Best Ghost Short Stories Blog

The Goblins Who Stole a Sexton Ghost Story by Charles Dickens

noreply@blogger.com (Unknown) — Sun, 18 Dec 2022 14:03:00 +0000

When people think of Charles "Boz" Dickens (1812-1870) around Christmastime, they obviously think of "A Christmas Carol." It was published to much fanfare on December 14, 1843. Yet it is relatively unknown that seven years prior, Dickens published another scary ghost story for Christmas. The scary story was first published in 1836 and later appeared as Chapter 29 in The Pickwick Papers. The ghost story is both funny and horrific in parts, reminiscent of A Christmas Carol in this regard.

Charles Dickens

The name of the story is The Goblins Who Stole a Sexton and it is one of Dickens's best ghost stories. It followed in the grand English tradition of telling ghost stories around Christmastime. The protagonist is one Gabriel Grub, a "sexton and grave-digger" who is going about his business on Christmas Eve when horror strikes among the gravestones. I will let you read it for yourself.

#dickensghoststories #goblinwhostoleasexton #christmasghoststories #dickenschristmastales #dickensgoblins #DickensHolidayStories #AndrewBarger

noreply@blogger.com (Unknown) — Sat, 28 May 2022 20:19:00 +0000

Nathaniel Hawthorne

Nathaniel Hawthorne was no stranger when it came to telling a scary ghost story. His "Legends of the Province House" was mentioned as being exemplary by H.P. Lovecraft and his 1835 story titled "Graves and Goblins" is quite good. But this post is about Lady Eleanor's Mantle, and one of the scary ghost stories for the first half of the nineteenth century. "Lady Eleanor's Mantle" is a tightly-woven scary short story of pestilence and because of that it draws certain parallels to Edgar Allan Poe's "Mask of the Red Death," which is included in my book: The Best Ghost Stories 1800-1849: A Classic Ghost Anthology.

Now, a little background about the story. Samuel Shute was the Royal Governor of Massachusetts for seven years, from 1716 to 1723. Without giving away too much, the horror story contains an insane person and there was an outbreak of smallpox in Boston during the winter of 1721-1722. Over 800 people died in the outbreak.

LADY ELEANORE'S MANTLE

LADY ELEANORE ROCHCLIFFE, being orphaned, was admitted to the family of her distant relative, Governor Shute, of Massachusetts Bay, and came to America to take her home with him. She arrived at the gates of Province House, in Boston, in the governor's splendid coach, with outriders and guards, and as the governor went to receive her, a pale young man, with tangled hair, sprang from the crowd and fell in the dust at her feet, offering himself as a footstool for her to tread upon. Her proud face lighted with a smile of scorn, and she put out her hand to stay the governor, who was in the act of striking the fellow with his cane.

"Do not strike him," she said. "When men seek to be trampled, it is a favor they deserve."

For a moment she bore her weight on the prostrate form, "emblem of aristocracy trampling on human sympathies and the kindred of nature," and as she stood there the bell on South Church began to toll for a funeral that was passing at the moment. The crowd started; some looked annoyed; Lady Eleanore remained calm and walked in stately fashion up the passage on the arm of His Excellency. "Who was that insolent fellow?" was asked of Dr. Clarke, the governor's physician.

"Gervase Helwyse," replied the doctor; "a youth of no fortune, but of good mind until he met this lady in London, when he fell in love with her, and her pride and scorn have crazed him."

A few nights after a ball was given in honor of the governor's ward, and Province House was filled with the elect of the city. Commanding in figure, beautiful in face, richly dressed and jewelled, the Lady Eleanore was the admired of the whole assembly, and the women were especially curious to see her mantle, for a rumor went out that it had been made by a dying girl, and had the magic power of giving new beauty to the wearer every time it was put on. While the guests were taking refreshment, a young man stole into the room with a silver goblet, and this he offered on his knee to Lady Eleanore. As she looked down she recognized the face of Helwyse.

"Drink of this sacramental wine," he said, eagerly, "and pass it among the guests."

"Perhaps it is poisoned," whispered a man, and in another moment the liquor was overturned, and Helwyse was roughly dragged away.

"Pray, gentlemen, do not hurt my poor admirer," said the lady, in a tone of languor and condescension that was unusual to her. Breaking from his captives, Helwyse ran back and begged her to cast her mantle into the fire. She replied by throwing a fold of it above her head and smiling as she said, "Farewell. Remember me as you see me now."

Helwyse shook his head sadly and submitted to be led away. The weariness in Eleanore's manner increased; a flush was burning on her cheek; her laugh had grown infrequent. Dr. Clarke whispered something in the governor's ear that made that gentleman start and look alarmed. It was announced that an unforeseen circumstance made it necessary to close the festival at once, and the company went home. A few days after the city was thrown into a panic by an outbreak of small-pox, a disease that in those times could not be prevented nor often cured, and that gathered its victims by thousands. Graves were dug in rows, and every night the earth was piled hastily on fresh corpses. Before all infected houses hung a red flag of warning, and Province House was the first to show it, for the plague had come to town in Lady Eleanore's mantle. The people cursed her pride and pointed to the flags as her triumphal banners. The pestilence was at its height when Gervase Helwyse appeared in Province House. There were none to stay him now, and he climbed the stairs, peering from room to room, until he entered a darkened chamber, where something stirred feebly under a silken coverlet and a faint voice begged for water. Helwyse tore apart the curtains and exclaimed, "Fie! What does such a thing as you in Lady Eleanore's apartment?"

The figure on the bed tried to hide its hideous face. "Do not look on me," it cried. "I am cursed for my pride that I wrapped about me as a mantle. You are avenged. I am Eleanore Rochcliffe."

The lunatic stared for a moment, then the house echoed with his laughter. The deadly mantle lay on a chair. He snatched it up, and waving also the red flag of the pestilence ran into the street. In a short time an effigy wrapped in the mantle was borne to Province House and set on fire by a mob. From that hour the pest abated and soon disappeared, though graves and scars made a bitter memory of it for many a year. Unhappiest of all was the disfigured creature who wandered amid the shadows of Province House, never showing her face, unloved, avoided, lonely.

#NathanielHawthorneHorrorStory #HawthorneHorrorStory #HawthorneHorrorTale #LadyEleanorsMantle

The Best Ghost Short Stories for the First Half of the Nineteenth Century by Andrew Barger

noreply@blogger.com (Unknown) — Thu, 19 May 2022 17:55:00 +0000

Top 10 Ghost Stories for the First Half of the 19th Century.

The Best Ghost Stories 1800-1849: A Classic Ghost Anthology

10. The Ghostly Visiter; or, The Mysterious Invalid (1833)

This anonymous ghost story was published in a "penny dreadful" magazine in 1833. It is one of the most chilling ghost stories in relation to an incapacitated person for this fifty year period in review.

9. The Tapestried Chamber (1827)

Sir Walter Scott was a leading proponent of supernatural tales in Europe. The Tapestried Chamber is the second oldest scary story on this countdown and contains moments of sheer terror.

8. Adventure of the German Student (1831)

Washington Irving is best known for "The Legend of Sleepy Hollow," but the "Adventure of the German Student" is as compact a fright as one will find in a little ghost story.

7. The Old Maid in the Winding Sheet (1837)

Nathaniel Hawthorne makes his only appearance in the Top 10 with a horror tale that is superbly written. It was also an Edgar Allan Poe favorite.

6. The Spectral Ship (1828)

Wilhelm Hauff died in his mid-twenties, yet still showed early promise that he could have been one of the all time great supernatural writers. "The Spectral Ship" leaves an indelible tang of horror.

5. A Night in a Haunted House (1848)

This anonymous ghost story is the longest of the Top 10 and will make a person think twice when they hear a thump coming up the stairs.

4. The Mask of the Red Death (1842)

"The Mask of the Red Death" is perhaps Edgar Allan Poe's finest ghost story. The writing and symbolism are unparalleled for this period in question.

3. A Chapter in the History of a Tyrone Family (1839)

Joseph Sheridan le Fanu was the early king of the short ghost story. He would later go on to publish "Green Tea" and other ghostly classics.

2. The Deaf and Dumb Girl (1839)

This is the third anonymous story in the Top 10 and the very best of the lot. It will make you think twice when you see a quiet girl with ashen skin sit next to you on a train.

1. The Legend of Sleepy Hollow (1819)

Washington Irving's most popular ghost story--and perhaps the most popular ghost short story of all time (assuming Dickens's "A Christmas Carole" is a novella)--is "The Legend of Sleepy Hollow." Although typically disfavored in a scary ghost story, it is one of the first to do it without losing the element of terror and it is the oldest in the Top 10, which gives the story high marks for originality and creativity.

The Best Ghost Stories 1800-1849: A Classic Ghost Anthology includes story introductions, author photos, annotations and a list of ghost stories consulted by Andrew Barger. Buy it tonight!

The Best Ghost Stories at Google Books

The Best Ghost Stories at Amazon

The Best Ghost Stories at Barnes & Noble

#bestghoststories #bestghoststoryanthology #bestghostshortstoires #bestghostshortstorybook #bestghostshortstoryanthology

A Website that Tracks Potential Ghosts in Hotels - RoomSpook.com

noreply@blogger.com (Unknown) — Thu, 30 Dec 2021 15:29:00 +0000

For those of you who are interested in paranormal, I wanted to let you know about a website that tracks hotel deaths. You can find it at RoomSpook.com and the site can tell you if a death has occurred in your hotel room. While most people try to avoid staying in a room where there has been a death, such as a suicide, others specifically want to stay in rooms where there might be paranormal activity. You know who you are.

The Hotel Pennsylvania in New York City has recorded the most hotel suicides, currently at 32, in the RoomSpook database. One of the earliest suicides happened on June 15, 1921. On that date Kirk Moore jumped from the hotel to his death. He landed on the 7th avenue sidewalk curb, just missing a taxi cab. He was to stand trial the next day on child molestation charges after being caught inviting children into his car. Moore left a note to his wife that said in part: "Something broke in my head and I feel myself going." He was 28 years old and a graduate of Princeton University.

But wait, there's more! "RoomSpook tracks many undesirable events that, unfortunately, happen in hotels. They include: accidents, accidental deaths, assaults, bed bugs, communicable diseases, deaths by natural causes, murders, rapes, shootings by police, and suicides." This is what the site says about its current markets:

"RoomSpook.com, which allows travelers to search for unwanted “events” for free in their hotel such as bed bugs, deaths and communicable diseases like Covid-19, now has data covering 450,000+ hotel rooms, 1,200+ hotels and 3,940+ events in Anaheim, Brooklyn, Lake Buena Vista, Los Angeles, Las Vegas, New York City, and Orlando. The company is rapidly expanding to other markets."

If you are interested in ghosts, or even ghost stories, this is the site for you. Boo!

#RoomSpook #HotelDeaths #HotelBedBugs #HotelSuicides #GhostStories #HotelDeathNewYork #HotelDeathOrlando #HotelDeathLasVegas #HotelDeathLosAngeles

Best Ghost Short Stories 1850-1899 Interview with Andrew Barger

noreply@blogger.com (Unknown) — Sun, 20 Sep 2020 00:10:00 +0000

Andrew Barger Interview

Best Ghost Short Stories 1850-1899 Anthology

http://andrewbarger.com/bestghostshortstories1850.html

Q1. You have edited the best ghost short stories for the first half of the 19th century and now you are finishing off the century with your new ghost stories anthology?

A1. In the fantasy genre I wanted to start with the first modern form of short stories in the English language, which really began the first half of the 19th century. I published 6a66le: The Best Horror Short Stories 1800-1849, Shifters: The Best Werewolf Short Stories 1800-1849, Mesaerion: The Best Science Fiction Short Stories 1800-1849, Middle Unearthed: The Best Fantasy Short Stories 1800-1849 and Phantasmal: The Best Ghost Stories 1800-1849. Now I have moved on to the last half of the century with a collection of the best scary ghost stories.

Q2. Did you include background information on each story in the collection like your other anthologies?

A2. Yes. I can’t help it! I also include author photos, publication dates and a list of stories read at the end of the book.

Q3. What are some of the differences in the ghost short stories from the first to the last half of the century?

A3. The writing is at a higher level and, for the most part, the character generation is better. Also, for the first time in the century women began publishing in the ghost story genre. Mary Braddon, Rhoda Broughton, Catherine Crowe, Amelia Edwards, Mary Anne Evans (aka George Eliot), Florence Marryat (daughter of horror story writer Captain Frederick Marryat), Mary Louise Molesworth, Rosa Mulholland, Edith Nesbit, and many other women stood out as fine ghost story writers of the Victorian age.

Q4. Are any of the ghost stories in the anthology comedic? There are some funny ghost stories out there.

A4. Absolutely not. I have never liked funny ghost stories. The Legend of Sleepy Hollow is the exception. I want to be frightened in a ghost story. Boo!

Q5. Who are some of the more famous authors in the anthology?

A5. Joseph Le Fanu, M. R. James, Charles Dickens, Francis Marion Crawford, Rosa Mulholland, Bram Stoker, Edith Nesbit, Robert Chambers and Edward Bulwer-Lytton all have stories in the collection.

Q6. Do you have a favorite?

A6. “The Haunted and the Haunters” by Bulwer-Lytton is the foremost thing of its kind and, surprisingly, the oldest in the ghost short story anthology. It’s based on a true story and I include the actual letter telling about the haunted house in question. A guy decided to stay in the haunted house, but only with a “brace of pistols.” You will have to read the scary story to learn what happened.

Q7. Who were the most influential ghost short story writers in the back half of the 19th century?

A7. Certainly Joseph Le Fanu and M. R. James were first rate ghost short stories writers and the sheer number of stories they wrote in the genre exceeds nearly everyone else. When you look at it from the perspective of the author who supported others in the genre, Charles Dickens comes to the forefront. His “No. 1 Branch Line, The Signal Man” of 1866 sits firmly in the collection. As if his many ghost stories weren’t enough, Dickens fostered the literary careers of many talented supernatural authors by publishing them in his weekly magazine—All the Year Round, including Joseph Le Fanu, Wilkie Collins, Edward Bulwer-Lytton and Elizabeth Gaskell. M. R. James stood on the shoulders of Joseph Le Fanu and Fanu had his foundation in Charles Dickens.

Q8. Are there any stories by Henry James in the anthology?

A8. Henry James, on the other hand, was a proponent of the subtle ghost story. Enter the timid ghosts. As if filled by English sensibilities, they were rarely overt in their actions. They never jump out from behind the curtain and say “Boo!” Their presence was felt all the same yet in a more nuanced way than traditional ghost stories. James wrote cigar smoking, single malt scotch sipping tales. His “The Romance of Certain Old Clothes” (1868), “Sir Edmund Orme” (1892) and “The Friends of the Friends” (1896) are each well worth a read.

Q9. In Phantasmal: Best Ghost Short Stories 1800-1849 you gave an introduction titled “All Ghosts are Gray” where you drew attention to the lack of color in early ghost short stories. Does color play a role later in the century?

A9. Yes. Consider the color yellow, for instance. It morphed from the cheerful glow of flowering snapdragons and daffodils in the English countryside to one that forewarned of evil in Britain and the United States. It became a color to describe the sickly, instead of the happy. Yellow fever entered the vernacular and those outside of the African continent became fearful of the viral disease spread by female mosquitoes. This was especially true given the active slave trade in parts of America.

The color yellow soon became treated as a precursor to death thanks to writers in the supernatural community. By 1892, American Charlotte Perkins Gilman published her classic horror story “The Yellow Wallpaper.” In it the sickly colored wallpaper has a terrible effect on the occupant of the room. Three years later, fellow American Robert Chambers published his collection of short stories The King in Yellow that begged the overriding question “Have you found the yellow sign?” It contained the haunting ghost story “The Yellow Sign” (1895) included in this anthology and his treatment of the color in The King in Yellow has evolved into what is now referred to as the yellow mythos in supernatural literature.

Q10. Last question, how did ghosts change from the first to the last part of the century in question?

A10. The ghosts streaming from the pen of Dickens were highly communicative with the living. They were no longer stagnate beings of the spirit world who moved silently among the darkling corners of haunted houses, but rather interacted with the sorry lot of the living in ways never before seen in literature. In Phantasmal: Best Ghost Short Stories 1800-1849 there is an excellent story that was published anonymously titled “The Deaf and Dumb Girl” that is a fine example of how ghosts started out being rather innocuous.

#BestGhostStories #ClassicGhostStories #NineteenthCenturyGhostStories #AndrewBarger

Christmas is a time for Ghost Stories

noreply@blogger.com (Unknown) — Sun, 22 Dec 2019 15:33:00 +0000

Christmas is a Time for Ghost Stories

http://andrewbarger.com/bestghoststories1800.html

Scary short story author and humorist Jerome K. Jerome said in his 1891 introduction to an anthology of Christmas ghost stories “Told After Supper," "Whenever five or six English-speaking people meet round a fire on Christmas Eve, they start telling each other ghost stories." In 1963 Edward Pola and George Wyle wrote the popular Christmas song, "It's the Most Wonderful time of the Year," which told of "Scary ghost stories," that are told at Christmastime.

This Victorian tradition should be no different this year. Checkout "The Best Ghost Stories 1800-1849" and "The Best Ghost Stories 1850-1899" that I edited. The books include story backgrounds, annotations, author photos and a foreword titled "All Ghosts Are Gray." Buy PHANTASMAL: THE BEST GHOST STORIES 1800-1849 tonight and be ready to be scared. Boo!

The Tapestried Chamber (1827)

Sir Walter Scott was a leading proponent of supernatural tales in Europe. The Tapestried Chamber is the second oldest scary story in the anthology and contains moments of sheer terror.

Adventure of the German Student (1824)

Washington Irving is best known for "The Legend of Sleepy Hollow," but the Adventure of the German Student" is as compact a fright as one will find in a little ghost story.

The Old Maid in the Winding Sheet (1837)

Nathaniel Hawthorne makes his only appearance with a horror tale that is superbly written. It was also an Edgar Allan Poe favorite.

The Spectral Ship (1828)

Wilhelm Hauff died in his mid-twenties, yet still showed early promise that he could have been one of the all time great supernatural writers. "TheSpectral Ship" leaves an indelible tang of horror.

A Night in a Haunted House (1848)

This anonymous ghost story will make a person think twice when they hear a thump coming up the stairs.

The Mask of the Red Death (1842)

"The Mask of the Red Death" is perhaps Edgar Allan Poe's finest ghost story. The writing and symbolism are unparalleled for this period in question.

A Chapter in the History of a Tyrone Family (1839)

Joseph Sheridan Le Fanu was the early king of the short ghost story. He would later publish "Green Tea," which is contained in BEST HORROR SHORT STORIES 1850-1899: A 6A66LE HORROR ANTHOLOGY.

The Deaf and Dumb Girl (1839)

This anonymous ghost story is collected for the first time in any anthology since its original publication in 1839.

