Blue Suede Schubert

We've Moved

noreply@blogger.com (niccomm) — Mon, 12 Nov 2007 17:39:00 +0000

Continue to follow the thrilling adventures of Blue Suede Schubert at our new home here.
Why the change? Oh, you know the story.
The new place is closer to my work, the kids have more room to run around, etc. Plus there's a pool. I don't have a pool here.

Blake Lewis Is A Jedi Master

noreply@blogger.com (niccomm) — Fri, 09 Nov 2007 13:22:00 +0000

So Blake Lewis, the beat-boxing American Idol runner up, finally has his new album ready to hit the stores. That's the good news. Lewis is a talented artist, and the first cut from the album "Break Anotha" chugs along nicely and shows off his considerable skills. The bad news is that this is the album cover.
Yikes.
Let me be even a bit more to the point: This is the one they approved.
It makes you wonder at how crappy the rejected ones were. It looks like some sort of throwback to a Star Wars movie poster. The good thing is you don't have to look at it, and if your iTunes tries to download it as cover art, you can easily replace it with a picture of your dog.

Listen to Blake Lewis, Break Anotha

What Happened To The Music?

noreply@blogger.com (niccomm) — Thu, 08 Nov 2007 21:28:00 +0000

"Michael Jackson gives rare interview, pronounced normal"

That's a real headline from Reuters. Here are a few snippets from the story:

Jackson, 49, appears on the front cover of the African-American magazine "Ebony" to mark the 25th anniversary of "Thriller" -- the world's best-selling studio album that also made him a superstar.
...
The cover photo of the magazine, whose December edition hits newsstands on November 12, is causing almost as much of a stir as the interview, which barely addresses the fallout of the trial. Jackson is pictured dressed all in white, with a glowing peaches-and-cream skin.

Harriette Cole, creative director of Ebony, spent a day and a half with Jackson during the photo shoot and interview and said, "he came across really as kind of normal."

"He's 49. He's a grown-up. If you learn from your challenges, then you become stronger. He certainly seemed like that," Cole told NBC's "Today" show this week. "Honestly ... he was normal."

So, what happened to the music? That's a double-edged question.
First, I'm asking why the big story is that Michael Jackson appears to be normal? His image has become far bigger than his talent at this point in his career (or whatever is left of it). Big whoop. Michael Jackson is normal, so ...ummm... we have to go out and buy his album?

Well, no.

That brings me to the other side of the double-edged question.
What happened to the music? If these two leaked tracks are any indication, Michael Jackson hasn't turned on a radio in years.

In the words of my good friend, and music critic par excellence, Lisa, "The first song with the Fugees, who aren't really even the Fugees anymore is like Gangstas go Broadway. Like the 'Thriller' dance off, but every one keeps flashing up jazz hands at each other.
"The second song sounds like Michael is trapped in 1988. He has lost the magic. He has lost the magic and most of the supporting cartilage in his nose."

Listen for yourself:
Gangsta No Friend

Xcape

What Would You Pay For Paste?

noreply@blogger.com (niccomm) — Tue, 06 Nov 2007 18:42:00 +0000

No, not the gooey adhesive made from water and flour that you used in grade school. That stuff is free... and delicious.
I'm talking about Paste, the music magazine that comes with a free CD of tunes with each issue. Like Radiohead, Paste is betting that if readers name their own price for a subscription, they will become long-time subscribers, and maybe even buy the stuff that advertisers promote in their pages (because that's what it's all about anyway). Until November 10 (I think), you can subscribe to Paste at whatever price you want. The only thing is, you have to pay something, even if it's a minimum $1.

And if you pay more than the $19.95 Paste typically offers for a one-year subscription, you will be thanked in print in a future issue of the magazine, on a page that can be torn out and framed. Then you can tell all your friends that you were in Paste, and you wouldn't be lying this time.

Here's the story:
The campaign came about from a casual conversation at the Paste offices discussing the recent Radiohead campaign and the Jim Collins book, Good to Great.
“We were curious to know what our customers thought we were worth. And what better way to find out, than to let them tell us?” explained Paste president and publisher Tim Regan-Porter. “While it’s certainly a bit unconventional, we also see it as a chance to get our product in the hands of people who could become lifelong fans. It’s been our experience that once people become familiar with Paste, they turn into loyal readers.”

