does it.

I’ve been speaking about this a lot because, in this virality-focused generation, I think we sometimes forget the value of consistency, dedication, commitment and doing something you genuinely love. Eventually, it pays off—even when nobody is clapping for you, and nobody is watching. You’re going to feel proud of your life when you look back and realise you did everything you said you would do. That accountability to yourself is so important. You have to become a person who does what she says she will do.

That is also how you create opportunities for yourself. You keep showing up, you keep doing the work, and eventually the world has no choice but to notice.

Photo Credit: Mitchelle Daka/Instagram

Between the brand, the podcast, the foundation work and now this crown, you’re carrying a lot at once. How do you personally stay grounded through it all?

Honestly, I think I have too much to do to coast.

There is always something to build, something to work towards and a goal in front of me. I’m very intentional about staying focused on the work that needs to be done.

The gym keeps me grounded. I surround myself with people who motivate me and bring out the best in me, and the dream itself fuels me. Anything that moves me closer to the things I’ve envisioned for my life makes me happy.

My faith is also a big part of that. I’m a firm believer in manifestation and in trusting that things happen at the right place and at the right time. This is a moment I’ve dreamed about for a very long time, and now that we’re here, I feel even more intentional about what I do with it. For me, staying grounded is about remembering my why, staying focused and doing the work.

Thank you for your time, Mitchelle

Thank you for having me.

The post Exclusive: Mitchelle Daka On Becoming Uganda’s First-Ever Miss Universe appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Lead actress Ifeoma Obinwa appears in a scene from filmmaker Dika Ofoma’s short film A Happy Ending.

Dika Ofoma has been labelled a festival filmmaker because at the start of his career, he uploaded his films to YouTube, with no plans beyond that. It was other filmmakers who spotted his films on the streaming platform and encouraged him to submit to festivals. C. J. Obasi among them. “I took it seriously,” Dika said, “and that was how the festival filmmaker path was born.”

Dika has made peace with where that path has taken him. “For me, what is important is telling stories and for people to listen to the stories I’m telling. Whatever opportunities provide an audience for these films, whether it’s on YouTube, festivals or whether it’s to take it to the box office, I’m very much open,” he says. 

Dika’s brilliance, however, continues to shine, as proven once more in the final drop of Zikoko’s Life 2: ‘A Happy Ending’. In the film, Dika brings Tatiana’s story to life, drawing on a character and experience that feels deeply grounded in the realities of a real woman. It is another example of the filmmaker’s instinct for finding the emotional truth in ordinary, complicated lives.

Film still from director Dika Ofoma’s short film A Happy Ending, featured in Zikoko’s Life 2 series.

In this conversation, Dika talks about his journey from making films for YouTube to becoming a familiar name in Nigeria’s film industry, the creative choices behind A Happy Ending, and what it means to keep telling stories without becoming too attached to where they might take him.

Initially, Dika had a casting problem with ‘A Happy Ending’. He needed someone who understood the film’s intention to play the lead actress.. Tatiana is a young woman who moves to Lagos to work as a masseuse.  Her job exposes her to a wealthy politician who enjoys the add-on of happy endings to his massages. The professional relationship between the pair goes beyond the spa and becomes more than Tatiana intended. He had an actor in mind, but after reading the script, she turned it down. 

Her reason stuck with him because two other actors shared the same sentiments. They wouldn’t play Tatiana because she wasn’t written as a victim. She didn’t have a sick mother back home, no pressing issues that required the support of a politician, and no gun to her head. Tatiana was a young woman who weighed her options and chose the one that kept her dreams alive. 

Dika found this experience telling. “It opened my eyes to the sort of society that we live in,” he says. He admits that he’s surrounded himself with “a lot of progressives” for so long that he had “forgotten how conservative our society is.” The truth is that people need it “to be such a miserable story for them to empathise and understand why a person would get into sex work”.

His refusal to write Tatiana as a broken woman came from the real woman who inspired her story. Speaking about the woman, he says, “What was clear was that she didn’t think of herself as a victim.” “She knew that she was economically disadvantaged, and she wanted a better life for herself, her siblings, and for their parents. Knowing all this, it became important for me that I captured that in the script.”

A spa scene from Dika Ofoma’s short film A Happy Ending, starring Ifeoma Obinwa.

He is equally clear about why that mattered to him as a storyteller. “It’s so important to give the characters agency to make choices, even under pressure. This person is a human adult, and they can make decisions.”

Dika eventually found his Tatiana in Ifeoma Obinwa, whose Igbo instantly convinced him. “I’m an Igbo speaker, and I can tell when the Igbo is good,” he says. Her audition sealed it. “When I looked at her, I was like, yeah, this is really Tatiana.”

The person who nudges Tatiana into sex work, Madam Ngozi, could easily have been the film’s villain, but Dika refused to do that. “I didn’t want to write her as a villain,” he says. “I never go in thinking, who’s the bad guy here? I don’t think great stories come from writing people as black or white. Where there’s a bad guy, and there’s a good one.”

Instead, he gives her a backstory that mirrors Tatiana’s. “I imagine that the circumstances might have been a lot harder for her than it was for Tatiana,” he says. “And so, she sees Tatiana as her younger self.”

A quiet character scene illustrating female friendship in Dika Ofoma’s short film A Happy Ending.

His favourite scene is the one where Madam Ngozi hands Tatiana a contraceptive and tells her to look after herself. “That was the scene where we could really see her as human, outside of running her spa and being a madam.”

He also speaks on how little self-awareness Madam Ngozi has about her role in Tatiana’s situation. “It is not often that people recognise that what they’re doing is not in order.” He even suggests, almost gently, that Madam Ngozi “could have thought of that as an act of kindness.”

The bond between Tatiana and her best friend Ginika carries much of the film’s warmth. But Dika explains that he wasn’t trying to make a grand statement about women specifically.

“I didn’t go into the story trying to say something about female friendships. I was simply trying to talk about friendship,” he says. “I have male friends, I have female friends, and it’s the same in how we care for each other. We look out for one another.”

Character scene from Dika Ofoma’s A Happy Ending exploring friendship and identity in Zikoko’s Life 2 series.

Still, he can see how naturally it reads as something closer to sisterhood. Especially watching how easily his two lead actresses built real chemistry. “It feels as though it’s a story about Tatiana, but it’s also very much Ginika’s story, and it’s about their friendship as well,” he says.

Dika didn’t set out to make a film with a message stapled on it. He intended to write characters the way people actually are. Messy and with motives, and let the audience do the work of deciding what they think.

