BookFreak - The Literary Files

New Literary Fiction Books - Oceans by A. R. Arias

noreply@blogger.com (A. R. Arias) — Sun, 15 Aug 2021 16:10:00 +0000

Here's an update about the hardcover book, Oceans. It's a coming-of-age story loosely based on my childhood experiences in Puerto Rico. It's a passion project I've been working on and off for about three years. I might have posted it here under a different title but I've since changed it to Oceans.

It's a short novella, about 135 pages that tell the story of a young boy and his fishing mentor, an old man by the name of Don Andres. For me, this being my third novel, it's my favorite tale of all. So much of this story draws on my childhood and frankly, it's hard to shake those years (13-17) and I often think about those good old days and so this is a great way to have a keepsake for myself and my family to remember those amazing years.

This hardcover will be published on B&N platform hopefully by next year. I'm still re-writing some parts and proofreading and doing all the things it takes to bring a book to life. I wrote the first draft in about a month and let it sit for almost a year before returning to it and I was very happy with the words at that early point in time so I went ahead and continued writing and developing the story.

Right now it's at its best point where I've finally nailed the opening and the ending so everything in between is also coming together. I need to spend more time on it and by the end of this year I hope to finish this book and my board game (Millennium) so I've got my work cut out, as usual, and that's how I like it.

Recently I've also updated Edge of The Apocalypse novel that goes with the game. I'm talking about the full-length novel (about 320 pages). I've never written a book so fast. I banged out that first draft in a matter of weeks and then expanded it chapter by chapter and I've revised that to strengthen the main theme and so I just need to fine-tune the short books so the stories are seamless. I'm looking to finish all three projects early next year.

I'm used to juggling several projects at once and that's the best way to work because you need to detach yourself and step back for a while so when you revisit the project you can see it through fresh eyes. So while I work on one project, I take on several others while the first one marinades and so on. It sounds daunting but it's actually a good process to get a lot done in a short time.

I love to design and talk about book covers so I'll soon post something about Oceans and how I went about developing the image for it. I think it works so far. I really have a hard time with covers because I want to include too many ideas but it's best to focus on one main theme. That was my approach for this cover. I think it tells a story that readers want answers to. Although, the tease on top has enough clues about this story and so everything has to work in unison.

Stay tuned for more about all that and for a sneak peek at the opening paragraphs.

Edge of The Apocalypse - Hardcover Novel by A. R. Arias

noreply@blogger.com (A. R. Arias) — Thu, 28 May 2020 05:01:00 +0000

Proposed artwork for the full-length novel

Hey people, I thought I'd post an update about The Edge of Time Trilogy.

As you know, these are companion books for the Millennium board game. Book One, Edge of the Apocalypse has become the title for the full-length novel (about 270 pages). I'm also using the same artwork for the cover since it looks and works so well.

My original concept was to publish the novel in a three-part series, which is now available on Amazon. Each book is about 90 pages long because I wanted to keep them short for quick reading. Each book in the series has a red, white, or blue band on the spine.

Soon I'll be publishing the full novel on B&N in hardcover as a collectible book. (Currently working on samples, hardcovers with dustjacket.)

The book is still under review at B&N and its printing delayed due to COVID-19 so I look forward to getting that first copy before I edit the final version, which will include some backstory about how the book series evolved.

The printing of the board game has also been delayed due to COVID-19 issues so this is a good time to revise and update both products before final printing. Hopefully, everything will be available by September 11, as scheduled. It's going to be a close call because I still need to shoot the gameplay video but I hope to squeeze it in before my deadline.

Self-publishing is a headache but it offers so much flexibility and control, and that makes it worthwhile. Not to mention that self-published books serve as proof of concept for larger publishers. So a deal with a major publisher is still possible even if you self-publish.

Yes, a warm audience has merit

but momentum is more important.

I plan to pitch the series somewhere along the line but right now I'll be happy if I strike out on my own. For someone like me, I love all the control and options from writing to editing to artwork, the whole shebang. I do it all and love it all. Not that I recommend editing and illustrating your own books, but it is possible to do it all competently if you have the experience and you take your time.

Loving what you do is great but making a profit with your own work is even better. So the bottom line is to figure out how to monetize your products. That usually takes a bit of money and testing but there are ways to promote your work for free or at a low cost with great results. But that's another story for another time. Stay tuned for that.

At this point, I'm still a voice in the wilderness but that will change as soon as everything is published. There's no point in promoting unfinished work. It's difficult enough to get attention once, let alone several times. Yes, a warm audience has merit but momentum is more important.

In my playbook, it's all about impulse buying. If you present your product (concept) to the right audience at the right time for the right price or best offer, enough times, you can't miss your intended target. You've got to eliminate all the red lights in your sales funnel. It's that simple. Again, this is another hot topic for another time.

Check out The Edge of Time Book Series. They're a quick read and worth your time. I promise.

Your comments and questions are always welcome.
Stay well.

Antonio Boy From El Barrio - A New Novel by A. R. Arias

noreply@blogger.com (A. R. Arias) — Sat, 23 May 2020 21:37:00 +0000

Hey folks, I'm just dropping by to post a copy of my latest novel, Antonio Boy From El Barrio.

This is a short story I've been working on over the years and I've finally finished it. It's a short novella inspired by Ernest Hemingway's, The Old Man and The Sea, so it's a male-centric niche for sure.

It's not even for sale yet, although I am printing a copy for myself and one for my brother, who is not an avid reader, as far as I know. Although, I think he might get a kick out of it.

If you're interested in coming-of-age stories, check out the link below for a free PDF ebook. I might list it for sale on B&N in the near future.

Your comments are always welcome!

Read the first chapters here:

Stephen King's Joyland Novel - Did I Love It or Hate it?

noreply@blogger.com (A. R. Arias) — Fri, 20 Mar 2020 19:04:00 +0000

Hey folks, greetings from a COVID-19 free environment. That's how things stand now where I live but you never know how a disease like this can blindside you so beware. I hope you are safe wherever you are.

Considering that so many people are homebound, boredom will soon set in after several days. For me, I'm super busy 24/7 so I rarely get bored doing the same thing since I'm juggling dozens of projects at any given time. But lately, I've been reading more books I've had in my office. Stephen Kings, Joyland, wound up on my reading list and I'm loving that story, even more, the second time around. You gotta love how King weaves a tale and Joyland is hilarious.

Now, if you're wondering why I describe a horror novel as hilarious, then you're not a Stephen King fan. Humor is part of any Stephen King book or movie. And this one in particular, which takes place in an amusement park. It's a real humdinger. Check it out.

Next on my list is A Death for Beauty. Yes, that's my own debut novel that goes back to 2009 or so. And it so happens that occasionally I'll pick it up to update a passage (for Kindle) or whatever and I really get into the story all over again.

A Death For Beauty

If you like Stephen King, you'll enjoy ADFB, so give it a shot because I've discounted the price for this coming week. Hey, it's only a few bucks either way and well worth it. Check out a sample chapter and see what I mean.

And right, you'll notice how much bigger I made my cover than Joyland's. Well, King doesn't need free publicity as much as I do. But there you have it. Two awesome stories to help you get through your long days and nights at home.

Those of you who've lost your jobs have no fear, government checks will be in the mail soon enough so no worries, friends. Enjoy the time off and make the best of it by catching up with a few good movies or novels or whatever floats your boat.

These are precarious times indeed, my friends. Count your blessings and stay safe.

Books Update - The Edge of Time Book Series

noreply@blogger.com (A. R. Arias) — Mon, 12 Aug 2019 16:57:00 +0000

Hey folks, it's been a while but I'm back and feeling optimistic about my new apocalyptic book series, The Edge of Time.

There's an interesting story behind these three books but the short of it is that I'm a bit behind in my work due to illness. No worries, I hope to finish Book Two, Epic Apocalypse by the end of this year. Luckily these books are 3 short stories (about 100 pages each) that run in a series and all the events tie-in with each title.

The point is that the three-book collection adds up to a novel length book, which will also be available. The hook to the novel is that it will include a backstory about the collection plus plenty of info about the boardgame (Millennium) that spinned-off the book series.

The Edge of Time Book Series - Available 2020

So, there you have it. Time moves on and I'm catching up with it. Or is it the other way around? From a personal standpoint, this book series has been my favorite project to date because it encompasses so many of my life experiences, In addition, it is a topic, which I believe will be a part of our future on Earth in the years to come.

It's a heck of a journey and I hope you can join me as we discover all the possibilities these stories, and life itself has to offer along the way.

As they said back in the day, "Be there or be square."

Search this Blog to learn more about the new Millennium Board Game:
See the game at the developer's website:

Stephen King Has Issues With Mutant Rats [Ask Gerorge R. R. Martin]

noreply@blogger.com (A. R. Arias) — Wed, 30 Jan 2019 06:44:00 +0000

Have you ever heard of the Literary Horror genre? Or the Literary Apocalyptic genre or sub-genre?

Probably not but there's a first time for everything and Stephen King certainly has something funny to say about that.

Okay, talk about a bizarre way to introduce a new book series, The Edge of Time, but bear with me because funny stories about Stephen King are worth repeating. If you're a King fan like me, you already know how hilarious and self-deprecating he can be.

