CazAdam

Marc Ducret - Le Sens de la Marche - 2006

2012-03-22T16:38:00.002+02:00

Marc Ducret (born April 19, 1957) is a jazz, and avant garde, guitarist, self-taught, who is most well known for his work with saxophonist Tim Berne. Ducret's guitar style is somewhat idiosyncratic, having been called "highly original and very expressive", but also "Metheny-like." -wikipedia

Miles Davis Live In Copenhagen/Rome '69

2012-02-24T21:33:00.002+02:00

Two concerts from one of Miles' great later quintets, with Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJohnette. Most of these players were a big part of the landmark 'Bitches Brew' and 'In A Silent Way' albums, both from 1969, and both of which were among the first commercially successful fusions of jazz and rock, the latter becoming a gold-seller just years later. Filmed live at Tivoli Koncertsal in Copenhagen on November 4, 1969, and from teatro Sistine in Rome on October 27, 1969. Note: The Copenhagen part of this show is of questionable quality, but remains a valuable document of a classic Miles group. The Rome footage is closer to the quality expected today.

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Personnel : Miles Davis - Trumpet, Wayne Shorter - Tenor and Soprano Sax, Chick Corea - Electric Piano and Keyboards, Dave Holland - Bass, Jack DeJohnette - Drums

tracklist:
01. Bitches Brew (Copenhagen)
02. Agitation (Copenhagen)
03. I Fall In Love Too Easily (Copenhagen)
04. Sanctuary (Copenhagen)
05. It's About That Time into The Theme (Copenhagen)
06. Bitches Brew (Rome)
07. Miles Runs The Voodoo Down (Rome)
08. I Fall In Love Too Easily (Rome)
09. Sanctuary into The Theme (Rome)
10. Directions (Rome)
11. Masquelero (Rome)

konstruKt - Peter Brötzmann

2012-02-24T14:01:00.000+02:00

Charles Mingus Live in Belgium/Norway/Sweden '64

2012-02-24T13:01:00.002+02:00

Charles Mingus showcases three exceptional concerts performed in April 1964 featuring his most celebrated lineup--Jaki Byard (piano), Dannie Richmond (drums), Johnny Coles (trumpet), Clifford Jordan (tenor sax) and the great Eric Dolphy (alto sax, flute and bass clarinet). Recorded within an eight-day span, less than three months before Dolphy's death, the three concerts showcase Mingus's visionary leadership and the band's incredible depth and diversity with unique performances and arrangements of classics including "So Long Eric" and the groundbreaking "Meditations On Integration" - jazzicons

Belgium 1964 Norway 1964 Sweden 1964
1- So Long Eric 1- So Long Eric 1- So Long Eric
2- Peggy’s Blue Skylight 2- Orange Was The Color Of Her 2- Meditations On Integration
3- Meditations On Integration 3- Dress, Then Blue Silk
4- Parkeriana
5 - Take The “A” Train Download
Personnel : Charles Mingus (Bass), Eric Dolphy (Alto Sax, Flute, Bass Clarinet), Clifford Jordan (Tenor Sax), Johnny Coles (Trumpet), Jaki Byard (Piano), Dannie Richmond (Drums)

Portico Quartet - Line

2012-02-08T23:45:00.002+02:00

Duncan Bellamy - drums

Nick Mulvay - hang

Milo Fitzpatrick - double bass

Jack Wyllie - saxophones

Dhafer Youssef - Odd Poetry - 2006

2012-02-08T23:43:00.001+02:00

Dhafer Youssef - oud, vocals

Eivind Aarset - guitar

Audun Erlien - bass

Rune Arnesen - drums

'Jazz Onze Plus' festival in Lausanne 28 oct 2006

Duke Ellington Live in Holland '58

2012-02-08T23:24:00.002+02:00

One of the earliest-known filmed full-length concert by one of the 20th Century's greatest songwriters and bandleaders. Filmed at Amsterdam's famed Concertgebouw, this 80-minute concert features the 16-piece Duke Ellington Orchestra two years after their stunning performance at the 1956 Newport Jazz Festival,which Duke considered his second birth. This epic performance includes legendary players Clark Terry, Johnny Hodges, Harry Carney, Paul Gonsalves, Quentin Jackson and Ray Nance performing some of the most beloved American music ever written. - jazzicons

download - part1 - part2 - part3 - part4 - part5

Rhythm section:      Reeds:
Duke Ellington (Piano) Johnny Hodges (Alto Sax)
Jimmy Woode (Bass) Russell Procope (Alto Sax, Clarinet)
Sam Woodyard (Drums) Paul Gonsalves (Tenor Sax)
Ozzie Bailey (Vocal)   Jimmy Hamilton (Tenor Sax, Clarinet)
Trumpets:      Harry Carney (Baritone Sax, Clarinet, Bass Clarinet)
Cat Anderson Trombones:
Harold “Shorty” Baker Quentin Jackson
Ray Nance (Trumpet, Violin, Vocal)   John Sanders (Valve Trombone)
Clark Terry   Britt Woodman

