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Indiana Jones Blu-ray Collection

2012-03-04T17:26:00.002+07:00

Indiana Jones Blu-ray Collection

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Own all four Indiana Jones adventures in this Blu-ray collection. This collection includes: Indiana Jones and the Raiders of the Lost Ark, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade, and Indiana Jones and the Kingdom of the Crystal Skull.

Raiders of the Lost ArkIndiana Jones (Harrison Ford) is no ordinary archeologist. When we first see him, he is somewhere in the Peruvian jungle in 1936, running a booby-trapped gauntlet (complete with an over-sized rolling boulder) to fetch a solid-gold idol. He loses this artifact to his chief rival, a French archeologist named Belloq (Paul Freeman), who then prepares to kill our hero. In the first of many serial-like escapes, Indy eludes Belloq by hopping into a convenient plane. So, then: is Indiana Jones afraid of anything? Yes, snakes. The next time we see Jones, he's a soft-spoken, bespectacled professor. He is then summoned from his ivy-covered environs by Marcus Brody (Denholm Elliott) to find the long-lost Ark of the Covenant. The Nazis, it seems, are already searching for the Ark, which the mystical-minded Hitler hopes to use to make his stormtroopers invincible. But to find the Ark, Indy must first secure a medallion kept under the protection of Indy's old friend Abner Ravenwood, whose daughter, Marion (Karen Allen), evidently has a "history" with Jones. Whatever their personal differences, Indy and Marion become partners in one action-packed adventure after another, ranging from wandering the snake pits of the Well of Souls to surviving the pyrotechnic unearthing of the sacred Ark. A joint project of Hollywood prodigies George Lucas and Steven Spielberg, with a script co-written by Lawrence Kasdan and Philip Kaufman, among others, Raiders of the Lost Ark is not so much a movie as a 115-minute thrill ride. Costing 22 million dollars (nearly three times the original estimate), Raiders of the Lost Ark reaped 200 million dollars during its first run. It was followed by Indiana Jones and the Temple of Doom (1985) and Indiana Jones and the Last Crusade (1989), as well as a short-lived TV-series "prequel."

Temple of DoomThe second of the George Lucas/Steven Spielberg Indiana Jones epics is set a year or so before the events in Raiders of the Lost Ark (1984). After a brief brouhaha involving a precious vial and a wild ride down a raging Himalyan river, Indy (Harrison Ford) gets down to the problem at hand: retrieving a precious gem and several kidnapped young boys on behalf of a remote East Indian village. His companions this time around include a dimbulbed, easily frightened nightclub chanteuse (Kate Capshaw), and a feisty 12-year-old kid named Short Round (Quan Ke Huy). Throughout, the plot takes second place to the thrills, which include a harrowing rollercoaster ride in an abandoned mineshaft and Indy's rescue of the heroine from a ritual sacrifice. There are also a couple of cute references to Raiders of the Lost Ark, notably a funny variation of Indy's shooting of the Sherpa warrior.

Last CrusadeThe third installment in the widely beloved Spielberg/Lucas Indiana Jones saga begins with an introduction to a younger Indy (played by the late River Phoenix), who, through a fast-paced prologue, gives the audience insight into the roots of his taste for adventure, fear of snakes, and dogged determination to take historical artifacts out of the hands of bad guys and into the museums in which they belong. A grown-up Indy (Harrison Ford) reveals himself shortly afterward in a familiar classroom scene, teaching archeology to a disproportionate number of starry-eyed female college students in 1938. Once again, however, Mr. Jones is drawn away from his day job after an art collector (Julian Glover) approaches him with a proposition to find the much sought after Holy Grail. Circumstances reveal that there was another avid archeologist in search of the famed cup — Indiana Jones' father, Dr. Henry Jones (Sean Connery) — who had recently disappeared during his efforts. The junior and senior members of the Jones family find themselves in a series of tough situations in locales ranging from Venice to the most treacherous spots in the Middle East. Complicating the situation further is the presence of Elsa (Alison Doody), a beautiful and intelligent woman with one fatal flaw: she's an undercover Nazi agent. The search for the grail is a dangerous quest, and its discovery may prove fatal to those who seek it for personal gain. Indiana Jones and the Last Crusade earned a then record-breaking $50 million in its first week of release.

Kingdom of the Crystal SkullSteven Spielberg and George Lucas bring you the greatest adventurer of all time in “a nonstop thrill ride” (Richard Corliss, TIME) that’s packed with “sensational, awe-inspiring spectacles” (Roger Ebert, Chicago Sun-Times). Indiana Jones and the Kingdom of the Crystal Skull finds Indy (Harrison Ford) trying to outrace a brilliant and beautiful agent (Cate Blanchett) for the mystical, all-powerful Crystal Skull of Akator. Teaming up with a rebellious young biker (Shia LaBeouf) and his spirited original love Marion (Karen Allen), Indy takes you on a breathtaking action-packed adventure in the exciting tradition of the classic Indiana Jones movies!

Raiders of the Lost Ark

It’s said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with ‘70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn’t disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humor, horror… not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there’s real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century’s most infamous criminals (the Nazis). Now that’s entertainment. --Sam Graham

Temple of DoomIt’s hard to imagine that a film with worldwide box office receipts topping $300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas’ 1980s adventure trilogy, to be just that. That doesn’t mean it’s a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it’s also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man’s chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character’s shortcomings.
A six-minute introduction by Lucas and Spielberg is the prime special feature, with both men candidly addressing the film’s good and bad points (Lucas points out that the second Star Wars film, The Empire Strikes Back, was also the darkest of the original three; as for Spielberg, the fact that the leading lady would soon become his wife was the best part of the whole trip). Also good are "The Creepy Crawlies," a mini-doc about the thousands of snakes, bugs, rats and other scary critters that populate the trilogy, and "Travels with Indy," a look at some of the films’ cool locations. Storyboards and a photo gallery are included as well. --Sam Graham
Last Crusade
Not as good as the first one, but better than the second. That’s been the consensus opinion regarding Indiana Jones and the Last Crusade, the final installment in Steven Spielberg and George Lucas’ original adventure trilogy, throughout the nearly two decades since its 1989 theatrical release. It’s a fair assessment. After the relatively dark and disturbing Temple of Doom (1984), The Last Crusade (1989) recalls the sheer fun of Raiders of the Lost Ark (1981). With its variety of colorful locations, multiple chase scenes (the opening sequence on a circus train, with River Phoenix as the young Indy, is one of the best of the series, as is the boat chase through the canals of Venice), and cloak-and-dagger vibe, it’s the closest in tone to a James Bond outing, which director Spielberg has noted was the inspiration for the trilogy in the first place; what’s more, it harkens back to Raiders in its choice of villains (i.e., the Nazis--Indy even comes face to face with Hitler at a rally in Berlin) and its quest for an antiquity of incalculable value and significance (the Holy Grail, the chalice said to have been the receptacle of Christ's blood as he hung on the cross). Add to that the presence of Sean Connery, playing Indy’s father and having a field day opposite Harrison Ford, and you’ve got a most welcome return to form.
Special features include a six-minute introduction by Spielberg and Lucas, who discuss the grail as a metaphor for bringing Indy and his estranged father together and agree that Crusade is the funniest of the three films; "Indy’s Women," an American Film Institute tribute with leading ladies Karen Allen, Kate Capshaw, and Alison Doody each discussing her character (Capshaw candidly describes Temple of Doom’s Willie Scott as "whiny, petulant, and annoying"); "Indy’s Friends and Enemies," a look at the films’ various villains and sidekicks; plus storyboards and photo galleries. --Sam Graham

Indiana Jones Blu-ray Collection
Kingdom of the Crystal Skull
Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim

