caderno gráfico

Workshop _Desenhadores Em Acção 2013

2013-01-12T19:57:00.000+00:00

DesenhadoresEmAcção 2013 – por Paula Santos

MU.Workspace - Av. Gomes Pereira, nº11, Armazém 10 - Benfica

Procuram-se desenhadores com o seguinte perfil:

- Curiosos, divertidos, experimentalistas, contempladores, pensadores livres, poetas gráficos, com olhos brilhantes, sorridentes e com vontade de desenhar.

Propomo-nos a:

- Educar o olhar, treinar a mão, criar desafios gráficos e confrontos com dificuldades, encontrar estratégias individuais, ensinar técnicas, elaborar propostas de trabalho que impliquem a observação detalhada de proporções, estruturas, texturas, perspectivas, brilhos, sombras e desenvolver as capacidades de cada participante.

Oferece-se um ambiente de trabalho informal, de trocas de saberes efectivos e conhecimentos de Desenho diversificados, entre indivíduos com idades variáveis, experiências diferentes que em comun têm o gosto pelo Desenho e a consciência de que o Desenho é a essência de todas as comunicações visuais.

Cada grupo de desenhadores desenvolverá o seu trabalho por trimestre, cada participante deverá frequentar 12 sessões num total de 36horas.

Mensalidade - 20.0

Sábado 10.00h/13.00h ou 4ª feira 15.00h/18.00

DesenhadoresEmAcção 001

1º Trimestre

Sábado - Janeiro (5,12,19,26) + Fevereiro ( 2,9,16,23) + Março (2, 9,16,23)

4ª feira - Janeiro (9,16,23,30) + Fevereiro (6,13,20,27) + Março (6,13,20,27)

DesenhadoresEmAcção 002

2º Trimestre

Sábado - Abril (6,13,20,27) + Maio (4,11,18,25) + Junho (1,8,15,22)

4ª feira - Abril (3,10,17,24) + Maio (8,15,22,29) + Junho (5,12,19,26)

DesenhadoresEmAcção 003

3º Trimestre

Sábado - Outubro (5,12,19,26) + Novembro (2,9,16,23,30) + Dezembro (7, 14,21)

4ª feira - Outubro (2,9,16,23,30) + Novembro (6,13,20,27) + Dezembro (4,11,18)

No final de cada Trimestre (30 de Março e 29 de Junho) será realizada uma exposição dos trabalhos mais significativos dos resultados obtidos ao longo das várias sessões.

Os participantes podem integrar os grupos de sábado ou 4ª feira em qualquer momento do trimestre desde que haja vaga.

Para mais informações e inscrições:

p_paulasantos_s@hotmail.com

968 628 708

fonte: https://www.facebook.com/DesenhadoresEmAccao

Tauba Auerbach

2012-11-19T14:28:00.001+00:00

>
Tauba Auerbach
[2,3] (order limit of 5 per customer)
New York,
NY: Printed Matter Inc.. 2011

Synopsis: For [2,3], Auerbach has created an oversized pop-up book featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. [ler mais...]

fontes: http://taubaauerbach.com/books.php

http://printedmatter.org/catalogue/moreinfo.cfm?title_id=90374

Rendez-vous du Carnet de Voyage

2012-04-20T13:14:00.000+01:00

>
LE RENDEZ-VOUS

Depuis 12 ans, l’association Il Faut Aller Voir organise un festival autour du voyage et du carnet de voyage. Ces rencontres entre visiteurs, artistes et écrivains voyageurs, ont lieu chaque année à Clermont-Ferrand au mois de novembre, et prennent la forme d’expositions, de projections-débats, de conférences, d’ateliers pratiques.... [Ler mais...]

Aller vers ailleurs et vers autrui...
L’objectif de la manifestation est d’ouvrir une fenêtre sur ce support particulier qu’est le carnet de voyage, de donner à voir les nouveautés du genre, mais également de récompenser les plus remarquables. C’est le voyage en tant qu’expérience humaine qui est au cœur des débats, celui qui permet la rencontre, dans le respect des cultures et des différences. [Ler mais...]