In this recent interview, Stephen King, and George R.R. Martin share a good laugh about how they wound up writing in their respective genres. As usual, Stephen King's tale (no pun intended) is quite comical. (@ 4 minutes)

Stephen King never takes himself seriously for good reason and his point is well taken. Besides, he has plenty of reasons to laugh with such an amazing career. So, while fans of literary fiction struggle to find an audience, horror and sci-fi genres have always had a massive fan base.

After years of tinkering with board games, I figured that adding short stories to my games would be a cool way to expand the game narrative. And so, The Edge of Time book series was born.

While King jokes about literary fiction, once upon a time, I began writing in the literary genre (as the title of this blog gives away) and so that's why this hits home for me. Who knew that writing about mutant rats could be so lucrative? Apparently, Stephen King has known all along.

Recently, I've answered my urge to foray into apocalyptic science fiction. As a Star-Trek fan, these days I love many of the post-apocalyptic books and television series that followed, especially the Divergent series and many films that have inspired me along the way; The Book of Eli, Elysium, Blade Runner, to name several.

The Edge of Time Trilogy

Right now, I'm two chapters into writing the drafts for books two and three and having a great time stringing these stories together.

The series consists of three short stories that converge into a full-length novel of about 350 pages.

The difference with this series compared to most other apocalyptic books is that these stories focus on a hopeful future despite all the chaos an apocalyptic event can bring to an already challenged Earth. In short, it's the apocalypse from my world view. And that is simply that life goes on despite the chaos and dangers that the end of days has to offer.

Book One, Edge of The Apocalypse captures the flashpoint moments when the first bomb falls over Austin, Texas. The subplot (an intimate relationship between best girlfriends) comes on strong and carries this story into the second book of the series.

Book Two, Epic Apocalypse, rightfully reflects on the scope of these nuclear attacks and the masterminds behind them, manifesto and all. So, a good deal of destruction, fear, and continued attacks are the epicenter of this book, which leads into the third and final book in the series.

Collectible Edge of Time Trilogy

Book Three, Beyond The Apocalypse, takes a glimpse into the future beyond 2157 when the initial story is set. This book mostly reflects the board game and its themes as it tells of many events related to the game and some pivotal spoilers. Enough said.

However, rest assured that there is a surprise ending that will tug at your heartstrings and will certainly give you something to think about.

Book One, Edge of The Apocalypse,(Paperback/Kindle) is available now on Amazon. Book two and three will be available early in 2020.

To learn more about the new book series and the board game that launches 9.11.2019. See the blog, where you can sign up for email updates: https://boardgame-news.blogspot.com/

Visit the board game website where you can learn more about Millennium: https://www.thegamecrafter.com/games/millennium

Stephen Markley's Fascinating Debut Novel, Ohio

noreply@blogger.com (A. R. Arias) — Sun, 16 Sep 2018 16:31:00 +0000

I just love the smell of literary fiction early in the morning.

After reading random pages on Amazon, I knew right away this was my kind of story and I ordered it so I can gladly add it to my library. (I'll post a funny meme of me sliding this book into my top shelf with a broad grin on my face.)

Getting to finish this book any time soon is another matter but I look forward to starting it and I'll faithfully dedicate my Sunday's to several chapters at a time until I finish the nearly 500 pages. For me, that's around the year 2057, give or take a year or two, or before I die, whichever comes first.

Forgive my Digression

Let's keep in mind this is a debut novel and appearing epic in scope does count. Disregard Stephen King's new offering, Sleeping Beauties; a 720 page tome spliced together by a collaboration of two good authors with one good idea. Really? A pastiche of The Stand and Under The Dome, I've heard.

Only Stephen King can get away with something like this, along with 15-second book teasers. What a pitch! And it works. I'll collect the hardcover and try to get into this one but I am getting older by the minute, gentlemen. Okay, enough of that.

Back To Ohio

Let's face it, I'm not a big fan of long novels because I really live for the endings, not because I want the story to end, but because endings are the best part. (No worries, Mr. Markley, I will read every word of Ohio.)

How do we get through so much stuff on a daily basis? I am only semi-retired, and with so much of my own work, plus hundreds of channels to choose from, imagine that. Oh, I almost forgot; most of those channels are unwatchable. Right.

I don't know about you, but I learned to speedread for good reason. Last time I checked, there are still only 24 hours in a day. And here we go, I just caught a glimpse of American Horror Story: Apocalypse. How can I miss that? (Focus, focus.) I'll record it and watch it on Sunday, right after that annoying Sunday Morning program with Jane Pauley. (Is she really that wholesome?)

Look for my review of American Horror Story soon. Hey, I have a board game with the same theme to promote. What can I say? (Sign up for e-mail alerts.)

Back To Ohio (For real. Hey this is not the NY Times)

Not so in this case because literary(ish) fiction is actually fun to read; as far as I can tell with Markley's book. Thankfully, Mr. Markley seems to have a good bit of writing chops. Good for him. No slouches allowed in the Iowa Writers' Workshop, you know.

They say you can't judge a book by its cover, but this cover spells literary fiction all over it. It's all about the words first and then the plot. And none of it disappoints. It's all good.

Think of it this way. Every book; every good book, deserves a spot in literary history; a moment in time to fit in and work its magic. Ohio, the novel, could be one of them.

You never know, I could be reading the next, great American novel. It sure feels that way so far. I'll let you know for sure in 2057. Right. Don't hold your breath.

Congratulations, Stephen Markley. This is quite an achievement and I will savor every word.

Scout's honor.

Sleeping Beauties by Stephen King and Owen King

noreply@blogger.com (A. R. Arias) — Fri, 14 Sep 2018 17:28:00 +0000

Stephen King certainly needs no promotion from me, but I thought I'd spread the love. Check out his and Owen King's new book, Sleeping Beauties, in this very short, but very interesting book teaser.

Is this book really 720 pages long? Oh, I get it, two authors, one launch. How does that work? Who got more words in? Hopefully Owen did. It was his idea, anyway. (Like father, like son.)

I'll have to take an early retirement to get through this one. But sounds like a good read. I look forward to getting it.

Anthony Bourdain's Last Boner

noreply@blogger.com (A. R. Arias) — Mon, 20 Aug 2018 22:45:00 +0000

Photo, Melanie Dunea: Anthony Bourdain's Last Supper

Like most fanatics of Parts Unknown, on CNN, or Travel Channel's, No Reservations, when the news of Anthony Bourdain's death by suicide trickled in, I found it hard to believe.

Why would Anthony Bourdain do such a thing? I thought. He's a man's man; a Dean Martin type, living the life that every man would love to live. He had a beautiful wife, a lovely daughter and a kick-ass job. What more can a man want out of life?

Right. What more can a man ask for?

Apparently, there was something else Bourdain could not have. The perfect life. From the outside looking in, Bourdain seemed to have it all. Both, while on travel shooting episodes, and in his personal life, Bourdain seemed to be on top of the world. Successful. Invincible. Happy.

What more can a man ask for?

So now what?

Fuck if I know. We could get into Sigmund Freud's theory of life and death instincts, Eros and Thanatos. That would be reasonable conjecture, considering Bourdain's outlook on life, which to me seemed a bit on the dark side. But heck, who am I to judge? We all tend to have a dark side and frankly, that dark side was the allure for many of us.

Bourdain, by all accounts was a no-nonsense, no bullshit, take-no-prisoners kind of writer. I can't remember him sugar-coating anything, ever. And I loved that about him. Whether that was his television persona, or part of his true personality, Anthony Bourdain was engaging in a way that most TV personalities were not.

The Church of Anthony Bourdain . . .

Like any true fan, I faithfully tuned-in, recorded, and binge-watched every episode. The show was, The Church of Anthony Bourdain, after all. Most episodes included raw footage of every location's underbelly, sexual, musical and literary references, all with a smattering of profanity along the way. What's not to like? It was Bourdain's secret recipe for irresistible content. Producer's take note. This was how to engage an audience; Anthony Bourdain style.

Like most viewers, I had a boner for this show. I think Anthony Bourdain had the biggest boner of all (don't let that photo fool you.) but regrettably not forever. Sometimes, too much of a good thing is well, not a good thing. And so it seems that Anthony Bourdain wanted to go out on top of his game. You know, king of the hill, sort of thing.

Maybe his biggest fear
was how to top himself professionally . . .

Maybe his biggest fear was how to top himself professionally or that he might fail in some way as a father or a husband. Maybe he wanted to retire to enjoy more time with his family but didn't want to disappoint his colleagues with a pink slip. Quite a conundrum, indeed. Yet, nothing worthy of this final outcome.

Initially, I was saddened by the news of Bourdain's death by suicide. In a way, I still don't believe he took his own life and that something was amiss because his death does not add up. Maybe it's just wishful thinking because most of us want to believe that Anthony Bourdain would rather keep his most fabulous life and that someone else, out of revenge or jealousy, snuffed it out for him.

Pure speculation, of course. Although (this blog-post notwithstanding) conspiracy theorists are out there spinning their tales of doom and gloom.

Fast-forward weeks since this tragic event and my sadness has turned into outrage, anger towards Bourdain, and ultimately, indifference. Who cares? He was just an ordinary man. It was just a show. There are plenty more to choose from; I think.

God only knows the shit-show

you were really living behind the scenes.

