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	<title>Canuckflack</title>
	
	<link>http://canuckflack.com</link>
	<description>... it's about design, marketing, retail quirks, government communications and oddities ... and written in Canada!</description>
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		<title>Location – tell me my current obsession</title>
		<link>http://feedproxy.google.com/~r/Canuckflack/~3/E6oSDhr8PUg/</link>
		<comments>http://canuckflack.com/2009/10/location-tell-me-my-current-obsession/#comments</comments>
		<pubDate>Sat, 17 Oct 2009 00:46:16 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Consumer]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[community]]></category>

		<guid isPermaLink="false">http://canuckflack.com/?p=3243</guid>
		<description><![CDATA[Lately, I&#8217;ve been zoning in on books that discuss location &#8211; whether through wayfinding, past experience in urban and wild settings, the development of innate navigational skills, or novel treatements of life in particular locations. Here&#8217;s a sampling from my recent bookshelf:
Where am I? &#8211; Colin Ellard
&#8221; &#8230; Two things seem to be universal in [...]]]></description>
			<content:encoded><![CDATA[<p>Lately, I&#8217;ve been zoning in on books that discuss location &#8211; whether through wayfinding, past experience in urban and wild settings, the development of innate navigational skills, or novel treatements of life in particular locations. Here&#8217;s a sampling from my recent bookshelf:</p>
<p><a href="http://www.chapters.indigo.ca/books/WHERE-AM-I-Colin-Ellard/9781554683932-item.html?pticket=gsiaos2oposqnenyiw0s0q55xu%2fLHTcyu5CCfkrkkhvkl49yXmU%3d" target="_blank">Where am I?</a> &#8211; <em>Colin Ellard</em></p>
<blockquote><p>&#8221; &#8230; Two things seem to be universal in wayfaring cultures like the Inuit and the Australian Aborigines. One of them is that they&#8217;ve honed this exquisite eye for detail that we don&#8217;t have. The other thing that these cultures do is use narrative and story. The best example of all is these song lines in Aborigines &#8211; what they&#8217;re doing is they are making an explicit connection between their creation, the creation of everything, and the shape and size of the landscape. They&#8217;re using song lines as a kind of navigational aid, but at the same time there&#8217;s this spiritual connection to place &#8230;&#8221; (<a href="http://www.thebukowskiagency.com/2009-04-29-Where-Am-I-Globe-and-Mail.pdf" target="_blank">Globe and Mail</a>)</p></blockquote>
<p><a href="http://ca.wiley.com/WileyCDA/WileyTitle/productCd-0470041234.html" target="_blank">Retrofitting Suburbia</a> &#8211; <em>Ellen Dunham-Jones and June Williamson</em></p>
<blockquote><p><span id="intelliTXT"> &#8221; &#8230; But we found, over and over in interviews, people being really sad when their mall had died. &#8220;I had my prom in that mall,&#8221; they&#8217;d say. They attribute the mall with a lot of bonding, a lot of time growing up—they really loved their malls. When it died, the first reaction was: Let&#8217;s find a developer to fix our mall. Most people didn&#8217;t want a downtown-type structure, they just wanted their mall back. It takes a paradigm shift, like the example of Belmar (<em>see pictures at right</em>).</span></p>
<p>Belmar was built five miles outside of Denver, and originally had no desire to be urban at all. But by the time the mall died, the surrounding suburban community of Lakewood, Colo., had become the fourth-largest municipality in the state. They had put in a library and a city hall, but it was set up like a strip mall. They eventually found a developer for the property who said &#8220;I won&#8217;t redevelop the mall, but I&#8217;ll give you a town center.&#8221; It took a while, but they bought in, completel &#8230;&#8221; (<a href="http://www.popularmechanics.com/blogs/technology_news/4302220.html" target="_blank">Popular Mechanics</a>)</p></blockquote>
<p><a href="http://www.jonpaulfiorentino.com/" target="_blank">Stripmalling</a> &#8211; <em>Jon Paul Fiorentino</em>http://canuckflack.com/wp-admin/post.php?action=edit&amp;post=3243&amp;message=1</p>
<blockquote><p>&#8221; &#8230; Jonny lives and works in a strip mall in Suburban Winnipeg. For some people, this would be exciting and fulfilling enough &#8230;&#8221;</p></blockquote>
<p><a href="http://observatory.designobserver.com/entry.html?entry=8597" target="_blank">Personal Space: the behavioral basis of design</a> &#8211; <em>Robert Sommer</em></p>
<blockquote><p>Before &#8220;getting up in your grill,&#8221; there was &#8220;personal space.&#8221; This is the original work, which drawn from initial insight found at a psychiatric hospital in Saskatchewan.</p></blockquote>
<p><a href="http://www.ucpress.edu/books/pages/9480.php" target="_blank">Hollywood in the Neighborhood</a> &#8211; Kathryn H. Fuller-Seeley, ed</p>
<blockquote><p>How Hollywood and the new breed of popular entertainment &#8211; movies &#8211; arrived in the heartland, and the effect this had on the community.</p></blockquote>
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		<title>Failed in the most beautiful way</title>
		<link>http://feedproxy.google.com/~r/Canuckflack/~3/DwRPb_xsy4A/</link>
		<comments>http://canuckflack.com/2009/10/failed-in-the-most-beautiful-way/#comments</comments>
		<pubDate>Thu, 01 Oct 2009 20:59:52 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Crisis]]></category>