The Legend of Sleepy Hollow (1819)

#christmasghoststories #bestghoststories #ghoststories #classicghoststories #victorianghoststories #ghostshortstories #ghoststoryanthology

Haunted House Quote by Andrew Barger

noreply@blogger.com (Unknown) — Sat, 10 Nov 2018 15:58:00 +0000

Today's Mega Mansions

are

Tomorrow's Haunted Houses.

http://www.andrewbarger.com

#GhostTags #HauntedHouseQuotes #AndrewBarger #AuthorQuotes #HorrorQuotes

Did Edgar Allan Poe Have a Favorite Ghost Story?

noreply@blogger.com (Unknown) — Sat, 13 Oct 2018 21:00:00 +0000

Poe was a connoisseur of the supernatural. As the author of Coffee with Poe: A Novel of Edgar Allan Poe's Life, I am sometimes asked if Poe had a favorite ghost story.

Truth be told, Poe was quite clear on his favorite ghost story--or at least his favorite by an American, which I believe is a dig at Charles Dickens and his bias toward British literature. The pick is also, perhaps a dig at Washington Irving whose "The Legend of Sleepy Hollow" and "A Tale of the German Student" (both included in the best ghost stories anthology for the first half of the 19th century) branded him the best American ghost story writer during Poe's day.

The ghost story is by William Gilmore Simms and is titled Murder Will Out. I don't, however, agree with Poe since I did not place it in my scariest ghost stories from 1800-1849. This is what Poe had to say about the scary ghost story in his review (published posthumously in 1850) of Simm's collection of short stories: "The Wigwam and the Cabin."

All the tales in this collection have merit, and the first has merit of a very peculiar kind. “Grayling, or Murder will Out,” is the title. The story was well received in England, but on this fact no opinion can be safely based. “The Athenæum,” we believe, or some other of the London weekly critical journals, having its attention called (no doubt through personal influence) to Carey & Hart’s beautiful annual “The Gift,” found it convenient, in the course of its notice, to speak at length of some one particular article, and “Murder Will Out” probably arrested the attention of the sub-editor who was employed in so trivial a task as the patting on the head an American book — arrested his attention first from its title, (murder being a taking theme with a cockney,) and secondly, from its details of southern forest scenery. Large quotations were made, as a matter of course, and very ample commendation bestowed — the whole criticism proving nothing, in our opinion, but that the critic had not read a single syllable of the story. The critique, however, had at least the good effect of calling American attention to the fact that an American might possibly do a decent thing, (provided the possibility were first admitted by the British sub-editors,) and the result was first, that many persons read, and secondly, that all persons admired the “excellent story in ‘The Gift’ that had actually been called ‘readable’ by one of the English newspapers.”

Now had “Murder Will Out” been a much worse story than was ever written by Professor Ingraham, still, under the circumstances, we patriotic and independent Americans would have declared it inimitable; but, by some species of odd accident, it happened to deserve all that the British sub-sub had condescended to say of it, on the strength of a guess as to what it was all about. It is really an admirable tale, nobly conceived and skilfully carried into execution — the best ghost-story ever written by an American — for we presume that this is the ultimate extent of commendation to which we, as an humble American, dare go.

The other stories of the volume do credit to the author’s abilities, and display their peculiarities in a strong light, but there is no one of them so good as “Murder Will Out.”

#PoeghostStory #BestghostStories #MurderWillOut

Legend of Sleepy Hollow by Washington Irving -- A Halloween Ghost Story

noreply@blogger.com (Unknown) — Sat, 28 Oct 2017 16:27:00 +0000

The Legend of Sleepy Hollow

Washington Irving

I included “The Legend of Sleepy Hollow” in Phantasmal: The Best Ghost Short Stories 1800-1849. It was published in Irving’s The Sketch Book of Geoffrey Crayon in 1820. Sir Walter Scott used his influence to popularize it in London. Irving lived a number of years in Europe and spent time with Scott in London, which prompted William Thackeray to remark that Irving was “the first ambassador whom the New World of Letters sent to the Old.” Nearly 200 years after its publication, the common perception is that the headless horseman theme was an entirely original figment of Washington Irving’s imagination.

It was actually derived from Irish and German legends. In the former, the headless horseman is a quick rider who races others, but is not malevolent. This legend is alluded to by Washington Irving in the story when Brom Bones offers “to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire.” In the German legend an elderly man is forced to ride on the back of the headless horseman’s steed and is later thrown off a bridge into a brook. Similarly, in the story Irving tells of old Brouwer who met the horseman one night and was made to ride on his steed. “[T]hey galloped over bush and brake, over hill and swamp, until they reached the bridge; when the horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the treetops with a clap of thunder.”

Irving was the first to transpose these legends into a written story, which included his excellent characters and his unique twist. In sum, Irving brought the legend to life in only the way that he could, with ample comedy sprinkled about.

This does not sit well with some modern supernatural writers. H. P. Lovecraft is an example. To be sure, there was no room for comedic effect in the horror tales of Lovecraft. To him, humor spoiled horror. The kicker is that Lovecraft’s main flaw in his short tales of horror is his lack of character generation, to which Washington Irving excelled through comedic effect. If Lovecraft is to be believed, “The Legend of Sleepy Hollow” has no place in this collection. After revisiting this tale I believe Lovecraft is dead wrong. It is planted firmly among the other sequoia trees of literature found here.

This is the most comedic of the scary ghost stories that I have collected, yet the end is terrifyingly effective because of its great characters. We want to know about “the fate of poor Icabod”; he with his pointy elbows that stick out like grasshoppers’ while riding Gunpowder, his old plough horse. We care whether he makes it back to the blooming lass that is Katrina Van Tassel with his saddle slipping and the headless horseman bearing down. That is when Irving has us and we are at his supernatural mercy.

Only in rare instances does the comedic effect work in a scary ghost story and “The Legend of Sleepy Hollow” is a shining jack-o’-lantern example of when it does. Before you is the first supernatural tale with great characters penned in the English language. Before you is a legend that has been made real in the hands of Irving.

The Legend of Sleepy Hollow

(1820)

A pleasing land of drowsy head it was,

Of dreams that wave before the half-shut eye;

And of gay castles in the clouds that pass,

For ever flushing round a summer sky.

Castle of Indolence.

IN THE BOSOM OF one of those spacious coves which indent the eastern shore of the Hudson, at that broad expansion of the river denominated by the ancient Dutch navigators the Tappan Zee, and where they always prudently shortened sail, and implored the protection of St. Nicholas when they crossed, there lies a small market town or rural port, which by some is called Greensburgh, but which is more generally and properly known by the name of Tarry Town.

This name was given it, we are told, in former days, by the good housewives of the adjacent country, from the inveterate propensity of their husbands to linger about the village tavern on market days. Be that as it may, I do not vouch for the fact, but merely advert to it, for the sake of being precise and authentic. Not far from this village, perhaps about three miles, there is a little valley or rather lap of land among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail, or tapping of a woodpecker, is almost the only sound that ever breaks in upon the uniform tranquillity.

I recollect that, when a stripling, my first exploit in squirrel-shooting was in a grove of tall walnut trees that shades one side of the valley. I had wandered into it at noon-time, when all nature is peculiarly quiet, and was startled by the roar of my own gun, as it broke the Sabbath stillness around, and was prolonged and reverberated by the angry echoes. If ever I should wish for a retreat whither I might steal from the world and its distractions, and dream quietly away the remnant of a troubled life, I know of none more promising than this little valley.

From the listless repose of the place, and the peculiar character of its inhabitants, who are descendants from the original Dutch settlers, this sequestered glen has long been known by the name of SLEEPY HOLLOW, and its rustic lads are called the Sleepy Hollow Boys throughout all the neighbouring country. A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere. Some say that the place was bewitched by a high German doctor, during the early days of the settlement; others, that an old Indian chief, the prophet or wizard of his tribe, held his powwows there before the country was discovered by Master Hendrick Hudson.

Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvellous beliefs; are subject to trances and visions, and frequently see strange sights, and hear music and voices in the air. The whole neighbourhood abounds with local tales, haunted spots, and twilight superstitions; stars shoot and meteors glare oftener across-the valley than in any other part of the country, and the night-mare, with her whole nine fold, seems to make it the favourite scene of her gambols.

The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback without a head. It is said by some to be the ghost of a Hessian trooper, whose head had been carried away by a cannon-ball, in some nameless battle during the Revolutionary War, and who is ever and anon seen by the country folk, hurrying along in the gloom of night, as if on the wings of the wind. His haunts are not confined to the valley, but extend at times to the adjacent roads, and especially to the vicinity of a church that is at no great distance.

Indeed, certain of the most authentic historians of those parts, who have been careful in collecting and collating the floating facts concerning this spectre, allege, that the body of the trooper having been buried in the churchyard, the ghost rides forth to the scene of battle in nightly quest of his head, and that the rushing speed with which he sometimes passes along the hollow, like a midnight blast, is owing to his being belated, and in a hurry to get back to the churchyard before daybreak.

Such is the general purport of this legendary superstition, which has furnished materials for many a wild story in that region of shadows; and the spectre is known at all the country firesides, by the name of The Headless Horseman of Sleepy Hollow.

It is remarkable, that the visionary propensity I have mentioned is not confined to the native inhabitants of the valley, but is unconsciously imbibed by every one who resides there for a time. However wide awake they may have been before they entered that sleepy region, they are sure, in a little time, to inhale the witching influence of the air, and begin to grow imaginative—to dream dreams, and see apparitions.

I mention this peaceful spot with all possible laud; for it is in such little retired Dutch valleys, found here and there embosomed in the great State of New-York, that population, manners, and customs, remain fixed, while the great torrent of migration and improvement, which is making such incessant changes in other parts of this restless country, sweeps by them unobserved. They are like those little nooks of still water, which border a rapid stream, where we may see the straw and bubble riding quietly at anchor, or slowly revolving in their mimic harbour, undisturbed by the rush of the passing current. Though many years have elapsed since I trod the drowsy shades of Sleepy Hollow, yet I question whether I should not still find the same trees and the same families vegetating in its sheltered bosom.

In this by-place of nature there abode, in a remote period of American history, that is to say, some thirty years since, a worthy wight of the name of Ichabod Crane, who sojourned, or, as he expressed it, “tarried,” in Sleepy Hollow, for the purpose of instructing the children of the vicinity. He was a native of Connecticut, a State which supplies the Union with pioneers for the mind as well as for the forest, and sends forth yearly its legions of frontier woodmen and country schoolmasters.

The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weathercock perched upon his spindle neck, to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.

His school-house was a low building of one large room, rudely constructed of logs; the windows partly glazed, and partly patched with leaves of old copybooks. It was most ingeniously secured at vacant hours, by a withe twisted in the handle of the door, and stakes set against the window-shutters; so that though a thief might get in with perfect ease, he would find some embarrassment in getting out;—an idea most probably borrowed by the architect, Yost Van Houten, from the mystery of an eelpot.

The schoolhouse stood in a rather lonely but pleasant situation, just at the foot of a woody hill, with a brook running close by, and a formidable birch-tree growing at one end of it. From hence the low murmur of his pupil’s voices, conning over their lessons, might be heard of a drowsy summer’s day, like the hum of a beehive; interrupted now and then by the authoritative voice of the master, in the tone of menace or command; or, peradventure, by the appalling sound of the birch, as he urged some tardy loiterer along the flowery path of knowledge. Truth to say, he was a conscientious man, that ever bore in mind the golden maxim, “spare the rod and spoil the child.” —Ichabod Crane’s scholars certainly were not spoiled.

I would riot have it imagined, however, that he was one of those cruel potentates of the school, who joy in the smart of their subjects; on the contrary, he administered justice with discrimination rather than severity; taking the burthen off the backs of the weak, and laying it on those of the strong. Your mere puny stripling, that winced at the least flourish of the rod, was passed by with indulgence; but the claims of justice were satisfied by inflicting a double portion on some little, tough, wrong-headed, broad skirted Dutch urchin, who sulked and swelled and grew dogged and sullen beneath the birch. All this he called “doing his duty by their parents;” and he never inflicted a chastisement without following it by the assurance, so consolatory to the smarting urchin, that “he would remember it and thank him for it the longest day he had to live.”

When school hours were over, he was even the companion and playmate of the larger boys; and on holyday afternoons would convoy some of the smaller ones home, who happened to have pretty sisters, or good housewifes for mothers, noted for the comforts of the cupboard. Indeed, it behooved him to keep on good terms with his pupils. The revenue arising from his school was small, and would have been scarcely sufficient to furnish him with daily bread, for he was a huge feeder, and though lank, had the dilating powers of an anaconda; but to help out his maintenance, he was, according to country custom in those parts, boarded and lodged at the houses of the farmers, whose children he instructed. With these he lived successively a week at a time, thus going the rounds of the neighbourhood, with all his worldly effects tied up in a cotton handkerchief.

That all this might not be too onerous on the purses of his rustic patrons, who are apt to consider the costs of schooling a grievous burthen, and schoolmasters as mere drones, he had various ways of rendering himself both useful and agreeable. He assisted the farmers occasionally in the lighter labours of their farms; helped to make hay; mended the fences; took the horses to water; drove the cows from pasture; and cut wood for the winter fire.

He laid aside, too, all the dominant dignity and absolute sway, with which he lorded it in his little empire, the school, and became wonderfully gentle and ingratiating. He found favour in the eyes of the mothers, by petting the children, particularly the youngest; and like the lion bold, which whilome so magnanimously the lamb did hold, he would sit with a child on one knee, and rock a cradle with his foot for whole hours together. In addition to his other vocations, he was the singing-master of the neighbourhood, and picked up many bright shillings by instructing the young folks in psalmody.

It was a matter of no little vanity to him on Sundays, to take his station in front of the church gallery, with a band of chosen singers; where, in his own mind, he completely carried away the palm from the parson. Certain it is, his voice resounded far above all the rest of the congregation, and there are peculiar quavers still to be heard in that church, and which may even be heard half a mile off, quite to the opposite side of the mill-pond, on a still Sunday morning, which are said to be legitimately descended from the nose of Ichabod Crane. Thus, by divers little make-shifts, in that ingenious way which is commonly denominated “by hook and by crook,” the worthy pedagogue got on tolerably enough, and was thought, by all who understood nothing of the labour of head-work, to have a wonderful easy life of it.

The schoolmaster is generally a man of some importance in the female circle of a rural neighbourhood; being considered a kind of idle gentleman-like personage, of vastly superior taste and accomplishments to the rough country swains, and, indeed, inferior in learning only to the parson. His appearance, therefore, is apt to occasion some little stir at the tea-table of a farm-house, and the addition of a supernumerary dish of cakes or sweetmeats, or, peradventure, the parade of a silver tea-pot. Our man of letters, therefore, was peculiarly happy in the smiles of all the country damsels. How he would figure among them in the churchyard, between services on Sundays; gathering grapes for them from the wild vines that overrun the surrounding trees; reciting for their amusement all the epitaphs on the tombstones; or sauntering, with a whole bevy of them, along the banks of the adjacent mill-pond; while the more bashful country bumpkins hung sheepishly back, envying his superior elegance and address.

From his half itinerant life, also, he was a kind of travelling gazette, carrying the whole budget of local gossip from house to house; so that his appearance was always greeted with satisfaction. He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather’s History of New-England Witchcraft, in which, by the way, he most firmly and potently believed.

He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvellous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spell-bound region. No tale was too gross or monstrous for his capacious swallow. It was often his delight, after his school was dismissed in the afternoon, to stretch himself on the rich bed of clover, bordering the little brook that whimpered by his school-house, and there con over old Mather’s direful tales, until the gathering dusk of evening made the printed page a mere mist before his eyes.

Then, as he wended his way, by swamp and stream and awful woodland, to the farm-house where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination: the moan of the whip-poor-will from the hill side; the boding cry of the tree-toad, that harbinger of storm; the dreary hooting of the screech-owl; or the sudden rustling in the thicket, of birds frightened from their roost.

The fire-flies, too, which sparkled most vividly in the darkest places, now and then startled him, as one of uncommon brightness would stream across his path; and if, by chance, a huge blockhead of a beetle came winging his blundering flight against him, the poor varlet was ready to give up the ghost, with the idea that he was struck with a witch’s token. His only resource on such occasions, either to drown thought, or drive away evil spirits, was to sing Psalm tunes;—and the good people of Sleepy Hollow, as they sat by their doors of an evening, were often filled with awe, at hearing his nasal melody, “in linked sweetness long drawn out,” floating from the distant hill, or along the dusky road.

Another of his sources of fearful pleasure was, to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and sputtering along the hearth, and listen to their marvellous tales of ghosts, and goblins, and haunted fields and haunted brooks, and haunted bridges and haunted houses, and particularly of the headless horseman, or galloping Hessian of the Hollow, as they sometimes called him. He would delight them equally by his anecdotes of witchcraft, and of the direful omens and portentous sights and sounds in the air, which prevailed in the earlier times of Connecticut; and would frighten them woefully with speculations upon comets and shooting stars, and with the alarming fact that the world did absolutely turn round, and that they were half the time topsy-turvy!

But if there was a pleasure in all this, while snugly cuddling in the chimney corner of a chamber that was all of a ruddy glow from the crackling wood fire and where, of course, no spectre dared to show its face, it was dearly purchased by the terrors of his subsequent walk homewards. What fearful shapes and shadows beset his path, amidst the dim and ghastly glare of a snowy night!—With what wistful look did he eye every trembling ray of light streaming across the waste fields from some distant window!—How often was he appalled by some shrub covered with snow, which like a sheeted spectre beset his very path!—How often did he shrink with curdling awe at the sound of his own steps on the frosty crust beneath his feet; and dread to look over his shoulder, lest he should behold some uncouth being tramping close behind him!—and how often was he thrown into complete dismay by some rushing blast, howling among the trees, in the idea that it was the galloping Hessian on one of his nightly scourings!

All these, however, were mere terrors of the night, phantoms of the mind, that walk in darkness: and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely perambulations, yet day-light put an end to all these evils; and he would have passed a pleasant life of it, in despite of the Devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man, than ghosts, goblins, and the whole race of witches put together; and that was—a woman.

Among the musical disciples who assembled, one evening in each week, to receive his instructions in psalmody, was Katrina Van Tassel, the daughter and only child of a substantial Dutch farmer. She was a blooming lass of fresh eighteen; plump as a partridge; ripe and melting and rosy-cheeked as one of her father’s peaches, and universally famed, not merely for her beauty, but her vast expectations. She was withal a little of a coquette, as might be perceived even in her dress, which was a mixture of ancient and modern fashions, as most suited to set off her charms. She wore the ornaments of pure yellow gold, which her great-great-grandmother had brought over from Saardam; the tempting stomacher of the olden time, and withal a provokingly short petticoat, to display the prettiest foot and ankle in the country round.

Ichabod Crane had a soft and foolish heart toward the sex; and it is not to be wondered at, that so tempting a morsel soon found favour in his eyes, more especially after he had visited her in her paternal mansion. Old Baltus Van Tassel was a perfect picture of a thriving, contented, liberal-hearted farmer. He seldom, it is true, sent either his eyes or his thoughts beyond the boundaries of his own farm; but within these, every thing was snug, happy, and well conditioned. He was satisfied with his wealth, but not proud of it; and piqued himself upon the hearty abundance, rather than the style in which he lived. His strong-hold was situated on the banks of the Hudson, in one of those green, sheltered, fertile nooks, in which the Dutch farmers are so fond of nestling.

