<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:gd="http://schemas.google.com/g/2005" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;DE8DR3wzfip7ImA9WhRRF0s.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508</id><updated>2011-12-01T11:14:36.286-08:00</updated><category term="Formación de Usuarios" /><category term="Indice de títulos de revistas" /><category term="Horario de verano" /><category term="Efemérides" /><category term="Donaciones" /><category term="Revistas" /><category term="Dvds" /><category term="Películas" /><category term="Guía de ayuda" /><category term="Taller Uso del Catálogo en Línea" /><category term="HEMEROTECA" /><category term="Bases de Datos" /><category term="Films" /><category term="Ciencias Sociales" /><category term="Artículos de revistas" /><category term="Novedades" /><category term="Catálogo en Línea" /><category term="Humanidades" /><category term="Visita Guiada" /><category term="Bibliografía" /><category term="Renovaciones" /><category term="Horario ciclo lectivo" /><category term="Reservas" /><category term="Feriado" /><category term="Multas" /><category term="Préstamo Interbibliotecario" /><category term="concurso" /><category term="Silencio" /><category term="Citas" /><category term="Lecturas recomendadas" /><category term="Préstamos de verano" /><category term="Ciencias Básicas y Aplicadas" /><category term="Eventos" /><category term="CEyA" /><category term="Acceso remoto" /><category term="Préstamos" /><category term="Bibliodelivery" /><category term="Vencimientos" /><title>Biblioteca Max von Buch</title><subtitle type="html">Universidad de San Andrés</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://biblioudesa.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>109</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/BibliotecaMaxVonBuch" /><feedburner:info uri="bibliotecamaxvonbuch" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;DE8DR307fip7ImA9WhRRF0s.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-5090528214742803663</id><published>2011-12-01T11:14:00.000-08:00</published><updated>2011-12-01T11:14:36.306-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-01T11:14:36.306-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Efemérides" /><title>1° de Diciembre:  Día Mundial de Lucha contra el VIH/SIDA</title><content type="html">&lt;a href="data:image/png;base64,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" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img alt="" border="0" src="data:image/png;base64,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" /&gt;&lt;/a&gt;Este día se dedica a dar a conocer la epidemia de SIDA global causada por la extensión de la infección del VIH. Fue elegido debido a que el primer caso de SIDA fue diagnosticado en este día en 1981. Desde entonces, ha matado más de 25 millones de personas en todo el mundo, haciéndola una de las epidemias más destructivas de la historia registrada.&lt;br /&gt;
El concepto de dedicar un día a la lucha contra el SIDA en el mundo se originó en la Cumbre Mundial de Ministerios de la Salud de 1988, dentro de los programas para la prevención del SIDA. Desde entonces, ha sido tomado por gobiernos, organizaciones internacionales y caridades alrededor del mundo.&lt;br /&gt;
Desde 1988 hasta 2004, el Día Internacional de la Lucha contra el SIDA fue organizado por UNAIDS (ONUSIDA), organismo que es-cogía un tema para cada año, después de consultarlo con otras orga-nizaciones. En 2005 la UNAIDS entregó la responsabilidad de la conmemoración de este día a la Campaña Mundial contra el SIDA (WAC, World AIDS Campaign), una organización independiente. &lt;br /&gt;
En este día se realizan ceremonias para recordar a las personas muertas víctimas de HIV/SIDA. Los gobiernos y profesionales de la salud también realizan actos especiales en este día como conferencias y discursos sobre temas relacionados con el SIDA. Además de innumerables campañas de concientización y educación, a cargo de organizaciones creadas para tal efecto.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Fuente: http://spanish.argentina.usembassy.gov/dia_del_sida.html&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-5090528214742803663?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/WfDX8CDFRjU" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/5090528214742803663/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/12/1-de-diciembre-dia-mundial-de-lucha.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/5090528214742803663?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/5090528214742803663?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/WfDX8CDFRjU/1-de-diciembre-dia-mundial-de-lucha.html" title="1° de Diciembre:  Día Mundial de Lucha contra el VIH/SIDA" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/12/1-de-diciembre-dia-mundial-de-lucha.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkECQHk7cCp7ImA9WhRRF0k.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-4971538739585010278</id><published>2011-12-01T05:04:00.000-08:00</published><updated>2011-12-01T05:04:21.708-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-01T05:04:21.708-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Revistas" /><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><title>Novedades de la Biblioteca - Revistas</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-bPPvaso3AR8/TtaHy0wsfUI/AAAAAAAAAxo/fCAoU36stfc/s1600/american+economic+journal.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-bPPvaso3AR8/TtaHy0wsfUI/AAAAAAAAAxo/fCAoU36stfc/s1600/american+economic+journal.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;American economic journal:&amp;nbsp;macroeconomics. Nashville, TN:&amp;nbsp;American Economic Association,&amp;nbsp;c2009&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-SuHjl7DDtvY/TtaH3qvGnOI/AAAAAAAAAxw/6BX6g0SRtUM/s1600/gemnocide.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-SuHjl7DDtvY/TtaH3qvGnOI/AAAAAAAAAxw/6BX6g0SRtUM/s1600/gemnocide.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Genocide studies and prevention.&amp;nbsp;Toronto: &amp;nbsp;Journals Division, University of Toronto Press,&amp;nbsp;2006-&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-STYV1yEgsUA/TtaH9L-gg3I/AAAAAAAAAx4/XvJvzBy95hU/s1600/%252Bsan+andres.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-STYV1yEgsUA/TtaH9L-gg3I/AAAAAAAAAx4/XvJvzBy95hU/s1600/%252Bsan+andres.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;+ San Andrés.&amp;nbsp;Victoria, Pcia. de Buenos Aires:&amp;nbsp;Universidad de San Andrés,&amp;nbsp;2009-&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-4971538739585010278?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/CslOiBmHTjw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/4971538739585010278/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/12/novedades-de-la-biblioteca-revistas.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/4971538739585010278?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/4971538739585010278?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/CslOiBmHTjw/novedades-de-la-biblioteca-revistas.html" title="Novedades de la Biblioteca - Revistas" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-bPPvaso3AR8/TtaHy0wsfUI/AAAAAAAAAxo/fCAoU36stfc/s72-c/american+economic+journal.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/12/novedades-de-la-biblioteca-revistas.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkEFSX0_eCp7ImA9WhRRF0k.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-1782449537660096156</id><published>2011-12-01T05:03:00.000-08:00</published><updated>2011-12-01T05:03:38.340-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-01T05:03:38.340-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Humanidades" /><title>Novedades Bibliográficas de la Biblioteca    Humanidades</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-h-0HM-2DoqQ/TtaF-RnyFJI/AAAAAAAAAwY/3qSQd9jD56k/s1600/cuadernos+%2528130+x+195%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-h-0HM-2DoqQ/TtaF-RnyFJI/AAAAAAAAAwY/3qSQd9jD56k/s1600/cuadernos+%2528130+x+195%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Alvarez, Mario Roberto, 1913-2011. Cuadernos de viajes/ Mario R. Álvarez; [coordinación general, recopilación y revisión del material, Liliana Foguelman]. Buenos Aires: Universidad de Palermo, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: NA839.A65 A3 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-p3qsbGOlOy4/TtaGPrbaGRI/AAAAAAAAAwg/QEyDEBVVeMs/s1600/america+latina+transform+%2528130+x+186%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-p3qsbGOlOy4/TtaGPrbaGRI/AAAAAAAAAwg/QEyDEBVVeMs/s1600/america+latina+transform+%2528130+x+186%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;América Latina: transformaciones geopolíticas y democracia/ Bernardo Sorj, Sergio Fausto (compiladores); traducción, Mauricio Temerlin; revisión técnica, Ei Ling Díaz. Buenos Aires: Siglo Veintiuno Argentina;[Rio de Janeiro]: Plataforma Democrática, 2010.&lt;br /&gt;
&lt;b&gt;Ubicación: F1415 .A74 2010&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-dEJ3aaOKaQ8/TtaGZ-ZU-tI/AAAAAAAAAwo/TSInNj8Ar9Q/s1600/mujeres+mon+%2528130+x+195%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-dEJ3aaOKaQ8/TtaGZ-ZU-tI/AAAAAAAAAwo/TSInNj8Ar9Q/s1600/mujeres+mon+%2528130+x+195%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Grammático, Karin, 1971- Mujeres montoneras: una historia de la Agrupación Evita, 1973-1974/ Karin Grammático. Buenos Aires: Luxemburg, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: F2849.2 .G736 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-xgaI8zUdiiI/TtaGf8t-AcI/AAAAAAAAAww/Bc8jYU82vIw/s1600/desde+un+guiso+%2528130+x+195%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-xgaI8zUdiiI/TtaGf8t-AcI/AAAAAAAAAww/Bc8jYU82vIw/s1600/desde+un+guiso+%2528130+x+195%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Karagueuzian, Juan B. (Juan Bautista) Desde un guiso/ Juan B. Karagueuzian. Buenos Aires: Juan B. Karagueuzian, c2010.&lt;br /&gt;
&lt;b&gt;Ubicación: DK683.2 .K37 2010&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-qpSmFUjtH9M/TtaGkn9MoEI/AAAAAAAAAw4/SzX4sLYPb4k/s1600/military+in+chil+%2528130+x+197%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-qpSmFUjtH9M/TtaGkn9MoEI/AAAAAAAAAw4/SzX4sLYPb4k/s1600/military+in+chil+%2528130+x+197%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Nunn, Frederick M., 1937- The military in Chilean history: essays on civil-military relations, 1810-1973/ Frederick M. Nunn. Albuquerque: University of New Mexico Press, c1976.&lt;br /&gt;
&lt;b&gt;Ubicación: F3093 .N85 1976&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-XOYS0ZbY2xE/TtaGp6VcisI/AAAAAAAAAxA/DcS_w-HRRTQ/s1600/world+isl+%2528130+x+203%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-XOYS0ZbY2xE/TtaGp6VcisI/AAAAAAAAAxA/DcS_w-HRRTQ/s1600/world+isl+%2528130+x+203%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Petersen, Alexandros. The World Island: Eurasian geopolitics and the fate of the West/ Alexandros Petersen. Santa Barbara, Calif.: Praeger Security International, c2011.&lt;br /&gt;
&lt;b&gt;Ubicación: DS33.3 .P44 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-pFDmzdDtu7I/TtaGytmcARI/AAAAAAAAAxI/P1PPmbs2QPk/s1600/battling+%2528130+x+197%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-pFDmzdDtu7I/TtaGytmcARI/AAAAAAAAAxI/P1PPmbs2QPk/s1600/battling+%2528130+x+197%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Stern, Steve J., 1951- Battling for hearts and minds: memory struggles in Pinochet's Chile, 1973-1988/ Steve J. Stern. Durham: Duke University Press, 2006.&lt;br /&gt;
&lt;b&gt;Ubicación: F3100 .S823 2006&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-gtEci1oopOY/TtaG3mzkxXI/AAAAAAAAAxQ/G2zJ6LdCpII/s1600/reckoning+%2528130+x+198%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-gtEci1oopOY/TtaG3mzkxXI/AAAAAAAAAxQ/G2zJ6LdCpII/s1600/reckoning+%2528130+x+198%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Stern, Steve J., 1951- Reckoning with Pinochet: the memory question in democratic Chile, 1989-2006/ Steve J. Stern. Durham, NC: Duke University Press, 2010.&lt;br /&gt;
&lt;b&gt;Ubicación: F3100 .S824 2010&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-SmEIeRxdCbY/TtaHBmuKFrI/AAAAAAAAAxg/J1GPtmfkbcU/s1600/remembering+%2528130+x+207%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-SmEIeRxdCbY/TtaHBmuKFrI/AAAAAAAAAxg/J1GPtmfkbcU/s1600/remembering+%2528130+x+207%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Stern, Steve J., 1951- Remembering Pinochet's Chile: on the eve of London, 1998/ Steve J. Stern. Durham: Duke University Press, 2006.&lt;br /&gt;
&lt;b&gt;Ubicación: F3100 .S82 2006&lt;/b&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-1782449537660096156?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/y1c6xUePvqs" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/1782449537660096156/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/12/novedades-bibliograficas-de-la_01.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1782449537660096156?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1782449537660096156?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/y1c6xUePvqs/novedades-bibliograficas-de-la_01.html" title="Novedades Bibliográficas de la Biblioteca    Humanidades" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-h-0HM-2DoqQ/TtaF-RnyFJI/AAAAAAAAAwY/3qSQd9jD56k/s72-c/cuadernos+%2528130+x+195%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/12/novedades-bibliograficas-de-la_01.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkIHR3o-eSp7ImA9WhRRF0k.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-6895325964111183108</id><published>2011-12-01T05:02:00.000-08:00</published><updated>2011-12-01T05:02:16.451-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-12-01T05:02:16.451-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Ciencias Sociales" /><title>Novedades Bibliográficas de la Biblioteca    Ciencias Sociales</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-UGrsinZmjL0/TtZ-ULLXaYI/AAAAAAAAAuI/K4HnrNBlMP8/s1600/estado+de+situacion+%2528130+x+174%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-UGrsinZmjL0/TtZ-ULLXaYI/AAAAAAAAAuI/K4HnrNBlMP8/s1600/estado+de+situacion+%2528130+x+174%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Barómetro de la deuda social Argentina. Estado de situación del desarrollo humano y social: barreras estructurales y dualidades de la sociedad argentina en el primer año del Bicentenario/ [Agustín Salvia, editor; autores, Dan Adaszko. et al.]. Buenos Aires: Observatorio de la Deuda Social Argentina, Pontificia Universidad Católica Argentina, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: HN263.5 .B376 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-jp3plOVMPXA/TtZ-bLM__uI/AAAAAAAAAuQ/1oXWkWo2sgI/s1600/capitalism+and+dem+%2528130+x+202%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-jp3plOVMPXA/TtZ-bLM__uI/AAAAAAAAAuQ/1oXWkWo2sgI/s1600/capitalism+and+dem+%2528130+x+202%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Capitalism and democracy in Central and Eastern Europe: assessing the legacy of Communist rule/ edited by Grzegorz Ekiert, Stephen E. Hanson. Cambridge, UK; New York: Cambridge University Press, 2003.&lt;br /&gt;
&lt;b&gt;Ubicación: JN96.A58 C36 2003&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-CFEianm5wR0/TtZ-hXJ1KNI/AAAAAAAAAuY/Isc5UWoFul0/s1600/case+studies+%2528130+x+194%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-CFEianm5wR0/TtZ-hXJ1KNI/AAAAAAAAAuY/Isc5UWoFul0/s1600/case+studies+%2528130+x+194%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Case studies in social entrepreneurship and sustainability/ edited by Jost Hamschmidt and Michael Pirson; with a foreword by Marina Kim. Sheffield: Greenleaf, c2011.&lt;br /&gt;
&lt;b&gt;Ubicación: HC79.E5 C373 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-caPC7Rnw05w/TtZ-2njqBdI/AAAAAAAAAug/gxO8998ECmQ/s1600/christian+democ+%2528130+x+205%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-caPC7Rnw05w/TtZ-2njqBdI/AAAAAAAAAug/gxO8998ECmQ/s1600/christian+democ+%2528130+x+205%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Christian democracy in Latin America: electoral competition and regime conflicts/ edited by Scott Mainwaring and Timothy R. Scully. Stanford, Calif.: Stanford University Press, 2003.&lt;br /&gt;
&lt;b&gt;Ubicación: JL969.A45 C47 2003&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://1.bp.blogspot.com/-PwPc_mlF-fg/TtZ-8aoxz-I/AAAAAAAAAuo/q401WJf8ZqA/s1600/estado+y+adminis+%2528130+x+186%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-PwPc_mlF-fg/TtZ-8aoxz-I/AAAAAAAAAuo/q401WJf8ZqA/s1600/estado+y+adminis+%2528130+x+186%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Estado y administración pública: críticas, enfoques y prácticas en la Argentina actual/ Guillermo Schweinheim (comp.). Buenos Aires: AAEAP, 2009.&lt;br /&gt;
&lt;b&gt;Ubicación: JL2031 .E78 2009&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;a href="http://3.bp.blogspot.com/-22dDeBrie18/TtZ_b52JwiI/AAAAAAAAAuw/6hy2s_6qEFo/s1600/dinero+banca+%2528130+x+201%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-22dDeBrie18/TtZ_b52JwiI/AAAAAAAAAuw/6hy2s_6qEFo/s1600/dinero+banca+%2528130+x+201%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Gómez P., Javier Guillermo (Gómez Pineda) Dinero, banca y mercados financieros: los países emergentes en la economía global/ Javier Guillermo Gómez P. México, D.F.: Alfaomega, 2010.&lt;br /&gt;
&lt;b&gt;Ubicación: HG221 .G66 2010&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;a href="http://1.bp.blogspot.com/-QESrjOntxjM/TtZ_xhkiEQI/AAAAAAAAAu4/uPocmbHueB8/s1600/hacia+una+educacion+sin+apell+%2528130+x+176%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-QESrjOntxjM/TtZ_xhkiEQI/AAAAAAAAAu4/uPocmbHueB8/s1600/hacia+una+educacion+sin+apell+%2528130+x+176%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Hacia una educación sin apellidos: aportes al campo de la educación no formal/ compiladores, Marcelo Ubal, Ximena Varón, Pablo Martinis. Montevideo: Universidad de la República: Psicolibros: Waslala, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: LC45.8.U8 H33 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-lAtv2Z5cC6o/TtZ_9IOhbxI/AAAAAAAAAvA/yuTLBpad2ik/s1600/hacia+una+educacion+superior+%2528130+x+177%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-lAtv2Z5cC6o/TtZ_9IOhbxI/AAAAAAAAAvA/yuTLBpad2ik/s1600/hacia+una+educacion+superior+%2528130+x+177%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Hacia una educación superior de calidad. Una mirada de quienes gestionan las universidades en Argentina, España y México/ Martín A. López Armengol y María de la Paz Colombo, coordinadores. La Plata, Argentina: Edulp, Editorial de la Universidad de La Plata, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: LA548 .H33 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-nzLvolZNJr0/TtaAJGeN70I/AAAAAAAAAvI/3cff-MPNrbk/s1600/labor+of+development+%2528130+x+214%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-nzLvolZNJr0/TtaAJGeN70I/AAAAAAAAAvI/3cff-MPNrbk/s1600/labor+of+development+%2528130+x+214%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Heller, Patrick. The labor of development: workers and the transformation of capitalism in Kerala, India/ Patrick Heller. Ithaca, N.Y.: Cornell University Press, 1999.&lt;br /&gt;
&lt;b&gt;Ubicación: HD8689.K452 H45 1999&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-OhE7YA1EveA/TtaAmgRuzmI/AAAAAAAAAvQ/CKvZsY-d4Zc/s1600/culture+cycle+%2528130+x+200%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-OhE7YA1EveA/TtaAmgRuzmI/AAAAAAAAAvQ/CKvZsY-d4Zc/s1600/culture+cycle+%2528130+x+200%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Heskett, James L. The culture cycle: how to shape the unseen force that transforms performance/ James Heskett. Upper Saddle River, N.J.: Financial Times, c2012.&lt;br /&gt;
&lt;b&gt;Ubicación: HD58.7 .H475 2012&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-sWQRu6-IZsk/TtaCRt3e_kI/AAAAAAAAAvY/8AWTJZWX1J8/s1600/dark+side+%2528130+x+194%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-sWQRu6-IZsk/TtaCRt3e_kI/AAAAAAAAAvY/8AWTJZWX1J8/s1600/dark+side+%2528130+x+194%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Hirshleifer, Jack. The dark side of the force: economic foundations of conflict theory/ Jack Hirshleifer. Cambridge, UK; New York: Cambridge University Press, 2001.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;b&gt;Ubicación: HB97.3 .H57 2001&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-fK2jl5z8x_o/TtaCZR_o2II/AAAAAAAAAvc/KxCwtbGU3Qc/s1600/corporate+cul+%2528130+x+205%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-fK2jl5z8x_o/TtaCZR_o2II/AAAAAAAAAvc/KxCwtbGU3Qc/s1600/corporate+cul+%2528130+x+205%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Kotter, John P., 1947- Corporate culture and performance/ John P. Kotter, James L. Heskett. New York: Free Press, [2011],&amp;nbsp;&amp;nbsp;c1992.&lt;br /&gt;
&lt;b&gt;Ubicación: HD58.7 .K68 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-uQ_CM6fFTS8/TtaCkCDTfSI/AAAAAAAAAvo/u3O8FfbFwDA/s1600/trafficking+%2528130+x+189%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-uQ_CM6fFTS8/TtaCkCDTfSI/AAAAAAAAAvo/u3O8FfbFwDA/s1600/trafficking+%2528130+x+189%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Lee, Maggy. Trafficking and global crime control/ by Maggy Lee. London: Sage Publications, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: HQ281 .L44 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-EX5D7C2MPyc/TtaCsc3t0XI/AAAAAAAAAvw/k9L9JatJWTg/s1600/managing+for+the+lomg+%2528130+x+202%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-EX5D7C2MPyc/TtaCsc3t0XI/AAAAAAAAAvw/k9L9JatJWTg/s1600/managing+for+the+lomg+%2528130+x+202%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Miller, Danny, 1947- Managing for the long run: lessons in competitive advantage from great family businesses/ Danny Miller, Isabel (i.e. Isabelle) Le Breton-Miller. Boston, Mass.: Harvard Business School Press, c2005.&lt;br /&gt;
&lt;b&gt;Ubicación: HD62.25 .M54 2005&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-S9Spqi3Od-Y/TtaC1DgQOvI/AAAAAAAAAv4/Avo3Mt0E_MQ/s1600/coalition+%2528130+x+200%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-S9Spqi3Od-Y/TtaC1DgQOvI/AAAAAAAAAv4/Avo3Mt0E_MQ/s1600/coalition+%2528130+x+200%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Nooruddin, Irfan. Coalition politics and economic development: credibility and the strength of weak governments/ Irfan Nooruddin. Cambridge; New York: Cambridge University Press, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: HC59.7 .N65 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-lRFL5qJQ_Nw/TtaC8mjjyDI/AAAAAAAAAwA/O36HTla5yOU/s1600/poder+legislat+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-lRFL5qJQ_Nw/TtaC8mjjyDI/AAAAAAAAAwA/O36HTla5yOU/s1600/poder+legislat+%2528130+x+185%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;El poder legislativo: cuestiones de organización y funcionamiento/ María Paula Rennella, Valeria M. Loira, compiladoras; [Luisa Béjar Algazi. et al.]. Buenos Aires: Fabian J. Di Plácido, [2011].&lt;br /&gt;
&lt;b&gt;Ubicación: KG593 .P64 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-AL_dmOJKSZ4/TtaDI27twTI/AAAAAAAAAwI/pnjHYLfKmgY/s1600/routledge+%2528130+x+193%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-AL_dmOJKSZ4/TtaDI27twTI/AAAAAAAAAwI/pnjHYLfKmgY/s1600/routledge+%2528130+x+193%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;The Routledge international handbook of critical education/ edited by Michael W. Apple, Wayne Au, and Luis Armando Gandin. New York; London: Routledge, 2009.&lt;br /&gt;
&lt;b&gt;Ubicación: LC196 .R68 2009&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-hxfwh8j5AcM/TtaDST89LrI/AAAAAAAAAwQ/sIdIzvz14LQ/s1600/scaling+social+%2528130+x+204%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-hxfwh8j5AcM/TtaDST89LrI/AAAAAAAAAwQ/sIdIzvz14LQ/s1600/scaling+social+%2528130+x+204%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: small;"&gt;Scaling social impact: new thinking/ edited by Paul N. Bloom and Edward Skloot. New York: Palgrave Macmillan, 2010.&lt;br /&gt;