Mission: Impossible Ghost Protocol (Two-disc Blu-ray/DVD Combo +Digital Copy) (2011)

2012-02-17T09:45:00.000+07:00

Mission: Impossible Ghost Protocol (Two-disc Blu-ray/DVD Combo +Digital Copy)

The second half of the first decade of the 21st century has been kind of tough for Tom Cruise. That's tough in a way over and above the hardship of living the legacy of one of history's top movie stars--a job more demanding than any mere mortal could imagine. But after two fruitful collaborations with Steven Spielberg (Minority Report and War of the Worlds), his stature took a beating from the one-two hits of those wacky PR gaffes and that string of relative box-office disappointments (Lions for Lambs, Valkyrie, Knight and Day), which seemed to start with the third installment of his Mission: Impossible franchise in 2006. It's hard to say with a straight face that taking in only $398 million worldwide is a disappointment, but it was a low for the series, which some later saw as a prelude to his potentially dimming stardom. But on the cusp of turning 50, it looks like Tom Cruise has put the licking behind him and entered a new phase of self-conception with an upcoming array of roles, starting with a more maturely controlled version of superspy Ethan Hunt in the sleek and supercharged Mission: Impossible - Ghost Protocol. The things Cruise has done right in M: I part four include toning down his youthful, arrogant preening and letting his castmates share more of the spotlight (Jeremy Renner, Paula Patton, and Simon Pegg all have some terrifically shiny moments). He also lets the unique creative vision of director Brad Bird shine through in a first live-action outing for the acclaimed helmer of Iron Giant, The Incredibles, and Ratatouille. Still looking much younger than his years (that hair! those pecs! those abs!), Cruise is playing more age-appropriately, letting a little wisdom and grace seep into his charisma so the wattage of his mere presence smolders a little deeper. It's a nice nod to a graying generation that says you can get older and still be cool. All that is not to say he doesn't play up his action-star chops to the max. In a mostly inconsequential narrative arc that has something to do with purloined nuclear launch codes, an important metal briefcase, satellite uplinks, and global annihilation that leaps from Moscow to Dubai to Mumbai, Cruise is as dangerously nimble as he has ever been. He dangles one-handed from the tallest building in the world, bounds off ledges, springs out of speeding vehicles, tumbles and careens up and down the levels of an automated parking garage, and generally sprints and jumps his way across the movie with only a scratch or bruise to show for it. Also on the outlandish upside is a happily stereotypical villain straight out of Connery-era Bond and as many bleeding-edge gadgets as the art department techno-geeks could dream up. A running gag is that many of these electronic fantasy tools fail at just the wrong moment, which is part of a larger wink acknowledging how utterly preposterous yet ingeniously conceived this behemoth of a movie really is. The gadgetry is not limited just to the miraculous props. Ghost Protocol employs CGI fakery of the highest order from the sub-industry of effects contractors that ratchet up the standard of computing power and software design, one-upping each successive action-adventure extravaganza. The loving detail that goes into blowing up the Kremlin or rendering a photo-realistic sandstorm erupting across the enhanced skyline of an Oz-like desert city is nothing short of miraculous. What's more astonishing is that Tom Cruise closes the deal with a selling power that's as new and improved as the laminates on his multi-million-dollar teeth. --Ted Fry

Hanna [Blu-ray] (2011)

2012-02-17T09:15:00.000+07:00

Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret Fetzer

Raised by her father (Eric Bana), an ex-CIA agent, in the wilds of Finland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.

Source Code [Blu-ray] (2011)

2012-02-17T09:13:00.000+07:00

Special Features

Audio Commentary with Jake Gyllenhaal and director Duncan Jones
Cast Interviews
Science Focal Points
Trivia Track
Access: Source Code

Editorial Reviews

Synopsis:
Item Type: DVD Movie
Item Rating: PG13
Street Date: 07/26/11
Wide Screen: yes
Director Cut: no
Special Edition: no
LanguageENGLISH
Foreign Film: no
Subtitlesno
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: Sleeve Please note: This supplier will be closed on 11/24, 11/25, 12/26, 1/2 for the holidays. The shipping cut off is 12/10 to try and have the products delivered by Christmas.

Limitless (Unrated Extended Cut + Digital Copy) [Blu-ray]

2012-02-17T09:11:00.000+07:00

Limitless (Unrated Extended Cut + Digital Copy) [Blu-ray]

Bradley Cooper (The A-Team) and two-time Academy-Award® winner Robert De Niro, star in this provocative and action-packed thriller with unlimited surprising twists. Eddie Morra (Cooper), a burnt-out writer, discovers a top-secret pill that unlocks 100% of his brain’s capacity. He instantly acquires mind-bending talents and mesmerizing visions that bring him big money, beautiful women and limitless success. But his dream life soon becomes a waking nightmare, as the drug’s brutal side effects take their toll and Eddie finds himself entangled with a cunning Wall Street power broker (DeNiro) who wants everything Eddie has… and more.

Special Features

Disc 1: Blu-ray
Theatrical Feature
Unrated Extended Cut
Audio Commentary with Director Neil Burger
A Man Without Limits
Taking It to the Limit: The Making of Limitless
Alternate Ending
Theatrical Trailer

Disc 2: Digital Copy

The Other Guys (Two-Disc Unrated Other Edition Blu-ray/DVD Combo + Digital Copy)

2012-02-17T09:06:00.000+07:00

Misfit NYPD detectives Gamble and Hoitz (Will Ferrell and Mark Wahlberg) are sentenced to life behind the desk. They hate each other and the monotony of their meaningless jobs, as they’re forced to live in the shadow of the two biggest and most badass cops on the force (Samuel L. Jackson and Dwayne Johnson). But when those guys go down for the count, opportunity knocks for Gamble and Hoitz. Stumbling onto what could be one of the biggest crimes in years, can The Other Guys step up their game to solve the case without killing each other and destroying NYC in the process? From the director of Step Brothers and Talladega Nights: The Ballad of Ricky Bobby.

Although the comedy team of Will Ferrell and Mark Wahlberg does not sound like a threat to Laurel and Hardy or Abbott and Costello, they conjure up consistent laughs in The Other Guys, yet another comedy from Talladega Nights director Adam McKay. Ferrell plays a mild-mannered police accountant partnered with Wahlberg's hothead (recently demoted to desk-jockey duty after shooting a very famous Yankee player during the World Series), and both men must endure the showboating fame of a pair of supercops (Samuel L. Jackson and Dwayne Johnson) in their New York City precinct house. Along with sending up cop-movie clichés, the movie basically exists to give Ferrell and Wahlberg room to work amusing variations on their characters (with grace notes for Michael Keaton's stereotypical tough captain, too). The loosey-goosey structure works especially well when Wahlberg is needling his partner's squareness or marveling, in wonderfully awestruck tones, at the unbelievable hot-i-tude of Ferrell's wife (Eva Mendes)--a discrepancy made all the more maddening because Ferrell seems indifferent to her charms. Throw in a plot about a billionaire Wall Street crook (Steve Coogan) and the revelation of Ferrell's hilariously dark past, and the movie finds a nice zone of silliness. Of course, any Will Ferrell vehicle must be judged by the opportunities for the star to launch into some borderline-surreal riff--and happily, this film comes through. From the moment Ferrell begins deconstructing Wahlberg's lion versus tuna metaphor, The Other Guys manages to find time for such nonsense, and the film--the world in general, for that matter--is the better for it. --Robert Horton

5.0 out of 5 stars TLC has never been this funny!, August 6, 2010

ByJournalStone "Duncan Moron" (CA) -I have not laughed this hard since "The Hangover". This has to be the best comedy I have seen this summer, hands down. I only wish I could think of a TLC lyric to bring it all home. Does anyone remember "Waterfalls"? From the wooden gun to the non-stop one liners, I was rolling in the floor. Will Ferrell has not been this good since "Old School" and Mark Wahlberg was ever bit his comedic equal in this fantastic film. From Samuel L. Jackson and Dwayne Johnson all the way to Michael Keaton, everyone was amazing. Whoever did the casting for this movie took a second seat to only one person, the writers. The script was drop dead hilarious.

