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    <title>Celtic Culture Site</title>
    <link>http://www.thejei.org</link>
    <language>en-en</language>
    <pubDate>Mon, 02 Apr 2012 17:51:25 GMT</pubDate>

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 <title>Cult of the Wqrror Heo CelticMaps</title>
 <description><![CDATA[Warfare in various forms was central to Celtic society, and classical historians have labeled the Celts a warlike people. In the first century AD the Roman chronicler Strabo described the Gauls as warlike the whole nation is war mad, both high-spirited and ready for battle. Within Celtic culture the warrior was revered, and together with druids and bards he held a unique place in Celtic myth. Previous page A Celtic fortified center Oppidum under attack from another Celtic tribe. It was...<p><a href="http://www.thejei.org/maps/cult-of-the-wqrror-heo.html"><img src="http://www.thejei.org/maps/images/1008_35_184.jpg" style="width: 557pt; height: 385pt;"/></a></p>]]></description>
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 <pubDate>Mon, 02 Apr 2012 17:51:25 GMT</pubDate>
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 <title>Introduction identifying the problems CelticArt</title>
 <description><![CDATA[The problems of identifying, dating and explaining the La Tene in Ireland are even more fundamental than for Britain. First of all, it would not be pure casuistry to ask how far the types representative of the Irish La Tene are in fact La Tene at all. Types such as Y-pendants are not part of the La Tene repertory in Continental Europe, and the one type that is ubiquitous in great numbers in Continental Europe, the safety-pin brooch, is represented in Ireland by barely thirty examples. A second...<p><a href="http://www.thejei.org/art/introduction-identifying-the-problems.html"><img src="http://www.thejei.org/art/images/989_63_80.jpg" style="width: 341pt; height: 508pt;" title="Figure Beehive querns and the Irish Tene Tene finds Ireland Adapted from Raftery 1994a distribution beehive querns Ireland Adapted from Caulfield 1977"/></a></p>]]></description>
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 <link>http://www.thejei.org/art/introduction-identifying-the-problems.html</link>
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 <media:description type="html">Figure Beehive querns and the Irish Tene Tene finds Ireland Adapted from Raftery 1994a distribution beehive querns Ireland Adapted from Caulfield 1977</media:description>
 <pubDate>Fri, 30 Mar 2012 12:46:16 GMT</pubDate>
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 <title>The Evolution of the Celtic Cross The Celtic Cross</title>
 <description><![CDATA[7V t the end of the fourth century, the mission of St Ninian to the people who lived north of the Roman province of Britain led JL to the foundation of the first Christian church in Caledonia. This was the so-called Candida Casa White House at Whithorn in Galloway. In the fifth and sixth centuries, the Candida Casa was a centre of Christian missionary activity in northern Britain and Ireland. St Enda, founder of the early monastery at Killeany on the Aran island of Inishmore, was an alumnus of...<p><a href="http://www.thejei.org/cross/the-evolution-of-the-celtic-cross.html"><img src="http://www.thejei.org/cross/images/1013_26_52.jpg" style="width: 163pt; height: 56pt;"/></a></p>]]></description>
 <link>http://www.thejei.org/cross/the-evolution-of-the-celtic-cross.html</link>
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 <pubDate>Sun, 25 Mar 2012 22:04:47 GMT</pubDate>
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 <title>Hunting And Wild Animals CelticLife</title>
 <description><![CDATA[There is a strong hint in the vernacular literature of a close correlation between hunter hunted and the divine world. Hunted animals were sometimes perceived as messengers of the Otherworld powers, the means of bringing living humans, either directly or indirectly, to the underworld. The hunted creature itself may be enchanted or possess magical qualities it may be a transformed human or a god in zoomorphic form. Tales of the hunt involve, above all, the wild pig or boar and the stag. In...<p><a href="http://www.thejei.org/life/hunting-and-wild-animals.html"><img src="http://www.thejei.org/life/images/988_56_92.jpg" style="width: 117pt; height: 92pt;"/></a></p>]]></description>
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 <pubDate>Thu, 08 Mar 2012 00:14:21 GMT</pubDate>
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 <title>Branwen CelticMythology</title>
 <description><![CDATA[aunt, Uirne. One day the dog returned from hunting with Sadb, a beautiful woman who was under the spell of a druid and appeared in the form of a young doe. The druid's enchantment was broken when Fionn and Sadb fell in love. Later, Sadb was lured back into the forest and resumed the form of a doe. In some versions of the tale, Bran the hound discovered the couple's child in the forest and brought the infant oisiN back to Fionn. Bran 3 An Irish hero. The son of Febail, Bran journeyed to an...]]></description>
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 <link>http://www.thejei.org/mythology/branwen.html</link>
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 <pubDate>Sun, 04 Mar 2012 02:13:32 GMT</pubDate>
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 <title>Celtic Fire CelticMythology</title>
 <description><![CDATA[back to life unless they have been decapitated. The kitchen servant Gwion Bach became the all-seeing poet Taliesin when he accidentally sampled the magic potion brewed in Ceridwen's cauldron. Gundestrup Cauldron An ornate silver cauldron was found in Gundestrup, Denmark in 1880. Originally gilded, it depicts Celtic gods, goddesses, and mythological scenes. The cauldron may have been made in Gaul, but its origin and its age are not known for certain. The decorations on the Gundestrup Cauldron...]]></description>
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 <pubDate>Tue, 28 Feb 2012 20:26:35 GMT</pubDate>
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 <title>Midir CelticMythology</title>
 <description><![CDATA[This image of a mermaid was carved into the south chancel arch of Clonfert Cathedral in County Gal-way, Ireland. Photo by Trounce Used under a Creative Common license love, a mermaid tempts an unsuspecting man by bringing him precious jewels, pearls, and gold coins. Then she lures him underneath the waves, promising to show him a storehouse of treasures that she guards for the gods of the sea. There, the mermaid keeps the man prisoner for her own amusement, tethering him to a long, golden...<p><a href="http://www.thejei.org/mythology/midir.html"><img src="http://www.thejei.org/mythology/images/998_97_39.jpg" style="width: 224pt; height: 347pt;"/></a></p>]]></description>
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 <pubDate>Tue, 28 Feb 2012 00:25:49 GMT</pubDate>
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 <title>Brown Bull Of Ulster CelticMythology</title>
 <description><![CDATA[ity, cattle, crops, and healing. She is also a goddess of poetry, worshiped by poets. She may even be a mother goddess. One side of her face is lovely while the other is ugly. Brigit was the daughter of the father god Dagda. She mated with Bres the Beautiful to produce a son, Ruadan. She had two lesser-known sisters. Both were also named Brigit. One was a physician and one was a Smith. The two minor sisters are probably simply other aspects of the dominant Brigit. Taken together, the three...]]></description>
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 <link>http://www.thejei.org/mythology/brown-bull-of-ulster.html</link>
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 <pubDate>Mon, 27 Feb 2012 23:22:11 GMT</pubDate>
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 <title>Branwen 1 CelticMythology</title>
 <description><![CDATA[of Welsh tales collected in the Middle Ages, she married an Irish king, but his subjects disliked having a foreign queen. As a result, she was treated poorly. She suffered miserably for three years while training a bird to speak. She then sent the bird to alert her brother, the giant king of Britain, Bendigeidfran also known as Bran 1 the Blessed , of her fate. The news angered him so much that he waded across the ocean to her rescue. A war then began between Britain and Ireland. In some...]]></description>
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 <pubDate>Mon, 27 Feb 2012 21:03:22 GMT</pubDate>
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 <title>The Torc The Celtic Cross</title>
 <description><![CDATA[The most characteristic artefact of Celtic culture is another round structure, the tore, which is literally a binding of metal. Originating in the fifth century bce during the La Tenc period, the tore is essentially a body ornament made of precious metal in the form of a curved rod with identical free ends that face one another, almost touching. In effect, tores are incomplete circles. Worn on the neck or arm, they must be flexible enough to enable the wearer to put them on and take them off,...]]></description>
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 <pubDate>Sun, 26 Feb 2012 00:49:24 GMT</pubDate>
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 <title>FERTILITY GODDESSES See mother goddesses CelticMythology</title>
 <description><![CDATA[Fiachra In Irish myth, one of the unfortunate children of Lir 2 , a member of the Tuatha De Danann. Fiachra and her three siblings were turned into swans by their father's second wife, their jealous stepmother who was also their aunt, AiFE 2 . The children remained swans for 900 years until the curse was broken by the marriage of a man from the North and a woman from the South. FlACHU MAC Fir FhEBE An Ulster hero who, along with Fergus, fought with Queen Medb of Connacht against his own...]]></description>
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 <link>http://www.thejei.org/mythology/fertility-goddesses-see-mother-goddesses.html</link>
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 <pubDate>Tue, 21 Feb 2012 11:49:00 GMT</pubDate>
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 <title>Torrs and its affinities CelticArt</title>
 <description><![CDATA[This period of innovation and experimentation culminated by the third century in the mature phase of insular Celtic art, and the production of a number of high-status pieces of parade armour and related ceremonial or symbolic metal-work. Foremost in this group are the Torrs pony-cap and horns, the Witham shield and the Wandsworth circular shield boss, all of which display a combination of repouss relief ornament and engraved, two-dimensional designs, and which have generally been regarded since...<p><a href="http://www.thejei.org/art/torrs-and-its-affinities.html"><img src="http://www.thejei.org/art/images/989_56_56.jpg" style="width: 322pt; height: 453pt;" title="Figure Engraved and relief ornament Torrs horns and pony cap Adapted from Atkinson and Piggott 1955"/></a></p>]]></description>
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 <link>http://www.thejei.org/art/torrs-and-its-affinities.html</link>
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 <media:description type="html">Figure Engraved and relief ornament Torrs horns and pony cap Adapted from Atkinson and Piggott 1955</media:description>
 <pubDate>Sat, 18 Feb 2012 15:27:55 GMT</pubDate>
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 <title>Red Man of All Knowledge Celtic god CelticMythology</title>
 <description><![CDATA[who helps the hero Diarmait in the tale of the Loathly Lady. The Red Man is a messenger, prophet, and wise man from Land Under Wave, a place located in the Otherworld. He helps Diarmait in his quest to find the cup of healing water to cure the Loathly Lady, who is really a fairy princess. He also warns Diarmait of what will happen once the lady is cured, advising him to refuse all gifts except for the offer of a ride home on an enchanted ship. RHIANNON Welsh princess, wife of king Pwyll and...]]></description>
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 <link>http://www.thejei.org/mythology/red-man-of-all-knowledge-celtic-god.html</link>