Watch the full film below

The post “She Didn’t Think of Herself as a Victim” — Dika Ofoma on “A Happy Ending” appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Leading actresses Funke Akindele, Chioma Akpotha, Bisola Aiyeola, and Waje pose together in structured traditional attire for The Four: No One Fights Alone.

Grab a chair real quick because we need to talk about Adire. Not the everyday fabric you throw on for a casual outing, but the kind that gives full wearable art—structured, striking, and built like it belongs in a museum exhibition. You already know this indigenous textile never goes out of style, but Nollywood filmmaker Funke Akindele just completely elevated the game for the cast announcement of her upcoming movie, The Four: No One Fights Alone.

Funke Akindele wears a custom puff-sleeve Adire mini dress by Aso Nigeria paired with statement platform heels for the cast reveal of her film The Four: No One Fights Alone.

Scheduled for global cinema release on 11 December 2026, the film follows Esosa and three fiercely loyal women who risk everything to protect a young man’s future across the Odu community and the bustling city. To reveal an extraordinary cast featuring Funke Akindele herself alongside Bisola Aiyeola, Chioma Akpotha, Waje, Richard Mofe–Damijo (RMD), Timini Egbuson, Lateef Adedimeji, Ali Nuhu, Uzor Arukwe, and Wunmi Toriola, the production team turned to high-fashion Nigerian textiles.

The cast of Funke Akindele’s film The Four: No One Fights Alone pose in structured Adire outfits styled by ZackStyling Luxury.

Adire—the traditional hand-dyed resist fabric of the Yoruba people—takes center stage here, fully elevated into true wearable art. Wearable art turns fashion into an architectural canvas, where garments serve as living sculptures rather than standard clothing. Having structure in an outfit means building deliberate shape, sharp angles, and volume into the cloth so it holds its own form independently. Designed by Aso Nigeria for the women and Ola Reay for the men, under the direction of ZackStyling Luxury, these looks redefine how to wear colourful adire by leaning heavily into structural tailoring.

Richard Mofe-Damijo and Timini Egbuson in two distinct approaches to men’s adire fashion in custom Ola Reay ensembles styled by Zackstyling Luxury for Funke Akindele’s new movie The Four.

The women showcase avant-garde tailoring through exaggerated puffed butterfly sleeves, sharp off-the-shoulder upturned collars, corseted bodices, and gathered ruching. Funke Akindele poses in a custom puff-sleeve creation paired with a high braided hairstyle, while Bisola Aiyeola steps out in a Fleur poof skirt that showcases how volume transforms dyed cotton into structured art.

The visual narrative extends to sculptural hair threading shaped into looped top-knots, towering crests, and circular halo headpieces made from wrapped threaded spheres. Completed with cowrie-embellished caps, a brown cowboy hat, heavy gold link necklaces, stacked rings, and statement earrings, this visual reveal merges cultural heritage with editorial drama ahead of its December cinema release.

See more looks below

Bisola Aiyeola posing in an off-shoulder traditional silhouette with gold cuffs for the announcement shoot of Funke Akindele’s The Four.

Nollywood and Kannywood veteran Ali Nuhu dressed in a striped longline jacket and patterned trousers for The Four: No One Fights Alone.

Waje wearing custom yellow Adire-inspired traditional attire and statement gold accessories for The Four announcement photoshoot.

Musician Shoday featured in a red splash-print jacket and red trousers for his acting role in Funke Akindele’s The Four.

Actress Wumi Toriola wearing a structured puff-sleeve top and floor-length patterned skirt for Funke Akindele’s The Four announcement shoot.

Funke Akindele posing in a custom puff-sleeve ensemble and high braided hairstyle for her film The Four: No One Fights Alone.

Timini Egbuson, Bisola Aiyeola, and Richard Mofe-Damijo model structured Adire outfits for Funke Akindele’s film The Four: No One Fights Alone.

The post Adire Has Never Looked This Bold, Structured & Fashion-Forward appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Mr P smiles in a painter costume against a painted starry night sky in the visual set for his I Love You music video.

If you’re not boo’d up this season, you really might feel a little jealous, and we don’t blame you. Who wouldn’t after watching Mr P sing his heart out in his latest single, “I Love You Because,” while Stan and Blessing Nze spend the entire video reminding us what being completely in love looks like? From romantic dinners to quiet moments on the couch, the Nollywood couple gives us a love story that feels sweet, familiar, and completely convincing.

The music video is all about love in its everyday form. Mr P, whose real name is Peter Okoye, performs in striking settings while Stan and Blessing Nze take us through different expressions of love, sharing dinner, spending time together at home, and enjoying each other’s company in the simplest ways. The video beautifully captures the idea that love is often found in ordinary moments.

Visually, the video is a feast. Mr P performs inside a grand opera hall with golden classical architecture and a dramatic chandelier overhead, wearing richly embroidered black and green jackets that add a sophisticated edge to the production. The romantic scenes are presented inside a vintage wooden television frame, while painterly textures and artistic brushstrokes give the video a beautifully cinematic feel.

“I Love You Because” is a celebration of love, commitment, and companionship, and it also builds anticipation for Mr P’s highly anticipated second solo studio album, titled OG Forever, which is scheduled for release later in 2026. With Stan and Blessing Nze bringing the love story to life and Mr P delivering the emotion behind the song, this is one video that will have hopeless romantics hitting replay more than once.

The post Mr P’s “I Love You Because” Video with Stan & Blessing Nze Is the Sweetest Thing You’ll Watch Today appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Morris Chestnut wears a monochrome rose pink suit featuring a single-breasted jacket and a matching unbuttoned dress shirt.

If you’ve ever thought that some colours are simply off-limits for men, we need you to pause whatever you’re doing for a minute. Actually, make it five minutes. Have you seen Morris Chestnut in rose pink? Because we have, and we’ve been staring ever since. There’s no denying that the American actor is handsome, but seeing him in this rose pink suit takes his style to another level. It’s the kind of look that makes you question every “men can’t wear pink” opinion you’ve ever heard.

Known globally for iconic roles in films like Boyz n the Hood and The Best Man, as well as television series including Rosewood, Morris Chestnut has spent decades giving us polished red-carpet style. This appearance, though, feels especially interesting because it shows how a colour many men avoid can become the strongest part of a tailored look.

Morris Chestnut complements a rose pink monochromatic suit with a steel luxury watch, wedding band, and structured wide lapels.