&lt;b&gt;Ubicación: HM831 .S353 2010&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-6895325964111183108?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/mHTBBb58crE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/6895325964111183108/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/12/novedades-bibliograficas-de-la.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/6895325964111183108?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/6895325964111183108?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/mHTBBb58crE/novedades-bibliograficas-de-la.html" title="Novedades Bibliográficas de la Biblioteca    Ciencias Sociales" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-UGrsinZmjL0/TtZ-ULLXaYI/AAAAAAAAAuI/K4HnrNBlMP8/s72-c/estado+de+situacion+%2528130+x+174%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/12/novedades-bibliograficas-de-la.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkUMQno7eyp7ImA9WhRSE0s.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-6928222505047518189</id><published>2011-11-15T05:38:00.000-08:00</published><updated>2011-11-15T05:38:03.403-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-15T05:38:03.403-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Films" /><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Películas" /><category scheme="http://www.blogger.com/atom/ns#" term="Dvds" /><title>Novedades de la Biblioteca - DVDs</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-foX-UK79tCw/TsFYJaztYSI/AAAAAAAAAtw/jJ_IDQuHeS0/s1600/fog+%2528130+x+190%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-foX-UK79tCw/TsFYJaztYSI/AAAAAAAAAtw/jJ_IDQuHeS0/s1600/fog+%2528130+x+190%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;The fog of war[videograbación]: eleven lessons from the life of Robert S. McNamara/ Sony Pictures Classics presents a @radical.media &amp;amp; SenArt Films production in association with the Globe Department Store; an Errol Morris film; Michael Williams, Julie Ahlberg; produced &amp;amp; directed by Errol Morris. Culver City, Calif.: Sony Pictures Classics, c2004.&lt;br /&gt;
&lt;b&gt;Ubicación: E840.8.M46 F64 2004&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-YwdpF3Y63Jw/TsFYPtbwPwI/AAAAAAAAAt4/kAYyDbny1Po/s1600/musica+noc+%2528130+x+184%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-YwdpF3Y63Jw/TsFYPtbwPwI/AAAAAAAAAt4/kAYyDbny1Po/s1600/musica+noc+%2528130+x+184%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Música nocturna [videograbación]/ Primer Plano Film Group; Cine Argentino, Tresplanos Cine, Universidad del Cine presentan; dirección, Rafael Filippelli; guión, Rafael Filippelli, David Oubiña; producción, Nathalie Cabirón. [Buenos Aires]: SBP, c2008.&lt;br /&gt;
&lt;b&gt;Ubicación: PN1997 .M87 2008&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-jUiqVbTAkMM/TsFYZQPXxCI/AAAAAAAAAuA/SowP3kiML20/s1600/celebration+%2528130+x+193%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-jUiqVbTAkMM/TsFYZQPXxCI/AAAAAAAAAuA/SowP3kiML20/s1600/celebration+%2528130+x+193%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Penderecki[videograbación]: a celebration. Chatsworth, Calif.: RM Arts: Image Entertainment [distributor], [2002], c1994.&lt;br /&gt;
&lt;b&gt;Ubicación: M3.1.P43 P4 2002&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-6928222505047518189?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/ho9kSrpTcTo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/6928222505047518189/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/11/novedades-de-la-biblioteca-dvds_15.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/6928222505047518189?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/6928222505047518189?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/ho9kSrpTcTo/novedades-de-la-biblioteca-dvds_15.html" title="Novedades de la Biblioteca - DVDs" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-foX-UK79tCw/TsFYJaztYSI/AAAAAAAAAtw/jJ_IDQuHeS0/s72-c/fog+%2528130+x+190%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/11/novedades-de-la-biblioteca-dvds_15.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkUBSHc4fip7ImA9WhRSE0s.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-1953192720986237395</id><published>2011-11-15T05:37:00.001-08:00</published><updated>2011-11-15T05:37:39.936-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-15T05:37:39.936-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Humanidades" /><title>Novedades Bibliográficas de la Biblioteca    Humanidades</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-mh2VBPhUhZ8/TsFSLakxQ-I/AAAAAAAAAqo/AX0xIw3Sci4/s1600/epistolario+inedito+%2528130+x+191%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-mh2VBPhUhZ8/TsFSLakxQ-I/AAAAAAAAAqo/AX0xIw3Sci4/s1600/epistolario+inedito+%2528130+x+191%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Alberdi, Juan Bautista, 1810-1884. Epistolario inédito (1864-1883)/ Juan Bautista Alberdi, Gregorio Benites; edición crítica de Élida Lois y Lucila Pagliai; estudios históricos de Liliana Brezzo y Ricardo Scavone Yegros. Asunción: Academia Paraguaya de Historia; San Martín [Argentina]: Universidad Nacional de San Martín (UNSAM), 2006.&lt;br /&gt;
&lt;b&gt;Ubicación: F2846.A53 A4 2006&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-a2kIx0dVGgM/TsFSRIoJ5wI/AAAAAAAAAqw/GPaACC4flF8/s1600/verdades+%2528130+x+190%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-a2kIx0dVGgM/TsFSRIoJ5wI/AAAAAAAAAqw/GPaACC4flF8/s1600/verdades+%2528130+x+190%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Albizu, Edgardo. Verdades del arte/ Edgardo Albizu. Buenos Aires: Jorge Baudino; [San Martín, Pcia. de Buenos Aires]: Universidad Nacional de San Martín (UNSAM), 2000.&lt;br /&gt;
&lt;b&gt;Ubicación: BH39 .A53 2000&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-9JDwrOBgPtY/TsFSgMzco2I/AAAAAAAAAq4/1FFgeAJ3QEY/s1600/tiempo+y+saber+%2528130+x+194%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-9JDwrOBgPtY/TsFSgMzco2I/AAAAAAAAAq4/1FFgeAJ3QEY/s1600/tiempo+y+saber+%2528130+x+194%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Albizu, Edgardo. Tiempo y saber absoluto: la condición del discurso metafísico en la obra de Hegel/ Edgardo Albizu. Buenos Aires: Jorge Baudino; [San Martín, Pcia. de Buenos Aires]: Universidad Nacional de San Martín (UNSAM), 1999.&lt;br /&gt;
&lt;b&gt;Ubicación: B2949.M4 A53 1999&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ZupzS4_qNGQ/TsFSnU-gj4I/AAAAAAAAArA/SWdfMaEF2sc/s1600/literatura+y+ana+%2528130+x+184%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-ZupzS4_qNGQ/TsFSnU-gj4I/AAAAAAAAArA/SWdfMaEF2sc/s1600/literatura+y+ana+%2528130+x+184%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Ansolabehere, Pablo. Literatura y anarquismo en Argentina: (1879-1919)/ Pablo Ansolabehere. Rosario, Argentina: Beatriz Viterbo, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: PQ7622.A52 A67 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-7uhQTn4z-NE/TsFSzx9tNzI/AAAAAAAAArI/TL6Vg2GRtBo/s1600/strategic+asia+%2528130+x+204%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-7uhQTn4z-NE/TsFSzx9tNzI/AAAAAAAAArI/TL6Vg2GRtBo/s1600/strategic+asia+%2528130+x+204%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Asia responds to its rising powers: China and India/ edited by Ashley J. Tellis, Travis Tanner, and Jessica Keough; with contributions from M. Taylor Fravel. .. [et al.]. Seattle; Washington, D.C.: National Bureau of Asian Research, c2011.&lt;br /&gt;
&lt;b&gt;Ubicación: DS33.3 .A85 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Sq4GKHfDXhM/TsFS-YF2_WI/AAAAAAAAArQ/_bNE4A9Ct0Y/s1600/en+la+sangre+%2528130+x+205%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-Sq4GKHfDXhM/TsFS-YF2_WI/AAAAAAAAArQ/_bNE4A9Ct0Y/s1600/en+la+sangre+%2528130+x+205%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Cambacérès, Eugenio, 1843-1890. En la sangre/ Eugenio Cambaceres; prólogo de Adriana Amante. Buenos Aires: Losada, 2006.&lt;br /&gt;
&lt;b&gt;Ubicación: PQ7797.C23 E6 2006&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;a href="http://4.bp.blogspot.com/-TUIF0CrwTlk/TsFTF1kLDdI/AAAAAAAAArY/2v839PpqzCg/s1600/giorgio-agamben+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-TUIF0CrwTlk/TsFTF1kLDdI/AAAAAAAAArY/2v839PpqzCg/s1600/giorgio-agamben+%2528130+x+185%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Castro, Edgardo, 1962- Giorgio Agamben: una arqueología de la potencia/ Edgardo Castro. Buenos Aires: Jorge Baudino; [San Martín, Pcia. de Buenos Aires]: UNSAM Edita, Universidad Nacional de San Martín, 2008.&lt;br /&gt;
&lt;b&gt;Ubicación: B3611.A44 C37 2008&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-SqTOjQ7oH0M/TsFTTIzP0GI/AAAAAAAAArg/5HG3o0gSKEo/s1600/desvios.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-SqTOjQ7oH0M/TsFTTIzP0GI/AAAAAAAAArg/5HG3o0gSKEo/s1600/desvios.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Desvíos de la deriva: experiencias, travesías y morfologías. Madrid: Museo Nacional Centro de Arte Reina Sofía, c2010.&lt;br /&gt;
&lt;b&gt;Ubicación: NA2750 .D47 2010&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-UYFpBCIdMp4/TsFThz-jmcI/AAAAAAAAAro/QHqDk8pgyNE/s1600/vida+doble+%2528130+x+195%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-UYFpBCIdMp4/TsFThz-jmcI/AAAAAAAAAro/QHqDk8pgyNE/s1600/vida+doble+%2528130+x+195%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Fontaine Talavera, Arturo. La vida doble/ Arturo Fontaine. Buenos Aires: Tusquets, 2010.&lt;br /&gt;
&lt;b&gt;Ubicación: PQ8098.16.O59 V53 2010&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-h9amV94LmgM/TsFTputvXNI/AAAAAAAAArw/mEE5hSOpSKc/s1600/cogito+%2528130+x+188%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-h9amV94LmgM/TsFTputvXNI/AAAAAAAAArw/mEE5hSOpSKc/s1600/cogito+%2528130+x+188%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Greisch, Jean. El cogito herido: la hermenéutica filosófica y la herencia cartesiana/ Jean Greisch; [traducción, Gerardo Raúl Losada]. Buenos Aires: Jorge Baudino; [San Martín, Pcia. de Buenos Aires]: Universidad Nacional de San Martín (UNSAM), 2001.&lt;br /&gt;
&lt;b&gt;Ubicación: BD241 .G7418 2001&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-nUrzT3WVJTE/TsFTwuvhHfI/AAAAAAAAAr4/9jHWmoPpuzc/s1600/club+de+los+optimistas+%2528130+x+198%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-nUrzT3WVJTE/TsFTwuvhHfI/AAAAAAAAAr4/9jHWmoPpuzc/s1600/club+de+los+optimistas+%2528130+x+198%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Guenassia, Jean-Michel, 1950- El club de los optimistas incorregibles/ Jean Michel Guenassia; [coordinado por Tomás Lambré; traducción de María Teresa Gallego Urrutia]. Buenos Aires: Del Nuevo Extremo; [Barcelona]: RBA, 2010.&lt;br /&gt;
&lt;b&gt;Ubicación: PQ2667.U256 C518 2010&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-3onsGkn_B4k/TsFT6YauAKI/AAAAAAAAAsA/x5oHo3wkkmQ/s1600/art+and+the+industrial+%2528130+x+175%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-3onsGkn_B4k/TsFT6YauAKI/AAAAAAAAAsA/x5oHo3wkkmQ/s1600/art+and+the+industrial+%2528130+x+175%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Klingender, F. D. (Francis Donald) Art and the industrial revolution/ by Francis D. Klingender; edited and rev. by Arthur Elton. New York: A. M. Kelley, 1968.&lt;br /&gt;
&lt;b&gt;Ubicación: N8218 .K55 1968&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-RO9buxGhshE/TsFUC1_VUeI/AAAAAAAAAsI/okMB9ejR9l8/s1600/lina_bo_bardi_marcelo_ferraz+%2528130+x+130%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-RO9buxGhshE/TsFUC1_VUeI/AAAAAAAAAsI/okMB9ejR9l8/s1600/lina_bo_bardi_marcelo_ferraz+%2528130+x+130%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Lina Bo Bardi/ [coordenação editorial, Marcelo Carvalho Ferraz]. São Paulo: Empresa das Artes: Instituto Lina Bo e P.M. Bardi, 1993.&lt;br /&gt;
&lt;b&gt;Ubicación: NA859.B37 L56 1993&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-nNxT543-R-s/TsFUS4a2-BI/AAAAAAAAAsQ/YRJ5UqyJrug/s1600/ingravidos+%2528130+x+199%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-nNxT543-R-s/TsFUS4a2-BI/AAAAAAAAAsQ/YRJ5UqyJrug/s1600/ingravidos+%2528130+x+199%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Luiselli, Valeria, 1983- Los ingrávidos/ Valeria Luiselli. México, D.F.: Sexto Piso, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: PQ7298.422.U37 I54 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-JNEfqduPb8s/TsFVCgffbrI/AAAAAAAAAsg/Z9Ju-HqC2wI/s1600/dibujos+de+los+%2528130+x+183%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-JNEfqduPb8s/TsFVCgffbrI/AAAAAAAAAsg/Z9Ju-HqC2wI/s1600/dibujos+de+los+%2528130+x+183%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Machón, Antonio. Los dibujos de los niños: génesis y naturaleza de la representación gráfica:&amp;nbsp;&amp;nbsp;un estudio evolutivo/ Antonio Machón. Madrid: Cátedra, 2010.&lt;br /&gt;
&lt;b&gt;Ubicación: N352 .M254 2010&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-7iBEwRRBBPw/TsFWOta7q8I/AAAAAAAAAso/rXGfNMhJdsg/s1600/yesterdays+%2528130+x+199%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-7iBEwRRBBPw/TsFWOta7q8I/AAAAAAAAAso/rXGfNMhJdsg/s1600/yesterdays+%2528130+x+199%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Nunn, Frederick M., 1937- Yesterday's soldiers: European military professionalism in South America, 1890-1940/ Frederick M. Nunn. Lincoln: University of Nebraska Press, c1983.&lt;br /&gt;
&lt;b&gt;Ubicación: UA612 .N86 1983&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-qQdrwVmN64U/TsFWVkeBIfI/AAAAAAAAAsw/r7fiACbAIZA/s1600/time+of+the+generals+%2528130+x+196%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-qQdrwVmN64U/TsFWVkeBIfI/AAAAAAAAAsw/r7fiACbAIZA/s1600/time+of+the+generals+%2528130+x+196%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Nunn, Frederick M., 1937- The time of the generals: Latin American professional militarism in world perspective/ Frederick M. Nunn. Lincoln: University of Nebraska Press, c1992.&lt;br /&gt;
&lt;b&gt;Ubicación: F1414.2 .N83 1992&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-cmVhwmY8ayE/TsFWdJ8dmuI/AAAAAAAAAs4/qrllEHC1vpQ/s1600/filosofia+de+la+c+%2528130+x+184%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-cmVhwmY8ayE/TsFWdJ8dmuI/AAAAAAAAAs4/qrllEHC1vpQ/s1600/filosofia+de+la+c+%2528130+x+184%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Palma, Héctor A. Filosofía de las ciencias: temas y problemas/ Héctor A. Palma. San Martín, Pcia. de Buenos Aires: Universidad Nacional de San Martín (UNSAM), c2008.&lt;br /&gt;
&lt;b&gt;Ubicación: Q175 .P35 2008&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-cQP8ODlk090/TsFWkD43OaI/AAAAAAAAAtA/Vyt-w8hwPro/s1600/novias+de+borges+%2528130+x+202%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-cQP8ODlk090/TsFWkD43OaI/AAAAAAAAAtA/Vyt-w8hwPro/s1600/novias+de+borges+%2528130+x+202%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Paoletti, Mario. Las novias de Borges: (y otros misterios borgeanos)/ Mario Paoletti. Buenos Aires: Emecé, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: PQ7797.B635 Z796 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-e-6IXGvynVE/TsFWraWb5hI/AAAAAAAAAtI/I5HWutUPHgg/s1600/bajo+la+corte+%2528130+x+181%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-e-6IXGvynVE/TsFWraWb5hI/AAAAAAAAAtI/I5HWutUPHgg/s1600/bajo+la+corte+%2528130+x+181%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Ruta, Carlos. Bajo la corteza de la letra: tiempo y significado en la obra del maestro Eckhart/ Carlos Ruta. Buenos Aires: Jorge Baudino; [San Martín, Pcia. de Buenos Aires]: UNSAM Edita, Universidad Nacional de San Martín, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: B765.E34 R98 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-O_NvdLInrS0/TsFW7gBOgfI/AAAAAAAAAtQ/NQvFbAACrp4/s1600/conversaciones+%2528130+x+210%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-O_NvdLInrS0/TsFW7gBOgfI/AAAAAAAAAtQ/NQvFbAACrp4/s1600/conversaciones+%2528130+x+210%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Salazar Vergara, Gabriel. Conversaciones con Carlos Altamirano: memorias críticas/ Gabriel Salazar. Santiago de Chile: Debate, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: F3101.A46 S35 2011&lt;/b&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Qumag4v9ou0/TsFXCi5jq7I/AAAAAAAAAtY/mFYWDYTyS9U/s1600/vida+de+las+ima+%2528130+x+179%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-Qumag4v9ou0/TsFXCi5jq7I/AAAAAAAAAtY/mFYWDYTyS9U/s1600/vida+de+las+ima+%2528130+x+179%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Saxl, Fritz, 1890-1948. La vida de las imágenes: estudios iconográficos sobre el arte occidental/ Fritz Saxl; versión española de Federico Zaragoza. Madrid: Alianza, 1989.&lt;br /&gt;
&lt;b&gt;Ubicación: N7445 .S3418 1989&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-LNFVR7ZbHCA/TsFXJJFghVI/AAAAAAAAAtg/1fmaj94A72U/s1600/vida+de+las+im+%2528130+x+187%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-LNFVR7ZbHCA/TsFXJJFghVI/AAAAAAAAAtg/1fmaj94A72U/s1600/vida+de+las+im+%2528130+x+187%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Wunenburger, Jean-Jacques, 1946- La vida de las imágenes/ Jean-Jacques Wunenburger; traducción, palabras preliminares y notas Hugo Francisco Bauzá. Buenos Aires: Jorge Baudino; [San Martín, Pcia. de Buenos Aires]: UNSAM Edita, Universidad Nacional de San Martín, 2004.&lt;br /&gt;
&lt;b&gt;Ubicación: BF367 .W8518 2004&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-RY4l2Q8A0m4/TsFXQkxlrqI/AAAAAAAAAto/6moqk9D9aFA/s1600/ciudadanos+%2528130+x+181%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-RY4l2Q8A0m4/TsFXQkxlrqI/AAAAAAAAAto/6moqk9D9aFA/s1600/ciudadanos+%2528130+x+181%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Wynarczyk, Hilario. Ciudadanos de dos mundos: el movimiento evangélico en la vida pública argentina 1980-2001/ Hilario Wynarczyk. San Martín, Pcia. de Buenos Aires: Universidad Nacional de San Martín (UNSAM), 2009.&lt;br /&gt;
&lt;b&gt;Ubicación: BR1642.A7 W94 2009&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-1953192720986237395?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/an9p4FHBfXo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/1953192720986237395/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/11/novedades-bibliograficas-de-la_8619.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1953192720986237395?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1953192720986237395?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/an9p4FHBfXo/novedades-bibliograficas-de-la_8619.html" title="Novedades Bibliográficas de la Biblioteca    Humanidades" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-mh2VBPhUhZ8/TsFSLakxQ-I/AAAAAAAAAqo/AX0xIw3Sci4/s72-c/epistolario+inedito+%2528130+x+191%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/11/novedades-bibliograficas-de-la_8619.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkUGSHw9eSp7ImA9WhRSE0s.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-851687181373364696</id><published>2011-11-15T05:37:00.000-08:00</published><updated>2011-11-15T05:37:09.261-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-15T05:37:09.261-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Ciencias Sociales" /><title>Novedades Bibliográficas de la Biblioteca    Ciencias Sociales</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-CkJ3TvuwU9w/TsFAllUaJGI/AAAAAAAAAoY/JvLukKkw8CQ/s1600/alumni+%2528130+x+178%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-CkJ3TvuwU9w/TsFAllUaJGI/AAAAAAAAAoY/JvLukKkw8CQ/s1600/alumni+%2528130+x+178%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Alumni clubs and chapters/ edited by John A. Feudo and Paul J. Clifford. Washington, DC: Council for Advancement and Support of Education, c2002.&lt;br /&gt;
&lt;b&gt;Ubicación: LB2411 .A49 2002&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-5-PiFV4v-CY/TsFAzaHPhFI/AAAAAAAAAoo/9gU9gJMfQNM/s1600/penguin+and+the+l+%2528130+x+205%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-5-PiFV4v-CY/TsFAzaHPhFI/AAAAAAAAAoo/9gU9gJMfQNM/s1600/penguin+and+the+l+%2528130+x+205%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Benkler, Yochai. The penguin and the Leviathan: the triumph of cooperation over self-interest/ Yochai Benkler. New York: Crown Business, c2011.&lt;br /&gt;
&lt;b&gt;Ubicación: HD2963 .B46 2011&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-pH0lSCIlqLM/TsFA7PKgLvI/AAAAAAAAAow/QjIE-F7niV4/s1600/discurso+y+educaci%25C3%25B3n+unsam+%2528130+x+182%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-pH0lSCIlqLM/TsFA7PKgLvI/AAAAAAAAAow/QjIE-F7niV4/s1600/discurso+y+educaci%25C3%25B3n+unsam+%2528130+x+182%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Discurso y educación: herramientas para el análisis crítico/ Mónica Pini (comp.). San Martín, Pcia. de Buenos Aires: UNSAM Edita, Universidad Nacional de San Martín, 2009.&lt;br /&gt;
&lt;b&gt;Ubicación: LC71 .D57 2009&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;a href="http://3.bp.blogspot.com/-Mb5o6o6enZo/TsFBGBJqGTI/AAAAAAAAAo4/H5MMgoZ3clg/s1600/herencia+%2528130+x+201%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-Mb5o6o6enZo/TsFBGBJqGTI/AAAAAAAAAo4/H5MMgoZ3clg/s1600/herencia+%2528130+x+201%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Galton, Francis, 1822-1911. Herencia y eugenesia/ Francis Galton; traducción, introducción y notas de Raquel Álvarez Peláez. Madrid: Alianza, c1988.&lt;br /&gt;
&lt;b&gt;Ubicación: QH430 .G3518 1988&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;a href="http://3.bp.blogspot.com/-1rEdrlblhKk/TsFBPIeNubI/AAAAAAAAApA/TNhNr4uYpJo/s1600/political+structures+%2528130+x+194%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-1rEdrlblhKk/TsFBPIeNubI/AAAAAAAAApA/TNhNr4uYpJo/s1600/political+structures+%2528130+x+194%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;González, Luis E. Political structures and democracy in Uruguay/ Luis E. González. Notre Dame, Ind.: Helen Kellogg Institute for International Studies: University of Notre Dame Press, c1991.&lt;br /&gt;
&lt;b&gt;Ubicación: JL3681 .G66 1991&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif; font-size: 12pt;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-zyr_5cC0iUc/TsFBhA3SeKI/AAAAAAAAApI/Qd9lsXk6DHw/s1600/politica+es+un+arma+%2528130+x+183%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-zyr_5cC0iUc/TsFBhA3SeKI/AAAAAAAAApI/Qd9lsXk6DHw/s1600/politica+es+un+arma+%2528130+x+183%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Hintze, Susana. La política es un arma cargada de futuro: la economía social y solidaria en Brasil y Venezuela/ Susana Hintze. Buenos Aires: Consejo Latinoamericano de Ciencias Sociales (CLACSO): Ciccus, 2010.&lt;br /&gt;
&lt;b&gt;Ubicación: HD3473 .H56 2010&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;a href="http://4.bp.blogspot.com/-4ZHKExyWEHM/TsFBtNDJAII/AAAAAAAAApQ/cvg_1yuWexw/s1600/izquierdas+latinoam+%2528130+x+182%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-4ZHKExyWEHM/TsFBtNDJAII/AAAAAAAAApQ/cvg_1yuWexw/s1600/izquierdas+latinoam+%2528130+x+182%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Las izquierdas latinoamericanas: de la oposición al gobierno/ Pablo Alegre. .. [et al.]; introducción de Inés Pousadela. Buenos Aires: Consejo Latinoamericano de Ciencias Sociales (CLACSO): Ciccus, 2010.&lt;br /&gt;
&lt;b&gt;Ubicación: JL969.A45 I97 2010&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif; font-size: 12pt;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif; font-size: 12pt;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-JQom8Oe-Uy4/TsFB48uQZOI/AAAAAAAAApY/oSH02eSI7Fc/s1600/conflictividad+%2528130+x+180%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-JQom8Oe-Uy4/TsFB48uQZOI/AAAAAAAAApY/oSH02eSI7Fc/s1600/conflictividad+%2528130+x+180%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Noel, Gabriel. La conflictividad cotidiana en el escenario escolar: una perspectiva etnográfica/ Gabriel Noel. San Martín, Pcia. de Buenos Aires: Universidad Nacional de San Martín (UNSAM), 2009.&lt;br /&gt;