Will Ferrell and Mark Wahlberg play two down and out cops? Mr. Ferrell seems to be stuck in his rut by his own choice and since I don't want to give anything away, let's just say that Mark Wahlberg made a colossal mistake to have found his way down to the lower levels of hell. Luckily the two of them are partners. Samuel L. Jackson and Dwayne Johnson are the heroes of New York City but do to some unforeseen circumstances, they quickly relinquish their title. Wanting to seize the opportunity of the new opening for a hero, our two bumbling cops attempt to solve a very big case.

Apparently some guy has been constructing some buildings without getting a scaffolding permit. Are you kidding me? The two losers meander down to arrest him and fall into a very large case of fraud and an attempted robbery, of a very large nature. I am trying very hard not to give away any of the punch lines in this film but admittedly it is difficult to write this review without doing so, since I was laughing the entire movie. From driving the Prius into a bucket full of cocaine, all the way to being disgusted about the four homeless guys using it as a sex toy, I was laughing continually.

Have I said yet it was too damn funny, and this is coming from the guy who only a few months ago said Will Ferrell was washed up. Talk about eating your words. Even Eva Mendes was fabulous as the homely housewife of Will Ferrell that Mark Wahlberg couldn't seem to stop ogling.

With some movies you see all the laughs crammed into the two minute commercial and when you see the full length feature there is nothing left. With this movie the commercial is only the tip of the iceberg. The explosion scene was funny but trust me, if you liked the commercials, you will flat out love the movie. Everyone in the theater was holding their stomachs from beginning to end.

Horrible Bosses (Movie-Only Edition + UltraViolet Digital Copy) [Blu-ray]

2012-01-20T14:49:00.001+07:00

Horrible Bosses (Movie-Only Edition + UltraViolet Digital Copy) [Blu-ray]

For Nick (Jason Bateman), Kurt (Jason Sudeikis) and Dale Charlie Day), the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option, so, with the benefit of a few too many drinks and some dubious advice from a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers...permanently. There’s only one problem: even the best-laid plans are only as foolproof as the brains behind them. Over the top? Ridiculous? Yes, indeed. But Horrible Bosses is actually a truly hilarious movie that wings along on the strength of its leading actors and their amazing chemistry--and on its great high-concept premise. Three friends, Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day), commiserate about their three respective Horrible Bosses. And yes, each is the worst kind of HR nightmare. Nick's boss is Dave (Kevin Spacey, terrific), a control-freak megalomaniac. Kurt's is Bobby (an almost unrecognizable Colin Farrell), a skeevy cokehead. And Dale's is Julia (Jennifer Aniston, having so much fun it's contagious), a sexual harasser who never misses an opportunity to prey (or swear). Suddenly, there's a Hitchcockian twist: What if each of the miserable workers could make one of the others' worst nightmares go away? But Horrible Bosses is no Strangers on a Train. Instead, it's a rollicking romp of bad-intentions-gone-even-worse, with the chemistry of all of the actors keeping things moving along crisply. The supporting cast is also great, including Donald Sutherland and Jamie Foxx, a tough hood whom the trio has the very bad sense to get "hit tips" from. Spacey hasn't been in his element like this in years, and it's great to see him back in top form. Farrell should be appreciated as a comic genius after this performance (splendidly directed, it should be pointed out, by veteran TV sitcom director Seth Gordon). And Horrible Bosses gives Aniston a meaty role she was born to play--assertive, moral-less, vengeful, petty. And all of it hilarious. For anyone who's ever had a bad boss, and even fleetingly played with the dark notion that's played here for laughs, Horrible Bosses is the best kind of revenge--served with laughs. --A.T. Hurley

The Twilight Saga: Breaking Dawn, Part I [Blu-ray]

2012-01-19T05:50:00.000+07:00

The Twilight Saga: Breaking Dawn, Part I [Blu-ray]

Maciej "Darth Maciek" (Darth Maciek is out there...) -This review is from: The Twilight Saga: Breaking Dawn - Part I (Two-Disc Special Edition) (DVD)

I just saw "Breaking Dawn" part 1, and I was VERY impressed, even if as a man I am probably not the most typical fan of "Twilight" series. I rather liked all the "Twilight" movies until now and this one is, to my personnal taste, as good as the previous ones - and even in one aspect a little bit better, as Edward and Bella finally become lovers. Below, you will find a short description of what I believe are the best elements of this film, with very limited SPOILERS:

1. Actors. All actors evolved as the serie continued and I believe they all got better with time. Robert Pattinson and Taylor Lautner are both excellent, but - in my humble opinion - it is Kristen Stewart who in this movie shines the most. Quite a lot of people frequently criticized her actorship claiming that she simply can not play at all and has a very limited assortment of expressions in her tool box. But for me, after reading "Twilight" books, this is how the character of Bella should be. I can hardly picture her wide smiling with all her teeth bared or doing any other highly extraverted things like that. In fact I believe that either by design or by accident Kristen Stewart got the things right about this character - her minimalistic approach to facial expressions actually makes (for me) Bella very believable and also quite likeable. In this part of the story, Bella takes a more dynamic approach to life by taking her destiny firmly under control. She makes important decisions and takes extreme risks, stubbornly resisting the opposite advice of all her family and friends - all of that in a deceptively unassuming way... And Kristen Stewart acted in the movie exactly as I pictured Bella did it, when I read the books. A very good job!

Other actors are also great, with Ashley Greene and Billy Burke being as usual the pillars - but amongst the supporting roles it is Nikki Reed who really gets the most praise from me. She has a much bigger role in this film and she is perfect in it! The one (little) disappointment is Jackson Rathbone, who changed comletely his haircut for this film and as a result his character, Jasper, seems much less impressive, which is a pity. He also seems to appear very little in the "first line", almost as if the director preferred to hide him a little...

2. Visual aspects. As usual, the images of state of Washington are great, but the tropical island where Bella and Edward spend their honey moon is also very pleasantly showed. Dark forests filled with (were)wolves are very much present here and they are a great background for the story.

3. Music. As usual in those series, music and songs have been selected very carefully and with a great taste.

4. The (were)wolf pack. The Quileute wolves are shown here even more and better than in the previous part. The scene of their war council, when they are all in the werewolf form, is absolutely great! The scene when Sam (the alpha male) asserts and confirms his power over the pack is excellent - as good as the description of Jacob's defiance and its consequences.

5. The wedding. A very nice and moving scene with some humour elements, especially when the guests make speeches offering toasts. Emmett, Jessica and Bella's father give here a great show. In the same time Mike Newton obsesses on vampire bridesmaids from the Denali clan, to the point of drooling (and I TOTALLY understand him!). Bella's mum and, suprprise surprise, Rosalie (!) are also real treasures in wedding scenes.

6. Quileute wolves vs. Cullen coven confrontation. This heartbreaking, tense and at moments violent conflict in which both sides are trapped against their will is a great moment in the Twilight saga - and its final resolution is even better! Finally it is true what the Beatles were singing - all you need is love! Babies help too...

7. The fight for Bella's life, Renesmee's bloody birth and Bella's fate - excellent! Those were moments very difficult to film - but the challenge was met succesfully! Nothing more about it to avoid more spoilers, but I was very impressed!