Rose pink is a soft, muted shade with warm undertones that sits somewhere between blush and dusty rose, and it is quietly becoming one of the most stylish colours in modern menswear. If you’ve ever wondered whether men can wear rose pink or whether a rose pink suit is a good idea, this look gives a very convincing answer. The colour feels fresh, refined, and surprisingly versatile, especially when it is paired with sharp tailoring.

What makes the look work so well is that he commits fully to the colour. Instead of breaking up the outfit with a contrasting white shirt or a heavy tie, he goes for a head-to-toe rose pink palette. The single-breasted jacket with wide peak lapels, the matching button-down shirt, and the neatly tailored trousers all work together to create a polished monochrome look that feels modern rather than overly formal. Leaving the top buttons undone gives the outfit a relaxed edge, while the black leather dress shoes keep the softer tones grounded. A steel wristwatch and his neatly groomed beard finish the look without competing with the colour.

Morris Chestnut styles a rose pink suit with straight-legged high-waisted trousers and black leather footwear to anchor the pastel tones.

For men wondering how to style a rose pink suit, this is probably the easiest place to start. The colour is doing most of the work, so the styling stays focused on fit, structure, and proportion. A monochrome approach makes the outfit feel intentional, while well-cut trousers and a tailored jacket give the softer shade a more sophisticated finish. It is a great reminder that colourful menswear does not need to be complicated to make an impression.

Rose pink also works beautifully for weddings, cocktail events, fashion events, evening celebrations, and any occasion where you want a tailored look that feels different from the usual black, navy, and grey rotation. It photographs exceptionally well and adds warmth without becoming overwhelming, which is exactly why this outfit stands out.

If you’ve been looking for a sign to wear more colour, this might be it. Morris Chestnut’s rose pink suit is a reminder that great tailoring and the right shade can completely change the conversation around menswear. And if anyone still believes rose pink is not for men, this look has probably settled that debate.

Morris Chestnut highlights the warm undertones of a rose pink suit, paired with structured lapels, a luxury watch, and neat grooming.

***

Photo Credit: Morris Chestnut/Instagram 

The post Morris Chestnut Just Made Rose Pink the Colour Every Stylish Man Should Try appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

For generations, Cocoa House has been one of the defining features of the Ibadan skyline, standing as a reminder of the ambition and enterprise that shaped the city and the wider Western Region. At Cocoa House in Ibadan on August 7, 2026, Goldberg Lager unveiled a monumental talking drum installation above the iconic building, bringing one of Yoruba culture’s most recognisable symbols to one of Nigeria’s most historic structures.

The unveiling brought together two important parts of the region’s story. The talking drum has long played a role in Yoruba communication, celebration and storytelling, while Cocoa House, completed in 1965, remains a landmark of indigenous enterprise. The 26-storey building was financed from the proceeds of the region’s cocoa trade and was widely recognised as West Africa’s first skyscraper when it was completed.

The decision to bring the two together speaks to a shared history of identity, ambition and cultural expression. The talking drum was not simply an instrument for entertainment. Skilled drummers used changes in pitch and rhythm to convey praise, proverbs, announcements and messages, allowing stories and information to travel across communities. Giving the drum a place above Cocoa House brings that history into a contemporary setting and gives an enduring symbol of Yoruba culture a presence that can be seen across the city.

A tribute to the rhythm of our people.

For generations, Cocoa House has stood as a symbol of ambition, progress and pride. Today, the Goldberg Talking Drum extends that legacy as a living celebration of Yoruba heritage.

Every hour, the drum comes alive with the rhythm of Omolúàbí, followed by the chime of the hour an homage to the values, culture and character that continue to unite our people.

In this way, the installation is also a reflection of the Omolúàbí values that have long been associated with Yoruba culture and form an important part of Goldberg’s identity. Omolúàbí speaks to character, respect, pride in one’s heritage and the responsibility to contribute meaningfully to society.

Those values are reflected in Cocoa House itself; a building that emerged from the success of the region’s agricultural economy and stood as an expression of what local enterprise could achieve.

It is this meeting of heritage and ambition that gives the installation its significance. Cocoa House represents what our people were able to build. The talking drum represents the culture, values and rhythm that continue to define who we are.

Speaking on the significance of the installation, Abdulrahman Yinusa, Group Managing Director/CEO, Odu’a Investment, described the drum as a new chapter in the story of a building that has represented the region’s ambition for more than six decades.

“For over six decades, Cocoa House has been the most visible testament to the vision of our founding fathers – the progressive leaders of the Southwest who dared to build an indigenous economic empire. This building has weathered many storms, witnessed history and remained the enduring face of our collective ambition. We have not merely added a structure to the roof; we have crowned Cocoa House with a talking drum of our civilisation as a Yoruba people. The talking drum does not merely make sound. It speaks. It speaks proverbs, conveys emotions, announces the presence of royalty and reminds us of our togetherness as a community.”

“Every day and night going forward, it will remind us that our culture is not a memory. It is alive, it is assertive and it is proud.” It is also a reflection of the Omoluabi values that have long been associated with Yoruba culture and form an important part of Goldberg’s identity. Omoluabi speaks to character, respect, pride in one’s heritage and the responsibility to contribute meaningfully to society. Those values are reflected in Cocoa House itself, a building that emerged from the success of the region’s agricultural economy and stood as an expression of what local enterprise could achieve.

Goldberg’s “Our Beat. Our Gold.” platform draws from the same sense of cultural pride. The idea recognises the rhythms and shared experiences that continue to bring Nigerians together, whether through music, football, food, film, festivals, weddings or the everyday occasions that give communities a reason to gather and celebrate.

Those cultural expressions are no longer confined to Nigeria. Nigerian music now commands audiences around the world, Nollywood continues to expand its international reach, while Nigerian food, fashion and other aspects of the country’s cultural identity are finding new audiences across continents. For Goldberg, the Cocoa House installation provides an opportunity to place a distinct Yoruba symbol within that wider conversation and to celebrate a culture whose influence continues to travel.
Speaking at the unveiling, Sarah Agha, Marketing Director, Nigerian Breweries Plc, said the installation was designed to celebrate that heritage while creating something that could endure beyond the occasion itself.

“We are very proud to unveil the talking drum on one of West Africa’s most iconic buildings on behalf of Goldberg, and to celebrate this moment with the people of the Southwest. This is more than an installation; it is a celebration of our heritage, our cultural pride and the power of community. We believe it is a monument that will remain part of our shared legacy for many years to come.”