&lt;b&gt;Ubicación: LC4095.A72 B845 2009&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;a href="http://3.bp.blogspot.com/-JSBcNM_15O0/TsFCCTR9IjI/AAAAAAAAApg/2vR7dj3Wj5c/s1600/pobreza+urbana+%2528130+x+187%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-JSBcNM_15O0/TsFCCTR9IjI/AAAAAAAAApg/2vR7dj3Wj5c/s1600/pobreza+urbana+%2528130+x+187%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Pobreza urbana en América Latina y el Caribe/ coordinadoras, María Mercedes De Virgilio, María Pía Otero, Paula Boniolo; [authors] Laura Paniagua Arguedas. .. [et al.]. Buenos Aires: Consejo Latinoamericano de Ciencias Sociales (CLACSO), 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: HV4050.5.A5 P63 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif; font-size: 12pt;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif; font-size: 12pt;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-NA-P3XYJASE/TsFPcwKkZ2I/AAAAAAAAApo/sa4DZ6sgkes/s1600/pobreza+y+desigualdad+%2528130+x+187%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-NA-P3XYJASE/TsFPcwKkZ2I/AAAAAAAAApo/sa4DZ6sgkes/s1600/pobreza+y+desigualdad+%2528130+x+187%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Pobreza y desigualdad en América Latina y el Caribe/ María Mercedes De Virgilio, María Pía Otero, Paula Boniolo, coordinadoras; Carlos Augusto Viáfara López. .. [et al.]. Buenos Aires: Consejo Latinoamericano de Ciencias Sociales (CLACSO), 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: HC130.P6 P626 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-5uYW1t5YlKE/TsFPpP6sptI/AAAAAAAAApw/U8QGNLAPCWQ/s1600/political+econom+%2528130+x+205%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-5uYW1t5YlKE/TsFPpP6sptI/AAAAAAAAApw/U8QGNLAPCWQ/s1600/political+econom+%2528130+x+205%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;The political economy of conflict and appropriation/ edited by Michelle R. Garfinkel, Stergios Skaperdas. Cambridge: Cambridge University Press, 2008.&lt;br /&gt;
&lt;b&gt;Ubicación: HB74.P65 P656 2008&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;a href="http://1.bp.blogspot.com/-o-36XOg_59E/TsFPzIDZX-I/AAAAAAAAAp4/9493HHhUKY4/s1600/reproduccion+de+la+pobreza+%2528130+x+182%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-o-36XOg_59E/TsFPzIDZX-I/AAAAAAAAAp4/9493HHhUKY4/s1600/reproduccion+de+la+pobreza+%2528130+x+182%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Reproducción de la pobreza en América Latina: relaciones sociales, poder y estructuras económicas/ coordinadores, Jorge Arzate Salgado, Alicia B. Gutiérrez, Josefina Huamán; [autores] Rosana Soares Campos. .. [et al.]. Buenos Aires: Consejo Latinoamericano de Ciencias Sociales (CLACSO), 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: HC130.P6 R46 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-GuwqIwBo3lw/TsFP5POmiwI/AAAAAAAAAqA/ync1Lpw3sh8/s1600/murmullos+%2528130+x+181%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-GuwqIwBo3lw/TsFP5POmiwI/AAAAAAAAAqA/ync1Lpw3sh8/s1600/murmullos+%2528130+x+181%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Rojas, Eduardo. Los murmullos y silencios de la calle: los socialistas chilenos y Michelle Bachelet/ Eduardo Rojas. San Martín, Pcia. de Buenos Aires: UNSAM Edita, Universidad Nacional de San Martín, 2008.&lt;br /&gt;
&lt;b&gt;Ubicación: HX199 .R65 2008&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-EnBU_RKXroE/TsFQYV1FxtI/AAAAAAAAAqI/dk8rx5LwC8E/s1600/Talento-organizacional-PORTADA-2-150x228+%2528130+x+198%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-EnBU_RKXroE/TsFQYV1FxtI/AAAAAAAAAqI/dk8rx5LwC8E/s1600/Talento-organizacional-PORTADA-2-150x228+%2528130+x+198%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Saracho, José María. Talento organizacional: un modelo para la definición organizacional del talento/ José María Saracho. Santiago de Chile: RIL, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: HF5549 .S37 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-VtfJpC5q_C8/TsFQfnumDMI/AAAAAAAAAqQ/j_HkdZ43ULw/s1600/multiple+case+%2528130+x+207%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-VtfJpC5q_C8/TsFQfnumDMI/AAAAAAAAAqQ/j_HkdZ43ULw/s1600/multiple+case+%2528130+x+207%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Stake, Robert E. Multiple case study analysis/ Robert E. Stake. New York: Guilford Press, 2006.&lt;br /&gt;
&lt;b&gt;Ubicación: LB1028 .S733 2005&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;a href="http://3.bp.blogspot.com/-fgkMotK6qjg/TsFQu9_01hI/AAAAAAAAAqY/XbgTx5s3CDA/s1600/strategic+asia+%2528130+x+204%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-fgkMotK6qjg/TsFQu9_01hI/AAAAAAAAAqY/XbgTx5s3CDA/s1600/strategic+asia+%2528130+x+204%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Strategies against poverty: designs from the north and alternatives from the south/ Alicia Puyana Mutis, Samwel Ong'wen Okuro, editors; Sonia Álvarez Leguizamón. .. [et al.]. Buenos Aires: Consejo Latinoamericano de Ciencias Sociales (CLACSO), 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: HC59.72.P6 S77 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-3SMQBpyAYG0/TsFQ4BkG5pI/AAAAAAAAAqg/rEqnnUykkUY/s1600/sujetos+de+lo+%2528130+x+181%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-3SMQBpyAYG0/TsFQ4BkG5pI/AAAAAAAAAqg/rEqnnUykkUY/s1600/sujetos+de+lo+%2528130+x+181%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif; font-size: 16px;"&gt;Los sujetos de lo político en la filosofía moderna y contemporánea/ Julio de Zan y Fernando Bahr (editores). Buenos Aires: Jorge Baudino; [San Martín, Pcia. de Buenos Aires]: UNSAM Edita, Universidad Nacional de San Martín, 2008.&lt;br /&gt;
&lt;b&gt;Ubicación: JA71 .S85 2008&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-851687181373364696?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/Oihidgk-cJw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/851687181373364696/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/11/novedades-bibliograficas-de-la_15.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/851687181373364696?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/851687181373364696?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/Oihidgk-cJw/novedades-bibliograficas-de-la_15.html" title="Novedades Bibliográficas de la Biblioteca    Ciencias Sociales" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-CkJ3TvuwU9w/TsFAllUaJGI/AAAAAAAAAoY/JvLukKkw8CQ/s72-c/alumni+%2528130+x+178%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/11/novedades-bibliograficas-de-la_15.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DU8CRXg_eSp7ImA9WhRTGEg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-8773520007451814791</id><published>2011-11-09T08:57:00.000-08:00</published><updated>2011-11-09T08:57:44.641-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-09T08:57:44.641-08:00</app:edited><title>Muestra: Historia en Acciones. Inversiones de Alfredo Demarchi</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-kfwgey15Rhg/TrqwZLsxb1I/AAAAAAAAAoQ/ZTGWO_D5D5A/s1600/foto_Alfredo_Demarchi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" ida="true" src="http://1.bp.blogspot.com/-kfwgey15Rhg/TrqwZLsxb1I/AAAAAAAAAoQ/ZTGWO_D5D5A/s320/foto_Alfredo_Demarchi.jpg" width="241" /&gt;&lt;/a&gt;&lt;/div&gt;Colecciones Especiales y Archivos inaugura, ahora en el campus de Victoria, la muestra Historia en Acciones. Inversiones de Alfredo Demarchi que se exhibirá &lt;strong&gt;desde el 9 de noviembre hasta el 23 de diciembre&lt;/strong&gt; en el primer piso de&lt;a href="http://biblioteca.udesa.edu.ar/Como-llegar"&gt; la Biblioteca&lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
Las reproducciones de las acciones que se exponen en esta oportunidad, cuyos originales integran el &lt;a href="http://biblioteca.udesa.edu.ar/CEyA/Archivos/Alfredo-Demarchi?SMMK=2124.44635806713w.WsurtqJAsc"&gt;“Fondo Documental Alfredo Demarchi, 1857-1937”&lt;/a&gt; poseen un notable interés tanto visual como histórico. Estos documentos que abarcan desde 1870 hasta 1910 reflejan una práctica habitual de muchos empresarios de la Argentina agroexportadora de fines del siglo XIX: la diversificación de sus inversiones. &lt;br /&gt;
Alfredo Demarchi, un emprendedor hombre de negocios invirtió su capital en una variada cantidad de compañías y actividades económicas tales como transporte fluvial y terrestre, construcciones portuarias, compañías de seguro, actividades culturales y periodísticas, explotación minera, actividades agropecuarias y otras&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-8773520007451814791?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/g-fMOxwu3rY" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/8773520007451814791/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/11/muestra-historia-en-acciones.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/8773520007451814791?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/8773520007451814791?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/g-fMOxwu3rY/muestra-historia-en-acciones.html" title="Muestra: Historia en Acciones. Inversiones de Alfredo Demarchi" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-kfwgey15Rhg/TrqwZLsxb1I/AAAAAAAAAoQ/ZTGWO_D5D5A/s72-c/foto_Alfredo_Demarchi.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/11/muestra-historia-en-acciones.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUYDSXk_fSp7ImA9WhRTF0s.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-1959238575768245697</id><published>2011-11-08T06:39:00.001-08:00</published><updated>2011-11-08T06:39:38.745-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-08T06:39:38.745-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Eventos" /><title>VIII Encuentro de Directores de Centros de Información CLADEA</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-0U0Kze2qA4I/Trk_HnCATHI/AAAAAAAAAoI/u_tticV7wuY/s1600/cladea2011_logo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="189" ida="true" src="http://4.bp.blogspot.com/-0U0Kze2qA4I/Trk_HnCATHI/AAAAAAAAAoI/u_tticV7wuY/s320/cladea2011_logo.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
El pasado 22 de octubre Andrea Saladino, directora de la Biblioteca participó del VIII Encuentro de Directores de Centros de Información CLADEA, en el marco de la XLVI Asamblea Anual del Consejo Latinoamericano de Escuelas de Administración celebrado en San Juan, Puerto Rico.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
En el encuentro presentó, en conjunto con las directoras de las Bibliotecas del IAE, Universidad Torcuato di Tella y Universidad Argentina de la Empresa; “Unio, una experiencia práctica sobre Cooperación InterUniversitaria"&lt;br /&gt;
&lt;br /&gt;
En el marco de la reunión pudo estrechar vínculos con representantes de prestigiosas Universidades latinoamericanas como la Universidad de Puerto Rico, Universidad De Sao Pablo, Universidad De los Andes, entre otras.&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-1959238575768245697?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/uTDPp25DAMY" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/1959238575768245697/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/11/viii-encuentro-de-directores-de-centros.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1959238575768245697?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1959238575768245697?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/uTDPp25DAMY/viii-encuentro-de-directores-de-centros.html" title="VIII Encuentro de Directores de Centros de Información CLADEA" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-0U0Kze2qA4I/Trk_HnCATHI/AAAAAAAAAoI/u_tticV7wuY/s72-c/cladea2011_logo.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/11/viii-encuentro-de-directores-de-centros.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUcFRHs9fip7ImA9WhRTEUg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-2420040491575277639</id><published>2011-11-01T06:10:00.001-07:00</published><updated>2011-11-01T06:10:15.566-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-01T06:10:15.566-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Ciencias Básicas y Aplicadas" /><title>Novedades bibliográficas de la Biblioteca    Ciencias básicas y aplicadas</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-4YyolaOYCho/Tq7cQjRQEcI/AAAAAAAAAmQ/cIPLfdRgHxw/s1600/inflamable+%2528130+x+208%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-4YyolaOYCho/Tq7cQjRQEcI/AAAAAAAAAmQ/cIPLfdRgHxw/s1600/inflamable+%2528130+x+208%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Auyero, Javier. Inflamable: estudio del sufrimiento ambiental/ Javier Auyero, Débora Alejandra Swistun. Buenos Aires: Paidós, 2008.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: GE160.A7 A99 2008&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-LTSijlNsuCQ/Tq7cXPNijSI/AAAAAAAAAmY/LVB29BmqkMA/s1600/handbook+of+cognitive+%2528130+x+188%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-LTSijlNsuCQ/Tq7cXPNijSI/AAAAAAAAAmY/LVB29BmqkMA/s1600/handbook+of+cognitive+%2528130+x+188%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Handbook of cognitive task design/ edited by Erik Hollnagel. Mahwah, N.J.: Lawrence Erlbaum Associates; Boca Raton: CRC Press, 2003.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: TA167 .H35 2003&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-_G3IVB8lPyE/Tq7cd2orOrI/AAAAAAAAAmg/Dv3NEacDmuE/s1600/antropologia+%2528130+x+174%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-_G3IVB8lPyE/Tq7cd2orOrI/AAAAAAAAAmg/Dv3NEacDmuE/s1600/antropologia+%2528130+x+174%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Omar, Arthur. Antropologia da face gloriosa= Anthropology of the glorious face/ Arthur Omar; com um ensaio de Ivana Bentes. São Paulo: Cosac &amp;amp; Naify, 1997.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: TR680 .O53 1997&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-qNkhOfUbkZM/Tq7cq3MuJ9I/AAAAAAAAAmo/QGWSUIU6Y3o/s1600/o+zen+%2528130+x+179%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-qNkhOfUbkZM/Tq7cq3MuJ9I/AAAAAAAAAmo/QGWSUIU6Y3o/s1600/o+zen+%2528130+x+179%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Omar, Arthur. O Zen e a arte gloriosa da fotografia: entrevistas, anotações, diálogos e sentenças sobre a natureza da fotografia/ textos e imagens, Arthur Omar; com estudos críticos de Ligia Canongia e Aluisio Pereira de Menezes=&amp;nbsp;&amp;nbsp;Zen and the glorius art of photography:&amp;nbsp;&amp;nbsp;interviews, notes, dialogues and sentences about the nature of photography/&amp;nbsp;&amp;nbsp;texts and images, Arthur Omar; critical essays by Ligia Canongia and Aluisio Pereira de Menezes. [São Paulo]: Cosac &amp;amp; Naify, [1999?].&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: TR187 .O58 1999&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-2420040491575277639?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/S7HX064gQk0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/2420040491575277639/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/11/novedades-bibliograficas-de-la_7914.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/2420040491575277639?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/2420040491575277639?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/S7HX064gQk0/novedades-bibliograficas-de-la_7914.html" title="Novedades bibliográficas de la Biblioteca    Ciencias básicas y aplicadas" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-4YyolaOYCho/Tq7cQjRQEcI/AAAAAAAAAmQ/cIPLfdRgHxw/s72-c/inflamable+%2528130+x+208%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/11/novedades-bibliograficas-de-la_7914.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUcEQHs_fCp7ImA9WhRTEUg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-1314261315828128589</id><published>2011-11-01T06:10:00.000-07:00</published><updated>2011-11-01T06:10:01.544-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-01T06:10:01.544-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Humanidades" /><title>Novedades bibliográficas de la Biblioteca    Humanidades</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Y5gU3D5auuw/Tq7Xsk8I1sI/AAAAAAAAAlA/uJySChe2cDc/s1600/ordenfalico+%2528130+x+182%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-Y5gU3D5auuw/Tq7Xsk8I1sI/AAAAAAAAAlA/uJySChe2cDc/s1600/ordenfalico+%2528130+x+182%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Aliaga, Juan Vicente. Orden fálico: androcentrismo y violencia de género en las prácticas artísticas del siglo XX/ Juan Vicente Aliaga. Madrid: Akal, 2007.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: N8222.M38 A55 2007&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-AbXmwtbCeiQ/Tq7X13nOUoI/AAAAAAAAAlI/zc9xNNx5T2A/s1600/mario+de+andrade+%2528130+x+191%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-AbXmwtbCeiQ/Tq7X13nOUoI/AAAAAAAAAlI/zc9xNNx5T2A/s1600/mario+de+andrade+%2528130+x+191%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Artundo, Patricia. Mário de Andrade e a Argentina: um país e sua produção cultural como espaço de reflexão/ Patricia Artundo; tradução Gênese Andrade. São Paulo: EDUSP (Editora da Universidade de São Paulo), 2004.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: PQ9697.A72 Z633 2004&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-XaL8NbXpb9g/Tq7X70FFoEI/AAAAAAAAAlQ/RNJy3RXjXws/s1600/imagen+y+culto+%2528130+x+181%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-XaL8NbXpb9g/Tq7X70FFoEI/AAAAAAAAAlQ/RNJy3RXjXws/s1600/imagen+y+culto+%2528130+x+181%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Belting, Hans. Imagen y culto: una historia de la imagen anterior a la edad del arte/ Hans Belting; traducción Cristina Díez Pampliega y Jesús Espino Nuño. Madrid: Akal, 2009.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: N7850 .B4518 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-nD6anhy7fYI/Tq7YBuwjyuI/AAAAAAAAAlY/JFm5IXBJwNw/s1600/tres+relatos+%2528130+x+184%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-nD6anhy7fYI/Tq7YBuwjyuI/AAAAAAAAAlY/JFm5IXBJwNw/s1600/tres+relatos+%2528130+x+184%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Cancela, Arturo, 1892-1957. Tres relatos porteños/ Arturo Cancela. Buenos Aires: Capital Intelectual, c2010.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: PQ7797.C265 T7 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-hv6iLUHoP-Y/Tq7YHot7IgI/AAAAAAAAAlg/YFT-mfbTGsQ/s1600/prosa+%2528130+x+193%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-hv6iLUHoP-Y/Tq7YHot7IgI/AAAAAAAAAlg/YFT-mfbTGsQ/s1600/prosa+%2528130+x+193%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Cané, Miguel, 1851-1905. Prosa ligera/ Miguel Cané; con una introducción de Martín García Mérou. Buenos Aires: Administración General, Vaccaro, 1919.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: PQ7797.C27 P7 1919&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-E_wOatL2qfg/Tq7nUoJJ0QI/AAAAAAAAAoA/UJCY7JHIYUk/s1600/obras.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-E_wOatL2qfg/Tq7nUoJJ0QI/AAAAAAAAAoA/UJCY7JHIYUk/s1600/obras.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoNormal" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;García, Juan Agustín,1862-1923.&amp;nbsp;Obras completas de Juan Agustín García/ compilación y prólogo de Narciso Binayan. 1a ed. Buenos Aires: Zamora,1955.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PQ7797.G27 1955&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-xCqulTljgV0/Tq7YM3QpGuI/AAAAAAAAAlo/23XTNVyx_PI/s1600/espejismos+%2528130+x+186%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-xCqulTljgV0/Tq7YM3QpGuI/AAAAAAAAAlo/23XTNVyx_PI/s1600/espejismos+%2528130+x+186%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Guilbaut, Serge. Los espejismos de la imagen en los lindes del siglo XXI/ Serge Guilbaut; traducción de Alfredo Brotons Muñoz. Madrid: Akal, c2009.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: N72.S6 G8518 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-b74f4yZk-lU/Tq7YSNY4lOI/AAAAAAAAAlw/6me-FGJqCO8/s1600/mito+del+pr+%2528130+x+181%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-b74f4yZk-lU/Tq7YSNY4lOI/AAAAAAAAAlw/6me-FGJqCO8/s1600/mito+del+pr+%2528130+x+181%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Hazan, Olga, 1956- El mito del progreso artístico: estudio crítico de un concepto fundador del discurso sobre el arte desde el Renacimiento/ Olga Hazan; traducción, Gabriel Menéndez Torrellas. Madrid: Akal, c2010.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: N7480 .H3918 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-dDhuTXL3pvU/Tq7YbZrWFbI/AAAAAAAAAl4/sJDMnNYVJQ8/s1600/ruins+of+new+%2528130+x+199%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-dDhuTXL3pvU/Tq7YbZrWFbI/AAAAAAAAAl4/sJDMnNYVJQ8/s1600/ruins+of+new+%2528130+x+199%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Healey, Mark Alan, 1968- The ruins of the new Argentina: Peronism and the remaking of San Juan after the 1944 earthquake/ Mark A. Healey. Durham [N.C.]: Duke University Press, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: F2849 .H43 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Uw4mtqoxQ_w/Tq7YiFyAJlI/AAAAAAAAAmA/X4VDNtQ9E7o/s1600/argentinas+radical+%2528130+x+206%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-Uw4mtqoxQ_w/Tq7YiFyAJlI/AAAAAAAAAmA/X4VDNtQ9E7o/s1600/argentinas+radical+%2528130+x+206%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Horowitz, Joel, 1949- Argentina's Radical Party and popular mobilization, 1916-1930/ Joel Horowitz. University Park, Pa.: Pennsylvania State University Press, c2008.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: F2848 .H67 2008&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-bdKrKJsZZHo/Tq7YsKzcBHI/AAAAAAAAAmI/jW3woYC0bho/s1600/worksho%25C2%25B4p+%2528130+x+199%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-bdKrKJsZZHo/Tq7YsKzcBHI/AAAAAAAAAmI/jW3woYC0bho/s1600/worksho%25C2%25B4p+%2528130+x+199%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Johnson, Lyman L. Workshop of revolution: plebeian Buenos Aires and the Atlantic world, 1776-1810/ Lyman L. Johnson. Durham: Duke University Press, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: F3001.3 .J64 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Kemp, Martin. La ciencia del arte: la óptica en el arte occidental de Brunelleschi a Seurat/ Martin Kemp; traducción, Soledad Monforte Moreno, José Luis Sancho Gaspar. Madrid: Akal, c2000.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: ND1475 .K4618 2000&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Krauss, Rosalind E. Pasajes de la escultura moderna/ Rosalind E. Krauss; traducción, Alfredo Brotons Muñoz. Madrid: Akal, c2002.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: NB198 .K6918 2002&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Kuspit, Donald B. (Donald Burton), 1935- Signos de psique en el arte moderno y posmoderno/ Donald Kuspit; traducción de Alfredo Brotons Muñoz. Madrid: Akal, c2003.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: N72.P74 K8718 2003&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Last Reason, d. 1960. A rienda suelta/ Last Reason; estudio preliminar de Gabriela García Cedro. Buenos Aires: Biblioteca Nacional: Colihue, 2006.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: PQ8519.L32 A63 2006&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;López, Lucio Vicente. La gran aldea/ Lucio Vicente López. Buenos Aires: Capital Intelectual, c2010.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: PQ7797.L65 G7 2010&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Meruane, Lina, 1970- Fruta podrida/ Lina Meruane. Santiago, Chile: Fondo de Cultura Económica, 2007.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: PQ8098.23.E74 F7 2007&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Oliveira, Olivia de. Lina Bo Bardi: sutis substâncias da arquitetura/ Olivia de Oliveira. São Paulo: R. Guerrra; [Barcelona]: G. Gili, 2006.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: NA859.B37 O55 2006&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Omar, Arthur. Arthur Omar: o esplendor dos contrários: aventuras da cor caminhando sobre as águas do rio Amazonas=&amp;nbsp; the splendor of opposites: &amp;nbsp;adventures of colour walking over the waters of the Amazon River. São Paulo: Cosac &amp;amp; Naify, c2002.