		<guid isPermaLink="false">http://canuckflack.com/?p=3240</guid>
		<description><![CDATA[“They were decent,” he said. “They were strong. And they failed in the most beautiful way you can imagine.”
- Reinhold Messner, the famed mountain climber, praising the members of a doomed 1953 trek to climb K-2.
Charles S. Houston, one of the members of that expedition, passed away this week. (NY Times)
]]></description>
			<content:encoded><![CDATA[<blockquote><p>“They were decent,” he said. “They were strong. And they failed in the most beautiful way you can imagine.”</p></blockquote>
<p>- Reinhold Messner, the famed mountain climber, praising the members of a doomed 1953 trek to climb K-2.</p>
<p>Charles S. Houston, one of the members of that expedition, passed away this week. (<a href="http://www.nytimes.com/2009/10/01/us/01houston.html?hpw" target="_blank">NY Times</a>)</p>
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		<title>Mmmm …. hamhocks</title>
		<link>http://feedproxy.google.com/~r/Canuckflack/~3/fMjNV7PyO9g/</link>
		<comments>http://canuckflack.com/2009/10/mmmm-hamhocks/#comments</comments>
		<pubDate>Thu, 01 Oct 2009 20:38:02 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category />
		<category><![CDATA[Advertising]]></category>

		<guid isPermaLink="false">http://canuckflack.com/?p=3235</guid>
		<description><![CDATA[
Maybe I&#8217;ve been eating a little too much southern food lately. I could swear this bill board for Labatt&#8217;s Blue said &#8216;hamhocks.&#8217;
]]></description>
			<content:encoded><![CDATA[<p><a href="http://canuckflack.com/wp-content/uploads/2009/10/hamhocks.jpg"><img class="aligncenter size-medium wp-image-3236" title="hamhocks" src="http://canuckflack.com/wp-content/uploads/2009/10/hamhocks-300x225.jpg" alt="hamhocks" width="300" height="225" /></a></p>
<p>Maybe I&#8217;ve been eating a little too much southern food lately. I could swear this bill board for Labatt&#8217;s Blue said &#8216;hamhocks.&#8217;</p>
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		<title>His dance music will kick your dance music’s ass</title>
		<link>http://feedproxy.google.com/~r/Canuckflack/~3/_jrNWRcszAk/</link>
		<comments>http://canuckflack.com/2009/09/his-dance-music-and-kick-your-dance-musics-ass/#comments</comments>
		<pubDate>Sun, 06 Sep 2009 20:25:10 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Retro]]></category>