Organisation et déroulement du Rendez-vous du Carnet de Voyage
Durant les trois journées d’exposition, la manifestation réunit environ 100 artistes et écrivains et propose conférences, rencontres avec les auteurs, dédicaces, ateliers, projections en présence des voyageurs, et remise de récompenses des différents concours organisés par l’association et ses principaux partenaires. [Ler mais...]

fonte: http://www.rendezvous-carnetdevoyage.com/page-le-rendez-vous

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Alfred Kubin (1877-1959)

2010-03-03T23:56:00.001+00:00

>
Alfred Leopold Isidor Kubin (April 10, 1877 – August 20, 1959) was an Austrian Expressionist, illustrator and occasional writer.

Imagens escritas

2009-04-20T01:02:00.005+01:00

Título [PT]: Imagens escritas

Título [EN]: Written images

Autor(es): Amir Brito Cador

Palavras-chave [PT]:

Artes graficas , Livro de artista , Arte contemporanea , Poesia visual , Tipografia , Caligrafia

Graphic arts , Artists' book , Contemporary art , Visual poetry , Typography , Calligraphy

Resumo: A pesquisa mostra a convergência de práticas e estudos a respeito do livro. Abrange a produção em poesia visual, design gráfico, tipografia, caligrafia e livro de artista. A organização desse texto, em sete capítulos, obedece a um critério pessoal: mostra o percurso de um pensamento que se constrói pela visualidade e estabelece um diálogo com a produção de outros artistas e poetas. A palavra assume diferentes papéis ao longo do texto: ora funciona como um discurso, ora ilustra, comenta ou explica as imagens que se relacionam com tais palavras. Os livros de artista aqui apresentados foram produzidos em anos recentes. Foi escolhido um conjunto de trabalhos que pudesse revelar um procedimento de composição, uma maneira de articular imagem e texto para construir livros. O desdobramento de uma idéia, uma imagem ou um detalhe vislumbrado em um livro dá origem a outros livros. Palavras-chave: artes gráficas, livro de artista, arte contemporânea, tipografia, caligrafia, poesia visual.

Abstract: This research work proposes a convergence of practices and studies about books. It includes my production in visual poetry, graphic design, typography, calligraphy and artist?s books. The text organization, in seven chapters, follows a personal rule: it was established by a reasoning constructed by visual parameters, and also a relation with other artists and poets production. The word plays different roles in the text: sometimes it is an illustration, sometimes a commentary or explanation for an image and the way this image relates to the word. The group of selected artist?s books were produced in the last years. This group of works reveals a construction process, a route to relate image and text to make a book. The development of an idea, an image, a detail? a glimpse in a book that originates other books. Key words: graphic arts, artists´ books, contemporary art, typography, caligraphy, visual poetry.

Idioma: Português

Data de Publicação: 2007

Local de Publicação: Campinas, SP

Orientador: Lygia Arcuri Eluf

Instituição: Universidade Estadual de Campinas . Instituto de Artes

Nível: Dissertação (mestrado)

UNICAMP: Programa de Pós-Graduação em Artes

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As existências da narrativa no livro de artista

2009-04-20T00:42:00.003+01:00

Silveira, Paulo Antonio de Menezes Pereira da

Este estudo visa verificar o intervalo formativo entre o comparecimento e a ausência das estratégias de narração nos livros de artista de edição e se e como a narrativa visual é capaz de determinar sua bibliogênese.