Get yer Paste here.

More Tuesday Trivia

noreply@blogger.com (niccomm) — Tue, 06 Nov 2007 13:34:00 +0000

Here's the regular Tuesday trivia questions, once again, courtesy of Ken Jennings.

1. What two U.S. states have musical instruments pictured on their state quarters?

2. What unusual distinction is shared by these famous people? Diamond Jim Brady, Rosey Grier, Woody Guthrie, Howlin' Wolf, Ted Lilly, Cristiano Ronaldo, Dwight Yoakam, and Andrew Young.

Tuesday Trivia: The Almost-Impossible Rock & Roll Quiz

noreply@blogger.com (niccomm) — Tue, 06 Nov 2007 04:04:00 +0000

Rolling Stone has an online "Almost-Impossible Rock & Roll Quiz." Some of it is pretty easy, but there are a number of questions that are real stumpers (stumpers?).
Challenge yourself to four decades of the trickiest, weirdest and most off-the-wall trivia questions ever in our fifty-eight question quiz, and tabulate your own rock & roll IQ.

My final score was a 43--"expert level," thank you very much--and looking at the answer key I see that there were a few that I should have gotten right that I didn't. That's pretty good considering I have a memory like a sieve. So, tricky? Yes. Impossible? Not so much.

Friday Fun: The Incomparable Wing!

noreply@blogger.com (niccomm) — Fri, 02 Nov 2007 14:47:00 +0000

Incomparable is a good word for Wing. Indescribable works too. So does Indecipherable. I've been a fan of this woman since about 2003, but I lost track of her. It's good to know she's still around. Wing is a charming older Asian woman who took up singing as a hobby when she moved to New Zealand. She sings standards and pop songs, all with...ummm... great gusto, and entertains audiences in nursing homes and elsewhere. You have to admire this woman for doing what she does, despite the fact that she doesn't really do it all that well. But listening to her is still quite entertaining. She has a whole bunch of self-produced CDs for sale on her website and via iTunes. She may not be the greatest singer (by a long shot) but she doesn't have to be... she's Wing!

Here she is, doin' it live!

The Police File: Part 1

noreply@blogger.com (spydermcmahon) — Thu, 01 Nov 2007 16:16:00 +0000

Since The Police are currently on tour somewhere, cashing in on a wave of nostalgia, and since Andy Summers announced a film of his autobiography (see below), and since Sting was recently named one of the worst songwriters in rock music (more on that later), niccomm has asked me to do this retrospective of the band's music. So here we go.
What can we say about the Police.... three superb musicians, check; three strong personalities, check; three monster egos, double check.
Most everyone knows the story of the band, but if you don’t here's a quick Cliff's Notes version.
Stewart Copeland, drummer for hippie art band Curved Air, sees the exploding punk scene and wants a piece of it. He finds a bass player/singer who goes by the name Sting in a jazz band. They recruit a French guitarist named Henry Padovani who plays with them for a while, but is eventually edged out by the addition of seasoned axe man Andy Summers. The Police are born.
How much of the early Police sound is attributable to Copeland? Quite a lot if you consider what he was up to at the same time the band was forming. While putting together The Police, Copeland was also recording under the name Klark Kent as a one-man band. The music is quite clever, and gained a modest following. But listen to "Don't Care," and "Grandelinquent" and you'll hear early Police.

Listen to Don't Care
Listen to Grandelinquent

Copeland says that A&M Records signed The Police to get Klark Kent. True? Could be. Or it could be his ego talking. If true, that agent had some mixed up priorities. Klark Kent was a vanity project and could never perform live, but The Police were beginning to get some notice. It wasn't long before The Police gained a following in Britain as a live band and was creating a unique sound that would influence music for years to come.
Anyway, on to the music.