A great elm-tree spread its broad branches over it, at the foot of which bubbled up a spring of the softest and sweetest water, in a little well, formed of a barrel; and then stole sparkling away through the grass, to a neighbouring brook, that babbled along among alders and dwarf willows. Hard by the farm-house was a vast barn, that might have served for a church; every window and crevice of which seemed bursting forth with the treasures of the farm; the flail was busily resounding within it from morning to night; swallows and martins skimmed twittering about the eaves; and rows of pigeons, some with one eye turned up, as if watching the weather, some with their heads under their wings, or buried in their bosoms, and others, swelling, and cooing, and bowing about their dames, were enjoying the sunshine on the roof.

Sleek, unwieldy porkers were grunting in the repose and abundance of their pens, from whence sallied forth, now and then, troops of sucking pigs, as if to snuff the air. A stately squadron of snowy geese were riding in an adjoining pond, convoying whole fleets of ducks; regiments of turkeys were gobbling through the farm-yard, and guinea-fowls fretting about it like ill-tempered housewives, with their peevish, discontented cry. Before the barn door strutted the gallant cock, that pattern of a husband, a warrior, and a fine gentleman; clapping his burnished wings and crowing in the pride and gladness of his heart—sometimes tearing up the earth with his feet, and then generously calling his ever-hungry family of wives and children to enjoy the rich morsel which he had discovered.

The pedagogue’s mouth watered, as he looked upon this sumptuous promise of luxurious winter fare. In his devouring mind’s eye, he pictured to himself every roasting pig running about, with a pudding in its belly, and an apple in its mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked in with a coverlet of crust; the geese were swimming in their own gravy; and the ducks pairing cosily in dishes, like snug married couples, with a decent competency of onion sauce. In the porkers he saw carved out the future sleek side of bacon, and juicy relishing ham; not a turkey, but he beheld daintily trussed up, with its gizzard under its wing, and, peradventure, a necklace of savoury sausages; and even bright chanticleer himself, lay sprawling on his back, in a side dish, with uplifted claws, as if craving that quarter which his chivalrous spirit disdained to ask while living.

As the enraptured Ichabod fancied all this, and as he rolled his great green eyes over the fat meadow lands, the rich fields of wheat, of rye, of buckwheat, and Indian corn, and the orchards burthened with ruddy fruit, which surrounded the warm tenement of Van Tassel, his heart yearned after the damsel who was to inherit these domains, and his imagination expanded with the idea, how they might be readily turned into cash, and the money invested in immense tracts of wild land, and shingle palaces in the wilderness. Nay, his busy fancy already realized his hopes, and presented to him the blooming Katrina, with a whole family of children, mounted on the top of a wagon loaded with household trumpery, with pots and kettles dangling beneath; and he beheld himself bestriding a pacing mare, with a colt at her heels, setting out for Kentucky, Tennessee—or the Lord knows where!

When he entered the house, the conquest of his heart was complete. It was one of those spacious farm-houses, with high-ridged, but lowly-sloping roofs built in the style handed down from the first Dutch settlers. The low projecting eaves forming a piazza along the front, capable of being closed up in bad weather. Under this were hung flails, harness, various utensils of husbandry, and nets for fishing in the neighbouring river. Benches were built along the sides for summer use; and a great spinning-wheel at one end, and a churn at the other, showed the various uses to which this important porch might be devoted. From this piazza the wonderful Ichabod entered the hall, which formed the centre of the mansion, and the place of usual residence.

Here, rows of resplendent pewter, ranged on a long dresser, dazzled his eyes. In one corner stood a huge bag of wool, ready to be spun; in another, a quantity of linsey-woolsey just from the loom; ears of Indian corn, and strings of dried apples and peaches, hung in gay festoons along the walls, mingled with the gaud of red peppers; and a door left ajar, gave him a peep into the best parlour, where the claw-footed chairs, and dark mahogany tables, shone like mirrors; andirons, with their accompanying shovel and tongs, glistened from their covert of asparagus tops; mock-oranges and conch shells decorated the mantelpiece; strings of various coloured birds’ eggs were suspended above it; a great ostrich egg was hung from the centre of the room, and a corner cupboard, knowingly left open, displayed immense treasures of old silver and well-mended china.

From the moment Ichabod laid his eyes upon these regions of delight, the peace of his mind was at an end, and his only study was how to gain the affections of the peerless daughter of Van Tassel. In this enterprise, however, he, had more real difficulties than generally fell to the lot of a knight-errant of yore, who seldom had any thing but giants, enchanters, fiery dragons, and such like easily conquered adversaries, to contend with; and had to make his way merely through gates of iron and brass, and walls of adamant to the castle-keep, where the lady of his heart was confined; all which he achieved as easily as a man would carve his way to the centre of a Christmas pie, and then the lady gave him her hand as a matter of course.

Ichabod, on the contrary, had to win his way to the heart of a country coquette, beset with a labyrinth of whims and caprices, which were for ever presenting new difficulties and impediments, and he had to encounter a host of fearful adversaries of real flesh and blood, the numerous rustic admirers, who beset every portal to her heart; keeping a watchful and angry eye upon each other, but ready to fly out in the common cause against any new competitor.

Among these, the most formidable was a burley, roaring, roistering blade, of the name of Abraham, or, according to the Dutch abbreviation, Brom Van Brunt, the hero of the country round, which rung with his feats of strength and hardihood. He was broad-shouldered and double-jointed, with short curly black hair, and a bluff, but not unpleasant countenance, having a mingled air of fun and arrogance. From his Herculean frame and great powers of limb he had received the nickname of BROM BONES, by which he was universally known. He was famed for great knowledge and skill in horsemanship, being as dexterous on horseback as a Tartar.

He was foremost at all races and cock-fights, and with the ascendancy which bodily strength always acquires in rustic life, was the umpire in all disputes, setting his hat on one side, and giving his decisions with an air and tone that admitted of no gainsay or appeal. He was always ready for either a fight or a frolic; had more mischief than ill-will in his composition; and with all his overbearing roughness, there was a strong dash of waggish good-humour at bottom. He had three or four boon companions of his own stamp, who regarded him as their model, and at the head of whom he scoured the country, attending every scene of feud or merriment for miles round. In cold weather, he was distinguished by a fur cap, surmounted with a flaunting fox’s tail; and when the folks at a country gathering descried this well-known crest at a distance, whisking about among a squad of hard riders, they always stood by for a squall.

Sometimes his crew would be heard dashing along past the farmhouses at midnight, with whoop and halloo, like a troop of Don Cossacks, and the old dames, startled out of their sleep, would listen for a moment till the hurry-scurry had clattered by, and then exclaim, “Ay, there goes Brom Bones and his gang!” The neighbours looked upon him with a mixture of awe, admiration, and good-will; and when any madcap prank, or rustic brawl occurred in the vicinity, always shook their heads, and warranted Brom Bones was at the bottom of it.

This rantipole hero had for some time singled out the blooming Katrina for the object of his uncouth gallantries, and though his amorous toyings were something like the gentle caresses and endearments of a bear, yet it was whispered that she did not altogether discourage his hopes. Certain it is, his advances were signals for rival candidates to retire, who felt no inclination to cross a lion in his amours; insomuch, that when his horse was seen tied to Van Tassel’s paling, on a Sunday night, a sure sign that his master was courting, or, as it is termed, “sparking,” within, all other suitors passed by in despair, and carried the war into other quarters.

Such was the formidable rival with whom Ichabod Crane had to contend, and considering all things, a stouter man than he would have shrunk from the competition, and a wiser man would have despaired. He had, however, a happy mixture of pliability and perseverance in his nature; he was in form and spirit like a supple-jack —yielding, but tough; though he bent, he never broke; and though he bowed beneath the slightest pressure, yet, the moment it was away—jerk!—he was as erect, and carried his head as high as ever.

To have taken the field openly against his rival, would have been madness; for he was not a man to be thwarted in his amours, any more than that stormy lover, Achilles. Ichabod, therefore, made his advances in a quiet and gently-insinuating manner. Under cover of his character of singing-master, he made frequent visits at the farm-house; not that he had any thing to apprehend from the meddlesome interference of parents, which is so often a stumbling block in the path of lovers. Bait Van Tassel was an easy indulgent soul; he loved his daughter better even than his pipe, and like a reasonable man, and an excellent father, let her have her way in every thing.

His notable little wife, too, had enough to do to attend to her housekeeping and manage the poultry; for, as she sagely observed, ducks and geese are foolish things, and must be looked after, but girls can take care of themselves. Thus, while the busy dame bustled about the house, or plied her spinning wheel at one end of the piazza, honest Bait would sit smoking his evening pipe at the other, watching the achievements of a little wooden warrior, who, armed with a sword in each hand, was most valiantly fighting the wind on the pinnacle of the barn. In the mean time, Ichabod would carry on his suit with the daughter by the side of the spring under the great elm, or sauntering along in the twilight, that hour so favourable to the lover’s eloquence.

I profess not to know how women’s hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for a man must battle for his fortress at every door and window. He that wins a thousand common hearts, is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette, is indeed a hero. Certain it is, this was not the case with the redoubtable Brom Bones; and from the moment Ichabod Crane made his advances, the interests of the former evidently declined: his horse was no longer seen tied at the palings on Sunday nights, and a deadly feud gradually arose between him and the preceptor of Sleepy Hollow.

Brom, who had a degree of rough chivalry in his nature, would fain have carried matters to open warfare, and settled their pretensions to the lady, according to the mode of those most concise and simple reasoners, the knights errant of yore—by single combat; but Ichabod was too conscious of the superior might of his adversary to enter the lists against him; he had overheard the boast of Bones, that he would “double the schoolmaster up, and put him on a shelf;” and he was too wary to give him an opportunity. There was something extremely provoking in this obstinately pacific system; it left Brom no alternative but to draw upon the funds of rustic waggery in his disposition, and to play off boorish practical jokes upon his rival.

Ichabod became the object of whimsical persecution to Bones, and his gang of rough riders. They harried his hitherto peaceful domains; smoked out his singing-school, by stopping up the chimney; broke into the schoolhouse at night, in spite of its formidable fastenings of withe and window-stakes, and turned every thing topsy-turvy; so that the poor schoolmaster began to think all the witches in the country held their meetings there. But what was still more annoying, Brom took all opportunities of turning him into ridicule in presence of his mistress, and had a scoundrel dog whom he taught to whine in the most ludicrous manner, and introduced as a rival of Ichabod’s, to instruct her in psalmody.

In this way, matters went on for some time, without producing any material effect on the relative situations of the contending powers. On a fine autumnal afternoon, Ichabod, in pensive mood, sat enthroned on the lofty stool from whence he usually watched all the concerns of his little literary realm. In his hand he swayed a ferule, that sceptre of despotic power; the birch of justice reposed on three nails, behind the throne, a constant terror to evil doers; while on the desk before him might be seen sundry contraband articles and prohibited weapons, detected upon the persons of idle urchins; such as half-munched apples, popguns, whirligigs, fly-cages, and whole legions of rampant little paper game-cocks.

Apparently there had been some appalling act of justice recently inflicted, for his scholars were all busily intent upon their books, or slyly whispering behind them with one eye kept upon the master; and a kind of buzzing stillness reigned throughout the school-room. It was suddenly interrupted by the appearance of a negro in tow-cloth jacket and trowsers, a round crowned fragment of a hat, like the cap of Mercury, and mounted on the back of a ragged, wild, half-broken colt, which he managed with a rope by way of halter. He came clattering up to the school-door with an invitation to Ichabod to attend a merry-making, or “quilting frolic,” to be held that evening at Mynheer Van Tassel’s; and having delivered his message with that air of importance, and effort at fine language, which a negro is apt to display on petty embassies of the kind, he dashed over the brook, and was seen scampering away up the hollow, full of the importance and hurry of his mission.

All was now bustle and hubbub in the late quiet school-room. The scholars were hurried through their lessons, without stopping at trifles; those who were nimble, skipped over half with impunity, and those who were tardy, had a smart application now and then in the rear, to quicken their speed, or help them over a tall word. Books were flung aside, without being put away on the shelves; inkstands were overturned, benches thrown down, and the whole school was turned loose an hour before the usual time; bursting forth like a legion of young imps, yelping and racketing about the green, in joy at their early emancipation.

The gallant Ichabod now spent at least an extra half-hour at his toilet, brushing and furbishing up his best, and indeed only suit of rusty black, and arranging his looks by a bit of broken looking-glass, that hung up in the school-house. That he might make his appearance before his mistress in the true style of a cavalier, he borrowed a horse from the farmer with whom he was domiciliated, a choleric old Dutchman, of the name of Hans Van Ripper, and thus gallantly mounted, issued forth like a knight errant in quest of adventures.

But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a broken down plough-horse, that had outlived almost every thing but his viciousness. He was gaunt and shagged, with a ewe neck and a head like a hammer; his rusty mane and tail were tangled and knotted with burrs; one eye had lost its pupil, and was glaring and spectral, but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from his name, which was Gunpowder. He had, in fact, been a favourite steed of his master’s, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.

Ichabod was a suitable figure for such a steed. He rode with short stirrups, which brought his knees nearly up to the pommel of the saddle; his sharp elbows stuck out like grasshoppers’; he carried his whip perpendicularly in his hand, like a sceptre, and as the horse jogged on, the motion of his arms was not unlike the flapping of a pair of wings. A small wool hat rested on the top of his nose, for so his scanty strip of forehead might be called, and the skirts of his black coat fluttered out almost to the horse’s tail. Such was the appearance of Ichabod and his steed, as they shambled out of the gate of Hans Van Ripper, and it was altogether such an apparition as is seldom to be met with in broad daylight.

It was, as I have said, a fine autumnal day; the sky was clear and serene, and nature wore that rich and golden livery which we always associate with the idea of abundance. The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the bark of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighbouring stubble field.

The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered chirping and frolicking, from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cockrobin, the favourite game of stripling sportsmen, with its loud querulous note, and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker, with his crimson crest, his broad black gorget, and splendid plumage; and the cedar-bird, with its red-tipt wings and yellow-tipt tail, and its little monteiro cap of feathers; and the blue jay, that noisy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding, and bobbing, and bowing, and pretending to be on good terms with every songster of the grove.

As Ichabod jogged slowly on his way, his eye, ever open to every symptom of culinary abundance, ranged with delight over the treasures of jolly autumn. On all sides he beheld vast store of apples, some hanging in oppressive opulence on the trees; some gathered into baskets and barrels for the market; others heaped up in rich piles for the cider-press. Farther on he beheld great fields of Indian corn, with its golden ears peeping from their leafy coverts, and holding out the promise of cakes and hasty-pudding; and the yellow pumpkins lying beneath them, turning up their fair round bellies to the sun, and giving ample prospects of the most luxurious of pies; and anon he passed the fragrant buckwheat fields, breathing the odour of the bee-hive, and as he beheld them, soft anticipations stole over his mind of dainty slapjacks, well buttered, and garnished with honey or treacle, by the delicate little dimpled hand of Katrina Van Tassel.

Thus feeding his mind with many sweet thoughts and “sugared suppositions,” he journeyed along the sides of a range of hills which look out upon some of the goodliest scenes of the mighty Hudson. The sun gradually wheeled his broad disk down into the west. The wide bosom of the Tappan Zee lay motionless and glassy, excepting that here and there a gentle undulation waved and prolonged the blue shadow of the distant mountain. A few amber clouds floated in the sky, without a breath of air to move them. The horizon was of a fine golden tint, changing gradually into a pure apple green, and from that into the deep blue of the mid-heaven.

A slanting ray lingered on the woody crests of the precipices that overhung some parts of the river, giving greater depth to the dark gray and purple of their rocky sides. A sloop was loitering in the distance, dropping slowly down with the tide, her sail hanging uselessly against the mast; and as the reflection of the sky gleamed along the still water, it seemed as if the vessel was suspended in the air.

It was toward evening that Ichabod arrived at the castle of the Heer Van Tassel, which he found thronged with the pride and flower of the adjacent country. Old farmers, a spare leathern-faced race, in homespun coats and breeches, blue stockings, huge shoes, and magnificent pewter buckles. Their brisk, withered little dames, in close crimped caps, long-waisted gowns, homespun petticoats, with scissors and pincushions, and gay calico pockets hanging on the outside. Buxom lasses, almost as antiquated as their mothers, excepting where a straw hat, a fine riband, or perhaps a white frock, gave symptoms of city innovations. The sons, in short square-skirted coats, with rows of stupendous brass buttons, and their hair generally queued in the fashion of the times, especially if they could procure an eelskin for the purpose, it being esteemed throughout the country, as a potent nourisher and strengthener of the hair.

Brom Bones, however, was the hero of the scene, having come to the gathering on his favourite steed Daredevil, a creature, like himself, full of mettle and mischief, and which no one but himself could manage. He was, in fact, noted for preferring vicious animals, given to all kinds of tricks which kept the rider in constant risk of his neck, for he held a tractable well broken horse as unworthy of a lad of spirit.

Fain would I pause to dwell upon the world of charms that burst upon the enraptured gaze of my hero, as he entered the state parlour of Van Tassel’s mansion. Not those of the bevy of buxom lasses, with their luxurious display of red and white; but the ample charms of a genuine Dutch country teatable, in the sumptuous time of autumn. Such heaped-up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives! There was the doughty dough-nut, the tender oly-koek, and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes.

And then there were apple pies, and peach pies, and pumpkin pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums, and peaches, and pears, and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and cream, all mingled higgledy-piggledy, pretty much as I have enumerated them, with the motherly tea-pot sending up its clouds of vapour from the midst—Heaven bless the mark! I want breath and time to discuss this banquet as it deserves, and am too eager to get on with my story. Happily, Ichabod Crane was not in so great a hurry as his historian, but did ample justice to every dainty.

He was a kind and thankful creature, whose heart dilated in proportion as his skin was filled with good cheer, and whose spirits rose with eating, as some men’s do with drink. He could not help, too, rolling his large eyes round him as he ate, and chuckling with the possibility that he might one day be lord of all this scene of almost unimaginable luxury and splendour. Then, he thought, how soon he’d turn his back upon the old school-house; snap his fingers in the face of Hans Van Ripper, and every other niggardly patron, and kick any itinerant pedagogue out of doors that should dare to call him comrade!

Old Baltus Van Tassel moved about among his guests with a face dilated with content and good-humour, round and jolly as the harvest moon. His hospitable attentions were brief, but expressive, being confined to a shake of the hand, a slap on the shoulder, a loud laugh, and a pressing invitation to “fall to, and help themselves.”

And now the sound of the music from the common room, or hall, summoned to the dance. The musician was an old gray-headed negro, who had been the itinerant orchestra of the neighbourhood for more than half a century. His instrument was as old and battered as himself. The greater part of the time he scraped away on two or three strings, accompanying every movement of the bow with a motion of the head; bowing almost to the ground, and stamping with his foot whenever a fresh couple were to start.