Am I being selfish because one of my favorite shows is over and one of my favorite television personalities is gone and now I can no longer enjoy Bourdain's witty anecdotes, exotic locations, and raw humor? Is the American Dream so horrible that we must now reject it by suicide? Can we no longer aspire to greatness?

Heck, now I have to rearrange all my favorite channels and TV shows too. What a headache that's going to be. Shit, I've even burned my collectible copy of Kitchen Confidential.

Thanks for nothing Mr. Bourdain. You've certainly managed to dim our hope for happiness in one fell swoop.

God only knows the shit-show you were really living behind the scenes. And so you did what anyone else in your shoes would do. You quit on yourself, and you quit on us. Really?

Nice going. And all because you got tired of living such a fabulous life.

How dare you, Anthony Bourdain!

How dare you.

R.I.P.

PBS Great American Read - Lonesome Dove

noreply@blogger.com (A. R. Arias) — Wed, 01 Aug 2018 13:42:00 +0000

Here's one of the books I chose as a favorite, although I enjoyed the TV mini-series even more. This story has it all and while it is slanted towards a man's point of view, it does have many touching moments and quite a bit about relationships.

Truth be told, Lonesome Dove can be called a romantic story wrapped up in a western, although it is much more than that, because it is a story about life and the human condition, as all great stories are.

Gus tries to get Lori in the sack, and succeeds.

I think Robert Duval is at his best in this scene as the philosophical Gus McCrea. Diane lane is charming, beautiful, and heartwarming in all her scenes.

Lonesome Dove is one of the great American stories ever put to paper or screen by the one and only Larry McMurtry who has penned so many amazing stories and deserves a big mention.

All the stories chosen as the great American read are chosen for good reason, but it all comes down to numbers, I suspect. Most readers (70%) are female and so I have a feeling Jane Austin will do well when all is said and done. Fair enough, I suppose.

This seems like one of PBS's

most ambitious fundraisers

This seems like one of PBS's most ambitious fundraisers (*sorry to break the news) but probably not one of its most profitable. In reality, PBS is aiming to broaden their demographic base with this series and it seems to be working so far. You don't have to be a genius to figure that one out. Just take a look at their color palette (a variety of pastel colors) that appeals to both women and children for the most part and one of the reasons I've been so distant from the start. (Surprise! I'm not a woman or a child.)

Let's face it, PBS is not trying to appeal to men (except with video excerpts by male authors, wink, wink) because their demographic base is women and children. Again, in the marketing world, this is not a newsflash. It's more like rule #1.

Okay, enough of that. I have several other favorite books. Some of them are even written by female authors. Imagine that.

We'll see which one is the winner soon enough. And just for fun, I'll post my most likely book to win next time. Think of the favorite book of a middle-aged white female and you might come close.

Time will tell if I am sexist enough or not.

(BTW, I've been busy writing a story of my own (and all but finished) so that's why I haven't been around in a while. You can put away your box of Kleenex now. Thank you.)

*Everything is a fundraiser in one form or another. Either you give or you take, there's nothing else.

Carlos Santana, Billy Crystal, Jeanisa Hamrick Moore - Three Revealing Memoirs

noreply@blogger.com (A. R. Arias) — Wed, 17 Jan 2018 17:39:00 +0000

Here are three unrelated memoirs that I'm currently reading and enjoying. I'll be posting another memoir about a paraplegic woman who continues to inspire me and I want to share this life-changing tale that you really don't want to miss.

Right now I'm into The Universal Tone, a memoir by Carlos Santana, which is quite fascinating. And another very different memoir by none other than Billy Crystal, Still Foolin' 'Em. If you're looking for a good laugh, and who isn't, this is a hilarious look at Crystal's life at 65.

Also, I've had the pleasure to work with a very inspiring author, Jeanisa Hamrick Moore who inspires me with her never-ending faith as she overcomes so many challenges in her life after a horrible fall that left her in a wheelchair. What a story!

So there you have it. Check out these eye-opening, hilarious, and inspiring memoirs from three different people from very different walks of life who open up about everything and in the process, enrich our lives with their courageous, engaging, and inspirational stories.

Love Beyond Boundaries will be available soon on Amazon, but you can still connect with this amazing author, Jeanisa on Facebook.

I'll be posting both her book and the book trailer to Love Beyond Boundaries in the coming weeks.

Meanwhile, you can get the other memoirs on Amazon.com or you can save a buck or two on my eBay offer below.

Discount Books:

Make Offer / Free Shipping / Carlos Santana Memoir

Make Offer / Free Shipping / Billy Crystal Memoir

MOONLIGHT - A Sort of Indie Movie Revolution

noreply@blogger.com (A. R. Arias) — Wed, 01 Mar 2017 17:52:00 +0000

Oscar Winner, Best Picture 2017

This past week, as you already know because of all the commotion (possibly planned publicity) surrounding the Oscars Award Ceremony, an underdog Indie film, Moonlight, won the Oscar for best picture.

That, however, came about in a strange way because the powers that be, or the careless presenters who did not second guess the obvious error when they were handed the wrong envelope (Best Supporting Actress, Emma Stone) went ahead anyway and announced the wrong winner, thereby allowing three producers to give an acceptance speech for an award they had not won.

Who does that? Nice going Warren Beatty for not speaking up and allowing an obvious mistake to perpetuate. What were you thinking? Didn't you know you were given the wrong envelope? YES! He obviously did know and still announced the wrong winner. Why?

The short answer is he's an idiot. The longer answer is that he didn't want to expose either his or the Academy's shortcomings by trying to correct their mistake on live television. So he made the decision to make everything worse instead. Sorry, Warren Beatty but that was as lame as the movies you make.

But who really cares? It's just an award show. And that's according to Jimmy Kimmel.

Okay, enough of all that. We know that most of Hollywood is flaky. The proof is in most of the horrible movies they unabashedly make, year after year.

And that leads to my real story, the Indie Revolution.

A Chick-Flick with an awesome ending

I'm calling it The Indie Revolution because that's exactly what it wants to be and it has been on the verge of becoming a revolution for the last 20 years or so. Well, it's almost here and now. The Indie Movie Industry is officially the new kid on the block. Or they should be.

Not that any of this matters to Hollywood but it's about time they got their ass kicked playing their own game and they totally deserve it for being money-hungry charlatans with astronomical budgets that mostly produce lavish, uninspired movies as shallow as a puddle of muddy water.

I certainly hope this is a chance for independent writers to count in an industry mired by so many trivial stories and inept producers who don't know their ass from a hole in the ground.

But I really doubt it because the Hollywood elites and their machinations are well entrenched and stronger than ever and eager to spew out their few really good movies, such as 21 Grams or Thelma and Louise as notable bookends to a litany of studio losers in between.

But in all honesty, we must credit the writers and directors of such films. Thank you Alejandro Inarritu, Guillermo Arriaga, and Callie Khouri for your refreshing work.

"Blair Witch Project was the best example

of Hollywood's inept, greedy ways."

But forget the creatives, Moonlight's budget was 1.5 million and so far has grossed close to 28 million and counting. Not a bad ROI. (Go Arri Alexa! Forgive me. I'm a camera techie.)

In 1999 The Blair Witch Project debuted at The Sundance Film Festival with a small budget of only $60,000 and eventually went on to gross about $250 million worldwide making it one of the most successful independent films of all time.

That was almost twenty years ago and the number of independent films since then has grown exponentially and this year's Oscar-winning, Moonlight, will undoubtedly inspire the Indie Film Industry as we've never seen before.

What does that mean for Hollywood? Nothing, apparently. They haven't taken a clue since Blair Witch so what makes you think they will follow Moonlight's lead? BTW, kudos to Mahershala Ali for his Oscar-winning performance and props to director, Barry Jenkins for his vision bringing Moonlight to life in such a fascinating and unexpected way. We need more stories like this. Black stories. LGBT stories. Meaningful stories that are culturally important and relevant. Stories that lead with their hearts and minds and not their wallets. Well, sort of because it's always about the money first.

But you see, Hollywood makes money either way. To Hollywood, movies are all about DVD sales, cable distribution, global markets, etc. Hollywood could care less about blowing 100 million dollars on a lame movie because they know they'll eventually make their money back via one revenue stream or another either in the U.S. or more importantly, abroad.

"Art is secondary to Hollywood . . ."

Art is secondary to Hollywood because the big money is in high concept formulaic blockbuster films with the old tried and true themes and plots and gimmicks, otherwise known as, required scenes or set pieces that every movie must accommodate in order to be relevant and "successful."

Interesting Indie-like Film

And this is why Hollywood producers and apparently its writers are okay with their standard scripts because they are sure-fire money makers. Although that's debatable but the point is that Hollywood is always going to be Hollywood because they can be and they don't need little films like Blair Witch or Moonlight to influence them in any way because it's not about art but about the almighty dollar. We get it. Nothin new under the sun.

The LGBT Angle

Speaking of winners and losers and nothing new, let's mention the obvious. Hollywood still comes out on top because Moonlight is more than a culturally important film but also an LGBT offering featuring an all-black cast. And it's no secret that creatives, especially the executives and producers, and its influencers in Hollywood, for the most part are a big part of the LGBT landscape. Hmm, sounds like a win, win, win.