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: N6659.O43 A4 2002&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Philip, George D. E. The military in South American politics/ George Philip. London ;Dover, N.H.: Croom Helm, c1985.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: F2237 .P49 1985&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Santiago, Silviano.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ora (direis) puxar conversa!: ensaios literários/ Silviano Santiago. Belo Horizonte: Editora UFMG, 2006.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PQ9514.S27 2006&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Serulnikov, Sergio. Subverting colonial authority: challenges to Spanish rule in eighteenth-century southern Andes/ Sergio Serulnikov. Durham: Duke University Press, 2003.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: F2230.2.A9 S46 2003&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-1314261315828128589?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/9TJqWkYkD6g" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/1314261315828128589/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/11/novedades-bibliograficas-de-la_01.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1314261315828128589?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1314261315828128589?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/9TJqWkYkD6g/novedades-bibliograficas-de-la_01.html" title="Novedades bibliográficas de la Biblioteca    Humanidades" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Y5gU3D5auuw/Tq7Xsk8I1sI/AAAAAAAAAlA/uJySChe2cDc/s72-c/ordenfalico+%2528130+x+182%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/11/novedades-bibliograficas-de-la_01.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CE4DRn45eyp7ImA9WhRTEUg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-1627503545306340535</id><published>2011-11-01T06:09:00.001-07:00</published><updated>2011-11-01T06:09:37.023-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-01T06:09:37.023-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Ciencias Sociales" /><title>Novedades bibliográficas de la Biblioteca    Ciencias sociales</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-OW-hVWo3LgE/Tq6-zEL5RAI/AAAAAAAAAjY/12H_qP5KxZk/s1600/advocacy+%2528130+x+200%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-OW-hVWo3LgE/Tq6-zEL5RAI/AAAAAAAAAjY/12H_qP5KxZk/s1600/advocacy+%2528130+x+200%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Advocacy organizations and collective action/ edited by Aseem Prakash and Mary Kay Gugerty. Cambridge; New York: Cambridge University Press, 2010.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: JF529 .A38 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="text-align: center;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/--ehKbn6IwYk/Tq6_OxUwJ-I/AAAAAAAAAjg/IDqnRpwF8eo/s1600/o+trato+dos+%2528130+x+194%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/--ehKbn6IwYk/Tq6_OxUwJ-I/AAAAAAAAAjg/IDqnRpwF8eo/s1600/o+trato+dos+%2528130+x+194%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Alencastro, Luiz Felipe de. O trato dos viventes: formação do Brasil no Atlântico Sul, séculos XVI e XVII/ Luiz Felipe de Alencastro. [São Paulo, Brazil]: Companhia das Letras, 2000.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HT1126 .A73 2000&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-LoJJec8bOc8/Tq6_YNQ-IdI/AAAAAAAAAjo/460mn1yLAFg/s1600/constrained+%2528130+x+207%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-LoJJec8bOc8/Tq6_YNQ-IdI/AAAAAAAAAjo/460mn1yLAFg/s1600/constrained+%2528130+x+207%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Bailey, Michael A., 1969- The constrained court: law, politics, and the decisions justices make/ Michael A. Bailey, Forrest Maltzman. Princeton: Princeton University Press, c2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: KF8748 .B237 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-H2Ap1jqHXaM/Tq6_hpwensI/AAAAAAAAAjw/v_eXk1p93Us/s1600/goods+%2528130+x+203%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-H2Ap1jqHXaM/Tq6_hpwensI/AAAAAAAAAjw/v_eXk1p93Us/s1600/goods+%2528130+x+203%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Bauer, Arnold J. Goods, power, history: Latin America's material culture/ Arnold J. Bauer. Cambridge, UK; New York: Cambridge University Press, 2001.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HC130.C6 B38 2001&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-BoNhjIn-u_0/Tq6_n2iDxcI/AAAAAAAAAj4/f0Eb2UKCCGg/s1600/global+panaceas+%2528130+x+196%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-BoNhjIn-u_0/Tq6_n2iDxcI/AAAAAAAAAj4/f0Eb2UKCCGg/s1600/global+panaceas+%2528130+x+196%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Beech, Jason. Global panaceas, local realities: international agencies and the future of education/ Jason Beech. Frankfurt am Main; New York: P. Lang, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: LC71 .B44 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-wCdbGVDmqVU/Tq6_uwTKE3I/AAAAAAAAAkA/mMRjTsPYCRQ/s1600/behavioral+%2528130+x+207%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-wCdbGVDmqVU/Tq6_uwTKE3I/AAAAAAAAAkA/mMRjTsPYCRQ/s1600/behavioral+%2528130+x+207%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;A behavioral theory of elections/ Jonathan Bendor. .. [et al.]. Princeton, N.J.: Princeton University Press, c2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: JF1001 .B45 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Nbjk1JjOl_E/Tq6_1RR_4fI/AAAAAAAAAkI/yrxgNo_xVYM/s1600/fiscal+federalism+%2528130+x+184%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-Nbjk1JjOl_E/Tq6_1RR_4fI/AAAAAAAAAkI/yrxgNo_xVYM/s1600/fiscal+federalism+%2528130+x+184%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Boadway, Robin W., 1943- Fiscal federalism: principles and practices of multiorder governance/ Robin Boadway, Anwar Shah. Cambridge; New York: Cambridge University Press, 2009.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HJ197 .B63 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-57jSUfEJH20/Tq6_927YHHI/AAAAAAAAAkQ/ibgiyN0mBE4/s1600/intergovernmental+%2528130+x+207%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-57jSUfEJH20/Tq6_927YHHI/AAAAAAAAAkQ/ibgiyN0mBE4/s1600/intergovernmental+%2528130+x+207%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Bolleyer, Nicole. Intergovernmental cooperation: rational choices in federal systems and beyond/ Nicole Bolleyer. Oxford; New York: Oxford University Press, 2009.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: JC355 .B65 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-OrHr0xUjBms/Tq7AGaf4A-I/AAAAAAAAAkY/EFUYGJQeLjo/s1600/nuevo+espiritu+%2528130+x+186%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-OrHr0xUjBms/Tq7AGaf4A-I/AAAAAAAAAkY/EFUYGJQeLjo/s1600/nuevo+espiritu+%2528130+x+186%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Boltanski, Luc. El nuevo espíritu del capitalismo/ Luc Boltanski y Eve Chiapello; [traducción, Marisa Pérez Colina, Alberto Riesco Sanz y Raúl Sánchez Cedillo; edición de Carlos Prieto del Campo]. Madrid: Akal, c2002.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HB501 .B6718 2002&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-vG_-DRcZ3yc/Tq7AR4KA0xI/AAAAAAAAAkg/6CEfN1zs1vg/s1600/cambridge+handbook+%2528130+x+194%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-vG_-DRcZ3yc/Tq7AR4KA0xI/AAAAAAAAAkg/6CEfN1zs1vg/s1600/cambridge+handbook+%2528130+x+194%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Cambridge handbook of experimental political science/ edited by James N. Druckman. .. [et al.]. Cambridge; New York: Cambridge University Press, c2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: JA71 .C325 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-3LIT2W5TQ20/Tq7AicJwb6I/AAAAAAAAAko/3z7ScfxOKPg/s1600/diagnosing+%2528130+x+201%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-3LIT2W5TQ20/Tq7AicJwb6I/AAAAAAAAAko/3z7ScfxOKPg/s1600/diagnosing+%2528130+x+201%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Cameron, Kim S. Diagnosing and changing organizational culture: based on the competing values framework/ Kim S. Cameron, Robert E. Quinn. San Francisco, CA: Jossey-Bass, c2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HD58.8 .C32 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-qmWnr9StS4o/Tq7ApiLtgRI/AAAAAAAAAkw/ETvrUXPHef4/s1600/risk+analysis+%2528130+x+197%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-qmWnr9StS4o/Tq7ApiLtgRI/AAAAAAAAAkw/ETvrUXPHef4/s1600/risk+analysis+%2528130+x+197%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Chavas, Jean-Paul. Risk analysis in theory and practice/ Jean-Paul Chavas. Amsterdam; Boston: Elsevier/Butterworth-Heinemann; San Diego: Elsevier/Academic Press, c2004.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HB615 .C59 2004&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-xjZSq90AxIo/Tq7A2KRfWkI/AAAAAAAAAk4/gmmcROuZyVo/s1600/first+stages+%2528130+x+197%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-xjZSq90AxIo/Tq7A2KRfWkI/AAAAAAAAAk4/gmmcROuZyVo/s1600/first+stages+%2528130+x+197%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Cortés Conde, Roberto. The first stages of modernization in Spanish America/ Roberto Cortés Conde; translated from the Spanish by Toby Talbot. New York: Harper &amp;amp; Row, 1974.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HC125 .C7413 1974&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Daníelsson, Jón. Financial risk forecasting: the theory and practice of forecasting market risk, with implementation in R and Matlab/ Jón Daníelsson. Chichester: John Wiley, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HG6024.3 .D365 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Doing business 2011: making a difference for entrepreneurs. Washington, D.C.: World Bank: International Finance Corporation, c2010.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HD3611 .D58 2010&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Easley, David. Networks, crowds, and markets: reasoning about a highly connected world/ David Easley, Jon Kleinberg. New York: Cambridge University Press, 2010.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HM851 .E24 2010&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Gates, Scott. Games, information, and politics: applying game theoretic models to political science/ Scott Gates and Brian D. Humes. Ann Arbor: University of Michigan Press, c1997.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: JA72.5 .G35 1997&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Green, Andy, 1954- Regimes of social cohesion: societies and the crisis of globalization/ Andy Green and Jan Germen Janmaat. Hampshire; New York, NY: Palgrave Macmillan, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HM836 .G74 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Groenewegen, John, 1949- Institutional economics: an introduction/ John Groenewegen, Antoon Spithoven and Annette van den Berg. Basingstoke [England]; New York: Palgrave Macmillan, 2010.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HB99.5 .G757 2010&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Group formation in economics: networks, clubs and coalitions/ edited by Gabrielle Demange, Myrna Wooders. Cambridge, UK; New York: Cambridge University Press, 2005.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HM741 .G76 2005&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Hall, Matthew Eric Kane. The nature of supreme court power/ Matthew Eric Kane Hall. New York: Cambridge University Press, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: KF8742 .H35 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Knight, Jack, 1952- The priority of democracy: political consequences of pragmatism/ Jack Knight and James Johnson. New York: Russell Sage Foundation; Princeton [N.J.]: Princeton University Press, c2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: JC423 .K575 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Kotler, Philip. Social marketing: influencing behaviors for good/ Philip Kotler, Nancy R. Lee. Los Angeles: Sage Publications, c2008.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HF5414 .K67 2008&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Maoz, Zeev. Networks of nations: the evolution, structure, and impact of International Networks, 1816-2001/ Zeev Maoz. Cambridge; New York: Cambridge University Press, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: JZ1318 .M3545 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Martín y Herrera, Félix, 1882-1903. Curso de economía política/ Félix Martín y Herrera. Buenos Aires: Compañía Sud-Americana de Billetes de Banco, 1909-1912.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HB178.5 .M37 1909&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Medina Sierra, Luis Fernando, 1968- A unified theory of collective action and social change/ Luis Fernando Medina. Ann Arbor: University of Michigan Press, c2007.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: JF2111 .M43 2007&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Pacelle, Richard L., 1954- Decision making by the modern Supreme Court/ Richard L. Pacelle, Jr., Brett W. Curry, Bryan W. Marshall. Cambridge; New York: Cambridge University Press, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: KF8748 .P234 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Schein, Edgar H. Organizational culture and leadership/ Edgar H. Schein. San Francisco: Jossey-Bass, c2010.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HD58.7 .S33 2010&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Tanzi, Vito. Government versus markets: the changing economic role of the state/ Vito Tanzi. New York, NY: Cambridge University Press, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HD3612 .T35 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Teorell, Jan. Determinants of democratization: explaining regime change in the world, 1972-2006/ Jan Teorell. Cambridge; New York: Cambridge University Press, 2010.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: JC489 .T46 2010&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;La trastienda de la investigación/ Catalina Wainerman, Ruth Sautu, compiladoras. Buenos Aires: Manantial, c2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: H61 .T69 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-family: Georgia, serif;"&gt;World development report 2011: Conflict, security, and development. Washington, D.C.: World Bank, c2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: Georgia, serif;"&gt;Ubicación: HC59.7 .W67 2011&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-1627503545306340535?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/B0RwF9Ff7GA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/1627503545306340535/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/11/novedades-bibliograficas-de-la.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1627503545306340535?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1627503545306340535?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/B0RwF9Ff7GA/novedades-bibliograficas-de-la.html" title="Novedades bibliográficas de la Biblioteca    Ciencias sociales" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-OW-hVWo3LgE/Tq6-zEL5RAI/AAAAAAAAAjY/12H_qP5KxZk/s72-c/advocacy+%2528130+x+200%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/11/novedades-bibliograficas-de-la.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CE4BQXY5eyp7ImA9WhRTEUg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-2153173305056996979</id><published>2011-11-01T06:09:00.000-07:00</published><updated>2011-11-01T06:09:10.823-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-01T06:09:10.823-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Películas" /><category scheme="http://www.blogger.com/atom/ns#" term="Dvds" /><title>Novedades de la Biblioteca - DVDs</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-sU6OICHck2w/Tq7hCpyUEnI/AAAAAAAAAmw/yiWikkleP2I/s1600/detras+de+un+v+%2528130+x+169%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-sU6OICHck2w/Tq7hCpyUEnI/AAAAAAAAAmw/yiWikkleP2I/s1600/detras+de+un+v+%2528130+x+169%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoNormal" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span style="line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Detrás de un vidrio oscuro [videograbación] = Sasom i en spegel/ Svensk Filmindustri visar; en film av Ingmar Bergman; [guión y dirección de Ingmar Bergman]. Luz de invierno = Nattvards gästerna/ Svensk Filmindustri visar; en film av Ingmar Bergman; [guión y dirección de Ingmar Bergman]. Noche de circo = Gycklarnas afton / Sandrew Produktion visar; en film av Ingmar Bergman; [guión y dirección de Ingmar Bergman]. [Buenos Aires: Época Video Ediciones, [2010?].&lt;br /&gt;
&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="line-height: 18px;"&gt;Ubicación: PN1997.D485 2010&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="line-height: normal;"&gt;&lt;b&gt;&lt;span lang="EN-US" style="line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;&lt;span style="line-height: 115%;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Eb5hr7IPwc4/Tq7hMzTVORI/AAAAAAAAAm4/4lIZeLEhZ_s/s1600/debussy+la+mer+%2528130+x+183%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-Eb5hr7IPwc4/Tq7hMzTVORI/AAAAAAAAAm4/4lIZeLEhZ_s/s1600/debussy+la+mer+%2528130+x+183%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;La mer [videograbación]; Prélude à l'après-midi d'un faune/ Claude Debussy. Daphnis et Chloé:&amp;nbsp;&amp;nbsp;fragments symphoniques. 2e série/&amp;nbsp;&amp;nbsp;Maurice Ravel. New York: Sony Classical: Sony Music Entertainment Inc., c2000.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Ubicación: M1002.D28 M4 2000&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-_Ql0gGyfKOI/Tq7hc1jLeHI/AAAAAAAAAnA/qhcTs64_7J0/s1600/m%25C3%25A9todo+%2528130+x+186%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-_Ql0gGyfKOI/Tq7hc1jLeHI/AAAAAAAAAnA/qhcTs64_7J0/s1600/m%25C3%25A9todo+%2528130+x+186%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;El método [videograbación]/ Palm Pictures, Alquimia Cinema, Tornasol Films, Arena Films, and Cattleya presentan; una producción de Francisco Ramos y Gerardo Herrero; dirección de producción Alicia Tellería; guión Mateo Gil y Marcelo Piñero; dirección, Marcelo Piñeyro. Buenos Aires: Transeuropa Video Entertainment: Gijef [distribuidor], c2006.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;b&gt;Ubicación: PN1997 .M48 2006&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-X9tPx9GK0i4/Tq7hnnCcTFI/AAAAAAAAAnI/-ePYhgjwNNE/s1600/nose+%2528130+x+194%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-X9tPx9GK0i4/Tq7hnnCcTFI/AAAAAAAAAnI/-ePYhgjwNNE/s1600/nose+%2528130+x+194%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;The nose [videograbación]: opera in three acts/ music by Dmitri Shostakovich; libretto by Georgy Ionin, Alexander Preis, Yevgeny Zamyatin, and the composer, after the story by Nikolai Gogol; produced by the Moscow Chamber Opera Theatre. Pleasantville, N.Y.: Video Artists International, c2010.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Ubicación: M1500.S556 N67 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-MlfjoXUbpVM/Tq7h8iqJ8MI/AAAAAAAAAnY/bezKfU5R8WM/s1600/El_Sabor_De_Las_Cerezas+%2528130+x+182%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-MlfjoXUbpVM/Tq7h8iqJ8MI/AAAAAAAAAnY/bezKfU5R8WM/s1600/El_Sabor_De_Las_Cerezas+%2528130+x+182%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;span style="line-height: 18px;"&gt;El sabor de las cerezas [videograbación] = Ta§m e guilass/ Zeitgeist Films presenta; una coproducción Abbas Kiarostami-CIBY 2000; un film de Abbas Kiarostami escrita, dirigida y editada por Abbas Kiarostami. Buenos Aires: Plus Video: Difusión [distribuidor]; [Francia]: MK2, c2010.&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-US" style="line-height: 18px;"&gt;Ubicación: PN1997.S33 2010&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-YV84R7vPYl0/Tq7htFo498I/AAAAAAAAAnQ/utChyX-eMJU/s1600/shark+callers+%2528130+x+232%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-YV84R7vPYl0/Tq7htFo498I/AAAAAAAAAnQ/utChyX-eMJU/s1600/shark+callers+%2528130+x+232%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;The Sharkcallers of Kontu [videograbación]/ directed and produced by Dennis O'Rourke; O'Rourke and Associates Filmmakers. [Australia: O'Rourke &amp;amp; Associates Filmmakers ;[Edge Hill, Qld.]: Camera Work, c2008.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Ubicación: GN671.N5 S53 2008&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-SnEjGSdpH2E/Tq7iSpsSPxI/AAAAAAAAAng/gS9fLiCivB8/s1600/ultimo+emperador+%2528130+x+194%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-SnEjGSdpH2E/Tq7iSpsSPxI/AAAAAAAAAng/gS9fLiCivB8/s1600/ultimo+emperador+%2528130+x+194%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;El último emperador [videograbación] = The last emperor/ Columbia Pictures, Inc.; Jeremy Thomas presents; screenplay by Mark Peploe with Bernardo Bertolucci; produced by Jeremy Thomas; directed by Bernardo Bertolucci; made by Yanco Films Limited and Tao Film SRL; in association with Recorded Picture Company (Productions) Limited, Screenframe Limited, AAA Soprofilms. [Buenos Aires]: Emerald: ECE [distribuidor, 2010].&lt;br /&gt;
&lt;b&gt;Ubicación: PN1997.U68 2010&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-RvDczvasosA/Tq7iYsnSy8I/AAAAAAAAAno/nQH9AxTmWWk/s1600/ultimo+tango+%2528130+x+189%2529.jpg" style="margin-left: auto; margin-right: auto;" /&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Último tango en París [videograbación]/ United Artists; a co-production of PEA Produzioni Europee Associates S.A.S. [and] Les Productions Artistes associes; producer, Alberto Grimaldi; director, Bernardo Bertolucci; screenplay, Bernardo Bertolucci and Franco Arcalli; story, Bernardo Bertolucci. Buenos Aires: Renacimiento Nuevo Siglo: Editora Nuevo Siglo [distribuidor], c2009.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="line-height: 115%;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Ubicación: PN1997 .U58 2009&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-oFYS32pu1SI/Tq7ijftjEmI/AAAAAAAAAnw/AWA7o1fu6n4/s1600/voix+humaine+%2528130+x+186%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-oFYS32pu1SI/Tq7ijftjEmI/AAAAAAAAAnw/AWA7o1fu6n4/s1600/voix+humaine+%2528130+x+186%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;La voix humaine [videograbación]/ Cascavalle; Francis Poulenc; libretto by Jean Cocteau; director, Jean-Luc Tingaud. West Long Branch, NJ: Kultur, [2005].&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Ubicación: M1509 .V659 2005&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Kicq9LzgF9w/Tq7iw2rfT2I/AAAAAAAAAn4/jCp811fs9LU/s1600/yap+%2528127+x+200%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-Kicq9LzgF9w/Tq7iw2rfT2I/AAAAAAAAAn4/jCp811fs9LU/s1600/yap+%2528127+x+200%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Yap- how did you know we'd like TV? [videograbación]/ produced and directed by Dennis O'Rourke; in association with WGBH Boston; with the assistance of the Australian Film Commission. [Qld., Australia]: Camera Work, [200-?].&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: GN669 .Y36 2000&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-2153173305056996979?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/EQ8e_WOXLSQ" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/2153173305056996979/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/11/novedades-de-la-biblioteca-dvds.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/2153173305056996979?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/2153173305056996979?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/EQ8e_WOXLSQ/novedades-de-la-biblioteca-dvds.html" title="Novedades de la Biblioteca - DVDs" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-sU6OICHck2w/Tq7hCpyUEnI/AAAAAAAAAmw/yiWikkleP2I/s72-c/detras+de+un+v+%2528130+x+169%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/11/novedades-de-la-biblioteca-dvds.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUUNR3kyeSp7ImA9WhdaFEU.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-2667403343651942822</id><published>2011-10-24T12:04:00.000-07:00</published><updated>2011-10-24T12:08:16.791-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-24T12:08:16.791-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="concurso" /><title>Ganador del Concurso por el día de la Bibliotecaria</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-MWE8xvM3bDY/TqW0igrPJ-I/AAAAAAAAAjQ/XZSQIiezRiI/s1600/ganador.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" rda="true" src="http://2.bp.blogspot.com/-MWE8xvM3bDY/TqW0igrPJ-I/AAAAAAAAAjQ/XZSQIiezRiI/s1600/ganador.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