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 <pubDate>Sat, 18 Feb 2012 04:16:38 GMT</pubDate>
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 <title>DERMOT See Diarmait CelticMythology</title>
 <description><![CDATA[DESTRUCTIONS One of the story types found in Celtic myth. The tales describe the destruction of a building, often by fire. The best known of this literary form is The Destruction of Da Derga's Hostel. In that story, a king's failure to follow his sacred vows result in his death. DlAN A Fianna chieftain who traveled to the Otherworld and back. Upon returning, he told his friends that he would rather be a slave of the Fianna than a ruler in the Otherworld. Another Dian was one of the three sons...]]></description>
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 <pubDate>Fri, 10 Feb 2012 17:58:24 GMT</pubDate>
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 <title>The CeLtic Identify CelticMaps</title>
 <description><![CDATA[Homer. Hesiod. and Herodotus were among the first writers to give the Celtic peoples an identity. Who were the Celts From the first reeorded links between the Mediterranean world and Celtic civilization the Celts have exuded an element of mystery. The term Celtic itself has obscure origins, and several theories have been proposed about where it came from. Apart from the archaeological evidence, everything we know about the Celts camc from the Creeks and Romans. Known as the Keltoi or Calatai by...<p><a href="http://www.thejei.org/maps/the-celtic-identify.html"><img src="http://www.thejei.org/maps/images/1008_8_26.jpg" style="width: 243pt; height: 250pt;"/></a></p>]]></description>
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 <pubDate>Fri, 10 Feb 2012 00:05:28 GMT</pubDate>
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 <title>Cymraeg Cymric A dialect of the Celtic CelticMythology</title>
 <description><![CDATA[language that was spoken in Wales and also used a unique alphabet. The Celtic language evolved from the Indo-European languages, which were the basis for all languages spoken in Europe, India, Persia, and some parts of Asia. As the Celts spread out through Europe and Great Britain, they began to pronounce words differently or use different terms for the same ideas. Under British rule, Cymraeg was discarded or outlawed in favor of the English language. Today, because of renewed interest in...]]></description>
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 <link>http://www.thejei.org/mythology/cymraeg-cymric-a-dialect-of-the-celtic.html</link>
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 <pubDate>Tue, 07 Feb 2012 02:57:12 GMT</pubDate>
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 <title>The Structure Of Celtic Christianity The Celtic Cross</title>
 <description><![CDATA[The Celtic church had four grades of brethren, reflecting the quaternary structure of the land of Ireland, the symbolic image of wholeness. At the lowest level were the Juniores Alumni, students who served above them, the Operarii, lay brothers, who did the manual labour above them, the Seniores, elders, dedicated to prayer and teaching and over the whole community ruled the head, Abba Pater or Pater Spiritualis, who lived apart from the others on higher ground. The four circles inherent in the...<p><a href="http://www.thejei.org/cross/the-structure-of-celtic-christianity.html"><img src="http://www.thejei.org/cross/images/1013_5_9.jpg" style="width: 163pt; height: 56pt;"/></a></p>]]></description>
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 <pubDate>Tue, 07 Feb 2012 02:40:04 GMT</pubDate>
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 <title>contents CelticMythology</title>
 <description><![CDATA[Introduction vu Time Line for Celtic Culture xv Map of Celtic Europe 800-200 bce xv A-to-Z Entries 1 Selected Bibliography 124 Index 125 Mythology is a key that helps us unlock the mysteries of people, cultures, and civilizations of the past. Even after the inhabitants of these worlds are long gone, we can learn about them by reading their stories. Celtic pronounced KEL-tic mythology is no exception to this rule. The cast of characters in Celtic myth is a reflection of the society itself. These...<p><a href="http://www.thejei.org/mythology/contents.html"><img src="http://www.thejei.org/mythology/images/998_2_4.jpg" style="width: 467pt; height: 306pt;"/></a></p>]]></description>
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 <pubDate>Mon, 06 Feb 2012 23:32:52 GMT</pubDate>
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 <title>Personal Symbols In Ancient Europe The Celtic Cross</title>
 <description><![CDATA[There are historic links between the Celts and the Scythians, and Scythian elements appear in the early Celtic art of the La Tene period. During the same period, aristocratic Thracian women were being tattooed. Thracian priestesses of Dionysos are shown with their tattoos on fifth-century bce Greek vases. Later, the sword-wielding woman attacking the bull on the base of the Celtic-influenced Gundestrup Cauldron first century bce is depicted with tattoos similar to those of Thracian priestesses....<p><a href="http://www.thejei.org/cross/personal-symbols-in-ancient-europe.html"><img src="http://www.thejei.org/cross/images/1013_14_26.jpg" style="width: 116pt; height: 365pt;"/></a></p>]]></description>
 <link>http://www.thejei.org/cross/personal-symbols-in-ancient-europe.html</link>
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 <pubDate>Sat, 28 Jan 2012 23:32:22 GMT</pubDate>
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 <title>The Amazons were tribe CelticMythology</title>
 <description><![CDATA[of female warriors, supposedly descended from RES, the Greek war god, and the naiad Harmonia Their home was situated beyond the Black Sea. It is thought that their name refers ro their breast less condition, for Amazons voluntarily removed their right breasts in order that the 'might more easily draw a bow. The ancient Greeks believed these fierce warriors periodically mated with the men from another Eribe, afterwards rearing their female children but discarding or maiming all the males. During...<p><a href="http://www.thejei.org/mythology-3/the-amazons-were-tribe.html"><img src="http://www.thejei.org/mythology-3/images/1007_11_25.jpg" style="width: 402pt; height: 354pt;"/></a></p>]]></description>
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 <pubDate>Fri, 27 Jan 2012 20:19:52 GMT</pubDate>
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 <title>General patterns CelticKnots</title>
 <description><![CDATA[Knotwork Interlace- The pattern shows the interconnection of life and mankind's place within the universe. For instance, the Trinity knot represents the Holy Trinity or the Triple Gods Goddesses of the ancient Celts and the Lover's Knot represents the concept of two become one resembles intertwined infinity symbols . Spirals- Spirals shows the accomplishment of an individual to balance his inner and outer self and reflects on his personal spirit. The pattern also symbolizes the Cosmos, Heavens...<p><a href="http://www.thejei.org/knots/general-patterns.html"><img src="http://www.thejei.org/knots/images/1012_4_5.jpg" style="width: 84pt; height: 84pt;"/></a></p>]]></description>
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 <pubDate>Fri, 27 Jan 2012 06:30:41 GMT</pubDate>
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 <title>Horned God CelticMythology</title>
 <description><![CDATA[Celtic warriors often wore horned helmets to evoke the power of horned gods like Cernunnos. This helmet dates from the first century B.C. and is decorated in the La Tene style. Photo by Vissarion Used under a Creative Commons license HORNED GOD Early Celtic gods were often depicted with animal horns or antlers on their heads. Such horns were believed to be a symbol of male strength. The most prominent of the horned gods was the Gaul Cernunnos. The Gaul god Camu-lus and the British god CociDius...<p><a href="http://www.thejei.org/mythology/horned-god.html"><img src="http://www.thejei.org/mythology/images/998_79_32.jpg" style="width: 468pt; height: 351pt;"/></a></p>]]></description>
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 <pubDate>Thu, 26 Jan 2012 07:44:19 GMT</pubDate>
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 <title>England CelticFortifications</title>
 <description><![CDATA[Maiden Castle, near Dorchester, Dorset The largest Iron Age hill-fort in Britain, the imposing fortifications of Maiden Castle were excavated during the 1930s and 1980s. The site is now maintained by English Heritage. Maiden Castle is open throughout the year, and a self-guided trail is provided. Website Danebury, near Stockbridge, Hampshire The Iron Age hill-fort of Danebury was extensively excavated over some 20 years, making it the most closely studied hill-fort site in Britain. Danebury is...<p><a href="http://www.thejei.org/fortifications/england.html"><img src="http://www.thejei.org/fortifications/images/1015_22_62.jpg" style="width: 227pt; height: 227pt;" title="The hill fort Pen Dinas overlooking Aberystwyth Cardigan was excavated the 1930s when was revealed the fort was built three phases the final one being completed during the century and encompassing both hills the same ridge RCAHM"/></a></p>]]></description>
 <category>CelticFortifications</category>
 <link>http://www.thejei.org/fortifications/england.html</link>
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 <media:description type="html">The hill fort Pen Dinas overlooking Aberystwyth Cardigan was excavated the 1930s when was revealed the fort was built three phases the final one being completed during the century and encompassing both hills the same ridge RCAHM</media:description>
 <pubDate>Mon, 23 Jan 2012 19:10:44 GMT</pubDate>
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 <title>Towers in the north CelticScotland</title>
 <description><![CDATA[While reconstruction drawings can give some sense of how impressive the timber roundhouses might once have been, it is perhaps only with the broch towers of the north and west that we can gain a real sense of the visual impact of such buildings 18 Vie broch lower of Mousa in Shetland is one of the best preserved prehistoric buildings in Britain, standing close to its original height at around 13m tall. and of the central role of the roundhouse in Iron Age life. Yet brochs and duns have tended...<p><a href="http://www.thejei.org/scotland/towers-in-the-north.html"><img src="http://www.thejei.org/scotland/images/1001_30_30.jpg" style="width: 324pt; height: 190pt;" title=" Gurness broth ion and village from the air"/></a></p>]]></description>
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 <link>http://www.thejei.org/scotland/towers-in-the-north.html</link>
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 <media:description type="html"> Gurness broth ion and village from the air</media:description>
 <pubDate>Fri, 20 Jan 2012 08:19:04 GMT</pubDate>
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 <title>Bronze Age houses in the Sutherland glens CelticScotland</title>
 <description><![CDATA[The most common prehistoric houses visible in the landscape today are hut circles. This rather antiquated term encompasses a wide variety of architectural forms that need share little more than a tendency to decay into a ring-shaped earthen bank. Many were originally imposing and elaborate buildings to which the rather disparaging term 'hut' does little justice. These roundhouses are among the most common prehistoric remains in the Scottish landscape, with more than 2000 known in Sutherland...<p><a href="http://www.thejei.org/scotland/bronze-age-houses-in-the-sutherland-glens.html"><img src="http://www.thejei.org/scotland/images/1001_27_16.jpg" style="width: 289pt; height: 247pt;"/></a></p>]]></description>
 <category>CelticScotland</category>
 <link>http://www.thejei.org/scotland/bronze-age-houses-in-the-sutherland-glens.html</link>
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 <pubDate>Sun, 15 Jan 2012 02:09:50 GMT</pubDate>
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 <title>Fairy Mounds CelticMythology</title>