Nothing wrong with being a hungry Hollywood producer either. But it's us, the audience, the end user who ultimately pays the price for their capitalistic ways, whether we like it or not.

After all Xfinity's HBO programming is still peddling 20-year-old movies. Go figure. Plenty of poor schmucks are still buying them too. Whether they like it or not.

Not exactly breaking news, but it's all about advertising dollars, my friends.

And you thought this was an Indie Revolution?

Right.

Thanks for the Advertising Revolution, Hollywood!

What Would You Do With a Death Sentence?

noreply@blogger.com (A. R. Arias) — Sun, 15 Jan 2017 18:29:00 +0000

New Kindle and Paperback Cover

In 2009 I prematurely published my first novel after a harrowing brush with death while editing. Among worst things (divorce) and despite all the chaos surrounding my life at the time, I still consider my first novel A Death For Beauty, a small success.

I can't even begin to tell you what I went through between 2007 and 2009, except to say those were the best and worst years of my life for so many reasons.

I can't explain how all these strange events (open-heart surgery, hip replacement surgery, divorce, writing, editing and publishing my first novel) intersected my life at a time when I was drowning fast in a difficult marriage with three wonderful children.

I'll spare you the shit story. Life is full of them and I'm just one more victim of a horrible relationship (and so was she) who was down for the count and so far I've made it through 8 more years of turmoil because my life never seems to get easier. Cry me a river. Nobody gives a shit and that's ok. I'm not looking for sympathy. Just stating the facts that might inspire you if you're going through difficult times.

"I'll cite Ernest Hemingway

as my favorite author."

I'll cite Ernest Hemingway as my favorite author because he had the discipline to write in the midst of so much chaos and drama in his life and he was smart enough to use many events in his life as a basis or as inspiration for all his stories. It's an amazing body of work. The Snows of Kilimanjaro being one of my favorite short stories of all time.

Since I like to focus on the positive I've reinvented myself in other ways until my time is up on Earth. Sounds dramatic but life is full of drama, folks. After my heart surgeon game me six months to live, events like that tend to change your perspective in life if you can survive through such an ordeal.

My theory is that most people don't take their life seriously until it's too late. Newsflash folks, we're not immortal. Life is short and there's simply no time to waste. I remind my children of that and it's the most important thing I can teach them.

The strangest thing is that I set out to write a Western novel and turned out something, a cross between a Western and a mystery using many of the troubling events in my life as themes in the story. Go figure. The ending of ADFB is especially personal to me because I use all my children's names and I managed to deepen my characters with traits borrowed from my older children.

Tentative New Title and Hardcover

It's amazing how things work out. Overall I think this is a very successful story that works on so many levels. It's a shame I wasn't able to get the publicity at the time to launch this book properly but I was in a worse place at the time and limited in so many ways due to health issues. Bottom line, I should've waited until my health improved but at the time I wasn't sure I'd survive at all.

The good thing is that this story is set in the past, 1863 to be exact so in that sense it is timeless and readable for those interested in that time period, which in this case intersects with Abraham Lincoln as President during the Civil War. So the potential for another release of this novel is in its very near future.

The new book cover for the paperback is shown here. The main difference is the title is bolder and larger, set in a Subway Novella font, which gives it that worn and torn feel, befitting that turbulent era.

In hindsight this is the book cover I think works best. Although I like the previous covers, especially the hardcover depicting the farm.

Dear reader, please realize you must

always live your life as if you were dying.

I really fussed with that cover as I do with most of my work. Once I get an idea I try dozens of variations until I settle on the best one. The hardcover really shows the farm and the hard life Virginia lived comes through those images and really captures the essence of her amazing and improbable story.

The central theme is uncertainty and despair. Other relatable themes on a smaller scale are also weaved through the novel and in retrospect, I'm not sure how I pulled it off at the time but it all works.

If there is one objection to any of the story it is that I threw so much into it that for that reason alone it can seem unfocused. Sometimes less is more although I have no regrets with the novel's outcome. My main problem was the opening pages and I'm happy with the first pages now but you never know. I've thought of revamping the whole thing into a short story with a much simpler story line.

Anything is possible and just a matter of time. And when I say time I realize that I don't have forever and whatever changes or goals I have now, I can't hang on to much longer.

Dear reader, please realize you must always live your life as if you were dying.

Because you are.

**************************************

For my next post I'd like to talk more about Ernest Hemingway and his amazing legacy and what he has meant to me as a student of literature and how this great author has inspired me to keep writing.

Subscribe for more posts like this.

For those of you interested in the ADFB novel, I'll post the first pages of this story in Screenplay format, which is also in the works and I'll talk about the benefits for novelists about learning to write screenplays.

Don't miss it!

Font Design and Editing, A New Hobby

noreply@blogger.com (A. R. Arias) — Sat, 14 May 2016 18:14:00 +0000

FontSturct.com

I've put this off long enough. I've observed, studied, dabbled with font designs for years but I've never gotten around to taking the plunge until now. Plunge you say? Well yeah, every graphic designer knows that font design is not for the feint of heart.

That designing a font can be intimidating not just because of the actual design complexities, but because of the commitment involved. I figure if I can devote 7 years to writing a novel and designing its book covers and about 12 different book trailers to go with it, that I'd probably be good at designing fonts.

I figure this is a good way to let my writing incubate until I get back to it. I have an exciting writing project I've been working on but I need to step back for some time and for me, designing fonts is a good alternative.

One thing I overlooked altogether was how much fun designing fonts really is. So far, all the technicalities and challenges of learning something new doesn't seem all that steep after all. For me it feels like figuring out a puzzle piece or I can compare it to just about any design problem you face when confronted with a number of particular requirements in a package design, for example.

I've got a few years of Photoshop design experience to help get me through it and getting good with the Beizer curve and path tool is important so I'm not going in totally handicapped.

The Easy Way To Design Fonts

If you've thought about designing your own fonts as a hobby, here's a website that caters to the "lazy person's way to font design". It sure takes out any apprehensions you might have about getting started designing your own fonts. And best of all, it's really fun.

FontStruct.com

Here you can build fonts with bricks. After a while it gets easier and you start to figure out a number of design problems that you can solve with a particular brick shape. There are some limitations to the selection of bricks, but it's a great way to get your feet wet. You can even download your fonts in a ZIP folder.

Here are several fun fonts I've designed with FontStruct (TM) as practice. You can see a lot more about these fonts on my new Blog here:

Typeface Design by A.R. Arias

AMERICANA FONT

Once you get good at this cheat-sheet method of designing fonts, take a look at FontLab's line of professional font editors.

Right now I'm trying TypeTool 3.1's Demo and having a great time so far. It's easy, fun to use, and although it's a basic entry level editor, it's a great way to get started.

Think you're ready to start designing your own fonts? Check out these great resources. It's more fun than you think.

F. SCOTT FITZGERALD - The American Dream Re-imagined in Bolivia?

noreply@blogger.com (A. R. Arias) — Sat, 15 Aug 2015 14:01:00 +0000

"There are no second acts in American lives."

- F. Scott Fitzgerald

Above: A scene from The Wire about the real meaning behind Fitzgerald's The Great Gatzby and the American Dream.

Hang on to your literary sensitivities folks.
This is a brief essay of a novel and a movie, all rolled into one. Namely, The Last Tycoon and Butch Cassidy and The Sundance Kid.

Have I lost my mind? Well, yes, but that's another story entirely and we already have enough to deal with a mashup of two different mediums and two different stories.

So what's the connection?

Fitzgerald's line in, The Last Tycoon, "There are no second acts in American lives," inspired William Goldman to prove him wrong with the true story of Robert Leroy Parker (Butch Cassidy) and his partner in crime, Harry Longabough, (Sundance Kid) who fled to Bolivia and dodged the law for eight years. That was their second act.

Problem is, whether it was a second act or not, these outlaws were still on the run and in my book, that makes for a weak premise. Heroes don't run. They confront and adapt and overcome. They win. They don't go down and out in a blaze of "glory".

I think we can all agree on that.

SPOILER - Ending to the movie

Okay, let's jump into our time machine and flashback to 1969 when writer, William Goldman, along with his partner, director, George Roy hill, penned the screenplay for The Sundance Kid.

Although, Goldman had the seed of the idea for the Sundance movie as far back as the 1950's when he began his so-called research about the original Butch Cassidy and Sundance Kid. Goldman loosely based the duo's misadventures that played out throughout the 1890's, for his film.

The Fitzgerald "line" first appeared in 1931 in an essay, title, My Lost City, which was a testament to New York in its day that somewhere along the line was misconstrued with a negative connotation.

"I once thought that there were no second acts in American lives, but there was certainly to be a second act to New York's boom days."

There you have it. Fitzgerald might have changed his mind later about the way he felt regarding the American Dream, in his unfinished novel, The Last Tycoon, but this line is probably truer to his original thoughts.

People do change their minds and I have a feeling that's what happened with Fitzgerald. He got more cynical as time went on and most likely for good reason. After all, Hollywood has never been an easy place for writers and Fitzgerald had his own disappointments with the studios back in the early days.

Okay, that's my take on the famous line about Fitzgerald's American Dream. What about the movie, Butch Cassidy and the Sundance Kid?

Good question. What a mess. That's my answer. I'd tried to watch this movie many times but was unable to root for two looser outlaws on the run.

