bunny BISOUS

Happy ThanksLiving 2009 | Down with Mills and Factory Farms!

2009-11-12T21:06:16-05:00

painting by Danny Roberts of Igor + André | Miu Miu Spring 2010

My sincerest apologies for the flighty, few and far between updates as of late; I've been engrossed in a flurry of exhilarating, albeit labor-intensive projects with several magazines, photographers, designers, and organizations slated to be released throughout the forthcoming festive season!

While I cannot reveal too many details quite yet, one of my pet holiday projects is an upcoming benefit that I am co-chairing with designer Rachel Antonoff to raise awareness about animal cruelty as manifested on two fronts: barbaric factory farms (with funds proffered to Woodstock Farm Animal Sanctuary) and merciless puppy mills (to benefit Maddie's Fund).

painting by Caitlin Shearer of Caitlin Quiet | her online shop pepperminte

Scheduled to betide in a magnificent historical Manhattan haunt this winter, a killer hosting committee will preside over a silent art auction featuring works created especially in a forest and fauna theme [including the original painting above] by the likes of Kime Buzzelli, Kate Wilson (of Little Doodles), Caitlin Shearer (of The Bleeding Knees Club) and Danny Roberts alongside special musical performances by fun., Steel Train, and other sublime surprise guests.

In the meantime, tweet at me @bunnyBISOUS!

ox, Jules

VIDEO: Ben Stein Raises Awareness about Puppy Mills [Humane Society of United States YouTube]

VIDEO: Mary Tyler Moore's Life Behind Bars on Factory Farming [Farm Sanctuary YouTube]

Next Model Management New York Special Bookings – Julia Frakes [Next Models New York]

The Bunny & The Deer by Danny Roberts [Igor + André]

A Quick Chit-Chat with Designer Peter Pilotto after First Lady Michelle Obama's Bronx Jaunt in his Wares [PAPERMAG]

VIDEO: Rachel Antonoff's Costume Creations for It's On with Alexa Chung [MTV]

VIDEO: Julia in Motion – a speed-motion video of The Bunny & The Deer by Danny Roberts in support of Maddie's Fund and the Woodstock Farm Animal Sanctuary [Igor + André]

Blogger as Muse by David Hershkovits [PAPERMAG]

Next Models Now Representing Julia Frakes [Next Model Management Blog]

From PAPER: Rachel Comey's Breezy, Seaside-Inspired Spring Collection

2009-09-16T21:44:00-04:00

Rachel Comey's signature offbeat mélange of zany prints, decidedly brainy specs (this season, in collaboration with Sol Moscot), and undemanding footwear fit for the most urbane hippies took center stage whilst St. Vincent crooned cover songs at the breezy Chelsea rooftop runway presentation (Nika's hat even went a'flying!). Comey's comely quirk was brought to the fore this season by remarkably Johnny Appleseed styling: a foray of flat-front pants, floppy hats, kooky rover pockets, trademark quotidian cardigans, and thoroughly Camden cargoes. Inspired by seaside Maine, Comey seemingly took cues from the entire coast with winsome (albeit rather utilitarian) skorts befitting a romp around the Sebago Lakes, delightful refined dresses recalling the more genteel Kennebunkport coterie, and functional trenches, windbreakers and field coats wholly fit for Freeport.

Images via Coutorture

Rachel Comey's Breezy, Seaside-Inspired Collection [PAPERMAG]

Pretty in Punk by Julia Frakes: Dana Lorenz to Open Her First FENTON/FALLON Boutique in Freeman Alley [PAPER Magazine]

Tales From the Sales Floor: What's Selling at Opening Ceremony (featuring your bunny) [Vogue.com]

bunny BISOUS,

ox Jules

From PAPER: Gerlan Jeans Was an "Expectedly Wacky Affair"