This research, As existências da narrativa no livro de artista (“The existences of narrative in the artist’s book”), aims to verify the formative spectrum from attendance to nonappearance of narration strategies into the published artist’s books and if and how the visual narrative is able to determine its bibliogony.

http://hdl.handle.net/10183/12111

Le cahier virtuel

2009-04-08T20:10:00.002+01:00

"Visual artist. printmaking, drawing, painting, digital art, installation, animation, artist book. I question the brief and complex relations between the human body and it's immediate space, with the individual mind and it's ever changing territory, with the memory and the matter allowing it's existence."

sérigraphie, broderie et perforations sur papiers divers, reliure cousue, couverture papier / silkscreen print, embroidery and perforations on various papers, sewn binding, paper cover / 144 pages, 8,5'' x 9,25'', 2007 Élaboré à la manière d'un remix, Outland repousse les limites du territoire pictural et livresque en empruntant et en trafiquant des images de sources multiples (Internet, livres éducatifs, livres de références, cartes, photographies et dessins) tout en hybridant diverses techniques, médiums et supports. Built like a remix, Outland pushes back the limits of the pictorial and book territory by borrowing and transforming images of varous sources (Internet, educational books, books of references, maps, photographs and drawings) and by the hybridization of various techniques, médiums and supports. Publié par Andrée-Anne Dupuis-Bourret > Le cahier virtuel [Ler mais...] > Livres d'artiste / Artist books / Cadernos da Artista

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Artists' Sketchbooks Online

2009-03-07T05:04:00.003+00:00

ARTISTS' INDEX

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | XYZ

SUBJECT INDEX

artists • facsimile • books/news • museums • workshops • blogs • resources • contact • credits

doodling • selected kudos • live traffic feed • in real time

EXTERNAL LINKS

• SELECTED KUDOS • FASCIMILE SKETCHBOOKS • RECIPROCAL LINKS • LINK TO THIS SITE •

sketchbooks

Thomas Doyle _sketchbook

2009-03-07T04:26:00.002+00:00

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Richard Câmara _portfolio

2008-11-25T23:24:00.005+00:00

Richard Câmara (Bruxelas,1973), arquitecto de formação, trabalha como autor de Banda Desenhada e Ilustração, tanto em Portugal como no estrangeiro, desde 1995. As suas colaborações passam por jornais, revistas, editoras, concursos, exposições e projectos artísticos. De 1998 a 2001, frequenta os cursos de Cinema de Animação, Ilustração Infantil e BD do Centro de Imagens e Técnicas Narrativas (CITEN) da Fundação Calouste Gulbenkian, actualmente conhecido como CIEAM na Faculdade de Belas-Artes de Lisboa. Em 2002, obtém uma Bolsa de Criação Literária do IPLB/MC (Instituto Português do Livro e das Bibliotecas do Ministério da Cultura do Estado Português) com a qual desenvolve, a tempo inteiro, um projecto inédito de adaptação de contos tradicionais marroquinos em Banda Desenhada. A partir de 2006 muda-se para Madrid, onde trabalha para o mercado espanhol e Internacional, mantendo o seu portfólio on-line em: www.richardcamara.blogspot.com

urban sketchers

2008-11-24T23:34:00.003+00:00

ABOVE: Enrique Flores sketching in Madrid.

A drawing a day

2008-10-22T20:57:00.003+01:00

Artist's book

2008-07-29T14:04:00.002+01:00

From Wikipedia, the free encyclopedia

Artists' books are works of art realized in the form of a book. They are usually published in small editions, though sometimes they are one-of-a-kind objects called book art. Artists' books have employed a wide range of forms, including scrolls, fold-outs or loose items contained in a box as well as bound printed sheet. Although artists have been active in printing and book production for centuries, the artist's book is primarily a late 20th century form. [Ler mais...]

Anatomia da Letra

2008-06-10T08:15:00.002+01:00

fonte: workshop.carvalho-bernau.com

As promised here it is finally some hints of the theory presented during the workshop. To start the Anatomy of a Letter: explaining vertical dimensions, overshoot and body parts.
Construction and typeface classification based on contrast will come next.

It was quite complicated to get all the names for Portuguese, I had some sources but not always agreed with the words used. Sometimes I picked up the word that was most used, other times I just used a word that I think suits better or the English word (I think translation is not always necessary or possible). I would like to have some input on these subject and open some discussion about typographic terms in the Portuguese language, please feel free to participate and post some other possibilities. For example I translate Type Design to ‘Desenho de Tipos de Letra’ and Type Foundry to ‘Fundição Tipográfica’.