The unveiling brought together Goldberg ambassadors Kunle Remi and Odunlade Adekola, Big Brother Naija winner Imisi, creators, media personalities, cultural stakeholders, government representatives and consumers. Guests also travelled from Lagos to Ibadan for the occasion, reflecting the wider interest in the installation and its significance to the city.

The installation is expected to remain a prominent feature of the Cocoa House skyline, giving residents and visitors a new visual marker in a city already known for its history and cultural significance. For Goldberg, it is part of a broader effort to celebrate the people, traditions and cultural expressions that have shaped Nigeria while creating new ways for those stories to reach wider audiences.

Cocoa House has stood over Ibadan for more than six decades, witnessing the growth of a city that has played an important role in Nigeria’s history. It now carries another symbol of that heritage, connecting a familiar landmark with one of the most enduring expressions of Yoruba culture.

From Ibadan, the talking drum has found a new place to speak.
Our Beat. Our Gold.

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The post From Ibadan to the World: Goldberg Unveils Iconic Talking Drum Above Cocoa House appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Fifteen years after it first made Lagos laugh at itself, “London Life, Lagos Living” is heading from the page to the stage. Bobo Omotayo’s bestselling collection is being adapted into a live musical, headlined by Kate Henshaw, Linda Ejiofor-Suleiman and Gideon Okeke, for a three-day run at the Black Diamond Hotel, Victoria Island, from Friday, 28 August to Sunday, 30 August 2026.

There is a certain full-circle sweetness to this one. The book began as a series of short stories Omotayo wrote for his column right here on BellaNaija, under the moniker “The Renaissance Man“. First published in 2011, it went on to become a defining text for a generation living between two cities, witty, sharp-eyed, and unafraid to name out loud what everyone else only whispered about love, class, ambition, and identity.

The stage adaptation carries that voice into a live, immersive format. An ensemble cast performs interwoven monologues alongside movement and original music, staged in the round so that the audience sits inside the world of the stories rather than watching from a distance.

Speaking on the adaptation, Artistic Director Kenneth Uphopho, who has staged the work before, said the source material lent itself naturally to the stage because Omotayo‘s writing already made people laugh by simply telling the truth. He explained that the production takes the everyday collisions of the two worlds; British residency, NEPA, traffic, and jollof and sets them to a live band, using humor as its translator. The adaptation, he added, is ultimately about navigating two ways of living, one where you queue and one where you manage, and about the greetings and small exchanges that carry so much meaning.

The production is brought to the stage by Temple Productions and Pawstudios Africa. Speaking on the show, lead producer Ego Boyo, Managing Director of Temple Productions, described it as a story about identity, laughter, and the beautiful friction of coming home to a place that feels both new and familiar. She added that the stage version turns that shared laughter into music, community, and a mirror for the experience of living between two worlds.

Co-producer Brenda Fashugba, co-founder of Pawstudios Africa, said the production was built to feel like Lagos itself, loud, layered, surprising, and full of heart. She noted that the show takes the culture shock so many Nigerians live through and turns it into song, capturing the diaspora, home, traffic, and jara all at once.

Joining Henshaw, Ejiofor-Suleiman, and Okeke on stage are Olarotimi Fakunle, Chioma “Chigul” Omeruah, Sola Roberts, and a host of others.

The three-day run will hold from Friday, 28 August to Sunday, 30 August 2026, at the Black Diamond Hotel, Victoria Island, Lagos, with performances at 7:00 pm on Friday and at 4:00 pm and 7:00 pm on both Saturday and Sunday.

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The post Kate Henshaw, Linda Ejiofor & Gideon Okeke To Star In Stage Adaptation Of ‘London Life Lagos Living’ appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

The tension inside the Big Brother Naija “Show Ya Sef” house has hit another peak following the Sunday night evictions that saw Martins and Mercedes take their leave. With 16 housemates officially facing possible eviction this week, the game continues to keep everyone on their toes.

The 16 housemates up for eviction this week are Abi, Araga, Barry, Bells, Gerard, Goddessa, Kamsy, Keivo, Nomy, Oyin, Ricky, Sheba, Sultex, Temi Nkem, Tram, and Yusuf. With such a huge list on the line, the pressure sits firmly with the fans to keep their favourites in Biggie’s house.

However, a select group managed to secure total safety this week through competitive wins, voting twists, and veto moves.

Neche clinched safety early by winning the Week 3 Head of House challenge, taking total immunity alongside her new title. Following the HoH games came Biggie’s Conspiracy Hour nominations, where housemates voted for who they wanted to save. When the tally was in, Cassi, Bluethopia, and Gerard scored the highest safety votes.

That safety didn’t stick for everyone, though. Neche stepped up to use her HoH Veto Power, making the strategic decision to remove Gerard from the safe list, putting him straight onto the nomination block alongside the other 15 housemates.

Meanwhile, Chimsom Chuka remains safe after earning immunity as the Most Influential Player of the Week (MIPOW), while Aikou and Flora remain untouched on the safe list as the season’s Gambits.

Thanks to these twists, only Neche, Chimsom Chuka, Cassi, Bluethopia, Aikou, and Flora sit safely out of reach this week. For the 16 nominated housemates, staying in the game comes down entirely to public votes before Sunday night.

The post BBNaija Season 11 Week 3 Nominations: Who Is Safe and Who Is Up for Eviction? appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

All the drama, strategic twists, and key highlights from Big Brother Naija Season 11 Week 2 in one complete recap, proudly brought to you by Minimie Nigeria.

The honeymoon phase is officially over in the Big Brother Naija “Show Ya Sef” house! After an opening week of introductions, first impressions, and settling into life with a group of strangers, week two arrived with a clear message from Biggie: it is time to play the game. With alliances taking shape, tempers flaring, and everyone trying to secure their spot, this week was nothing short of chaotic—so grab your Minimie Chinchin to snack on as we unpack everything that went down.

Week Two Theme: “Game On”

After getting acquainted in week one, the housemates were challenged to start showing themselves in week two under the theme “Game On.” For their wager presentation, they were tasked with creating a unified brand identity for Season 11. The entire house had to work together to deliver a cohesive, creative, and entertaining performance that captured the spirit of “Show Ya Sef.” Every housemate was expected to participate, dividing responsibilities for design, performance, and writing amongst themselves.

Housemates seated together on the lounge couch during the tense Sunday night live show, featured in the BBNaija Season 11 Week 2 recap powered by Minimie Nigeria.