Outlandos d'Amour -- 1978
With this album, The Police tried valiantly to capture the essence of punk music. The problem? They were quickly revealed as pseudo punks—seasoned musicians riding the wave of a hot trend, rather than the raw talent evidenced by bands like The Clash or even the Sex Pistols. This first collection of tracks notably does not include "Fall Out," a speed-punkish song that is pure Copeland. It was one of the very first songs the band rehearsed and became their first single release. But it wasn't long before everyone realized whom the real songwriting talent belonged to.
The album opens with "Next to You," a burning rocker that starts at race speed and never lets up. The song became a standard in the band's live set throughout its career. The real key to the Police sound began with the next song, "So Lonely." It's a mix of rock (let's not call it punk) and reggae that became the cornerstone of The Police sound. Perfect for the band's instrumentation--particularly Copeland's unique drum style--and Sting's voice. Sting has said Bob Marley’s “No Woman, No Cry”, influenced the song I consider "Can't Stand Losing you" also from this album to be like a companion song to "So Lonely"--both of them switch between rock and Carribean/latin rhythms. The middle section of "Can't Stand Losing You," sort of a spacey solo by Andy Summers, became the foundation of "Reggatta de Blanc” from the second album. Next up is arguably the band's most famous song, "Roxanne." Originally written with a different feel to it, Copeland introduced the tango rhythm to the song that took it to a new level, and Sting's plaintive wail about a prostitute was a bit of rock poetry that would be recalled in later songs by artists from George Michael to the Arctic Monkeys.
Unfortunately, the rest of the album is pretty forgettable. "Hole In My Life" and "Truth Hits Everybody" were good energetic live songs, but for some reason they flop as studio recordings. “Born In The 50s” and "Be My Girl/Sally"--although it features a pretty funny poem by Andy Summers--are best ignored after the first listen.

Listen to Can't Stand Losing You
Listen to Roxanne

Reggatta de Blanc --1979
I've always counted this as one of the albums I'd want to take with me on a desert island (assuming I'd have a way to play it, that is). It's a true classic, and solidifies the sound that defined The Police. The story is that the band hadn't rehearsed these songs before going into the studio. If true, that means that the recording captures a rare moment when a band breaks through to a different level. Nearly every song is gold, and it showcased a three-piece collaborative band that had locked into each other musically and psychically. Could this have been The Police at their prime? Maybe. The songs float along on solid grooves that take on their own lives, giving each member--particularly Copeland and Andy Summers--the chance to explore different sounds. "The Bed's Too Big Without You' and "Bring On The Night" (a song about the execution of Gary Gilmore) are perfect examples, two exhilarating stand out tracks that push the envelope, threatening to fall apart at any time but always hanging together.
"Walking On The Moon" and "Message In A Bottle" build on the reggae-tinged sound begun on the first album, but which had now reached a sophistication and maturity that made it unmistakably "The Police Sound." But the band was still true to its roots as evidenced by "It's Alright For You" and "No Time This Time," two pure rockers, with no pretense of punk (the band had long been exposed as too old and too talented to be considered as true punks).
At least for this brief shining moment immortalized on vinyl in 1979, The Police were the best band in the world.
They'd have a lot to prove with their next album... (Stay tuned for Part 2)

Listen to It's Alright For You
Listen to Walking on the Moon

Andy Summers, We're Ready For Your Closeup

noreply@blogger.com (niccomm) — Wed, 31 Oct 2007 13:03:00 +0000

Police guitarist Andy Summers is turning his autobiography "One Train Later" into a feature documentary, which will boast 25,000 photos from his collection as well as footage from the band's reunion tour.
I didn't even know Andy Summers had written an autobiography. (Note to self: get this book) This is good news for a couple reasons. First, in a trio in which two members' egos seemed to be in a continual battle to the death, Summers was the anchor. In the annals of guitardom, he is often overlooked by those who are more impressed by the speed/techno wizards. This is unfortunate because Summers is an amazing player. He is, as they say, "a guitarist's guitarist," playing what needs to be played when it needs to be played. The Police created an amazingly layered and complex sound for a trio, and much of the credit for that goes to Summers.
Second, Summers has played a bigger part in rock music history than many people realize, having performed with influential 70s bands like Zoot Money's Big Roll Band, and Eric Burdon and the New Animals, and he was in the running to replace Mick Taylor in the Rolling Stones (a job which, of course, ultimately went to Ron Wood). Summers was also part of the band that played on Mike Oldfield's creepy classic "Tubular Bells" (the theme from The Exorcist).
It should be interesting to see this history of his life and get an inside glimpse of one of the world's biggest bands, to see what went on offstage when the spotlight wasn't on Sting. Stewart Copeland's film Everyone Stares gave us a hint of that, but the home movie quality and shaky camera work made much of the film difficult to watch more than once. To be fair, they were Copeland's personal films and not intended for feature presentation. But the news that Summers will be releasing this film gives hope that this time they'll get it right.