Design Institute

2007-10-05T00:44:00.001+01:00

Welcome to the Design Institute, the University of Minnesota's think-tank on design futures, based at the College of Design.
The Design Institute operates at the intersections between the various fields of design theory and practice, makes fresh links with non-design disciplines, and scans the horizon to understand how 'design' is being redefined in response to social and technological changes. Our research focuses on two main areas: knowledge mapping and innovations in design education.

We're proud to announce that our second book, ELSE/WHERE: MAPPING, published in March 2006, has just been awarded a Design Distinction in the 2007 I.D. Magazine Annual Design Review, the 53rd year of this prestigious survey of the best in contemporary design, published in the July-August issue.

For the sixth consecutive summer, the Design Institute will host our week-long Design Camp for teens, from July 30 through August 3, 2007 (click here for more information and to view the 2003 documentary).

[Ler mais...] > Design Institute

Music to Colors

2007-10-02T02:32:00.000+01:00

by Luca Tanzini
September 2004

"(...) Music to Colors creates a literal communication line between the musician's sound and the computer's image. There is nothing hyper high tech or avant-garde about the system because it has been created with computers and instruments by now in disuse, with a completely different approach from the technology of VJs that has been in fashion for some years now. In fact, with Music to Colors, you can use any kind of video material. This means that the usual feedback will not be the result of automatic computerized processes. Instead, the "automatism" factor will prime the visual rhythm of the images recorded during the acts (photographs, video takes). The flow and rhythm of the visual will avoid narration and instead look to dismantle the "record of the experience" and thus constructing a natural platform of Music to Colors." [Ler mais...]

LeiaBell

2007-10-01T20:39:00.000+01:00

The Business of Ferrets 9/29/07
12.5 x 16 inches / 5-color screenprint / Edition of 125 / 2007 this poster will be available for sale after sept. 29th

[Ler mais...] > LeiaBell
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Chicago2016.org

2007-09-20T10:27:00.000+01:00

The Chicago Star is a symbol with real universal meaning. A star rises in the night to become a guiding light. A star is a source of inspiration, a diamond glistening in the sky. In Ancient Greece, where the Olympic Games were founded 2000 years ago, the stars shaped mythic constellations of heroes. Stars literally guided the explorers who shaped the modern map of our world. Throughout time, stars have been a symbol of hope to mankind.

We aspire for this logo to become a great symbol of hope for our city and our nation — as we humbly seek the right to host the Olympic Games and welcome the world to Chicago in 2016.

For us, the Chicago Star also symbolizes our plan to put the athletes at the center of the Games — since they're the real stars.

Like a compass pointing in all directions, this logo reaches out to the world. The bands of color radiating up and down from the star reflect both the dynamic architecture of our city and the beautiful character of our parks and lakes — but they also symbolize our desire to reach out to the world and offer many paths to the Games.

Most importantly, the Chicago Star is designed to carry a message to our children, to help teach the next generation about the ideals and values found in the Olympic Games. The six-point design of the Chicago Star is unique and each point on this star represents values and ideals that the Olympic Movement and Chicago share: The top point represents Hope, the next point, Respect, then Harmony, Friendship, Excellence and Celebration.

HopeHope for a better future for Chicago and the world.
RespectRespect for the rules, each other and competition.
HarmonyHarmony between body, mind and soul; development and sustainability; and amongst the peoples of the world.
FriendshipThe friendship sport inspires when we play together without regard for our differences.
ExcellenceThe excellence for which every Olympian and Paralympian strives
CelebrationThe celebration and joy of participating and winning
Bands of ColorThe bands of color radiating up and down from the star reflect both the dynamic architecture of our city and the beautiful character of our parks and lakes — but they also symbolize our desire to reach out to the world and offer many paths to the Games.
The soaring reds, oranges and yellows reflect the bright skyline of Chicago rising toward the sun.
Central StarThe central star reflects the design of the four stars on the City's flag and symbolizes our plan to put the athletes at the center of the Games — since they're the real stars.
Throughout time, stars have served as a source of inspiration and a symbol of hope to humanity.
Bands of ColorThe bands of color radiating up and down from the star reflect both the dynamic architecture of our city and the beautiful character of our parks and lakes — but they also symbolize our desire to reach out to the world and offer many paths to the Games.
The inviting greens, emeralds and blues reflect the parks and water that grace the shoreline of Lake Michigan.
Symbol of HopeWe aspire for this logo to become a great symbol of hope for our city — and our nation — as we humbly seek the right to host the Olympic Games and welcome the world to Chicago in 2016. [Ler mais...]