El viernes 21 de octubre se eligió como ganador del concurso por el día de la bibliotecaria a&amp;nbsp;un estudiante de la promoción 22&amp;nbsp;de la carrera de Contador Público.&lt;br /&gt;
Leonardo, el ganador,&amp;nbsp;recibirá una orden de compra por $200 en Cúspide Libros.&lt;br /&gt;
¡Agradecemos a todas las personas que enviaron sus anécdotas y esperamos que sus visitas a las bibliotecas les llenen de muchas más historias para contar!&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-2667403343651942822?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/GKV4S6oo-Ps" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/2667403343651942822/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/10/ganador-del-concurso-por-el-dia-de-la.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/2667403343651942822?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/2667403343651942822?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/GKV4S6oo-Ps/ganador-del-concurso-por-el-dia-de-la.html" title="Ganador del Concurso por el día de la Bibliotecaria" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-MWE8xvM3bDY/TqW0igrPJ-I/AAAAAAAAAjQ/XZSQIiezRiI/s72-c/ganador.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/10/ganador-del-concurso-por-el-dia-de-la.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A08MRXY_cSp7ImA9WhdbGEg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-6403821156506206728</id><published>2011-10-17T06:58:00.000-07:00</published><updated>2011-10-17T06:58:04.849-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-17T06:58:04.849-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Revistas" /><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><title>Novedades de la Biblioteca - Revistas</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Fr-ARMGXQj8/Tphfl5M2lxI/AAAAAAAAAd4/NcabkaKqNoU/s1600/Inc+%2528130+x+217%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-Fr-ARMGXQj8/Tphfl5M2lxI/AAAAAAAAAd4/NcabkaKqNoU/s1600/Inc+%2528130+x+217%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Inc.: Cono Sur: the magazine for growing companies. Boston, MA: Inc. Publishing, [1979?]-&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-GhPlRsqhyzE/Tphfu-ViDgI/AAAAAAAAAeA/64wBSuKGPPY/s1600/International+politics.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-GhPlRsqhyzE/Tphfu-ViDgI/AAAAAAAAAeA/64wBSuKGPPY/s1600/International+politics.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;International politics.&amp;nbsp;&amp;nbsp;Basingstoke: Palgrave MacMillan, 2004-. &amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-m8I0prXMkco/Tphf5NRwD3I/AAAAAAAAAeI/lWf07UqIhD8/s1600/SIGNIFICANCE.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-m8I0prXMkco/Tphf5NRwD3I/AAAAAAAAAeI/lWf07UqIhD8/s200/SIGNIFICANCE.jpg" width="157" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Significance (Oxford, England): Significance: statistics making sense. Oxford: Blackwell Publishing, c2004-&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-6403821156506206728?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/-zABVYt9B20" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/6403821156506206728/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/10/novedades-de-la-biblioteca-revistas.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/6403821156506206728?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/6403821156506206728?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/-zABVYt9B20/novedades-de-la-biblioteca-revistas.html" title="Novedades de la Biblioteca - Revistas" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Fr-ARMGXQj8/Tphfl5M2lxI/AAAAAAAAAd4/NcabkaKqNoU/s72-c/Inc+%2528130+x+217%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/10/novedades-de-la-biblioteca-revistas.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A08DQ3w-eyp7ImA9WhdbGEg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-1279581268345372275</id><published>2011-10-17T06:57:00.002-07:00</published><updated>2011-10-17T06:57:52.253-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-17T06:57:52.253-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Películas" /><category scheme="http://www.blogger.com/atom/ns#" term="Dvds" /><title>Novedades de la Biblioteca - Películas en DVD</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-sY2sEuf2AZo/TphozcCO_JI/AAAAAAAAAfw/43vv8nuajRU/s1600/21+Gramos+%2528130+x+186%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-sY2sEuf2AZo/TphozcCO_JI/AAAAAAAAAfw/43vv8nuajRU/s1600/21+Gramos+%2528130+x+186%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;21 gramos [videograbación] =21 grams / an Alejandro González Iñárritu film; written by Guillermo Arriaga; directed by Alejandro Gonzálex Iñárritu.&amp;nbsp;&amp;nbsp;San Luis, Argentina: AVH; [Universal City,&amp;nbsp;&amp;nbsp;CA]: Universal Pictures [distribuidor], c2008.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .A12 2008&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-yjEHTLE6EYY/Tphn9bMXyyI/AAAAAAAAAfo/nCVKJbX678I/s1600/como+agu8a+%2528130+x+188%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-yjEHTLE6EYY/Tphn9bMXyyI/AAAAAAAAAfo/nCVKJbX678I/s1600/como+agu8a+%2528130+x+188%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Como agua para chocolate [videograbación] / [presentado por] Consejo Nacional para la Cultura y Las Artes [et al.]; en asociación con Cinevista Inc. [et al.]; guión cinematográfico, Laura Esquivel; producción y dirección, Alfonso Arau. [Buenos Aires]: Emerald: ECE [distribuidor, 2010]&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-j2IAzo_cNQM/TphpF38fWnI/AAAAAAAAAf4/LJPMZjxaWzE/s1600/enrique+V+%2528130+x+188%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-j2IAzo_cNQM/TphpF38fWnI/AAAAAAAAAf4/LJPMZjxaWzE/s1600/enrique+V+%2528130+x+188%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Enrique V [videograbación] = Henry V / Orion Pictures; Renaissance Films PLC presents; in association with the BBC and Curzon Film Distributors Ltd ; adapted for the screen by Kenneth Branagh; produced by Bruce Sharman; directed by Kenneth Branagh. Buenos Aires: Transeuropa Video Entertainment: Gijef&amp;nbsp;&amp;nbsp;&amp;nbsp;[distribuidor], c2009.&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-phlSi0hGIDo/Tphpbbu8OmI/AAAAAAAAAgA/bpjpt1See-s/s1600/zorba+%2528130+x+184%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-phlSi0hGIDo/Tphpbbu8OmI/AAAAAAAAAgA/bpjpt1See-s/s1600/zorba+%2528130+x+184%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Zorba el griego [videograbación] =Zorba the Greek / Twentieth Century Fox;&amp;nbsp;&amp;nbsp;written, produced, and directed by Michael Cacoyannis. [Buenos Aires]: Twentieth Century Fox Home Entertainment: Walt Disney Company Argentina [distribuidor], c2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Ubicación: PN1997 .Z67 2006&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-1279581268345372275?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/h9UDitClGmM" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/1279581268345372275/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/10/novedades-de-la-biblioteca-peliculas-en.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1279581268345372275?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1279581268345372275?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/h9UDitClGmM/novedades-de-la-biblioteca-peliculas-en.html" title="Novedades de la Biblioteca - Películas en DVD" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-sY2sEuf2AZo/TphozcCO_JI/AAAAAAAAAfw/43vv8nuajRU/s72-c/21+Gramos+%2528130+x+186%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/10/novedades-de-la-biblioteca-peliculas-en.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A08BSHw-fip7ImA9WhdbGEg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-7483474538703325444</id><published>2011-10-17T06:57:00.001-07:00</published><updated>2011-10-17T06:57:39.256-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-17T06:57:39.256-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Humanidades" /><title>Novedades Bibliográficas de la Biblioteca    Humanidades</title><content type="html">&lt;div class="MsoPlainText"&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-emoBzTIVogY/TphhjoUTbBI/AAAAAAAAAeg/vJe9uuHCkUo/s1600/educacion+en+los+m+%2528130+x+183%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-emoBzTIVogY/TphhjoUTbBI/AAAAAAAAAeg/vJe9uuHCkUo/s1600/educacion+en+los+m+%2528130+x+183%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Alderoqui, Silvia. La educación en los museos: de los objetos a los visitantes / Silvia Alderoqui,&amp;nbsp;&amp;nbsp;Constanza Pedersoli.&amp;nbsp;&amp;nbsp;Buenos Aires: Paidós, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: AM7 .A64 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-_NswIu_hftM/TphhrdVTVnI/AAAAAAAAAeo/IFvcifIFTK8/s1600/dibujando+%2528140+x+100%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-_NswIu_hftM/TphhrdVTVnI/AAAAAAAAAeo/IFvcifIFTK8/s1600/dibujando+%2528140+x+100%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bellucci, Alberto (Alberto Guillermo)&amp;nbsp;&amp;nbsp;Dibujando Argentina =Drawing Argentina / Alberto Bellucci. [Buenos Aires?]: Tiago Biavez, c2004.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: NC790 .B46 2004&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-zg1XGSb8ouU/TphhydjI9pI/AAAAAAAAAew/WUirFGJ-zes/s1600/CUERPOS+PAGANOS+SIN+%2528130+x+163%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-zg1XGSb8ouU/TphhydjI9pI/AAAAAAAAAew/WUirFGJ-zes/s1600/CUERPOS+PAGANOS+SIN+%2528130+x+163%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Cámara, Mario. Cuerpos paganos: usos y efectos en la cultura brasileña (1960-1980) / Mario Cámara.&amp;nbsp;&amp;nbsp;Buenos Aires: Santiago Arcos, 2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: F2510 .C36 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-ghC5MGlwaE0/Tphh32LABwI/AAAAAAAAAe4/lJel8DwkvZs/s1600/ensayo+latinoa+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-ghC5MGlwaE0/Tphh32LABwI/AAAAAAAAAe4/lJel8DwkvZs/s1600/ensayo+latinoa+%2528130+x+185%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El ensayo latinoamericano: revisiones, balances y proyecciones de un género fundacional / edición y prólogo,&amp;nbsp;&amp;nbsp;Claudio Maíz;&amp;nbsp;&amp;nbsp;Noé Jitrik... [et al.]. Mendoza: Universidad Nacional de Cuyo,&amp;nbsp;&amp;nbsp;Facultad de Filosofía y Letras, 2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PQ7082.E8 E67 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-DXwdm4NRZdw/Tphh9GINKUI/AAAAAAAAAfA/Fbpp7ItHwY8/s1600/estados+unidos+%2528130+x+190%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-DXwdm4NRZdw/Tphh9GINKUI/AAAAAAAAAfA/Fbpp7ItHwY8/s1600/estados+unidos+%2528130+x+190%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gaddis, John Lewis. Estados Unidos y los orígenes de la guerra fría,&amp;nbsp;&amp;nbsp;1941-1947 / John Lewis Gaddis;&amp;nbsp;&amp;nbsp;[traducción: Eduardo Sturpía].&amp;nbsp;&amp;nbsp;Buenos Aires: Grupo Editor Latinoamericano, c1989.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: E744 .G2518 1989&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-PtOoC3xNHAg/TphiClgQB1I/AAAAAAAAAfI/oMsfnEMH4nI/s1600/book+that+made+%2528130+x+198%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-PtOoC3xNHAg/TphiClgQB1I/AAAAAAAAAfI/oMsfnEMH4nI/s1600/book+that+made+%2528130+x+198%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Mangalwadi, Vishal. The book that made your world: how the Bible created the soul of Western civilization / Vishal Mangalwadi. Nashville,&amp;nbsp;&amp;nbsp;Tenn.: Thomas Nelson, c2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: BS538.7 .M36 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-BhMVOEP59Po/TphiH12oY4I/AAAAAAAAAfQ/Z1rDluma7W0/s1600/viagem+%2528130+x+187%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-BhMVOEP59Po/TphiH12oY4I/AAAAAAAAAfQ/Z1rDluma7W0/s1600/viagem+%2528130+x+187%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Omar, Arthur. Viagem ao Afeganistão: alguns dias na Ásia Central trocando olbares com aquilo que ainda não tem nome = Journey to Afghanistan: a few days in Central Asia exchanging glances with that one which has no name yet.&amp;nbsp;&amp;nbsp;/ Arthur Omar;&amp;nbsp;&amp;nbsp;[introdução: Antonio Negri;&amp;nbsp;&amp;nbsp;tradução: Vladimir Freire].&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Sao Paulo: Cosac &amp;amp; Naify, 2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: N6659.O43 A4 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-lvpYVOLWDoM/TphiOK64cOI/AAAAAAAAAfY/fUPqioo5BZ8/s1600/borders+%2528130+x+207%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-lvpYVOLWDoM/TphiOK64cOI/AAAAAAAAAfY/fUPqioo5BZ8/s1600/borders+%2528130+x+207%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Seminar on the Acquisition of Latin American Library Materials, Inc. Meeting (52nd : 2007: Albuquer Borders: obsession,&amp;nbsp;&amp;nbsp;obstacle,&amp;nbsp;&amp;nbsp;open door: papers of the Fifty-Second Annual Meeting of the Seminar on the Acquisition of Latin American Library Materials,&amp;nbsp;&amp;nbsp;Albuquerque,&amp;nbsp;&amp;nbsp;New Mexico, April 27-May 1, 2007 / Molly Molloy,&amp;nbsp;&amp;nbsp;editor.&amp;nbsp;&amp;nbsp;New Orleans, La.: SALALM Secretariat: Latin American Library, Tulane University, c2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: Z688.L4 S46 2007&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-XUjEh08tljM/TphiVZiS9oI/AAAAAAAAAfg/x03CLy3pJtk/s1600/que+desastre+%2528130+x+202%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-XUjEh08tljM/TphiVZiS9oI/AAAAAAAAAfg/x03CLy3pJtk/s1600/que+desastre+%2528130+x+202%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ulanovsky, Carlos. ¡Qué desastre la TV! (pero cómo me gusta) Argentina desde la pantalla: 1999-2009 / Carlos Ulanovsky,&amp;nbsp;&amp;nbsp;Pablo Sirvén. Buenos Aires: Emecé, 2009.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1992.3.A7 U437 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-7483474538703325444?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/fzD8omezPN0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/7483474538703325444/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/10/novedades-bibliograficas-de-la_1584.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/7483474538703325444?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/7483474538703325444?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/fzD8omezPN0/novedades-bibliograficas-de-la_1584.html" title="Novedades Bibliográficas de la Biblioteca    Humanidades" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-emoBzTIVogY/TphhjoUTbBI/AAAAAAAAAeg/vJe9uuHCkUo/s72-c/educacion+en+los+m+%2528130+x+183%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/10/novedades-bibliograficas-de-la_1584.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A08HSH0zeip7ImA9WhdbGEg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-1247199180368055954</id><published>2011-10-17T06:57:00.000-07:00</published><updated>2011-10-17T06:57:19.382-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-17T06:57:19.382-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Ciencias Sociales" /><title>Novedades Bibliográficas de la Biblioteca    Ciencias Sociales</title><content type="html">&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: x-small;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-GgcusS8qpJc/TphrKobR2eI/AAAAAAAAAgI/e3ks9qFQyiI/s1600/anuario+esta+%2528130+x+182%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-GgcusS8qpJc/TphrKobR2eI/AAAAAAAAAgI/e3ks9qFQyiI/s1600/anuario+esta+%2528130+x+182%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Anuario estadístico 2010 =2010 statistical annuary. Rosario, Argentina: Bolsa de Comercio de Rosario, [2011].&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HD9044.A72 A68 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-efinBZYP-kE/TphrR1lrpRI/AAAAAAAAAgQ/h3cQ3mBSKpU/s1600/barometro+%2528130+x+145%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-efinBZYP-kE/TphrR1lrpRI/AAAAAAAAAgQ/h3cQ3mBSKpU/s1600/barometro+%2528130+x+145%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Barómetro de la deuda social Argentina. Informe 6, Deuda social argentina frente al Bicentenario: progresos destacados y desigualdades estructurales del desarrollo humano y social en la Argentina urbana 2004-2009 / Departamento de Investigación Institucional, Instituto para la Integración del Saber,&amp;nbsp;&amp;nbsp;Pontificia Universidad Católica Argentina; [coodinador, Agustín Salvia;&amp;nbsp;&amp;nbsp;autores,&amp;nbsp;&amp;nbsp;Dan Adaszko [et.al.]&amp;nbsp;&amp;nbsp;Buenos Aires: Observatorio de la Deuda Social Argentina,&amp;nbsp;&amp;nbsp;Pontificia Universidad Católica Argentina, 2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HN263.5 B376 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-cjQ8ReZbWEs/TphrW1wg3OI/AAAAAAAAAgY/LTUolOWq5AU/s1600/Bluebook-+A+Uniform+%2528130+x+210%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-cjQ8ReZbWEs/TphrW1wg3OI/AAAAAAAAAgY/LTUolOWq5AU/s1600/Bluebook-+A+Uniform+%2528130+x+210%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The bluebook : a uniform system of citation / compiled by the editors of the Columbia Law Review,&amp;nbsp;&amp;nbsp;the Harvard Law Review,&amp;nbsp;&amp;nbsp;the University of Pennsylvania Law Review,&amp;nbsp;&amp;nbsp;and the Yale Law Journal.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Cambridge, Mass: Harvard Law Review Association, 2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: KF245 .U55 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-x-urmq_L8hk/Tphrg5Je9YI/AAAAAAAAAgg/nQDAWmYfcuE/s1600/manual+de+derecho+c+%2528130+x+189%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-x-urmq_L8hk/Tphrg5Je9YI/AAAAAAAAAgg/nQDAWmYfcuE/s1600/manual+de+derecho+c+%2528130+x+189%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Borda, Guillermo A. Manual de derecho civil: parte general / Guillermo A.&amp;nbsp;&amp;nbsp;Borda. Buenos Aires: Perrot, [1996].&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: KHA409 .B68 1996&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-NwHoVm2KRoQ/Tphruvk8O5I/AAAAAAAAAgo/WBOSMR2-D5s/s1600/proteccion+social+%2528130+x+191%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-NwHoVm2KRoQ/Tphruvk8O5I/AAAAAAAAAgo/WBOSMR2-D5s/s1600/proteccion+social+%2528130+x+191%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Cecchini, Simone.&amp;nbsp;&amp;nbsp;Protección social inclusiva en América Latina: una mirada integral,&amp;nbsp;&amp;nbsp;un enfoque de derechos / Simone Cecchini,&amp;nbsp;&amp;nbsp;Rodrigo Martínez. Santiago de Chile: Naciones Unidas,&amp;nbsp;&amp;nbsp;CEPAL, 2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HC130.B38 C43 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-9NnUdLclCWw/Tphrzw8rNTI/AAAAAAAAAgw/oEKfvvC-dwc/s1600/cambio+sustentable+en+la+universidad+130+x+190+%2528130+x+190%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-9NnUdLclCWw/Tphrzw8rNTI/AAAAAAAAAgw/oEKfvvC-dwc/s1600/cambio+sustentable+en+la+universidad+130+x+190+%2528130+x+190%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Clark, Burton R. Cambio sustentable en la universidad / Burton R. Clark;&amp;nbsp;&amp;nbsp;[traducción, Carolina Krupnik]. Buenos Aires: Universidad de Palermo,&amp;nbsp;&amp;nbsp;Cátedra UNESCO-UNU "Historia y Futuro de la Universidad", c2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: LB2324 .C518 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-VG02LM4eM3w/Tphr9tlWC3I/AAAAAAAAAg4/rVw925Oxtdc/s1600/poder+estado+%2528130+x+188%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-VG02LM4eM3w/Tphr9tlWC3I/AAAAAAAAAg4/rVw925Oxtdc/s1600/poder+estado+%2528130+x+188%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Cortés Conde, Roberto. Poder,&amp;nbsp;&amp;nbsp;Estado y política: impuestos y sociedad en la Argentina y en los Estados Unidos / Roberto Cortés Conde.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires: Edhasa, 2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HJ901 .C67 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-pXZAU5kOoao/TphsOtOsyBI/AAAAAAAAAhI/rHhRurh2X0Q/s1600/america+latina+frente+%2528130+x+193%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-pXZAU5kOoao/TphsOtOsyBI/AAAAAAAAAhI/rHhRurh2X0Q/s1600/america+latina+frente+%2528130+x+193%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Foro de Pensamiento Social Estratégico (3rd: 2010: New York, N.Y.)&amp;nbsp;&amp;nbsp;América Latina frente a la crisis / Bernardo Kliksberg (compilador); prólogo,&amp;nbsp;&amp;nbsp;Heraldo Muñoz;&amp;nbsp;&amp;nbsp;[introducción] Helen Clark.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires: Sudamericana: PNUD: Ministerio de Asuntos Exteriores y de Cooperación, AECID, c2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HN110.5.A8 F67 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-5QQf-LMdqcc/TphsisUdA6I/AAAAAAAAAhQ/tJHO_-HZMoQ/s1600/recherches+%2528130+x+209%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-5QQf-LMdqcc/TphsisUdA6I/AAAAAAAAAhQ/tJHO_-HZMoQ/s1600/recherches+%2528130+x+209%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;La gestion des entreprises dans un contexte mondialisé: le cas des pays émergents / sous la direction de Jean-Luc Metzger.&amp;nbsp;&amp;nbsp;Louvain-la-Neuve : Université catholique de Louvain,&amp;nbsp;&amp;nbsp;Unité d'anthropologie et de sociologie, 2009.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HD70.D44 G47 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-w2DFM4Wsndc/TphspGamMVI/AAAAAAAAAhY/HXjVtsQHbaU/s1600/democracy+within+%2528130+x+208%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-w2DFM4Wsndc/TphspGamMVI/AAAAAAAAAhY/HXjVtsQHbaU/s1600/democracy+within+%2528130+x+208%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hazan, Reuven Y. Democracy within parties: candidate selection methods and their political consequences / Reuven Y. Hazan and Gideon Rahat.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Oxford; New York: Oxford University Press, c2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: JF2051 .H395 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-qsLxKKtVZsE/TphswDNZhWI/AAAAAAAAAhg/2u46eVJZzUs/s1600/indignate+%2528130+x+189%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-qsLxKKtVZsE/TphswDNZhWI/AAAAAAAAAhg/2u46eVJZzUs/s1600/indignate+%2528130+x+189%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hessel, Stéphane:&amp;nbsp;¡Indígnate!:&amp;nbsp;un alegato contra la indiferencia y a favor de la insurreción&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;pacífica/&amp;nbsp;Stéphane Hessel; prólogo de José Luis Sampedro; traducción de Telmo Moreno Lanaspa.&amp;nbsp;Buenos Aires:&amp;nbsp;Destino,&amp;nbsp;c2011. &lt;br /&gt;