What Really Happened To Marie Osmond

noreply@blogger.com (niccomm) — Tue, 30 Oct 2007 12:35:00 +0000

This video explains it all. Kind of the Dancing With The Stars Zapruder film.
I don't know what's funnier--the video itself (which is okay but not hilarious), or the comments on the page whose level of intelligence make me fear for the future.

For example...

AirForce11 says:
FAKE:
starfighters arent real, if they where i dought they would b able to fly inside and her face would have holes in it if the laser hit her there!

and

willforbes0 says:
FAKE:
this was so obviously fake. the star wars fighter was superimposed into the video.

Gee, ya think?
Idiots.

Monday Mashup: Pat n' Peg

noreply@blogger.com (niccomm) — Mon, 29 Oct 2007 14:49:00 +0000

This is a classic 1998 track from Osymyso. Pat and Peg, for anyone who doesn’t know, are two characters from the long running Brit soap/drama Eastenders. They are at various times involved with the same men (like in other soaps… what is it with these people? The female to male ratio in soap towns must be 20:1 judging by the way they all fight over the same guys). This mashup is built around a climactic fight between Peg (You Bitch) and Pat (You Cow), and tags on dialog from Frank and Roy as well. Listen to the way Osymyso works in the Eastenders theme music and plays off the natural rhythms of the characters’ voices. I guess it would be considered a “golden oldie” as far as mashups go, but it still holds its own against new stuff. The man is a genius.

Listen to Pat n’ Peg.

Rock n' Roll Ghost Stories

noreply@blogger.com (niccomm) — Fri, 26 Oct 2007 03:04:00 +0000

Since Halloween is just around the corner, New Times has a story about some of the strange and spooky things that have happened to rockers over the years.
The story only has three examples, by James Valentine of Maroon 5, Steve Bays of Hot Hot Heat, and an Alice Cooper-Joe Perry twofer. The problem is that these aren't very scary ghost stories. Although I'm sure the artists are quite sincere in their beliefs, as you read the stories, other more logical explanations for the spookiness automatically come to mind. Alice Cooper no doubt believes that the noisy old house he and Perry stayed in--both fresh from rehab--had a ghost. But he doesn't seem to question why the house in which Amityville Horror was written (not the house in which the story allegedly took place) should itself be haunted. That's "haunting by association."
Come on rock stars, you must have better ghost stories than these.

Lance Bass Comes Out... Again

noreply@blogger.com (niccomm) — Tue, 23 Oct 2007 21:18:00 +0000

Lance Bass, proving that once is never enough when it can boost a sagging career, tells of how horrible it was to live in terror of being found out as a gay man when he was a member of 'NSYNC. Bass, who came out last year, gave us that insight in an interview promoting his new book, Out of Sync: A Memoir, released today.
Now, I really couldn't care less if Bass was straight, gay, or Martian, and if he's happy, I'm happy. But I found it funny that the article ended with this quote: "People have said for so long that you can't be successful in this industry and be out and gay," Bass said. I guess he's never watched Bravo.
It sounds like something Daffyd Thomas would say. As fans of Little Britain know, Daffyd is "the only gay in the village"--or at least he thinks he is. Here's a clip of Matt Lucas (Daffyd) and David Walliams talking about Daffyd, "the homosexualist." Lance should take a look.