Biggie’s Conspiracy Hour and Eviction Nominations

Biggie shook up the house dynamics with a major twist, giving housemates permission to do something usually strictly forbidden: conspire. Contestants entered the Conspiracy Zone, getting two minutes to deliberate and strategise over who they wanted to keep safe. They were then called into the Diary Room one by one to nominate three housemates for safety.

When the votes were tallied, Barry, Bells, Cassi, Goddessa, and Tram were initially saved. However, Head of House Sheba held the Veto Power and exercised her authority by swapping Cassi out to grant safety to Chimsom Chuka instead.

Housemates watch intently as Ebuka Obi-Uchendu delivers eviction updates during the Big Brother Naija Season 11 Week 2 live show, brought to you by Minimie Nigeria.

Sheba Wins Head of House

Week two saw Sheba emerge victorious in the Head of House games to claim the second HoH title of Season 11. While the win brought bragging rights and complete immunity for the week, it did not grant automatic entry into the HoH Loft. Following the season’s twist, a lucky dip draw determined who moved into the luxury quarters. Sheba drew Cassi’s name, who then chose Nomy to join him upstairs.

Prize Money Fluctuation and MIPOW Reveal

Biggie delivered a massive bombshell this week: the ₦100 million grand prize is no longer guaranteed. The total prize pot will now fluctuate based on task performances and rule breaks, forcing housemates to actively protect their money.

To balance the stakes, Biggie brought back the Most Influential Player of the Week (MIPOW) title. Every week, housemates score each other based on their impact on house dynamics, tasks, and strategy. For week two, Chimsom Chuka was crowned the first Most Influential Player of the Week, securing absolute immunity from week three nominations along with special privileges.

Chimsom Chuka is the first elected most-influential housemate of the week this season!

And he is safe from eviction next week!#BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/E0FhOEM3mM

— BellaNaija (@bellanaija) August 9, 2026

Aikou and Flora Discover They Are the Gambit

While the audience learned the secret identities of the Gambit during the opening week, Aikou and Flora were finally brought into the Diary Room individually to hear the truth from Biggie. While Aikou took the news calmly, Flora broke down in tears, admitting she never wanted the Gambit role. Biggie issued a stern warning to both: revealing their Gambit status to any housemate results in instant disqualification.

Wetin concern Aikou and Flora with eviction? #BBNaijaS11 #BNxBBNaija11 #BBNaija pic.twitter.com/r3HZwF4iU0

— BellaNaija (@bellanaija) August 9, 2026

The First Wager Presentation Loss

Cooperation proved difficult for the house, resulting in their first wager presentation loss of the season. The preparation process was rocky, with heated arguments breaking out between Cassi, Bluethopia, and Temi Nkem, while Martins and Ricky clashed during rehearsals.

Although the housemates put up an energetic performance in the arena, Biggie noted that their presentation lacked proper coordination, structure, and creative execution. With the loss, the house forfeited their shopping allowance for the upcoming week.

Housemates react as the results of the week’s nominations are delivered during the Big Brother Naija Season 11 Week 2 live show, in the weekly recap sponsored by Minimie Nigeria.

House Clashes and Arena Games Winner

Living under one roof brought non-stop friction throughout the week. Heated exchanges broke out between Bells and Nomy, Oyin and Mercedes, as well as Nomy and Tram. Following the Friday Night Arena Games, Cassi and Goddessa also clashed over game placement.

On a brighter note for the women, Mercedes clinched victory in the Friday Night Arena Games with a 105-point performance, making her the first female Arena Games winner of Season 11.

Sunday Night Eviction Live Show

The week concluded with the high-stakes Sunday Night Eviction show hosted by Ebuka Obi–Uchendu. With nominations finalised after Sheba’s veto swap and the conspiracy sessions, housemates faced the public vote. By the end of the night, the journey came to an end for the first set of evicted housemates, Martins and Mercedes, resetting the house dynamics as Season 11 enters week three.

Ebuka: What’s going on through your mind right now? What’s next for you?

Martins: Such is life. I’m just focused on what’s next. I will surprise you the world. Stay locked in.#BBNaijaS11 #BNxBBNaija11 #BBNaija #BBNaija pic.twitter.com/J7zl5w6rBo

— BellaNaija (@bellanaija) August 9, 2026

Stay tuned for next week’s recap brought to you by Minimie Nigeria. You can connect with Minimie Nigeria across all social media platforms to keep up with all the fun:

• Instagram: @MinimieNigeria and @Minimienoodles
• Facebook: @Minimie Nigeria
• TikTok: @Minimie_nigeria
• X (Twitter): @MinimieNigeria

The post Everything That Happened in BBNaija Season 11 Week 2: Sheba, Chimsom, the Gambit Twist & the Evictions appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

Photo Credit: Isaiah Ekele/Pexels

Every year, Nollywood produces thousands of films that speak to the daily realities of Nigerians. From cinemas and streaming platforms to YouTube, the film industry guarantees yearly production, which shows how it continues to thrive despite structural challenges. According to popular claims, Nollywood is the second-largest movie industry in the world by production. However, despite the volume, the industry has found itself grappling with several dynamics of production because the materials for these productions are not homemade. So the evolution of the industry is somewhat dictated by external factors.

Years ago, when international streaming platforms like Netflix launched services in Nigeria, the goal of almost every filmmaker switched from the cinemas to having the next Netflix blockbuster. Everyone began making original films for streaming platforms. But when the streaming platforms cut down services in Nigeria, and across Africa, the distribution problem, which appeared to have been solved, resurfaced. Everyone returned to the cinema and YouTube.

Meanwhile, many filmmakers have raised concerns over cinema time alterations because, as it appears, Nigerians demand to watch a film based on the filmmaker, so the cinemas, demand-inspired, give more showing time to what the public demands.  Or so the claims say. Also, YouTube, while it has remained a global public platform, could also cut down services in Nigeria. Nigerian creators on the platform have already raised concerns about how creators in Nigeria receive revenues way lower compared to other countries. When YouTube packs up to leave, where do the thousands of Nollywood films on the platform go?

My point is that despite how big Nollywood has grown, it is always challenged by external factors. The latest external factor now is AI.

Like every industry, AI has seeped into Nollywood. The industry has produced a film about AI, and Nigerian filmmakers have started adopting it in their visuals and, perhaps, scriptwriting. One of the things that Nollywood continues to bank on is that there are always stories to tell because Nigeria is a multi-ethnic country, with people living diverse experiences. But despite the existing diverse stories, the industry has been criticised for low-quality or poor execution of the stories. AI, as it was intended, was meant to elevate an already solid creativity. But for an industry already criticised for low-quality stories, it is pertinent to ask whether it is ready to adopt AI or not.