Original Movie Poster

According to Goldman, nobody was interested in the script and only one studio wanted to buy it, with one big change; that the two looser outlaws didn't flee to South America. "But that's the real story," Goldman protested. "I don't give a shit," was the studio's response. "All I know is John Wayne don't run away."

Makes sense to me. Why would anyone want to watch a pair of hapless outlaws tuck tale and run from a posse for two hours and wind up in South America where they get their asses kicked anyway? Where's the heroism in that? I guess someone thought that two handsome guys and a pretty girl on the run was sexy and exciting.

Not to mention all the set pieces with the loud, intrusive music. B.J. Thomas's, Raindrops Keep Fallin' on My Head, over the bicycle scene with Paul Newman and Katherine Ross. Kind of cute, but annoying just the same. Although, it did wonders for the song, winning best original score.

"Well, maybe if you're a narcissist that might work, but for most of us, that's not the kind of story we like to follow."

Goldman has admitted he's not proud of his Sundance movie. I think the film is more famous for its faults than its great qualities, which are a few at the beginning of the movie, where the two outlaws establish their sharp shooting and clever escapes.

Other than that, the story degrades into a mash-up of hide and seek from the law, mixed in with a dash of bravado here and there. All talk and no action, this film comes across as a beautiful disaster. You want to root for these guys and hope they win their way to freedom, but that only comes in the end when it's too late and they're cornered and lynched like the hapless rats they really are.

That ending didn't work for Bonnie and Clyde, and it sure didn't work for Butch Cassidy and the Sundance Kid. What's the big takeaway? Crime doesn't pay?

Really? That's a heck of a way to say it.

A scene from the movie. Butch and Sundance on the run.

So how does this film succeed? How does this movie, after 40 years, continue to win over critics and audiences alike? The short answer to that is perception. People, movie-lovers want to love this film. After all, they like Paul Newman and Robert Redford, and guys love Katherine Ross.

So what's the problem? Everyone is all-in with the stars of the film and consequently, on-board with the movie, warts and all. There's just no other way to put this. Here's a movie that's famous for being flawed in a beautiful way.

While watching this movie, I always had an uneasy feeling about every scene. Everything felt a little off and nothing felt quite right about the plot, the dialogue, or the main theme in particular.

If we can pinpoint one thing about this film, it's that its theme, crime doesn't pay, is off-putting to audiences. There's no way to mask this theme or turn it into something it is not. It is a theme with inherently non-heroic overtones.

"There's something about it we cannot deny."

Many of the scenes include dialogue about regret and "going straight" mostly from Butch Cassidy, whose character was not as determined as his partner, Sundance Kid, and who repeatedly commented, "Who are these guys?" Meaning, who are the guys that don't fear us and are wiser and more determined than us. Guys who are willing to chase us and capture us and probably even kill us.

This movie flopped in 1976

This kind of dialogue further highlights the weakness of these two outlaws and questions why we should follow them. Where is the glory in following a couple of fearful, doubtful outlaws?

There's no glory in that and there's no glory in them martyring themselves in the end. When they run into a hail of bullets, it is an act of desperation, not heroism. And we cannot applaud that or find any redeeming qualities in their decision, and the ending, as well as the entire movie fails on many levels for that reason.

That being said, the reason we're still talking about Butch Cassidy and the Sundance Kid, is because it has become the subject of study and debate among writers and movie enthusiasts.

This film does have its moments of heroism. Well, maybe just in the opening scenes, and so we tend to forgive its shortcomings. There's something about it we cannot deny.

Or better yet, someone we cannot deny.

THE LEGEND OF COLTON H. BRYANT by Alexandra Fuller

noreply@blogger.com (A. R. Arias) — Mon, 03 Aug 2015 14:26:00 +0000

If you're a sucker for book covers with cowboys and horses, like I am, here's one I missed. I came across this title on NPR several weeks ago. Actually it was another one of Ms. Fuller's books, Leaving Before The Rains Come, which led me to The Legend...so I'm posting it here for those of you who enjoy this type of story.

Actually, it was mostly Alexandra Fuller's beautiful writing that got me hooked. She approaches this story with great sensitivity and spirit.

In this very personal and introspective look into the life and times of Colton H. Bryant, Fuller manages to approach this sensitive subject with grace, humility, and love, in what could have been an awkward encounter with Colton's closest family members and friends.

I'm enjoying this book and hope to post my review here soon. I'm also working on another review for Islands in the Stream. Well, I'll have to finish the book first. While Hemingway is one of my favorite authors, I don't have time for long stories like this (over 500 pages) so I'll have to speed-read most of it.

As time goes by, Hemingway books get more interesting because they become in effect, historical documents of sorts, so that component adds another layer of depth to his stories, which are somewhat autobiographical.

I haven't been able to finish several other Hemingway favorites, True at First Light, Green Hills of Africa, and The Snows of Kilimanjaro. Hmm, I've got plenty of Hemingway reading to do and looking forward to every word, but good books just keep coming at me.

But that's a good thing. It's what I live for.

BOYHOOD - The Movie - An Instant Classic

noreply@blogger.com (A. R. Arias) — Sun, 03 May 2015 11:20:00 +0000

Ellar Coltrane

With well over a dozen film credits to his name, Richard Linklater is finally a blip on the proverbial Hollywood radar. Not that courting Hollywood was ever his goal, mind you.

And that's not to say that some of his previous movies like, Slacker, Dazed and Confused, and School of Rock, have not been a success, because they have been popular films by any one's standards.

But Boyhood hit a chord that has resonated and garnered Linklater many awards in the process, including 5 Golden Globe nominations and winning Best Picture, drama, and Best Director.

What is it about this movie that has everyone talking? Well, for one thing, Linklater has managed to show slices of American life in ways that ring true without all the Hollywood-esque bells and whistles. Linklater has also broken a cardinal rule in filmmaking, more than once. Not only has he filmed a family chronicle in real time, he's done it on a "measly" 4 million dollar budget.

Film students and screenwriters take note, Linklater probably had something to prove, and he finally has. Let's break it down. "A" list actors: check; Ethan Hawke and Patricia Arquette. Who more can you ask for? How about the boy in Boyhood, Mason, nicely played by Ellar Coltrane, and his sister, Samantha, played by Linklater's astute and ever-so-adorable daughter, Lorelei Linklater; all amazing performances.

How about a killer script? Well, the screenplay was written on the fly but manages to work miracles nonetheless. I mean, how many movies have scenes like this? Who is that hoola-hoop girl anyway?

Another scene that stands out in my mind is when Mason winds up at a concert rehearsal, when his father's band and its lead guitarist dedicates a song to Mason, the high school graduate.

But not before his father distills a bit of wisdom about Mason's recent break-up with his girlfriend, Sheena, and what might explain his own divorce to Mason's mother.

"Women are always looking to trade up. I think that's what happened to you."

What I really like about Boyhood was how Linklater managed to show us a glimpse of the recent past (2002) and a taste of the present (2013), and how the life and times of a boy like Mason, is affected by all its ups and downs.

The story's through-line is really all about Masons future as an artistic photographer in the midst of divorce and the choices young boys must make when at a crossroads. This main theme comes to light in the film's last scene (Spoiler) when Mason and his new friend, potentially his girlfriend, both under the influence of pot brownies, chat about seizing the moment.

Boyhood is a smart and subtle study of the life and the hardships of a middle-class suburban Texas family break-up and how, despite its stigma, divorce is not the worse that can happen. Life can indeed go on, seems to be the takeaway. And a very poignant one at that.

I rate Boyhood 9 out of 10 stars.

APPLE WRISTWATCH: For the Cool Kids

noreply@blogger.com (A. R. Arias) — Mon, 09 Mar 2015 12:39:00 +0000

Apple Watch - Don't you want it?

Shopping for a watch? Well ... Invicta Watches, move over. The Apple Watch is here(!) Today Apple, Inc. unveils is long-awaited Apple wristwatch to the world and in particular, to its millions of loyal, fanatical consumers. You know, all those folks who wait on forever lines outside Apple stores to get the latest and greatest version of the next iPhone, etc., etc.
Right. Those kind of folk.

It's nauseating. Repulsive. And yes, very American. The Apple culture, that is. Say what you will about Apple, Inc. and its fanatical consumer base, beginning with its loyal, cult-like workforce, this company knows how to market and sell stuff you don't really need, but really want.

How do they make you want it? For starters, every news media and blog on earth is talking about it (great publicity and social proof). So, just watch this slick presentation (advertisement) for the new Apple Wristwatch and see why you'll want it. This is no ordinary watch. It's a fashion statement, a status symbol, a jewel, a bracelet you just gotta have.

Did Invicta Watches create this market?

I hate wristwatches. But I love the Apple wristwatch and I want one, right now. For those who can afford another fashion accessory and tech gadget, all rolled into one. Go for it. Because if you ever wanted to be like the cool kids, this is your moment.

Now, can someone pass me a barf bag, please. Thank you. Thank you very much, indeed.

Tim Cook is no Steve Jobs, but it's great to be American, and this is why.