Fire? What fire? Marie Osmond Fainted!

noreply@blogger.com (niccomm) — Tue, 23 Oct 2007 19:38:00 +0000

If you were watching ABC's Dancing With The Stars show last night, you saw Marie Osmond faint after her routine. That is, you saw it if you didn't blink at the wrong moment, because that's all it took. First she was standing there listening to the judges, then she went down (accompanied by some laughter from the audience who must have thought it was a gag). The host cut to a commercial. After the break it turned out she was fine, the show went on and everyone lived happily ever after.
But today, I'm in a Seattle hotel room trying to see what's happening with the wildfires in California (I have friends that live in the danger area) and I'm switching between CNN Headline News and Faux News. And what do I see? Marie Osmond fainting, over and over again. I've seen the story repeated no fewer than 18 times between the two channels since I got up this morning.
Now, obviously, the news networks are making the most of it because it was caught on tape (remember Janet Jackson's wardrobe malfunction?), but is it necessary to show it so many times? No disrespect to Marie Osmond--I hope hope she's OK and all that--but it really wasn't that big a deal. And with the fires, floods in New Orleans (again), tornadoes in Alabama, and the never-ending war, you'd think there would be other things to fill the hourly news cycle.
Still, the best teaser award for the story goes to CNN Headline News for this gem: "Marie Osmond took to the floor in more ways than one last night as she danced the Samba. We'll show you what happened to give everyone a scare after this break."

Tuesday Trivia

noreply@blogger.com (niccomm) — Tue, 23 Oct 2007 19:29:00 +0000

Here's a question from Ken Jenning's weekly quiz:
What did the Electro String Instrument Corporation change its name to, to capitalize on a distant relationship between its founders and a World War I hero?
It's an easy one if you have any familiarity with guitars used by George Harrison, Roger McGuinn, Paul Weller, or Joe Simonon of the Clash. The picture's a giveaway too.

Monday Mashup: Smells Like Billie Jean

noreply@blogger.com (niccomm) — Sun, 21 Oct 2007 19:59:00 +0000

It's a day early, but since I'll be tucked away in a Jet Blue compartment headed to Seattle for the week, today's Mashup is in honor of one of that city's most famous exports, Nirvana. The band's breakthrough song "Smells Like Teen Spirit" signaled the arrival of "grunge" on the mainstream airwaves (supposedly much to leader Kurt Cobain's dismay).
Significantly, the song and album also knocked Michael Jackson's Dangerous out of the top spot. So, take Nirvana's breakthrough hit, mix it up with the song that really announced Michael Jackson's career as a solo artist, and you get "Smells Like Billie Jean." This is labeled as an "MTV Mashup," but I don't know the original source. Anyway, it works well. Enjoy.
Listen to: "Smells Like Billie Jean"

Is There A Future For Zeppelin?

noreply@blogger.com (niccomm) — Sun, 21 Oct 2007 19:45:00 +0000

Jimmy Page is playing it close to the vest in his remarks about the future of Led Zeppelin after the band's one-time performance next month at London's O2 arena. The performance is a benefit for a scholarship fund named for the late Ahmet Ertegun, who signed Led Zeppelin to Atlantic Records in 1968.
Although he and Robert Plant have individually said the concert will not be followed by a tour, he hasn't ruled out the possibility that something may come out of the reunion...something like new material perhaps?
When asked about that possibility, Page said, "Look, I'd be really surprised if there wasn't--you know, I mean I just know the way we are. We're musicians...as we're playing we'll probably be coming up with all manner of things."

Friday Flashback: KISS on the Mike Douglas Show 1974

noreply@blogger.com (niccomm) — Fri, 19 Oct 2007 13:03:00 +0000

My friend Lisa alerted me to this great clip of KISS making their first television appearance on the Mike Douglas Show in 1974. For those of you who have no idea who Mike Douglas is, he had a hugely influential afternoon talk show that regularly featured great musical guests, including John Lennon and Yoko Ono, the Rolling Stones, Hermits Hermits, The Turtles, and Barbara Streisand. Many acts--like KISS--credit his show with bringing them their first national exposure. This performance was recorded on April 29, just weeks into the group's first concert tour, having signed with Casablanca records just six months earlier.