Ichabod prided himself upon his dancing as much as upon his vocal powers. Not a limb, not a fibre about him was idle; and to have seen his loosely hung frame in full motion, and clattering about the room, you would have thought St. Vitus himself, that blessed patron of the dance, was figuring before you in person. He was the admiration of all the negroes; who, having gathered, of all ages and sizes, from the farm and the neighbourhood, stood forming a pyramid of shining black faces at every door and window; gazing with delight at the scene; rolling their white eye-balls, and showing grinning rows of ivory from ear to ear. How could the flogger of urchins be otherwise than animated and joyous? the lady of his heart was his partner in the dance, and smiling graciously in reply to all his amorous oglings; while Brom Bones, sorely smitten with love and jealousy, sat brooding by himself in one corner.

When the dance was at an end, Ichabod was attracted to a knot of the sager folks, who, with Old Van Tassel, sat smoking at one end of the piazza, gossiping over former times, and drawling out long stories about the war.

This neighbourhood, at the time of which I am speaking, was one of those highly favoured places which abound with chronicle and great men. The British and American line had run near it during the war; it had, therefore, been the scene of marauding, and infested with refugees, cow-boys, and all kind of border chivalry. Just sufficient time had elapsed to enable each story-teller to dress up his tale with a little becoming fiction, and, in the indistinctness of his recollection, to make himself the hero of every exploit.

There was the story of Doffue Martling, a large blue-bearded Dutchman, who had nearly taken a British frigate with an old iron nine-pounder from a mud breastwork, only that his gun burst at the sixth discharge. And there was an old gentleman who shall be nameless, being too rich a mynheer to be lightly mentioned, who, in the battle of Whiteplains, being an excellent master of defence, parried a musket-ball with a small-sword, insomuch that he absolutely felt it whiz round the blade, and glance off at the hilt; in proof of which he was ready at any time to show the sword, with the hilt a little bent. There were several more that had been equally great in the field, not one of whom but was persuaded that he had a considerable hand in bringing the war to a happy termination.

But all these were nothing to the tales of ghosts and apparitions that succeeded. The neighbourhood is rich in legendary treasures of the kind. Local tales and superstitions thrive best in these sheltered, long-settled retreats; but are trampled under foot, by the shifting throng that forms the population of most of our country places. Besides, there is no encouragement for ghosts in most of our villages, for they have scarcely had time to finish their first nap, and turn themselves in their graves, before their surviving friends have travelled away from the neighbourhood: so that when they turn out at night to walk their rounds, they have no acquaintance left to call upon. This is perhaps the reason why we so seldom hear of ghosts except in our long-established Dutch communities.

The immediate cause, however, of the prevalence of supernatural stories in these parts, was doubtless owing to the vicinity of Sleepy Hollow. There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land. Several of the Sleepy Hollow people were present at Van Tassel’s, and, as usual, were doling out their wild and wonderful legends. Many dismal tales were told about funeral trains, and mourning cries and wailings heard and seen about the great tree where the unfortunate Major Andre was taken, and which stood in the neighbourhood. Some mention was made also of the woman in white, that haunted the dark glen at Raven Rock, and was often heard to shriek on winter nights before a storm, having perished there in the snow. The chief part of the stories, however, turned upon the favourite spectre of Sleepy Hollow, the headless horseman, who had been heard several times of late, patroling the country; and it is said, tethered his horse nightly among the graves in the churchyard.

The sequestered situation of this church seems always to have made it a favourite haunt of troubled spirits. It stands on a knoll, surrounded by locust trees and lofty elms, from among which its decent, whitewashed walls shine modestly forth, like Christian purity, beaming through the shades of retirement. A gentle slope descends from it to a silver sheet of water, bordered by high trees, between which, peeps may be caught at the blue hills of the Hudson.

To look upon its grass-grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace. On one side of the church extends a wide woody dell, along which raves a large brook among broken rocks and trunks of fallen trees. Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it, and the bridge itself, were thickly shaded by overhanging trees, which cast a gloom about it, even in the day-time; but occasioned a fearful darkness at night. Such was one of the favourite haunts of the headless horseman, and the place where he was most frequently encountered.

The tale was told of old Brouwer, a most heretical disbeliever in ghosts, how he met the horseman returning from his foray into Sleepy Hollow, and was obliged to get up behind him; how they galloped over bush and brake, over hill and swamp, until they reached the bridge; when the horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the tree-tops with a clap of thunder.

This story was immediately matched by a thrice marvellous adventure, of Brom Bones, who made light of the galloping Hessian as an arrant jockey. He affirmed, that on returning one night from the neighbouring village of Sing-Sing, he had been overtaken by this midnight trooper; that he had offered to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but just as they came to the church bridge, the Hessian bolted, and vanished in a flash of fire.

All these tales, told in that drowsy under tone with which men talk in the dark, the countenances of the listeners only now and then receiving a casual gleam from the glare of a pipe, sunk deep in the mind of Ichabod. He repaid them in kind with large extracts from his invaluable author, Cotton Mather, and added many marvellous events that had taken place in his native State of Connecticut, and fearful sights which he had seen in his nightly walks about Sleepy Hollow.

The revel now gradually broke up. The old farmers gathered together their families in their wagons, and were heard for some time rattling along the hollow roads, and over the distant hills. Some of the damsels mounted on pillions behind their favourite swains, and their light-hearted laughter, mingling with the clatter of hoofs, echoed along the silent woodlands, sounding fainter and fainter, until they gradually died away—and the late scene of noise and frolic was all silent and deserted. Ichabod only lingered behind, according to the custom of country lovers, to have a tete-a-tete with the heiress, fully convinced that he was now on the high road to success. What passed at this interview I will not pretend to say, for in fact I do not know.

Something, however, I fear me, must have gone wrong, for he certainly sallied forth, after no very great interval, with an air quite desolate and chapfallen —Oh, these women! these women! Could that girl have been playing off any of her coquettish tricks?—Was her encouragement of the poor pedagogue all a mere sham to secure her conquest of his rival?—Heaven only knows, not I!—Let it suffice to say, Ichabod stole forth with the air of one who had been sacking a henroost, rather than a fair lady’s heart. Without looking to the right or left to notice the scene of rural wealth, on which he had so often gloated, he went straight to the stable, and with several hearty cuffs and kicks, roused his steed most uncourteously from the comfortable quarters in which he was soundly sleeping, dreaming of mountains of corn and oats, and whole valleys of timothy and clover.

It was the very witching time of night that Ichabod, heavy-hearted and crest-fallen, pursued his travel homewards, along the sides of the lofty hills which rise above Tarry Town, and which he had traversed so cheerily in the afternoon. The hour was as dismal as himself. Far below him the Tappan Zee spread its dusky and indistinct waste of waters, with here and there the tall mast of a sloop, riding quietly at anchor under the land.

In the dead hush of midnight, he could even hear the barking of the watchdog from the opposite shore of the Hudson; but it was so vague and faint as only to give an idea of his distance from this faithful companion of man. Now and then, too, the long-drawn crowing of a cock, accidentally awakened, would sound far, far off, from some farm-house away among the hills—but it was like a dreaming sound in his ear. No signs of life occurred near him, but occasionally the melancholy chirp of a cricket, or perhaps the guttural twang of a bull-frog from a neighbouring marsh, as if sleeping uncomfortably, and turning suddenly in his bed.

All the stories of ghosts and goblins that he had heard in the afternoon, now came crowding upon his recollection. The night grew darker and darker; the stars seemed to sink deeper in the sky, and driving clouds occasionally hid them from his sight. He had never felt so lonely and dismal. He was, moreover, approaching the very place where many of the scenes of the ghost stories had been laid. In the centre of the road stood an enormous tulip-tree, which towered like a giant above all the other trees of the neighbourhood, and formed a kind of landmark. Its limbs were gnarled and fantastic, large enough to form trunks for ordinary trees, twisting down almost to the earth, and rising again into the air.

It was connected with the tragical story of the unfortunate Andre, who had been taken prisoner hard by; and was universally known by the name of Major Andre’s tree. The common people regarded it with a mixture of respect and superstition, partly out of sympathy for the fate of its ill-starred namesake, and partly from the tales of strange sights, and doleful lamentations, told concerning it.

As Ichabod approached this fearful tree, he began to whistle; he thought his whistle was answered: it was but a blast sweeping sharply through the dry branches. As he approached a little nearer, he thought he saw something white, hanging in the midst of the tree: he paused, and ceased whistling; but on looking more narrowly, perceived that it was a place where the tree had been scathed by lightning, and the white wood laid bare. Suddenly he heard a groan—his teeth chattered, and his knees smote against the saddle: it was but the rubbing of one huge bough upon another, as they were swayed about by the breeze. He passed the tree in safety, but new perils lay before him.

About two hundred yards from the tree, a small brook crossed the road, and ran into a marshy and thickly-wooded glen, known by the name of Wiley’s Swamp. A few rough logs, laid side by side, served for a bridge over this stream. On that side of the road where the brook entered the wood, a group of oaks and chestnuts, matted thick with wild grape-vines, threw a cavernous gloom over it. To pass this bridge, was the severest trial. It was at this identical spot that the unfortunate Andre was captured, and under the covert of those chestnuts and vines were the sturdy yeomen concealed who surprised him. This has ever since been considered a haunted stream, and fearful are the feelings of the school-boy who has to pass it alone after dark.

As he approached the stream, his heart began to thump; he summoned up, however, all his resolution, gave his horse half a score of kicks in the ribs, and attempted to dash briskly across the bridge; but instead of starting forward, the perverse old animal made a lateral movement, and ran broadside against the fence. Ichabod, whose fears increased with the delay, jerked the reins on the other side, and kicked lustily with the contrary foot; it was all in vain; his steed started, it is true, but it was only to plunge to the opposite side of the road into a thicket of brambles and alder-bushes.

The schoolmaster now bestowed both whip and heel upon the starveling ribs of old Gunpowder, who dashed forwards, snuffling and snorting, but came to a stand just by the bridge, with a suddenness that had nearly sent his rider sprawling over his head. Just at this moment plashy tramp by the side of the bridge caught the sensitive ear of Ichabod. In the dark shadow of the grove, on the margin of the brook, he beheld something huge, misshapen, black and towering. It stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveller.

The hair of the affrighted pedagogue rose upon his head with terror. What was to be done? To turn and fly was now too late; and besides, what chance was there of escaping ghost or goblin, if such it was, which could ride upon the wings of the wind? Summoning up, therefore, a show of courage, he demanded in stammering accents—“Who are you?” He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgelled the sides of the inflexible Gunpowder, and shutting his eyes, broke forth with involuntary fervour into a psalm tune. Just then the shadowy object of alarm put itself in motion, and with a scramble and a bound, stood at once in the middle of the road.

Though the night was dark and dismal, yet the form of the unknown might now in some degree be ascertained. He appeared to be a horseman of large dimensions, and mounted on a black horse of powerful frame. He made no offer of molestation or sociability, but kept aloof on one side of the road, jogging along on the blind side of old Gunpowder, who had now got over his fright and waywardness.

Ichabod, who had no relish for this strange midnight companion, and bethought himself of the adventure of Brom Bones with the galloping Hessian, now quickened his steed, in hopes of leaving him behind. The stranger, however, quickened his horse to an equal pace. Ichabod pulled up, and fell into a walk, thinking to lag behind—the other did the same. His heart began to sink within him; he endeavoured to resume his psalm tune, but his parched tongue clove to the roof of his mouth, and he could not utter a stave.

There was something in the moody and dogged silence of this pertinacious companion, that was mysterious and appalling. It was soon fearfully accounted for. On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck, on perceiving that he was headless! but his horror was still more increased, on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle! His terror rose to desperation; he rained a shower of kicks and blows upon Gunpowder, hoping, by a sudden movement, to give his companion the slip—but the spectre started full jump with him. Away, then, they dashed, through thick and thin; stones flying and sparks flashing at every bound. Ichabod’s flimsy garments fluttered in the air, as he stretched his long lank body away over his horse’s head, in the eagerness of his flight.

They had now reached the road which turns off to Sleepy Hollow; but Gunpowder, who seemed possessed with a demon, instead of keeping up it, made an opposite turn, and plunged headlong down hill to the left. This road leads through a sandy hollow, shaded by trees for about a quarter of a mile, where it crosses the bridge famous in goblin story and just beyond swells the green knoll on which stands the whitewashed church.

As yet the panic of the steed had given his unskillful rider an apparent advantage in the chase; but just as he had got half-way through the hollow, the girths of the saddle gave way, and he felt it slipping from under him. He seized it by the pommel, and endeavoured to hold it firm, but in vain; and had just time to save himself by clasping old Gunpowder round the neck, when the saddle fell to the earth, and he heard it trampled under foot by his pursuer. For a moment the terror of Hans Van Ripper’s wrath passed across his mind—for it was his Sunday saddle; but this was no time for petty fears: the goblin was hard on his haunches; and, (unskillful rider that he was!) he had much ado to maintain his seat; sometimes slipping on one side, sometimes on another, and sometimes jolted on the high ridge of his horse’s backbone, with a violence that he verily feared would cleave him asunder.

An opening in the trees now cheered him with the hopes that the church bridge was at hand. The wavering reflection of a silver star in the bosom of the brook told him that he was not mistaken. He saw the walls of the church dimly glaring under the trees beyond. He recollected the place where Brom Bones’s ghostly competitor had disappeared. “If I can but reach that bridge,” thought Ichabod, “I am safe.”

Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convulsive kick in the ribs, and old Gunpowder sprung upon the bridge; he thundered over the resounding planks; he gained the opposite side, and now Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, and in the very act of hurling his head at him. Ichabod endeavoured to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash—he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider, passed by like a whirlwind.

The next morning the old horse was found without his saddle, and with the bridle under his feet, soberly cropping the grass at his master’s gate. Ichabod did not make his appearance at breakfast—dinner-hour came, but no Ichabod. The boys assembled at the school-house, and strolled idly about the banks of the brook; but no schoolmaster. Hans Van Ripper now began to feel some uneasiness about the fate of poor Ichabod, and his saddle.

An inquiry was set on foot, and after diligent investigation they came upon his traces. In one part of the road leading to the church, was found the saddle trampled in the dirt; the tracks of horses’ hoofs deeply dented in the road, and evidently at furious speed, were traced to the bridge, beyond which, on the bank of a broad part of the brook, where the water ran deep and black, was found the hat of the unfortunate Ichabod, and close beside it a shattered pumpkin.

The brook was searched, but the body of the schoolmaster was not to be discovered. Hans Van Ripper, as executor of his estate, examined the bundle which contained all his worldly effects. They consisted of two shirts and a half; two stocks for the neck; a pair or two of worsted stockings; an old pair of corduroy small-clothes; a rusty razor; a book of psalm tunes full of dog’s ears; and a broken pitchpipe. As to the books and furniture of the schoolhouse, they belonged to the community, excepting Cotton Mather’s History of Witchcraft, a New-England Almanac, and a book of dreams and fortune-telling; in which last was a sheet of foolscap much scribbled and blotted, by several fruitless attempts to make a copy of verses in honour of the heiress of Van Tassel.

These magic books and the poetic scrawl were forthwith consigned to the names by Hans Van Ripper; who, from that time forward, determined to send his children no more to school; observing, that he never knew any good come of this same reading and writing. Whatever money the schoolmaster possessed, and he had received his quarter’s pay but a day or two before, he must have had about his person at the time of his disappearance.

The mysterious event caused much speculation at the church on the following Sunday. Knots of gazers and gossips were collected in the churchyard, at the bridge, and at the spot where the hat and pumpkin had been found. The stories of Brouwer, of Bones, and a whole budget of others, were called to mind; and when they had diligently considered them all, and compared them with the symptoms of the present case, they shook their heads, and came to the conclusion, that Ichabod had been carried off by the galloping Hessian. As he was a bachelor, and in nobody’s debt, nobody troubled his head any more about him; the school was removed to a different quarter of the Hollow, and another pedagogue reigned in his stead.

It is true, an old farmer, who had been down to New-York on a visit several years after, and from whom this account of the ghostly adventure was received, brought home the intelligence that Ichabod Crane was still alive; that he had left the neighbourhood partly through fear of the goblin and Hans Van Ripper, and partly in mortification at having been suddenly dismissed by the heiress; that he had changed his quarters to a distant part of the country; had kept school and studied law at the same time; had been admitted to the bar; turned politician; electioneered; written for the newspapers; and finally, had been made a Justice of the Ten Pound Court.

Brom Bones, too, who, shortly after his rival’s disappearance, conducted the blooming Katrina in triumph to the altar, was observed to look exceedingly knowing whenever the story of Ichabod was related, and always burst into a hearty laugh at the mention of the pumpkin; which led some to suspect that he knew more about the matter than he chose to tell.

The old country wives, however, who are the best judges of these matters, maintain to this day, that Ichabod was spirited away by supernatural means; and it is a favourite story often told about the neighbourhood round the winter evening fire. The bridge became more than ever an object of superstitious awe; and that may be the reason why the road has been altered of late years, so as to approach the church by the border of the mill-pond. The schoolhouse being deserted, soon fell to decay, and was reported to be haunted by the ghost of the unfortunate pedagogue; and the plough-boy, loitering homeward of a still summer evening, has often fancied his voice at a distance, chanting a melancholy Psalm tune among the tranquil solitudes of Sleepy Hollow.

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#LegendofSleppyHollow #HalloweenStories #HolloweenStories

Monos and Daimonos by Edward Bulwer-Lytton - Best Ghost Story

noreply@blogger.com (Unknown) — Sat, 09 Sep 2017 17:19:00 +0000

Edward Bulwer-Lytton (1803-1873) is known in supernatural circles for penning one of the greatest ghost stories of the nineteenth century: "The Haunted and Haunters." In 1857. H.P. Lovecraft called it "one of the best short haunted house tales ever." I included it in The Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology given its scary atmosphere throughout and fine writing. But enough about that ghostly tale.

Bulwer-Lytton was the first best selling novelist who got rich off his novels. Though Edgar Allan Poe admired the writings of Bulwer-Lytton, Poe also took a jab at him in his short story Lion-izing. A section of “Lion-izing” is derived from Edward Bulwer-Lytton’s tale “Too Handsome for Anything.” Follow the link to see what I had to say about the tale.

Bulwer-Lytton's second best ghost story is Monos and Daimonos. It was published in the May 1830 issue of the British New Monthly Magazine when Bulwer-Lytton was 27. The title is best defined as the heavenly and the infernal. The scary story involves a shipwreck, a murder and . . . well . . . a relentless ghost set out for revenge. Boo and Daiboo!

#MonosDaimonos #BestGhostStories

Ruyard Kipling House in London

noreply@blogger.com (Unknown) — Sat, 29 Jul 2017 22:58:00 +0000

On a recent trip to London I was strolling up Villers street when I saw to the right of me a squeezed building called Kipling House. "Certainly that cannot be the Kipling," I said to my companion. So I asked the same of the a young man enjoying a puff or two on a cigaret in the awning's shadow. "Yes, the Rudyard Kipling lived here for a couple years," he verified. That's one of the coolest things about London is that the history city is so chockablock with literary haunts that you find them walking about.