 <description><![CDATA[for all she gives, this fairy lives off of and drains the life force of her human lover, who remains her slave until he can find someone else to take his place. The Irish leipreachain, or lepracaun a name which means shoemaker , is another solitary fairy who sometimes plots mischief against humans they are also known as Cluricauns a drunk leprechaun and Far Darrig red man or practical joker . Yeats describes leipreachains as withered, old, and solitary and badly dressed, slouching, jeering,...]]></description>
 <category>CelticMythology</category>
 <link>http://www.thejei.org/mythology/fairy-mounds.html</link>
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 <pubDate>Sun, 08 Jan 2012 22:37:24 GMT</pubDate>
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 <title>Further Reading CelticCulture</title>
 <description><![CDATA[adomnan alba colum cille constantine curetan donnan eilean i hagiography kentigern printing Boyle, Analecta Bollandiana 94.95 106 Carey, Studies in Irish Hagiography 49 62 Galbraith, 'The Sources of the Aberdeen Breviary' Herbert amp Riain, Betha Adamnain 36 41 Macfarlane, William Elphinstone and the Kingdom of Scotland 1431 1514 231 46 Macquarrie, Innes Review 37.3 24 Macquarrie, Records of the Scottish Church History Society 26.31 54 Macquarrie, Saints of Scotland esp. 6 10. Aberffraw was the...<p><a href="http://www.thejei.org/culture/further-reading.html"><img src="http://www.thejei.org/culture/images/992_14_2.jpg" style="width: 490pt; height: 329pt;" title="Detail stonework from the surviving chancel arch the 12th century Romanesque church Aberffraw"/></a></p>]]></description>
 <category>CelticCulture</category>
 <link>http://www.thejei.org/culture/further-reading.html</link>
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 <media:description type="html">Detail stonework from the surviving chancel arch the 12th century Romanesque church Aberffraw</media:description>
 <pubDate>Sun, 08 Jan 2012 15:25:23 GMT</pubDate>
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 <title>Milesians CelticMythology</title>
 <description><![CDATA[he tricked Eochaid into letting her go. Either way, Eochaid and his men rescued Etain and brought her back home again. Milesians The final wave of invaders of Ireland, as described in the Lebcjr GabAla Book of Invasions . They were led by MiL Espaine, who wanted to avenge the death of his uncle, Ith. Mil, for whom the group was named, did not survive the journey. When Mil's sons and followers arrived in Ireland, they were greeted by Banba, Eriu, and Fodla. Each of the three beautiful goddesses...<p><a href="http://www.thejei.org/mythology/milesians.html"><img src="http://www.thejei.org/mythology/images/998_98_40.jpg" style="width: 226pt; height: 444pt;"/></a></p>]]></description>
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 <pubDate>Wed, 04 Jan 2012 16:17:52 GMT</pubDate>
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 <title>Methods and use of cavalry forces CelticLife</title>
 <description><![CDATA[The Celts used cavalry units in a number of ways they could act as advance or reconnoitring troops they guarded marching columns they challenged and taunted they ambushed foraging Romans they cut off supplies and in pitched battles, they harried and outflanked. A favourite method of fighting was to charge, hurl javelins and then dismount to fight hand to hand. Cavalry operate best in open country Tacitus describes Celtic cavalry tactics in wooded areas of Britain, where troops dismounted and...<p><a href="http://www.thejei.org/life/methods-and-use-of-cavalry-forces.html"><img src="http://www.thejei.org/life/images/988_32_47.jpg" style="width: 113pt; height: 68pt;"/></a></p>]]></description>
 <category>CelticLife</category>
 <link>http://www.thejei.org/life/methods-and-use-of-cavalry-forces.html</link>
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 <pubDate>Sun, 01 Jan 2012 15:28:34 GMT</pubDate>
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 <title>Contents CelticFolklore</title>
 <description><![CDATA[GOEGRAPHICAL LIST OF AUTHORITIES. . . xxv LIST OF BIBLIOGRAPHICAL REFERENCES . . xxxi i. The legend of ILyn y Fan Fach a ii. The legend of ILyn y Forwyn 23 in. Some Snowdon lake legends 30 v. ILandegai and ILantfechid 50 vi. Mapes' story of ILyn Syfatfon 7 1. Betfgelert and its environs 75 in. Glasynys' yarns . . . . . . 109 vi. The Berwyn and Aran Fawdwy 135 vil The hinterland of Aberdovey 141 vni. Some more Merioneth stories 146 ix. The Children of Rhys Dwfn 151 x. Southey and the Green Isles...]]></description>
 <category>CelticFolklore</category>
 <link>http://www.thejei.org/folklore-3/contents.html</link>
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 <pubDate>Mon, 07 Nov 2011 07:49:32 GMT</pubDate>
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 <title>Enchantment And Shapechanging CelticLife</title>
 <description><![CDATA[We have discussed the way in which certain kinds of animal were depicted and perceived in the early literature. But underpinning any analysis of the roles different beasts could play are two basic principles concerning animals in general. The first is the concept of the enchanted creature, which possesses qualities beyond its natural limits the properties of human speech or wisdom, or the ability to communicate with the world of the supernatural. The second, related, idea is that of...<p><a href="http://www.thejei.org/life/enchantment-and-shapechanging.html"><img src="http://www.thejei.org/life/images/988_61_108.jpg" style="width: 108pt; height: 108pt;"/></a></p>]]></description>
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 <pubDate>Tue, 27 Sep 2011 07:04:45 GMT</pubDate>
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 <title>Cincinnatus was a roman CelticMythology</title>
 <description><![CDATA[hero who was instrumental in saving the early Republic In 458 BC, Rome was in danger of being destroyed by the Aequi, a neighbouring Italian tribe. To defeat this threat, the Senate voted to appoint Cmcmnatus as dictator, a temporar ' office vested with unlimited powers A deputation was sent to his small farm, which was the smallest landholding allowed to qualify for citizenship. The senators found Cmcmnatus at work tending his crops He was told of the Senate's decision and was saluted as...]]></description>
 <category>CelticMythology</category>
 <link>http://www.thejei.org/mythology-3/cincinnatus-was-a-roman.html</link>
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 <pubDate>Mon, 26 Sep 2011 18:18:34 GMT</pubDate>
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 <title>Celtic ethnicity Celtic languages and Celtic art CelticArt</title>
 <description><![CDATA[The first questions that should be addressed in a book that incorporates the phrase 'Celtic art' in its title are whether the term 'Celtic' is justified, and in what sense is it being applied Chapman 1992 cast doubt on the belief that Celts in Iron Age Europe existed as an ethnic group at all. Collis 2003 was more qualified in his critique, noting that Caesar's identification of the inhabitants of his third part of Gaul, who were known as 'Celtae in their own language, but Galli in ours' de...]]></description>
 <category>CelticArt</category>
 <link>http://www.thejei.org/art/celtic-ethnicity-celtic-languages-and-celtic-art.html</link>
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 <pubDate>Sun, 25 Sep 2011 05:17:28 GMT</pubDate>
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 <title>spiral chains CelticJewelry</title>
 <description><![CDATA[The spiral is probably the most characteristic and distinctive symbol of the Celtic style. In this chapter, you will learn how to create spiral units to form beautiful, hand-made chains that reflect the timeless, swirling patterns of the ancient craftsmen. Experiment with using other gauges and types of wire than those suggested here you will be surprised at how different the results can look The spiral is perhaps the most identifiable sliape of Celtic culture and this chain is the epitome of...<p><a href="http://www.thejei.org/jewelry/spiral-chains.html"><img src="http://www.thejei.org/jewelry/images/1018_31_147.jpg" style="width: 133pt; height: 102pt;" title="Hold the small loop your flat nose pliers and pull the extending wire around the outside the open spiral"/></a></p>]]></description>
 <category>CelticJewelry</category>
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 <media:description type="html">Hold the small loop your flat nose pliers and pull the extending wire around the outside the open spiral</media:description>
 <pubDate>Sat, 24 Sep 2011 16:34:54 GMT</pubDate>
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 <title>Diarmait CelticMythology</title>
 <description><![CDATA[Her father, wanting only to please the girl, told her that such a man lived nearby. He was NoisE, the nephew of Conchobar. His hair was as black as a raven's feathers, his skin was as white as snow, and his cheeks were flushed red as newly spilled blood. Deirdre pined for this man whom she had never met. She became so melancholy that her father agreed to arrange a meeting. The young man and the maiden fell in love instantly. Recognizing Deirdre as the infant who had been promised to his uncle...]]></description>
 <category>CelticMythology</category>
 <link>http://www.thejei.org/mythology/diarmait.html</link>
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 <pubDate>Sat, 24 Sep 2011 01:12:18 GMT</pubDate>
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 <title>Pliers and cutters CelticJewelry</title>
 <description><![CDATA[You will need a good pair of wire cutters and two or three kinds of pliers. There are three types of pliers used in making wire jewelry round-nose, flat-nose, and chain-nose although, to get started, round-and flat-nose ore the most essential. It is well worth investing in good-quality versions. Round-nose pliers have tapered shafts, around which you bend the wire so they ore ideal for Chain-nose piiers ore similar to flat-nose pliers, but have tapered ends. They are useful for holding very...<p><a href="http://www.thejei.org/jewelry/pliers-and-cutters.html"><img src="http://www.thejei.org/jewelry/images/1018_3_10.jpg" style="width: 139pt; height: 93pt;"/></a></p>]]></description>
 <category>CelticJewelry</category>
 <link>http://www.thejei.org/jewelry/pliers-and-cutters.html</link>
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 <pubDate>Fri, 23 Sep 2011 14:09:18 GMT</pubDate>
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 <title>Expressions of ethnicity CelticScotland</title>
 <description><![CDATA[We might expect the emergence of tribal units to be accompanied by some material expression of tribal or ethnic identity. However, in the early part of our period the surviving artefacts suggest precisely the opposite. During the Later Bronze Age. the status-conscious elites flaunted elaborate bronzes that bore striking similarities to those of their peers elsewhere in Europe. The appeal of these items probably lay as much in their exotic associations as in the time lavished on their...]]></description>
 <category>CelticScotland</category>
 <link>http://www.thejei.org/scotland/expressions-of-ethnicity.html</link>
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 <pubDate>Fri, 23 Sep 2011 13:49:22 GMT</pubDate>
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 <title>Conclusions CelticArt</title>
 <description><![CDATA[To the question 'can we meaningfully talk about Celtic art ', we have answered in the affirmative, but not simply as careless shorthand for La Tene art. It is possible to argue from the documentary record of ancient historians and geographers that there were people known to the classical world as Celts, and even people who regarded themselves as Celts. Furthermore, the evidence of personal and place-names, admittedly in many cases known from Roman period sources, allows us to infer, in the...]]></description>
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 <pubDate>Thu, 22 Sep 2011 18:42:19 GMT</pubDate>
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 <title>Bibliography CelticFortifications</title>