		<guid isPermaLink="false">http://canuckflack.com/?p=3231</guid>
		<description><![CDATA[Ralf Hütter of Kraftwerk revisited London in the early summer, and found it wanting.
&#8220;&#8230;Politely    mortified by the soft, hands-in-the-air atmosphere of the first few clubs we    visited, he wondered ruefully what had become of the “hooligan energy level”    of London. We finally found some for him [...]]]></description>
			<content:encoded><![CDATA[<p>Ralf Hütter of Kraftwerk revisited London in the early summer, and found it wanting.</p>
<blockquote><p>&#8220;&#8230;Politely    mortified by the soft, hands-in-the-air atmosphere of the first few clubs we    visited, he wondered ruefully what had become of the “hooligan energy level”    of London. We finally found some for him at a club called Rage. “You know!”    he shouted, gesturing around at the flickering television monitors and    oblivious trance-dancers, “if people had been making a film about hell 20    years ago, they would have conjured up something like this. We were doing    things like this early on, and one reviewer wrote that &#8216;Kraftwerk is the    death of music.’ ” &#8230;&#8221; (<a href="http://www.telegraph.co.uk/culture/music/rockandpopmusic/5557754/The-Manchester-International-Festival-Kraftwerk-on-their-bikes.html" target="_blank">The Telegraph</a>)</p></blockquote>
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		<title>Smooth Silky Bacon Hot Dog</title>
		<link>http://feedproxy.google.com/~r/Canuckflack/~3/AJJw43s2Pps/</link>
		<comments>http://canuckflack.com/2009/09/smooth-silky-bacon-hot-dog/#comments</comments>
		<pubDate>Fri, 04 Sep 2009 14:46:32 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Consumer]]></category>
		<category><![CDATA[Retail]]></category>

		<guid isPermaLink="false">http://canuckflack.com/?p=3228</guid>
		<description><![CDATA[Our obsession with wrapping things in bacon is long standing, and has certainly peaked with the arrival of bacon-only blogs and bacon memes.
John T. Edge (whose writing on Southern food is fantastic and mouth-watering) examined the origin and popularity of Mexican-style hot dogs in the NYT last week.
&#8220;&#8230; By 1953, Oscar Mayer was running print [...]]]></description>
			<content:encoded><![CDATA[<p>Our obsession with wrapping things in bacon is long standing, and has certainly peaked with the arrival of bacon-only blogs and bacon memes.</p>
<p>John T. Edge (whose writing on Southern food is fantastic and mouth-watering) examined the <a href="http://www.nytimes.com/2009/08/26/dining/26unit.html" target="_blank">origin and popularity of Mexican-style hot dogs</a> in the NYT last week.</p>
<blockquote><p>&#8220;&#8230; By 1953, Oscar Mayer was running print ads, selling American consumers on the virtues of bacon-wrapped hot dogs. Perhaps Mexican consumers, inspired to emulate American dietary habits, took Oscar Mayer at its word, wrapping American-made hot dogs in American-made bacon, and claiming the resulting construction as their own &#8230;&#8221;</p></blockquote>
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		<title>Storage units: A moment in transition</title>
		<link>http://feedproxy.google.com/~r/Canuckflack/~3/09K1npubRGQ/</link>
		<comments>http://canuckflack.com/2009/09/storage-units-a-moment-in-transition/#comments</comments>
		<pubDate>Fri, 04 Sep 2009 13:51:02 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Economics]]></category>
		<category><![CDATA[observation]]></category>

		<guid isPermaLink="false">http://canuckflack.com/?p=3225</guid>
		<description><![CDATA[One observation about storage units: they can appear anywhere. Alongside rail yards, behind motels, cleverly disguised as yet another building in a suburban office park, wedged in the strangest shaped lots.
This Sunday&#8217;s NYT Magazine discusses the link between self-storage units and the culture of consumption.
&#8221; &#8230; The truth is, there is no typical storage customer. [...]]]></description>
			<content:encoded><![CDATA[<p>One observation about storage units: they can appear anywhere. Alongside rail yards, behind motels, cleverly disguised as yet another building in a suburban office park, wedged in the strangest shaped lots.</p>
<p>This Sunday&#8217;s NYT Magazine discusses the link between self-storage units and the culture of consumption.</p>
<blockquote><p>&#8221; &#8230; The truth is, there is no typical storage customer. As facilities crowded into the landscape, storage units became incubators for small businesses and artisans; warehouses for pharmaceutical reps, eBay merchants or landscapers. <strong>One unit at Statewide, the Doparts told me, functions as a kind of regional distribution center for Little Debbie cakes</strong>. I met a few homeless renters, who sometimes choose to pay to put a roof over their possessions instead of their own heads (living in units is not allowed); I met working-class renters using units as closets and safe-deposit boxes while serially couch-surfing or living in multifamily homes. I heard of a martial-arts instructor in Hawaii who trained clients in his unit, and a group of husbands in New England who watch sports in one on weekends. More than one operator told me they have a unit where, every morning, the renter goes in dressed as a man and comes out as a woman &#8230;&#8221;</p></blockquote>
<p>in the NYT Magazine, <em><a href="http://www.nytimes.com/2009/09/06/magazine/06self-storage-t.html?_r=1&amp;pagewanted=6" target="_blank">The Self-Storage Self</a></em></p>
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		<title>Disco Trade Routes</title>
		<link>http://feedproxy.google.com/~r/Canuckflack/~3/i1VXBeuJJZU/</link>
		<comments>http://canuckflack.com/2009/08/disco-trade-routes/#comments</comments>
		<pubDate>Mon, 24 Aug 2009 15:19:02 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Retro]]></category>