2009-09-15T10:50:00-04:00

Following a stellar Fall 2009 debut hosted by Patricia Field in her personal home on the Bowery, Gerlan Jeans' sophomore presentation at the Audi Forum was a booming culmination of designer Gerlan Marcel's unconventional flair: an expectedly wacky affair chockablock with her idiosyncratic patterns (past ventures of the Central Saint Martin's '00 graduate include designing kooky, colorful prints for Jeremy Scott, Calvin Klein, Barbie, and Libertine) and prized off-the-wall insanity. For Spring 2010, Gerlan steered toward a definite '90s SoCal vibe (think Amber's PVC/plastic dresses from Clueless) – accentuated by daytime cotton streetwear recalling a distinct Clinton-era optimism and, perhaps, naiveté. Pot leaf prints galore (played up by wicked hologram laboratory glasses seemingly ideal for Ernst Stavro Blofeld or even Dr. Julius No) and clear sky-high 'private dancer' heels may have been the most immensely memorable motifs that I've witnessed thus far this recession-friendly fashion week; but the truly sellable high points include youthful Liberty-esque cotton floral prints perfectly fit for a romp in the sandbox, a dynamically spirited Dr. Martiens collaboration, and a "yes we can" fist pump pattern befitting our current healthcare state-of-affairs.

Gerlan Jeans Was an "Expectedly Wacky Affair" [PAPERMAG]

Who's Fierce (and False) at Fashion Week by Christian Siriano (featuring your bunny) [NY Post]

Julia Frakes at The SatoriaLUST, Scott Schuman's Book Signing at Barney's [William Yan]

Tim Walker's "The Lady Who Fell to Earth" [PAPERMAG]

Karen Walker Takes Us on a '60s Seaside Escape... And We Love It! [Refinery 29]

NYFW Kicks Off with FENTON/FALLON's Fancy Fête [Teen Vogue]

bunny BISOUS,

ox jf

From PAPER: Costello Tagliapietra Get Dressy

2009-09-13T10:15:00-04:00

Fashion's favorite flanneled design duo Jeffrey Costello and Robert Tagliapietra candidly returned to their roots this Spring 2010 – presenting a collection entirely composed of their celebrated and sought-after dresses. In pure and paradigmatic Costello form, the heart of the line hinged on regal drapes, structural folds, and exuberant hues – this season keeping the spirit fresh (with slickly understated Swarovski details), green (by utilizing an Earth-conscious method of printing fabrics without wasting water in collaboration with AirDye), and attainable (the two shoe styles June and Lula created in partnership with Loeffler Randall are available for pre-order). The boys intently focused on the entirety of each frock – rendering it just as compelling to study the models' garments as they approached as well as from behind – and marking a delicate balance both in silhouette and frills played up by prints forged by manipulating Jeffrey's digital lake and sunset photographs snapped around Brooklyn. Highlights of the well-edited 22 looks unveiled at Milk Studios include a freshly-flaxen Ali Stephens' tricolor moss/acid AirDye taffeta draped one-shoulder frock with seemly satin organza embroidery and Pernille Moeller's periwinkle AirDye lake print taffeta dress crowned by delicate origami jabot.

Costello Tagliapietra Get Dressy [PAPERMAG]

Rachel Antonoff Sets the Stage for Spring [Teen Vogue]

Julia Frakes captured by Mr. Newton [Refinery 29]

Sundance Screens Proenza Schouler's The Day Before for the Style Set [Style.com]

bunny BISOUS,

ox Jules

From PAPER: Peek-A-Boo Preview of Designer Katie Gallagher's Upcoming Collection: Veil

2009-08-29T12:21:53-04:00

Katie Gallagher – "I've literally set up a small production house in my studio!"

Fashion circles are abuzz in anticipation of New York-based designer Katie Gallagher's dramatically sculptural garments and endearing yet contemplative motifs (think inflated cats, Neuromancer, Veronica's Veil) to be presented at her first full ready-to-wear collection on September 12. The dainty, dreamy RISD alum further refined her skills at apprenticeships with threeASFOUR and Anna Sui – garnering industry whispers of her unrivaled technical prowess and diligent emphasis on the wearer's personality. It was a pleasure to chit-chat with the fellow history buff and rural Pennsylvania native on her pixie-like upbringing, distinctive design journey, and upcoming Spring/Summer 2010 presentation.

Can you tell us a bit about your environs while growing up?
I grew up in a farm town in Pennsylvania. I was surrounded by forests and I played with wild animals all the time; in fact, my mom thought I was a saint because I would perpetually approach and touch random animals and they never ran away from me! I was a forest creature, really –- I never wore shoes, and I hated wearing clothes (but always wore my cat on my head)! Growing up consisted of foraging mushrooms and berries, making little potions... and avoiding clothes. I'm not really sure how I ended up being a fashion designer in New York, but here I am!