&lt;b&gt;Ubicación: JC328.3 .H4718 2011.&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-UM8b-P25474/Tphs41paX1I/AAAAAAAAAho/R1sjtD6LCDY/s1600/historia+economica+m+%2528130+x+198%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-UM8b-P25474/Tphs41paX1I/AAAAAAAAAho/R1sjtD6LCDY/s1600/historia+economica+m+%2528130+x+198%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Historia económica mundial: del Paleolítico a Internet / María Inés Barbero [et al.]. Buenos Aires: Emecé, 2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HC21 .H57 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-dB89BN_HJGY/TphtAWaxIsI/AAAAAAAAAhw/0bkp0U-7kOw/s1600/genero+en+la+justicia+%2528130+x+187%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-dB89BN_HJGY/TphtAWaxIsI/AAAAAAAAAhw/0bkp0U-7kOw/s1600/genero+en+la+justicia+%2528130+x+187%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Kohen, Beatriz. El género en la justicia de familia: miradas y protagonistas / Beatriz Kohen;&amp;nbsp;&amp;nbsp;[prólogo por Carmen Argibay]. Buenos Aires: Ad-Hoc: Departamento de Publicaciones,&amp;nbsp;&amp;nbsp;Facultad de Derecho,&amp;nbsp;&amp;nbsp;Universidad de Buenos Aires, 2008.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: KHA481 .K65 2008&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-X3tPw5O00UA/TphtGkPgofI/AAAAAAAAAh4/3lnJzPNAMZg/s1600/manual+de+derecho+llambias+%2528130+x+184%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-X3tPw5O00UA/TphtGkPgofI/AAAAAAAAAh4/3lnJzPNAMZg/s1600/manual+de+derecho+llambias+%2528130+x+184%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Llambías, Jorge Joaquín.&amp;nbsp;&amp;nbsp;&amp;nbsp;Manual de derecho civil: obligaciones / Jorge Joaquín Llambías,&amp;nbsp;&amp;nbsp;Patricio Raffo Benegas, Rafael A. Sassot. Buenos Aires: Abeledo-Perrot, [1999].&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: KHA745 .L53 1999&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-urJrY_VUMAk/TphtMWblGqI/AAAAAAAAAiA/WmqjXwgGcrw/s1600/contrato+%2528130+x+189%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-urJrY_VUMAk/TphtMWblGqI/AAAAAAAAAiA/WmqjXwgGcrw/s1600/contrato+%2528130+x+189%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Llobera, Hugo O. H. Contrato de concesión comercial / Hugo O. H. Llobera; prólogo de Raúl Aníbal Etcheverry. Buenos Aires: Astrea, 2006.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: KHA3757 .L56 2006&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-mew6Dmtb-_g/TphtTfpNe2I/AAAAAAAAAiI/OJqFHjoDmNs/s1600/gestion+%2528130+x+190%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-mew6Dmtb-_g/TphtTfpNe2I/AAAAAAAAAiI/OJqFHjoDmNs/s1600/gestion+%2528130+x+190%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Moore, Mark Harrison. Gestión estratégica y creación de valor en el sector público / Mark H.&amp;nbsp;&amp;nbsp;Moore;&amp;nbsp;&amp;nbsp;[traducción de Xavier Castanyer Folch]. Barcelona: Paidós, 1998.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: JF1525.E8 M6618 1998&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-0OE5OK-7LY8/TphtZMsL8YI/AAAAAAAAAiQ/VvQ_Eq4TiOk/s1600/cuando+los+grados+%2528130+x+175%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-0OE5OK-7LY8/TphtZMsL8YI/AAAAAAAAAiQ/VvQ_Eq4TiOk/s1600/cuando+los+grados+%2528130+x+175%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Padawer, Ana. Cuando los grados hablan de desigualdad: una etnografía sobre iniciativas docentes contemporáneas y sus antecedentes históricos / Ana Padawer. Buenos Aires: Teseo, c2008.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: LC191.8.A7 P34 2008&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-iSkH39U-KEE/TphteW1-FVI/AAAAAAAAAiY/GO8q4ny1Nns/s1600/tratado+%2528130+x+186%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-iSkH39U-KEE/TphteW1-FVI/AAAAAAAAAiY/GO8q4ny1Nns/s1600/tratado+%2528130+x+186%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Pelacchi, Adrián Juan. Tratado sobre la seguridad pública / Adrián Juan Pelacchi. Buenos Aires: Editorial Policial, c2000.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HV7921 .P45 2000&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Y-NPHxAi3i0/TphtoVrYR7I/AAAAAAAAAig/e71YXmoiL8A/s1600/resisting+genocide+%2528130+x+214%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-Y-NPHxAi3i0/TphtoVrYR7I/AAAAAAAAAig/e71YXmoiL8A/s1600/resisting+genocide+%2528130+x+214%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Resisting genocide: the multiple forms of rescue / editors,&amp;nbsp;&amp;nbsp;Claire Andrieu, Sarah Gensburger, Jacques Semelin;&amp;nbsp;&amp;nbsp;translated by Emma Bentley and Cynthia Schoch. New York: Columbia University Press, c2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HV6322.7 .R4713 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-AvPZb0CTZQM/Tphty0f93sI/AAAAAAAAAio/DO4UqmeJvME/s1600/rol+del+supervisor+%2528130+x+188%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-AvPZb0CTZQM/Tphty0f93sI/AAAAAAAAAio/DO4UqmeJvME/s1600/rol+del+supervisor+%2528130+x+188%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El rol del supervisor en la mejora escolar / Silvina Gvirtz y María Eugenia de Podestá,&amp;nbsp;&amp;nbsp;compiladoras;&amp;nbsp;&amp;nbsp;María Victoria Abregú... [et al. ]. Buenos Aires: Aique, [2009].&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: LB2809.A7 R65 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Qi7nluIa790/Tpht4rdQApI/AAAAAAAAAiw/Im4FMKBD6_U/s1600/analysing+%2528130+x+205%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-Qi7nluIa790/Tpht4rdQApI/AAAAAAAAAiw/Im4FMKBD6_U/s1600/analysing+%2528130+x+205%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Shepsle, Kenneth A.&amp;nbsp;&amp;nbsp;Analyzing politics: rationality, behavior, and institutions / Kenneth A.&amp;nbsp;&amp;nbsp;Shepsle. New York: W. W.&amp;nbsp;&amp;nbsp;Norton, c2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: JA71 .S435 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/--xqk6akFjPU/TphuADtis8I/AAAAAAAAAi4/HDPx18ZVbiI/s1600/universidad+arg+%2528130+x+189%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/--xqk6akFjPU/TphuADtis8I/AAAAAAAAAi4/HDPx18ZVbiI/s1600/universidad+arg+%2528130+x+189%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;La universidad argentina en discusión: sistemas de ingreso,&amp;nbsp;&amp;nbsp;financiamiento,&amp;nbsp;&amp;nbsp;evaluación de la calidad y relación universidad-estado / Silvina Gvirtz y Antonio Camou, coordinadores ;&amp;nbsp;&amp;nbsp;con la colaboración de Diego Santori;&amp;nbsp;&amp;nbsp;[autores,&amp;nbsp;&amp;nbsp;Ana María García de Fanelli … et al.] &amp;nbsp; &amp;nbsp;Buenos Aires: Granica, c2009.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: LA548 .U55 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-6Y0FBMCAHW0/TphuI3n5-MI/AAAAAAAAAjA/6Fu-Yrd8S5c/s1600/marxismo+%2528120+x+182%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-6Y0FBMCAHW0/TphuI3n5-MI/AAAAAAAAAjA/6Fu-Yrd8S5c/s1600/marxismo+%2528120+x+182%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Williams, Raymond. Marxismo y literatura / Raymond Williams;&amp;nbsp;&amp;nbsp;[traductor,&amp;nbsp;&amp;nbsp;Guillermo David].&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires: Las Cuarenta, 2009.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HX531 .W4718 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-1247199180368055954?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/JGbkBoNN2u0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/1247199180368055954/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/10/novedades-bibliograficas-de-la_17.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1247199180368055954?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/1247199180368055954?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/JGbkBoNN2u0/novedades-bibliograficas-de-la_17.html" title="Novedades Bibliográficas de la Biblioteca    Ciencias Sociales" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-GgcusS8qpJc/TphrKobR2eI/AAAAAAAAAgI/e3ks9qFQyiI/s72-c/anuario+esta+%2528130+x+182%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/10/novedades-bibliograficas-de-la_17.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DU8CR3c7fCp7ImA9WhdUFkg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-2013615145876869897</id><published>2011-10-03T09:04:00.001-07:00</published><updated>2011-10-03T09:04:26.904-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-03T09:04:26.904-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Films" /><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Dvds" /><title>Novedades de la Biblioteca - DVDs</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-hDgcs_2I7Fo/TonUQ1p5MHI/AAAAAAAAAc4/23LPAjZh4s0/s1600/al+compas+%2528130+x+192%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-hDgcs_2I7Fo/TonUQ1p5MHI/AAAAAAAAAc4/23LPAjZh4s0/s1600/al+compas+%2528130+x+192%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Al compás del amor [videograbación] =Shall we dance / a RKO Radio Pictures,&amp;nbsp; Inc.&amp;nbsp; presents;&amp;nbsp; directed by Mark Sandrich. [Buenos Aires]: Epoca Video Ediciones: Emerald: ECE [distribuidor, 2006].&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .A54 2006&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-AKLwT93GXfw/TonUWvMWI-I/AAAAAAAAAc8/k0XUVFJiYXQ/s1600/BELL+DE+JOUR+-frente+dvd_rs+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-AKLwT93GXfw/TonUWvMWI-I/AAAAAAAAAc8/k0XUVFJiYXQ/s1600/BELL+DE+JOUR+-frente+dvd_rs+%2528130+x+185%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Belle de jour [videograbación] / Martin Scorsese presents;&amp;nbsp;un film de Luis Buñuel.&amp;nbsp;Buenos Aires: Plus Video: Difusión [distribuidor]; [Francia]: StudioCanal, c2008.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .B45 2008&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-A3iBybNSv3I/TonUb7k3HRI/AAAAAAAAAdA/YWMVqBQJRjU/s1600/carancho-cartel+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-A3iBybNSv3I/TonUb7k3HRI/AAAAAAAAAdA/YWMVqBQJRjU/s1600/carancho-cartel+%2528130+x+185%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Carancho [videograbación] /dirección,&amp;nbsp;&amp;nbsp;Pablo Trapero. Argentina:&amp;nbsp;Walt Disney Company Argentina [distribuidor], [2011?].&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .C374 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-cfMWjQ40NfI/TonUhljQZCI/AAAAAAAAAdE/WrkuE18kdQ0/s1600/Dos+Mujeres+%2528130+x+187%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-cfMWjQ40NfI/TonUhljQZCI/AAAAAAAAAdE/WrkuE18kdQ0/s1600/Dos+Mujeres+%2528130+x+187%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Dos mujeres [videograbación] / un film de Vittorio De Sica&amp;nbsp;[Buenos Aires]: Emerald: ECE [distribuidor, 2008].&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .D68 2008&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-cZ6ePElJ8RQ/TonUnI-qWTI/AAAAAAAAAdI/32yOfRqZ1LA/s1600/Hace+mucho+que+te+quiero+DVD+%2528130+x+179%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-cZ6ePElJ8RQ/TonUnI-qWTI/AAAAAAAAAdI/32yOfRqZ1LA/s1600/Hace+mucho+que+te+quiero+DVD+%2528130+x+179%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hace mucho que te quiero [videograbación] =Il y a longtemps que je t'aime /écrit et réalisé par Philippe Claudel.&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires: Transeuropa Video Entertainment : Gijef [distribuidor], c2009.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .H33 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-N6DxnEJ-wMw/TonUuBqeOPI/AAAAAAAAAdM/O5zWnrAwbPA/s1600/che-hasta-la-victoria-siemp+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-N6DxnEJ-wMw/TonUuBqeOPI/AAAAAAAAAdM/O5zWnrAwbPA/s1600/che-hasta-la-victoria-siemp+%2528130+x+185%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hasta la victoria siempre [videograbación]/un film de Juan Carlos Desanzo;&amp;nbsp;&amp;nbsp;una producción argentina con Lola Films;&amp;nbsp;&amp;nbsp;director,&amp;nbsp;&amp;nbsp;Juan Carlos Desanzo.&amp;nbsp;Buenos Aires: SBP, 2008.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .H37 2008&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-X4aJHMmqnJs/TonU106TeRI/AAAAAAAAAdQ/RHfJ80jCpNU/s1600/into+the+wild+%2528130+x+192%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-X4aJHMmqnJs/TonU106TeRI/AAAAAAAAAdQ/RHfJ80jCpNU/s1600/into+the+wild+%2528130+x+192%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Into the wild [videograbación]/ screenplay and directed by Sean Penn.&amp;nbsp;&amp;nbsp;Hollywood,&amp;nbsp;&amp;nbsp;Calif.: Paramount Home Entertainment, c2008.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .I57 2008&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Qxin1AaYqtU/TonVBqvFogI/AAAAAAAAAdU/59ttQnAs0fg/s1600/el+jardin+de+los+%2528130+x+181%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-Qxin1AaYqtU/TonVBqvFogI/AAAAAAAAAdU/59ttQnAs0fg/s1600/el+jardin+de+los+%2528130+x+181%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El jardín de los Finzi Contini [videograbación] =Il giardino dei Finzi Contini /diretto da Vittorio De Sica.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires: El Ciudadano, [2010?].&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .J37 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-C0AL2nFvnzo/TonVJFX45GI/AAAAAAAAAdY/Uu_u6VSwHYQ/s1600/The-Love-Of-Three-Oranges+%2528130+x+190%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-C0AL2nFvnzo/TonVJFX45GI/AAAAAAAAAdY/Uu_u6VSwHYQ/s1600/The-Love-Of-Three-Oranges+%2528130+x+190%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The love of three oranges [videograbación] /music by Serge Prokofiev ;&amp;nbsp;&amp;nbsp;Glyndebourne Festival Opera.&amp;nbsp;&amp;nbsp;&amp;nbsp;[United States] : NVC Arts: Warner Music Vision, c2009.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: M1500.P96 L68 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-znPCYq5qLa8/TonVOS_BFaI/AAAAAAAAAdc/ZfoxGVyqxzI/s1600/manon+%2528130+x+196%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-znPCYq5qLa8/TonVOS_BFaI/AAAAAAAAAdc/ZfoxGVyqxzI/s1600/manon+%2528130+x+196%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Manon del manantial [videograbación]/&amp;nbsp;un film produit et âréaliâsé par Claude Berri.&amp;nbsp;&amp;nbsp;[Buenos Aires]: Emerald: ECE [distribuidor, 2009].&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .M36 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-VfJpzEvFm2E/TonVVPSyhII/AAAAAAAAAdg/COAXWfwH6MA/s1600/mercader+de+v+%2528130+x+188%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-VfJpzEvFm2E/TonVVPSyhII/AAAAAAAAAdg/COAXWfwH6MA/s1600/mercader+de+v+%2528130+x+188%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El mercader de Venecia [videograbación] =The merchant of Venice /director,&amp;nbsp;&amp;nbsp;Michael Radford.&amp;nbsp;Buenos Aires: Transeuropa : Gijef [distribuidor], c2006.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .M463 2006&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Y4pNNQEvGvI/TonVbAjB4qI/AAAAAAAAAdk/cY5uRQ8J4h0/s1600/origen+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-Y4pNNQEvGvI/TonVbAjB4qI/AAAAAAAAAdk/cY5uRQ8J4h0/s1600/origen+%2528130+x+185%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El origen [videograbación] =Inception /written and directed by Christopher Nolan.&amp;nbsp;&amp;nbsp;[San Luis,&amp;nbsp;&amp;nbsp;Argentina]: AVH; [Burbank,&amp;nbsp;&amp;nbsp;CA] : Warner Home Video, c2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .O75 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-fiKjbvbeTvo/TonV2iYGSDI/AAAAAAAAAdo/tC3Nb-fn0Cs/s1600/satyagraha+%2528130+x+184%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-fiKjbvbeTvo/TonV2iYGSDI/AAAAAAAAAdo/tC3Nb-fn0Cs/s1600/satyagraha+%2528130+x+184%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Satyagraha [videograbación] / a ZDF-RM Arts production in association with Channel Four Television,&amp;nbsp;&amp;nbsp;U. K.;&amp;nbsp;&amp;nbsp;RM Associates.&amp;nbsp;&amp;nbsp;Chatsworth,&amp;nbsp;&amp;nbsp;CA: Image Entertainment, [c2001].&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Ubicación: M1500.G398 S38 2001&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-1vvaQcU5Wc4/TonV9Hfu5OI/AAAAAAAAAds/KGuJwtlNk_c/s1600/Truman_show-front+%2528130+x+182%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-1vvaQcU5Wc4/TonV9Hfu5OI/AAAAAAAAAds/KGuJwtlNk_c/s1600/Truman_show-front+%2528130+x+182%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Truman show [videograbación] / written by Andrew Niccol;&amp;nbsp;&amp;nbsp;directed by Peter Weir.&amp;nbsp;&amp;nbsp;&amp;nbsp;San Luis,&amp;nbsp;&amp;nbsp;Argentina: AVH, c2004.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .T78 2004&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-LYQUpEdA60A/TonWE5grtYI/AAAAAAAAAdw/HvtaCa6yV48/s1600/vertigo+%2528130+x+187%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-LYQUpEdA60A/TonWE5grtYI/AAAAAAAAAdw/HvtaCa6yV48/s1600/vertigo+%2528130+x+187%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Vértigo [videograbación] /directed by Alfred Hitchcock.&amp;nbsp;&amp;nbsp;San Luis,&amp;nbsp;&amp;nbsp;Argentina: AVH; [Universal City,&amp;nbsp;&amp;nbsp;CA]: Universal Pictures [distribuidor], c2006.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .V48 2006&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-jSqgaaU11FU/TonWKslxNrI/AAAAAAAAAd0/lV-aF5zynyg/s1600/wall+street+%2528130+x+187%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-jSqgaaU11FU/TonWKslxNrI/AAAAAAAAAd0/lV-aF5zynyg/s1600/wall+street+%2528130+x+187%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Wall Street [videograbación] /directed by Oliver Stone.&amp;nbsp;Argentina: Twentieth Century Fox Home Entertainment: Walt Disney Company Argentina [distribuidor], c2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;span style="line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .W35 2010&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-2013615145876869897?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/K7G3O30U_S4" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/2013615145876869897/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/10/novedades-de-la-biblioteca-dvds.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/2013615145876869897?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/2013615145876869897?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/K7G3O30U_S4/novedades-de-la-biblioteca-dvds.html" title="Novedades de la Biblioteca - DVDs" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-hDgcs_2I7Fo/TonUQ1p5MHI/AAAAAAAAAc4/23LPAjZh4s0/s72-c/al+compas+%2528130+x+192%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/10/novedades-de-la-biblioteca-dvds.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DU8ARX4ycSp7ImA9WhdUFkg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-8544343291275457142</id><published>2011-10-03T09:04:00.000-07:00</published><updated>2011-10-03T09:04:04.099-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-03T09:04:04.099-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Humanidades" /><title>Novedades Bibliográficas de la Biblioteca    Humanidades</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-6y8pkga1fyo/TonP-CLj0kI/AAAAAAAAAbc/Y-7ooeASF-s/s1600/arte+espa%25C3%25B1ol+%2528130+x+150%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-6y8pkga1fyo/TonP-CLj0kI/AAAAAAAAAbc/Y-7ooeASF-s/s1600/arte+espa%25C3%25B1ol+%2528130+x+150%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El arte español en la Argentina,&amp;nbsp;&amp;nbsp;1890-1960 / Patricia M.&amp;nbsp;&amp;nbsp;Artundo,&amp;nbsp;&amp;nbsp;organizadora;&amp;nbsp;&amp;nbsp;con texto de Roberto Amigo.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires,&amp;nbsp;&amp;nbsp;Argentina: Fundación Espigas, c2006.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: N7107 .A78 2006&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-YMZY2Kcvox4/TonQE3fN2zI/AAAAAAAAAbg/ZvNgVYJQP6A/s1600/teorias+del+arte+%2528130+x+196%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-YMZY2Kcvox4/TonQE3fN2zI/AAAAAAAAAbg/ZvNgVYJQP6A/s1600/teorias+del+arte+%2528130+x+196%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Barasch, Moshe.&amp;nbsp;&amp;nbsp;&amp;nbsp;Teorías del arte. De Platón a Winckelmann / Moshe Barasch ;&amp;nbsp;&amp;nbsp;versión española de Fabiola Salcedo Garcés.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Madrid: Alianza, c2006.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: N70 .B2218 2006&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-H3Z-I96c_PM/TonQN-X7AMI/AAAAAAAAAbk/Sl5XvtHYPBQ/s1600/sivienta+y+luchador001+%2528130+x+193%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-H3Z-I96c_PM/TonQN-X7AMI/AAAAAAAAAbk/Sl5XvtHYPBQ/s1600/sivienta+y+luchador001+%2528130+x+193%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Castellanos Moya, Horacio, 1957-&amp;nbsp;&amp;nbsp;&amp;nbsp;La sirvienta y el luchador / Horacio Castellanos Moya.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires: Tusquets, 2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PQ7539.2.C34 S57 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-twUfvrbVFbU/TonQT1OZx-I/AAAAAAAAAbo/cRhXbUekD_U/s1600/madonna+del+futuro+%2528130+x+195%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-twUfvrbVFbU/TonQT1OZx-I/AAAAAAAAAbo/cRhXbUekD_U/s1600/madonna+del+futuro+%2528130+x+195%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Danto, Arthur Coleman, 1924-&amp;nbsp;&amp;nbsp;&amp;nbsp;La Madonna del futuro: ensayos en un mundo del arte plural / Arthur C.&amp;nbsp;&amp;nbsp;Danto;&amp;nbsp;&amp;nbsp;[traducción de Gerard Vilar].&amp;nbsp;&amp;nbsp;Barcelona: Paidós, c2003.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: N6490 .D3618 2003&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-vUWzvHv2BnI/TonQZ8UyKXI/AAAAAAAAAbs/CsazRrJ5Vg4/s1600/mas+alla+%2528130+x+183%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-vUWzvHv2BnI/TonQZ8UyKXI/AAAAAAAAAbs/CsazRrJ5Vg4/s1600/mas+alla+%2528130+x+183%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Danto, Arthur Coleman, 1924-&amp;nbsp;&amp;nbsp;Más allá de la caja brillo: las artes visuales desde la perspectiva posthistórica/Arthur C. Danto; traducción Alfredo Brotons Muñoz. Madrid: Akal, 2003.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: BH39 .D3518 2003&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-SajaBV3roq0/TonQf0PxaKI/AAAAAAAAAbw/tXyrpAgLOFQ/s1600/arte+e+ilusion+%2528130+x+201%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-SajaBV3roq0/TonQf0PxaKI/AAAAAAAAAbw/tXyrpAgLOFQ/s1600/arte+e+ilusion+%2528130+x+201%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gombrich, E. H. (Ernst Hans), 1909-2001.&amp;nbsp;&amp;nbsp;&amp;nbsp;Arte e ilusión: estudio sobre la psicología de la representación pictórica / E. H.&amp;nbsp;&amp;nbsp;Gombrich;&amp;nbsp;&amp;nbsp;[traducción de Gabriel Ferrater].&amp;nbsp;&amp;nbsp;London; New York: Phaidon, 2002.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: N71 .G6318 2002&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-iFydvynTwC8/TonQmWRx-GI/AAAAAAAAAb0/eXgAR1v9vN4/s1600/penosa+%2528130+x+177%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-iFydvynTwC8/TonQmWRx-GI/AAAAAAAAAb0/eXgAR1v9vN4/s1600/penosa+%2528130+x+177%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Gómez de la Serna, Ramón, 1888-1963.&amp;nbsp;&amp;nbsp;&amp;nbsp;La penosa manía de escribir: Ramón Gómez de la Serna en la revista Saber vivir,&amp;nbsp;&amp;nbsp;1940-1956 / Martín Greco,&amp;nbsp;&amp;nbsp;introducción,&amp;nbsp;&amp;nbsp;investigación,&amp;nbsp;&amp;nbsp;selección y organización;&amp;nbsp;&amp;nbsp;con un texto de Jerónimo Ledesma;&amp;nbsp;&amp;nbsp;edición al cuidado de Patricia M. Artundo.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires: Fundación Espigas, 2009.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PQ6613.O4 A6 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-M_UVcD45p2E/TonQucvoJnI/AAAAAAAAAb4/6hSBV2TDD1c/s1600/discurso+vacio+%2528130+x+220%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-M_UVcD45p2E/TonQucvoJnI/AAAAAAAAAb4/6hSBV2TDD1c/s1600/discurso+vacio+%2528130+x+220%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Levrero, Mario.&amp;nbsp;&amp;nbsp;El discurso vacío / Mario Levrero. Buenos Aires: Mondadori, 2011.&lt;br /&gt;
