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	<title>Comments for The Buzzing Reed, David Thomas' Clarinet Blog</title>
	
	<link>http://blog.davidhthomas.net</link>
	<description>Thoughts from an Orchestral Clarinetist, Soloist, Teacher</description>
	<lastBuildDate>Tue, 09 Mar 2010 22:52:57 +0000</lastBuildDate>
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		<title>Comment on What? A Piece for Clarinet and Organ? by jules</title>
		<link>http://blog.davidhthomas.net/2009/12/what-a-piece-for-clarinet-and-organ/comment-page-1/#comment-10971</link>
		<dc:creator>jules</dc:creator>
		<pubDate>Tue, 09 Mar 2010 22:52:57 +0000</pubDate>
		<guid isPermaLink="false">http://blog.davidhthomas.net/?p=2004#comment-10971</guid>
		<description>My choir director (a.k.a. amazing organist) was telling me the other day that she thought clarinet and organ would work well together. Thanks for the ideas on pieces to suggest to her. I love this blog. </description>
		<content:encoded><![CDATA[<p>My choir director (a.k.a. amazing organist) was telling me the other day that she thought clarinet and organ would work well together. Thanks for the ideas on pieces to suggest to her. I love this blog.</p>
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		<title>Comment on What? A Piece for Clarinet and Organ? by dtclarinet</title>
		<link>http://blog.davidhthomas.net/2009/12/what-a-piece-for-clarinet-and-organ/comment-page-1/#comment-10972</link>
		<dc:creator>dtclarinet</dc:creator>
		<pubDate>Tue, 09 Mar 2010 21:33:06 +0000</pubDate>
		<guid isPermaLink="false">http://blog.davidhthomas.net/?p=2004#comment-10972</guid>
		<description>That's a great idea. I've played it with piano and also with strings. </description>
		<content:encoded><![CDATA[<p>That&#39;s a great idea. I&#39;ve played it with piano and also with strings.</p>
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		<title>Comment on What? A Piece for Clarinet and Organ? by Don Platter</title>
		<link>http://blog.davidhthomas.net/2009/12/what-a-piece-for-clarinet-and-organ/comment-page-1/#comment-10970</link>
		<dc:creator>Don Platter</dc:creator>
		<pubDate>Tue, 09 Mar 2010 11:58:52 +0000</pubDate>
		<guid isPermaLink="false">http://blog.davidhthomas.net/?p=2004#comment-10970</guid>
		<description>Try the slow (Carol) movement of Finzi's Five Bagatelles.  Somewhat shorter, less well-known, but works well with organ and clarinet. 
 </description>
		<content:encoded><![CDATA[<p>Try the slow (Carol) movement of Finzi&#039;s Five Bagatelles.  Somewhat shorter, less well-known, but works well with organ and clarinet.</p>
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		<title>Comment on Sacred music for clarinet and choir by dtclarinet</title>
		<link>http://blog.davidhthomas.net/2010/02/sacred-music-for-clarinet-and-choir/comment-page-1/#comment-10968</link>
		<dc:creator>dtclarinet</dc:creator>
		<pubDate>Mon, 08 Mar 2010 03:53:03 +0000</pubDate>
		<guid isPermaLink="false">http://blog.davidhthomas.net/?p=2383#comment-10968</guid>
		<description>Thanks James. I assumed you might work there. I'll write to them.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;-- Sent from my Palm Pre </description>
		<content:encoded><![CDATA[<p>Thanks James. I assumed you might work there. I&#039;ll write to them.</p>
<p>&#8211; Sent from my Palm Pre</p>
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		<title>Comment on Daily Practice of Conscious Rest by dtclarinet</title>
		<link>http://blog.davidhthomas.net/2010/03/daily-practice-of-conscious-rest/comment-page-1/#comment-10967</link>
		<dc:creator>dtclarinet</dc:creator>
		<pubDate>Mon, 08 Mar 2010 03:51:04 +0000</pubDate>
		<guid isPermaLink="false">http://blog.davidhthomas.net/?p=2393#comment-10967</guid>
		<description>Exactly. The motions and mechanisms of breathing should remain virtually the same.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;-- Sent from my Palm Pre </description>
		<content:encoded><![CDATA[<p>Exactly. The motions and mechanisms of breathing should remain virtually the same.</p>
<p>&#8211; Sent from my Palm Pre</p>
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		<title>Comment on Daily Practice of Conscious Rest by James Langdell</title>
		<link>http://blog.davidhthomas.net/2010/03/daily-practice-of-conscious-rest/comment-page-1/#comment-10966</link>
		<dc:creator>James Langdell</dc:creator>
		<pubDate>Sun, 07 Mar 2010 19:20:25 +0000</pubDate>
		<guid isPermaLink="false">http://blog.davidhthomas.net/?p=2393#comment-10966</guid>
		<description>I used to practice clarinet lying on my back this way.  The main adjustment was to put the thumb on the other side of the thumbrest, and let gravity work for you to support the instrument in the other direction. Trying to interact with the instrument in this different position helped to locate habitual tensions in arms, hands, face, throat, and especially diaphragm, when the different relation to gravity no longer made the same sense. When I tried this, I was taking singing lessons with a teacher who would include practice of singing in this relaxed position on the floor, so I tried extending it to clarinet, with useful results. </description>
		<content:encoded><![CDATA[<p>I used to practice clarinet lying on my back this way.  The main adjustment was to put the thumb on the other side of the thumbrest, and let gravity work for you to support the instrument in the other direction. Trying to interact with the instrument in this different position helped to locate habitual tensions in arms, hands, face, throat, and especially diaphragm, when the different relation to gravity no longer made the same sense. When I tried this, I was taking singing lessons with a teacher who would include practice of singing in this relaxed position on the floor, so I tried extending it to clarinet, with useful results.</p>
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		<title>Comment on Sacred music for clarinet and choir by James Langdell</title>
		<link>http://blog.davidhthomas.net/2010/02/sacred-music-for-clarinet-and-choir/comment-page-1/#comment-10965</link>
		<dc:creator>James Langdell</dc:creator>
		<pubDate>Sun, 07 Mar 2010 19:13:35 +0000</pubDate>
		<guid isPermaLink="false">http://blog.davidhthomas.net/?p=2383#comment-10965</guid>
		<description>I don't know. I didn't see any performer credits for this recording at the Beckenhorst publisher's web site. </description>
		<content:encoded><![CDATA[<p>I don&#039;t know. I didn&#039;t see any performer credits for this recording at the Beckenhorst publisher&#039;s web site.</p>
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