 <description><![CDATA[Armit, Ian Towers in the North The Broclis of Scotland Stroud, Gloucestershire Tempus Publishing, 2003 Armit, Ian Celtic Scotland London B.T. Batsford for Historic Scotland, 2005 Barrett, J.C. et al., Cadbury Castle, Somerset London B.T. Batsford for English Heritage, 2001 Bradley, R. and Ellison, A. Rams Hill - British Archaeological Reports No. 19 Oxford Archaeopress, 1975 Chadwick, Nora and Cunliffe, Barry The Celts A Penguin History London Penguin, 1997 Cunliffe, Barry and Miles, David...]]></description>
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 <pubDate>Thu, 22 Sep 2011 18:28:33 GMT</pubDate>
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 <title>Motif style and meaning CelticArt</title>
 <description><![CDATA[The conventional approach to archaeological classification, the recognition of types and type-sequences, study of their recurrent associations, and the plotting of spatial distributions of key types, has been criticized over the past generation as descriptive rather than explanatory or interpretative. Accepting that analysis is not an end in itself but a means of distilling order from the mass of data available as an essential preliminary to interpretation, this study of Celtic art will retain...]]></description>
 <category>CelticArt</category>
 <link>http://www.thejei.org/art/motif-style-and-meaning.html</link>
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 <pubDate>Thu, 22 Sep 2011 12:40:16 GMT</pubDate>
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 <title>Sualtam mac Roich Husband of Deichtine and foster father of Cuchulainn CelticMythology</title>
 <description><![CDATA[Sucellus SUCELLUS, The God Striker A Gaulish god whose function is unclear. He carried a large hammer. He was possibly a king of the gods or a god of the dead. The cup or purse he carried could mean that he was a fertility god or a god of wealth and well-being. His consort was the water goddess Nantosuelta. Sulis A Gaulish goddess of healing and fertility. sun gods and sun goddesses The male and female deities often regional connected with the Sun. Male figures included Belenus and Beli Mawr....<p><a href="http://www.thejei.org/mythology/sualtam-mac-roich-husband-of-deichtine-and-foster-father-of-cuchulainn.html"><img src="http://www.thejei.org/mythology/images/998_116_50.jpg" style="width: 226pt; height: 286pt;"/></a></p>]]></description>
 <category>CelticMythology</category>
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 <pubDate>Wed, 21 Sep 2011 11:14:09 GMT</pubDate>
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 <title>INNER BOTTOM RIGHT Kym Celtic Key Patterns</title>
 <description><![CDATA[30 x 30 Minimum Complete Pattern 58 x 58 30 x 30 Minimum Complete Pattern 58 x 58 30 x 30 Minimum Complete Pattern 58 x 58 30 x 30 Minimum Complete Pattern 58 x 58 30 x 30 Minimum Complete Pattern 58 x 58 30 x 30 Minimum Complete Pattern 58 x 58 <p><a href="http://www.thejei.org/key-patterns/inner-bottom-right-kym.html"><img src="http://www.thejei.org/key-patterns/images/1009_51_325.jpg" style="width: 452pt; height: 245pt;" title="Charted Pattern "/></a></p>]]></description>
 <link>http://www.thejei.org/key-patterns/inner-bottom-right-kym.html</link>
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 <media:description type="html">Charted Pattern </media:description>
 <pubDate>Wed, 21 Sep 2011 10:43:17 GMT</pubDate>
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 <title>Yeats William Butler Famous Irish POET CelticMythology</title>
 <description><![CDATA[and dramatist leader of the nineteenth-century renewal of Celtic and traditional Irish culture. Yeats's poems, plays, and books reflected his deep love of Ireland and its myths. His life's work gained him the Noble Prize for literature in 1923 and deeply influenced a renewal of worldwide interest in Celtic culture. Born in Dublin in 1865, Yeats was just a baby when his family returned to London. He spent many of his boyhood summers at his grandparent's home in County Sligo, Ireland. He was not...]]></description>
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 <pubDate>Wed, 21 Sep 2011 08:53:07 GMT</pubDate>
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 <title>Creating Key Borders Celtic Key Patterns</title>
 <description><![CDATA[Now we come to probably the most common use of key patterns - narrow borders. These are to be found in just about every Celtic manuscript in existence, and most likely in the hundreds that have been destroyed or lost. Even the most primitive of the manuscripts - such as the Book of Deer - which contain little of the decoration we think of as Celtic, still have key pattern borders. These make the greatest use of the Celtic edging, as they consist of little other than top and bottom edges put...<p><a href="http://www.thejei.org/key-patterns/creating-key-borders.html"><img src="http://www.thejei.org/key-patterns/images/1009_16_82.jpg" style="width: 368pt; height: 367pt;"/></a></p>]]></description>
 <link>http://www.thejei.org/key-patterns/creating-key-borders.html</link>
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 <pubDate>Wed, 21 Sep 2011 03:13:28 GMT</pubDate>
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 <title>Sheep 1 CelticLife</title>
 <description><![CDATA[Less common than pigs, sheep none the less feature in the meat-offerings and ritual banquets of Celtic shrines and graves. Sheep seem to have been treated similarly to pigs, in that again the preference was for young beasts. Lambs of 3 or 4 months old were favoured at Gournay, but only the shoulder and leg portions were brought into the sanctuary and consumed. At Mirebeau, sheep were slaughtered at 2 years old, as they attained adulthood this would be the optimum time for killing, in that the...]]></description>
 <category>CelticLife</category>
 <link>http://www.thejei.org/life/sheep-1.html</link>
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 <pubDate>Tue, 20 Sep 2011 00:10:17 GMT</pubDate>
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 <title>Tiibal interaction CelticScotland</title>
 <description><![CDATA[In view of the territoriality and social fragmentation that seems to characterize the middle centuries of the first millennium BC, the lack of evidence for inter-tribal contact prior to the Roman incursions conies as little surprise. Steatite, found only in Shetland, was transported to Orkney and to a few sites on the west coast, but apparently not in any significant quantities. Similarly, iron ore must have been traded to some extent, as presumably was timber for the construction of monumental...]]></description>
 <category>CelticScotland</category>
 <link>http://www.thejei.org/scotland/tiibal-interaction.html</link>
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 <pubDate>Mon, 19 Sep 2011 16:45:07 GMT</pubDate>
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 <title>CagLc waLL plAque CelticWoodcraft</title>
 <description><![CDATA[he eagle is associated with strength and wisdom, it appears many times in illuminated manuscripts as an evangelist symbol for St ohn. although in The Book of Durroiv the eagle is used to represent Si Mark. In Durrow. the eagle Is very stylized, having a perfectly round head and eye facing right, with a forward facing body. In The Hook of Kelts the eagle appears much more frequently, giving the opportunity for a far greater variety of designs. Some eagles are depicted with four wings, and one...<p><a href="http://www.thejei.org/woodcraft/caglc-wall-plaque.html"><img src="http://www.thejei.org/woodcraft/images/1004_8_31.jpg" style="width: 174pt; height: 516pt;"/></a></p>]]></description>
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 <pubDate>Mon, 19 Sep 2011 16:03:30 GMT</pubDate>
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 <title>Selection Consumption And Ritual Feasting CelticLife</title>
 <description><![CDATA[An interesting aspect of animal-sacrifice concerns the criteria of selection. In many religions, the appearance, species, sex and age of beasts for sacrifice are important factors determining choice. Appearance is something we cannot generally trace archaeologically. That it may have mattered is implied by Pliny's comment in his Natural History22 that the two bulls chosen for sacrifice by the Druids on the occasion of the mistletoe festival on the sixth day of the moon were white. The Tables of...<p><a href="http://www.thejei.org/life/selection-consumption-and-ritual-feasting.html"><img src="http://www.thejei.org/life/images/988_40_60.jpg" style="width: 114pt; height: 56pt;"/></a></p>]]></description>
 <category>CelticLife</category>
 <link>http://www.thejei.org/life/selection-consumption-and-ritual-feasting.html</link>
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 <pubDate>Sun, 18 Sep 2011 16:32:07 GMT</pubDate>
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 <title>Preface CelticLife</title>
 <description><![CDATA[This book has come about because of my longstanding fascination for the ancient Celts and, in particular, for Celtic myth and religion, upon which most of my previous research work has been based. In all the sources for the period of the pagan Celts roughly 600 BC - AD 400 , the role of animals in both the secular and the sacred worlds appears to have been dominant and essential. The close association between what were basically rural communities and the natural world manifested itself not only...]]></description>
 <category>CelticLife</category>
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 <pubDate>Fri, 16 Sep 2011 11:16:23 GMT</pubDate>
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 <title>Caesars Commentaries on the Gallic War to the CelticLanguages</title>
 <description><![CDATA[Proper Names in Gallic inscriptions on stone or from the various potteries on terra-cotta, to the 20 or so words in the Vienna Gaulish-Latin Glossary including avallo apple , to a few others recorded in ancient writers both Latin and Greek, and to such loan-words as we have just seen in Gallo-Latin, Gaulish deserves a place in our present study and will be called on whenever it has something to contribute Having divided the Celtic family of six into two equal parts according to their treatment...]]></description>
 <category>CelticLanguages</category>
 <link>http://www.thejei.org/languages/caesars-commentaries-on-the-gallic-war-to-the.html</link>
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 <pubDate>Wed, 14 Sep 2011 14:05:36 GMT</pubDate>
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 <title>origins of Celtic knotworks CelticKnots</title>
 <description><![CDATA[The Celtic knots were the creation of Celts in the early Celtic Church who resided mainly in Ireland. Around AD 450, Christian Celtic artwork was influenced by pagan Celtic sources which incorporated an additional knotwork category of life form motifs. The Celtic knots then spread to the Scottish Highlands and Europe via missionary expeditions. This traditional culture of knotworks in manuscript painting was passed down orally with non-existent written records. Many groups of people began to...]]></description>
 <category>CelticKnots</category>
 <link>http://www.thejei.org/knots/origins-of-celtic-knotworks.html</link>
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 <pubDate>Wed, 14 Sep 2011 08:36:24 GMT</pubDate>
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 <title>rDdiichtha welsh CelticLanguages</title>
 <description><![CDATA[M. my heer W. fy nhir of motherland ii thy Irish, Gaelic, Manx aspirate Welsh, Cornish, Breton soften e.g. thy house iii his as for thy e.g. his dog iv her Goidelic leaves consonants unchanged Brythonic aspirates e.g. her dog Before a vowel, however, a her requires the insertion of H, except in Cornish. In Breton it is added to the pronoun e.g. her soul. W. ei henaid B. heh ene but C. hy enef. v our your their In Irish all eclipse in Gaelic, our and your,though the same words as the Irish ar,...]]></description>
 <category>CelticLanguages</category>
 <link>http://www.thejei.org/languages/rddiichtha-welsh.html</link>
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 <pubDate>Wed, 14 Sep 2011 02:15:24 GMT</pubDate>
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 <title>The Natural World Of The Celts CelticLife</title>