HATESHIP LOVESHIP - Who Gives a Ship?

noreply@blogger.com (A. R. Arias) — Sat, 22 Nov 2014 21:02:00 +0000

There's nothing like a movie with a bittersweet ending. Ahh...the irony of it all. How it all comes together when we see everything revealed behind the curtain. Suddenly, now we know. Hmm, well this movie was not quite like that.

KRISTEN WIIG

Overall, I'll rate this movie a five out of 10 stars, just because I like Kristen Wiig. After all, who can resist that little pug nose of hers and those sad blue eyes? She's like a lost puppy in this movie. Adorable and endearing all at once, and as far as her dramatic acting, nicely done, but a bit too quiet for my taste.

Good effort by the screenwriter, Mark Poirier and director Liza Johnson's interpretation of Alice Munro's short story, Hateship, Friendship, Courtship, Loveship, Marriage, but no cigar.

If anything, this movie is proof that not all short stories are meant to be turned into meaningful films. Other short stories, such as Annie Proulx's, Brokeback Mountain translate into much deeper films just because of the subject matter. It's not even fair to compare these authors and their very different styles and stories, but there you have it. If you're trying to put your finger on the pulse of filmmaking vs. literature, this is it.

It all comes down to the premise of the story. Brokeback Mountain was truly so much more than a gay love affair between men. It was a study in human sexuality. Bisexuality to be exact, and a good exploration at that. That's deep stuff. By contrast, Munro's story about an adolescent prank gone "right", in Hateship Loveship, well not so much.

Having said that, I think the director's work was good but not good enough. Not deep enough. The actors in Hateship, all played wonderfully, it just seemed this movie didn't have the tension it needed to make me really give a damn. Again, this is not a reflection on any of the players or even the screenwriter for that matter. If a director is working with a bland story to begin with, I think it's his or her responsibility to infuse tension where the written story (Munro's short story) may not show it. Easy for me to say. I'm not the one taking apart Munro's story. But let's be clear. Literature and its subtleties is one thing and artistic license (creativity) in filmmaking is another.

Not all films are so true to the stories they interpret and for good reason. Filmmakers should never rely or trust novelists or writers of any sort. Literature is one art form and film is another. Case closed. One art form does not owe the other anything. Just ask Quentin Tarantino. Novelist, Elmore Leonard didn't bitch at him when the filmmaker changed the title of his book (Rum Punch) to Jackie Brown for his film. The author understood the marketing behind it.

This movie, Hateship, had an odd feeling about it. All the bells and whistles were firmly in place but I was never really moved by it. Maybe a few chuckles, here and there, like when Johanna french kisses the mirror, but I didn't feel anything for Johanna or any other character beyond that scene. The only palpable tension was between the teenage girls, but they're part of the sub-plot, so that doesn't count.

The main tension belongs between Johanna and Ken and the best time to show that was when Johanna showed up at Ken's door unannounced and uninvited, but nothing happened. Well, yes, a bit of discord for about a second and then Ken convinced Johanna to stay despite the misunderstanding. Where's the tension in that?

Note to storytellers: Tension is the lifeblood of any story. The only time tension is relieved is at the end of the story, not during. No tension, no conflict, no story. Conflict builds tension, and that's where your story lives and breathes. Write it down folks. This is nothing new but storytellers must remember to build tension in every scene until the end of the story.

Ken should've kicked Johanna out before Johanna realized he didn't email her those love letters. That's not only tension, that's raising the stakes. But instead, they make love. Wrong move, and if that's how Munro's story reads, change it and make your movie better.Who cares? It's your movie and your reputation on the line, not Munro's.

The Box Office speaks for itself, folks. This movie lost money all the way and serves as nothing more than a calling card for newcomer Wiig and the other fine actors, Nolte notwithstanding. He got last billing. Lest we forget his moving role as football coach in Prince of Tides, or his defiant role as a prosecutor in Cape Fear. Here, Nolte is almost irrelevant but looks good in his role as an over-protective grandfather, and engaging nonetheless.

So here it is folks. The takeaway from the ending of Hateship Loveship, is not so dramatic, not very moving at all. That's a shame because I really wanted to love this movie, but in the end, all I could do was appreciate its production values and its players. The story...well, the jury still out on that, but the takeaway for filmmakers is clear.

Either faithfully adapt a story that already moves audiences, or tweak screenplays so they tug at our emotions at a deeper level. Audiences want to see movies that move and inspire them. Themes must resonate at the end of a film or the movie dies and no one will care.

Life is a Bitchship. A Hardship. Deal with it folks. Deal with it.

JEFF BEZOS Takes ALS Ice Bucket Challenge as Plankton Cranks Up Thermostat, Freezing Him Instantly

noreply@blogger.com (A. R. Arias) — Sun, 24 Aug 2014 23:49:00 +0000

IMUS IN THE MORNING - Same Tune, Different Melody

noreply@blogger.com (A. R. Arias) — Tue, 29 Jul 2014 12:15:00 +0000

FBN FOX BUSINESS 211

Don't expect a glowing, brown-nosing review of the Imus in The Morning Program. There's plenty not to like about it, but compared to most morning shows, Imus and his crew of misfits are pretty funny.

And I suppose the best thing this show has going for it is that Imus is still Imus. You know, the shock jock from the 70's and 80's, but even better now with a bit more profound wit infusing his deadpan comments. Which, speaking of deadpan, the stiffest part of the show is Imus himself. (here it comes)

He sits at his mic, looking down with that intense stare, like a pissed-off eagle, and barely moves his mouth when he talks. C'mon, Imus, how much pain are you in? Loosen up, man. Life has been good to you, so why not show it once in a while. I mean, we don't expect you to act like a cartoon character, but for the love of God, I often watch and think someone needs to hold a mirror under his nose.

Not unlike the Crypt Keeper, or an embalmed animatronic version of the real Imus. It's weird, man. I'm tripping over that shit, bro. (Just taking things way back, folks.)

What's up with all that?

Okay, that being said, Imus does look quite dapper in his usual dark blue blazer, starched white shirt, and big, messy hair. Thank goodness he doesn't wear a tie. He'd most likely choke to death. He seems to come alive only when his lovely wife ( Deirdre) comes on the air.

Can't blame him there, she's awfully cute, and she admits to Imus that she farts, when he presses her for an answer, because he's never heard her fart before. (Howard Stern would be proud.) Imus does throw his right hand up, gesturing with a "let's go" twitch of his thumb when he goes to commercial. Other than that, Imus doesn't move around much. Although, he thankfully does light up when he covers a John Stewart segment, going from Totem Pole, to human being in the blink of an eye.

He reads some of the sponsor ads in a monotonous tone, repeating their phone number several times, sticking to his tried and true advertising formula. Not very watchable, or funny, but I'm sure his sponsors are happy with the results.

So, lets break it down on a good note.

Like all morning shows, it's live. Imus' program is especially raw but with stylized graphics featuring some of the I-Man's favorite music (Imagine Dragons, Temptations, etc.) during intermissions with views midtown New York City streets from the studio. Nice touch.

If you've never seen the show before, you might be thrown a bit as Imus sometimes hosts the show from his Ranch (Cancer Kids) in New Mexico. I think there's better interaction among the cast when Imus hosts from his New York City studio, for obvious reasons.

IMUS' CANCER KIDS RANCH

At any rate, the program includes a large crew of misfit reporters, comics, news hounds, and an assortment of funny bits mixed with top headlines, a variety of interesting guests, and an annoying stock ticker, catering to the show's affluent demographic, no doubt.

Some of the cast includes, Bernie McGuirk, his equally stiff producer, who's obviously been coached to appear more animated (It's not working). Tony Powell, the token black comic who never says much, Rob Bartlett, whose bit seems to be that he's embarrassingly unfunny, plus he's a dead ringer for Rush Limbaugh, odd stuff. The loud, Warner Wolf on sports, The lovely, sometimes pretentious, sometimes funny, Dagen McDowell as business reporter, to name a few.

In a recent program, Imus voiced his disdain for Santa Fe and Dagen commented that all Santa Fe had going for it was wannabe 'Okeefe artisans making sculptures in the shape of vaginas.' Touche.

DEIRDRE

Turns out, Imus in the Morning is the perfect blend of world news, politics, sports, and a good bit of laughter to lighten up all that hardcore stuff. Fun to watch, not exactly a laugh a minute, but close. Worth watching just to see Imus' irreverent take on just about everything.
He knows what's funny and how to deliver it without being obviously transparent about it. His pull-no-punches approach has served him well over the years, so why mess with it.

Great program, folks. If you're tired of all the canned, horribly scripted morning shows out there, check out Imus in the Morning, he's for real.

Overall ... good beats.

Elmore Leonard - Where Have You Been All My Life?

noreply@blogger.com (A. R. Arias) — Wed, 16 Jul 2014 11:01:00 +0000

3:10 to Yuma

E.L. - Now One Of The Literary Gods

Talk about shameful, this is way beyond that. Who hasn't heard of Elmore Leonard? The Father of Crime Fiction? Whaaat? Wasn't Micky Spillane, the great Crime Noir author of all time? WTF? They both hail from the same era, the 50's, after all.

It's Detroit vs. New York folks. Who's the winner? Hmm, forget that, I won't turn this into a popularity competition. I love Spillane and in my mind he is the best crime novelist of all time because that's all he ever wrote. Leonard really comes across as a Western writer for the most part, not counting Get Shorty, or the TV series, Justified, of course.