		<guid isPermaLink="false">http://canuckflack.com/?p=3221</guid>
		<description><![CDATA[Will Straw offers up an examination of the migration of disco trends, effects and artists between cultures and communities in the 70s and 80s:
&#8221; &#8230; overlapping cycles that sent highly synthesized disco tracks by the Montreal group Lime to southern
European discos and Italian-produced electronic tracks to the gay clubs of Montreal. In the interaction of [...]]]></description>
			<content:encoded><![CDATA[<p>Will Straw offers up an examination of the migration of disco trends, effects and artists between cultures and communities in the 70s and 80s:</p>
<blockquote><p>&#8221; &#8230; overlapping cycles that sent highly synthesized disco tracks by the Montreal group Lime to southern<br />
European discos and Italian-produced electronic tracks to the gay clubs of Montreal. In the interaction of these cycles, both Hi-NRG dance music and Italo-disco worked out the terms of their commonality and their distinctiveness. More generally, Quebec disco records of the early 1980s were caught up in cycles that led to Italian remakes, Quebecois remixes or remakes of European dance tracks, and to the constant reinscribing of a well-entrenched line of passage between Quebec and southern Europe &#8230;&#8221;</p></blockquote>
<p><em><a href="http://muse.jhu.edu/journals/criticism/summary/v050/50.1.straw.html" target="_blank">Music from the Wrong Place: On the Italianicity of Quebec Disco</a></em>, Will Straw, Criticism, Winter 2008</p>
<p>What sort of disco, you ask? Straw cites &#8220;<em>World Invaders</em>,&#8221; by Pluton and the Humanoids, as part of the canon of Quebec and Italodisco.</p>
<p style="text-align: center;">
<p style="text-align: center;"><object width="425" height="344" data="http://www.youtube.com/v/wgIfzqXGY8Y&amp;hl=en&amp;fs=1&amp;" type="application/x-shockwave-flash"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/wgIfzqXGY8Y&amp;hl=en&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /></object></p>
<p style="text-align: center;">
<blockquote><p>&#8221; &#8230; The use of synthesizers and vocoder in “World Invaders” has let that track slip seamlessly into the canon of Italo or Eurodisco music that has taken shape over the last decade. The widespread recourse to distorted, machinelike vocals in Italo/Quebec disco was, at the simplest level, a way of using English that displaced the question of base-level linguistic ability onto that of the novelty of vocal effects. The processing of vocals was also a partial resolution of the inevitable illegitimacy that haunts the use of English lyrics in popular music, particularly if these are sung by non-English speakers with accents that might betray their origins &#8230;&#8221;</p></blockquote>
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		<item>
		<title>Orwell on Consumer Culture</title>
		<link>http://feedproxy.google.com/~r/Canuckflack/~3/M1hpBA261fk/</link>
		<comments>http://canuckflack.com/2009/07/orwell-on-consumer-culture/#comments</comments>
		<pubDate>Sat, 25 Jul 2009 19:21:40 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[community]]></category>