Ubicación:&amp;nbsp;&lt;b&gt;PQ8520.22.E9 D5 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-GHYkj0fcFCk/TonQ0lrlFGI/AAAAAAAAAb8/RkJqij-BDNg/s1600/asi+como+tiemblan+%2528130+x+200%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-GHYkj0fcFCk/TonQ0lrlFGI/AAAAAAAAAb8/RkJqij-BDNg/s1600/asi+como+tiemblan+%2528130+x+200%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Mactas, Mario. Así como tiemblan las piernas de mi amada/ Mario Mactas.&amp;nbsp;Buenos Aires: Sudamericana, 2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Ubicación: PQ7798.23.A315 A8 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-zNWifwoDHqU/TonQ7EgnBwI/AAAAAAAAAcA/YvErxqYC8AE/s1600/China-baja+%2528130+x+204%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-zNWifwoDHqU/TonQ7EgnBwI/AAAAAAAAAcA/YvErxqYC8AE/s1600/China-baja+%2528130+x+204%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Malena, Jorge E. (Jorge Eduardo) China: la construcción de un "país grande"/Jorge E. Malena. Buenos Aires: Céfiro, c2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: DS779.4 .M35 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-6q9f6KkOJlA/TonRBBRdMkI/AAAAAAAAAcE/ioUdGQTmZlw/s1600/conversaciones+%2528130+x+199%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-6q9f6KkOJlA/TonRBBRdMkI/AAAAAAAAAcE/ioUdGQTmZlw/s1600/conversaciones+%2528130+x+199%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Manguel, Alberto.&amp;nbsp;&amp;nbsp;Conversaciones con un amigo / Alberto Manguel;&amp;nbsp;&amp;nbsp;[entrevista e introducción de Claude Rouquet;&amp;nbsp;&amp;nbsp;traducción de Pedro B.&amp;nbsp;&amp;nbsp;Rey,&amp;nbsp;&amp;nbsp;revisada por el autor].&amp;nbsp;&amp;nbsp;Buenos Aires: La Compañía de los Libros, c2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PQ7798.23.A513 Z418 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Yqwspmq9DPc/TonRHJvxKcI/AAAAAAAAAcI/RDYvgkqVsCk/s1600/marginados+%2528130+x+191%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-Yqwspmq9DPc/TonRHJvxKcI/AAAAAAAAAcI/RDYvgkqVsCk/s1600/marginados+%2528130+x+191%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Marginados y consagrados: nuevos estudios sobre la vida judía en la Argentina / Emmanuel Kahan... [et al. ], compiladores. Buenos Aires: Lumiere ; [Tel Aviv]: Universidad de Tel Aviv,&amp;nbsp;&amp;nbsp;Cátedra Sourasky de Estudios Iberoamericanos, c2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: F3021.J5 M37 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-rX8xdMT1nFY/TonROgDXyKI/AAAAAAAAAcM/ujLnvHY1Sow/s1600/vueltas+al+tiempo+%2528130+x+195%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-rX8xdMT1nFY/TonROgDXyKI/AAAAAAAAAcM/ujLnvHY1Sow/s1600/vueltas+al+tiempo+%2528130+x+195%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="font-family: 'Times New Roman'; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Miller, Arthur, 1915-2005. Vueltas al tiempo: [autobiografía] / Arthur Miller;&amp;nbsp;&amp;nbsp;traducción de Antonio-Prometeo Moya.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires: Tusquets, 2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-family: 'Times New Roman'; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PS3525.I5156 Z4718 2011&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-I3Cfb1l_Ecc/TonRVrGpfNI/AAAAAAAAAcQ/GmxOZNTqOKU/s1600/biblioteca+de+los+libros+perdidos+%2528130+x+203%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-I3Cfb1l_Ecc/TonRVrGpfNI/AAAAAAAAAcQ/GmxOZNTqOKU/s1600/biblioteca+de+los+libros+perdidos+%2528130+x+203%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Pechmann, Alexander, 1968-&amp;nbsp;&amp;nbsp;&amp;nbsp;La biblioteca de los libros perdidos / Alexander Pechmann;&amp;nbsp;&amp;nbsp;traducción de Juan José del Solar. Barcelona; Buenos Aires: Edhasa, 2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: Z1024 .P4318 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-oUrKuC61NIM/TonRdN4lYhI/AAAAAAAAAcU/Do5fvJJOMmw/s1600/caso+mao+%2528130+x+195%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-oUrKuC61NIM/TonRdN4lYhI/AAAAAAAAAcU/Do5fvJJOMmw/s1600/caso+mao+%2528130+x+195%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Qiu, Xiaolong, 1953-&amp;nbsp;&amp;nbsp;&amp;nbsp;El caso Mao / Qiu Xiaolong;&amp;nbsp;&amp;nbsp;traducción de Victoria Ordóñez Diví.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires: Tusquets, 2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PS3553.H537 M3618 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-7lm1WIDGQDs/TonRjyRI13I/AAAAAAAAAcY/_b7AGyKmuig/s1600/quince+miradas+%2528130+x+184%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-7lm1WIDGQDs/TonRjyRI13I/AAAAAAAAAcY/_b7AGyKmuig/s1600/quince+miradas+%2528130+x+184%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Quince miradas sobre los museos/Cristóbal Belda Navarro y Ma. Teresa Marín Torres,&amp;nbsp;&amp;nbsp;editores;&amp;nbsp;&amp;nbsp;Patrick Boylan...&amp;nbsp;&amp;nbsp;[et al. ]. [Murcia]: Universidad de Murcia, 2002.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: AM2 .Q56 2002&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-gZ38Q_9sxTw/TonRsROJBrI/AAAAAAAAAcc/0NFT1y6MS5c/s1600/romero+%2528130+x+196%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-gZ38Q_9sxTw/TonRsROJBrI/AAAAAAAAAcc/0NFT1y6MS5c/s1600/romero+%2528130+x+196%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Romero, Juan Carlos, 1931-&amp;nbsp;&amp;nbsp;&amp;nbsp;Romero / Juan Carlos Romero,&amp;nbsp;&amp;nbsp;Fernando Davis,&amp;nbsp;&amp;nbsp;Ana Longoni.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Buenos Aires: Fundación Espigas, [2010].&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: N6639.R664 A4 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/--V6XK_98H2E/TonRx0sWCYI/AAAAAAAAAcg/fAqXVn8_A_E/s1600/bellas+artes+%2528130+x+206%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/--V6XK_98H2E/TonRx0sWCYI/AAAAAAAAAcg/fAqXVn8_A_E/s1600/bellas+artes+%2528130+x+206%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif; font-size: small;"&gt;Sagasti, Luis, 1963-&amp;nbsp;&amp;nbsp;&amp;nbsp;Bellas artes / Luis Sagasti. Buenos Aires: Eterna Cadencia, 2011.&lt;br /&gt;
&lt;b&gt;Ubicación: PQ7798.429.A337 B45 2011&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-yJE6ebIl_uU/TonR3tn9r_I/AAAAAAAAAck/AWXKonRGyq0/s1600/lector-Berhard-Schlink+%2528130+x+204%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-yJE6ebIl_uU/TonR3tn9r_I/AAAAAAAAAck/AWXKonRGyq0/s1600/lector-Berhard-Schlink+%2528130+x+204%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Schlink, Bernhard.&amp;nbsp;&amp;nbsp;&amp;nbsp;El lector / Bernhard Schlink;&amp;nbsp;&amp;nbsp;traducción de Joan Parra Contreras.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Barcelona: Anagrama, 2009,&amp;nbsp;&amp;nbsp;c1997.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PT2680.L54 V6718 2009&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-B9o1Ddu0BeI/TonR9uGkn3I/AAAAAAAAAco/F6iuElo7FlI/s1600/escritura+o+la+vida+%2528130+x+210%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-B9o1Ddu0BeI/TonR9uGkn3I/AAAAAAAAAco/F6iuElo7FlI/s1600/escritura+o+la+vida+%2528130+x+210%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Semprún, Jorge. La escritura o la vida/Jorge Semprún; traducción de Thomas Kauf.&amp;nbsp;&amp;nbsp;Buenos Aires: Tusquets, 2004, c1995.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: D805.G3 S4618 2004&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-_7pdTJa_sFs/TonSEQ4XnCI/AAAAAAAAAcs/H6L1ozNN8Pk/s1600/invencion+%2528130+x+183%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-_7pdTJa_sFs/TonSEQ4XnCI/AAAAAAAAAcs/H6L1ozNN8Pk/s1600/invencion+%2528130+x+183%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Shiner, L. E. (Larry E.), 1934-&amp;nbsp;&amp;nbsp;&amp;nbsp;La invención del arte: una historia cultural / Larry Shiner ;&amp;nbsp;&amp;nbsp;[traducción de Eduardo Hydey y Elisenda Julibert].&amp;nbsp;&amp;nbsp;&amp;nbsp;Barcelona: Paidós, c2004.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: NX440 .S518 2004&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-N22Mn4Ak39Y/TonSKzbbF7I/AAAAAAAAAcw/eIy9pcGF7Fo/s1600/cuestion+%2528130+x+198%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-N22Mn4Ak39Y/TonSKzbbF7I/AAAAAAAAAcw/eIy9pcGF7Fo/s1600/cuestion+%2528130+x+198%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Sontag, Susan, 1933-2004.&amp;nbsp;&amp;nbsp;&amp;nbsp;Cuestión de énfasis /Susan Sontag;&amp;nbsp;&amp;nbsp;traducción de Aureliano Major.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Barcelona: Debolsillo, 2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PS3569.O6547 W4818 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-eC-VfIWMm5g/TonSUFvsrrI/AAAAAAAAAc0/K64vZl5ifU8/s1600/sexo-y-poder-en-roma+%2528130+x+196%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-eC-VfIWMm5g/TonSUFvsrrI/AAAAAAAAAc0/K64vZl5ifU8/s1600/sexo-y-poder-en-roma+%2528130+x+196%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Veyne, Paul, 1930-&amp;nbsp;&amp;nbsp;&amp;nbsp;Sexo y poder en Roma/Paul Veyne; prólogo de Lucien Jerphagnon; [traducción de María José Furió]. Barcelona: Paidós, 2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif; font-size: 11pt; line-height: 17px;"&gt;Ubicación: DG78 .V518 2010&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-8544343291275457142?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/3oHKKmWViTw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/8544343291275457142/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/10/novedades-bibliograficas-de-la_03.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/8544343291275457142?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/8544343291275457142?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/3oHKKmWViTw/novedades-bibliograficas-de-la_03.html" title="Novedades Bibliográficas de la Biblioteca    Humanidades" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-6y8pkga1fyo/TonP-CLj0kI/AAAAAAAAAbc/Y-7ooeASF-s/s72-c/arte+espa%25C3%25B1ol+%2528130+x+150%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/10/novedades-bibliograficas-de-la_03.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DU8FRXs9eCp7ImA9WhdUFkg.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-4791261201264412465</id><published>2011-10-03T09:03:00.000-07:00</published><updated>2011-10-03T09:03:34.560-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-10-03T09:03:34.560-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Ciencias Sociales" /><title>Novedades Bibliográficas de la Biblioteca    Ciencias Sociales</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-jR7bIsOS5HA/TonMzJ3y9YI/AAAAAAAAAaw/OOwgrdFEpgU/s1600/Siete-ministros+%2528130+x+197%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-jR7bIsOS5HA/TonMzJ3y9YI/AAAAAAAAAaw/OOwgrdFEpgU/s1600/Siete-ministros+%2528130+x+197%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Burgo, Ezequiel, 1972-&amp;nbsp;&amp;nbsp;7 ministros: la economía argentina: historias debajo de la alfombra / Ezequiel Burgo. Buenos Aires: Planeta, 2011.&amp;nbsp;&lt;br /&gt;
&lt;b&gt;Ubicación: HC175 .B87 2011&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-YglhaXxKLjI/TonM9Iqj1GI/AAAAAAAAAa0/QuH9Mvr--xI/s1600/declining+%2528130+x+205%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-YglhaXxKLjI/TonM9Iqj1GI/AAAAAAAAAa0/QuH9Mvr--xI/s1600/declining+%2528130+x+205%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Declining inequality in Latin America: a decade of progress?/Luis F.&amp;nbsp;&amp;nbsp;Lopez-Calva and Nora Lustig, editors. Washington, D.C.: Brookings Institution Press, c2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HC130.I5 D43 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Fa0ezrywdoM/TonNGPGTaKI/AAAAAAAAAa4/4rAIw1TG3dQ/s1600/derecho+de+amparo+%2528130+x+188%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-Fa0ezrywdoM/TonNGPGTaKI/AAAAAAAAAa4/4rAIw1TG3dQ/s1600/derecho+de+amparo+%2528130+x+188%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El derecho de amparo en el mundo / Héctor Fix-Zamudio,&amp;nbsp;&amp;nbsp;Eduardo Ferrer Mac-Gregor,&amp;nbsp;&amp;nbsp;coordinadores.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;México,&amp;nbsp;&amp;nbsp;D. F.&amp;nbsp;&amp;nbsp;: Porrúa, 2006.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: K5453 .D47 2006&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-B8CrSva-8rU/TonNZq3JG1I/AAAAAAAAAa8/IVQTVln6B24/s1600/RemuneracionesInteligentes1+%2528130+x+178%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-B8CrSva-8rU/TonNZq3JG1I/AAAAAAAAAa8/IVQTVln6B24/s1600/RemuneracionesInteligentes1+%2528130+x+178%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hidalgo, Bernardo. Remuneraciones inteligentes: una mirada sencilla para atraer,&amp;nbsp;&amp;nbsp;retener y motivar al talento/Bernardo Hidalgo;&amp;nbsp;&amp;nbsp;Agustín Hidalgo (colaborador).&amp;nbsp;&amp;nbsp;Buenos Aires: Granica, c2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HF5549.5.C67 H54 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/--20YESpKKAA/TonNiXoWsQI/AAAAAAAAAbA/j_wNlxAIzGs/s1600/historia+%2528130+x+218%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/--20YESpKKAA/TonNiXoWsQI/AAAAAAAAAbA/j_wNlxAIzGs/s1600/historia+%2528130+x+218%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Historia de los jóvenes/Renata Ago... [et al. ]; bajo la dirección de Giovanni Levi y Jean-Claude Schmitt; [traducción de,&amp;nbsp;&amp;nbsp;María Barberán, Mari Pepa Palomero,&amp;nbsp;&amp;nbsp;Cristina García Olrich]. Madrid: Taurus, 1996.&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HQ792.E8 S718 1996&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-xdcbcQY_F8I/TonNpyXtlUI/AAAAAAAAAbE/xdPQdMwtqig/s1600/amor+%2528130+x+183%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-xdcbcQY_F8I/TonNpyXtlUI/AAAAAAAAAbE/xdPQdMwtqig/s1600/amor+%2528130+x+183%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Hitchens, Christopher. Amor, pobreza y guerra/Christopher Hitchens;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;traducción de Daniel Gascón. Buenos Aires: Debate, 2010.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: JA75.7 .H5818 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-yxc1O61BJfo/TonN6f5TXzI/AAAAAAAAAbI/w6jjR3uoVQs/s1600/manual+de+investigacion+%2528130+x+177%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-yxc1O61BJfo/TonN6f5TXzI/AAAAAAAAAbI/w6jjR3uoVQs/s1600/manual+de+investigacion+%2528130+x+177%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Manual de investigación cualitativa/Norman K.&amp;nbsp;&amp;nbsp;Denzin, Yvonna S. Lincoln, compiladores;&amp;nbsp;&amp;nbsp;[traducción,&amp;nbsp;&amp;nbsp;Cecilia Pavón]. Barcelona: Gedisa, 2011-.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: H62 .H245518 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-qFs3bNFvdSM/TonN_5pBQ7I/AAAAAAAAAbM/vrX7oN-HltE/s1600/politica+exterior+%2528130+x+186%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-qFs3bNFvdSM/TonN_5pBQ7I/AAAAAAAAAbM/vrX7oN-HltE/s1600/politica+exterior+%2528130+x+186%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;La política exterior de Cristina Fernández: apreciaciones promediando su mandato / Alfredo Bruno Bologna, director; [edición preparada por el Centro de Estudios en Relaciones Internacionales de Rosario-C. E. R. I. R.]. [Rosario, Argentina]: UNR Editora, c2010.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: F2849.3 .P65 2010&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-H-KJ44AmCb8/TonOIMIYtuI/AAAAAAAAAbQ/_Mgib0JG3J0/s1600/redes+sociales+%2528130+x+173%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-H-KJ44AmCb8/TonOIMIYtuI/AAAAAAAAAbQ/_Mgib0JG3J0/s1600/redes+sociales+%2528130+x+173%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Redes sociales como soporte a la gestión del conocimiento/Martín Santana. . .&amp;nbsp;&amp;nbsp;[et al. ].&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Lima,&amp;nbsp;&amp;nbsp;Perú: ESAN, 2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HD30.2 .R44 2011&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-dlOno7gcfb8/TonOOEqEpEI/AAAAAAAAAbU/00ROnR-uWhY/s1600/discurso+sobre+el+origen+%2528130+x+193%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-dlOno7gcfb8/TonOOEqEpEI/AAAAAAAAAbU/00ROnR-uWhY/s1600/discurso+sobre+el+origen+%2528130+x+193%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Rousseau, Jean-Jacques, 1712-1778. Discurso sobre el origen y los fundamentos de la desigualdad entre los hombres/Jean-Jacques Rousseau;&amp;nbsp;&amp;nbsp;traducción y estudio preliminar de Vera Waksman. Buenos Aires: Prometeo, c2008.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: JC179 .R8718 2008&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-kEK_7WiOBdY/TonOV5Jg_qI/AAAAAAAAAbY/XiKXNkZBv8Y/s1600/casos+de+administracion+%2528130+x+183%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-kEK_7WiOBdY/TonOV5Jg_qI/AAAAAAAAAbY/XiKXNkZBv8Y/s1600/casos+de+administracion+%2528130+x+183%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Valdés Palacio, Armando.&amp;nbsp;&amp;nbsp;Casos de administración logística/Armando Valdés Palacio,&amp;nbsp;&amp;nbsp;Víctor Tateishi Saito. Lima,&amp;nbsp;&amp;nbsp;Perú: ESAN, 2011.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt; line-height: 17px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HD38.5 .V36 2011&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-4791261201264412465?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/lyC53VnGHFI" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/4791261201264412465/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/10/novedades-bibliograficas-de-la.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/4791261201264412465?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/4791261201264412465?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/lyC53VnGHFI/novedades-bibliograficas-de-la.html" title="Novedades Bibliográficas de la Biblioteca    Ciencias Sociales" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-jR7bIsOS5HA/TonMzJ3y9YI/AAAAAAAAAaw/OOwgrdFEpgU/s72-c/Siete-ministros+%2528130+x+197%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/10/novedades-bibliograficas-de-la.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEQNQn89fyp7ImA9WhRSGUo.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-783583989239734412</id><published>2011-09-15T07:49:00.000-07:00</published><updated>2011-11-22T06:33:13.167-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-22T06:33:13.167-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Films" /><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><category scheme="http://www.blogger.com/atom/ns#" term="Dvds" /><title>Novedades de la Biblioteca - DVDs</title><content type="html">&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-dYeVYBONcSQ/TnIE-R8FBoI/AAAAAAAAAY0/4r6oKIpETA0/s1600/AllTheKingsMen20061565_f+%2528130+x+193%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-dYeVYBONcSQ/TnIE-R8FBoI/AAAAAAAAAY0/4r6oKIpETA0/s1600/AllTheKingsMen20061565_f+%2528130+x+193%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;All the king's men [videograbación]/Columbia Pictures presents; in association with Relativity Media; a Phoenix Pictures, VIP Medienfonds 3A/ 4A production; in association with Rising Star; produced by Mike Medavoy [et al.]; written for the screen and directed by Steven Zaillian. Culver City, Calif.: Sony Pictures Home Entertainment, c2006. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .A468 2006&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-mlqxaDnIlZo/TnIFGln2UkI/AAAAAAAAAY4/r0_5WZT-acE/s1600/all+the+president+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-mlqxaDnIlZo/TnIFGln2UkI/AAAAAAAAAY4/r0_5WZT-acE/s1600/all+the+president+%2528130+x+185%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;All the president's men [videograbación]/Warner Bros.; a Wildwood Enterprises production; a Robert Redford-Alan J. Pakula film; screenplay by William Goldman; produced by Walter Coblenz; directed by Alan J. Pakula. Burbank, CA: Warner Home Video, c2010. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .A47 2010&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-sh8uSChW-LI/TnIFWjuBluI/AAAAAAAAAY8/PgPd794ieuA/s1600/the+american+%2528130+x+182%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-sh8uSChW-LI/TnIFWjuBluI/AAAAAAAAAY8/PgPd794ieuA/s1600/the+american+%2528130+x+182%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The American president [videograbación]/ Castle Rock Entertainment and Universal Pictures present a Wildwood Enterprises, Inc. production; a Rob Reiner film; written by Aaron Sorkin; produced and directed by Rob Reiner. Burbank, CA: Warner Home Video, [2008]. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .A647 2008&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-EHfS1-hPQFc/TnIFwTleK3I/AAAAAAAAAZA/5bJA7vjqrFc/s1600/the+candidate+%2528130+x+177%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-EHfS1-hPQFc/TnIFwTleK3I/AAAAAAAAAZA/5bJA7vjqrFc/s1600/the+candidate+%2528130+x+177%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The candidate [videograbación]/ Warner Brothers; a Redford-Ritchie production; produced by Walter Coblenz; written by Jeremy Larner;&amp;nbsp; directed by Michael Ritchie. Burbank, CA: Warner Home Video, [1997]. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .C365 1997&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-8IBy5ibolZk/TnIF7yKMjpI/AAAAAAAAAZE/mq6bAxowQzk/s1600/CharlieWilsonsWar200779045_f+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-8IBy5ibolZk/TnIF7yKMjpI/AAAAAAAAAZE/mq6bAxowQzk/s1600/CharlieWilsonsWar200779045_f+%2528130+x+185%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Charlie Wilson's war [videograbación]/ Universal Pictures presents in association with Relativity Media and Participant Productions; Playtone production; produced by Gary Goetzman, Tom Hanks; screenplay by Aaron Sorkin; directed by Mike Nichols. Universal City, Calif.: Universal Studios Home Entertainment, c2008. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .C437 2008&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-CuXI-S9E5yo/TnIGEkZtzDI/AAAAAAAAAZI/zpQCswh1RjY/s1600/dirty+%2528130+x+181%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-CuXI-S9E5yo/TnIGEkZtzDI/AAAAAAAAAZI/zpQCswh1RjY/s1600/dirty+%2528130+x+181%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Dirty Harry [videograbación]/ Warner Bros. Pictures presents a Malpaso Company production; screenplay by Harry Julian Fink &amp;amp; R. M. Fink and Dean Riesner;&amp;nbsp; story by Harry Julian Fink &amp;amp; R.M. Fink; produced and directed by Don Siegel.&amp;nbsp; Burbank, CA: Warner Bros. Entertainment, Inc.: Warner Home Video [distributor], [2008]. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .D55 2008&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-0IIMn6pJ5_k/TnIGMqB0T6I/AAAAAAAAAZM/fFFQVn86oZc/s1600/the+fountainhead-dvd+%2528130+x+166%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-0IIMn6pJ5_k/TnIGMqB0T6I/AAAAAAAAAZM/fFFQVn86oZc/s1600/the+fountainhead-dvd+%2528130+x+166%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The fountainhead [videograbación]/[presented by] Warner Bros. Pictures; a Warner Bros. -First National picture; screen play by Ayn Rand; produced by Henry Blanke; directed by King Vidor. Burbank, CA: Warner Home Video: Turner Home Entertainment, [2006]. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .F68 2006&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-QR3aodhImCQ/TnIGWO1WysI/AAAAAAAAAZQ/0DkrmKWWHuY/s1600/el+gatopardo+%2528130+x+183%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-QR3aodhImCQ/TnIGWO1WysI/AAAAAAAAAZQ/0DkrmKWWHuY/s1600/el+gatopardo+%2528130+x+183%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El gatopardo [videograbación]=Il Gattopardo/ Titanus [producción]; [una realización de] Twentieth Century Fox;&amp;nbsp; Goffredo Lombardo [productor] ;&amp;nbsp; adattato e sceneggiato da Suso Cecchi D'Amico e Luchino Visconti; regia di Luchino Visconti.&amp;nbsp; Buenos Aires: Renacimiento Nuevo Siglo, c2008. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .G38 2008&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Qnsf6HIm6xc/TnIGfg08WVI/AAAAAAAAAZU/3x0kxlo9I54/s1600/grupo+de+familia+%2528130+x+181%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-Qnsf6HIm6xc/TnIGfg08WVI/AAAAAAAAAZU/3x0kxlo9I54/s1600/grupo+de+familia+%2528130+x+181%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Grupo de familia [videograbación] =Gruppo di famiglia in un interno/ una produzione Rusconi Film; un film di Luchino Visconti; sceneggiatura di Susi Cecchi D'Amico, Enrico Medioli e Luchino Visconti; realizzato da Giovanni Bertolucci; regia, Luchino Visconti.