Conclusion: it is an excellent movie which I watched with great pleasure. My wife, who usually is a much harder person to please, loved it too and she is going to see it again with some girlfriends. And we will certainly both wait with great expectations for the "Breaking dawn" part 2. If it was done as well as that one, it will be certainly worth waiting one year to see it...

79 of 92 people found the following review helpful:

5.0 out of 5 stars Above and Beyond Expectations, November 21, 2011

lilnhavoc -This review is from: The Twilight Saga: Breaking Dawn, Part I [Blu-ray] (Blu-ray)

Being a huge fan of the books and a pretty big fan of the movies, I was blown away at what a great job they did with this movie installment. I loved the visual and audio parallels they drew between the original movie, Twilight, and this movie. For instance (Spoiler Alerts throughout): I loved how they played Flightless Bird during the wedding ceremony and the way the camera circled them kissing in the same manner the camera circled E & B kissing at Prom at the very end of Twilight. It was a subtle, yet stunning way to visually tie the two movies together and really made more of an emotional impact than if they had just shot them straight on and plugged in a different song. That was genius. And that dress...gorgeous. Just as it was described in the book.

I also loved that rather than having one continuous honeymoon "consummation" scene, they broke it up with Bella thinking about certain moments the next morning after looking in the mirror for the first time, where she's no longer a virgin. It was all done so tastefully. The way one's first time should be at that age. Not at some house party or in the back of some guy's car. For those who read the books and knew how Edward did everything he could to exhaust Bella with activities on their honeymoon so she'd be too tired to "try again", you have to admit that Bill Condon did such a great job showing you visually all the things they were doing without either character having to come out and say, I'm/you're trying to exhaust you/me. And it was adorable with KS put on her little nightgown and leaned against the wall...I got married when I was 19 and I felt the exact same way when I put on lingerie for the first time and dreaded walking into the bedroom with my little gown on. I felt like a child playing dress-up, much like it came off Bella felt.

I was also very impressed by the manner with which Bill Condon allowed us to see through the eyes of Jacob for the first time and hear what he hears with regard to the internal dialog between him and the pack. That scene where the wolves were running to the lumber yard and their voices echoed in Jacob's mind...that was so perfectly done. AND, I loved loved loved the way the Sam and Jacob had their battle for alpha. It was as if you, the person watching the movie, was in the mind of a wolf who is being forced into submission by it's Alpha. The CGI team did a great job because I forgot I was watching computer generated wolves and the intensity of the scene felt like I was there witnessing the true dynamic of a wolf pack.

I thought the birth scene was beyond intense. The scene almost mirroring that as it's written in the book. I think they showed just the right amount of Bella's internal agony during her transformation. For those of us who read the books, to say she had a prolonged bout of suffering during her transformation would be an understatement. However, if they had shown more of that in the movie, it would have taken from the torture that Edward was going through thinking he had lost Bella, and Jacob's malevolence towards Renesmee prior to imprinting on her. That whole scene allowed for each character's state of mind to be both seen, visually, and felt, emotionally. Powerfully shot and brilliantly executed.

I imagine the imprinting scene was a difficult one to translate from paper to screen. They did a great job in this as well. Not in any way cheesy, but sweet and breathless...if that makes any sense. The only thing I did not love about it was that the girl/teenager Jacob sees as an older Renesmee appeared to be CGI. They used an actual young girl to play the younger Renesmee, why not use a real person for the older Renesmee too? I'm sure Hollywood has a few young actresses that would have auditioned for the part???

I loved the fight between the wolves and the Cullens at the very end of the movie. In the books, you go from Jacob's perspective where he witnesses Bella's death and then walks into the living room to kill Renesmee, only to imprint on her. And then you go immediately back to Bella's perspective where she's riving in pain while she's transforming into a vampire. I feel Melissa Rosenburg had a stroke of brilliance when she decided to add this scene so that the audience could see what could have happened in the books, but did happen in the movie, during the time period between Jacob imprinting on Renesmee and Bella awakening for the first time as a vampire. Another unexpected and totally welcomed brilliant surprise of this movie.

Another welcome surprise for me was while Bella was at the very end of her transformation. I thought it was a touching visual moment that just before her heart beat for the very last time, we witnessed Bella's memories in a somewhat reverse chronological order, ending with her very first human memory as a baby in the arms of her parents bouncing her in front of a mirror.

But what was not a surprise and what I've been telling my fellow twi-hards the past couple years is the very last scene of the movie. Once I heard they were splitting BD into two parts, I've always maintained there's only one way to end part 1 with truly visual impact...and that is to witness Bella's subtle transformation from a broken human to a perfect vampire, surrounded by the Cullens, with the scene closing in on Bella's perfect facial features, zooming into her perfectly shut eyes...that suddenly open the most gorgeous crimson red....and straight to credits. I actually gave myself a little pat on the back for that one because so much of the movie exceeded my expectations of visual and audio creativity, and yet the last scene ending a certain way was something I was very adamant with my friends about, and sure enough that's how it ends. So maybe now I can revel in having an ounce of the vision that Bill Condon and Melissa Rosenburg possess...hey I'll take that ounce.

Aside from the standout scenes I've mentioned herein, I thought Kristen Stewart did her best portrayal of Bella yet. Her facial expressions alone are so real to each moment they're almost tangible. I've enjoyed the work KS has done prior to the Twilight Saga, and I am so glad these movies have launched her career because I am certain she will be one of the great leading ladies of acting for many decades to come. So to all Twi-hards out there. This movie was amazing. A must see for those who loved the books and fans of the previous movies. I can't wait for it to come out on DVD so that I can add it to my Twilight Saga collection.

5.0 out of 5 stars Time has finally arrived, November 25, 2011

Heidi Woodruff "H. Woodruff" (Clarksville, TN USA) -

The Twilight Saga: Breaking Dawn - Part I (Two-Disc Special Edition) (DVD)

I went to the midnight premier of Breaking Dawn part 1 and the movie was over in a flash. It was worth the wait and was well made. It was nice seeing Stephanie Meyer during the wedding. There are many high lights out of the book I was worried about (e.g. wedding night, birth, imprinting. All my worries were relieved, once I saw how great they were shown, especially after reading the books. I would like to go see the movie again. Now all us Twihards have to wait another year until the part 2 comes out. I would recommend this movie to anybody. Loved it

The Twilight Saga: Breaking Dawn - Part I (Two-Disc Special Edition)

2012-01-19T05:46:00.000+07:00

The Twilight Saga: Breaking Dawn - Part I (Two-Disc Special Edition)

Editorial Reviews

Amazon.com

The Twilight Saga: Breaking Dawn, Part 1 delivers strongly for the rabid fan base who have catapulted the young adult novel series and subsequent movie adaptations to the worldwide phenomenon that it's become, but it alienates a broader audience with a lack of any real action. Similar to the tone of Harry Potter and the Deathly Hallows: Part 1, the first film of the two-part Twilight conclusion is heavy on romance, love, and turmoil but light on fight scenes and gruesome battles. The movie doesn't waste any time getting to the goods and opens with Bella and Edward's much-hyped wedding scene. It works--the vows are efficient and first-time franchise director Bill Condon (Dreamgirls) moves the party along quickly and amusingly with a well-edited toast scene and some surprisingly moving moments between Bella and her father, cast standout Billy Burke. The honeymoon plays as a slightly awkward soft-focus made-for-TV movie, with a lot of long moments spent staring in the mirror and some love scenes that feel at once overly intimate and completely passionless. It's a relief when Bella retches on a bite of chicken she's cooked herself and quickly concludes she's pregnant with a potentially demonic baby. From bliss to horror, the Cullens return to Forks, where Bella spends the second half of the movie wasting away and Edward and Jacob are aligned in their anger and frustration over her decision. Throw in some over-the-top scenes with Jacob and his pack--including a strange showdown where the wolves communicate in their canine form by having a passionate nonverbal fight in their minds (a plot point that works much better in print, it's portrayed in the film via aggressive voice-over)--and the film overshoots intensity and goes straight to silly. The birth scene is horrific, but not as gruesome as in the book, and by the end, Bella has of course survived, though is much altered. The final scene features a delightfully campy Michael Sheen as Volturi leader Aro and makes it clear that the action and fun in Breaking Dawn, Part 1 is ready to start. Fans will just have to wait until Part 2 to get it. --Kira Canny

Product Description

In the highly anticipated fourth installment of The Twilight Saga, a marriage, honeymoon and the birth of a child bring unforeseen and shocking developments for Bella (Kristen Stewart) and Edward (Robert Pattinson) and those they love, including new complications with werewolf Jacob Black (Taylor Lautner).

