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	<title>Cambridge in Colour</title>
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	<link>https://www.cambridgeincolour.com</link>
	<description>A Learning Community for Photographers</description>
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		<title>Using Lens Corrections to Improve Image Quality</title>
		<link>https://www.cambridgeincolour.com/tutorials/lens-corrections.htm</link>
		
		<dc:creator><![CDATA[Sean McHugh]]></dc:creator>
		<pubDate>Fri, 18 Nov 2011 18:00:00 +0000</pubDate>
				<category><![CDATA[Tutorials]]></category>
		<guid isPermaLink="false">http://www.cambridgeincolour.com/?p=333</guid>

					<description><![CDATA[Lens corrections help offset imperfections present in nearly every camera image. These might include darkening near the corners of the frame, otherwise straight lines appearing curved, or color fringes near edge detail. Even though these often aren't obvious in the original photo, the benefits of their removal almost always are. However, lens corrections also have the potential to make images worse if not carefully performed, and depending on the subject, some imperfections can actually be beneficial.]]></description>
		
		
		
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		<title>Moon &#038; Night Calculator for Photography</title>
		<link>https://www.cambridgeincolour.com/tutorials/moon-night-calculator.htm</link>
		
		<dc:creator><![CDATA[Sean McHugh]]></dc:creator>
		<pubDate>Mon, 24 Oct 2011 21:00:16 +0000</pubDate>
				<category><![CDATA[Tutorials]]></category>
		<guid isPermaLink="false">http://www.cambridgeincolour.com/?p=364</guid>

					<description><![CDATA[Planning is more important than ever with moon, night and astrophotography, in part because the desired conditions may only arise a few times a year. The following calculator can be used for guidance.]]></description>
		
		
		
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		<title>Sunrise &#038; Sunset Calculator for Photography</title>
		<link>https://www.cambridgeincolour.com/tutorials/sunrise-sunset-calculator.htm</link>
		
		<dc:creator><![CDATA[Sean McHugh]]></dc:creator>
		<pubDate>Mon, 26 Sep 2011 22:04:29 +0000</pubDate>
				<category><![CDATA[Tutorials]]></category>
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					<description><![CDATA[Planning when to be on location for the right light can make a tremendous difference in your photography. Use this tool to understand when twilight starts and ends, along with where and when the sun will rise and set.]]></description>
		
		
		
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		<title>Making the Most of Natural Light in Photography</title>
		<link>https://www.cambridgeincolour.com/tutorials/natural-light-photography.htm</link>
		
		<dc:creator><![CDATA[Sean McHugh]]></dc:creator>
		<pubDate>Mon, 12 Sep 2011 19:18:51 +0000</pubDate>
				<category><![CDATA[Tutorials]]></category>
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					<description><![CDATA[Paying more attention to light is perhaps the single most important step you can take to improve your photography.  With many landscapes, having good natural lighting can even be more important than the choice of subject itself.  Different types of natural light can also produce a wide variety of subject appearances &#8212; even though these all have the same light source.  Learn how to achieve the right light for your subject by utilizing the unique qualities of your particular time of day and weather.]]></description>
		
		
		
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		<title>Cameras vs. The Human Eye</title>
		<link>https://www.cambridgeincolour.com/tutorials/cameras-vs-human-eye.htm</link>
		
		<dc:creator><![CDATA[Sean McHugh]]></dc:creator>
		<pubDate>Mon, 18 Jul 2011 18:55:42 +0000</pubDate>
				<category><![CDATA[Tutorials]]></category>
		<guid isPermaLink="false">http://www.cambridgeincolour.com/?p=350</guid>

					<description><![CDATA[Why can't I just point my camera at what I'm seeing and record that? It's a seemingly simple question. It's also one of the most complicated to answer, and requires delving into not only how a camera records light, but also how and why our eyes work the way they do. Tackling such questions can reveal surprising insights about our everyday perception of the world around us &#8212; in addition to making one a better photographer.]]></description>
		
		
		