Several of Elmore Leonard's best hits, like, Killshot, 3:10 To Yuma, and lately, the TV series Justified, which is based on Raylan's character, all come to mind. I'm not a huge fan of crime fiction, (because I'm a snob) but I am a huge fan of great (literary) writing, and both these writers were great in their own way.

And what better literary author to be inspired by than Ernest Hemingway, whom Leonard studied and practically idolized, with reservations about Hemingway's serious side, mind you. I know what he means. Hemingway was not exactly a comedian. At least not in his novels, but his autobiographical, A Movable Feast, does show Hemingway's lighter side.

Right now, though, it's all about Elmore Leonard, who passed away due to a stroke, August of 2013. He was 87 and still writing. That in itself is inspirational. But, when you're on a roll, why stop? And what a roll it was. It all started with "Trail of The Apaches," in the 50's and Leonard never let up since, right up to his last novel, Raylan, and his last short story, Ice Man. Read it here. http://www.elmoreleonard.com/index.php?/weblog/read_elmore_leonard_last_short_story_ice_man

Absolute gems, folks. What else can anyone say? Writing like this doesn't come by that often. This kind of writing is not something you can learn, but I believe, you must be born with this kind of instinct. And yes, Elmore Leonard was born to write these kind of stories. That's why we're still talking about him and his amazing work.

TOP TEN WRITING RULES

His writing techniques are all but missing. He seems to break plenty of "writing rules" but somehow manages to pull off the stories either way. This suggests an innate ability that many writers just don't have. He's a natural who makes up his own rules, and to great advantage. Proof enough that writing techniques are just guidelines, and not the Holy Grail, which, brings to mind Elmore Leonard's own 10 rules for good writing.

Never open a book with weather.
Avoid prologues.
Never use a verb other than "said" to carry dialogue.
Never use an adverb to modify the verb "said”…he admonished gravely.
Keep your exclamation points under control. Two or three per 100,000 words of prose.
Never use the words "suddenly" or "all hell broke loose."
Use regional dialect, patois, sparingly.
Avoid detailed descriptions of characters.
Don't go into great detail describing places and things.
Try to leave out the part that readers tend to skip.

These are the rules Leonard admonished, although, he always said that if you only follow number 10, you'll be ahead of the game.

"If it sounds like writing, I re-write it."

The surprising thing about this top 10 list, is that all these rules are quite in line with literary standards, which many writers (myself included) abide by. (I'm a writer? Who knew? Okay, I'll have to live to 87 to prove it. I have about 35 years to go. Just preaching to the choir, folks.)

So, as we can see, even when we follow all these tried and true rules, we're nowhere near the level of writing that Elmore Leonard was. Don't know about you, but I'm not there yet. My early onset of Alzheimer's gets in the way a lot more than I'd like to think. Then again, maybe I'm just plain dense. I think that's the real answer. Unfortunately, God did not bestow me with any gifts. None whatsoever. A few minor talents, but nothing in the literature and writing department.

AN ABSURD ASIDE

Remember the movie, Amadeus? I'm the hopeless Italian composer. Don't get the reference? Look it up, young guns, this is a good one, especially if you're a fan of music, specifically, Beethoven. Also, The Verve Pipe's, Bitter Sweet Symphony. Another classic gem. Forgive me, I just can't help myself.

Okay, back to my new hero, Elmore Leonard.

Don't you just love it when you discover a writer like this? I mean, I've read him before, but never really immersed myself in his work. If you're a literary snob like me, give Leonard a chance and check out his work, because he's not the hack you might think he is. Quite to the contrary, E.L., as I've already mentioned, has literary roots running through his veins. He's no Mickey Spillane, folks. And that's not a jab at Leonard. I'm just trying to make a distinction in my own ridiculous way.

Elmore Leonard is in a league of his own. There. That's more like it. Leonard, by all counts is a pioneer of literature, and he has the classic stories to prove it. Period.

Check out the links here and get some of his books and enjoy them. Everyone, especially Hollywood, has been doing just that for 60 years. He's had to be doing something right, and yes, I know what it is.

Aren't you glad you stuck around for the end of this Post? (Whatever.)

Here it is folks. Here's the takeaway.

(HIGH) CONCEPT, GREAT DIALOG

If there's one thing and one thing only, consistent about Leonard's writing, it's that he works with very conceptual ideas. What does that mean? It means that without a winning concept, there is no story. Because the kernel of any idea, is its concept. And concept means, the reason you read a story. The reason a story exists to begin with. The What if factor.

And to propel his concepts, add plenty of crisp dialog to the formula, and you have a winning combo. (Wow, this is even better than D.Q.'s burger combo.)

Transporting a prisoner to Yuma Territorial Prison on the 3:10 train, is a high concept with never-ending possibilities, plus theme, built right in. Hence: 3:10 to Yuma. (Yes, I know you'd surmised that already.) One of my favorite Westerns of all time. Originally a short story, published in 1953, by Dime Western. First filmed in 1957, starring Glen Ford, and then filmed again in 2007, starring, Russell Crowe and Christian Bale. One damn good story, two great movies. And if Leonard's University of Detroit studies in English and Philosophy ever shined, they were certainly exemplified in 3:10 to Yuma. His flair for great concepts? That's a secret we might never know. (I'll get back to you about that.)

But how's Jackie Brown, for high concept? A flight attendant who smuggles drugs from Mexico to an LA guns runner who's under the close watch of the A.T.F. A classic Quentin Tarantino film, originally published as a novel, Rum Punch, by Leonard. And yes, Tarantino took many liberties with Rum Punch, including changing its protagonist from White to Black (The wonderful, Pam Grier) and its title, but Leonard said it was one of "Hollywood's" best adaptations of any of his books and highly praised the film.

And we all know that means that Leonard thought Jackie Brown was as good, or even better than Rum Punch. Better than the book, only because cinema, when done right, adds another dimension to the written word. Hurray for Tarantino! (That'll be my only exclamation point in this article. Thank you E.L.) C'mon... Elmore Leonard and Quentin Tarantino, truly a match made in literary/cinematic heaven. This is the best three-way marriage among Crime Noir, Blaxploitation, and Neo Noir films ever.

Now, there's a gift you can't deny. Thank you, literary gods. At least I've lived long enough to enjoy this gift given to others. (Really?) That's a blessing, folks. Don't kid yourself. Even Norman Maclean was still writing in his later years when he penned the wonderful A River Runs Through It. Another undeniable classic, wonderfully brought to life on screen by Robert Redford.

How lucky are we? Lucky enough to have experienced great writers and filmmakers, and amazing human beings such as Hemingway, Maclean, and yes, especially Elmore Frank Leonard.

Thank you, Elmore Leonard. Your legacy will always and forever live on.

Cue, sentimental music, that's a wrap, folks.

FADE TO BLACK.

Check out this list of classic stories and Pulp Western Fiction book covers: http://www.elmoreleonard.com/index.php?/stories/karen_makes_out

TreeBooks-One More Reason to Cock It and Pull It

noreply@blogger.com (A. R. Arias) — Mon, 23 Jun 2014 13:54:00 +0000

You know the shtick. This blog is all about the dark side of life and my suicidal POV. (In case my blog title hasn't already given that away.)

And with that in mind, I'm going to deliver one of the most annoying and most pessimistic views about eBook readers you've ever read.

Grab your guns and come with me. This is going to hurt.

Ready? Put your gun to your head. Cock the trigger. Close your eyes.

Okay, you can open your eyes a minute. You do have to read, you know, unless you have TTS enabled, then you can listen. But keep your gun pointed at your temple, though. This will go by sooner than you think.

Here goes.

I was minding my damn business on the internet, searching for something that would add meaning to my life, (or good porn) just like everyone else, when along came this ad about eBook Technology. WTF? That was my first thought. (BTW, this kind of technology (c'mon, software) is nothing new. It's been around for some time, used as story and name generators, etc.) And now, MMG (Medallion Media Group) has ramped it up a few notches and turned it into an amazing iPad APP for eBooks.) Whatever.

WTF, don't we have enough to do? Don't we already have a zillion choices we can't keep up with? Isn't the godforsaken internet already responsible for all my anxiety? Throwing my damn heart palpitations out of control with way too much exciting information. Prolonging my shortness of breath. My hands are shaking! Okay, deep cleasnsing breath. Calm down son. Someone, anyone, pass me the Xanax, please. And a tall glass of water--these fucking pills are hard to swallow.

For the love of God and all that is good in this world. Do we really need any more anxiety? Seriously. Does the world need another reason to lose sleep over the next goddamn story? I doubt it, but what I think doesn't amount to squat. Does it? No. C'mon shake your head. Just play along, we're almost there.

Then... WHY THE FUCK DO WE NEED THE MMG APP FOR?!!

Now, CLOSE YOUR EYES and PULL IT!

PULL IT TWICE!

You see what I mean?

Of course you do. Now, for those of you who didn't pull the trigger. For those who didn't have the cojones to splatter your brains all over the white walls. Or how about white cotton balls in the fields, yes, in slow motion. (Thank you Tarantino). (Hmm, I think I'll work on a Django review.)