Dexter Gordon Live in '63 & '64

2012-02-08T22:42:00.004+02:00

Dexter Gordon features three concerts filmed in 1963 and 1964 in Holland, Switzerland and Belgium that highlight the bebop legend's classic style and silky tone. Filmed while Dexter was living in Europe, these shows feature legendary side musicians such as Art Taylor (drums) and Kenny Drew (piano) and jazz classics "Blues Walk", "A Night In Tunisia", "Body And Soul" and others. One of the most influential saxophonists in jazz history (both John Coltrane and Sonny Rollins claim him as an influence), Dexter Gordon is captured in sharp form and style on this 70-minute tour de force. - jazzicons

Holland 1964 Switzerland 1963 Belgium 1964
Dexter Gordon (Tenor Sax) Dexter Gordon (Tenor Sax) Dexter Gordon (Tenor Sax)
George Gruntz (Piano)   Kenny Drew (Piano) George Gruntz (Piano)
Guy Pedersen (Bass)   Gilbert “Bibi” Rovère (Bass) Guy Pedersen (Bass)
Daniel Humair (Drums)   Art Taylor (Drums)   Daniel Humair (Drums)
tracklist: tracklist: tracklist:
A Night In Tunisia Second Balcony Jump   Lady Bird
What’s New You’ve Changed   Body And Soul
Blues Walk

download - part1 - part2 - part3 - part4 - part5 - part6 - part7 - part8 - part9 - part10

Charles Mingus - Mingus Mingus Mingus Mingus Mingus - 1963

2012-02-07T04:10:00.001+02:00

"Having completed what he (and many critics) regarded as his masterwork in The Black Saint and the Sinner Lady, Charles Mingus' next sessions for Impulse found him looking back over a long and fruitful career. Mingus, Mingus, Mingus, Mingus, Mingus is sort of a "greatest hits revisited" record, as the bassist revamps or tinkers with some of his best-known works. The titles are altered as well -- "II B.S." is basically "Haitian Fight Song" (this is the version used in the late-'90s car commercial); "Theme for Lester Young" is "Goodbye Pork Pie Hat"; "Better Get Hit in Your Soul" adds a new ending, but just one letter to the title; "Hora Decubitus" is a growling overhaul of "E's Flat Ah's Flat Too"; and "I X Love" modifies "Nouroog," which was part of "Open Letter to Duke." There's also a cover of Duke Ellington's "Mood Indigo," leaving just one new composition, "Celia." Which naturally leads to the question: With the ostensible shortage of ideas, what exactly makes this a significant Mingus effort? The answer is that the 11-piece bands assembled here (slightly different for the two separate recording sessions) are among Mingus' finest, featuring some of the key personnel (Eric Dolphy, pianist Jaki Byard) that would make up the legendary quintet/sextet with which Mingus toured Europe in 1964. And they simply burn, blasting through versions that equal and often surpass the originals -- which is, of course, no small feat. This was Mingus' last major statement for quite some time, and aside from a solo piano album and a series of live recordings from the 1964 tour, also his last album until 1970. It closes out the most productive and significant chapter of his career, and one of the most fertile, inventive hot streaks of any composer in jazz history." - Steve Huey

all tracks written by Charles Mingus, except where noted.