&amp;nbsp; Buenos Aires: Renacimiento Nuevo Siglo, c2004. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .G78 2004&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Jsfp7CoWUwo/TnIG5lpuYrI/AAAAAAAAAZY/WWZn5q5do_E/s1600/milk+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-Jsfp7CoWUwo/TnIG5lpuYrI/AAAAAAAAAZY/WWZn5q5do_E/s1600/milk+%2528130+x+185%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Milk[videograbación]/ Focus Features presents; in association with Axon Films; a Groundswell production; produced by Dan Jinks and Bruce Cohen;&amp;nbsp; written by Dustin Lance Black ;&amp;nbsp; directed by Gus Van Sant. Universal City, Calif.: Universal Studios Home Entertainment, c2009. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .M555 2009&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/--Lg85MaZdA0/TnIHGClg8QI/AAAAAAAAAZc/6wBO4nkHZgg/s1600/los+monstruos+%2528130+x+181%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="color: black; font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/--Lg85MaZdA0/TnIHGClg8QI/AAAAAAAAAZc/6wBO4nkHZgg/s1600/los+monstruos+%2528130+x+181%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Los monstruos [videograbación] =I mostri/Mario Cecchi Gori presenta un film di Dino Risi; una produzione Fair Film, Incei Film, Mountfluor Films; dialoghi di Ettore Scola e Ruggero Maccari; direttore di produzione, Pio Angeletti.&amp;nbsp; Buenos Aires: El Ciudadano, [2010?]. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .M66 2010&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-VQFtvTa2fCA/TnIIK5_wtzI/AAAAAAAAAZg/o8BEiujlwc4/s1600/muerte+en+venecia+%2528130+x+187%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-VQFtvTa2fCA/TnIIK5_wtzI/AAAAAAAAAZg/o8BEiujlwc4/s1600/muerte+en+venecia+%2528130+x+187%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Muerte en Venecia [videograbación] =Death in Venice/ Warner Bros.&amp;nbsp;&amp;nbsp;presents a film by Luchino Visconti; produced &amp;amp; directed by Luchino Visconti for Alfa Cinematografica; screenplay by Luchino Visconti and Nicola Badalucco, from the novel by Thomas Mann. Buenos Aires: Renacimiento Nuevo Siglo: Editora Nuevo Siglo [distribuidor], c2005.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .M67 2006&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-EeOvjDUttDU/TnIIR451vBI/AAAAAAAAAZk/Cg91G1E0VyM/s1600/larry+flynt+%2528130+x+194%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-EeOvjDUttDU/TnIIR451vBI/AAAAAAAAAZk/Cg91G1E0VyM/s1600/larry+flynt+%2528130+x+194%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;The people vs. Larry Flynt [videograbación]/ Columbia Pictures presents in association with Phoenix Pictures; an Ixtlan production; written by Scott Alexander &amp;amp; Larry Karaszewski; produced by Oliver Stone, Janet Yang and Michael Hausman; directed by Milos Forman. Culver City, Calif.: Columbia TriStar Home Video, [1997], c1996.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .P466 1997&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-G1ewgm1B62g/TnIIjiWvfOI/AAAAAAAAAZo/2EkcerIN0ZY/s1600/primary+colors-+dvd+video+%2528130+x+190%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-G1ewgm1B62g/TnIIjiWvfOI/AAAAAAAAAZo/2EkcerIN0ZY/s1600/primary+colors-+dvd+video+%2528130+x+190%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Primary colors[videograbación]/ Universal Pictures and Mutual Film Company present an Icarus production; screenplay by Elaine May; produced and directed by Mike Nichols. Universal City, CA: Universal, c1998.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .P74 1998&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-NVBJT81hd_4/TnIIp1H6dXI/AAAAAAAAAZs/a_rCjpn9T1k/s1600/le+sacre+%2528130+x+174%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-NVBJT81hd_4/TnIIp1H6dXI/AAAAAAAAAZs/a_rCjpn9T1k/s1600/le+sacre+%2528130+x+174%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Le sacre du printemps [videograbación]/ by Uwe Scholz; music by Igor Stravinsky; presented by&amp;nbsp; &amp;nbsp;Euroarts music.&amp;nbsp;&amp;nbsp;[London]: Medici Arts; Argentina: Videobrokers [distribuidor], [2010].&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: GV1790.S3 S33 2010&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-CpFS2Jwd428/TnIIwD8v6iI/AAAAAAAAAZw/H7SYVwHKDYI/s1600/therewillbebloodr1art1+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-CpFS2Jwd428/TnIIwD8v6iI/AAAAAAAAAZw/H7SYVwHKDYI/s1600/therewillbebloodr1art1+%2528130+x+185%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;There will be blood [videograbación]/ Ghoulardi Film Company; Paramount Vantage ;&amp;nbsp;&amp;nbsp;Miramax Films; produced by Paul Thomas Anderson, Daniel Lupi,&amp;nbsp;&amp;nbsp;JoAnne Sellar; screenplay by Paul Thomas Anderson; directed by Paul Thomas Anderson. Hollywood, Calif.: Paramount Home Entertainment,[2008].&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .T447 2008&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoTableGrid" style="border-bottom: medium none; border-collapse: collapse; border-left: medium none; border-right: medium none; border-top: medium none; mso-border-insideh: none; mso-border-insidev: none; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt; mso-yfti-tbllook: 1184;"&gt;&lt;tbody&gt;
&lt;tr style="mso-yfti-irow: 2;"&gt;&lt;td style="padding-bottom: 0cm; padding-left: 5.4pt; padding-right: 5.4pt; padding-top: 0cm; width: 20cm;" valign="top" width="756"&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-cHNgJ1lQpE4/TnII2j7RjNI/AAAAAAAAAZ0/4xg7M1zEjoQ/s1600/v-for-vendetta+%2528130+x+180%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-cHNgJ1lQpE4/TnII2j7RjNI/AAAAAAAAAZ0/4xg7M1zEjoQ/s1600/v-for-vendetta+%2528130+x+180%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;V for vendetta [videograbación]/ Warner Bros. Pictures in association with Virtual Studios; Silver Pictures in association with Anarchos Productions; produced by Joel Silver[et al. ]; directed by James McTeigue; screenplay by the Wachowski Brothers.&amp;nbsp;&amp;nbsp;Burbank, CA: Warner Home Video, c2006.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PN1997 .V44 2006&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-8S7QN5IyyjQ/TnII-RELjNI/AAAAAAAAAZ4/78cH8Z4uWj0/s1600/Wozzeck+%2528130+x+183%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-8S7QN5IyyjQ/TnII-RELjNI/AAAAAAAAAZ4/78cH8Z4uWj0/s1600/Wozzeck+%2528130+x+183%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Wozzeck [videograbación]: opera in 3 acts and 15 scenes/ music by Alban Berg; libretto by the composer after Georg Büchner; staged by Patrice Chereau; a production of Metropolitan Munich. [New York]: Warner Music Vision: Warner Classics, c2007.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: M1500.B47 W6 2007&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-783583989239734412?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/cNmB-ndtW-0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/783583989239734412/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/09/novedades-de-la-biblioteca-dvds.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/783583989239734412?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/783583989239734412?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/cNmB-ndtW-0/novedades-de-la-biblioteca-dvds.html" title="Novedades de la Biblioteca - DVDs" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-dYeVYBONcSQ/TnIE-R8FBoI/AAAAAAAAAY0/4r6oKIpETA0/s72-c/AllTheKingsMen20061565_f+%2528130+x+193%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/09/novedades-de-la-biblioteca-dvds.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEIER3Y5cCp7ImA9WhRSGUo.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-6750708069512974834</id><published>2011-09-15T07:46:00.000-07:00</published><updated>2011-11-22T06:35:06.828-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-11-22T06:35:06.828-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Revistas" /><category scheme="http://www.blogger.com/atom/ns#" term="Novedades" /><title>Novedades Bibliográficas de la Biblioteca</title><content type="html">&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoTableGrid" style="border-bottom: medium none; border-collapse: collapse; border-left: medium none; border-right: medium none; border-top: medium none; mso-border-insideh: none; mso-border-insidev: none; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt; mso-yfti-tbllook: 1184;"&gt;&lt;tbody&gt;
&lt;tr style="mso-yfti-firstrow: yes; mso-yfti-irow: 0;"&gt;&lt;td style="padding-bottom: 0cm; padding-left: 5.4pt; padding-right: 5.4pt; padding-top: 0cm; width: 20cm;" valign="top" width="756"&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-e7mhGU-v6H8/TnIJ_NM8ViI/AAAAAAAAAZ8/gC7JojUDhJ4/s1600/el+discurso+social+%2528130+x+197%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-e7mhGU-v6H8/TnIJ_NM8ViI/AAAAAAAAAZ8/gC7JojUDhJ4/s1600/el+discurso+social+%2528130+x+197%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Angenot, Marc. El discurso social: los límites históricos de lo pensable y lo decible/Marc Angenot; selección y presentación a cargo de María Teresa Dalmasso y Norma Fatala; [traducción de Hilda H. García]. Buenos Aires: Siglo Veintiuno Argentina, c2010.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: P121 .A7818 2010&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-FoNqy2_opC0/TnIKNg1pFzI/AAAAAAAAAaA/OZpE4LBzaQs/s1600/el+arte+flamento.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-FoNqy2_opC0/TnIKNg1pFzI/AAAAAAAAAaA/OZpE4LBzaQs/s1600/el+arte+flamento.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="font-size: medium; margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;El arte flamenco y holandés en la Argentina/Angel M.&amp;nbsp;&amp;nbsp;Navarro,&amp;nbsp;&amp;nbsp;investigación, selección y organización.&amp;nbsp;&amp;nbsp;Buenos Aires: Fundación Espigas, 2006.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: ND646 .A78 2006&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-xwyMF3YuFGU/TnIKVnsgUnI/AAAAAAAAAaE/hLo-0YYMGUA/s1600/los-barbaros-alessandro-baricco-portada+%2528130+x+204%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-xwyMF3YuFGU/TnIKVnsgUnI/AAAAAAAAAaE/hLo-0YYMGUA/s1600/los-barbaros-alessandro-baricco-portada+%2528130+x+204%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Baricco, Alessandro, 1958- Los bárbaros: ensayo sobre la mutación/ Alessandro Baricco; traducción de Xavier González Rovira. Barcelona: Anagrama, c2008.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: CB428 .B3718 2008&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #1f497d; font-family: Calibri, sans-serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table border="0" cellpadding="0" cellspacing="0" class="MsoTableGrid" style="border-bottom-style: none; border-collapse: collapse; border-left-style: none; border-right-style: none; border-top-style: none;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="padding-bottom: 0cm; padding-left: 5.4pt; padding-right: 5.4pt; padding-top: 0cm; width: 20cm;" valign="top" width="756"&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-0fe617oCnXs/TnIKng_0lnI/AAAAAAAAAaI/_KGJGgIkOXE/s1600/pioneros+cult+%2528130+x+195%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-0fe617oCnXs/TnIKng_0lnI/AAAAAAAAAaI/_KGJGgIkOXE/s1600/pioneros+cult+%2528130+x+195%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Bruno, Paula. Pioneros culturales de la Argentina: biografías de una época, 1860-1910/Paula Bruno. Buenos Aires: Siglo Veintiuno Argentina, c2011.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: F2810 .B78 2011&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-QaaQg2zTrVg/TnIKtGprBkI/AAAAAAAAAaM/WpKuEWkXR3c/s1600/comunicacion-y-poder-manuel-castells+%2528130+x+163%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-QaaQg2zTrVg/TnIKtGprBkI/AAAAAAAAAaM/WpKuEWkXR3c/s1600/comunicacion-y-poder-manuel-castells+%2528130+x+163%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Castells, Manuel, 1942- Comunicación y poder/ Manuel Castells ;&amp;nbsp;&amp;nbsp;traducción de María Hernández. Madrid: Alianza, c2010.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HM1206 .C3718 2010&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-oCHc_AQDqgk/TnIKzfB7WWI/AAAAAAAAAaQ/Q0TkLG8TV2Y/s1600/negocios+y+politicas+%2528130+x+191%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-oCHc_AQDqgk/TnIKzfB7WWI/AAAAAAAAAaQ/Q0TkLG8TV2Y/s1600/negocios+y+politicas+%2528130+x+191%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Darmohraj, Adrián. Negocios y políticas públicas: capacidades institucionales para el crecimiento económico de ciudades / Adrián Darmohraj. Saarbrücken, Alemania: Académica Española: LAP Lambert Academic, c2011.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: HD2830 .D37 2011&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0px;"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="padding-bottom: 0cm; padding-left: 5.4pt; padding-right: 5.4pt; padding-top: 0cm; width: 20cm;" valign="top" width="756"&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-3a_tg-O36GM/TnIK5mqE0tI/AAAAAAAAAaU/-NKK96QLjTk/s1600/el+arte+abstracto+%2528130+x+195%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-3a_tg-O36GM/TnIK5mqE0tI/AAAAAAAAAaU/-NKK96QLjTk/s1600/el+arte+abstracto+%2528130+x+195%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;García, María Amalia, 1975- El arte abstracto: intercambios culturales entre Argentina y Brasil / María Amalia García. Buenos Aires: Siglo Veintiuno Argentina: MALBA-Fundación Costantini, c2011.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: N6635.5.A27 G37 2011&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td style="padding-bottom: 0cm; padding-left: 5.4pt; padding-right: 5.4pt; padding-top: 0cm; width: 20cm;" valign="top" width="756"&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-yCYPj_xAe64/TnILBlSr75I/AAAAAAAAAaY/O5jBENlk-so/s1600/microsociolog+%2528130+x+221%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-yCYPj_xAe64/TnILBlSr75I/AAAAAAAAAaY/O5jBENlk-so/s1600/microsociolog+%2528130+x+221%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Lapassade, Georges. Microsociologie de la vie scolaire / Georges Lapassade. Paris: Económica, c1998.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: LB45 .L37 1998&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-PuBU4yk_H-g/TnILP42En0I/AAAAAAAAAac/1-XpCzqIz7g/s1600/analisis+de+textos+%2528130+x+189%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-PuBU4yk_H-g/TnILP42En0I/AAAAAAAAAac/1-XpCzqIz7g/s1600/analisis+de+textos+%2528130+x+189%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Maingueneau, Dominique. Análisis de textos de comunicación/ Dominique Maingueneau;&amp;nbsp;&amp;nbsp;[traducción de Víctor Goldstein].&amp;nbsp;&amp;nbsp;Buenos Aires: Nueva Visión, c2009.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: P302 .M3318 2009&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-tHyrOIj57Jw/TnILVNMQ_EI/AAAAAAAAAag/e-HYeZC0BxQ/s1600/la+corbata+%2528130+x+197%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-tHyrOIj57Jw/TnILVNMQ_EI/AAAAAAAAAag/e-HYeZC0BxQ/s1600/la+corbata+%2528130+x+197%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Paso, Alfonso, 1926- La corbata / by Alfonso Paso;&amp;nbsp;&amp;nbsp;edited by Edith B.&amp;nbsp;&amp;nbsp;Sublette.&amp;nbsp;&amp;nbsp;New York: Odyssey Press, c1967.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: PQ6629.A79 C62 1967&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-xoAIDHF8GZo/TnILbb8DY2I/AAAAAAAAAak/DTgBT-MCMBc/s1600/hipermediaciones+%2528130+x+185%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-xoAIDHF8GZo/TnILbb8DY2I/AAAAAAAAAak/DTgBT-MCMBc/s1600/hipermediaciones+%2528130+x+185%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Scolari, Carlos Alberto, 1963- Hipermediaciones: elementos para una teoría de la comunicación digital interactiva/ Carlos Scolari. Barcelona: Gedisa, 2008.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse; font-size: small;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: TK5103.7 .S36 2008&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-H-T6Ca0Dhvw/TnILhh5p_YI/AAAAAAAAAao/FfdpeS4QXKw/s1600/las+TIC+%2528130+x+186%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-H-T6Ca0Dhvw/TnILhh5p_YI/AAAAAAAAAao/FfdpeS4QXKw/s1600/las+TIC+%2528130+x+186%2529.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="MsoPlainText" style="font-size: medium; margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Las TIC en las aulas: experiencias latinoamericanas / Micaela Manso. [et al.; prólogo por Adriana Vilela]. Buenos Aires: Paidós, 2011.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="font-size: medium; margin: 0px;"&gt;&lt;span class="Apple-style-span" style="border-collapse: collapse;"&gt;&lt;b&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Ubicación: LB1028.3 .T53 2011&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;b&gt;REVISTAS&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-tN7obs1Zkns/TnINLnXoFGI/AAAAAAAAAas/RoHbCw4y8xg/s1600/derecho+de+familia.jpg+%2528130+x+191%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-tN7obs1Zkns/TnINLnXoFGI/AAAAAAAAAas/RoHbCw4y8xg/s1600/derecho+de+familia.jpg+%2528130+x+191%2529.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoPlainText"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;Derecho de familia. [Buenos Aires]: Abeledo-Perrot,[c1989]-.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Calibri, sans-serif; font-size: 11pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoPlainText" style="margin: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-6750708069512974834?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/12vTznyp7pk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/6750708069512974834/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/09/novedades-bibliograficas-de-la_15.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/6750708069512974834?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/6750708069512974834?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/12vTznyp7pk/novedades-bibliograficas-de-la_15.html" title="Novedades Bibliográficas de la Biblioteca" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-e7mhGU-v6H8/TnIJ_NM8ViI/AAAAAAAAAZ8/gC7JojUDhJ4/s72-c/el+discurso+social+%2528130+x+197%2529.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/09/novedades-bibliograficas-de-la_15.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0YHQXY9fSp7ImA9WhdWGU4.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-5743138750238990125</id><published>2011-09-13T09:25:00.000-07:00</published><updated>2011-09-13T09:25:30.865-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-13T09:25:30.865-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="concurso" /><title>Concurso Día de la Bibliotecaria</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-WQF2sxOxODE/Tm-C9KavD_I/AAAAAAAAAYw/RuaelawENEY/s1600/DiaBibliotecaria.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320px" rba="true" src="http://4.bp.blogspot.com/-WQF2sxOxODE/Tm-C9KavD_I/AAAAAAAAAYw/RuaelawENEY/s320/DiaBibliotecaria.jpg" width="261px" /&gt;&lt;/a&gt;&lt;/div&gt;Estimada Comunidad:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Con ocasión de la celebración en nuestro país del &lt;strong&gt;día de la bibliotecaria&lt;/strong&gt;, queremos invitar a participar del concurso a todos los estudiantes, graduado/as, profesores/as y personal de staff de la Universidad.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;¿Cómo participar?&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Enviando una anécdota personal referida a su paso por alguna biblioteca o al uso de sus servicios.&lt;br /&gt;
&lt;br /&gt;
Podrán enviarla vía email a &lt;a href="mailto:biblio@udesa.edu.ar"&gt;biblio@udesa.edu.ar&lt;/a&gt; con “&lt;strong&gt;Concurso día de la Bibliotecaria&lt;/strong&gt;” en el asunto, hasta el lunes 3 de octubre.&lt;br /&gt;
&lt;br /&gt;
La anécdota más ocurrente u original será premiada con una &lt;strong&gt;orden de compra por $200 en Cúspide Libros&lt;/strong&gt;. &lt;br /&gt;
&lt;br /&gt;
La elección estará a cargo del personal de la Biblioteca y los resultados se darán a conocer el viernes 7 de octubre.&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-5743138750238990125?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/oaJR4blKkGg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/5743138750238990125/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/09/concurso-dia-de-la-bibliotecaria.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/5743138750238990125?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/5743138750238990125?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/oaJR4blKkGg/concurso-dia-de-la-bibliotecaria.html" title="Concurso Día de la Bibliotecaria" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-WQF2sxOxODE/Tm-C9KavD_I/AAAAAAAAAYw/RuaelawENEY/s72-c/DiaBibliotecaria.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/09/concurso-dia-de-la-bibliotecaria.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0UHRXo5fSp7ImA9WhdWFU0.&quot;"><id>tag:blogger.com,1999:blog-7980290209197715508.post-5547386968032106879</id><published>2011-09-08T11:07:00.000-07:00</published><updated>2011-09-08T11:07:14.425-07:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2011-09-08T11:07:14.425-07:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Efemérides" /><title>8 de septiembre: Día Internacional de la Alfabetización</title><content type="html">De acuerdo con la CEPAL (2010), Argentina es el país de América Latina con menor porcentaje de personas analfabetas. En el último censo realizado (2010), en nuestro país solamente el 1.9% de las personas mayores de 10 años no saben leer ni escribir.&lt;br /&gt;
&lt;br /&gt;
Sin embargo, cuando pensamos que ese 1.9% corresponde a casi 650.000 personas, podría pensarse en el total de habitantes de las provincias de Rio Negro y San Juan y el doble de habitantes de las provincias de Catamarca y La Rioja. &lt;br /&gt;
En el Día Internacional de la Alfabetización, la Biblioteca quiere reconocer todo el trabajo que se hace para que toda la población argentina pueda leer y escribir, y a la urgente necesidad de dar a esas 650.000 personas el acceso a la educación.&lt;br /&gt;
&lt;br /&gt;
Queda además el trabajo de alfabetizar en tecnología a un porcentaje bastante más alto de la población y de continuar el trabajo de estimular a ese 98% alfabeto el uso de los libros y la lectura como fuente de cultura, desarrollo y recreación.&lt;div class="blogger-post-footer"&gt;http://biblioteca.udesa.edu.ar/&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7980290209197715508-5547386968032106879?l=biblioudesa.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/BibliotecaMaxVonBuch/~4/aHGYYuAUXIY" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://biblioudesa.blogspot.com/feeds/5547386968032106879/comments/default" title="Enviar comentarios" /><link rel="replies" type="text/html" href="http://biblioudesa.blogspot.com/2011/09/8-de-septiembre-dia-internacional-de-la.html#comment-form" title="0 comentarios" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/5547386968032106879?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7980290209197715508/posts/default/5547386968032106879?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/BibliotecaMaxVonBuch/~3/aHGYYuAUXIY/8-de-septiembre-dia-internacional-de-la.html" title="8 de septiembre: Día Internacional de la Alfabetización" /><author><name>Biblioteca Max von Buch</name><uri>http://www.blogger.com/profile/02696559217861746161</uri><email>noreply@blogger.com</email></author><thr:total>0</thr:total><feedburner:origLink>http://biblioudesa.blogspot.com/2011/09/8-de-septiembre-dia-internacional-de-la.html</feedburner:origLink></entry></feed>