		<guid isPermaLink="false">http://canuckflack.com/2009/07/orwell-on-consumer-culture/</guid>
		<description><![CDATA[&#8221; &#8230; It used to interest me to see the brutal cynicism with which Christian sentiment is exploited. The touts from the Christmas card firms used to come around with their catalogues as early as June. A phrase from one of their invoices sticks in my memory. It was: &#8216;2 doz. Infant Jesus with rabbits.&#8221; [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p>&#8221; &#8230; It used to interest me to see the brutal cynicism with which Christian sentiment is exploited. The touts from the Christmas card firms used to come around with their catalogues as early as June. A phrase from one of their invoices sticks in my memory. It was: &#8216;2 doz. Infant Jesus with rabbits.&#8221; &#8230; &#8221; </p></blockquote>
<blockquote><p>&#8221; &#8230; [Being a bookseller] is a human trade which is not capable of being vulgarized beyond a certain point. The combines can never squeeze the small independent bookseller out of existence as they have squeezed the grocer and the milkman &#8230;&#8221;</p></blockquote>
<p>- &#8220;Bookshop Memories,&#8221; 1936, George Orwell</p>
<p>Ah, the comfort and security that used to accompany topical expertise and local presence. And then someone had to go and invent punchcards, databases, and recommendation engines.</p>
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		<item>
		<title>More shaggin wagons than you can shake a stick at</title>
		<link>http://feedproxy.google.com/~r/Canuckflack/~3/eV0GGFfmJHw/</link>
		<comments>http://canuckflack.com/2009/07/more-shaggin-wagons-than-you-can-shake-a-stick-at/#comments</comments>
		<pubDate>Thu, 23 Jul 2009 16:01:13 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Happiness]]></category>
		<category><![CDATA[Retro]]></category>

		<guid isPermaLink="false">http://canuckflack.com/?p=3218</guid>
		<description><![CDATA[1977. Wing collars. Rayon shirts. Dozens of  Cargo vans with outrageous panel art. Handlebar mustaches and fat rural cops. These two video clips from promise you all this &#8230; and more! 
Supervan, the story of a plucky Dodge and her owner, converted to crime-fighting superheroes despite the objections of his traditionally-minded dad.


]]></description>
			<content:encoded><![CDATA[<p>1977. Wing collars. Rayon shirts. Dozens of  Cargo vans with outrageous panel art. Handlebar mustaches and fat rural cops. These two video clips from promise you all this &#8230; and more! <em><a href="http://www.imdb.com/title/tt0070756/" target="_blank"></a></em></p>
<p><em><a href="http://www.imdb.com/title/tt0070756/" target="_blank">Supervan</a></em>, the story of a plucky Dodge and her owner, converted to crime-fighting superheroes despite the objections of his traditionally-minded dad.<br />
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		<title>Colin McKay: Gov Web 2.0 Communications Pioneer</title>
		<link>http://feedproxy.google.com/~r/Canuckflack/~3/2yUoQCJvz2c/</link>
		<comments>http://canuckflack.com/2009/07/colin-mckay-gov-web-20-communications-pioneer/#comments</comments>
		<pubDate>Fri, 17 Jul 2009 21:50:38 +0000</pubDate>
		<dc:creator>Colin</dc:creator>
				<category><![CDATA[Blog Strategy]]></category>
		<category><![CDATA[Career]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[Global PR Blog Week]]></category>
		<category><![CDATA[John Cass]]></category>