"II B.S." – 4:48

"I X Love" – 7:41

"Celia" – 6:14

"Mood Indigo" (Duke Ellington/Barney Bigard) – 4:45

"Better Get Hit in Yo' Soul" – 6:30

"Theme for Lester Young" – 5:51

"Hora Decubitus" – 4:41

"Freedom" – 5:10 Bonus track on CD reissue

Some editions of this album such as AS-54-B on Impulse Records contains an alternate track listing, which excludes the track "Freedom".

tracks #1 and 4-8, recorded on september 20, 1963:

eddie preston - trumpet

richard williams - trumpet

britt woodman - trombone

don butterfield - tuba

jerome richardson - soprano, baritone saxes, flute

dick hafer - tenor sax, clarinet, flute

booker ervin - tenor sax

eric dolphy - alto sax, flute, bass clarinet

jaki byard - piano

charles mingus - bass, (narration, #8)

walter perkins - drums

tracks #2 and 3, recorded on January 20, 1963:

rolf ericson - trumpet

richard williams - trumpet

quentin jackson - trombone

don butterfield - tuba

jerome richardson - soprano, baritone saxes, flute

dick hafer - tenor sax, flute, oboe

charlie mariano - alto sax

jaki byard - piano

jay berliner - guitar

charles mingus - bass, piano

dannie richmond - drums

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John Coltrane Live 1960-1961-1965

2012-02-07T03:07:00.007+02:00

"John Coltrane provides an epic 95-minute detailed overview of the truth of music giant 20-th century. Three concerts have shown increasing creative arc of Coltrane from the hard bop genre as a member of the Quartet Miles Davis Quartet in 1960, at the sole bandleader in 1961, unsurpassed dreamer jazz to 1965. This concert not only represents classic Trane's quartet with Elvin Jones (drums), Jimmy Garrison (bass) and McCoy Tyner (piano), but also with other jazz legends including Stan Getz, Eric Dolphy and Oscar Peterson. Includes breakneck versions of his songs "My Favorite Things" and "Impressions"."- jazzicons

download - part1 - part2 - part3 - part4 - part5

tracklist:

live in germany 1960:   live in germany 1961:   live in belgium 1965:
1. on green dolphin street 1. my favorite things   1. vigil
2. walkin’   2. everytime we say goodbye   2. naima
3. the theme   3. impressions   3. my favorite things
4. autumn leaves
5. what’s new
6. autumn in NY
7. hackensack

Mahavishnu Orchestra - Birds of Fire - 1973

2012-02-07T02:42:00.000+02:00

"Emboldened by the popularity of Inner Mounting Flame among rock audiences, the first Mahavishnu Orchestra set out to further define and refine its blistering jazz-rock direction in its second -- and, no thanks to internal feuding, last -- studio album. Although it has much of the screaming rock energy and sometimes exaggerated competitive frenzy of its predecessor, Birds of Fire is audibly more varied in texture, even more tightly organized, and thankfully more musical in content. A remarkable example of precisely choreographed, high-speed solo trading -- with John McLaughlin, Jerry Goodman, and Jan Hammer all of one mind, supported by Billy Cobham's machine-gun drumming and Rick Laird's dancing bass -- can be heard on the aptly named "One Word," and the title track is a defining moment of the group's nearly atonal fury. The band also takes time out for a brief bit of spaced-out electronic burbling and static called "Sapphire Bullets of Pure Love." Yet the most enticing pieces of music on the record are the gorgeous, almost pastoral opening and closing sections to "Open Country Joy," a relaxed, jocular bit of communal jamming that they ought to have pursued further. This album actually became a major crossover hit, rising to number 15 on the pop album charts, and it remains the key item in the first Mahavishnu Orchestra's slim discography." - Richard S. Ginell

Ethnomusicology Review - Ucla.edu

john mclaughlin : guitar

jerry goodman : violin
jan hammer : piano
rick laird : bass
billy cobham : drums

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Archie Shepp - Four for Trane - 1964