Should Nollywood adopt AI?

A personal response to that is no. While the intention behind the creation of AI is the enhancement of creativity, it also tends to limit people’s abilities to generate original ideas, as several studies have examined. Nollywood has never been opposed to technology. For years, filmmakers have used visual effects (VFX), computer-generated imagery and other digital tools to create scenes that would otherwise be impossible or too expensive to produce. These technologies have helped filmmakers expand their imagination. The difference with AI, however, is that it does not merely help execute an idea; it can increasingly participate in generating the idea itself.

Moreso, most of the AI tools now available were not built specifically around African realities. Their training data, cultural references and visual understanding are largely shaped by information produced elsewhere. Ask AI to imagine a generic wedding, a city, a family or even a traditional African setting, and it can produce something that looks convincing at first glance. But look closely and the cultural inaccuracies begin to reveal themselves. The clothes may be wrong. The architecture may be unfamiliar. The mannerisms may feel artificial. The environment may resemble an imagined Africa rather than the Africa that Nigerians recognise.

The problem is not necessarily the use of AI itself but the absence of creativity behind its use. Technology should enhance an existing creative vision, not become a substitute for having one. And I believe this is why Nigerians are increasingly sensitive to the excessive use of AI in films. Nigerians have consumed Nollywood for decades, watched Hollywood and Bollywood, followed animation and grown alongside the industry. They understand what convincing visual effects look like, and they can recognise when something feels poorly executed or off. When audiences complain that a film relies too heavily on AI or that its visuals feel artificial, they are not talking about what they do not know. They are responding to a lack of creative authenticity.

The post Should Nollywood Adopt AI? appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

As people age, maintaining good health often requires more than occasional medical visits. It calls for an ongoing healthcare relationship built on trust, familiarity and a deep understanding of an individual’s evolving needs. Consistent access to quality medical care can help older adults manage chronic conditions, monitor key health indicators and take proactive steps to preserve their wellbeing.

Continuity of care plays a vital role in supporting healthy ageing. When healthcare providers have a comprehensive understanding of a patient’s medical history, treatment plans, medications and lifestyle factors, they are better equipped to deliver personalised, preventive and proactive care throughout every stage of later life. This approach not only supports better health outcomes but also helps older adults maintain their independence, mobility and quality of life for longer.

To support this need, OneHealth by AXA‘s Victoria Island Medical Centre offers a comprehensive Geriatric Care Package designed specifically to support older adults throughout the ageing journey. The package combines preventive healthcare, chronic disease management, specialist assessments and personalised care planning to ensure patients receive continuous support tailored to their unique needs.

Healthy Ageing Requires More Than Treating Illness

Unlike traditional healthcare models that focus primarily on treating illness, the Geriatric Care Package at OneHealth by AXA‘s Victoria Island Medical Centre places strong emphasis on preventive care, early intervention and long-term wellbeing.
Comprehensive geriatric wellness assessments help identify potential health concerns before they develop into more serious complications. These assessments evaluate multiple aspects of health, including physical wellbeing, cognitive function, mobility, nutrition, medication management and mental health, providing a holistic view of a patient’s overall condition.

OneHealth by AXA also supports patients living with conditions such as hypertension, diabetes, arthritis and cardiovascular disease through regular monitoring, personalised treatment plans and ongoing clinical oversight. This approach helps reduce the risk of complications and avoidable hospital admissions while supporting better long-term health outcomes.

Medication management is another important aspect of elderly care. As individuals age, they are often prescribed multiple medications to manage different health conditions. Regular medication reviews conducted through the Geriatric Care Package help ensure treatments remain appropriate, minimise the risk of adverse drug interactions and support safer long-term health management.

Supporting Independence and Quality of Life

A key component of healthy ageing is cognitive health. As awareness of age-related cognitive decline and dementia continues to increase, routine memory and cognitive assessments can help identify concerns at an earlier stage and support timely interventions for patients and their families.

Mobility and fall prevention are equally important considerations. Falls remain one of the leading causes of injury among older adults and can significantly affect independence and quality of life. Through mobility assessments, fall-risk evaluations and personalised recommendations, OneHealth by AXA helps older adults remain active, safe and confident in their daily lives.

Recognising that access to care may become more challenging with age, the programme offers both in-clinic consultations and home-based services. This patient-centred approach improves access to care while providing reassurance for family members seeking reliable support for their loved ones.

According to Dr. Akinlawon Olamide, OneHealth by AXA’s Victoria Island Medical Centre Coordinator, healthy ageing requires more than responding to illness when it occurs.

“As people age, their healthcare needs become more connected and continuous. Our Geriatric Care Programme is designed to provide older adults with personalised, proactive support that helps them maintain their health, independence and quality of life. We believe healthcare should evolve with patients through every stage of life, delivering consistent care that places equal emphasis on prevention, early intervention and treatment.“

Through its comprehensive Geriatric Care Package, OneHealth by AXA’s Victoria Island Medical Centre is helping older adults age with confidence by providing preventive care, chronic disease management and personalised health support. By prioritising continuity of care and healthy ageing, the programme enables patients to maintain their independence, improve their quality of life and access the support they need throughout every stage of later life.

Individuals seeking specialist geriatric support for themselves or their loved ones can schedule a consultation through OneHealth by AXA‘s official booking channels.

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Energetic crowd of Nigerian sports fans wearing green, cheering during a stadium event. Photo Credit: Jonathan Shembere/Pexels

Every individual has a shadow, a part of themselves that contains fears, prejudices, insecurities and uncomfortable truths they would rather ignore. Nations have shadows too. Meanwhile, for a country like Nigeria, its shadow is not defined by a single event or institution. It is reflected in the habits and attitudes that undermine progress: corruption that is excused as a way of life, silence in the face of injustice, discrimination that divides communities, and a reluctance to hold self and leaders accountable.

Nigerians often celebrate their resilience, hospitality and entrepreneurial spirit. These are qualities they should be proud of. But patriotism is not only about celebrating self-strengths; it is also about having the courage to confront our weaknesses. No country can build lasting prosperity while refusing to examine the behaviours that underwhelm its development.

When public resources are diverted for personal gain, it means fewer medicines in health facilities, overcrowded classrooms, poor roads, and fewer opportunities for young people seeking employment. Corruption is not an abstract concept; it affects the daily lives of ordinary Nigerians. Likewise, when citizens witness wrongdoing but choose silence because “nothing will change,” that silence becomes part of the problem. Change begins when integrity becomes everyone’s responsibility, not just that of public officials.