Special Features:
Go behind the scenes with a captivating 6-PART MAKING-OF DOCUMENTARY; relive the memories with Edward & Bella's personal WEDDING VIDEO; get a glimpse into JACOB'S DESTINY; watch your favorite scenes over and over in EDWARD FAST FORWARD and JACOB FAST FORWARD; plus an AUDIO COMMENTARY with Director Bill Condon

Checkmate

2012-01-19T05:43:00.000+07:00

Checkmate

(See Top 100 in Movies & TV)

Episode 11, "Checkmate"

Synopsis: When Keller kidnaps Elizabeth, Peter and Neal must work together to meet his ransom demand: the U-Boat treasure. Neal is forced to come clean with Peter about the hidden cache, and Peter must put this betrayal aside in order to save Elizabeth.

Original air date: January 17, 2012

Runtime: 44 minutes

ASIN: B006Z48JGM

Amazon Best Sellers Rank: #1 in Movies & TV

White Collar Season 3

Synopsis: WHITE COLLAR: White Collar is a drama about the unlikely partnership between a con artist and an FBI agent. The world's most creative con man escapes a maximum-security prison by walking out the front door; the FBI tracks him down, but instead of returning him to jail, they decide to use his criminal expertise to catch other notorious criminals.

Season year: 2012

Network: USA

ASIN: B0053OI2OY

Rights & Requirements

Purchase rights: Stream instantly and download to 2 locations. Details

Compatible with: Mac and Windows PC online viewing, compatible instant streaming devices, TiVo DVRs. System requirements

Format: Amazon Instant Video (streaming online video and digital download)

Courageous

2012-01-19T05:40:00.000+07:00

Courageous

Special Features

Commentary with the Kendrick Brothers
Deleted Scenes
OUTRAGEOUS: Outtakes and Bloopers
Courageous in 60 Seconds
The Making of Courageous
The Heart of Courageous
The Story Of My Father

Editorial Reviews

Four men, one calling: To serve and protect. As law enforcement officers, they are confident and focused, standing up to the worst the streets can offer. Yet at the end of the day, they face a challenge they’re ill prepared to tackle: fatherhood. When tragedy strikes home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Sherwood Pictures, creators of Fireproof, returns with this heartfelt, action-packed story. Protecting the streets is second nature to these law enforcement officers. Raising their children in a God-honoring way? That takes courage. Starring: Alex Kendrick, Kevin Downes, Ken Bevel, Robert Amaya, Ben Davies Director: Alex Kendrick Producer: Stephen Kendrick

Archer: Season 2 [Blu-ray]

2012-01-19T05:37:00.000+07:00

Archer: Season 2 [Blu-ray]

Special Features

Disc 1:

Swiss Miss
Going Concern, A
Blood Test
Pipeline Fever
Double Deuce, The
Tragical History
Movie Star
Stage Two

Disc 2:

Placebo Effect
El Secuestro
Jeu Monegasque
White Nights
Double Trouble

Archersaurus - Self Extinction
Ask Archer
Semper Fi
L'espoin Mal Fait
ISIS infiltrates Comic-con

Editorial Reviews

Sterling Archer, the world’s most dangerous spy, and his snarky ISIS cohorts are back for another outrageously raunchy season of international espionage and hilarious inter-office intrigue! When he’s not busy foiling eco-terrorist threats, tracking down mysterious killers, or having sex in x-ray machines, the suave master-spy has his hands full with bikini-clad ninjas, Swiss nymphomaniacs, and paternity suits. Archer searches for the true identity of his father, battles breast cancer, and brings a sexy, ex-KGB agent home to meet his domineering mother. It’s all in a day’s work for the international man of mystery in this uproariously edgy animated farce.

Boardwalk Empire: The Complete First Season [Blu-ray]

2012-01-19T05:34:00.001+07:00

Boardwalk Empire: The Complete First Season [Blu-ray]

Editorial Reviews

Amazon.com

In fine (and bloody) style, HBO's Boardwalk Empire returns to 1920 when the ban on booze led to a syndicate of bootleggers and smugglers. Created by Sopranos scribe Terence Winter and coproduced by director Martin Scorsese, the story centers on Atlantic City treasurer Enoch "Nucky" Thompson (Steve Buscemi), who schemes in private while preaching temperance in public (Mark Wahlberg and Tim Van Patten also serve as producers). Jimmy (Michael Pitt, Buscemi's Delirious costar), a war veteran, acts as his right-hand man, while zealous Agent Van Alden (Michael Shannon) and refined mobster Arnold Rothstein (A Serious Man's Michael Stuhlbarg) represent significant threats to his enterprise. Nucky's other associates include his sheriff brother Eli (Shea Whigham), sexpot girlfriend Lucy (Paz de la Huerta), and distributor Chalky (The Wire's Michael K. Williams). If Nucky has little regard for law and order, his soft side emerges in his dealings with Irish immigrant Margaret (Kelly Macdonald, excellent), who segues from abused wife to kept woman. As Nucky puts it, "I try to be good. I really do." After he sends Jimmy away a spell, his sidekick joins forces with Al Capone (Stephen Graham, Public Enemies) and disfigured vet Richard Harrow (Jack Huston), abandoning his son, common-law wife Angela (Aleksa Palladino), and mother Gillian (Gretchen Mol), who has a fling with Lucky Luciano (Vincent Piazza).
Inspired by Nelson Johnson's book, Boardwalk Empire takes a Deadwood-like approach to history by combining characters both factual and fictional with blue language and ladies without brassieres. Winter, who won an Emmy for The Sopranos episode Pine Barrens, takes liberties with the historical record, but the series never claims to represent the truth and nothing but--which is only fitting when everyone's hiding secrets. If the entire ensemble deserves praise, Buscemi rules the show as thoroughly as Nucky rules the city. --Kathleen C. Fennessy

From Terence Winter (Emmy®-winning writer on HBO's The Sopranos) and Oscar®-winning director Martin Scorsese, Boardwalk Empire is set in Atlantic City in 1920 at the dawn of Prohibition. The series chronicles the life and times of Enoch Nucky Thompson (Steve Buscemi), the city treasurer whose double role as politician and bootlegger makes him the city's undisputed czar at a time when illegal alcohol has opened up highly lucrative opportunities for rumrunners and distributors. In a city defined by notorious backroom politics and vicious power struggles, Nucky must contend with ambitious underlings, relentless Feds, rival gangsters -- including Arnold Rothstein, Lucky Luciano and Al Capone -- and his own appetite for women, profits, and power.

