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	<title>The Inquisitive Aesthete</title>
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		<title>Just how many Gibson SJ-300s were actually made?</title>
		<link>http://brianloudenslager.com/2026/02/02/just-how-many-gibson-sj-300s-were-actually-made/</link>
					<comments>http://brianloudenslager.com/2026/02/02/just-how-many-gibson-sj-300s-were-actually-made/#respond</comments>
		
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		<pubDate>Mon, 02 Feb 2026 04:30:51 +0000</pubDate>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Music tools]]></category>
		<category><![CDATA[acoustic guitar]]></category>
		<category><![CDATA[gibson]]></category>
		<category><![CDATA[sj-300]]></category>
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					<description><![CDATA[<p>Ever wonder how many Gibson SJ-300 Super Jumbo acoustic guitars were made? I dove deep into their serial numbers, forum posts, and dealer lore to find out. Here&#8217;s a fun way to start a conversation the next time you see your guitar nerd friend: mention the Gibson SJ-300 and watch them divide into one of [&#8230;]</p>
<p>The post <a href="http://brianloudenslager.com/2026/02/02/just-how-many-gibson-sj-300s-were-actually-made/">Just how many Gibson SJ-300s were actually made?</a> appeared first on <a href="http://brianloudenslager.com">The Inquisitive Aesthete</a>.</p>
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		<title>Is This The First Female Hawaii Volcano School Artist</title>
		<link>http://brianloudenslager.com/2025/11/27/is-this-the-first-female-hawaii-volcano-school-artist/</link>
					<comments>http://brianloudenslager.com/2025/11/27/is-this-the-first-female-hawaii-volcano-school-artist/#respond</comments>
		
		<dc:creator><![CDATA[The Aesthete]]></dc:creator>
		<pubDate>Thu, 27 Nov 2025 03:53:27 +0000</pubDate>
				<category><![CDATA[Volcano School]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[art research]]></category>
		<category><![CDATA[hawaii volcano school]]></category>
		<category><![CDATA[hawaiian art]]></category>
		<category><![CDATA[the volcano school]]></category>
		<guid isPermaLink="false">https://brianloudenslager.com/?p=747</guid>

					<description><![CDATA[<p>What Little We Know About The Life and Art of Clara Gregory Lindsay In 1891, Clara Gregory Lindsay became one of the earliest women to show her artwork in Hawaiʻi. It&#8217;s possible she is the first female painter of Hawaii&#8217;s renowned Volcano School. Although long forgotten, Clara was a socialite. With a generous spirit, and creative [&#8230;]</p>
<p>The post <a href="http://brianloudenslager.com/2025/11/27/is-this-the-first-female-hawaii-volcano-school-artist/">Is This The First Female Hawaii Volcano School Artist</a> appeared first on <a href="http://brianloudenslager.com">The Inquisitive Aesthete</a>.</p>
]]></description>
		
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		<title>Edouard Garcia Benito’s Gift to Condé Nast</title>
		<link>http://brianloudenslager.com/2025/08/12/edouard-garcia-benito/</link>
					<comments>http://brianloudenslager.com/2025/08/12/edouard-garcia-benito/#respond</comments>
		
		<dc:creator><![CDATA[The Aesthete]]></dc:creator>
		<pubDate>Tue, 12 Aug 2025 03:20:40 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art History]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[art research]]></category>
		<guid isPermaLink="false">https://brianloudenslager.com/?p=732</guid>

					<description><![CDATA[<p>The Painting I Sold Too Soon I acquired this painting as part of a lot of five works. I admired its vibrant elegance when I saw it, but it didn&#8217;t fit my collection. I let it go, and later discovered how significant it truly was. It wasn&#8217;t just an attractive piece of art; it was [&#8230;]</p>
<p>The post <a href="http://brianloudenslager.com/2025/08/12/edouard-garcia-benito/">Edouard Garcia Benito’s Gift to Condé Nast</a> appeared first on <a href="http://brianloudenslager.com">The Inquisitive Aesthete</a>.</p>
]]></description>
		
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		<title>The Evolution of Madness: Discovering Bragg&#8217;s Double Vision</title>
		<link>http://brianloudenslager.com/2025/07/28/charles-braggs-asylum/</link>
					<comments>http://brianloudenslager.com/2025/07/28/charles-braggs-asylum/#respond</comments>
		
		<dc:creator><![CDATA[The Aesthete]]></dc:creator>
		<pubDate>Mon, 28 Jul 2025 00:07:29 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art History]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[Asylum]]></category>
		<category><![CDATA[Charles Bragg]]></category>
		<guid isPermaLink="false">https://brianloudenslager.com/?p=698</guid>

					<description><![CDATA[<p>Charles Bragg&#8217;s Asylum Paintings In my home growing up there was a large framed Sutton Galleries poster of Charles Bragg’s The Asylum. It was larger than life, way beyond comprehension for my adolescent mind. It frightened and perplexed me, but I couldn’t help but stare at it, knowing something was going horribly wrong. As a [&#8230;]</p>
<p>The post <a href="http://brianloudenslager.com/2025/07/28/charles-braggs-asylum/">The Evolution of Madness: Discovering Bragg&#8217;s Double Vision</a> appeared first on <a href="http://brianloudenslager.com">The Inquisitive Aesthete</a>.</p>
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