Teresa Brewer Dead at 76

noreply@blogger.com (niccomm) — Thu, 18 Oct 2007 14:27:00 +0000

(AP) Teresa Brewer, who helped write the soundtrack of the pre-rock 'n' roll 1950s with bouncy hits like "Music Music Music" and who scored big with New Yorkers by recording a love letter to Mickey Mantle, died early Wednesday morning.
She was 76, lived in New York, and had been suffering for several years from the neuromuscular disease PSP, which also afflicted the late comedian Dudley Moore.
Brewer was still a teenager when she hit the top of the charts in 1950 with "Music Music Music." She returned to No. 1 with "Til I Waltz Again With You," though New Yorkers might best remember "I Love Mickey," a duet she recorded with Mantle at the end of his Triple Crown year in 1956.
Mantle contributed a few spoken words while Brewer chirped her affection.
Born in Ohio, Brewer made her professional debut at the age of 2 on the local radio program "Uncle August's Kiddie Show." From ages 5 to 12 she toured with the Major Bowes Amateur Hour before returning home and performing locally for several years.
When she broke onto the national scene again in the '50s, her upbeat style also made her a popular guest on television variety shows. By the 1960s she had turned to show tunes and jazz, which she continued to record for the next 40 years. She is survived by four daughters and a number of grandchildren and great-grandchildren.

wOOt: Free download for the gamer in you

noreply@blogger.com (niccomm) — Wed, 17 Oct 2007 14:18:00 +0000

w00t is a collage of computer game sound and images by composer Bob Ostertag and artist John Cooney. It's also a free download from his website.
Says Ostertag:"In March of 2006, I put all my recordings to which I owned the rights (14 CDs) up for free download from this site. w00t is my first release to skip the CD-for-sale stage and go directly to free Internet download, under a Creative Commons Attribution 3.0 license. Please download, copy, send to your friends, remix, mutilate, and mash-up. And please support this attempt to build free culture by sending a link for w00t to your friends. w00t consists of a 50-minute sound collage, a 4.5 minute sound “trailer,” and associated “cover art.” There is, however, no cover. w00t is a free, internet-only release."

w00t was composed entirely from fragments of music from these computer games:
• Balloon Fight
• Congo Bongo
• Contra
• Earthbound
• Halo: Combat Evolved
• Ico • Katamari Damacy
• Killer Instinct
• The Legend of Zelda
• Massive Assault
• Myst
• Star Fox
• Super Metroid
• Super Smash Bros.: Melee
• Viewtiful Joe
• WarioWare, Inc: Mega Party Game$
• World of Warcraft

Get it here.

One Hit Wonder: Disco Duck

noreply@blogger.com (niccomm) — Tue, 16 Oct 2007 17:05:00 +0000

I would be remiss if I did not mention that on this day in 1976, "Disco Duck" topped the charts and stayed for a week. The song, by Los Angeles disc jockey Rick Dees, poked fun at some of the dance styles of the day with its story of a man who dances like a duck. And, like lots of novelty songs that capitalize on a dance or a genre of music, the song didn’t do too much to help whatever shred of credibility other artists working in that style had earned.
Although the song appeared in the disco-defining film Saturday Night Fever, it was not included on the multi-bazillion selling soundtrack album, much to Dees’ consternation (but to the endless gratitude of the rest of us).
So, if you insist on hearing it, you’ll find it here.
Otherwise, it’s best to pretend it never happened.

Cover Connection: Red Red Wine

noreply@blogger.com (niccomm) — Tue, 16 Oct 2007 03:40:00 +0000

Most people are familiar with UB40's version of "Red Red Wine." The band's infectious, reggae tinged cover topped the US charts on this day in 1988, although it took five years to get there. The song was a reissue of UB40's first version, with the addition of a "toast" by the band's resident rapper Astro. Both versions trace their influence to a 1969 ska flavored version recorded by Jamaican artist Tony Tribe.
But the original song, written and recorded by Neil Diamond in 1968, was a slower mournful number--a drunk's lament over lost love.