Kindle Keyboard 3G, Free 3G + Wi-Fi, 6" E Ink Display - includes Special Offers and Sponsored Screensavers

2012-01-18T00:40:00.000+07:00

Kindle Keyboard 3G, Free 3G + Wi-Fi, 6" E Ink Display - includes Special Offers & Sponsored Screensavers

Kindle Keyboard at a Glance


Most Advanced E Ink Display Kindle's high-contrast E Ink display delivers clear, crisp text and images that you can read without eye strain. For extended periods of reading, E Ink displays deliver the best reading experience. Read in Bright Sunlight Kindle's E Ink screen reads like real paper, with no glare. Read as easily in bright sunlight as in your living room. Lighter Than a Paperback At only 8.5 ounces and 1/3 of an inch thin, Kindle Keyboard is lighter than a paperback and thinner than a magazine. Holds 3,500 Books Carry up to 3,500 books--keep your library with you wherever you go. Two Month Battery Life A single charge lasts up to two months with wireless off based upon a half-hour of daily reading time. Free 3G Wireless No annual contracts, no monthly fees. Download books anytime, anywhere. Learn more . Global 3G Coverage Travel the globe and still get books in under 60 seconds with wireless coverage in over 100 countries and territories. Built-In Wi-Fi Connect to Wi-Fi hotspots at home or on the road. Includes free Wi-Fi access at AT&T hotspots across the U.S. Quiet Page Turn Buttons Quiet page turning means you won't disturb your partner when you want to read all night. Share Meaningful Passages Share meaningful passages with friends and family with built-in Twitter and Facebook integration. Simple to Use Kindle Keyboard is ready to use right out of the box - no setup, no software to install, no computer required. PDF Reader Now with new dictionary lookup, notes and highlights, and support for password protected PDFs. Easily carry all of your documents on the go.		Kindle Owners' Lending Library NEW - With an Amazon Prime membership, Kindle owners can choose from thousands of books to borrow for free - including over 100 current and former New York Times Bestsellers - as frequently as a book a month, with no due dates. Learn More Massive Selection Over one million books, including New York Times Best Sellers, plus audiobooks, periodicals and blogs. For non-U.S. customers, content availability varies. Free, Out-of-Copyright Books Over 2 million free, out-of-copyright, pre-1923 books are available such as Pride and Prejudice.Learn More Low Book Prices Over 800,000 books are $9.99 or less. Books in 60 Seconds With fast, free wireless delivery, you can start reading books in less than 60 seconds. No computer required. Free Book Samples Download and read first chapters for free before you decide to buy. NEW - Public Library Books Customers can check out a Kindle book from their local library and start reading on any Kindle or free Kindle reading app. Learn More Kindle Book Lending Lend eligible Kindle books to other Kindle or Kindle app users for 14 days. Learn more Audible Audiobooks Over 60,000 Audible.com audiobooks read by authors, celebrities, and world-class narrators—with wireless delivery via Wi-Fi. Real Page Numbers We've added real page numbers that correspond to print editions so you can easily reference and cite passages. Read Everywhere with Whispersync Your Kindle books can be read on your Kindle, iPhone, iPad, PC, Mac, Android device, and BlackBerry. Our Whispersync technology syncs your place across devices, so you can pick up where you left off. Read-to-Me With Text-to-Speech, Kindle Keyboard can read English-language content out loud to you. Special Offers Receive special offers and sponsored screensavers that display on the Kindle Keyboard screensaver and on the bottom of the home screen—they don't interrupt reading. Learn more

Battle Royale: The Complete Collection [Blu-ray]

2012-01-18T00:21:00.000+07:00

Battle Royale: The Complete Collection [Blu-ray]

Product Details

Actors: Beat Takeshi
Format: Widescreen
Language: Japanese
Subtitles: English, Japanese
Region: (Read more about DVD/Blu-ray formats.)
Aspect Ratio: 1.77:1
Number of discs: 4
Rated: Unrated
Studio: Starz / Anchor Bay
DVD Release Date: March 20, 2012
Run Time: 368 minutes

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Justified: The Complete Second Season [Blu-ray] (2011)

2012-01-13T15:02:00.000+07:00

In the aftermath of the deadly showdown that freed Harlan County from the Crowder family crime reign, U.S. Marshal Raylan Givens must now take on even greater criminal forces looking to seize power - including hellbent nemesis Boyd Crowder and the arrival of brutal, new adversary Mags Bennett (Emmy® Winner Margo Martindale). Filled with treacherous twists at every turn... the second season of "Justified" proves "spectacularly entertaining" (TV Guide) and has established itself as a show for the ages.

Video Justified: Talking Raylan

This review is from: Justified: The Complete Second Season (DVD)

nofate

The trailers caught my attention long before the show began. Unfamiliar with Olyphant, never saw a Deadwood episode, nor any of his movies. After the first episode I became an Olyphant fan and have watched a lot of his previous work. This is the first TV series in years that I can't wait 'til the next one comes on and I'm wishing the one that's on wouldn't end. That just doesn't happen much anymore.

A buddy of my age group grew up in the sticks of mid-northern Florida before things heated up down there, then worked all over the south for most of his adult life and he is the only other person we know who is also in love with the show. He says it is very close to the way things really are in some of those "hollers" that he had to spend time in trying to sell his wares. Neither of us can believe this show hasn't caught on more. It is really a hidden gem.

I think the essence of the show is in the second season when one of the State Patrol guys asks Raylan's boss Art if Raylan can't come with him to serve a warrant on some backwoods type. "You know, because you know these people". Art looks at Raylan and says "Well ain't you just the hillbilly whisperer?" It's the Soprano's and U.S. Marshalls set down in the hills of Kentucky. The crew has continued the gritty realism, strong dialogue, and continual movement of the story that characterized Elmore Leonard's writing. I's tough, knowing that the last episode this season is tomorrow night and we'll have to wait almost a whole year to see another new episode - barring cancellation of course.

Update: 5-7-11. Watched last night's season finale and enjoyed the little twists, even though I knew what would happen when Mags got Raylan to sit down to a drink of "Apple Pie". Paraphrasing an Amazon reviewer of Elmore Leonard's book "Pronto", the only problem I have with the show is - it ended.

Iron Man 2 (Three-Disc Blu-ray/DVD Combo + Digital Copy)

2012-01-13T13:23:00.000+07:00

See 2 more images and video

Get the ultimate Iron Man 2 experience with this special edition loaded with bonus features that take you inside the suit, plus a digital copy of the film that you can watch anywhere, anytime! Now that Tony Stark’s superhero secret is revealed to the world, he must once again suit up in order to face his most dangerous enemy yet – but not without a few new allies of his own!

After the high-flying adventures of the first Iron Man picture, the billionaire arms manufacturer and irrepressible bon vivant Tony Stark (Robert Downey Jr.) finds himself nursing a hangover. But not like any hangover he's had before: this one is toxic, a potentially deadly condition resulting from heavy metals (or something) bleeding out of the hardware he's installed in the middle of his chest. This is the problem Stark needs to solve in Iron Man 2, not to mention the threat from resentful Russian science whiz Ivan Vanko (Mickey Rourke), whose father helped create the Iron Man technology. There's an even bigger problem for the film: the need to set up a future Marvel Comics movie universe in which a variety of veteran characters will join forces, a requirement that slows down whatever through-line the movie can generate (although fanboys will have a good time digging the clues laid out here). Actually, the main plot is no great shakes: another Iron Man suit is deployed (Don Cheadle, replacing Terrence Howard from the first film, gets to climb inside), Stark continues to bicker with assistant Pepper Potts (Gwyneth Paltrow), and a weaselly business rival (Sam Rockwell) tries to out-do the Iron Man suit with an army of Vanko-designed drones. Mickey Rourke is a letdown, burdened by a wobbly Russian accent and looking skeptical about the genre foolishness around him, and Scarlett Johansson has to wait until the final couple of reels to unleash some butt-kickin' skills as the future Black Widow. That climax is sufficiently lively, and the initial half-hour, including Stark's smirky appearance before a Senate committee and a wacky showdown at the Monaco Grand Prix, provides a strong, swift opening. But the lull between these high points is crying for more action and more Downey improv. --Robert Horton