Katie and her Sveater

Why are you so enchanted with cats?
They're furry AND low-maintenance! I only really love novelty-sized inflated cats like my Sveater though [photographed above].

What first sparked your interest in becoming an apparel designer?
When I was younger, I was always vintage shopping and altering my clothes on a little Singer machine. When I attended art school at RISD (Rhode Island School of Design) I originally had the intention of painting, drawing, and doing whatever I wanted! I was so interested in drawing and dividing up the human body into shapes – by dramatizing and adding character to it – that I majored in fashion to learn how to sew properly and make patterns to do this in a more effective, refined, and pure way. I haven't really stopped making clothes since... and now I'm launching my first collection!

Katie Gallagher Spring/Summer 2010 Illustration

How would you describe your design aesthetic?
I like things to be relatively pure: fashion is as much about what's in style as it is about eloquently communicating the personality of the wearer. I'm not particularly frilly and I like to avoid things that are too confectionary or embellished... I definitely appreciate a certain hardness and drama. But that said, I want to avoid the ambiguously masculine road that is so often associated with that aesthetic. Avoiding lace and trim doesn't mean you have to start cutting up and refitting menswear! A big part of what I do with my designs is technically motivated. I'm a firm believer in non-traditional pattern-making and I avoid superfluous seaming and construction in my clothes; seams should follow a woman's body and thereby accent it... not merely use the amount of fabric that's the simplest and most inexpensive to cut in a mass market factory.

Who or what was your chief design inspiration last season? ... and for this upcoming season?
Both in my last collection, Shroud, and in the upcoming collection Veil, I have followed a pretty similar focus: pattern-making, wrapping the body, and a ghostly, ethereal feel. Both titles Veil and Shroud come from historically significant artifacts – namely The Veil of Veronica and The Shroud of Turin – wherein a piece of cloth had taken on much more meaning than the sum of its parts. However compared to the all-white Shroud, Veil embodies a much harder approach; it's mostly composed of blacks and I was affected by very dramatic butoh dancers – these really curated, focused body positions and movements. I tried to contrast that image with some of the aesthetics and moods of cyberpunk literature: novels like William Gibson's Neuromancer and Neal Stephenson's Snow Crash. This sort of high-tech, low-life world.

How has working at threeASFOUR and Anna Sui affected your personal work?
They are very different places: threeASFOUR focuses primarily on patternmaking and construction (just like I do) so it was a great place for me to learn. Anna Sui had a very focused aesthetic and incorporates everything she loves into her clothes; they're very much true to herself... and I admire and respect that. In what manner will you be presenting your new collection? I'm having a presentation of 22 looks and some 70+ separates at the Tribeca Grand during New York Fashion Week. I am trying to blow out the presentation as much as humanly possible given my limited resources; I have funded the entire collection out of my pocket (which is a very small pocket!) and I've handmade all of the samples, cut all of the patterns, and glued and hammered the leather all by myself. I've literally set up a small production house in my studio! It's amazing how many people have gotten behind it and helped me with actually presenting the collection... I even have a German industrial group making a custom soundtrack for the show. It's pretty ridiculous. I hope the show will be too!

Designer Katie Gallagher to Present her First Full Collection [PAPERMAG]

The lovely Tavi and I Grab a NY Nosh at One Lucky Duck [Style Rookie]

Jeremy Laing and I Discuss his Fall 2009 Campaign [PAPERMAG]

Julia Frakes: Serving on Teen Vogue Fashion University Panel October 23 [Teen Vogue]

Seeing Red with Chloë Sevigny by David Armstrong featuring Julia Frakes, Ryan McFarland, Lissy Trullie [Opening Ceremony]

Douglas Pernet casts Opening Ceremony's Reds [COACD]

Flashback! Julia Frakes, Paris Fashion Week F/W 2009-2010 [StreetPeeper]

bunny BISOUS,
ox Jules

A Peek Inside the Fascinating World of Illustrator Blue Logan [from PAPER Magazine]

2009-07-30T10:40:01-04:00

London-bred high-speed fashion illustrator and front-row fixture Blue Logan (whose uncle is eccentric artist Andrew Logan and whose mother was an esteemed milliner for Ossie Clark) has officially landed in New York – "scruffy sketchbook" and all. With his his iconic movement-driven mien and uncanny ability to perfectly capture the tenor of any milieu, Blue has been supremely busy painting the brouhaha at this summer's most scene-y soirées, eccentric late night cafés, rock n' roll gigs, backstage moments, and outlandish parties. Having spent his formative years with The Alternative Miss World and Kinky Gerlinky as second-nature and amongst such strikingly influential artistic heavyweights as David Hockney, Brian Eno and Zandra Rhodes – it's no wonder Blue's sparkling wit, killer talent, and easygoing demeanor have all of Gotham a' flutter.