 <description><![CDATA[Modern urban dwellers are cushioned, to an extent, from the rhythm of the seasons, from the immediate effects of good or poor harvests and of the health and fertility of flocks and herds. But in any pre-industrial and essentially rural society, the association of communities with the natural environment and their dependence on it are both close and direct. The world of the Celts was no exception. The single farm or small nucleated settlement was the home of many Celtic peoples, and even the...<p><a href="http://www.thejei.org/life/the-natural-world-of-the-celts.html"><img src="http://www.thejei.org/life/images/988_7_2.jpg" style="width: 39pt; height: 25pt;"/></a></p>]]></description>
 <category>CelticLife</category>
 <link>http://www.thejei.org/life/the-natural-world-of-the-celts.html</link>
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 <pubDate>Tue, 13 Sep 2011 16:44:11 GMT</pubDate>
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 <title>Brigit CelticMythology</title>
 <description><![CDATA[promised, Bricriu left the hall before the start of the great feast. But before departing, he turned and told the guests that they should decide among themselves who deserved the champion's portion. Bricriu and his wife then crept up into a balcony to watch and enjoy the chaos. As expected, each of the three Ulstermen announced his claim to the champion's portion. The argument soon became a fistfight. A wise Ulsterman, Sencha mac Ailella, ended the fight by suggesting that each guest get an...]]></description>
 <category>CelticMythology</category>
 <link>http://www.thejei.org/mythology/brigit.html</link>
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 <pubDate>Fri, 09 Sep 2011 21:42:29 GMT</pubDate>
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 <title>Kzszszszsz CelticArt</title>
 <description><![CDATA[ b, c, and d Different Methods of Shading a . r Surface Pattern, produced by repeating 6 . A few new patterns see Pig. 6 may be produced by placing the chevron with the point of the V facing to the right or left, thus, lt or gt , instead of upwards or downwards, thus, A V thus, gt gt 4 The same as a , but with a horizontal line through the points of the V's. r The same as a , but shaded, o' The same as bl, but shaded. Figs. 7 to io give the triangular paiterns, plain and shaded, produced by...<p><a href="http://www.thejei.org/art-2/kzszszszsz.html"><img src="http://www.thejei.org/art-2/images/991_24_27.jpg" style="width: 112pt; height: 125pt;"/></a></p>]]></description>
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 <pubDate>Fri, 09 Sep 2011 20:22:32 GMT</pubDate>
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 <title>Pronunciation CelticMythology</title>
 <description><![CDATA[HE vowels are pronounced generally as in Italian. In the Lithuanian diphthong ai the first element predominates almost to the suppression of the second. Russian e has the sound of the English word yea or of ye in yes Lithuanian e often written ie is pronounced like yea, but with a slight -sound added yaa , and u is equivalent to uoa very like English whoaa Lettish ee is simply e English a in fate Polish ie is like English ye in yes Russian iy is practically the i in English pique. The Slavic i...]]></description>
 <category>CelticMythology</category>
 <link>http://www.thejei.org/mythology-4/pronunciation.html</link>
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 <pubDate>Thu, 08 Sep 2011 22:56:33 GMT</pubDate>
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 <title>ElTHNE INGUBAI In some stories the wife of Cchulainn CelticMythology</title>
 <description><![CDATA[Elatha In Irish tales, the mystical Fomorian king who mated with riu of the Tuatha De Danann to produce Bres. Despite his family ties to the two warring factions, Bres failed to make peace between the two peoples. ELCMAR The alias of the Tuatha De Danann king Nuadu when he was serving as foster father to Angus g, the god of youth. ELDER A tree that, like the alder, seems to bleed when cut. The elder was thought to contain spirits of fertility. ELEN A Welsh heroine from the Mabinogion. She used...<p><a href="http://www.thejei.org/mythology/elthne-ingubai-in-some-stories-the-wife-of-cchulainn.html"><img src="http://www.thejei.org/mythology/images/998_57_23-relief-goddess-pregnant.jpg" style="width: 468pt; height: 232pt;" alt="Relief Goddess Pregnant"/></a></p>]]></description>
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 <pubDate>Thu, 08 Sep 2011 19:39:25 GMT</pubDate>
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 <title>Design and construction CelticFortifications</title>
 <description><![CDATA[The small hill-fort of Caburn, Sussex was built during the early Iron Age, although archaeologists now believe its defences were strengthened around the mid-1st century AD, possibly in response to the Roman invasion of Britain.The site was abandoned soon afterwards. Courtesy of Steve Danes Today, Celtic fortifications, particularly hill-forts, are readily identifiable by the remains of their ramparts and ditches - a still formidable system of fieldworks which serve as visible reminders of an...<p><a href="http://www.thejei.org/fortifications/design-and-construction.html"><img src="http://www.thejei.org/fortifications/images/1015_6_13-celtic-fortifications-britain.jpg" style="width: 171pt; height: 114pt;" alt="Celtic Fortifications Britain"/></a></p>]]></description>
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 <pubDate>Thu, 08 Sep 2011 10:17:14 GMT</pubDate>
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 <title>The Forts of Celtic Britain CelticFortifications</title>
 <description><![CDATA[Angus Konstam Illustrated by Peter Bull Angus Konstam Illustrated by Peter Bull First published in 2006 by Osprey Publishing Midland House. West Way. Botley. Oxford OX2 OPH. UK 443 Park Avenue South. New York, NY 10016. USA E-mail info ospreypublishing.com All rights reserved. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988. no part of this publication may be reproduced, stored in a...<p><a href="http://www.thejei.org/fortifications/the-forts-of-celtic-britain.html"><img src="http://www.thejei.org/fortifications/images/1015_0_1-celtic-fortifications-britain.jpg" style="width: 525pt; height: 457pt;" title="Angus Konstam Illustrated Peter Bull" alt="Celtic Fortifications Britain"/></a></p>]]></description>
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 <media:title>Celtic Fortifications Britain</media:title>
 <media:description type="html">Angus Konstam Illustrated Peter Bull</media:description>
 <pubDate>Thu, 08 Sep 2011 10:16:25 GMT</pubDate>
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 <title>Places of worship CelticScotland</title>
 <description><![CDATA[The classical records suggest that Celtic religion was practised in natural places, such as groves, forest clearings, pools, lakes and islands, rather than in the monumental buildings familiar to the Romans and Greeks, so it is unsurprising that overtly ritual sites are hard to find. The Latin poet Lucan, writing in the first century AD though describing events of a century earlier, describes a dark and hidden woodland sanctuary near Marseilles, where human sacrifices were offered up to crude...<p><a href="http://www.thejei.org/scotland/places-of-worship.html"><img src="http://www.thejei.org/scotland/images/1001_56_80-sculptor-cave-covesea.jpg" style="width: 519pt; height: 215pt;" alt="Sculptor Cave Covesea"/></a></p>]]></description>
 <category>CelticScotland</category>
 <link>http://www.thejei.org/scotland/places-of-worship.html</link>
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 <pubDate>Thu, 08 Sep 2011 01:47:26 GMT</pubDate>
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 <title>valentine knot bracelet CelticJewelry</title>
 <description><![CDATA[No book of jewelry projects would be complete without a heart, the symbol of love, among the designs. In this bracelet. I've given the heart a very Celtic rendering with curling spirals, and have used bone- and wood-effect beads and cotton cord to reflect the materials that would have been available in those ancient times. 8 x 8 mm wood- and booe-etlect beads Round-and Hal nose pliers Wire cutters Hammer and steel stake Superglue optional The interlaced natural cot ton cord and hone and wood...<p><a href="http://www.thejei.org/jewelry/valentine-knot-bracelet.html"><img src="http://www.thejei.org/jewelry/images/1018_26_122.jpg" style="width: 412pt; height: 472pt;"/></a></p>]]></description>
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 <link>http://www.thejei.org/jewelry/valentine-knot-bracelet.html</link>
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 <pubDate>Wed, 07 Sep 2011 20:29:06 GMT</pubDate>
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 <title>Continuity And Destruction The Celtic Cross</title>
 <description><![CDATA[There are a number of surviving late medieval artefacts that demonstrate the continuation of traditional Celtic art. A notable Irish example is the fifteenth-century leather satchel made as a container for Tlie Book of Armagh. Kept in Trinity College, Dublin, it is stamped with patterns that reflect the full repertoire of Celtic ribbonwork and animal interlaces. The famous ivory and metal Eglinton Casket on show in the National Museum of Antiquities in Edinburgh , once thought to date from the...<p><a href="http://www.thejei.org/cross/continuity-and-destruction.html"><img src="http://www.thejei.org/cross/images/1013_43_99-scottish-celtic-art.jpg" style="width: 237pt; height: 214pt;" alt="Scottish Celtic Art"/></a></p>]]></description>
 <link>http://www.thejei.org/cross/continuity-and-destruction.html</link>
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 <pubDate>Wed, 07 Sep 2011 16:17:14 GMT</pubDate>
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 <title>Board Games CelticMyths</title>
 <description><![CDATA[The most common game, which people of any worth were expected to play, was a variant of draughts or checkers invented by Lugh of the Long Hand, called fidchell in Eriu and gwyddbwyll in Prydain. The name, in both languages, meant wooden wisdom, and the game occupied the same social niche as chess did in medieval chivalry. Sometimes a king's fidchell board had a name, in much the same way as a weapon. Often guests were asked to play against the king, and were expected to try their best to beat...]]></description>
 <category>CelticMyths</category>
 <link>http://www.thejei.org/myths/board-games.html</link>
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 <pubDate>Tue, 06 Sep 2011 21:12:48 GMT</pubDate>
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 <title>The Making Of Ancient Manuscripts CelticDesigns</title>
 <description><![CDATA[Sitting in a warm building with pencil and paper readily available for our designs, we should bear in mind the arduous lengths the early Christian monks went to in order to create their wonderful illuminated manuscripts such as the books of Kelts, Lindisfarne, Durrow and other lesser-known works. Their 'paper' was vellum - made from cured calfskin and a very expensive commodity. The vellum was prepared by soaking it in specially prepared liquids and then stretching it over frames and scraping...<p><a href="http://www.thejei.org/designs-3/the-making-of-ancient-manuscripts.html"><img src="http://www.thejei.org/designs-3/images/1006_11_15.jpg" style="width: 511pt; height: 438pt;"/></a></p>]]></description>
 <category>CelticDesigns</category>
 <link>http://www.thejei.org/designs-3/the-making-of-ancient-manuscripts.html</link>
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 <pubDate>Sun, 04 Sep 2011 17:51:52 GMT</pubDate>
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 <title>Stags CelticLife</title>
 <description><![CDATA[In addition to their role as the quarry of hunters in the Irish and Welsh literature, stags receive a great deal of attention in the vernacular tradition. They are associated with wild nature and with the forest, with speed and strength and sometimes with wisdom. The 'Tale of Culhwch and Olwen' describes a supernatural stag which can communicate with one of Arthur's men and helps in the quest for Mabon. In the Mabinogi, a stag is the agent through which Pwyll and Arawn meet.10 The Irish band of...<p><a href="http://www.thejei.org/life/stags.html"><img src="http://www.thejei.org/life/images/988_57_93.jpg" style="width: 88pt; height: 115pt;"/></a></p>]]></description>
 <category>CelticLife</category>