Special Features

Disc 1 (Blu-ray):
Feature film with optional commentary by Jon Favreau (HD)
S.H.I.E.L.D. Data Vault (HD)— Extend your knowledge of the Marvel Cinematic Universe with high-level clearance into S.H.I.E.L.D.’s digital data vault. Interact with select scenes from the movie that include new layers of graphics and insider information. View case files, dossiers, S.H.I.E.L.D. training films, tech details and more.
Previsualization and Animatics (HD)

Disc 2 (Blu-ray):
Ultimate Iron Man: The Making of Iron Man 2 (HD)
Rebuilding the Suit—An all-encompassing look at the beginning stages of this mammoth blockbuster.
A Return to Action—From Marvel Studios to the streets of Monaco, Jon Favreau takes viewers through the trials and triumphs of continuing Iron Man’s story.
Expanding the Universe—From the amazing sets of Stark Expo to Tony Stark’s home and beyond, the Marvel Universe continues to unfold into new and exciting places.
Building a Legacy—From filming to editing, scoring and visual effects, Favreau and his team face the challenges of bringing the sequel to the big screen.
Featurettes (HD):

Creating Stark Expo—A look at how the sets and computer-generated elements combine to create the massive set piece.Practical Meets Digital—How the “practical” props inform the “digital” work that ultimately brings our hero to life on screen.
Illustrated Origin: Nick Fury—A comprehensive journey into creating one of the most mysterious and influential heroes in the Marvel Universe.
Illustrated Origin: Black Widow—An exciting look at the new femme fatale introduced in Iron Man 2.
Illustrated Origin: War Machine—A look at the introduction of the character and how his friendship with Tony Stark resonates with fans.
Working with DJ AM—Jon Favreau remembers working with Adam Goldstein.

Deleted Scenes with optional commentary by Jon Favreau (HD):

Alternate Opening
Coulson at the Senate
The Sub-Orbital Jet
Tony’s Workshop (extended)
Natalie Wears the Gauntlet
Flying Party Girl
Mark II Security
Element Rediscovered (extended)

Concept Art Gallery
Theatrical Trailers (HD)
Music Video: AC/DC “Shoot To Thrill” (HD)

Disc 3 (DVD):
Feature Film
Digital Copy (Expires September 28, 2011)

Rise of the Planet of the Apes (Two-Disc Edition Blu Ray + DVD/Digital Copy Combo) [Blu-ray] (2011)

2011-12-17T12:32:00.000+07:00

Special Features

Disc 1: Theatrical Feature Blu-ray
Deleted Scenes
Mythology of the Apes
The Genius of Andy Serkis
A New Generation of Apes
Scene Breakdown
Character Concept Art Gallery
Breaking Motion Capture Boundaries
Composing the Score with Patrick Doyle
The Great Apes
Audio Commentary by Director Rupert Wyatt
Audio Commentary by Writers Rick Jaffa and Amanda Silver
Theatrical Trailers

Disc 2: DVD + Digital Copy

Editorial Reviews

Product Description

Rise of the Planet of the Apes is a revolution; an action-packed epic featuring stunning visual effects and creatures unlike anything ever seen before. At the story's heart is Caesar (Andy Serkis), a chimpanzee who gains human-like intelligence and emotions from an experimental drug. Raised like a child by the drug's creator (James Franco), Caesar ultimately finds himself taken from the humans he loves and imprisoned. Seeking justice, Caesar assembles a simian army and escapes -- putting man and primate on a collision course that could change the planet forever.

Harry Potter and the Deathly Hallows, Part 1 [Blu-ray] (2010)

2011-12-17T12:11:00.000+07:00

Editorial Reviews

Product Description

Harry, Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemort’s immortality and destruction – the Horcruxes. On their own and on the run, the three friends must now rely on one another more than ever…but Dark Forces in their midst threaten to tear them apart. Meanwhile the wizarding world has become a dangerous place. The long-feared war has begun and the Dark Lord has seized control of the Ministry of Magic and even Hogwarts, terrorizing and arresting all who might oppose him. The Chosen One has become the hunted one as the Death Eaters search for Harry with orders to bring him to Voldemort…alive. Customer Reviews

Batman Limited Edition Video

2011-12-17T12:01:00.000+07:00

see : Batman Limited Edition Video

Editorial Reviews

Amazon.com

Batman Begins discards the previous four films in the series and recasts the Caped Crusader as a fearsome avenging angel. That's good news, because the series, which had gotten off to a rousing start under Tim Burton, had gradually dissolved into self-parody by 1997's Batman & Robin. As the title implies, Batman Begins tells the story anew, when Bruce Wayne (Christian Bale) flees Western civilization following the murder of his parents. He is taken in by a mysterious instructor named Ducard (Liam Neeson in another mentor role) and urged to become a ninja in the League of Shadows, but he instead returns to his native Gotham City resolved to end the mob rule that is strangling it. But are there forces even more sinister at hand? Co-written by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn't have the razzle dazzle, or the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, like most "first" superhero movies. But it's certainly the best Bat-film since Burton's original, and one of the best superhero movies of its time. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film's humor as the family butler, Alfred, and as the love interest, Katie Holmes (Dawson's Creek) is surprisingly believable in her first adult role. Also featuring Gary Oldman as the young police officer Jim Gordon, Morgan Freeman as a Q-like gadgets expert, and Cillian Murphy as the vile Jonathan Crane. --David Horiuchi

Product Description

Batman Begins explores the origins of the Batman legend and the Dark Knight's emergence as a force for good in Gotham. In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne (Christian Bale) travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect and an array of high tech deceptions to fight the sinister forces that threaten the city.

See All Editorial Reviews

LG BD630 Network Blu-ray Disc Player

2011-12-06T06:57:00.001+07:00

LG BD630 Network Blu-ray Disc Player

If you want stunning Full HD 1080p and streaming
entertainment, you've found it with the
BD630 Network Blu-ray Disc Player.

Now experience Full HD 1080p picture quality, the sound of Blu-ray technology along with the possibilities of having direct access to streaming content from Netflix, CinemaNow, Vudu and YouTube.

KEY TECHNOLOGIES

Entertainment on tap.

Internet access lets you stream instant content from Netflix, CinemaNow, Vudu and YouTube directly to your TV - no computer required.*
Make the most of your HDTV.

Blu-ray disc playback delivers exceptional Full HD 1080p video performance, along with Bonus-view for a picture-in-picture.
Making old just like new.

No need to go out and replace your old DVD collection. Even they look better on Blu-ray. Standard DVD Up-Scaling delivers exceptional image quality from standard DVDs with 1080p upscaling via HDMI output.

ADDITIONAL FEATURES

Express Reaction Startup.

A quick-opening tray-ready to play before you hit the couch.

Dolby TrueHD Digital Plus.
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Vietnam in HD, Blu-ray Edition (2011)

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Their story is in danger of being lost to history. The men who came home from the Vietnam War represent a second silent generation. These are the men who won every battle in a lost war. Using the same experiential approach to storytelling as WWII in HD, HISTORY gives these veterans a voice. Through a collection of color Vietnam footage never seen by the public from private collections, museums, the US government, veteran's and news organizations as well as sources from Vietnam, they tell their stories and relive their struggles, courage and fears. This six-hour miniseries spans the massive initial troop build-up in 1965 to the fall of Saigon a decade later. Sound design, using popular music from that era, powerfully evokes the time period and experience.