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		<title>Tips on Digital Photo Restoration</title>
		<link>https://www.cambridgeincolour.com/tutorials/digital-photo-restoration.htm</link>
		
		<dc:creator><![CDATA[Sean McHugh]]></dc:creator>
		<pubDate>Mon, 20 Jun 2011 12:30:50 +0000</pubDate>
				<category><![CDATA[Tutorials]]></category>
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					<description><![CDATA[Digital photo restoration can work miracles by turning a faded old family portrait into an image of seemingly modern quality. Alternatively, this process can work in reverse to give a photograph a timeless feel. Performing either of these transformations yourself is not as difficult as it may seem &#8212; you just need to know which restoration tools to use.]]></description>
		
		
		
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		<title>Digital Photo Editing Workflow</title>
		<link>https://www.cambridgeincolour.com/tutorials/digital-photo-editing-workflow.htm</link>
		
		<dc:creator><![CDATA[Sean McHugh]]></dc:creator>
		<pubDate>Wed, 11 May 2011 18:00:49 +0000</pubDate>
				<category><![CDATA[Tutorials]]></category>
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					<description><![CDATA[This article summarizes the most important steps to incorporate into your digital photo editing workflow (aka &#34;post-processing workflow&#34;). It isn't necessarily a procedure that you'll want to implement with all of your photos, but whenever you want to get that &#34;keeper&#34; looking just right, these steps can make all the difference.]]></description>
		
		
		
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		<title>Using Neutral Density Filters</title>
		<link>https://www.cambridgeincolour.com/tutorials/neutral-density-filters.htm</link>
		
		<dc:creator><![CDATA[Sean McHugh]]></dc:creator>
		<pubDate>Wed, 20 Apr 2011 18:00:51 +0000</pubDate>
				<category><![CDATA[Tutorials]]></category>
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					<description><![CDATA[Neutral density (ND) filters reduce the amount of light entering the camera, enabling a  longer exposure time than otherwise possible. This can emphasize motion, or make an otherwise tumultuous scene appear surreal and quiescent. Alternatively, an ND filter also enables larger apertures, which can produce a shallower depth of field, or achieve a sharper photo. Either way, this is a useful and often under-appreciated filter that deserves a deeper look. ND filters are also one of the easiest filters to use, and their effect cannot be replicated digitally &#8212; at least not with a single shot.]]></description>
		
		
		
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		<title>Portraits with Two Lights: Adding a Fill Light</title>
		<link>https://www.cambridgeincolour.com/tutorials/portrait-fill-light.htm</link>
		
		<dc:creator><![CDATA[Sean McHugh]]></dc:creator>
		<pubDate>Wed, 06 Apr 2011 15:00:51 +0000</pubDate>
				<category><![CDATA[Tutorials]]></category>
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					<description><![CDATA[A second light source &#8212; usually called a fill light or fill flash &#8212; can greatly improve portrait lighting. It reduces the depth of shadows and softens the appearance of facial features, amongst other traits. Best of all, a fill light is easy to create: either a simple on-camera flash or a reflector is often sufficient. However, a second light source can just as easily harm portraits. This tutorial therefore focuses on how to control the location and intensity of the fill light in order to produce a desired portrait appearance.]]></description>
		
		
		
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		<title>Using Graduated Neutral Density Filters</title>
		<link>https://www.cambridgeincolour.com/tutorials/graduated-neutral-density-filters.htm</link>
		
		<dc:creator><![CDATA[Sean McHugh]]></dc:creator>
		<pubDate>Wed, 16 Mar 2011 17:00:50 +0000</pubDate>
				<category><![CDATA[Tutorials]]></category>
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					<description><![CDATA[Graduated neutral density (GND) or &#34;grad&#34; filters are an essential tool for capturing scenes with a broad dynamic range. They're also perhaps a hidden secret of successful landscape photographers. While they have been used for over a hundred years, nowadays the grad ND effect can also be applied digitally, either during RAW development or in subsequent photo editing. In either case, knowing how to make the most of GND filters will undoubtedly have a huge impact on the quality of one's photographs.]]></description>
		
		
		
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