So I snapped a photo on my phone and continued up Villers. When I got back in the States I researched it. Rudyard Kipling lived there from 1889-1891. Kipling stated: "From my desk I could look out of my window through the fanlight of Gatti's Music-Hall entrance, across the street, almost on to its stage. The Charing Cross trains rumbled through my dreams on one side, the boom of the Strand on the other, while, before my windows, Father Thames under the Shot tower walked up and down with his traffic."

Kipling wrote segments of his novel The Light that Failed in the house. He did not, however, pen his ghost short stories there. His most popular is "The Strange Ride of Morrowbie Jukes published in 1899. That story, nor any of Rudyard Kiplings other ghost stories rose to the level of The Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology given their lack of terror-inducing storylines.

But the next time you are strolling along Villers Street in London and pass building 43, look up and see the digs of famous author of his day (though a middling ghost story writer).

Author Andrew Barger

#RudyardKiplingGhostStories #RudyardKiplingHouse

Guests of Gibbet Island by Washington Irving - Best Ghost Short Story 17 from 1850-1899 on Andrew Barger's Countdown

noreply@blogger.com (Unknown) — Sun, 18 Dec 2016 22:24:00 +0000

Washington Irving

(1783-1859)

American writer Washington Irving is best known as the author of The Legend of Sleepy Hallow that is still widely read some 200 years after its publication. His second best ghost short story was Adventure of the German Student. Both were recently published in my anthology titled, Phantasmal: The Best Ghost Short Stories 1800-1849.

In my view Washington Irving's "Gibbet" is an antiquated term for the gallows where criminals met their fate by hanging. Gibbet Island is known today as Ellis Island. That's right, Washington Irving appears to have penned the first ghost story involving Ellis Island and it's one of his finest, published four years before his death in 1855.

"Guests from Gibbet Island: A Legend of Communipaw," is an unincorporated community located in today's modern Jersey City in Hudson County, New Jersey. The ghost story was purportedly found among the Knickerbocker Papers at Wolfert's Roost. Unfortunately it contains certain stereotypes. It begins with the following letter:

TO THE EDITOR OF THE KNICKERBOCKER MAGAZINE.

Sir,

I observed in your last month's periodical, a communication from a Mr. VANDERDONK, giving some information concerning Communipaw. I herewith send you, Mr. Editor, a legend connected with that place; and am much surprised it should have escaped the researches of your very authentic correspondent, as it relates to an edifice scarcely less fated than the House of the Four Chimneys. I give you the legend in its crude and simple state, as I heard it related; it is capable, however, of being dilated, inflated, and dressed up into very imposing shape and dimensions. Should any of your ingenious contributors in this line feel inclined to take it in hand, they will find ample materials, collateral and illustrative, among the papers of the late Reinier Skaats, many years since crier of the court, and keeper of the City Hall, in the city of the Manhattoes; or in the library of that important and utterly renowned functionary, Mr. Jacob Hays, long time high constable, who, in the course of his extensive researches, has amassed an amount of valuable facts, to be rivalled only by that great historical collection, "The Newgate Calendar."

Your humble servant,

BARENT VAN SCHAICK.

Guests from Gibbet Island: A Legend of Communipaw

(1855)

WHOEVER has visited the ancient and renowned village of Communipaw may have noticed an old stone building, of most ruinous and sinister appearance. The doors and window-shutters are ready to drop from their hinges ; old clothes are stufled in the broken panes of glass, while legions of half-starved dogs prowl about the premises, and rush out and bark at every passer-by, for your beggarly house in a village is most apt to swarm with profli gate and ill-conditioned dogs. What adds to the sinister appearance of this mansion is a tall frame in front, not a little resembling a gallows, and which looks as if waiting to accommodate some of the inhabitants with a well-merited airing. It is not a gallows, however, but an ancient sign-post; for this dwelling in the golden days of Communipaw was one of the most orderly and peaceful of village taverns, where public affairs were talked and smoked over. In fact, it was in this very building that Oloffe the Dreamer and his companions concerted that great voyage of discovery and colonization in which they explored Buttermilk Channel, were nearly shipwrecked in the strait of Hell Gate, and finally landed on the island of Manhattan, and founded the great city of New Amsterdam. Even after the province had been cruelly wrested from the sway of their High Mightinesses by the combined forces of the British and the Yankees, this tavern continued its ancient loyalty. It is true, the head of the Prince of Orange disappeared from the sign, a strange bird being painted over it, with the explanatory legend of “DIE WILDE GANS,” or, The Wild Goose; but this all the world knew to be a sly riddle of the landlord, the worthy Teunis Van Gieson, a knowing man, in a small way, who laid his finger beside his nose and winked, when any one studied the signification of his sign, and observed that his goose was hatching, but would join the flock whenever they flew over the water ; an enigma which was the perpetual recreation and delight of the loyal but fat-headed burghers of Communipaw.

Under the sway of this patriotic, though discreet and quiet publican, the tavern continued to flourish in primeval tranquillity, and was the resort of true-hearted Nederlanders, from all parts of Pavonia; who met here quietly and secretly, to smoke and drink the downfall of Briton and Yankee, and success to Admiral Van Tromp.

The only drawback on the comfort of the establishment was a nephew of mine host, a sister’s son, Yan Yost Vanderscamp by name, and a real scamp by nature. This unlucky whipster showed an early propensity to mischief, which he gratified in a small way by playing tricks upon the frequenters of the Wild Goose,—putting gimpowder in their pipes, or squibs in their pockets, and astonishing them with an explosion, while they sat nodding around the fireplace in the bar-room; and if perchance a worthy burgher from some distant part of Pavonia lingered until dark over his potation, it was odds but young Vanderscamp would slip a brier under his horse’s tail, as he mounted, and send him clattering along the road, in neck-or-nothing style, to the infinite astonishment and discomfiture of the rider.

It may be wondered at, that mine host of the Wild Goose did not turn such a graceless varlet out of doors; but Teunis Van Gieson was an easy-tempered man, and, having no child of his own, looked upon his nephew with almost parental indulgence. His patience and good-nature were doomed to be tried by another inmate of his mansion. This was a crossgrained curmudgeon of a negro, named Pluto, who was a kind of enigma in Communipaw. Where he came from, nobody knew. He was found one morning, after a storm, cast like a sea-monster on the strand, in front of the Wild Goose, and lay there, more dead than alive. The neighbors gathered round, and speculated on this production of the deep ; whether it were fish or flesh, or a compound of both, commonly yclept a merman. The kind-hearted Teunis Van Gieson, seeing that he wore the human form, took him into his house, and warmed him into life. By degrees, he showed signs of intelligence, and even uttered sounds very much like language, but which no one in Communipaw could understand. Some thought him a negro just from Guinea, who had either fallen overboard, or escaped from a slave-ship. Nothing, however, could ever draw from him any account of his origin. When questioned on the subject, he merely pointed to Gibbet Island, a small rocky islet which lies in the open bay, just opposite Communipaw, as if that were his native place, though everybody knew it had never been inhabited.

In the process of time, he acquired something of the Dutch language; that is to say, he learnt all its vocabulary of oaths and maledictions, with just words suflicient to string them together. “Donder en blic/esem ./ ” (thunder and lightning) was the gentlest of his ejaculations. For years he kept about the Wild Goose, more like one of those familiar spirits, or household goblins, we read of, than like a human being. He acknowledged allegiance to no one, but performed various domestic oflices, when it suited his humor ; waiting occasionally on the guests, grooming the horses, cutting wood, drawing water; and all this without being ordered. Lay any command on him, and the stubborn sea-urchin was sure to rebel. He was never so much at home, however, as when on the water, plying about in skifi' or canoe, entirely alone, fishing, crabbing, or grabbing for oysters, and would bring home quantities for the larder of the Wild Goose, which he would throw down at the kitchen-door, with a growl. No wind nor weather deterred him from launching forth on his favorite element ; indeed, the wilder the weather, the more he seemed to enjoy it. If a storm was brewing, he was sure to put ofi' from shore ; and would be seen far out in the bay, his light skiff dancing like a feather on the waves, when sea and sky were in a turmoil, and the stoutest ships were fain to lower their sails. Sometimes on such occasions he would be absent for days together. How he weathered the tempest, and how and where he subsisted, no one could divine, nor did any one venture to ask, for all had an almost superstitious awe of him. Some of the Communipaw oystermen declared they had more than once seen him suddenly disappear, canoe and all, as if plunged beneath the waves, and after a while come up again, in quite a different part of the bay; whence they concluded that he could live under water like that notable species of wild-duck commonly called the hell-diver. All began to consider him in the light of a foul-weather bird, like the Mother Carey’s chicken, or stormy petrel ; and whenever they saw him putting far out in his skifi', in cloudy weather, made up their minds for a storm. The only being for whom he seemed to have any liking was Yan Yost Vanderscamp, and him he liked for his very wickedness. He in a manner took the boy under his tutelage, prompted him to all kinds of mischief, aided him in every wild harum-scarum freak, until the lad became the complete scapegrace of the village, a pest to his uncle and to every one else. Nor were his pranks confined to the land ; he soon learned to accompany old Pluto on the water. Together these worthies would cruise about the broad bay, and all the neighboring straits and rivers ; poking around in skififs and canoes; robbing the set nets of the fishermen; landing on remote coasts, and laying waste orchards and water-melon patches; in short, carrying on a complete system of piracy, on a small scale. Piloted by Pluto, the youthful Vanderscamp soon became acquainted with all the bays, rivers, creeks, and inlets of the watery world around him ; could navigate from the Hook to Spiting Devil on the darkest night, and learned to set even the terrors of Hell Gate at defiance.

At length negro and boy suddenly disappeared, and days and weeks elapsed, but without tidings of them. Some said they must have run away and gone to sea; others jocosely hinted that old Pluto, being no other than his namesake in disguise, had spirited away the boy to the nether regions. All, however agreed in one thing, that the village was well rid of them.

In the process of time, the good Teunis Van Gieson slept with his fathers, and the tavern remained shut up, waiting for a claimant, for the next heir was Yan Yost Vanderscamp, and he had not been heard of for years. At length, one day, a boat was seen pulling for shore, from a long, black, rakish-looking schooner, that lay at anchor in the bay. The boat’s crew seemed worthy of the craft from which they debarked. Never had such a set of noisy, roistering, swaggering varlets landed in peaceful Communipaw. They were outlandish in garb and demeanor, and were headed by a rough, burly, bully rulfian, with fiery whiskers, a copper nose, a scar across his face, and a great Flaunderish beaver slouched on one side of his head, in whom, to their dismay, the quiet inhabitants were made to recognize their early pest, Yan Yost Vanderscamp. The rear of this hopeful gang was brought up by old Pluto, who had lost an eye, grown grizzlyheaded, and looked more like a devil than ever. Vanderscamp renewed his acquaintance with the old burghers, much against their will, and in a manner not at all to their taste. He slapped them familiarly on the back, gave them an iron grip of the hand, and was hailfellow well met. According to his own account, he had been all the world over, had made money by bags full, had ships in every sea, and now meant to turn the Wild Goose into a country-seat, where he and his comrades, all rich merchants from foreign parts, might enjoy themselves in the interval of their voyages.

Sure enough, in a little while there was a complete metamorphose of the Wild Goose. From being a quiet, peaceful Dutch publichouse, it became a most riotous, uproarious private dwelling; a complete rendezvous for boisterous men of the seas, who came here to have what they called a “blow-out” on dry land, and might be seen at all hours, lounging about the door, or lolling out of the windows, swearing among themselves and cracking rough jokes on every passer-by. The house was fitted up, too, in so strange a manner: hammocks slung to the walls, instead of bedsteads; odd kinds of furniture, of foreign fashion; bamboo couches, Spanish chairs; pistols, cutlasses, and blunderbusses, suspended on every, peg; silver crucifixes on the mantle-pieces, silver candle-sticks and porringers on the tables, contrasting oddly with the pewter and Delf ware of the original establishment. And then the strange amusements of these sea-monsters! Pitching Spanish dollars, instead of quoits ; firing blunderbusses out of the window ; shooting at a mark, or at any unhappy dog, or cat, or pig, or barn-door fowl, that might happen to come within reach.

The only being who seemed to relish their rough waggery was old Pluto ; and yet he led but a dog’s life of it, for they practised all kinds of manual jokes upon him, kicked him about like a foot—ball, shook him by his grizzly mop of wool, and never spoke to him without coupling a curse by way of adjective, to his name, and consigning him to the infernal regions. The old fellow, however, seemed to like them the better the more they cursed him, though his utmost expression of pleasure never amounted to more than the growl of a petted bear, when his ears are rubbed.

Old Pluto was the ministering spirit at the orgies of the Wild Goose ; and such orgies as took place there! Such drinking, singing, whooping, swearing ; with an occasional interlude of quarrelling and fighting. The noisier grew the revel, the more old Pluto plied the potations, until the guests would become frantic in their merriment, smashing everything to pieces, and throwing the house out of the windows. Sometimes, after a drinking bout, they sallied forth and scoured the village, to the dismay of the worthy burghers, who gathered their women within doors, and would have shut up the house. Vanderscamp, however, was not to be rebuffed. He insisted on renewing acquaintance with his old neighbors, and on introducing his friends, the merchants, to their families ; swore he was on the lookout for a wife, and meant, before he stopped, to find husbands for all their daughters. So, will-ye, nill-ye, sociable he was; swaggered about their best parlors, with his hat on one side of his head ; sat on the good-wife’s nicely waxed mahogany table, kicking his heels against the carved and polished leg; kissed and tousled the young zzrows; and, if they frowned and pouted, gave them a gold rosary, or a sparkling cross, to put them in goodhumor again.

Sometimes nothing would satisfy him, but he must have some of his old neighbors to dinner at the Wild Goose. There was no refusing him, for he had the complete upper hand of the community, and the peaceful burghers all stood in awe of him. But what a time would the quiet, worthy men have, among these rake-hells, who would delight to astound them with the most extravagant gunpowder tales, embroidered with all kinds of foreign oaths, clink the can with them, pledge them in deep potations, bawl drinking-songs in their ears, and occasionally fire pistols over their heads, or under the table, and then laugh in their faces, and ask them how they liked the smell of gunpowder.

Thus was the little village of Communipaw for a time like the unfortunate wight possessed with devils; until Vanderscamp and his brother merchants would sail on another trading voyage, when the Wild Goose would be shut up and everything relapse into quiet, only to be disturbed by his next visitation.

The mystery of all these proceedings gradually dawned upon the tardy intellects of Communipaw. These were the times of the notorious Captain Kidd, when the American harbors were the resorts of piratical adventurers of all kinds, who, under pretext of mercantile voyages, scoured the West Indies, made plundering descents upon the Spanish Main, visited even the remote Indian Seas, and then came to dispose of their booty, have their revels, and fit out new expeditions in the English colonies.

Vanderscamp had served in this hopeful school, and, having risen to importance among the buccaneers, had pitched upon his native village and early home, as a quiet, out-of-theway, unsuspected place, where he and his comrades, while anchored at New York, might have their feasts, and concert their plans, without molestation.

At length the attention of the British government was called to these piratical enterprises, that were becoming so frequent and outrageous. Vigorous measures were taken to check and punish them. Several of the most noted freebooters were caught and executed, and three of Vanderscamp‘s chosen comrades, the most riotous swash-bucklers of the Wild Goose, were hanged in chains on Gibbet Island, in full sight of their favorite resort. As to Vanderscamp himself, he and his man Pluto again disappeared, and it was hoped by the people of Communipaw that he had fallen in some foreign brawl, or been swung on some foreign gallows.

For a time, therefore, the tranquillity of the village was restored; the worthy Dutchmen once more smoked their pipes in peace, eying With peculiar complacency their old pests and terrors, the pirates, dangling and drying in the sun, on Gibbet Island.

This perfect calm was doomed at length to be rufiied. The fiery persecution of the pirates gradually subsided. Justice was satisfied with the examples that had been made, and there was no more talk of Kidd, and the other heroes of like kidney. On a calm summer evening, a boat, somewhat heavily laden, was seen pulling into Communipaw. What was the surprise and disquiet of the inhabitants to seeYan Yost Vanderscamp seated at the helm, and his man Pluto tugging at the oar! Vanderscamp, however, was apparently an altered man. He brought home with him a wife, who seemed to be a shrew, and to have the upper hand of him. He no longer was the swaggering, bully ruflian, but afi'ected the regular merchant, and talked of retiring from business, and settling down quietly, to pass the rest of his days in his native place.

The Wild Goose mansion was again opened, but with diminished splendor, and no riot. It is true, Vanderscamp had frequent nautical visitors, and the sound of revelry was occasionally overheard in his house; but everything seemed to be done under the rose, and old Pluto was the only servant that officiated at these orgies. The visitors, indeed, were by no means of the turbulent stamp of their predecessors; but quiet mysterious traders; full of nods, and winks, and hieroglyphic signs, with whom, to use their cant phrase, “everything was smug.” Their ships came to anchor at night, in the lower bay; and, on a private signal, Vanderscamp would launch his boat, and, accompanied solely by his man Pluto, would make them mysterious visits. Sometimes boats pulled in at night, in front of the Wild Goose, and various articles of merchandise were landed in the dark, and spirited away, nobody knew whither. One of the more curious of the inhabitants kept watch, and caught a glimpse of the features of some of these night visitors, by the casual glance of a lantern, and declared that he recognized more than one of the freebooting frequenters of the Wild Goose, in former times; whence he concluded that Vanderscamp was at his old game, and that this mysterious merchandise was nothing more nor less than piratical plunder. The more charitable opinion, however, was, that Vanderscamp and his comrades, having been driven from their old line of business by the “oppressions of government,” had resorted to smuggling to make both ends meet.

Be that as it may, I come now to the extraordinary fact which is the butt-end of this story. It happened, late one night, that Yan Yost Vanderscamp was returning across the broad bay, in his light skiff, rowed by his man Pluto. He had been carousing on board of a vessel, newly arrived, and was somewhat obfuscated in intellect, by the liquor he had imbibed. It was a still, sultry night; a heavy mass of lurid clouds was rising in the west, with the low muttering of distant thunder. Vanderscamp called on Pluto to pull lustily, that they might get home before the gathering storm. The old negro made no reply, but shaped his course so as to skirt the rocky shores of Gibbet Island. A faint creaking overhead caused Vanderscamp to cast up his eyes, when, to his horror, he beheld the bodies of his three pot companions and brothers in iniquity dangling in the moonlight, their rags fluttering, and their chains creaking, as they were slowly swung backward and forward by the rising breeze.

“What do you mean, you blockhead!” cried Vanderscamp, “by pulling so close to the island?”

“I thought you'd be glad to see your old friends once more,” growled the negro; “you were never afraid of a living man, what do you fear from the dead?”