Go here and knock yourself out with the endless stream of information about the goddamn future of eBook readers. That's right. I'm not going to say another word about it. I'll defer to the so-called experts. They've done all the heavy lifting. Why should I break a sweat?
http://thetreebook.com/

Besides, I don't even own an iPad, or a fucking Kindle any more. I just couldn't take it. I just couldn't find the time to immerse myself in another goddamned enhanced, mother fucking reading experience.

Patches is meowing for fucking food, goddamn it!

Love In The Time of Cholera - Literary Inspiration from Gabriel Garcia Marquez

noreply@blogger.com (A. R. Arias) — Mon, 21 Apr 2014 14:29:00 +0000

Paperback Cover

If you're short on inspiration, hope, or maybe even hopelessly depressed, take a deep cleansing breath and start reading this book. You just might forget your own troubles and commiserate with the victim in this story's opening paragraph, or you might try to identify with its main character, Dr. Urbino, and find your own romantic truth along the way. Even better, you might be inspired to write a great romance story of your own.

Love in the Time of Cholera inspired this blogger to continue writing. But readers of romantic novels, beware. This is not your ordinary love story, which neatly fits into the prolific genre of romance novels depicting a myriad of superficial happenings. It is first and foremost a literary masterpiece whose 1982 Nobel Literature Prize winning author, Gabriel Garcia Marquez, published in 1985 to great acclaim.

If you like Kafka, Faulkner, or even Tolstoy, you'll enjoy Marquez because these are the authors who inspired him to become a novelist, and their influence is quite apparent throughout Marquez's work, albeit with his Spanish heritage, flair and journalistic sensibilities firmly in place. An astonishing, eclectic literary mix indeed.

One look at the Paperback book cover (above) says it all. Two hearts coming together as one, an annoying parrot, and someone peeking from a garden. All graphic elements within this story that subconsciously suggest the rumors, love affairs, and deceptions that lie ahead. Its opening paragraph is also just as revealing as it is enigmatic.

IT WAS INEVITABLE: the scent of bitter almonds always reminded him of the fate of unrequited love. Dr. Juvenal Urbino noticed it as soon as he entered the still darkened house where he had hurried on an urgent call to attend a case that for him had lost all urgency many years before. The Antillean refugee Jeremiah de Saint-Amour, disabled war veteran, photographer of children, and his most sympathetic opponent in chess, had escaped the torments of memory with the aromatic fumes of gold cyanide.

As a fan of great opening lines, this has to be my all-time favorite, as Marquez deftly encapsulates the theme of this novel in one astounding sentence. How can you not continue reading after an opening like this? What's even more miraculous is that almost every other sentence is just as intriguing. How does he do it? This is simply a book you cannot put down and therefore the perfect study for any student of literature at any level.

So much has been said about this story and about Marquez's writing, that it's almost futile to try to add anything else. Aside from Flannery O'Connor, I can't think of another writer who is as accessible to read and enjoy on so many levels as G.G. Marquez.

If you're an avid reader but have managed to miss this story, this author, for whatever reason, (perhaps the unfamiliar foreign name) you must give this story a chance. I'll admit, not unlike Toni Morrison, you'll have to be very diligent while reading Marquez's work, although his humor will quickly offset any misgivings I can promise you that much. He is Spanish after all and hails from the great tradition of the Don Quixote style of literature.

You can expect Marquez's work, this story in particular to be complex, intriguing, thought provoking, absorbing, and a multitude of other adjectives we can use to describe it, but above all, it is utterly amusing.

Enjoy it for all it's worth.

Hasta luego, Gabo, que descanses en paz, mi amigo.

Stephen King's Joyland - It's No Shutter Island

noreply@blogger.com (A. R. Arias) — Wed, 26 Mar 2014 14:52:00 +0000

Okay folks it's been, let's see, almost a year since my original Joyland Post, shameful. http://booksnap.blogspot.com/2013/07/joyland-by-stephen-king.html

Hey, this is not Salon folks. I know where I stand with my limited audience who've long taken a hike. It's ok, the only point of this Blog is self-serving, to get things off my chest. Or, to delay my impending doom with one last reason to live before I put a gun in my mouth and pull the trigger at least twice. Heck, if readers want real entertainment they'll go to real blogs and sites like the aforementioned Salon, or who knows where.

But now that I mention it, I stopped logging on to Salon because their pages load up too slow. Hmm, is it their site or just my old Remington, I mean Gateway acting up? (I wish this was a joke).

Don't ask, but yes, I'm still using an old Gateway laptop from the 90's. Hey, it matches my 1991 Chevy Blazer. I just can't part with either of them. (Really?)

Okay, enough nonsense. Let's get to the juicy review I've put off for almost a year. As my dear mom used to say: "If you've got nothing good to say, don't say anything at all." Hmm, come to think of it, that might have been Confucious. I always get them mixed up. (I love you mom.)

All right, let's face it, the only reason I'm posting here is because my life is about to end, once again. At least it feels that way. Suicidal meditations always inspire me to write. I have no where else to turn. How else can I say farewell to this cruel world? I mean, how many times have I picked up that gun?

Here's a tip for the youngsters out there (not that any of them are reading this). Lord forbid they look away from their video games for two minutes. They seriously must know something I don't. My boys are beyond hooked, with no hope in sight.

Youngster tip of the week:

"You'll start to take life seriously only when you're free-falling off a cliff."

That's a gem. Write it down and don't ever forget it.

Again, I digress. Can you blame me? I've got too many issues to deal with and they all seem to take center stage at the worst times. I'm not sure I even want to talk about Joyland anymore. I've got far more interesting things going on.

But let's get to it shall we? It's not even a real review folks. It's a bit of criticism, but first, let me say that I loved Joyland. Especially the first half, despite the odd opening. For the life of me, I still don't know why Stephen King would open a novel this way when he had so many opportunities to really make it more interesting. Oh... almost forgot. He's Stephen King. He can open a novel any way he wants and get away with it.

No worries, Mr.King, I forgive you. In fact, I re-wrote your opening to Joyland at least three different ways (in my own mind) just to prove to myself I know a little about writing and how to open a story that hooks readers from page one. I kept referring to Les Edgerton's Hooked, over and over just to make sure too. I'm so proud of myself. But don't worry Mr. King, I won't reveal my clever and poignant opening to anyone. I wouldn't want to embarrasss you.

Besides, my own legion of readers would lambaste me for even trying to mess with a master storyteller like Stephen King. I'm sure there's a method there somewhere.

Okay, I loved Joyland right? I sure did and I want to say that up front because I wasn't thrilled with the ending. Aside from the meandering opening, the beginning of this story is quite masterful, as I recall. The funny carny jargon, the spot-on characters. The main character's quirky POV and interesting backstory. Loved all of that. Enjoyed the setting and how all the characters played off each other, and so on. Great first half of the story until the middle started to drag and become predictable. And then... the ending came.

Suspenseful glissen tone here.

I don't know about you, but for me, endings are what I live for. (Thank you Mr. King for nudging me just a little closer to grabbing that gun once again.) Right. After an ending like this, I was not only dissapointed, but depressed beyond all reason. I quickly tried finding another reason to live. That's why this review took so long. I've literally been depressed and ever so close to my breaking point after reading the ending to Joyland that the trauma has taken me many months to recover.

Oh, the horror of it all folks. I'm always trying to find one good ending. One brilliant ending that will put my life in perspective and make life worth living, if only for one more day, or until the next great ending. Stephen King, what have you done to me?!!

Are you kidding me? Joyland ended with a wimper. I hate when stories end that way. You know what I mean? They just end, as in, there's no more to read and you're waiting for that big moment to hit you like a, well, a ton of bricks? (nice cliche) But it never does because you see the bad ending approaching from miles away.

It's almost as if King ran out of good ideas and decided to finish this story in textbook style. No real surprises here. Just a run of the mill formulaic ending. A well-written ending, but not an eye-opening, jaw-dropping, head-spinning moment where you say: "Fucking A, what a twist." That's what I say when a story ends like Dennis Lehane's, Shutter Island.

I know, I know, it's rude to compare authors this way. It's not even fair, but what can you expect? I'll never be the same after Shutter Island. From now on, I expect all good mysteries to end like this. I'm spoiled. Dennis Lehane has ruined my reading life! And I'm not even crazy about Lehane's stories, mind you. And I know he's written a lot of books, but Shutter Island is the only one I know, or I can remember.

Stephen King's Redemption
Not so with Stephen King novels folks. Let's rattle them off: Carrie, his first and most brilliant. Uh, The Green Mile, another masterpiece. How about Misery? One of my favorites! Cujo, Duma Key. C'mon folks, you gotta love Stephen King novels. The list is endless. He's not the King of Mystery for no reason. Or is it the Master of Mystery? I could never keep those straight. I'll have a talk with his publicist.

Okay, okay, this is not a kiss Stephen King's ass discourse. He has enough fame and fortune and doesn't need any help from me. I just hate writing bad reviews. Not that this is a bad review of Joyland. Far from it. It's a mixed review, for sure, but mostly positive, as it should be because like many of King's other novels, Joyland is still a classic. At least half a classic, that is. Or a full-fledged classic with reservations. Hmm, that's not working.

Let's just call it a somewhat classic work, with the hope that Stephen King might someday re-write a satisfying ending to Joyland "a la" Shutter Island, and re-release it. Is that even allowed?

I don't think so.