What originally attracted you to illustrating the world of fashion?
I have always enjoyed drawing but for many years I merely enjoyed doing it as a little holiday project. I love to travel; rather than taking along a camera, I would often take my scruffy sketch book and draw buildings and views of the places that I fell in love with. One day I got the urge to draw people and wanted to sketch them on the move – for a challenge. I guess I could have just sat on a park bench, but by chance this thought coincided with having a drink during London Fashion Week with my dear friend Gianluca Longo, fashion editor for The Evening Standard magazine. He said 'Darrliiiiing, come with me to a show later' – so I did! I took along my sketchbook and a biro...

How has growing up in the zany world of your uncle Andrew Logan – and your entire enchanting family, for that matter – inspired your art?
Well, my father is a sculptor and I grew up in Smithfield, London in an amazing loft full of mobiles that he had made, vast canvases, paper, pens, brushes, tools, and the like. My mother was a wonderfully successful and talented hat designer in the Seventies so we had needles and pins everywhere as well and we were always creating stuff. My uncle Richard was an inventor and I would often go to his place in Camden Town and build a submarine that actually worked, or a speed boat, or a plane... all from crazy bits of this and that: nothing expensive. Then, of course, there is Andrew– who lived in a glasshouse in the sky with flying horses and a sparkling universe of color. I would go to his studio (which has always been close to where I have lived) and make incredible things with him. He still lives in a glasshouse – although this one is custom built – and it is still the wildest house on earth. Andrew is famous for his parties; there really is nothing like them and you never know who is going to be there. I mean, I've been there with J.R. from Dallas, Simon Le Bon (topless), Andrey Bartenev in a pink gimp suit running around with loo roll and my grandmother. All at once. And that's just the queue for the bathroom. I'm so lucky to come from a family that embraces fun and can, in fact, create it from nothing at all.

You're renowned for superbly capturing the spirit of "the moment"... how do you so aptly accomplish this?
Well, thank you! When you draw thirty sketches in the span of a ten-minute show you simply don't have time to think: you can hardly look at the paper, it's dark, and the girls are strutting really fast. At the risk of sounding like I'm full of sh*t, I think it's in the speed and the chaos that you find the spirit of all things. Letting go of a natural urge to control what you see and instead believing in it is a constant learning exercise for me. Sometimes I'm very aware that my mind is filling in the blanks on paper when I have not even looked at the object... I catch myself doing that a lot! The more that I try to just draw what is in front of me, the better that I feel about my work. On a less 'zany' note – I love people-watching, and I enjoy looking about and pondering what people are doing in their lives or give them words in my head. Being at a fashion show or drawing at a party is always a spectacle: it's the friendships and the falsities of everyday life but 'turned right up loud'. Observation, a bit of humor, and being just as involved and silly in said 'spectacle' as everyone else is how I capture 'the moment'...

What sparked your love of film? Can you tell us about your upcoming projects?

I love film, but for me it is 'a slow boat to China'. In other words, I'm not going to be the guy that sells his soul to make a feature next year. I consider making films to be simultaneously a great art and a huge headache. I'm learning the ropes... but in my own trial-and-error kind of way. I like things to be ambitious: so my last film, a western, involved horses and guns and a life-size saloon that I built myself. The film cost next to nothing but a lot of hard work went into creating it. The next one, whenever that happens, will probably cost a little bit more and be a even more enterprising – but not too much. I learned so much doing the last one and I'm sure that I'll learn a whole lot more the next time around. When a project gets too big I simply stop learning anything practical and generally stress out: the only lesson being that 'I bit too bigger a' bite'. I fancy doing a bank robbery that is all about men fighting over cooking food, one woman, and London... I'd like to try and play with a side of London that isn't all about tough dogs and dirty alleys.

http://www.bluelogan.co.uk/

Related:

So Sketchy! Meet High Fashion Illustrator Blue Logan [PAPER Magazine]