Personal shadows also appear in homes and communities. Domestic violence, child neglect, discrimination, and harmful cultural practices often remain hidden because families fear shame or public embarrassment. Yet problems that are concealed rarely disappear. They usually grow.

Facing shadows collectively means recognising that genuine development requires honesty rather than dwelling on failures. When a nation acknowledges its shortcomings, it is better positioned to correct them than one that pretends they do not exist.

Nigeria has enormous potential. A youthful population, abundant natural resources, talented professionals and resilient communities who build and stand for themselves without government resources. These strengths provide a solid foundation for national transformation. However, potential alone is not enough. Progress depends on the values that guide our decisions every day.

Integrity, accountability, compassion and respect for the rule of law are not merely ideals for speeches and policy documents. They are habits that must be practised in public offices, businesses, schools, places of worship and within our families.

The future Nigerians desire cannot be built solely through government programs or economic investments. It must also be built through character. Every citizen contributes to the moral fabric of the nation by the choices they make, whether anyone is watching or not. This means collectively demanding better from the government, checking ourselves as citizens on how to be better, cautioning one another when and where needed. Don’t urinate in public. Don’t destroy public amenities. Pay your taxes. Vote.

If Nigeria is to realise its full potential, Nigerians must be willing to look honestly at who they are today while working together to become the nation they aspire to be tomorrow. True patriotism is not found in denying our imperfections. It is found in having the courage to face them and the determination to change.

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Richard Mofe-Damijo and Timini Egbuson in two distinct approaches to men’s adire fashion in custom Ola Reay ensembles styled by Zackstyling Luxury for Funke Akindele’s new movie The Four.

Gentlemen, please report to the front. Ladies, bring your favourite man with you because we have found your next wedding, party, and “I need a native outfit that doesn’t look boring” reference. Richard Mofe–Damijo and Timini Egbuson have stepped out in Adire looks for the cast announcement of Funke Akindele’s new movie, The Four: No One Fights Alone, and we are officially staring.

Can we start with RMD? Because this is what happens when someone decides that one colour is simply not enough. He wears a matching Adire suit in berry, deep purple, and indigo tones, with geometric panels and dotted patterns running across the jacket, shirt, and flared trousers. Then he adds a brown cowboy hat, yellow-tinted sunglasses, and dark leather loafers, and suddenly the conversation is no longer “How do men wear Adire?” but “Where can I get this made?”

Veteran Nollywood actor Richard Mofe-Damijo (RMD) sits in a custom berry, deep purple, and indigo adire suit by Ola Reay, featuring geometric patterns, flared trousers, a brown cowboy hat, and studded loafers styled by Zackstyling Luxury.

Timini takes a completely different route, which is exactly why these two looks work so well together. His blazer is split into two bold colour stories: navy and mustard on one side, red and gold on the other. Instead of piling on more print, he pairs it with wide-leg navy trousers and a dark inner top, while the cowrie-detailed cap, round sunglasses, layered jewellery, and black split-toe shoes give the outfit a fashion-week-meets-Lagos finish.

Close-up portrait of Timini Egbuson featuring a split-colour batik blazer by Ola Reay, accessorised with a cowrie-embellished cap, gold watch, and off-white round sunglasses.

If you’ve ever wondered how men can style Adire, wear colourful Adire, or make traditional fabrics feel current, this is your answer. A structured jacket, well-cut trousers, and a few strong accessories can completely change the conversation.

The looks were styled by Zackstyling Luxury and designed by Ola Reay, and they arrive at the perfect moment because The Four: No One Fights Alone has one of the most talked-about casts in Nollywood. Funke Akindele leads the film alongside Bisola Aiyeola, Chioma Akpotha, Waje, Richard Mofe-Damijo, Timini Egbuson, Lateef Adedimeji, Uzor Arukwe, Wunmi Toriola, Ali Nuhu, Antar Laniyan, Ronke Oshodi Oke, Shoday, Samuel Banks, Kolapo Omotosho, and Ayomide Iwasokun.

We came for the movie announcement, but somehow we’re leaving with a shopping list.

Richard Mofe-Damijo and Timini Egbuson in two distinct approaches to men’s adire fashion in custom Ola Reay ensembles styled by Zackstyling Luxury for Funke Akindele’s new movie The Four.

Timini Egbuson showcases a split-colour batik blazer paired with high-waisted deep navy trousers, a cowrie-embellished cap, and off-white round sunglasses alongside Bisola for Funke Akindele’s upcoming film, The Four: No One Fights Alone.

RMD and Timini Egbuson posing together in custom bespoke adire menswear during the official cast unveil for Funke Akindele’s upcoming film The Four: No One Fights Alone.

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Photo Credit: Ola Raey/Instagram

The post RMD & Timini Egbuson Look Absolutely Stunning in Adire for “The Four” Cast Announcement appeared first on BellaNaija - Showcasing Africa to the world. Read today!.

BBNaija Season 11 housemate Chimsom Chuka posing in a dark navy blue double-breasted blazer with contrast lapels and an afro hairstyle. Photo Credit: Chimsom Chuka/Instagram

When Big Brother Naija Season 11 kicked off, Chimsom Chuka (full name Chimsom Chuka–Okoli) made his intentions crystal clear from the very first frame: he came to bring authenticity, deliver unmatched humour, and enjoy every single bit of the ride. The 27-year-old from Anambra, currently based in Lagos, walked into Biggie’s house on premiere night and has not stopped making his presence felt since.

Before Big Brother Naija, Chimsom Chuka-Okoli was living a full life. A trained pharmacist who graduated from Madonna University, he also works as an actor and runs his own creative agency. He is the kind of person who does not fit into one box, and he made that clear from his very first introduction. “I’m a pharmacist, I’m an actor, I’m a creative director. I run a creative agency,” he said, before adding with complete confidence: “I don’t hustle, people. I don’t hustle. I’ve hustled. I’m not like you.” The house laughed. He meant it.

Chimsom Chuka seated in a regal black velvet cape outfit with lion crests and coral beads for the BBNaija Season 11 launch. Photo Credit: Chimsom Chuka/Instagram

His reasons for joining the show were refreshingly straightforward: free food, free drinks, parties, and no bills for three months. “How far now?” he said. “It’s vibes all the way.” But underneath the easy confidence is someone who is actually very strategic. He describes himself as chilled and good under pressure, acknowledges that he used to tell white lies but is working on it, and admits that love and strategy get complicated once real feelings get involved. He is currently in a relationship, though he entered the house fully focused on one thing: being the last housemate standing.