 <link>http://www.thejei.org/life/stags.html</link>
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 <pubDate>Fri, 02 Sep 2011 21:12:34 GMT</pubDate>
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 <title>Fishhook clasp CelticJewelry</title>
 <description><![CDATA[The most commonly used clasp is the fish-hook, which is also one of the simplest to create. I . Working from the spool, curl the end of the wire info o small loop using the tips of your round-nose pliers. Reposition your pliers on the other side of the wire, just under the loop, and curl the wire in the opposite direction around the wider part of the pliers to form the fish-hook clasp. This hook-shaped clasp is both decorative atid functional. . Cut the wire off the spool, leaving about in. to...<p><a href="http://www.thejei.org/jewelry/fishhook-clasp.html"><img src="http://www.thejei.org/jewelry/images/1018_15_42.jpg" style="width: 200pt; height: 144pt;"/></a></p>]]></description>
 <category>CelticJewelry</category>
 <link>http://www.thejei.org/jewelry/fishhook-clasp.html</link>
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 <pubDate>Thu, 01 Sep 2011 22:32:32 GMT</pubDate>
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 <title>Colour The Celtic Cross</title>
 <description><![CDATA[Until the classical revival in the eighteenth century, it was customary in Europe to paint sculpture. In antiquity, Egyptian, Cretan and Greek sculpture was painted naturalistically, and later, in the Christian churches, images of God, Our Lady and the saints were similarly lifelike. Although in Britain we are accustomed now to seeing painted stonework only inside parish churches and cathedrals, this was not the case in former times, for all stonework was intended to be painted. The tradition...<p><a href="http://www.thejei.org/cross/colour.html"><img src="http://www.thejei.org/cross/images/1013_32_67-celtic-cross-landscape.jpg" style="width: 163pt; height: 55pt;" alt="Celtic Cross Landscape"/></a></p>]]></description>
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 <pubDate>Thu, 01 Sep 2011 21:51:30 GMT</pubDate>
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 <title>Time line for Celtic Culture CelticMythology</title>
 <description><![CDATA[6000 B.c. 1000 B.c. ca. 900 B.c. ca. 800 B.c. Beginning of the Stone Age Beginning of the Iron Age The use of iron spreads into Europe First Celtic people in central Europe Hallstatt era begins Celts settle in Spain First Celtic tribes arrive in Ireland from Spain Celts continue to colonize British Isles, move into Scotland Height of Celtic influence in Britain La Tene culture era begins the first heroic and royal sagas are created Celtic tribes expand into Italy, Spain, France, and Bavaria...]]></description>
 <category>CelticMythology</category>
 <link>http://www.thejei.org/mythology/time-line-for-celtic-culture.html</link>
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 <pubDate>Thu, 01 Sep 2011 00:37:32 GMT</pubDate>
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 <title>Mathematical observations CelticKnots</title>
 <description><![CDATA[There are many types of knotwork in various religions or groups. However, below are the observations that distinguished celtic knots from others 1 The strong diagonals in celtic knots are based on the 3 4 5 triangle, otherwise known as the right-angle triangle. 2 At almost every corner of any celtic knots, we can see pointed spades. This is done so as to connect the cord element to fit a corner. 3 The interlacing of the cords is consistent they alternate between overs and unders, which...<p><a href="http://www.thejei.org/knots/mathematical-observations.html"><img src="http://www.thejei.org/knots/images/1012_6_29.jpg" style="width: 351pt; height: 62pt;" title="Step nbsp Step "/></a></p>]]></description>
 <category>CelticKnots</category>
 <link>http://www.thejei.org/knots/mathematical-observations.html</link>
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 <pubDate>Tue, 30 Aug 2011 11:38:59 GMT</pubDate>
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 <title>PLATE VIII Squatting God CelticMythology</title>
 <description><![CDATA[The deity has torques on his neck and lap, and is encircled by two serpents with rams' heads. Traces of horns appear on his head. He may possibly be a form of Cernunnos see Plate XVI , and would thus be a divinity of the underworld. From an altar found at Autun, Saone-et-Loire. For a representation on a Gaulish coin see Plate III, 3 cf. also Plates IX, XXV. Trespass on a sacred place is implied in the story of Eochaid, who eloped with his step-mother. Oengus, in disguise, told him not to camp...<p><a href="http://www.thejei.org/mythology-4/plate-viii-squatting-god.html"><img src="http://www.thejei.org/mythology-4/images/1016_30_14.jpg" style="width: 168pt; height: 336pt;"/></a></p>]]></description>
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 <pubDate>Tue, 30 Aug 2011 01:12:02 GMT</pubDate>
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 <title>ALPHABET See ogham CelticMythology</title>
 <description><![CDATA[AMAETHON 1 In Welsh tales, the magician son of the goddess Don. His brother, Gwydion, was also a powerful magician. When Amaethon stole a deer, a bird, and a dog from Annwfn, the Welsh Otherworld, he angered the deities there. Arawn, the ruler of Annwfn, declared war on Amaethon and his brother, Gwydion. Just when all seemed lost, Gwydion used magic to turn trees into warriors. With the aid of their magical army, the brothers managed to defeat the gods. The battle was called Cad Goddeu, or the...]]></description>
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 <link>http://www.thejei.org/mythology/alphabet-see-ogham.html</link>
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 <pubDate>Mon, 29 Aug 2011 13:31:48 GMT</pubDate>
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 <title>Tuatha De Danann CelticMythology</title>
 <description><![CDATA[people of Dana. Badb, Macha 1 , and MorrIgan are their three great queens or war goddesses. Each member of the Tuatha De Danann has a special significance, skill, or capacity. The principal characters and their main traits are as follows Angus Og was the god of youth and beauty and a protector of lovers. BOand was a river goddess who gave her name to the river Boyne. She was the wife of Dagda. Brigit was the fiery goddess of poetry and the patron of storytellers and bards. Cian was a shape...]]></description>
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 <link>http://www.thejei.org/mythology/tuatha-de-danann.html</link>
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 <pubDate>Mon, 29 Aug 2011 12:34:41 GMT</pubDate>
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 <title>accessories CelticJewelry</title>
 <description><![CDATA[I hope the projects in this chapter will inspire you to consider designing and fabricating matching accessories and wire art to complement your own jewelry pieces. Jewelry is highly personal and these projects, which include a key ring, handbag clip, and hair grip, provide great gift ideas for special birthdays and anniversaries. Cascading down like bubbles in a waterfall, the beads are encased in spirals of wire to form a unified bunch that can be used to decorate a key ring, handbag, or belt...<p><a href="http://www.thejei.org/jewelry/accessories.html"><img src="http://www.thejei.org/jewelry/images/1018_43_269-jump-ring-pendant-pattern.jpg" style="width: 550pt; height: 616pt;" alt="Jump Ring Pendant Pattern"/></a></p>]]></description>
 <category>CelticJewelry</category>
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 <pubDate>Sat, 27 Aug 2011 21:29:02 GMT</pubDate>
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 <title>duo spiral bracelet CelticJewelry</title>
 <description><![CDATA[You will need 20-gauge pink wire 20-gauge green wire Round- and flat-nose pliers Wire cutters Earty man observed the beauty of nature's spirals, using them as a symbol of eternity, symbolizing life, death, and rebirth. Spirals can be found in the art of most earty civilizations, but it was the Celts who found a way of weaving two. three, four, or even more coils together. These fun. colorful bracelets, made from two tones of wire, can also be made in gold and silver for a more reserved, classic...<p><a href="http://www.thejei.org/jewelry/duo-spiral-bracelet.html"><img src="http://www.thejei.org/jewelry/images/1018_33_170.jpg" style="width: 546pt; height: 768pt;"/></a></p>]]></description>
 <category>CelticJewelry</category>
 <link>http://www.thejei.org/jewelry/duo-spiral-bracelet.html</link>
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 <pubDate>Sat, 27 Aug 2011 17:32:50 GMT</pubDate>
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 <title>Celtic Lettering CelticDesigns</title>
 <description><![CDATA[STAGE 1 Using a pair of compasses and a soft pencil, draw a circle and mark the circumference with six equidistant points. Use a ruler to join these points through the centre of the circle, then draw an equilateral triangle within the circle joining the points of three of the six lines. This framework will help to keep the design symmetrical. Draw the outline of the birds, keeping the pencil lines as accurate as possible. STAGE 2 Continue working in pencil and add further details of the birds'...<p><a href="http://www.thejei.org/designs-3/info-1.html"><img src="http://www.thejei.org/designs-3/images/1006_15_176.jpg" style="width: 525pt; height: 615pt;"/></a></p>]]></description>
 <category>CelticDesigns</category>
 <link>http://www.thejei.org/designs-3/info-1.html</link>
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 <pubDate>Sat, 27 Aug 2011 17:08:57 GMT</pubDate>
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 <title>CDIRRORCD cANdle scoNce CelticWoodcraft</title>
 <description><![CDATA[ is said that there arc two ways of spreading light, 'to be the candle, or the mirror that reflects it'. This project uses mirrors to reflect the candlelight many times the larger mirror offers a continuous reflection and, as the candle burns lower, so the lower mirrors reflect the flame. This way. one small flame can spread its light in many directions. Candlelight does more than dispel darkness it represents powerful symbolism in many faiths. Candles are lit for remembrance, for worship, for...<p><a href="http://www.thejei.org/woodcraft/cdirrorcd-candle-sconce.html"><img src="http://www.thejei.org/woodcraft/images/1004_28_96-light-reflection-projects-mirrors.jpg" style="width: 221pt; height: 235pt;" alt="Light Reflection Projects Mirrors"/></a></p>]]></description>
 <category>CelticWoodcraft</category>
 <link>http://www.thejei.org/woodcraft/cdirrorcd-candle-sconce.html</link>
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 <pubDate>Fri, 26 Aug 2011 16:15:58 GMT</pubDate>
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 <title>Rites of sacrifice CelticScotland</title>
 <description><![CDATA[Classical accounts of Celtic religion dwell on acts of sacrifice. The offering of material wealth to the gods, in return for favours, to ensure good luck or as simple bribes, is common in accounts of the Celts, and tar from alien to classical societies of the same period. Mounds of valuable possessions, booty and trophies of war, were apparently heaped in sacred places, enclosures and pools, inviolable on pain of death. This wealth could comprise a collection of elaborate jewellery or weaponry,...<p><a href="http://www.thejei.org/scotland/rites-of-sacrifice.html"><img src="http://www.thejei.org/scotland/images/1001_57_83-metalwork-deposits-carlingwark-loch.jpg" style="width: 194pt; height: 191pt;" alt="Metalwork Deposits Carlingwark Loch"/></a></p>]]></description>
 <category>CelticScotland</category>
 <link>http://www.thejei.org/scotland/rites-of-sacrifice.html</link>
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 <pubDate>Fri, 26 Aug 2011 08:48:28 GMT</pubDate>
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 <title>The Navel Of The World The Celtic Cross</title>