Eat Your Chiffon featuring a dinner party with Zandra Rhodes [YouTube]

Spring Cleaning with... Timo. designer Timo Weiland [PAPERMAG]

It Girl: Becka Diamond piece illustrated by Blue Logan [Vogue.com]

Hamish Bowles in Drag... Kinky Gerlinky! [BryanBoy]

Julia Frakes in Peter Jensen F/W '08 signature horse bag [Facehunter]

PS: Here's a bit of a sneak-peak preview of some of my absolute best-loved, most cherished trinkets and trappings that I collaborated with Blue (okay, he admittedly did all the handiwork) to devise for an upcoming Vogue Girl Korea project... enjoy!

To contact Blue, e-mail: blue@bluelogan.co.uk

Bunny bises,
ox jf

Lynn Yaeger, Mickey Boardman, Christine de Lassus | NY Fashion Week February 2009

2009-07-21T10:03:42-04:00

A little six-month-old snippet from New York Fashion Week Fall/Winter 2009 captured directly following the James Coviello presentation.

It's rather unsettling to think that earlier this year twitter was not, well, the huge humdinger of a phenom that is TWITTER!

Related:

Flashback! Mickey Boardman, Lynn Yaeger, Christine de Lassus en Route during NYFW F/W '09 [PAPERMAG]

bunny BISOUS,
ox jf

"Karl" and I Discuss His Latest Chanel Haute Couture Collection... Again

2009-07-11T12:31:18-04:00

In my most recent seasonal PAPER Magazine post-Chanel Haute Couture tête-à-tête with "Karl" of the uproarious cult read in fashion circles -– Karl Lagerfeld's Guide to Life (recall his quite hilarious take on the masterfully cut, entirely black-and-white Spring 2009 Chanel couture collaboration with Japanese hairstylist/milliner Katsuya Kamo) –- Karl discusses his Fall 2009 HC presentation presented this week in Paris, expounding on his innate glove-wearing kinship with Michael Jackson and the rather grave importance of plush sofas.
Read our entire chit-chat at my PAPERMAG Fashion Schmashion column here.

Fake Karl Returns to Discuss His Fall 2009 Haute Couture Collection [PAPERMAG]

"Karl" and I Tweet the Intricacies of a Chanel Treehouse [Karl Lagerfeld's Guide to Life]

Fake Karl Returns to Discuss His Upcoming Fendi, Karl Lagerfeld & Chanel Collections [PAPERMAG]

Fake Karl Discusses His Spring 2009 Haute Couture Collection [PAPERMAG]

Interview with Julia on the Fall 2009 Couture Collection [Karl Lagerfeld's Guide to Life]

bB,
ox jf

Street Peeper Anniversary Picks: Julia Frakes of PAPER Magazine

2009-07-05T13:37:00-04:00

Phil Oh – my dear friend and the photographic mastermind behind the worldwide fashion sensation StreetPeeper – recently invited me to partake in the "StreetPeeper Picks" series and select my absolute best-loved streetstyle photographs in honor of the acclaimed website’s anniversary.

No doubt flattered at the opportunity, I had such a hoot picking my preferred togs and chronicling why I nominated them that I felt compelled to pass along the lighthearted bit: it was originally published at http://streetpeeper.com/fashion-hot/street-peeper-picks-julia-frakes-paper-magazine and is duly replicated below.

Which ensembles strike your fancy?

Paisley, polka-dots and plaid? As an earnest Woody Allen fan, it's no wonder that I'm head-over-heels for Fay's zany modern-day take on Annie Hall's signature menswear-tinged aesthetic! This intricately layered, flawlessly accessorized ensemble is at perfect balance: the hard-core matching grommets and metalwork (on dusty rose vest, skinny Western belt, rustic hardy boots) are consummately juxtaposed against the decidedly dainty ankle socks and ladylike pleated pants. [full-size]

I'm dazzled by Alfhild's distinct take on such iconic, patently-Prada pants (S/S 2008). With her Peter Pan collar, Peggy Guggenheim glasses, and peek-a-boo belt, she rather magically managed to transform such distinctly off-the-runway Art Nouveau-cum-Biba bell bottoms from an ethereal, instantly recognizable "Trembled Blossoms" impracticality into a striking base for a warm outfit of the quirkiest proportions. Check mate! [full-size]