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Etsy_Tiny Zine_Coloring Book

2007-09-15T19:41:00.000+01:00

Etsy :: Tiny Zine / Coloring Book - Baby Zodiac Monsters

Description
From the creator of the original micro Zodiac Monsters zine... this is a tiny zine / coloring book containing 12 new drawings of the Zodiac Monsters in an accordion fold-out format.

Interactive Annual 13 Winners

2007-09-11T12:47:00.000+01:00

Communication Arts:_Interactive Annual 13 Winners

This year’s winners were selected, by our distinguished jury, from a group of entries including Web sites, Kiosks, CD-ROM projects and mobile devices. The 32 winning projects are showcased below, and in further detail in the September/October 2007 issue of Communication Arts magazine.

Advertising

Coke.com

...

Business

Converse

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Entertainment

Cool Breath Power

...

Info Design

After the Ruins

...

SelPromo

Apollo Studios

...
[Ler mais...]

Meet the Jurors:

Our panel of seven leading interactive media professionals spent ten weeks thoroughly reviewing this year’s entries.
Click on any juror name or picture to read a biography and view a video clip.

Keith Anderson Goodby, Silverstein & PartnersSan Francisco, California
Jeff Benjamin Crispin Porter + BoguskyBoulder, Colorado
Liz Castro Cookwood PressAshfield, Massachusetts
Robin Naughton Engine InteractiveSeattle, Washington
Vas Sloutchevsky Interface Design Foundry (IDFCO)New York, New York
David Young BMW Group/Designworks USANewbury Park, California
Jason Zada EVBSan Francisco, California

[Ler mais...] > Communication Arts: Interactive

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Ellen Lupton: Design Writing Research: Modern Design Theory

2007-08-06T19:49:00.000+01:00

Ellen Lupton: Design Writing Research: Modern Design Theory

pcho.net > peter cho

2007-08-06T19:23:00.000+01:00

pcho.net > peter cho

"Arte na Rua" SDD/IADE"

2007-07-27T03:16:00.000+01:00

Os media divulgam o evento "Arte na Rua" SDD/IADE"Fachada do IADE transformada em tela gigante"
"A fachada do Instituto de Artes Visuais, Design e Marketing (IADE) em Santos, Lisboa, estará a partir de quinta-feira, coberta com telas para aqueles que pretenderem expor a sua criatividade." in "Lusa/SOL" Integrado na iniciativa "BEST OF SANTOS - Dá o teu melhor" promovida pelo SANTOS DESIGN DISTRICT.

fonte: Sol

IADE_Roberto Barbosa

2007-07-26T03:06:00.000+01:00

> 26 a 31 de Julho de 2007

Cadernos de Tipografia_2

2007-07-24T16:25:00.000+01:00

Nr. 2 - Temas

> O conflito social na Tipografia

> A greve dos griffarins em Lyon

> A origem do &, ñ e @

> Qual é a fonte apropriada para crianças?

> «Tipos Fixes», um workshop para crianças

> Os lenços de namorados minhotos

> Fontes «for free», as melhores escolhas

> Uma excursão à Arte de Bem Escrever

> Fontes Stencil

> Formato DIN A4, 35 páginas

Cadernos de Tipografia, distribuição em PDF através de tipografos.net

Faça o download do Caderno de Tipografia Nr. 2 (PDF, 3,5 MB)

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