This 2-disc set presents all 6 episodes in stunning Blu-ray high-definition.

Harry Potter: The Complete 8 Film Collection [Blu-ray] (2011)

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Harry Potter and the Sorcerer's Stone

Here's an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because of the film's fidelity to the novel; this is a case of making a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return. Ages 8 and up. --Doug Thomas

Harry Potter and the Chamber of Secrets

First sequels are the true test of an enduring movie franchise, and Harry Potter and the Chamber of Secrets passes with flying colors. Expanding upon the lavish sets, special effects, and grand adventure of Harry Potter and the Sorcerer's Stone, Harry's second year at Hogwarts School of Witchcraft and Wizardry involves a darker, more malevolent tale (parents with younger children beware), beginning with the petrified bodies of several Hogwarts students and magical clues leading Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) to a 50-year-old mystery in the monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by Sorcerer's Stone director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart (be sure to view past the credits for a visual punchline at Lockhart's expense). At 161 minutes, the film suffers from lack of depth and uneven pacing, and John Williams' score mostly reprises established themes. The young, fast-growing cast offers ample compensation, however, as does the late Richard Harris in his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honors the legacy of J.K. Rowling's novels. --Jeff Shannon

Harry Potter and the Prisoner of Azkaban
Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School of Witchcraft and Wizardry face a new and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff Shannon

Harry Potter and the Goblet of Fire

The latest entry in the Harry Potter saga could be retitled Fast Times at Hogwarts, where finding a date to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery of the opposite sex) opens up a rich mining field to balance out the dark content in the fourth movie (and the stories are only going to get darker). Mike Newell (Four Weddings and a Funeral) handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more sure of himself) has his first girl crush on fellow student Cho Chang (Katie Leung), and has his first big fight with best bud Ron (Rupert Grint). Meanwhile, Ron's underlying romantic tension with Hermione (Emma Watson) comes to a head over the winter ball, and when she makes one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold. But don't worry, there's plenty of wizardry and action in Goblet of Fire. When the deadly Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad-Eye Moody and Miranda Richardson as Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation. --Ellen A. Kim

Harry Potter and the Order of the Phoenix

Alas! The fifth Harry Potter film has arrived. The time is long past that this can be considered a simple "children's" series--though children and adults alike will enjoy it immensely. Starting off from the dark and tragic ending of the fourth film, Harry Potter and the Order of the Phoenix begins in a somber and angst-filled tone that carries through the entire 138 minutes (the shortest of any HP movie despite being adapted from the longest book). Hopes of winning the Quidditch Cup have been replaced by woes like government corruption, distorted media spin, and the casualties of war. As the themes have matured, so have the primary characters' acting abilities. Ron (Rupert Grint), Hermione (Emma Watson), and especially Harry (Daniel Radcliffe) are more convincing than ever--in roles that are more demanding. Harry is deeply traumatized from having witnessed Cedric Diggory's murder, but he will soon find that this was just another chapter in the continuing loss he will endure. Lord Voldemort (Ralph Fiennes) has returned and, in an attempt to conceal this catastrophe from the wizarding public, the Ministry of Magic has teamed up with the wizard newspaper The Daily Prophet to smear young Potter and wise Dumbledore (Michael Gambon)--seemingly the only two people in the public eye who believe the Dark Lord has returned. With no one else to stand against the wicked Death Eaters, the Hogwarts headmaster is forced to revive his secret anti-Voldemort society, the Order of the Phoenix. This welcomes back characters like Mad-Eye Moody (Brendan Gleeson), kind Remus Lupin (David Thewlis), fatherly Sirius Black (Gary Oldman), and insidious Severus Snape (Alan Rickman), and introduces a short list of intriguing new faces. In the meantime, a semi-psychotic bureaucrat from the Ministry (brilliantly portrayed by Imelda Staunton) has seized power at Hogwarts, and Harry is forced to form a secret society of his own--lest the other young wizards at his school be left ill-equipped to defend themselves in the looming war between good and evil. In addition, Harry is filled with an inexplicable rage that only his Godfather Sirius seems to be able to understand.
This film, though not as frightening as its predecessor, earns its PG-13 rating mostly because of the ever-darkening tone. As always, the loyal fans of J.K. Rowling's books will suffer huge cuts from the original plot and character developments, but make no mistake: this is a good movie. --Jordan Thompson

Harry Potter and the Half-Blood Prince

The sixth installment of the Harry Potter series begins right where The Order of the Phoenix left off. The wizarding world is rocked by the news that "He Who Must Not Be Named" has truly returned, and the audience finally knows that Harry is "the Chosen One"--the only wizard who can defeat Lord Voldemort in the end. Dark forces loom around every corner, and now regularly attempt to penetrate the protected walls of Hogwarts School. This is no longer the fun and fascinating world of magic from the first few books—it's dark, dangerous, and scary. Harry (Daniel Radcliffe) suspects Draco Malfoy (Tom Felton) to be a new Death Eater recruit on a special mission for the Dark Lord. In the meantime, Professor Dumbledore (Michael Gambon) seems to have finally removed the shroud of secrecy from Harry about the dark path that lies ahead, and instead provides private lessons to get him prepared. It's in these intriguing scenes that the dark past of Tom Riddle (a.k.a. Voldemort) is finally revealed. The actors cast as the different young versions of Riddle (Hero Fiennes-Tiffin and Frank Dillane) do an eerily fantastic job of portraying the villain as a child. While the previous movies' many new characters could be slightly overwhelming, only one new key character is introduced this time: Professor Horace Slughorn (with a spot-on performance by Jim Broadbent). Within his mind he holds a key secret in the battle to defeat the Dark Lord, and Harry is tasked by Dumbledore to uncover a memory about Voldemort's darkest weapon--the Horcrux. Despite the long list of distractions, Harry, Ron (Rupert Grint), and Hermione (Emma Watson) still try to focus on being teenagers, and audiences will enjoy the budding awkward romances. All of the actors have developed nicely, giving their most convincing performances to date.
More dramatic and significant things go down in this movie than any of its predecessors, and the stakes are higher than ever. The creators have been tasked with a practically impossible challenge, as fans of the beloved J.K. Rowling book series desperately want the movies to capture the magic of the books as closely as possible. Alas, the point at which one accepts that these two mediums are very different is the point at which one can truly enjoy these brilliant adaptations. Harry Potter and the Half-Blood Prince is no exception: it may be the best film yet. For those who have not read the book, nail-biting entertainment is guaranteed. For those who have, the movie does it justice. The key dramatic scenes, including the cave and the shocking twist in the final chapter, are executed very well. It does a perfect job of setting up the two-part grand finale that is to follow. --Jordan Thompson

Harry Potter and the Deathly Hallows, Part I

Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (the last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be warned, there are some scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Potter series. --Ellen A. Kim

Harry Potter and the Deathly Hallows, Part II

The Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it's worth the hype--visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry's quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort's soul) leads him first to a thrilling (and hilarious--love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round). As predicted all throughout the saga, Harry also has his final showdown with Voldemort--neither can live while the other survives--though the physics of that predicament might need a set of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in at the most welcome times, thanks to the deft adaptation by Steve Kloves (who scribed all but one of the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, over the last decade, certainly proven he was the right kid for the job all along. As Prof. Snape, the most perfect of casting choices in the best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: the most lucrative franchise in movie history to date has just reached its conclusion, and it's done so without losing its soul. --Ellen A. Kim

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Vietnam in HD, Blu-ray Edition (2011)

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Harry Potter: The Complete 8 Film Collection [Blu-ray] (2011)

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