2012-02-07T01:21:00.004+02:00

"From 1964, Archie Shepp's first date as a leader featured -- as one would expect from the title -- four tunes by John Coltrane, his mentor, his major influence, and his bandleader. The fact that this album holds up better than almost any of Shepp's records nearly 40 years after the fact has plenty to do with the band he chose for this session, and everything to do with the arranging skills of trombonist Roswell Rudd. The band here is Shepp on tenor, John Tchicai on alto, Rudd on trombone, Trane's bassist Reggie Workman, and Ornette Coleman's drummer Charles Moffett. Even in 1964, this was a powerhouse, beginning with a bluesed-out wailing version of "Syeeda's Song Flute." This version is ingenious, with Shepp allowing Rudd to arrange for solos for himself and Tchicai up front and Rudd punching in the blues and gospel in the middle, before giving way to double time by Workman and Moffett. The rawness of the whole thing is so down-home you're ready to tell someone to pass the butter beans when listening. Rudd's arrangement of "Naima" is also stunningly beautiful: He reharmonizes the piece for the mid-register tone of Shepp, who does his best Ben Webster and adds a microtonal tag onto the front and back, dislocating the tune before it begins and after it ends, while keeping it just out of the range of the consonant throughout. Wonderful! The only Shepp original here is "Rufus (Swung, His Face at Last to the Wind, Then His Neck Snapped)." It's not a terribly sophisticated tune, but it works in the context of this band largely because of the soloing prowess of all the members -- particularly Tchicai -- here. There is barely any melody, the key changes are commensurate with tempo shifts, and the harmonics are of the sliding scale variety. Still, there are the blues; no one can dig into them and honk them better than Shepp. When it came to sheer exuberance and expression, he was a force to be reckoned with in his youth, and it shows in each of the tunes recorded here. Four for Trane is a truly fine, original, and lasting album from an under-celebrated musician." - Thom Jurek

Archie Shepp – tenor saxophone

Charles Moffett – drums

Roswell Rudd – trombone

Alan Shorter – flugelhorn

John Tchicai – alto saxophone

Reggie Workman – double bass

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Alice Coltrane/John Coltrane - Cosmic Music - 1968

2012-02-06T20:57:00.004+02:00

"Cosmic Music is a jazz album by John Coltrane and Alice Coltrane. It was originally released after John Coltrane's death. On this release, John Coltrane only plays on "Manifestation" and "Reverend King". "Lord, Help Me to Be" and "The Sun" were later included as bonus tracks on the CD reissue of Alice Coltrane's album A Monastic Trio". -wikipedia

John Coltrane — tenor saxophone, bass clarinet

Pharoah Sanders — tenor saxophone, piccolo

Alice Coltrane — piano

Jimmy Garrison — bass

Rashied Ali — drums

Ray Appleton — percussion (1966 recordings)

Ben Riley — percussion (1968 recordings)

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Ornette Coleman - Of Human Feelings - 1982

2012-02-06T20:16:00.004+02:00

"Coleman, like Miles Davis before him, took to playing with electrified instruments. Albums like Virgin Beauty and Of Human Feelings used rock and funk rhythms, sometimes called free funk. On the face of it, this could seem to be an adoption of the jazz fusion mode fashionable at the time, but Ornette's first record with the group, which later became known as Prime Time (the 1976 Dancing in Your Head), was sufficiently different to have considerable shock value. Electric guitars were prominent, but the music was, at heart, rather similar to his earlier work. These performances have the same angular melodies and simultaneous group improvisations – what Joe Zawinul referred to as "nobody solos, everybody solos" and what Coleman calls harmolodics – and although the nature of the pulse has altered, Coleman's own rhythmic approach has not."-wikipedia

denardo coleman – drums

ornette coleman – saxophone

charlie ellerbie – guitar

bern nix – guitar

jamaaladeen tacuma – bass

calvin weston – drums

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Steve Coleman & Five Elements - Rhythm People - 1990

2012-02-06T18:16:00.003+02:00

Steve Coleman - alto sax

David Gilmore - guitar

James Weidman - keyboards

Reggie Washington - bass

Marvin Smitty Smith - drums

21. Jazzwoche Burghausen 1990 / Germany

Ornette Coleman - Free Jazz: A Collective Improvisation - 1960

2011-11-24T05:07:00.008+02:00

şu anda caz tarihinin en "devrimci" albümlerinden bir tanesiyle karşı karşıyasınız. klasik formların çok dışında, cazın ne olduğunu tekrardan tartıştırabilmiş bir albüm. atlantic records etiketli, caz tarihinin mihenk taşlarından. 60 senesinde bu albüm yayınlandığında oldukça büyük ses getirmiş. şöyle diyelim; free jazz denen müzik türü adını bu albümden alıyor. hernekadar 50lerin başlarından itibaren lennie tristano, cecil taylor gibi isimler tarafından yapılmış bir takım sıradışı denemeler mevcut olsa da hiçbirisinin bu albüm kadar iddialı olduğunu söylemek mümkün değil. öncelikle, kayıtta iki quartet çalıyor, biri sağ kanalda diğeri de solda, karşılıklı sohbet gibi. aynı zamanda bu kayıt caz tarihinin ilk lp uzunluğunda doğaçlaması, 37küsür dakika. gerçek bir kolektif doğaçlama örneği. standart müzik algısının tamamen dışında, deneysel bir albüm. bu arada, hoşunuza gitmezse çok kafanıza takmayın.