Red, red wine
Go to my head
Make me forget that I
Still need her so

Red, red wine
It's up to you
All I can do, Ive done
But memories wont go
No, memories wont go

I'd have sworn
That with time
Thoughts of you
Would leave my head
I was wrong
And I find
Just one thing
Makes me forget

Red, red wine
Stay close to me
Dont let me be alone
It's tearing apart
My blue, blue heart

Lyrically, it's a great song (as are many Diamond songs) that lends itself to a variety of styles. For example, a full-blown country-style version (with background singers and strings) was also released in 1968 by Jimmy James and the Vagabonds. However, none of these versions tracked very high on the charts. The success of UB40's version of "Red Red Wine" has to be attributed to the dance clubs of the late 1980s where it was one of the most requested songs--and, importantly, featured a solid beat that made it easy to mix. From that point on "Red Red Wine" went mainstream with heavy airplay.
A few years later, "Red Red Wine" went full circle, with a new version again by Neil Diamond, but this time with a nod to UB40's reggae stylings.

Listen to:
Red Red Wine, original version by Neil Diamond--1968

Red Red Wine, country version by Jimmy James and The Vagabonds--1968

Red Red Wine, ska version by Tony Tribe--1969

Red Red Wine, reggae version by UB40 1983

Monday Mashup: A Bit of Little Britain

noreply@blogger.com (niccomm) — Mon, 15 Oct 2007 03:12:00 +0000

If you have access to BBC America on your cable system, you probably know Little Britain. The show has ended its three-season BBC run but lives on in repeats, and rumor has it that Matt Lucas and David Walliams are developing a new program for HBO in the US. If you haven't seen it, the show is built around Lucas and Walliams who portray an incredible range of very odd characters including Lou, a dedicated caregiver, and Andy his charge who isn't really handicapped; Daffyd, "the only gay in the village"; Sebastian, the Prime Minster's aide; Emily and Florence, two not-even-close transvestites; Vicky Pollard, juvenile delinquent who "never did nuffin or nuffin"; Dr. Lawrence and his incoherent psychiatric patient Anne; stage hypnotist Kenny Craig; Marjorie Dawes the abusive leader of a weight loss support group, grossly obese Bubbles Devere, and many, many more. Like a lot of British shows, Little Britain pushes the envelope with scenarios and jokes that would never see air on US network television. It is a brilliant series (check it out on DVD), and I hope whatever they have in the works for HBO is a worthy successor. Anyway, here is a mashup dedicated to the show, called "ABitALittleBritain." Enjoy.

Listen to "ABitALittleBritain"

The White Stripes Are Selling... Cameras?

noreply@blogger.com (niccomm) — Sat, 13 Oct 2007 14:22:00 +0000

Yesterday, The White Stripes' newsletter subscribers received a mysterious message: "The tricks of today are the truths of tomorrow.-Man Ray. X XV MMVII"
The quote is from the famous American surrealist painter and photographer.
The 'trick' was later revealed to be a teaser for a website promotion in which the duo are introducing designer label cameras. The two-tone (red and white of course) cameras are called the "Meg Diana+ Camera" and the "Jack Holga Camera," and come packaged with custom filters, changeable lenses, camera accessories, and more. The cameras themselves appear to be digital (one of the accessories looks like a flash memory card) but no other details have been revealed yet.
The cameras go on sale at noon on October 15, 2007 (X XV MMVII).
The first 333 buyers to purchase both camera sets also get a "mystery gift."

Return Of The Eagles

noreply@blogger.com (niccomm) — Fri, 12 Oct 2007 16:44:00 +0000

The Eagles are set to release their first studio album in 28(!) years at the end of this month.
Long Road Out Of Eden will be a double album of 20 tracks. While Hotel California and The Long Run leaned toward a harder sound, the sample clips available from Long Road Out Of Eden seem to be a return to the more laid back sound of earlier albums. One thing that does stand out is the group's harmony, always great, but on these tunes, somehow better. If you've ever seen the vocal warm up scene on the Eagles Farewell Tour I DVD, you'll know what I mean.
The tracks on Long Road Out Of Eden are not entirely new--no surprise when the album took some six years to produce. The first release from the album, "How Long," was released in August of this year, and several others ("No More Cloudy Days,""Fast Company," and "Do Something") showed up on special CD sold exclusively through Wal-Mart last year. Besides being available through the band's website, the album will again be exclusively sold by Wal-Mart and online at Musictoday.com. There's little doubt that the album will do well sales-wise because The Eagles still enjoy a huge following, but is there still a spot on the radio for this group that once dominated the airwaves?