 <description><![CDATA[The concept of the navel of the world, now called by its Greek name, omphalos, was recognized as far back as ancient Egyptian times. The Egyptian world centre was more than a symbolic or theoretical place, for it was actually represented by an elliptical stone that marked the mid-point of the country. This was the geodetic point of reference at the place where the north-south meridian and the east west parallel crossed each other. In the Old Kingdom, the centre of Egypt was at Sakkara. The...<p><a href="http://www.thejei.org/cross/the-navel-of-the-world.html"><img src="http://www.thejei.org/cross/images/1013_6_10.jpg" style="width: 224pt; height: 274pt;"/></a></p>]]></description>
 <link>http://www.thejei.org/cross/the-navel-of-the-world.html</link>
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 <pubDate>Thu, 25 Aug 2011 13:52:06 GMT</pubDate>
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 <title>Boudicca CelticMythology</title>
 <description><![CDATA[This statue of Boudicca by Thomas Thornycroft shows the Icene queen confronting the Romans in full warrior regalia. Her two daughters sit behind their mother. Photo by Kit36 Used under a Creative Commons license ambushed General Quintus Petilius Cerialis and his 6,000 legionnaires as they marched south. His entire infantry excepting for 500 cavalry officers was slaughtered. The general retreated back to his fortress in the north. Next, Boudicca's forces attacked the Roman headquarters in the...<p><a href="http://www.thejei.org/mythology/boudicca.html"><img src="http://www.thejei.org/mythology/images/998_19_15.jpg" style="width: 467pt; height: 358pt;"/></a></p>]]></description>
 <category>CelticMythology</category>
 <link>http://www.thejei.org/mythology/boudicca.html</link>
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 <pubDate>Thu, 25 Aug 2011 11:19:17 GMT</pubDate>
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 <title>Celtic Art CelticDesigns</title>
 <description><![CDATA[Celtic Art - from its beginnings to The Book of Kells, Ruth and Vincent Megaw Thames and Hudson 2002 Early Celtic Designs, Ian Stead and Karen Hughes British Museum Press 1997 Celtic Art - the methods of construction, George Bain,- Constable 1991 The Celtic Art Source Book, Courtney Davis Blandford Press 1988 Celtic Art in Pagan and Christian Times, J Romilly Allen Bracken Books 1993 reprint of 1904 Early Celtic Art in Britain and Ireland, Ruth and Vincent Megaw,-Shire Archaeology 1994 Later...]]></description>
 <category>CelticDesigns</category>
 <link>http://www.thejei.org/designs-3/celtic-art.html</link>
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 <pubDate>Thu, 25 Aug 2011 04:03:41 GMT</pubDate>
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 <title>The Maypole The Celtic Cross</title>
 <description><![CDATA[The general principle of the heavenly column appears to be very ancient, seemingly going back at least 3,000 years. A remarkable pointed conical golden object called a goldkegel found at Ezelsdorf, near Nuremberg, and dating from 1100 bce, is believed to be the top of such a pillar. Also, from the evidence of enormous post-holes, it appears that votive posts were erected in the Celtic sacred enclosures favoured in Germany and France. In more recent times, maypoles have been set up each year to...<p><a href="http://www.thejei.org/cross/the-maypole.html"><img src="http://www.thejei.org/cross/images/1013_16_31.jpg" style="width: 275pt; height: 301pt;"/></a></p>]]></description>
 <link>http://www.thejei.org/cross/the-maypole.html</link>
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 <pubDate>Thu, 25 Aug 2011 01:48:25 GMT</pubDate>
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 <title>InitiaL cddo boler CelticWoodcraft</title>
 <description><![CDATA[ i r f Materials Photocopies of Setter templates 3A-3E, as required see pages 89-93 , enlarged by 125 Por each initial, a piece of timber approx. SO x 110 x 25mm CVi x 47 x lin Some letters may require wider or narrower timber Piece of wire 70mm 2Y,in long, 2mm v-iini diameter he previous two projects have demonstrated the method of carving knotwork in a fretwork style. This project shows you how to carve knotwork in ioW rellef, that Is, onto1 the surface oftftetimte Thisteehmque wiil fcte...<p><a href="http://www.thejei.org/woodcraft/initial-cddo-boler.html"><img src="http://www.thejei.org/woodcraft/images/1004_1_10.jpg" style="width: 509pt; height: 633pt;"/></a></p>]]></description>
 <category>CelticWoodcraft</category>
 <link>http://www.thejei.org/woodcraft/initial-cddo-boler.html</link>
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 <pubDate>Wed, 24 Aug 2011 23:00:52 GMT</pubDate>
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 <title>Coasters in holder 1 CelticWoodcraft</title>
 <description><![CDATA[These templates need to be enlarged by 25 The se tem plates need to be enlarged by I T I l gt RO E C1 DESIGNS IIS T I l gt RO E C1 DESIGNS IIS Thls t.ern plate needs tu be enLtrged by I 33 <p><a href="http://www.thejei.org/woodcraft/coasters-in-holder-1.html"><img src="http://www.thejei.org/woodcraft/images/1004_53_200.jpg" style="width: 612pt; height: 843pt;"/></a></p>]]></description>
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 <link>http://www.thejei.org/woodcraft/coasters-in-holder-1.html</link>
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 <pubDate>Tue, 23 Aug 2011 11:42:35 GMT</pubDate>
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 <title>Info 1 CelticMythology</title>
 <description><![CDATA[Long after Cuchulainn and his followers died, a new group of heroes emerged in Ireland. In this next cycle of myths, supposedly set in the third century a.d., the central character is a man named Fionn Mac Cumaill. The Anglicized version of his name, which is slightly more well known, is Finn Mac Cool. The stories surrounding Finn and the Fianna, a band of warriors who followed Finn, are collectively called the Fenian cycle. Like Cuchulainn and the Champions of the Red Branch, Finn and the men...<p><a href="http://www.thejei.org/mythology-2/info-1.html"><img src="http://www.thejei.org/mythology-2/images/999_12_17.png" style="width: 432pt; height: 648pt;"/></a></p>]]></description>
 <category>CelticMythology</category>
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 <pubDate>Mon, 22 Aug 2011 09:00:15 GMT</pubDate>
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 <title>Introduction CelticFortifications</title>
 <description><![CDATA[Before beginning any discussion of 'the forts of Celtic Britain', it is important to try to define just what constituted a Celtic fort, and who the Celts actually were. We also need to know when they built the fortified structures which still dot the landscape of modern Britain - if indeed they were responsible for such structures. Archaeologists and historians are unable to define whether Britain truly was Celtic, who the Celts actually were, or whether many of their 'forts' were really...<p><a href="http://www.thejei.org/fortifications/introduction.html"><img src="http://www.thejei.org/fortifications/images/1015_2_3.jpg" style="width: 313pt; height: 192pt;" title="The earthen rampart Uffington Castle Archaeological evidence has shown that when was first built the ditch was three metres deeper than today Author collection"/></a></p>]]></description>
 <category>CelticFortifications</category>
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 <media:description type="html">The earthen rampart Uffington Castle Archaeological evidence has shown that when was first built the ditch was three metres deeper than today Author collection</media:description>
 <pubDate>Sun, 21 Aug 2011 18:13:17 GMT</pubDate>
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 <title>Naaaaa CelticArt</title>
 <description><![CDATA[Fig. 9. a Double Border, composed of Triangles, with the points of the Triangles in one row falling in the centres of the bases of Triangles in the row above. b Surface Pattern, composed of Triangles, arranged n the same way as in the preceding. Fig. 10. and b The Patterns shown on Fig. 9. shaded. The patterns derived from the lozenge are shown on Figs, ii to 18. Fig. II. a Lozenge Border, composed of two sets of Chevrons, with their ooints facing in opposite directions. 6 The same as fa , but...<p><a href="http://www.thejei.org/art-2/naaaaa.html"><img src="http://www.thejei.org/art-2/images/991_26_31.jpg" style="width: 266pt; height: 120pt;"/></a></p>]]></description>
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 <pubDate>Sat, 20 Aug 2011 17:50:52 GMT</pubDate>
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 <title>Brian Of Celtic Legend CelticMythology</title>
 <description><![CDATA[the men. He sat with his father, Matholwch, and played affectionately with his uncles Bendigeidfran and Nisien. His other uncle, the jealous Efnisien, however, took offense, as the boy was not playing with him. Efnisien called Gwern to him, and the boy came running with friendship and affection. Efnisien grabbed the child and hurled him headfirst into the roaring hearth fire. Branwen cried out at this horrendous act, and the men reached for their arms. A great battle broke out in the house that...]]></description>
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 <link>http://www.thejei.org/mythology/brian.html</link>
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 <pubDate>Thu, 18 Aug 2011 23:26:33 GMT</pubDate>
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 <title>wrapped stone pendant CelticJewelry</title>
 <description><![CDATA[It is probable that the Celtic tribes would have kept stones as talismans and charms, and this project shows how you could wrap a pebble, semiprecious polished stone or. in fact, anything that does not have a drilled hole to be tlireaded. Die next time you are on vacation, or having a weekend break, look for an interesting stone, piece of bark, or fragment of china or glass and take it home to be wrapped in wire and turned into a pendant as a souvenir of your trip. Stones of all shapes and...<p><a href="http://www.thejei.org/jewelry/wrapped-stone-pendant.html"><img src="http://www.thejei.org/jewelry/images/1018_39_222.jpg" style="width: 407pt; height: 174pt;" title=" Using the ends your round nose pliers curl the doubled end wire into loop"/></a></p>]]></description>
 <category>CelticJewelry</category>
 <link>http://www.thejei.org/jewelry/wrapped-stone-pendant.html</link>
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 <media:description type="html"> Using the ends your round nose pliers curl the doubled end wire into loop</media:description>
 <pubDate>Thu, 18 Aug 2011 20:40:10 GMT</pubDate>
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 <title>Further Reading 1 CelticCulture</title>
 <description><![CDATA[andraste arduinna Danube Bittel et al., Die Kelten in Baden-W rttemberg 477 8 Filtzinger et al., Die R mer in Baden-W rttemberg 189, 247, 327 8, 450, 520, 533 Ober-m ller's deutsch-keltisches, geschichtlich-geographisches W rterbuch s.v. Abnoba Paulys Real-encyclop die s.v. Abnoba. Acadamh Rioga na hEireann Royal Irish Academy , founded in 1785 and incorporated by the Royal Charter of George II in 1786, promotes study in the sciences and humanities in Ireland Eire . Located in a...]]></description>
 <category>CelticCulture</category>
 <link>http://www.thejei.org/culture/further-reading-1.html</link>
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 <pubDate>Thu, 18 Aug 2011 16:10:32 GMT</pubDate>
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 <title>Burial CelticScotland</title>
 <description><![CDATA[Despite the regular occurrence of stray fragments of human bone on settlements, formal Iron Age burials are notoriously rare in Britain prior to the first century AD By the end of the Bronze Age cremation was the dominant burial rite throughout Britain, the ashes often being placed in pots, pits or cairns. Around 700 BC, however, cremations more or less disappear from the archaeological record. Some indications are now appearing, however, to suggest that some simple burials and small cemeteries...<p><a href="http://www.thejei.org/scotland/burial.html"><img src="http://www.thejei.org/scotland/images/1001_59_86-celtic-cist-burial-excavation.jpg" style="width: 183pt; height: 250pt;" title=" cist burial under excavation Moredun Edinburgh 1903 Crown copyright RCAHMS" alt="Celtic Cist Burial Excavation"/></a></p>]]></description>
 <category>CelticScotland</category>