free caz hakkında başarılı makale - free jazz: a subjective history by Chris Kelsey

left channel

ornette coleman - alto saxophone

don cherry - pocket trumpet

scott lafaro - bass

billy higgins - drums

right channel

eric dolphy - bass clarinet

freddie hubbard - trumpet

charlie haden - bass

ed blackwell - drums

production

nesuhi ertegün - producer

tom dowd - recording engineer

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Aebersold Series - Vol 42 - Blues in all Keys

2011-11-23T02:58:00.006+02:00

charlie parker learned the blues in all 12 keys before he learned anything else. transposed for all instruments. each key contains a different blues melody and two compatible chord/scale progressions. the outstanding rhythm section is james williams, piano; bob cranshaw, bass; mickey roker, drums. - musicroom.com

tracks

sheets for C instruments

sheets for Bb-Eb instruments

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Bar Kokhba - John Zorn - 1996

2011-11-20T05:32:00.003+02:00

albümün adı, 132-136 yılları arasında büyük roma imparatorluğu sınırları içindeki kudüs merkezli judea eyaletinde yaşanan üçüncü büyük yahudi ayaklanmasından geliyor. arami dilinde yıldızın oğlu anlamına gelir, aynı zamanda tevrata göndermedir. ayaklanma sonucu bağımsız bir yahudi devleti kurulduysa da yaklaşık iki senenin ardından roma imparatorluğu bölgedeki kontrolü tekrardan ele geçirmiştir. sonrasında da kudüsteki bütün yahudiler bölgeden uzaklaştırılmıştır. bu ayaklanma yahudi tarihi açısından oldukça önemli, dolayısıyla john zorn için de.

bar kokhba, john zorn'un masada quartet'i ile yapmış olduğu parçaların oda orkestrası uyarlamalarından oluşan, 96 yılında yayınlanmış albümü. herhangi bir masada albümü gibi bu albümde de esas odak oryantal yahudi müziği. parçaların bir çoğunu folk-caz diye tariflemek mümkün olsa da bazı parçalar folk ya da cazdan öte avantgard çağdaş'ın alanına girmekte. iki diskten oluşan albümde john medeski, marc ribot, anthony coleman gibi bilindik isimler de var. gerçekten özgün bir sound.

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Steve Coleman and Five Elements - Harvesting Semblances and Affinities - 2010

2011-11-05T21:05:00.012+02:00

m-base'in babası, son yirmibeş yıldır çağdaş cazın öncü isimlerinden steve coleman ve ekibinden 2010 basımlı efsane albüm "harvesting semblances and affinities". sound inanılmaz modern olmasına rağmen klasik caz algısına da hitap eden bir albüm. parçaların ritmik altyapıları oldukça başarılı, bol bol senkoplu. beşinci parça olan "flos ut rosa floruid" dışındaki türm parçalar coleman'a ait. vokaller oldukça başarılı. "beba" favori parçam.

steve coleman: alto saxophone
jonathan finlayson: trumpet
tim albright: trombone
jen shyu: vocals
thomas morgan: bass
tyshawn sorey: drums
marcus gilmore: drums (5)
ramon garcia perez: percussion (5)

iki adet kaliteli kritik : allaboutjazz about.com

“Undeniably introspective, this is nonetheless music with an extrovert muscularity and stark physicality that would make it hard to ignore in performance. “ - BBC
“Filled with cantilevered rhythms, intertwining melodies and oblique harmonies, Harvesting Semblances and Affinities is one of the strongest albums of Coleman’s career and compelling proof of his continued importance in the development of contemporary jazz.” - All About Jazz“
…he has quietly influenced generations of musicians; his ideas, once viewed as offbeat and inaccessible, have become crucial to the music’s contemporary language. Because of this his forthcoming CD, Harvesting Semblances and Affinities (Pi), sounds fresh and vital while also of a piece with its time and place.” - Jazz Times

M-Base concept

Steve Coleman explained the substantial elements of the concept as:

improvisation and structure
contemporary relevance
music as expression of life experience
growth through creativity and philosophical broadening
use of non-western concepts

The M-Base concept reminds of the creative energy of the bebop originators, their loose collective, and also of their musical goals. The concept does not include "neo-classical jazz," free music without structures, fusion music, music which isn’t mainly improvised, or which is shaped with respect to commercial aspects. (wikipedia)