“Who ’s afraid?” hiccoughed Vanderscamp, partly heated by liquor, partly nettled by the jeer of the negro; “who’s afraid? Hang me, but I would be glad to see them once more, alive or dead, at the Wild Goose. Come, my lads in the wind!” continued he, taking a draught and flourishing the bottle above his head, “here ’s fair weather to you in the other world; and if you should be walking the rounds to-night, odds fish! but I ’ll be happy if you will drop in to supper.”

A dismal creaking was the only reply. The wind blew loud and shrill, and as it whistled round the gallows, and among the bones, sounded as if they were laughing and gibbering in the air. Old Pluto chuckled to himself, and now pulled for home. The storm burst over the voyagers, while they were yet far from shore. The rain fell in torrents, the thunder crashed and pealed, and the lightning kept up an incessant blaze. It was stark midnight before they landed at Communipaw.

Dripping and shivering, Vanderscamp crawled homeward. He was completely sobered by the storm, the water soaked from without having diluted and cooled the liquor within. Arrived at the Wild Goose, he knocked timidly and dubiously at the door; for he dreaded the reception he was to experience from his wife. He had reason to do so. She met him at the threshold, in a precious ill-humor.

“Is this a time,” said she, “to keep people out of their beds, and to bring home company, to turn the house upside down?”

“Company?” said Vanderscamp, meekly; “I have brought no company with me, wife?"

“No, indeed! they have got here before you, but by your invitation; and blessed-looking company they are, truly!"

Vanderscamp’s knees smote together. “For the love of heaven, where are they, wife?”

“Where?—why in the blue room, up-stairs, making themselves as much at home as if the house were their own.”

Vanderscamp made a desperate effort, scrambled up to the room, and threw open the door. Sure enough, there at a table, on which burned a light as blue as brimstone, sat the three guests from Gibbet Island, with halters round their necks, and bobbing their cups together, as if they were hob-or-nobbing, and trolling the old Dutch freebooter’s glee, since translated into English:

“For three merry lads be we, 
 And three merry lads be we; 
  I on the land, and thou on the sand, 
 And Jack on the gallows-tree.” 

Vanderscamp saw and heard no more. Starting back with horror, he missed his footing on the landing-place, and fell from the top of the stairs to the bottom. He was taken up speechless, either from the fall or the fright, and was buried in the yard of the little Dutch church at Bergen, on the following Sunday.

From that day forward the fate of the Wild Goose was sealed. It was pronounced a hazmtea’ house, and avoided accordingly. No one inhabited it but Vanderscamp’s shrew of a widow and old Pluto, and they were considered but little better than its hobgoblin visitors. Pluto grew more and more haggard and morose, and looked more like an imp of darkness than a human being. He spoke to no one, but went about muttering to himself ; or, as some hinted, talking with the devil, who, though unseen, was ever at his elbow. Now and then he was seen pulling about the bay alone in his skifl, in dark weather, or at the approach of nightfall; nobody could tell why, unless, on an errand to invite more guests from the gallows. Indeed, it was affirmed that the Wild Goose still continued to be a house of entertainment for such guests, and that on stormy nights the blue chamber was occasionally illuminated, and sounds of diabolical merriment were overheard, mingling with the howling of the tempest. Some treated these as idle stories, until on one such night, it was about the time of the equinox, there was a horrible uproar in the Wild Goose, that could not be mistaken. It was not so much the sound of revelry, however, as strife, with two or three piercing shrieks, that pervaded every part of the village. Nevertheless, no one thought of hastening to the spot. On the contrary, the honest burghers of Communipaw drew their nightcaps over their ears, and buried their heads under the bedclothes, at the thoughts of Vanderscamp and his gallows companions.

The next morning some of the bolder and more curious undertook to reconnoitre. All was quiet and lifeless at the Wild Goose. The door yawned wide open, and had evidently been open all night, for the storm had beaten into the house. Gathering more courage from the silence and apparent desertion, they gradually ventured over the threshold. The house had indeed the air of having been possessed by devils. Everything was topsy-turvy ; trunks had been broken open, and chests of drawers and corner cupboards turned inside out, as in a time of general sack and pillage; but the most woful sight was the widow of Yan Yost Vanderscamp, extended a corpse on the floor of the blue chamber, with the marks of a deadly gripe on the windpipe.

All now was conjecture and dismay at Communipaw ; and the disappearance of old Pluto, who was nowhere to be found, gave rise to all kinds of wild surmises. Some suggested that the negro had betrayed the house to some of Vanderscamp’s buccaneering associates, and that they had decamped together with the booty; others surmised that the negro was nothing more nor less than a devil incarnate, who had now accomplished his ends, and made off with his dues.

Events, however, vindicated the negro from this last implication. His skifi' was picked up, drifting about the bay, bottom upward, as if wrecked in a tempest; and his body was found, shortly afterward, by some Communipaw fishermen, stranded among the rocks of Gibbet Island, near the foot of the pirates gallows. The fishermen shook their heads and observed that old Pluto had ventured once too often to invite guests from Gibbet Island.

#GibbetIsland #BestGhostStories

Was It a Dream by Guy de Maupassant - Best Ghost Story 18 in Andrew Barger's Countdown

noreply@blogger.com (Unknown) — Sat, 03 Dec 2016 19:55:00 +0000

Henri Guy de Maupassant

(1850-1893)

Frenchman, Henri Guy de Maupassant, is best known today for his short stories. He penned over 300 of them and they range from the romantic to the supernatural, though most the latter were merely fictions of the protagonists' minds.

Was It a Dream? is Maupassant's best ghost short story given its longing writing style and graveyard setting. The scary story is gothic and haunting and written in the shadow of Poe as it involves the longing for a lost love reminiscent of a common theme in Edgar Allan Poe's short stories. Maupassant was influential in the last half of the nineteenth century. His stories even drew the attention of Leo Tolstoy who penned an essay called "The Works of Guy de Maupassant." Tolstoy's short stories continue to grow in popularity as do Maupassant's. He died at the young age of 43.

I pick Was It a Dream? as best ghost short story 18 in my countdown of the twenty best from 1850-1899. Enjoy this haunting little tale!

Was It a Dream?

“I had loved her madly! Why does one love? Why does one love? How queer it is to see only one being in the world, to have only one thought in one’s mind, only one desire in the heart, and only one name on the lips; a name which comes up continually, which rises like the water in a spring, from the depths of the soul, which rises to the lips, and which one repeats over and over again which one whispers ceaselessly, everywhere, like a prayer.

“I am going to tell you our story, for love only has one, which is always the same. I met her and loved her; that is all. And for a whole year I have lived on her tenderness, on her caresses, in her arms, in her dresses, on her words, so completely wrapped up, bound, imprisoned in everything which came from her, that I no longer knew whether it was day or night, if I was dead or alive, on this old earth of ours, or elsewhere.

“And then she died. How? I do not know. I no longer know; but one evening she came home wet, for it was raining heavily, and the next day she coughed, and she coughed for about a week, and took to her bed. What happened I do not remember now, but doctors came, wrote and went away. Medicines were brought, and some women made her drink them. Her hands were hot, her forehead was burning, and her eyes bright and sad. When I spoke to her, she answered me, but I do not remember what we said. I have forgotten everything, everything, everything! She died, and I very well remember her slight, feeble sigh. The nurse said: ‘Ah! and I understood, I understood!’

“I knew nothing more, nothing. I saw a priest, who said: ‘Your mistress?’ and it seemed to me as if he were insulting her. As she was dead, nobody had the right to know that any longer, and I turned him out. Another came who was very kind and tender, and I shed tears when he spoke to me about her.

“They consulted me about the funeral, but I do not remember anything that they said, though I recollected the coffin, and the sound of the hammer when they nailed her down in it. Oh! God, God!
“She was buried! Buried! She! In that hole! Some people came — female friends. I made my escape, and ran away; I ran, and then I walked through the streets, and went home, and the next day I started on a journey.”

“Yesterday I returned to Paris, and when I saw my room again — our room, our bed, our furniture, everything that remains of the life of a human being after death, I was seized by such a violent attack of fresh grief, that I was very near opening the window and throwing myself out into the street. As I could not remain any longer among these things, between these walls which had enclosed and sheltered her, and which retained a thousand atoms of her, of her skin and of her breath in their imperceptible crevices, I took up my hat to make my escape, and just as I reached the door, I passed the large glass in the hall, which she had put there so that she might be able to look at herself every day from head to foot as she went out, to see if her toilet looked well, and was correct and pretty, from her little boots to her bonnet.

“And I stopped short in front of that looking-glass in which she had so often been reflected. So often, so often, that it also must have retained her reflection. I was standing there, trembling, with my eyes fixed on the glass — on that flat, profound, empty glass — which had contained her entirely, and had possessed her as much as I had, as my passionate looks had. I felt as if I loved that glass. I touched it, it was cold. Oh! the recollection! sorrowful mirror, burning mirror, horrible mirror, which makes us suffer such torments! Happy are the men whose hearts forget everything that it has contained, everything that has passed before it, everything that has looked at itself in it, that has been reflected in its affection, in its love! How I suffer!

“I went on without knowing it, without wishing it; I went towards the cemetery. I found her simple grave, a white marble cross, with these few words:
“‘She loved, was loved, and died.’

“She is there, below, decayed! How horrible! I sobbed with my forehead on the ground, and I stopped there for a long time, a long time. Then I saw that it was getting dark, and a strange, a mad wish, the wish of a despairing lover seized me. I wished to pass the night, the last night in weeping on her grave. But I should be seen and driven out. How was I to manage? I was cunning, and got up, and began to roam about in that city of the dead. I walked and walked. How small this city is, in comparison with the other, the city in which we live: And yet, how much more numerous the dead are than the living. We want high houses, wide streets, and much room for the four generations who see the daylight at the same time, drink water from the spring, and wine from the vines, and eat the bread from the plains.

“And for all the generations of the dead, for all that ladder of humanity that has descended down to us, there is scarcely anything afield, scarcely anything! The earth takes them back, oblivion effaces them. Adieu!

“At the end of the abandoned cemetery, I suddenly perceived that the one where those who have been dead a long time finish mingling with the soil, where the crosses themselves decay, where the last comers will be put tomorrow. It is full of untended roses, of strong and dark cypress trees, a sad and beautiful garden, nourished on human flesh.

“I was alone, perfectly alone, and so I crouched in a green tree, and hid myself there completely among the thick and somber branches, and I waited, clinging to the stem, like a shipwrecked man does to a plank.

“When it was quite dark, I left my refuge and began to walk softly, slowly, inaudibly, through that ground full of dead people, and I wandered about for a long time, but could not find her again. I went on with extended arms, knocking against the tombs with my hands, my feet, my knees, my chest, even with my head, without being able to find her. I touched and felt about like a blind man groping his way, I felt the stones, the crosses, the iron railings, the metal wreaths, and the wreaths of faded flowers! I read the names with my fingers, by passing them over the letters. What a night! What a night! I could not find her again!

"Graves! graves! graves! nothing but graves!

“There was no moon. What a night! I am frightened, horribly frightened in these narrow paths, between two rows of graves. Graves! graves! graves! nothing but graves! On my right, on my left, in front of me, around me, everywhere there were graves! I sat down on one of them, for I could not walk any longer, my knees were so weak. I could hear my heart beat! And I could hear something else as well. What? A confused, nameless noise. Was the noise in my head in the impenetrable night, or beneath the mysterious earth, the earth sown with human corpses? I looked all around me, but I cannot say how long I remained there; I was paralyzed with terror, drunk with fright, ready to shout out, ready to die.

“Suddenly, it seemed to me as if the slab of marble on which I was sitting, was moving. Certainly, it was moving, as if it were being raised. With a bound, I sprang on to the neighboring tomb, and I saw, yes, I distinctly saw the stone which I had just quitted, rise upright, and the dead person appeared, a naked skeleton, which was pushing the stone back with its bent back. I saw it quite clearly, although the night was so dark. On the cross I could read:
“‘Here lies Jacques Olivant, who died at the age of fifty-one. He loved his family, was kind and honorable, and died in the grace of the Lord.’

“The dead man also read what was inscribed on his tombstone; then he picked up a stone off the path, a little, pointed stone, and began to scrape the letters carefully. He slowly effaced them altogether, and with the hollows of his eyes he looked at the places where they had been engraved, and, with the tip of the bone, that had been his forefinger, he wrote in luminous letters, like those lines which one traces on walls with the tip of a lucifer match:
“‘Here reposes Jacques Olivant, who died at the age of fifty-one. He hastened his father’s death by his unkindness, as he wished to inherit his fortune, he tortured his wife, tormented his children, deceived his neighbors, robbed everyone he could, and died wretched.’

“When he had finished writing, the dead man stood motionless, looking at his work, and on turning round I saw that all the graves were open, that all the dead bodies had emerged from them, and that all had effaced the lies inscribed on the gravestones by their relations, and had substituted the truth instead. And I saw that all had been tormentors of their neighbors — malicious, dishonest, hypocrites, liars, rogues, calumniators, envious; that they had stolen, deceived, performed every disgraceful, every abominable action, these good fathers, these faithful wives, these devoted sons, these chaste daughters, these honest tradesmen, these men and women who were called irreproachable, and they were called irreproachable, and they were all writing at the same time, on the threshold of their eternal abode, the truth, the terrible and the holy truth which everybody is ignorant of, or pretends to be ignorant of, while the others are alive.

“I thought that she also must have written something on her tombstone, and now, running without any fear among the half-open coffins, among the corpses and skeletons, I went towards her, sure that I should find her immediately. I recognized her at once, without seeing her face, which was covered by the winding-sheet, and on the marble cross, where shortly before I had read: ‘She loved, was loved, and died,’ I now saw: ‘Having gone out one day, in order to deceive her lover, she caught cold in the rain and died.’”

“It appears that they found me at daybreak, lying on the grave unconscious.”

#WasItaDream #BestGhostShortStories

Get 30% Off Andrew Barger's Books at Barnes & Noble This Weekend!

noreply@blogger.com (Unknown) — Thu, 24 Nov 2016 15:28:00 +0000

Thanksgiving Day through November 27th you get 30% off my books at Barnes & Noble using coupon code: BNBFRIDAY16 online. Plus bag free shipping on orders over $25. Happy Thanksgiving weekend for those of you in the States. Check out these great choices to use your 30% off B&N coupon:

Leo Tolstoy's 20 Greatest Short Stories Annotated

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Best Ghost Short Stories

Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology contains the annotated best ghost stories from the last half of the 19th century. Published in August of 2016, it includes scary short stories from popular American and Victorian authors including: Bram Stoker, M. R. James, Joseph Le Fanu, Charles Dickens, Elizabeth Nesbit, and Francis Marion Crawford. The ghost story anthology is annotated and includes story backgrounds and author photos by none other than Andrew Barger. Boo!

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Thanks to Edgar Allan Poe, Honore de Balzac, Nathaniel Hawthorne and others, the half century from 1800-1849 is the cradle of all modern horror short stories. Andrew Barger, the editor of this book as well as Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems, read over 300 horror short stories to compile the 12 best. At the back of the book he includes a list of all short stories he considered along with their dates of publication and author, when available. He even includes background for each of the stories, author photos and annotations for difficult terminology. A number of the scary short stories were published in leading periodicals of the day such as Blackwood's and Atkinson's Casket. Read The Best Horror Short Stories 1800-1849 today!

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Madame Crowl's Ghost by Joseph Le Fanu - Best Ghost Short Story 19 in Andrew Barger's Classic Countdown

noreply@blogger.com (Unknown) — Sat, 05 Nov 2016 22:07:00 +0000

Joseph Sheridan Le Fanu

(1814-1873)

For lovers of a good horror story, let’s all tip our top hats to Charles Dickens, the author of "A Christmas Carol." He was so fixated with ghost stories that he wrote nearly twenty of them among his short stories and novels. His “No. 1 Branch Line, The Signal Man” of 1866 rises to the level of the Top Ten stories found in Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology. As if his many ghost stories weren’t enough for the genre, Dickens fostered the literary careers of many talented supernatural authors by publishing them in his weekly magazine—All the Year Round, including supernatural authors Wilkie Collins, Edward Bulwer-Lytton and Elizabeth Gaskell.

The best ghost story writer Dickens took under his wing, however, was Joseph Le Fanu. To say that Le Fanu was a fantastic ghost story writer is an understatement. No author had a bigger impact during the middle part of the 19th century on supernatural fiction than Irishman Joseph Thomas Sheridan Le Fanu. His female vampire story “Carmilla” (1872) highly influenced Bram Stoker when chiseling the foundations of Dracula and it is still a literary force to be reckoned with today.

His ghost stories influenced M. R. James who unabashedly placed Le Fanu “in the first rank as a writer of ghost stories.” James acknowledged how well Le Fanu set the scene of the story, which is a key component of any frightening ghost story.

Montague Summers called Le Fanu “the supreme master of the supernatural.”

He was such an excellent supernatural story writer that Le Fanu is the only author to have stories in four of the best supernatural collections during the nineteenth century: A “Strange Event in the Life of Schalken the Painter” (1839) in BlooDeath: The Best Vampire Short Stories 1800-1849, “Green Tea” (1872) in Best Horror Short Stories 1850-1899: A 6a66le Horror Anthology, “Camilla” (1872), and “The Familiar” (1872) in Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology. Although the latter is his best ghost story, "Madame Crowl's Ghost" is, perhaps, his second best due to its chilling narrative and characters. That's why I've picked it has best ghost story 19 in my countdown.

Dickens published it anonymously on New Year's Eve, 1870 in All the Year Round. He certainly knew it was another excellent scary story by Le Fanu.

Madame Crowl's Ghost

1870

Twenty years have passed since you last saw Mrs. Jolliffe's tall slim figure. She is now past seventy, and can't have many mile-stones more to count on the journey that will bring her to her long home. The hair has grown white as snow, that is parted under her cap, over her shrewd, but kindly face. But her figure is still straight, and her step light and active.

She has taken of late years to the care of adult invalids, having surrendered to younger hands the little people who inhabit cradles, and crawl on all-fours. Those who remember that good-natured face among the earliest that emerge from the darkness of non-entity, and who owe to their first lessons in the accomplishment of walking, and a delighted appreciation of their first babblings and earliest teeth, have "spired up" into tall lads and lasses, now. Some of them shew streaks of white by this time, in brown locks, "the bonny gouden" hair, that she was so proud to brush and shew to admiring mothers, who are seen no more on the green of Golden Friars, and whose names are traced now on the flat grey stones in the church-yard.

So the time is ripening some, and searing others; and the saddening and tender sunset hour has come; and it is evening with the kind old north-country dame, who nursed pretty Laura Mildmay, who now stepping into the room, smiles so gladly, and throws her arms round the old woman's neck, and kisses her twice.

"Now, this is so lucky!" said Mrs. Jenner, "you have just come in time to hear a story."

"Really! That's delightful."

"Na, na, od wite it! no story, ouer true for that, I sid it a wi my aan eyen. But the barn here, would not like, at these hours, just goin' to her bed, to hear tell of freets and boggarts."

"Ghosts? The very thing of all others I should most likely to hear of."

"Well, dear," said Mrs. Jenner, "if you are not afraid, sit ye down here, with us."