I'm supremely smitten with her endearing sense of wit – olde-worlde Victorian boots, handmade floral shorts, an umbrella necklace, and a timeless Chanel tote – all rather legendarily capped off with a hefty bear hat from Paddy's Markets! Majorly prolific in her fairy-tale irony. [full-size]

Yoon's innate sense of transparency and perceptive proficiency of textures is something to be envied. Her command of the subtleties of both coloration and fabrication is sublimely cultivated – the silk Chloé top's girlish frills lend an air of innocence to an otherwise slinky set of separates (daring desert sand fishnets atop charming beige bloomers). Her 'fro and friend are rocking to boot! [full-size]

Gloria Baume's composition here is most in keeping with the mode in which I personally dress on a day-to-day basis. I especially admire her fresh, offbeat mingling of textiles – the immaculate melding of a brawny plaid button-down blouse with Miuccia's magnificently regal Miu Miu brocade skirt is further accentuated by twee floral socks, Marc's sought-after carnelian boots, and a scarlet Chloé bag (all of expertly coordinating tones). Indispensable thermal leggings, a quintessential bole belt, and a simple staple denim jacket serve as the perfect foils to an otherwise intricate ensemble. [full-size]

Oh golly, Miss Molly! Isn't she utterly delightful from head to toe? Donning mightily versatile togs, she puts her best foot forward in spunky cerise shoes and Isabelline socks. A nonpareil pair of Yale blue high-wasted jeans and a fundamentally unfussy grey single-breasted top coat aptly set off a vibrant blouse abloom with charisma and derring-do. Topped off by enchanting tortoiseshell spectacles and a cutesy purse charm... her magnetism is irresistible! [full-size]

Talk about moxielicious! Layering for the elements has proven to be anything but a personality impediment for this lovably madcap sprite. A cozy cyan Faroese lace shawl swathes a billowing, puffy parka in a Peter Pilotto-esque pattern. Her pixie persona is played up by elfin pointed mary-janes, a braided hairpiece à la Natasha Kahn, and fetchingly flecked cheeks (not entirely unlike Shirley Temple or Joanna Newsom). One can only wonder what treasures lie tucked inside her winsome white Western pouch and shopping bag ostensibly burstling with freshly ferreted-out vintage finds! [full-size]

With a perspicacious eye for concomitantly eccentric and posh pieces, Ronx is indubitably the crackerjack color coordinator. The fiercest of felt coats serves as the focal point of her swank regalia boasting hues that harmonize to the hilt. Her shirt and sherbet tartan coat's superficially at-odds plaids in sooth compliment each other inimitably; set off by veritably matching azure sunglasses, sack, and stovepipe jeans... as per usual, Ronx is right on the money. [full-size]

Tomo's winning getup relies almost exclusively on the sparkling wit of bit details. An unpretentious yet fastidiously-crafted white Lad Musician shirt is a relaxed relief from his proper suspenders and form-fitting, charmingly cuffed April 77 jeans. My heart set a'flutter upon perceiving his playful collocation of straightforward black and white shades (checkerboard socks, striking CA4LA bowler hat, tidy lace-ups) against a markedly quirky Palos Verdes Blue butterfly necklace and an old school camera bag (in the most literal of terms). [full-size]

I don't think it is actually possible not to have a ball whooping it up in this crackerjack ensemble! I'm rather bright-eyed and bushy-bunnytailed for her jaunty Jean-Charles de Castelbajac top flanked by the blithest of smiley face epaulets! Her exuberant more-is-more approach is positively enlivening – spotlighted by necklaces aplenty (an ebullient Trojan Horse to the fore), a fanciful diagonally-striped sequined skirt fit for Studio 54, and crazy-cool contrast-leg B&W tights. Nonetheless the opulent razzamatazz is refreshingly offset by a manifestly easy-breezy Mia Farrow pixie coif, no-frills Repetto Zizi Femme lace-ups, and a carefree attitude (sans makeup). This is one cute lassie with whom anyone would want to hit the town! [full-size]

bunny BISOUS,
ox jules

Related:

ViVi Magazine (p. 59, July 2009 issue) surprise MagStyle scan: [bunnyBISOUS tweet]

Tipping my hat to Phil in New York [StreetPeeper]

Phil found me hastily hopping to Sharon Wauchob in Paris [StreetPeeper]