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Avishai Cohen - Seven Seas - 2011

2011-07-21T22:03:00.006+03:00

folkcaz denen şey baya handikaplı bir mevzu. genelde tam bir ayar tutturamama söz konusu oluyor nedense. ya etnik bir head yazıp standart tadında parça yapmak gibi abuk, ya da folk bir parçayı alakasız eğreti jazzy sololarla süslemek kadar subuk bir şey oluyor benim anladığım. bu dediklerimin hiçbiri bu albüm için geçerli değil kesinlikle. zaten albüm bunları sorgulatmadan dinletiyor kendini. orta doğu ruhunu muazzam bir şekilde temsil eden bir kayıt. yerel hissiyatların bu kadar başarılı bir şekilde modern formlarla evrensel notalara dökülebilmiş olması gerçekten heyecan verici. sanırım bir müzisyene karşı bende en çok saygı uyandıran şey de bu, yani evrensel olanı bilme ve kendini ait hissettiğin toprakları, kültürü, kimliği onun üzerinden anlatabiliyor olma, bunu bir gerek olarak görme hali. her ne kadar bambaşka hissiyatları temsil etseler de, anlatım ve form olarak iskandinav cazıyla benzeştirebileceğim bir albüm. gerçekten çok başarılı. üç beş aydır elimde olmasına rağmen hâla her seferinde hayranlıkla dinlediğim bir kayıt. özellikle şu sıralar benim için duygusal olarak çok fazla şey ifade eden bir albüm.

avishai cohen israil kibbutzlarından gelme. müzikal bir ortamda yetişmiş. 92de new yorka yerleşmesiyle beraber uluslararası kariyerinin ilk adımını atar. 96da chick corea tarafından o zamanki sexteti origin'e davet edilmesi ve 2003e kadar süren chick corea serüveninin ardından tamamen kendi işlerine yoğunlaşmış durumda. geçtiğimiz onüç senede oniki albüm çıkaracak kadar da üretken bir besteci. modern cazı yeniden tarifleyebilen çağdaş bir müzisyen. an itibariyle zaten dünyanın en kendine has müzisyenlerinden biri olduğu bilinmekte.

seven seas bu kış yayınlandı, son albümü. kesinlikle öneriyorum. about a tree ve two roses favorilerim, dinlediğinizde sanki bu şarkıları önceden de dinlemişsiniz gibi hissediceksiniz. müzikal olarak ortak duyguları anlatıyor. halah inanılmaz, sonundaki sax solo net olmuş. ani aff'taki üflemeli partisyonları çok avant-garde. adam gerçekten yapmış ya doğu-batı sentezini. alkışlıyoruz.

kaliteli kritik - allaboutjazz

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Critters Buggin - Guest - 1994

2011-05-27T13:31:00.009+03:00

critters buggin, matt chamberlain ve skerik tarafından kurulur. 93 başında brad houser gruba katılır. grup bir süre trio olarak takılmışsa da çeşitli müzisyenlerle albümler çıkartmaya, turnelemeye devam eder. 98'de mike dillon dördüncü eleman olarak ekibe dahil olur. son albümleri 2004te yayınlandı, bir de 2009da yayınlanan 95'Seattle konserleri mevcut.

guest, ekibin ilk yayınladığı albüm. jazz, rock karışımı, bazen funky, oldukça deneysel bir albüm. özellikle sax efektleri ve looplar bence oldukça başarılı kullanılmış. zaman zaman folk melodiler de duymak mümkün. genel olarak bol tekrarlı dört kişilik tren müziği diye tarif edebilirim. shag ve kickstand hog oldukça başarılı. t ski ise tam bir caz-rock-pornosu.

matt chamberlain : drums

brad houser : bass

skerik : saxophone, guitar

john bush : percussion, loops

critters buggin myspace

http://www.crittersbuggin.com/

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Wes Montgomery - The Incredible Jazz Guitar - 1960

2011-04-28T16:04:00.006+03:00

rivayete göre, geceleri evde çalışırken, karısı ve çocuklarını uyandırmamak için "geliştirmek zorunda kaldığı" parmak tekniğiyle caz gitar tarihde kalıcı bir tekniğe imzasını atan wes montgomery'den 60 basımlı efsane albüm. tarihin en iyi caz gitar albümlerinden bir tanesi.

iki adet kaliteli kritik : allmusic allaboutjazz

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Skalpel - Polish Jazz EP - 2000

2011-04-21T01:13:00.005+03:00

skalpel polonya'dan. grubu, marcin cichy ve igor pudlo adlı iki dJ/muzisyen/produktor oluşturuyor. denilene göre eski polonya cazının karizması ve gizemini modern bir şekilde işliyorlar. 2000 yılında çıkardıkları bu demo albüm sayesinde "ninja tune" ile sözleşme imzalayabildiler. zaten albümün girişi tam bi röportaj. özellikle "tension" ve "sound sculpture" çok iyi parçalar.