"She was just going to tell me all about her first engagement to attend a dying old woman," says Mrs. Jenner, "and of the ghost she saw there. Now, Mrs. Jolliffe, make your tea first, and then begin."

The good woman obeyed, and having prepared a cup of that companionable nectar, she sipped a little, drew her brows slightly together to collect her thoughts, and then looked up with a wondrous solemn face to begin.

Good Mrs. Jenner, and the pretty girl, each gazed with eyes of solemn expectation in the face of the old woman, who seemed to gather awe from the recollections she was summoning.

The old room was a good scene for such a narrative, with the oak-wainscoting, quaint, and clumsy furniture, the heavy beams that crossed its ceiling, and the tall four-post bed, with dark curtains, within which you might imagine what shadows you please.

Mrs. Jolliffe cleared her voice, rolled her eyes slowly round, and began her tale in these words:--

MADAM CROWL'S GHOST

"I'm an ald woman now, and I was but thirteen, my last birthday, the night I came to Applewale House. My aunt was the housekeeper there, and a sort o' one-horse carriage was down at Lexhoe waitin' to take me and my box up to Applewale.

"I was a bit frightened by the time I got to Lexhoe, and when I saw the carriage and horse, I wished myself back again with my mother at Hazelden. I was crying when I got into the 'shay'--that's what we used to call it--and old John Mulbery that drove it, and was a good-natured fellow, bought me a handful of apples at the Golden Lion to cheer me up a bit; and he told me that there was a currant-cake, and tea, and pork-chops, waiting for me, all hot, in my aunt's room at the great house. It was a fine moonlight night, and I eat the apples, lookin' out o' the shay winda.

"It's a shame for gentlemen to frighten a poor foolish child like I was. I sometimes think it might be tricks. There was two on 'em on the tap o' the coach beside me. And they began to question me after nightfall, when the moon rose, where I was going to. Well, I told them it was to wait on Dame Arabella Crowl, of Applewale House, near by Lexhoe.

"'Ho, then,' says one of them, 'you'll not be long there!'

"And I looked at him as much as to say 'Why not?' for I had spoken out when I told them where I was goin', as if 'twas something clever I hed to say.

"'Because,' says he, 'and don't you for your life tell no one, only watch her and see--she's possessed by the devil, and more an half a ghost. Have you got a Bible?'

"'Yes, sir,' says I. For my mother put my little Bible in my box, and I knew it was there: and by the same token, though the print's too small for my ald eyes, I have it in my press to this hour.

"As I looked up at him saying 'Yes, sir,' I thought I saw him winkin' at his friend; but I could not be sure.

"'Well,' says he, 'be sure you put it under your bolster every night, it will keep the ald girl's claws aff ye.'

"And I got such a fright when he said that, you wouldn't fancy! And I'd a liked to ask him a lot about the ald lady, but I was too shy, and he and his friend began talkin' together about their own consarns, and dowly enough I got down, as I told ye, at Lexhoe. My heart sank as I drove into the dark avenue. The trees stand very thick and big, as ald as the ald house almost, and four people, with their arms out and finger-tips touchin', barely girds round some of them.

"Well my neck was stretched out o' the winda, looking for the first view o' the great house; and all at once we pulled up in front of it.

"A great white-and-black house it is, wi' great black beams across and right up it, and gables lookin' out, as white as a sheet, to the moon, and the shadows o' the trees, two or three up and down in front, you could count the leaves on them, and all the little diamond-shaped winda-panes, glimmering on the great hall winda, and great shutters, in the old fashion, hinged on the wall outside, boulted across all the rest o' the windas in front, for there was but three or four servants, and the old lady in the house, and most o' t' rooms was locked up.

"My heart was in my mouth when I sid the journey was over, and this the great house afoore me, and I sa near my aunt that I never sid till noo, and Dame Crowl, that I was come to wait upon, and was afeard on already.

"My aunt kissed me in the hall, and brought me to her room. She was tall and thin, wi' a pale face and black eyes, and long thin hands wi' black mittins on. She was past fifty, and her word was short; but her word was law. I hev no complaints to make of her; but she was a hard woman, and I think she would hev bin kinder to me if I had bin her sister's child in place of her brother's. But all that's o' no consequence noo.

"The squire--his name was Mr. Chevenix Crowl, he was Dame Crowl's grandson--came down there, by way of seeing that the old lady was well treated, about twice or thrice in the year. I sid him but twice all the time I was at Applewale House.

"I can't say but she was well taken care of, notwithstanding; but that was because my aunt and Meg Wyvern, that was her maid, had a conscience, and did their duty by her.

"Mrs. Wyvern--Meg Wyvern my aunt called her to herself, and Mrs. Wyvern to me--was a fat, jolly lass of fifty, a good height and a good breadth, always good-humoured and walked slow. She had fine wages, but she was a bit stingy, and kept all her fine clothes under lock and key, and wore, mostly, a twilled chocolate cotton, wi' red, and yellow, and green sprigs and balls on it, and it lasted wonderful.

"She never gave me nout, not the vally o' a brass thimble, all the time I was there; but she was good-humoured, and always laughin', and she talked no end o' proas over her tea; and, seeing me sa sackless and dowly, she roused me up wi' her laughin' and stories; and I think I liked her better than my aunt--children is so taken wi' a bit o' fun or a story--though my aunt was very good to me, but a hard woman about some things, and silent always.

"My aunt took me into her bed-chamber, that I might rest myself a bit while she was settin' the tea in her room. But first, she patted me on the shouther, and said I was a tall lass o' my years, and had spired up well, and asked me if I could do plain work and stitchin'; and she looked in my face, and said I was like my father, her brother, that was dead and gone, and she hoped I was a better Christian, and wad na du a' that lids (would not do anything of that sort).

"It was a hard sayin' the first time I set foot in her room, I thought.

"When I went into the next room, the housekeeper's room--very comfortable, yak (oak) all round--there was a fine fire blazin' away, wi' coal, and peat, and wood, all in a low together, and tea on the table, and hot cake, and smokin' meat; and there was Mrs. Wyvern, fat, jolly, and talkin' away, more in an hour than my aunt would in a year.

"While I was still at my tea my aunt went up-stairs to see Madam Crowl.

"'She's agone up to see that old Judith Squailes is awake,' says Mrs. Wyvern. 'Judith sits with Madam Crowl when me and Mrs. Shutters'--that was my aunt's name--'is away. She's a troublesome old lady. Ye'll hev to be sharp wi' her, or she'll be into the fire, or out o' t' winda. She goes on wires, she does, old though she be.'

"'How old, ma'am?' says I.

"'Ninety-three her last birthday, and that's eight months gone,' says she; and she laughed. 'And don't be askin' questions about her before your aunt--mind, I tell ye; just take her as you find her, and that's all.'

"'And what's to be my business about her, please, ma'am?' says I.

"'About the old lady? Well,' says she, 'your aunt, Mrs. Shutters, will tell you that; but I suppose you'll hev to sit in the room with your work, and see she's at no mischief, and let her amuse herself with her things on the table, and get her her food or drink as she calls for it, and keep her out o' mischief, and ring the bell hard if she's troublesome.'

"'Is she deaf, ma'am?'

"'No, nor blind,' says she; 'as sharp as a needle, but she's gone quite aupy, and can't remember nout rightly; and Jack the Giant Killer, or Goody Twoshoes will please her as well as the king's court, or the affairs of the nation.'

"'And what did the little girl go away for, ma'am, that went on Friday last? My aunt wrote to my mother she was to go.'

"'Yes; she's gone.'

"'What for?' says I again.

"'She didn't answer Mrs. Shutters, I do suppose,' says she. 'I don't know. Don't be talkin'; your aunt can't abide a talkin' child.'

"'And please, ma'am, is the old lady well in health?' says I.

"'It ain't no harm to ask that,' says she. 'She's torflin a bit lately, but better this week past, and I dare say she'll last out her hundred years yet. Hish! Here's your aunt coming down the passage.'

"In comes my aunt, and begins talkin' to Mrs. Wyvern, and I, beginnin' to feel more comfortable and at home like, was walkin' about the room lookin' at this thing and at that. There was pretty old china things on the cupboard, and pictures again the wall; and there was a door open in the wainscot, and I sees a queer old leathern jacket, wi' straps and buckles to it, and sleeves as long as the bed-post hangin' up inside.

"'What's that you're at, child?' says my aunt, sharp enough, turning about when I thought she least minded. 'What's that in your hand?'

"'This, ma'am?' says I, turning about with the leathern jacket. 'I don't know what it is, ma'am.'

"Pale as she was, the red came up in her cheeks, and her eyes flashed wi' anger, and I think only she had half a dozen steps to take, between her and me, she'd a gev me a sizzup. But she did gie me a shake by the shouther, and she plucked the thing out o' my hand, and says she, 'While ever you stay here, don't ye meddle wi' nout that don't belong to ye', and she hung it up on the pin that was there, and shut the door wi' a bang and locked it fast.

"Mrs. Wyvern was liftin' up her hands and laughin' all this time, quietly, in her chair, rolling herself a bit in it, as she used when she was kinkin'.

"The tears was in my eyes, and she winked at my aunt, and says she, dryin' her own eyes that was wet wi' the laughin', 'Tut, the child meant no harm--come here to me, child. It's only a pair o' crutches for lame ducks, and ask us no questions mind, and we'll tell ye no lies; and come here and sit down, and drink a mug o' beer before ye go to your bed.'

"My room, mind ye, was upstairs, next to the old lady's, and Mrs. Wyvern's bed was near hers in her room, and I was to be ready at call, if need should be.

"The old lady was in one of her tantrums that night and part of the day before. She used to take fits o' the sulks. Sometimes she would not let them dress her, and at other times she would not let them take her clothes off. She was a great beauty, they said, in her day. But there was no one about Applewale that remembered her in her prime. And she was dreadful fond o' dress, and had thick silks, and stiff satins, and velvets, and laces, and all sorts, enough to set up seven shops at the least. All her dresses was old-fashioned and queer, but worth a fortune.

"Well, I went to my bed. I lay for a while awake; for a' things was new to me; and I think the tea was in my nerves, too, for I wasn't used to it, except now and then on a holiday, or the like. And I heard Mrs. Wyvern talkin', and I listened with my hand to my ear; but I could not hear Mrs. Crowl, and I don't think she said a word.

"There was great care took of her. The people at Applewale knew that when she died they would every one get the sack; and their situations was well paid and easy.

"The doctor came twice a week to see the old lady, and you may be sure they all did as he bid them. One thing was the same every time; they were never to cross or frump her, any way, but to humour and please her in everything.

"So she lay in her clothes all that night, and next day, not a word she said, and I was at my needlework all that day, in my own room, except when I went down to my dinner.

"I would a liked to see the ald lady, and even to hear her speak. But she might as well a' bin in Lunnon a' the time for me.

"When I had my dinner my aunt sent me out for a walk for an hour. I was glad when I came back, the trees was so big, and the place so dark and lonesome, and 'twas a cloudy day, and I cried a deal, thinkin' of home, while I was walkin' alone there. That evening, the candles bein' alight, I was sittin' in my room, and the door was open into Madam Crowl's chamber, where my aunt was. It was, then, for the first time I heard what I suppose was the ald lady talking.

"It was a queer noise like, I couldn't well say which, a bird, or a beast, only it had a bleatin' sound in it, and was very small.

"I pricked my ears to hear all I could. But I could not make out one word she said. And my aunt answered:

"'The evil one can't hurt no one, ma'am, bout the Lord permits.'

"Then the same queer voice from the bed says something more that I couldn't make head nor tail on.

"And my aunt med answer again: 'Let them pull faces, ma'am, and say what they will; if the Lord be for us, who can be against us?'

"I kept listenin' with my ear turned to the door, holdin' my breath, but not another word or sound came in from the room. In about twenty minutes, as I was sittin' by the table, lookin' at the pictures in the old Aesop's Fables, I was aware o' something moving at the door, and lookin' up I sid my aunt's face lookin' in at the door, and her hand raised.

"'Hish!' says she, very soft, and comes over to me on tiptoe, and she says in a whisper: 'Thank God, she's asleep at last, and don't ye make no noise till I come back, for I'm goin' down to take my cup o' tea, and I'll be back i' noo--me and Mrs. Wyvern, and she'll be sleepin' in the room, and you can run down when we come up, and Judith will gie ye yaur supper in my room.'

"And with that she goes.

"I kep' looking at the picture-book, as before, listenin' every noo and then, but there was no sound, not a breath, that I could hear; an' I began whisperin' to the pictures and talkin' to myself to keep my heart up, for I was growin' feared in that big room.

"And at last up I got, and began walkin' about the room, lookin' at this and peepin' at that, to amuse my mind, ye'll understand. And at last what sud I do but peeps into Madam Crowl's bedchamber.

"A grand chamber it was, wi' a great four-poster, wi' flowered silk curtains as tall as the ceilin', and foldin' down on the floor, and drawn close all round. There was a lookin'-glass, the biggest I ever sid before, and the room was a blaze o' light. I counted twenty-two wax candles, all alight. Such was her fancy, and no one dared say her nay.

"I listened at the door, and gaped and wondered all round. When I heard there was not a breath, and did not see so much as a stir in the curtains, I took heart, and walked into the room on tiptoe, and looked round again. Then I takes a keek at myself in the big glass; and at last it came in my head, 'Why couldn't I ha' a keek at the ald lady herself in the bed?

"Ye'd think me a fule if ye knew half how I longed to see Dame Crowl, and I thought to myself if I didn't peep now I might wait many a day before I got so gude a chance again.

"Well, my dear, I came to the side o' the bed, the curtains bein' close, and my heart a'most failed me. But I took courage, and I slips my finger in between the thick curtains, and then my hand. So I waits a bit, but all was still as death. So, softly, softly I draws the curtain, and there, sure enough, I sid before me, stretched out like the painted lady on the tomb-stean in Lexhoe Church, the famous Dame Crowl, of Applewale House. There she was, dressed out. You never sid the like in they days. Satin and silk, and scarlet and green, and gold and pint lace; by Jen! 'twas a sight! A big powdered wig, half as high as herself, was a-top o' her head, and, wow!--was ever such wrinkles?--and her old baggy throat all powdered white, and her cheeks rouged, and mouse-skin eyebrows, that Mrs. Wyvern used to stick on, and there she lay proud and stark, wi' a pair o' clocked silk hose on, and heels to her shoon as tall as nine-pins. Lawk! But her nose was crooked and thin, and half the whites o' her eyes was open. She used to stand, dressed as she was, gigglin' and dribblin' before the lookin'-glass, wi' a fan in her hand and a big nosegay in her bodice. Her wrinkled little hands was stretched down by her sides, and such long nails, all cut into points, I never sid in my days. Could it even a bin the fashion for grit fowk to wear their fingernails so?

"Well, I think ye'd a-bin frightened yourself if ye'd a sid such a sight. I couldn't let go the curtain, nor move an inch, nor take my eyes off her; my very heart stood still. And in an instant she opens her eyes and up she sits, and spins herself round, and down wi' her, wi' a clack on her two tall heels on the floor, facin' me, ogglin' in my face wi' her two great glassy eyes, and a wicked simper wi' her wrinkled lips, and lang fause teeth.

"Well, a corpse is a natural thing; but this was the dreadfullest sight I ever sid. She had her fingers straight out pointin' at me, and her back was crooked, round again wi' age. Says she:

"'Ye little limb! what for did ye say I killed the boy? I'll tickle ye till ye're stiff!'

"If I'd a thought an instant, I'd a turned about and run. But I couldn't take my eyes off her, and I backed from her as soon as I could; and she came clatterin' after like a thing on wires, with her fingers pointing to my throat, and she makin' all the time a sound with her tongue like zizz-zizz-zizz.

"I kept backin' and backin' as quick as I could, and her fingers was only a few inches away from my throat, and I felt I'd lose my wits if she touched me.

"I went back this way, right into the corner, and I gev a yellock, ye'd think saul and body was partin', and that minute my aunt, from the door, calls out wi' a blare, and the ald lady turns round on her, and I turns about, and ran through my room, and down the stairs, as hard as my legs could carry me.

"I cried hearty, I can tell you, when I got down to the housekeeper's room. Mrs. Wyvern laughed a deal when I told her what happened. But she changed her key when she heard the ald lady's words.

"'Say them again,' says she.

"So I told her.

"'Ye little limb! What for did ye say I killed the boy? I'll tickle ye till ye're stiff.'

"'And did ye say she killed a boy?' says she.

"'Not I, ma'am,' says I.

"Judith was always up with me, after that, when the two elder women was away from her. I would a jumped out at winda, rather than stay alone in the same room wi' her.

"It was about a week after, as well as I can remember, Mrs. Wyvern, one day when me and her was alone, told me a thing about Madam Crowl that I did not know before.

"She being young and a great beauty, full seventy year before, had married Squire Crowl, of Applewale. But he was a widower, and had a son about nine years old.

"There never was tale or tidings of this boy after one mornin'. No one could say where he went to. He was allowed too much liberty, and used to be off in the morning, one day, to the keeper's cottage and breakfast wi' him, and away to the warren, and not home, mayhap, till evening; and another time down to the lake, and bathe there, and spend the day fishin' there, or paddlin' about in the boat. Well, no one could say what was gone wi' him; only this, that his hat was found by the lake, under a haathorn that grows thar to this day, and 'twas thought he was drowned bathin'. And the squire's son, by his second marriage, with this Madam Crowl that lived sa dreadful lang, came in far the estates. It was his son, the ald lady's grandson, Squire Chevenix Crowl, that owned the estates at the time I came to Applewale.

"There was a deal o' talk lang before my aunt's time about it; and 'twas said the step-mother knew more than she was like to let out. And she managed her husband, the ald squire, wi' her white-heft and flatteries. And as the boy was never seen more, in course of time the thing died out of fowks' minds.

"I'm goin' to tell ye noo about what I sid wi' my own een.

"I was not there six months, and it was winter time, when the ald lady took her last sickness.

"The doctor was afeard she might a took a fit o' madness, as she did fifteen years befoore, and was buckled up, many a time, in a strait-waistcoat, which was the very leathern jerkin I sid in the closet, off my aunt's room.

"Well, she didn't. She pined, and windered, and went off, torflin', torflin', quiet enough, till a day or two before her flittin', and then she took to rabblin', and sometimes skirlin' in the bed, ye'd think a robber had a knife to her throat, and she used to work out o' the bed, and not being strong enough, then, to walk or stand, she'd fall on the flure, wi' her ald wizened hands stretched before her face, and skirlin' still for mercy.

"Ye may guess I didn't go into the room, and I used to be shiverin' in my bed wi' fear, at her skirlin' and scrafflin' on the flure, and blarin' out words that id make your skin turn blue.

"My aunt, and Mrs. Wyvern, and Judith Squailes, and a woman from Lexhoe, was always about her. At last she took fits, and they wore her out.