Chimsom Chuka in a full-length studio portrait wearing a navy tailored suit paired with black dress boots, leaning casually on a tall wooden stool. Photo Credit: Chimsom Chuka/Instagram 

Chimsom became the first Head of House of BBNaija Season 11 after winning the opening challenge, earning absolute immunity from the first week’s eviction nominations. Season 11 came with a major twist though. Unlike previous seasons, the Head of House no longer automatically moves into the luxury loft. Instead, Chimsom had to draw a name from Biggie’s Lucky Dip box, which landed on Tram, who then chose Sheba to join him in the loft.

Season 11 housemate Chimsom Chuka making a red carpet statement at AMVCA 2026 wearing a sharp, asymmetric double-breasted suit accented with white crest buttons, a metallic brooch, neat cornrow braids, and a walking cane. Photo Credit: Chimsom Chuka/Instagram

In Week 2, Head of House Sheba used her veto power to save Chimsom from the eviction list, replacing Cassi with her own save. And then came the cherry on top. Chimsom was named the first Most Influential Player of the season for Week 2, a new title introduced to recognise the housemate who has the biggest impact on tasks, strategy, and house dynamics each week. The title came with special rewards and, crucially, immunity from Week 3’s eviction nominations.

Head of House in Week 1. Saved in Week 2. Most Influential Player and immune again in Week 3. It seems Chimsom Chuka is not just having fun in that house. He is playing a very deliberate game, and so far, it is working.

BBNaija Season 11 housemate Chimsom Chuka wearing an olive green kimono two-piece outfit styled with newspaper print panels, cross-body pouches, and dark round sunglasses. Photo Credit: Chimsom Chuka/Instagram

Chimsom Chuka wearing a dark navy blue traditional Nigerian kaftan paired with a classic patterned embroidery cap and a black smartwatch. Photo Credit: Chimsom Chuka/Instagram 

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Side-profile portrait of bride Jarvis and groom Peller sharing a sweet moment during their official white wedding photoshoot.

The wedding ceremonies of Peller and Jarvis have given us one thing for sure: style and fashion, both from the couple themselves and from the guests who showed up in their finest Nigerian celebration looks. And if you thought you had seen enough of their wedding looks already, wait until you see the white wedding. That was where the fashion conversation really settled in.

Having tied the knot over the weekend, their white wedding looks were easily one of the biggest highlights of the day. Every photo felt carefully put together, and it was impossible not to notice how well the bride and groom complemented each other from head to toe.

Full-length portrait of Peller and Jarvis standing together in their custom white wedding outfits styled by Goodnews Emmanuel Icon.

Jarvis wore a breathtaking Veekee James wedding gown that was all about structure, detail, and a dramatic silhouette. The fitted mermaid dress featured a high illusion neckline covered in cascading pearl and crystal strands, giving the effect of jewellery flowing into the gown itself.

The corset-style bodice was designed with visible structured boning, embroidered scrollwork, and dense beadwork that added depth across the entire dress. Long sheer lace sleeves with pearl-trimmed cuffs, a sculpted satin basque waistline, and a cathedral-length train completed the look beautifully. The train was finished with a striking beaded design centred around a “JP 26” monogram, while a pearl-studded veil and a bouquet of white roses brought everything together.

Bridal portrait of Jarvis wearing a custom Veekee James mermaid wedding dress featuring a high illusion neckline, structured corset, and an ornate beaded train.

Peller matched the mood perfectly in a tailored black-tie look by T.I Nathan. He wore an off-white double-breasted spencer-style jacket with sharp peak lapels, structured shoulders, and a cropped waist-length cut that gave the outfit a clean architectural feel. The jacket was paired with a white dress shirt, an oversized black satin bow tie, high-waisted black tailored trousers, and polished black patent leather shoes.

His wire-rimmed glasses and neatly styled high-top fade added a cool finish that worked really well against the classic tuxedo silhouette.

Full-length portrait of Peller wearing a custom T.I Nathan off-white spencer-style tuxedo jacket paired with high-waisted black trousers.

The styling deserves its own round of applause because Goodnews Emmanuel Icon clearly understood how to keep both looks connected without making them identical. Jarvis’s gown brought all the grandeur, while Peller’s tuxedo kept things refined and contemporary, creating a balance that made their photos even more striking.

The couple first became husband and wife during their traditional wedding before celebrating their white wedding this weekend, and this new chapter has also introduced a fresh set of fashion references for anyone planning a wedding. Between Veekee James’s sculpted bridal craftsmanship, T.I Nathan’s sharp tailoring, and Goodnews Emmanuel Icon’s styling direction, Peller and Jarvis gave us a white wedding look that people will be talking about for a long time.

Jarvis holding her white bouquet while displaying the extensive beaded detail and sunburst pattern on her cathedral-length train.

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Photo Credit: Veekee James/Instagram

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Big Brother Naija Season 11 housemate Neche officially claims the Week 3 Head of House crown after winning the arena games challenge.

The pace inside the Big Brother Naija house just accelerated, and Neche is officially steering the ship for Week 3. Fitting perfectly into this week’s theme, “go hard or go home,” she put on a decisive performance in the arena games, outlasting Chimsom in a tightly contested final showdown to secure the crown. The victory grants her total immunity from the upcoming eviction nominations alongside a collection of special treats directly from Biggie, guaranteeing her safety as the remaining housemates navigate another high-stakes week.

Her takeover resets the dynamic in the house just as the current living arrangements take full effect. Sultex, who earned the loft occupant spot, selected Oyin to join him upstairs, while Nomy remains stuck in bench-warmer status, serving her ongoing punishment by wearing her designated vest at all times. Neche stepping into executive power adds a fresh layer of authority to the mix, giving her full command over daily task coordination and house organisation.

Before stepping onto the Big Brother stage, the 25-year-old Anambra native, whose full name is Chinaecherem Maduagwu, built an impressive career as a lawyer and public prosecutor after being called to the Nigerian Bar. Beyond the courtroom, she is a versatile entrepreneur who runs her own activewear brand, Cheycompany, co-owns a luxury business with her twin sister, and trades in foreign exchange markets. Combining her sharp legal mind with a natural drive for business, she brings both intellect and ambition into the house. As Week 3 gets underway, all eyes are on how she channels her momentum to direct house affairs and protect her standing.

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