BBC'den Skalpel yorumu

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Nik Bärtsch's Ronin - Holon - 2008

2011-03-28T07:01:00.006+03:00

isviçreli piyanist nik bartsch'ın ronin adlı projesi, son zamanlarda duyduğum en çağdaş soundlardan diyebilirim. hatta son zamanlarda duyduğum için üzgünüm de, çünkü 10 seneye yakın bir müzik geçmişleri var. baştan söyleyeyim, bu albümde öyle efsane jazzy sololar, çılgın akor geçişleri falan yok ama duyacağınız şey gerçekten başarılı bir müzikal yaklaşımın ürünü. müziği kabaca özetlemek gerekirse; komplex ritmik yapılar, tonal katmanlar ve tansiyon almacalar-vermeceler denebilir. tarzları "zen funk" olarak geçmekte, o da neymiş demeyin, albümü dinledikten sonra anlayacaksınız zaten ne demek olduğunu. bartsch, uzun süren müzik eğitiminin yanı sıra felsefe, dil bilimleri ve müzikoloji okumuş bir piyanocu. çok mu abartıyorum bilemedim ama bunu müziğinde de görmek mümkün. "modul 46" ve "modul 42" başarılı.

all music'teki bärtsch biyografisi

myspace

nik bärtsch - piano

björn meyer - bass

sha - bass clarinet, kontrbassclarinet, alto saxophone

andi pupato - percussions

kaspar rast - drums

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Eric Dolphy - Out to Lunch! - 1964

2011-03-07T04:52:00.008+02:00

eric dolphy, caz tarihinde -erken ölümü sebebiyle- çok da uzun bir yer tutamamış olmasına rağmen, 50lerin sonu 60ların ilk yarısına adını kazımış bir müzisyen. avant-garde caz'ın dönemi içerisindeki en iyi örneklerinden diyebilirim, bunu zaten benden öte otoriteler böyle der. hatta o kadar "iyi"dir ki bu avant-garde mevzuunda, down beat magazine'de, coltrane'le beraber, anti-jazz ilan edilir ki sonrasında coltrane bu durum için "they made it appear that we didn't even know the first thing about music (...) it hurt me to see Dolphy get hurt in this thing." diyecektir. müzik hayatı boyunca coltrane, mingus gibi devlerle çalışırken freddie hubbard, herbie hancock, tonny williams gibi isimler de tezgahından geçmiştir. alto sax dendiğinde ilk ismi akla gelen müzisyenlerden biri olmasına rağmen, ilk önemli caz bas klarinetçilerinden de biridir, çok da iyi flütçüdür.

out to lunch! 64 basımlı, dolphy'nin "magnum opus"udur. albümdeki her parça dolphy'e aittir ve hepsi birbirinden sıradışıdır. klasik algıyla yaklaşıldığında pek zevk alınamayacak bir albüm demek mümkündür ki muhtemelen o yüzden zamanında anti-jazz denme cüreti gösterilebilmiş. "hat and beard" ismi mingus'tan gelir, "straight up and down" sarhoştur. bir de not düşmek gerekiyor ki, tony williams bu albüm kaydedildiğinde taptaze 18'lik bir gençtir, albüm kapağında da adı anthony williams olarak geçer.

dolphy, bu albüm yayınlandıktan bir kaç ay sonra, mingus'la çıktığı avrupa turnesi sırasında, berlin'de, girdiği diyabet koması sonucunda hayatını kaybeder. tam olarak net olmasa bile, komadayken kendisine aşırı dozda insülin verilmesi sonucu öldüğü de iddia edilir.

allmusic'deki albüm kritiği

eric dolphy - alto saxophone (4-5), flute (3), bass clarinet (1-2)

freddie hubbard - trumpet

bobby hutcherson - vibraphone

richard davis - bass

tony williams - drums

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