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 <media:title>Celtic Cist Burial Excavation</media:title>
 <media:description type="html"> cist burial under excavation Moredun Edinburgh 1903 Crown copyright RCAHMS</media:description>
 <pubDate>Thu, 18 Aug 2011 09:39:10 GMT</pubDate>
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 <title>Pagan Celtic Art In The Bronze Age CelticArt</title>
 <description><![CDATA[general nature of the materials available for the study of the art of the bronze age in britain. and the decorative motives employed AS we have already observed, the Goidelic Celts were ip the Bronze Age stage of culture when they landed in Britain. Let us now i iqu re into the nature of the materials available for the study of the Pagan Celtic art iit the Bronze Age. The remains of this period may be classified, according to the nature of the finds, as follows 2 Remains on inhabited and...<p><a href="http://www.thejei.org/art-2/pagan-celtic-art-in-the-bronze-age.html"><img src="http://www.thejei.org/art-2/images/991_22_17-bronze-age-celtic-burial-urn.jpg" style="width: 221pt; height: 199pt;" alt="Bronze Age Celtic Burial Urn"/></a></p>]]></description>
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 <link>http://www.thejei.org/art-2/pagan-celtic-art-in-the-bronze-age.html</link>
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 <media:title>Bronze Age Celtic Burial Urn</media:title>
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 <pubDate>Thu, 18 Aug 2011 09:31:26 GMT</pubDate>
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 <title>Plate Xiv CelticMythology</title>
 <description><![CDATA[Dispater was the great Celtic god of the underworld see p. 9 and is here represented holding a hammer and a cup for the hammer cf. the deity Sucellos, Plates XIII, XXVI, and see Plate IX, B the cup suggests the magic cauldron of the Celtic Elysium cf. pp. 41, 95-96, 100, 109-12, 120, 151, 192, 203-04 and see Plates IX, B, XXV . If the goddess beside him holding a cornucopia cf. Plate IX, A is really Aeracura, she probably represents an old earth goddess, later displaced by Dispater. From an...<p><a href="http://www.thejei.org/mythology-4/plate-xiv.html"><img src="http://www.thejei.org/mythology-4/images/1016_40_17.jpg" style="width: 313pt; height: 491pt;"/></a></p>]]></description>
 <category>CelticMythology</category>
 <link>http://www.thejei.org/mythology-4/plate-xiv.html</link>
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 <pubDate>Thu, 18 Aug 2011 01:41:55 GMT</pubDate>
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 <title>Authors Preface CelticMythology</title>
 <description><![CDATA[rl a former work I have considered at some length the religion of the ancient Celts the present study describes those Celtic myths which remain to us as a precious legacy from the past, and is supplementary to the earlier book. These myths, as I show, seldom exist as the pagan Celts knew them, for they have been altered in various ways, since romance, pseudo-history, and the influences of Christianity have all affected many of them. Still they are full of interest, and it is not difficult to...]]></description>
 <category>CelticMythology</category>
 <link>http://www.thejei.org/mythology-4/authors-preface.html</link>
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 <pubDate>Wed, 17 Aug 2011 15:50:24 GMT</pubDate>
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 <title>Lugaid Laga CelticMythology</title>
 <description><![CDATA[to the fireplace, takes pity on the wretched woman. He gives her his bed and blanket. The Loathly Lady notices Diarmait's love spot, a facial blemish put there by the fairies. The spot makes any women who looks at it fall in love with the young man. The Loathly Lady says she has wandered the world alone for the past seven years. Diarmait reassures her and tells her she can sleep all night and he will protect her. Towards dawn, he notices that she has become a beautiful young woman. The next...]]></description>
 <category>CelticMythology</category>
 <link>http://www.thejei.org/mythology/lugaid-laga.html</link>
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 <pubDate>Wed, 17 Aug 2011 10:50:17 GMT</pubDate>
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 <title>Key Pattern Rings Celtic Key Patterns</title>
 <description><![CDATA[Although there are not many examples of key pattern rings technically known as 'annular' key patterns left, this is one of the more attractive uses of key patterns, combining as it does, the straight lines of the key patterns with circles. All the lines curve slightly, but the overall effect is not lost. The sweeping curves of traditional Celtic art can be seen tugging at the rigid, relatively modern form of decoration. They are, however, relatively easy to draw. It is best to start with an...<p><a href="http://www.thejei.org/key-patterns/key-pattern-rings.html"><img src="http://www.thejei.org/key-patterns/images/1009_28_123-circle-divided-into-equal-portions.jpg" style="width: 257pt; height: 256pt;" alt="Circle Divided Into Equal Portions"/></a></p>]]></description>
 <link>http://www.thejei.org/key-patterns/key-pattern-rings.html</link>
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 <media:title>Circle Divided Into Equal Portions</media:title>
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 <pubDate>Tue, 16 Aug 2011 21:45:59 GMT</pubDate>
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 <title>List Of Illustrations CelticBritain</title>
 <description><![CDATA[The Bard, Thomas Jones National Museums and Galleries of Wales 'Lindow Man' The British Museum Ogham alphabet From Celtic Connections by David James and Simant Bostock, Blandford. Illustration by Anthony Rees Blandford Cassells Publisher St Brendan and the whale The Art Archive British Library BookofKells Trinity College Library, Dublin, Ireland Bridgeman Art Library Oseburg Ship University Museum of Cultural Heritage - University of Oslo, Norway Bjornson cross Manx National Heritage Lewis...<p><a href="http://www.thejei.org/britain-3/list-of-illustrations.html"><img src="http://www.thejei.org/britain-3/images/1017_4_4.jpg" style="width: 322pt; height: 452pt;"/></a></p>]]></description>
 <category>CelticBritain</category>
 <link>http://www.thejei.org/britain-3/list-of-illustrations.html</link>
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 <pubDate>Mon, 15 Aug 2011 09:40:08 GMT</pubDate>
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 <title>Aylesford and late Iron Age cremations CelticArt</title>
 <description><![CDATA[From the second half of the first century bc, south-east England north Kent, the Thames valley, Essex and thence inland to the Chilterns - sees the appearance of a new and distinctive type of burial in cremation cemeteries, a practice that is also widely represented in north-eastern France and Belgium at this period. For much of the twentieth century, following the pioneer study by Hawkes and Dunning 1930 , this innovative burial rite was equated with settlement by the Belgae, a confederation...<p><a href="http://www.thejei.org/art/aylesford-and-late-iron-age-cremations.html"><img src="http://www.thejei.org/art/images/989_60_78-iron-art-denmark.jpg" style="width: 341pt; height: 286pt;" title="Figure Aylesford Kent and Marlborough Wiltshire bucket ornament with head from Rynkeby cauldron Denmark Aylesford repouss horses head escutcheon Marlborough Celtic head Rynkeby head with torc Adapted from Jope 2000" alt="Iron Art Denmark"/></a></p>]]></description>
 <category>CelticArt</category>
 <link>http://www.thejei.org/art/aylesford-and-late-iron-age-cremations.html</link>
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 <media:title>Iron Art Denmark</media:title>
 <media:description type="html">Figure Aylesford Kent and Marlborough Wiltshire bucket ornament with head from Rynkeby cauldron Denmark Aylesford repouss horses head escutcheon Marlborough Celtic head Rynkeby head with torc Adapted from Jope 2000</media:description>
 <pubDate>Mon, 15 Aug 2011 06:04:18 GMT</pubDate>
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 <title>Types Of Holy Women In The Fifth And Sixth Centuries CelticWomen</title>
 <description><![CDATA[In Confessio, chapter 42, after relating the tribulations of virgins, Patrick adds nihilominus plus augetur numerus . . . praeter viduas et continentes. Women at various stages of life, he informs us, were undertaking religious professions of virginity, widowhood, and continence within marriage. By expressing it in this way, Patrick was betraying his familiarity with a standard late antique schema of human classification called the 'threefold scale of perfection'. The 'scale of 52 Whereas in...]]></description>
 <category>CelticWomen</category>
 <link>http://www.thejei.org/women/types-of-holy-women-in-the-fifth-and-sixth-centuries.html</link>
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 <pubDate>Mon, 15 Aug 2011 00:06:29 GMT</pubDate>
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 <title>Britain and Ireland CelticArt</title>
 <description><![CDATA[It would be plainly misleading to argue that Britain and Ireland were exempt from the wider European trend towards the three-dimensional relief styles fashionable from the beginning of the middle La Tene, though the identification of individual pieces as Plastic Style in any formal sense might be difficult. A substantial body of the British material, including the great works of parade armour, are in a very real sense 'plastic', though their construction often entails techniques that are...<p><a href="http://www.thejei.org/art/britain-and-ireland.html"><img src="http://www.thejei.org/art/images/989_52_54-celtiberian-brooch.jpg" style="width: 341pt; height: 465pt;" title="Figure The Wandsworth face mask shield Adapted from Brailsford 1975a" alt="Celtiberian Brooch"/></a></p>]]></description>
 <category>CelticArt</category>
 <link>http://www.thejei.org/art/britain-and-ireland.html</link>
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 <media:title>Celtiberian Brooch</media:title>
 <media:description type="html">Figure The Wandsworth face mask shield Adapted from Brailsford 1975a</media:description>
 <pubDate>Sun, 14 Aug 2011 11:07:47 GMT</pubDate>
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 <title>Sound system CelticLanguages</title>
 <description><![CDATA[The major set of phonological differences between Irish dialects lies in the realm of the operation of both synchronic and diachronic word-stress rules and their effects mainly on the quantity of vowels within unstressed syllables. Historically, it appears to have been the case that Irish developed a strong stress accent on the initial syllable of words during the pre-Old Irish period of the Ogam inscriptions, leading to a reduction of original long vowels in unstressed syllables. The...]]></description>
 <category>CelticLanguages</category>
 <link>http://www.thejei.org/languages-2/sound-system.html</link>
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 <pubDate>Fri, 12 Aug 2011 19:03:19 GMT</pubDate>
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 <title>Hand drill and vise CelticJewelry</title>
 <description><![CDATA[These are not essential tools, but they are useful for twisting several lengths of wire together see page 1 7 . A small vise that you can attach to the edge of your work table is also a helpful tool to hove if you are braiding wire see page 1 7 , as it holds one end of the wires firmly together while you work although you could ask a friend to help. Aium A hand drill and vise useful for twisting and braiding wires. Aium A hand drill and vise useful for twisting and braiding wires. L lt n A jitf...<p><a href="http://www.thejei.org/jewelry/hand-drill-and-vise.html"><img src="http://www.thejei.org/jewelry/images/1018_5_14.jpg" style="width: 63pt; height: 61pt;" title="Aium hand drill and vise useful for twisting and braiding wires"/></a></p>]]></description>
 <category>CelticJewelry</category>
 <link>http://www.thejei.org/jewelry/hand-drill-and-vise.html</link>
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 <media:description type="html">Aium hand drill and vise useful for twisting and braiding wires</media:description>
 <pubDate>Fri, 12 Aug 2011 17:46:37 GMT</pubDate>
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