		<guid isPermaLink="false">http://canuckflack.com/?p=3215</guid>
		<description><![CDATA[Reposted from John Cass&#8217; PR Communications, and one in a series of reminisces about Global PR Blog week, which was published five years ago this week.
Colin McKay was an early Canadian pioneer in blogging and social media, but also in the Government use of social media. In my continuing series of interviews with Alumni from [...]]]></description>
			<content:encoded><![CDATA[<p>Reposted from <a href="http://pr.typepad.com/pr_communications/2009/07/colin-mckay-was-an-early-canadian-pioneer-in-blogging-and-social-media-but-also-in-the-government-use-of-social-media-in-m.html" target="_blank">John Cass&#8217; PR Communications</a>, and one in a series of reminisces about <a href="http://www.globalprblogweek.com/archives/the_events_program.php" target="_blank">Global PR Blog week</a>, which was published five years ago this week.</p>
<blockquote><p>Colin McKay was an early Canadian pioneer in blogging and social media, but also in the Government use of social media. In my continuing series of interviews with Alumni from the Global PR Blog week, I ask Colin questions about the conference.</p>
<p><strong>John:</strong> What did you learn from the Global PR Blog Week?</p>
<p><strong>Colin:</strong> Global PR Blog Week was my first real opportunity to work with like-minded people from around the world. Collaboration, community and crowd sourcing are words that are thrown around quite easily today: just five years ago, it was unusual to pull together virtual teams working to a common agenda. YoungPrPros and other listservs were the most similar beast.</p>
<p><strong>John: </strong>What did you learn about blogging, if you learned anything about blogging, from the blog week?</p>
<p><strong>Colin:</strong> By July 2004, I had been blogging for nearly a year. I had been posting short observations, longer analytical pieces, and even commentary. I didn’t, however, truly realize the breadth and depth of knowledge and experience that could be shared if bloggers pulled their resources together and focused on a common series of topics.</p>
<p><strong>John: </strong>Did the conference give you any new insights into PR, and if so what were they?</p>
<p><strong>Colin:</strong> I had been aware of the different fields of PR and communications, but hadn’t really spent much time really thinking outside my own day-to-day work. PR Blog Week really demonstrated that there were inspired and influential bloggers who could bring insight to issues common across all these fields.</p>
<p><strong>John: </strong>What were the lasting effects of the Global PR Blog Week?</p>
<p><strong>Colin: </strong>Personally, I am still in contact with many of the contributors. Participating encouraged me to write longer form posts and articles on my blog and elsewhere, and to consciously look to other bloggers and online sources for inspiration and ammunition.</p>
<p><strong>John:</strong> How did the Global PR Blog week influence you and the industry?</p>
<p><strong>Colin:</strong> I’m not sure how influential PR Blog Week was for the industry. We’ve certainly seen an explosion in the number and quality of PR pros expressing themselves online. I’d hope that PR Blog Weeks 1 and 2 demonstrated that sold, well-reasoned and influential work could come out of blogging, and that blogging was not just a distraction for disaffected employees.</p>
<p>Interestingly, I look back at the list of participants, and I notice many names that are still influential in the field – personalities that have remained consistent and have continued to contribute, often without a care for being identified as influential, or a guru or a thought leader.</p>
<p>Reviewing the post(s) you wrote for the Global PR Blog week what has changed? What has not changed, since you wrote your post?</p>
<p><strong>Colin: </strong>In year 1, <a href="http://www.globalprblogweek.com/archives/basic_principles_for.php" target="_blank">I covered crisis communications</a>. I notice that I didn’t cover online tools in any detail. That would definitely change today, but my advice on the preparation, attitudes and approaches to a crisis would not.</p>
<p>In year 2, I focused on the<a href="http://www.globalprblogweek.com/2005/09/23/mckay-gov-blogging/" target="_blank"> intersection between online communications and the development of government policy</a>. For the longest time, that article remained current – it seems that the ground has begun to shift over the past nine months or so. #Gov2.0 has taken a great leap forward with the arrival of the Obama administration and the experimentation of the Labour government in the UK.</p>
<p><strong>John:</strong> Give an update on what you&#8217;ve been doing in the last five years, and what you are doing now?</p>
<p><strong>Colin:</strong> Well, canuckflack is still well and alive, although it has received greater and less attention over the years. I continued as a communications manager at the Department of Industry until 2007, when I joined the Office of the Privacy Commissioner of Canada. At the moment, I’m the Director of Research, Education and Outreach, and have been able to launch some fairly novel outreach tools that draw from my experience blogging and fooling around with social media:<a href="http://dpi.priv.gc.ca" target="_blank"> http://dpi.priv.gc.ca</a>, <a href="http://blog.privcom.gc.ca" target="_blank">http://blog.privcom.gc.ca</a> and <a href="http://youthprivacy.ca" target="_blank">http://youthprivacy.ca</a>. Not to mention our fledgling Twitter account <a href="http://twitter.com/privacyprivee" target="_blank">http://twitter.com/privacyprivee</a>.</p>
<p><strong>John: </strong>Thank you Colin. Great insights into the virtual event, how PR has changed and not changed. Also I think your point about the faster pace of change in Government is very true.</p></blockquote>
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