"T' sir was there, and prayed for her; but she was past praying with. I suppose it was right, but none could think there was much good in it, and sa at lang last she made her flittin', and a' was over, and old Dame Crowl was shrouded and coffined, and Squire Chevenix was wrote for. But he was away in France, and the delay was sa lang, that t' sir and doctor both agreed it would not du to keep her langer out o' her place, and no one cared but just them two, and my aunt and the rest o' us, from Applewale, to go to the buryin'. So the old lady of Applewale was laid in the vault under Lexhoe Church; and we lived up at the great house till such time as the squire should come to tell his will about us, and pay off such as he chose to discharge.

"I was put into another room, two doors away from what was Dame Crowl's chamber, after her death, and this thing happened the night before Squire Chevenix came to Applewale.

"The room I was in now was a large square chamber, covered wi' yak pannels, but unfurnished except for my bed, which had no curtains to it, and a chair and a table, or so, that looked nothing at all in such a big room. And the big looking-glass, that the old lady used to keek into and admire herself from head to heel, now that there was na mair o' that wark, was put out of the way, and stood against the wall in my room, for there was shiftin' o' many things in her chamber ye may suppose, when she came to be coffined.

"The news had come that day that the squire was to be down next morning at Applewale; and not sorry was I, for I thought I was sure to be sent home again to my mother. And right glad was I, and I was thinkin' of a' at hame, and my sister Janet, and the kitten and the pymag, and Trimmer the tike, and all the rest, and I got sa fidgetty, I couldn't sleep, and the clock struck twelve, and me wide awake, and the room as dark as pick. My back was turned to the door, and my eyes toward the wall opposite.

"Well, it could na be a full quarter past twelve, when I sees a lightin' on the wall befoore me, as if something took fire behind, and the shadas o' the bed, and the chair, and my gown, that was hangin' from the wall, was dancin' up and down on the ceilin' beams and the yak pannels; and I turns my head ower my shouther quick, thinkin' something must a gone a' fire.

"And what sud I see, by Jen! but the likeness o' the ald beldame, bedizened out in her satins and velvets, on her dead body, simperin', wi' her eyes as wide as saucers, and her face like the fiend himself. 'Twas a red light that rose about her in a fuffin low, as if her dress round her feet was blazin'. She was drivin' on right for me, wi' her ald shrivelled hands crooked as if she was goin' to claw me. I could not stir, but she passed me straight by, wi' a blast o' cald air, and I sid her, at the wall, in the alcove as my aunt used to call it, which was a recess where the state bed used to stand in ald times wi' a door open wide, and her hands gropin' in at somethin' was there. I never sid that door befoore. And she turned round to me, like a thing on a pivot, flyrin', and all at once the room was dark, and I standin' at the far side o' the bed; I don't know how I got there, and I found my tongue at last, and if I did na blare a yellock, rennin' down the gallery and almost pulled Mrs. Wyvern's door off t' hooks, and frighted her half out o' wits.

"Ye may guess I did na sleep that night; and wi' the first light, down wi' me to my aunt, as fast as my two legs cud carry me.

"Well my aunt did na frump or flite me, as I thought she would, but she held me by the hand, and looked hard in my face all the time. And she telt me not to be feared; and says she:

"'Hed the appearance a key in its hand?'

"'Yes,' says I, bringin' it to mind, 'a big key in a queer brass handle.'

"'Stop a bit,' says she, lettin' go ma hand, and openin' the cupboard-door. 'Was it like this?' says she, takin' one out in her fingers, and showing it to me, with a dark look in my face.

"'That was it,' says I, quick enough.

"'Are ye sure?' she says, turnin' it round.

"'Sart,' says I, and I felt like I was gain' to faint when I sid it.

"'Well, that will do, child,' says she, saftly thinkin', and she locked it up again.

"'The squire himself will be here today, before twelve o'clock, and ye must tell him all about it,' says she, thinkin', 'and I suppose I'll be leavin' soon, and so the best thing for the present is, that ye should go home this afternoon, and I'll look out another place for you when I can.'

"Fain was I, ye may guess, at that word.

"My aunt packed up my things for me, and the three pounds that was due to me, to bring home, and Squire Crowl himself came down to Applewale that day, a handsome man, about thirty years ald. It was the second time I sid him. But this was the first time he spoke to me.

"My aunt talked wi' him in the housekeeper's room, and I don't know what they said. I was a bit feared on the squire, he bein' a great gentleman down in Lexhoe, and I darn't go near till I was called. And says he, smilin':

"'What's a' this ye a sen, child? it mun be a dream, for ye know there's na sic a thing as a bo or a freet in a' the world. But whatever it was, ma little maid, sit ye down and tell all about it from first to last.'

"Well, so soon as I made an end, he thought a bit, and says he to my aunt:

"'I mind the place well. In old Sir Olivur's time lame Wyndel told me there was a door in that recess, to the left, where the lassie dreamed she saw my grandmother open it. He was past eighty when he told me that, and I but a boy. It's twenty year sen. The plate and jewels used to be kept there, long ago, before the iron closet was made in the arras chamber, and he told me the key had a brass handle, and this ye say was found in the bottom o' the kist where she kept her old fans. Now, would not it be a queer thing if we found some spoons or diamonds forgot there? Ye mun come up wi' us, lassie, and point to the very spot.'

"Loth was I, and my heart in my mouth, and fast I held by my aunt's hand as I stept into that awsome room, and showed them both how she came and passed me by, and the spot where she stood, and where the door seemed to open.

"There was an ald empty press against the wall then, and shoving it aside, sure enough there was the tracing of a door in the wainscot, and a keyhole stopped with wood, and planed across as smooth as the rest, and the joining of the door all stopped wi' putty the colour o' yak, and, but for the hinges that showed a bit when the press was shoved aside, ye would not consayt there was a door there at all.

"'Ha!' says he, wi' a queer smile, 'this looks like it.'

"It took some minutes wi' a small chisel and hammer to pick the bit o' wood out o' the keyhole. The key fitted, sure enough, and, wi' a strang twist and a lang skreak, the boult went back and he pulled the door open.

"There was another door inside, stranger than the first, but the lacks was gone, and it opened easy. Inside was a narrow floor and walls and vault o' brick; we could not see what was in it, for 'twas dark as pick.

"When my aunt had lighted the candle, the squire held it up and stept in.

"My aunt stood on tiptoe tryin' to look over his shouther, and I did na see nout.

"'Ha! ha!' says the squire, steppin' backward. 'What's that? Gi' ma the poker--quick!' says he to my aunt. And as she went to the hearth I peeps beside his arm, and I sid squat down in the far corner a monkey or a flayin' on the chest, or else the maist shrivelled up, wizzened ald wife that ever was sen on yearth.

"'By Jen!' says my aunt, as puttin' the poker in his hand, she keeked by his shouther, and sid the ill-favoured thing, 'hae a care, sir, what ye're doin'. Back wi' ye, and shut to the door!'

"But in place o' that he steps in saftly, wi' the poker pointed like a swoord, and he gies it a poke, and down it a' tumbles together, head and a', in a heap o' bayans and dust, little meyar an' a hatful.

"'Twas the bayans o' a child; a' the rest went to dust at a touch. They said nout for a while, but he turns round the skull, as it lay on the floor.

"Young as I was, I consayted I knew well enough what they was thinkin' on.

"'A dead cat!' says he, pushin' back and blowin' out the can'le, and shuttin' to the door. 'We'll come back, you and me, Mrs. Shutters, and look on the shelves by-and-bye. I've other matters first to speak to ye about; and this little girl's goin' hame, ye say. She has her wages, and I mun mak' her a present,' says he, pattin' my shouther wi' his hand.

"And he did gimma a goud pound and I went aff to Lexhoe about an hour after, and sa hame by the stage-coach, and fain was I to be at hame again; and I never sid Dame Crowl o' Applewale, God be thanked, either in appearance or in dream, at-efter. But when I was grown to be a woman, my aunt spent a day and night wi' me at Littleham, and she telt me there was no doubt it was the poor little boy that was missing sa lang sen, that was shut up to die thar in the dark by that wicked beldame, whar his skirls, or his prayers, or his thumpin' cud na be heard, and his hat was left by the water's edge, whoever did it, to mak' belief he was drowned. The clothes, at the first touch, a' ran into a snuff o' dust in the cell whar the bayans was found. But there was a handful o' jet buttons, and a knife with a green heft, together wi' a couple o' pennies the poor little fella had in his pocket, I suppose, when he was decoyed in thar, and sid his last o' the light. And there was, amang the squire's papers, a copy o' the notice that was prented after he was lost, when the ald squire thought he might 'a run away, or bin took by gipsies, and it said he had a green-hefted knife wi' him, and that his buttons were o' cut jet. Sa that is a' I hev to say consarnin' ald Dame Crowl, o' Applewale House."

http://www.AndrewBarger.com

#MadameCrowlsGhost #JosephLeFanu

Best Ghost Short Stories 1850-1899 by Andrew Barger is Published!

noreply@blogger.com (Unknown) — Sat, 08 Oct 2016 12:41:00 +0000

October is the month for ghosts. That's why I'm happy to announce my latest anthology: Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology is now published! It contains the best ghost stories from the last half of the 19th century. It includes shocking tales from popular American and Victorian authors.

Andrew Barger (that would be me), award-winning author and editor of Phantasmal: Best Ghost Short Stories 1800-1849 and The Divine Dantes trilogy, has researched the finest ghost stories for the last half of the nineteenth century and combined them in one haunting collection. He has added his familiar scholarly touch by annotating the stories, providing story background information, author photos and a list of ghost stories considered to settle on the most frightening and well-written tales.

Victorians: Victors of the Ghost Story (2016) by Andrew Barger - Andrew sets the stage for this haunting ghost anthology.

The Upper Berth (1886) by Francis Marion Crawford - You will never think of cruising on a ship the same way after reading "The Upper Berth."

In Kropfsberg Keep (1895) by Ralph Adams Cram - A gothic setting yields a nightmare for a couple of "ghost hunters."

Lost Hearts (1895) by M. R. James - This early M. R. James classic ghost story is one of his best.

The Familiar (1872) by Joseph Le Fanu - Ever feel like you are being watched?

The Haunted Organist of Hurly Burly (1886) by Rosa Mulholland - You will never view an organ the same way again.

No. 1 Branch Line: The Signal Man (1865) by Charles Dickens - Are the nervous habits of a train tracks operator all in his mind?

Hurst of Hurstcote (1893) by Edith Nesbit - A moldering house and--of course--ghosts.

The Judge's House (1891) by Bram Stoker - The author of Dracula never disappoints.

The Yellow Sign (1895) by Robert Chambers - A painter sees someone watching him from a busy New York street.

The Haunted and the Haunters (1859) by Edward Bulwer-Lytton - The oldest and most haunting ghost short story in the anthology and one that H. P. Lovecraft deemed the best haunted house story ever.

I am deeply and horribly convinced, that there does exist beyond this a spiritual world--a system whose workings are generally in mercy hidden from us--a system which may be, and which is sometimes, partially and terribly revealed.

"The Familiar" 1872 by Joseph Sheridan Le Fanu

Buy today at Amazon: Best Ghost Short Stories 1850-1899

#BestGhostShortStories #BestGhostStoriesBook

Get 40% Off my Best Ghost Stories Book at Barnes & Noble!

noreply@blogger.com (Unknown) — Sat, 03 Sep 2016 12:37:00 +0000

40% Off

Barnes & Noble

Through September 5th you get 40% off my book at Barnes & Noble using coupon code: LMQCJGX26KQFK Plus bag free shipping on orders over $25. Happy Labor Day weekend for those of you in the States. Here are great choices to use your 40% off B&N coupon:

Best Ghost Short Stories

Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology contains the best ghost stories from the last half of the 19th century. Published in August of 2016, it includes scary short stories from popular American and Victorian authors including: Bram Stoker, M. R. James, Joseph Le Fanu, Charles Dickens, Elizabeth Nesbit, and Francis Marion Crawford. The ghost story anthology is annotated and includes story backgrounds and author photos. Boo!

Best Horror Short Stories Anthology

Leo Tolstoy's 20 Greatest Short Stories Annotated

#BarnsandNobleCoupon #BestGhostShortStories #BestHorrorShortStories

Best Ghost Short Stories 1850-1899 Anthology Cover Reveal

noreply@blogger.com (Unknown) — Sun, 07 Aug 2016 14:58:00 +0000

Excuse me while I interrupt my countdown of the 20 best horror short stories for the last half of the 19th century to drop a my new ghost short stories cover. I wanted a simple cover that would stand out even when a thumbnail-sized image on the Internet, hence the Victorian ghost woman on the front.

The full title is Best Ghost Short Stories 1850-1899: A Phantasmal Ghost Anthology and it officially launches in two weeks. But you can buy it now on Google Books by clicking the link above.

More on the contents later along with a haunting countdown of what I believe to be the top 20 ghost stories for the last half of the Victorian Age.

#bestghostshortstories #NewGhostAnthology

Review of Phantasmal: The Best Ghost Short Stories 1800-1849 by the Examiner

noreply@blogger.com (Unknown) — Sun, 03 Jul 2016 13:26:00 +0000

Phantasmal: The Best Ghost Short Stories 1800-1849

Every so often a review of one of my books is so well-reasoned that I share with my friends. This week was no exception when Denise Longrie of the Examiner posted a review of Phantasmal: The Best Ghost Stories 1800-1849.

Ms. Longrie did a nice job in pointing out the scope of the anthology: story backgrounds, list of the best short ghost stories considered, preface (though not mentioning annotations and author photos). She goes on to review each story in the collection and concludes by giving it 5 out of 5 stars.

The review was a positive light on a very hard day for me. Thanks, Ms. Longrie, for caring about the early machinations of ghost short stories.

#BestGhostShortStories #ExaminerGhostReview

Did Edgar Allan Poe Write a Ghost Story?

noreply@blogger.com (Unknown) — Sun, 20 Jul 2014 20:49:00 +0000

Edgar Allan Poe is America's forefather of Gothic literature and responsible for its most popular poem, "The Raven." I have argued in a past post that Poe did not (unfortunately) write a vampire story. But what about a ghost story? Poe had a mostly pitiful life where he suffered through poverty (much of it self-inflicted for his art) and the deaths of his mother, father, foster mother, foster father (John Allen), wife (Virginia Poe), former fiancee (Sarah Helen Whitman) and close friends. Who better to write a ghost story than the forefather of Goth who had lost so many relatives?

In my view he wrote at least four ghost stories:

1835 Morella;
1838 Ligeia;
1842 The Mask of the Red Death (Included in The Best Ghost Stories 1800-1849); and
1842 The Oval Portrait.

Arguments have been made (spoiler alert) that the revived sister in The Fall of the House of Usher is a ghost, and I get that. She is either someone who was laid to rest by her brother when she was near death (ala The Premature Burial) or locked away, which explains Roderick Usher's nervous condition. Anyway, yes Poe did write a ghost story or two or four. All are fantastic and worth a slow read.

What Did Edgar Allan Poe Think Was the Best Ghost Story?

noreply@blogger.com (Unknown) — Sat, 14 Jun 2014 21:24:00 +0000

Poe was a connoisseur of the supernatural. As the author of Coffee with Poe: A Novel of Edgar Allan Poe's Life, I am sometimes asked if Poe had a favorite ghost story.

The ghost story is by William Gilmore Simms and is titled Murder Will Out. I don't, however, agree with Poe since I placed it in spot 35 in my Top 40 countdown of the scariest ghost stories from 1800-1849. This is what Poe had to say about the scary ghost story in his review (published posthumously in 1850) of Simm's collection of short stories: "The Wigwam and the Cabin."

The other stories of the volume do credit to the author’s abilities, and display their peculiarities in a strong light, but there is no one of them so good as “Murder Will Out.”

#PoeghostStory #BestghostStories #MurderWillOut

Fear of Ghosts by The Cure as a Visual Ghost Story

noreply@blogger.com (Unknown) — Sat, 10 May 2014 13:45:00 +0000

Well, this post is all about the best ghost stories in audio and video form. One of the best songs about ghost is "Fear of Ghosts" by The Cure. Enjoy!

Fear of Ghosts - Disintegration (Deluxe) - "The further I get from the things that I care about, the less I care about how much further away I get . . .."

Get a Haunting 15% Off My Ghost Stories Book at Barnes & Noble This Weekend

noreply@blogger.com (Unknown) — Fri, 02 May 2014 12:38:00 +0000

Score 15% off my best ghost stories book at Barnes & Noble through Sunday, May 4th by using coupon code: MJ64ACYYD36YS at checkout.

A best bet is the best ghost stories book, Phantasmal: The Best Ghost Stories 1800-1849, the classic ghost short story collection I edited.

Or, if you are not in the mood to be scared, try out Tolstoy's short stories book, Leo Tolstoy's 20 Greatest Short Stories Annotated. You can't miss.

Colplay's New Album--Ghost Stories--Drops in May

noreply@blogger.com (Unknown) — Mon, 21 Apr 2014 16:40:00 +0000

Coldplay's new album is called "Ghost Stories"and it drops in May. Let's hope some of the yet to be released songs draw from some of the best ghost stories in the English language. The first song is called "Magic" and you can watch the first video from the album below.

New Vampire Anthology Published - The Best Vampire Stories 1800-1849: A Classic Vampire Anthology

noreply@blogger.com (Unknown) — Fri, 30 Mar 2012 22:08:00 +0000

Scary stories-vampire style. That is what's in store when you read my newly published book - The Best Vampire Stories 1800-1849: A Classic Vampire Anthology. In the first half of the nineteenth century vampires were referred to as ghosts since they were once living. They were also called "vampyres," which I personally like better than "vampires." The old school version has a more goth look to it on the page. Anyway, here is some background into my new anthology. It's one that is uniquely presented in the vampire genre.

Unearthed from long forgotten journals and magazines, Andrew Barger has found the very best vampire short stories from the first half of the 19th century. They are collected for the first time in this groundbreaking book on the origins of vampire lore.

The cradle of all vampire short stories in the English language is the first half of the 19th century. Andrew Barger combed forgotten journals and mysterious texts to collect the very best vintage vampire stories from this crucial period in vampire literature. In doing so, Andrew unearthed the second and third vampire stories originally published in the English language, neither printed since their first publication nearly 200 years ago. Also included is the first vampire story originally written in English by John Polidori after a dare with Lord Byron and Mary Shelley. The book contains the first vampire story by an American who was a graduate of Columbia Law School. The book further includes the first vampire stories by an Englishman and German, including the only vampire stories by such renowned authors as Alexander Dumas, Théophile Gautier and Joseph le Fanu.

As readers have come to expect from Andrew, he has added his scholarly touch to this collection by including story backgrounds, annotations, author photos and a foreword titled "With Teeth." The ground-breaking stories are:

1819 The Vampyre - John Polidori (1795-1821)

1823 Wake Not the Dead - Ludwig Tieck (1773-1853)

1848 The Vampire of the Carpathian Mountains - Alexander Dumas (1802-1870)

1839 Strange Event in the Life of Schalken the Painter - Joseph le Fanu (1814-1873)

1826 Pepopukin in Corsica - Arthur Young (1741-1820)

1819 The Black Vampyre: A Legend of Saint Domingo - Robert C. Sands (1799-1832)

1836 Clarimonde - Théophile Gautier (1811-1872)

Buy this best vampire book tonight!